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Thieves will steal our cash, our cars, our valuables. | 0:00:02 | 0:00:05 | |
Just about anything they can get their hands on. | 0:00:05 | 0:00:09 | |
But, now, the police are using cutting-edge technology to catch the bad guys. | 0:00:09 | 0:00:13 | |
We want to make sure we've got a concrete case. | 0:00:13 | 0:00:15 | |
Enough evidence to convict at court. | 0:00:15 | 0:00:17 | |
Local councils, shops and businesses are fighting crime | 0:00:17 | 0:00:21 | |
with their own tricks and traps. | 0:00:21 | 0:00:23 | |
It's just unbelievable that she thinks she can get away with this. | 0:00:23 | 0:00:27 | |
And the public are using secret cameras to make sure the crooks get their comeuppance. | 0:00:27 | 0:00:32 | |
Fair means or foul, I was going to get rid of him. | 0:00:32 | 0:00:35 | |
I thought, "We've got her." | 0:00:35 | 0:00:37 | |
And I was so happy, thank God! | 0:00:37 | 0:00:40 | |
So anyone who is up to no good had better think twice. | 0:00:40 | 0:00:44 | |
They might just get caught red-handed. | 0:00:44 | 0:00:47 | |
Today, while social-club manager Ian is on the phone, | 0:00:50 | 0:00:54 | |
an intruder sneaks through his club's back door. | 0:00:54 | 0:00:56 | |
And raids the safe, | 0:00:59 | 0:01:01 | |
stuffing thousands of pounds down his trousers. | 0:01:01 | 0:01:04 | |
I didn't know what to do, you know, and I was almost in tears. | 0:01:05 | 0:01:09 | |
His face, he was as white as a sheet and he said, "There's no money, | 0:01:09 | 0:01:12 | |
"there's no money." | 0:01:12 | 0:01:14 | |
Also today, | 0:01:14 | 0:01:15 | |
a burglar doesn't think twice about robbing this house in broad daylight. | 0:01:15 | 0:01:19 | |
But then he meets his match at the foot of the stairs. | 0:01:20 | 0:01:23 | |
I was absolutely horrified. | 0:01:23 | 0:01:25 | |
"What the hell are you doing in my house?" | 0:01:25 | 0:01:28 | |
73-year-old Margaret teaches him a lesson he won't forget in a hurry. | 0:01:28 | 0:01:33 | |
"Get out, get out now!" | 0:01:33 | 0:01:36 | |
And a man breaks into a garage. | 0:01:37 | 0:01:40 | |
But doesn't watch his step and ends up having an early bath! | 0:01:41 | 0:01:44 | |
In engine oil. | 0:01:47 | 0:01:48 | |
A government campaign back in the '60s said, "Watch out, watch out, | 0:01:53 | 0:01:57 | |
"there's a thief about." | 0:01:57 | 0:01:59 | |
And nothing has changed. | 0:01:59 | 0:02:01 | |
There are still plenty of thieves watching out themselves | 0:02:01 | 0:02:04 | |
for easy pickings. | 0:02:04 | 0:02:06 | |
West Byfleet is a small village in the Surrey stockbroker belt. | 0:02:11 | 0:02:16 | |
At its heart is the social club and thanks to steward Ian, | 0:02:16 | 0:02:20 | |
the club is now more popular than ever. | 0:02:20 | 0:02:22 | |
We've got a really big mixture of, you know, | 0:02:23 | 0:02:26 | |
from like 18-year-old members. | 0:02:26 | 0:02:29 | |
Our oldest one last year had his birthday party, 107, | 0:02:29 | 0:02:33 | |
he turned round and he said, "You know what, this is the best party I've ever had in my life. | 0:02:33 | 0:02:36 | |
"Can I book it for next year?" | 0:02:36 | 0:02:38 | |
Everybody OK? | 0:02:38 | 0:02:39 | |
Barmaid Nora likes the happy atmosphere Ian has built up at | 0:02:39 | 0:02:43 | |
the club, both for the members and the staff. | 0:02:43 | 0:02:45 | |
Ian is my boss but also, we are good friends, you know, socially. | 0:02:47 | 0:02:51 | |
We all quite like that in here. | 0:02:51 | 0:02:53 | |
We do what we're told when we have to but we can also, you know, | 0:02:53 | 0:02:55 | |
have fun together. | 0:02:55 | 0:02:57 | |
Working here is more than just a job for Ian. | 0:02:57 | 0:03:00 | |
It's a passion. | 0:03:00 | 0:03:02 | |
It's my pride and joy. | 0:03:02 | 0:03:03 | |
And I just love the place. | 0:03:03 | 0:03:05 | |
To me, it's my home. | 0:03:05 | 0:03:07 | |
But one day while Ian was on duty, | 0:03:07 | 0:03:10 | |
his home from home was invaded by an unwelcome visitor. | 0:03:10 | 0:03:14 | |
It's a Thursday morning and Ian is cashing up before he takes the club's earnings to the bank. | 0:03:18 | 0:03:24 | |
But when a delivery lorry arrives from the brewery, | 0:03:25 | 0:03:28 | |
Ian has to leave the tills for a while. | 0:03:28 | 0:03:30 | |
I stopped counting the money, | 0:03:32 | 0:03:34 | |
I put everything to one side and I always lock up the cage, shut it, | 0:03:34 | 0:03:37 | |
lock it up, because at the end of the day, | 0:03:37 | 0:03:40 | |
I wouldn't want to put temptation to anybody. | 0:03:40 | 0:03:42 | |
But outside, this man is no stranger to temptation. | 0:03:42 | 0:03:46 | |
He checks out the cab of the lorry, | 0:03:48 | 0:03:50 | |
probably looking for something to steal. | 0:03:50 | 0:03:53 | |
It's broad daylight but no-one spots his odd behaviour. | 0:03:53 | 0:03:56 | |
The draymen are busy inside and Ian's dealing with delivery | 0:03:58 | 0:04:01 | |
paperwork in the club's committee room | 0:04:01 | 0:04:04 | |
but he knows the cash is safely under lock and key. | 0:04:04 | 0:04:07 | |
Once it's padlocked, basically, you need to break in to get into it | 0:04:07 | 0:04:11 | |
and, while I'm around, I don't think anybody's going to do that. | 0:04:11 | 0:04:16 | |
But the man outside has other ideas. | 0:04:16 | 0:04:18 | |
He's been hiding behind the lorry | 0:04:18 | 0:04:20 | |
and now he's looking to get inside the club. | 0:04:20 | 0:04:23 | |
Seconds later, the draymen walk back to their vehicle. | 0:04:23 | 0:04:27 | |
Somehow they don't see him as they leave. | 0:04:27 | 0:04:29 | |
The intruder sees his opportunity and casually walks towards the | 0:04:32 | 0:04:36 | |
storeroom. He finds the cage and sees the cash. | 0:04:36 | 0:04:39 | |
As the delivery lorry leaves the yard, | 0:04:41 | 0:04:43 | |
Ian's still busy in his office. | 0:04:43 | 0:04:45 | |
The main reason why I didn't go back to the tills immediately after the | 0:04:46 | 0:04:49 | |
brewery had been is that when the phone rang, I went to answer the phone. | 0:04:49 | 0:04:53 | |
The intruder is just a couple of feet away from a week's worth of takings, | 0:04:53 | 0:04:57 | |
thousands of pounds, but there's a padlocked door in the way. | 0:04:57 | 0:05:01 | |
The man searches for a key. | 0:05:04 | 0:05:05 | |
He could be spotted at any moment. | 0:05:05 | 0:05:08 | |
He's just round the corner from the room where Ian is on the phone. | 0:05:08 | 0:05:11 | |
He's found a key. | 0:05:13 | 0:05:14 | |
But it doesn't fit. | 0:05:16 | 0:05:18 | |
So he tries another. | 0:05:18 | 0:05:19 | |
That doesn't fit either. | 0:05:21 | 0:05:23 | |
The intruder searches the bar again and finds a tool box. | 0:05:24 | 0:05:28 | |
He's going to use a screwdriver. | 0:05:29 | 0:05:31 | |
And a bit of brute force. | 0:05:32 | 0:05:34 | |
He's got to the cash. | 0:05:41 | 0:05:43 | |
Ian's still on the phone. | 0:05:43 | 0:05:44 | |
He's totally unaware he's being burgled. | 0:05:44 | 0:05:47 | |
I've not heard anybody. | 0:05:48 | 0:05:50 | |
The committee room is the other end of the building. | 0:05:50 | 0:05:52 | |
The intruder goes for the notes, | 0:05:53 | 0:05:55 | |
grabbing fistfuls and stuffing them down his trousers. | 0:05:55 | 0:05:58 | |
Then he finds more money in the cash box. | 0:06:01 | 0:06:03 | |
For a moment, he worries about fingerprints. | 0:06:06 | 0:06:08 | |
But then continues to clear the till drawers. | 0:06:11 | 0:06:14 | |
He's taking the risk of being discovered, | 0:06:18 | 0:06:20 | |
but this thief's greedy, because he's noticed the safe below. | 0:06:20 | 0:06:25 | |
Again, he searches for a key. | 0:06:25 | 0:06:27 | |
Then realises the safe is open. | 0:06:28 | 0:06:30 | |
When he can't fit any more money in his clothing, he leaves, | 0:06:34 | 0:06:38 | |
quietly closing the cage door. | 0:06:38 | 0:06:40 | |
He exits the same way he came in and no-one is any the wiser. | 0:06:42 | 0:06:46 | |
But not for long. | 0:06:46 | 0:06:48 | |
A few minutes later, Nora arrives at the club for her shift. | 0:06:53 | 0:06:57 | |
Ian still hasn't had a chance to get back to the tills. | 0:06:57 | 0:06:59 | |
I came early because I was helping out, because the cleaner was away. | 0:07:01 | 0:07:04 | |
I did see Ian. | 0:07:04 | 0:07:05 | |
He was busy doing bits and pieces. | 0:07:05 | 0:07:08 | |
I got all my stuff together and went out into the bathroom area. | 0:07:08 | 0:07:12 | |
Ian gives Nora a hand with some cleaning. | 0:07:12 | 0:07:14 | |
While I was helping her, the tills had just totally gone from my mind. | 0:07:16 | 0:07:20 | |
It's not until the cleaning is done that Ian remembers | 0:07:20 | 0:07:23 | |
he has to get the cash to the bank. | 0:07:23 | 0:07:25 | |
I just glanced at the clock and said, "Oh, my God, | 0:07:25 | 0:07:27 | |
"I haven't done the tills yet." | 0:07:27 | 0:07:29 | |
He goes back down to the storeroom and when he reaches the cage, | 0:07:29 | 0:07:33 | |
he gets a shock. | 0:07:33 | 0:07:35 | |
I went to grab the lock and it just fell on the floor. | 0:07:35 | 0:07:38 | |
I looked and all the money had gone. | 0:07:38 | 0:07:39 | |
It had gone from the tills. | 0:07:42 | 0:07:44 | |
I then opened the safe and I thought, "Oh, my God, | 0:07:44 | 0:07:47 | |
"I forgot to lock the safe." Although I had padlocked the cage. | 0:07:47 | 0:07:50 | |
It was like, what the hell has happened? I've not heard anybody. | 0:07:50 | 0:07:53 | |
We've been here. I just could not imagine how I've left all the money | 0:07:53 | 0:07:58 | |
there and everything there locked up in the cage and now it's gone. | 0:07:58 | 0:08:01 | |
Ian rushes to ask Nora if she's seen anything. | 0:08:02 | 0:08:06 | |
His face, he was as white as a sheet and he said, "There's no money, | 0:08:06 | 0:08:09 | |
-"there's no money." -I said, "I didn't know what to do, Nora." | 0:08:09 | 0:08:12 | |
You know, and I was almost in tears. | 0:08:12 | 0:08:15 | |
And Nora just grabbed hold of me and we both, well, | 0:08:15 | 0:08:18 | |
we both just hugged one another and, you know, | 0:08:18 | 0:08:21 | |
we just didn't know what to do. | 0:08:21 | 0:08:22 | |
Despite clearly remembering locking the cage, | 0:08:22 | 0:08:25 | |
Ian starts to blame himself. | 0:08:25 | 0:08:27 | |
The club will struggle to cope with the loss of a week's takings. | 0:08:27 | 0:08:32 | |
I just thought, "Hold on a minute, you know, | 0:08:32 | 0:08:33 | |
"there's over £5,000 here of the club's money | 0:08:33 | 0:08:36 | |
"and I've let it go." | 0:08:36 | 0:08:39 | |
You know, I've lost it. What am I going to do? | 0:08:39 | 0:08:41 | |
And I just really kept trying to reassure him, | 0:08:41 | 0:08:43 | |
"Ian, it's not your fault. It's not your fault. | 0:08:43 | 0:08:45 | |
"Obviously, we've been burgled. Something's happened." | 0:08:45 | 0:08:48 | |
Without having somebody there, I don't know how I would've coped, to be honest. | 0:08:48 | 0:08:52 | |
Ian calls the club treasurer and then the police. | 0:08:52 | 0:08:56 | |
They tell him to check the CCTV recording. | 0:08:56 | 0:08:59 | |
It's the only chance Ian has to find out how the money has vanished. | 0:08:59 | 0:09:03 | |
Because it's something that we don't use all the time, I just couldn't... | 0:09:05 | 0:09:09 | |
I had looked at it once before but my mind just wouldn't work, | 0:09:09 | 0:09:12 | |
and I'm thinking, "Oh, my God, how does this work? Please be working, please be working." | 0:09:12 | 0:09:16 | |
Ian and Nora go together to check if the cameras provide any clues. | 0:09:16 | 0:09:20 | |
We was looking and Nora's behind me and all of a sudden, she just said, | 0:09:20 | 0:09:24 | |
"Oh, my God! "Oh, my God. Look at him. | 0:09:24 | 0:09:27 | |
"Look what he's doing. | 0:09:27 | 0:09:29 | |
And I just turned around and I says, "Thank the Lord." | 0:09:29 | 0:09:31 | |
I just thought, "Oh, my gosh." I can't believe this has actually happened in broad daylight | 0:09:31 | 0:09:35 | |
when you're at work, so early in the morning and just... | 0:09:35 | 0:09:40 | |
I just couldn't believe it. | 0:09:40 | 0:09:42 | |
Ian hands the recording over to the police and they have an immediate | 0:09:42 | 0:09:45 | |
result. Officers recognise the man. | 0:09:45 | 0:09:49 | |
They track him down and arrest him two days later. | 0:09:49 | 0:09:52 | |
The camera footage helps them build a strong case against him | 0:09:52 | 0:09:56 | |
and he realises the game is up. | 0:09:56 | 0:09:58 | |
In court, the burglar pleaded guilty and was jailed | 0:10:03 | 0:10:07 | |
for three years and four months. | 0:10:07 | 0:10:09 | |
Ian has now got over what happened. | 0:10:13 | 0:10:15 | |
Thanks to everyone at the club rallying round him, | 0:10:15 | 0:10:18 | |
he no longer feels so guilty about the break-in. | 0:10:18 | 0:10:21 | |
I always in the back of my mind think I could have stopped that happening | 0:10:21 | 0:10:25 | |
but I'm here to tell the story. | 0:10:25 | 0:10:27 | |
People say we're glad for what you did and what you do for the club. | 0:10:28 | 0:10:31 | |
We don't think bad of you at all. | 0:10:31 | 0:10:33 | |
So all in all, it turned out good but, you know, | 0:10:33 | 0:10:36 | |
great thanks to the CCTV. | 0:10:36 | 0:10:39 | |
And now, the pitfalls of a life of crime. | 0:10:51 | 0:10:54 | |
This man's broken into a garage but in the dark, he stumbles | 0:10:56 | 0:11:01 | |
straight into the mechanic's pit that is filled with used engine oil. | 0:11:01 | 0:11:05 | |
They call mechanics "grease monkeys" and this guy certainly looks | 0:11:07 | 0:11:10 | |
the part as he clambers out. | 0:11:10 | 0:11:12 | |
What he thought would be a slick burglary | 0:11:12 | 0:11:14 | |
has ended up a pretty crude attempt! | 0:11:14 | 0:11:18 | |
To add to his woes, | 0:11:18 | 0:11:19 | |
this slippery customer's oily face is caught on a surveillance camera. | 0:11:19 | 0:11:23 | |
And with this clip of his pratfall, | 0:11:25 | 0:11:27 | |
his image is smeared over the internet. | 0:11:27 | 0:11:29 | |
So it's easier for police to clean up the case, | 0:11:30 | 0:11:34 | |
because, as burglars go, this one's been a bit of a dipstick. | 0:11:34 | 0:11:39 | |
This Canterbury street was built just after the war. | 0:11:50 | 0:11:53 | |
One of its residents, 73-year-old Margaret, | 0:11:53 | 0:11:56 | |
hasn't been here quite that long but she and husband Les | 0:11:56 | 0:12:00 | |
have lived in this street since they got married half a century ago. | 0:12:00 | 0:12:04 | |
We decided, yes, it was the house for us. | 0:12:06 | 0:12:09 | |
£3,050. | 0:12:09 | 0:12:11 | |
That's how much it cost. | 0:12:11 | 0:12:13 | |
52 years ago, mind you, and we're still quite happy here. | 0:12:15 | 0:12:19 | |
Margaret and 82-year-old Les have been through a difficult time recently. | 0:12:20 | 0:12:25 | |
Last year, Les became ill with mouth cancer. | 0:12:25 | 0:12:28 | |
He reacted well to treatment but is still recuperating. | 0:12:28 | 0:12:32 | |
It was a horrible time. | 0:12:33 | 0:12:35 | |
Les is now fed by bags of food that have to be pumped through a tube | 0:12:35 | 0:12:39 | |
in his tum and they are supposed to help him put on weight. | 0:12:39 | 0:12:44 | |
As well as looking after Les, | 0:12:44 | 0:12:46 | |
Margaret keeps herself busy by volunteering at a local school | 0:12:46 | 0:12:50 | |
and working hard to keep the neighbourhood clean and tidy. | 0:12:50 | 0:12:53 | |
I get a nice day and I think to myself, right, | 0:12:53 | 0:12:56 | |
it's street tidying day. | 0:12:56 | 0:12:58 | |
I weed it and sweep it, both sides. | 0:12:58 | 0:13:02 | |
Margaret's community spirit doesn't go unnoticed. | 0:13:02 | 0:13:06 | |
Neighbour Sam moved into the street a year ago and he quickly became one | 0:13:06 | 0:13:10 | |
of Margaret's many local admirers. | 0:13:10 | 0:13:13 | |
Margaret's just the most lovely person. She's got a huge sense of community about her, | 0:13:13 | 0:13:17 | |
which is really nice. She always says hello. | 0:13:17 | 0:13:19 | |
She does stuff that I wouldn't even think to do, | 0:13:19 | 0:13:21 | |
like cleaning the moss off the pavement and when you walk up and | 0:13:21 | 0:13:24 | |
down the road, you really notice that kind of stuff. | 0:13:24 | 0:13:26 | |
Margaret's always working to improve the neighbourhood. | 0:13:27 | 0:13:31 | |
And, after a spate of vandalism, she had a CCTV camera installed. | 0:13:31 | 0:13:35 | |
I did write a letter to all the neighbours to say | 0:13:37 | 0:13:39 | |
I wasn't spying on them. | 0:13:39 | 0:13:42 | |
I had put it in because I found that we were having damage done to our | 0:13:42 | 0:13:46 | |
car, which is parked outside our house. | 0:13:46 | 0:13:49 | |
And Margaret's security camera was soon to record a crime when she came | 0:13:49 | 0:13:55 | |
face-to-face with a burglar inside her own home. | 0:13:55 | 0:13:58 | |
It's lunchtime and Margaret has just finished her daily clean-up outside. | 0:14:02 | 0:14:07 | |
I'd come back into the back door to start the washing up | 0:14:07 | 0:14:11 | |
and I heard this thump, which I thought was from next door. | 0:14:11 | 0:14:16 | |
What's that? | 0:14:16 | 0:14:18 | |
I couldn't get up and look. | 0:14:18 | 0:14:20 | |
I came through from the kitchen and there was a carrier bag in the hall. | 0:14:20 | 0:14:24 | |
Puzzled, Margaret asks Les about the bag. | 0:14:24 | 0:14:27 | |
As I turned from speaking to Les, this man came down the stairs. | 0:14:27 | 0:14:33 | |
I was absolutely horrified. | 0:14:36 | 0:14:37 | |
So I immediately shouted at him and said, | 0:14:37 | 0:14:41 | |
"What the hell are you doing in my house? | 0:14:41 | 0:14:43 | |
"Get out, get out now!" | 0:14:43 | 0:14:46 | |
I could just hear her having a good go at somebody. | 0:14:46 | 0:14:49 | |
Fair means or foul, I was going to get rid of him. | 0:14:49 | 0:14:52 | |
I, as the man of the house, should have been doing that. | 0:14:52 | 0:14:56 | |
But I couldn't. | 0:14:56 | 0:14:57 | |
As he got to the bottom of the stairs, | 0:14:57 | 0:15:00 | |
I physically got hold of him. | 0:15:00 | 0:15:02 | |
Helped him down the stairs a bit more and slung him out of the door! | 0:15:02 | 0:15:05 | |
Margaret's CCTV camera captures the moment she ejects him from her home. | 0:15:06 | 0:15:12 | |
I manhandled him out of the front door, | 0:15:12 | 0:15:16 | |
pushed him out of the porch door and start yelling my head off. | 0:15:16 | 0:15:20 | |
The man runs off. | 0:15:21 | 0:15:23 | |
He's running up the road and these items start falling out of his pockets | 0:15:23 | 0:15:29 | |
and I suddenly realised, it was my jewellery that he had taken. | 0:15:29 | 0:15:34 | |
The intruder has stolen some of Margaret's most precious possessions, | 0:15:34 | 0:15:38 | |
including her engagement ring. | 0:15:38 | 0:15:40 | |
Her neighbour Sam hears the shouting and rushes out to the street. | 0:15:40 | 0:15:44 | |
She told me that she'd been burgled. | 0:15:45 | 0:15:47 | |
It was just a sense of panic, really. | 0:15:47 | 0:15:49 | |
She just seemed really, really shaken up, | 0:15:49 | 0:15:51 | |
so it come across me that I just needed to help her. | 0:15:51 | 0:15:55 | |
Witnesses in the street point out which way the man went. | 0:15:55 | 0:15:58 | |
Sam's girlfriend Sophie picks him up in her car | 0:15:59 | 0:16:02 | |
and they drive off in search of the man. | 0:16:02 | 0:16:04 | |
We drove around the corner and then we saw a lot of Margaret's possessions | 0:16:06 | 0:16:09 | |
that he'd obviously thrown out on to the corner, | 0:16:09 | 0:16:11 | |
so Sophie stopped and picked all that up and I ran after the guy. | 0:16:11 | 0:16:15 | |
But the man's disappeared. | 0:16:15 | 0:16:17 | |
Sam goes back to check that Margaret's OK and hands over the | 0:16:17 | 0:16:21 | |
items he's found, including a laptop and some jewellery. | 0:16:21 | 0:16:24 | |
Amongst the tangle of beads that Sam retrieved | 0:16:24 | 0:16:29 | |
was my engagement and my ruby anniversary ring. | 0:16:29 | 0:16:34 | |
I was really thankful that they... | 0:16:34 | 0:16:37 | |
At least I'd got those back. | 0:16:37 | 0:16:39 | |
It was a nice moment. I could see a sense of relief on her face and I | 0:16:39 | 0:16:43 | |
could see that she was, you know, slightly more relieved but however, | 0:16:43 | 0:16:46 | |
she was still in shock. | 0:16:46 | 0:16:47 | |
But one of Margaret's most cherished possessions is still missing. | 0:16:47 | 0:16:51 | |
It's a charm bracelet that Les had bought me the charms for over the years. | 0:16:51 | 0:16:57 | |
She was very, very upset. | 0:16:57 | 0:16:59 | |
The police are called and scour the area | 0:17:01 | 0:17:03 | |
but it looks like the burglar has got away. | 0:17:03 | 0:17:05 | |
Back at the house, officers look for clues and they find some important | 0:17:07 | 0:17:11 | |
evidence upstairs in Margaret's bedroom. | 0:17:11 | 0:17:14 | |
The forensics man found fresh blood on the jewellery wardrobe. | 0:17:14 | 0:17:20 | |
The intruder must have cut himself while stealing Margaret's jewellery. | 0:17:20 | 0:17:24 | |
Samples of the blood are sent to the forensics lab for DNA testing. | 0:17:24 | 0:17:28 | |
The case is assigned to Detective Constable Peter Frampton. | 0:17:29 | 0:17:32 | |
It was an alarming burglary because he knew that somebody was in the | 0:17:33 | 0:17:38 | |
house, so it was very important to catch this chap. | 0:17:38 | 0:17:42 | |
The DNA results from the blood sample come through and Peter gets a | 0:17:42 | 0:17:46 | |
valuable lead. | 0:17:46 | 0:17:48 | |
The DNA's been matched on the national database and it | 0:17:48 | 0:17:51 | |
gives me a name and we've got an address, which is absolutely fantastic. | 0:17:51 | 0:17:55 | |
The police go round to arrest the man. | 0:17:55 | 0:17:57 | |
These officers found him hiding in a rear bedroom | 0:17:58 | 0:18:01 | |
in the same clothing that he was caught on CCTV. | 0:18:01 | 0:18:05 | |
The fact that the suspect's clothes matched those worn by the thief on | 0:18:05 | 0:18:09 | |
Margaret's security camera helps Peter build the case against the suspect. | 0:18:09 | 0:18:14 | |
The man pleaded guilty to burglary and was sentenced | 0:18:17 | 0:18:20 | |
to a year and eight months in prison. | 0:18:20 | 0:18:22 | |
Following the incident, the neighbourhood's admiration for | 0:18:27 | 0:18:30 | |
Margaret has grown even more, | 0:18:30 | 0:18:32 | |
for the way she single-handedly threw the burglar out of her home. | 0:18:32 | 0:18:37 | |
My neighbours were absolutely amazed that I'd struggled with this man | 0:18:37 | 0:18:43 | |
to evict him from the house. | 0:18:43 | 0:18:46 | |
They also said, he could have had a knife, | 0:18:46 | 0:18:49 | |
he could have injured you but you get this adrenaline surge, | 0:18:49 | 0:18:54 | |
and I just wanted him out. | 0:18:54 | 0:18:56 | |
Margaret didn't manage to get all her jewellery back, | 0:18:58 | 0:19:01 | |
but she hasn't lost her positive attitude to life. | 0:19:01 | 0:19:03 | |
Les has now been declared cancer-free | 0:19:05 | 0:19:08 | |
and I think that I've got quite a long time left yet to live | 0:19:08 | 0:19:13 | |
in this house and hopefully, it will be happily ever after. | 0:19:13 | 0:19:17 | |
Now you've got to admire Margaret's spirit but sometimes, | 0:19:22 | 0:19:25 | |
confronting a burglar face-to-face can be the worst thing we can do. | 0:19:25 | 0:19:29 | |
So what action should we take in the unlikely event of finding an | 0:19:29 | 0:19:33 | |
intruder in our home? | 0:19:33 | 0:19:35 | |
If you end up in a confrontation with an offender, or suspect, that | 0:19:35 | 0:19:39 | |
is unavoidable, try to keep things calm | 0:19:39 | 0:19:42 | |
because sometimes being violent or aggressive | 0:19:42 | 0:19:45 | |
can escalate the situation and put you at risk. | 0:19:45 | 0:19:48 | |
One of the options you do have is obviously to run away and to | 0:19:48 | 0:19:51 | |
create distance, so go to a safe part of the house, | 0:19:51 | 0:19:54 | |
or if that's not an option, there may be a physical barrier, | 0:19:54 | 0:19:57 | |
kitchen table, something like that, | 0:19:57 | 0:19:59 | |
use that as an option to keep yourself safe. | 0:19:59 | 0:20:01 | |
Back off from them, be as reassuring to them as you possibly can, | 0:20:01 | 0:20:04 | |
given the situation, that you don't mean them any threat or any harm. | 0:20:04 | 0:20:08 | |
Ask them to leave but be polite and you'll be surprised | 0:20:08 | 0:20:10 | |
how many burglars will politely walk out of your house | 0:20:10 | 0:20:13 | |
when challenged by a polite homeowner. | 0:20:13 | 0:20:15 | |
People might not realise this, but you don't actually have to speak to us when you ring 999. | 0:20:15 | 0:20:19 | |
So if you just ring the number and it's a silent 999, | 0:20:19 | 0:20:23 | |
we can trace the call and we'll be there immediately. | 0:20:23 | 0:20:26 | |
Clothing and direction of travel of where they are going to after is | 0:20:26 | 0:20:28 | |
really, really important | 0:20:28 | 0:20:30 | |
cos we may capture it on CCTV leaving your address | 0:20:30 | 0:20:33 | |
or a nearby address, as well. | 0:20:33 | 0:20:35 | |
Our thief eyes up a valuable vase in an art gallery. | 0:20:39 | 0:20:42 | |
She waits until no-one is looking then hides it in her bag. | 0:20:42 | 0:20:46 | |
Next minute, she's out of the shop and away. | 0:20:47 | 0:20:50 | |
But she's left behind a crucial piece of evidence. | 0:20:50 | 0:20:54 | |
In the north of Cardiff, the suburb of Rhiwbina | 0:21:03 | 0:21:06 | |
has a friendly village feel with a variety of shops | 0:21:06 | 0:21:10 | |
that appeal to locals and visitors alike. | 0:21:10 | 0:21:12 | |
This is where Victoria, an art entrepreneur, | 0:21:14 | 0:21:16 | |
decided to set up a gallery 13 years ago. | 0:21:16 | 0:21:20 | |
This shop popped up on the market, | 0:21:20 | 0:21:23 | |
and I've never regretted deciding to come to Rhiwbina. | 0:21:23 | 0:21:28 | |
It's lovely. | 0:21:28 | 0:21:29 | |
Victoria had learned how to design and make jewellery at | 0:21:29 | 0:21:32 | |
university but it was her love for all art, and the need for a steadier | 0:21:32 | 0:21:37 | |
income, that led her to open a gallery. | 0:21:37 | 0:21:40 | |
I thought, let's bite the bullet and as well as making my own jewellery on the premises, | 0:21:40 | 0:21:44 | |
I also had the income of selling other people's work as well. | 0:21:44 | 0:21:49 | |
As her business grew, Victoria advertised for another member | 0:21:49 | 0:21:53 | |
of staff and was delighted when she found Alison. | 0:21:53 | 0:21:56 | |
I love art and I really enjoy it. | 0:21:56 | 0:22:00 | |
It's the best job I've ever had. | 0:22:00 | 0:22:02 | |
Victoria exhibits work by artists from all over the country. | 0:22:02 | 0:22:06 | |
Every piece that is sold in the gallery, | 0:22:06 | 0:22:09 | |
the gallery takes a cut and pays the artist. | 0:22:09 | 0:22:14 | |
The arrangement works well for everyone. | 0:22:14 | 0:22:16 | |
Unless, of course, one of the exhibits is taken by someone who doesn't pay for it. | 0:22:16 | 0:22:22 | |
If a piece is stolen, then I still have to pay the artist | 0:22:22 | 0:22:26 | |
and it's me personally that's out of pocket. | 0:22:26 | 0:22:29 | |
Victoria knows this only too well because a couple of unsold | 0:22:29 | 0:22:33 | |
thefts in the past left her with large losses. | 0:22:33 | 0:22:36 | |
Because it's a small business and because Victoria's got a young family, | 0:22:37 | 0:22:41 | |
every penny counts and it's not like a big business. | 0:22:41 | 0:22:44 | |
It has a much bigger impact on a small business. | 0:22:44 | 0:22:48 | |
So Victoria's dad installed some surveillance technology. | 0:22:48 | 0:22:52 | |
Hopefully, it's a deterrent. | 0:22:52 | 0:22:55 | |
But unfortunately, it doesn't deter one particular thief, | 0:22:55 | 0:22:59 | |
who clearly believes she has mastered the art of shoplifting. | 0:22:59 | 0:23:03 | |
It's a weekday morning in the early summer. | 0:23:06 | 0:23:09 | |
Victoria's opening the gallery after leaving it in Alison's capable hands the previous afternoon. | 0:23:09 | 0:23:14 | |
I come in, turn on the lights, I come straight through to the kitchen, | 0:23:16 | 0:23:19 | |
turned round and noticed an empty space on one of the plinths. | 0:23:19 | 0:23:24 | |
The plinth had been displaying an expensive vase. | 0:23:24 | 0:23:27 | |
A very beautiful blue glass vase, worth £280. | 0:23:28 | 0:23:33 | |
I immediately panicked. | 0:23:33 | 0:23:35 | |
Victoria sees there's no mention of the vase in the items sold register | 0:23:35 | 0:23:39 | |
so she calls Alison at home. | 0:23:39 | 0:23:41 | |
Victoria asked me if I've put aside the vase, | 0:23:41 | 0:23:45 | |
which I hadn't. | 0:23:45 | 0:23:48 | |
And at that point, your heart just drops. | 0:23:48 | 0:23:50 | |
I was very panicked, especially as it was an expensive item. | 0:23:50 | 0:23:54 | |
I just didn't know what to say to Alison. | 0:23:54 | 0:23:57 | |
I was in charge in the gallery, | 0:23:57 | 0:23:58 | |
so I felt really frightened and guilty and worried. | 0:23:58 | 0:24:03 | |
The vase had a camera pointing towards it, | 0:24:04 | 0:24:06 | |
so Victoria begins searching to see what it had recorded. | 0:24:06 | 0:24:10 | |
There's hours of footage to play back and then I realised that, | 0:24:10 | 0:24:14 | |
"Oh, I've got this personal camera." | 0:24:14 | 0:24:17 | |
Victoria's spellbound as she watches a woman and a man enter the gallery. | 0:24:19 | 0:24:24 | |
The man walks back out but the woman goes up to the vase that's missing. | 0:24:24 | 0:24:28 | |
Alison was distracted at the till. | 0:24:30 | 0:24:32 | |
She was selling a raffle ticket at the time. | 0:24:32 | 0:24:35 | |
The woman looks closely at another vase, | 0:24:35 | 0:24:38 | |
glances at her bag then goes to the front of the gallery. | 0:24:38 | 0:24:41 | |
She just walks away for a second | 0:24:42 | 0:24:44 | |
whilst she's possibly checking that Alison's not watching her. | 0:24:44 | 0:24:48 | |
Then the woman goes back to the vases again. | 0:24:48 | 0:24:51 | |
She seems to take an age deciding what to do. | 0:24:52 | 0:24:55 | |
Then she takes the vase and quickly hides it in her bag, | 0:24:56 | 0:25:00 | |
before leaving the gallery. | 0:25:02 | 0:25:03 | |
It's very shocking when you see somebody on camera taking something. | 0:25:05 | 0:25:10 | |
It makes me feel angry, | 0:25:10 | 0:25:12 | |
because I work so hard to keep this gallery going and to have somebody | 0:25:12 | 0:25:17 | |
come in and steal something, it's just terrifying. | 0:25:17 | 0:25:21 | |
Victoria calls the police. | 0:25:22 | 0:25:23 | |
Officers arrive and look at the camera recording. | 0:25:25 | 0:25:28 | |
They're delighted. | 0:25:28 | 0:25:29 | |
Not only is the woman's face visible, | 0:25:29 | 0:25:32 | |
the footage also clearly shows her touching another vase. | 0:25:32 | 0:25:35 | |
It could yield valuable forensic evidence. | 0:25:35 | 0:25:38 | |
That's the vase that we took the fingerprints off. | 0:25:40 | 0:25:42 | |
We were lucky to have had that. | 0:25:44 | 0:25:45 | |
It's something that you can't deny. | 0:25:45 | 0:25:48 | |
The police leave with the fingerprint and camera evidence. | 0:25:48 | 0:25:52 | |
Meanwhile, Victoria decides to launch her own investigation. | 0:25:52 | 0:25:55 | |
She films the CCTV with her phone and posts it on the internet, | 0:25:57 | 0:26:01 | |
hoping someone will recognise the woman. | 0:26:01 | 0:26:03 | |
I was so cross that it had happened | 0:26:04 | 0:26:06 | |
and I didn't want people to think that we're a pushover. | 0:26:06 | 0:26:09 | |
I knew that I had to put it on Facebook to show people | 0:26:09 | 0:26:12 | |
I'm not prepared to let this go. | 0:26:12 | 0:26:15 | |
She is staggered by the reaction. | 0:26:16 | 0:26:18 | |
It was amazing, the response I had from people. | 0:26:20 | 0:26:22 | |
Everybody was sharing it, | 0:26:22 | 0:26:24 | |
friends and family and people who weren't even in Rhiwbina, or Cardiff. | 0:26:24 | 0:26:30 | |
Everyone wanted this person to be caught. | 0:26:30 | 0:26:33 | |
Before the end of the day, I'd had several phone calls | 0:26:33 | 0:26:36 | |
with a name and I was lucky enough to be able to pass that information on to the police. | 0:26:36 | 0:26:41 | |
Officers go to arrest the woman. | 0:26:41 | 0:26:43 | |
They went to her house and she wasn't there. | 0:26:44 | 0:26:47 | |
I think she knew, because it was on Facebook, that she was, | 0:26:47 | 0:26:52 | |
she was going to get a knock on the door. | 0:26:52 | 0:26:54 | |
They catch the woman several days later. | 0:26:54 | 0:26:57 | |
She denies the theft during questioning but they can prove | 0:26:57 | 0:27:01 | |
she isn't telling the truth. | 0:27:01 | 0:27:02 | |
They then took fingerprints which matched the fingerprints they'd | 0:27:03 | 0:27:08 | |
taken off the vase which she'd left in the gallery. | 0:27:08 | 0:27:11 | |
Faced with this, the woman changes her plea to guilty. | 0:27:11 | 0:27:14 | |
In court, she was ordered to pay £515 in fines and costs, | 0:27:19 | 0:27:24 | |
including compensation to Victoria for the value of the vase. | 0:27:24 | 0:27:27 | |
Victoria's pleased the woman received a criminal record. | 0:27:31 | 0:27:36 | |
It's hopefully a deterrent that we as a small business | 0:27:36 | 0:27:41 | |
are not going to just let people walk all over us | 0:27:41 | 0:27:44 | |
and come in and take what they want. | 0:27:44 | 0:27:46 | |
Victoria and Alison haven't let the experience spoil their enjoyment of | 0:27:46 | 0:27:50 | |
running the gallery. | 0:27:50 | 0:27:52 | |
Everybody was so, so supportive of Victoria | 0:27:52 | 0:27:55 | |
and the loyalty to the gallery was very heartening. | 0:27:55 | 0:28:01 | |
This experience has made me a stronger person. | 0:28:01 | 0:28:04 | |
I feel confident in what I can do | 0:28:04 | 0:28:08 | |
and I would like to continue doing as best as I can. | 0:28:08 | 0:28:13 | |
-Thank you very much. -Thank you. -Bye-bye. | 0:28:13 | 0:28:16 | |
That's it for today. | 0:28:20 | 0:28:22 | |
And that's it for a few more criminals who've been caught red-handed. | 0:28:22 | 0:28:26 |