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We're on the case of a crime that affects 1.5 million of us every year - burglary. | 0:00:02 | 0:00:05 | |
Coming up... | 0:00:05 | 0:00:07 | |
Just gutted. Come home and found it like this. I'm still shaking now. | 0:00:08 | 0:00:14 | |
..we're with police as they hunt down criminals. | 0:00:14 | 0:00:16 | |
Police! | 0:00:20 | 0:00:21 | |
And we'll show you how much it means | 0:00:21 | 0:00:23 | |
when stolen goods are reunited with their rightful owner. | 0:00:23 | 0:00:27 | |
I had that tingling up the spine, and I thought, "Crikey, this is unreal." | 0:00:27 | 0:00:33 | |
It's absolutely unreal. | 0:00:33 | 0:00:35 | |
It's six in the morning in Hatfield in Hertfordshire, and DS Kerry Bull | 0:00:43 | 0:00:48 | |
is briefing his team ahead of a raid. | 0:00:48 | 0:00:50 | |
Morning, everyone. Welcome to Operation Scorpion. | 0:00:51 | 0:00:54 | |
This is part of an investigation into a conspiracy to commit burglary. | 0:00:54 | 0:00:57 | |
Their target is a prolific and convicted burglar | 0:00:57 | 0:01:01 | |
suspected of being involved in up to 100 break-ins. | 0:01:01 | 0:01:04 | |
Although he's already on probation, he's believed to be | 0:01:04 | 0:01:07 | |
part of a three-strong gang of thieves who use hire cars to go out and commit burglaries. | 0:01:07 | 0:01:13 | |
He's thought to be responsible for £56,000 worth of stolen goods. | 0:01:13 | 0:01:18 | |
We believe that he is breaking into houses in Hitchin, | 0:01:21 | 0:01:23 | |
the metropolitan area, and north Herts. | 0:01:23 | 0:01:26 | |
We will look to arrest him on suspicion of a conspiracy to burgle, | 0:01:26 | 0:01:29 | |
and do some methodical searching of all of the premises | 0:01:29 | 0:01:32 | |
that we know that he occupies or controls. | 0:01:32 | 0:01:34 | |
We believe that the suspect is staying with his mother, | 0:01:34 | 0:01:36 | |
so that will be the address that we try first. | 0:01:36 | 0:01:38 | |
That is in the Letchworth area. | 0:01:38 | 0:01:40 | |
We've managed to secure some evidence on this guy's mobile phone, | 0:01:40 | 0:01:44 | |
and it's vitally important that we recover that mobile phone today. | 0:01:44 | 0:01:48 | |
The police are increasingly making use of evidence gained from mobile | 0:01:48 | 0:01:51 | |
phones and in this particular case, the suspect's phone could be | 0:01:51 | 0:01:55 | |
the key to placing him at the scene of the burglaries. | 0:01:55 | 0:01:59 | |
Every time you make or receive a call or text message, | 0:02:00 | 0:02:03 | |
what will happen is your phone will look for the nearest mast | 0:02:03 | 0:02:07 | |
in order that it can transmit that signal. | 0:02:07 | 0:02:09 | |
By doing that, obviously it locates your handset, your phone, | 0:02:09 | 0:02:13 | |
to a particular geographical area of the country, and the great thing is that we can put | 0:02:13 | 0:02:17 | |
somebody in an area of the country, or in the same street where an | 0:02:17 | 0:02:20 | |
offence has taken place, hopefully at the time of that particular offence. | 0:02:20 | 0:02:25 | |
Kerry's colleague, DC Simon Reed-Purvis is on the raid team. | 0:02:25 | 0:02:29 | |
He's been an officer for 20 years and feels a great | 0:02:29 | 0:02:32 | |
sense of duty to bring burglars to justice. | 0:02:32 | 0:02:35 | |
These people don't realise the impact they have on people's lives. | 0:02:35 | 0:02:39 | |
The sentimental value of the jewellery that's stolen, | 0:02:39 | 0:02:42 | |
there's all sorts of things that go through their minds, | 0:02:42 | 0:02:44 | |
and the victim is very important in this. | 0:02:44 | 0:02:46 | |
Years ago when I was at school, they burgled our house in Durham and nicked the car. | 0:02:46 | 0:02:51 | |
You know, you come down in the morning and you find your school shoes have been stolen. | 0:02:51 | 0:02:56 | |
So, it's... | 0:02:57 | 0:02:59 | |
It's not a faceless crime. It's one that people want to put a face to, | 0:02:59 | 0:03:03 | |
and that's what we try and do. | 0:03:03 | 0:03:05 | |
It's 6.50am, and Simon's about to lead the officers to their suspect's door. | 0:03:05 | 0:03:10 | |
They will just give the door a tap. | 0:03:11 | 0:03:13 | |
If they answer the door and we get in, fine, | 0:03:14 | 0:03:18 | |
if not, they'll use force to enter. | 0:03:18 | 0:03:20 | |
This experienced team know that | 0:03:23 | 0:03:25 | |
catching the suspect unawares early in the morning is often the key to success. | 0:03:25 | 0:03:30 | |
They believe he's staying at his mother's flat. | 0:03:30 | 0:03:33 | |
KNOCK AT DOOR | 0:03:35 | 0:03:36 | |
Police with a warrant, open the door. | 0:03:37 | 0:03:40 | |
WOMAN YELPS Police! | 0:03:44 | 0:03:45 | |
-WOMAN YELLS -Bloody hell! | 0:03:45 | 0:03:48 | |
We're here to execute a warrant. | 0:03:56 | 0:03:59 | |
As I explained, this is your address, this is what we want to search, OK? | 0:03:59 | 0:04:02 | |
We want to search the property in connection with a criminal offence like theft. | 0:04:02 | 0:04:07 | |
The suspect is calm and compliant, and promptly arrested. | 0:04:07 | 0:04:11 | |
You're nicked for burglary, that's the bottom line, yeah? | 0:04:12 | 0:04:15 | |
You are nicked on suspicion of being concerned in some burglaries. | 0:04:15 | 0:04:18 | |
Ain't done nothing wrong. I don't need to call anyone. | 0:04:18 | 0:04:24 | |
You know how it works. We'll ask you a couple of questions. | 0:04:24 | 0:04:27 | |
Whether you answer the questions or not is your decision, yeah? | 0:04:27 | 0:04:30 | |
And then we'll move on. | 0:04:30 | 0:04:32 | |
-Go on, mate. -Ta-ra. -Love you. | 0:04:33 | 0:04:37 | |
Although the suspect doesn't want to leave, Simon needs him out of the way. | 0:04:37 | 0:04:41 | |
He's taken back to the police station whilst the remaining officers | 0:04:41 | 0:04:44 | |
do a thorough search of his mother's flat. | 0:04:44 | 0:04:47 | |
We are not only looking for stolen items, | 0:04:47 | 0:04:51 | |
but also what they have been wearing, as well, | 0:04:51 | 0:04:54 | |
because quite often that's the only evidence | 0:04:54 | 0:04:57 | |
we can go on at a crime scene is fibres left behind or from CCTV. | 0:04:57 | 0:05:05 | |
It's not only clothing that the team are interested in. | 0:05:05 | 0:05:07 | |
When people go out burgling, they leave shoe prints | 0:05:09 | 0:05:11 | |
in gardens where they walk through the mud to get to windows. | 0:05:11 | 0:05:14 | |
They also transfer prints onto windowsills | 0:05:14 | 0:05:16 | |
and also leave them inside the property, | 0:05:16 | 0:05:18 | |
so it can potentially be good evidence for us | 0:05:18 | 0:05:21 | |
to link a burglar to a scene. | 0:05:21 | 0:05:24 | |
But the officers then find something really worrying. | 0:05:24 | 0:05:27 | |
It's normal to have an axe in your lounge under the sofa, isn't it(?) | 0:05:30 | 0:05:35 | |
I normally find, like, Jelly Babies and old sweets. | 0:05:36 | 0:05:39 | |
Doesn't look like a lumberjack to me. | 0:05:39 | 0:05:43 | |
He wanted to stay because he wanted to see what we'd seized. | 0:05:43 | 0:05:45 | |
It's human nature. You want to know what you're going to be spoken to about. | 0:05:45 | 0:05:49 | |
You don't know what you might have found. | 0:05:49 | 0:05:51 | |
There might be something he's been a little worried about, | 0:05:51 | 0:05:54 | |
and if we found that in his presence, he may well be able to come up | 0:05:54 | 0:05:57 | |
with a story as to how it got there. | 0:05:57 | 0:06:01 | |
And the suspect would definitely need to come up with | 0:06:01 | 0:06:03 | |
a credible story to explain what the officers find next. | 0:06:03 | 0:06:07 | |
Just found a bag. Looks like his burglar kit, I would suggest. | 0:06:10 | 0:06:14 | |
-So we've got the hat there. -The gloves. -Crowbar. | 0:06:14 | 0:06:19 | |
-Like I say, we've got the crowbar. -Hammer. | 0:06:19 | 0:06:22 | |
He's got this with some discs on, so he's obviously been cutting into some padlocks or metal. | 0:06:22 | 0:06:26 | |
-Potentially cut in from the... -Yeah, exactly. | 0:06:26 | 0:06:28 | |
That's handy. Well done. Good find. | 0:06:28 | 0:06:31 | |
Why would you have a crowbar and gloves, woolly hat, | 0:06:31 | 0:06:35 | |
angle grinder all in one bag? It's your burglar's kit, isn't it? | 0:06:35 | 0:06:39 | |
It's not against the law to have that in your house, | 0:06:39 | 0:06:42 | |
it just points towards them being used for illegal purposes. | 0:06:42 | 0:06:44 | |
The team's found some useful evidence here to | 0:06:47 | 0:06:49 | |
establish that the suspect is indeed a burglar. | 0:06:49 | 0:06:52 | |
But apart from getting forensic evidence, | 0:06:52 | 0:06:54 | |
their main priority is to find the suspect's mobile phone, | 0:06:54 | 0:06:58 | |
because the data could hold the best evidence to put him | 0:06:58 | 0:07:01 | |
in the right place at the right time for the burglaries. | 0:07:01 | 0:07:03 | |
There's a number of mobile phones | 0:07:09 | 0:07:11 | |
that we've found that may link back to victims. | 0:07:11 | 0:07:14 | |
Although the officers have found some phones at the flat which | 0:07:14 | 0:07:17 | |
could be stolen, they really need to find | 0:07:17 | 0:07:20 | |
the suspect's personal mobile. | 0:07:20 | 0:07:22 | |
Finally, the breakthrough they've been hoping for. | 0:07:25 | 0:07:30 | |
We think we've found the mobile phone. It's there next to his bed. | 0:07:30 | 0:07:34 | |
If I were a betting man, I would say that's... That's the bad boy. | 0:07:34 | 0:07:39 | |
You know, we're only eight o'clock, so it's an hour and a half | 0:07:39 | 0:07:43 | |
into the investigation. Quite a long way to go yet. | 0:07:43 | 0:07:48 | |
It's a great result. | 0:07:48 | 0:07:50 | |
Simon can take the phone back to the police station for data analysis. | 0:07:50 | 0:07:53 | |
We got the phone back from the raid this morning. Fantastic. | 0:07:55 | 0:07:59 | |
It is the handset we were expecting. | 0:07:59 | 0:08:01 | |
What we can say is that that phone has been | 0:08:01 | 0:08:04 | |
present at a number of burglary scenes. | 0:08:04 | 0:08:06 | |
We know that the calls he made prior to and after being at those scenes | 0:08:06 | 0:08:12 | |
are to his known associates, so we can say with a degree of certainty | 0:08:12 | 0:08:16 | |
that we can put him at those crime scenes, which is fantastic for us. | 0:08:16 | 0:08:20 | |
And as a bonus, the police can also see that the suspect has been | 0:08:20 | 0:08:23 | |
texting a member of the gang at the precise time of one of the burglaries. | 0:08:23 | 0:08:28 | |
There is an incoming text from his associate, | 0:08:28 | 0:08:31 | |
and it's sent at a time | 0:08:31 | 0:08:32 | |
when we know they were in the act of committing a burglary, | 0:08:32 | 0:08:35 | |
and the text you read there is, "Is the back gate locked?" | 0:08:35 | 0:08:39 | |
What that does, it indicates that they are actually there together. | 0:08:39 | 0:08:43 | |
One is actually acting as lookout | 0:08:43 | 0:08:44 | |
and the second one has gone round the rear of the premises. | 0:08:44 | 0:08:48 | |
The mobile phone has also uncovered some unexpected evidence - | 0:08:48 | 0:08:52 | |
photographs the suspect and his gang have | 0:08:52 | 0:08:54 | |
taken of each other, boasting about their crimes. | 0:08:54 | 0:08:57 | |
This particular offender is clearly living a champagne lifestyle. | 0:08:58 | 0:09:02 | |
Pictures of him and his friends in hotels, | 0:09:02 | 0:09:05 | |
large amounts of money, a number of expensive watches. | 0:09:05 | 0:09:08 | |
And we are looking to see whether we can identify any of the items | 0:09:08 | 0:09:12 | |
that are on his pictures as to whether they are from different crime scenes around the south-east. | 0:09:12 | 0:09:18 | |
There's still some police work to do but at this stage, it does | 0:09:18 | 0:09:22 | |
appear that this suspect's bravado has been his final downfall. | 0:09:22 | 0:09:26 | |
We are experts in what we do in terms of building conspiracies, and of course it's about layering. | 0:09:26 | 0:09:31 | |
And one layer of information the police have found is | 0:09:31 | 0:09:34 | |
CCTV of the burglary gang together at a petrol station | 0:09:34 | 0:09:38 | |
near the scene of one of the crimes. | 0:09:38 | 0:09:40 | |
They think they are being clever in that they hired a car | 0:09:41 | 0:09:44 | |
so that there is no direct trace back to them, | 0:09:44 | 0:09:47 | |
but what it does do, it gives us | 0:09:47 | 0:09:49 | |
an evidential opportunity to show that they associate together, | 0:09:49 | 0:09:53 | |
and when you look at the images from inside the filling station | 0:09:53 | 0:09:57 | |
you can see all three of them together. | 0:09:57 | 0:09:59 | |
Any investigation is like a jigsaw puzzle. | 0:09:59 | 0:10:02 | |
The more pieces of that jigsaw we get, the clearer the picture we can | 0:10:02 | 0:10:06 | |
present to the Crown Prosecution Service and/or ultimately to a jury. | 0:10:06 | 0:10:10 | |
87% of people who've been burgled say they've been emotionally affected by what happened. | 0:10:12 | 0:10:18 | |
It's common to feel angry and shocked, | 0:10:18 | 0:10:21 | |
and to be left feeling vulnerable in your own home. | 0:10:21 | 0:10:24 | |
In Basildon in Essex, DC Alex Gartshore is on his way to an emergency call-out. | 0:10:25 | 0:10:30 | |
He's been an officer for over 29 years | 0:10:30 | 0:10:33 | |
and has seen the aftermath of many burglaries. | 0:10:33 | 0:10:36 | |
Yeah, we got the call. | 0:10:36 | 0:10:37 | |
Gentleman came home and seen the lounge had been turned upside-down. | 0:10:37 | 0:10:42 | |
Upstairs the bedrooms are all ransacked. | 0:10:42 | 0:10:45 | |
There would appear to be jewellery missing, possibly some cash as well. | 0:10:45 | 0:10:49 | |
Pensioner Brian had just returned home | 0:10:49 | 0:10:52 | |
when he spotted something was very wrong. | 0:10:52 | 0:10:55 | |
I seen my front door latch was skewwhiff, it wasn't straight. | 0:10:55 | 0:10:59 | |
And then when I come in, the first bit I see was all down here. | 0:10:59 | 0:11:02 | |
They've tipped all the drawers and that out, | 0:11:02 | 0:11:04 | |
and then my bedroom upstairs, it's in a right state. | 0:11:04 | 0:11:08 | |
They've pulled everything out. | 0:11:08 | 0:11:10 | |
I had a few thousand pounds in envelopes | 0:11:10 | 0:11:12 | |
and they pulled everything out. I had it in between jumpers. | 0:11:12 | 0:11:16 | |
Brian's son Terry has come around to comfort his dad. | 0:11:17 | 0:11:20 | |
He's shocked at the state of his parents' home. | 0:11:20 | 0:11:23 | |
You can see...what they've done in here. | 0:11:23 | 0:11:28 | |
He had a fair bit of gold, and the gold has gone. | 0:11:28 | 0:11:31 | |
As you can see with the mess, we still haven't gone right through | 0:11:31 | 0:11:33 | |
to find out what the last nitty-gritty has gone. | 0:11:33 | 0:11:37 | |
Terry's devastated that the thieves have chosen to strike at this time. | 0:11:40 | 0:11:45 | |
His mother Joan is in hospital having a hip replacement, | 0:11:45 | 0:11:48 | |
and the worry is taking its toll on Brian. | 0:11:48 | 0:11:51 | |
I'm just gutted. | 0:11:52 | 0:11:54 | |
Gutted it's happened, and I just want him to hurry up | 0:11:54 | 0:11:57 | |
and get back on track. My mum don't know nothing about it. | 0:11:57 | 0:12:01 | |
We've got to try and keep it from her for a little while because she is so ill. | 0:12:01 | 0:12:04 | |
It's upsetting. It's upsetting. | 0:12:04 | 0:12:07 | |
There's got to be some stuff here gone | 0:12:07 | 0:12:09 | |
that's gone way back from my mum's mum, her aunts, her mum... | 0:12:09 | 0:12:15 | |
You get certain things through the family, through the years, passed down, | 0:12:15 | 0:12:18 | |
and it means more than what it's worth. | 0:12:18 | 0:12:21 | |
And that... There's certain stuff here, it's not going to be replaced, ever. | 0:12:21 | 0:12:26 | |
Brian and Terry are still trying to work out what's missing. | 0:12:28 | 0:12:31 | |
Alex starts to take down a statement. | 0:12:31 | 0:12:33 | |
Your wife's jewellery box, you said there were sovereigns in there? | 0:12:35 | 0:12:39 | |
Yeah, there was gold chains, sovereigns. Mounted sovereigns. | 0:12:39 | 0:12:43 | |
-How many sovereigns, do we think? -Three. -Three sovereigns? | 0:12:43 | 0:12:46 | |
Although the burglars have taken quite a valuable | 0:12:46 | 0:12:49 | |
collection of jewellery, it's the emotional impact of losing | 0:12:49 | 0:12:53 | |
family treasures that has hurt Brian the most. | 0:12:53 | 0:12:56 | |
Things that can never be replaced. | 0:12:56 | 0:12:58 | |
My mum's jewellery that I had, my dad's rings that I had, | 0:12:58 | 0:13:02 | |
they're all gone. | 0:13:02 | 0:13:04 | |
My mum had two sovereigns, my wife had her sovereign. | 0:13:04 | 0:13:07 | |
Me and my dad bought them down the gold market. | 0:13:07 | 0:13:10 | |
We went down there and bought them the same day. | 0:13:10 | 0:13:13 | |
So there is a lot of sentimental stuff there. I'm just gutted. | 0:13:13 | 0:13:17 | |
Come home from seeing my wife in hospital, and found it like this. | 0:13:17 | 0:13:22 | |
I'm still shaking now. | 0:13:24 | 0:13:25 | |
Alex needs to work with the father and son | 0:13:30 | 0:13:32 | |
to establish what forensic evidence there might be. | 0:13:32 | 0:13:35 | |
-So this window was actually open? -Yeah. | 0:13:38 | 0:13:40 | |
I imagine he's climbed up on the bin with a view to sort of jemmy the window. | 0:13:40 | 0:13:46 | |
Amazingly, the burglars have left quite a clear footmark | 0:13:46 | 0:13:49 | |
on the windowsill, and it's Alex's priority to preserve it. | 0:13:49 | 0:13:54 | |
We've got a nice footprint there, so what I've done is put the wood over there. | 0:13:54 | 0:13:58 | |
If you can make sure when the scenes of crime officer arrives you point that out to him. | 0:13:58 | 0:14:02 | |
What I don't want to happen is, obviously if it rains or anything like that, for that to wash away. | 0:14:02 | 0:14:06 | |
The scenes of crime officer is busy dealing with other | 0:14:06 | 0:14:09 | |
incidents in the area, and can't come immediately, | 0:14:09 | 0:14:13 | |
so Alex has to make sure that the evidence remains untouched. | 0:14:13 | 0:14:16 | |
That would be collected by the scenes of crime officer when he arrives. | 0:14:16 | 0:14:19 | |
He'll cover that over and lift that, | 0:14:19 | 0:14:21 | |
and that'll be taken away as a complete lifting off the windowsill. | 0:14:21 | 0:14:25 | |
And then if we get a suspect in custody, as you are aware, | 0:14:25 | 0:14:27 | |
we always do the shoe prints for known burglars. | 0:14:27 | 0:14:32 | |
That can be compared against those shoes. | 0:14:32 | 0:14:35 | |
Alex leaves Brian and Terry in peace to try and come to terms with what's happened. | 0:14:36 | 0:14:41 | |
The next morning, scenes of crime officer Leo Thompson arrives | 0:14:44 | 0:14:48 | |
to discover what clues the thieves may have left behind. | 0:14:48 | 0:14:51 | |
He heads straight to the footprint left on the windowsill. | 0:14:51 | 0:14:54 | |
These are the gel lifters that we use for picking up footprints. | 0:14:56 | 0:15:01 | |
It brings up all of the detail. | 0:15:01 | 0:15:03 | |
Combined with the photography, | 0:15:03 | 0:15:05 | |
gives us a way of taking all this information away from the scene. | 0:15:05 | 0:15:09 | |
The hope is that the footprint will match a known burglar | 0:15:09 | 0:15:13 | |
already on the police database. | 0:15:13 | 0:15:15 | |
You do get to know a lot of trainer prints. | 0:15:16 | 0:15:20 | |
This one, unfortunately, isn't a whole trainer print, | 0:15:20 | 0:15:24 | |
and it's a little bit smudged, but the people in the laboratory back | 0:15:24 | 0:15:28 | |
at headquarters, they would be able to hopefully match it up accurately. | 0:15:28 | 0:15:34 | |
Although the footprint may be a great clue to discovering | 0:15:34 | 0:15:36 | |
the identity of the burglar, Leo won't stop there. | 0:15:36 | 0:15:40 | |
He spotted tool marks on the patio door and takes a cast of each one. | 0:15:40 | 0:15:45 | |
You won't see much from that, but the slight damage that you can see | 0:15:45 | 0:15:49 | |
here and here has all been recorded. | 0:15:49 | 0:15:52 | |
That can be matched in a laboratory to a tool at a later date | 0:15:53 | 0:15:58 | |
if we get a suspect or the tool that we think did it. | 0:15:58 | 0:16:01 | |
With Leo's investigations outside finished, | 0:16:01 | 0:16:04 | |
he comes into the house to check for clues in the bedroom, | 0:16:04 | 0:16:08 | |
where the burglars have ransacked the normally tidy space. | 0:16:08 | 0:16:11 | |
Where I had my money was here. | 0:16:12 | 0:16:14 | |
I had about ten or 12 Pringle jumpers there, | 0:16:14 | 0:16:18 | |
and it was in amongst the jumpers. | 0:16:18 | 0:16:20 | |
And they've just pull them out like that and... | 0:16:20 | 0:16:22 | |
-Here's one of the envelopes. -The cash was in there, was it? | 0:16:25 | 0:16:30 | |
There was one and a half in that one, some in my wife's book, | 0:16:30 | 0:16:35 | |
that's gone, and I had a £3,000 envelope | 0:16:35 | 0:16:39 | |
where I'd sort of added to it. I'd sort of build it up to that. | 0:16:39 | 0:16:44 | |
Once it got 3,000, it was a bit thick so I started another envelope. | 0:16:44 | 0:16:48 | |
It's a risky business to store this amount of cash at home, and even if the crime is solved, | 0:16:48 | 0:16:54 | |
it's unlikely that Brian will ever see his money again. | 0:16:54 | 0:16:57 | |
But losing his wife's precious jewellery | 0:16:57 | 0:17:00 | |
is what's really upsetting him. | 0:17:00 | 0:17:02 | |
I mean, my wife's engagement ring, it would have still been on her finger, | 0:17:02 | 0:17:07 | |
but because she has had two operations in the hospital, | 0:17:07 | 0:17:10 | |
and they won't allow jewellery on the person... | 0:17:10 | 0:17:13 | |
The wedding ring she's got, because they tape that up and allow you to keep that, | 0:17:13 | 0:17:17 | |
but her engagement ring was on the little cabinet upstairs. | 0:17:17 | 0:17:20 | |
That's gone. | 0:17:20 | 0:17:22 | |
But she's had that on her finger for 50-odd years. | 0:17:22 | 0:17:25 | |
Although there's no way Leo can solve the crime immediately, | 0:17:27 | 0:17:31 | |
he is happy with the evidence he's gathered. | 0:17:31 | 0:17:34 | |
This crime scene has got potential, basically. | 0:17:34 | 0:17:38 | |
It's not always possible to say at the time where things | 0:17:38 | 0:17:41 | |
are going to go, but the tool marks are very good, they are good quality. | 0:17:41 | 0:17:49 | |
The shoe print has got some potential. | 0:17:49 | 0:17:51 | |
It really is a case of typing everything up, | 0:17:51 | 0:17:54 | |
going back to the station, logging all the exhibits | 0:17:54 | 0:17:57 | |
and then speaking to the burglary squad officers. | 0:17:57 | 0:18:01 | |
Leo may be hopeful about finding matches for the footprint | 0:18:01 | 0:18:04 | |
and tool marks, but in the meantime, Brian has to deal with | 0:18:04 | 0:18:07 | |
the heartache that the burglars have left behind. | 0:18:07 | 0:18:12 | |
Well, I would describe them as scum, aren't they? | 0:18:12 | 0:18:15 | |
Come into a place and ransack the person's home. | 0:18:15 | 0:18:20 | |
That's got to be with me for days, all this that I've got to clear up. | 0:18:20 | 0:18:24 | |
I still feel a bit shaky, but not as bad as what I was last night. | 0:18:24 | 0:18:29 | |
The victims of burglary often report that the worst part of the crime | 0:18:32 | 0:18:36 | |
is the distress felt when they lose an item of huge sentimental value. | 0:18:36 | 0:18:40 | |
And that's something one resident of Wimborne on the south coast | 0:18:40 | 0:18:44 | |
wanted to shout from the rooftops about. | 0:18:44 | 0:18:46 | |
HE CRIES: There is a town in Dorset, which you ought to know. | 0:18:47 | 0:18:52 | |
The people are so friendly, as on their way they go. | 0:18:52 | 0:18:57 | |
They might be friendly, but Chris Brown has reason to believe | 0:18:57 | 0:19:01 | |
there's a bad apple determined to upset his town crying cart. | 0:19:01 | 0:19:04 | |
In June 2012, he had his beloved bell stolen at the local folk festival. | 0:19:06 | 0:19:11 | |
I was devastated. | 0:19:14 | 0:19:16 | |
When I ring the bell, it's that point in time when my persona changes. | 0:19:16 | 0:19:22 | |
It's like walking on stage. | 0:19:22 | 0:19:24 | |
I did feel like, you know, I'd been kicked below the belt, really. | 0:19:24 | 0:19:28 | |
And what's a town crier without his bell? | 0:19:29 | 0:19:33 | |
-BELL RINGS -O yea! O yea! | 0:19:33 | 0:19:39 | |
Fellow crier Owen Collier from Wootton Bassett knows better | 0:19:39 | 0:19:42 | |
than most that without this essential piece of kit, | 0:19:42 | 0:19:45 | |
Chris had effectively lost his voice. | 0:19:45 | 0:19:48 | |
To actually take the town crier's bell, I think it's a | 0:19:48 | 0:19:53 | |
pretty mean trick, because it's the main tool of the trade. | 0:19:53 | 0:19:58 | |
It's your badge of office, otherwise people don't know | 0:19:58 | 0:20:01 | |
whether you are a mayor, a mace bearer, a sword bearer. | 0:20:01 | 0:20:04 | |
It's like being a dentist without having a drill. | 0:20:04 | 0:20:06 | |
Family man and former social worker Chris is a well-loved character about town. | 0:20:09 | 0:20:14 | |
Since moving to Wimborne with his family 15 years ago, he's thrown | 0:20:14 | 0:20:18 | |
himself into community life, playing a vital role in the Mayor's office. | 0:20:18 | 0:20:23 | |
I do believe it's an honour to represent the town | 0:20:23 | 0:20:26 | |
and to hold a position like this. | 0:20:26 | 0:20:29 | |
It's something I'm very, very proud of doing. | 0:20:29 | 0:20:33 | |
There are some formal duties, | 0:20:33 | 0:20:34 | |
so to protect and uphold the name of the town and the council, | 0:20:34 | 0:20:39 | |
and as town sergeant as well, I hold the commission to raise | 0:20:39 | 0:20:44 | |
a militia in the town. | 0:20:44 | 0:20:46 | |
The town criers belong to a tight-knit community, | 0:20:46 | 0:20:49 | |
and Chris's old friend Owen is one of his biggest fans. | 0:20:49 | 0:20:53 | |
We appeared roughly on the town crier scene at the same time, | 0:20:53 | 0:20:56 | |
about 2003. And we've both served our towns for 11 years. | 0:20:56 | 0:21:04 | |
Chris is a great crier, he's got quite a distinctive voice. | 0:21:04 | 0:21:09 | |
Fiercely competitive on the competition circuit, | 0:21:11 | 0:21:14 | |
but we can still go and enjoy a beer afterwards. | 0:21:14 | 0:21:17 | |
And Chris is a popular DJ at Wimborne Folk Festival. | 0:21:17 | 0:21:21 | |
Every year he turns up in full town crier regalia, | 0:21:21 | 0:21:24 | |
and, of course, brings his bell. | 0:21:24 | 0:21:26 | |
It was the Friday evening that we'd got everything set up | 0:21:26 | 0:21:30 | |
and ready to roll, and the gig had started. | 0:21:30 | 0:21:32 | |
We had lots of really good musicians playing. | 0:21:32 | 0:21:35 | |
But sadly, amongst the happy revellers, a party goer with | 0:21:35 | 0:21:38 | |
an altogether different agenda was watching Chris's every move. | 0:21:38 | 0:21:43 | |
I always carry my bell in a little satchel, | 0:21:43 | 0:21:45 | |
and I always keep it with me. It's part of the act, as well. | 0:21:45 | 0:21:49 | |
I took the bag off and just put it down underneath the table | 0:21:49 | 0:21:54 | |
right next to the edge of the marquee. | 0:21:54 | 0:21:57 | |
And as Chris went about his DJing, the sneaky thief seized their moment. | 0:21:57 | 0:22:02 | |
By about 12.30 I was ready to go home and went for my bag | 0:22:07 | 0:22:11 | |
and the bell, and it wasn't there. | 0:22:11 | 0:22:13 | |
It just wasn't there. I was devastated, to be honest. | 0:22:15 | 0:22:19 | |
This bell means a lot me, so it was really upsetting. | 0:22:19 | 0:22:22 | |
But in a tent full of people who knew Chris and his bell, | 0:22:23 | 0:22:27 | |
how did the cheeky culprit make their escape? | 0:22:27 | 0:22:30 | |
I've got a suspicion whoever did it jumped up on the wall here | 0:22:30 | 0:22:34 | |
and went over that fence, | 0:22:34 | 0:22:36 | |
because that following morning, that fence was broken. | 0:22:36 | 0:22:40 | |
I'm so well-known here and everybody is my friend, really, | 0:22:41 | 0:22:44 | |
I didn't expect anything like this to happen. | 0:22:44 | 0:22:46 | |
But this wasn't just the loss of something that meant a lot to Chris. | 0:22:51 | 0:22:54 | |
The bell had an important historical value, too. | 0:22:54 | 0:22:58 | |
It was from the First World War and it was a trench bell that was | 0:22:58 | 0:23:01 | |
used for warning of gas attacks, and so it's particularly loud. | 0:23:01 | 0:23:06 | |
It would have to be loud to overcome all the gunfire. | 0:23:06 | 0:23:09 | |
And there aren't very many of them known to have survived. | 0:23:09 | 0:23:12 | |
And Chris wasn't the only one to miss his special bell. | 0:23:12 | 0:23:16 | |
It's been with me now for over ten years, | 0:23:16 | 0:23:19 | |
and I've been all around Europe with it, and my children have helped me | 0:23:19 | 0:23:24 | |
ring the bell on many occasions, and so it's really part of the family. | 0:23:24 | 0:23:28 | |
Determined to get his beloved bell back, | 0:23:28 | 0:23:31 | |
Chris started shouting as loudly as he could about his loss. | 0:23:31 | 0:23:35 | |
I phoned the police and they said, "Go around and see | 0:23:37 | 0:23:40 | |
"if you can put the word out, but make it as obvious and public as you can. | 0:23:40 | 0:23:44 | |
"You know, the harder it is to sell it on, | 0:23:44 | 0:23:47 | |
"the more likely you are to get it back." | 0:23:47 | 0:23:49 | |
Chris tried battle re-enactment groups, auction houses, and antique dealers. | 0:23:49 | 0:23:54 | |
And, as a part-time DJ with his own radio show, | 0:23:54 | 0:23:57 | |
he used the airwaves to make the local community aware, too. | 0:23:57 | 0:24:00 | |
Some of you may have heard already, but I had my bell stolen at the Wimborne Folk Festival | 0:24:00 | 0:24:04 | |
and I'd like you all to keep your eyes and ears open for it. It very distinctive. | 0:24:04 | 0:24:11 | |
The folk of Wimborne all rallied round, | 0:24:11 | 0:24:13 | |
and Chris's town sergeant powers of raising a militia actually came into being. | 0:24:13 | 0:24:17 | |
With the invention of social network media, | 0:24:17 | 0:24:21 | |
I started using those sites and putting up photographs, | 0:24:21 | 0:24:25 | |
and a lot of people were reposting it, so there was a lot | 0:24:25 | 0:24:29 | |
of public support and a lot of newspapers and the radio helped me. | 0:24:29 | 0:24:33 | |
It was brilliant the way everybody supported me | 0:24:33 | 0:24:36 | |
and worked hard to try and get it back. | 0:24:36 | 0:24:39 | |
But the bell was still missing, | 0:24:39 | 0:24:41 | |
and Chris began to wonder if what he thought of initially as a prank | 0:24:41 | 0:24:45 | |
was actually a more serious bid to earn the thief some money. | 0:24:45 | 0:24:49 | |
Some of the people that are stealing stuff at the moment, they don't | 0:24:49 | 0:24:52 | |
know the true value of things, and they'll melt down anything. | 0:24:52 | 0:24:56 | |
The value of it is what it is and the history with it. | 0:24:56 | 0:24:59 | |
But without any information coming forward from local scrap | 0:24:59 | 0:25:03 | |
metal dealers, Chris's search was no further on. | 0:25:03 | 0:25:06 | |
After ten days I had given up, you know. | 0:25:06 | 0:25:09 | |
If it was going to come back, I think it would have come back fairly quickly. | 0:25:09 | 0:25:13 | |
But just as Chris was about to throw in his town crying towel, | 0:25:14 | 0:25:17 | |
his old friend Owen came to the rescue. | 0:25:17 | 0:25:20 | |
I parked my car outside the house. | 0:25:20 | 0:25:23 | |
As I walked past Chris's car that was parked on the drive, | 0:25:23 | 0:25:26 | |
my wife said to me, "There is Chris's bell and bag." | 0:25:26 | 0:25:30 | |
So I picked up the leather bag and the bell and brought it in. | 0:25:32 | 0:25:38 | |
And I said, "This is what I've just found under your car." | 0:25:38 | 0:25:41 | |
I was shaking, I was physically shaking. | 0:25:42 | 0:25:45 | |
I had that tingling up my spine, and I thought, "Crikey, this is unreal." | 0:25:45 | 0:25:51 | |
It's absolutely unreal. | 0:25:51 | 0:25:52 | |
I don't think he thought in a million years that he would ever recover it. | 0:25:52 | 0:25:57 | |
Obviously somebody had a conscience and returned it. | 0:25:57 | 0:26:01 | |
And it might have been thanks to some business cards | 0:26:01 | 0:26:04 | |
left inside his bag, that Chris's bell was delivered | 0:26:04 | 0:26:07 | |
to his home for a reunion - a full 16 days after it'd gone missing. | 0:26:07 | 0:26:12 | |
O yea! | 0:26:16 | 0:26:18 | |
There used to be a railway, sadly it is no longer there, | 0:26:18 | 0:26:23 | |
but there is a town crier who stands proudly in the square. | 0:26:23 | 0:26:30 | |
It was amazing, an absolutely incredible feeling. | 0:26:30 | 0:26:33 | |
I really, really never thought I'd see it again. | 0:26:33 | 0:26:35 | |
Ding a ling, Chris! What a result. | 0:26:36 | 0:26:39 | |
There's just time for an update on today's stories. | 0:26:42 | 0:26:45 | |
In Hertfordshire, DS Kerry Bull and his team | 0:26:45 | 0:26:48 | |
secured a two-year prison sentence for the burglar they arrested. | 0:26:48 | 0:26:53 | |
The prolific thief was convicted of three burglaries | 0:26:53 | 0:26:55 | |
and his two accomplices received prison sentences, too. | 0:26:55 | 0:26:59 | |
One got two and a half years, and the other got three. | 0:26:59 | 0:27:03 | |
The main suspect has agreed to take part in Hertfordshire's | 0:27:03 | 0:27:07 | |
Choices And Consequences programme - the first of its kind in the country. | 0:27:07 | 0:27:11 | |
It offers career criminals the chance to break free | 0:27:11 | 0:27:14 | |
from a life of crime by admitting all past offences | 0:27:14 | 0:27:17 | |
and undertaking an extensive rehabilitation regime. | 0:27:17 | 0:27:20 | |
The court then decides if their sentence should be deferred. | 0:27:20 | 0:27:23 | |
If you understand why they have got into crime, | 0:27:23 | 0:27:27 | |
and you understand what triggers make them commit crime, | 0:27:27 | 0:27:30 | |
then you can come up with a plan to try and turn them | 0:27:30 | 0:27:33 | |
away from crime and break that offending cycle. | 0:27:33 | 0:27:36 | |
In Basildon, Essex, the burglar's footprint sadly hasn't led to | 0:27:36 | 0:27:40 | |
Brian being reunited with his stolen family jewellery or his money. | 0:27:40 | 0:27:44 | |
But he has taken the opportunity to upgrade the security at his home | 0:27:44 | 0:27:48 | |
and no longer keeps cash at his house. | 0:27:48 | 0:27:51 | |
And in the case of the Wimborne town crier, | 0:27:51 | 0:27:53 | |
the culprit was never found, but Chris Brown has a few | 0:27:53 | 0:27:57 | |
words of warning for whoever stole his beloved bell. | 0:27:57 | 0:28:00 | |
You were a bit of a naughty scallywag, weren't you? | 0:28:00 | 0:28:03 | |
And I hope you don't do that sort of thing to anybody else again. | 0:28:03 | 0:28:07 | |
That's all from us today. We'll see you next time. | 0:28:07 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:18 |