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From the clothes we wear to the cars we drive, | 0:00:02 | 0:00:04 | |
from what we use to look good to what we use to relax... | 0:00:04 | 0:00:08 | |
-THEY SHOUT -..our lives are full of products, | 0:00:08 | 0:00:11 | |
and our products are full of animals. | 0:00:11 | 0:00:14 | |
In the past few years, I've learned a lot about how the meat we eat | 0:00:18 | 0:00:22 | |
reaches our plates. But I've always wondered what happens | 0:00:22 | 0:00:25 | |
to the bits of the animal that we don't eat. | 0:00:25 | 0:00:28 | |
It turns out these leftover parts are made into things we use every day... | 0:00:28 | 0:00:32 | |
That's a symbolic noise for, like, leather. | 0:00:32 | 0:00:35 | |
..as well as some things you couldn't even imagine. | 0:00:35 | 0:00:38 | |
Oh, my God! | 0:00:40 | 0:00:42 | |
My face is on fire! | 0:00:42 | 0:00:44 | |
I've never, ever smelled anything like that. | 0:00:45 | 0:00:48 | |
'To find out how, I'm going on extraordinary journey | 0:00:49 | 0:00:53 | |
'to see these raw animal parts transformed into shiny new products. | 0:00:53 | 0:00:56 | |
'And I'm going to be joined by the people who use them to see what they make of it.' | 0:00:56 | 0:01:01 | |
-Sheep need to get slaughtered. -Will we be in the room? | 0:01:01 | 0:01:04 | |
Oh, my God! | 0:01:05 | 0:01:07 | |
HE GROANS | 0:01:08 | 0:01:10 | |
Mine had a testicle on it! | 0:01:10 | 0:01:12 | |
Oh, don't film me being sick! | 0:01:12 | 0:01:14 | |
'We'll be going behind the doors of unknown companies and into hidden worlds...' | 0:01:14 | 0:01:19 | |
That is such a weird vision! Just skin hanging there. | 0:01:19 | 0:01:23 | |
This is when we see what's inside the chest. | 0:01:25 | 0:01:27 | |
'..getting hands-on...' | 0:01:27 | 0:01:29 | |
I don't think that's going to go in there. | 0:01:29 | 0:01:32 | |
'..and discovering what makes these animal leftovers indispensable.' | 0:01:32 | 0:01:36 | |
-I can't even look at it! -What am I doing here with these? | 0:01:36 | 0:01:38 | |
Could knowing that so many of our favourite items | 0:01:38 | 0:01:41 | |
contain animals change the way we feel about them forever? | 0:01:41 | 0:01:46 | |
Tonight I'm looking at fish and seafood. | 0:01:46 | 0:01:48 | |
Whether it's cod and chips or salmon sashimi, | 0:01:54 | 0:01:57 | |
by the time our delicious seafood dishes have reached our plates, | 0:01:57 | 0:02:00 | |
there's a trail of leftovers that some clever companies can turn into products. | 0:02:00 | 0:02:05 | |
The heads, guts and bones of the fish we eat | 0:02:07 | 0:02:10 | |
end up in all sorts of things - perfume, hairspray, even beer. | 0:02:10 | 0:02:14 | |
I want to know how they get in there and what they're doing in there. | 0:02:14 | 0:02:17 | |
-THEY SHOUT -That is really disgusting. | 0:02:17 | 0:02:21 | |
-Ugh! -Don't like it, then? -No, not at all. | 0:02:23 | 0:02:25 | |
To find out, I'll get hands-on around the fishing hubs of Europe... | 0:02:25 | 0:02:29 | |
Ugh! I got a bit of fish juice in my mouth then. | 0:02:29 | 0:02:32 | |
..visiting manufacturers and factories | 0:02:32 | 0:02:34 | |
to find out how they turn our fishy leftovers | 0:02:34 | 0:02:36 | |
-into some of our favourite items. -Oh, my God! It's a fish! | 0:02:36 | 0:02:41 | |
I've heard a lot of hair products contain fish by-products, | 0:02:46 | 0:02:49 | |
so I'm starting my journey in Iceland, | 0:02:49 | 0:02:51 | |
one of the UK's major fish suppliers. | 0:02:51 | 0:02:54 | |
'I'm travelling to a town called Siglufjordur, | 0:02:57 | 0:03:00 | |
'25 miles outside the Arctic Circle, | 0:03:00 | 0:03:02 | |
'to find out more. But I'm not doing this alone.' | 0:03:02 | 0:03:05 | |
'I'm Emily. I work in the beauty department of a London store.' | 0:03:10 | 0:03:15 | |
'I'm Rachel. I work as a model. | 0:03:15 | 0:03:19 | |
'Emily and I have been best friends since the start of secondary school.' | 0:03:19 | 0:03:23 | |
We both do take pride in our appearance. | 0:03:24 | 0:03:27 | |
We spend a lot of time doing each other's hair, | 0:03:27 | 0:03:29 | |
make-up. I think society's got to a point now | 0:03:29 | 0:03:33 | |
where it reaches everything. You have to look good. | 0:03:33 | 0:03:36 | |
Try that on. It's really pretty. | 0:03:36 | 0:03:38 | |
-I really like it. -Hair is a big part of that. | 0:03:39 | 0:03:42 | |
I think it's probably one of the first things you look at | 0:03:42 | 0:03:45 | |
when you see somebody, is their hair and what it's like. | 0:03:45 | 0:03:48 | |
For these girls, keeping up appearances means one thing - | 0:03:48 | 0:03:52 | |
products. | 0:03:52 | 0:03:54 | |
Every other day I wash my hair, putting shampoo and conditioner in it. | 0:03:58 | 0:04:01 | |
-'Then volumising mousse.' -Then I have a hair serum | 0:04:03 | 0:04:07 | |
-for the ends of my hair. -I would put a heat-defencing spray, | 0:04:07 | 0:04:10 | |
-protect it from the blow-dry. -A curl-boosting mousse, | 0:04:10 | 0:04:13 | |
a fabricator spray, which basically volumises the roots. | 0:04:13 | 0:04:17 | |
After that, cover it with hairspray, | 0:04:17 | 0:04:20 | |
and I'd reapply it several times during the day. | 0:04:20 | 0:04:23 | |
-And I thought -I -was high-maintenance! | 0:04:23 | 0:04:25 | |
-That's really nice. -Good. -Really nice and soft. | 0:04:25 | 0:04:28 | |
But how much do they know about what's in their products? | 0:04:28 | 0:04:31 | |
I do think about what goes into the products, | 0:04:31 | 0:04:34 | |
but a lot of the time I don't understand what's written on the back of packets. | 0:04:34 | 0:04:38 | |
You get to a stage where you don't know what you're putting on. | 0:04:38 | 0:04:42 | |
So is there any ingredient that could put these girls off | 0:04:42 | 0:04:46 | |
their beloved products? | 0:04:46 | 0:04:48 | |
I've been vegetarian for about 20 years. | 0:04:48 | 0:04:51 | |
If I found out that my favourite hair product | 0:04:51 | 0:04:55 | |
was animal-tested, | 0:04:55 | 0:04:57 | |
or contained any raw animal product, | 0:04:57 | 0:05:00 | |
blubber or...I don't know, some fish oils or something like that, | 0:05:00 | 0:05:05 | |
I would be so upset. Really upset. | 0:05:05 | 0:05:09 | |
From North London to the North Pole - | 0:05:14 | 0:05:16 | |
well, not quite the North Pole, but it's near enough. | 0:05:16 | 0:05:19 | |
These girls are about to join me for a journey | 0:05:23 | 0:05:25 | |
that could change their beauty regime forever. | 0:05:25 | 0:05:28 | |
There's a fish by-product called chitosan, | 0:05:30 | 0:05:32 | |
used in some hair products, that increases hold | 0:05:32 | 0:05:35 | |
without making the hair stiff. | 0:05:35 | 0:05:38 | |
We're meeting Bjorn Valdimarsson, from fishing company Rammi, | 0:05:38 | 0:05:42 | |
to find out exactly how seafood ends up in hairspray. | 0:05:42 | 0:05:45 | |
-Hello, hello! Nice to see you! -Hello. -Nice to see you! | 0:05:45 | 0:05:49 | |
-Right, say hello to Bjorn. -Hello. Welcome. | 0:05:49 | 0:05:52 | |
-Nice to meet you. -Nice to meet you. -Welcome to Iceland. | 0:05:52 | 0:05:55 | |
-Thank you. -This is the first time? -It is, absolutely. | 0:05:55 | 0:05:58 | |
Any idea why you're here? | 0:05:58 | 0:06:00 | |
-No. -No. -There's a smell of fish at the moment. | 0:06:00 | 0:06:04 | |
-Got the smell? -Got the smell. -OK. | 0:06:04 | 0:06:06 | |
Have you heard of a product called chitosan? | 0:06:06 | 0:06:09 | |
-No. -No. -No, we haven't. | 0:06:09 | 0:06:11 | |
-Chitosan is found in hair products. -Right. I've never heard of it. | 0:06:11 | 0:06:16 | |
-What is it, Bjorn? -Well, I will not tell you now. | 0:06:16 | 0:06:18 | |
First we will go to this boat, out to sea, | 0:06:18 | 0:06:20 | |
and afterwards you will find out what it is. | 0:06:20 | 0:06:23 | |
Ah, we're going on the boat! It'll be an adventure. Come on, girls. | 0:06:23 | 0:06:27 | |
The trawler we're using can hold 20 tons of fish. | 0:06:34 | 0:06:37 | |
It goes out in treacherous seas for five to six days, | 0:06:37 | 0:06:41 | |
fishing deep in the Arctic Circle, where the water is purer. | 0:06:41 | 0:06:45 | |
-Ever been fishing before? -Never. | 0:06:46 | 0:06:48 | |
-Rachel? -I'm vegetarian, so I definitely don't go fishing. | 0:06:48 | 0:06:52 | |
This is a tough job, | 0:06:52 | 0:06:54 | |
in cramped conditions and freezing temperatures. | 0:06:54 | 0:06:57 | |
-How do you feel about this, then? -Um, a bit nervous. | 0:06:57 | 0:07:02 | |
-What have fish got to do with hair products? It's going to be quite interesting. -Yeah. | 0:07:02 | 0:07:06 | |
We're not going out as far as the fishermen normally do, | 0:07:06 | 0:07:09 | |
but even these relatively calm waters will test our sea legs. | 0:07:09 | 0:07:14 | |
-I'm feeling really seasick. -OK. All right. | 0:07:14 | 0:07:18 | |
-Genuinely a bit worried. Going to throw up. -Oh, no. | 0:07:18 | 0:07:22 | |
-Are you OK? -Oh, don't film me being sick! | 0:07:23 | 0:07:27 | |
-Are you feeling seasick? -A little bit. | 0:07:27 | 0:07:30 | |
A little bit. Actually a lot. Oh, dear. Dear, dear. | 0:07:30 | 0:07:33 | |
-Em, you not feeling well, lovely? -I'm not feeling very well. | 0:07:36 | 0:07:40 | |
-Oh, poor thing! -It's the boat rocking up and down. | 0:07:40 | 0:07:42 | |
-It's quite motiony. -I'm fine when I'm looking at the horizon. | 0:07:42 | 0:07:46 | |
-OK. Keep looking, then. -How you doing? | 0:07:46 | 0:07:48 | |
-Yeah, I'm all right. -You coping? | 0:07:48 | 0:07:51 | |
-I'm coping at the moment. -Yeah. | 0:07:51 | 0:07:53 | |
'I'm not letting a touch of nautical nausea hinder my mission. | 0:07:54 | 0:07:58 | |
'Unfortunately, ladies, you're going to have to suck it up. | 0:07:59 | 0:08:02 | |
'Well, not literally, though.' | 0:08:02 | 0:08:04 | |
What are we fishing for today? | 0:08:05 | 0:08:07 | |
-Today we're fishing prawns. -Prawns? | 0:08:07 | 0:08:10 | |
Because you were asking about chitosan, | 0:08:10 | 0:08:13 | |
and the answer to that question is in the prawns. | 0:08:13 | 0:08:17 | |
-So chitosan comes from prawns? -Yeah. | 0:08:17 | 0:08:20 | |
'Finally we have the first piece of the hair-product puzzle. | 0:08:20 | 0:08:23 | |
'Chitosan, which is a key ingredient of hairspray, comes from prawns. | 0:08:23 | 0:08:27 | |
'But I'm still not exactly sure how it ends up there. | 0:08:27 | 0:08:31 | |
'Below deck, a haul of prawns is dumped onto a conveyor belt, | 0:08:31 | 0:08:35 | |
'which the girls and I have to sort from other fish in the catch.' | 0:08:35 | 0:08:39 | |
-It's in here. -All right. -OK. | 0:08:39 | 0:08:41 | |
Oh, my God! | 0:08:41 | 0:08:43 | |
'Each haul is about two tons, | 0:08:43 | 0:08:45 | |
'and takes around eight hours to sift through.' | 0:08:45 | 0:08:48 | |
-Hurry, hurry! -There you go. Catch! | 0:08:48 | 0:08:50 | |
'Owner Gustaf insists we work at the speed his crew normally work at, | 0:08:50 | 0:08:54 | |
'pulling out the unwanted fish, which, according to Bjorn, | 0:08:54 | 0:08:57 | |
'are sold at the local market.' | 0:08:57 | 0:08:59 | |
-Oh! It's so... -You use lots of hair products. | 0:08:59 | 0:09:02 | |
I did not realise they were using prawn in my hair. | 0:09:02 | 0:09:07 | |
-I am never eating fish again. -You're never eating fish again? | 0:09:07 | 0:09:11 | |
-No. -I am never using hair products again. | 0:09:11 | 0:09:13 | |
You're saying that's... Over there, over there. | 0:09:13 | 0:09:16 | |
-Got one, got one, got one. -You're absolutely sure about that? | 0:09:16 | 0:09:20 | |
-This is going on my hair. -But we don't know how yet. | 0:09:20 | 0:09:24 | |
That is true, but... | 0:09:24 | 0:09:27 | |
-Oh, look. Roe. -What's that? | 0:09:28 | 0:09:31 | |
-That's the eggs. -I really hope it's not the eggs that go into my hair. | 0:09:31 | 0:09:35 | |
How are you feeling about hair products now, then? | 0:09:35 | 0:09:38 | |
I really don't know how I feel about hair products. | 0:09:39 | 0:09:42 | |
I guess if it was maybe, like, fish oils, or... | 0:09:42 | 0:09:47 | |
that seems logical to go into a product, | 0:09:47 | 0:09:51 | |
but prawns - that didn't even cross my mind. | 0:09:51 | 0:09:55 | |
That's exactly what it is. I still haven't got it in my mind's eye... | 0:09:55 | 0:09:59 | |
-No. -..what this product is, | 0:09:59 | 0:10:01 | |
and how it makes its way into hair stuff. | 0:10:01 | 0:10:04 | |
-OK! -Thank you. | 0:10:05 | 0:10:07 | |
'At this stage there's still no obvious link to hairspray, | 0:10:07 | 0:10:10 | |
'so we follow the trail to the prawn factory. | 0:10:10 | 0:10:13 | |
'Here our catch is boiled to prepare for processing. | 0:10:16 | 0:10:20 | |
'It's just a small part of the four and a half million prawns | 0:10:20 | 0:10:23 | |
'processed here every day.' | 0:10:23 | 0:10:25 | |
-MACHINERY ROARING -So, what's going on here, Bjorn? | 0:10:25 | 0:10:28 | |
-This is the prawn-peeling plant. -Prawn peeling? | 0:10:28 | 0:10:32 | |
And here we peel and clean and freeze and pack the prawns. | 0:10:32 | 0:10:37 | |
Where do they go, the majority of these? | 0:10:38 | 0:10:41 | |
Most of these go to the UK, to England, | 0:10:41 | 0:10:44 | |
so if you buy a prawn sandwich when you go back home... | 0:10:44 | 0:10:47 | |
It probably came out of here. Now I know the history of the prawn. | 0:10:47 | 0:10:51 | |
-Where does the chitosan come from? Which bit? -From the shells. | 0:10:51 | 0:10:54 | |
It is from the shells? Ah! | 0:10:54 | 0:10:58 | |
These are the peelers. The peelers take the shell from the prawns. | 0:11:00 | 0:11:04 | |
So the machine does it all? The machine takes the shell off? | 0:11:04 | 0:11:09 | |
Yes. It takes all the shells from the prawn. | 0:11:09 | 0:11:11 | |
-Separates the meat and the rest of it? -Yeah. | 0:11:11 | 0:11:14 | |
From here, the prawns are checked by an ultraviolet machine | 0:11:14 | 0:11:18 | |
for any remaining shell, before being frozen, packed | 0:11:18 | 0:11:22 | |
and sent to Britain. | 0:11:22 | 0:11:25 | |
But we're more interested in the stuff that's falling under the machines. | 0:11:29 | 0:11:33 | |
What looks like waste, the antennae, the legs, the shells, | 0:11:37 | 0:11:40 | |
is in fact a key ingredient in the global beauty industry. | 0:11:40 | 0:11:43 | |
They're all still just shells. How does it become this product? | 0:11:47 | 0:11:51 | |
That is the next part of the story. | 0:11:51 | 0:11:54 | |
We have to go next door to another factory, | 0:11:54 | 0:11:57 | |
and I will show you that. | 0:11:57 | 0:11:59 | |
Chitosan comes from chitin, which is the major component of a prawn shell. | 0:11:59 | 0:12:04 | |
It's the chitin that gives the shell its toughness and durability, | 0:12:04 | 0:12:08 | |
so it can protect the soft tissues of the prawn. | 0:12:08 | 0:12:10 | |
Although the value of chitosan as by-product has been known for years, | 0:12:10 | 0:12:14 | |
the lack of manufacturing facilities in the town | 0:12:14 | 0:12:17 | |
have meant the shells were simply dumped into the sea. | 0:12:17 | 0:12:20 | |
In 1999, that changed. After three years of research, | 0:12:20 | 0:12:24 | |
the company Primex developed the ability | 0:12:24 | 0:12:26 | |
to turn raw shells into chitosan on an industrial scale. | 0:12:26 | 0:12:30 | |
-THEY SHOUT -That is really disgusting. | 0:12:40 | 0:12:44 | |
Each one of these trucks contains 13 tons of shells, | 0:12:44 | 0:12:48 | |
which will be processed into 250 kilos of chitosan. | 0:12:48 | 0:12:53 | |
I'm not putting that in my hair. | 0:12:53 | 0:12:55 | |
'Chances are you already have. | 0:12:55 | 0:12:57 | |
'We ask the company's Segovic Valsdottir | 0:12:57 | 0:13:00 | |
'if we can get hands-on.' | 0:13:00 | 0:13:02 | |
-Can we have a go with the... -Oh, yes. Of course you can. | 0:13:02 | 0:13:05 | |
-Come on! -Let's go. | 0:13:05 | 0:13:08 | |
We're in it! Let's do it! | 0:13:08 | 0:13:10 | |
Why use the hose? Why so much water? | 0:13:10 | 0:13:13 | |
It's necessary for the prawn, for cleaning them, | 0:13:13 | 0:13:16 | |
and also to throw them up to the tanks | 0:13:16 | 0:13:20 | |
for the pressure. | 0:13:20 | 0:13:22 | |
-They look like prawn soup. -It really does. | 0:13:22 | 0:13:25 | |
It doesn't look very appetising. | 0:13:25 | 0:13:27 | |
Nothing at the moment that I want to put on my hair either. | 0:13:27 | 0:13:32 | |
'Having followed the prawn from the ocean, | 0:13:33 | 0:13:36 | |
'we finally get to see the first major transformation. | 0:13:36 | 0:13:39 | |
'After we hose them down, the shells are mixed with hydrochloric acid | 0:13:39 | 0:13:43 | |
'to remove the calcium, and then mixed with sodium hydroxide | 0:13:43 | 0:13:46 | |
'which is commonly known as caustic soda, | 0:13:46 | 0:13:48 | |
'to remove protein and colour.' | 0:13:48 | 0:13:51 | |
Weird! | 0:13:51 | 0:13:53 | |
Oh! It's like little particles of plastic. | 0:13:53 | 0:13:57 | |
'According to Primex, removing protein lowers the risk | 0:13:57 | 0:14:00 | |
'of allergic reactions to shellfish.' | 0:14:00 | 0:14:02 | |
It doesn't look like a shell or a meat, or... | 0:14:04 | 0:14:08 | |
It smells of nothing. | 0:14:08 | 0:14:10 | |
'From here on in, the transformations are quicker | 0:14:10 | 0:14:13 | |
'and more dramatic.' | 0:14:13 | 0:14:15 | |
Let me see the chitin. Oh, wow! | 0:14:15 | 0:14:18 | |
'The white sludge is pressed and dried into chitin. | 0:14:18 | 0:14:21 | |
'This sawdust-like material is what gives shells their strength.' | 0:14:21 | 0:14:26 | |
-It's not still chitosan. -Still not? -No. | 0:14:26 | 0:14:30 | |
Now the next stage will be to convert into chitosan. | 0:14:30 | 0:14:35 | |
-This is the lab. Go on. -Thank you. | 0:14:38 | 0:14:40 | |
'So, from factory floor to the science lab, | 0:14:40 | 0:14:43 | |
'and chitosan expert Dr Einar Matthiasson. | 0:14:43 | 0:14:46 | |
'Finally we get to see some chitosan.' | 0:14:46 | 0:14:48 | |
-So here you have it! -Yeah. Here we have it. | 0:14:48 | 0:14:52 | |
This we've seen before. This is like a sawdust. | 0:14:52 | 0:14:54 | |
-This is it, yeah. The chitin. -But this is finally chitosan? | 0:14:54 | 0:14:58 | |
-This is the final product. -So it's been ground down. | 0:14:58 | 0:15:02 | |
-So it's processed into a powder? -Yeah. | 0:15:02 | 0:15:04 | |
So, simply, in as non-scientific a way as you can, | 0:15:04 | 0:15:08 | |
tell me what this product is. | 0:15:08 | 0:15:10 | |
Basically this is a long-chain biopolymer. | 0:15:10 | 0:15:14 | |
-SHE LAUGHS -See, I said make it simple. | 0:15:14 | 0:15:16 | |
-A long-chain... -Biopolymer. -Biopolymer. | 0:15:16 | 0:15:18 | |
How does it work in a hair product, a hairspray? | 0:15:18 | 0:15:21 | |
-What does it do? -It increases shininess | 0:15:21 | 0:15:24 | |
and gloss of the product. It increases volume. | 0:15:24 | 0:15:28 | |
It prevents split ends of hair, | 0:15:28 | 0:15:31 | |
also can moisturise it as well, and so on. | 0:15:31 | 0:15:34 | |
So when you look at a hair product, why on the label doesn't it say | 0:15:34 | 0:15:38 | |
that this is derived from an animal, it's an animal product? | 0:15:38 | 0:15:42 | |
Because we didn't know what chitosan was. | 0:15:42 | 0:15:44 | |
You'd look at that, and you'd never think that was an animal. | 0:15:44 | 0:15:48 | |
It's mainly because this is a well known raw material | 0:15:48 | 0:15:51 | |
to industry, and they don't have to say exactly where it comes from. | 0:15:51 | 0:15:55 | |
-And do you only find chitosan in prawns? -No. | 0:15:55 | 0:15:58 | |
No. You find it in fungi and mushrooms. | 0:15:58 | 0:16:01 | |
And you mostly supply the hair industry with chitosan, | 0:16:01 | 0:16:04 | |
-so the chances are it's prawn-derived chitosan. -Yeah. | 0:16:04 | 0:16:08 | |
Can you answer this question? Here you've got this powder. | 0:16:08 | 0:16:12 | |
How does it become the hair product? | 0:16:12 | 0:16:14 | |
I think you have to ask the manufacturer | 0:16:14 | 0:16:16 | |
who's buying this from us, because he has all the secrets. | 0:16:16 | 0:16:20 | |
Ah, so this scientist isn't revealing! | 0:16:20 | 0:16:22 | |
So we haven't quite finished our journey. | 0:16:22 | 0:16:25 | |
This eye-opening journey feels like it's finally reaching conclusion. | 0:16:25 | 0:16:29 | |
It's amazing to follow a process like this. | 0:16:29 | 0:16:32 | |
And now for the final step - the product. | 0:16:32 | 0:16:36 | |
It's a surprisingly simple process when you know how. | 0:16:38 | 0:16:42 | |
The basic ingredients for making hairspray | 0:16:42 | 0:16:45 | |
are chitosan, water, | 0:16:45 | 0:16:47 | |
citric acid and ethanol. | 0:16:47 | 0:16:51 | |
The first step is to add chitosan to water. | 0:16:51 | 0:16:54 | |
Citric acid helps the chitosan to dissolve | 0:16:55 | 0:16:58 | |
and make a thick solution, | 0:16:58 | 0:17:00 | |
which when mixed further becomes a gel. | 0:17:00 | 0:17:03 | |
Ethanol is then mixed into the gel. | 0:17:03 | 0:17:05 | |
Ethanol makes the gel dry quicker when applied to the hair. | 0:17:05 | 0:17:09 | |
Once dry, it hardens, holding the hair in any style you like - | 0:17:09 | 0:17:14 | |
just not that one. | 0:17:14 | 0:17:16 | |
Making hairspray follows the same process, | 0:17:16 | 0:17:19 | |
but more water and ethanol are added, | 0:17:19 | 0:17:21 | |
to make a more diluted solution which can then be sprayed. | 0:17:21 | 0:17:24 | |
The other ingredients added by manufacturers | 0:17:24 | 0:17:27 | |
are the perfumes, colours and preservatives. | 0:17:27 | 0:17:30 | |
And there you have it. | 0:17:30 | 0:17:31 | |
Prawns... | 0:17:31 | 0:17:33 | |
Hairspray. | 0:17:35 | 0:17:37 | |
As well as making our hair funky, chitosan has some amazing properties | 0:17:37 | 0:17:41 | |
that have led to the development of new wound-healing creams and diet pills. | 0:17:42 | 0:17:47 | |
Not so long ago we were out there fishing for prawns. | 0:17:50 | 0:17:53 | |
I don't have an issue, because I eat the prawns, | 0:17:53 | 0:17:56 | |
so that for me is fine. The fact that the shell is used in this way, | 0:17:56 | 0:18:00 | |
is this miracle product, think is fantastic. Vegetarian - | 0:18:00 | 0:18:03 | |
moral dilemma. What will you do about your hair product? | 0:18:03 | 0:18:06 | |
For ethical reasons, now I know it has come from a creature, | 0:18:06 | 0:18:09 | |
I'm going to go home and check all my products, | 0:18:09 | 0:18:12 | |
and any ones that do contain... contain the ingredient, | 0:18:12 | 0:18:16 | |
I think will be chucked out. I couldn't use it. | 0:18:16 | 0:18:19 | |
I'd imagine the prawns on my hair otherwise. | 0:18:19 | 0:18:21 | |
-I just have a newfound respect for the humble prawn. -Yeah! | 0:18:21 | 0:18:25 | |
'If Rachel was freaked out by prawns in hairspray, | 0:18:30 | 0:18:32 | |
'I wonder how she'd feel about whales in perfume.' | 0:18:32 | 0:18:36 | |
That's why I'm really interested in ambergris. | 0:18:41 | 0:18:44 | |
I know it's a substance that comes from whales, | 0:18:44 | 0:18:47 | |
and I know it's been prized in the perfume industry for centuries. | 0:18:47 | 0:18:50 | |
But I don't know exactly what it is, and I don't know if it's still used today. | 0:18:50 | 0:18:55 | |
Where once an A-list film star may have endorsed a perfume, | 0:18:55 | 0:18:58 | |
nowadays even WAGs are releasing their own ranges. | 0:18:58 | 0:19:01 | |
The latest figures show UK retailers sold over £1 billion of perfume, | 0:19:03 | 0:19:08 | |
up nearly nine percent on the previous year. | 0:19:08 | 0:19:10 | |
I wonder how many people know their perfumes may contain | 0:19:10 | 0:19:14 | |
something that comes from a whale. | 0:19:14 | 0:19:17 | |
-Whale. -Ugh! -Whale. -Whoa! | 0:19:17 | 0:19:20 | |
-I definitely didn't know that. -What do you think of that? | 0:19:21 | 0:19:24 | |
-Badly shocked. -Don't buy it. | 0:19:24 | 0:19:26 | |
I'll never be able to use perfume again. | 0:19:27 | 0:19:30 | |
'Now, I had the same reaction when I found out about ambergris. | 0:19:34 | 0:19:38 | |
'Whales aren't fish. They're mammals, | 0:19:38 | 0:19:41 | |
'and hunting them is cruel, unethical and unacceptable. | 0:19:41 | 0:19:44 | |
'I love my perfumes, but...' | 0:19:47 | 0:19:49 | |
If it's got "whale" on the label, for me, it's a big, fat, non-negotiable "no". | 0:19:49 | 0:19:53 | |
No. No. | 0:19:53 | 0:19:55 | |
I'm aware that ambergris has a real mystique around it. | 0:19:56 | 0:19:59 | |
Medieval mariners called it "floating gold". | 0:19:59 | 0:20:02 | |
The ancient Chinese called it "dragon spittle". | 0:20:02 | 0:20:05 | |
'But commercial whale-hunting has been illegal for quarter of a century, | 0:20:05 | 0:20:09 | |
'so the first thing to find out is if ambergris is still being used.' | 0:20:09 | 0:20:13 | |
Perfume recipes are closely guarded secrets. | 0:20:15 | 0:20:18 | |
So will I be able to get a top perfumier to share some with me | 0:20:18 | 0:20:21 | |
if I'm really nice? | 0:20:21 | 0:20:24 | |
Floris perfumier on London's Jermyn Street | 0:20:25 | 0:20:29 | |
has a client list stretching back to the year 1730. | 0:20:29 | 0:20:32 | |
It made perfumes for kings and queens, | 0:20:32 | 0:20:35 | |
prime ministers, movie stars - even Ian Fleming, | 0:20:35 | 0:20:38 | |
the creator of James Bond. | 0:20:38 | 0:20:40 | |
'I'm hoping to apply some 007-style charm | 0:20:43 | 0:20:46 | |
'on head perfume designer Shelagh Foyle, | 0:20:46 | 0:20:49 | |
'to see if she'll reveal the company secrets, | 0:20:49 | 0:20:51 | |
'starting with the use of animal parts.' | 0:20:51 | 0:20:55 | |
Are animal parts or by-products used in perfumes these days? | 0:20:55 | 0:20:58 | |
We used to obtain musk from the musk pods | 0:20:58 | 0:21:01 | |
which were removed from the deer. | 0:21:01 | 0:21:03 | |
I believe it's their scent-marking glands. | 0:21:03 | 0:21:06 | |
In times gone by, they were worth more than their weight in gold. | 0:21:06 | 0:21:10 | |
'But to remove the pod, you need a dead deer.' | 0:21:10 | 0:21:13 | |
-From castoreum... -What's castoreum? -It came from beaver. | 0:21:14 | 0:21:17 | |
We've used ingredients from civet cat, | 0:21:17 | 0:21:21 | |
and to obtain that, the cat is irritated | 0:21:21 | 0:21:25 | |
by often poking it with sticks or some other process, | 0:21:25 | 0:21:30 | |
and then it's milked. | 0:21:30 | 0:21:32 | |
So would it be fair to say it's frowned upon | 0:21:32 | 0:21:34 | |
to use any real animal part or animal product | 0:21:34 | 0:21:37 | |
today in the perfume industry? | 0:21:37 | 0:21:38 | |
We use the manmade, synthetic alternatives. | 0:21:38 | 0:21:42 | |
We just don't want to use anything that causes harm. | 0:21:42 | 0:21:45 | |
But is it used to your knowledge? | 0:21:45 | 0:21:48 | |
Would anything from an animal be used? | 0:21:48 | 0:21:51 | |
Not necessarily something that would harm the animal. | 0:21:51 | 0:21:55 | |
The only natural ingredient that is probably still used | 0:21:55 | 0:21:58 | |
-may be ambergris. -It's funny you should mention ambergris, | 0:21:58 | 0:22:01 | |
because that's what I'm on a mission to find out about. | 0:22:01 | 0:22:04 | |
I know it's something to do with whales, | 0:22:04 | 0:22:06 | |
which I'm not happy about at all. You obviously don't use it. | 0:22:06 | 0:22:11 | |
-We don't use it, no. -Do you know where I can get any, | 0:22:11 | 0:22:13 | |
-where I can see some, smell some? -What - natural ambergris? -Yeah. | 0:22:13 | 0:22:17 | |
-I've no idea. -Tricky, then? | 0:22:17 | 0:22:20 | |
-Yeah. -Very tricky. -Yeah. | 0:22:20 | 0:22:22 | |
'Now, if animal parts from deer, beavers and cats | 0:22:26 | 0:22:30 | |
'are no longer used to make us smell good, | 0:22:30 | 0:22:33 | |
'why are whale parts still used? | 0:22:33 | 0:22:35 | |
'I think I'll need to get my hands on some actual ambergris | 0:22:35 | 0:22:38 | |
'to find out.' | 0:22:38 | 0:22:40 | |
'After a bit more research, I found a perfume place | 0:22:42 | 0:22:44 | |
'called Le Labo. Packaged in a contemporary style, | 0:22:44 | 0:22:48 | |
'this shop sells 13 fragrances, which are prepared in front of the customer | 0:22:48 | 0:22:52 | |
'and personalised with a printed name tag. | 0:22:52 | 0:22:55 | |
'I've heard they might have some ambergris products, | 0:22:55 | 0:22:59 | |
'and I'm meeting lab assistant Sandy Sidhu to find out.' | 0:22:59 | 0:23:02 | |
I'm really interested in this product ambergris. | 0:23:02 | 0:23:05 | |
-Do you have it here? -I'm afraid we don't have it here, | 0:23:05 | 0:23:07 | |
but what we do have is the synthetic musk equivalent | 0:23:07 | 0:23:11 | |
-to the ambergris... -Oh, OK. | 0:23:11 | 0:23:13 | |
..which is actually the Ambrox, which is over here. | 0:23:13 | 0:23:17 | |
-It's actually a nice smell. -Yes. It's very subtle, | 0:23:19 | 0:23:21 | |
but very sensual, and very long-lasting on the skin. | 0:23:21 | 0:23:24 | |
It's one you want to keep smelling. | 0:23:24 | 0:23:26 | |
Do you think I'm going to find the real thing? | 0:23:26 | 0:23:29 | |
Um, I don't think that would be possible. | 0:23:29 | 0:23:32 | |
What we use is the Ambrox, which is the synthetic musk, | 0:23:32 | 0:23:35 | |
which you usually can get. But what I can tell you | 0:23:35 | 0:23:38 | |
is that ambergris is taken from the sperm whales, | 0:23:38 | 0:23:41 | |
but it's very, very rare, as well. | 0:23:41 | 0:23:43 | |
You might want to try and go out to sea. | 0:23:43 | 0:23:45 | |
Come on, Sandy. Be a bit more encouraging. | 0:23:45 | 0:23:48 | |
THEY LAUGH | 0:23:48 | 0:23:50 | |
'Right. I've learned that ambergris is still used in perfumes, | 0:23:50 | 0:23:54 | |
'and it comes from a sperm whale. | 0:23:54 | 0:23:56 | |
'It's time to find out what it is, and why it's OK to use it.' | 0:23:56 | 0:24:00 | |
So far no real ambergris, | 0:24:03 | 0:24:05 | |
but I've been given a tip-off about a perfumier | 0:24:05 | 0:24:08 | |
called Roja Dove, and he may be able to help me. | 0:24:08 | 0:24:11 | |
He's a big noise in the nose world. | 0:24:11 | 0:24:13 | |
Roja Dove is a fragrance academic, historian and author. | 0:24:15 | 0:24:20 | |
'I've been told I'll be in the presence of the prince of perfume.' | 0:24:20 | 0:24:24 | |
"Ambergree". Have I been saying it correctly? | 0:24:27 | 0:24:29 | |
Ambergris, most people in Britain call it. Ambergris. | 0:24:29 | 0:24:32 | |
-OK. -Grey amber. -Grey amber. | 0:24:32 | 0:24:35 | |
I haven't actually come across the real deal, | 0:24:35 | 0:24:38 | |
the product itself. Does it still exist? | 0:24:38 | 0:24:41 | |
Ambergris itself exists, because it's a natural phenomenon. | 0:24:41 | 0:24:44 | |
It's a natural excretion from the whales. | 0:24:44 | 0:24:46 | |
Ambergris is formed when sperm whales swallow squid. | 0:24:46 | 0:24:49 | |
The squid have hard, parrot-like beaks, | 0:24:49 | 0:24:52 | |
which can't be digested, and irritate the intestine of the whale. | 0:24:52 | 0:24:56 | |
A natural defence is that the whale forms a waxy piece | 0:24:56 | 0:24:59 | |
around the beak, a little bit like a grain of sand in an oyster | 0:24:59 | 0:25:03 | |
forms a pearl. But the problem is, this waxy piece gets bigger | 0:25:03 | 0:25:07 | |
and bigger, and the whale needs to expel it, | 0:25:07 | 0:25:10 | |
a little bit like a cat honks up a furball. | 0:25:10 | 0:25:13 | |
SHE LAUGHS It's the same sort of thing. | 0:25:13 | 0:25:16 | |
And so the waxy paste floats on the oceans, | 0:25:16 | 0:25:19 | |
and in fact for ambergris to be used traditionally in perfumery, | 0:25:19 | 0:25:24 | |
we have to take it from the sea, | 0:25:24 | 0:25:26 | |
because an oxidation occurs on the ambergris, | 0:25:26 | 0:25:29 | |
and it's the reaction of the salt and the sun | 0:25:29 | 0:25:33 | |
which gives ambergris its odour. | 0:25:33 | 0:25:35 | |
Would whales ever be hunted for this product? | 0:25:35 | 0:25:37 | |
It wouldn't be extracted from inside the whale? | 0:25:37 | 0:25:41 | |
To my knowledge, I don't believe the whale has ever been hunted | 0:25:41 | 0:25:45 | |
for ambergris, because it would be useless. It would have no odour. | 0:25:45 | 0:25:49 | |
-So it has to have been honked. -It has to have been honked. Honking is essential. | 0:25:49 | 0:25:54 | |
So there you have it. | 0:25:54 | 0:25:56 | |
Whale puke plus some salty sea air | 0:25:56 | 0:25:58 | |
equals the perfect perfume ingredient. | 0:25:58 | 0:26:01 | |
Is it still used today in the industry? | 0:26:01 | 0:26:03 | |
To my knowledge, yes. | 0:26:03 | 0:26:05 | |
If somebody is making a very luxurious scent, | 0:26:05 | 0:26:07 | |
then natural ambergris is something they might choose to still use | 0:26:07 | 0:26:11 | |
-within the formula. -So there are a few perfumeries | 0:26:11 | 0:26:14 | |
in the world that will have a supplier of ambergris? | 0:26:14 | 0:26:18 | |
Yes. | 0:26:18 | 0:26:20 | |
So, if your budget will stretch to a luxury brand, | 0:26:20 | 0:26:23 | |
you'll find ambergris in scents made by top labels like Hermes, | 0:26:23 | 0:26:27 | |
Balmain, and what's believed to be the Beckhams' favourite, Creed. | 0:26:27 | 0:26:31 | |
And do you have any for me to look at, to touch? | 0:26:31 | 0:26:34 | |
-Funnily enough, I do. -It looks like a huge truffle! | 0:26:34 | 0:26:37 | |
Well, yeah. It's the most unlikely looking stuff. | 0:26:37 | 0:26:41 | |
Ooh! I mean, it doesn't... | 0:26:41 | 0:26:43 | |
It doesn't smell, most likely, how you might imagine. | 0:26:43 | 0:26:45 | |
-Can we touch it? -Do. Take it out. | 0:26:45 | 0:26:48 | |
'So this is it. I'm holding a whale by-product, | 0:26:50 | 0:26:54 | |
'and I'm feeling OK about it - | 0:26:54 | 0:26:56 | |
'well, as OK as you CAN feel, holding whale puke.' | 0:26:56 | 0:26:59 | |
Now, don't reach over and punch me, but it smells a bit sicky. | 0:27:00 | 0:27:04 | |
HE LAUGHS | 0:27:04 | 0:27:05 | |
What's its importance within the perfume structure? | 0:27:05 | 0:27:08 | |
Ambergris's structure is made up of cholesterol, | 0:27:08 | 0:27:12 | |
which is a fat, and this fattiness, or the oiliness, | 0:27:12 | 0:27:15 | |
is what helps hold all the other raw materials | 0:27:15 | 0:27:18 | |
on the skin, so it makes not only it last longer, | 0:27:18 | 0:27:20 | |
but it makes other raw materials last a long time too. | 0:27:20 | 0:27:24 | |
Man has used this raw material and known of it | 0:27:24 | 0:27:26 | |
for at least 3,000 years. | 0:27:26 | 0:27:29 | |
It's part of the magic, and it's part of what is incredible | 0:27:32 | 0:27:36 | |
about the gifts that nature gives us. | 0:27:36 | 0:27:39 | |
So there is whale in perfume, | 0:27:40 | 0:27:43 | |
but it's an excretion, not a body part, | 0:27:43 | 0:27:45 | |
and it's not something I'm angry about. | 0:27:45 | 0:27:47 | |
-I wonder what the consumers think? -SHE SCREAMS AND LAUGHS | 0:27:47 | 0:27:52 | |
-I wouldn't wear that perfume. -How does that smell good? | 0:27:52 | 0:27:55 | |
Well, there you go. Somehow it manages it. | 0:27:55 | 0:27:57 | |
-Difficult to believe, eh? -Yeah! That's really odd. | 0:27:57 | 0:28:00 | |
But it still smells nice, so why not? | 0:28:00 | 0:28:02 | |
There you go. Cool! Thank you very much. | 0:28:02 | 0:28:05 | |
From ambergris to amber nectar. | 0:28:08 | 0:28:11 | |
What I'm discovering is, the more you scratch the surface | 0:28:18 | 0:28:21 | |
of the fish's anatomy, the more everyday products | 0:28:21 | 0:28:24 | |
you find fish in, including one of the nation's favourite - booze. | 0:28:24 | 0:28:29 | |
How many people know that? | 0:28:29 | 0:28:31 | |
Let me just ask you - there's a fish product that they use in beer. | 0:28:33 | 0:28:37 | |
-Do you know what it is? -A fish product? | 0:28:37 | 0:28:39 | |
-Um... -The oil or something? No. | 0:28:39 | 0:28:43 | |
-I wouldn't have a clue. -Urine? -Guts or something? | 0:28:43 | 0:28:46 | |
The scales? | 0:28:46 | 0:28:48 | |
Blood, I suppose, would be horrendous to be drinking. | 0:28:48 | 0:28:51 | |
Er, what else might be in there? | 0:28:51 | 0:28:54 | |
There's this product called isinglass which they use in beers. | 0:28:55 | 0:28:59 | |
It comes from a fish, and somehow it gives beer its golden glow. | 0:28:59 | 0:29:04 | |
I'm meeting some beer drinkers to find out more. | 0:29:04 | 0:29:07 | |
-WHISTLE BLOWS -'Hi, I'm Temi.' | 0:29:07 | 0:29:09 | |
-'The boys call me Kev.' -'My name's Chris.' | 0:29:09 | 0:29:12 | |
The boys call me Teddy. Our drinking team has a rugby problem. | 0:29:12 | 0:29:15 | |
SONG: "Tubthumping" by Chumbawamba | 0:29:15 | 0:29:19 | |
You come to uni and you want to join the rugby team. | 0:29:21 | 0:29:24 | |
People just expect, sort of, you will be drinking. | 0:29:24 | 0:29:27 | |
THEY SHOUT AND CHANT | 0:29:29 | 0:29:31 | |
THEY SING | 0:29:34 | 0:29:35 | |
We'd start drinking as soon as we'd finished the game, in the changing rooms. | 0:29:37 | 0:29:41 | |
'Hopefully we've had a win, and we're all in good spirits. Start drinking there.' | 0:29:41 | 0:29:46 | |
THEY SHOUT | 0:29:48 | 0:29:50 | |
There isn't much I wouldn't drink. | 0:29:53 | 0:29:55 | |
-I'd drink urine out of a pint, dog food, sick... -Yeah! | 0:29:55 | 0:29:59 | |
THEY SHOUT | 0:29:59 | 0:30:01 | |
So, what if their beer had fish in it? | 0:30:01 | 0:30:05 | |
Would they drink that? | 0:30:05 | 0:30:08 | |
I don't think I've ever thought about what goes into beer, | 0:30:10 | 0:30:13 | |
purely because you just never consider it. | 0:30:13 | 0:30:16 | |
So, do they know what beer's made of? | 0:30:16 | 0:30:18 | |
-Water. -Water? | 0:30:19 | 0:30:22 | |
Must be made of water to some extent. It's liquid. | 0:30:23 | 0:30:26 | |
Er... We don't know, do we? | 0:30:26 | 0:30:28 | |
OK. Do they even know what makes it alcoholic? | 0:30:28 | 0:30:32 | |
I don't know. What does make it alcoholic? | 0:30:33 | 0:30:37 | |
THEY LAUGH | 0:30:38 | 0:30:39 | |
THEY SHOUT | 0:30:39 | 0:30:41 | |
-I've no idea. -We have no idea. | 0:30:43 | 0:30:45 | |
We drink so much without knowing what's in it. It's quite scary. | 0:30:45 | 0:30:49 | |
A night on the booze hasn't put them off a 4 AM start at Billingsgate. | 0:30:52 | 0:30:56 | |
Don't know what I'm looking at there. | 0:30:56 | 0:30:58 | |
It really is a weird place for beer to begin its journey. | 0:30:58 | 0:31:03 | |
I'm hoping the boys will be as curious as I am. | 0:31:04 | 0:31:07 | |
Is it a head? Is it an eye? Is it blood? | 0:31:07 | 0:31:10 | |
-Chris! -Hi. -Temi. Morning, lads. Morning. How we doing? | 0:31:11 | 0:31:15 | |
-Fantastic. -It's early. -It is early. What do you think we're doing | 0:31:15 | 0:31:18 | |
-at this ungodly hour? -At a fish market, | 0:31:18 | 0:31:20 | |
-something to do with beer... Not a clue. -Yeah. | 0:31:20 | 0:31:24 | |
There's a product in beer called isinglass, apparently. | 0:31:24 | 0:31:27 | |
-From a fish, or... -Yeah, from a fish. | 0:31:27 | 0:31:30 | |
-All right. Cool. -What do you think about the fact | 0:31:30 | 0:31:33 | |
that there's something fishy in your beer? Does that put you off? | 0:31:33 | 0:31:36 | |
-Not yet. -Cos you don't know what it is. | 0:31:36 | 0:31:38 | |
Come on. | 0:31:38 | 0:31:40 | |
CJ Jackson, the director of Billingsgate Seafood Training School, | 0:31:41 | 0:31:45 | |
will enlighten us. | 0:31:45 | 0:31:48 | |
CJ, we know that there's something called isinglass in beer, | 0:31:48 | 0:31:52 | |
-but what is it? -It actually is a dried swim bladder of a fish. | 0:31:52 | 0:31:56 | |
-What's a swim bladder? -It's like the buoyancy aid. | 0:31:56 | 0:31:59 | |
It basically keeps round fish upright. | 0:31:59 | 0:32:02 | |
In the 18th century they used to take the swim bladder from a beluga sturgeon. | 0:32:02 | 0:32:05 | |
Today beluga sturgeons are really endangered. | 0:32:05 | 0:32:09 | |
It's also one of the most valuable caviars | 0:32:09 | 0:32:11 | |
that you get. | 0:32:11 | 0:32:13 | |
So what they're using now is a fish called Vietnamese catfish or Pangasius. | 0:32:13 | 0:32:17 | |
Most of it actually is now processed abroad, | 0:32:17 | 0:32:21 | |
and it comes in frozen. | 0:32:21 | 0:32:23 | |
Pangasius is mostly farmed in Vietnam. | 0:32:23 | 0:32:26 | |
It can grow up to three metres long. | 0:32:26 | 0:32:28 | |
As it's hard to find whole ones in the UK, | 0:32:28 | 0:32:30 | |
we're going to see the same principle on a much smaller scale. | 0:32:30 | 0:32:34 | |
'Say hello to Gary the gurnard.' | 0:32:34 | 0:32:36 | |
Look at his eyes! | 0:32:36 | 0:32:39 | |
-They're fantastic. -He feels so rubbery! | 0:32:39 | 0:32:41 | |
-It's really cool. -Really weird little fella. | 0:32:41 | 0:32:45 | |
See the little bits here? | 0:32:45 | 0:32:47 | |
You're going to have to get much closer than that, love. | 0:32:47 | 0:32:51 | |
-Will it jump up at me? -It goes in your pint. | 0:32:51 | 0:32:54 | |
When you open these fish up, you often find the swim bladder in the middle. | 0:32:56 | 0:33:01 | |
I'm going to take you upstairs, show you how to prepare it, | 0:33:01 | 0:33:04 | |
and we're going to see if we can find the swim bladder. | 0:33:04 | 0:33:07 | |
'So, one of Britain's great pastimes - | 0:33:07 | 0:33:10 | |
'getting bladdered - relies on bladders. | 0:33:10 | 0:33:13 | |
'For me, dissecting this little fishy will be more fascinating | 0:33:13 | 0:33:17 | |
'than shocking. Will it be the same for the rugby lads?' | 0:33:17 | 0:33:20 | |
We're going to cut underneath that dorsal spine. | 0:33:20 | 0:33:24 | |
-Don't worry. What you need to do... -It's so hard. | 0:33:24 | 0:33:27 | |
It's fine. Twist the knife so that it's pointing towards the head. | 0:33:27 | 0:33:32 | |
There you go. Done. How did that feel, Temi? | 0:33:32 | 0:33:34 | |
I'm struggling. | 0:33:35 | 0:33:37 | |
I'm going to insert the scissors into the back of the head of the fish. | 0:33:37 | 0:33:41 | |
OK? | 0:33:41 | 0:33:43 | |
And then just gently push... CRUNCHING | 0:33:43 | 0:33:46 | |
-Ugh! -Not liking that? -No, not at all. Wasn't nice. | 0:33:47 | 0:33:51 | |
You're going to bend the fish down, and as you bend... | 0:33:51 | 0:33:56 | |
-I don't want it to splat on me. -It's not going to splat on you. | 0:33:56 | 0:34:00 | |
Then I'm going to put my finger in there and gently ease back... | 0:34:00 | 0:34:03 | |
SQUELCHING | 0:34:03 | 0:34:07 | |
This is great. The fish bladder is intact. There's still some gas in there. | 0:34:07 | 0:34:10 | |
And having pulled that back, so you can see the swim bladder... | 0:34:10 | 0:34:15 | |
-Bend it. Pull it up. -Ooh, there you go. I've got... | 0:34:15 | 0:34:18 | |
-Look at the bladder. -That's it. Perfect. | 0:34:18 | 0:34:20 | |
-Yeah. There's one as well. -Yeah. There we go. | 0:34:20 | 0:34:23 | |
That's the bit you're going to use. | 0:34:23 | 0:34:26 | |
What I still don't quite understand is how it's used in beer. | 0:34:26 | 0:34:30 | |
Well, I know they dry it, but when it comes to the actual function | 0:34:30 | 0:34:33 | |
and how they actually use it, you'd need to speak to a brewer. | 0:34:33 | 0:34:38 | |
'Going to a brewery can't happen soon enough for Temi. | 0:34:38 | 0:34:41 | |
'I've managed to get beer historian Peter Haydon | 0:34:41 | 0:34:44 | |
'to show us around his specialist brewery in Greenwich, South London.' | 0:34:44 | 0:34:49 | |
-Hi, Peter. How are you? -Hello. Welcome to Greenwich. | 0:34:49 | 0:34:52 | |
-Here are the guys, Kev and Chris and Temi. -Hi, guys. | 0:34:52 | 0:34:54 | |
-Nice to meet you. -Welcome to Meantime. Let's go. | 0:34:54 | 0:34:58 | |
Contain yourselves. We're going into a brewery. | 0:34:58 | 0:35:01 | |
'I get the impression the boys are in heaven. | 0:35:02 | 0:35:05 | |
'Here the four elements of water, malt...' | 0:35:05 | 0:35:09 | |
Mmm, nice smell! | 0:35:09 | 0:35:11 | |
'..hops and yeast combine | 0:35:12 | 0:35:15 | |
'to make beer.' | 0:35:15 | 0:35:17 | |
I've heard two different pronunciations, | 0:35:18 | 0:35:21 | |
-isinglass and I-singlass. -The word originates from Dutch, | 0:35:21 | 0:35:25 | |
because when we started using it industrially in this country, | 0:35:25 | 0:35:29 | |
in around about 1730s, | 0:35:29 | 0:35:32 | |
the Dutch word "huysen" means sturgeon, and "blas" means bladder. | 0:35:32 | 0:35:37 | |
So huysen blas was a sturgeon bladder, | 0:35:37 | 0:35:40 | |
and the Anglicised version would be isinglass. | 0:35:40 | 0:35:43 | |
That makes sense. | 0:35:43 | 0:35:46 | |
-Whoa! What's that, Peter? -This is a fish maw. | 0:35:46 | 0:35:49 | |
-Which is a swim bladder. -Effectively. | 0:35:49 | 0:35:51 | |
Which is the raw material from which we make the isinglass. | 0:35:51 | 0:35:54 | |
What this is is pure protein. It's protein called collagen. | 0:35:54 | 0:35:58 | |
It's the same thing as some ladies like to put in their lips | 0:35:58 | 0:36:02 | |
-to make them bigger. -Don't look at me. | 0:36:02 | 0:36:04 | |
-THEY LAUGH -Don't look at me. | 0:36:04 | 0:36:07 | |
It's a very pure and natural form of protein. | 0:36:07 | 0:36:09 | |
-What does it smell like? -Um, pretty plain. | 0:36:09 | 0:36:12 | |
-Yeah, nothing. -I was hoping I'd get something crazy. | 0:36:12 | 0:36:15 | |
This must have come from a massive fish. The ones we saw earlier were tiny little things. | 0:36:15 | 0:36:21 | |
Yeah. So how does that end up as isinglass? | 0:36:21 | 0:36:23 | |
There are a couple of manufacturers in the UK who produce this | 0:36:23 | 0:36:26 | |
for the brewing industry. They will take the raw material, | 0:36:26 | 0:36:29 | |
process it firstly into a powder, which some people may wish to use, | 0:36:29 | 0:36:35 | |
and there are a number of options. It can be turned into a paste, | 0:36:35 | 0:36:38 | |
or, finally, in the format that we're going to use it... | 0:36:38 | 0:36:44 | |
-So that's like a glue. -That is gloopy. | 0:36:50 | 0:36:54 | |
Could I drink that, or would I get ill? | 0:36:54 | 0:36:56 | |
You can drink that. | 0:36:56 | 0:36:58 | |
'Blimey, these lads really will drink anything.' | 0:36:58 | 0:37:01 | |
In one! | 0:37:01 | 0:37:03 | |
-Oh, that's horrible. -THEY LAUGH | 0:37:04 | 0:37:07 | |
I wouldn't drink that. It looks far too gloopy, and a strange colour, | 0:37:07 | 0:37:11 | |
-and I don't think I'd fancy it. -Can we see this in action now, | 0:37:11 | 0:37:14 | |
-how it actually works? -Yeah, by all means. -OK. | 0:37:14 | 0:37:17 | |
Isinglass is used in the production of many cask ales, | 0:37:17 | 0:37:21 | |
some stouts and a few lagers. | 0:37:21 | 0:37:24 | |
The yeast content of beer makes it cloudy. | 0:37:24 | 0:37:27 | |
When mixed with isinglass, | 0:37:27 | 0:37:30 | |
the yeast molecules stick to isinglass molecules | 0:37:30 | 0:37:33 | |
and fall to the bottom. | 0:37:33 | 0:37:35 | |
Normally it would take around four days for the yeast to settle | 0:37:35 | 0:37:38 | |
in this keg. Isinglass does it in just six hours, | 0:37:38 | 0:37:42 | |
making the whole process a lot quicker. | 0:37:42 | 0:37:45 | |
So, Kev, if you want to do the honours... | 0:37:45 | 0:37:47 | |
-Ta-da-dah! -Wow! -That's ridiculous. | 0:37:47 | 0:37:50 | |
-You can see through that beer. -It's like glass. | 0:37:50 | 0:37:53 | |
-Can I see you? Yes, I can. Hello! -Hello! | 0:37:56 | 0:37:59 | |
THEY LAUGH | 0:37:59 | 0:38:01 | |
So if isinglass falls to the bottom of the barrel, | 0:38:01 | 0:38:04 | |
is there any of it left in the drink? | 0:38:04 | 0:38:06 | |
This is not a part of the beer. It's not part of the mix. | 0:38:06 | 0:38:10 | |
As the clumps get bigger, gravity takes over | 0:38:10 | 0:38:13 | |
and pulls everything out of solution | 0:38:13 | 0:38:16 | |
to become a sediment at the bottom of the container. | 0:38:16 | 0:38:18 | |
Studies agree that in the majority of cases, | 0:38:18 | 0:38:21 | |
isinglass is undetectable in the finished pint, | 0:38:21 | 0:38:24 | |
but some bottle-conditioned ales and cask ales, | 0:38:24 | 0:38:27 | |
if served from too near the bottom of the barrel, | 0:38:27 | 0:38:29 | |
may still contain minute amounts. | 0:38:29 | 0:38:32 | |
To find out that something as obscure as a fish bladder | 0:38:32 | 0:38:35 | |
goes into some of our favourite beers | 0:38:35 | 0:38:37 | |
has been a real eye-opener. | 0:38:37 | 0:38:39 | |
It's time to find out if a little fishy | 0:38:39 | 0:38:43 | |
has put these rugby boys off their pint. | 0:38:43 | 0:38:46 | |
I found the whole process today really interesting and fascinating, | 0:38:51 | 0:38:55 | |
but it hasn't put me off at all, | 0:38:55 | 0:38:57 | |
because even a product like the swim bladder, the final product - | 0:38:57 | 0:39:01 | |
fish oils used in lots of food and ingredients, | 0:39:01 | 0:39:04 | |
fish products - there was nothing squeamish about it for me. | 0:39:04 | 0:39:07 | |
When you were cutting open the fish and saw the blood and guts, | 0:39:07 | 0:39:12 | |
but when you see it all dried out and then the liquid, | 0:39:12 | 0:39:14 | |
-it doesn't put me off. -Temi, you were a bit diffident | 0:39:14 | 0:39:17 | |
-at the beginning of the day. -I was a bit squeamish. | 0:39:17 | 0:39:20 | |
To be honest with you, it's part of my life, my lifestyle, | 0:39:21 | 0:39:25 | |
-so I won't give it up that easy. -If you want a beer, | 0:39:25 | 0:39:28 | |
you have to cope with the fact that there's fish bladder in it. | 0:39:28 | 0:39:32 | |
-Cheers, guys. -Cheers. -Good day. Thank you. | 0:39:32 | 0:39:34 | |
Cheers. | 0:39:34 | 0:39:37 | |
Who would have thought a fish bladder could help brighten our booze? | 0:39:38 | 0:39:41 | |
For the next surprising discovery, I'm on the motorway heading for Manchester. | 0:39:50 | 0:39:54 | |
When I think of Manchester, I don't really think of fish. | 0:39:54 | 0:39:58 | |
I think of industrial landscapes, football teams... | 0:39:58 | 0:40:02 | |
..and, of course, music. | 0:40:03 | 0:40:06 | |
Over the decades, Britain has been rocking to the sound of Manchester bands like The Smiths, | 0:40:12 | 0:40:18 | |
Oasis, the Stone Roses, Take That, and even the Bee Gees. | 0:40:18 | 0:40:22 | |
The question is, what are they doing in a film about fish by-products? | 0:40:24 | 0:40:28 | |
I'm about to find out. | 0:40:33 | 0:40:36 | |
Ged Green makes and repairs guitars for rock stars. | 0:40:41 | 0:40:44 | |
His clients include Sinead O'Connor, Badly Drawn Boy, | 0:40:44 | 0:40:48 | |
the Zutons, Gary Barlow, and some others he's not allowed to reveal. | 0:40:48 | 0:40:52 | |
I'm following the fish trail to his workshop in Manchester. | 0:40:54 | 0:40:58 | |
I know nothing, except that there is a fish part, | 0:40:58 | 0:41:03 | |
or some part of the fish, that's utilised | 0:41:03 | 0:41:06 | |
in the manufacturing and creation of guitars. | 0:41:06 | 0:41:09 | |
Is it the inside of the fish or the outside of the fish? | 0:41:12 | 0:41:15 | |
-I'd say the outside. -So the scales? | 0:41:15 | 0:41:18 | |
-No. They don't have scales. -So we're going for shellfish. | 0:41:18 | 0:41:22 | |
-Yes, that's right. -OK. Moving on to the guitar, then... | 0:41:22 | 0:41:25 | |
-THEY LAUGH -Is it the string? -No. | 0:41:25 | 0:41:28 | |
-Is it in here? -Er, yes. | 0:41:28 | 0:41:31 | |
-So it's some sort of shell. -It is, yeah. | 0:41:31 | 0:41:34 | |
Oyster shells? | 0:41:34 | 0:41:36 | |
-No, these are abalone and pearl. -Ah, the wonderful abalone! | 0:41:36 | 0:41:40 | |
'Abalone is a type of sea snail | 0:41:42 | 0:41:44 | |
'found in the oceans around South Africa and New Zealand.' | 0:41:44 | 0:41:48 | |
-What is it? -That is an abalone. | 0:41:48 | 0:41:50 | |
'It's also known as ear shell and mutton fish. | 0:41:50 | 0:41:53 | |
'It might not look like much, but it's considered a delicacy. | 0:41:53 | 0:41:56 | |
'I'd describe it as a kind of giant scallop.' | 0:41:56 | 0:41:59 | |
Argh! | 0:41:59 | 0:42:00 | |
'Once the meat is removed, the shells can be polished, | 0:42:00 | 0:42:03 | |
'revealing a beautiful array of colours.' | 0:42:03 | 0:42:06 | |
-What are you showing me that for? -That's what it is. | 0:42:06 | 0:42:09 | |
-I didn't know, did I? -You certainly didn't. | 0:42:09 | 0:42:12 | |
But it isn't just Ged who does this. | 0:42:12 | 0:42:15 | |
If you're thrashing away on any half-decent guitar | 0:42:15 | 0:42:18 | |
in your mum's garage, chances are it's got some of this stuff in it. | 0:42:18 | 0:42:22 | |
So, we were talking about shells - molluscs, indeed. | 0:42:22 | 0:42:25 | |
-Show me your molluscs. -Here's one I prepared earlier! | 0:42:25 | 0:42:29 | |
-So, this is an abalone shell. -Yeah. | 0:42:29 | 0:42:31 | |
I think this is possibly New Zealand or Tasmania, | 0:42:31 | 0:42:34 | |
which seems to be the main source. | 0:42:34 | 0:42:36 | |
When it's stuck to a rock or something, | 0:42:36 | 0:42:39 | |
there's little tentacles out the side, | 0:42:39 | 0:42:41 | |
and these are allegedly breathing holes. | 0:42:41 | 0:42:44 | |
-Do they arrive in this form for you? -No, it doesn't come like that. | 0:42:44 | 0:42:47 | |
It comes in slices. It's bought by the ounce. | 0:42:47 | 0:42:53 | |
This is a fingerboard for a guitar. | 0:42:54 | 0:42:56 | |
'You cut a little pocket for it to sit in.' | 0:42:56 | 0:42:58 | |
-Yeah. -That gets glued in. | 0:42:58 | 0:43:01 | |
-Is this expensive? -Enough to do that neck | 0:43:01 | 0:43:04 | |
-would be about £40. -So it is expensive. -Yeah. | 0:43:04 | 0:43:07 | |
These are different tops for guitars. What's interesting here is, | 0:43:09 | 0:43:13 | |
you can see the colour changing. They're all different. | 0:43:13 | 0:43:16 | |
-You get greens, blues... -Lots of purples going on here. | 0:43:16 | 0:43:19 | |
Absolutely fantastic. | 0:43:19 | 0:43:20 | |
I've seen guitars going back to the 1500s, | 0:43:20 | 0:43:25 | |
and all the adornment on them was this sort of work. | 0:43:25 | 0:43:28 | |
Even back then, even the early versions of the guitar. | 0:43:28 | 0:43:31 | |
I think it probably goes back to Egyptian times, and pre that. | 0:43:31 | 0:43:36 | |
Will you let me loose on one of your guitars? | 0:43:37 | 0:43:39 | |
Um...no. SHE LAUGHS | 0:43:39 | 0:43:42 | |
Um, you could try and turn this into something. | 0:43:42 | 0:43:46 | |
I like that idea. Yeah. | 0:43:46 | 0:43:48 | |
You can see that basically that would probably come out of that. | 0:43:50 | 0:43:54 | |
Right, let's give it a go. So hold it fairly tight... | 0:43:54 | 0:43:57 | |
MACHINERY GRINDS | 0:43:57 | 0:43:59 | |
'He won't let me near the guitars, but he'll let me have a go | 0:43:59 | 0:44:03 | |
'at milling some shell into a beautiful guitar decoration.' | 0:44:03 | 0:44:06 | |
You know what it smells like? When you're in the dentist. | 0:44:06 | 0:44:10 | |
Yeah. SHE LAUGHS | 0:44:10 | 0:44:12 | |
MACHINERY GRINDS | 0:44:12 | 0:44:15 | |
-Bit more? -A lot more. | 0:44:18 | 0:44:20 | |
-They're tough beasts, these! -Oh, gosh. | 0:44:24 | 0:44:27 | |
We're getting some of it. Agh! | 0:44:29 | 0:44:31 | |
'At this point I should say neither Ged nor I have done this before.' | 0:44:31 | 0:44:34 | |
-There must be a better method. -Do you think so? | 0:44:34 | 0:44:37 | |
'No wonder he wouldn't let me loose on the guitars. | 0:44:37 | 0:44:40 | |
'So, shells in guitars.' | 0:44:42 | 0:44:45 | |
It's not as weird as fish bladder in beer, | 0:44:46 | 0:44:50 | |
or prawn shell in hairspray. | 0:44:50 | 0:44:52 | |
But none of these things are as weird as what I'm about to see next. | 0:44:54 | 0:44:59 | |
One part of the fish I'm surprised to find there's a use for is the skin, | 0:45:03 | 0:45:06 | |
and I don't really think about fish skin and glamour. | 0:45:06 | 0:45:09 | |
Eel skin, yes. Shark skin, come across before. | 0:45:09 | 0:45:12 | |
But fish skin and fashion? Intrigued! | 0:45:12 | 0:45:15 | |
Now, I like my fish skin crispy. Some of you may like it peeled off. | 0:45:15 | 0:45:21 | |
'But now the likes of Dior, Gucci and Prada | 0:45:21 | 0:45:24 | |
'have taken fish skin off the dinner table | 0:45:24 | 0:45:26 | |
'and put it onto the catwalk.' | 0:45:26 | 0:45:29 | |
For those of us suffering from recession immunity, | 0:45:31 | 0:45:33 | |
designer trainers and handbags made of fish leather | 0:45:33 | 0:45:36 | |
could be one way to make a noisy fashion statement. | 0:45:36 | 0:45:39 | |
In 2003, the main fish-leather supplier in Iceland | 0:45:41 | 0:45:44 | |
sold 15,000 square feet of fish leather. | 0:45:44 | 0:45:47 | |
Last year that jumped up to 106,000 square feet. | 0:45:47 | 0:45:52 | |
I'm visiting the Nordestrond fish factory | 0:45:52 | 0:45:55 | |
in the north of Iceland, to find out how fish... | 0:45:55 | 0:45:58 | |
..turns into leather. | 0:46:00 | 0:46:03 | |
Showing me around is manager Gunni Sune Jonsson. | 0:46:07 | 0:46:10 | |
-Hi, Gunni. -Hello, Julia. -Nice to meet you. | 0:46:10 | 0:46:13 | |
-HE GREETS HER IN ICELANDIC -Thank you. What do you do here? | 0:46:13 | 0:46:16 | |
We are a processing plant, | 0:46:16 | 0:46:18 | |
and we process, for example, some wolffish. | 0:46:18 | 0:46:21 | |
-Wolffish? -Wolffish. This is a wolffish. | 0:46:21 | 0:46:24 | |
What do you do with that fish? Do you use the entire fish? | 0:46:24 | 0:46:28 | |
Yeah. More or less, we use the entire fish. | 0:46:28 | 0:46:30 | |
-We use the skin to make leather. -OK, yes. | 0:46:30 | 0:46:32 | |
-We make potion from the fish. -So from the actual meat? | 0:46:32 | 0:46:36 | |
-And from the head and the bones, animal food. -Pet food. -Yes. | 0:46:36 | 0:46:40 | |
-So, how does this become leather? -Let me show you, Julia. | 0:46:40 | 0:46:43 | |
We go in there and put some clothes on, and you try yourself. | 0:46:43 | 0:46:47 | |
All right, then. I presume I'm going to have to touch them. | 0:46:47 | 0:46:50 | |
Fish from all over Iceland arrives here on a daily basis. | 0:46:50 | 0:46:54 | |
It's mostly cod and wolffish. | 0:46:54 | 0:46:57 | |
The head and guts are removed before being filleted | 0:47:01 | 0:47:04 | |
by skilled workers who can slice through 5,000 wolffish in a shift. | 0:47:04 | 0:47:09 | |
We're almost ready. | 0:47:11 | 0:47:13 | |
'I'm about to get a master class from the fastest filleter in the fjord.' | 0:47:13 | 0:47:16 | |
Christian can fillet an amazing four fish a minute. | 0:47:21 | 0:47:24 | |
-First of all, you want to hold your knife like that. -Yeah. | 0:47:30 | 0:47:33 | |
If you take the flap over here, and then you just cut... | 0:47:33 | 0:47:38 | |
-Under there. -Down as close to the bone as possible. | 0:47:38 | 0:47:41 | |
-Yeah. I can feel the bone. -Turn your knife like that, | 0:47:41 | 0:47:44 | |
and start cutting gently down, | 0:47:44 | 0:47:48 | |
and try to follow the bone. Just watch your fingers. | 0:47:48 | 0:47:52 | |
It's very, very slimy. I can feel the bones. | 0:47:52 | 0:47:55 | |
I think I might have done something wrong here. | 0:47:55 | 0:47:58 | |
-Probably. -If you just follow that, yeah. | 0:47:58 | 0:48:00 | |
-OK? -Yeah. | 0:48:02 | 0:48:04 | |
-OK. -Take it off. | 0:48:04 | 0:48:06 | |
So there's my fillet, which is a bit of a bloody mess, isn't it? | 0:48:06 | 0:48:10 | |
Look. Let's see yours, Christian. | 0:48:10 | 0:48:13 | |
Just look at that. I mean, that's just perfect. | 0:48:13 | 0:48:16 | |
Beautifully done. I hope I do a better job taking the skin off. | 0:48:16 | 0:48:20 | |
-Just take a fillet. -Yeah. | 0:48:20 | 0:48:22 | |
-Put it skin-down. -Yes. | 0:48:22 | 0:48:24 | |
-And the tail part in first. -Tail end that way. Right. | 0:48:24 | 0:48:27 | |
-So just pop it down on there? -Yeah. | 0:48:27 | 0:48:30 | |
Like this. | 0:48:30 | 0:48:32 | |
-That's it? -Yeah. | 0:48:32 | 0:48:34 | |
-This is a fantastic contraption! -It's a lot easier than filleting. | 0:48:34 | 0:48:38 | |
-Whoa! -Oh, you put it upside down! | 0:48:38 | 0:48:41 | |
Ugh! I got a bit of fish juice in my mouth then. Ugh! | 0:48:41 | 0:48:45 | |
Oh, dear. They've got to cut that one out. | 0:48:48 | 0:48:50 | |
How's that? Oh, look, we've still got a bit of skin to get off there. | 0:48:52 | 0:48:56 | |
-You must put it aside. -Oh, dear. | 0:48:56 | 0:48:59 | |
'Of course I'm only imagining that's what Gunni is saying, | 0:48:59 | 0:49:02 | |
'but this could've been a nice handbag.' | 0:49:02 | 0:49:04 | |
Maybe it's the lack of daylight that's sending me potty but I soon get into the groove. | 0:49:04 | 0:49:09 | |
I'm now getting a feel for it, so it's placing the tail down, | 0:49:09 | 0:49:12 | |
and release the wolffish. | 0:49:12 | 0:49:15 | |
'Two to three tons of skins pass through this machine every week | 0:49:17 | 0:49:21 | |
'before being graded for size and quality.' | 0:49:21 | 0:49:25 | |
OK. Is that a good one or a bad one? | 0:49:25 | 0:49:28 | |
For the leather we prefer the big size. | 0:49:28 | 0:49:30 | |
-It has no holes. -So that goes in this box full of ice? | 0:49:30 | 0:49:33 | |
Yeah. | 0:49:33 | 0:49:35 | |
-This one put here. It's too small. -Where do those skins go? | 0:49:37 | 0:49:41 | |
They go to cat food. | 0:49:41 | 0:49:43 | |
And where am I taking this now, Gunni? | 0:49:43 | 0:49:45 | |
You are to take this to the tanning company at Saudarkrokur. | 0:49:45 | 0:49:49 | |
-Saudarkrokur? -Saudarkrokur. -Saudarkrokur. | 0:49:49 | 0:49:52 | |
-Yes. -Right. | 0:49:52 | 0:49:54 | |
Right, off to Saudarkrokur I go. | 0:49:56 | 0:49:59 | |
After just a few hours in the factory, it's dark again. | 0:50:01 | 0:50:04 | |
I'm on my way to Atlantic Leather tannery. | 0:50:05 | 0:50:09 | |
This is one of only a handful of places in the world | 0:50:09 | 0:50:12 | |
that makes fish leather. I'm really curious to find out how such a fragile skin | 0:50:12 | 0:50:16 | |
becomes tough enough to make leather. | 0:50:16 | 0:50:18 | |
'My guide here will be boss Gunnsteinn.' | 0:50:20 | 0:50:23 | |
-Gunnsteinn, hello. -Hi. -Hi, there. | 0:50:23 | 0:50:25 | |
-There we go. There's a gift for you. -Oh, thank you. | 0:50:25 | 0:50:28 | |
Some lovely soggy fish skins ready to be turned into leather. | 0:50:28 | 0:50:32 | |
-What do we do first? -First we go to the fleshing machine. | 0:50:32 | 0:50:35 | |
-Fleshing? -Fleshing. -Lovely. That's nice. | 0:50:35 | 0:50:39 | |
So the machine is shaving off the rest of the flesh? | 0:50:44 | 0:50:47 | |
Yes. We have knives in there that remove the flesh from the skin. | 0:50:47 | 0:50:51 | |
You're just left with this. | 0:50:51 | 0:50:54 | |
-Now it goes to the drum for tanning. -OK. | 0:50:54 | 0:50:56 | |
'Tanning involves putting skins into a drum | 0:50:56 | 0:50:59 | |
'and mixing them with chemicals like chromium. | 0:50:59 | 0:51:02 | |
'Left untreated, the skins will simply decompose. | 0:51:02 | 0:51:05 | |
'But over a week in the drum, the chemicals change the structure of the proteins in the skin...' | 0:51:05 | 0:51:10 | |
It's started to fill. Just a little bit water. | 0:51:10 | 0:51:13 | |
'..creating a durable piece of leather | 0:51:13 | 0:51:16 | |
'from which it's possible to make lots of groovy things.' | 0:51:16 | 0:51:19 | |
-Very good. -Oh, look! | 0:51:19 | 0:51:21 | |
Fully tanned wolffish. | 0:51:21 | 0:51:24 | |
Wow! Oh, it feels all spongy now! | 0:51:24 | 0:51:26 | |
-So how long has that been spinning in the drum for? -One week. | 0:51:26 | 0:51:30 | |
-One week? -Yes. | 0:51:30 | 0:51:31 | |
Is it the same process with fish skin as it is with other hides? | 0:51:32 | 0:51:36 | |
No. The basic difference between fish skins | 0:51:36 | 0:51:39 | |
and other hides is that the fish is cold blood. | 0:51:39 | 0:51:44 | |
The temperature they tolerate before boiling is only 28 degrees. | 0:51:44 | 0:51:48 | |
When we started to develop this, | 0:51:48 | 0:51:51 | |
-we made thousands of gallons of fish soup. -Right. | 0:51:51 | 0:51:55 | |
'For me, the capacity to turn fragile fish skin | 0:51:55 | 0:51:57 | |
'into durable leather...' | 0:51:57 | 0:51:59 | |
There's no way you can tear this. | 0:51:59 | 0:52:01 | |
'..is the most surprising aspect of this process. | 0:52:01 | 0:52:04 | |
'But I'm wondering what other surprises Gunnsteinn has in his Willy Wonka-esque tannery.' | 0:52:04 | 0:52:09 | |
-It's ostrich legs. -Ostrich legs? | 0:52:09 | 0:52:11 | |
-Yes. You see? -Yeah. | 0:52:11 | 0:52:14 | |
If you think that's weird, there's also a line of testicle purses | 0:52:14 | 0:52:17 | |
and psychedelic furs. | 0:52:17 | 0:52:19 | |
These are animals found dead in the wild | 0:52:19 | 0:52:22 | |
and collected by the tannery. | 0:52:22 | 0:52:25 | |
So what's spinning around in there? | 0:52:29 | 0:52:31 | |
-Here we have salmon. -Salmon? | 0:52:31 | 0:52:33 | |
-Yes. -So you can use salmon skin as well? | 0:52:33 | 0:52:36 | |
-Oh, yes. -Can you use any fish skin? | 0:52:36 | 0:52:39 | |
Theoretically, yes. | 0:52:39 | 0:52:41 | |
So you could theoretically make a handbag out of your goldfish | 0:52:41 | 0:52:45 | |
-if you wanted to. -Yes. | 0:52:45 | 0:52:48 | |
-Here's salmon. -Look at that! | 0:52:50 | 0:52:53 | |
That is amazing. This is more like snakeskin, isn't it? | 0:52:54 | 0:52:58 | |
-Yeah. -That's even more... -You see the pockets? | 0:52:58 | 0:53:01 | |
-They are amazing. -Yeah. | 0:53:01 | 0:53:03 | |
Feel how thin it is and how strong it is. | 0:53:03 | 0:53:06 | |
-SHE GRUNTS -Yeah. That's brilliantly strong. | 0:53:06 | 0:53:10 | |
'I'm now on a real mission to see it become a fashion item. | 0:53:10 | 0:53:13 | |
'After being dyed... | 0:53:15 | 0:53:17 | |
'..the leather is stretched on a board and dried overnight. | 0:53:18 | 0:53:22 | |
'Then it's softened...' | 0:53:22 | 0:53:24 | |
Now it's just like nice, squidgy soft leather. | 0:53:24 | 0:53:27 | |
'..and prepared for the final finish.' | 0:53:27 | 0:53:29 | |
So you're putting Christmas wrapping paper onto some salmon skins. | 0:53:29 | 0:53:32 | |
Yes. We'll do that. This is one type of the finish we can do. | 0:53:32 | 0:53:36 | |
-OK. -Let's see. | 0:53:36 | 0:53:38 | |
-We'll take this... -Whoa, it's like a big pizza. | 0:53:38 | 0:53:41 | |
It's like a big pizza, yeah. | 0:53:41 | 0:53:43 | |
-Put there. -Yeah. | 0:53:43 | 0:53:45 | |
-Do that? -And then close this for me. -OK. | 0:53:45 | 0:53:47 | |
-Whoa! -Off it goes. | 0:53:47 | 0:53:50 | |
-Let's see. Now pull this little bit out. -Yeah. | 0:53:50 | 0:53:53 | |
-Oh, it's hot. -Yes, it is. | 0:53:53 | 0:53:55 | |
Yes, it's hot. | 0:53:55 | 0:53:57 | |
-Let's see. Peel it back from here? -Peel. | 0:53:57 | 0:54:01 | |
-There you go. -Whoa! | 0:54:02 | 0:54:04 | |
Look at that! | 0:54:04 | 0:54:06 | |
-Glittery, shiny disco salmon skin! -It's like a rainbow. | 0:54:06 | 0:54:12 | |
Can you imagine the shoes? | 0:54:12 | 0:54:16 | |
I'm wearing them in my head! I'm going disco dancin'! | 0:54:16 | 0:54:21 | |
That's brilliant! | 0:54:21 | 0:54:24 | |
'Seeing a salmon turned into a designer handbag | 0:54:27 | 0:54:30 | |
'is about as weird as... well, seeing a salmon turned into a designer handbag. | 0:54:30 | 0:54:34 | |
'I wonder what the great British public will think?' | 0:54:34 | 0:54:37 | |
What do you think that's made out of? | 0:54:42 | 0:54:44 | |
Leather with a snakeskin effect on it. | 0:54:44 | 0:54:47 | |
-Snake or alligator. -Probably, like, snake. | 0:54:47 | 0:54:51 | |
-I would say crocodile. -Crocodile? | 0:54:51 | 0:54:53 | |
-Snake? -Snake? -Yeah. | 0:54:53 | 0:54:55 | |
-I wouldn't say it's an animal. -You don't think it's an animal? | 0:54:55 | 0:54:59 | |
-No. -No. -Shall I show you what it is? | 0:54:59 | 0:55:01 | |
-OK. -Yeah. | 0:55:01 | 0:55:03 | |
Oh, my God! It's a fish! | 0:55:03 | 0:55:06 | |
-Surprised? -Wow! | 0:55:06 | 0:55:09 | |
-Wow! -No way! | 0:55:09 | 0:55:11 | |
-Really? Oh, right! -It's a fish skin. | 0:55:11 | 0:55:14 | |
A fish? | 0:55:14 | 0:55:16 | |
-Oh, my gosh! -I never would've thought that! | 0:55:16 | 0:55:20 | |
-Neither would've I. -Are you surprised? -Definitely. | 0:55:20 | 0:55:24 | |
'And there's no need for the boys to feel left out. | 0:55:24 | 0:55:26 | |
'Not just handbags come from salmon.' | 0:55:26 | 0:55:29 | |
-You can turn it into pretty much everything. -Yes. | 0:55:29 | 0:55:31 | |
We have shoes like these. | 0:55:31 | 0:55:35 | |
-Look at those! -You can get in UK. | 0:55:35 | 0:55:38 | |
They're very cool. And this is salmon? | 0:55:38 | 0:55:41 | |
-This is salmon skin. -So, salmon-skin high tops. | 0:55:41 | 0:55:44 | |
-So, who do you supply? -We supply all the big names - | 0:55:44 | 0:55:48 | |
Dior, Gucci, Prada, Ferragamo, Donna Karan. | 0:55:48 | 0:55:53 | |
So there's a wide range of customer. | 0:55:53 | 0:55:56 | |
Next time I'm tucking into cod and chips, I might keep the skin. | 0:55:56 | 0:55:59 | |
I'm completely amazed that fish like haddock and salmon, | 0:55:59 | 0:56:02 | |
potentially even your goldfish, | 0:56:02 | 0:56:04 | |
can be turned into designer shoes and bags. | 0:56:04 | 0:56:07 | |
In this film, I wanted to find out how the products that fill our lives | 0:56:07 | 0:56:11 | |
are full of seafood. | 0:56:11 | 0:56:13 | |
Who would have thought that prawn shells make hairspray, | 0:56:16 | 0:56:19 | |
that fish bladders make beer, | 0:56:19 | 0:56:22 | |
and that whale puke can help make perfume? | 0:56:22 | 0:56:24 | |
The main thing I've noticed is that although the consumers I've met | 0:56:24 | 0:56:28 | |
were disgusted at the beginning of the process, | 0:56:28 | 0:56:31 | |
by the time we got to the end product, | 0:56:31 | 0:56:33 | |
they were OK with it. | 0:56:33 | 0:56:35 | |
How about you? | 0:56:35 | 0:56:37 | |
'Next time, I revisit my best moments from the series.' | 0:56:37 | 0:56:41 | |
These are bone-cutters. | 0:56:43 | 0:56:45 | |
That's keeping you alive. | 0:56:46 | 0:56:47 | |
-What have we got in our hand? -Beef intestines. | 0:56:47 | 0:56:50 | |
-Ugh! -I wouldn't associate a cow with a book. | 0:56:50 | 0:56:52 | |
It was all horrible. I didn't like it. And now I like it. It's nice. | 0:56:52 | 0:56:57 | |
# I got a fish | 0:56:58 | 0:57:00 | |
# In my dish | 0:57:00 | 0:57:03 | |
# And I'm feeling fine | 0:57:05 | 0:57:08 | |
# I got a fish | 0:57:08 | 0:57:12 | |
# In my dish | 0:57:12 | 0:57:14 | |
# And I know it's mine # | 0:57:16 | 0:57:20 | |
Subtitles by Red Bee Media Ltd | 0:57:20 | 0:57:24 | |
E-mail [email protected] | 0:57:24 | 0:57:28 |