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The British justice system is the envy of the world. | 0:00:02 | 0:00:05 | |
But in the past, mistakes have been made. | 0:00:05 | 0:00:08 | |
Between the year 1900 and the year 1964, | 0:00:08 | 0:00:11 | |
approximately 800 people were hanged in the United Kingdom. | 0:00:11 | 0:00:15 | |
Many of those desperately protested their innocence. | 0:00:15 | 0:00:19 | |
Some of these long-standing convictions could be a miscarriage of justice. | 0:00:19 | 0:00:24 | |
She's received most of the blows in this position, | 0:00:24 | 0:00:27 | |
once she's already bleeding. | 0:00:27 | 0:00:29 | |
In this series, a living relative will attempt to clear their family name. | 0:00:29 | 0:00:32 | |
Deep in my heart, I truly believe that he wasn't guilty. | 0:00:32 | 0:00:36 | |
Searching for new evidence... | 0:00:36 | 0:00:38 | |
I can make the .32 fire both calibres. | 0:00:38 | 0:00:42 | |
..with help from two of the UK's leading barristers, | 0:00:45 | 0:00:48 | |
one for the defence... | 0:00:48 | 0:00:50 | |
This is a very worrying case. | 0:00:50 | 0:00:52 | |
I think the evidence is very suspect. | 0:00:52 | 0:00:54 | |
..and one for the prosecution. | 0:00:54 | 0:00:56 | |
I'm still of the view that this was a cogent case of murder, | 0:00:56 | 0:01:00 | |
committed during the course of a robbery. | 0:01:00 | 0:01:03 | |
They are on a mission to solve the mystery, | 0:01:03 | 0:01:07 | |
submitting their findings to a Crown Court judge. | 0:01:07 | 0:01:10 | |
There is a real risk that there has been a miscarriage of justice here. | 0:01:10 | 0:01:15 | |
I will look again at the evidence in the light of the arguments that you | 0:01:15 | 0:01:19 | |
both have put before me. | 0:01:19 | 0:01:20 | |
Can this modern investigation | 0:01:20 | 0:01:23 | |
rewrite history? | 0:01:23 | 0:01:24 | |
On the 15th July, 1951, | 0:01:33 | 0:01:35 | |
a team of ten officers from the Huddersfield police | 0:01:35 | 0:01:38 | |
formed a cordon around a farm in Kirkheaton, West Yorkshire. | 0:01:38 | 0:01:42 | |
They suspected the owner, Alfred Moore, | 0:01:43 | 0:01:46 | |
for a spate of burglaries in the area, | 0:01:46 | 0:01:48 | |
and hoped a stakeout would catch him red-handed returning from a job. | 0:01:48 | 0:01:52 | |
At 2am, two officers did attempt to apprehend a man crossing the farm. | 0:01:54 | 0:01:59 | |
When confronted, the man shot the two policeman. | 0:01:59 | 0:02:03 | |
And fled into the night. | 0:02:03 | 0:02:07 | |
DI Fraser died instantly at the scene. | 0:02:10 | 0:02:13 | |
The second officer, PC Arthur Jagger, | 0:02:13 | 0:02:15 | |
was fatally wounded and died the next day in hospital. | 0:02:15 | 0:02:18 | |
Three hours after the shooting, the owner of the farm, | 0:02:20 | 0:02:23 | |
36-year-old Alfred Moore, | 0:02:23 | 0:02:25 | |
was arrested at his farmhouse and charged with murder. | 0:02:25 | 0:02:29 | |
At the subsequent trial, he was found guilty and sentenced to death. | 0:02:29 | 0:02:33 | |
On 6th February, 1952, Alfred Moore was hanged at Leeds Armley Prison. | 0:02:33 | 0:02:39 | |
He protested his innocence to the last. | 0:02:39 | 0:02:41 | |
"I'm not guilty of the crime of which I have been convicted, | 0:02:43 | 0:02:47 | |
"and I beg you to show mercy and grant me a reprieve. | 0:02:47 | 0:02:51 | |
"I am convinced that one day my innocence will be established." | 0:02:51 | 0:02:55 | |
65 years on, Alfred's daughter Bronwyn | 0:02:57 | 0:02:59 | |
is still desperate to clear her father's name. | 0:02:59 | 0:03:02 | |
It's heartbreaking. | 0:03:04 | 0:03:06 | |
When you read it, you know that this is the last thing that he ever did in his life. | 0:03:06 | 0:03:11 | |
And it's pleading for his innocence. | 0:03:11 | 0:03:14 | |
And the last sentence in particular... | 0:03:14 | 0:03:16 | |
..is very moving. | 0:03:17 | 0:03:19 | |
When he says he is "convinced that one day my innocence will be established". | 0:03:19 | 0:03:26 | |
And I hope, sincerely... | 0:03:26 | 0:03:28 | |
..that that can happen. | 0:03:30 | 0:03:31 | |
In 1939, at the outbreak of war, Alfred married Alice Cox. | 0:03:34 | 0:03:39 | |
And together, they had four daughters. | 0:03:40 | 0:03:43 | |
Bronwyn was the youngest, just two when their father was hanged. | 0:03:43 | 0:03:46 | |
It had been hidden from me. | 0:03:48 | 0:03:50 | |
I like to think I was protected a little because I was so young when the incident happened. | 0:03:50 | 0:03:55 | |
By the time I got old enough to be able to understand what had happened, | 0:03:55 | 0:03:59 | |
nobody spoke about it. | 0:03:59 | 0:04:01 | |
So it was just forgotten about. | 0:04:01 | 0:04:03 | |
Through her own research into the case, and her family past, | 0:04:03 | 0:04:07 | |
Bronwyn believes she has unearthed the truth about her father. | 0:04:07 | 0:04:10 | |
I did have an insight into his character. | 0:04:10 | 0:04:14 | |
I think my father was quite a weak man. | 0:04:14 | 0:04:18 | |
I would definitely say that he was dominated by my mother. | 0:04:18 | 0:04:22 | |
He was a clever man. | 0:04:23 | 0:04:24 | |
He schooled himself. | 0:04:24 | 0:04:28 | |
And it was his dream to, one day, run a poultry farm. | 0:04:28 | 0:04:32 | |
Moore achieved that dream, buying Whinney Close Farm in 1951. | 0:04:32 | 0:04:36 | |
But just a few months later, | 0:04:37 | 0:04:39 | |
the idyllic life he had planned was shattered in tragic circumstances | 0:04:39 | 0:04:43 | |
when the two police officers were shot dead at the farm. | 0:04:43 | 0:04:46 | |
I'd like to learn more about the incident from different aspects. | 0:04:46 | 0:04:52 | |
I have the view of my own research, | 0:04:52 | 0:04:55 | |
but I would like to hear what other people have to say - | 0:04:55 | 0:04:59 | |
professionals who have looked into the case. | 0:04:59 | 0:05:02 | |
I hope to discover that there's something somewhere in this evidence | 0:05:03 | 0:05:08 | |
that can prove that my father was innocent. | 0:05:08 | 0:05:12 | |
Helping Bronwyn to investigate the case are two of the country's leading legal minds. | 0:05:14 | 0:05:19 | |
Jeremy Dean QC is a top defence barrister | 0:05:19 | 0:05:22 | |
with over 30 years' experience, specialising in serious crime. | 0:05:22 | 0:05:27 | |
Analysing the case for the prosecution is Sasha Wass QC, | 0:05:27 | 0:05:31 | |
who has successfully convicted some of the country's most notorious | 0:05:31 | 0:05:34 | |
offenders. Together, they will scrutinise the facts, | 0:05:34 | 0:05:37 | |
focusing on the areas that could produce the new evidence they'll need to take the case forward. | 0:05:37 | 0:05:42 | |
-Bronwyn. -Hi. -Hello. I'm Sasha. | 0:05:42 | 0:05:45 | |
-Nice to meet you. -Nice to meet you. -Jeremy. -Jeremy. -Nice to meet you, too. | 0:05:45 | 0:05:49 | |
First, they want to get Bronwyn's view on the case. | 0:05:49 | 0:05:52 | |
It would help us if you were to give us a brief overview of why it is | 0:05:52 | 0:05:58 | |
you're so confident that your father was victim of a miscarriage of | 0:05:58 | 0:06:02 | |
-justice. -Lack of evidence. | 0:06:02 | 0:06:04 | |
The fact that the gun was never found. | 0:06:04 | 0:06:07 | |
His alibi was so simple, but often simple things, | 0:06:07 | 0:06:12 | |
you know, are the truth. | 0:06:12 | 0:06:15 | |
In some cases which are historic, such as this, | 0:06:15 | 0:06:18 | |
modern techniques can actually prove that a particular defendant did the act. | 0:06:18 | 0:06:24 | |
Now, are you prepared that that might be the result in this case? | 0:06:24 | 0:06:29 | |
-Yes, I am. -Yes, you've braced yourself? | 0:06:29 | 0:06:31 | |
Yes, but deep in my heart, I truly believe that he wasn't guilty. | 0:06:31 | 0:06:36 | |
I can't make any promises. | 0:06:36 | 0:06:38 | |
What I can say is that I'll be exploring every angle in order | 0:06:38 | 0:06:43 | |
to see whether there are grounds for reopening your father's case. | 0:06:43 | 0:06:48 | |
If anything comes to my attention which causes me concern about the case, | 0:06:48 | 0:06:52 | |
I won't hesitate to support your perspective. | 0:06:52 | 0:06:57 | |
I was a little nervous when I arrived, but after meeting them, | 0:06:57 | 0:07:01 | |
I'm really looking forward to them looking into my father's case. | 0:07:01 | 0:07:04 | |
The first task for the barristers is to identify the key facts of the murder. | 0:07:05 | 0:07:10 | |
Can I tell you what my first impressions are? | 0:07:11 | 0:07:15 | |
The police staked out Alfred's farm, | 0:07:15 | 0:07:19 | |
because he was suspected of being a well-known local burglar. | 0:07:19 | 0:07:24 | |
And on the night in question, a cordon was set around the farm. | 0:07:24 | 0:07:28 | |
And in fact, the shooting took place on Alfred's own property. | 0:07:28 | 0:07:32 | |
So number one, | 0:07:32 | 0:07:34 | |
Alfred was on his own property when the guns were discharged. | 0:07:34 | 0:07:39 | |
Secondly, Alfred was actually identified by the police. | 0:07:39 | 0:07:44 | |
Mr Jagger saw the shooting take place. | 0:07:44 | 0:07:48 | |
He was one of the victims, and he identified the culprit. | 0:07:48 | 0:07:51 | |
One of the key points in the prosecution case, as you've identified, | 0:07:51 | 0:07:56 | |
is the so-called identification parade. | 0:07:56 | 0:07:58 | |
But PC Jagger identifies the suspect at a hospital when he's about to die. | 0:07:58 | 0:08:04 | |
For me, it was a farce. | 0:08:04 | 0:08:06 | |
And then, the murder weapon. | 0:08:06 | 0:08:07 | |
The murder weapon was never found. | 0:08:07 | 0:08:09 | |
So far as the police cordon is concerned, | 0:08:09 | 0:08:11 | |
there's reasons to be concerned about the evidence that police officers gave. | 0:08:11 | 0:08:17 | |
So this is a very worrying case. | 0:08:17 | 0:08:19 | |
And I'm much closer to Bronwyn's standpoint than you are. | 0:08:19 | 0:08:23 | |
With the barristers already at odds, | 0:08:24 | 0:08:27 | |
Bronwyn is returning to West Yorkshire, | 0:08:27 | 0:08:30 | |
and the family farm where the double murder took place. | 0:08:30 | 0:08:32 | |
We're here at Whinney Close Farm. | 0:08:36 | 0:08:39 | |
It was the achievement of my father's dream to be able to build | 0:08:39 | 0:08:43 | |
his poultry business, breed chickens and sell eggs, raise pigs and ducks. | 0:08:43 | 0:08:49 | |
Coming back all these years later to see the farm where I should have been brought up, | 0:08:50 | 0:08:56 | |
it brings home to me the different path my life took. | 0:08:56 | 0:09:00 | |
I would've grown up on a beautiful farm like that in the fresh air. | 0:09:00 | 0:09:04 | |
It does affect me, standing here, thinking what might have been. | 0:09:04 | 0:09:07 | |
Alfred Moore returned from service in the merchant Navy to a Britain ravished by war. | 0:09:09 | 0:09:13 | |
Austerity and rationing prevented many families from getting back on their feet. | 0:09:13 | 0:09:18 | |
For some like Alfred, the desire for a better family life | 0:09:18 | 0:09:22 | |
led to the trading of goods on the black market, | 0:09:22 | 0:09:24 | |
and other illegal activities to supplement income. | 0:09:24 | 0:09:28 | |
When my father came back from the merchant Navy, and they needed money, | 0:09:28 | 0:09:33 | |
it was coming up to Christmas, there was no food in the house, | 0:09:33 | 0:09:36 | |
and he did his first burglary. | 0:09:36 | 0:09:38 | |
I think my father felt pressure because, knowing my mother, | 0:09:39 | 0:09:44 | |
I can well believe that she was the driving force behind his activities. | 0:09:44 | 0:09:49 | |
Alfred was an accomplished burglar. | 0:09:49 | 0:09:51 | |
But his prosperity didn't go unnoticed by the local constabulary. | 0:09:52 | 0:09:55 | |
By July, 1951, despite Moore's decision to quit his life of crime, | 0:09:57 | 0:10:02 | |
a plan to catch him was already underway. | 0:10:02 | 0:10:05 | |
On the night of the 14th of July, | 0:10:08 | 0:10:10 | |
ten police officers on a stakeout had formed a cordon around his farm. | 0:10:10 | 0:10:15 | |
Let me talk you through what the prosecution at trial called | 0:10:15 | 0:10:19 | |
the cordon evidence. | 0:10:19 | 0:10:21 | |
In the earlier part of the evening, | 0:10:21 | 0:10:23 | |
Alfred was at home with his wife and family. | 0:10:23 | 0:10:27 | |
His brother Charles came to visit. | 0:10:27 | 0:10:30 | |
The evidence of Alfred, and indeed his brother Charles, | 0:10:30 | 0:10:34 | |
was that Alfred walked Charles part of the way home. | 0:10:34 | 0:10:38 | |
According to Alfred, he left his brother at 11:25, | 0:10:39 | 0:10:43 | |
walking back via the cemetery, up a footpath leading to the farm, | 0:10:43 | 0:10:48 | |
arriving home between 11:45 and midnight. | 0:10:48 | 0:10:51 | |
The police evidence is that the officers | 0:10:53 | 0:10:57 | |
all convened at the ash tip, here, by 11:37. | 0:10:57 | 0:11:01 | |
And thereafter they separated to their posts. | 0:11:01 | 0:11:05 | |
The timing of the police was something very much relied on by the prosecution. | 0:11:05 | 0:11:12 | |
The prosecution alleged that Alfred couldn't have arrived home | 0:11:12 | 0:11:15 | |
after 11:45 because the police cordon was in place, | 0:11:15 | 0:11:19 | |
and he would have been stopped. | 0:11:19 | 0:11:21 | |
The prosecution case was that Alfred Moore didn't return home until | 0:11:21 | 0:11:25 | |
just before two o'clock. | 0:11:25 | 0:11:27 | |
When he walked up this footpath to his home, | 0:11:27 | 0:11:30 | |
the police evidence is that he would have passed this spot | 0:11:30 | 0:11:33 | |
just before two o'clock in the morning. | 0:11:33 | 0:11:35 | |
-And that happens to be where those two officers were shot. -Yes. | 0:11:35 | 0:11:39 | |
Bronwyn is meeting Steve Lawson, | 0:11:45 | 0:11:47 | |
a former local detective with an in-depth knowledge of the case. | 0:11:47 | 0:11:51 | |
Hi, Steve. How are you? | 0:11:51 | 0:11:52 | |
They're on the footpath at the bottom of the cordon, | 0:11:53 | 0:11:55 | |
near the spot where the policemen were shot. | 0:11:55 | 0:11:57 | |
This was where Constable Jagger was allegedly posted on the night in question. | 0:11:58 | 0:12:03 | |
When your dad came home, | 0:12:03 | 0:12:05 | |
he said he came up this footpath from the cemetery, | 0:12:05 | 0:12:08 | |
crossed over the stile, went up the footpath, | 0:12:08 | 0:12:11 | |
over the other two stiles and back to the farm. | 0:12:11 | 0:12:13 | |
They say, no. | 0:12:14 | 0:12:16 | |
Your dad came home at a later time, and your dad was the shooter. | 0:12:16 | 0:12:19 | |
And the thing happened at about two o'clock in the morning, right? | 0:12:19 | 0:12:22 | |
The problem with that is, whoever it was who was up that footpath | 0:12:22 | 0:12:26 | |
at two o'clock in the morning | 0:12:26 | 0:12:28 | |
-had got past this position here... -Yes. | 0:12:28 | 0:12:30 | |
..where Constable Jagger was supposed to have been positioned. | 0:12:30 | 0:12:33 | |
And he'd been there since 11:45. | 0:12:33 | 0:12:36 | |
So where do you think he was positioned, then? | 0:12:36 | 0:12:40 | |
It came out at the trial that it rained that night. | 0:12:40 | 0:12:43 | |
Had they all taken shelter, the policemen? | 0:12:43 | 0:12:45 | |
Were they where they should have been? | 0:12:45 | 0:12:47 | |
And if they weren't, it makes a whole mockery of the whole situation. | 0:12:47 | 0:12:51 | |
Jeremy also has doubts whether the cordon was even in place at the time the police claim. | 0:12:51 | 0:12:57 | |
I think this is a very, very shaky area. | 0:12:57 | 0:13:00 | |
I haven't seen any documentation that their timings are accurate. | 0:13:00 | 0:13:04 | |
Alfred Moore said that he parted company with his brother | 0:13:04 | 0:13:09 | |
between 11:20 and 11:25. | 0:13:09 | 0:13:11 | |
If, in fact, he parted company with his brother a few minutes earlier, | 0:13:11 | 0:13:15 | |
he could have been back at home before the police cordon was in place. | 0:13:15 | 0:13:20 | |
So the cordon point collapses. | 0:13:20 | 0:13:23 | |
You're playing here with three, four, five minutes. | 0:13:23 | 0:13:25 | |
And this is really very primitive observations. | 0:13:25 | 0:13:27 | |
Absolutely. And I'm afraid I think we have to factor in | 0:13:27 | 0:13:32 | |
that these police officers were part of a team, | 0:13:32 | 0:13:36 | |
and they had lost two of their colleagues in a vicious murder. | 0:13:36 | 0:13:40 | |
And there was an interest in them giving evidence in a manner | 0:13:40 | 0:13:43 | |
which made it physically impossible for Alfred Moore to get home and breach the cordon. | 0:13:43 | 0:13:48 | |
So, overall, I just think this body of evidence is suspect. | 0:13:48 | 0:13:52 | |
If Alfred Moore was the culprit, as the police claim, | 0:13:54 | 0:13:58 | |
then what happened to the gun? | 0:13:58 | 0:14:00 | |
A two-week search of the farmhouse and the land had failed to unearth | 0:14:00 | 0:14:04 | |
any potential murder weapon. | 0:14:04 | 0:14:06 | |
The question of whether Alfred Moore can be linked to the murder weapon | 0:14:06 | 0:14:10 | |
is crucial. And the only connection the prosecution were able to raise | 0:14:10 | 0:14:15 | |
was the evidence of Joe Baxter. | 0:14:15 | 0:14:17 | |
Joe Baxter was a local removal man, who had served in the Navy, | 0:14:17 | 0:14:21 | |
and claimed to be knowledgeable about guns. | 0:14:21 | 0:14:24 | |
Jeremy is hoping firearms expert Innes Knight can shoot holes in the | 0:14:24 | 0:14:28 | |
evidence of Joe Baxter connecting Moore to a possible murder weapon. | 0:14:28 | 0:14:31 | |
What he alleged is that in Alfred Moore's tool box, | 0:14:32 | 0:14:36 | |
some considerable time before the murder of the two police officers, | 0:14:36 | 0:14:41 | |
he saw a Luger automatic revolver. | 0:14:41 | 0:14:45 | |
Yes. That statement is wrong on so many counts. | 0:14:45 | 0:14:50 | |
Luger only made a pistol. | 0:14:50 | 0:14:52 | |
-Yeah. -The difference between a pistol and a revolver is quite large. | 0:14:52 | 0:14:57 | |
A pistol has a single barrel and a single chamber. | 0:14:57 | 0:15:00 | |
It is fed from a magazine | 0:15:00 | 0:15:02 | |
in the grip, and uses recoil to operate it. | 0:15:02 | 0:15:06 | |
Loading a round, firing and ejecting the spent case. | 0:15:06 | 0:15:10 | |
And this is a Webley revolver. | 0:15:13 | 0:15:16 | |
Has a single barrel, | 0:15:16 | 0:15:18 | |
and multiple chambers that rotate to line up with the barrel, | 0:15:18 | 0:15:23 | |
one at a time. It's a completely different operating system. | 0:15:23 | 0:15:25 | |
-And they look completely different. -They look completely different. | 0:15:25 | 0:15:28 | |
Joe Baxter claimed that he knew the difference between the two. | 0:15:28 | 0:15:32 | |
But on the face of it, that's just rubbish, isn't it? | 0:15:32 | 0:15:35 | |
No-one would say a Luger automatic revolver. | 0:15:35 | 0:15:38 | |
It has never existed. | 0:15:38 | 0:15:40 | |
Anyone with even the slightest bit of knowledge would probably not... | 0:15:40 | 0:15:43 | |
So anyone that claims to have knowledge of the difference between the two is talking nonsense. | 0:15:43 | 0:15:47 | |
-It's nonsense. Absolutely. -We know that Alfred Moore admitted | 0:15:47 | 0:15:51 | |
to having guns of this type, including an air pistol, such as this. | 0:15:51 | 0:15:55 | |
-Yes. -Joe Baxter said that he saw what he described as an automatic pistol, | 0:15:55 | 0:16:01 | |
like a Luger, in Alfred Moore's tool box. | 0:16:01 | 0:16:03 | |
-In the tool box. -Could we just put the Lugar and the air pistol in the tool box? | 0:16:03 | 0:16:08 | |
Let's put the Webley airgun. | 0:16:08 | 0:16:11 | |
Can we just put the Luger now side by side? | 0:16:11 | 0:16:14 | |
It would be easy for those two guns to be confused, | 0:16:16 | 0:16:20 | |
-would you agree with that? -I would agree with that. | 0:16:20 | 0:16:22 | |
And especially because we can see, in a tool box, | 0:16:22 | 0:16:24 | |
you've got all the bits of ironmongery there, | 0:16:24 | 0:16:27 | |
which make it less clear as an object to identify. | 0:16:27 | 0:16:30 | |
-Yes. Yes, quite. -So there's every possibility that what Joe Baxter in fact saw | 0:16:30 | 0:16:36 | |
was Alfred Moore's air pistol. | 0:16:36 | 0:16:38 | |
Exactly, I believe that is what happened. | 0:16:38 | 0:16:40 | |
The lack of any direct evidence against Alfred Moore didn't prevent | 0:16:42 | 0:16:46 | |
the press in 1952 from painting him as an irrefutable villain. | 0:16:46 | 0:16:50 | |
Bronwyn has come to Huddersfield library to dig out local reports about the case. | 0:16:52 | 0:16:58 | |
It's the story of Alfred Moore. | 0:16:58 | 0:17:01 | |
Murderer and self-confessed burglar. | 0:17:01 | 0:17:04 | |
He was being reported as being the guilty man right from the beginning. | 0:17:04 | 0:17:09 | |
There was only one man they concentrated on. | 0:17:09 | 0:17:12 | |
These papers just report the fact that Alfred Moore was guilty. | 0:17:12 | 0:17:17 | |
"It was Inspector Fraser's personal ambition to have Moore caught | 0:17:17 | 0:17:21 | |
"for the disconcerting series of burglaries which had clearly pointed to him | 0:17:21 | 0:17:26 | |
"but could not be proved." | 0:17:26 | 0:17:28 | |
And I do feel that they took the opportunity to make the crime fit. | 0:17:28 | 0:17:33 | |
Alfred Moore's alibi on the night of the murder was simple. | 0:17:36 | 0:17:39 | |
And one he consistently maintained to the end. | 0:17:40 | 0:17:43 | |
"How could it be me? I was in bed with my wife." | 0:17:43 | 0:17:48 | |
It's the simple truth. | 0:17:48 | 0:17:49 | |
You'd think if he was going to make up an alibi or something | 0:17:49 | 0:17:52 | |
it would have been a lot stronger. | 0:17:52 | 0:17:54 | |
It's such a simple alibi, | 0:17:54 | 0:17:57 | |
and the only people that could prove it are his wife and children. | 0:17:57 | 0:18:00 | |
There was no reason for the jury to doubt Moore's alibi. | 0:18:02 | 0:18:05 | |
Except for the testimony of Alfred's ten-year-old daughter Patricia, | 0:18:05 | 0:18:09 | |
who slept in the same bedroom. | 0:18:09 | 0:18:11 | |
In this particular bedroom it says about my sister being brought in as a witness. | 0:18:11 | 0:18:17 | |
"Patricia went into the witness box, | 0:18:19 | 0:18:21 | |
"and her head barely showing above the top of it. | 0:18:21 | 0:18:24 | |
"Moore called to her, "Hello, Pat." | 0:18:24 | 0:18:27 | |
"In a hesitant voice and amid occasional tears, | 0:18:27 | 0:18:30 | |
"Patricia said that her father and her uncle Charles | 0:18:30 | 0:18:33 | |
"left the house on July 14th after supper. | 0:18:33 | 0:18:35 | |
"She heard her father come through the French window. | 0:18:36 | 0:18:38 | |
"And he was cross because she wasn't asleep." | 0:18:40 | 0:18:43 | |
Using Pat as a witness I do think was distasteful. | 0:18:43 | 0:18:48 | |
A ten-year-old girl, it was something that she never got over. | 0:18:48 | 0:18:52 | |
Patricia's statement suggested Moore arrived home much later than he claimed in his own account. | 0:18:52 | 0:18:58 | |
His own daughter contradicted his alibi. | 0:18:58 | 0:19:01 | |
You're placing emphasis on the testimony of a ten-year-old girl? | 0:19:01 | 0:19:05 | |
Well, we've both looked very carefully at Patricia's evidence. | 0:19:05 | 0:19:09 | |
There's not much to look at, her statement's about three lines long. | 0:19:09 | 0:19:12 | |
She uses as a pinpoint the sounding of a whistle. | 0:19:12 | 0:19:15 | |
-Yeah. -She doesn't know what that whistle is, | 0:19:15 | 0:19:18 | |
but piecing the evidence together it would appear that it must have been | 0:19:18 | 0:19:21 | |
a police whistle once the shooting had been discovered. | 0:19:21 | 0:19:24 | |
-Why? Why? -Let me finish about her evidence. | 0:19:24 | 0:19:27 | |
She doesn't say it was 12.30 or 2.30 or whatever. | 0:19:27 | 0:19:30 | |
-She says her father arrived home after the sounding of a police whistle. -Yeah. Yeah. | 0:19:30 | 0:19:37 | |
That is consistent with the shooting. | 0:19:37 | 0:19:39 | |
You're saying a little girl, | 0:19:39 | 0:19:41 | |
who might well have been under malign police influence, | 0:19:41 | 0:19:45 | |
was relied on by the prosecution to pinpoint Alfred Moore's | 0:19:45 | 0:19:49 | |
arrival home being approximately 2.30 | 0:19:49 | 0:19:52 | |
because she said in a statement which was about five lines long - | 0:19:52 | 0:19:56 | |
the authenticity of which we know nothing - | 0:19:56 | 0:19:59 | |
he arrived home after the police whistle. | 0:19:59 | 0:20:01 | |
I think the evidence is, arguably, very suspect. | 0:20:01 | 0:20:04 | |
So, did the police target Alfred Moore, | 0:20:05 | 0:20:08 | |
discounting any evidence | 0:20:08 | 0:20:09 | |
that could have pointed towards other possible suspects? | 0:20:09 | 0:20:12 | |
I would like to see evidence, if there is any, | 0:20:13 | 0:20:16 | |
about whether there were any other suspects in this case. | 0:20:16 | 0:20:19 | |
Can modern forensic experts find anything that indicates someone else | 0:20:19 | 0:20:23 | |
shot the police officers? | 0:20:23 | 0:20:25 | |
The only evidence that remains today are crime-scene photographs | 0:20:26 | 0:20:30 | |
and scientific reports, making it a difficult task. | 0:20:30 | 0:20:34 | |
The barristers have called upon pathologist Mark Mastaglio | 0:20:35 | 0:20:39 | |
to examine the postmortem for clues about the killer's identity. | 0:20:39 | 0:20:42 | |
Two victims in this case. | 0:20:43 | 0:20:45 | |
Can I start with Detective Inspector Fraser? | 0:20:45 | 0:20:47 | |
Well, DI Fraser received four gunshot injuries. | 0:20:47 | 0:20:52 | |
They were as follows. | 0:20:52 | 0:20:53 | |
On his right arm and left arm. | 0:20:53 | 0:20:56 | |
Then we had a non-perforating wound to just above the navel area. | 0:20:56 | 0:21:02 | |
The fatal wound occurred to the upper left side of the chest. | 0:21:02 | 0:21:08 | |
There was tearing and blackening to the garment. | 0:21:08 | 0:21:11 | |
And there was charring of fibres inside the wound. | 0:21:11 | 0:21:14 | |
The gun was very close when it was fired. | 0:21:14 | 0:21:17 | |
You can say it was an attack | 0:21:17 | 0:21:19 | |
which must have been extremely close range. | 0:21:19 | 0:21:21 | |
Well, indeed, because three of the injuries are with the gun | 0:21:21 | 0:21:25 | |
mostly in contact with DI Fraser. | 0:21:25 | 0:21:26 | |
Thank you very much. Now, PC Jagger. | 0:21:26 | 0:21:28 | |
-Yes. -Only one injury. | 0:21:28 | 0:21:30 | |
Singular fatal injury in his lower abdomen. | 0:21:30 | 0:21:34 | |
-So again, really close. -Yes. | 0:21:34 | 0:21:37 | |
That scenario tends to suggest that whoever fired those shots | 0:21:37 | 0:21:41 | |
was determined to kill their victims. | 0:21:41 | 0:21:44 | |
Anybody who discharges a firearm numerous times at the upper torso | 0:21:44 | 0:21:48 | |
of an individual from close range must have an idea | 0:21:48 | 0:21:51 | |
that they will cause serious injury or, indeed, fatal injury. | 0:21:51 | 0:21:54 | |
That's helpful, thank you. | 0:21:54 | 0:21:55 | |
So the postmortem evidence from 1951 indicates that this was | 0:21:55 | 0:22:00 | |
a brutal shooting, carried out by an individual determined to kill. | 0:22:00 | 0:22:04 | |
But what can the latest investigative techniques tell us | 0:22:04 | 0:22:07 | |
about the murderer? | 0:22:07 | 0:22:08 | |
Bronwyn has come to Huddersfield University | 0:22:12 | 0:22:15 | |
to meet criminal psychologist Donna Young. | 0:22:15 | 0:22:17 | |
-You must be Donna. -Hello. -Hello. -Thanks for coming in. -Thank you. | 0:22:17 | 0:22:20 | |
She's analysed both case files and personal documents | 0:22:20 | 0:22:23 | |
to build a profile of Alfred Moore. | 0:22:23 | 0:22:25 | |
Is it a match for the killer? | 0:22:25 | 0:22:27 | |
What we do is we model the details of different types of offences | 0:22:28 | 0:22:33 | |
to see what they will tell us about the individual | 0:22:33 | 0:22:37 | |
who might have carried out those crimes. | 0:22:37 | 0:22:40 | |
So I'm used to trying to dissect the way somebody was thinking | 0:22:40 | 0:22:43 | |
when they carried out a crime. | 0:22:43 | 0:22:45 | |
It is remarkable how much you can say about somebody, | 0:22:45 | 0:22:49 | |
just from a few personal documents, and a few reports about them. | 0:22:49 | 0:22:53 | |
Certainly, my reading of all the documents is that your father | 0:22:53 | 0:22:57 | |
didn't have a serious professional criminal mind, | 0:22:57 | 0:22:59 | |
and he didn't have an aggressive criminal mind. | 0:22:59 | 0:23:04 | |
The reports all talk about a very obedient, | 0:23:04 | 0:23:06 | |
accommodating, pleasant man. | 0:23:06 | 0:23:09 | |
I'm struggling very much to match what we know about the shooting, | 0:23:09 | 0:23:16 | |
from what I can glean about your father. | 0:23:16 | 0:23:20 | |
He had what we call a victim life narrative. | 0:23:20 | 0:23:24 | |
Now, that's somebody who, from a very early age, | 0:23:24 | 0:23:28 | |
learned that they were essentially powerless. | 0:23:28 | 0:23:31 | |
Would this be the result of a rather dominant bully-type father? | 0:23:31 | 0:23:36 | |
Very much so, yeah, yeah. | 0:23:36 | 0:23:38 | |
And that stays with you. It guides and shapes all the decisions | 0:23:38 | 0:23:42 | |
that you make in your life. | 0:23:42 | 0:23:43 | |
Including choice of wife? | 0:23:43 | 0:23:45 | |
Um, yes, yep. | 0:23:45 | 0:23:48 | |
So you'd probably choose somebody | 0:23:48 | 0:23:50 | |
who's a bit more dominant than you are. | 0:23:50 | 0:23:52 | |
Dominant. Yes! | 0:23:52 | 0:23:54 | |
My mother was an extremely dominant lady. | 0:23:54 | 0:23:58 | |
I believe that, when my father got into burglary, | 0:23:58 | 0:24:02 | |
that it was at the behest of my mother. | 0:24:02 | 0:24:04 | |
That'd make sense - psychologically speaking, that would make sense. | 0:24:04 | 0:24:08 | |
But it's the personal letters written by Alfred Moore | 0:24:08 | 0:24:11 | |
from his prison cell that are most revealing. | 0:24:11 | 0:24:14 | |
I see here a number of different clues | 0:24:14 | 0:24:18 | |
as to somebody who may not be guilty. | 0:24:18 | 0:24:21 | |
Can you remember the pieces about the pigs? | 0:24:21 | 0:24:23 | |
Mix four parts of cereal to one part of fish meal | 0:24:23 | 0:24:25 | |
and don't give the pigs too much fish meal. | 0:24:25 | 0:24:28 | |
One bucket of swill upwards a day. | 0:24:28 | 0:24:30 | |
I mean... | 0:24:30 | 0:24:32 | |
It's quite charming, in a way. | 0:24:32 | 0:24:33 | |
And to think that this is written by somebody sitting in a prison cell. | 0:24:33 | 0:24:37 | |
It's somebody still in life. | 0:24:37 | 0:24:39 | |
When somebody knows that they are going to die, | 0:24:39 | 0:24:42 | |
we see a withdrawal from life, | 0:24:42 | 0:24:44 | |
and all the details of their previous life. | 0:24:44 | 0:24:46 | |
Absolute opposite is what we're seeing here. | 0:24:46 | 0:24:49 | |
He assumes that, somehow, his innocence is going to win through. | 0:24:49 | 0:24:53 | |
It's the last line, | 0:24:53 | 0:24:54 | |
where he expects that one day someone will prove his innocence. | 0:24:54 | 0:24:59 | |
-Maybe that's what you're doing. -Someone will know. | 0:24:59 | 0:25:02 | |
With the investigation rapidly progressing... | 0:25:06 | 0:25:09 | |
..Bronwyn has returned to London for a catch up with the barristers. | 0:25:10 | 0:25:13 | |
We've looked, in a great deal of detail, | 0:25:15 | 0:25:17 | |
at the police cordon evidence. | 0:25:17 | 0:25:19 | |
My view is that all of the timings are wholly unreliable, | 0:25:19 | 0:25:22 | |
and that that body of evidence is unsustainable. | 0:25:22 | 0:25:27 | |
What we really need, in order to challenge this conviction, | 0:25:27 | 0:25:32 | |
is something new that wasn't heard either at the trial, | 0:25:32 | 0:25:36 | |
or at the Court of Appeal. | 0:25:36 | 0:25:38 | |
OK. | 0:25:38 | 0:25:39 | |
The identification of the killer by PC Jagger before he died | 0:25:39 | 0:25:44 | |
was central to the prosecution's case. | 0:25:44 | 0:25:46 | |
But Jagger made another statement | 0:25:46 | 0:25:48 | |
that was never submitted into evidence. | 0:25:48 | 0:25:51 | |
-His first statement did include a man wearing a white scarf. -Yes. | 0:25:51 | 0:25:58 | |
I think the white silk scarf is quite significant | 0:25:58 | 0:26:01 | |
because many years later, I met Steve Lawson, | 0:26:01 | 0:26:05 | |
who had started investigating my father's case, | 0:26:05 | 0:26:08 | |
and I also got in touch with my sister, Pat, and we met. | 0:26:08 | 0:26:11 | |
One of the points Steve brought up was about this statement. | 0:26:11 | 0:26:16 | |
A man wearing a silk scarf. | 0:26:16 | 0:26:19 | |
My sister Pat immediately said, "Oh, you mean the tin man." | 0:26:19 | 0:26:23 | |
When she was younger, we had this man visit the farm | 0:26:23 | 0:26:28 | |
who was bringing black-market goods, basically. | 0:26:28 | 0:26:31 | |
My mother and father were storing the goods, you know, to be sold on. | 0:26:31 | 0:26:35 | |
And the way she described him, | 0:26:35 | 0:26:38 | |
he always wore a mac with this white silk scarf. | 0:26:38 | 0:26:42 | |
So we have a possible alternative suspect. | 0:26:43 | 0:26:46 | |
We have a possible alternative suspect. | 0:26:46 | 0:26:48 | |
That is something that Jeremy and I would very much like to investigate. | 0:26:48 | 0:26:51 | |
Could information of a possible alternative suspect | 0:26:53 | 0:26:56 | |
provide the barristers with the breakthrough they need? | 0:26:56 | 0:26:59 | |
Steve Lawson has come to London to discuss the information he holds. | 0:27:02 | 0:27:06 | |
Tell us how you came across the case of Alfred Moore. | 0:27:06 | 0:27:10 | |
I got involved in 1971. | 0:27:10 | 0:27:12 | |
I was in the CID, and we had two very nasty armed robberies. | 0:27:12 | 0:27:17 | |
A family known as the Meade family, they came under suspicion. | 0:27:17 | 0:27:20 | |
John Meade was one of a gang who was arrested. | 0:27:20 | 0:27:24 | |
Clifford Meade, his father, was also under suspicion, | 0:27:24 | 0:27:27 | |
but at the time there was no evidence against Clifford | 0:27:27 | 0:27:30 | |
and nobody would give him up. | 0:27:30 | 0:27:32 | |
Following the convictions and imprisonment, | 0:27:32 | 0:27:34 | |
I was working one day in the office when the phone rang. | 0:27:34 | 0:27:37 | |
It was a lady on the phone - it turned out she was the wife | 0:27:37 | 0:27:40 | |
of one of these gang members. | 0:27:40 | 0:27:42 | |
And the essence of the conversation was that a couple of nights before, | 0:27:42 | 0:27:44 | |
she'd been at the White Cottage, | 0:27:44 | 0:27:46 | |
which is the house owned by Clifford Meade. | 0:27:46 | 0:27:49 | |
Suddenly, without any indication, | 0:27:49 | 0:27:51 | |
Clifford Meade stood up, left the room, | 0:27:51 | 0:27:54 | |
came back and introduced this gun as some sort of trophy. | 0:27:54 | 0:27:58 | |
And just said, "This is the gun that killed two coppers | 0:27:58 | 0:28:01 | |
"in Kirkheaton in 1951." | 0:28:01 | 0:28:04 | |
That was it. I said to this lady, | 0:28:04 | 0:28:06 | |
"Well, would you make a statement on these lines?" | 0:28:06 | 0:28:08 | |
She said no. | 0:28:08 | 0:28:10 | |
She said, "You don't know what that man's capable of." | 0:28:10 | 0:28:13 | |
Many years later, | 0:28:13 | 0:28:14 | |
Steve began investigating the Alfred Moore case and published a book | 0:28:14 | 0:28:18 | |
questioning the verdict. | 0:28:18 | 0:28:20 | |
In 2007, I met Alfred's daughters, | 0:28:20 | 0:28:23 | |
and we were chatting, and I just said, out of the blue, | 0:28:23 | 0:28:26 | |
did your dad ever wear a white silk scarf? | 0:28:26 | 0:28:29 | |
Pat, the eldest, said, "No, my dad never wore a scarf. | 0:28:29 | 0:28:32 | |
"But the tin man did." | 0:28:32 | 0:28:34 | |
The description she gave of tall, dark hair, swarthy-looking, | 0:28:34 | 0:28:39 | |
thin, pencil moustache, long coat and a white scarf or a cravat, | 0:28:39 | 0:28:42 | |
definitely would have fitted Clifford Meade. | 0:28:42 | 0:28:45 | |
If Clifford Meade and the tin man are the same person, | 0:28:45 | 0:28:48 | |
Clifford Meade then, in 1971, connects himself to this crime | 0:28:48 | 0:28:52 | |
by saying, "This is the gun that shot them." | 0:28:52 | 0:28:54 | |
To me, he remains a suspect. | 0:28:54 | 0:28:56 | |
Have you got any information | 0:28:56 | 0:28:59 | |
as to where Clifford Meade was on that night? | 0:28:59 | 0:29:03 | |
Only through John Meade. | 0:29:03 | 0:29:05 | |
His recollection of what his mother told him. | 0:29:05 | 0:29:07 | |
She did say to John something on the lines of, | 0:29:07 | 0:29:10 | |
"That night, your father came home in a right state. | 0:29:10 | 0:29:14 | |
"He was shaking, he was incoherent, he was pale, | 0:29:14 | 0:29:17 | |
"he just wasn't himself." | 0:29:17 | 0:29:19 | |
-And then... -So John Meade has said | 0:29:19 | 0:29:21 | |
his mother said his father was shaken | 0:29:21 | 0:29:24 | |
the night of the killing itself. | 0:29:24 | 0:29:26 | |
Mr Lawson, I see you've got a statement there from John Meade. | 0:29:26 | 0:29:30 | |
Do you mind if I have a look at it? | 0:29:30 | 0:29:32 | |
Thank you. | 0:29:32 | 0:29:33 | |
It says, "I'm the son of Clifford Meade, | 0:29:35 | 0:29:37 | |
"but although it's not easy for me to publicly say this, | 0:29:37 | 0:29:40 | |
"I now believe that my father, Clifford Meade, | 0:29:40 | 0:29:44 | |
"was responsible for those killings. | 0:29:44 | 0:29:46 | |
"An innocent man was hung for a crime he did not commit, | 0:29:46 | 0:29:50 | |
"and it's about time that an injustice was put right." | 0:29:50 | 0:29:54 | |
The information you've given is extremely important. | 0:29:56 | 0:29:58 | |
We need to ask ourselves whether this realistically amounts to | 0:29:58 | 0:30:02 | |
evidence of an alternative suspect. | 0:30:02 | 0:30:04 | |
-Do you agree? -I do, yes. | 0:30:04 | 0:30:05 | |
At Leeds Armley Prison on 6th February, 1952, | 0:30:07 | 0:30:11 | |
Alfred Moore was hanged until dead. | 0:30:11 | 0:30:13 | |
His body was buried in an unmarked grave within the prison walls. | 0:30:16 | 0:30:20 | |
I'm so surprised to arrive at Armley jail | 0:30:21 | 0:30:25 | |
and see such an austere building. | 0:30:25 | 0:30:27 | |
The last thing my father saw before his death. | 0:30:27 | 0:30:30 | |
I'm just lost for words, really. | 0:30:32 | 0:30:34 | |
I believe I came to visit my father the day before he died. | 0:30:40 | 0:30:43 | |
I was only two years old and, thankfully, | 0:30:43 | 0:30:46 | |
I remember nothing about it. | 0:30:46 | 0:30:48 | |
Bronwyn wants to see where her father is laid to rest... | 0:30:50 | 0:30:52 | |
..and has been permitted by the prison to read the record of his execution. | 0:30:54 | 0:30:58 | |
This is the first time that I've seen such a record. | 0:31:00 | 0:31:04 | |
It gives details of his age and his height. | 0:31:04 | 0:31:07 | |
His build was "stout and strong". | 0:31:07 | 0:31:10 | |
And it gives the particulars of the execution. | 0:31:10 | 0:31:13 | |
The length and drop, and the cause of death - his neck was broken. | 0:31:13 | 0:31:18 | |
It... It's the basic facts of my father's death and, | 0:31:21 | 0:31:25 | |
you know, just to see them in black and white, it's... | 0:31:25 | 0:31:29 | |
..you know, it's... | 0:31:30 | 0:31:32 | |
It's hard, it's very hard. | 0:31:32 | 0:31:34 | |
In 1989, Alfred Moore's remains were exhumed, | 0:31:37 | 0:31:41 | |
along with other executed prisoners, | 0:31:41 | 0:31:43 | |
and reburied at a cemetery just a short walk from the prison. | 0:31:43 | 0:31:47 | |
It may be odd to say, but I'm quite relieved to find | 0:31:52 | 0:31:56 | |
that my father is in such a peaceful place. | 0:31:56 | 0:31:59 | |
Hi, Dad. | 0:32:02 | 0:32:04 | |
I hope this is a surprise. | 0:32:05 | 0:32:06 | |
66 years later. | 0:32:08 | 0:32:10 | |
I'm here with respect. | 0:32:13 | 0:32:15 | |
I'm so pleased that you're no longer inside Armley Jail. | 0:32:18 | 0:32:22 | |
I hope you can now rest in peace. | 0:32:26 | 0:32:28 | |
I know you're not guilty of murder, | 0:32:39 | 0:32:43 | |
and, hopefully, this will lead, one day... | 0:32:43 | 0:32:45 | |
..to clearing your name. | 0:32:46 | 0:32:48 | |
Bye, Dad. | 0:32:51 | 0:32:53 | |
SHE BLOWS A KISS | 0:32:53 | 0:32:54 | |
I will see you again. | 0:32:54 | 0:32:56 | |
I promise. | 0:32:56 | 0:32:57 | |
With the investigation drawing to a close, | 0:33:12 | 0:33:15 | |
Jeremy is still searching for new evidence that casts doubt | 0:33:15 | 0:33:18 | |
on Alfred Moore as the killer. | 0:33:18 | 0:33:19 | |
He knows PC Jagger's identification of Moore was a damning piece | 0:33:21 | 0:33:25 | |
of evidence that formed the core of the prosecution's case. | 0:33:25 | 0:33:28 | |
But it was made in an unorthodox fashion at his hospital bedside, | 0:33:28 | 0:33:32 | |
just hours before he died. | 0:33:32 | 0:33:34 | |
If we can obtain expert evidence to the effect | 0:33:34 | 0:33:38 | |
that PC Jagger was not in a fit state | 0:33:38 | 0:33:41 | |
to engage in that identification procedure, | 0:33:41 | 0:33:44 | |
it's possible to use that material | 0:33:44 | 0:33:48 | |
as the basis for reopening Alfred Moore's convictions. | 0:33:48 | 0:33:52 | |
Philip Hopkins is a professor of anaesthesia | 0:33:52 | 0:33:55 | |
at the University of Leeds. | 0:33:55 | 0:33:57 | |
He's studied PC Jagger's medical records in detail. | 0:33:57 | 0:34:00 | |
So, he was brought into hospital and underwent surgery | 0:34:02 | 0:34:05 | |
for the removal of the bullet. | 0:34:05 | 0:34:06 | |
He was given morphine, | 0:34:06 | 0:34:08 | |
and then, at 4.50, there was an identification procedure. | 0:34:08 | 0:34:13 | |
-Correct, yes, I agree. -All right? | 0:34:13 | 0:34:15 | |
The surgeon described him as being "alert by midday". | 0:34:15 | 0:34:19 | |
"Alert", at its most basic, means he opens his eyes spontaneously. | 0:34:19 | 0:34:25 | |
What it doesn't infer at all is anything about | 0:34:25 | 0:34:29 | |
PC Jagger's mental function, whether his memory was intact, | 0:34:29 | 0:34:33 | |
whether he was aware of where he was, who he was, what year it was. | 0:34:33 | 0:34:38 | |
-It would be standard to write "alert and orientated". -Yes, rather than... | 0:34:38 | 0:34:42 | |
-Alert. -Doesn't suggest disorientated, does it? | 0:34:42 | 0:34:45 | |
It doesn't either suggest or not suggest that he's disorientated - | 0:34:45 | 0:34:49 | |
it makes no comment. | 0:34:49 | 0:34:51 | |
And by the time the identification procedure takes place, | 0:34:51 | 0:34:54 | |
he's described as, "mentally very bright", | 0:34:54 | 0:34:58 | |
and not under the influence of the morphine | 0:34:58 | 0:35:00 | |
given earlier that day at 12.55. | 0:35:00 | 0:35:03 | |
Well, he's incorrect about the under the influence of the morphine. | 0:35:03 | 0:35:07 | |
He's also discounting the effects of the general anaesthetic. | 0:35:07 | 0:35:10 | |
The agent was ether, | 0:35:10 | 0:35:13 | |
and one of the downsides of ether | 0:35:13 | 0:35:15 | |
was that it affected mental functioning | 0:35:15 | 0:35:18 | |
for a prolonged period of time. | 0:35:18 | 0:35:20 | |
Are you able to comment on what you feel PC Jagger's state of mind | 0:35:20 | 0:35:25 | |
is likely to have been at the time of that identification parade? | 0:35:25 | 0:35:29 | |
Most people have had flu. | 0:35:29 | 0:35:31 | |
And when we get a really bad dose of flu, | 0:35:31 | 0:35:34 | |
our mind often plays tricks with us. | 0:35:34 | 0:35:36 | |
And that's exactly what can happen with septicaemia, | 0:35:36 | 0:35:39 | |
it can happen with drugs, such as morphine and the anaesthetic drugs. | 0:35:39 | 0:35:43 | |
In your view, | 0:35:43 | 0:35:45 | |
is PC Jagger's identification of Alfred Moore as his killer reliable? | 0:35:45 | 0:35:50 | |
-No. -And if you were on a jury, would you be prepared to rely on | 0:35:50 | 0:35:55 | |
-his identification of the man in the dock? -No. | 0:35:55 | 0:35:59 | |
This is really a case about an identification. | 0:35:59 | 0:36:01 | |
That identification has been deemed unreliable by an eminent expert, | 0:36:01 | 0:36:06 | |
so my view is that there are grounds for reopening the case | 0:36:06 | 0:36:10 | |
of Alfred Moore, and I'll be working towards | 0:36:10 | 0:36:13 | |
compiling the necessary arguments over the forthcoming days. | 0:36:13 | 0:36:17 | |
I'll give it some more thought, | 0:36:17 | 0:36:19 | |
but I have to say, I don't immediately feel | 0:36:19 | 0:36:22 | |
that there's any cause to open up this conviction. | 0:36:22 | 0:36:25 | |
The legal arguments have been prepared, | 0:36:29 | 0:36:32 | |
and it now falls to His Honour Judge David Radford to deliberate. | 0:36:32 | 0:36:36 | |
Based on his expert opinion, | 0:36:37 | 0:36:39 | |
he will recommend if the case should be reviewed or not. | 0:36:39 | 0:36:42 | |
I've arrived here today to listen to the evidence being presented | 0:36:43 | 0:36:47 | |
before the judge. | 0:36:47 | 0:36:48 | |
I'm reasonably confident that Jeremy's investigation | 0:36:50 | 0:36:53 | |
will show some new legal arguments | 0:36:53 | 0:36:57 | |
that will help to prove my father's innocence. | 0:36:57 | 0:36:59 | |
Now I feel that this is the end of quite a long road, | 0:36:59 | 0:37:03 | |
and it is the moment of truth. | 0:37:03 | 0:37:05 | |
-Hello, Bronwyn, how are you? -Very well, thank you. -Good. | 0:37:05 | 0:37:08 | |
How are you feeling? | 0:37:08 | 0:37:10 | |
I'm feeling sort of a little nervous, but also quite excited. | 0:37:10 | 0:37:15 | |
I hope the decision will be favourable, obviously. | 0:37:15 | 0:37:19 | |
I've come to my own conclusion that my father was innocent. | 0:37:19 | 0:37:22 | |
Let's just press on and find out what the judge's... | 0:37:22 | 0:37:26 | |
-OK. -..view is. -Yeah. | 0:37:26 | 0:37:28 | |
Judge Radford has over 40 years of experience at the criminal bar, | 0:37:31 | 0:37:35 | |
and sat at the Court of Appeal. | 0:37:35 | 0:37:36 | |
For this programme, | 0:37:38 | 0:37:40 | |
he'll be treating this matter as he would any other case. | 0:37:40 | 0:37:43 | |
I'm here today to consider, with the help of learned counsel, | 0:37:43 | 0:37:48 | |
the safety of the conviction of Alfred Moore. | 0:37:48 | 0:37:51 | |
Mr Dean, on behalf of the defence, | 0:37:51 | 0:37:53 | |
-do you wish to make your submissions? -Yes, please. | 0:37:53 | 0:37:56 | |
This was a case characterised by circumstantial evidence, | 0:37:56 | 0:38:01 | |
depending wholly on the identification evidence | 0:38:01 | 0:38:06 | |
of PC Jagger. | 0:38:06 | 0:38:08 | |
There is now the evidence of Professor Hopkins, | 0:38:08 | 0:38:12 | |
consultant anaesthetist. | 0:38:12 | 0:38:14 | |
In his view, | 0:38:14 | 0:38:16 | |
PC Jagger would have been incapable of making a reliable identification | 0:38:16 | 0:38:21 | |
of his killer. | 0:38:21 | 0:38:23 | |
Professor Hopkins found the circumstances | 0:38:23 | 0:38:25 | |
of the identification parade "extraordinary", | 0:38:25 | 0:38:29 | |
and that, in his opinion, | 0:38:29 | 0:38:31 | |
the evidence is fundamentally unreliable. | 0:38:31 | 0:38:34 | |
Coming to the point, it is my submission | 0:38:34 | 0:38:37 | |
that Mr Jagger's identification of Alfred Moore was so flawed | 0:38:37 | 0:38:41 | |
that it ought never to have surfaced in evidence, | 0:38:41 | 0:38:45 | |
and, without it, no sustainable case would have existed. | 0:38:45 | 0:38:49 | |
Thank you very much, Mr Dean. | 0:38:49 | 0:38:51 | |
Miss Wass, do you want to respond? | 0:38:51 | 0:38:52 | |
First of all, I agree entirely with Mr Dean | 0:38:52 | 0:38:55 | |
that this is a case that depended wholly | 0:38:55 | 0:38:58 | |
on the identification of PC Jagger. | 0:38:58 | 0:39:01 | |
I am not persuaded by Professor Hopkins's evidence. | 0:39:01 | 0:39:08 | |
-It's perhaps for me to be persuaded, rather than you. -All right. | 0:39:08 | 0:39:12 | |
One has to work on the basis that we are dealing with competent | 0:39:12 | 0:39:15 | |
medical practitioners here. | 0:39:15 | 0:39:17 | |
And there is not a scintilla of evidence to suggest | 0:39:17 | 0:39:22 | |
that the patient, PC Jagger, was either disorientated, | 0:39:22 | 0:39:26 | |
confused, or in any way incapable of giving a coherent account. | 0:39:26 | 0:39:33 | |
Professor Hopkins's evidence does, in reality, | 0:39:33 | 0:39:37 | |
do nothing to undermine the evidence that was before this jury, | 0:39:37 | 0:39:42 | |
and that remains the position. | 0:39:42 | 0:39:44 | |
Yes. Thank you, both. | 0:39:44 | 0:39:45 | |
I will now consider your helpful submissions, | 0:39:45 | 0:39:48 | |
and I will look at the evidence in the light of the arguments | 0:39:48 | 0:39:52 | |
that you both have put before me. | 0:39:52 | 0:39:54 | |
Thank you very much. | 0:39:54 | 0:39:56 | |
Jeremy has done all he can | 0:39:56 | 0:39:58 | |
to convince the judge the case should be reviewed. | 0:39:58 | 0:40:01 | |
But Bronwyn is not convinced. | 0:40:01 | 0:40:03 | |
Bronwyn, are you OK? | 0:40:05 | 0:40:08 | |
Yes, I feel fine. | 0:40:08 | 0:40:10 | |
A little frustrated, actually, | 0:40:10 | 0:40:12 | |
because obviously there were points there where I would have loved | 0:40:12 | 0:40:15 | |
to have interrupted. | 0:40:15 | 0:40:16 | |
Certainly from my perspective, I share your frustration because | 0:40:16 | 0:40:19 | |
the framework is just so limited, | 0:40:19 | 0:40:22 | |
in terms of identifying new material, | 0:40:22 | 0:40:26 | |
and I know Sasha opposed, | 0:40:26 | 0:40:27 | |
but I'm hoping that the judge will take a view | 0:40:27 | 0:40:30 | |
that's sufficiently powerful | 0:40:30 | 0:40:31 | |
to justify a reopening of the case. | 0:40:31 | 0:40:35 | |
Exactly, exactly. So I think what we've got to do now, | 0:40:35 | 0:40:37 | |
Bronwyn, is just wait. | 0:40:37 | 0:40:39 | |
And the judge will come to his decision. | 0:40:39 | 0:40:42 | |
And we have no idea what that decision is. | 0:40:42 | 0:40:46 | |
No, it's now out of our hands. | 0:40:46 | 0:40:48 | |
Jeremy has cast serious doubt on the police investigation. | 0:40:48 | 0:40:52 | |
But with a lack of hard proof that the tin man is a genuine suspect, | 0:40:52 | 0:40:56 | |
the only new evidence he can present concerns PC Jagger. | 0:40:56 | 0:41:01 | |
Will it be enough? | 0:41:01 | 0:41:02 | |
The judge has reached his verdict. | 0:41:04 | 0:41:06 | |
There can be no doubt someone fatally shot two police officers | 0:41:06 | 0:41:11 | |
not far from the farmhouse home of Mr Alfred Moore. | 0:41:11 | 0:41:16 | |
One of those officers survived long enough to be able positively | 0:41:16 | 0:41:20 | |
to identify Mr Moore as the man who had shot him and his colleague. | 0:41:20 | 0:41:26 | |
The fact, in my view, remains, | 0:41:26 | 0:41:28 | |
the available medical evidence, from fully and properly qualified | 0:41:28 | 0:41:33 | |
medical practitioners, would have made clear | 0:41:33 | 0:41:35 | |
if police constable Jagger was well capable | 0:41:35 | 0:41:38 | |
of undertaking a proper identification. | 0:41:38 | 0:41:42 | |
In my view, I see no proper basis suggesting that the jury's verdict | 0:41:42 | 0:41:47 | |
should be exceptionally considered now | 0:41:47 | 0:41:50 | |
to be referred again as to its safety. | 0:41:50 | 0:41:54 | |
All rise. | 0:41:54 | 0:41:55 | |
Well, I know, you'll be very disappointed. | 0:42:04 | 0:42:06 | |
Extremely, yes. Extremely disappointed. | 0:42:06 | 0:42:10 | |
I do understand it has to be considered on a legal point, | 0:42:10 | 0:42:15 | |
but I have not changed my opinion one iota... | 0:42:15 | 0:42:19 | |
..that my father's conviction was unsafe. | 0:42:19 | 0:42:23 | |
In my view, the evidence was made to fit the crime. | 0:42:23 | 0:42:26 | |
Well, this is not the end of the road, | 0:42:26 | 0:42:28 | |
it's just the end of this chapter. | 0:42:28 | 0:42:31 | |
We both admire your resilience and determination. | 0:42:31 | 0:42:35 | |
I'm sorry that I haven't been able to come up with enough | 0:42:35 | 0:42:39 | |
to swing it round. | 0:42:39 | 0:42:41 | |
I can only wish you the best of luck in, | 0:42:41 | 0:42:43 | |
you know, fighting to declare your father's innocence. | 0:42:43 | 0:42:46 | |
And one day, I hope you'll succeed. | 0:42:46 | 0:42:48 | |
Thank you very much. | 0:42:48 | 0:42:50 | |
I'm not surprised. | 0:42:50 | 0:42:52 | |
I'm... I'm also terribly disappointed. | 0:42:52 | 0:42:55 | |
But I would like somebody in authority to come forward and say, | 0:42:55 | 0:42:58 | |
"Yes, you're right." | 0:42:58 | 0:43:00 | |
It's OK feeling he was innocent, but he was judged guilty. | 0:43:00 | 0:43:03 | |
Once my father was executed, there was absolutely no hope, | 0:43:04 | 0:43:08 | |
because you couldn't bring him back. | 0:43:08 | 0:43:10 | |
Not ever. | 0:43:10 | 0:43:11 |