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BIRD CAWS | 0:00:04 | 0:00:07 | |
'I need help to prove my innocence. | 0:00:22 | 0:00:24 | |
'If you look at the evidence, there's | 0:00:25 | 0:00:27 | |
'no forensics that links me to the case.' | 0:00:27 | 0:00:28 | |
Have you ever talked explicitly about whether he did it? | 0:00:30 | 0:00:34 | |
It's just impossible, really. | 0:00:34 | 0:00:35 | |
It's just not in his nature to do something so awful. | 0:00:35 | 0:00:39 | |
He's had to walk down here, meet her... Yes. | 0:00:42 | 0:00:45 | |
Kill her, put her in the boot. Yeah. | 0:00:45 | 0:00:49 | |
It doesn't seem at all likely to me. | 0:00:49 | 0:00:50 | |
The 9:30 CCTV in which the police said was your car coming out, | 0:00:52 | 0:00:56 | |
coming out onto the main road. | 0:00:56 | 0:00:58 | |
'I can guarantee that that's not my car.' | 0:00:58 | 0:01:00 | |
There's a big difference in my view between a Shogun and a Range Rover. | 0:01:01 | 0:01:05 | |
Could this be the defendant's vehicle? | 0:01:06 | 0:01:09 | |
I really don't know. | 0:01:09 | 0:01:11 | |
WOMAN: 'I know Paula cos she was my best friend.' | 0:01:11 | 0:01:16 | |
So what did she tell you about this other man? | 0:01:16 | 0:01:18 | |
She was definitely worried about something. | 0:01:18 | 0:01:21 | |
Something was wrong and I could feel it. | 0:01:21 | 0:01:24 | |
I'll just tell you one more time, if there is something which is | 0:01:24 | 0:01:28 | |
significantly different to what you've told me, | 0:01:28 | 0:01:30 | |
I would have real difficulty with carrying on with your case. | 0:01:30 | 0:01:33 | |
'I did not murder Paula.' | 0:01:33 | 0:01:36 | |
Where are we in the investigation? | 0:02:04 | 0:02:06 | |
The prosecution say the CCTV evidence put Roger Kearney | 0:02:06 | 0:02:10 | |
near the scene of the crime. | 0:02:10 | 0:02:12 | |
There is still, however, an image of an unidentifiable 4x4 car which | 0:02:12 | 0:02:16 | |
Roger says is his. If true, that could actually support his alibi. | 0:02:16 | 0:02:21 | |
Secondly, a friend of Paula's, | 0:02:21 | 0:02:23 | |
a very good long-standing friend of hers, | 0:02:23 | 0:02:26 | |
is adamant that Paula was having a relationship with somebody | 0:02:26 | 0:02:29 | |
other than Roger Kearney at the same time. | 0:02:29 | 0:02:32 | |
And, importantly, that Paula was really scared of this man. | 0:02:32 | 0:02:36 | |
Now, I don't know how reliable that witness was. | 0:02:39 | 0:02:42 | |
She didn't say anything like this at the time of the trial and I | 0:02:42 | 0:02:45 | |
haven't found anyone else who says that Paula was having another | 0:02:45 | 0:02:48 | |
secret relationship. | 0:02:48 | 0:02:49 | |
So it's not proof, it's just hearsay. | 0:02:51 | 0:02:54 | |
What I've got to go and do now, I think, | 0:02:56 | 0:02:58 | |
is look at some of the other significant evidence in the case. | 0:02:58 | 0:03:01 | |
I want to look at the way Roger behaved in the days after | 0:03:04 | 0:03:07 | |
Paula went missing. | 0:03:07 | 0:03:08 | |
'Mrs Poolton's car was found 11 days after she'd disappeared.' | 0:03:09 | 0:03:13 | |
REPORTER: 'The court heard there was no forensic evidence, no blood, | 0:03:13 | 0:03:16 | |
'no hair, no fingerprints linking Mr Kearney with the murder. | 0:03:16 | 0:03:19 | |
'And nobody saw him murder Mrs Poolton. | 0:03:19 | 0:03:22 | |
'It wasn't long before police discovered | 0:03:22 | 0:03:25 | |
'she'd been having an affair. | 0:03:25 | 0:03:26 | |
'They interviewed Mr Kearney. | 0:03:26 | 0:03:28 | |
'On several occasions in that interview | 0:03:28 | 0:03:30 | |
'he referred to her in the past tense. | 0:03:30 | 0:03:32 | |
'And after she'd disappeared, | 0:03:33 | 0:03:35 | |
'his calls to her mobile phone soon ended.' | 0:03:35 | 0:03:37 | |
What's happening today? | 0:03:40 | 0:03:42 | |
Er, Roger's about to call me. | 0:03:42 | 0:03:43 | |
I want to ask him, particularly about his contact with Paula | 0:03:43 | 0:03:47 | |
when she was missing. | 0:03:47 | 0:03:49 | |
He didn't text her to say, "Where are you? Are you all right?" | 0:03:49 | 0:03:54 | |
You know, she was missing for 11 days and yet | 0:03:54 | 0:03:56 | |
no texts from him asking where she was. | 0:03:56 | 0:03:58 | |
So I want to ask him about that. | 0:03:58 | 0:04:01 | |
And the second thing I want to ask him about is how | 0:04:01 | 0:04:04 | |
he referred to Paula during the police interviews, | 0:04:04 | 0:04:06 | |
because he kept referring to her, um, in the past tense. | 0:04:06 | 0:04:11 | |
And again, this is at the time before her body was actually | 0:04:11 | 0:04:14 | |
found, which suggests he knows she's dead already. | 0:04:14 | 0:04:17 | |
So I want to ask him about that. | 0:04:17 | 0:04:19 | |
TELEPHONE RINGS | 0:04:21 | 0:04:23 | |
Hello, Inside Justice. | 0:04:25 | 0:04:27 | |
'Hello, Louise, it's Roger.' | 0:04:27 | 0:04:29 | |
Hello, Roger. How are you? 'I'm fine, thank you.' | 0:04:29 | 0:04:32 | |
When have we got till? 'Till five past, unfortunately.' Oh, OK. | 0:04:32 | 0:04:34 | |
All right, I shall cut to the chase really quickly, then. | 0:04:34 | 0:04:37 | |
What I wanted to do was ask you about what happened after | 0:04:37 | 0:04:39 | |
Paula went missing on the Friday night. | 0:04:39 | 0:04:42 | |
Can you tell me when you first found out she was missing? | 0:04:42 | 0:04:45 | |
'Well, she didn't turn up for work on Saturday.' Right. | 0:04:47 | 0:04:50 | |
'At the football stadium. | 0:04:50 | 0:04:53 | |
'And then I tried to phone her. Got no response.' | 0:04:53 | 0:04:58 | |
But she was missing now at this stage. | 0:04:58 | 0:05:00 | |
Surely, you were worried about her? | 0:05:00 | 0:05:02 | |
'Not particularly. | 0:05:02 | 0:05:04 | |
'Not at that stage, no.' Why not? | 0:05:04 | 0:05:06 | |
'Because I thought she was... out drinking.' | 0:05:06 | 0:05:09 | |
But for three months, you speak to her on the phone | 0:05:09 | 0:05:11 | |
pretty much every day. 'Yep.' | 0:05:11 | 0:05:13 | |
And then she goes missing for, for five days or so, and | 0:05:13 | 0:05:17 | |
in that time you only send one text and you forward some jokey e-mails. | 0:05:17 | 0:05:21 | |
No phone calls, nothing saying, "Are you OK?" | 0:05:21 | 0:05:23 | |
Can you see why that looks suspicious to people? 'Yeah. | 0:05:23 | 0:05:26 | |
'Well, like I said, I did try to phone her. | 0:05:26 | 0:05:31 | |
'I don't know whether her phone was not working or... | 0:05:31 | 0:05:34 | |
'Well, obviously it wasn't working. But I didn't know whether | 0:05:34 | 0:05:36 | |
'she'd lost her phone or what.' | 0:05:36 | 0:05:38 | |
But then, why not send her another message? | 0:05:38 | 0:05:40 | |
You don't call her or send her a message again, | 0:05:40 | 0:05:43 | |
even after a whole week. | 0:05:43 | 0:05:44 | |
I mean, she wasn't found for 11 days, was she? 'Yeah, I know.' | 0:05:44 | 0:05:47 | |
So you were intimate and close with her, | 0:05:47 | 0:05:49 | |
you say you cared about her and yet even after a week, | 0:05:49 | 0:05:52 | |
you weren't sending her any messages or trying to make | 0:05:52 | 0:05:55 | |
any contact, just saying, "Are you all right? | 0:05:55 | 0:05:58 | |
"Everybody's worried here." | 0:05:58 | 0:05:59 | |
That is odd. That is very strange. | 0:06:00 | 0:06:03 | |
'Do you think so? Hmm. Well, I was annoyed with her... | 0:06:03 | 0:06:08 | |
'..for getting me involved. | 0:06:08 | 0:06:10 | |
'When the police turned up and said she was missing, | 0:06:10 | 0:06:12 | |
'I was angry with her. Because, er... | 0:06:12 | 0:06:15 | |
'Basically having to disclose the fact that we'd | 0:06:17 | 0:06:20 | |
'been having an...an affair.' | 0:06:20 | 0:06:22 | |
But when the police interview you, they talk to you about things | 0:06:22 | 0:06:25 | |
and you keep on giving them past-tense answers. 'Yep.' | 0:06:25 | 0:06:29 | |
And I've been through all that interview and you keep saying | 0:06:29 | 0:06:32 | |
things like you say, "I used to see her down the gym. | 0:06:32 | 0:06:36 | |
"I know she was quite keen on the two of us. | 0:06:36 | 0:06:39 | |
"I think she wanted me to move in. I did like Paula. | 0:06:39 | 0:06:42 | |
"I did like Paula a lot." | 0:06:42 | 0:06:43 | |
You are not saying, "I think she's a great woman, I like her now." | 0:06:43 | 0:06:46 | |
It's all past tense. Why did you do that? | 0:06:46 | 0:06:48 | |
Nobody thought she was dead at that stage, | 0:06:48 | 0:06:50 | |
apart from you in these interviews. | 0:06:50 | 0:06:52 | |
'Well... | 0:06:52 | 0:06:53 | |
'Yeah, I'm not sure... what the questions were.' | 0:06:55 | 0:06:59 | |
I've got the questions. 'Yeah.' | 0:06:59 | 0:07:01 | |
I thought you would say to me, | 0:07:01 | 0:07:02 | |
"I don't know what the hell was put to me." | 0:07:02 | 0:07:04 | |
They say to you, "Tell me about Paula and what you know about her." | 0:07:04 | 0:07:09 | |
"Tell me everything you know." | 0:07:09 | 0:07:11 | |
And directly as a response to that, | 0:07:11 | 0:07:13 | |
you talk about her in the past tense. 'Yeah. | 0:07:13 | 0:07:15 | |
'And I said to them, because they said that to me, | 0:07:15 | 0:07:18 | |
'you know, I said yes, because I was angry. | 0:07:18 | 0:07:20 | |
'As far as I was concerned, the relationship was over.' Right. | 0:07:20 | 0:07:23 | |
'I'm sorry, but I haven't done nowt.' OK. | 0:07:23 | 0:07:27 | |
'One thing I wanted to say to you from what you said from the | 0:07:27 | 0:07:30 | |
'last time we spoke, was the fact that...' Yeah. | 0:07:30 | 0:07:34 | |
'..you are concerned that if it came out | 0:07:34 | 0:07:37 | |
'that I actually killed Paula... | 0:07:37 | 0:07:39 | |
'..sometime in the future, that it would make you look bad.' | 0:07:41 | 0:07:44 | |
It would. 'Yeah, I understand that. | 0:07:44 | 0:07:47 | |
'If you actually feel that I possibly could have done, | 0:07:47 | 0:07:51 | |
'I don't...' | 0:07:51 | 0:07:52 | |
'I wouldn't blame you if you dropped my case at all. | 0:07:54 | 0:07:57 | |
'But I assure you... | 0:07:57 | 0:07:59 | |
'I don't think you'll find any evidence to support the police | 0:08:01 | 0:08:06 | |
'and I promise you that I did not kill Paula. | 0:08:06 | 0:08:09 | |
'That's all I can say.' OK. | 0:08:10 | 0:08:12 | |
You're absolutely... OK, you're not wavering from that at all. | 0:08:12 | 0:08:15 | |
Are you in any way encouraging to me to drop your case? | 0:08:15 | 0:08:18 | |
'No. Only if you feel that way.' | 0:08:18 | 0:08:20 | |
No, I'm asking you what you are saying to me, Roger. | 0:08:20 | 0:08:23 | |
'I would like you to carry on.' You want me to carry on with the case? | 0:08:23 | 0:08:26 | |
Are you in... Are you trying to find a way | 0:08:26 | 0:08:28 | |
to tell me that you were involved in Paula's murder? 'No, no. | 0:08:28 | 0:08:32 | |
'No, but I'm just saying, if you think that... | 0:08:32 | 0:08:34 | |
'Look, I must go cos the officer is getting a bit...' | 0:08:34 | 0:08:37 | |
OK. All right. | 0:08:37 | 0:08:39 | |
OK, but you're also telling me that you did not kill her? | 0:08:39 | 0:08:42 | |
'No, I did not.' OK. | 0:08:42 | 0:08:43 | |
All right, Roger. 'I'm supposed to be banged up at ten past.' OK. | 0:08:43 | 0:08:46 | |
All right. | 0:08:46 | 0:08:47 | |
That was a particularly funny end, difficult end. | 0:08:51 | 0:08:56 | |
Because I thought for one moment that he was going to tell | 0:08:56 | 0:08:59 | |
me that he had... Actually, he was involved in the murder. | 0:08:59 | 0:09:02 | |
And then that... But he then immediately he went on to say, | 0:09:04 | 0:09:07 | |
"No, I did not have anything to do with killing her at all." | 0:09:07 | 0:09:11 | |
I don't know what to make of what he just said. | 0:09:11 | 0:09:14 | |
I-I... I don't know. | 0:09:14 | 0:09:16 | |
I don't know, I don't know. | 0:09:16 | 0:09:17 | |
"If...if it was to come out that I killed Paula." | 0:09:17 | 0:09:20 | |
You know, that's an odd phrase isn't it, for someone to use, | 0:09:20 | 0:09:24 | |
if they're saying they haven't done it? | 0:09:24 | 0:09:26 | |
Why would he use language like that? | 0:09:26 | 0:09:27 | |
Why doesn't he just say, "I didn't do it"? | 0:09:27 | 0:09:29 | |
"I didn't do it, there's never going to be any evidence that I | 0:09:29 | 0:09:32 | |
"killed Paula because it doesn't exist. | 0:09:32 | 0:09:33 | |
"Because I didn't kill her, so therefore there can't be evidence." | 0:09:33 | 0:09:36 | |
That, I'd understand, that, I can relate to. | 0:09:36 | 0:09:37 | |
That, I'd understand, that, I can relate to. | 0:09:37 | 0:09:39 | |
That's, you know, a nice, clear way of talking. But he doesn't, does he? | 0:09:39 | 0:09:42 | |
He sort of dances around things in a way that I find unsettling. | 0:09:42 | 0:09:46 | |
I think there are lots of unanswered questions about the case. | 0:09:51 | 0:09:54 | |
I think that there must be evidence of who killed Paula and, | 0:09:56 | 0:10:01 | |
you know, really good, solid, objective evidence of who | 0:10:01 | 0:10:06 | |
carried out this horrible murder, | 0:10:06 | 0:10:07 | |
and that evidence currently hasn't seen the light of day. | 0:10:07 | 0:10:11 | |
So what are you going to do next? | 0:10:21 | 0:10:22 | |
Now we're going to go and look at | 0:10:22 | 0:10:24 | |
some of the forensic elements of the case because, | 0:10:24 | 0:10:26 | |
for me, there's some aspects to it that just don't add up. | 0:10:26 | 0:10:28 | |
The prosecution say that he got into the car next to her and | 0:10:30 | 0:10:34 | |
stabbed her repeatedly while she was sitting in the driver's seat. | 0:10:34 | 0:10:38 | |
But when I look at the crime-scene photos, there's hardly any | 0:10:38 | 0:10:41 | |
blood on the front seats, which is where they said she was killed. | 0:10:41 | 0:10:45 | |
And I just don't understand how you can be stabbed seven times, | 0:10:45 | 0:10:48 | |
and there'd be no blood, or very little blood left | 0:10:48 | 0:10:51 | |
in the front of the car. So I need to understand that. | 0:10:51 | 0:10:54 | |
And in the boot of the car there's a strange thing. | 0:10:55 | 0:10:58 | |
There's a pool of blood found on a travel rug. | 0:10:58 | 0:11:00 | |
And that doesn't fit with how her body was found. | 0:11:00 | 0:11:04 | |
So I think I need some information on what the postmortem report | 0:11:04 | 0:11:08 | |
can tell us about the murder. | 0:11:08 | 0:11:10 | |
Most of my cases, over the last 40 years, have been for the police. | 0:11:35 | 0:11:39 | |
You have to go into a case with an open mind, | 0:11:41 | 0:11:44 | |
because you have to think of how that person was killed, | 0:11:44 | 0:11:47 | |
what the circumstances were, will they fit with somebody's | 0:11:47 | 0:11:50 | |
account of how they were killed, or the number of injuries, | 0:11:50 | 0:11:54 | |
where they're placed, how deep they are - all that kind of thing | 0:11:54 | 0:11:58 | |
can tell you a great deal about what has happened. | 0:11:58 | 0:12:00 | |
A dead body, it can give up a lot of secrets. | 0:12:02 | 0:12:04 | |
OK, so can we just walk through to begin with, then? OK. Yeah, thanks. | 0:12:05 | 0:12:10 | |
The prosecution case then was she was in the driver's seat, | 0:12:10 | 0:12:13 | |
the attacker was sitting next to her. Does that all fit? | 0:12:13 | 0:12:17 | |
Oh, yes, it does, yeah, yeah. | 0:12:17 | 0:12:18 | |
Are there any other scenarios that could also fit with the evidence? | 0:12:19 | 0:12:24 | |
Well, there are other possibilities. | 0:12:24 | 0:12:27 | |
She has seven stab wounds to the actual torso. | 0:12:27 | 0:12:29 | |
So they thought this one was the fatal wound, is that right? | 0:12:29 | 0:12:33 | |
It has gone into the left lung, cut through one of the major | 0:12:33 | 0:12:37 | |
arteries of the lung, the pulmonary artery. | 0:12:37 | 0:12:40 | |
So it's done a lot of damage. | 0:12:40 | 0:12:42 | |
Yeah. | 0:12:46 | 0:12:47 | |
It was quite wide because it went in at an angle from left to right. OK. | 0:12:47 | 0:12:51 | |
So how would you be...? That would be... | 0:12:51 | 0:12:53 | |
That would be about here, like this, this kind of direction. OK. | 0:12:53 | 0:12:56 | |
And what happened was it went deep into the lung. | 0:12:56 | 0:12:59 | |
Her breathing would have been laboured, | 0:12:59 | 0:13:00 | |
she would may well have been coughing. | 0:13:00 | 0:13:02 | |
There would have been some blood around | 0:13:02 | 0:13:04 | |
which had come from her mouth. | 0:13:04 | 0:13:06 | |
I keep being struck by the fact that | 0:13:07 | 0:13:09 | |
there isn't very much blood in the front at all. | 0:13:09 | 0:13:11 | |
No, there wasn't blood there, you're absolutely right. | 0:13:11 | 0:13:14 | |
Nothing particularly that seems to be saying, it's inside the | 0:13:14 | 0:13:18 | |
front of this car where the attack is actually taking place. | 0:13:18 | 0:13:21 | |
If we're just basing this purely on the actual injuries, | 0:13:21 | 0:13:26 | |
there's nothing to say that those injuries could not have been | 0:13:26 | 0:13:29 | |
done outside the car. | 0:13:29 | 0:13:32 | |
Most probably in a standing position rather than a sitting position. | 0:13:32 | 0:13:36 | |
Most probably in a standing position rather than a sitting position. | 0:13:36 | 0:13:37 | |
Standing outside the car. | 0:13:37 | 0:13:39 | |
Oh, really? Do the wounds lead you to believe it's more likely | 0:13:39 | 0:13:41 | |
the person was standing, the victim was standing? | 0:13:41 | 0:13:44 | |
They would both have had to have been standing, yup. | 0:13:44 | 0:13:46 | |
The prosecution have always said that he got into her car and | 0:13:54 | 0:13:58 | |
stabbed her repeatedly while sitting in the front seat. | 0:13:58 | 0:14:01 | |
But our pathologist said that actually both the attacker | 0:14:01 | 0:14:04 | |
and the victim might have been standing during the murder. | 0:14:04 | 0:14:08 | |
That can only happen outside the car. | 0:14:08 | 0:14:11 | |
It's only a possibility, but if that was the case, | 0:14:11 | 0:14:13 | |
it seems highly unlikely to me that it happened on that particular road. | 0:14:13 | 0:14:17 | |
That's a really busy road. | 0:14:17 | 0:14:19 | |
No-one saw her being attacked there, no-one heard her scream. | 0:14:19 | 0:14:22 | |
I need to go and talk to a blood-pattern analysis expert. | 0:14:25 | 0:14:28 | |
She's been working on lots of tests, | 0:14:30 | 0:14:32 | |
trying to work out whether or not Paula Poolton was definitely | 0:14:32 | 0:14:35 | |
murdered in the car, that's the key question. | 0:14:35 | 0:14:38 | |
The pattern of bloodstains allows us to interpret and to define | 0:15:06 | 0:15:10 | |
how that blood came to be at a crime scene. | 0:15:10 | 0:15:13 | |
The blood can almost give a narrative as to what went on. | 0:15:15 | 0:15:18 | |
If I sustain an injury, for example, to my neck, then blood | 0:15:19 | 0:15:24 | |
may spurt from my body and that will create a very distinctive pattern. | 0:15:24 | 0:15:28 | |
My role is not to determine whether | 0:15:30 | 0:15:32 | |
an individual is guilty or not guilty, | 0:15:32 | 0:15:35 | |
but to be able to present a very sort of balanced view | 0:15:35 | 0:15:39 | |
on the forensic science. | 0:15:39 | 0:15:41 | |
It's just over there, look. So that is the same make and model, then? | 0:15:41 | 0:15:45 | |
It is, yeah. Brilliant. Peugeot 206. Yeah. | 0:15:45 | 0:15:48 | |
OK. | 0:15:51 | 0:15:53 | |
The scientist at the time described that the interior of the car | 0:15:53 | 0:15:57 | |
was examined for blood staining and she says that | 0:15:57 | 0:15:59 | |
"moderate bloodstain was detected | 0:15:59 | 0:16:02 | |
"on the inside surface of the window, handle and door | 0:16:02 | 0:16:05 | |
"of the driver's side. | 0:16:05 | 0:16:06 | |
"Small areas of blood staining were found on the driver's seat, | 0:16:07 | 0:16:11 | |
"the indicator, the steering wheel." | 0:16:11 | 0:16:14 | |
So, it seems to me, looking at the photographs on where blood is, | 0:16:14 | 0:16:17 | |
there doesn't seem to be an awful lot of it, | 0:16:17 | 0:16:19 | |
apart from those bits that you've mentioned. That's right. | 0:16:19 | 0:16:21 | |
Is that surprising? Not to me, really. | 0:16:21 | 0:16:24 | |
The absence of... of heavy blood staining, let's say, | 0:16:24 | 0:16:29 | |
doesn't mean that she wasn't attacked here. OK. | 0:16:29 | 0:16:32 | |
Because she was wearing very heavy clothing, | 0:16:32 | 0:16:34 | |
she had multiple layers of clothing. | 0:16:34 | 0:16:36 | |
So it's entirely possible that she could have sustained those | 0:16:36 | 0:16:40 | |
injuries without enormous bloodshed. | 0:16:40 | 0:16:43 | |
So do you think she was killed in the front of the car? | 0:16:44 | 0:16:47 | |
Not necessarily. None of it is described as being spatter. | 0:16:47 | 0:16:52 | |
Right. So it's indicative really of there being, sort of, | 0:16:52 | 0:16:55 | |
contact blood staining throughout. | 0:16:55 | 0:16:58 | |
"Small areas of blood staining were found on the driver's seat, | 0:16:58 | 0:17:01 | |
"the indicator, the steering wheel, | 0:17:01 | 0:17:04 | |
"the bottom edge of the gear stick, the dashboard on the | 0:17:04 | 0:17:07 | |
"passenger side and the outside lower edge of the glove box." | 0:17:07 | 0:17:12 | |
These are all surfaces that one would naturally touch, | 0:17:12 | 0:17:15 | |
if kind of moving around in the car. | 0:17:15 | 0:17:18 | |
Or driving it. Or driving it. Precisely. | 0:17:18 | 0:17:22 | |
So is the fact that blood was found on the steering wheel | 0:17:22 | 0:17:25 | |
suggesting that somebody wet with blood has driven the car? | 0:17:25 | 0:17:28 | |
It could be. | 0:17:28 | 0:17:29 | |
Is that likely then, do you think, to be the attacker? | 0:17:29 | 0:17:33 | |
It could very well be. | 0:17:33 | 0:17:34 | |
It's certainly something that should be considered and it's | 0:17:34 | 0:17:38 | |
something that we can't entirely exclude. | 0:17:38 | 0:17:40 | |
What about the blood on the travel rug that's in the boot? | 0:17:44 | 0:17:48 | |
Have you got any thoughts on that? I've got a photograph. | 0:17:48 | 0:17:52 | |
So, it will just give us a kind of representation of items | 0:17:52 | 0:17:56 | |
as they were in the boot. | 0:17:56 | 0:17:57 | |
And her position was kind of on her left... Yes, laying foetal. | 0:17:57 | 0:18:01 | |
..in a foetal sort of position in the boot. | 0:18:01 | 0:18:03 | |
There was heavy blood staining found on the travel rug. | 0:18:09 | 0:18:14 | |
And there was blood on her face, | 0:18:14 | 0:18:16 | |
which I've depicted onto this mannequin's head. | 0:18:16 | 0:18:19 | |
And what we see here is her head has been in contact with | 0:18:19 | 0:18:22 | |
something heavily soaked with blood. Right. | 0:18:22 | 0:18:25 | |
And my view is that it fits pretty well with the staining that | 0:18:25 | 0:18:30 | |
was found on the blanket. Right. | 0:18:30 | 0:18:33 | |
If I was to put you in the boot and I sort of scooped you up with | 0:18:33 | 0:18:36 | |
my arms behind your knees and behind your shoulder and put you in, | 0:18:36 | 0:18:41 | |
you'd obviously be quite heavy. | 0:18:41 | 0:18:42 | |
But I almost might sort of roll you in. Yes. | 0:18:42 | 0:18:46 | |
Which would satisfy... That would fit, wouldn't it? ..this position. | 0:18:46 | 0:18:49 | |
How does she then end up completely flipped over | 0:18:51 | 0:18:53 | |
in that foetal position? | 0:18:53 | 0:18:54 | |
All she needs to do is to move or be moved onto her...left side. Right. | 0:18:54 | 0:19:02 | |
But it could potentially be that the car's | 0:19:02 | 0:19:04 | |
moved forward and caused her to rock back. | 0:19:04 | 0:19:08 | |
As the car lurches forward, | 0:19:08 | 0:19:10 | |
it creates that backward motion and she's tipped across. | 0:19:10 | 0:19:14 | |
But, again, I can't say with any certainty either one, | 0:19:14 | 0:19:16 | |
but I'm just trying to express | 0:19:16 | 0:19:18 | |
that all of these things are possibles. Yes. | 0:19:18 | 0:19:21 | |
Well, the prosecution have always said | 0:19:40 | 0:19:42 | |
the murder took place here, immediately after she went missing. | 0:19:42 | 0:19:47 | |
But now that we have two scientists who say that actually things | 0:19:47 | 0:19:50 | |
could be quite different. | 0:19:50 | 0:19:51 | |
The pathologist says that she could have been killed while she | 0:19:54 | 0:19:57 | |
was standing up, outside the car. | 0:19:57 | 0:19:59 | |
The blood-pattern analysis expert said that the blood on the | 0:20:05 | 0:20:08 | |
steering wheel and the gear stick might suggest the car was driven by | 0:20:08 | 0:20:12 | |
the killer after Paula was stabbed. | 0:20:12 | 0:20:14 | |
So, the question is, does all this forensic evidence mean | 0:20:17 | 0:20:20 | |
that she was killed somewhere else? | 0:20:20 | 0:20:22 | |
Did the killer put Paula's body in the boot, | 0:20:27 | 0:20:31 | |
drive to Duncan Road with bloody hands, | 0:20:31 | 0:20:33 | |
then dump the car and walk away? | 0:20:33 | 0:20:35 | |
That's a possibility. | 0:20:38 | 0:20:39 | |
In fact, that's exactly what people thought | 0:20:42 | 0:20:44 | |
when she was first discovered. | 0:20:44 | 0:20:45 | |
REPORTER: Paula Poolton's car was discovered yesterday afternoon by | 0:20:48 | 0:20:51 | |
a routine police patrol car. | 0:20:51 | 0:20:53 | |
Paula Poolton went missing on Friday, October 17. | 0:20:54 | 0:20:58 | |
There have been no other sightings of her or her car until yesterday. | 0:20:58 | 0:21:02 | |
Detectives need to know where Paula's car has been | 0:21:02 | 0:21:05 | |
since Friday the 17th. | 0:21:05 | 0:21:07 | |
They also need to know how long it had been parked in Duncan Road. | 0:21:07 | 0:21:11 | |
The prosecution brought forward witnesses who said that | 0:21:14 | 0:21:16 | |
they saw Paula's car parked here for every day of the 11 days that | 0:21:16 | 0:21:22 | |
Paula was missing. | 0:21:22 | 0:21:23 | |
But then there were other witnesses, they said they were sure | 0:21:23 | 0:21:26 | |
the street was empty on certain days after she went missing. | 0:21:26 | 0:21:30 | |
How long the car is at the train station is really key, | 0:21:31 | 0:21:35 | |
because the entire prosecution case revolves around Paula being | 0:21:35 | 0:21:39 | |
murdered on this road sometime before ten o'clock | 0:21:39 | 0:21:43 | |
on the Friday night when she went missing. | 0:21:43 | 0:21:45 | |
The police agree that after that, | 0:21:45 | 0:21:46 | |
Roger is either at work or he's not in the area. | 0:21:46 | 0:21:50 | |
He can't have done the murder. | 0:21:50 | 0:21:51 | |
Who do you believe? | 0:21:53 | 0:21:55 | |
Well, the prosecution brought forward another piece of | 0:21:55 | 0:21:57 | |
evidence at trial. | 0:21:57 | 0:21:59 | |
And they say it would prove she was killed here and that the car | 0:22:01 | 0:22:04 | |
never moved after the murder. | 0:22:04 | 0:22:06 | |
Right... | 0:22:10 | 0:22:12 | |
So... | 0:22:13 | 0:22:16 | |
How do we know that the murder happened at the station | 0:22:16 | 0:22:20 | |
where her body was found in the boot? | 0:22:20 | 0:22:22 | |
According to the prosecution, she's been murdered in the front | 0:22:22 | 0:22:25 | |
of the car and she's brought round the back of the car. | 0:22:25 | 0:22:27 | |
And somewhere down low, she's dropped and then some blood | 0:22:27 | 0:22:31 | |
came off of her and flicked onto this wheel. | 0:22:31 | 0:22:35 | |
So there's blood, here. | 0:22:35 | 0:22:37 | |
And this place here - one, two - points across that wheel. | 0:22:37 | 0:22:42 | |
And also in the wheel arch, here. | 0:22:42 | 0:22:45 | |
I'll do a really basic diagram. | 0:22:46 | 0:22:48 | |
So this is your wheel arch, right, and here's your car tyre. | 0:22:48 | 0:22:52 | |
So the experts found there was blood here and here and here. | 0:22:52 | 0:22:56 | |
So that's all in a nice straight line. | 0:22:56 | 0:22:58 | |
Being like this - all lining up with that fixed wheel arch - | 0:22:58 | 0:23:03 | |
told the experts that the car had not moved | 0:23:03 | 0:23:06 | |
since the blood got on the tyre. | 0:23:06 | 0:23:08 | |
But if you look at the local news footage | 0:23:08 | 0:23:11 | |
which was filmed at the time, | 0:23:11 | 0:23:12 | |
I think you can see a problem with that. | 0:23:12 | 0:23:14 | |
REPORTER: Paula Poolton's black Peugeot car, her body apparently | 0:23:19 | 0:23:22 | |
discovered in the boot, has been hidden by a white forensic tent. | 0:23:22 | 0:23:26 | |
Now the black Peugeot is on the point of being taken away. | 0:23:26 | 0:23:29 | |
Forensic officers have been conducting one last search of | 0:23:29 | 0:23:33 | |
the immediate area before this road is finally reopened. | 0:23:33 | 0:23:37 | |
The car had been put on the tow truck | 0:23:39 | 0:23:42 | |
and once it was up on that tow truck, | 0:23:42 | 0:23:44 | |
that's when the experts spotted that there was blood on this tyre. | 0:23:44 | 0:23:49 | |
The recovery truck guy said, "The handbrake was on, | 0:23:49 | 0:23:53 | |
"the wheels did not turn, they merely slid along the ground." | 0:23:53 | 0:23:57 | |
I don't think what the recovery truck driver said - about the | 0:24:00 | 0:24:04 | |
wheels only sliding and not moving - is right. | 0:24:04 | 0:24:06 | |
Hello, Louisa! Nice to see you. Yes, and you. | 0:24:14 | 0:24:16 | |
Should I go straight in? Yes. | 0:24:16 | 0:24:18 | |
Thank you very much, cheers. | 0:24:18 | 0:24:19 | |
One...one particular area is all to do with whether or not | 0:24:27 | 0:24:31 | |
Paula was killed at the scene, | 0:24:31 | 0:24:34 | |
whether it all happened there | 0:24:34 | 0:24:36 | |
at the station road, as the police have always said and then | 0:24:36 | 0:24:39 | |
immediately put in the boot and left there for the whole 11 days. | 0:24:39 | 0:24:42 | |
And that made me, that sort of prompted us to look then at what the | 0:24:42 | 0:24:46 | |
evidence was like on the wheel of the car. | 0:24:46 | 0:24:48 | |
Because the blood on the wheel, that totally nails it for everybody. | 0:24:48 | 0:24:52 | |
Right, OK. | 0:24:52 | 0:24:53 | |
That's all good evidence and the all fits really well, providing the car | 0:24:53 | 0:24:57 | |
wheel was in the same position on the road | 0:24:57 | 0:24:59 | |
as it was on the truck. | 0:24:59 | 0:25:00 | |
Now, this is going to require some concentration, | 0:25:00 | 0:25:03 | |
because it is quite hard to see. | 0:25:03 | 0:25:04 | |
So this is the vehicle being recovered. | 0:25:06 | 0:25:09 | |
The wheel moved. | 0:25:22 | 0:25:23 | |
Did I see that or...? | 0:25:25 | 0:25:27 | |
Definitely moving. | 0:25:27 | 0:25:29 | |
It's mov... | 0:25:32 | 0:25:34 | |
Oh, my God! | 0:25:36 | 0:25:38 | |
Well, the wheel that we can see that's moving is the front wheel. | 0:25:45 | 0:25:49 | |
Is that the one that had the blood? | 0:25:49 | 0:25:50 | |
No, the one that had the blood on it is the rear wheel. | 0:25:50 | 0:25:53 | |
If the rear wheel... Didn't the recovery guys say | 0:25:53 | 0:25:55 | |
that none of the wheels moved? | 0:25:55 | 0:25:57 | |
The recovery truck guy says, the wheels - plural - | 0:25:57 | 0:26:01 | |
weren't turning. | 0:26:01 | 0:26:02 | |
The wheels - plural - therefore were dragged along the ground and | 0:26:02 | 0:26:06 | |
they were very certain about that, and they said in their statement | 0:26:06 | 0:26:09 | |
they talk about how there is no movement whatsoever. | 0:26:09 | 0:26:11 | |
They're not being dragged. They're moving. | 0:26:14 | 0:26:16 | |
(Oh, my God.) | 0:26:19 | 0:26:20 | |
It's a big thing. | 0:26:22 | 0:26:23 | |
If the wheels moved... In the process of putting it on the | 0:26:26 | 0:26:29 | |
tow truck... There is no guarantee that it... All lines up. | 0:26:29 | 0:26:33 | |
The murder could have taken place anywhere. Anywhere. | 0:26:33 | 0:26:36 | |
Come on, then. | 0:26:40 | 0:26:41 | |
So this is potentially really important. | 0:26:46 | 0:26:49 | |
But I've only seen the front wheels moving | 0:26:49 | 0:26:52 | |
and they said in court that the handbrake was on. | 0:26:52 | 0:26:55 | |
So I need to go and do some tests. | 0:26:55 | 0:26:57 | |
I've got to go and find out whether the back wheels would move too. | 0:26:57 | 0:26:59 | |
I'm trying to find out, on a Peugeot 206, | 0:27:03 | 0:27:06 | |
what happens when you've got the handbrake on, to the wheels. | 0:27:06 | 0:27:09 | |
What happens to the front wheels? OK. First of all. Do they turn? | 0:27:09 | 0:27:13 | |
The front wheels will turn on that particular model, yes, because | 0:27:13 | 0:27:16 | |
of the handbrake operates the rear wheels and the rear wheels only. OK. | 0:27:16 | 0:27:19 | |
And for the back wheels, if the handbrake is on? | 0:27:19 | 0:27:21 | |
If the handbrake's on and if the handbrake's efficient | 0:27:21 | 0:27:24 | |
and working correctly, then the wheels will lock in | 0:27:24 | 0:27:26 | |
position and can't move with the handbrake being on. OK. | 0:27:26 | 0:27:28 | |
What if the back of the vehicle is lifted to go onto | 0:27:30 | 0:27:33 | |
a recovery vehicle? | 0:27:33 | 0:27:35 | |
If you watch the vehicle, it will start to lift. | 0:27:36 | 0:27:39 | |
So we winch her up, what's going to start to happen, | 0:27:39 | 0:27:42 | |
the vehicle will start to pull up, pull up. | 0:27:42 | 0:27:43 | |
I don't really want to pull it much further than that. Oh, sorry! | 0:27:43 | 0:27:46 | |
Can you do that again? | 0:27:46 | 0:27:48 | |
What I want to know is, does this turn at all? | 0:27:48 | 0:27:51 | |
We'll start pulling it. | 0:27:54 | 0:27:55 | |
We start pulling it. You know? | 0:27:55 | 0:27:57 | |
And then it starts dragging. | 0:27:57 | 0:27:59 | |
Right, and then it moved a tiny bit there, didn't it? | 0:27:59 | 0:28:01 | |
And if I drop the suspension down, | 0:28:01 | 0:28:02 | |
you'll see it will go back to normal. | 0:28:02 | 0:28:04 | |
So I've not actually rotated the wheel, | 0:28:04 | 0:28:07 | |
I'm pulling the suspension up. | 0:28:07 | 0:28:08 | |
But it hasn't gone back exactly. | 0:28:08 | 0:28:10 | |
Because that started off like that, didn't it? It did drag a little bit. | 0:28:10 | 0:28:13 | |
It started off straight and then dragged a little bit. Not much. | 0:28:13 | 0:28:15 | |
Not much. But it did a bit. Yeah. So, I mean, we'll go again. | 0:28:15 | 0:28:20 | |
So it looks to me as if, now we've done that, | 0:28:22 | 0:28:24 | |
as if there was some movement with it, then it comes back... | 0:28:24 | 0:28:28 | |
..pretty close to being in line. Pretty close. Yep. | 0:28:29 | 0:28:31 | |
Well, that's disappointing. | 0:28:43 | 0:28:45 | |
That would have been a massive breakthrough for us on the case. | 0:28:45 | 0:28:48 | |
You know, there's already been a huge police investigation already, | 0:28:49 | 0:28:52 | |
so to try and come up with something entirely new is really hard. | 0:28:52 | 0:28:56 | |
But we've just got to keep on going. | 0:28:58 | 0:29:02 | |
We're going to look for the next piece of evidence | 0:29:04 | 0:29:06 | |
and we're going to see where it takes us. | 0:29:06 | 0:29:08 | |
MESSAGE ALERT | 0:29:21 | 0:29:22 | |
How interesting. | 0:29:27 | 0:29:28 | |
I've had a text. | 0:29:28 | 0:29:30 | |
This... So, I've had an anonymous text from somebody | 0:29:35 | 0:29:37 | |
who says that you can, and I quote it, "attest | 0:29:37 | 0:29:41 | |
"to Kearney's vile, volcanic and uncontrolled temper. | 0:29:41 | 0:29:45 | |
"Kearney is an extremely unpleasant individual under the velvet cloak. | 0:29:45 | 0:29:49 | |
"Try not to be his next female victim - professionally or otherwise!" | 0:29:49 | 0:29:53 | |
I don't know who this is from. | 0:29:56 | 0:29:57 | |
TELEPHONE RINGS | 0:30:06 | 0:30:08 | |
Hello? | 0:30:11 | 0:30:13 | |
Hello, Louise, it's Roger. Hello, Roger. | 0:30:13 | 0:30:15 | |
So, I've been receiving texts... Yes. | 0:30:16 | 0:30:19 | |
..from somebody anonymously, as they can attest "to Kearney's vile, | 0:30:19 | 0:30:23 | |
"volcanic and uncontrolled temper." Yes. | 0:30:23 | 0:30:26 | |
This is a very specific thing this texter is telling me. Anything...? | 0:30:26 | 0:30:29 | |
No. Think hard, cos if I hear it from them and I don't hear it | 0:30:29 | 0:30:33 | |
from you that's going to, that's going to alarm me. | 0:30:33 | 0:30:36 | |
Is there anything you think that they might tell me | 0:30:36 | 0:30:38 | |
about, that would explain why...? I cannot imagine any situation... | 0:30:38 | 0:30:43 | |
the way that's suggested. OK. | 0:30:43 | 0:30:46 | |
Are you sure? Yeah. | 0:30:46 | 0:30:48 | |
Let me tell you the last bit of it. | 0:30:49 | 0:30:50 | |
"Kearney is an extremely unpleasant individual under the velvet cloak. | 0:30:50 | 0:30:55 | |
"Try not to be his next female victim - professionally or otherwise." | 0:30:55 | 0:30:59 | |
ROGER LAUGHS | 0:30:59 | 0:31:01 | |
INDISTINCT | 0:31:01 | 0:31:02 | |
What do you think about that? What do I think about that? Yeah. | 0:31:02 | 0:31:05 | |
I think it's a load of rubbish. The whole lot. It's a load of rubbish. | 0:31:05 | 0:31:08 | |
Somebody obviously doesn't like me and is obviously trying to, um... | 0:31:08 | 0:31:14 | |
put a guy.... Kibosh on the investigation. | 0:31:14 | 0:31:17 | |
Why would they do that? | 0:31:17 | 0:31:19 | |
Cos they don't like me. | 0:31:19 | 0:31:20 | |
The one with Paula wasn't the first affair, was it? | 0:31:23 | 0:31:26 | |
You don't, I don't want you to name names, but you had had | 0:31:26 | 0:31:30 | |
an affair before that, hadn't you? No. No? No. | 0:31:30 | 0:31:33 | |
I'm thinking of you having an affair with somebody | 0:31:34 | 0:31:38 | |
while you were with Kell. | 0:31:38 | 0:31:40 | |
Not... Only a year or so before you started the affair with Paula. | 0:31:40 | 0:31:44 | |
Not affair, I haven't, no, I haven't had an affair. | 0:31:44 | 0:31:47 | |
You said... I was friends with, er... | 0:31:47 | 0:31:51 | |
with, er... | 0:31:51 | 0:31:53 | |
women. | 0:31:53 | 0:31:54 | |
Yeah, no, you told me about that before, | 0:31:54 | 0:31:56 | |
but not sexual relationships with women... | 0:31:56 | 0:31:59 | |
Yeah. But... No I've not, I've not had any sexual relationships with any women. | 0:31:59 | 0:32:04 | |
You told the police you did. Did I? You did. Oh, hang on, yeah. | 0:32:04 | 0:32:08 | |
Er, yes, I did, sorry. You, but... Er, ooh, what was her name? | 0:32:08 | 0:32:13 | |
So, are you now saying you did have sex with someone? | 0:32:15 | 0:32:18 | |
Yes, I did, yes, sorry. Yeah. | 0:32:18 | 0:32:20 | |
Well, how could you not remember that, Roger? Because, er... | 0:32:20 | 0:32:24 | |
I don't know, no idea. | 0:32:24 | 0:32:26 | |
Er, I've forgotten about her. | 0:32:26 | 0:32:28 | |
Just, like, it obviously didn't happen. But... | 0:32:28 | 0:32:31 | |
There wasn't a relationship. | 0:32:31 | 0:32:33 | |
It was like, er, just a couple of times I saw her. | 0:32:33 | 0:32:37 | |
Yeah, I've forgotten all about her. Blimey. | 0:32:37 | 0:32:40 | |
Are there any, any issues with, about your, | 0:32:40 | 0:32:44 | |
about any temper or violence or anything that you are ashamed of | 0:32:44 | 0:32:48 | |
that I'm going to hear from somebody else? No. | 0:32:48 | 0:32:51 | |
Are you sure? Because you're answering me very quickly, just like you did | 0:32:51 | 0:32:54 | |
when you said, "No, I haven't had any other affairs." | 0:32:54 | 0:32:56 | |
I'm not a brilliant man. I know I had two affairs. | 0:32:59 | 0:33:02 | |
You might think badly of me for that, | 0:33:03 | 0:33:06 | |
but I am not a violent person. | 0:33:06 | 0:33:08 | |
You know, if you'd said to me, no, I haven't had any affairs... Well... | 0:33:10 | 0:33:13 | |
..and then I hadn't, just let me finish, if you'd said that to | 0:33:13 | 0:33:16 | |
me, as you just have done, and then I found out from somebody else | 0:33:16 | 0:33:19 | |
you'd had an affair, I would think, take a very dim view of that. Yes. | 0:33:19 | 0:33:23 | |
Tell me now if there's anybody that I'm going to hear something | 0:33:23 | 0:33:26 | |
bad from, and if you think of anything over the next few days | 0:33:26 | 0:33:29 | |
while you're sitting in your cell on your own, | 0:33:29 | 0:33:31 | |
then you need to be straight with me, cos I'm going to hear it, | 0:33:31 | 0:33:33 | |
I'm going to find it, I just need to know it from you, if you want | 0:33:33 | 0:33:36 | |
me not to have a very bad view of it, whatever it is. Er... | 0:33:36 | 0:33:39 | |
no, I don't think you're going to find anything. Well, I know you... | 0:33:39 | 0:33:43 | |
Cos I'm not that sort of person. | 0:33:43 | 0:33:44 | |
The reasons why people have affairs are none of my business, | 0:33:44 | 0:33:47 | |
and, you know, I don't need to hear any justification why you did... | 0:33:47 | 0:33:50 | |
I'm not trying to justify it... | 0:33:50 | 0:33:52 | |
No, but all I'm interested in | 0:33:52 | 0:33:53 | |
is whether or not you're being straight with me. | 0:33:53 | 0:33:55 | |
It's horrible when you push somebody and then the more you, | 0:33:57 | 0:34:00 | |
then you sort of push a little bit and then you've, | 0:34:00 | 0:34:03 | |
they finally start giving you something back, that just... | 0:34:03 | 0:34:06 | |
That really worries me, but I think, to be fair, | 0:34:06 | 0:34:09 | |
I don't know why on earth he would've lied about that to me, | 0:34:09 | 0:34:14 | |
knowing that he's already admitted it to the police. | 0:34:14 | 0:34:17 | |
I mean, come on. He knows I've got the police interviews, so... | 0:34:17 | 0:34:21 | |
It's just an issue for me in terms of, | 0:34:21 | 0:34:24 | |
is he trying to be clever about what he's telling me and what he's not? | 0:34:24 | 0:34:29 | |
And is he trying to dupe me? | 0:34:29 | 0:34:31 | |
REPORTER: Roger Kearney told the court | 0:34:38 | 0:34:40 | |
he had an affair with Mrs Poolton because he thought she wanted | 0:34:40 | 0:34:43 | |
a bit of fun and that he went along with it. | 0:34:43 | 0:34:46 | |
Nigel Pascoe QC told the jury | 0:34:46 | 0:34:49 | |
they may find Roger Kearney's conduct unattractive. | 0:34:49 | 0:34:53 | |
He said, "There's a word sometimes used, 'love rat'." | 0:34:53 | 0:34:56 | |
But, he added, "There's a world of difference between | 0:34:56 | 0:35:00 | |
"a court of morals and a court of law, | 0:35:00 | 0:35:02 | |
"between having an affair with a man's wife and killing." | 0:35:02 | 0:35:06 | |
Are you worried that Roger might be lying to you? | 0:35:14 | 0:35:17 | |
Oh, he could well be, absolutely. | 0:35:17 | 0:35:19 | |
I mean, people have lied in the past and they will again, I'm sure. | 0:35:19 | 0:35:24 | |
If I find out that somebody has lied, | 0:35:24 | 0:35:27 | |
then I would just drop the case immediately, that's the golden rule. | 0:35:27 | 0:35:31 | |
I have said to him right from the very start, | 0:35:36 | 0:35:38 | |
I'll follow the evidence wherever it goes. | 0:35:38 | 0:35:41 | |
If that shows that he's innocent, good. | 0:35:41 | 0:35:44 | |
If it shows that he's completely guilty, then so be it. | 0:35:45 | 0:35:48 | |
You know, I'll follow the evidence. | 0:35:48 | 0:35:50 | |
I'll keep going until I get to the truth. | 0:35:50 | 0:35:52 | |
REPORTER: It's eight months since 40-year-old Paula Poolton was found | 0:35:55 | 0:35:58 | |
stabbed to death in the boot of her own car. | 0:35:58 | 0:36:01 | |
Police divers search for clues to catch a killer, | 0:36:03 | 0:36:06 | |
picking out items as small as cigarette lighters, | 0:36:07 | 0:36:10 | |
hoping that clues lie hidden beneath these quiet waters. | 0:36:10 | 0:36:14 | |
In particular, they're looking for Paula's car keys, | 0:36:14 | 0:36:17 | |
her mobile phone and one of her flip-flops. | 0:36:17 | 0:36:20 | |
It's strange there's some crucial evidence was never, | 0:36:24 | 0:36:27 | |
ever found in this case. | 0:36:27 | 0:36:28 | |
They never found her mobile phone | 0:36:28 | 0:36:30 | |
and they never even found the murder weapon. | 0:36:30 | 0:36:32 | |
But the anonymous texter said that I will find out | 0:36:32 | 0:36:37 | |
that Roger Kearney could've burned evidence. | 0:36:37 | 0:36:40 | |
He says in the text that it's a bonfire night | 0:36:40 | 0:36:44 | |
that Roger Kearney went to and the allegation is that Roger Kearney... | 0:36:44 | 0:36:48 | |
..got rid of evidence in the white- hot braziers at this bonfire night. | 0:36:51 | 0:36:56 | |
I need to | 0:36:58 | 0:36:59 | |
find the green space where the bonfire could've been held | 0:36:59 | 0:37:02 | |
and I need to find Pete The Trees. | 0:37:02 | 0:37:04 | |
I've absolutely, literally, no idea who Pete The Trees is. | 0:37:05 | 0:37:09 | |
Can you tell me... I'm looking for somebody called Pete The Trees. | 0:37:12 | 0:37:17 | |
Come round, I'll find out for you. Will you? | 0:37:17 | 0:37:19 | |
I don't know if you can help me. This is going to sound a bit odd. | 0:37:19 | 0:37:23 | |
I'm trying to find somebody who's called Pete The Trees, | 0:37:23 | 0:37:26 | |
who apparently is somewhere here on Stoneham Lanes? | 0:37:26 | 0:37:30 | |
Outside Stoneham Lakes is a tree, like. He cuts trees. | 0:37:30 | 0:37:34 | |
Possibly to do with a fishing club or a diving club...? | 0:37:34 | 0:37:37 | |
Or you had the Christmas tree man. Right. | 0:37:37 | 0:37:39 | |
That was my mate down the road, so... | 0:37:39 | 0:37:41 | |
OK. Well, I'll go and check it out. We fish up there. | 0:37:41 | 0:37:43 | |
OK. Me and my mate fish up there. OK, all right. All right, thanks. | 0:37:43 | 0:37:46 | |
Thanks a lot. Cheers. | 0:37:46 | 0:37:48 | |
So, what are you looking for now? Church. | 0:37:53 | 0:37:56 | |
Is that it? | 0:37:57 | 0:37:58 | |
Gosh, I'd never have come down here, would I, if I hadn't spoken to him? | 0:37:59 | 0:38:03 | |
It's all making, you know, it all fits. | 0:38:10 | 0:38:13 | |
Oh, here we go. | 0:38:13 | 0:38:15 | |
"Private." | 0:38:15 | 0:38:16 | |
"Warning, covert CCTV in operation." | 0:38:16 | 0:38:19 | |
Private land. Oh, it's all private. | 0:38:24 | 0:38:26 | |
Go... Oh! Hello! | 0:38:49 | 0:38:52 | |
Are you by any chance Pete? Yeah. | 0:38:52 | 0:38:55 | |
Everybody seems to know me as Pete The Tree. | 0:38:55 | 0:38:59 | |
You know, I just don't know why. | 0:38:59 | 0:39:01 | |
I'm doing an investigation about a murder case. | 0:39:01 | 0:39:04 | |
A woman was killed and she was found in the boot of her car. Was it... | 0:39:04 | 0:39:08 | |
..er, near a railway? Exactly. | 0:39:10 | 0:39:13 | |
Swanwick. I remember that, yeah. Yeah. I remember that. | 0:39:13 | 0:39:16 | |
I got an anonymous text who said, | 0:39:16 | 0:39:19 | |
"You should go and speak to Pete The Trees, | 0:39:19 | 0:39:22 | |
"to see how easy it might have been to completely incinerate the missing | 0:39:22 | 0:39:26 | |
"physical evidence in the white-hot braziers | 0:39:26 | 0:39:29 | |
"of his annual fishing club bonfire..." | 0:39:29 | 0:39:32 | |
The knife, you know, that was used in the murder... | 0:39:32 | 0:39:35 | |
Well, I would've found that, wouldn't I, when I clear up? | 0:39:35 | 0:39:38 | |
I'd have found bits and pieces like that, anything metal. | 0:39:38 | 0:39:41 | |
It's strange, because there's such a lot of detail in it. | 0:39:41 | 0:39:43 | |
I can't...I can't see anything going on here, | 0:39:43 | 0:39:46 | |
cos I'm here from when it starts till when the fire goes out. | 0:39:46 | 0:39:50 | |
He was called Roger Kearney. | 0:39:50 | 0:39:53 | |
Roger, Roger. Roger who? | 0:39:53 | 0:39:55 | |
Kearney, or Keern-ey, Kurn-ey. | 0:39:55 | 0:39:58 | |
Let me show you. I just need to do two things. | 0:39:58 | 0:40:00 | |
I need to find a picture of him... | 0:40:00 | 0:40:02 | |
I might know his face. Here he is. | 0:40:02 | 0:40:05 | |
I don't recall seeing him at the barbecue. | 0:40:09 | 0:40:12 | |
Has there ever been anybody acting strangely, suspiciously? | 0:40:12 | 0:40:16 | |
Has anybody ever spoken about somebody, was a bit odd? | 0:40:16 | 0:40:20 | |
No. | 0:40:21 | 0:40:22 | |
All right. Thank you. Goodbye, then... | 0:40:22 | 0:40:24 | |
I'm so pleased to have met you, thank you. All right. | 0:40:24 | 0:40:27 | |
Bye-bye. Bye-bye. | 0:40:27 | 0:40:28 | |
Anonymous text has really wasted my time. | 0:40:38 | 0:40:41 | |
Everything that I've checked out doesn't stand up, doesn't go anywhere at all. | 0:40:41 | 0:40:44 | |
I think it's just vicious gossip from somebody | 0:40:44 | 0:40:47 | |
who is trying to be meddling. | 0:40:47 | 0:40:50 | |
So, that's the end of it. | 0:40:51 | 0:40:53 | |
So, what now? | 0:40:56 | 0:40:57 | |
I really don't know whether Roger is innocent or guilty, | 0:40:57 | 0:41:01 | |
but I do think that after looking again at all of the evidence, | 0:41:01 | 0:41:05 | |
there are really strong reasons for the judicial system to look at | 0:41:05 | 0:41:09 | |
this case again, but getting that to happen is not going to be easy. | 0:41:09 | 0:41:12 | |
The only way you can get back to the Court of Appeal again | 0:41:14 | 0:41:17 | |
is to go through the Criminal Cases Review Commission, the CCRC. | 0:41:17 | 0:41:22 | |
You need to try and convince the CCRC that there's merit in the case. | 0:41:22 | 0:41:26 | |
We've been referred to as a safety net, as the backstop, | 0:41:33 | 0:41:37 | |
as the last opportunity, as it were, | 0:41:37 | 0:41:40 | |
to get a case back to the Court of Appeal. | 0:41:40 | 0:41:42 | |
The CCRC receives about 1,500 cases per year. | 0:41:46 | 0:41:50 | |
We refer approximately 33 cases for a new appeal. | 0:41:51 | 0:41:57 | |
The case has of course been through a jury of 12 people, | 0:41:57 | 0:42:00 | |
who have decided upon guilt, | 0:42:00 | 0:42:02 | |
so inevitably, coming to the commission, | 0:42:02 | 0:42:05 | |
there has got to be new material. | 0:42:05 | 0:42:07 | |
Now, that is a difficult hurdle to cross over. | 0:42:07 | 0:42:11 | |
It is crucial that occurs. | 0:42:11 | 0:42:14 | |
The role of organisations such as charities is hugely important. | 0:42:14 | 0:42:18 | |
However, they've got to present us with logical reasons | 0:42:18 | 0:42:23 | |
for referring the case to the Court of Appeal. | 0:42:23 | 0:42:26 | |
Well, if there is nothing new... | 0:42:26 | 0:42:29 | |
then the Court of Appeal aren't going to change their decision. | 0:42:29 | 0:42:32 | |
Courts don't like overturning convictions. | 0:42:32 | 0:42:34 | |
It's difficult for them to do so. | 0:42:34 | 0:42:36 | |
So you have to find something that's legally new. | 0:42:36 | 0:42:39 | |
Thank you very much. Thank you very much for being here, everybody. | 0:42:47 | 0:42:50 | |
So, our advisory panel meeting this afternoon is to look | 0:42:50 | 0:42:53 | |
specifically at the case of Roger Kearney. | 0:42:53 | 0:42:55 | |
It would be really great if the main aim today | 0:43:05 | 0:43:07 | |
is to go through the forensic evidence | 0:43:07 | 0:43:10 | |
and to see what possibilities there are for us now | 0:43:10 | 0:43:12 | |
in reviewing this case. | 0:43:12 | 0:43:14 | |
If you see something on a photograph and you think... | 0:43:16 | 0:43:19 | |
something occurs to you of what could be done, | 0:43:19 | 0:43:22 | |
or might be done, can you just let me know? | 0:43:22 | 0:43:24 | |
Definitely the tapings. I really, really like the tapings. | 0:43:26 | 0:43:29 | |
I would've thought that it would be worth looking at those. | 0:43:29 | 0:43:33 | |
This is the picture, by the way, of the tapings, so... | 0:43:33 | 0:43:36 | |
So, these tapings were taken for the purpose of looking for fibres. | 0:43:36 | 0:43:40 | |
But obviously if you stick tape onto something and take it off, | 0:43:40 | 0:43:43 | |
you don't just pick up fibres with it, | 0:43:43 | 0:43:45 | |
you'll pick up biological material, potentially. | 0:43:45 | 0:43:48 | |
DNA? Yeah. | 0:43:48 | 0:43:49 | |
There have been samples recovered from | 0:43:49 | 0:43:53 | |
the back area of the knees of her trousers, | 0:43:53 | 0:43:56 | |
under the arms of the coat, which are... | 0:43:56 | 0:43:59 | |
You know, if I was going to lift somebody into a car, | 0:43:59 | 0:44:02 | |
I would put my arm behind the knees | 0:44:02 | 0:44:04 | |
and around the shoulders and try, try and get them in there, | 0:44:04 | 0:44:07 | |
so that seems to me a very proper place to look. | 0:44:07 | 0:44:11 | |
So, that DNA from the perpetrator | 0:44:11 | 0:44:14 | |
is actually still happily sitting on those tapings. | 0:44:14 | 0:44:19 | |
Whatever that was on there will be... | 0:44:19 | 0:44:22 | |
On those tapes? Yes. Yes. | 0:44:22 | 0:44:23 | |
The carrier bag. | 0:44:25 | 0:44:27 | |
We wanted to have another look at that. | 0:44:27 | 0:44:30 | |
This is the carrier bag then which was found in the boot | 0:44:30 | 0:44:33 | |
underneath the victim's body. | 0:44:33 | 0:44:34 | |
She'd been shopping at Tesco's, we know, just before she disappeared. | 0:44:36 | 0:44:39 | |
Tracey, can you talk us through...? | 0:44:39 | 0:44:41 | |
You've done some work on this. Talk us through what you've found. | 0:44:41 | 0:44:44 | |
It's wet blood deposited on... | 0:44:44 | 0:44:46 | |
And we think that there's some sort of | 0:44:47 | 0:44:49 | |
detail in there that's from a male. | 0:44:49 | 0:44:51 | |
I think it would be worth finding out who that male was. | 0:44:51 | 0:44:53 | |
Detail in area five, which is the one that you were discussing, | 0:44:53 | 0:44:56 | |
was formed through a combination of wet blood on the hand | 0:44:56 | 0:44:59 | |
and hand into wet blood already on the carrier bag, | 0:44:59 | 0:45:03 | |
so it's a deposition of blood from the hand. | 0:45:03 | 0:45:06 | |
A bloodstained hand, which is then put onto the surface. | 0:45:06 | 0:45:09 | |
That's their opinion, yes. | 0:45:09 | 0:45:11 | |
They were able to say, definitively, not Roger Kearney's. | 0:45:11 | 0:45:16 | |
There's a finger mark on there that's from somebody else. | 0:45:16 | 0:45:19 | |
Does that potentially tell us who the person is? | 0:45:19 | 0:45:22 | |
If it's wet blood on somebody's finger | 0:45:22 | 0:45:25 | |
and that's been placed on the bag, | 0:45:25 | 0:45:26 | |
that's somebody that interacted with the bag | 0:45:26 | 0:45:29 | |
after the victim's been injured. | 0:45:29 | 0:45:30 | |
I don't suppose any Y-chromosome testing has been done, | 0:45:30 | 0:45:34 | |
which would be important, to try and pick up any male contact. | 0:45:34 | 0:45:38 | |
Could that be done in 2008? That's when this... | 0:45:38 | 0:45:41 | |
Was that being done? No, they weren't doing it. | 0:45:41 | 0:45:43 | |
They wouldn't have done it. | 0:45:43 | 0:45:46 | |
They're only just starting to do it now, | 0:45:46 | 0:45:48 | |
so that would certainly be worth looking at. | 0:45:48 | 0:45:50 | |
That is a priority. | 0:45:50 | 0:45:52 | |
Your Tesco carrier bag is number one. Number two... Tapings. | 0:45:52 | 0:45:55 | |
Tapings, all the body tapings. All those body tapings. | 0:45:55 | 0:45:59 | |
So there's a partial fingerprint in blood on the carrier bag. | 0:46:14 | 0:46:18 | |
The carrier bag that was bought by the victim not long before | 0:46:19 | 0:46:22 | |
the last known minutes of her life. | 0:46:22 | 0:46:24 | |
So, we could have a murderer with blood on their hands, | 0:46:28 | 0:46:31 | |
who's touched that bag | 0:46:31 | 0:46:33 | |
and now we have the technology to identify that person. | 0:46:33 | 0:46:37 | |
So, what I want to do now is to find out whether Roger wants that | 0:46:41 | 0:46:44 | |
work done, or if he's going to start coming up with excuses. | 0:46:44 | 0:46:48 | |
It's a final test, really, for him. | 0:46:48 | 0:46:50 | |
So, I need to find out whether he's willing to pay | 0:46:52 | 0:46:54 | |
a lab to do this work. | 0:46:54 | 0:46:56 | |
Then I'll find out whether or not he wants the truth to come out. | 0:46:56 | 0:46:59 | |
If he doesn't, for me, that's the end of it. | 0:46:59 | 0:47:02 | |
TELEPHONE RINGS | 0:47:06 | 0:47:08 | |
Hello? Hello, it's Roger again. | 0:47:09 | 0:47:12 | |
Hello, Roger, thank you very much for calling again. | 0:47:12 | 0:47:15 | |
There is some potentially hopeful news. | 0:47:15 | 0:47:18 | |
There was a fingerprint that went into blood on that carrier bag | 0:47:18 | 0:47:21 | |
that was found... Yeah. ..with Paula's body. Yeah. | 0:47:21 | 0:47:24 | |
So, that's the next step - | 0:47:24 | 0:47:26 | |
make sure that all the possible forensic work can be done, that is done. | 0:47:26 | 0:47:29 | |
You want everything done, don't you, Roger? Yes. | 0:47:29 | 0:47:31 | |
Absolutely. OK. | 0:47:31 | 0:47:33 | |
Yeah, um... I'm quite happy to help pay towards... | 0:47:34 | 0:47:38 | |
what I can. Good. | 0:47:38 | 0:47:40 | |
And what we're always, always doing is just trying to find | 0:47:40 | 0:47:43 | |
the identity of the killer. I'm not looking for evidence to clear you. | 0:47:43 | 0:47:46 | |
You know, that's not the way I go at it. | 0:47:46 | 0:47:49 | |
I go at it looking at, I just want evidence of who has done this. | 0:47:49 | 0:47:52 | |
Yeah, absolutely. That's what I... | 0:47:52 | 0:47:53 | |
So, I'm not asking closed questions. | 0:47:53 | 0:47:55 | |
I'm looking to identify the murderer | 0:47:55 | 0:47:57 | |
and that's what you're prepared to fund, is it? Yes. Good. | 0:47:57 | 0:48:00 | |
OK, Roger, all right. So, I didn't do it, so... | 0:48:00 | 0:48:03 | |
Yes, if I can prove that... | 0:48:03 | 0:48:06 | |
that somebody else done it... | 0:48:06 | 0:48:08 | |
even if they don't get somebody else for it, | 0:48:08 | 0:48:12 | |
but the evidence, proof, you know, shows that I wasn't involved, | 0:48:12 | 0:48:16 | |
I'm quite happy to fund it. OK. | 0:48:16 | 0:48:19 | |
Hello, Ann! | 0:48:31 | 0:48:32 | |
Nice to see you again. Hello. Thank you so much for coming up. | 0:48:34 | 0:48:37 | |
Not at all, it's a pleasure. | 0:48:37 | 0:48:39 | |
Oh, thanks very much for, for coming in today, you know, | 0:48:49 | 0:48:52 | |
coming up to Birmingham for this today. It's a pleasure. | 0:48:52 | 0:48:54 | |
It's brilliant of you to give your time and expertise to the case. | 0:48:54 | 0:48:58 | |
Good luck. Yes. Hope you find your answers. Thank you. | 0:49:08 | 0:49:11 | |
Thanks very much. Bye-bye. | 0:49:11 | 0:49:12 | |
It is a cold day in Birmingham, but it's an exciting day | 0:49:15 | 0:49:18 | |
because we've finally got access to the forensic files from the time. | 0:49:18 | 0:49:22 | |
Is there enough material left to find out categorically | 0:49:26 | 0:49:29 | |
whether or not Roger Kearney is the murderer or not? | 0:49:29 | 0:49:33 | |
So, Ann, have you been able to find out any information about | 0:49:59 | 0:50:04 | |
the one-to-one tapings? They appear to have been destroyed. | 0:50:04 | 0:50:07 | |
Unfortunately. | 0:50:07 | 0:50:09 | |
They've been destroyed. | 0:50:09 | 0:50:11 | |
So those original tapings, the ones that we were sort of | 0:50:13 | 0:50:16 | |
calling the eyewitness, if you like, the person had actually put... | 0:50:16 | 0:50:20 | |
They've been destroyed? They seem to have been destroyed, yes. | 0:50:20 | 0:50:24 | |
Is this, is that categorical? Is that absolutely definite? | 0:50:26 | 0:50:29 | |
As far as I've been able to establish, yes, it is. | 0:50:29 | 0:50:32 | |
And that's something you've learnt today? Yes, it is, yes. | 0:50:32 | 0:50:35 | |
It doesn't look as though we will have access to those. | 0:50:37 | 0:50:39 | |
In a murder case? They've definitely gone. Who owns those? | 0:50:39 | 0:50:44 | |
Well, they're police exhibits. | 0:50:44 | 0:50:46 | |
Maybe the police can give a fuller answer or an explanation. | 0:50:46 | 0:50:51 | |
I mean, don't the police retain them? I'm afraid I can't answer that. | 0:50:51 | 0:50:55 | |
Well... But this is a murder case, though. | 0:50:55 | 0:50:57 | |
Why would exhibits have been destroyed? | 0:50:57 | 0:50:59 | |
Well, I've no idea what the police policy is on exhibits. | 0:50:59 | 0:51:04 | |
Do we know what's happened to the carrier bag? No. | 0:51:04 | 0:51:06 | |
Presumably that would be a police exhibit, too. Yes. Yes. | 0:51:06 | 0:51:10 | |
As would the clothing, everything. | 0:51:10 | 0:51:12 | |
The handbag, erm, | 0:51:12 | 0:51:15 | |
the car tapings... | 0:51:15 | 0:51:16 | |
..they would all be police exhibits. | 0:51:17 | 0:51:19 | |
So we could be in a position where all of those key exhibits... | 0:51:20 | 0:51:24 | |
Are no longer in existence. | 0:51:24 | 0:51:25 | |
..that would hold the answer to who the murderer is, have been destroyed. Yes, yes. | 0:51:25 | 0:51:29 | |
Thanks so much for seeing me. | 0:51:44 | 0:51:45 | |
It's a bit of an emergency. OK. Right. | 0:51:45 | 0:51:49 | |
So, Ann asked the question, "Where are these tapings now?", | 0:51:49 | 0:51:53 | |
hoping to do more work, | 0:51:53 | 0:51:55 | |
and was told they went back to the police | 0:51:55 | 0:51:57 | |
at the end of the investigation and they've since been destroyed. | 0:51:57 | 0:52:01 | |
But it doesn't... It doesn't really make any sense | 0:52:03 | 0:52:07 | |
because you have to retain | 0:52:07 | 0:52:10 | |
items that are taken as part of a murder enquiry. | 0:52:10 | 0:52:14 | |
You can't just think, "Oh, well, we've done that, we don't... | 0:52:14 | 0:52:17 | |
"let's move on." That's certainly not my understanding. | 0:52:17 | 0:52:20 | |
Obviously, I've never worked for that force, but my potentially | 0:52:20 | 0:52:23 | |
naive assumption is that it's the same across the board, that | 0:52:23 | 0:52:28 | |
there's a minimum amount of time we have to keep those things for. | 0:52:28 | 0:52:31 | |
And I worked previously at the MPS, now I'm with the City... | 0:52:31 | 0:52:33 | |
Met? At the Met Police. | 0:52:33 | 0:52:36 | |
That's absolutely... | 0:52:36 | 0:52:37 | |
The 30-year rule is the thing that leapt to my mind with that. | 0:52:37 | 0:52:41 | |
"They'll certainly be kept for 30 years." Yeah. | 0:52:41 | 0:52:43 | |
Everybody I spoke to was really surprised | 0:52:55 | 0:52:57 | |
that this had been destroyed. | 0:52:57 | 0:52:59 | |
If it's happened, then somebody must have made a conscious decision. | 0:52:59 | 0:53:02 | |
Somebody's got to sign a destruction order | 0:53:02 | 0:53:05 | |
or something or other, and it's not common policy. | 0:53:05 | 0:53:08 | |
Certainly for the miscarriage of justice cases that we've looked at | 0:53:08 | 0:53:11 | |
before, there's never been any other case that we've come across | 0:53:11 | 0:53:14 | |
where they say, "We haven't got them because we got rid of them." | 0:53:14 | 0:53:17 | |
'In order for the CCRC to effectively carry out a full review, | 0:53:59 | 0:54:03 | |
'it's clearly very important that material is retained.' | 0:54:03 | 0:54:06 | |
Somebody convicted of murder in the Crown Court, | 0:54:08 | 0:54:11 | |
I would expect the material to be around for at least as long | 0:54:11 | 0:54:14 | |
as that person is in custody. | 0:54:14 | 0:54:16 | |
Now, if material does not exist, there's nothing we can do. | 0:54:17 | 0:54:20 | |
We can't invent material. | 0:54:20 | 0:54:22 | |
We can't come to conclusions not based upon evidence. | 0:54:22 | 0:54:26 | |
If the material has been destroyed, for whatever reason, | 0:54:26 | 0:54:29 | |
whether by mistake, deliberate or not, it doesn't matter. | 0:54:29 | 0:54:31 | |
But if the material simply isn't there, | 0:54:31 | 0:54:34 | |
then it is impossible to carry out an effective review. | 0:54:34 | 0:54:37 | |
'We've had some bad news, in terms of the exhibits.' | 0:55:00 | 0:55:05 | |
OVER PHONE: 'Yes?' | 0:55:09 | 0:55:10 | |
We know that some evidence was sent back to the police. | 0:55:14 | 0:55:17 | |
And we know that they've destroyed some things. | 0:55:19 | 0:55:23 | |
Which is pretty devastating. | 0:55:23 | 0:55:25 | |
HE EXHALES | 0:55:27 | 0:55:28 | |
It is. | 0:55:28 | 0:55:30 | |
There was a guy in Southampton convicted of a murder. | 0:55:31 | 0:55:34 | |
He did 27 years and then managed to prove that he didn't, | 0:55:36 | 0:55:41 | |
he could not have killed this woman. | 0:55:41 | 0:55:43 | |
Can I afford 27 years? | 0:55:46 | 0:55:48 | |
I'll go to my deathbed... | 0:55:57 | 0:56:01 | |
saying the same. I did not...murder Paula. | 0:56:01 | 0:56:06 | |
Um... I will deny ever doing it. | 0:56:10 | 0:56:14 | |
I didn't do it. | 0:56:16 | 0:56:18 | |
That's finger marks. | 0:57:25 | 0:57:26 | |
Why have we got the same four series number for all the tapings | 0:57:26 | 0:57:30 | |
and things from the car? | 0:57:30 | 0:57:33 | |
I don't know. | 0:57:33 | 0:57:34 | |
So, when the carrier bag was examined for fingerprints, | 0:57:46 | 0:57:49 | |
they took certain precautions during that examination, | 0:57:49 | 0:57:52 | |
and they recovered samples. | 0:57:52 | 0:57:54 | |
So, what do we know about where the sample was last known to be? | 0:57:54 | 0:57:59 | |
Well, our last record of that sample is, | 0:57:59 | 0:58:01 | |
it was stored in a freezer within the Forensic Science Service. | 0:58:01 | 0:58:06 | |
And from there, sort of the trail goes cold, really. | 0:58:06 | 0:58:09 | |
We're really interested in it and it's next to ridge detail | 0:58:09 | 0:58:14 | |
from a finger mark in blood. | 0:58:14 | 0:58:16 | |
The sample they took, then, is of the area we're interested in. | 0:58:16 | 0:58:20 | |
Well, it almost certainly is from the area that we're interested in. | 0:58:20 | 0:58:25 | |
So we have got a swab? Correct. | 0:58:25 | 0:58:27 | |
So the only thing left is to find out where it is. | 0:58:27 | 0:58:31 | |
Establish where it is now. | 0:58:31 | 0:58:33 | |
Potentially, we've got something | 0:58:33 | 0:58:35 | |
that, at some point, came from that bag. | 0:58:35 | 0:58:37 |