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Every year, people in Britain cycle more than three billion miles | 0:00:02 | 0:00:05 | |
and over half of us own a bicycle. | 0:00:05 | 0:00:07 | |
We buy over 3.5 million of them every year. | 0:00:07 | 0:00:11 | |
But what engineering skills does it take to build a bike | 0:00:14 | 0:00:18 | |
and get it on the road? | 0:00:18 | 0:00:19 | |
We've come to the UK's largest bicycle factory to find out. | 0:00:19 | 0:00:24 | |
GREGG LAUGHS | 0:00:24 | 0:00:26 | |
'I'm Gregg Wallace...' Wheels! | 0:00:26 | 0:00:28 | |
'..and I'll be joining this multi-stage manual production line | 0:00:28 | 0:00:32 | |
'to make my own bike...' | 0:00:32 | 0:00:34 | |
There's just over 16.5 million different combinations. | 0:00:34 | 0:00:37 | |
Don't be ridiculous! | 0:00:37 | 0:00:38 | |
'..learning skills that take years to master...' | 0:00:38 | 0:00:42 | |
-You're holding 1,000 degrees in your hand. -Er... | 0:00:42 | 0:00:45 | |
'..and trying to keep up with their 24-hour production targets.' | 0:00:45 | 0:00:50 | |
I was chatting, I'm sorry. Let's go, let's go! | 0:00:50 | 0:00:52 | |
'I'm Cherry Healey.' | 0:00:52 | 0:00:54 | |
Whoa! | 0:00:54 | 0:00:56 | |
'I'll be getting some tips from Team GB | 0:00:56 | 0:00:58 | |
'to help us all improve our pedal power...' | 0:00:58 | 0:01:01 | |
-Wow, look at that. -So, how do I know | 0:01:01 | 0:01:03 | |
if I've got the right pressure in my wheel? | 0:01:03 | 0:01:04 | |
'..and learning the secrets of painting a bike | 0:01:04 | 0:01:07 | |
'fit for the British weather.' | 0:01:07 | 0:01:09 | |
You bake it in an oven! | 0:01:09 | 0:01:11 | |
Historian Ruth Goodman investigates | 0:01:11 | 0:01:13 | |
the role bikes played in the D-day landings... | 0:01:13 | 0:01:16 | |
This seems an enormously heavy machine | 0:01:16 | 0:01:18 | |
to be wearing whilst you jump out of a plane in a parachute. | 0:01:18 | 0:01:21 | |
..and how two wheels helped women fight for equality. | 0:01:21 | 0:01:24 | |
The bicycle really was, then, a part | 0:01:24 | 0:01:26 | |
of the sort of tools of the trade in their political ambitions. | 0:01:26 | 0:01:29 | |
A brand-new bicycle comes off this production line | 0:01:33 | 0:01:35 | |
every three and a half minutes. | 0:01:35 | 0:01:37 | |
-Hey! -Ta-da! | 0:01:37 | 0:01:40 | |
And we're going to show you the amazing engineering | 0:01:40 | 0:01:43 | |
and craftsmanship that goes into making every single one. | 0:01:43 | 0:01:47 | |
Welcome to Inside The Factory. | 0:01:47 | 0:01:50 | |
Welcome to the Brompton Bicycle factory in west London. | 0:02:04 | 0:02:08 | |
It's the largest and one of the few remaining bike factories in Britain. | 0:02:08 | 0:02:13 | |
This is their classic folding bike | 0:02:13 | 0:02:15 | |
and it can be unfolded in as little as six seconds. | 0:02:15 | 0:02:19 | |
Over 1,000 of these a week roll out of this factory, | 0:02:19 | 0:02:23 | |
-ready to be shipped around the world. -Um... | 0:02:23 | 0:02:26 | |
-I've nearly got it. Ah... -Do you need a tiny bit of help there? | 0:02:27 | 0:02:32 | |
Let's have a go. | 0:02:32 | 0:02:34 | |
Thank you, Cherry. | 0:02:38 | 0:02:40 | |
That's a clever design but quite complicated to manufacture. | 0:02:40 | 0:02:45 | |
They start off life like this - 1,200 individual parts. | 0:02:45 | 0:02:51 | |
Tonight, we're going to show you how a team of hundreds can turn this | 0:02:51 | 0:02:55 | |
into a working bicycle in less than 24 hours. | 0:02:55 | 0:02:59 | |
This is the largest company manufacturing bikes in the UK. | 0:03:02 | 0:03:05 | |
And they hand-build every frame. | 0:03:07 | 0:03:10 | |
All the raw steel they use comes from Spain in six-metre lengths, | 0:03:11 | 0:03:15 | |
so first, it goes to a specialist company in Leicester | 0:03:15 | 0:03:17 | |
to be laser-sliced or machine-sawed. | 0:03:17 | 0:03:21 | |
At the London bicycle factory, the material intake section | 0:03:23 | 0:03:27 | |
receives four tons of made-to-measure parts every week. | 0:03:27 | 0:03:32 | |
That's enough for more than 150 folding bikes | 0:03:32 | 0:03:36 | |
every 24 hours of production. | 0:03:36 | 0:03:39 | |
And I'll be responsible for one of them. | 0:03:39 | 0:03:41 | |
The countdown from metal bits to my bicycle begins. | 0:03:42 | 0:03:45 | |
I'm going to need a lot of help, | 0:03:48 | 0:03:50 | |
starting with training manager, Barney Fox. | 0:03:50 | 0:03:53 | |
-Are you going to give me my bits? -Absolutely. | 0:03:53 | 0:03:55 | |
First, we should start with the main frame. | 0:03:55 | 0:03:57 | |
Two bits of tubing for you. Take one of those. | 0:03:57 | 0:03:59 | |
That's where your bottom bracket will go. | 0:03:59 | 0:04:01 | |
That's where your crank and chain set go. Main frame tubing. | 0:04:01 | 0:04:04 | |
All right, couple of chain stays for you - left and right. | 0:04:04 | 0:04:07 | |
So, you can take that as well. Going to need a handlebar stem. | 0:04:07 | 0:04:10 | |
Are you sure this actually makes a bike? | 0:04:10 | 0:04:13 | |
You're also going to need a fork to be able to... | 0:04:13 | 0:04:16 | |
METAL CLANGS ON FLOOR | 0:04:16 | 0:04:18 | |
-Well. -Sorry, Barney. -There you are. Keep hold of that. | 0:04:18 | 0:04:22 | |
Where can I put that? | 0:04:22 | 0:04:23 | |
Just to finish off the main frame, put in a seat tubing in there. | 0:04:23 | 0:04:26 | |
There's a little bit more than I thought there'd be. | 0:04:26 | 0:04:29 | |
-Is it starting to look like a bike yet? -Not at all! | 0:04:29 | 0:04:32 | |
I feel like the Tin Man! That's not a bike, surely! | 0:04:32 | 0:04:35 | |
33 separate pieces of metal will form the skeleton of my bike | 0:04:38 | 0:04:43 | |
and every single part will be joined together, | 0:04:43 | 0:04:45 | |
not by robots, but by artisans. | 0:04:45 | 0:04:48 | |
First out of my box of bits, it's the biggest tube in the main frame. | 0:04:49 | 0:04:54 | |
It needs bending into its distinctive shape | 0:04:54 | 0:04:57 | |
and they do that with the original mould press, | 0:04:57 | 0:05:00 | |
designed more than 30 years ago. | 0:05:00 | 0:05:02 | |
That machine is set to do this at the right angle every time, is it? | 0:05:04 | 0:05:08 | |
-Yes. -Where does this bit go - up? -Over here. -Like that? | 0:05:08 | 0:05:13 | |
'It's shaped every folding bike that's left this factory, | 0:05:13 | 0:05:16 | |
'using a pressure five times the weight of a white rhino.' | 0:05:16 | 0:05:20 | |
-And now, is this...that bit? -No, it's not that bit. | 0:05:20 | 0:05:26 | |
-If you turn it up, it will be this way. -So, that's... | 0:05:26 | 0:05:30 | |
-Yes. -That bit. | 0:05:30 | 0:05:32 | |
'Just 15 minutes after the raw steel arrived at the factory, | 0:05:34 | 0:05:37 | |
'and I've now got all the parts of my frame ready. | 0:05:37 | 0:05:40 | |
'Now it's time to start turning it into a bike.' Thank you. | 0:05:40 | 0:05:44 | |
The 33 steel parts of the frame need joining together by brazing. | 0:05:47 | 0:05:52 | |
It's like soldering but at an extreme heat of 1,000 degrees. | 0:05:54 | 0:05:59 | |
It's all done by hand. | 0:06:00 | 0:06:02 | |
There are 42 braziers and the most experienced is Abdul El Saidi. | 0:06:04 | 0:06:08 | |
-Hello! -Hello, Gregg. -'He's worked here for 18 years.' | 0:06:08 | 0:06:13 | |
What is your role here, Abdul? | 0:06:13 | 0:06:15 | |
-I train every single person in here how to become brazier. -Right. | 0:06:15 | 0:06:19 | |
Training takes 18 months and, after qualifying, | 0:06:21 | 0:06:24 | |
each brazier is allowed to sign their own work. | 0:06:24 | 0:06:28 | |
-They stamp their own initials? -Every single brazier has his own initials. | 0:06:28 | 0:06:32 | |
These bikes are going all over the world | 0:06:32 | 0:06:34 | |
-and it's got one of your boys' initials on it. -Exactly. | 0:06:34 | 0:06:37 | |
The wall of fame shows the pride in their work | 0:06:39 | 0:06:41 | |
and I'm hoping I can live up to the legacy as Abdul's latest trainee. | 0:06:41 | 0:06:47 | |
There's a sleeve for extra protection. | 0:06:47 | 0:06:49 | |
-You're holding 1,000 degrees in your hand. -You're kidding me. | 0:06:49 | 0:06:53 | |
'That's the melting point of bronze, | 0:06:53 | 0:06:55 | |
'which forms an incredibly strong and solid bond between the joints.' | 0:06:55 | 0:06:59 | |
-When was the last time you burnt yourself? -Maybe three months ago. | 0:06:59 | 0:07:04 | |
-Oh, no, Abdul! -It's only a little touch. | 0:07:04 | 0:07:08 | |
'I'm right out of my comfort zone.' | 0:07:09 | 0:07:12 | |
-Er... -Very safe, very safe. | 0:07:12 | 0:07:13 | |
Nothing to worry about. Like a pen in your hand. | 0:07:13 | 0:07:16 | |
Right, what we're going to do - the wire in this hand | 0:07:16 | 0:07:18 | |
and I'll show you how simple and easy and you're going to love it. | 0:07:18 | 0:07:22 | |
-Oh, yeah. -Don't worry. Like everyone. -I'm not at all nervous(!) | 0:07:22 | 0:07:26 | |
Slowly... Excellent. Keep going with the torch. | 0:07:28 | 0:07:32 | |
Excellent, that's the one. | 0:07:32 | 0:07:33 | |
So, you're wishing to become a master brazier? | 0:07:33 | 0:07:36 | |
Well, I tell you what, I would be tired at the end of the day, | 0:07:36 | 0:07:39 | |
-because this is quite precise work. -Very good, go. | 0:07:39 | 0:07:43 | |
If that's melting metal together, | 0:07:43 | 0:07:44 | |
that would make a terrible mess of my fingers. | 0:07:44 | 0:07:47 | |
'Now I've practised, Abdul's letting me braze | 0:07:47 | 0:07:50 | |
'one of the joints on the bike I'm building - | 0:07:50 | 0:07:53 | |
'under his watchful eye and, well, safe in his arms.' | 0:07:53 | 0:07:57 | |
# Oh, my love... # | 0:07:57 | 0:08:03 | |
Straight line, little bit. | 0:08:03 | 0:08:05 | |
-# My darling... # -Close the joint together. | 0:08:05 | 0:08:09 | |
# I've hungered for your touch... # | 0:08:09 | 0:08:14 | |
-I'm going to leave you to continue on your own. -No! You can't leave me! | 0:08:14 | 0:08:19 | |
-# I need your love... # -I'll break it. | 0:08:19 | 0:08:26 | |
'Not bad, but nowhere near as good as these guys.' | 0:08:28 | 0:08:32 | |
Can I take one of yours? Is that OK? | 0:08:32 | 0:08:35 | |
-Abdul! -Yes. -I've finished. -Well done. -What do you think? | 0:08:38 | 0:08:42 | |
-Wow, fantastic! -Not bad, huh? -Professional. Very good. -Actually... | 0:08:42 | 0:08:47 | |
-Is that the one you brazed? -No, actually... | 0:08:47 | 0:08:49 | |
I thought that looked OK until I saw my friend's. | 0:08:49 | 0:08:52 | |
The more you practise, the more you get better and better. | 0:08:52 | 0:08:55 | |
'I don't deserve to be here, but I made it to the wall of fame. | 0:08:55 | 0:08:59 | |
'And luckily, Abdul's team is giving me a hand, | 0:08:59 | 0:09:03 | |
'brazing the rest of my bike joints - | 0:09:03 | 0:09:05 | |
'normally an intensive four-hour job.' | 0:09:05 | 0:09:08 | |
There you go. With a little bit of help from Abdul, | 0:09:10 | 0:09:12 | |
I've finished the parts of my bike frame | 0:09:12 | 0:09:14 | |
and now they're going to go off and get painted. | 0:09:14 | 0:09:16 | |
My bike frame leaves London to travel 150 miles | 0:09:19 | 0:09:23 | |
to a factory in Cardiff, where they paint 1,000 folding bikes a week, | 0:09:23 | 0:09:28 | |
and Cherry's in charge of my paint job. | 0:09:28 | 0:09:31 | |
So, when you order your bike, | 0:09:31 | 0:09:33 | |
you can choose from over 100 different colour combinations | 0:09:33 | 0:09:38 | |
and every single bike comes through this one factory, | 0:09:38 | 0:09:42 | |
here in Cardiff, to be painted. | 0:09:42 | 0:09:44 | |
I suppose I'd better get cracking then. | 0:09:44 | 0:09:46 | |
'First, we're dipping the parts into a series of 11 giant baths | 0:09:47 | 0:09:51 | |
'and that's just to prepare the steel for painting.' | 0:09:51 | 0:09:54 | |
Have a nice bath! | 0:09:54 | 0:09:56 | |
'In the two-and-a-half-hour process, the frame gets an alkaline wash | 0:09:58 | 0:10:03 | |
'to clean it, a coating of crystals to protect it from rust | 0:10:03 | 0:10:07 | |
'and it's dunked in a bath of base paint with an electric charge | 0:10:07 | 0:10:12 | |
'to make it stick to the metal. | 0:10:12 | 0:10:14 | |
'The manager here is David Morgan.' | 0:10:16 | 0:10:18 | |
Do you have to do this with normal bikes? | 0:10:18 | 0:10:20 | |
It sounds extremely labour-intensive. | 0:10:20 | 0:10:22 | |
The importance of this, with a folding bike, | 0:10:22 | 0:10:25 | |
is that when you open the bike, | 0:10:25 | 0:10:26 | |
you're opening the bike to the elements, effectively. | 0:10:26 | 0:10:29 | |
So, if the inside of the bike isn't protected, | 0:10:29 | 0:10:31 | |
the inside of the bike will rust | 0:10:31 | 0:10:33 | |
and the bike will effectively rust from the inside out. | 0:10:33 | 0:10:35 | |
Is that really the only way to get that protection? | 0:10:35 | 0:10:38 | |
If you want a premium finish, yes. | 0:10:38 | 0:10:40 | |
If only Gregg knew how much hard work | 0:10:40 | 0:10:43 | |
goes into just priming the frame. | 0:10:43 | 0:10:45 | |
-You're not even painting it yet! -Nope. | 0:10:45 | 0:10:47 | |
Before we can start, Gregg's bike frame is heated for 45 minutes | 0:10:49 | 0:10:53 | |
at 180 degrees to harden the primer. | 0:10:53 | 0:10:57 | |
At last, overalls on, I'm ready. | 0:10:57 | 0:11:00 | |
CHERRY GRUNTS | 0:11:00 | 0:11:03 | |
'Showing me how to do a professional paint job | 0:11:03 | 0:11:05 | |
'is managing director Steve Rosher.' | 0:11:05 | 0:11:08 | |
-Can I have a paintbrush? -No. | 0:11:08 | 0:11:10 | |
-What you need is a powder coating gun. -A powder coating gun? | 0:11:10 | 0:11:14 | |
Surely if you put powder onto metal, it will just blow off. | 0:11:14 | 0:11:17 | |
Not if you use the proper equipment. | 0:11:17 | 0:11:19 | |
'The paint powder is electrostatically charged, | 0:11:21 | 0:11:24 | |
'so it's attracted to every little bit of the steel surface.' | 0:11:24 | 0:11:28 | |
That looks painted to me. That looks like a painted piece of metal. | 0:11:31 | 0:11:34 | |
OK, but at the moment it's held on just by static electricity, | 0:11:34 | 0:11:38 | |
-so if you touch it... -Whoa! -..it comes away. | 0:11:38 | 0:11:41 | |
-What? -So, it's still a dry powder. | 0:11:41 | 0:11:44 | |
Wow! Amazing! It just falls off. | 0:11:46 | 0:11:50 | |
Obviously, you can't send this bike out for someone to ride | 0:11:50 | 0:11:53 | |
cos it would come off in one rain shower. | 0:11:53 | 0:11:55 | |
-So we have to bake it in a oven. -You bake it in an oven! | 0:11:55 | 0:11:58 | |
'But before that happens, I need to get Gregg's frame painted.' | 0:11:58 | 0:12:03 | |
Ta-da! | 0:12:03 | 0:12:05 | |
-Well done. Job looks good. Shall we put them in the oven? -Yes! | 0:12:05 | 0:12:10 | |
'After baking for 15 minutes at 180 degrees, the parts are ready.' | 0:12:10 | 0:12:17 | |
So, it goes off down to quality control now | 0:12:17 | 0:12:19 | |
and then it's up to London, back to Gregg. | 0:12:19 | 0:12:21 | |
This bike has been primed, painted and baked | 0:12:23 | 0:12:27 | |
and now I look like a Smurf! | 0:12:27 | 0:12:29 | |
Back at the factory, | 0:12:33 | 0:12:35 | |
and we're now 16 hours into building my bike. | 0:12:35 | 0:12:38 | |
I've got my hands on my frame again | 0:12:38 | 0:12:40 | |
and now it's looking fabulous. | 0:12:40 | 0:12:42 | |
Right, Barney, I'm back here. I've had my tubes, I've bent them, | 0:12:42 | 0:12:46 | |
I've brazed it, we've now painted it - | 0:12:46 | 0:12:49 | |
surely we are now ready to put a bicycle together, aren't we? | 0:12:49 | 0:12:52 | |
Before we pop it onto the line, we need to give it a quick visual check | 0:12:52 | 0:12:55 | |
to make sure that we're happy with them. | 0:12:55 | 0:12:57 | |
So, if you want to pick one of the parts up. | 0:12:57 | 0:12:59 | |
Let's have a scan over with our eyes | 0:12:59 | 0:13:01 | |
and just make sure there's no imperfections, | 0:13:01 | 0:13:04 | |
no defects on the part whosoever. | 0:13:04 | 0:13:05 | |
Are you sure that paint seems all right? | 0:13:05 | 0:13:08 | |
The main parts we're going to look at are the top of the tubing | 0:13:08 | 0:13:11 | |
and if you're happy, I'm happy to put it on the line. | 0:13:11 | 0:13:14 | |
-Yeah, I'm happy. -Let's go for it. -I think that's good work, mate. | 0:13:14 | 0:13:17 | |
-Sounds good. Let's go. -Come on then, lend a hand, Barney! | 0:13:17 | 0:13:19 | |
You'll be all right, come on. | 0:13:19 | 0:13:21 | |
My bike parts will pass through a 28-person production line. | 0:13:25 | 0:13:28 | |
The 12 most time-critical jobs on the main assembly | 0:13:31 | 0:13:35 | |
have just three and a half minutes before the bike moves on. | 0:13:35 | 0:13:39 | |
And the target board keeps everyone on track. | 0:13:42 | 0:13:45 | |
They build 153 bikes a day and each one can be completely different. | 0:13:47 | 0:13:53 | |
There's just over 60.5 million different combinations. | 0:13:53 | 0:13:56 | |
-Don't be ridiculous! -Absolutely. -How? Forgive me, but how? | 0:13:56 | 0:14:00 | |
We can have lots of different colours, | 0:14:00 | 0:14:02 | |
different types of handlebars, different gear rangings, | 0:14:02 | 0:14:05 | |
you can have mud guards, you don't have to have mud guards. | 0:14:05 | 0:14:08 | |
To help the team keep on top of each unique order, | 0:14:09 | 0:14:13 | |
every bike travels through with a kind of passport. | 0:14:13 | 0:14:15 | |
This is quite simply named a "pink". | 0:14:15 | 0:14:18 | |
It tells the operator on our production line | 0:14:18 | 0:14:20 | |
what parts need to go where | 0:14:20 | 0:14:22 | |
and this is pretty much the DNA of the bicycle. | 0:14:22 | 0:14:25 | |
-So, is there one here for me and Cherry's bike? -This is it. | 0:14:25 | 0:14:28 | |
This is it. You do realise, don't you, | 0:14:28 | 0:14:30 | |
-everyone's going to want the Gregg bike in Cherry colour? -You reckon? | 0:14:30 | 0:14:34 | |
'Before I can get going with MY bike, | 0:14:36 | 0:14:38 | |
'I've got to find the beginning of the assembly line.' | 0:14:38 | 0:14:41 | |
Someone's got to help me. | 0:14:41 | 0:14:42 | |
I've got to put a bike together - where do I start? | 0:14:42 | 0:14:45 | |
Start over there? | 0:14:47 | 0:14:48 | |
-I need help! Are you the first bit? I'm Gregg. -I'm Rafael. | 0:14:48 | 0:14:53 | |
In the Main Frame Station 1, | 0:14:53 | 0:14:55 | |
16 hours and 8 minutes after they were plain metal tubes, | 0:14:55 | 0:14:59 | |
Rafael Sarkovski will start connecting them together. | 0:14:59 | 0:15:02 | |
What is this bit? What is it? Where does it go? | 0:15:02 | 0:15:05 | |
On the front, front of the bike. | 0:15:05 | 0:15:07 | |
-Here we're going to put a handlebar and fork. -Oh, OK, OK. | 0:15:07 | 0:15:11 | |
-Yeah, like that. -OK, OK, OK. | 0:15:11 | 0:15:13 | |
'First, the chrome spacers go on.' | 0:15:13 | 0:15:15 | |
Argh! | 0:15:15 | 0:15:17 | |
'The front and main frame is attached with a hinge | 0:15:17 | 0:15:19 | |
'to form one of the three key folding points of the bike. | 0:15:19 | 0:15:23 | |
'Rafael attaches the quick-release clamp.' | 0:15:25 | 0:15:28 | |
Done? | 0:15:28 | 0:15:30 | |
'Next, in Main Frame 2, Carl O'Brien will fit the seat post, | 0:15:30 | 0:15:34 | |
'which is inserted upside down.' | 0:15:34 | 0:15:37 | |
-Do you want to just flip the bike over? -Oh, oh, Carl, you're a star. | 0:15:37 | 0:15:43 | |
'Then we need to add its all-important safety features.' | 0:15:43 | 0:15:47 | |
But first, Cherry's investigating what's being done | 0:15:47 | 0:15:50 | |
to make our roads safer for cyclists. | 0:15:50 | 0:15:53 | |
SIRENS WAIL | 0:15:57 | 0:15:59 | |
As an enthusiastic urban cyclist, I generally feel safe, | 0:15:59 | 0:16:03 | |
but it is hard not to worry when you see flowers laid out | 0:16:03 | 0:16:06 | |
in tribute to cyclists who've died on the roads. | 0:16:06 | 0:16:10 | |
In London alone, there have been 66 fatalities since 2011 | 0:16:10 | 0:16:15 | |
and more than half of them were collisions with a truck. | 0:16:15 | 0:16:19 | |
'To find out why cyclists and trucks are such a deadly combination...' | 0:16:20 | 0:16:25 | |
It's a pretty big lorry. | 0:16:25 | 0:16:27 | |
'..I'm getting behind the wheel of an HGV...' | 0:16:27 | 0:16:30 | |
Whoa, that is so high! | 0:16:30 | 0:16:33 | |
'..with instructor Doug Johnson.' | 0:16:33 | 0:16:36 | |
-Ready to fire it up? -Holy moly! | 0:16:36 | 0:16:38 | |
-So, you bring your clutch up gently, gently, gently. -Whoa! | 0:16:39 | 0:16:42 | |
Oh, my God, the weight of this thing. | 0:16:45 | 0:16:48 | |
'Doug's going to show me the challenges of keeping cyclists safe | 0:16:49 | 0:16:53 | |
'from a lorry driver's perspective. First, a left turn.' | 0:16:53 | 0:16:57 | |
Now, looking left and looking right, | 0:16:57 | 0:16:59 | |
we're going to treat this like a junction, OK? | 0:16:59 | 0:17:02 | |
Bring it to a nice gentle stop. | 0:17:02 | 0:17:04 | |
Have a good look in your mirrors. Is it clear? | 0:17:06 | 0:17:08 | |
-I can see the lorry, I can see the cone. -If it's clear... | 0:17:08 | 0:17:12 | |
-Yes, absolutely. -Let's just get out and have a look from the outside. | 0:17:12 | 0:17:16 | |
-Whoa! Oh, my God! -CYCLISTS CHEER | 0:17:20 | 0:17:24 | |
How is that possible that all of you and the car...? | 0:17:24 | 0:17:29 | |
I can't believe it. | 0:17:29 | 0:17:31 | |
-Literally, you cannot see anything. -Yeah, yeah, it's scary. | 0:17:31 | 0:17:36 | |
'There are seven cyclists here | 0:17:36 | 0:17:38 | |
'and the left-turn blind spot can hide a great many more. | 0:17:38 | 0:17:43 | |
'I was convinced it was safe to turn but it wasn't.' | 0:17:43 | 0:17:47 | |
That's just bizarre. | 0:17:47 | 0:17:48 | |
'And many truck drivers have another blind spot right under their noses.' | 0:17:48 | 0:17:53 | |
-Look in all your mirrors, look out the windows. -I can't see anything. | 0:17:53 | 0:17:57 | |
Whoa! Where did they come from? | 0:17:57 | 0:18:01 | |
Oh, my gosh, you've got to be at least, what, | 0:18:01 | 0:18:05 | |
three of four metres away for me to be able to see them. | 0:18:05 | 0:18:09 | |
Yep, don't be close to a big truck. | 0:18:09 | 0:18:11 | |
'This spot is so dangerous. Since 2015, | 0:18:11 | 0:18:15 | |
'all lorries in London over 3.5 tons must have special mirrors | 0:18:15 | 0:18:20 | |
'to improve vision directly in front of the cab | 0:18:20 | 0:18:23 | |
'and both sides of the driver. | 0:18:23 | 0:18:25 | |
'But this isn't yet law in the rest of the UK. | 0:18:25 | 0:18:29 | |
'Now I want to know what I can do to protect myself on my bike.' | 0:18:29 | 0:18:34 | |
So, where is it that I should be that is safe? | 0:18:34 | 0:18:37 | |
Ideally, you need to be here, | 0:18:37 | 0:18:39 | |
-so you've got good eye-line with the driver. -Yes. | 0:18:39 | 0:18:41 | |
-He can see you, you can see him. -Right. | 0:18:41 | 0:18:44 | |
-So you need to be quite assertive. -That will keep you safe. | 0:18:44 | 0:18:48 | |
LORRY HORN BEEPS | 0:18:50 | 0:18:52 | |
I had absolutely no idea | 0:18:52 | 0:18:54 | |
that the blind spot was such a huge area next to the lorry. | 0:18:54 | 0:18:58 | |
It just goes to show that when you're cycling, | 0:18:58 | 0:19:01 | |
you have to be so aware. | 0:19:01 | 0:19:04 | |
HGV designers can play their part too. | 0:19:06 | 0:19:09 | |
A number of manufacturers have added extra visibility to their vehicles, | 0:19:09 | 0:19:13 | |
like this Mercedes Econic lorry. | 0:19:13 | 0:19:16 | |
CHERRY KNOCKS ON DOOR | 0:19:16 | 0:19:18 | |
-May I come in? -Of course you can, Cherry. | 0:19:18 | 0:19:21 | |
'Joe Riley drives one of the 5,000 that are on our roads.' | 0:19:21 | 0:19:26 | |
-I can see how much more you can see. -Yes. | 0:19:26 | 0:19:29 | |
You have almost a 360 view around your cab. | 0:19:29 | 0:19:33 | |
Yes, I can see more so there's less chance of me having an accident. | 0:19:33 | 0:19:38 | |
'We're hitting the streets | 0:19:39 | 0:19:40 | |
'so Joe can show me its safety features in action. | 0:19:40 | 0:19:44 | |
'First, the floor-to-ceiling folding glass door.' | 0:19:44 | 0:19:48 | |
When we're turning left, | 0:19:48 | 0:19:49 | |
it's the most dangerous manoeuvre any lorry driver can do. | 0:19:49 | 0:19:53 | |
This is what it's all about. It's that point there. | 0:19:53 | 0:19:56 | |
-So, this area here, the clear area here... -Yeah. | 0:19:56 | 0:19:59 | |
..is, potentially, the difference between life or death for a cyclist. | 0:19:59 | 0:20:03 | |
-Indeed it is. -Isn't that amazing, | 0:20:03 | 0:20:07 | |
-that a clear door could save someone from a fatal accident? -Yes, it is. | 0:20:07 | 0:20:12 | |
-What other features does this lorry have? -It's got side sensors. | 0:20:14 | 0:20:18 | |
SENSORS BEEP | 0:20:18 | 0:20:21 | |
The cyclist also gets a danger alert. | 0:20:21 | 0:20:24 | |
Can you hear the verbal warning system? | 0:20:24 | 0:20:26 | |
LORRY: 'Stand clear. This vehicle is turning left.' | 0:20:26 | 0:20:29 | |
And it repeats itself every time I've got an indicator on left. | 0:20:29 | 0:20:33 | |
So, cyclists know you're about to make that turn. | 0:20:33 | 0:20:36 | |
This lorry also has a state-of-the-art safety camera. | 0:20:36 | 0:20:41 | |
-The camera picks up down the near side. -Right. | 0:20:41 | 0:20:44 | |
-So, I can see cyclists coming up. There's a cyclist. -Here he comes. | 0:20:44 | 0:20:49 | |
Totally clear view. That is absolutely brilliant. | 0:20:49 | 0:20:52 | |
The difference is incredible. | 0:20:55 | 0:20:57 | |
The huge windows and added sensors | 0:20:57 | 0:21:00 | |
mean that cyclists can just feel that much safer on the roads. | 0:21:00 | 0:21:04 | |
At the factory, it's 16 hours and 15 minutes | 0:21:15 | 0:21:17 | |
since I collected the parts for my bike. | 0:21:17 | 0:21:21 | |
We've bent the steel, brazed the frame and Cherry's painted it blue. | 0:21:21 | 0:21:27 | |
We've put together its front frame, main frame and seat post. | 0:21:27 | 0:21:31 | |
The target board shows that, somehow, we're still on schedule. | 0:21:31 | 0:21:35 | |
'Now, Gary Franklin...' I've got another one coming in. | 0:21:35 | 0:21:38 | |
'..attaches the fork for the front wheel.' | 0:21:38 | 0:21:41 | |
Station by station, bit by bit, this is looking like a bike. | 0:21:41 | 0:21:44 | |
You need to tighten the top nut, and then back off the bottom nut. | 0:21:44 | 0:21:48 | |
Just make sure that you can feel the ball bearings working. | 0:21:48 | 0:21:52 | |
Then he fits the front brake, reflector and mud guard. | 0:21:52 | 0:21:56 | |
If you don't do this right, does it get rejected further down the line? | 0:21:56 | 0:21:59 | |
Yeah, it'll go down on the computer system and you have a talking-to. | 0:21:59 | 0:22:03 | |
Whoa! It's like being a proper mechanic, isn't it? | 0:22:03 | 0:22:06 | |
-Yeah. -Cheers, mate. | 0:22:06 | 0:22:08 | |
'Overseeing the entire operation is the company CEO, Will Butler-Adams.' | 0:22:10 | 0:22:15 | |
It's not what I expected at all. | 0:22:16 | 0:22:18 | |
That's what I was going to ask - what did you expect? | 0:22:18 | 0:22:20 | |
-It's far more artisan. I expected... -Machines, robots. | 0:22:20 | 0:22:24 | |
..30-foot high automatons. | 0:22:24 | 0:22:26 | |
What I didn't expect was two rows of people. | 0:22:26 | 0:22:28 | |
Tell me about the idea of a folding bike. | 0:22:33 | 0:22:35 | |
If you're going to use a bike, you need a bike that's convenient. | 0:22:35 | 0:22:38 | |
If you live in a city, dragging a big bike is a bit of a pain. | 0:22:38 | 0:22:41 | |
So, if you can have a bike, like a Swiss Army knife, | 0:22:41 | 0:22:43 | |
suddenly appears when you want it, | 0:22:43 | 0:22:45 | |
disappears when you don't want it, it's handy. | 0:22:45 | 0:22:48 | |
Whilst modern folding bikes are made mostly for urban use, | 0:22:48 | 0:22:51 | |
that hasn't always been the case, | 0:22:51 | 0:22:53 | |
as historian Ruth Goodman is finding out. | 0:22:53 | 0:22:55 | |
Imagine the scene. | 0:23:02 | 0:23:03 | |
You are 8,000 feet above northern France, | 0:23:03 | 0:23:06 | |
about to jump into enemy territory. | 0:23:06 | 0:23:09 | |
You've got your parachute and your pack, and you've also been told | 0:23:09 | 0:23:12 | |
to take the airborne military folding bicycle. | 0:23:12 | 0:23:15 | |
And it's not light. | 0:23:16 | 0:23:18 | |
But it was long before the Second World War | 0:23:18 | 0:23:21 | |
that folding bikes went into military action. | 0:23:21 | 0:23:23 | |
They appear from the 1870s onwards | 0:23:23 | 0:23:26 | |
and collector Colin Kirsch has the proof. | 0:23:26 | 0:23:29 | |
This is the front end of a detachable Dursley-Pedersen | 0:23:29 | 0:23:34 | |
from 1900. | 0:23:34 | 0:23:36 | |
The idea was to use it to carry on a soldier's back during the Boer War. | 0:23:36 | 0:23:41 | |
Oh, right. You're supposed to carry both parts? | 0:23:41 | 0:23:45 | |
Yes, so the two parts would strap together. | 0:23:45 | 0:23:50 | |
So, did this idea get developed further then? | 0:23:50 | 0:23:53 | |
Yes, there were quite a few folding bicycles at that time - | 0:23:53 | 0:23:57 | |
lots of prototypes. | 0:23:57 | 0:23:58 | |
But it wasn't until World War I | 0:24:00 | 0:24:02 | |
that the British army really appreciated their potential. | 0:24:02 | 0:24:06 | |
In 1914, the first year of the war, | 0:24:06 | 0:24:08 | |
14,000 British soldiers were in cyclist battalions. | 0:24:08 | 0:24:13 | |
So, here's the World War I BSA folding bike. | 0:24:14 | 0:24:19 | |
-And these were used in action? -Yes, they made large quantities of these. | 0:24:19 | 0:24:23 | |
The problem was, soldiers didn't really want to spend the time | 0:24:23 | 0:24:27 | |
unfolding them to put them on their back. | 0:24:27 | 0:24:30 | |
It was one of those things | 0:24:30 | 0:24:32 | |
that was not necessarily used for its purpose. | 0:24:32 | 0:24:35 | |
-Right, so it seemed like a good idea back in the office. -Exactly. | 0:24:35 | 0:24:39 | |
Even so, by the end of the war, in 1918, | 0:24:40 | 0:24:43 | |
100,000 troops had used a bike in active service. | 0:24:43 | 0:24:47 | |
They were used again by the military from 1939, | 0:24:53 | 0:24:57 | |
the start of World War II - | 0:24:57 | 0:24:59 | |
first, to helps save the lives of paratroopers, | 0:24:59 | 0:25:01 | |
getting them away from their drop zone as quickly as possible. | 0:25:01 | 0:25:04 | |
Colin, this seems an enormously big and heavy machine to be wearing | 0:25:06 | 0:25:10 | |
whilst you jump out of a plane in a parachute. | 0:25:10 | 0:25:13 | |
-Oh, well, this was probably the lightest! -Really? -Yes. | 0:25:13 | 0:25:18 | |
It managed to get the design of this one under 20lbs in weight. | 0:25:18 | 0:25:22 | |
It would give you mobility once you got on the ground, | 0:25:22 | 0:25:24 | |
if you were off trying to find specific targets. | 0:25:24 | 0:25:27 | |
-Yes, as long as you weren't under fire. -So, did they see much action? | 0:25:27 | 0:25:31 | |
Yes, there were two major campaigns they were used. | 0:25:31 | 0:25:34 | |
They were used on D-day in the landing craft | 0:25:34 | 0:25:37 | |
and they were used at Market Garden, | 0:25:37 | 0:25:40 | |
when 8,000 paratroopers were dropped, | 0:25:40 | 0:25:43 | |
many of them with bicycles. | 0:25:43 | 0:25:45 | |
-How does it go together then? It sort of... -Right... | 0:25:46 | 0:25:50 | |
-You wouldn't want to do this under fire. -You wouldn't, would you? | 0:25:52 | 0:25:55 | |
Fabulous design. | 0:25:56 | 0:25:58 | |
Ready to jump on and...ride away. | 0:26:00 | 0:26:04 | |
70,000 of the so-called parabikes were manufactured, | 0:26:04 | 0:26:09 | |
but British paratroopers weren't keen to ride them, | 0:26:09 | 0:26:13 | |
and at the end of the war, thousands were stockpiled | 0:26:13 | 0:26:16 | |
and then sold off as army surplus. | 0:26:16 | 0:26:18 | |
It wasn't until the 1960s | 0:26:21 | 0:26:23 | |
that folding and packaway bikes came back into favour. | 0:26:23 | 0:26:27 | |
Now they were fashionable | 0:26:27 | 0:26:29 | |
and, thanks to the much smaller 16-inch wheels, also practical. | 0:26:29 | 0:26:34 | |
The next big breakthrough was in 1971, | 0:26:34 | 0:26:37 | |
when Harry Bickerton came up with a new light and compact design, | 0:26:37 | 0:26:41 | |
which set the standard for folding bikes. | 0:26:41 | 0:26:44 | |
Four years later, Andrew Ritchie came up with his own invention, | 0:26:45 | 0:26:48 | |
the Brompton. | 0:26:48 | 0:26:50 | |
Back at the factory, Will's filling me in | 0:26:57 | 0:26:59 | |
on how that invention was turned into a commercial product. | 0:26:59 | 0:27:04 | |
Andrew Ritchie came up with the idea in his flat, | 0:27:04 | 0:27:06 | |
overlooking the Brompton Oratory, came up with the name and decided, | 0:27:06 | 0:27:10 | |
"Perfect, I'm a genius, everyone's going to want my design." | 0:27:10 | 0:27:13 | |
Gave it to Raleigh, they looked at it and decided it was bonkers, | 0:27:13 | 0:27:16 | |
didn't want to do it. | 0:27:16 | 0:27:17 | |
So, after everyone else turned it down, he decided to do it himself. | 0:27:17 | 0:27:21 | |
In the early '80s, Andrew began making bikes on a small scale | 0:27:21 | 0:27:25 | |
from his home in west London. | 0:27:25 | 0:27:27 | |
But making a profit was tough | 0:27:27 | 0:27:29 | |
and when the banks refused him a loan, | 0:27:29 | 0:27:31 | |
it was almost the end of the road. | 0:27:31 | 0:27:33 | |
One of his customers, | 0:27:33 | 0:27:35 | |
who was so frustrated that he couldn't buy any more of the bikes, | 0:27:35 | 0:27:38 | |
came in with the 40 grand he needed in 1988, | 0:27:38 | 0:27:41 | |
and after 13 years of struggle, he got started. | 0:27:41 | 0:27:44 | |
-He got his bike fan-funded. -Early fan-funding. -He did, didn't he? | 0:27:44 | 0:27:49 | |
Now, this factory produces 46,000 bikes a year, | 0:27:51 | 0:27:55 | |
and to help them keep on target, | 0:27:55 | 0:27:58 | |
I need to get mine back on the assembly line. | 0:27:58 | 0:28:00 | |
It's just over 16 hours and 18 minutes | 0:28:00 | 0:28:02 | |
since I started and now Hubert Stritzi | 0:28:02 | 0:28:04 | |
attaches the rear section | 0:28:04 | 0:28:06 | |
to the main frame | 0:28:06 | 0:28:08 | |
for the second key folding point. | 0:28:08 | 0:28:11 | |
-Put rear frame... -Ah. I can do this. | 0:28:12 | 0:28:17 | |
-OK, and now use this spanner... -Look in your ear. | 0:28:18 | 0:28:21 | |
-It's OK? Clear? -THEY LAUGH | 0:28:21 | 0:28:24 | |
Next, we're going to give my bike its mud guard, | 0:28:26 | 0:28:28 | |
racks and rear brakes. | 0:28:28 | 0:28:31 | |
Helping me is Michelle Makelogi. | 0:28:32 | 0:28:34 | |
I'm going to show you one side and then you can tighten the other one. | 0:28:35 | 0:28:39 | |
-Is that all right? -All right. -So, you just go like this. | 0:28:39 | 0:28:42 | |
-That's it. -And that's it, right? | 0:28:45 | 0:28:47 | |
Next stop for my bike is Fork 2, | 0:28:49 | 0:28:52 | |
-and Noel Peters. -Noel. | 0:28:52 | 0:28:54 | |
'All the experienced workers like Noel swap over their stations | 0:28:54 | 0:28:57 | |
'from day to day.' | 0:28:57 | 0:28:59 | |
Noel, you seem very confident. Have you been here a while?. | 0:29:00 | 0:29:02 | |
-Um, yeah, since May, 2001. -You've been here 15 years? | 0:29:02 | 0:29:06 | |
-Yeah, I can't believe it myself. -Wow, wow. | 0:29:06 | 0:29:10 | |
On his station today, Noel puts on the mud flaps | 0:29:11 | 0:29:14 | |
and attaches the derailleur cables | 0:29:14 | 0:29:16 | |
that will make the bike's gears change. | 0:29:16 | 0:29:19 | |
You're part-man, part-bicycle now, aren't you? | 0:29:19 | 0:29:21 | |
I think I'm robot now, complete robot! | 0:29:21 | 0:29:24 | |
They use more than half a mile of cable a day. | 0:29:26 | 0:29:30 | |
If I was going to work here, give me one tip. | 0:29:30 | 0:29:33 | |
-Focus, that's it. -Focus. -Yeah. -Focus. | 0:29:33 | 0:29:36 | |
What did he say? Focus. Focus. | 0:29:36 | 0:29:38 | |
-Can I do this? -I wasn't leaving you out. | 0:29:40 | 0:29:42 | |
-Get off, get off. Get off. -All right. | 0:29:42 | 0:29:44 | |
When you hear that click, that's done, yeah? That's it, yeah. | 0:29:46 | 0:29:49 | |
-Cable in, mud guard in. -Yes, that's the one. | 0:29:49 | 0:29:52 | |
What do you think when you see someone on the train | 0:29:52 | 0:29:54 | |
-with one of these? -I say, "Wow, I had a hand in that. | 0:29:54 | 0:29:57 | |
"And a few others." | 0:29:57 | 0:29:58 | |
That's me. Hand-made by me. I feel proud. | 0:29:58 | 0:30:01 | |
A bike like this will cost you upwards of £750 | 0:30:06 | 0:30:08 | |
and that's not cheap. | 0:30:08 | 0:30:10 | |
But that's nothing compared to the price of some of the racing bikes. | 0:30:10 | 0:30:14 | |
They can cost up to £10,000. | 0:30:14 | 0:30:16 | |
But you don't have to spend a lot of money to pedal faster. | 0:30:16 | 0:30:20 | |
Cherry's been out to chat with some of the top cyclists in the country | 0:30:20 | 0:30:23 | |
to pick up some tips. | 0:30:23 | 0:30:24 | |
The success of the British cycling team and their speedy track stars | 0:30:28 | 0:30:32 | |
has inspired more than two million of us | 0:30:32 | 0:30:34 | |
to get on our bikes at least once a week. | 0:30:34 | 0:30:37 | |
But are the secrets of track cycling transferable to the real world? | 0:30:39 | 0:30:44 | |
My bike, Margot, is practical and comfortable, but sometimes, | 0:30:44 | 0:30:50 | |
when I am struggling up a hill with my baby on the back | 0:30:50 | 0:30:54 | |
and shopping on the front, I do wonder, | 0:30:54 | 0:30:56 | |
"Is there a way to make my ride a little bit easier and speedier?" | 0:30:56 | 0:31:01 | |
I've come to the National Cycling Centre in Manchester, | 0:31:02 | 0:31:05 | |
where six-time gold medallist Chris Hoy trained, | 0:31:05 | 0:31:10 | |
and where Britain's top cyclists are preparing for the next Olympics. | 0:31:10 | 0:31:15 | |
Wow, they are so fast! Don't look, Margot, it'll just depress you. | 0:31:16 | 0:31:22 | |
-Team GB coach, Kevin Stewart... -You can go a bit faster than that! | 0:31:22 | 0:31:26 | |
..is going to show me how small alterations in the way I ride | 0:31:26 | 0:31:30 | |
and the way my bike is set up could transform my cycling. | 0:31:30 | 0:31:35 | |
She may not be the coolest thing you've ever seen... | 0:31:35 | 0:31:38 | |
KEVIN LAUGHS | 0:31:38 | 0:31:39 | |
I'm really unbelievably excited to ride round the velodrome. | 0:31:39 | 0:31:43 | |
Cool, well, let's get a baseline mark to see if we can help you. | 0:31:43 | 0:31:47 | |
'To assess how well I'm riding, | 0:31:47 | 0:31:49 | |
'I have to tackle four laps, or 1,000 metres, | 0:31:49 | 0:31:52 | |
'of this intimidating track, with 42.5 degree banks.' | 0:31:52 | 0:31:57 | |
-Fast as you go. Three, two, one, go! -CHERRY RINGS BIKE BELL | 0:31:57 | 0:32:01 | |
All right, off we go. | 0:32:01 | 0:32:03 | |
The high bits are really high! | 0:32:09 | 0:32:12 | |
Wheeeee. | 0:32:12 | 0:32:15 | |
-BIKE BELL RINGS -Oh, my God. | 0:32:15 | 0:32:18 | |
-I mean, they are unreal. -KEVIN LAUGHS | 0:32:18 | 0:32:21 | |
Keep going, keep going. Big push. | 0:32:21 | 0:32:23 | |
All right. | 0:32:24 | 0:32:26 | |
That was amazingly fun! | 0:32:27 | 0:32:31 | |
We got a time for those four laps. 3 minutes, 32. | 0:32:31 | 0:32:35 | |
How quickly do the professionals do it? | 0:32:35 | 0:32:37 | |
-The world record is 56 seconds. -They're four times faster. | 0:32:37 | 0:32:42 | |
'Clearly I'm no Olympian, | 0:32:42 | 0:32:44 | |
'and Kevin's noticed I'm not using my gears effectively.' | 0:32:44 | 0:32:47 | |
-You want a smaller gear to begin the effort. -Yes. | 0:32:47 | 0:32:50 | |
But once you get up to speed, you can push a much bigger gear, | 0:32:50 | 0:32:53 | |
so it's about choosing the right gear at the right time. | 0:32:53 | 0:32:56 | |
The other really big one we can do is go from here... | 0:32:56 | 0:32:59 | |
-..to here. -Really? -Yeah. | 0:33:00 | 0:33:02 | |
So, if you want to make yourself as small as possible, | 0:33:02 | 0:33:05 | |
it means it's a lot easier to get through the air. | 0:33:05 | 0:33:07 | |
Come on then, let's get off the track. | 0:33:07 | 0:33:10 | |
'Now I've got some efficiency tips, what about my bike?' | 0:33:10 | 0:33:14 | |
Oh, wow, look at that. That's pretty flat, isn't it? | 0:33:16 | 0:33:18 | |
I shouldn't really be able to do that. | 0:33:18 | 0:33:20 | |
So, the more air we have, the easier the bike is going to roll. | 0:33:20 | 0:33:24 | |
'I could be losing up to 20% of the energy I'm putting into pedalling | 0:33:24 | 0:33:28 | |
'because my tyres are too flat.' | 0:33:28 | 0:33:30 | |
There's probably around 10 psi - 10 pounds per square inch of air - | 0:33:30 | 0:33:34 | |
in this tyre at the moment. | 0:33:34 | 0:33:35 | |
How do I know if I've got the right pressure in my wheel? | 0:33:35 | 0:33:38 | |
They actually have it written on the tyre | 0:33:38 | 0:33:40 | |
the minimum and maximum pressure you should put in those tyres. | 0:33:40 | 0:33:44 | |
Road tyres typically require 80 to 130 psi. | 0:33:44 | 0:33:49 | |
Go over and the inner tube could explode. | 0:33:49 | 0:33:52 | |
-OK, there's around about 80 in that now. -That is absolutely solid. -Yeah. | 0:33:52 | 0:33:57 | |
-What's next? -We can have a look at your seat height. | 0:33:57 | 0:33:59 | |
-When you were riding round, it was far too low. -Oh, really? | 0:33:59 | 0:34:03 | |
Yeah, we weren't using all of those powerful leg muscles we have. | 0:34:03 | 0:34:08 | |
-So, let's think about raising it up a little bit... -OK. | 0:34:08 | 0:34:10 | |
..and getting it to that optimal height where you can get | 0:34:10 | 0:34:13 | |
-a full extension, OK? -OK. | 0:34:13 | 0:34:15 | |
I reckon around about an inch we need to put it up. | 0:34:15 | 0:34:17 | |
'Kevin can adjust by eye, but for the perfect seat height, | 0:34:17 | 0:34:20 | |
'you should have a slight bend in the knee | 0:34:20 | 0:34:23 | |
'when your pedal is at its lowest point.' | 0:34:23 | 0:34:26 | |
So, next - aerodynamics. | 0:34:26 | 0:34:29 | |
'The child seat and basket need sidelining when not in use | 0:34:29 | 0:34:33 | |
'but losing these 4.5kg won't make as big a difference as my clothing.' | 0:34:33 | 0:34:38 | |
80% of what you push through the air | 0:34:38 | 0:34:40 | |
and what makes that hole in the air is you, OK? | 0:34:40 | 0:34:44 | |
-And maybe 90% with that coat on. -Coat's got to go. | 0:34:44 | 0:34:47 | |
I feel like a speed demon now. | 0:34:47 | 0:34:50 | |
'Some simple changes - using the right gear, | 0:34:50 | 0:34:53 | |
'optimum tyre pressure, correct saddle height | 0:34:53 | 0:34:56 | |
'and making my shape more aerodynamic - | 0:34:56 | 0:34:59 | |
'should improve my track time.' | 0:34:59 | 0:35:02 | |
-So, four laps again. -Ready. -Go! | 0:35:02 | 0:35:04 | |
Remember your gears. | 0:35:04 | 0:35:06 | |
It feels so weird. | 0:35:10 | 0:35:12 | |
Faster already. | 0:35:14 | 0:35:16 | |
-The difference is unbelievable! -Yeah, it's good! | 0:35:16 | 0:35:20 | |
That's it - nice and low for me. Remember your position. | 0:35:20 | 0:35:23 | |
'Just lowering my body position is making a 10% improvement | 0:35:23 | 0:35:28 | |
'to my speed and efficiency.' | 0:35:28 | 0:35:30 | |
-Whoo! -All right. | 0:35:30 | 0:35:32 | |
SHE PANTS | 0:35:32 | 0:35:34 | |
-Well, good job. -That felt completely different. | 0:35:34 | 0:35:39 | |
I've never, ever experienced my bike that. | 0:35:39 | 0:35:42 | |
-So, your first time round was 3 minutes, 32. -Yes. | 0:35:42 | 0:35:46 | |
-You've gone two minutes, 27 for those four laps. -Whoa! | 0:35:46 | 0:35:51 | |
So, you've taken over a minute off your four-lap time, | 0:35:51 | 0:35:54 | |
-which is incredible. -Thank you! | 0:35:54 | 0:35:56 | |
It has been incredible to get a sneak peek | 0:36:02 | 0:36:05 | |
into the world of elite performance racing | 0:36:05 | 0:36:08 | |
and I love that I have a few tips to make my riding easier and faster. | 0:36:08 | 0:36:14 | |
But, sadly, I don't think we're going to make it to the Olympics. | 0:36:14 | 0:36:17 | |
We'll take it on the chin. | 0:36:17 | 0:36:19 | |
Back on the production line, and my bike is just over 16.5 hours | 0:36:35 | 0:36:39 | |
into its journey from parts to packaging. | 0:36:39 | 0:36:42 | |
It's now got forks, mud guards and brakes, | 0:36:42 | 0:36:46 | |
but it's still missing two of the most crucial components. | 0:36:46 | 0:36:49 | |
-Do you make the wheels? -I do. -I need two wheels. | 0:36:49 | 0:36:52 | |
-I need a back wheel and a front wheel. -Yeah, sure. | 0:36:52 | 0:36:55 | |
Behind the main assembly line, | 0:36:55 | 0:36:57 | |
Rudi Yousef fits the inner tubes and tyres onto the wheel rims. | 0:36:57 | 0:37:00 | |
And, like the other time-critical stations, | 0:37:00 | 0:37:03 | |
he has just 3.5 minutes or he'll hold up the whole production. | 0:37:03 | 0:37:08 | |
-How many wheels do you do a day? -Over 300 wheels a day, yeah. | 0:37:08 | 0:37:13 | |
These wheel rims are designed here, but made off-site. | 0:37:13 | 0:37:17 | |
They only have a 16-inch diameter, | 0:37:17 | 0:37:19 | |
10 inches smaller than a standard bike wheel. | 0:37:19 | 0:37:23 | |
Their reduced size makes them stronger | 0:37:23 | 0:37:25 | |
and helps the bike accelerate faster. | 0:37:25 | 0:37:28 | |
Rudi, stand aside. Let me show you how you do wheels properly, son. | 0:37:28 | 0:37:31 | |
Yeah, you just lock it in. | 0:37:31 | 0:37:33 | |
'First of all, I need to apply a protective tape | 0:37:33 | 0:37:36 | |
'and get the inner tube and tyre to fit snugly on top.' | 0:37:36 | 0:37:40 | |
This is very, very fiddly. | 0:37:40 | 0:37:42 | |
'To help protect these tyres from punctures, | 0:37:42 | 0:37:45 | |
'they're reinforced with Kevlar, | 0:37:45 | 0:37:47 | |
'an ultra-strong material used in bulletproof vests.' | 0:37:47 | 0:37:50 | |
-Can I stand back and just let you do one? -No, no. | 0:37:52 | 0:37:55 | |
Cos I need two wheels for my bike. | 0:37:55 | 0:37:56 | |
'Now, with help from Rudi, I can inflate the tyre.' | 0:37:56 | 0:38:00 | |
It always puts the right amount of air in? | 0:38:00 | 0:38:02 | |
It's automatically set at 100 psi. | 0:38:02 | 0:38:06 | |
So, other tyres on other bikes, they normally have a lower psi. | 0:38:06 | 0:38:10 | |
-Yeah. -You have 100, which is higher, because you have a smaller wheel. | 0:38:10 | 0:38:13 | |
-Yeah. -Is that because the wheel is doing more work? -Yeah. | 0:38:13 | 0:38:17 | |
-It's going round more often. -Yeah. | 0:38:17 | 0:38:19 | |
'The expert in wheel engineering is design manager Paul Williams.' | 0:38:19 | 0:38:23 | |
Is the wheel the trickiest bit on a folding bike? | 0:38:23 | 0:38:27 | |
It's one of the parts that needs to be best built, | 0:38:27 | 0:38:29 | |
that lasts longest, because it's going to see | 0:38:29 | 0:38:31 | |
a lot of wear - constant braking, constant acceleration. | 0:38:31 | 0:38:34 | |
Regular cycling commuters can travel more than 1,300 miles in a year, | 0:38:34 | 0:38:40 | |
so it's essential their bikes are robust and lightweight. | 0:38:40 | 0:38:44 | |
That might be down to this nut being 2g lighter. | 0:38:44 | 0:38:47 | |
How many bits on the bike? | 0:38:47 | 0:38:48 | |
1,200-odd, and if we can take a little bit out of each of those, | 0:38:48 | 0:38:51 | |
then we will add up to something quite considerable. | 0:38:51 | 0:38:54 | |
It's a constant challenge for the design team | 0:38:54 | 0:38:56 | |
to balance the bike's weight, durability and cost. | 0:38:56 | 0:39:00 | |
If you make something stronger, | 0:39:00 | 0:39:01 | |
it's often got more material in, so it's not as light. | 0:39:01 | 0:39:04 | |
If you make it lighter, it normally means more exotic material. | 0:39:04 | 0:39:07 | |
It's hard to do that cheaply. | 0:39:07 | 0:39:08 | |
The company invests heavily in researching the latest technologies | 0:39:08 | 0:39:12 | |
and they know a comfortable ride is also important. | 0:39:12 | 0:39:16 | |
Nowadays, we take it for granted, | 0:39:17 | 0:39:19 | |
but early bikes weren't designed with luxury in mind, | 0:39:19 | 0:39:22 | |
as Ruth Goodman has been finding out. | 0:39:22 | 0:39:24 | |
In the 19th century, cycling was almost exclusively a male pursuit. | 0:39:27 | 0:39:32 | |
In 1817, the first popular two-wheeler was thought | 0:39:32 | 0:39:37 | |
to have been invented in Germany. | 0:39:37 | 0:39:39 | |
It was named the dandy horse | 0:39:39 | 0:39:41 | |
because it was fashionable with wealthy young men. | 0:39:41 | 0:39:44 | |
More than 40 years later, the boneshaker, | 0:39:45 | 0:39:48 | |
with its iron-shod rims, wooden wheels | 0:39:48 | 0:39:51 | |
and a very solid frame, also had pedals. | 0:39:51 | 0:39:54 | |
In the 1870s, the penny farthing was still for men only. | 0:39:55 | 0:40:00 | |
'Bike historian Doug Pinkerton shows me why.' | 0:40:02 | 0:40:05 | |
That is what we call forward dismount. | 0:40:05 | 0:40:08 | |
It looks really difficult to ride. | 0:40:08 | 0:40:11 | |
How on earth did women manage with the big skirts? | 0:40:11 | 0:40:14 | |
Ladies, at the time, they weren't riding these machines. | 0:40:14 | 0:40:18 | |
It was the none-done thing to do. | 0:40:18 | 0:40:20 | |
In public places, you didn't even show so much as an ankle, | 0:40:20 | 0:40:23 | |
so riding a bicycle of this design was totally out of the question. | 0:40:23 | 0:40:26 | |
-Totally impossible. -So, ladies actually rode tricycles. | 0:40:26 | 0:40:30 | |
This ladies tricycle, from 1886, has an ingenious lifting handlebar | 0:40:33 | 0:40:39 | |
to help ladies mount in bulky dresses. | 0:40:39 | 0:40:42 | |
-Slide in, put the handlebars back. -Yep. -Marvellous. | 0:40:42 | 0:40:46 | |
-IN POSH ACCENT: -Leg over in a decorous manner. | 0:40:46 | 0:40:48 | |
Oh, my goodness! This is not an easy bike to ride. | 0:40:54 | 0:40:58 | |
No, very cumbersome, very slow. | 0:40:58 | 0:41:00 | |
'Fears that rigorous movement could ruin | 0:41:02 | 0:41:04 | |
'"the feminine organs of matrimonial necessity" | 0:41:04 | 0:41:08 | |
'meant Victorian women were discouraged from cycling.' | 0:41:08 | 0:41:12 | |
Ooh! | 0:41:12 | 0:41:14 | |
It's sort of annoying, | 0:41:14 | 0:41:16 | |
in that the men have all this freedom on the bike | 0:41:16 | 0:41:18 | |
and you, as a woman, are going to be trailing behind | 0:41:18 | 0:41:21 | |
because you've got to do it decorously. | 0:41:21 | 0:41:23 | |
Yes, you really were almost a second-class citizen. | 0:41:23 | 0:41:27 | |
-You sacrifice so much with this upright posture. -Very much so. | 0:41:27 | 0:41:31 | |
But things improved for women cyclists in the late 1880s, | 0:41:33 | 0:41:37 | |
with the invention of the safety bike - | 0:41:37 | 0:41:40 | |
the direct ancestor of today's diamond-frame bike. | 0:41:40 | 0:41:43 | |
Equal-sized wheels and lighter, more responsive steering | 0:41:45 | 0:41:48 | |
made this a far easier ride. | 0:41:48 | 0:41:51 | |
This is the sort of period when ladies were starting to use cycles. | 0:41:51 | 0:41:55 | |
So, for the first time, | 0:41:55 | 0:41:57 | |
-men and women are on the same style of bicycle. -Exactly, yes. | 0:41:57 | 0:42:00 | |
So, this, really, would give you, particularly as a woman, | 0:42:00 | 0:42:03 | |
a lot more freedom than the earlier styles would have done. | 0:42:03 | 0:42:06 | |
The new improved safety bicycle era, after 1885, because of its design, | 0:42:06 | 0:42:11 | |
certainly liberated women to come and enjoy the sport of cycling. | 0:42:11 | 0:42:15 | |
And one group who embraced this change were the suffragettes. | 0:42:17 | 0:42:21 | |
According to research fellow Sheila Hanlon, | 0:42:23 | 0:42:25 | |
bicycles were vital to women gaining freedom and the vote. | 0:42:25 | 0:42:29 | |
So, why are we here in Hyde Park? | 0:42:31 | 0:42:33 | |
Hyde Park was the site | 0:42:33 | 0:42:35 | |
of a really important suffragettes' rally in 1913. | 0:42:35 | 0:42:38 | |
It wasn't just a rally, | 0:42:38 | 0:42:40 | |
-it was actually a pilgrimage to get to the rally. -Land's End to London. | 0:42:40 | 0:42:44 | |
If you look really closely in the front, | 0:42:44 | 0:42:46 | |
you'll see there's a line of cyclists. | 0:42:46 | 0:42:49 | |
They're upfront in the photograph | 0:42:49 | 0:42:51 | |
and that really reflects the central role | 0:42:51 | 0:42:54 | |
that they played in organising the pilgrimage. | 0:42:54 | 0:42:57 | |
This postcard is a different route and, again, the row of cyclists | 0:42:57 | 0:43:01 | |
-are right up at the front. -Yes, they are. A whole load of them. | 0:43:01 | 0:43:04 | |
And what they're doing is they're taking pamphlets | 0:43:04 | 0:43:07 | |
and handing them out, they're holding meetings in village greens | 0:43:07 | 0:43:10 | |
and they're really using their bicycles | 0:43:10 | 0:43:12 | |
as a way to get out there and tell more people | 0:43:12 | 0:43:15 | |
about the need for the vote for women. | 0:43:15 | 0:43:17 | |
And then they all converge at the end, | 0:43:17 | 0:43:19 | |
in London, in the park where we are today. | 0:43:19 | 0:43:23 | |
So, how many people ended up here? | 0:43:23 | 0:43:25 | |
We think it was about 50,000 people, which is a formidable crowd. | 0:43:25 | 0:43:29 | |
The bicycle, itself, | 0:43:29 | 0:43:31 | |
was part of the sort of tools of the trade for independent-minded women | 0:43:31 | 0:43:36 | |
to get out there and be part of the political process. | 0:43:36 | 0:43:40 | |
The bicycle really was a small cog in a very big wheel for change | 0:43:40 | 0:43:44 | |
and I think it was essential to how women achieved the vote. | 0:43:44 | 0:43:48 | |
At the bike factory... | 0:44:06 | 0:44:07 | |
-Wheels! Front wheel. -Yes. -Rear wheel. | 0:44:07 | 0:44:11 | |
'..it's almost 16.5 hours since I collected the raw steel parts.' | 0:44:11 | 0:44:16 | |
I'm guessing it goes on that way. | 0:44:16 | 0:44:19 | |
'And, as Amelia Maticevska and I put on the wheels and handlebars, | 0:44:19 | 0:44:22 | |
'it's really starting to look like the finished product.' | 0:44:22 | 0:44:25 | |
Hey! | 0:44:25 | 0:44:27 | |
'But it's still not fit to ride. | 0:44:28 | 0:44:30 | |
'I need to tighten and align the brake pads...' You need strong arms! | 0:44:30 | 0:44:35 | |
-'..with Omar Ahmed Omar.' Are you happy? -Not really. -What's wrong? | 0:44:35 | 0:44:39 | |
-It's not straight. -All right, you do it. Sorry, Omar, you do it. | 0:44:39 | 0:44:43 | |
I'm not very good at brakes. | 0:44:43 | 0:44:46 | |
Now I'm ready to fit the mechanism that will make my bike move - | 0:44:47 | 0:44:50 | |
the pedals, crank and chain. | 0:44:50 | 0:44:53 | |
Urgh, that's tight, mate. | 0:44:53 | 0:44:55 | |
For crying out loud! You've got to have shoulders like Schwarzenegger! | 0:44:56 | 0:45:00 | |
It's incredible to think these guys build 22 bikes an hour | 0:45:03 | 0:45:08 | |
but, according to the target board, | 0:45:08 | 0:45:10 | |
we've slipped behind and I'm pretty sure I'm the one causing the holdup. | 0:45:10 | 0:45:15 | |
I'm really sorry! I'm sorry, I was chatting, I'm sorry. | 0:45:15 | 0:45:18 | |
-I didn't want to say anything... -That's what happens. Everyone stops. | 0:45:18 | 0:45:21 | |
-Can we move it on now? -Let's go, let's go! I'm getting it. | 0:45:21 | 0:45:24 | |
-Into the next station. -I've got you, I've got you. | 0:45:24 | 0:45:27 | |
My next station is Rear Brake. | 0:45:28 | 0:45:30 | |
First, we set up the brake cables | 0:45:30 | 0:45:33 | |
and try and get my bike back on track. | 0:45:33 | 0:45:35 | |
What are you doing? Come on, man, we've got to move! | 0:45:35 | 0:45:38 | |
Let's go, let's go! We've got bikes to make! | 0:45:38 | 0:45:41 | |
What do you think these are? | 0:45:42 | 0:45:43 | |
We've got another set of wheels going here. | 0:45:43 | 0:45:45 | |
-I think that's because the bike folds up... -Yeah. | 0:45:45 | 0:45:48 | |
..and it's got to roll, rather than clank. | 0:45:48 | 0:45:50 | |
Unless you're going to ride it upside down, | 0:45:50 | 0:45:52 | |
that's to fold it, right? | 0:45:52 | 0:45:54 | |
When the bike's packed down, | 0:45:54 | 0:45:56 | |
these extra little wheels let the cyclist pull it along. | 0:45:56 | 0:45:59 | |
Seeing how it folds up makes me realise | 0:45:59 | 0:46:02 | |
why pressing the steel into a curve was so important. | 0:46:02 | 0:46:06 | |
The reason that's curved is so a wheel fits under it | 0:46:06 | 0:46:09 | |
-when it's folded. -One of. -That's the reason. | 0:46:09 | 0:46:12 | |
But that gives it a unique look as well. | 0:46:12 | 0:46:14 | |
I'm so getting the hang of this bike lark! | 0:46:14 | 0:46:16 | |
There's lots of engineering that goes into making a modern bicycle, | 0:46:18 | 0:46:23 | |
but that, to me, is nothing if it's not comfortable. | 0:46:23 | 0:46:26 | |
Now, when you order a bike from this factory, you get a standard saddle | 0:46:26 | 0:46:30 | |
but if you really want luxury for your bottom, | 0:46:30 | 0:46:32 | |
you can get a hand-made one. | 0:46:32 | 0:46:34 | |
Brooks, based in Birmingham, | 0:46:37 | 0:46:39 | |
has been making leather saddles for almost 150 years. | 0:46:39 | 0:46:43 | |
The company was started in 1866 by John Boultbee Brooks, | 0:46:46 | 0:46:50 | |
who began with horse harnesses and saddles. | 0:46:50 | 0:46:52 | |
But when his own horse died, | 0:46:54 | 0:46:55 | |
he decided to switch to making bicycle saddles. | 0:46:55 | 0:46:58 | |
-I've come to make a saddle. Is this where I start? -Yep. | 0:46:58 | 0:47:02 | |
Master cutter, Ricky Ravenhill, | 0:47:02 | 0:47:05 | |
needs to get as many as 11 of them out of each cow hide. | 0:47:05 | 0:47:08 | |
-Do you want to try and cut one? -Crikey, really? | 0:47:08 | 0:47:11 | |
You get the knife and as close to the edge as possible. | 0:47:11 | 0:47:15 | |
And then swing that round so it's in the middle | 0:47:15 | 0:47:18 | |
and then press those down | 0:47:18 | 0:47:20 | |
and as soon as you feel it's hit the pressure, release them. | 0:47:20 | 0:47:23 | |
That should be perfect. | 0:47:25 | 0:47:27 | |
'Almost all their leather comes from the UK and Ireland, | 0:47:27 | 0:47:30 | |
'where the cold weather means the cows have thicker skins - | 0:47:30 | 0:47:34 | |
'up to nearly 6mmm which can support the weight of a body.' | 0:47:34 | 0:47:39 | |
-Start of my saddle, right? -Voila, yeah. | 0:47:39 | 0:47:41 | |
'Next, Gurdip Sangha softens the leather in water | 0:47:41 | 0:47:45 | |
'for 20 to 40 minutes.' | 0:47:45 | 0:47:47 | |
-Bit like fishing, isn't it? -It is, definitely. | 0:47:47 | 0:47:49 | |
That's it. | 0:47:50 | 0:47:52 | |
'After it's naturally air-dried for up to 12 hours, | 0:47:52 | 0:47:56 | |
'it's moulded to create the saddle shape.' | 0:47:56 | 0:47:59 | |
-We're virtually there. -Yeah. | 0:47:59 | 0:48:01 | |
We're virtually there. We've got a saddle. | 0:48:01 | 0:48:03 | |
'I let someone experienced slice off the excess leather | 0:48:06 | 0:48:09 | |
'and then my saddle is ready for curing in the oven.' | 0:48:09 | 0:48:14 | |
If I don't come out in five minutes, call my mum! | 0:48:14 | 0:48:18 | |
Nearly three hours later, | 0:48:18 | 0:48:19 | |
and my leather seat gets its rough edges sanded away. | 0:48:19 | 0:48:23 | |
The seat will be fixed onto a frame made from high-tensile steel rails, | 0:48:27 | 0:48:31 | |
with a backplate pressed from more high-quality steel. | 0:48:31 | 0:48:35 | |
By the time the frame is ready, | 0:48:37 | 0:48:38 | |
it's been double-coated in nickel and copper, | 0:48:38 | 0:48:42 | |
it's been lacquered and baked, | 0:48:42 | 0:48:44 | |
but it's not a saddle until it's been put together. | 0:48:44 | 0:48:46 | |
'And that's the job of Eric Murray.' | 0:48:46 | 0:48:49 | |
-How do you do, sir? -I've got to attach this to this. | 0:48:49 | 0:48:52 | |
-Can you show me how to do this? -I will, sir. | 0:48:52 | 0:48:55 | |
'First up, Eric makes holes in the leather.' | 0:48:55 | 0:48:58 | |
-Are you pressing a button to make the holes? Can I do it? -You can. | 0:48:58 | 0:49:01 | |
Stand back, son, stand back. | 0:49:01 | 0:49:03 | |
-Brilliant, absolutely brilliant. -What is it about saddles? | 0:49:05 | 0:49:09 | |
It's your hands, isn't it? You're working with your hands. | 0:49:09 | 0:49:12 | |
You can't imagine yourself behind a desk with a tie on? | 0:49:12 | 0:49:15 | |
Oh, no, no way! I'm sorry, no. | 0:49:15 | 0:49:17 | |
I couldn't do that - no way! | 0:49:17 | 0:49:20 | |
Them people deserve medals | 0:49:20 | 0:49:22 | |
because I couldn't sit there fiddling a computer. | 0:49:22 | 0:49:25 | |
Next, Eric has to chamfer or trim off the leather | 0:49:25 | 0:49:29 | |
to create a smooth bevelled edge. | 0:49:29 | 0:49:32 | |
-Eric the chamferer. -Eric the chamferer. | 0:49:32 | 0:49:35 | |
That's highly skilled. | 0:49:35 | 0:49:37 | |
If you get that wrong, at that stage, | 0:49:37 | 0:49:39 | |
-you've ruined a whole saddle. How many do you spoil? -I don't. | 0:49:39 | 0:49:42 | |
-You've just got to be careful. -And that gives a smoother finish. | 0:49:42 | 0:49:47 | |
-That's a bet. -Saves chafing. -That's it, exactly. | 0:49:47 | 0:49:49 | |
'Next, he puts a noseplate in the front of my saddle, | 0:49:49 | 0:49:53 | |
'inserts the backplate and rails and finishes the rivets by hand. | 0:49:53 | 0:49:58 | |
'It's then tensioned and aligned. | 0:49:58 | 0:50:00 | |
'The whole saddle-making process can take up to 36 hours.' | 0:50:00 | 0:50:05 | |
What has that just done, Eric? | 0:50:05 | 0:50:07 | |
-Pulled it one way and pushed it back the other? -That's it, yeah. | 0:50:07 | 0:50:10 | |
It's into there now. | 0:50:10 | 0:50:12 | |
One inspection, yeah, to make sure it's all right, | 0:50:12 | 0:50:15 | |
and I'm taking this to the bike factory. | 0:50:15 | 0:50:17 | |
Good luck to you. | 0:50:17 | 0:50:19 | |
And I hope it lasts you for years and years, my friend. | 0:50:19 | 0:50:22 | |
More than 100 leather saddles arrive at the factory every week | 0:50:29 | 0:50:33 | |
and mine is coming straight into the final assembly station. | 0:50:33 | 0:50:37 | |
My bike has brakes, wheels, handlebars and a chain | 0:50:38 | 0:50:42 | |
and it's almost ready for the road. | 0:50:42 | 0:50:45 | |
Can you fit this one cos I actually made this one? | 0:50:45 | 0:50:48 | |
I think you can have a go. | 0:50:48 | 0:50:50 | |
'It's been 17 hours since I started this journey | 0:50:50 | 0:50:53 | |
'and of the 1,200 parts | 0:50:53 | 0:50:55 | |
'that make up this bike, | 0:50:55 | 0:50:58 | |
'I am about to tighten the very last screw.' | 0:50:58 | 0:51:01 | |
Ooh! | 0:51:01 | 0:51:02 | |
That's a pretty thing. Thank you, my friend. | 0:51:04 | 0:51:07 | |
-Are you happy with that? -Yeah, very. | 0:51:07 | 0:51:09 | |
Can I have this bit painted a different colour? | 0:51:09 | 0:51:11 | |
No. | 0:51:12 | 0:51:14 | |
'I'm proud of that saddle, but strangely enough, | 0:51:14 | 0:51:17 | |
'not all bikes have a seat.' | 0:51:17 | 0:51:19 | |
Cherry's been out on the road testing the latest designs | 0:51:19 | 0:51:22 | |
for the bike of the future. | 0:51:22 | 0:51:23 | |
This is a Halfbike. There's no seat. You pedal standing up. | 0:51:30 | 0:51:34 | |
But this is one of thousands of new bike designs. | 0:51:34 | 0:51:38 | |
I wonder if it'll catch on. | 0:51:38 | 0:51:40 | |
The Halfbike was designed and built in Bulgaria, | 0:51:42 | 0:51:45 | |
thanks to a crowdfunding website. | 0:51:45 | 0:51:48 | |
The internet has opened the way | 0:51:48 | 0:51:50 | |
to all sorts of weird and wonderful new bikes. | 0:51:50 | 0:51:53 | |
There are trikes, like the Outrider Horizon, | 0:51:53 | 0:51:57 | |
or how about the folding YikeBike? | 0:51:57 | 0:52:00 | |
Or maybe the recumbent Ratracer? | 0:52:00 | 0:52:04 | |
It can reach speeds over 40mph | 0:52:04 | 0:52:07 | |
and the laidback riding position is super-aerodynamic. | 0:52:07 | 0:52:10 | |
It has 30% less drag than a standard bike, | 0:52:10 | 0:52:14 | |
so riding at 25mph takes around 20% less effort. | 0:52:14 | 0:52:20 | |
Inventor Mike Burrows thinks | 0:52:21 | 0:52:23 | |
it could teach the traditional bike design a thing or two. | 0:52:23 | 0:52:26 | |
-Oh, my gosh, I made it in one piece! Hi, Mike. -Hi, Cherry. | 0:52:29 | 0:52:32 | |
Nice to meet you. Am I allowed to have a go? | 0:52:32 | 0:52:35 | |
You can sit in it. Bit sizist here, | 0:52:35 | 0:52:38 | |
but your feet won't reach the pedals and you really have to get... | 0:52:38 | 0:52:41 | |
-You have to get right down. -This is it. Put your feet up on... Yeah. | 0:52:41 | 0:52:45 | |
HE LAUGHS | 0:52:45 | 0:52:47 | |
-So, this is significantly faster than a regular bike? -Yeah. | 0:52:47 | 0:52:50 | |
-I'm an old man but I could take on Bradley any time, OK? -Really? | 0:52:50 | 0:52:54 | |
When you're trying to ride a bike at high speed, | 0:52:54 | 0:52:57 | |
then you need to be low and streamlined and you just go faster. | 0:52:57 | 0:53:01 | |
Go! | 0:53:03 | 0:53:04 | |
But not every new bike design looks revolutionary. | 0:53:06 | 0:53:10 | |
The new generation of electric bikes have compact batteries... | 0:53:10 | 0:53:15 | |
..and the efficient motor is disguised in the design. | 0:53:16 | 0:53:20 | |
Eddie Kehoe is an e-bike convert. | 0:53:22 | 0:53:25 | |
It looks like a domestic bike. What makes it electric? | 0:53:28 | 0:53:31 | |
When you press on the pedals, it senses the effort you're putting in | 0:53:31 | 0:53:36 | |
and then it boosts that by a certain percentage, which you can set, | 0:53:36 | 0:53:40 | |
using the up and down arrows here on your thumb control. | 0:53:40 | 0:53:43 | |
And then it blends the assistance | 0:53:43 | 0:53:45 | |
with what you're doing naturally on the bike, | 0:53:45 | 0:53:47 | |
-so it feels very natural. -OK, can I have a go? -You can. | 0:53:47 | 0:53:51 | |
Oh, wow! | 0:53:51 | 0:53:53 | |
Oh...my...goodness me! | 0:54:00 | 0:54:04 | |
It's like you have super-powers. | 0:54:04 | 0:54:06 | |
-It's brilliant. Bionic legs. -Oh, bionic legs! | 0:54:06 | 0:54:09 | |
Globally, the electric bike is already a craze. | 0:54:11 | 0:54:14 | |
Around 40 million were sold last year, | 0:54:14 | 0:54:17 | |
although only around 50,000 were bought in the UK. | 0:54:17 | 0:54:21 | |
We're taking all of our bikes out onto the street | 0:54:24 | 0:54:27 | |
to see which one the cyclists of Cambridge prefer. | 0:54:27 | 0:54:31 | |
What will people make of the £350 seatless Halfbike? | 0:54:34 | 0:54:40 | |
Argh! | 0:54:40 | 0:54:42 | |
-What did you think of it? -It's good. | 0:54:43 | 0:54:45 | |
A bit difficult at first but, once you know how to do it, it's easy. | 0:54:45 | 0:54:49 | |
I like the fact it doesn't take up that much space. It's quite light. | 0:54:49 | 0:54:52 | |
-Would you swap a regular bike for this bike? -No. | 0:54:52 | 0:54:55 | |
Mike's bespoke £5,000 recumbent Ratracer | 0:54:55 | 0:54:59 | |
is also being tried out for size. | 0:54:59 | 0:55:01 | |
-How do you feel? -I feel good. -Lay right back, head on the head rest. | 0:55:01 | 0:55:05 | |
-Is this the bike of the future? -No way! | 0:55:07 | 0:55:09 | |
But, today, it seems that Eddie's £2,000 electric bike | 0:55:09 | 0:55:13 | |
is the clear favourite. | 0:55:13 | 0:55:15 | |
CHEERING | 0:55:18 | 0:55:21 | |
It was like you get on it and it just takes you, you just go. | 0:55:21 | 0:55:25 | |
It was fun. I didn't want to come off! | 0:55:25 | 0:55:28 | |
It's amazing, honestly! | 0:55:28 | 0:55:30 | |
Yeah, it just felt so easy and comfortable to ride as well. | 0:55:30 | 0:55:33 | |
Well, they say you can't reinvent the wheel, | 0:55:36 | 0:55:38 | |
but I think today has proven | 0:55:38 | 0:55:40 | |
that there are a few really fun new developments in cycling | 0:55:40 | 0:55:43 | |
to keep an eye out for. | 0:55:43 | 0:55:45 | |
At the factory, my folding bike is now complete. | 0:55:54 | 0:55:58 | |
It's taken more than 16.5 hours | 0:55:58 | 0:56:00 | |
for the parts of this giant bike jigsaw puzzle to come together. | 0:56:00 | 0:56:05 | |
But before it can leave the factory, | 0:56:05 | 0:56:07 | |
there's one crucial stage it's still got to get through. | 0:56:07 | 0:56:10 | |
I feel a bit nervous if it's going through an inspection. | 0:56:10 | 0:56:13 | |
I've had a hand in putting every bit on. | 0:56:13 | 0:56:15 | |
'Barney examines every inch.' | 0:56:15 | 0:56:17 | |
We've got the right handlebars, the right gearing, | 0:56:17 | 0:56:19 | |
we've got the mud guards on there. | 0:56:19 | 0:56:21 | |
-Back and front. -I want you to go like that... | 0:56:21 | 0:56:23 | |
-Do you think it's going to fall apart any time soon? -No! | 0:56:24 | 0:56:27 | |
It's looking good. | 0:56:27 | 0:56:28 | |
'And finally, it's the moment of truth. | 0:56:28 | 0:56:31 | |
'Will the bike I've helped braze, | 0:56:31 | 0:56:33 | |
'bolt and screw together actually fold?' | 0:56:33 | 0:56:37 | |
-If you pull that up and pull the bike up... -We undo this? -Yeah. | 0:56:37 | 0:56:41 | |
-Yeah! -That should just fall into place. -Now this? -Yeah, saddle. | 0:56:42 | 0:56:47 | |
-Happy? -I'm just a folding bike genius. -OK. | 0:56:48 | 0:56:52 | |
I feel very proud of this. | 0:56:52 | 0:56:53 | |
-That's it. -There. | 0:56:53 | 0:56:56 | |
But I don't get to keep this bike. | 0:56:56 | 0:56:58 | |
Along with the 46,000 bikes that leave this factory every year, | 0:57:00 | 0:57:04 | |
it could be sent to one of seven cities in the UK, | 0:57:04 | 0:57:07 | |
from Edinburgh to Cambridge, | 0:57:07 | 0:57:09 | |
or exported to one of 43 countries across the globe, | 0:57:09 | 0:57:13 | |
even to the world's big bike exporters, like China and Taiwan. | 0:57:13 | 0:57:17 | |
Following this bike from parts through to packaging | 0:57:19 | 0:57:22 | |
has been an incredible experience. It's not what I expected. | 0:57:22 | 0:57:26 | |
I expected to find an enormous great factory | 0:57:26 | 0:57:29 | |
with loads of robots and machines and steam coming up. | 0:57:29 | 0:57:32 | |
Actually, what it is is people, craftsmen, | 0:57:32 | 0:57:36 | |
putting these together by hand. | 0:57:36 | 0:57:38 | |
And all in under 24 hours. | 0:57:38 | 0:57:41 | |
Hey! | 0:57:41 | 0:57:43 | |
I don't know where this is going. | 0:57:43 | 0:57:45 | |
It could be going to Southend, | 0:57:45 | 0:57:47 | |
it could be going to South Australia. | 0:57:47 | 0:57:48 | |
I hope whoever receives it enjoys it | 0:57:48 | 0:57:51 | |
and I hope they appreciate the hard work | 0:57:51 | 0:57:53 | |
and craftsmanship that went into it. | 0:57:53 | 0:57:55 | |
I put a couple of nuts and bolts on this one myself. | 0:57:55 | 0:57:58 | |
Next time, I'll take you inside | 0:57:58 | 0:58:01 | |
one of the oldest sweet factories in the UK... | 0:58:01 | 0:58:05 | |
The smell in here is unbelievable! | 0:58:05 | 0:58:07 | |
..to find out how they turn 56 tons of sugar into 100 million sweets. | 0:58:07 | 0:58:13 | |
That's a river of jam! | 0:58:13 | 0:58:15 | |
-Cherry makes super-sour sherbet... -Whoa! | 0:58:15 | 0:58:18 | |
-..and a giant stick of rock... -It is huge! That is hysterical. | 0:58:18 | 0:58:23 | |
..as we unlock the secret art of sweet-making. | 0:58:23 | 0:58:27 |