Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The friendly, caring bobby pounding the beat has always been the | 0:00:03 | 0:00:07 | |
hallmark of British policing... | 0:00:07 | 0:00:08 | |
Fantastic. Pleasure to be known, my friend. | 0:00:08 | 0:00:10 | |
..and has even been immortalised on film by the fictional | 0:00:10 | 0:00:13 | |
Dixon of Dock Green. | 0:00:13 | 0:00:15 | |
Evening, all. | 0:00:15 | 0:00:16 | |
Today's neighbourhood police teams continue that tradition, | 0:00:18 | 0:00:22 | |
but also tackle the root causes of crime head-on | 0:00:22 | 0:00:26 | |
by targeting known hot spots... | 0:00:26 | 0:00:28 | |
Unlucky. ..stamping down on antisocial behaviour... | 0:00:28 | 0:00:31 | |
I'm arresting you for a public order offence. | 0:00:31 | 0:00:33 | |
..and waging war on illegal drugs. | 0:00:33 | 0:00:36 | |
I can smell cannabis already. | 0:00:36 | 0:00:37 | |
In this new series of Neighbourhood Blues, | 0:00:37 | 0:00:40 | |
we follow the policemen and women of Somerset as they continue their | 0:00:40 | 0:00:44 | |
quest to make our streets a safer place. | 0:00:44 | 0:00:47 | |
Coming up, an elderly man stirs up trouble at a pub... | 0:01:02 | 0:01:07 | |
Are you really going to do that? | 0:01:07 | 0:01:10 | |
..a down-and-out is on the run in elegant Bath... | 0:01:10 | 0:01:15 | |
He's been located by one of our PCSOs. | 0:01:15 | 0:01:17 | |
..and a late-night manhunt for a teenage burglar. | 0:01:20 | 0:01:24 | |
He was just stood there. Yeah. And did you see him wander off? | 0:01:24 | 0:01:27 | |
You did. He went that way, he went that way. | 0:01:27 | 0:01:29 | |
He was going to come round the front of the house. | 0:01:29 | 0:01:31 | |
Anyone who is the victim of a crime can find the ordeal difficult | 0:01:36 | 0:01:39 | |
to fully recover from. | 0:01:39 | 0:01:41 | |
Now, there is a new way of dealing with offenders | 0:01:41 | 0:01:44 | |
which gives victims a far more satisfactory outcome. | 0:01:44 | 0:01:47 | |
It's called restorative justice, | 0:01:47 | 0:01:49 | |
where victim and offender meet up and talk through what happened. | 0:01:49 | 0:01:54 | |
It's 12.45 in the morning in Bridgwater, in Somerset. | 0:01:57 | 0:02:01 | |
Neighbourhood officer, Kev Curd, is on patrol | 0:02:02 | 0:02:05 | |
seeing people are getting safely off home after their night out. | 0:02:05 | 0:02:10 | |
He's just taking an emergency call about an unusual-sounding job. | 0:02:10 | 0:02:14 | |
We've had a call out from a premises out in a village on the outskirts of | 0:02:15 | 0:02:21 | |
Bridgwater, where they've had somebody walk into their kitchen, | 0:02:21 | 0:02:25 | |
change his clothes, leaving his wet clothes on their floor | 0:02:25 | 0:02:28 | |
and then walk out without any shoes, socks or trousers on. | 0:02:28 | 0:02:32 | |
The break-in is no ordinary burglary by the sounds of it. | 0:02:32 | 0:02:36 | |
And the more information that comes in, | 0:02:36 | 0:02:39 | |
the more curious the whole thing is getting. | 0:02:39 | 0:02:43 | |
Kev's now hearing the suspected burglar has come | 0:02:43 | 0:02:46 | |
back to the property. | 0:02:46 | 0:02:47 | |
He's now just returned, knocking on the door, | 0:02:48 | 0:02:52 | |
wanting his clothes back. | 0:02:52 | 0:02:53 | |
There's no time to lose | 0:02:55 | 0:02:57 | |
as the occupants are alone in an isolated location. | 0:02:57 | 0:03:02 | |
The property, a farm, is in a rural area on the | 0:03:02 | 0:03:05 | |
Somerset Levels around five miles from Bridgwater. | 0:03:05 | 0:03:09 | |
As Kev arrives, he's joined by other units. | 0:03:11 | 0:03:15 | |
He was banging my front door, just a minute ago. | 0:03:15 | 0:03:18 | |
His clothes are here on the floor. | 0:03:18 | 0:03:19 | |
The farm owners, despite the shock of someone bursting into their home, | 0:03:19 | 0:03:24 | |
are quite calm. | 0:03:24 | 0:03:25 | |
But they can't quite understand what was on the intruder's mind. | 0:03:25 | 0:03:30 | |
So, what clothes did he...? He just walked out in bare foot, did he? | 0:03:30 | 0:03:33 | |
Oddly, the suspected burglar's only stolen some jeans and a T-shirt. | 0:03:37 | 0:03:44 | |
In their place, he's left behind some soaking wet clothes, | 0:03:44 | 0:03:48 | |
a mobile phone and even his wallet. | 0:03:48 | 0:03:51 | |
437, control, can I have a person check off a driving licence? | 0:03:51 | 0:03:55 | |
This is a person that's loitering around this property. | 0:03:55 | 0:03:58 | |
The computer checks reveal the lad is only 19. | 0:03:58 | 0:04:01 | |
And with temperatures outside now around freezing, | 0:04:01 | 0:04:05 | |
Kev is starting to get a little worried about him. | 0:04:05 | 0:04:08 | |
There could be a bit of a welfare issue with this gentleman. | 0:04:08 | 0:04:11 | |
It would appear as though he's come in here, soaking wet. | 0:04:11 | 0:04:13 | |
Trousers, shoes, socks. | 0:04:13 | 0:04:17 | |
Coming face-to-face with an intruder in the early hours is a lot of | 0:04:17 | 0:04:21 | |
people's worst nightmare. | 0:04:21 | 0:04:23 | |
Especially when they are behaving in a peculiar way. | 0:04:23 | 0:04:27 | |
Well, I just woke up to my husband asking, "Who are you?" | 0:04:27 | 0:04:30 | |
And I said, "Who?" And he's chatting to this man... | 0:04:30 | 0:04:34 | |
and I said... I said to the man, "Stand forward." | 0:04:34 | 0:04:36 | |
Because I didn't understand what my husband was seeing. | 0:04:36 | 0:04:39 | |
And he kept saying his friend was... | 0:04:39 | 0:04:42 | |
Amy Winehouse. Amy Winehouse. | 0:04:42 | 0:04:43 | |
And he wouldn't tell us why he was in our house. | 0:04:44 | 0:04:46 | |
I said, "You'd better come out. Come out." | 0:04:46 | 0:04:48 | |
I just walked him out the kitchen door and locked the door on him. | 0:04:48 | 0:04:51 | |
I appreciate he's taken a pair of trousers and gone. | 0:04:51 | 0:04:53 | |
We can cover that issue later. My main concern at the moment is... | 0:04:53 | 0:04:56 | |
He's got a thin T-shirt on... Yep. ..and bare feet and pair of | 0:04:56 | 0:04:59 | |
trousers that are too short in the leg... OK. ..on him. | 0:04:59 | 0:05:01 | |
You've got rooms round here. | 0:05:01 | 0:05:02 | |
He clearly doesn't know where he's going because he's soaking wet | 0:05:02 | 0:05:05 | |
up to his waist, so he's... Yes. | 0:05:05 | 0:05:06 | |
He's either been in your little room there, | 0:05:06 | 0:05:08 | |
or he's been in the one by the farm, hasn't he? | 0:05:08 | 0:05:10 | |
Did you see him wander off? He went that way, he went that way. | 0:05:10 | 0:05:13 | |
He's going to come round the front of the house. | 0:05:13 | 0:05:15 | |
We'll go and wander round. Let us know when you've got him, will you? | 0:05:15 | 0:05:19 | |
And then, obviously, we'll try and recover your trousers. | 0:05:19 | 0:05:22 | |
No, don't worry. We're not worried about the trousers. | 0:05:22 | 0:05:24 | |
Technically, it's a burglary but whether he's in the | 0:05:24 | 0:05:27 | |
right state of mind to know that he's committed a crime, | 0:05:27 | 0:05:30 | |
I don't know. I don't think he does. | 0:05:30 | 0:05:31 | |
I don't think he knows that he's done something wrong. | 0:05:31 | 0:05:34 | |
I wonder if... And I said to him, | 0:05:34 | 0:05:35 | |
"Why are you holding that tube of toothpaste?" | 0:05:35 | 0:05:37 | |
And he just didn't seem to... | 0:05:37 | 0:05:39 | |
And he gave me it back. He didn't understand what he was holding. | 0:05:39 | 0:05:43 | |
The Somerset Levels are a massive low-lying flood plain | 0:05:43 | 0:05:47 | |
crisscrossed with rivers and drainage ditches called rhynes. | 0:05:47 | 0:05:53 | |
It's vital the lad is found before he falls in any more water | 0:05:53 | 0:05:57 | |
or gets hypothermia. | 0:05:57 | 0:06:00 | |
The neighbourhood team may well be expected to hunt down burglars, | 0:06:00 | 0:06:04 | |
but more importantly, they have a duty of care for people. | 0:06:04 | 0:06:08 | |
So, this has now turned into a search and rescue | 0:06:08 | 0:06:11 | |
for a young man whose life could be in danger. | 0:06:11 | 0:06:14 | |
Suddenly, across the fields, Kev spots something. | 0:06:15 | 0:06:19 | |
Do you know who lives in those houses? | 0:06:19 | 0:06:21 | |
That light's only just come on... | 0:06:21 | 0:06:23 | |
..on that house. | 0:06:23 | 0:06:24 | |
So, that's the row of four. | 0:06:24 | 0:06:25 | |
So, that's the row of four. | 0:06:25 | 0:06:26 | |
Yeah. Set to? | 0:06:26 | 0:06:27 | |
There is a public right of way beside my house. | 0:06:27 | 0:06:30 | |
There is a public right of way beside my house. | 0:06:31 | 0:06:31 | |
It goes across this field to a gate and comes up by her house. | 0:06:31 | 0:06:34 | |
It goes up towards the pub. | 0:06:34 | 0:06:35 | |
Security light just came on. | 0:06:35 | 0:06:37 | |
The lady in this house is saying that you could get to that | 0:06:37 | 0:06:42 | |
house along the brook on a public footpath. | 0:06:42 | 0:06:45 | |
He may have walked with that public footpath back to that row of houses. | 0:06:45 | 0:06:48 | |
Kev calls up his neighbourhood police colleagues to assist him, | 0:06:50 | 0:06:53 | |
checking out the light at the house. | 0:06:53 | 0:06:56 | |
That light coming on was interesting to say the least. | 0:06:56 | 0:06:59 | |
At the moment in time, I'm not worried about him being found | 0:07:03 | 0:07:06 | |
as an offender, I'm more concerned that he's out in this weather | 0:07:06 | 0:07:09 | |
in a short-sleeved T-shirt, three-quarter-length trousers | 0:07:09 | 0:07:12 | |
that don't fit him properly and bare feet. | 0:07:12 | 0:07:15 | |
Completely lost, under the influence of either drink or drugs | 0:07:15 | 0:07:19 | |
and nowhere near home. | 0:07:19 | 0:07:21 | |
Kev and his colleagues arrive at the house where the light was seen. | 0:07:21 | 0:07:24 | |
The light in the back of this house came on | 0:07:25 | 0:07:28 | |
when I was in her back garden. | 0:07:28 | 0:07:29 | |
She said, "Oh, it may be their security light." | 0:07:29 | 0:07:31 | |
I thought it was a light inside the address. | 0:07:31 | 0:07:33 | |
I'm going to just knock on their door and see if we can have a look | 0:07:33 | 0:07:36 | |
in the back. Hello. Sorry to alarm you. | 0:07:36 | 0:07:38 | |
Can I have a quick look in your garden? Is that all right? | 0:07:38 | 0:07:40 | |
Sorry to wake you up at this horrendous hour. | 0:07:40 | 0:07:43 | |
Yeah, that's the light I saw come on. That one, there. | 0:07:48 | 0:07:50 | |
All right, he's not in here then. | 0:07:52 | 0:07:54 | |
There is no sign of the missing man. | 0:07:54 | 0:07:56 | |
Cheers, guys. If you do see anybody... Yeah. | 0:07:56 | 0:07:59 | |
..then, just let us know. OK. All right, thank you. Cheers. | 0:07:59 | 0:08:02 | |
Kev needs more help, so he's calling up for dog support. | 0:08:02 | 0:08:06 | |
With the temperature still dropping, | 0:08:06 | 0:08:09 | |
it's imperative the man is found as soon as possible. | 0:08:09 | 0:08:12 | |
This point onwards... Yeah. ..up to the house with the dim light | 0:08:14 | 0:08:17 | |
at the far end... Yeah. ..is a public footpath | 0:08:17 | 0:08:19 | |
and a brook to the side. | 0:08:19 | 0:08:20 | |
He was last seen in the back garden of the house up there | 0:08:21 | 0:08:24 | |
by the occupants and they said he walked round to the back, | 0:08:24 | 0:08:28 | |
and Mark's walked the majority of this part, here. | 0:08:28 | 0:08:30 | |
If the dog can get any sniff of the missing intruder... | 0:08:31 | 0:08:34 | |
..he'll be on his trail in no time. | 0:08:37 | 0:08:40 | |
DOG BARKS | 0:08:40 | 0:08:42 | |
But, there's still no sign of him | 0:08:46 | 0:08:49 | |
and Kev's getting increasingly worried about his welfare. | 0:08:49 | 0:08:52 | |
I'm quite cold and I'm stood with trousers, jacket and a stab vest on | 0:08:52 | 0:08:56 | |
and a shirt on. He's out in potentially a wet T-shirt, | 0:08:56 | 0:08:59 | |
three-quarter-length trousers, bare foot. Lost, drunk. | 0:08:59 | 0:09:04 | |
Coming up, the search with more officers | 0:09:04 | 0:09:07 | |
and the police helicopter goes on. | 0:09:07 | 0:09:10 | |
Finding missing individuals is a big part of the police's job. | 0:09:18 | 0:09:23 | |
As well as those whose welfare is of concern, | 0:09:24 | 0:09:27 | |
the police are also responsible for tracking down people | 0:09:27 | 0:09:31 | |
who have warrants out for their arrest. | 0:09:31 | 0:09:33 | |
Usually, they're failing to turn up at court. | 0:09:33 | 0:09:36 | |
In Bath, Luke Keenan and Roger Parker are on the hunt | 0:09:38 | 0:09:42 | |
for a man who failed to appear in court this morning | 0:09:42 | 0:09:45 | |
on suspicion of begging. | 0:09:45 | 0:09:48 | |
We're looking for a guy who is wanted on a fail to appear at | 0:09:48 | 0:09:51 | |
Bath Magistrates'. So, if he's there and he answers the door, | 0:09:51 | 0:09:54 | |
then he'll be coming with us. | 0:09:54 | 0:09:55 | |
The suspected beggar is well known to the neighbourhood team | 0:09:55 | 0:09:58 | |
and Luke and Roger think they know the address where they'll find him. | 0:09:58 | 0:10:02 | |
The plan is to arrest him and take him straight back to court, | 0:10:05 | 0:10:10 | |
while an official from the Housing Association is here | 0:10:10 | 0:10:13 | |
to repossess the property. | 0:10:13 | 0:10:15 | |
But it appears no-one's home. | 0:10:16 | 0:10:19 | |
Hello? Hello, is anybody there? | 0:10:20 | 0:10:24 | |
The door's unlocked and inside, the place is like a tip. | 0:10:24 | 0:10:28 | |
Nope, there's no-one here. | 0:10:30 | 0:10:32 | |
The wanted man is not here, | 0:10:32 | 0:10:33 | |
but the disgusting conditions he lives in are plain to see and smell. | 0:10:33 | 0:10:39 | |
Cor! There's some suggestion from the local housing authority | 0:10:39 | 0:10:42 | |
that the property has been used for drug use. | 0:10:42 | 0:10:45 | |
Further inside, that suggestion is confirmed. | 0:10:46 | 0:10:50 | |
The flat's clearly being used as a drugs den. | 0:10:50 | 0:10:53 | |
We've got some needles, which appear to be uncapped down there. | 0:10:53 | 0:10:57 | |
And lots of burnt spoons. | 0:10:59 | 0:11:01 | |
It's hard to believe anyone can live in such appalling conditions | 0:11:01 | 0:11:05 | |
as these. | 0:11:05 | 0:11:07 | |
Piles of rubbish and drugs paraphernalia | 0:11:07 | 0:11:09 | |
are strewn about everywhere. | 0:11:09 | 0:11:13 | |
There's some more uncapped needles in the toilet, here. | 0:11:13 | 0:11:15 | |
I'm not going to go too far into it. | 0:11:15 | 0:11:17 | |
And, most worryingly, dozens of used syringes which could be harbouring | 0:11:18 | 0:11:24 | |
all sorts of dangerous diseases litter the floor. | 0:11:24 | 0:11:29 | |
I can't get to the kitchen because there is clothes all over the floor. | 0:11:29 | 0:11:32 | |
Isn't particularly hygienic. | 0:11:32 | 0:11:34 | |
As you can see there's lots of different bits of rubbish | 0:11:34 | 0:11:38 | |
all over the place. | 0:11:38 | 0:11:40 | |
People's main focus, it appears, when they're on drugs, is the drugs. | 0:11:42 | 0:11:45 | |
So they tend to let their hygiene slip around the property | 0:11:45 | 0:11:48 | |
and things like that. | 0:11:48 | 0:11:49 | |
I don't really want to risk walking all over it | 0:11:49 | 0:11:51 | |
in case I get stabbed with an uncapped needle. | 0:11:51 | 0:11:54 | |
The junk and waste has spread to the outside and | 0:11:54 | 0:11:57 | |
with a flat next to a main road, | 0:11:57 | 0:12:00 | |
it's not only an eyesore, but also a health hazard. | 0:12:00 | 0:12:04 | |
As you can see, there's quite a few empty bags of rubbish | 0:12:04 | 0:12:07 | |
and various bits and pieces around. | 0:12:07 | 0:12:10 | |
The squalid state of the flat has upset a lot of the neighbours, | 0:12:10 | 0:12:14 | |
so they are relieved the neighbourhood team | 0:12:14 | 0:12:17 | |
and the Housing Association are finally doing something about it. | 0:12:17 | 0:12:22 | |
I've had conversations with a couple of the neighbours and they're | 0:12:22 | 0:12:25 | |
really, really pleased about it and regarding the mess outside | 0:12:25 | 0:12:28 | |
the house, that's also going to be removed. | 0:12:28 | 0:12:30 | |
That'll be the tenant's responsibility to do it. | 0:12:30 | 0:12:32 | |
So, it's moving on, making the place a little bit more pleasant | 0:12:32 | 0:12:35 | |
for the people that are living in and around here. | 0:12:35 | 0:12:38 | |
It's estimated that there are around 30,000 people | 0:12:38 | 0:12:41 | |
wanted by the police on warrant at any one time. | 0:12:41 | 0:12:44 | |
Fortunately, today's missing suspected beggar | 0:12:47 | 0:12:50 | |
isn't going to be one of those for much longer. | 0:12:50 | 0:12:53 | |
We've located the gentleman we were trying to speak to | 0:12:54 | 0:12:57 | |
in the last address. | 0:12:57 | 0:12:59 | |
He's been located by one of our PCSOs. | 0:12:59 | 0:13:01 | |
There's no time to lose for Roger and Luke. | 0:13:05 | 0:13:08 | |
The man's been found wandering with his dog in Bath city centre. | 0:13:08 | 0:13:13 | |
Before anything else, the man in camo needs to be relieved | 0:13:13 | 0:13:18 | |
of any syringes on him. | 0:13:18 | 0:13:19 | |
Right, where's your pins, mate? They're all over, innit. All over? | 0:13:19 | 0:13:22 | |
Don't do it here in the streets. Open up. No, we've got... | 0:13:22 | 0:13:25 | |
We can't put you in the back of the car, so... | 0:13:25 | 0:13:27 | |
If we can do it just there. Put any of your pins... | 0:13:27 | 0:13:29 | |
While Roger gives the man the once over, | 0:13:29 | 0:13:32 | |
Luke tries to get to grips with his dog. | 0:13:32 | 0:13:35 | |
But he's got a problem. | 0:13:35 | 0:13:37 | |
Excuse me, have you got a lead for your dog, mate? | 0:13:37 | 0:13:40 | |
No, no, I haven't got a lead. | 0:13:40 | 0:13:42 | |
Luckily, Luke's trousers are a snug fit, | 0:13:42 | 0:13:45 | |
so he's liberated his belt for the job. | 0:13:45 | 0:13:48 | |
The gentleman is going to court, | 0:13:48 | 0:13:49 | |
but, obviously, he can't take his dog with him. | 0:13:49 | 0:13:52 | |
It didn't have a lead, as you can see, so I've improvised. | 0:13:52 | 0:13:54 | |
I'm going to be taking the dog to a friend of his | 0:13:54 | 0:13:57 | |
who lives just round the corner. | 0:13:57 | 0:13:59 | |
Dog is going to be safe and he's going to court. | 0:13:59 | 0:14:01 | |
When he appeared in court later that day, | 0:14:01 | 0:14:04 | |
the man pleaded guilty to begging. | 0:14:04 | 0:14:06 | |
After receiving a fine totalling ?270, he was released back onto the | 0:14:06 | 0:14:12 | |
streets and was quickly reunited with his best friend. | 0:14:12 | 0:14:17 | |
Earlier, we saw how a 19-year-old | 0:14:25 | 0:14:28 | |
suspected of committing a late-night burglary had disappeared. | 0:14:28 | 0:14:32 | |
There could be a bit of a welfare issue with this gentleman. | 0:14:32 | 0:14:34 | |
Shoeless and dressed in only jeans and a T-shirt. | 0:14:34 | 0:14:37 | |
It's gone three in the morning and in freezing conditions, | 0:14:39 | 0:14:42 | |
the neighbourhood police are now very concerned for his welfare. | 0:14:42 | 0:14:47 | |
It's escalating to a point where it's going to be, potentially, | 0:14:47 | 0:14:50 | |
a high-risk or missing-person scenario. | 0:14:50 | 0:14:53 | |
The police helicopter has been called in, | 0:14:53 | 0:14:55 | |
but it isn't picking up any trace of the missing person | 0:14:55 | 0:14:59 | |
on its thermal imaging camera. | 0:14:59 | 0:15:01 | |
Kev's next port of call is a nearby pub. | 0:15:05 | 0:15:08 | |
I'll go knock on the pub to do their outbuildings, skittle alley... | 0:15:08 | 0:15:14 | |
Anywhere that's open to the back of these fields. | 0:15:14 | 0:15:16 | |
Just in conversation with the landlord of the Thatchers. | 0:15:21 | 0:15:23 | |
He's gone in there very drunk, very wet, taken off his wet clothes, | 0:15:23 | 0:15:27 | |
taken a pair of trousers from inside and then walked off, | 0:15:27 | 0:15:31 | |
out their property, but we don't know where. | 0:15:31 | 0:15:34 | |
He's miles from home, he's very intoxicated, | 0:15:34 | 0:15:36 | |
so we're just checking the houses and the back gardens in this area. | 0:15:36 | 0:15:40 | |
Oh, right, yes. We've done the houses. | 0:15:40 | 0:15:41 | |
Have you checked the toilets? There? Yeah, there's a toilet there. | 0:15:41 | 0:15:45 | |
Round the back? No, there. | 0:15:45 | 0:15:47 | |
That's a lead, I suggest. | 0:15:47 | 0:15:49 | |
OK. Do you want the lights on or anything, | 0:15:49 | 0:15:51 | |
if you're going over there? Yes, if you don't mind. Right, hang on. | 0:15:51 | 0:15:54 | |
Thank you. | 0:15:54 | 0:15:55 | |
It's the police. Are you back here? | 0:16:05 | 0:16:07 | |
You're not in any trouble. I'm just more concerned about you being out | 0:16:08 | 0:16:11 | |
in the cold in inappropriate clothing. | 0:16:11 | 0:16:14 | |
Just searching the grounds of it now. | 0:16:14 | 0:16:16 | |
Having spoken to the landlord, they've not seen anything. | 0:16:16 | 0:16:19 | |
Just checking. He's got a couple of caravans out the back, here, that | 0:16:19 | 0:16:22 | |
are sort of storage space more than anything. | 0:16:22 | 0:16:24 | |
So we're just searching these in the next couple of minutes. | 0:16:24 | 0:16:28 | |
As Kev goes round the back, | 0:16:28 | 0:16:30 | |
good news is coming in over the radio on his earpiece. | 0:16:30 | 0:16:33 | |
The missing man has been found at last. | 0:16:33 | 0:16:37 | |
Just heard on my radio that we've obviously located the male. | 0:16:37 | 0:16:40 | |
I don't know under what circumstances, | 0:16:40 | 0:16:42 | |
but I have just heard the back end of a conversation that he's been | 0:16:42 | 0:16:45 | |
arrested on suspicion of burglary and is on his way to custody. | 0:16:45 | 0:16:49 | |
The young man, cold and wet, | 0:16:50 | 0:16:52 | |
has been arrested on suspicion of burglary and taken to the police | 0:16:52 | 0:16:56 | |
station in Bridgwater where he's been given a change of clothes | 0:16:56 | 0:17:00 | |
before being booked in. | 0:17:00 | 0:17:02 | |
His discovery was as much a surprise as it was a relief | 0:17:02 | 0:17:06 | |
to all the team. | 0:17:06 | 0:17:08 | |
The chap just suddenly jumped into the middle of the road, | 0:17:08 | 0:17:11 | |
starting waving his hands to flag us down. | 0:17:11 | 0:17:13 | |
And, obviously, we realised that that was our chap. | 0:17:13 | 0:17:17 | |
So we stopped and got him in the car, made sure he was all | 0:17:17 | 0:17:21 | |
safe and well. | 0:17:21 | 0:17:22 | |
The lad hasn't offered any explanation for what he did tonight. | 0:17:22 | 0:17:26 | |
And all he remembers is that he had been drinking in Bridgwater before | 0:17:26 | 0:17:30 | |
getting lost on his way home. | 0:17:30 | 0:17:32 | |
He said he was cold but in the back of the police car, | 0:17:32 | 0:17:34 | |
he soon started to warm up and there was no obvious injuries | 0:17:34 | 0:17:38 | |
to him, so we were fairly happy about his condition. | 0:17:38 | 0:17:42 | |
We've had a happy ending. Although he's in custody, | 0:17:42 | 0:17:45 | |
it's the happier of the two endings that were possible in this event. | 0:17:45 | 0:17:49 | |
So, yeah. He's in custody, he's safe, he's alive. | 0:17:49 | 0:17:52 | |
It doesn't bear thinking about what was the other option. | 0:17:52 | 0:17:56 | |
A good outcome for Kev and the lad. | 0:17:56 | 0:17:58 | |
But what of the farm-owners he burst in on tonight? | 0:17:58 | 0:18:01 | |
Find out later what happens when they come face-to-face | 0:18:02 | 0:18:05 | |
with the intruder again. This time, it's his turn to be in the hot seat. | 0:18:05 | 0:18:11 | |
I'm just going to do introductions. | 0:18:11 | 0:18:13 | |
Prisons in the UK have reached bursting point. | 0:18:18 | 0:18:22 | |
To alleviate the situation, prisoners are often let out on | 0:18:22 | 0:18:25 | |
licence after serving just half their sentences. | 0:18:25 | 0:18:29 | |
Whilst this solves one problem, it can lead to another. | 0:18:29 | 0:18:33 | |
If they act up again in any way, | 0:18:33 | 0:18:35 | |
they can often be recalled to prison immediately. | 0:18:35 | 0:18:38 | |
And that can be a headache for the police. | 0:18:38 | 0:18:41 | |
In Weston-super-Mare... | 0:18:43 | 0:18:44 | |
..a man sentenced to 16 months in prison for attempting to rob this | 0:18:46 | 0:18:50 | |
convenience store armed with a knife, | 0:18:50 | 0:18:52 | |
has been let out after serving half his term. | 0:18:52 | 0:18:55 | |
He has now broken the conditions of his early release | 0:18:57 | 0:19:00 | |
and he has had his licence revoked. | 0:19:00 | 0:19:02 | |
But, rather than hand himself in and go straight back to prison, | 0:19:02 | 0:19:07 | |
he's done a runner. | 0:19:07 | 0:19:08 | |
It's vital for the safety of the community that the | 0:19:08 | 0:19:11 | |
neighbourhood team recaptures him as quickly as possible. | 0:19:11 | 0:19:15 | |
Russ Millier is on the hunt for him. | 0:19:15 | 0:19:17 | |
We are just going to look at his last location | 0:19:17 | 0:19:19 | |
and see if we can find him. | 0:19:19 | 0:19:22 | |
Police were chasing him earlier through an estate | 0:19:22 | 0:19:24 | |
where his girlfriend lives. But he got away. | 0:19:24 | 0:19:28 | |
RADIO: '6-0 Juliet, he could be anywhere now.' | 0:19:28 | 0:19:31 | |
The man was in a red hoodie and grey joggers. | 0:19:31 | 0:19:34 | |
A description of his girlfriend has come in as well. | 0:19:34 | 0:19:36 | |
RADIO: 'She's got dark brownish hair, dyed with a reddy hint to it | 0:19:36 | 0:19:42 | |
'in a ponytail.' | 0:19:42 | 0:19:44 | |
So he could be anywhere on this estate, right? | 0:19:44 | 0:19:46 | |
RADIO: 'Yep, that's a...' | 0:19:46 | 0:19:47 | |
He is known to me, yeah. We... | 0:19:50 | 0:19:52 | |
We had dealings with him, in fact, | 0:19:52 | 0:19:54 | |
for the offence which he went in prison for. | 0:19:54 | 0:19:56 | |
He's actually been in prison for the armed robbery | 0:19:56 | 0:19:59 | |
from a shop in Weston. | 0:19:59 | 0:20:01 | |
And, as a result, he's come out after serving time | 0:20:01 | 0:20:04 | |
in prison on licence. | 0:20:04 | 0:20:06 | |
He's obviously breached that licence at some point, | 0:20:06 | 0:20:08 | |
because they've recalled him. | 0:20:08 | 0:20:10 | |
Which means it's a straight arrest and it's straight back to prison. | 0:20:10 | 0:20:13 | |
So he's going to be off on his feet as soon as we see him. | 0:20:13 | 0:20:18 | |
There's no knowing if the man is dangerous or not, | 0:20:18 | 0:20:21 | |
so the neighbourhood police aren't taking any chances. | 0:20:21 | 0:20:25 | |
They've put a watch on his house and are out in force | 0:20:25 | 0:20:27 | |
looking for him. | 0:20:27 | 0:20:30 | |
One of the team, in plain clothes, has spotted his girlfriend again. | 0:20:30 | 0:20:34 | |
RADIO: 'Along a footpath, back towards Morrisons. | 0:20:34 | 0:20:37 | |
'Going past the park, now.' | 0:20:37 | 0:20:40 | |
'Yeah, yeah. We're on the bridge, I think.' | 0:20:43 | 0:20:46 | |
The girl is in the park and on her phone, possibly to the suspect. | 0:20:46 | 0:20:51 | |
We are by you, mate. | 0:20:52 | 0:20:55 | |
As Russ approaches the park entrance, | 0:20:55 | 0:20:57 | |
he takes extra care not to spook the girl. | 0:20:57 | 0:21:00 | |
He hangs back, while his undercover colleague | 0:21:00 | 0:21:04 | |
comes over to keep tabs on her. | 0:21:04 | 0:21:07 | |
Hey, Joe, I'm in company. 91. | 0:21:09 | 0:21:11 | |
So, at the moment, we think we've spotted the female - the girlfriend. | 0:21:14 | 0:21:18 | |
And the reason we are sort of keeping it low-key, | 0:21:20 | 0:21:22 | |
is we're hoping she's going to meet up with him. | 0:21:22 | 0:21:24 | |
So, we're letting the plain-clothes officer go on ahead a minute. | 0:21:24 | 0:21:28 | |
The man knows the area is flooded with cops. | 0:21:28 | 0:21:31 | |
So, it is a game of cat and mouse as he desperately tries to hook up with | 0:21:31 | 0:21:35 | |
his girlfriend again. | 0:21:35 | 0:21:36 | |
She's just on the other side of the trees, still on her phone. | 0:21:38 | 0:21:42 | |
RADIO: '147.' She's now... | 0:21:42 | 0:21:44 | |
Looks like she's being directed down towards | 0:21:44 | 0:21:46 | |
the back of Morrisons which might indicate | 0:21:46 | 0:21:50 | |
she's been on the phone to him, and he's trying to get her to | 0:21:50 | 0:21:52 | |
where he is. So... | 0:21:52 | 0:21:54 | |
Uniform are just, sort of, staying back out the way at the minute | 0:21:55 | 0:21:58 | |
and letting the plain-clothes officers do it. | 0:21:58 | 0:22:02 | |
She's gone down the alley. | 0:22:02 | 0:22:04 | |
She's gone back on herself? | 0:22:04 | 0:22:06 | |
Oh, right, OK. | 0:22:08 | 0:22:09 | |
Russ closes in on his prey. | 0:22:11 | 0:22:13 | |
She's just sat... She's just sat through there. | 0:22:13 | 0:22:16 | |
And, if all goes to plan, | 0:22:17 | 0:22:19 | |
her boyfriend he's hunting will soon show his face, as well. | 0:22:19 | 0:22:23 | |
Just a bit of waiting game, now. | 0:22:25 | 0:22:26 | |
Hopefully, he pops up somewhere. | 0:22:27 | 0:22:29 | |
Fortunately, Russ can see the funny side of lurking in the shrubbery. | 0:22:33 | 0:22:38 | |
LAUGHTER | 0:22:38 | 0:22:40 | |
Best things come to those who wait. | 0:22:40 | 0:22:43 | |
Shame it's in a thorny bush. | 0:22:43 | 0:22:44 | |
All of a sudden, the girl is on the move. | 0:22:46 | 0:22:50 | |
Standby, standby. She's gone left, back on herself, mate. | 0:22:51 | 0:22:55 | |
Round the back of those houses. | 0:22:55 | 0:22:56 | |
She's headed towards a friend's house. | 0:22:56 | 0:22:58 | |
OK, I'll come and join you, yeah. | 0:22:58 | 0:23:02 | |
Yeah, yeah, but I can see... Who's in there? Just a female. | 0:23:02 | 0:23:05 | |
Hello. | 0:23:06 | 0:23:08 | |
Russ takes a quick look around for the fugitive. | 0:23:08 | 0:23:10 | |
That's my room. That is your room, is it, yeah? | 0:23:10 | 0:23:12 | |
He's not hiding in there, is he? No. | 0:23:12 | 0:23:15 | |
Where...? Where are we going to find him, then? | 0:23:15 | 0:23:17 | |
Do you know what? If I knew, I'd be there with him, wouldn't I? | 0:23:17 | 0:23:20 | |
Yeah. You don't know where he is? I have no idea, no. | 0:23:20 | 0:23:22 | |
Has he got a phone? No. So, he ain't got a phone. | 0:23:22 | 0:23:24 | |
No. No? The only phone we've ever used together is my phone. | 0:23:24 | 0:23:28 | |
And you've got that? | 0:23:28 | 0:23:29 | |
And I've not got that. That's at my friend's, charging. | 0:23:29 | 0:23:32 | |
You haven't got any phone on you? | 0:23:32 | 0:23:34 | |
You haven't got a phone on you? | 0:23:34 | 0:23:36 | |
No, I've just explained. My phone is at my friend's house, charging. | 0:23:36 | 0:23:38 | |
I've just seen you on the phone. We've seen you on your phone. | 0:23:38 | 0:23:41 | |
Twice. So, know you're lying to us. | 0:23:41 | 0:23:43 | |
No, I've not got a phone on me. | 0:23:43 | 0:23:45 | |
Do you remember this conversation we had, before Connor went in prison? | 0:23:45 | 0:23:48 | |
Yeah, go on. About you harbouring a fugitive... Yeah. | 0:23:48 | 0:23:50 | |
..and that you could get arrested? Yeah, yeah. Well, I'm not. | 0:23:50 | 0:23:53 | |
So, you're bordering doing that at the moment. | 0:23:53 | 0:23:55 | |
He's not with me, is he? So, I'm not harbouring a fugitive. | 0:23:55 | 0:23:57 | |
It doesn't matter. You're not helping any situation by lying. | 0:23:57 | 0:24:00 | |
I'm not with him. You're with him, you lied about being on the phone. | 0:24:00 | 0:24:03 | |
I'm not with him, am I? You were with him. Yeah, all right. | 0:24:03 | 0:24:05 | |
I didn't lie about being on the phone. | 0:24:05 | 0:24:08 | |
Joke, man. | 0:24:08 | 0:24:11 | |
Just for your information, for the plain-clothes that are out | 0:24:11 | 0:24:13 | |
and about, she's off. | 0:24:13 | 0:24:15 | |
The search continues. | 0:24:17 | 0:24:18 | |
And now the search is joined by the police helicopter and a dog unit. | 0:24:20 | 0:24:24 | |
So, she's clearly on the phone to him, | 0:24:24 | 0:24:27 | |
she's clearly working with him to find out where he is. | 0:24:27 | 0:24:30 | |
She won't be telling us, that's for sure. | 0:24:30 | 0:24:32 | |
Later, Russ gets a tip-off from a member of the public, | 0:24:33 | 0:24:37 | |
and the net closes in on Weston-super-Mare's most wanted. | 0:24:37 | 0:24:41 | |
Most crime is seen as something for which the offender must be punished. | 0:24:50 | 0:24:54 | |
However, there is an alternative way of gaining justice. | 0:24:56 | 0:24:59 | |
One where the offender accepts responsibility for what | 0:24:59 | 0:25:03 | |
he or she has done, and the victim of the crime | 0:25:03 | 0:25:06 | |
gets a more satisfactory outcome. | 0:25:06 | 0:25:08 | |
It's called restorative justice and it carried out by bringing both | 0:25:09 | 0:25:13 | |
parties together face-to-face, to discuss what happened. | 0:25:13 | 0:25:18 | |
Restorative justice gives the victims a voice. | 0:25:18 | 0:25:22 | |
So, it gives them the opportunity to explain to an offender how they've | 0:25:22 | 0:25:27 | |
being affected by harm that's been caused. | 0:25:27 | 0:25:30 | |
The young lad we saw earlier, | 0:25:31 | 0:25:33 | |
suspected of breaking into a farmhouse and stealing some clothes | 0:25:33 | 0:25:36 | |
before disappearing, is here to meet the couple | 0:25:36 | 0:25:40 | |
he caused such distress to that night. | 0:25:40 | 0:25:44 | |
The session is run by two experienced mediators. | 0:25:44 | 0:25:47 | |
Right, thanks very much, everybody, for coming today. | 0:25:49 | 0:25:53 | |
I'm just going to do the introduction... | 0:25:53 | 0:25:55 | |
Because of the sensitivity of the matter, | 0:25:58 | 0:26:01 | |
the encounter takes place away from the cameras. | 0:26:01 | 0:26:04 | |
An hour later, the mediators are pleased with how the meeting went. | 0:26:07 | 0:26:12 | |
I think it was a very emotional today. | 0:26:12 | 0:26:14 | |
Yeah. A lot of emotions come out of it on both sides. Yeah, yeah. | 0:26:14 | 0:26:19 | |
And that's what restorative justice does, because when a victim meets | 0:26:19 | 0:26:24 | |
an offender, that's what happens. | 0:26:24 | 0:26:26 | |
It really works. It really works. It's very, very powerful. | 0:26:26 | 0:26:29 | |
The young lad wasn't charged with any offences | 0:26:31 | 0:26:34 | |
for what he did that night, | 0:26:34 | 0:26:36 | |
thanks to the victims deciding they didn't want to press charges. | 0:26:36 | 0:26:41 | |
Good evening. Remember me? PC Curd. | 0:26:41 | 0:26:45 | |
After coming face-to-face with their intruder, | 0:26:45 | 0:26:48 | |
they're now ready to talk about the experience. | 0:26:48 | 0:26:50 | |
You happy to tell me about what's happened? | 0:26:51 | 0:26:53 | |
Yeah, because it is a bit of a shock. | 0:26:53 | 0:26:55 | |
We walked in and seeing his face, it's like... | 0:26:55 | 0:26:57 | |
Yeah. Just being in the police station, | 0:26:57 | 0:26:59 | |
just because he was still in the lobby. | 0:26:59 | 0:27:01 | |
Yep. And we were meeting there. Yeah. And it was like... | 0:27:01 | 0:27:03 | |
Just brought it all back home, really. Yeah, straightaway. | 0:27:03 | 0:27:06 | |
It was really quite scary. | 0:27:06 | 0:27:07 | |
I think your stomach does a flip, I must admit. | 0:27:07 | 0:27:11 | |
Once they got him to sit down, | 0:27:12 | 0:27:15 | |
your confidence grows because you really don't know the outcome. | 0:27:15 | 0:27:18 | |
But you feel really protected and you really feel that you can... | 0:27:18 | 0:27:22 | |
You can speak and you can say what you feel and not be afraid. | 0:27:22 | 0:27:27 | |
And it really... I truly believe it helps... Because, you guys... | 0:27:27 | 0:27:31 | |
..to face him. ..as the victims, are key to this process. | 0:27:31 | 0:27:34 | |
It's about you guys and getting closure on an incident. | 0:27:34 | 0:27:37 | |
Yeah. Whether it be bizarre, or a serious criminal offence. | 0:27:37 | 0:27:40 | |
Yeah. When he was talking to us and telling us what little tiny | 0:27:40 | 0:27:44 | |
bits he could remember. He didn't remember a lot of it. | 0:27:44 | 0:27:47 | |
And he said, to me how much he's tried and tried to remember | 0:27:47 | 0:27:49 | |
and he can't. And it's... He's frightened himself. | 0:27:49 | 0:27:52 | |
And he just... I don't think he would do it again. | 0:27:52 | 0:27:54 | |
No. He didn't realise. | 0:27:54 | 0:27:55 | |
I really think he would think twice before he got too drunk. | 0:27:55 | 0:27:58 | |
The way you, sort of, come cross is quite refreshing. | 0:27:58 | 0:28:01 | |
Because there are others that would say, "No, throw the book at him. | 0:28:01 | 0:28:04 | |
"I don't want to speak to him. He's a piece of dirt." | 0:28:04 | 0:28:06 | |
And I don't... I really don't think in this society it's going to help. | 0:28:06 | 0:28:09 | |
We knew in our own hearts that it was out of character. | 0:28:09 | 0:28:11 | |
It was like, see, you don't do that. No. | 0:28:11 | 0:28:13 | |
It's something you don't do. I just... | 0:28:13 | 0:28:14 | |
You don't break into somebody's house. | 0:28:14 | 0:28:17 | |
The couple have their own poignant reason for wanting to reach out | 0:28:17 | 0:28:21 | |
to the lad tonight. | 0:28:21 | 0:28:23 | |
I actually lost a son of my own, that had just had a couple too many | 0:28:23 | 0:28:29 | |
and fell asleep at the wheel. | 0:28:29 | 0:28:30 | |
And I lost my boy that day. | 0:28:30 | 0:28:33 | |
And I think... | 0:28:34 | 0:28:35 | |
..I could put that across to him really well, | 0:28:37 | 0:28:40 | |
and I think he really took it on board because that is... | 0:28:40 | 0:28:42 | |
That is the time when the tears were in his eyes, wasn't it? Yes. | 0:28:42 | 0:28:45 | |
And he just was so remorseful, and I said, | 0:28:45 | 0:28:48 | |
"Look, my son didn't mean to do that | 0:28:48 | 0:28:50 | |
"and you won't have meant to have done it, | 0:28:50 | 0:28:53 | |
"but trust me, your parents, what you'd have put them through." | 0:28:53 | 0:28:57 | |
And it really got to him. He really... | 0:28:59 | 0:29:01 | |
I truly believe he understood the pain he could give by just stupid | 0:29:01 | 0:29:07 | |
stupidity. Drinking just those couple of beers too many. | 0:29:07 | 0:29:11 | |
We know the impact it's had on you guys. Yeah. You could see it. | 0:29:11 | 0:29:14 | |
You could, yeah. Yeah. He had to relive it and then face us. | 0:29:14 | 0:29:17 | |
So it was hard for him, because of the tears. Yeah, it wasn't easy. | 0:29:17 | 0:29:21 | |
Because it must have been traumatic to come and face us. | 0:29:21 | 0:29:23 | |
Yeah. He won't forget meeting us. | 0:29:23 | 0:29:25 | |
He won't forget that meeting where we could all sit and talk. | 0:29:25 | 0:29:28 | |
Yeah. Explain how we felt. | 0:29:28 | 0:29:31 | |
He really... It... He understands now. | 0:29:31 | 0:29:34 | |
The uninhibited discussion tonight between victims and offender, | 0:29:34 | 0:29:39 | |
has been a great success. | 0:29:39 | 0:29:41 | |
I'll show you guys out. Yes, please. | 0:29:42 | 0:29:44 | |
The couple were able to express their concern for the lad | 0:29:45 | 0:29:49 | |
who, in turn, was left in no doubt about the gravity | 0:29:49 | 0:29:53 | |
and impact of what he'd done. | 0:29:53 | 0:29:55 | |
Earlier, we saw Russ from the neighbourhood police team | 0:30:02 | 0:30:06 | |
track down a girl... | 0:30:06 | 0:30:08 | |
I'm not with him, am I? You were with him. Yeah, all right. | 0:30:08 | 0:30:11 | |
..who he thinks might be the key to finding her missing boyfriend, | 0:30:11 | 0:30:15 | |
who is wanted for recall to prison. | 0:30:15 | 0:30:18 | |
With the police chopper hovering overhead, | 0:30:19 | 0:30:22 | |
a new lead comes in from a member of the public who wants to help. | 0:30:22 | 0:30:27 | |
INDISTINCT RADIO CHATTER | 0:30:27 | 0:30:30 | |
Roger that. | 0:30:30 | 0:30:32 | |
Helicopter draws attention to members of the public, | 0:30:32 | 0:30:35 | |
they start looking out for things, things that are going on. | 0:30:35 | 0:30:37 | |
And a member of the public's now seen | 0:30:37 | 0:30:41 | |
a male hiding in the undergrowth by a railway line. | 0:30:41 | 0:30:43 | |
It's clearly going to be him. | 0:30:43 | 0:30:45 | |
So, now we've got units directed to go to that railway line and search | 0:30:45 | 0:30:48 | |
that area, now. But you'll find, not just is it good, beneficial | 0:30:48 | 0:30:52 | |
for us, it makes us more... makes the public more aware. | 0:30:52 | 0:30:56 | |
Russ cadges a lift from a colleague to where the man was seen. | 0:30:58 | 0:31:02 | |
Right, that'll be a footpath, there. We'll jump out here. | 0:31:02 | 0:31:05 | |
Russ searches the undergrowth. | 0:31:10 | 0:31:13 | |
But there's a problem. | 0:31:13 | 0:31:14 | |
If the man he's hunting has gone over the fence, | 0:31:17 | 0:31:20 | |
he could be in real danger. | 0:31:20 | 0:31:22 | |
I've walked the length of it. It goes to thick undergrowth | 0:31:22 | 0:31:24 | |
that you can't get through. But I'll certainly go out to the other side. | 0:31:24 | 0:31:28 | |
To be on the safe side, they're going to shut down the railway. | 0:31:30 | 0:31:34 | |
Any trains that are inbound or outbound now will be stopped. | 0:31:34 | 0:31:38 | |
Until we release that, uh, release the all go to let them go. | 0:31:38 | 0:31:41 | |
The dense bushes beside the railway tracks | 0:31:41 | 0:31:44 | |
have foiled the helicopter's cameras up above. | 0:31:44 | 0:31:47 | |
So, plan B is to send in the dogs. | 0:31:47 | 0:31:50 | |
There is a seven-foot fence, but he easily get over about fence, | 0:31:50 | 0:31:53 | |
to be fair. So, we've just sent a dog in now, | 0:31:53 | 0:31:56 | |
to do a check of that undergrowth. | 0:31:56 | 0:31:58 | |
If he's in there, | 0:31:58 | 0:31:59 | |
his best bet's to put his hand up, | 0:31:59 | 0:32:02 | |
because he ain't going to want that thing coming at you. | 0:32:02 | 0:32:04 | |
But the trail seems to have gone cold. | 0:32:04 | 0:32:07 | |
The dog hasn't really indicated anything. Apart from the fact that | 0:32:07 | 0:32:10 | |
the plank that we saw as we were going through up against the fence. | 0:32:10 | 0:32:13 | |
It looks like a clear, sort of, hop up, if you like, | 0:32:13 | 0:32:16 | |
to get over that fence. | 0:32:16 | 0:32:18 | |
Probably come from this direction, into the bush line, | 0:32:18 | 0:32:21 | |
over onto the railway lines and down. So he may well be | 0:32:21 | 0:32:24 | |
over the other side now. So we're going to have look over there. | 0:32:24 | 0:32:27 | |
Suddenly, the fugitive breaks cover | 0:32:27 | 0:32:30 | |
and has been spotted by the police up above. | 0:32:30 | 0:32:33 | |
It's a race to capture him. | 0:32:33 | 0:32:35 | |
RADIO: 'All units to the train track.' | 0:32:35 | 0:32:37 | |
The runaway convict has finally been caught. | 0:32:41 | 0:32:43 | |
INDISTINCT CHATTER | 0:32:45 | 0:32:47 | |
Well, I think we've got over that bit of wood there, haven't they? | 0:32:47 | 0:32:51 | |
Unbelievable, innit? So, there he is. | 0:32:51 | 0:32:54 | |
Great results. So, caught on the train line, | 0:32:55 | 0:32:58 | |
exactly where the member of the public said. | 0:32:58 | 0:33:00 | |
Connor. | 0:33:01 | 0:33:03 | |
Connor is on the fast track back to the big house. | 0:33:03 | 0:33:07 | |
But first, he wants to make a last phone call. | 0:33:07 | 0:33:11 | |
Let me get my phone, they did say I can use a phone. | 0:33:11 | 0:33:14 | |
Who you ringing? My missus. | 0:33:14 | 0:33:16 | |
Oh, what, your missus that ain't got a phone on her? | 0:33:16 | 0:33:18 | |
I'll have a quick chat with her, shall I? No. Well, yeah. | 0:33:18 | 0:33:21 | |
Cos you're under arrest. Yeah, go on, then. | 0:33:21 | 0:33:23 | |
Russ has got a hunch about who is on the other end of the phone. | 0:33:23 | 0:33:27 | |
Oh, hello BLEEP. Fancy speaking to you on the phone. | 0:33:27 | 0:33:30 | |
That's her friend's phone. Yeah, it's funny, that, isn't it? | 0:33:30 | 0:33:33 | |
OK, then, well, Connor's in custody. So, see you again. Bye-bye. | 0:33:33 | 0:33:37 | |
Let me have a chat to her. | 0:33:37 | 0:33:39 | |
Yes, baby. | 0:33:39 | 0:33:41 | |
It's the end of the line for the fugitive. | 0:33:41 | 0:33:43 | |
He's looking at another spell behind bars. | 0:33:43 | 0:33:47 | |
Thankfully, the neighbourhood team have swiftly got a potentially | 0:33:47 | 0:33:50 | |
dangerous offender off the streets. | 0:33:50 | 0:33:53 | |
The prison licensing scheme enables them to round up anyone | 0:33:56 | 0:33:59 | |
who carries on offending and shows little regard for the rare chance | 0:33:59 | 0:34:03 | |
of liberty they've been given. | 0:34:03 | 0:34:05 | |
Having been released on licence after only eight months | 0:34:07 | 0:34:10 | |
for the attempted robbery of this convenience store, | 0:34:10 | 0:34:13 | |
Connor is now back inside for another eight months. | 0:34:13 | 0:34:16 | |
Just goes to show, really. We had the full strength out today - | 0:34:16 | 0:34:19 | |
helicopter, dogs... | 0:34:19 | 0:34:20 | |
RADIO CHATTER | 0:34:20 | 0:34:22 | |
..plain-clothes units, uniformed units. | 0:34:22 | 0:34:24 | |
And it worked, it all come together. | 0:34:24 | 0:34:26 | |
To be fair, it was... | 0:34:26 | 0:34:28 | |
The nail in the coffin for him was a call in from the community. | 0:34:28 | 0:34:32 | |
Resulted in a fantastic stop. | 0:34:32 | 0:34:34 | |
Every day, neighbourhood officers | 0:34:40 | 0:34:41 | |
face all sorts of criminal behaviour, | 0:34:41 | 0:34:44 | |
from violence and drugs, to vandalism and robbery. | 0:34:44 | 0:34:48 | |
And, more often than not, the offenders are young people. | 0:34:48 | 0:34:53 | |
But sometimes it's our more senior citizens | 0:34:53 | 0:34:56 | |
that get to feel the long arm of the law. | 0:34:56 | 0:35:00 | |
Tonight, in Bridgwater, | 0:35:01 | 0:35:04 | |
PCSOs Sarah-Jane and Dave | 0:35:04 | 0:35:07 | |
have just begun their shift. | 0:35:07 | 0:35:09 | |
Here we are in Somerset, it's freezing cold. | 0:35:09 | 0:35:11 | |
At call has come in from one of the town's CCTV operators... | 0:35:11 | 0:35:15 | |
..about a disturbance he's following at a pub in the town centre. | 0:35:17 | 0:35:22 | |
An elderly man is a bit worse for wear, | 0:35:22 | 0:35:25 | |
and has been ejected by the bar staff. | 0:35:25 | 0:35:27 | |
He's now fallen onto the pavement, | 0:35:27 | 0:35:30 | |
after exacting his own retribution on the pub. | 0:35:30 | 0:35:33 | |
A male has broken a window, and now he's sat on the pavement, I believe, | 0:35:35 | 0:35:39 | |
in the high street, somewhere. But I heard "elderly male" mentioned. | 0:35:39 | 0:35:43 | |
68-year-old male. | 0:35:43 | 0:35:44 | |
Being drunk and breaking windows isn't the kind of behaviour | 0:35:47 | 0:35:50 | |
you'd normally associate with someone approaching 70. | 0:35:50 | 0:35:54 | |
A traffic officer arrives, | 0:35:54 | 0:35:56 | |
and the damaged window is pointed out to him. | 0:35:56 | 0:35:59 | |
But his main concern is for the elderly gentleman | 0:35:59 | 0:36:03 | |
who still hasn't got up. | 0:36:03 | 0:36:06 | |
Do you want to go and see if he's all right? I'll wait here. | 0:36:06 | 0:36:08 | |
Because, obviously, we can't... | 0:36:08 | 0:36:10 | |
All of sudden, the man jumps - sprightly - to his feet. | 0:36:10 | 0:36:15 | |
There's nothing wrong with him, apart from having had a skinful. | 0:36:15 | 0:36:20 | |
The officer is now going to arrest the man for criminal damage, | 0:36:20 | 0:36:23 | |
but he's at that awkward age and wants to argue. | 0:36:23 | 0:36:28 | |
Are you really going to do that? | 0:36:28 | 0:36:31 | |
Are you going to waste police time? | 0:36:31 | 0:36:32 | |
I didn't break it. I deny that. You're under arrest... | 0:36:36 | 0:36:40 | |
The man refuses to take the blame for damaging the window. | 0:36:40 | 0:36:44 | |
OK. What? | 0:36:44 | 0:36:46 | |
I can take those for you, sir. | 0:36:46 | 0:36:47 | |
If you like? No. Listen, you're wasting your time, to be honest. | 0:36:47 | 0:36:51 | |
We've got better things to be doing, haven't we? You have. | 0:36:51 | 0:36:54 | |
You're quite right. | 0:36:54 | 0:36:56 | |
While he's taken into custody, | 0:36:56 | 0:36:57 | |
Sarah-Jane talks to the barman who explains how the man was being | 0:36:57 | 0:37:02 | |
a nuisance and then lost his temper... | 0:37:02 | 0:37:04 | |
And then he's cracked out window, up there. Oh. | 0:37:04 | 0:37:07 | |
..after being shown the door. | 0:37:07 | 0:37:09 | |
Well, because I closed him out and locked the doors. | 0:37:09 | 0:37:12 | |
He wouldn't leave. | 0:37:12 | 0:37:13 | |
Just, just right here. | 0:37:13 | 0:37:15 | |
This crack, along this line. | 0:37:15 | 0:37:17 | |
Just started knocking on it and got a bit aggressive. | 0:37:17 | 0:37:20 | |
CAMERA SHUTTER CLICKS | 0:37:20 | 0:37:22 | |
A passer-by witnessed what happened. | 0:37:22 | 0:37:26 | |
I-I did see commotion going over, and, you know, Bridgwater. | 0:37:26 | 0:37:29 | |
You've got all that. Absolutely! | 0:37:29 | 0:37:32 | |
The council's CCTV operators focus in on all the pubs | 0:37:32 | 0:37:36 | |
and potential hot spots in the town, looking out for trouble. | 0:37:36 | 0:37:40 | |
But they probably got a surprise when they saw this. | 0:37:40 | 0:37:44 | |
After lashing out at the window, | 0:37:44 | 0:37:46 | |
the drunk senior citizen tried his best to get back into the pub, | 0:37:46 | 0:37:49 | |
but he was quickly booted back out, | 0:37:49 | 0:37:52 | |
which is when the eyewitness ran over. | 0:37:52 | 0:37:55 | |
During the tussle at the door, the man fell to the ground. | 0:37:55 | 0:38:00 | |
But, when he was offered help to get up, | 0:38:00 | 0:38:03 | |
the drunk was having none of it. | 0:38:03 | 0:38:05 | |
Tried to restrain the guy, he fell over, I tried to pick him back up. | 0:38:07 | 0:38:10 | |
And he stayed there, playing the old-man rule, wanting the police. | 0:38:10 | 0:38:14 | |
And it wasn't long before the old boy got what he wanted. | 0:38:14 | 0:38:18 | |
It turns out it's not just the window he's damaged. | 0:38:18 | 0:38:22 | |
I believe, before he left the pub, | 0:38:22 | 0:38:23 | |
he also pushed a glass across the bar, | 0:38:23 | 0:38:26 | |
smashing it across the other side. | 0:38:26 | 0:38:28 | |
He's obviously got a few drinks on board. | 0:38:28 | 0:38:30 | |
The Saga-lout was put in a cell overnight to sleep it off. | 0:38:30 | 0:38:35 | |
In the morning, after he sobered up, | 0:38:39 | 0:38:41 | |
he was given a formal police caution. | 0:38:41 | 0:38:44 | |
Police community support officers are often described | 0:38:57 | 0:39:00 | |
as the eyes and ears of the neighbourhood team. | 0:39:00 | 0:39:03 | |
They spend the majority of their time out and about, | 0:39:03 | 0:39:06 | |
engaging with the public - young and old - | 0:39:06 | 0:39:09 | |
in a variety of different ways. | 0:39:09 | 0:39:12 | |
Certainly our PCSOs, | 0:39:12 | 0:39:14 | |
really good skills around talking to young people. | 0:39:14 | 0:39:16 | |
They're used to doing it, and, actually, | 0:39:16 | 0:39:20 | |
they make inroads with our young people and, actually, | 0:39:20 | 0:39:23 | |
we have a big emphasis in going into our schools, | 0:39:23 | 0:39:26 | |
so our secondary schools and our junior schools, | 0:39:26 | 0:39:28 | |
to engage with them early on and to deliver some key messages | 0:39:28 | 0:39:31 | |
around stranger danger, keeping safe, | 0:39:31 | 0:39:34 | |
and all those key messages you want young people to hear. | 0:39:34 | 0:39:37 | |
Today, in Weston-super-Mare, PCSOs Kemo and Jacob, | 0:39:39 | 0:39:43 | |
are visiting Walliscote Primary School | 0:39:43 | 0:39:45 | |
to talk to the youngsters about stranger danger. | 0:39:45 | 0:39:49 | |
Good morning, class. | 0:39:49 | 0:39:50 | |
ALL: Good morning. | 0:39:50 | 0:39:52 | |
We'll be talking to you about... | 0:39:52 | 0:39:54 | |
ALL: Stranger danger. | 0:39:54 | 0:39:57 | |
Who is a stranger? | 0:39:57 | 0:39:59 | |
I live in the same street with you. | 0:39:59 | 0:40:03 | |
Am I a stranger? No. No. Yes. | 0:40:03 | 0:40:06 | |
I am a stranger. | 0:40:06 | 0:40:07 | |
I live next to you. | 0:40:07 | 0:40:09 | |
But do you know me? Yeah, but I can still be a stranger. | 0:40:09 | 0:40:13 | |
Someone you do not know is a stranger. | 0:40:13 | 0:40:16 | |
Someone you do know, | 0:40:16 | 0:40:18 | |
but that makes you feel uncomfortable is a stranger. | 0:40:18 | 0:40:23 | |
OK? Is she a stranger? | 0:40:23 | 0:40:25 | |
ALL: No. | 0:40:25 | 0:40:28 | |
She's Mrs Green. | 0:40:28 | 0:40:30 | |
Who is Mrs Green? | 0:40:30 | 0:40:32 | |
VARIOUS: Our head teacher. | 0:40:32 | 0:40:34 | |
Not only do these visits teach the youngsters about | 0:40:34 | 0:40:37 | |
the potential dangers of speaking to strangers, | 0:40:37 | 0:40:40 | |
they're also a great opportunity to show a more friendly side | 0:40:40 | 0:40:44 | |
of the police, | 0:40:44 | 0:40:46 | |
and for that the PCSOs to get to know the local children. | 0:40:46 | 0:40:49 | |
Yeah, another hat. And you look good! | 0:40:49 | 0:40:51 | |
LAUGHTER | 0:40:51 | 0:40:54 | |
If you teach a child, you know, about what the dangers are, | 0:40:54 | 0:40:56 | |
they can go home and tell their parents, | 0:40:56 | 0:40:59 | |
and then the parents will know, as well. If their parents tell them, | 0:40:59 | 0:41:02 | |
for example, "Just go to the park and play." | 0:41:02 | 0:41:04 | |
The child will turn around and tell them "Mum... | 0:41:04 | 0:41:07 | |
"it's not safe for me to go to the park on my own." | 0:41:07 | 0:41:09 | |
You know? So, actually, that will help the parents | 0:41:09 | 0:41:12 | |
to understand what are the dangers out there. | 0:41:12 | 0:41:14 | |
So, if you are playing in the park and I say, | 0:41:14 | 0:41:17 | |
"Can you help me find my puppy?" | 0:41:17 | 0:41:20 | |
GIRL: Say no. Say what? | 0:41:20 | 0:41:21 | |
ALL: No. | 0:41:21 | 0:41:23 | |
Today's message seems to be sinking in. | 0:41:23 | 0:41:27 | |
That's very good. | 0:41:27 | 0:41:28 | |
First, if they tried taking me or like grabbing me, | 0:41:30 | 0:41:33 | |
I would kick them and scream and just run away. | 0:41:33 | 0:41:36 | |
If the stranger just offered you something, | 0:41:36 | 0:41:39 | |
you would say no, and then, | 0:41:39 | 0:41:41 | |
if they tried to get you, you would just scream as loud as you can. | 0:41:41 | 0:41:44 | |
Or call the police and run back home. | 0:41:44 | 0:41:47 | |
"Keep away from people you don't know. | 0:41:47 | 0:41:50 | |
"They are called strangers." That's very good. | 0:41:50 | 0:41:53 | |
It's really important the children see the positive side of policing | 0:41:53 | 0:41:56 | |
and that they have a really good idea, from a young age, | 0:41:56 | 0:41:58 | |
that they can go to the police officers when they need it. | 0:41:58 | 0:42:01 | |
But also to get that message across from someone different. Because | 0:42:01 | 0:42:05 | |
often we give that message to children, but it just reaffirms it, | 0:42:05 | 0:42:07 | |
hearing it from somebody, perhaps that's in uniform, | 0:42:07 | 0:42:10 | |
and has that sort of experience behind them, as well. | 0:42:10 | 0:42:13 | |
Whether it's improving public confidence | 0:42:22 | 0:42:24 | |
by engaging with communities, | 0:42:24 | 0:42:26 | |
or helping victims and offenders with rehabilitation, | 0:42:26 | 0:42:29 | |
the neighbourhood team frequently demonstrate a depth and array | 0:42:29 | 0:42:32 | |
of police work far beyond the call of duty. | 0:42:32 | 0:42:37 | |
Until next time, evening all. | 0:42:37 | 0:42:40 |