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From the clothes we wear to the cars we drive, | 0:00:02 | 0:00:04 | |
from what we use to look good to what we use to relax... | 0:00:04 | 0:00:08 | |
-THEY SHOUT -..our lives are full of products, | 0:00:08 | 0:00:11 | |
and our products are full of animals. | 0:00:11 | 0:00:14 | |
In the past few years, I've learned a lot about how the meat we eat | 0:00:18 | 0:00:22 | |
reaches our plates. But I've always wondered what happens | 0:00:22 | 0:00:25 | |
to the bits of the animal that we don't eat. | 0:00:25 | 0:00:28 | |
It turns out these leftover parts are made into things we use every day... | 0:00:28 | 0:00:32 | |
That's a symbolic noise for, like, leather. | 0:00:32 | 0:00:35 | |
..as well as some things you couldn't even imagine. | 0:00:35 | 0:00:38 | |
Oh, my God! | 0:00:40 | 0:00:42 | |
My face is on fire! | 0:00:42 | 0:00:44 | |
I've never, ever smelled anything like that. | 0:00:45 | 0:00:48 | |
'To find out how, I'm going on extraordinary journey | 0:00:49 | 0:00:53 | |
'to see these raw animal parts transformed into shiny new products. | 0:00:53 | 0:00:56 | |
'And I'm going to be joined by the people who use them to see what they make of it.' | 0:00:56 | 0:01:01 | |
-The sheep need to get slaughtered. -Will we be in the room? | 0:01:01 | 0:01:04 | |
Oh, my God! | 0:01:05 | 0:01:07 | |
HE GROANS | 0:01:08 | 0:01:10 | |
Mine had a testicle on it! | 0:01:10 | 0:01:12 | |
Oh, don't film me being sick! | 0:01:12 | 0:01:14 | |
'We'll be going behind the doors of unknown companies and into hidden worlds...' | 0:01:14 | 0:01:19 | |
That is such a weird vision! Just skin hanging there. | 0:01:19 | 0:01:23 | |
This is when we see what's inside the chest. | 0:01:25 | 0:01:27 | |
'..getting hands-on...' | 0:01:27 | 0:01:29 | |
I don't think that's going to go in there. | 0:01:29 | 0:01:32 | |
'..and discovering what makes these animal leftovers indispensable.' | 0:01:32 | 0:01:36 | |
-I can't even look at it! -What am I doing here with these? | 0:01:36 | 0:01:38 | |
Could knowing that so many of our favourite items | 0:01:38 | 0:01:41 | |
contain animals change the way we feel about them forever? | 0:01:41 | 0:01:46 | |
We are a nation of meat lovers. Every year in the UK, | 0:01:50 | 0:01:54 | |
we munch our way through tens of millions of cows, | 0:01:54 | 0:01:57 | |
sheep and pigs, and half a million tons of fish and seafood. | 0:01:57 | 0:02:01 | |
But our use for animals doesn't stop at the dinner table. | 0:02:02 | 0:02:05 | |
'Over the course of this series, I've been amazed to discover | 0:02:05 | 0:02:09 | |
'the ways bits of animal we don't eat can be turned into products we can't do without.' | 0:02:09 | 0:02:13 | |
I mean, that's just strange, isn't it? | 0:02:13 | 0:02:16 | |
'In this programme, I'll revisit some of the most shocking and surprising uses I've found.' | 0:02:16 | 0:02:21 | |
-THEY SCREAM -Oh, my God! It's a fish! | 0:02:21 | 0:02:24 | |
'It turns out that hidden animals lurk everywhere, | 0:02:24 | 0:02:29 | |
'from our bathroom cabinets and bedside tables | 0:02:29 | 0:02:32 | |
'to our laundrettes and pubs.' | 0:02:32 | 0:02:34 | |
But despite the fact that we come skin-to-skin with these products | 0:02:34 | 0:02:38 | |
almost every day, most of us have little idea | 0:02:38 | 0:02:40 | |
about where they're from or what's in them. | 0:02:40 | 0:02:44 | |
'Including this group of lads from Manchester, | 0:02:45 | 0:02:48 | |
'who I took to a local slaughterhouse | 0:02:48 | 0:02:50 | |
'to find out how a car becomes a leather car seat.' | 0:02:50 | 0:02:53 | |
-Here we are. -Here we go. | 0:02:53 | 0:02:55 | |
Friends Calvin, Curtis and Jordan like to look good | 0:02:58 | 0:03:03 | |
when they're out on the town. For them, a high-end motor | 0:03:03 | 0:03:05 | |
with a quality interior is an essential part of the image. | 0:03:05 | 0:03:09 | |
I want a leather interior. | 0:03:09 | 0:03:11 | |
It's got to be tan. It can't be cream or black. | 0:03:11 | 0:03:14 | |
You know that one that's not red and it's not cream? Like in between. | 0:03:14 | 0:03:17 | |
It's just that noise - that's a symbolic noise for, like, leather. | 0:03:17 | 0:03:21 | |
But had they ever considered where their sumptuous interior started its life? | 0:03:21 | 0:03:27 | |
Nobody thinks about that kind of thing. | 0:03:27 | 0:03:29 | |
They just want to see that leather in the car. It's a statement, | 0:03:29 | 0:03:32 | |
and it is quite comfy, actually. | 0:03:32 | 0:03:34 | |
No-one thinks where anything comes from at all. | 0:03:34 | 0:03:37 | |
It's on a shelf, so as far as you're concerned, | 0:03:37 | 0:03:39 | |
if you buy summat from Tesco, it's from Tesco. | 0:03:39 | 0:03:42 | |
It was made at Tesco. | 0:03:42 | 0:03:44 | |
And how did they feel about what was to come? | 0:03:44 | 0:03:47 | |
Anyone who sees something die or killed, | 0:03:47 | 0:03:49 | |
you're going to have some type of emotional reaction. | 0:03:49 | 0:03:52 | |
I don't believe anyone can stand there | 0:03:52 | 0:03:54 | |
and blatantly say, "I'm not bothered by that." | 0:03:54 | 0:03:57 | |
'With that in mind, I took the boys to meet John Mettrick | 0:04:00 | 0:04:03 | |
'at his family-run butchery business in the Peak District.' | 0:04:03 | 0:04:07 | |
'The Mettricks operate what's known as a best-practice abattoir, | 0:04:07 | 0:04:12 | |
'which means that animal welfare is a top priority.' | 0:04:12 | 0:04:15 | |
Welcome to our small abattoir in the Derbyshire hills. | 0:04:15 | 0:04:18 | |
This is Carlos here, the vet. He's looking at the animals at the moment, | 0:04:18 | 0:04:22 | |
to make sure they're fit and healthy for slaughter. | 0:04:22 | 0:04:24 | |
I don't want to get too close. | 0:04:24 | 0:04:26 | |
These animals are in an unfamiliar environment. | 0:04:26 | 0:04:29 | |
We won't bolt them with strange faces, | 0:04:29 | 0:04:31 | |
because it's very important to keep them calm. | 0:04:31 | 0:04:33 | |
What do you think, looking at the animals now, lads? | 0:04:33 | 0:04:37 | |
They don't look too happy. They look like they know what's... | 0:04:37 | 0:04:40 | |
Do you think of car-seat covers when you look at them? | 0:04:40 | 0:04:43 | |
When you see a cow, you don't think of the process. | 0:04:44 | 0:04:47 | |
You don't think of a potential car seat. | 0:04:47 | 0:04:49 | |
No. You think, "Oh, that could be a couch at DFS, | 0:04:49 | 0:04:52 | |
or be in a BMW." You just think it's a cow. | 0:04:52 | 0:04:56 | |
-What's next, John? -We need to go and get kitted up | 0:04:56 | 0:04:58 | |
-to see the next part of the process, so if you'd like to follow me... -OK. | 0:04:58 | 0:05:02 | |
'We made our way to the lairage, where the cows are stunned.' | 0:05:05 | 0:05:09 | |
OK? Now, this here is the captive bolt gun, | 0:05:09 | 0:05:12 | |
which is used for stunning cattle. It doesn't shoot a bullet. | 0:05:12 | 0:05:15 | |
It shoots a piece of metal out - a bolt - into the animal's head. | 0:05:15 | 0:05:20 | |
And the bolt penetrates the skull and renders the animal brain-dead. | 0:05:20 | 0:05:25 | |
All its sensations are gone. Everything's gone. | 0:05:25 | 0:05:28 | |
It's effectively out. | 0:05:28 | 0:05:30 | |
You think you could do it? | 0:05:30 | 0:05:31 | |
-Shoot the cow in the head? -Yeah. | 0:05:31 | 0:05:33 | |
You'd get affected emotionally after you'd done it. | 0:05:33 | 0:05:37 | |
'We followed John to the slaughter hall, where the life of each cow is ended.' | 0:05:37 | 0:05:42 | |
Being on this side, knowing that a cow, in about two minutes or so, | 0:05:42 | 0:05:45 | |
is going to drop out at my feet, brain-dead, is a bit...worrying. | 0:05:45 | 0:05:51 | |
My heart is going sick. | 0:05:56 | 0:05:59 | |
GUN CLICKS | 0:06:01 | 0:06:03 | |
That was it. | 0:06:03 | 0:06:04 | |
Oh! | 0:06:04 | 0:06:06 | |
I just don't like it. | 0:06:06 | 0:06:08 | |
Right? | 0:06:09 | 0:06:12 | |
So now he's going to lift the animal up at an angle, | 0:06:12 | 0:06:14 | |
and he'll push it along this gantry here, right, | 0:06:14 | 0:06:18 | |
over the top of the bleed area. | 0:06:18 | 0:06:21 | |
Nah, nah, nah. This is wrong, you know. | 0:06:21 | 0:06:25 | |
He's had those knives in a steriliser. | 0:06:25 | 0:06:27 | |
He's got two knives there. One is for cutting through the fur, | 0:06:27 | 0:06:30 | |
which he's done now, then the second knife cuts the main blood vessels. | 0:06:30 | 0:06:34 | |
He's gone through the carotid artery there. | 0:06:34 | 0:06:37 | |
All the blood vessels leading to the head are now severed. | 0:06:37 | 0:06:43 | |
So that's the jugular vein and the carotid artery cut. | 0:06:44 | 0:06:48 | |
All that kicking is those muscles shutting down, | 0:06:48 | 0:06:51 | |
the chemical reactions. | 0:06:51 | 0:06:53 | |
It never gets any easier to watch, I tell you that. | 0:06:55 | 0:06:59 | |
Because I can see the red meat inside, | 0:07:01 | 0:07:04 | |
-I'm starting to think of it as... -Food. -Yeah, as food. | 0:07:04 | 0:07:07 | |
'But it's not the meat that will end up on their car seats. | 0:07:07 | 0:07:10 | |
'It's the hide that we had come to see, | 0:07:10 | 0:07:12 | |
'and removing it is an incredibly skilled job.' | 0:07:12 | 0:07:14 | |
He's got a seam there just between the actual hide | 0:07:14 | 0:07:17 | |
and the fat. It's very important that, when he does that, | 0:07:17 | 0:07:21 | |
he hits that seam, because if he cut through the fat, | 0:07:21 | 0:07:24 | |
he'll disturb blood vessels. They'll actually burst, | 0:07:24 | 0:07:26 | |
and he won't be able to see where he's going. | 0:07:26 | 0:07:29 | |
You note he's making long strokes with his knife, as well. | 0:07:29 | 0:07:32 | |
That's quite deliberate, because he's not wanting to score the inside of the hide. | 0:07:32 | 0:07:36 | |
And that scoring, which is the roughness, | 0:07:36 | 0:07:39 | |
will mean that the hide will be worth less money, | 0:07:39 | 0:07:41 | |
so it's long, smooth cuts you can see he's making, yeah? | 0:07:41 | 0:07:45 | |
Looking a bit peaky there. | 0:07:45 | 0:07:47 | |
-Are you all right? -Yeah. I'm all right. | 0:07:48 | 0:07:51 | |
I'm just not going to try and pretend that this is all right. | 0:07:51 | 0:07:55 | |
Do you know what I mean? | 0:07:55 | 0:07:57 | |
You're so far removed from this process. | 0:07:57 | 0:08:00 | |
It comes to us nicely in a little packet, | 0:08:00 | 0:08:02 | |
and it tastes nice, and... | 0:08:02 | 0:08:05 | |
..the leather, it feels nice. You don't think of it like this. | 0:08:06 | 0:08:10 | |
'Once the hide is completely removed, it's taken through to the offal house.' | 0:08:10 | 0:08:14 | |
This is the chute which the hide comes through. | 0:08:14 | 0:08:17 | |
That's off one of the Belgian blue heifers | 0:08:17 | 0:08:20 | |
that we saw earlier in the lairage. This is the back end here. | 0:08:20 | 0:08:23 | |
You can see the tail there, and that's the neck end there. | 0:08:23 | 0:08:26 | |
-When the recession hit, the price of that hide dropped to as little as £9. -For all of that? | 0:08:26 | 0:08:32 | |
Yes. That's when the car industry was in trouble. | 0:08:32 | 0:08:34 | |
They weren't needing the leather interiors. | 0:08:34 | 0:08:37 | |
We were only getting nine quid for it. | 0:08:37 | 0:08:39 | |
'It had been a challenging and thought-provoking morning.' | 0:08:40 | 0:08:44 | |
During the process of programmes that I've made, | 0:08:44 | 0:08:47 | |
I've witnessed that, with different animals, | 0:08:47 | 0:08:50 | |
-about 60 times, and I don't think I want to see it again. -Yeah. | 0:08:50 | 0:08:53 | |
But every time I think about it and go round and round, | 0:08:53 | 0:08:56 | |
I can't think of a better way... If you're going to do this, | 0:08:56 | 0:08:59 | |
if you're going to eat meat, if you're going to use meat | 0:08:59 | 0:09:03 | |
-and animal products... -If it has to be done that way, | 0:09:03 | 0:09:06 | |
that is probably the perfect way of doing it. | 0:09:06 | 0:09:08 | |
To find out how this mass of soggy skins | 0:09:10 | 0:09:12 | |
turns into a classy car interiors, we headed north to Glasgow, | 0:09:12 | 0:09:15 | |
home of the Scottish Leather Group, | 0:09:15 | 0:09:17 | |
the UK's largest producers of cow leather, | 0:09:17 | 0:09:20 | |
where Gareth Scott showed us around. | 0:09:20 | 0:09:23 | |
This is a delivery which came in this morning out of an abattoir | 0:09:23 | 0:09:27 | |
-in the south of England. -It's heavy, that, isn't it? | 0:09:27 | 0:09:30 | |
-Whoa! That's so heavy. -How heavy is that? | 0:09:30 | 0:09:34 | |
After inspection, the hide goes through a process called liming, | 0:09:34 | 0:09:38 | |
which removes all the hair from the skin. | 0:09:38 | 0:09:41 | |
How many hides can this tumble-dryer hold? | 0:09:41 | 0:09:44 | |
It has the capacity to turn over 3,000 hides a day. | 0:09:44 | 0:09:47 | |
24 hours later, the hides emerge hair-free. | 0:09:48 | 0:09:52 | |
That is just such a weird vision - | 0:09:53 | 0:09:56 | |
skin hanging there, moving around slowly. | 0:09:56 | 0:10:00 | |
'Next, the fat and tissue is removed from the skin.' | 0:10:00 | 0:10:03 | |
-Feels so rubbery. -It's really rubbery, isn't it? | 0:10:03 | 0:10:06 | |
'And the remaining hide is mechanically split in two.' | 0:10:06 | 0:10:09 | |
It's the grain half of the hide that's used to make high-quality leather, | 0:10:09 | 0:10:13 | |
but first it must be tanned with chemicals to preserve it. | 0:10:13 | 0:10:17 | |
It's just a big drum of chamois leathers now. | 0:10:18 | 0:10:20 | |
-Each stage takes it further away from being a cow. -Now it's not a cow. | 0:10:20 | 0:10:24 | |
The leather is pressed, dried and put through a final shaving machine | 0:10:24 | 0:10:28 | |
to make it thinner still. | 0:10:28 | 0:10:30 | |
This is it. This is the finished product. | 0:10:32 | 0:10:34 | |
This will go in an Aston Martin car seat. | 0:10:34 | 0:10:36 | |
Now that it's like this, I think, "Screw the cow." | 0:10:36 | 0:10:39 | |
I just think, "Look how nice it is!" | 0:10:39 | 0:10:41 | |
Still, you know where it came from. You were there. | 0:10:41 | 0:10:44 | |
But it don't matter now. We've got what we want. | 0:10:44 | 0:10:47 | |
-Really? -You have to remember, | 0:10:48 | 0:10:49 | |
the cow would never be killed for this piece of leather. | 0:10:49 | 0:10:52 | |
That's what's good about it - that a cow is killed for meat. | 0:10:52 | 0:10:55 | |
This is a by-product that happens to be profitable. | 0:10:55 | 0:10:58 | |
We've been through, like, tragedy, death, blood, gore - | 0:10:58 | 0:11:02 | |
"Ooh, this is nice!" Do you know what I mean? | 0:11:02 | 0:11:05 | |
To make its way onto desirable car doors, | 0:11:09 | 0:11:12 | |
seats and dashboards, the finished leather is pattern-cut | 0:11:12 | 0:11:15 | |
and hand-stitched before being fitted into every freshly minted vehicle. | 0:11:15 | 0:11:20 | |
And it's here that the cow arrives at its final destination. | 0:11:20 | 0:11:24 | |
Worldwide, 320 million cattle hides were turned into leather last year, | 0:11:25 | 0:11:29 | |
and over 50 million of these ended up in vehicles. | 0:11:29 | 0:11:32 | |
But it's not just cars that look good in leather. | 0:11:34 | 0:11:38 | |
SONG: "Fashion" by David Bowie | 0:11:38 | 0:11:40 | |
Leather and suede are staples of the fashion industry, | 0:11:42 | 0:11:44 | |
from jackets and shoes to handbags and belts. | 0:11:44 | 0:11:47 | |
When it comes to looking glam, leather is big business. | 0:11:47 | 0:11:51 | |
And it doesn't just come from cows, which seemed to surprise the great British public. | 0:11:51 | 0:11:56 | |
What do you think that is? | 0:11:56 | 0:11:58 | |
-Suede. -Er, suede? | 0:11:58 | 0:12:00 | |
-Suede from which animal? -It's fabricated, right? | 0:12:00 | 0:12:04 | |
-Er, cow. -Cow? | 0:12:04 | 0:12:06 | |
-I don't know. -Cow? -Cow? | 0:12:06 | 0:12:08 | |
Or...could it be from a pig? | 0:12:08 | 0:12:11 | |
-No way. -It's pig suede. -Is it? -Yeah! | 0:12:12 | 0:12:15 | |
-Really? -No. I don't want to wear a pig on my feet! | 0:12:15 | 0:12:19 | |
A pig on your feet... | 0:12:19 | 0:12:21 | |
-I've bought how many pigs? -SHE LAUGHS | 0:12:21 | 0:12:25 | |
In the UK, we like to leave the skin on our pigs to eat, | 0:12:27 | 0:12:30 | |
but a trip to Poland revealed how, elsewhere, pigs are skinned at slaughter. | 0:12:30 | 0:12:34 | |
You see it as a bag now. | 0:12:35 | 0:12:37 | |
And then the skin is turned to leather and suede. | 0:12:37 | 0:12:40 | |
It's more common than you might think. | 0:12:40 | 0:12:43 | |
About ten percent of the world's leather is made from pigskin. | 0:12:43 | 0:12:47 | |
And it's mostly found in our clothes and shoes. | 0:12:47 | 0:12:50 | |
-Feel the soft, soft suede. -So that's pig suede? | 0:12:52 | 0:12:56 | |
Our wardrobes are a virtual farmyard of animals. | 0:12:56 | 0:13:00 | |
Sheepskin boots? Guess what they're made of. | 0:13:02 | 0:13:05 | |
In the UK, we purchase a million pairs every year. | 0:13:05 | 0:13:09 | |
And fish skin? Yep, even fish skin is used to make leather. | 0:13:10 | 0:13:15 | |
So it's placing the tail down, and release the fish. | 0:13:18 | 0:13:22 | |
Salmon bag. | 0:13:24 | 0:13:27 | |
Look at that! | 0:13:27 | 0:13:29 | |
That is amazing. | 0:13:29 | 0:13:31 | |
-What do we think of this handbag? -It's cute. -I like it. | 0:13:32 | 0:13:36 | |
Oh, my God! It's a fish! | 0:13:36 | 0:13:39 | |
-Wow! -No way! | 0:13:39 | 0:13:40 | |
-Oh, right! -A fish? | 0:13:40 | 0:13:43 | |
High fashion is all about looking good, | 0:13:45 | 0:13:48 | |
but looking good isn't all about clothes. | 0:13:48 | 0:13:51 | |
Cosmetics, creams, hairsprays, soaps - | 0:13:51 | 0:13:54 | |
the UK beauty industry is worth about £8 billion a year, | 0:13:54 | 0:13:58 | |
and it's absolutely brimming with animal by-products. | 0:13:58 | 0:14:02 | |
I took best friends Rachel and Emily to Iceland | 0:14:03 | 0:14:06 | |
to discover just what went into some of their favourite products. | 0:14:06 | 0:14:10 | |
Every other day I wash my hair, putting shampoo and conditioner in. | 0:14:16 | 0:14:20 | |
-'Then volumising mousse.' -Then I have a hair serum | 0:14:22 | 0:14:25 | |
-for the ends of my hair. -I would put a heat-defencing spray, | 0:14:25 | 0:14:29 | |
-protect it from the blow-dry. -A curl-boosting mousse. Cover it with hairspray. | 0:14:29 | 0:14:33 | |
And I'd reapply it several times during the day. | 0:14:33 | 0:14:36 | |
-I thought -I -was high-maintenance! -Feels really nice. | 0:14:36 | 0:14:39 | |
But how much do they know about what's in their products? | 0:14:39 | 0:14:42 | |
I do think about what goes into the products, | 0:14:42 | 0:14:45 | |
but a lot of the time I don't understand what's written on the back of packets. | 0:14:45 | 0:14:50 | |
I've been vegetarian for about 20 years. | 0:14:50 | 0:14:53 | |
If I found out that my favourite hair product | 0:14:53 | 0:14:55 | |
was animal-tested, | 0:14:55 | 0:14:58 | |
or contained any raw animal product, | 0:14:58 | 0:15:01 | |
I would be so upset. | 0:15:01 | 0:15:04 | |
'Iceland seemed a bizarre place for any hair product | 0:15:10 | 0:15:14 | |
'to start its life, but fishing marketeer Bjorn was on hand to help.' | 0:15:14 | 0:15:18 | |
-Say hello to Bjorn. -Hello. Hi. Welcome. | 0:15:18 | 0:15:21 | |
-Nice to meet you. -And we have to say welcome to Iceland, don't we? | 0:15:21 | 0:15:24 | |
-Because this is the first time. -It is. | 0:15:24 | 0:15:26 | |
Have you heard of a product called chitosan? | 0:15:26 | 0:15:29 | |
-No. -No. -No, we haven't. | 0:15:29 | 0:15:30 | |
-Chitosan is found in hair products. -Right. I've never heard of it. | 0:15:30 | 0:15:35 | |
-What is it, Bjorn? -Well, I will not tell you now. | 0:15:35 | 0:15:37 | |
First we will go to this boat, out to the sea, | 0:15:37 | 0:15:40 | |
and afterwards you will find out what it is. | 0:15:40 | 0:15:43 | |
We're going on the boat! It'll be an adventure. Come on, girls. | 0:15:43 | 0:15:46 | |
As we tried to find our sea legs, Bjorn explained that the trawler | 0:15:50 | 0:15:54 | |
could hold 20 tons of fish. | 0:15:54 | 0:15:56 | |
It goes out in rough seas for five and six days at a time, | 0:15:56 | 0:15:59 | |
fishing deep in the Arctic Circle. | 0:15:59 | 0:16:01 | |
Oh, don't film me being sick! | 0:16:03 | 0:16:05 | |
We were keen to fish out the origin of chitosan, | 0:16:08 | 0:16:10 | |
but Bjorn was playing slightly hard-to-get. | 0:16:10 | 0:16:13 | |
What are we fishing for today? | 0:16:13 | 0:16:15 | |
-Today we're fishing prawns. -Prawns? | 0:16:15 | 0:16:19 | |
Because you were asking about chitosan, | 0:16:19 | 0:16:21 | |
and the answer to that question is in the prawns. | 0:16:21 | 0:16:25 | |
-So chitosan comes from prawns? -Yeah. | 0:16:25 | 0:16:28 | |
Each haul is around two tons, and can take eight hours to sort. | 0:16:34 | 0:16:38 | |
Oh, my God! | 0:16:39 | 0:16:41 | |
'So we ventured below deck to help Bjorn with the catch.' | 0:16:41 | 0:16:45 | |
Hurry, hurry! | 0:16:45 | 0:16:47 | |
You use lots of hair products. You're a model. | 0:16:47 | 0:16:50 | |
I did not realise that they were using prawn in my hair. | 0:16:50 | 0:16:54 | |
-No! -I'm never using hair products again. | 0:16:54 | 0:16:57 | |
You're saying that... Over there, over there, over there! | 0:16:57 | 0:17:00 | |
-Got one, got one, got one! -Are you absolutely sure about that? | 0:17:00 | 0:17:03 | |
-This is going on my hair. -But we don't know how yet. | 0:17:03 | 0:17:07 | |
I don't know how. That is true. | 0:17:07 | 0:17:09 | |
With that delightful thought, we followed the prawns ashore, | 0:17:09 | 0:17:13 | |
where they're boiled ready for processing. | 0:17:13 | 0:17:15 | |
Four and a half million prawns are processed here every day. | 0:17:19 | 0:17:23 | |
-So, what's going on here, Bjorn? -This is the prawn-peeling plant. | 0:17:25 | 0:17:29 | |
Where does the chitosan come from? Which bit of the prawn? | 0:17:30 | 0:17:33 | |
-From the shells. -It is from the shells? Ah! | 0:17:33 | 0:17:37 | |
While the meat makes its way to sandwiches in the UK, | 0:17:38 | 0:17:42 | |
the tough shells that protect the prawns go next door to be processed. | 0:17:42 | 0:17:45 | |
Oh, no! | 0:18:01 | 0:18:03 | |
That is really disgusting! | 0:18:03 | 0:18:05 | |
Each one of these trucks contains 13 tons of shells, | 0:18:05 | 0:18:08 | |
packed with a substance called chitin, | 0:18:08 | 0:18:11 | |
which will later become chitosan. | 0:18:11 | 0:18:13 | |
-I'm not putting that in my hair. -Chances are you probably have, love. | 0:18:14 | 0:18:20 | |
-It looks like prawn soup, doesn't it? -It really does. | 0:18:21 | 0:18:24 | |
It doesn't look that appetising. | 0:18:24 | 0:18:26 | |
Not something at the moment that I'd want to put on my hair either. | 0:18:26 | 0:18:30 | |
'After we hose them down, the shells are mixed with hydrochloric acid | 0:18:32 | 0:18:36 | |
'to remove the calcium, then mixed with sodium hydroxide, | 0:18:36 | 0:18:39 | |
'commonly known as caustic soda, to remove protein and colour.' | 0:18:39 | 0:18:42 | |
That's weird! | 0:18:45 | 0:18:47 | |
Oh! It's like little particles of plastic. | 0:18:47 | 0:18:50 | |
'According to the manufacturers, removing protein | 0:18:50 | 0:18:53 | |
'lowers the risk of an allergic reaction to the shellfish.' | 0:18:53 | 0:18:56 | |
It doesn't look like a shell or a meat, or... | 0:18:56 | 0:19:00 | |
It smells of nothing. | 0:19:00 | 0:19:02 | |
The white sludge is chitin, which is pressed and dried. | 0:19:02 | 0:19:06 | |
-It's not still chitosan. -Still not? -No. | 0:19:07 | 0:19:11 | |
'From here it's processed further, into a powder, and that's it - | 0:19:11 | 0:19:15 | |
'chitosan. | 0:19:15 | 0:19:17 | |
'Simply add water... | 0:19:17 | 0:19:19 | |
'citric acid... | 0:19:19 | 0:19:22 | |
'ethanol, and you've got a basic hairspray.' | 0:19:22 | 0:19:26 | |
'So, what did the girls think?' | 0:19:27 | 0:19:29 | |
I don't have an issue, because I eat the prawns, | 0:19:29 | 0:19:32 | |
so that for me is fine. The fact that the shell is used in this way, | 0:19:32 | 0:19:36 | |
is this miracle product, think is fantastic. Vegetarian - | 0:19:36 | 0:19:39 | |
moral dilemma. What will you do about your hair product? | 0:19:39 | 0:19:42 | |
For ethical reasons, now I know it has come from a creature, | 0:19:42 | 0:19:45 | |
I'm going to go home and check all my products, | 0:19:45 | 0:19:48 | |
and any ones that do contain... contain the ingredient, | 0:19:48 | 0:19:52 | |
I think will be chucked out. I couldn't use it. | 0:19:52 | 0:19:54 | |
I'd imagine the prawns on my hair otherwise. | 0:19:54 | 0:19:57 | |
I was amazed to discover just how many hair products chitosan is in. | 0:19:59 | 0:20:04 | |
And when you look at a prawn shell, you can see why. | 0:20:04 | 0:20:06 | |
It is just so tough and flexible. It's an amazing natural material. | 0:20:06 | 0:20:10 | |
Once I got started, I found that the beauty industry was bursting with animal by-products. | 0:20:10 | 0:20:15 | |
If Rachel was upset to discover prawns in her hairspray, | 0:20:15 | 0:20:19 | |
I wonder what she would've made of pig in her hairbrush? | 0:20:19 | 0:20:23 | |
-Right, guys. Really silly question. What's this. -Brush. | 0:20:23 | 0:20:25 | |
-What are these? -Bristles. -What are they made out of? | 0:20:25 | 0:20:29 | |
You should know this. You work in a hair salon. | 0:20:29 | 0:20:31 | |
-Where do you think bristles come from? -Bristol? | 0:20:31 | 0:20:34 | |
-It's hair off an animal. Which one? -Horse. | 0:20:34 | 0:20:37 | |
A pig. | 0:20:37 | 0:20:38 | |
-Pig have hair? -Pig...have...hair. | 0:20:38 | 0:20:42 | |
When you read on the packets "real bristle", that's what it is. | 0:20:42 | 0:20:46 | |
-Oh, that's disgusting. -You didn't know that? -No! | 0:20:46 | 0:20:49 | |
Pig hair, or bristle, to give it its technical term, | 0:20:49 | 0:20:52 | |
has been used for brush-making for hundreds of years. | 0:20:52 | 0:20:55 | |
It's said to be the best-possible material to run through your hair. | 0:20:55 | 0:20:59 | |
Stiff yet supple, and slightly scaly in texture, | 0:20:59 | 0:21:02 | |
bristle removes dirt and debris | 0:21:02 | 0:21:04 | |
and transfers natural oils down the length of the hair | 0:21:04 | 0:21:07 | |
to give a natural glossy sheen. | 0:21:07 | 0:21:10 | |
'The hair is removed from the pigs by submerging them in scalding water | 0:21:12 | 0:21:16 | |
'after they've been slaughtered.' | 0:21:16 | 0:21:18 | |
I mean, that's just strange, isn't it? | 0:21:18 | 0:21:21 | |
Oh! | 0:21:21 | 0:21:23 | |
Most of the world's bristle actually comes from China, | 0:21:23 | 0:21:26 | |
but I was keen to give our British bristle a go. | 0:21:26 | 0:21:29 | |
-Got some bags for me? -I've got one here. | 0:21:31 | 0:21:33 | |
-I don't know whether that'll be big enough. -Go on, squeeze it in! | 0:21:33 | 0:21:36 | |
I don't mind touching it. Very nice. | 0:21:36 | 0:21:39 | |
Bristle in hand, I headed off to make my very own hairbrush. | 0:21:39 | 0:21:43 | |
-This is rare-breed boar bristle. -Not that much, is there, really? | 0:21:43 | 0:21:48 | |
-There's not that much. -This is what we need. | 0:21:48 | 0:21:50 | |
-This is from China, this one? -Yeah. | 0:21:50 | 0:21:52 | |
-Hiya, Jane. -Hello. -Hello, Jane. | 0:21:54 | 0:21:57 | |
-Ah! There we go. -There you are. -You see, that's not so bad! | 0:21:57 | 0:22:01 | |
'Well, maybe it is.' | 0:22:01 | 0:22:03 | |
It's not just hairbrushes that contain bristle. | 0:22:03 | 0:22:07 | |
It's traditionally found in shaving brushes, | 0:22:07 | 0:22:10 | |
paintbrushes, and, believe it or not... | 0:22:10 | 0:22:12 | |
some toothbrushes. | 0:22:12 | 0:22:14 | |
Whether it's shiny hair or shiny teeth, | 0:22:16 | 0:22:19 | |
the chances are your beauty regime involves animals | 0:22:19 | 0:22:22 | |
whether you know it or not. Take lanolin, for instance. | 0:22:22 | 0:22:26 | |
-Lanolin. -Lanolin. | 0:22:29 | 0:22:31 | |
-I've never heard of lanolin. -I don't know what it is. | 0:22:31 | 0:22:34 | |
-Lanolin? What is lanolin? -What is lanolin? -Is it bad? | 0:22:34 | 0:22:39 | |
SONG: "Grease" by the Bee Gees | 0:22:39 | 0:22:41 | |
Ever had greasy hair? | 0:22:43 | 0:22:45 | |
Well, lanolin is the natural wool grease of sheep. | 0:22:45 | 0:22:48 | |
Can you feel it? I've handled sheep before. | 0:22:50 | 0:22:53 | |
-Yeah, you can feel the grease. -It is sticky. | 0:22:53 | 0:22:56 | |
That's the wool grease. | 0:22:56 | 0:22:57 | |
'No sheep are killed in the making of lanolin. | 0:22:57 | 0:22:59 | |
'It's obtained by washing the wool from a shorn sheep, | 0:22:59 | 0:23:02 | |
'and once processed, provides a vital natural ingredient | 0:23:02 | 0:23:06 | |
'for face creams, moisturisers, lipsticks and balms.' | 0:23:06 | 0:23:09 | |
-You can see how clear it is now. -Yeah. | 0:23:09 | 0:23:12 | |
Oh, that's really sticky. That's like earwax. | 0:23:12 | 0:23:16 | |
But what did your shoppers make of it? | 0:23:16 | 0:23:18 | |
Ewww! | 0:23:18 | 0:23:20 | |
-Oh, that's weird. -Is that weird? Is that disgusting for you? | 0:23:20 | 0:23:23 | |
Yeah. | 0:23:23 | 0:23:25 | |
-Not good? -No. -Not happy with that? | 0:23:25 | 0:23:27 | |
-That's disgusting. -I'll close my eyes while picking it up. | 0:23:27 | 0:23:31 | |
Just carry on. Carry on regardless. After all, it's beauty, darling! | 0:23:31 | 0:23:35 | |
From looking good to keeping clean, | 0:23:36 | 0:23:38 | |
animal leftovers make their way into all our homes, | 0:23:38 | 0:23:41 | |
in sometimes entirely unrecognisable forms. | 0:23:41 | 0:23:45 | |
'I learnt more about a hidden animal product | 0:23:46 | 0:23:49 | |
'that's everywhere when I visited the Lake District | 0:23:49 | 0:23:52 | |
'to witness a process called rendering.' | 0:23:52 | 0:23:56 | |
Over half a million tons of sheep, cow and pig parts | 0:23:59 | 0:24:02 | |
go unwanted by the food industry every year. | 0:24:02 | 0:24:06 | |
But they don't go to waste. They make their way to rendering sites | 0:24:06 | 0:24:09 | |
across the UK. | 0:24:09 | 0:24:12 | |
Though it's a vital job, it's a pretty grisly one, | 0:24:12 | 0:24:15 | |
and something that's historically been kept under wraps. | 0:24:15 | 0:24:18 | |
Alba Proteins kindly gave me a rare opportunity | 0:24:18 | 0:24:21 | |
to see rendering first hand. | 0:24:21 | 0:24:25 | |
Site manager Simon Boyes agreed to show me around. | 0:24:25 | 0:24:28 | |
Today we've got a load of sheep coming in so we can process. | 0:24:29 | 0:24:33 | |
Right. About how much? It's a big truck. | 0:24:33 | 0:24:35 | |
About 20 to 25 tons we normally receive in one load. | 0:24:35 | 0:24:39 | |
'The raw animal parts are unloaded into a huge bin.' | 0:24:44 | 0:24:48 | |
-25 tons of sheep bits and bobs! -Yeah. | 0:24:48 | 0:24:52 | |
It's pretty gruesome, you've got to say. | 0:24:52 | 0:24:55 | |
I mean, the blood on the floor, the fleshy bits... | 0:24:55 | 0:24:58 | |
It is, but what you've got to appreciate is, | 0:24:58 | 0:25:01 | |
this is materials which are fit for humans, | 0:25:01 | 0:25:04 | |
but they choose not to eat. | 0:25:04 | 0:25:06 | |
'The sheep parts had just started to decay, | 0:25:06 | 0:25:09 | |
'and were giving off a real stink.' | 0:25:09 | 0:25:12 | |
I haven't actually smelled anything quite as pungent | 0:25:12 | 0:25:14 | |
even in an abattoir. | 0:25:14 | 0:25:16 | |
It really sticks to the back of your throat. | 0:25:16 | 0:25:19 | |
'And if that lorry load of sheep parts didn't smell pretty, | 0:25:19 | 0:25:23 | |
'they certainly didn't look pretty either.' | 0:25:23 | 0:25:26 | |
Ugh, that's a lot of sheep heads. | 0:25:26 | 0:25:29 | |
It is. We've got sheep heads, hooves, ears, | 0:25:29 | 0:25:32 | |
sheep fat, and also the carcase as well. | 0:25:32 | 0:25:35 | |
From the bins, the parts pass into the crusher, | 0:25:38 | 0:25:41 | |
which has a large screw inside that pounds them into small pieces as it rotates. | 0:25:41 | 0:25:47 | |
You see the picture? There is the crusher. | 0:25:47 | 0:25:49 | |
It's crushing the material down to particle size, | 0:25:49 | 0:25:52 | |
and we pump directly into the cooker. | 0:25:52 | 0:25:54 | |
So basically that's turning it into pate. | 0:25:54 | 0:25:56 | |
That's right, yes. The material then goes into the cooker. | 0:25:56 | 0:26:00 | |
So here we have the material which is being cooked at the moment. | 0:26:03 | 0:26:07 | |
We heat the material up to a minimum of 120 degrees. | 0:26:08 | 0:26:11 | |
It kills the bacteria, flashes off the moisture. | 0:26:11 | 0:26:14 | |
It's like a kebab machine! | 0:26:14 | 0:26:16 | |
Yeah. You can see the oil being released from the material. | 0:26:16 | 0:26:20 | |
'The solid material goes on to be made into fertiliser | 0:26:20 | 0:26:23 | |
'and dried pet food, while the melted animal fat | 0:26:23 | 0:26:25 | |
'is squeezed out by a press and drained off. | 0:26:25 | 0:26:29 | |
'This is what I'd come for. It's known in the industry as tallow.' | 0:26:29 | 0:26:33 | |
-That's it? That's tallow? -That's our finished product | 0:26:33 | 0:26:36 | |
-that we sell to the customer. -It's like gravy. | 0:26:36 | 0:26:39 | |
SHEEP BLEATS | 0:26:39 | 0:26:40 | |
-So there's a lot of that in there. -There certainly is, yes. | 0:26:40 | 0:26:44 | |
-And that's going off to your customers? -It does. | 0:26:44 | 0:26:47 | |
So the million-dollar question is, who ARE your customers? | 0:26:47 | 0:26:50 | |
-What is this used in these days? -Conditioners, cosmetics. | 0:26:50 | 0:26:53 | |
It forms the first ingredient of a cleaning agent. | 0:26:53 | 0:26:56 | |
That's a bit of a surprise. Have you ever tasted any? | 0:26:56 | 0:27:00 | |
-I haven't, no. -I don't blame you. | 0:27:00 | 0:27:02 | |
I wonder how many people know about this product, | 0:27:06 | 0:27:09 | |
and how they feel about it when they know how it's made? | 0:27:09 | 0:27:12 | |
All right, boys? | 0:27:12 | 0:27:14 | |
To find out, I met up with Jenny and Laura, | 0:27:14 | 0:27:17 | |
who knew very little about what went into their weekly wash. | 0:27:17 | 0:27:20 | |
-So, you're students? -Yeah. -What do you look for in washing products? | 0:27:20 | 0:27:24 | |
-Well, the price. -What's on offer. | 0:27:24 | 0:27:27 | |
-Do you ever look at the ingredients? -No. | 0:27:27 | 0:27:29 | |
Look at the ingredients on that. Do any stick out to you? | 0:27:29 | 0:27:33 | |
-Read that one. -I don't even know what those words are. | 0:27:33 | 0:27:37 | |
-What's the worst thing it could be? -If it was dead animal in there, | 0:27:37 | 0:27:40 | |
that would be the worst thing ever. | 0:27:40 | 0:27:42 | |
OK. This is what is in a lot of fabric conditioners and soaps. | 0:27:42 | 0:27:47 | |
THEY SCREAM | 0:27:49 | 0:27:50 | |
-Oh, my God! -Oh, I can't even look at it! | 0:27:50 | 0:27:53 | |
-That is disgusting. -What even is that? | 0:27:53 | 0:27:55 | |
-That's sheep's head. -Urgh! -It's not just sheep. | 0:27:55 | 0:27:58 | |
Lots of animals go into this kind of product. | 0:27:58 | 0:28:01 | |
-So it's in everything? -It's in an awful lot. | 0:28:01 | 0:28:04 | |
It's in lots of fabric conditioners, lots of soaps. | 0:28:04 | 0:28:07 | |
I don't feel clean. I don't. I feel like... | 0:28:07 | 0:28:10 | |
-I keep looking at its little face. -SHEEP BLEATS | 0:28:10 | 0:28:13 | |
It's like you're cleaning yourself with fat. | 0:28:13 | 0:28:16 | |
Doesn't really work out, does it? | 0:28:16 | 0:28:18 | |
-I don't mind it, to be honest. -I think it's quite disgusting, | 0:28:18 | 0:28:21 | |
because you're wiping that all over your body. | 0:28:21 | 0:28:23 | |
Gets you clean, though. | 0:28:23 | 0:28:25 | |
That's gross! | 0:28:25 | 0:28:27 | |
Are you curious to know how something like that | 0:28:27 | 0:28:29 | |
-becomes this product? -Yeah. -Yeah. | 0:28:29 | 0:28:32 | |
Our expert will answer any questions. | 0:28:32 | 0:28:34 | |
'We were joined by David Howells, | 0:28:34 | 0:28:37 | |
'a chemist with 30 years' experience in the tallow trade.' | 0:28:37 | 0:28:40 | |
-What's your big question? -Why? I just don't get it! | 0:28:41 | 0:28:45 | |
-Why is that used? -How is that head used to make this? | 0:28:45 | 0:28:49 | |
-In that bottle. -That's a liquid, and that's... | 0:28:49 | 0:28:51 | |
Because it was there. You've had your sheep. You've eaten it. | 0:28:51 | 0:28:55 | |
There's by-product from that. You're left with this fat. | 0:28:55 | 0:28:58 | |
You find things to do with it. I've got a little demonstration here. | 0:28:58 | 0:29:02 | |
If we put some of the tallow in here... | 0:29:02 | 0:29:04 | |
This is just some simple caustic-soda solution, | 0:29:04 | 0:29:06 | |
and instantly it's reacted. When you add salt to it, | 0:29:06 | 0:29:09 | |
the soap comes to the surface. Run off the water, | 0:29:09 | 0:29:12 | |
and you make it into a bar of soap. That's it. | 0:29:12 | 0:29:15 | |
Tallow and tallow-derived chemicals have a number of different names. | 0:29:15 | 0:29:19 | |
Just some of those to look out for on your labels include... | 0:29:19 | 0:29:23 | |
Or they might be listed as cationic surfactants. | 0:29:27 | 0:29:31 | |
When we see tallow on a label, does it always come from an animal? | 0:29:32 | 0:29:36 | |
It's always animal fat. | 0:29:36 | 0:29:38 | |
And is surfactant always from an animal as well? | 0:29:38 | 0:29:40 | |
No. It can be from tallow, but it can also be totally synthetic, | 0:29:40 | 0:29:45 | |
-a detergent made from chemicals. -How do you know? | 0:29:45 | 0:29:48 | |
Unless it specifies what surfactants they are, you don't. | 0:29:48 | 0:29:52 | |
You have to go right into the chemistry. | 0:29:52 | 0:29:54 | |
It's clear that getting to the bottom of what's in our products can be tricky. | 0:29:54 | 0:29:58 | |
But once we know about hidden ingredients like tallow, | 0:29:58 | 0:30:01 | |
we then have to decide how we feel about them. | 0:30:01 | 0:30:03 | |
Has it changed how you think about what you buy, | 0:30:03 | 0:30:06 | |
-your perception of the industry? -Definitely! | 0:30:06 | 0:30:08 | |
It's really deceiving. How are you - | 0:30:08 | 0:30:11 | |
Sorry. I'm, like, a quick in and out, so I'll just grab what I need, | 0:30:11 | 0:30:15 | |
and I would never think to look at it. | 0:30:15 | 0:30:17 | |
But now I would definitely take a minute to look. | 0:30:17 | 0:30:19 | |
-I know the words now. -Know what to look out for. | 0:30:19 | 0:30:22 | |
-Do you think the fact that animals have been used in these products should be labelled? -Yeah. | 0:30:22 | 0:30:27 | |
They still put on "animal testing" and "suitable for vegetarians", | 0:30:27 | 0:30:31 | |
"vegans", all sorts. They should at least indicate it, | 0:30:31 | 0:30:35 | |
because if people still want to use it, they will. | 0:30:35 | 0:30:37 | |
We know now but we'll still buy it, whereas if nobody knows, | 0:30:37 | 0:30:41 | |
then they're using it unaware, and that's a bit rubbish. | 0:30:41 | 0:30:44 | |
-Do you want to take the sheep heads with you? -No. | 0:30:44 | 0:30:46 | |
-I think they can stay there. -SHEEP BLEATS | 0:30:46 | 0:30:48 | |
Discovering that animal fats can help keep us clean | 0:30:48 | 0:30:51 | |
was just one of the surprises I encountered. | 0:30:51 | 0:30:54 | |
From products that improve our bodies | 0:30:54 | 0:30:57 | |
to products that claim to improve our minds, | 0:30:57 | 0:30:59 | |
I never thought I'd find a bit of an animal nestled in the pages of my bedtime read. | 0:30:59 | 0:31:04 | |
From celebrity biogs to the latest cookbooks, | 0:31:05 | 0:31:08 | |
we bought 55 million hardback books in the UK last year. | 0:31:08 | 0:31:12 | |
I was curious to find out what animal by-product | 0:31:12 | 0:31:15 | |
might be in these prolific page-turners. | 0:31:15 | 0:31:17 | |
So I recruited avid readers Andy and Emily to help me find out. | 0:31:17 | 0:31:22 | |
I've got a student cookbook. It's something my mum gave me | 0:31:23 | 0:31:26 | |
before I went to uni, like, "You may need this to survive." | 0:31:26 | 0:31:29 | |
Great for midnight snacks, actually. | 0:31:29 | 0:31:32 | |
My nan sent me a cookbook for singles. | 0:31:32 | 0:31:35 | |
I was, like, "Thanks!" | 0:31:35 | 0:31:37 | |
-Rub it in! -Yeah! | 0:31:37 | 0:31:39 | |
Before I go to bed I always try to maybe get a chapter in. | 0:31:39 | 0:31:43 | |
'When I'm on holiday, long journeys...' | 0:31:43 | 0:31:46 | |
'I read mine on train journeys on the way to uni.' | 0:31:46 | 0:31:48 | |
You just whip out your book and you forget about it. | 0:31:48 | 0:31:51 | |
You don't notice anyone around you. | 0:31:51 | 0:31:53 | |
I prefer hardback because my paperbacks get completely ruined. | 0:31:53 | 0:31:57 | |
I'd buy a hardback when it's just come out, | 0:31:57 | 0:32:01 | |
when it's really exciting and it's a first edition, | 0:32:01 | 0:32:04 | |
something like that. It makes it special. | 0:32:04 | 0:32:06 | |
-There's something more to it. -It seems more of an upgrade. | 0:32:06 | 0:32:10 | |
Yeah, like you spent a little bit more money on it. | 0:32:10 | 0:32:12 | |
Exactly, yeah. | 0:32:12 | 0:32:14 | |
Although these two are never far from a book, | 0:32:14 | 0:32:17 | |
they know very little about how they're made, | 0:32:17 | 0:32:19 | |
so we headed off to Diamond Print Services, | 0:32:19 | 0:32:21 | |
one of the UK's leading bookbinders, to find out. | 0:32:21 | 0:32:24 | |
So, welcome to sunny Enfield. | 0:32:24 | 0:32:27 | |
You're both students. When you're reading, | 0:32:27 | 0:32:30 | |
do you think about how your books are made, where they come from? | 0:32:30 | 0:32:34 | |
It's not something you consider. It never crosses your mind. | 0:32:34 | 0:32:37 | |
-You just get it from the shop and it's there. -It's there. | 0:32:37 | 0:32:41 | |
Do you think any animals are used in the manufacturing of books? | 0:32:41 | 0:32:44 | |
-I wouldn't have thought that at all. -I wouldn't connect that with books. | 0:32:44 | 0:32:49 | |
And they're not the only ones. | 0:32:49 | 0:32:51 | |
-HE LAUGHS -Which bit? | 0:32:51 | 0:32:53 | |
-It's obviously not the paper. -Potentially the glossy pages. | 0:32:53 | 0:32:57 | |
-Some sort of fish? -Something to do with the binding? | 0:32:57 | 0:33:00 | |
-Maybe the letters, the print. -The ink from an octopus. | 0:33:00 | 0:33:04 | |
'Back in Enfield, bookbinding specialist Nick Dingwall promised to reveal all.' | 0:33:05 | 0:33:10 | |
So, here we have the ingredient | 0:33:10 | 0:33:13 | |
that goes into producing books. | 0:33:13 | 0:33:16 | |
-All books? -Pretty much. All hardback books, yes. | 0:33:16 | 0:33:19 | |
Come on, Nick. | 0:33:19 | 0:33:21 | |
-There we are. -Urgh! | 0:33:23 | 0:33:25 | |
-OK. -Ugh! | 0:33:25 | 0:33:27 | |
They are bones. They're a bit niffy, as well. | 0:33:27 | 0:33:30 | |
The glue we use to bind the books is derived from hide and bones, | 0:33:30 | 0:33:34 | |
-primarily from cattle. -Really? -Yeah. | 0:33:34 | 0:33:37 | |
Animal glue isn't something we make in this country any more, | 0:33:40 | 0:33:43 | |
but in countries like Egypt they continue to make glue as they have done for thousands of years. | 0:33:43 | 0:33:48 | |
In Cairo, cattle bones are collected from abattoirs across the city | 0:33:49 | 0:33:53 | |
and brought by the truckload to the Lion glue factory, | 0:33:53 | 0:33:56 | |
where they're heaped into giant piles. | 0:33:56 | 0:33:58 | |
The first task is to sort the bones from the horns and the hooves, | 0:34:02 | 0:34:05 | |
and remove any rubbish that might have made it into the mix. | 0:34:05 | 0:34:09 | |
The sorted bones are then placed onto a conveyor belt, | 0:34:09 | 0:34:12 | |
which takes them to a crusher where they're broken down | 0:34:12 | 0:34:15 | |
into smaller, more manageable pieces. | 0:34:15 | 0:34:17 | |
Next the fat has to be stripped from the bones | 0:34:17 | 0:34:20 | |
using a strong solvent. This process is called degreasing. | 0:34:20 | 0:34:24 | |
The degreased bones are now ready for the final step | 0:34:24 | 0:34:27 | |
in the glue-making process. | 0:34:27 | 0:34:29 | |
They're heated in the de-gluing machine. | 0:34:29 | 0:34:32 | |
The intense heat and pressure melts the collagen inside the bones, | 0:34:32 | 0:34:36 | |
and it runs out as a hot, sticky glue. | 0:34:36 | 0:34:38 | |
The fresh glue is collected in bottles ready for use. | 0:34:40 | 0:34:44 | |
So that's the glue. That's actually a block of animal-derived glue. | 0:34:48 | 0:34:52 | |
-Looks like toffee! -And what does the packaging say on that? | 0:34:52 | 0:34:56 | |
The manufacturers are a little bit squeamish | 0:34:56 | 0:34:59 | |
about calling it animal glue, so they tend to prefer to call it | 0:34:59 | 0:35:02 | |
things like protein glue or jelly glue, | 0:35:02 | 0:35:05 | |
because essentially jelly is exactly what that is. | 0:35:05 | 0:35:08 | |
'Animal glue is used to stick the face paper on hardback covers, | 0:35:08 | 0:35:12 | |
'the decorative head and tail bands you get on fancy books, | 0:35:12 | 0:35:15 | |
'and any ribbons.' | 0:35:15 | 0:35:17 | |
So it's quite a big ingredient for you. | 0:35:17 | 0:35:19 | |
It's a fairly major ingredient, but it's a very natural ingredient, | 0:35:19 | 0:35:23 | |
and it's a by-product of a lot of other processes, | 0:35:23 | 0:35:27 | |
so it's the ultimate in recycling, really. | 0:35:27 | 0:35:29 | |
COW MOOS | 0:35:29 | 0:35:31 | |
Nick got the guys making book covers to get a feel for the glue. | 0:35:32 | 0:35:36 | |
-That is the raw material. -OK. | 0:35:36 | 0:35:39 | |
Ugh! | 0:35:39 | 0:35:40 | |
Urgh! | 0:35:40 | 0:35:42 | |
The outer covering material, a front board, back board and a spine. | 0:35:42 | 0:35:47 | |
'The solid blocks of glue are melted to a runny liquid, | 0:35:47 | 0:35:51 | |
'which spreads easily but dries fast.' | 0:35:51 | 0:35:53 | |
And the key to this is to work reasonably quickly. | 0:35:54 | 0:35:59 | |
SONG: "Let's Stick Together" by Bryan Ferry | 0:35:59 | 0:36:03 | |
I can see it drying already. | 0:36:05 | 0:36:07 | |
'The animal glue is extremely tacky, | 0:36:07 | 0:36:10 | |
'which makes it perfect for sticking paper to card.' | 0:36:10 | 0:36:13 | |
-Can you smell it more now that it's melted? -Definitely. | 0:36:13 | 0:36:16 | |
It's really smelly now. It's sticking my hands together. | 0:36:16 | 0:36:19 | |
-It's really sticky on your hands. -Yeah, that's looking good. | 0:36:19 | 0:36:23 | |
Well, depending on your definition... | 0:36:23 | 0:36:26 | |
-I just wanted to finish first. -I'm winning! | 0:36:26 | 0:36:31 | |
I wouldn't necessarily put it round a book we're going to make, but... | 0:36:31 | 0:36:35 | |
We were kind of going for that. | 0:36:35 | 0:36:37 | |
It's fairly important that we've got a nice, smooth, even finish, | 0:36:37 | 0:36:41 | |
no bubbles and things like that. | 0:36:41 | 0:36:43 | |
-And, you know... -There are a few bubbles. | 0:36:44 | 0:36:47 | |
There are imperfections here and there. | 0:36:47 | 0:36:50 | |
'OK. Time to see how the machines do it.' | 0:36:50 | 0:36:53 | |
To give you an idea of exactly how much adhesive should be on there, | 0:36:53 | 0:36:57 | |
that very thin film on this rotating drum | 0:36:57 | 0:37:01 | |
-is actually the amount of adhesive. -Very fine layer. | 0:37:01 | 0:37:04 | |
Very, very thin layer. | 0:37:04 | 0:37:05 | |
'At one end of the casing machine, | 0:37:05 | 0:37:08 | |
'the cardboard's fed in and cut into three pieces. | 0:37:08 | 0:37:11 | |
'At the other end, the face paper is fed in over the drum, | 0:37:11 | 0:37:15 | |
'which applies a thin layer of animal glue. | 0:37:15 | 0:37:17 | |
'The board and the paper are then pressed together | 0:37:17 | 0:37:20 | |
'and the edges folded up.' | 0:37:20 | 0:37:22 | |
Slightly neater job happening there, isn't it? | 0:37:24 | 0:37:26 | |
And there we are - stack of finished cases. | 0:37:30 | 0:37:33 | |
-They are better. -That's much nicer. | 0:37:33 | 0:37:36 | |
That's so neat and lovely, isn't it? | 0:37:36 | 0:37:39 | |
It just feels like a quality product. | 0:37:39 | 0:37:42 | |
'Next the pages must be stuck into the case, | 0:37:42 | 0:37:46 | |
'and more animal glue is used to attach the ribbon | 0:37:46 | 0:37:49 | |
'and the head and the tail band.' | 0:37:49 | 0:37:52 | |
-How much glue do you get through? -In normal running, | 0:37:52 | 0:37:55 | |
on a book like this, 3,500 books in an hour, | 0:37:55 | 0:37:58 | |
we would probably only use one pack of this. | 0:37:58 | 0:38:00 | |
That's quite good, isn't it? It's more efficient than your gluing. | 0:38:00 | 0:38:04 | |
Exactly! | 0:38:04 | 0:38:06 | |
The vast majority of hardback books use animal glue in their binding. | 0:38:07 | 0:38:11 | |
But we were curious to learn why, when there are other glues available. | 0:38:11 | 0:38:14 | |
There are synthetic glues out there, so why is it so widely used? | 0:38:16 | 0:38:21 | |
The synthetics that are available | 0:38:21 | 0:38:23 | |
are derived mainly from the chemical and oil industry. | 0:38:23 | 0:38:26 | |
They're things that are going to run out at some point, | 0:38:26 | 0:38:29 | |
and this is still a completely organic, | 0:38:29 | 0:38:31 | |
-completely recycled material. -Does it make it cheaper? | 0:38:31 | 0:38:34 | |
Absolutely. Oil prices, chemical prices are increasing, | 0:38:34 | 0:38:38 | |
but as a natural, recycled product, this is something | 0:38:38 | 0:38:41 | |
that we can continue to use, and it's reasonably cost effective. | 0:38:41 | 0:38:45 | |
Our tour was over. But before we left, Nick had a present for me. | 0:38:46 | 0:38:50 | |
We've got something for you, just about to be delivered out now. | 0:38:50 | 0:38:54 | |
-Yeah? -Yeah. | 0:38:54 | 0:38:55 | |
-OK. -SHE LAUGHS | 0:38:55 | 0:38:58 | |
-Ah, yes! My lifetime's work! -THEY LAUGH | 0:38:58 | 0:39:01 | |
'It was just a gag of course, | 0:39:01 | 0:39:04 | |
'but what did other people make of books stuck with animal glue?' | 0:39:04 | 0:39:07 | |
It's quite a shock, to be honest. You wouldn't think that happened. | 0:39:07 | 0:39:11 | |
I think it's really disgusting. | 0:39:11 | 0:39:13 | |
I don't know. I don't quite like the idea of that, to be honest. | 0:39:13 | 0:39:17 | |
I think it's all right if it's a by-product of meat. | 0:39:17 | 0:39:20 | |
Doesn't bother me. I eat the meat. Why would I not use the glue? | 0:39:20 | 0:39:23 | |
I wouldn't associate a cow with a book, but it's resourceful. | 0:39:23 | 0:39:27 | |
COW MOOS | 0:39:27 | 0:39:28 | |
-Will this change anything for you? -Um, not personally, no. | 0:39:28 | 0:39:32 | |
I'm still going to read books. | 0:39:32 | 0:39:34 | |
I'll probably think about it when I open a book, | 0:39:34 | 0:39:37 | |
and I'll probably tell my friends, but I'm not a vegan or anything. | 0:39:37 | 0:39:41 | |
It won't make an impact on my life. | 0:39:41 | 0:39:43 | |
Especially with some books, you can only get them in hardback, | 0:39:43 | 0:39:47 | |
and what are you supposed to do? If you really want it... | 0:39:47 | 0:39:50 | |
So next time you're sitting on the sofa, nose in a book... | 0:39:50 | 0:39:53 | |
-Yeah. -..are you going to be as enthralled with the storyline, | 0:39:53 | 0:39:57 | |
or will you be looking at the cover? | 0:39:57 | 0:39:59 | |
I won't have my nose quite so deep in the book this time. | 0:39:59 | 0:40:02 | |
Animal glue isn't just used for the binding of books. | 0:40:06 | 0:40:09 | |
It's also used in the manufacture of some trainers, | 0:40:09 | 0:40:12 | |
board games, puzzles and playing cards. | 0:40:12 | 0:40:16 | |
Chances are you're handling part of a cow every single day. | 0:40:18 | 0:40:22 | |
Work or play, animal by-products are never far away. | 0:40:22 | 0:40:25 | |
I found our leisure pursuits littered with animal parts. | 0:40:25 | 0:40:29 | |
Which part of a tennis racquet do you think might be made from an animal? | 0:40:29 | 0:40:34 | |
-The strings? -I'd say the strings or the handle. | 0:40:34 | 0:40:38 | |
-The strings. -Maybe the strings. -I think the strings. | 0:40:38 | 0:40:41 | |
-Made of skin? -Cat liver or something really weird? | 0:40:41 | 0:40:44 | |
It may be whiskers wrapped round. | 0:40:44 | 0:40:47 | |
The gut is my only guess. | 0:40:47 | 0:40:50 | |
The strings on some tennis racquets are indeed made from the intestines of cows. | 0:40:50 | 0:40:55 | |
COW MOOS | 0:40:56 | 0:40:58 | |
-Have a go. Look. -Oh, yeah. There you go. | 0:40:58 | 0:41:01 | |
-How's that? -SHE LAUGHS | 0:41:01 | 0:41:03 | |
Er, yeah. It's just pasta. It's fine. | 0:41:03 | 0:41:06 | |
How many of these would go into a tennis racquet? | 0:41:06 | 0:41:08 | |
-15 strands. -15 strands. | 0:41:08 | 0:41:10 | |
Five is one cow. | 0:41:10 | 0:41:13 | |
-So how many... -Three cows. | 0:41:13 | 0:41:16 | |
The soggy intestines are cut into long ribbons of gut, | 0:41:16 | 0:41:19 | |
which are washed, wound together tightly... | 0:41:19 | 0:41:23 | |
..and then dried. | 0:41:24 | 0:41:26 | |
These strings have been here for one week. | 0:41:26 | 0:41:28 | |
They have to be dried very slowly. | 0:41:28 | 0:41:30 | |
Once they're varnished, they're ready to use. | 0:41:30 | 0:41:33 | |
These strong, elastic gut strings are favoured over synthetic strings | 0:41:34 | 0:41:38 | |
by many of the world's pros. | 0:41:38 | 0:41:40 | |
Sheep's guts, meanwhile are used for an altogether more amorous activity. | 0:41:40 | 0:41:46 | |
-Do you know what these are? -I know what that is. | 0:41:46 | 0:41:48 | |
I'm not too sure! | 0:41:48 | 0:41:50 | |
-What do you think that's made out of? -Latex? | 0:41:50 | 0:41:53 | |
-What is that - plastic, or... -I'm not sure. | 0:41:53 | 0:41:55 | |
-Is that intestines? -It is indeed. | 0:41:55 | 0:41:58 | |
-Oh, right! -SHE LAUGHS | 0:41:58 | 0:42:00 | |
-Nice! -How do you feel about that now? -Weird. | 0:42:00 | 0:42:03 | |
Is that what they used to make them out of? | 0:42:03 | 0:42:05 | |
-I tell you what, gents - take one. -Oh, thank you. Ever so kind. | 0:42:05 | 0:42:09 | |
-Let me know how you get on. -What time do you finish? | 0:42:09 | 0:42:11 | |
THEY LAUGH | 0:42:11 | 0:42:13 | |
Though these old-fashioned condoms may help to prevent pregnancy, | 0:42:13 | 0:42:17 | |
they don't protect from STDs, so for the safest sex, | 0:42:17 | 0:42:20 | |
it's best to stick with the more modern variety. | 0:42:20 | 0:42:22 | |
Even when it comes to pleasure-seeking, | 0:42:24 | 0:42:26 | |
it seems that animal by-products are involved. | 0:42:26 | 0:42:29 | |
I met up with some rugby boys from Canterbury | 0:42:29 | 0:42:32 | |
to find out which animal organ is involved in their favourite pastime. | 0:42:32 | 0:42:36 | |
SONG: "Tubthumping" by Chumbawamba | 0:42:37 | 0:42:40 | |
You come to uni and you want to join the rugby team, | 0:42:42 | 0:42:44 | |
people just expect you will be drinking. | 0:42:44 | 0:42:47 | |
Our drinking team has a rugby problem. | 0:42:47 | 0:42:50 | |
An away match, we'd start drinking as soon as we'd finished the game, in the changing rooms. | 0:42:50 | 0:42:54 | |
'Hopefully we've had a win, and we're all in good spirits. Start drinking there.' | 0:42:54 | 0:42:59 | |
THEY SHOUT | 0:43:00 | 0:43:02 | |
There isn't much I wouldn't drink. | 0:43:04 | 0:43:06 | |
-I'd drink urine out of a pint, dog food, sick... -Yeah! | 0:43:06 | 0:43:11 | |
Would an early start at Billingsgate fish market be enough to put them off their booze? | 0:43:13 | 0:43:19 | |
-Chris! -Hi. -Temi. Morning, lads. Morning. How we doing? | 0:43:21 | 0:43:25 | |
-Fantastic. -It's early. -It is early. What do you think we're doing | 0:43:25 | 0:43:28 | |
-at this ungodly hour? -At a fish market, | 0:43:28 | 0:43:30 | |
something to do with beer... Not a clue. | 0:43:30 | 0:43:33 | |
There's a product in beer called isinglass, apparently. | 0:43:33 | 0:43:37 | |
-From a fish, or... -Yeah, from a fish. | 0:43:37 | 0:43:39 | |
-All right. Cool. -What do you think about the fact | 0:43:39 | 0:43:42 | |
that there's something fishy in your beer? Does that put you off? | 0:43:42 | 0:43:45 | |
-Not yet. -Cos you don't know what it is. Shall we find out how gruesome it is? | 0:43:45 | 0:43:49 | |
-Yeah. -OK. Come on. | 0:43:49 | 0:43:52 | |
I think you'll be all right. | 0:43:52 | 0:43:54 | |
Maybe CJ Jackson, the director of Billingsgate Seafood Training School, would enlighten us. | 0:43:54 | 0:43:59 | |
CJ, we know that there's something called isinglass in beer, | 0:43:59 | 0:44:03 | |
-but what is it? -It actually is a dried swim bladder of a fish. | 0:44:03 | 0:44:07 | |
-What's a swim bladder? -It's like the buoyancy aid. | 0:44:07 | 0:44:10 | |
It basically keeps round fish upright. | 0:44:10 | 0:44:12 | |
In the 18th century they used to take the swim bladder from a beluga sturgeon. | 0:44:12 | 0:44:16 | |
Today beluga sturgeons are really endangered, | 0:44:16 | 0:44:19 | |
so what they're using now is a fish called Vietnamese catfish or Pangasius. | 0:44:19 | 0:44:24 | |
What CJ hadn't told us is that Pangasius can grow | 0:44:24 | 0:44:28 | |
up to three metres long. As it's hard to find whole ones in the UK | 0:44:28 | 0:44:32 | |
we were going to see the same principle on a much smaller scale. | 0:44:32 | 0:44:35 | |
Say hello to Gary the gurnard. | 0:44:35 | 0:44:38 | |
I'll hold on to the tail. | 0:44:39 | 0:44:41 | |
I'm going to insert the scissors into the back of the head of the fish. | 0:44:41 | 0:44:46 | |
OK? | 0:44:46 | 0:44:47 | |
And then just gently push... CRUNCHING | 0:44:47 | 0:44:50 | |
-Ugh! -Not liking that? -No, not at all. Wasn't nice. | 0:44:50 | 0:44:54 | |
It's not that bad. Man up. | 0:44:54 | 0:44:55 | |
Bend the fish down. | 0:44:55 | 0:44:57 | |
-I don't want it to splat on me. -It's not going to splat on you. | 0:44:57 | 0:45:01 | |
Then I'm going to put my finger in there and gently ease back... | 0:45:01 | 0:45:04 | |
SQUELCHING The swim bladder is full of gas, | 0:45:04 | 0:45:07 | |
so it's intact. So you can see the swim bladder. | 0:45:07 | 0:45:10 | |
-Bend it. Pull it up. -Ooh, there you go. I've got... | 0:45:10 | 0:45:13 | |
-Look at the bladder. -That's it. | 0:45:13 | 0:45:15 | |
-There's one as well. -That's the bit you're going to use. | 0:45:15 | 0:45:18 | |
What I still don't quite understand is how it's used in beer. | 0:45:18 | 0:45:22 | |
Well, I know they dry it, but when it comes to the actual function | 0:45:22 | 0:45:25 | |
and how they actually use it, you'd need to speak to a brewer. | 0:45:25 | 0:45:29 | |
Beer historian Peter Haydon agreed to show us round his specialist brewery in Greenwich, | 0:45:32 | 0:45:37 | |
South London. | 0:45:37 | 0:45:38 | |
Let's go. | 0:45:38 | 0:45:40 | |
Contain yourselves! We're going into a brewery. | 0:45:40 | 0:45:43 | |
Mmm, nice smell! | 0:45:51 | 0:45:53 | |
This is a fish maw. | 0:45:58 | 0:46:00 | |
-Which is a swim bladder. -Effectively. | 0:46:00 | 0:46:02 | |
Which is the raw material from which we make isinglass. | 0:46:02 | 0:46:05 | |
It's a protein called collagen. | 0:46:05 | 0:46:07 | |
-It's the same thing as some ladies like to put in their lips to make them bigger. -Don't look at me. | 0:46:07 | 0:46:12 | |
It's a very pure and natural form of protein. | 0:46:13 | 0:46:15 | |
So how does that end up as isinglass? | 0:46:15 | 0:46:18 | |
There are a couple of manufacturers in the UK who produce this | 0:46:18 | 0:46:21 | |
for the brewing industry. They will take the raw material, | 0:46:21 | 0:46:24 | |
process it firstly into a powder, | 0:46:24 | 0:46:27 | |
or, in the format that we're going to use it, | 0:46:27 | 0:46:30 | |
as a much more liquid format. | 0:46:30 | 0:46:32 | |
Could I drink that, or would I get ill? | 0:46:32 | 0:46:35 | |
-You can drink that. -There you go, gents. | 0:46:35 | 0:46:38 | |
In one! | 0:46:38 | 0:46:40 | |
-Oh, that's horrible. -THEY LAUGH | 0:46:41 | 0:46:43 | |
Can we see this in action now, | 0:46:43 | 0:46:45 | |
-how it actually works? -By all means. | 0:46:45 | 0:46:47 | |
Isinglass is used in the production of many cask ales, | 0:46:47 | 0:46:50 | |
some stouts and a few lagers. | 0:46:50 | 0:46:53 | |
Yeast cells in beer make it cloudy. | 0:46:53 | 0:46:55 | |
Normally it would take four days | 0:46:55 | 0:46:58 | |
for these cells to sink to the bottom of a keg, | 0:46:58 | 0:47:00 | |
leaving a clear beer. Adding isinglass speeds up this process, | 0:47:00 | 0:47:04 | |
as it attracts the yeast cells into heavy clusters | 0:47:04 | 0:47:07 | |
which sink to the bottom in just six hours. | 0:47:07 | 0:47:11 | |
So, Kev, if you want to do the honours... | 0:47:11 | 0:47:13 | |
-Ta-dah-dah! -That's ridiculous. | 0:47:13 | 0:47:16 | |
-So the swim bladder is at the bottom of that keg? -Absolutely. | 0:47:16 | 0:47:20 | |
'So, if isinglass falls to the bottom of the barrel, | 0:47:20 | 0:47:23 | |
'is there any of it left in the final drink?' | 0:47:23 | 0:47:25 | |
-You insist it's not part of the beer, not part of the mix? -No. | 0:47:25 | 0:47:29 | |
No longer. | 0:47:29 | 0:47:30 | |
'Studies agree that in most cases isinglass is undetectable in the finished pint. | 0:47:30 | 0:47:35 | |
'But some bottle-conditioned ales and cask ales, | 0:47:35 | 0:47:38 | |
'if served from too near the bottom of the barrel, may still contain minute amounts.' | 0:47:38 | 0:47:42 | |
I found the whole process today really interesting and fascinating, | 0:47:42 | 0:47:46 | |
but it hasn't put me off at all. | 0:47:46 | 0:47:48 | |
When you were cutting open the fish and saw the blood and guts, | 0:47:48 | 0:47:51 | |
but when you see it all dried out and then the liquid, | 0:47:51 | 0:47:54 | |
-it doesn't put me off. -I was a bit squeamish to start off with. | 0:47:54 | 0:47:59 | |
To be honest with you it's part of my life, my lifestyle, so I won't give it up that easy. | 0:48:00 | 0:48:04 | |
-Cheers, guys. -Cheers. -Good day. Thank you. Cheers. | 0:48:04 | 0:48:07 | |
Who would have thought a fish bladder could brighten up your beer? | 0:48:07 | 0:48:12 | |
In the surprising stakes, isinglass was right up there, | 0:48:12 | 0:48:15 | |
but it wasn't perhaps the most noble use for an animal by-product. | 0:48:15 | 0:48:20 | |
A trip to Southampton airport revealed a protein from cow hoofs | 0:48:22 | 0:48:25 | |
is used to make special aviation firefighting foam. | 0:48:25 | 0:48:29 | |
A protein is extracted which is turned into a concentrate, | 0:48:29 | 0:48:33 | |
which we mix with water and air, which produces the foam. | 0:48:33 | 0:48:37 | |
Have a sniff. | 0:48:37 | 0:48:39 | |
Oh! | 0:48:39 | 0:48:40 | |
Oh, my God! | 0:48:42 | 0:48:44 | |
The power! It's so forceful! | 0:48:44 | 0:48:47 | |
The kickback from the hose is amazing! | 0:48:47 | 0:48:50 | |
My face is on fire! | 0:48:50 | 0:48:52 | |
COWS MOO | 0:48:52 | 0:48:54 | |
Meanwhile, in a hair-raising textile experiment, | 0:48:55 | 0:48:58 | |
we put sheep's wool to the test. Set alight alongside polyester, | 0:48:58 | 0:49:03 | |
wool proved itself nature's finest fire blanket. | 0:49:03 | 0:49:06 | |
Less toxic smoke, no dripping. No dripping at all. | 0:49:06 | 0:49:10 | |
It's self-extinguished, so it's not actually having to put out a fire. | 0:49:10 | 0:49:14 | |
-Are you surprised, Dan? -I thought it would be a wall of flames. | 0:49:14 | 0:49:17 | |
It turned out that some animals and their by-products had lifesaving properties, | 0:49:17 | 0:49:22 | |
none more so than the pig. | 0:49:22 | 0:49:24 | |
'I was intrigued to discover ballistics experts use blocks of gelatine, | 0:49:25 | 0:49:29 | |
'made from pigskin, as a substitute for human flesh.' | 0:49:29 | 0:49:33 | |
That is so strange. | 0:49:33 | 0:49:36 | |
'Analysing the impact of bullets helps them design better protective clothing | 0:49:36 | 0:49:41 | |
-'and medical care for our troops.' -GUNSHOT | 0:49:41 | 0:49:43 | |
Because pigs are so similar to humans in their anatomy, | 0:49:48 | 0:49:51 | |
they've proved extremely useful in the field of medicine. | 0:49:51 | 0:49:55 | |
'I met 19-year-old Glaswegian Robyn, who might not be here today | 0:49:55 | 0:49:59 | |
'were it not for the pig.' | 0:49:59 | 0:50:01 | |
Last year I was diagnosed with a heart condition | 0:50:04 | 0:50:09 | |
called aortic stenosis. It came totally out of the blue, | 0:50:09 | 0:50:12 | |
because I've been working out since I was, like, 14. | 0:50:12 | 0:50:16 | |
I was doing a fitness test at college. | 0:50:16 | 0:50:19 | |
It was the mile run, and I couldn't stop coughing after it. | 0:50:19 | 0:50:23 | |
So I went to the doctor. | 0:50:25 | 0:50:27 | |
I was sent off for ECGs and heart scans. | 0:50:27 | 0:50:31 | |
I had this rare heart condition and I needed heart surgery. | 0:50:31 | 0:50:35 | |
The main valve taking blood from Robyn's heart to her body | 0:50:35 | 0:50:39 | |
was critically narrow. It would have to be replaced. | 0:50:39 | 0:50:42 | |
I was told that if I carried on doing my fitness, | 0:50:42 | 0:50:46 | |
I could have been a goner in a year's time. | 0:50:46 | 0:50:49 | |
I came out of the surgeon's office just totally devastated. | 0:50:50 | 0:50:54 | |
They had to take my own aortic valve and replace it with a pig's one. | 0:50:56 | 0:51:01 | |
They chose the pig's one because it's most similar to a human valve. | 0:51:01 | 0:51:05 | |
I was shocked to know you could do stuff like that, | 0:51:05 | 0:51:08 | |
they could take bits from animals and put them inside a human. | 0:51:08 | 0:51:12 | |
-How you feeling? -Little bit nervous. | 0:51:17 | 0:51:20 | |
'To find out more about the piggy part Robyn has inside her, | 0:51:21 | 0:51:24 | |
'I took her to meet Dr Dan Tucker at Cambridge University veterinary school.' | 0:51:24 | 0:51:28 | |
-Nice to meet you. -You're in charge of our dissection today? | 0:51:28 | 0:51:32 | |
I am. Before we go through into the post-mortem room | 0:51:32 | 0:51:35 | |
we need to put some protective clothing on. | 0:51:35 | 0:51:37 | |
Dan and his team routinely conduct post-mortems on animals | 0:51:37 | 0:51:41 | |
who've died of unknown causes. | 0:51:41 | 0:51:43 | |
The pig on the table unfortunately had to be put down | 0:51:43 | 0:51:46 | |
because of a painful lameness problem | 0:51:46 | 0:51:48 | |
which Dan had been asked to investigate. | 0:51:48 | 0:51:51 | |
In terms of anatomy, pigs are very close to humans, aren't they? | 0:51:51 | 0:51:55 | |
Absolutely. Blood pressures in the pig are remarkably similar | 0:51:55 | 0:51:58 | |
to people, because after all, we live similar lifestyles, | 0:51:58 | 0:52:01 | |
mainly sedentary. We forage around for food and then we go to sleep, | 0:52:01 | 0:52:05 | |
and so the whole metabolism is the same. | 0:52:05 | 0:52:07 | |
'Dissecting the pig gave us the rare opportunity | 0:52:07 | 0:52:10 | |
'to see the heart in detail.' | 0:52:10 | 0:52:12 | |
These are the lungs here. This is the heart. | 0:52:12 | 0:52:14 | |
'It was an emotional moment for Robyn as the organ was cut out.' | 0:52:14 | 0:52:18 | |
This is the aorta. It's a very thick-walled, elastic structure. | 0:52:19 | 0:52:23 | |
And down in the gloom of there you can actually see the aortic valve. | 0:52:23 | 0:52:28 | |
'Carefully dissecting the heart gave us a better look at the valve.' | 0:52:28 | 0:52:32 | |
When you hear your heartbeat, what are you listening to? | 0:52:33 | 0:52:36 | |
If you think of the heartbeat as being a "lub-dub, lub-dub", | 0:52:36 | 0:52:39 | |
the "dub" is the closing of the aortic valve, | 0:52:39 | 0:52:42 | |
and your pulse is the shockwave of that aortic valve closing. | 0:52:42 | 0:52:46 | |
Robyn, about 18 months ago, somebody was doing this with a pig heart, | 0:52:46 | 0:52:51 | |
-preparing a valve for you. -I know. | 0:52:51 | 0:52:53 | |
I wondered if they're, like, already there... | 0:52:53 | 0:52:56 | |
-Pre-packaged? -Yeah. | 0:52:56 | 0:52:58 | |
-Gentlemen, are the valves ready and waiting? -Yes. | 0:52:58 | 0:53:01 | |
-And then somebody picked yours. "This is the one for Robyn." -I suppose so! | 0:53:01 | 0:53:05 | |
This is the bit that was transplanted over to you. | 0:53:05 | 0:53:08 | |
-That is incredible. Do you want to hold it? -No, thanks. | 0:53:08 | 0:53:11 | |
'Cutting it open revealed the three tiny leaflets | 0:53:11 | 0:53:14 | |
'that make up the valve and keep the blood pumping round our bodies.' | 0:53:14 | 0:53:18 | |
Do you see now these little cusps? They're like little half-moons. | 0:53:18 | 0:53:22 | |
They're little pockets, very, very tough, fibrous tissue. | 0:53:22 | 0:53:26 | |
-They look very delicate. -They look like little petals. | 0:53:26 | 0:53:29 | |
If it wasn't for these, as you know, you can't cope. | 0:53:29 | 0:53:32 | |
It's funny something that small saved me. | 0:53:32 | 0:53:35 | |
That's keeping you alive. That's why you're standing here now. | 0:53:35 | 0:53:39 | |
Robyn's heart-valve replacement operation was pioneered | 0:53:42 | 0:53:45 | |
over 30 years ago. | 0:53:45 | 0:53:47 | |
At King's College Hospital, London, | 0:53:48 | 0:53:50 | |
top cardiothoracic surgeon Olaf Wendler | 0:53:50 | 0:53:53 | |
performs the skilled procedure every week. | 0:53:53 | 0:53:56 | |
To gain access to the heart and the aortic valve, | 0:53:56 | 0:54:00 | |
we need to open the chest. | 0:54:00 | 0:54:02 | |
This is done by sawing through and splitting the breastbone. | 0:54:02 | 0:54:06 | |
A piece of heart membrane is carefully cut away | 0:54:09 | 0:54:11 | |
to be used later in the operation. | 0:54:11 | 0:54:14 | |
The patient is then attached to a heart-and-lung bypass machine, | 0:54:15 | 0:54:19 | |
which will take over circulation during surgery. | 0:54:19 | 0:54:22 | |
OK. Start up on bypass. | 0:54:22 | 0:54:25 | |
A solution is used next to chemically stop the heart | 0:54:25 | 0:54:29 | |
while the aorta, the largest artery in the body, is cut open. | 0:54:29 | 0:54:32 | |
The damaged aortic valve is then carefully cut away, | 0:54:34 | 0:54:37 | |
and the pre-packed pig valve prepared. | 0:54:37 | 0:54:39 | |
The new heart valve is delicately inserted into position | 0:54:45 | 0:54:48 | |
and carefully stitched into place using the membrane cut away earlier. | 0:54:48 | 0:54:52 | |
The aorta is reconnected, and as blood is reintroduced | 0:54:58 | 0:55:02 | |
into the heart, it begins to beat again. | 0:55:02 | 0:55:04 | |
We have normal blood supply of the heart again. | 0:55:08 | 0:55:12 | |
The heart-lung machine is still pumping. | 0:55:12 | 0:55:15 | |
The blood now goes also into the heart itself again, | 0:55:15 | 0:55:19 | |
starts again purely due to the fact | 0:55:19 | 0:55:23 | |
that normal blood supply is re-established to the heart | 0:55:23 | 0:55:27 | |
and enables the heart cells to produce a heart rhythm again. | 0:55:27 | 0:55:32 | |
The pig valve is working, and the chest is neatly closed. | 0:55:32 | 0:55:36 | |
Because you're a vegetarian, | 0:55:39 | 0:55:41 | |
did you ever question whether you would accept part of an animal? | 0:55:41 | 0:55:45 | |
I didn't question it at all when it was a matter of life and death. | 0:55:45 | 0:55:49 | |
I don't think anybody would think twice about it. | 0:55:49 | 0:55:52 | |
-I'm just happy to be standing here. -Absolutely. We're happy as well. | 0:55:52 | 0:55:56 | |
Thanks, little piggy. | 0:55:56 | 0:55:58 | |
The lifesaving ability of the pig heart valve | 0:55:58 | 0:56:01 | |
surely makes it the most important animal product I've encountered. | 0:56:01 | 0:56:05 | |
And it's just one more example of the ingenious ways | 0:56:06 | 0:56:09 | |
I've seen leftover animal parts transformed into something useful. | 0:56:09 | 0:56:13 | |
What's amazed me is not just the huge number of animal products | 0:56:13 | 0:56:17 | |
all around us, but the fact that the bits of animals we don't eat | 0:56:17 | 0:56:21 | |
have so many valuable natural qualities | 0:56:21 | 0:56:23 | |
that we can exploit. And given that we farm these animals, | 0:56:23 | 0:56:27 | |
to me it seems sensible, and almost a moral duty, | 0:56:27 | 0:56:30 | |
that the bits don't go to waste. | 0:56:30 | 0:56:34 | |
Subtitles by Red Bee Media Ltd | 0:56:34 | 0:56:38 | |
E-mail [email protected] | 0:56:38 | 0:56:42 | |
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