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Thieves will steal our cash, our cars, our valuables, | 0:00:02 | 0:00:05 | |
just about anything they can get their hands on - | 0:00:05 | 0:00:09 | |
but now the police are using cutting-edge technology | 0:00:09 | 0:00:12 | |
to catch the bad guys. | 0:00:12 | 0:00:13 | |
We want to make sure we've got a concrete case. | 0:00:13 | 0:00:15 | |
Enough evidence to convict at court. | 0:00:15 | 0:00:17 | |
Local councils, shops and businesses | 0:00:17 | 0:00:20 | |
are fighting crime with their own tricks and traps... | 0:00:20 | 0:00:23 | |
It's just unbelievable that she thinks she can get away with this. | 0:00:23 | 0:00:27 | |
..and the public are using secret cameras... | 0:00:27 | 0:00:29 | |
..to make sure the crooks get their comeuppance. | 0:00:29 | 0:00:32 | |
Fair means or foul, I was going to get rid of him. | 0:00:32 | 0:00:35 | |
I thought, we've got her! | 0:00:35 | 0:00:37 | |
And I was so happy. Thank God! | 0:00:37 | 0:00:39 | |
So, anyone who's up to no good had better think twice. | 0:00:40 | 0:00:44 | |
They might just get caught red-handed. | 0:00:44 | 0:00:47 | |
Today, since Nigel started a hairdressing salon 42 years ago, | 0:00:50 | 0:00:56 | |
he's been broken into 32 times... | 0:00:56 | 0:00:59 | |
It's a horrible feeling. | 0:01:00 | 0:01:01 | |
Your heart sinks to the floor. | 0:01:01 | 0:01:04 | |
..but when burglars set off his alarm yet again, | 0:01:06 | 0:01:09 | |
this time, Nigel races to the shop, | 0:01:09 | 0:01:11 | |
determined to catch the thieves before they escape. | 0:01:11 | 0:01:14 | |
The blood's rushing because anything could happen. | 0:01:14 | 0:01:16 | |
I mean, you could get jumped on, couldn't you? | 0:01:16 | 0:01:20 | |
Also today, mother of two Trudy thinks her house is safe and secure, | 0:01:20 | 0:01:25 | |
but it isn't. | 0:01:25 | 0:01:26 | |
There's an intruder climbing into her bathroom, | 0:01:28 | 0:01:31 | |
and he's been spotted by an eagle-eyed neighbour. | 0:01:31 | 0:01:33 | |
This guy, he's gone through the window, | 0:01:33 | 0:01:36 | |
so now I'm panicking to get down there. | 0:01:36 | 0:01:38 | |
Trudy's about to get home with the burglar still upstairs... | 0:01:38 | 0:01:42 | |
..and comedy troupe Deb, Sue and Jacky, also known as the Fizzogs, | 0:01:44 | 0:01:49 | |
are one of the star attractions on their local radio station - | 0:01:49 | 0:01:52 | |
but then one night... | 0:01:52 | 0:01:54 | |
..a thief sneaks in and steals their equipment. | 0:01:55 | 0:01:58 | |
It was a complete shock when I got in | 0:01:58 | 0:01:59 | |
and where these mixing desks should have been, | 0:01:59 | 0:02:02 | |
there was just a table with two holes. | 0:02:02 | 0:02:03 | |
Unlike lightning, sometimes burglars do strike twice - | 0:02:09 | 0:02:13 | |
and there's one business that's been struck so many times by thieves, | 0:02:13 | 0:02:17 | |
it's become a regular event. | 0:02:17 | 0:02:19 | |
Hi, Emma, what a long time! | 0:02:24 | 0:02:26 | |
I'm going to do something magnificent with your hair today. | 0:02:27 | 0:02:30 | |
Nigel Womack runs a hairdressing salon in the middle of Blackburn. | 0:02:30 | 0:02:34 | |
Madam, your hair grows downwards, you know - | 0:02:34 | 0:02:36 | |
we could do with a bit of upwards. | 0:02:36 | 0:02:39 | |
He comes from a long line of hairdressers. | 0:02:39 | 0:02:41 | |
My grandma was the first lady's hairdresser | 0:02:41 | 0:02:45 | |
to own a salon in Blackburn. It's in the blood. | 0:02:45 | 0:02:49 | |
Going to look good in a storm, and you do! | 0:02:49 | 0:02:51 | |
In fact, you look like you've been in a storm. | 0:02:51 | 0:02:53 | |
-Where have you been today? -Stop it! | 0:02:53 | 0:02:56 | |
But before deciding to follow in the family tradition, | 0:02:56 | 0:02:59 | |
when he was a teenager, Nigel wanted to be a detective. | 0:02:59 | 0:03:03 | |
I used to watch Starsky and Hutch in them days | 0:03:03 | 0:03:05 | |
and I wanted to throw myself over a red sports car | 0:03:05 | 0:03:07 | |
and catch the baddies - | 0:03:07 | 0:03:09 | |
and then I picked up a pair of scissors and it happened, | 0:03:09 | 0:03:12 | |
and that creativity with the scissors... | 0:03:12 | 0:03:15 | |
I was the master. | 0:03:15 | 0:03:17 | |
Nigel opened his first salon in 1974, just before his 21st birthday. | 0:03:17 | 0:03:23 | |
He moved to this prime location in Blackburn town centre | 0:03:23 | 0:03:26 | |
ten years later. | 0:03:26 | 0:03:27 | |
That's when everything really took off. | 0:03:29 | 0:03:32 | |
It was like a vortex! | 0:03:32 | 0:03:34 | |
Nearly 100 staff have worked for Nigel | 0:03:34 | 0:03:36 | |
in the 42 years he's been going. | 0:03:36 | 0:03:39 | |
I was just shocked by the way he is, | 0:03:39 | 0:03:40 | |
cos he lives life to the full, doesn't he? | 0:03:40 | 0:03:43 | |
He told me one time that he's learning how to not breathe | 0:03:43 | 0:03:46 | |
when he speaks | 0:03:46 | 0:03:47 | |
so that he can actually get more words into a sentence. | 0:03:47 | 0:03:50 | |
Nigel and his staff can cope with anything, | 0:03:52 | 0:03:54 | |
from split ends to frizzy fringes, | 0:03:54 | 0:03:57 | |
but there's one problem they can't get their heads around - | 0:03:57 | 0:04:00 | |
the salon keeps being burgled. | 0:04:00 | 0:04:03 | |
Probably 32 break-ins in 42 years, easily. | 0:04:03 | 0:04:06 | |
Burglars! I mean, in a hairdressing shop. | 0:04:06 | 0:04:10 | |
It's a horrible feeling. | 0:04:10 | 0:04:12 | |
And it's about to happen again. | 0:04:12 | 0:04:14 | |
When two more burglars raid his salon, | 0:04:14 | 0:04:17 | |
Nigel decides he will become a detective after all. | 0:04:17 | 0:04:21 | |
It's just after 1am and Nigel is woken by a hair-raising phone call | 0:04:24 | 0:04:29 | |
from the security company that monitors his salon overnight. | 0:04:29 | 0:04:32 | |
The phone ringing in the early hours of the morning, | 0:04:32 | 0:04:35 | |
I always think it's a break-in. | 0:04:35 | 0:04:37 | |
Your heart sinks to the floor. | 0:04:37 | 0:04:41 | |
The security company calls the police, | 0:04:41 | 0:04:43 | |
but Nigel decides to drive to the salon himself. | 0:04:43 | 0:04:46 | |
In the past, burglars have smashed their way in through the glass door | 0:04:46 | 0:04:50 | |
or one of the large shop windows. | 0:04:50 | 0:04:52 | |
I'm praying that it's my door window | 0:04:52 | 0:04:55 | |
and not the other two expensive windows. Please, be a door! | 0:04:55 | 0:05:00 | |
Nigel arrives before the police - | 0:05:00 | 0:05:04 | |
and it is the front door that's been smashed. | 0:05:04 | 0:05:06 | |
I can see it's shattering and the hole, | 0:05:06 | 0:05:10 | |
and it's big enough for somebody to get in. | 0:05:10 | 0:05:13 | |
I mean, they could still be there. | 0:05:13 | 0:05:15 | |
The blood's rushing because anything can happen. | 0:05:15 | 0:05:17 | |
I mean, you could get jumped on, couldn't you? | 0:05:17 | 0:05:19 | |
With little regard for his own safety, | 0:05:19 | 0:05:21 | |
Nigel turns detective and goes inside to investigate. | 0:05:21 | 0:05:25 | |
I'm looking around for the guy. | 0:05:26 | 0:05:28 | |
Maybe they're in the toilets. | 0:05:28 | 0:05:29 | |
Maybe they're hiding upstairs. | 0:05:29 | 0:05:31 | |
And you can see the brick that they've used - big, massive brick. | 0:05:31 | 0:05:34 | |
Nigel picks up the brick for protection | 0:05:34 | 0:05:36 | |
and continues to comb the salon for evidence. | 0:05:36 | 0:05:39 | |
Go in the toilets, they could be hiding in there. | 0:05:41 | 0:05:43 | |
Go in the back room. | 0:05:43 | 0:05:45 | |
Behind the counter! | 0:05:45 | 0:05:47 | |
Well, thank goodness, there was nobody there, | 0:05:47 | 0:05:49 | |
and then I'm inspecting what they've done. | 0:05:49 | 0:05:51 | |
He discovers the petty cash drawer from the till is missing. | 0:05:52 | 0:05:55 | |
Some bottles of expensive caviar shampoo have also been taken | 0:05:56 | 0:06:01 | |
and there's been over £1,000 worth of damage to the salon. | 0:06:01 | 0:06:05 | |
Apart from all the devastation, cleaning up, | 0:06:06 | 0:06:08 | |
and having your window boarded up and causing all that for a... | 0:06:08 | 0:06:11 | |
I mean, you'd have given them the shampoo, wouldn't you? | 0:06:11 | 0:06:15 | |
The police arrive and check the security camera recording. | 0:06:15 | 0:06:19 | |
The CCTV coverage is brilliant. | 0:06:19 | 0:06:21 | |
You could spot faces in the dark. | 0:06:21 | 0:06:24 | |
At 1:10am, two men arrive at the front of the salon. | 0:06:26 | 0:06:30 | |
They look like they've had more than a few drinks. | 0:06:30 | 0:06:32 | |
You see how they're moving, wobbly on their feet, staggering. | 0:06:34 | 0:06:37 | |
Pulling his pants up. | 0:06:37 | 0:06:39 | |
One of them dislodges a brick from a wall. | 0:06:41 | 0:06:44 | |
He goes to check the street to see if anyone is coming | 0:06:44 | 0:06:47 | |
while his accomplice gets ready to use the brick to break in. | 0:06:47 | 0:06:51 | |
This guy picking this brick up doesn't look capable, does he? | 0:06:51 | 0:06:55 | |
But he is capable of using it to strike Nigel's door with force, | 0:06:55 | 0:06:59 | |
again and again. | 0:06:59 | 0:07:01 | |
The other man then kicks the door with all his might. | 0:07:04 | 0:07:08 | |
How vicious is that? | 0:07:08 | 0:07:10 | |
When they're physically punching that window in, | 0:07:10 | 0:07:13 | |
they're kicking me in the stomach. I feel that sick. | 0:07:13 | 0:07:16 | |
I'm so pleased that I didn't find them there. | 0:07:17 | 0:07:20 | |
One man climbs through the hole | 0:07:21 | 0:07:23 | |
and start grabbing the bottles of expensive shampoo | 0:07:23 | 0:07:26 | |
while the other man keeps a lookout, | 0:07:26 | 0:07:28 | |
shouting directions from outside. | 0:07:28 | 0:07:30 | |
Then the lookout gets impatient. | 0:07:31 | 0:07:33 | |
Maybe he's a little more sober, | 0:07:33 | 0:07:35 | |
so he goes through the hole himself | 0:07:35 | 0:07:37 | |
and runs around the counter to the till. | 0:07:37 | 0:07:40 | |
He snatches the notes and the tray of loose change. | 0:07:40 | 0:07:43 | |
Both men then run away. | 0:07:44 | 0:07:46 | |
Watching the recording has been upsetting for Nigel, | 0:07:47 | 0:07:51 | |
but the police have some good news. | 0:07:51 | 0:07:52 | |
We know that guy, straightaway, we know that guy, straightaway - | 0:07:54 | 0:07:57 | |
and they take a copy of it and then go out and these guys, | 0:07:57 | 0:08:01 | |
they recognise them, and all they have to do is go and pick some up. | 0:08:01 | 0:08:05 | |
Nigel is delighted, and sets about clearing up his salon | 0:08:05 | 0:08:08 | |
so his customers aren't disappointed when they turn up | 0:08:08 | 0:08:11 | |
for their appointments the next day. | 0:08:11 | 0:08:13 | |
People need their hair doing. | 0:08:13 | 0:08:14 | |
Nobody's going to stop me. | 0:08:14 | 0:08:16 | |
They open for business as usual, but Nigel doesn't hear from the police | 0:08:16 | 0:08:20 | |
and starts to worry they might never catch the burglars. | 0:08:20 | 0:08:23 | |
The day after the break-in | 0:08:23 | 0:08:25 | |
it was horrible to see Nigel upset as he was. | 0:08:25 | 0:08:29 | |
This is his baby, so, I think, | 0:08:29 | 0:08:31 | |
for anyone to try and destroy what he's built, | 0:08:31 | 0:08:34 | |
it's going to hurt. | 0:08:34 | 0:08:36 | |
But two days later... | 0:08:36 | 0:08:37 | |
Hello, Nigel's? | 0:08:37 | 0:08:38 | |
..Nigel's colour and condition is restored | 0:08:38 | 0:08:41 | |
when he gets a call from the police. | 0:08:41 | 0:08:43 | |
"We've caught them." | 0:08:43 | 0:08:44 | |
Oh, yes! | 0:08:44 | 0:08:45 | |
You're suddenly dragged from the pits. | 0:08:45 | 0:08:48 | |
How did you catch them? | 0:08:48 | 0:08:50 | |
Did you catch them red-handed | 0:08:50 | 0:08:51 | |
washing their hair with my caviar shampoo? | 0:08:51 | 0:08:53 | |
"No," he says. | 0:08:53 | 0:08:54 | |
"They were easily identifiable | 0:08:54 | 0:08:57 | |
"because they were wearing the same clothes." | 0:08:57 | 0:08:59 | |
And I'm dancing around the shop, | 0:08:59 | 0:09:01 | |
telling everybody, "Yes, but they caught them!" | 0:09:01 | 0:09:03 | |
And it's really good. I love it. | 0:09:03 | 0:09:05 | |
It wasn't quite Starsky and Hutch, but thanks to his cameras, | 0:09:05 | 0:09:08 | |
Nigel has helped to catch not one but two bad guys. | 0:09:08 | 0:09:13 | |
You're actually feeling like, yeah, | 0:09:13 | 0:09:15 | |
I've made the streets a bit safer for somebody else, not just me, | 0:09:15 | 0:09:19 | |
like you've cleansed Blackburn. | 0:09:19 | 0:09:21 | |
In court, one man was sent to prison for four and a half months | 0:09:24 | 0:09:28 | |
for this offence, | 0:09:28 | 0:09:29 | |
and the other was given a four-week suspended sentence. | 0:09:29 | 0:09:32 | |
Nigel no longer leaves petty cash in the till overnight, | 0:09:37 | 0:09:40 | |
and he has set about reinforcing his salon's defences... | 0:09:40 | 0:09:43 | |
We're going to get some shutters, so I'll never get broken into again. | 0:09:44 | 0:09:50 | |
..and Nigel isn't going to let his brush with crime | 0:09:50 | 0:09:53 | |
trim his growing ambition | 0:09:53 | 0:09:55 | |
to become the oldest hairdresser in the known universe. | 0:09:55 | 0:09:59 | |
I might have done 42 years, but I want to do another 42, really. | 0:10:00 | 0:10:04 | |
Can you imagine cutting somebody's hair at 99 years old? | 0:10:04 | 0:10:08 | |
It might be a shaky fringe, but I'd like to do it. | 0:10:08 | 0:10:12 | |
Look at that. Perfect. | 0:10:12 | 0:10:14 | |
This well-dressed young man in a suit | 0:10:26 | 0:10:29 | |
looks like a businessman on his way into the office - | 0:10:29 | 0:10:32 | |
but, actually, he's got all suited and booted | 0:10:32 | 0:10:34 | |
to commit armed robbery. | 0:10:34 | 0:10:36 | |
Finishing off his outfit with a balaclava, | 0:10:37 | 0:10:39 | |
he storms into a post office, | 0:10:39 | 0:10:42 | |
brings out a gun covered in a plastic bag and demands money... | 0:10:42 | 0:10:46 | |
..but everyone thinks it's some kind of joke, | 0:10:48 | 0:10:50 | |
so he points the gun straight at the unimpressed postmaster, | 0:10:50 | 0:10:54 | |
who bravely sends him a special delivery... | 0:10:54 | 0:10:57 | |
..a swipe to the face. | 0:10:58 | 0:11:00 | |
This doesn't suit the would-be robber. | 0:11:01 | 0:11:03 | |
He runs straight out of the shop and escapes... | 0:11:03 | 0:11:06 | |
..but not for long. Before he put on his balaclava, | 0:11:07 | 0:11:11 | |
this not-so-smart criminal | 0:11:11 | 0:11:13 | |
allowed his face to be caught on the shop's CCTV. | 0:11:13 | 0:11:16 | |
Police track down the dapper man-about-town | 0:11:16 | 0:11:19 | |
and he gets a dressing down in the courts. | 0:11:19 | 0:11:22 | |
Convicted of attempted robbery | 0:11:22 | 0:11:24 | |
and possession of an imitation firearm, | 0:11:24 | 0:11:27 | |
for the next four years, | 0:11:27 | 0:11:28 | |
he'll be swapping his natty suit for a prison uniform. | 0:11:28 | 0:11:32 | |
This burglar has no idea there are so many eyes watching him. | 0:11:39 | 0:11:44 | |
He's caught on this camera... | 0:11:44 | 0:11:45 | |
..and this camera... | 0:11:45 | 0:11:47 | |
..and this camera, | 0:11:47 | 0:11:49 | |
and a neighbour spotted him, too - so, surely he can't escape. | 0:11:49 | 0:11:53 | |
Plymouth, Devon. | 0:12:01 | 0:12:03 | |
Paul and his wife Trudy live on a housing estate in the city's suburbs | 0:12:03 | 0:12:07 | |
with their daughters Libby and Charlie and Buddy the family dog. | 0:12:07 | 0:12:12 | |
One of the reasons they opted to buy a house in the area | 0:12:12 | 0:12:15 | |
was because they thought it was safe and crime-free. | 0:12:15 | 0:12:19 | |
It's a quiet neighbourhood. | 0:12:19 | 0:12:20 | |
Paul grew up just around the corner, so we knew it. | 0:12:20 | 0:12:22 | |
Nothing ever happens here. | 0:12:22 | 0:12:24 | |
We decided it was a lovely, calm place and quiet for the kids | 0:12:24 | 0:12:27 | |
to be brought up. | 0:12:27 | 0:12:28 | |
Another resident on the estate is former bricklayer Mike. | 0:12:28 | 0:12:32 | |
He lives behind Paul and Trudy's back garden with his wife Esme. | 0:12:32 | 0:12:36 | |
Mike helped build the estate. | 0:12:36 | 0:12:39 | |
This land came up just as I was working opposite, | 0:12:39 | 0:12:41 | |
so that was handy for me. | 0:12:41 | 0:12:42 | |
I came across and put my name down for this block. | 0:12:42 | 0:12:45 | |
Mike's seen a lot of houses change hands | 0:12:45 | 0:12:47 | |
since he first came here in the 1980s. | 0:12:47 | 0:12:50 | |
Most of the neighbours around here now are strangers. | 0:12:50 | 0:12:53 | |
Everyone kind of keeps themselves to themselves, | 0:12:53 | 0:12:57 | |
but look out for everybody at the same time. | 0:12:57 | 0:12:59 | |
Trudy's husband Paul works in the security trade, | 0:12:59 | 0:13:03 | |
so he's made sure the family home is well equipped with CCTV cameras. | 0:13:03 | 0:13:07 | |
I spent over 20 years of my life installing security systems. | 0:13:08 | 0:13:12 | |
I now have my own business, | 0:13:12 | 0:13:13 | |
and we decided to put some more state-of-the-art cameras in | 0:13:13 | 0:13:16 | |
and use it almost as kind of demo site. | 0:13:16 | 0:13:18 | |
Sometimes you think, | 0:13:18 | 0:13:19 | |
nothing ever happens here, so why do I need these cameras? | 0:13:19 | 0:13:22 | |
But one day, something does happen, | 0:13:23 | 0:13:26 | |
and Paul and Trudy's security cameras come to the fore. | 0:13:26 | 0:13:29 | |
It's a midweek morning in autumn. | 0:13:33 | 0:13:35 | |
Paul's gone to work and is over an hour away, | 0:13:35 | 0:13:38 | |
and the girls are both at school. | 0:13:38 | 0:13:39 | |
I went to take the dog for a walk, | 0:13:41 | 0:13:43 | |
as I would do normally every morning. | 0:13:43 | 0:13:46 | |
Trudy's neighbour Mike and his wife Esme are at home. | 0:13:46 | 0:13:50 | |
We were going out in the afternoon so I went up, had a quick shower. | 0:13:50 | 0:13:53 | |
In every way a normal morning. | 0:13:53 | 0:13:56 | |
Well, not exactly... | 0:13:56 | 0:13:57 | |
..because there's a burglar on the prowl. | 0:13:58 | 0:14:00 | |
Paul's cameras pick him up walking along the pavement. | 0:14:00 | 0:14:04 | |
He takes a close look at their house. | 0:14:04 | 0:14:06 | |
He appears to move on, but he comes back. | 0:14:07 | 0:14:10 | |
The man's noticed the drive leading to the back of the property, | 0:14:12 | 0:14:15 | |
but he hasn't spotted the security cameras. | 0:14:15 | 0:14:18 | |
The intruder reappears in the back garden | 0:14:20 | 0:14:22 | |
and looks into Paul and Trudy's kitchen window... | 0:14:22 | 0:14:24 | |
..and then the dining room doors. | 0:14:26 | 0:14:28 | |
Trudy is still out walking her dog, so no-one is home. | 0:14:28 | 0:14:31 | |
The man then notices a set of ladders propped up | 0:14:33 | 0:14:35 | |
by the side of the building... | 0:14:35 | 0:14:37 | |
..and looks up and spots a small upstairs window is slightly ajar... | 0:14:38 | 0:14:42 | |
..but he's been seen - | 0:14:44 | 0:14:45 | |
and not just by the electronic eyes of the cameras. | 0:14:45 | 0:14:48 | |
After finishing his shower, | 0:14:49 | 0:14:51 | |
Mike looks out of his bedroom window | 0:14:51 | 0:14:53 | |
and notices the suspicious-looking man with the ladder. | 0:14:53 | 0:14:56 | |
I shouted down to the missus, is the window cleaner due today? | 0:14:57 | 0:15:00 | |
Cos there's a guy going up a ladder down below. | 0:15:00 | 0:15:03 | |
She said, "The window cleaner doesn't use a ladder. | 0:15:03 | 0:15:07 | |
"He's got a pole with a brush." | 0:15:07 | 0:15:09 | |
Mike opens a window and shouts across to the man | 0:15:09 | 0:15:12 | |
as he starts climbing the ladder. | 0:15:12 | 0:15:14 | |
This guy turned his head around and looked at me, | 0:15:14 | 0:15:17 | |
I'm stood there with no clothes on, looking out the window. | 0:15:17 | 0:15:19 | |
It was just surreal. | 0:15:19 | 0:15:21 | |
The man can't have realised that Mike is looking at him, | 0:15:21 | 0:15:25 | |
because he carries on up the ladder, opens the window | 0:15:25 | 0:15:27 | |
and gets ready to squeeze himself through the small gap. | 0:15:27 | 0:15:30 | |
It didn't look big enough for anybody to get through - | 0:15:32 | 0:15:34 | |
but he went in through the window, | 0:15:34 | 0:15:35 | |
so now I'm panicking to get down there. | 0:15:35 | 0:15:38 | |
As Mike races to get his clothes on, Trudy has just got home. | 0:15:38 | 0:15:42 | |
She has no idea there's an intruder inside. | 0:15:42 | 0:15:45 | |
Walked back with the dog, come in, let him off his lead. | 0:15:45 | 0:15:49 | |
Meanwhile, good neighbour Mike has thrown on some clothes | 0:15:49 | 0:15:52 | |
and rushed round to Trudy's house. | 0:15:52 | 0:15:54 | |
He stops and looks up... | 0:15:54 | 0:15:56 | |
Something caught my eye, the top bedroom window, a guy looking at me. | 0:15:56 | 0:16:00 | |
..but Mike isn't put off. | 0:16:00 | 0:16:02 | |
With Esme watching, he goes to the front door. | 0:16:02 | 0:16:05 | |
Trudy is just the other side. | 0:16:05 | 0:16:07 | |
I hear a knock at the door and there's a gentleman stood there | 0:16:08 | 0:16:10 | |
who basically said, "Hello, my love, | 0:16:10 | 0:16:13 | |
"I've just seen someone climb in through your bathroom window." | 0:16:13 | 0:16:16 | |
And I think my words were, "Pardon? You what?" | 0:16:16 | 0:16:19 | |
She just looked at me, not believing - well, nobody would. | 0:16:19 | 0:16:23 | |
If a stranger came to your door and told you that someone had broken in | 0:16:23 | 0:16:27 | |
and they were upstairs, you'd think, "Who is this guy?" | 0:16:27 | 0:16:30 | |
I think I actually said, "What do I do?" | 0:16:30 | 0:16:32 | |
And he was like, "Well, I'd call the police if I were you." | 0:16:32 | 0:16:36 | |
So I said, "Hang on, let me just ring my husband." | 0:16:36 | 0:16:39 | |
It occurs to Trudy | 0:16:39 | 0:16:40 | |
that her husband might have organised for work to be done | 0:16:40 | 0:16:43 | |
on the guttering without telling her, so she gives him a ring. | 0:16:43 | 0:16:47 | |
When she asked that and obviously I knew the answer was no, | 0:16:47 | 0:16:49 | |
my heart did miss a few beats. | 0:16:49 | 0:16:51 | |
I then actually looked through my porch-way window, which is glass, | 0:16:51 | 0:16:55 | |
and saw ladders, so at that point I'm thinking, "Oh, my God, | 0:16:55 | 0:16:59 | |
"there is somebody in the house." | 0:16:59 | 0:17:01 | |
Then, when she hung up, I don't know what's going on now | 0:17:01 | 0:17:03 | |
but I can check the cameras to at least see what's going on. | 0:17:03 | 0:17:06 | |
Paul connects to the cameras at home via his phone | 0:17:06 | 0:17:09 | |
and receives live pictures while Trudy calls the police. | 0:17:09 | 0:17:13 | |
On the phone you get even more scared when they're telling you | 0:17:15 | 0:17:18 | |
things like, "If someone comes running past you, | 0:17:18 | 0:17:21 | |
"don't approach them - | 0:17:21 | 0:17:22 | |
"they could have a needle, they could have a weapon." | 0:17:22 | 0:17:25 | |
Officers arrive within minutes. | 0:17:25 | 0:17:28 | |
They rush in and search the house, | 0:17:28 | 0:17:30 | |
but they can't find the intruder anywhere. | 0:17:30 | 0:17:33 | |
I'm saying silly things like, "You have checked under the beds, | 0:17:34 | 0:17:37 | |
"haven't you? And you've checked in the cupboards?" | 0:17:37 | 0:17:39 | |
And they're like, "Yeah, | 0:17:39 | 0:17:40 | |
"we've checked everywhere that we would check." | 0:17:40 | 0:17:42 | |
Trudy phones Paul again. | 0:17:42 | 0:17:43 | |
As well as watching his cameras' live pictures, | 0:17:43 | 0:17:46 | |
he can look back on what they recorded. | 0:17:46 | 0:17:48 | |
I then started to watch the playback video footage | 0:17:48 | 0:17:51 | |
from when he first arrived to see if he'd left. | 0:17:51 | 0:17:53 | |
And this is what Paul sees. | 0:17:54 | 0:17:56 | |
Perhaps rattled by Trudy and Mike turning up, | 0:17:57 | 0:18:00 | |
the burglar decides to make a hasty exit through a bedroom window. | 0:18:00 | 0:18:04 | |
He then goes round the side, | 0:18:05 | 0:18:07 | |
over the wall and escapes through a neighbour's garden. | 0:18:07 | 0:18:11 | |
It was instant relief | 0:18:11 | 0:18:12 | |
because, A, I realised Trudy and the house were all safe, | 0:18:12 | 0:18:16 | |
and secondly, I knew he was only in the house for a matter of moments. | 0:18:16 | 0:18:19 | |
You still feel violated, really, that someone's been in your home, | 0:18:19 | 0:18:23 | |
but really relieved that he didn't take anything. | 0:18:23 | 0:18:26 | |
But the burglar has got away. | 0:18:26 | 0:18:29 | |
Searched the area, nothing. | 0:18:29 | 0:18:31 | |
But he was there on CCTV. | 0:18:31 | 0:18:35 | |
Paul realises he's able to show the intruder's face to the police. | 0:18:35 | 0:18:39 | |
I'd managed to take screenshots from my phone | 0:18:39 | 0:18:41 | |
and text it straight to Trudy. | 0:18:41 | 0:18:43 | |
Which I showed to the policeman stood at the front of the house. | 0:18:43 | 0:18:46 | |
He thought they were absolutely fantastic. | 0:18:46 | 0:18:49 | |
Over the next few days, | 0:18:49 | 0:18:51 | |
the police continue to search for the intruder | 0:18:51 | 0:18:54 | |
to put a name to the face, and Paul goes to thank Mike for his help. | 0:18:54 | 0:18:58 | |
He gave me a bottle of wine, I think two bottles of wine. | 0:18:58 | 0:19:02 | |
He came in and said, "My wife would have been in my property | 0:19:02 | 0:19:04 | |
"with a stranger, that is frightening." | 0:19:04 | 0:19:06 | |
A week goes by, and as there's no news that the burglar's been caught, | 0:19:08 | 0:19:13 | |
Paul and Trudy have an idea. | 0:19:13 | 0:19:15 | |
We released the pictures and video onto Facebook, | 0:19:15 | 0:19:17 | |
trying to find this guy. | 0:19:17 | 0:19:18 | |
It was shared hundreds of times. | 0:19:18 | 0:19:21 | |
What happened was unbelievable. | 0:19:21 | 0:19:23 | |
The police had many phone calls | 0:19:23 | 0:19:25 | |
and they all pointed to the same name of the same fella. | 0:19:25 | 0:19:28 | |
A week later, the police track down the intruder | 0:19:28 | 0:19:31 | |
and give Paul and Trudy the good news. | 0:19:31 | 0:19:33 | |
We felt very happy. It was almost like a victory in our own way. | 0:19:34 | 0:19:38 | |
Relief more than anything, once we knew that he was captured, | 0:19:38 | 0:19:41 | |
they got him in the end. | 0:19:41 | 0:19:42 | |
In court, the man was sentenced to two years in prison, | 0:19:46 | 0:19:49 | |
suspended for two years. | 0:19:49 | 0:19:51 | |
He was also ordered to do 230 hours of unpaid work, | 0:19:53 | 0:19:57 | |
six months' drug rehabilitation, | 0:19:57 | 0:19:59 | |
and had to pay costs and fines totalling £1,175. | 0:19:59 | 0:20:04 | |
Paul and Trudy didn't really know Mike before the break-in, | 0:20:08 | 0:20:12 | |
but now he's more than welcome to come round for a cuppa | 0:20:12 | 0:20:14 | |
any time he wants. | 0:20:14 | 0:20:16 | |
If it wasn't for him being vigilant and giving me that warning, | 0:20:16 | 0:20:19 | |
I could have walked in and come face-to-face with the intruder, | 0:20:19 | 0:20:22 | |
so it could've been a completely different outcome. | 0:20:22 | 0:20:25 | |
Burglars are generally opportunists. | 0:20:31 | 0:20:34 | |
They're always looking for things to make houses easier to get into, | 0:20:34 | 0:20:38 | |
so how can we avoid our home becoming attractive to thieves? | 0:20:38 | 0:20:42 | |
We do talk to burglars. | 0:20:42 | 0:20:44 | |
When we interview them, they tell us what they look for. | 0:20:44 | 0:20:46 | |
What they look for are ladders, wheelie bins, | 0:20:46 | 0:20:49 | |
garden furniture that they can use to get into the property. | 0:20:49 | 0:20:52 | |
It's getting into the mind-set of the burglar, | 0:20:52 | 0:20:54 | |
they don't want to be caught on the way to or from a job | 0:20:54 | 0:20:57 | |
so they won't carry tools to break in, | 0:20:57 | 0:20:59 | |
but if you've left a shovel, for example, | 0:20:59 | 0:21:01 | |
in your back garden, then that's perfect for them. | 0:21:01 | 0:21:03 | |
Quite often when we buy nice new items for the home, | 0:21:03 | 0:21:06 | |
whether it's a new television | 0:21:06 | 0:21:08 | |
or just something really important or expensive, | 0:21:08 | 0:21:11 | |
we leave the packaging on the driveway next to the bin | 0:21:11 | 0:21:14 | |
and it's just really good advertising to a thief | 0:21:14 | 0:21:17 | |
that you've got expensive property in the home. | 0:21:17 | 0:21:19 | |
If you're at work or on holiday, | 0:21:19 | 0:21:20 | |
you do everything you can to make your property appear like | 0:21:20 | 0:21:23 | |
you're actually in there. | 0:21:23 | 0:21:24 | |
Leave a light on. | 0:21:24 | 0:21:26 | |
If you're not going to be in, leave a timer with a light on. | 0:21:26 | 0:21:28 | |
Leave a radio on with a timer on. | 0:21:28 | 0:21:30 | |
Cars on the drive, | 0:21:30 | 0:21:31 | |
neighbours bringing in the milk and papers and suchlike. | 0:21:31 | 0:21:34 | |
One of the things they don't want is a dog. | 0:21:34 | 0:21:37 | |
Even the hint of a dog, they will move next door, | 0:21:37 | 0:21:39 | |
so even the sign for beware of the dog is a good deterrent. | 0:21:39 | 0:21:42 | |
A burglar breaks into a community radio station in the dead of night. | 0:21:48 | 0:21:52 | |
He's after valuable sound equipment. | 0:21:52 | 0:21:55 | |
The station is actually on air, | 0:21:55 | 0:21:57 | |
but he doesn't care if he pulls the plug, | 0:21:57 | 0:21:59 | |
leaving listeners high and dry. | 0:21:59 | 0:22:02 | |
The thief thinks he's being clever, | 0:22:03 | 0:22:05 | |
pointing the security camera towards the wall, | 0:22:05 | 0:22:08 | |
but he's made not one, but two schoolboy errors. | 0:22:08 | 0:22:11 | |
OK, you're listening to Wake Up With The Fizzogs on Black Country Radio. | 0:22:15 | 0:22:21 | |
Stourbridge in the West Midlands is the home of Black Country Radio, | 0:22:21 | 0:22:25 | |
a community station based in a local church | 0:22:25 | 0:22:28 | |
which was set up by Alex Totney and other volunteers in 2008. | 0:22:28 | 0:22:32 | |
I've always had an interest in radio from when I was a child | 0:22:34 | 0:22:39 | |
so it was a very natural step for me when Ofcom said, | 0:22:39 | 0:22:43 | |
"You can now set up your own radio station." | 0:22:43 | 0:22:45 | |
I found a bunch of like-minded individuals and the rest is history. | 0:22:45 | 0:22:49 | |
Alex scoured the area for top talent to present shows | 0:22:51 | 0:22:54 | |
and was delighted when local comedy legends | 0:22:54 | 0:22:57 | |
Deb, Sue and Jacky - known as the Fizzogs - | 0:22:57 | 0:23:00 | |
took him up on the offer. | 0:23:00 | 0:23:02 | |
We come in on a Friday morning and we do three hours | 0:23:02 | 0:23:05 | |
and we talk about everything and anything. | 0:23:05 | 0:23:07 | |
-Come on, then, hurry up, then. -Excuse me, I'm thinking about it. | 0:23:07 | 0:23:10 | |
People just enjoy it. It's just fun. | 0:23:12 | 0:23:14 | |
-We do have to do the travel... -Oh... | 0:23:14 | 0:23:15 | |
..but we only have to do it on the hour every hour. | 0:23:15 | 0:23:17 | |
As well as having to learn how to fill three hours of airtime, | 0:23:17 | 0:23:21 | |
these radio rookies had to master the broadcasting equipment. | 0:23:21 | 0:23:25 | |
It's almost like the mother ship, this desk is. | 0:23:25 | 0:23:27 | |
You've got sliders, buttons, lights. | 0:23:27 | 0:23:30 | |
But the trio took to radio presenting like ducks to water | 0:23:30 | 0:23:33 | |
and thousands started to tune into their show... | 0:23:33 | 0:23:36 | |
..until the time a thief in the night | 0:23:38 | 0:23:41 | |
takes the whole station offline | 0:23:41 | 0:23:43 | |
and the Fizzogs are left floundering. | 0:23:43 | 0:23:45 | |
It's 6:30am and the clock is counting down | 0:23:51 | 0:23:54 | |
to this week's Fizzog show. | 0:23:54 | 0:23:57 | |
Jacky arrives at the station early. | 0:23:57 | 0:23:58 | |
She's feeling on edge because Sue's away on holiday, | 0:23:59 | 0:24:02 | |
so today it's just going to be herself and Deb presenting. | 0:24:02 | 0:24:06 | |
We were really pumped up, waiting for the show, | 0:24:07 | 0:24:10 | |
so I've got all this going through my head, thinking, don't mess it up. | 0:24:10 | 0:24:13 | |
But it soon becomes apparent that a missing sidekick | 0:24:13 | 0:24:16 | |
is the least of Jacky's problems. | 0:24:16 | 0:24:18 | |
It was a complete shock when I got in | 0:24:18 | 0:24:20 | |
and where these mixing desks should have been, | 0:24:20 | 0:24:22 | |
there was just a table with two holes. | 0:24:22 | 0:24:24 | |
The broadcasting equipment has vanished into thin air. | 0:24:24 | 0:24:27 | |
I just thought the station's moved and they haven't told us. | 0:24:27 | 0:24:31 | |
All these things go through your head. | 0:24:31 | 0:24:32 | |
What if another radio station's got in and we've been sabotaged | 0:24:32 | 0:24:35 | |
or something like that? | 0:24:35 | 0:24:37 | |
The station is supposed to run every minute of every day, | 0:24:37 | 0:24:40 | |
and at the moment, its devoted listeners can't hear a thing. | 0:24:40 | 0:24:44 | |
We panic. If there's one or two seconds of dead air, | 0:24:44 | 0:24:47 | |
people are going to be thinking, | 0:24:47 | 0:24:49 | |
"We know they get it wrong | 0:24:49 | 0:24:50 | |
"but they don't normally get it quite this wrong." | 0:24:50 | 0:24:52 | |
Alex is summoned to solve the crisis. | 0:24:52 | 0:24:55 | |
I jumped in the car, | 0:24:55 | 0:24:57 | |
and it was a very, very, very worrying car journey. | 0:24:57 | 0:25:00 | |
When he arrives, he realises they've been burgled. | 0:25:01 | 0:25:05 | |
Most of the broadcasting equipment is missing, | 0:25:05 | 0:25:08 | |
but the thief has made a big mistake - | 0:25:08 | 0:25:10 | |
he hasn't taken the special power supplies | 0:25:10 | 0:25:13 | |
needed to run the kit. | 0:25:13 | 0:25:15 | |
A lot of what he'd actually stolen were absolutely useless to him. | 0:25:15 | 0:25:19 | |
How futile is that, then? You know, you've wasted your effort. | 0:25:19 | 0:25:22 | |
At the same time you've ruined everybody's day. Thanks for that. | 0:25:22 | 0:25:25 | |
To realise that we were going to lose | 0:25:25 | 0:25:28 | |
most of the day's programming, as well, because of it, | 0:25:28 | 0:25:31 | |
was, of course, extremely frustrating. | 0:25:31 | 0:25:33 | |
The police are called | 0:25:33 | 0:25:34 | |
and everyone hopes that the station security video | 0:25:34 | 0:25:38 | |
can come to the rescue of the radio show. | 0:25:38 | 0:25:40 | |
Our technical team can look at the cameras from their phones. | 0:25:40 | 0:25:44 | |
The team had set up an infrared camera pointing at the equipment | 0:25:44 | 0:25:48 | |
but when they view that recording... | 0:25:48 | 0:25:50 | |
..there's just a shot of a wall... | 0:25:51 | 0:25:53 | |
..but soon, all becomes clear. | 0:25:53 | 0:25:55 | |
When they rewind to earlier, | 0:25:57 | 0:25:59 | |
it shows the camera's view as it should be, | 0:25:59 | 0:26:01 | |
focused on the equipment. | 0:26:01 | 0:26:03 | |
It also shows someone entering the dark studio. | 0:26:03 | 0:26:07 | |
He flashes a cigarette lighter so he can see, and spots the camera. | 0:26:07 | 0:26:11 | |
At this point, some burglars might abort their mission - | 0:26:11 | 0:26:15 | |
but not this guy. | 0:26:15 | 0:26:16 | |
As soon as we showed that to the police, | 0:26:17 | 0:26:19 | |
they couldn't believe that they'd got such a clear view of him. | 0:26:19 | 0:26:24 | |
You've got a full facial. | 0:26:24 | 0:26:26 | |
Clearly not realising his image has already been recorded, | 0:26:26 | 0:26:30 | |
the burglar pushes the camera around to face the wall | 0:26:30 | 0:26:33 | |
and sets about stealing the equipment - and from that moment, | 0:26:33 | 0:26:37 | |
Black Country Radio stops broadcasting. | 0:26:37 | 0:26:39 | |
It was really sad that this station had been off for seven hours | 0:26:41 | 0:26:45 | |
and people hadn't had that service. | 0:26:45 | 0:26:47 | |
The police officers take away a copy of the recording | 0:26:47 | 0:26:50 | |
to see if any of their colleagues can recognise the burglar. | 0:26:50 | 0:26:54 | |
Meanwhile, Alex and his team | 0:26:54 | 0:26:56 | |
work feverishly to cobble some equipment together | 0:26:56 | 0:26:59 | |
so the show can go on. | 0:26:59 | 0:27:00 | |
By 2pm, Black Country Radio is back in action. | 0:27:00 | 0:27:03 | |
It was just a fantastic moment, really, | 0:27:05 | 0:27:07 | |
when all the hard work of that day had really paid off | 0:27:07 | 0:27:11 | |
and everybody went out to their cars | 0:27:11 | 0:27:13 | |
just to check to make sure that the audio was coming through OK. | 0:27:13 | 0:27:17 | |
It was a good end to what was a very dark day. | 0:27:17 | 0:27:19 | |
Then there's more good news. | 0:27:19 | 0:27:21 | |
The police have been successful tuning into the burglar's features. | 0:27:21 | 0:27:25 | |
Fortunately, one officer positively identified the individual | 0:27:25 | 0:27:29 | |
and he was caught very, very swiftly. | 0:27:29 | 0:27:31 | |
In court, the 38-year-old man pleaded guilty to burglary | 0:27:34 | 0:27:39 | |
and was sentenced to two years in prison. | 0:27:39 | 0:27:41 | |
I was having a lazy day yesterday and I thought, "Right, | 0:27:44 | 0:27:47 | |
-"I'm just going to watch..." -A lazy day? -Yeah, I did nothing. | 0:27:47 | 0:27:49 | |
I thought you said, "I was having a LADY day yesterday!" | 0:27:49 | 0:27:53 | |
The Fizzogs and their Black Country Radio colleagues | 0:27:53 | 0:27:56 | |
have now moved to new state-of-the-art premises | 0:27:56 | 0:27:58 | |
and publicity from their missing kit crisis | 0:27:58 | 0:28:01 | |
seems to have helped Alex and his team gain even more listeners. | 0:28:01 | 0:28:06 | |
The outpouring of support that we got was just amazing. | 0:28:06 | 0:28:10 | |
Despite that day, we've just gone from strength to strength, | 0:28:10 | 0:28:13 | |
which is brilliant. | 0:28:13 | 0:28:14 | |
That's it for today, | 0:28:19 | 0:28:21 | |
and that's it for a few more criminals | 0:28:21 | 0:28:23 | |
who've been caught red-handed. | 0:28:23 | 0:28:24 |