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VOICE ON POLICE RADIO | 0:00:11 | 0:00:13 | |
-RADIO: -BBC news at midnight. | 0:00:18 | 0:00:20 | |
11 days after she disappeared, | 0:00:21 | 0:00:23 | |
Paula Poolton's body was discovered in the boot of her car. | 0:00:23 | 0:00:27 | |
She'd been stabbed seven times. | 0:00:29 | 0:00:31 | |
Her body left in her car along this road. | 0:00:33 | 0:00:37 | |
Paula Poolton will be remembered as joyful, | 0:00:41 | 0:00:44 | |
bubbly and a friend for life. | 0:00:44 | 0:00:47 | |
-TEARFULLY. -It still hurts to know that she's no longer with us. | 0:00:47 | 0:00:52 | |
Roger Kearney was having an affair with Paula Poolton, | 0:00:53 | 0:00:57 | |
and for three months, they'd get together, | 0:00:57 | 0:01:00 | |
frequently having a physical relationship. | 0:01:00 | 0:01:03 | |
She told a friend that she wanted to set up home with Kearney. | 0:01:03 | 0:01:06 | |
He was tired of the relationship. | 0:01:06 | 0:01:09 | |
It lasted three months. | 0:01:09 | 0:01:11 | |
And ended with him stabbing Paula | 0:01:11 | 0:01:14 | |
and putting her body in the boot of her car. | 0:01:14 | 0:01:18 | |
There's no forensic evidence against Mr Kearney, | 0:01:18 | 0:01:21 | |
but they say the painstaking police investigation | 0:01:21 | 0:01:24 | |
has found fragments of information that go together like a jigsaw. | 0:01:24 | 0:01:28 | |
The prosecution say that he was responsible for | 0:01:30 | 0:01:33 | |
Paula Poolton's death. | 0:01:33 | 0:01:36 | |
At the Royal Courts of Justice yesterday, | 0:01:36 | 0:01:38 | |
Roger Kearney was sentenced to life imprisonment for Paula's murder. | 0:01:38 | 0:01:42 | |
The defence say they have the wrong man. | 0:01:44 | 0:01:46 | |
He denies murder. | 0:01:48 | 0:01:49 | |
We have loads of people writing to us at Inside Justice. | 0:02:37 | 0:02:41 | |
Ten to 30 letters every single week who say they are innocent | 0:02:41 | 0:02:44 | |
of the crime they've been convicted of. | 0:02:44 | 0:02:47 | |
People can write really good letters to us, but it's very easy | 0:02:47 | 0:02:50 | |
for somebody sitting there, isn't it, | 0:02:50 | 0:02:52 | |
with all the time in the world to put down some very careful... | 0:02:52 | 0:02:54 | |
Carefully thought-out words about why you should believe them. | 0:02:54 | 0:02:58 | |
There's lots of very good liars out there. | 0:02:58 | 0:03:01 | |
In Roger Kearney's case, his daughter, Louisa, wrote to me, | 0:03:04 | 0:03:09 | |
"Dear Louise, my father has been wrongly convicted of murder." | 0:03:09 | 0:03:13 | |
"I'm writing to ask for your help. We really do not know what to do. | 0:03:14 | 0:03:19 | |
"Firstly, there is no forensic evidence to link him | 0:03:20 | 0:03:23 | |
"to the crime whatsoever. | 0:03:23 | 0:03:24 | |
"And if you can help us, please, please do so. | 0:03:26 | 0:03:29 | |
"I don't want my father spending any more time away from his family, | 0:03:34 | 0:03:39 | |
"let alone being in there for the rest of his life. | 0:03:39 | 0:03:42 | |
"Please, please help. I miss my dad. | 0:03:43 | 0:03:46 | |
"And my children miss their grandad." | 0:03:46 | 0:03:48 | |
I mean, have you ever talked explicitly about whether he did it, | 0:03:53 | 0:03:57 | |
or have you always just assumed that he didn't? | 0:03:57 | 0:03:59 | |
There was never a time... | 0:03:59 | 0:04:00 | |
..that I've thought, "Ooh, maybe. He could have done it." | 0:04:02 | 0:04:05 | |
Because, it just... | 0:04:06 | 0:04:08 | |
It's just impossible really. | 0:04:10 | 0:04:11 | |
It's just not in his nature to do something so awful. | 0:04:11 | 0:04:16 | |
Often people say, you know, they've never done anything like this | 0:04:16 | 0:04:20 | |
-and they didn't have any sort of violence in their background... -Mm-hm. | 0:04:20 | 0:04:23 | |
..but I remember reading in the judge's summing-up one time, the judge saying, | 0:04:23 | 0:04:26 | |
"Well, there is always a first time that somebody commits a really serious..." | 0:04:26 | 0:04:30 | |
-By the nature of the thing. -Well, yeah. | 0:04:30 | 0:04:32 | |
There was no reason for him to do it. | 0:04:32 | 0:04:34 | |
What would you like to happen from here? | 0:04:34 | 0:04:36 | |
If you could have any investigations done that you wanted, | 0:04:36 | 0:04:38 | |
what do you think we should go after? | 0:04:38 | 0:04:40 | |
Looking at the forensic aspect, the fact that it was such a... | 0:04:40 | 0:04:44 | |
..a brutal murder. Um... | 0:04:46 | 0:04:49 | |
There must be something left behind by the person that could've done it. | 0:04:49 | 0:04:54 | |
That one. | 0:04:58 | 0:05:00 | |
-With your teddy bear? -Yeah. -And my sister. | 0:05:00 | 0:05:03 | |
-Was he a good dad? -Yeah, he was, yeah. | 0:05:04 | 0:05:07 | |
-So you've always been close to him? -Yeah. | 0:05:07 | 0:05:09 | |
-Because you're very supportive of him. -Oh, yeah, yeah. | 0:05:09 | 0:05:12 | |
But I think anybody would be, of... | 0:05:12 | 0:05:14 | |
of their dad. | 0:05:14 | 0:05:16 | |
He's, like, my best friend... | 0:05:16 | 0:05:18 | |
now. | 0:05:18 | 0:05:20 | |
SHE CHUCKLES | 0:05:20 | 0:05:21 | |
You know that the way we approach this is just to look for evidence? | 0:05:23 | 0:05:28 | |
-Yeah. -Wherever that takes us. -Yeah. | 0:05:28 | 0:05:30 | |
Are you prepared for if we find out that he has committed this? | 0:05:30 | 0:05:34 | |
-Yeah. -I do think that people cannot admit their guilt | 0:05:34 | 0:05:37 | |
-for all sorts of reasons... -Hmm. | 0:05:37 | 0:05:39 | |
..because they can't face the thought of having to say | 0:05:39 | 0:05:41 | |
to this person, "Yes, I did this really terrible thing that | 0:05:41 | 0:05:44 | |
"I completely regret and wish that I hadn't done." | 0:05:44 | 0:05:47 | |
So there might be reasons why he just can't face telling you that. | 0:05:47 | 0:05:50 | |
But no, I don't think he... | 0:05:52 | 0:05:55 | |
-Well, if you... -He wouldn't have put me through... | 0:05:55 | 0:05:57 | |
all of this...for no reason. | 0:05:57 | 0:06:01 | |
I really don't think that he would let me down. | 0:06:03 | 0:06:05 | |
Um... | 0:06:07 | 0:06:09 | |
With every person, | 0:06:16 | 0:06:18 | |
you have to assume there's a good chance they're lying. | 0:06:18 | 0:06:21 | |
But Louisa's saying in this case there's no forensic evidence | 0:06:23 | 0:06:26 | |
linking her dad to the crime and I think that's important. | 0:06:26 | 0:06:29 | |
In a murder case like this, that's unusual. | 0:06:31 | 0:06:33 | |
These are the boxes. | 0:06:51 | 0:06:53 | |
His trial papers. | 0:06:53 | 0:06:55 | |
Oh... | 0:06:57 | 0:06:58 | |
It's all of his trial papers. | 0:06:58 | 0:07:00 | |
I don't know... I don't know what's in which one. | 0:07:00 | 0:07:03 | |
I'm not a scientist, I'm not a lawyer, I'm not a judge, | 0:07:13 | 0:07:16 | |
I'm not a police officer. I'm only... | 0:07:16 | 0:07:19 | |
interested in finding out where there's a case | 0:07:19 | 0:07:22 | |
that really appears to have merit. | 0:07:22 | 0:07:25 | |
We've had police all over it, the CPS has been all over it, | 0:07:25 | 0:07:27 | |
the prosecution teams then come in, | 0:07:27 | 0:07:29 | |
defence teams come in and a jury comes in and they also agree | 0:07:29 | 0:07:32 | |
that somebody is guilty, so we need to understand all of that. | 0:07:32 | 0:07:37 | |
You have to question everything. | 0:07:40 | 0:07:42 | |
Go right back to the beginning. | 0:07:42 | 0:07:44 | |
I don't know if he's committed this crime or not. | 0:07:46 | 0:07:49 | |
So I need answers. Facts. | 0:07:49 | 0:07:51 | |
Why they thought at time of the trial he was definitely guilty. | 0:07:53 | 0:07:58 | |
52-year-old Roger Kearney met Paula Poolton when they were | 0:08:04 | 0:08:07 | |
stewards at Southampton Football Club. | 0:08:07 | 0:08:10 | |
He'd been with his partner for eight years, while Paula was married. | 0:08:10 | 0:08:14 | |
But they began an affair, spotted here on CCTV. | 0:08:14 | 0:08:18 | |
And for three months, they'd get together, | 0:08:18 | 0:08:20 | |
frequently having a physical relationship, | 0:08:20 | 0:08:23 | |
either at her home or in his car. | 0:08:23 | 0:08:25 | |
Paula had been looking at houses and wanted Kearney to move in with her. | 0:08:26 | 0:08:31 | |
He wasn't keen. | 0:08:31 | 0:08:32 | |
And after a heated phone call in the afternoon, | 0:08:32 | 0:08:34 | |
he met her in Duncan Road that night and stabbed her to death... | 0:08:34 | 0:08:38 | |
..before going to his night shift at the Royal Mail. | 0:08:39 | 0:08:42 | |
There's no forensic evidence against Mr Kearney, | 0:08:42 | 0:08:46 | |
but they say the painstaking police investigation | 0:08:46 | 0:08:49 | |
has found fragments of information that go together like a jigsaw. | 0:08:49 | 0:08:53 | |
The prosecution says Roger Kearney's fabricated a series of lies | 0:08:54 | 0:08:58 | |
about what he was doing on the evening of the 17th of October 2008. | 0:08:58 | 0:09:02 | |
OK, 17th of October 2008. | 0:09:03 | 0:09:06 | |
This is the police and the prosecution's version of events. | 0:09:09 | 0:09:12 | |
This is what got him sent to prison. | 0:09:12 | 0:09:14 | |
Right, the police started trying to retrace Paula's movements | 0:09:14 | 0:09:19 | |
that night and found CCTV footage at a Tesco. | 0:09:19 | 0:09:24 | |
And they see that here she is | 0:09:24 | 0:09:26 | |
and they say that that's her, arriving at 9.06. | 0:09:26 | 0:09:30 | |
According to the prosecution, Roger Kearney left home at 9.30 | 0:09:37 | 0:09:42 | |
in order to go and meet up with Paula and they said that they know | 0:09:42 | 0:09:45 | |
he left at 9.30, because they say they found his car on CCTV. | 0:09:45 | 0:09:49 | |
But they say that's Roger Kearney's vehicle leaving his road. | 0:09:51 | 0:09:55 | |
He then drove down here... | 0:10:01 | 0:10:03 | |
..parked his car, they say... | 0:10:07 | 0:10:08 | |
..and he then went around on foot to the station road... | 0:10:10 | 0:10:14 | |
..where he waited for Paula. | 0:10:18 | 0:10:20 | |
And then at about 9.45, there's another bit of CCTV footage. | 0:10:23 | 0:10:29 | |
The prosecution say that is Paula's car, having left the Tesco | 0:10:29 | 0:10:34 | |
and driving towards the station. | 0:10:34 | 0:10:37 | |
Then she turned up. | 0:10:45 | 0:10:46 | |
He got into her car. | 0:10:52 | 0:10:53 | |
And stabs her repeatedly. | 0:10:56 | 0:10:58 | |
And then, they say, he takes her body out, | 0:11:07 | 0:11:10 | |
he puts her in the boot of the car and leaves her. | 0:11:10 | 0:11:12 | |
Roger Kearney arrives at work. | 0:11:20 | 0:11:22 | |
He did not swipe in with his Royal Mail swipe card, | 0:11:22 | 0:11:25 | |
and the police say that that's him covering his tracks. | 0:11:25 | 0:11:29 | |
According to the prosecution, he's behaving erratically. | 0:11:29 | 0:11:33 | |
He seems to walk to the front entrance, | 0:11:33 | 0:11:36 | |
and then he hesitates and walks away. | 0:11:36 | 0:11:39 | |
They say he starts running at one point and they can't understand why. | 0:11:39 | 0:11:43 | |
So the police say all of this is suspicious. | 0:11:43 | 0:11:46 | |
The police say all of this is the behaviour of a guilty man. | 0:11:46 | 0:11:49 | |
-So what are you waiting for now? -Roger's going to call today. | 0:12:03 | 0:12:08 | |
He's managed to get my number on his list at the prison. | 0:12:08 | 0:12:12 | |
I've never actually spoken to him, | 0:12:14 | 0:12:16 | |
so he's... | 0:12:16 | 0:12:17 | |
..he's due to call me pretty much now. | 0:12:18 | 0:12:22 | |
I don't know him. He's not a personal friend of mine. | 0:12:24 | 0:12:27 | |
So it's not impossible to think he's done it at all. | 0:12:27 | 0:12:30 | |
So I want to keep going over things enough | 0:12:31 | 0:12:33 | |
so that if all of this is a front and he's lying through his teeth | 0:12:33 | 0:12:37 | |
and he's committed this murder, then I'll find out. | 0:12:37 | 0:12:39 | |
PHONE RINGS | 0:12:41 | 0:12:44 | |
Hello, Inside Justice. | 0:12:46 | 0:12:49 | |
-'Hi, is that Louise?' -Yes. | 0:12:49 | 0:12:51 | |
-'Hey, it's Roger.' -Hello, Roger. | 0:12:51 | 0:12:53 | |
-It's good to talk to you after all this time. -'Yes, it is.' | 0:12:53 | 0:12:57 | |
Why do you want Inside Justice to be involved in this, Roger? | 0:12:57 | 0:13:01 | |
'Cos I don't know what to do. | 0:13:01 | 0:13:02 | |
'I need help to prove my innocence. | 0:13:05 | 0:13:07 | |
'If you look at the evidence, there is no... | 0:13:07 | 0:13:10 | |
-'no forensics that link me to the case.' -Right. | 0:13:10 | 0:13:13 | |
'Because everything is hearsay.' | 0:13:13 | 0:13:16 | |
Yeah. | 0:13:16 | 0:13:17 | |
'I am not a violent person.' | 0:13:17 | 0:13:19 | |
What I would like to ask you to do is talk me through the evening, | 0:13:21 | 0:13:25 | |
the 17th, when Paula went missing in as much colour and detail | 0:13:25 | 0:13:31 | |
-as you can possibly muster for me. -'Right. | 0:13:31 | 0:13:34 | |
'About 5.45, Carol came home. | 0:13:34 | 0:13:37 | |
'She started dinner just about six o'clock-ish, | 0:13:37 | 0:13:41 | |
'maybe a little bit after that. And then we sat and watched a bit of TV. | 0:13:41 | 0:13:46 | |
'When that finished at ten o'clock, I got up and went to work. | 0:13:46 | 0:13:49 | |
'I recall... I don't recall exactly what time it was, | 0:13:49 | 0:13:52 | |
'but it was some time after ten.' | 0:13:52 | 0:13:55 | |
There was no record of you coming in, in your car, being swiped in. | 0:13:56 | 0:14:01 | |
'I can't understand why it didn't register because, I mean, | 0:14:01 | 0:14:05 | |
'you can't get your car in cos there's a barrier there | 0:14:05 | 0:14:08 | |
-'unless you swipe the card.' -Mm-hm. | 0:14:08 | 0:14:10 | |
'If it failed, I wouldn't have been able to get in.' | 0:14:10 | 0:14:12 | |
I see. OK. | 0:14:12 | 0:14:14 | |
'I went to get my glasses on, realised I didn't have my glasses. | 0:14:14 | 0:14:18 | |
'I went back out, | 0:14:18 | 0:14:19 | |
'got my spare pair of glasses and then I ran to the gate. | 0:14:19 | 0:14:23 | |
'They say that was unusual behaviour, | 0:14:23 | 0:14:25 | |
'going through a vehicular entrance that I shouldn't have been using, | 0:14:25 | 0:14:29 | |
'but I've used it lots of times, and other people have used it as well.' | 0:14:29 | 0:14:33 | |
Are you absolutely certain you're telling....you're telling... | 0:14:33 | 0:14:36 | |
you're being straight with me? | 0:14:36 | 0:14:37 | |
'I swear to you. | 0:14:37 | 0:14:39 | |
'I wouldn't...lie to you.' | 0:14:39 | 0:14:42 | |
What's the worst thing that I'm going to find out about you, | 0:14:44 | 0:14:47 | |
do you think? | 0:14:47 | 0:14:48 | |
'I've got nothing to hide.' | 0:14:48 | 0:14:50 | |
Is there anything that you are anxious about that you don't | 0:14:50 | 0:14:53 | |
-want to be done? -'You can look at everything.' -Are you sure? | 0:14:53 | 0:14:56 | |
Is there anything at all that would make me worry | 0:14:56 | 0:14:58 | |
about anything you've told me? | 0:14:58 | 0:15:00 | |
'I've not told them anything different | 0:15:00 | 0:15:03 | |
'to I've said to anybody else.' | 0:15:03 | 0:15:05 | |
Are you absolutely sure, Roger? I need to know. | 0:15:05 | 0:15:07 | |
-If there's anything in there, I need to know it from you. -'Absolutely.' | 0:15:07 | 0:15:10 | |
You know... You know our golden rule at this organisation. | 0:15:10 | 0:15:14 | |
-'Yes.' -I want to make sure that I just tell you one more time. | 0:15:14 | 0:15:18 | |
If there is something that is significantly different to | 0:15:18 | 0:15:20 | |
what you've told me, | 0:15:20 | 0:15:21 | |
I would have real difficulty with carrying on with your case. | 0:15:21 | 0:15:24 | |
'There is nothing. I've done nothing to be ashamed of.' | 0:15:24 | 0:15:29 | |
I really need to know from you whether or not you did this murder. | 0:15:31 | 0:15:35 | |
'I guarantee that I did not do what they say. | 0:15:37 | 0:15:41 | |
'I'm afraid I've got to end the call. | 0:15:47 | 0:15:49 | |
'This is where they're banging us up.' | 0:15:49 | 0:15:51 | |
OK. All right, Roger, bye. | 0:15:51 | 0:15:53 | |
I-I-I hope he's telling the truth. He's... | 0:16:00 | 0:16:04 | |
If he's not, then he's absolutely extremely cold and, you know, | 0:16:04 | 0:16:09 | |
he's really just spinning a good line. You know, he's... | 0:16:09 | 0:16:12 | |
We're going into it... He must be enjoying the whole process. | 0:16:12 | 0:16:16 | |
Let's start going round the room, if we can, introducing ourselves. | 0:16:44 | 0:16:48 | |
Trevor Fordy, former senior investigating officer. | 0:16:48 | 0:16:52 | |
Dr Denise Syndercombe-Court. I'm an expert in DNA analysis. | 0:16:52 | 0:16:55 | |
I'm Correna Platt, | 0:16:55 | 0:16:57 | |
specialist in miscarriage of justice at Stephensons Solicitors. | 0:16:57 | 0:17:01 | |
Peter Vanezis, | 0:17:01 | 0:17:02 | |
I am a professor of forensic medical sciences at Barts and the London. | 0:17:02 | 0:17:05 | |
I'm Jo Millington. | 0:17:05 | 0:17:06 | |
I'm a senior forensic scientist at ArroGen Forensics. | 0:17:06 | 0:17:09 | |
My specialism is blood pattern interpretation. | 0:17:09 | 0:17:13 | |
I'm Dr Ann Priston. My specialism is textile fibre comparisons. | 0:17:13 | 0:17:16 | |
Thank you very much. | 0:17:16 | 0:17:18 | |
So the case we are here to discuss today is the case of Roger Kearney. | 0:17:18 | 0:17:22 | |
So this is the deposition site. | 0:17:22 | 0:17:25 | |
That's her black Peugeot there, on the right-hand side. | 0:17:25 | 0:17:29 | |
If you see something on a photograph... | 0:17:29 | 0:17:32 | |
Is there anything we are seeing in the photograph that doesn't fit | 0:17:32 | 0:17:34 | |
with the prosecution case? | 0:17:34 | 0:17:36 | |
I would expect a lot more blood in that car. I mean, I've been involved | 0:17:36 | 0:17:40 | |
with people who have been murdered in cars, | 0:17:40 | 0:17:42 | |
knifed in cars, and have found, you know, seatbelts slashed, | 0:17:42 | 0:17:46 | |
seats slashed, blood all over, | 0:17:46 | 0:17:49 | |
and there's nothing significant there. | 0:17:49 | 0:17:52 | |
I find the fact that if someone is stabbed eight times, | 0:17:52 | 0:17:58 | |
you would expect there to be | 0:17:58 | 0:18:00 | |
some blood which is obvious - and pooling of blood as well - | 0:18:00 | 0:18:04 | |
in the seat, in the well. | 0:18:04 | 0:18:07 | |
The fact that you can hardly see any blood there makes one wonder | 0:18:07 | 0:18:11 | |
whether she was actually stabbed there at all. | 0:18:11 | 0:18:13 | |
Anything you want to say about the prosecution case, Correna? | 0:18:13 | 0:18:16 | |
The prosecution case was circumstantial. | 0:18:16 | 0:18:20 | |
They built their case on that they were known to each other, | 0:18:20 | 0:18:23 | |
they were having an affair, | 0:18:23 | 0:18:25 | |
that she told her friend | 0:18:25 | 0:18:27 | |
that she was going, meeting him that evening that she was murdered. | 0:18:27 | 0:18:32 | |
The CCTV in relation to the cars, | 0:18:32 | 0:18:35 | |
the whole case was built on circumstantial evidence. | 0:18:35 | 0:18:38 | |
And that's what I find quite strange about this case. | 0:18:38 | 0:18:42 | |
Now, in my view, to Roger, a man who's left his home, | 0:18:42 | 0:18:45 | |
having had his tea with his wife, and then allegedly killed someone, | 0:18:45 | 0:18:50 | |
having no previous convictions for violence... | 0:18:50 | 0:18:54 | |
I'm still surprised that he was convicted, that's for sure. | 0:18:54 | 0:18:57 | |
It's an obvious case to re-examine. | 0:18:57 | 0:18:59 | |
-So it's worth...? -Worth pursuing. | 0:18:59 | 0:19:02 | |
Thank you very much. | 0:19:02 | 0:19:03 | |
-REPORTERS. -'The prosecution's case looks closely | 0:19:17 | 0:19:20 | |
'at Roger Kearney's movements | 0:19:20 | 0:19:21 | |
'on the night of Paula Poolton's disappearance. | 0:19:21 | 0:19:24 | |
'It was these CCTV pictures the police based their case on. | 0:19:25 | 0:19:30 | |
'Roger Kearney's car was caught on camera, spotted here on CCTV.' | 0:19:30 | 0:19:35 | |
CCTV was central to the prosecution case here. | 0:19:37 | 0:19:40 | |
They said it showed Roger's car heading towards the murder scene. | 0:19:41 | 0:19:45 | |
From working on many cases, it's always important to me | 0:19:48 | 0:19:51 | |
to physically retrace the prosecution's version of events. | 0:19:51 | 0:19:54 | |
# On the first part of the journey | 0:19:58 | 0:20:03 | |
# I was looking at all the life... # | 0:20:03 | 0:20:06 | |
Go to the murder scene, | 0:20:06 | 0:20:08 | |
go to the real place, | 0:20:08 | 0:20:11 | |
see if it fits. | 0:20:11 | 0:20:13 | |
# The first thing I met was a fly with no buzz | 0:20:15 | 0:20:19 | |
# And a sky with no clouds | 0:20:19 | 0:20:23 | |
# The heat was hot and the ground was dry, but... # | 0:20:23 | 0:20:27 | |
-Hi. -Hi. | 0:20:34 | 0:20:36 | |
-Nice to see you again. -Nice to see you. | 0:20:36 | 0:20:38 | |
-How was the journey? -Oh... | 0:20:38 | 0:20:40 | |
-A bit busy, was it? -Yeah. | 0:20:40 | 0:20:42 | |
-It's a long way. -It's a long way, yeah. | 0:20:42 | 0:20:44 | |
-So, what is it you want to show me? -I've got all the CCTV. | 0:20:51 | 0:20:55 | |
I put it all onto a laptop. | 0:20:55 | 0:20:58 | |
Just to show you all of the individual footage. | 0:21:00 | 0:21:02 | |
-I've just been trying to make sense of it. -Right. | 0:21:02 | 0:21:06 | |
-So I thought if we went through it together... -OK. | 0:21:08 | 0:21:11 | |
..it'll just make a bit more sense, perhaps. | 0:21:11 | 0:21:14 | |
-Now, this is... This is his car, OK? -Yeah. | 0:21:14 | 0:21:17 | |
-This is where Roger was living at the time. That's his Shogun. -OK. | 0:21:17 | 0:21:21 | |
And then what I've got is all the CCTV footage right from | 0:21:21 | 0:21:24 | |
the start of when they say he's leaving home and driving | 0:21:24 | 0:21:28 | |
to go and see her. | 0:21:28 | 0:21:29 | |
There. | 0:21:30 | 0:21:32 | |
There. | 0:21:32 | 0:21:34 | |
-That one. -Right. It does look like a 4x4. | 0:21:34 | 0:21:39 | |
And the police are adamant that's his vehicle. | 0:21:39 | 0:21:43 | |
The prosecution expert says, "This is a dark tone or black | 0:21:43 | 0:21:48 | |
"Mitsubishi Shogun Sport," so it's very specific, isn't it? | 0:21:48 | 0:21:51 | |
That would be strong evidence because you've got | 0:21:51 | 0:21:54 | |
a car that matches Roger Kearney's vehicle. | 0:21:54 | 0:21:58 | |
So, Roger Kearney's house is here. | 0:22:04 | 0:22:05 | |
He comes out opposite, this is him coming left, | 0:22:05 | 0:22:08 | |
turns out to the main drag | 0:22:08 | 0:22:09 | |
-and he takes a left along here. -Right. | 0:22:09 | 0:22:11 | |
OK, so they then say that he drives up here, | 0:22:11 | 0:22:14 | |
parks at a little car park | 0:22:14 | 0:22:16 | |
and that he then went round on foot to the station road, | 0:22:16 | 0:22:20 | |
where he waited for Paula. There, where the red dot is, | 0:22:20 | 0:22:23 | |
that's where her body is found in the boot. | 0:22:23 | 0:22:26 | |
What they're showing is the route that was driven. | 0:22:26 | 0:22:28 | |
I'd just like to test that. | 0:22:28 | 0:22:30 | |
We're going now to Roger's house and we're going to retrace | 0:22:38 | 0:22:42 | |
the steps that the prosecution said he took. | 0:22:42 | 0:22:44 | |
-This is his road then. -Yeah. | 0:22:47 | 0:22:49 | |
So... | 0:22:53 | 0:22:54 | |
So at 9.30, according to the prosecution case, | 0:22:55 | 0:22:58 | |
Roger drove to the end of his road, | 0:22:58 | 0:23:01 | |
and the light from his headlights lit up this car park. | 0:23:01 | 0:23:06 | |
Headlights were going across there, yeah. | 0:23:06 | 0:23:08 | |
You can't see a vehicle, | 0:23:08 | 0:23:09 | |
all you can see is a light shining on the car park. | 0:23:09 | 0:23:13 | |
They then say that he's turned right... | 0:23:16 | 0:23:19 | |
..to go down to the main drag, | 0:23:22 | 0:23:23 | |
and then he has taken a left on the main road. | 0:23:23 | 0:23:26 | |
Down that road. | 0:23:28 | 0:23:29 | |
Just when we get to the end of here, isn't it? | 0:23:32 | 0:23:34 | |
It just picks up as it revolves round. | 0:23:34 | 0:23:36 | |
-The next CCTV would be that shown at the Esso garage. -Yeah. | 0:23:45 | 0:23:51 | |
And then our next one is the chip shop. | 0:24:00 | 0:24:03 | |
There it is. | 0:24:04 | 0:24:05 | |
Into the car park. | 0:24:10 | 0:24:12 | |
So they say his car's picked up | 0:24:13 | 0:24:17 | |
on the camera across from that chippy. | 0:24:17 | 0:24:19 | |
So they say he parked up here, just by the chippy. Right, OK. | 0:24:25 | 0:24:29 | |
And then walked down... | 0:24:29 | 0:24:32 | |
-It's down here. -This way? -Yeah. | 0:24:32 | 0:24:36 | |
So there's no CCTV along this road. | 0:24:36 | 0:24:38 | |
But they say he was walking up here to get to the place | 0:24:41 | 0:24:44 | |
where he was meeting Paula. | 0:24:44 | 0:24:46 | |
This is a busy little road, isn't it? | 0:24:46 | 0:24:48 | |
Right, so we're here now. | 0:24:54 | 0:24:56 | |
When you look at the photographs, | 0:25:00 | 0:25:02 | |
it's pretty much where we're stood now. | 0:25:02 | 0:25:04 | |
It's exactly where we are, isn't it? Cos, look, there's the fence. | 0:25:04 | 0:25:08 | |
-That's that there, isn't it? -Yeah. -I mean, it is here. | 0:25:08 | 0:25:11 | |
-You see the street lighting is exactly the same. -Yeah. | 0:25:11 | 0:25:15 | |
None of this is new. That's all exactly as it was. | 0:25:15 | 0:25:17 | |
Three street lights. | 0:25:17 | 0:25:19 | |
According to the police, the prosecution, | 0:25:19 | 0:25:21 | |
this is exactly the time of night, on a Friday night, when they say | 0:25:21 | 0:25:24 | |
he met up with her here | 0:25:24 | 0:25:26 | |
to repeatedly stab her, get her out of her car... | 0:25:26 | 0:25:29 | |
-And put her in the boot. -..put her in the boot of the car. | 0:25:29 | 0:25:31 | |
-But there's... I mean, there's a taxi rank. -People stood about. | 0:25:31 | 0:25:34 | |
I mean, that is a really busy road. Of all the places to choose... | 0:25:34 | 0:25:39 | |
There's cars turning down it. | 0:25:39 | 0:25:41 | |
-So it's not an unused, dimly lit... -No. | 0:25:41 | 0:25:46 | |
Another taxi. | 0:25:46 | 0:25:48 | |
He's had to meet her, kill her, | 0:25:48 | 0:25:51 | |
-put her in the boot... -Yeah. -Very strange. | 0:25:51 | 0:25:54 | |
And then 11 and a half minutes later, they say there is CCTV | 0:25:57 | 0:26:00 | |
of him walking past a camera up that way. | 0:26:00 | 0:26:02 | |
Yeah, so if we time our walk now... | 0:26:02 | 0:26:04 | |
Find out how long it takes for him to walk there, | 0:26:04 | 0:26:06 | |
that will show how long he would've had here, at the scene, | 0:26:06 | 0:26:09 | |
-to actually kill her. -Yeah. | 0:26:09 | 0:26:10 | |
So this is where they say... | 0:26:17 | 0:26:19 | |
You know, that figure caught passing here on foot. | 0:26:19 | 0:26:23 | |
Let's just work it out. | 0:26:28 | 0:26:30 | |
The window of opportunity | 0:26:30 | 0:26:32 | |
-is more or less 7½ minutes. -Yeah. | 0:26:32 | 0:26:37 | |
Yeah. So he's got a very, very short, narrow, | 0:26:37 | 0:26:41 | |
window of opportunity, | 0:26:41 | 0:26:42 | |
and there are people and cars passing pretty much constantly. | 0:26:42 | 0:26:47 | |
It seems really, | 0:26:47 | 0:26:48 | |
really pushing the boundaries of what is actually possible here. | 0:26:48 | 0:26:52 | |
After my visit, I'm not convinced by the prosecution's version of | 0:26:59 | 0:27:02 | |
when and where it happened. | 0:27:02 | 0:27:05 | |
The prosecution say that Paula was killed before ten o'clock, | 0:27:05 | 0:27:09 | |
but Roger says that he was at home at that time watching | 0:27:09 | 0:27:12 | |
Little Britain on the television with his partner, Carol. | 0:27:12 | 0:27:16 | |
And that's really important because it's not just him saying, | 0:27:16 | 0:27:19 | |
"I was at home watching television," she backed him up. | 0:27:19 | 0:27:22 | |
She found out that Roger Kearney was having an affair and, | 0:27:24 | 0:27:27 | |
even in light of that, she never wavered from that. | 0:27:27 | 0:27:30 | |
I really want to start speaking to him and start going through | 0:27:32 | 0:27:35 | |
the detail of it, get some honest answers. | 0:27:35 | 0:27:38 | |
PHONE RINGS | 0:27:39 | 0:27:42 | |
Hello? | 0:27:42 | 0:27:44 | |
-'Hello, Louise? It's Roger.' -Hello, Roger, how are you doing? | 0:27:44 | 0:27:47 | |
-'Very well, thank you.' -Good. | 0:27:47 | 0:27:49 | |
Good, good. Thanks very much for phoning again. | 0:27:49 | 0:27:51 | |
What would be really helpful for me would be if we could just go | 0:27:51 | 0:27:54 | |
-back to the day when...the 17th. -'Yep.' | 0:27:54 | 0:27:58 | |
How did you spend the sort of early evening and, you know...? | 0:27:58 | 0:28:01 | |
-'I was preparing dinner.' -What did you have? Just talk me through. | 0:28:01 | 0:28:05 | |
'A pizza that I probably got that afternoon. | 0:28:06 | 0:28:09 | |
'And then we sat and watched TV.' | 0:28:10 | 0:28:12 | |
MUFFLED SITCOM LAUGHTER | 0:28:14 | 0:28:17 | |
'Andy! | 0:28:17 | 0:28:19 | |
'I'm not sure I believe you, Mr Pipkin.' | 0:28:22 | 0:28:25 | |
'Yeah...' | 0:28:25 | 0:28:27 | |
-ROGER. -'We were watching TV till about ten o'clock. | 0:28:28 | 0:28:33 | |
'We watched Little Britain.' | 0:28:33 | 0:28:35 | |
'No...' | 0:28:35 | 0:28:38 | |
'When that finished at ten o'clock, I got up and went to work. | 0:28:38 | 0:28:41 | |
'It was after ten o'clock.' | 0:28:42 | 0:28:44 | |
You know, according to the police, you'd left more like 9.30, | 0:28:45 | 0:28:49 | |
decided that you were going to kill her, basically. | 0:28:49 | 0:28:51 | |
'I assure you, or I swear to you, that I did not kill Paula.' | 0:28:51 | 0:28:57 | |
-Did you see Paula that day? -'No, I didn't.' | 0:28:57 | 0:28:59 | |
Did you agree to meet up with her that evening or talk to her about | 0:28:59 | 0:29:02 | |
-meeting her that evening? -'No.' | 0:29:02 | 0:29:04 | |
One of the most damning things was the 9.30 CCTV, | 0:29:04 | 0:29:07 | |
which the police said was your car. | 0:29:07 | 0:29:09 | |
'Yeah, absolutely. Yeah. | 0:29:09 | 0:29:11 | |
'The CCTV is damning in the fact | 0:29:11 | 0:29:15 | |
'that they are suggesting that it is my car at that time, from 9.30, | 0:29:15 | 0:29:21 | |
'but the fact that... | 0:29:21 | 0:29:24 | |
-'And the police expert insists that it is a Mitsubishi Shogun.' -Yeah. | 0:29:24 | 0:29:29 | |
'I can guarantee, the only... | 0:29:29 | 0:29:31 | |
'The car that they've got coming out at 9.30, | 0:29:31 | 0:29:35 | |
'going down towards the station is not my car.' | 0:29:35 | 0:29:38 | |
How do you know that? | 0:29:38 | 0:29:39 | |
'Because my car was in the drive. | 0:29:41 | 0:29:43 | |
'We were watching TV until about ten o'clock.' | 0:29:44 | 0:29:47 | |
The thing I've... | 0:29:52 | 0:29:54 | |
that sort of worries me, that I'm struggling with, | 0:29:54 | 0:29:57 | |
I've seen the CCTV, they can check for your vehicle coming out | 0:29:57 | 0:30:00 | |
of your road, going down to the station, you know, | 0:30:00 | 0:30:03 | |
all those different areas. You know, there's so much, that's the trouble. | 0:30:03 | 0:30:06 | |
-'I didn't leave early that night.' -How can you guarantee you didn't | 0:30:06 | 0:30:09 | |
leave earlier than you thought? | 0:30:09 | 0:30:11 | |
-'Cos if you look for it at 10.15, you see my vehicle.' -Why? | 0:30:11 | 0:30:14 | |
-How do you mean? -'In that video.' | 0:30:14 | 0:30:17 | |
-I don't understand, what do you mean, Roger? -'Sorry?' | 0:30:19 | 0:30:22 | |
I don't understand what you mean. How do you mean? | 0:30:22 | 0:30:25 | |
'Because of the CCTV. | 0:30:25 | 0:30:27 | |
'Gone ten o'clock, you can see my car...leaving.' | 0:30:30 | 0:30:37 | |
That you can definitely see? Cos the thing... | 0:30:39 | 0:30:42 | |
I was looking at the CCTV earlier... | 0:30:42 | 0:30:43 | |
'I swear that that is my car, gone ten o'clock.' | 0:30:43 | 0:30:47 | |
-How was that footage found? -'Me and my solicitor found it.' | 0:30:49 | 0:30:52 | |
What did the police say then, at that stage? | 0:30:52 | 0:30:55 | |
-Did they...? -'They say it couldn't be my car.' | 0:30:55 | 0:30:58 | |
If that is your car, | 0:30:58 | 0:31:00 | |
then there is no way you've committed the murder. | 0:31:00 | 0:31:02 | |
'I suggested about getting...trying to get the number plate enhanced, | 0:31:02 | 0:31:05 | |
'and I've always said, one day, | 0:31:05 | 0:31:07 | |
'the technology will be available to prove that that is my car. | 0:31:07 | 0:31:12 | |
'I am 100% convinced that that is my car.' | 0:31:14 | 0:31:19 | |
So this is the image that Roger Kearney says is him | 0:31:21 | 0:31:25 | |
leaving his street at 22.20. | 0:31:25 | 0:31:27 | |
So Roger's right, there is a car. | 0:31:28 | 0:31:31 | |
If that's him, he cannot have committed the murder. | 0:31:31 | 0:31:35 | |
But the prosecution always dismissed this image because of another | 0:31:35 | 0:31:39 | |
bit of footage, which is this. | 0:31:39 | 0:31:42 | |
Roger Kearney's vehicle, nearly two miles away at 10.21. | 0:31:42 | 0:31:48 | |
There's not enough time, the police say, | 0:31:48 | 0:31:50 | |
for Roger to be leaving here at 10.20, | 0:31:50 | 0:31:53 | |
drive nearly two miles up the road | 0:31:53 | 0:31:56 | |
to be caught on this later camera less than one minute later. | 0:31:56 | 0:32:00 | |
But in court, there was lots of debate about the accuracy of | 0:32:00 | 0:32:03 | |
the clocks on the CCTV cameras, the footage, | 0:32:03 | 0:32:07 | |
and the defence argued that there could've been enough time. | 0:32:07 | 0:32:11 | |
The only way you can resolve it is if we can read that number plate, | 0:32:11 | 0:32:15 | |
that would tell us whether or not it's Roger Kearney's car. | 0:32:15 | 0:32:18 | |
'I swear that that is my car. | 0:32:19 | 0:32:22 | |
'As God as my witness.' | 0:32:24 | 0:32:26 | |
The prosecution and defence provided expert evidence | 0:32:35 | 0:32:38 | |
about the CCTV at trial. | 0:32:38 | 0:32:40 | |
Neither expert was able to identify the number plate on that image | 0:32:40 | 0:32:44 | |
or any of the others. | 0:32:44 | 0:32:45 | |
So I've asked an expert in video forensic analysis | 0:32:48 | 0:32:51 | |
to take a look to see what he thinks. | 0:32:51 | 0:32:53 | |
He's been reviewing some of the key CCTV images | 0:32:53 | 0:32:56 | |
from Roger's defence file. | 0:32:56 | 0:32:58 | |
I've not told him what kind of car Roger Kearney had. | 0:33:00 | 0:33:03 | |
I just want to see what he can tell me about that number plate | 0:33:05 | 0:33:08 | |
and the other images. | 0:33:08 | 0:33:09 | |
Thank you very much. | 0:33:11 | 0:33:13 | |
Marvellous. | 0:33:13 | 0:33:15 | |
-Good to see you. -Yes, and you. Thanks for seeing me. | 0:33:17 | 0:33:21 | |
So it's probably best if we dimmed the lights. | 0:33:21 | 0:33:23 | |
OK. | 0:33:25 | 0:33:27 | |
These are a copy of the images which would have been shown to the jury. | 0:33:27 | 0:33:31 | |
I can provide an initial view which is subject, obviously, | 0:33:31 | 0:33:36 | |
to me being able to review the original media files. | 0:33:36 | 0:33:39 | |
I'll talk you through the various images. | 0:33:39 | 0:33:42 | |
-OK. -Right. | 0:33:44 | 0:33:46 | |
So this is the most helpful of the images | 0:33:46 | 0:33:49 | |
in identifying the type of car. | 0:33:49 | 0:33:51 | |
It's obviously, in my view, a 4x4 of some description. | 0:33:52 | 0:33:57 | |
I think it is possibly a Mitsubishi Shogun motor vehicle. | 0:34:01 | 0:34:05 | |
Really? | 0:34:07 | 0:34:08 | |
That's quite damning, actually. | 0:34:08 | 0:34:11 | |
-So this is the vehicle passing the chippy. -Yes. | 0:34:14 | 0:34:16 | |
And all we see, effectively, | 0:34:18 | 0:34:20 | |
is probably best described as a silhouette of a vehicle passing. | 0:34:20 | 0:34:24 | |
It is, I believe, a 4x4. | 0:34:24 | 0:34:27 | |
-Right. -As to what make and model it is, I really don't know. | 0:34:27 | 0:34:32 | |
So the part of the image we are most interested in is this area here. | 0:34:35 | 0:34:38 | |
-Yeah. -Right? It's a vehicle. | 0:34:38 | 0:34:41 | |
And to be perfectly honest with you, I can't go any further than that. | 0:34:41 | 0:34:46 | |
-There simply isn't sufficient detail. -Is it a 4x4? | 0:34:46 | 0:34:49 | |
-I couldn't even tell you that. -Really? -Yeah. | 0:34:49 | 0:34:51 | |
So let me just talk you through now what they ended up saying in court. | 0:34:51 | 0:34:55 | |
So on that roundabout, where we had the petrol station images. | 0:34:57 | 0:34:59 | |
-Yeah, travelling in. -Yeah. | 0:34:59 | 0:35:01 | |
-The prosecution expert says it's a Shogun. -Yes. | 0:35:01 | 0:35:04 | |
He did a reconstruction and noted the Shogun was a good match. | 0:35:04 | 0:35:08 | |
-And the defence expert says, "I can't agree with that." -Yep. | 0:35:09 | 0:35:13 | |
The prosecution expert says about the fish and chip shop... | 0:35:13 | 0:35:16 | |
"Most likely to be a Shogun or Range Rover. | 0:35:16 | 0:35:19 | |
"But possibly another vehicle would have the same features." | 0:35:19 | 0:35:22 | |
But look at the difference between a Range Rover and a Shogun. | 0:35:22 | 0:35:26 | |
There is a big difference, in my view, | 0:35:26 | 0:35:28 | |
-between a Shogun and a Range Rover. -Hm. | 0:35:28 | 0:35:31 | |
So if the detail is that vague, the definition is that poor, | 0:35:31 | 0:35:35 | |
that you can't tell if it's a Shogun or a Range Rover... | 0:35:35 | 0:35:39 | |
-..that demonstrates just how poor quality the imagery is. -Right. | 0:35:42 | 0:35:46 | |
Right. The image we are looking at now is that the defendant says | 0:35:48 | 0:35:54 | |
he's left his home at around 10.20. | 0:35:54 | 0:35:57 | |
-Yep. -Right. -Shall we have a look? -Yep. | 0:35:57 | 0:36:00 | |
So all we see within this clip is the front of the vehicle. | 0:36:03 | 0:36:07 | |
Could this be the defendant's vehicle, whatever that is? | 0:36:09 | 0:36:12 | |
-The lights are fairly high off the ground. -Right. | 0:36:12 | 0:36:15 | |
-Which would suggest a 4x4. -Uh-huh. | 0:36:16 | 0:36:20 | |
-But it's impossible to say what make and model that vehicle is. -Right. | 0:36:20 | 0:36:24 | |
-Is that part of the registration plate? -Quite possibly, | 0:36:26 | 0:36:29 | |
Which is quite high and, to me, that's why I'm thinking, | 0:36:29 | 0:36:33 | |
possibly, 4x4. | 0:36:33 | 0:36:34 | |
-Is there anything we would ever be able to do to clean that up? -No. No. | 0:36:34 | 0:36:39 | |
It would resolve the case, | 0:36:39 | 0:36:41 | |
in terms of if it's him or not, if he's the murderer or not. | 0:36:41 | 0:36:44 | |
Unfortunately, we haven't got the luxury of fine detail. | 0:36:44 | 0:36:47 | |
We've got some plusses and minuses, I suppose. | 0:37:13 | 0:37:16 | |
The biggest minus is that he looked at the 9.30 image, | 0:37:16 | 0:37:21 | |
and he said, "Yep, I think that's a Mitsubishi Shogun Sport." | 0:37:21 | 0:37:23 | |
He didn't know that was the kind of car that Roger Kearney drives, | 0:37:23 | 0:37:26 | |
yet that is the kind of car he picks out. | 0:37:26 | 0:37:29 | |
On the plus side, | 0:37:29 | 0:37:31 | |
when it comes to the car at 10.20, | 0:37:31 | 0:37:35 | |
the expert says, "Yeah, that could be a 4x4." | 0:37:35 | 0:37:38 | |
So that means it could be Roger Kearney's car. | 0:37:38 | 0:37:42 | |
So what will you do next? | 0:37:45 | 0:37:47 | |
We do carry on, and I think the next sort of big area | 0:37:47 | 0:37:50 | |
of evidence that we need to look at here is the motive. | 0:37:50 | 0:37:54 | |
Did Roger Kearney have a motive to kill Paula Poolton? | 0:37:55 | 0:37:58 | |
The prosecution said he did. I think we need to explore that motive. | 0:37:58 | 0:38:02 | |
-REPORTERS. -'Full of life and unique.' | 0:38:12 | 0:38:14 | |
Paula Poolton will be remembered as joyful, | 0:38:16 | 0:38:19 | |
bubbly and a friend for life. | 0:38:19 | 0:38:20 | |
'The jury was told that when Mrs Poolton disappeared, | 0:38:20 | 0:38:24 | |
'it wasn't long before police discovered | 0:38:24 | 0:38:26 | |
'she had been having an affair. | 0:38:26 | 0:38:28 | |
'Paula was married. | 0:38:28 | 0:38:29 | |
'The court heard neither Mr Kearney's partner nor | 0:38:29 | 0:38:32 | |
'Mrs Poolton's husband were aware of the affair. | 0:38:32 | 0:38:35 | |
'The court heard she told a friend she wanted to set up home | 0:38:35 | 0:38:38 | |
'with Kearney. | 0:38:38 | 0:38:40 | |
'Paula had been looking at houses | 0:38:40 | 0:38:42 | |
'and wanted Kearney to move in with her. | 0:38:42 | 0:38:44 | |
'The court was told the defendant was less keen.' | 0:38:44 | 0:38:48 | |
The motive that Roger Kearney had to murder Paula Poolton | 0:38:48 | 0:38:51 | |
was to stop her from revealing the affair. | 0:38:51 | 0:38:55 | |
'And after a heated phone call in the afternoon, | 0:38:55 | 0:38:58 | |
'he met her in Duncan Road that night and stabbed her to death.' | 0:38:58 | 0:39:03 | |
We need to understand more about the affair to try and see | 0:39:03 | 0:39:05 | |
whether or not it could have come to a head like that. | 0:39:05 | 0:39:08 | |
PHONE RINGS | 0:39:15 | 0:39:17 | |
Hello, Inside Justice. | 0:39:19 | 0:39:21 | |
-'Hello, Louise, it's Roger.' -Hello, Roger, how are you? | 0:39:21 | 0:39:23 | |
-'I'm very well, thank you.' -Good, good. | 0:39:23 | 0:39:26 | |
Right, can you talk me through what the police said your motive was? | 0:39:26 | 0:39:32 | |
What was their theory on why you'd have done this? | 0:39:32 | 0:39:35 | |
HE LAUGHS | 0:39:35 | 0:39:37 | |
'The police said, or what their theory was, | 0:39:37 | 0:39:41 | |
'that Paula was putting me under pressure to move in with her. | 0:39:41 | 0:39:46 | |
'That was their theory.' | 0:39:47 | 0:39:49 | |
Just, can you talk me through now, then, please, how you first | 0:39:49 | 0:39:53 | |
met Paula and how your relationship became, when it became intimate? | 0:39:53 | 0:39:58 | |
'Um... Well, I first met Paula at the football ground. | 0:39:58 | 0:40:02 | |
'She started coming to the gym at the hotel. | 0:40:02 | 0:40:06 | |
'After a couple of times she came down, she sort of... | 0:40:06 | 0:40:09 | |
'..made it fairly obvious that... | 0:40:11 | 0:40:14 | |
'she wanted a bit more than just...to be friends. | 0:40:14 | 0:40:18 | |
'She came down there and went for a sauna, and she was in there | 0:40:18 | 0:40:22 | |
'with a bikini, she sat really close to me, and afterwards, | 0:40:22 | 0:40:26 | |
'we had a cup of coffee, went out to the car park, | 0:40:26 | 0:40:28 | |
'she got in my car and we had sex in the backseat seat of my car.' | 0:40:28 | 0:40:32 | |
It's funny how you... | 0:40:34 | 0:40:36 | |
how you talk about Paula. | 0:40:36 | 0:40:38 | |
I don't quite know where it comes from. It... | 0:40:38 | 0:40:43 | |
It sounds like you're blaming her for the affair, if I'm frank, | 0:40:43 | 0:40:47 | |
which sounds rather callous, to be honest. | 0:40:47 | 0:40:50 | |
'Oh, no, I'm not saying it's her fault. She was... | 0:40:50 | 0:40:53 | |
-'I found her very attractive. She was funny. She was...' -Right. | 0:40:53 | 0:40:58 | |
'I found her kind. She had a nice figure. | 0:40:58 | 0:41:01 | |
'She was such a nice person, I thought.' | 0:41:03 | 0:41:06 | |
It seems to me that you two were pretty close, really. | 0:41:08 | 0:41:11 | |
I don't get the impression... From just looking at your phone records, | 0:41:11 | 0:41:16 | |
it feels like you're speaking pretty much every day, | 0:41:16 | 0:41:19 | |
you're spending a lot of time on the phone together, you know, | 0:41:19 | 0:41:22 | |
it sounds like you are close, to me. | 0:41:22 | 0:41:25 | |
'Yeah, I suppose we were quite close. | 0:41:25 | 0:41:28 | |
'It's, you know, friends, basically. That was for quite some time. | 0:41:30 | 0:41:34 | |
'And, as I say, I was attracted to her. | 0:41:36 | 0:41:40 | |
'But I... | 0:41:41 | 0:41:42 | |
'I... | 0:41:44 | 0:41:45 | |
'I don't know whether it would've gone on. If it... | 0:41:49 | 0:41:52 | |
'I can't say whether it would've developed any more. | 0:41:52 | 0:41:55 | |
'There was no commitment on either side of us.' | 0:41:57 | 0:42:01 | |
Were you in love with her? | 0:42:01 | 0:42:03 | |
'No.' | 0:42:03 | 0:42:04 | |
Was she in love with you? | 0:42:04 | 0:42:06 | |
'I don't think she ever said so. | 0:42:09 | 0:42:11 | |
'No, I'm pretty sure she didn't ever say that, no.' | 0:42:13 | 0:42:16 | |
Did you think she might be? | 0:42:16 | 0:42:19 | |
'No, I'm not sure. No. I don't think so.' | 0:42:19 | 0:42:21 | |
-Why did you have a sexual relationship with her? -'Why? | 0:42:24 | 0:42:27 | |
'Er... | 0:42:29 | 0:42:30 | |
'Cos I fancied her. | 0:42:32 | 0:42:34 | |
'Um, to be honest, she had... | 0:42:35 | 0:42:37 | |
'..a bubbly, happy-go-lucky... | 0:42:39 | 0:42:41 | |
'..personality. | 0:42:45 | 0:42:46 | |
'I know she had a bit of a dark side. I know.' | 0:42:51 | 0:42:55 | |
It is just Roger's word against their theory, isn't it? | 0:43:11 | 0:43:14 | |
And I don't know what he meant about her having a dark side. | 0:43:14 | 0:43:18 | |
I need to find somebody who can tell me about their relationship. | 0:43:19 | 0:43:23 | |
This is Swanwick. | 0:43:25 | 0:43:27 | |
It is a nice little village just outside of Southampton. | 0:43:27 | 0:43:30 | |
Paula lived nearby. | 0:43:30 | 0:43:31 | |
She had lots of friends. | 0:43:33 | 0:43:35 | |
People said she was a genuine, caring person, very bubbly, | 0:43:35 | 0:43:39 | |
crazy chick with an infectious laugh. | 0:43:39 | 0:43:42 | |
I think she cheered people up. | 0:43:42 | 0:43:44 | |
They might hold the key | 0:43:45 | 0:43:47 | |
to whether the prosecution motive was realistic. | 0:43:47 | 0:43:50 | |
One said, "Paula was a good friend, but she should not be taken | 0:43:50 | 0:43:54 | |
"too literally as she could make a drama over little things." | 0:43:54 | 0:43:58 | |
This is Paula's friend Carol who was really key to the prosecution case | 0:43:58 | 0:44:02 | |
because she told the police that Paula had said to her | 0:44:02 | 0:44:06 | |
the day she went missing, that Paula told her she was going to | 0:44:06 | 0:44:09 | |
meet up with Roger that night. | 0:44:09 | 0:44:12 | |
So I need to phone Carol. | 0:44:12 | 0:44:13 | |
I want to sort of see what else did Paula tell her about Roger, | 0:44:13 | 0:44:17 | |
you know, how keen was their whole relationship becoming, | 0:44:17 | 0:44:19 | |
so I need to give her a call and see if she'll meet up. | 0:44:19 | 0:44:22 | |
Carol, hello. My name is Louise Shorter. | 0:44:26 | 0:44:28 | |
I work for a charity called Inside Justice. | 0:44:28 | 0:44:31 | |
I'm sorry to phone you out of the blue. | 0:44:31 | 0:44:32 | |
I'm in the process of looking at the case of the murder of your friend | 0:44:32 | 0:44:36 | |
Paula Poolton and I wondered if we could just meet up and have a chat. | 0:44:36 | 0:44:40 | |
OK. | 0:44:49 | 0:44:50 | |
Thank you very much. Thanks very much, Carol. Cheers. Bye-bye. Bye. | 0:44:52 | 0:44:55 | |
Phew! | 0:44:58 | 0:45:00 | |
I think it's just a bit of a shocker to get a phone call like that. | 0:45:00 | 0:45:04 | |
You know? So she's going to go ahead and think about it. | 0:45:04 | 0:45:06 | |
-A bit like a bolt out of the blue. -Totally. Totally. | 0:45:06 | 0:45:09 | |
I mean, it's awful. I do hate...phoning people up like that. | 0:45:09 | 0:45:13 | |
Because I'm... You know, her friend's been murdered. That's... | 0:45:13 | 0:45:17 | |
That's probably not something she wants to be thinking about again. | 0:45:17 | 0:45:20 | |
But then, you know, it can be so surprising. | 0:45:20 | 0:45:23 | |
I've worked on cases where the family of the person who has been | 0:45:23 | 0:45:27 | |
murdered ends up campaigning and being involved with the campaign | 0:45:27 | 0:45:31 | |
that the person imprisoned isn't guilty and, you know... | 0:45:31 | 0:45:35 | |
So you just can't make assumptions of people, | 0:45:35 | 0:45:37 | |
you just have to sort of gently tell them, "This is what we are doing. | 0:45:37 | 0:45:41 | |
"If we're looking at the wrong case, if this person is really guilty, | 0:45:41 | 0:45:45 | |
"if you know something that we need to know, then please tell us." | 0:45:45 | 0:45:48 | |
But, you know, let them have the choice, really, | 0:45:48 | 0:45:51 | |
in whether they want to get involved. | 0:45:51 | 0:45:54 | |
Paula had a long-standing sort of friendship with a man called Stan. | 0:45:57 | 0:46:01 | |
I know she doted on him. | 0:46:01 | 0:46:03 | |
At trial, he said that she would sometimes spend a night at his home. | 0:46:03 | 0:46:07 | |
So who is this Stan Baker? | 0:46:07 | 0:46:09 | |
It says that Paula had known him for years | 0:46:09 | 0:46:12 | |
and she went to him in times of trouble. | 0:46:12 | 0:46:14 | |
But Stan lives on the other side of town. | 0:46:17 | 0:46:20 | |
No. Go round the front. | 0:46:22 | 0:46:24 | |
Hm. | 0:46:26 | 0:46:28 | |
-'Hello?' -Hello, is Stanley there, please? | 0:46:31 | 0:46:33 | |
'Stanley has not lived here for about eight years, love.' | 0:46:33 | 0:46:36 | |
Oh, hasn't he? Oh. Has he moved on? Do you know where he's moved on to? | 0:46:36 | 0:46:40 | |
'I couldn't say, love.' | 0:46:40 | 0:46:41 | |
Oh. | 0:46:43 | 0:46:44 | |
You aren't the man I was just talking to, are you? | 0:46:46 | 0:46:49 | |
-Do you know Stanley? -No. -Oh. | 0:46:49 | 0:46:52 | |
OK. Hello? Do you know...remember...? | 0:46:52 | 0:46:55 | |
You don't know Stan, do you? He didn't die, did he? | 0:46:55 | 0:46:58 | |
Cos I know he was quite old, you know. | 0:46:58 | 0:47:00 | |
It was about eight years ago, wasn't it, that he...? | 0:47:00 | 0:47:02 | |
-Did he move out or did he...? -Yeah, well, my mate lives there now. | 0:47:02 | 0:47:05 | |
Oh, I'm trying to find Stan Baker. | 0:47:16 | 0:47:18 | |
No, Stan's not here now. He's gone down to St Mary's. | 0:47:20 | 0:47:24 | |
I've got one of my cards. | 0:47:24 | 0:47:26 | |
That's my number for Stan. Thanks. | 0:47:28 | 0:47:32 | |
Hello. | 0:47:36 | 0:47:37 | |
Sorry, I'm trying to find Stan, who lived downstairs at number 35. | 0:47:37 | 0:47:41 | |
This lady was saying that he's moved over to St Mary's, | 0:47:41 | 0:47:44 | |
but she wasn't sure which number. | 0:47:44 | 0:47:46 | |
Do you know which number he's living at? | 0:47:46 | 0:47:48 | |
OK. I'm going to park. | 0:47:51 | 0:47:53 | |
GROANING | 0:48:00 | 0:48:03 | |
That's Paula, yeah. | 0:48:14 | 0:48:15 | |
Yeah. | 0:48:18 | 0:48:19 | |
Paula... | 0:48:20 | 0:48:22 | |
-Is that a picture of Paula? -Yeah. | 0:48:26 | 0:48:30 | |
-Oh, it's lovely. -Yeah. | 0:48:30 | 0:48:33 | |
That's lovely. I wonder how old she is there. | 0:48:33 | 0:48:35 | |
-Tell me about her. -I met her at a nightclub. -Yeah. | 0:48:37 | 0:48:40 | |
I was a doorman there. | 0:48:40 | 0:48:42 | |
And we've been friends ever since, like... | 0:48:42 | 0:48:45 | |
Very nice, well mannered, very pretty girl. | 0:48:45 | 0:48:50 | |
She loved me. | 0:48:50 | 0:48:51 | |
Sometimes she would stay, sometimes she didn't, like... | 0:48:51 | 0:48:54 | |
-Do you want me to help? -There's some there. | 0:48:57 | 0:48:59 | |
-That was years ago, that was. -So that's how you looked when... -Yeah. | 0:49:02 | 0:49:06 | |
-..when you first knew Paula, then? -Yeah. -There's Paula there. | 0:49:06 | 0:49:10 | |
-With a budgie on the arm. -Oh, yeah. | 0:49:10 | 0:49:13 | |
-So you are still in touch with Paula's parents? -Yeah. | 0:49:13 | 0:49:15 | |
Every time on her birthday or Christmas time, | 0:49:15 | 0:49:18 | |
-I always send them money for flowers. -Mm-hm. | 0:49:18 | 0:49:21 | |
-I always tell Mum I miss her a lot. -Was she good company? | 0:49:21 | 0:49:24 | |
She drunk quite a few, | 0:49:24 | 0:49:26 | |
but she had a bad temper. | 0:49:26 | 0:49:29 | |
-Was that when she was drinking? -Yeah. | 0:49:29 | 0:49:31 | |
She'd get angry, throw a bottle at you or something. | 0:49:31 | 0:49:34 | |
-What would make her angry? -Jealousy. -Ah! | 0:49:34 | 0:49:37 | |
-That's what we say, jealousy. -Right. | 0:49:37 | 0:49:39 | |
Did she say anything to you about the postman? | 0:49:39 | 0:49:43 | |
I don't know other people's business. | 0:49:43 | 0:49:46 | |
I don't want to know anyway. | 0:49:46 | 0:49:47 | |
-Did she ever say the name Roger to you? -No. | 0:49:50 | 0:49:52 | |
I can't forget her. | 0:49:55 | 0:49:57 | |
So they're sort of definite different compartments | 0:50:10 | 0:50:13 | |
to Paula's life, I think. | 0:50:13 | 0:50:14 | |
So there seem to be the group of friends, like Carol, | 0:50:15 | 0:50:18 | |
who meet her for coffee and that kind of thing. | 0:50:18 | 0:50:21 | |
And then there seem to be people like Stan. | 0:50:21 | 0:50:24 | |
I don't think those two worlds collided, really. | 0:50:24 | 0:50:27 | |
What I don't understand is whether Paula would definitely have said | 0:50:30 | 0:50:34 | |
the absolute truth to Carol. | 0:50:34 | 0:50:36 | |
Some people know certain secrets and others know others, | 0:50:38 | 0:50:40 | |
but nobody seems to know the whole... | 0:50:40 | 0:50:43 | |
the whole picture of her, really. | 0:50:43 | 0:50:45 | |
-ANSWERING MACHINE. -'Next saved message. 2.44pm.' | 0:50:48 | 0:50:53 | |
'Yes, hello. | 0:50:53 | 0:50:56 | |
'You came down last evening enquiring... | 0:50:56 | 0:51:01 | |
'I know Stan very well, Stan Baker. | 0:51:02 | 0:51:06 | |
'I know Paula. | 0:51:07 | 0:51:09 | |
'She was my best friend. | 0:51:11 | 0:51:13 | |
'Can you get back to me, please? | 0:51:18 | 0:51:21 | |
'I know a lot of things.' | 0:51:24 | 0:51:26 | |
PHONE CLICKS | 0:51:26 | 0:51:28 | |
-So you come from London then? -Yeah. | 0:51:36 | 0:51:39 | |
-Here we go. -Oh, lovely. | 0:51:48 | 0:51:51 | |
-Gosh, I don't think I'd recognise her from that photograph. -No. | 0:51:51 | 0:51:54 | |
She dyed her hair. | 0:51:54 | 0:51:57 | |
-It's a lovely picture. -Yeah, isn't it beautiful? | 0:51:58 | 0:52:01 | |
Well, Ann, thank you very much for calling me. | 0:52:03 | 0:52:06 | |
-Tell me, first of all, how you first met Paula. -I met Paula through Stan. | 0:52:06 | 0:52:12 | |
-Oh, did you? -Yes. | 0:52:12 | 0:52:13 | |
You know, she was fabulous. Everyone loved her. | 0:52:13 | 0:52:17 | |
She had to be in with a crowd. | 0:52:17 | 0:52:20 | |
She loved all that. | 0:52:20 | 0:52:23 | |
She liked to be the centre of attention. She loved it. | 0:52:23 | 0:52:27 | |
Do you remember sort of times, nights you had together? | 0:52:27 | 0:52:30 | |
-Yeah. -Would she just turn up out of the blue | 0:52:30 | 0:52:32 | |
or would she phone you first, or how would that work? | 0:52:32 | 0:52:35 | |
No, no, out of the blue. Always. | 0:52:35 | 0:52:38 | |
She used to sleep here sometimes. | 0:52:38 | 0:52:41 | |
I loved her to bits. | 0:52:41 | 0:52:43 | |
She used to tell me a lot of things, and I kept it to myself. | 0:52:43 | 0:52:48 | |
She met someone else, in fact two other men. | 0:52:48 | 0:52:53 | |
-So she was... She was married to Ricky... -Yes, she was. | 0:52:53 | 0:52:56 | |
-..but she was having two different affairs. -Yes, that's right. | 0:52:56 | 0:52:59 | |
-Yes, she was. -The postman who is now in prison. -That's right. | 0:52:59 | 0:53:02 | |
-And this other man? -Yeah. | 0:53:02 | 0:53:04 | |
Without a doubt. | 0:53:04 | 0:53:06 | |
What did she say then, firstly, about the postman? | 0:53:06 | 0:53:08 | |
Um, she was excited. | 0:53:08 | 0:53:11 | |
Did she want the relationship with him to be more serious, then? | 0:53:11 | 0:53:14 | |
-From my angle, I think she did. -Mm-hm. | 0:53:14 | 0:53:18 | |
-Yeah. -So what did she tell you about this other man? | 0:53:18 | 0:53:21 | |
About a week before it happens, | 0:53:21 | 0:53:24 | |
she said she had to get rid of them. | 0:53:24 | 0:53:28 | |
Why? | 0:53:28 | 0:53:30 | |
-Because he was bullying her. -This was definitely the other boyfriend? | 0:53:30 | 0:53:34 | |
Oh, yeah, I'm not talking about the postman now. | 0:53:34 | 0:53:37 | |
-You're not talking about the husband? -Oh, no, no, I'm not. | 0:53:37 | 0:53:40 | |
-So she said that the boyfriend was bullying her? -Yeah. | 0:53:40 | 0:53:43 | |
Was she worried about him? | 0:53:43 | 0:53:45 | |
-She definitely was. -Did she tell you anything about this man? | 0:53:45 | 0:53:49 | |
Did she describe him or tell you what he was like? | 0:53:49 | 0:53:51 | |
-She talked more about the postman. -Uh-huh. | 0:53:51 | 0:53:54 | |
She didn't say a lot about the other one, the tall one. | 0:53:54 | 0:53:57 | |
You have no idea who this other man was? | 0:53:57 | 0:53:59 | |
-I never met him. -Did she...? -It was very hush-hush. -Was it? | 0:53:59 | 0:54:03 | |
-Yes, that's right. -So she was happy with Roger the postman? -Yeah. | 0:54:03 | 0:54:07 | |
-But she was worried about the other one? -That's right. | 0:54:07 | 0:54:09 | |
So do you think she was going to call off the relationship | 0:54:09 | 0:54:12 | |
-with the third man? -Yeah. -Then what? | 0:54:12 | 0:54:15 | |
How did she seem then, when she said she was going to call it off? | 0:54:15 | 0:54:18 | |
-Er...nervous. -Right. | 0:54:18 | 0:54:21 | |
-And... -It's not like her to get like that. | 0:54:21 | 0:54:26 | |
-Wasn't it? -No! | 0:54:26 | 0:54:28 | |
No, no, no. She was getting in a right tiswas here. | 0:54:28 | 0:54:33 | |
She was definitely worried about something. | 0:54:33 | 0:54:36 | |
Something was wrong with her. | 0:54:37 | 0:54:40 | |
Something was wrong and I could feel it. I could sense it coming off her. | 0:54:40 | 0:54:44 | |
It was horrible to see her like that, | 0:54:44 | 0:54:47 | |
to hear her talk like she did. | 0:54:47 | 0:54:49 | |
Tell me about it. This is important. Had something happened to her? | 0:54:51 | 0:54:55 | |
Men! | 0:54:58 | 0:54:59 | |
Yeah. | 0:55:03 | 0:55:04 | |
The pattern of blood stains allows us to interpret | 0:55:25 | 0:55:28 | |
how that blood came to be. | 0:55:28 | 0:55:30 | |
Small areas of blood staining were found on the driver's seat. | 0:55:32 | 0:55:35 | |
Is that suggestive that somebody wet with blood has driven the car? | 0:55:35 | 0:55:39 | |
It could be. | 0:55:39 | 0:55:40 | |
Um, what I want to know is, does this turn at all? | 0:55:41 | 0:55:44 | |
Definitely moving. | 0:55:49 | 0:55:51 | |
-The murder could have taken place... -Anywhere. -..anywhere. | 0:55:51 | 0:55:54 | |
If you stick a tape onto something and take it off, you don't just | 0:55:54 | 0:55:58 | |
pick up fibres with it, you'll pick up biological material. | 0:55:58 | 0:56:01 | |
So that DNA from the perpetrator is actually still happily | 0:56:01 | 0:56:06 | |
sitting on those tapings. | 0:56:06 | 0:56:08 | |
I've had a text. "Kearney is an extremely unpleasant individual. | 0:56:13 | 0:56:17 | |
"Try not to be his next female victim." | 0:56:17 | 0:56:20 | |
-ROGER. -'If you actually feel that I possibly could have done it, | 0:56:22 | 0:56:26 | |
'I wouldn't blame you if you dropped my case.' | 0:56:26 | 0:56:29 |