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This programme contains strong language | 0:00:02 | 0:00:04 | |
-This man is showing all the signs of a serious drugs overdose. -Scott, are you on methadone, love? | 0:00:04 | 0:00:09 | |
I'm just checking, Scott, that you haven't taken it all today, | 0:00:09 | 0:00:13 | |
cos you seem a little bit under the influence. | 0:00:13 | 0:00:16 | |
Scott Walker is a custody regular. | 0:00:17 | 0:00:20 | |
He's been a heroin addict half is life. | 0:00:20 | 0:00:22 | |
You've got the pen the wrong way round for a start. | 0:00:22 | 0:00:24 | |
Here, put it that way round. | 0:00:24 | 0:00:26 | |
He's just taken something. He's off his face. It's not an unusual way for Scott to come in. | 0:00:27 | 0:00:32 | |
He's so out of it, he's handed himself in | 0:00:32 | 0:00:35 | |
for a burglary he didn't even commit. | 0:00:35 | 0:00:37 | |
They've already nicked someone else for it. | 0:00:37 | 0:00:40 | |
You're nodding off, Scott, like somebody who's going over. | 0:00:40 | 0:00:43 | |
Can you open your eyes for me really, really wide? | 0:00:43 | 0:00:46 | |
Yeah, your pupils are quite small, Scott. | 0:00:46 | 0:00:49 | |
Stay with us. | 0:00:49 | 0:00:51 | |
'We don't know what he's taken. | 0:00:51 | 0:00:53 | |
'I'm fairly sure it's heroin, knowing his history.' | 0:00:53 | 0:00:57 | |
-Come down this way for us, buddy. -You all right walking, yeah? | 0:00:57 | 0:01:00 | |
Because it could be an overdose, he's being put on 15-minute checks. | 0:01:00 | 0:01:05 | |
This is your favourite camera cell. | 0:01:05 | 0:01:07 | |
Scott, wake up for us, will you? Open your eyes. | 0:01:08 | 0:01:11 | |
As soon as he lies down, he loses consciousness. | 0:01:11 | 0:01:14 | |
He looks worse than I've ever seen him look before. | 0:01:14 | 0:01:17 | |
Scott, wake up, mate. | 0:01:17 | 0:01:19 | |
Open your eyes for us. Scott. | 0:01:19 | 0:01:22 | |
Ambulance, please. | 0:01:25 | 0:01:27 | |
Welcome to The Lock Up. | 0:01:32 | 0:01:33 | |
This is Hull, gateway to the North Sea. | 0:01:37 | 0:01:39 | |
A £1.5 billion transfusion has changed the face of the city | 0:01:41 | 0:01:45 | |
since many of the docks and shipbuilders closed down. | 0:01:45 | 0:01:49 | |
But as employment declined, addictions went up. | 0:01:50 | 0:01:53 | |
Now, about one in 20 people in Hull | 0:01:53 | 0:01:55 | |
are hooked on either booze or Class A drugs. | 0:01:55 | 0:01:59 | |
And many of them end up here, at Humberside Police Headquarters... | 0:02:01 | 0:02:05 | |
Argh! | 0:02:05 | 0:02:07 | |
..where over a third of its guests are drunk or drugged up. | 0:02:07 | 0:02:10 | |
Get your hands off me! | 0:02:10 | 0:02:12 | |
We've been filming here for six months. | 0:02:12 | 0:02:16 | |
The man in charge is Sergeant Rob Grunner. | 0:02:16 | 0:02:18 | |
It's quite entertaining when the door opens to see what's coming through next. | 0:02:18 | 0:02:22 | |
They're fucking killing me. | 0:02:22 | 0:02:23 | |
You've got to be alert and switched on and ready to deal with whatever it is that's coming. | 0:02:23 | 0:02:27 | |
It's only a couple of years since Rob earned his stripes | 0:02:27 | 0:02:30 | |
and in custody, you have to learn fast. | 0:02:30 | 0:02:32 | |
Scott, can you open your eyes for me? Scott, can you feel that? | 0:02:38 | 0:02:42 | |
Scott Walker's now barely breathing. | 0:02:42 | 0:02:45 | |
I just about twisted his ear off there | 0:02:45 | 0:02:47 | |
and no register of pain, nothing, not even a wince. | 0:02:47 | 0:02:51 | |
He's only taking six breaths a minute, | 0:02:51 | 0:02:53 | |
less than half the normal rate. | 0:02:53 | 0:02:55 | |
He's overdosed on something, we don't know what he's taken. | 0:02:55 | 0:02:58 | |
He's unable to tell us what he's taken, so we haven't got a clue. | 0:02:58 | 0:03:01 | |
Luckily the nurse is here, | 0:03:01 | 0:03:02 | |
so we can get him instant medical attention. | 0:03:02 | 0:03:05 | |
They now think it's heroin, and it's shutting down his system. | 0:03:06 | 0:03:10 | |
It's very serious. His body is slowing down to a stop. | 0:03:10 | 0:03:13 | |
It's a depressant, it will depress his respiratory system. | 0:03:13 | 0:03:17 | |
He is breathing, but it's very slow and shallow. | 0:03:17 | 0:03:20 | |
If untreated, that process can continue to get worse and worse | 0:03:20 | 0:03:25 | |
and slow down to a complete stop and then they've ran out of breaths - | 0:03:25 | 0:03:29 | |
that's a heroin overdose. | 0:03:29 | 0:03:31 | |
I've started intramuscular Narcan, | 0:03:32 | 0:03:35 | |
which doesn't work as quick as it does on Pulp Fiction. | 0:03:35 | 0:03:39 | |
Narcan blocks heroin getting to where breathing is controlled, | 0:03:40 | 0:03:44 | |
so should allow Scott's body to kick in again. | 0:03:44 | 0:03:46 | |
Can you hear me? | 0:03:46 | 0:03:48 | |
Nurse Adele can do no more. Scott could still die. | 0:03:48 | 0:03:51 | |
He needs to be monitored in hospital. | 0:03:51 | 0:03:53 | |
Scott? Hello, Scott. | 0:03:53 | 0:03:56 | |
Hello, can you open your eyes? | 0:03:56 | 0:03:59 | |
I'm from the ambulance service. | 0:03:59 | 0:04:00 | |
I'm Lisa. Can you tell me your name? | 0:04:00 | 0:04:03 | |
You're going to hospital now. | 0:04:05 | 0:04:06 | |
We have had overdoses before | 0:04:06 | 0:04:08 | |
and it's a case of doing the absolute best you can, | 0:04:08 | 0:04:10 | |
getting an ambulance on 999 | 0:04:10 | 0:04:12 | |
and hoping that they get here as soon as possible. | 0:04:12 | 0:04:14 | |
You're going to get some fresh air now, Scott. | 0:04:14 | 0:04:18 | |
It's not very often I have someone that poorly in. | 0:04:19 | 0:04:23 | |
I'll be all right after a sweet cup of tea. | 0:04:24 | 0:04:26 | |
I have, I've got a proper shake on! | 0:04:26 | 0:04:29 | |
It's not funny is it, really? But this is the job we do. | 0:04:31 | 0:04:34 | |
Sergeant Grunner leads a team of detention officers | 0:04:37 | 0:04:40 | |
whose job it is to look after everyone who's in the lock up. | 0:04:40 | 0:04:44 | |
But today, he's a man - or woman - down. | 0:04:45 | 0:04:49 | |
All right, then, thanks. | 0:04:49 | 0:04:51 | |
Unfortunately, Sarah's overslept this morning. | 0:04:51 | 0:04:54 | |
We were all very worried about her, but she's OK. | 0:04:54 | 0:04:57 | |
So we don't have to go round and bang the door in | 0:04:57 | 0:05:00 | |
and go and search for her. | 0:05:00 | 0:05:01 | |
She's always here on time, | 0:05:01 | 0:05:02 | |
so that's why it was more worrying, that "where is she?" | 0:05:02 | 0:05:06 | |
I was going to say we've all done it, but I've never done it. Never. | 0:05:06 | 0:05:11 | |
Full team or not, crime waits for no man. | 0:05:15 | 0:05:19 | |
21-year-old Ryan Chadburn's had a bust up with his girlfriend | 0:05:19 | 0:05:23 | |
and then with the police. | 0:05:23 | 0:05:24 | |
Criminal damage has been IDed by partner, | 0:05:26 | 0:05:29 | |
causing damage within her flat. | 0:05:29 | 0:05:32 | |
And then on being arrested, | 0:05:32 | 0:05:34 | |
he's assaulted an officer by pushing him in the chest. | 0:05:34 | 0:05:37 | |
At the end of the day, if you've got eight coppers surrounding you, | 0:05:37 | 0:05:40 | |
piling you, of course you're going to retaliate, aren't you? | 0:05:40 | 0:05:43 | |
-What's that on your knuckles? -From punching a door. | 0:05:43 | 0:05:46 | |
In custody, have you ever done anything to deliberately harm yourself? | 0:05:46 | 0:05:50 | |
No. Apart from you give me a breakfast pack | 0:05:50 | 0:05:52 | |
and I nearly choked on a sausage. | 0:05:52 | 0:05:53 | |
I can imagine, mate, I can imagine. Probably the baked beans! | 0:05:53 | 0:05:56 | |
Any other issues that's going to affect you whilst you're with us? | 0:05:56 | 0:05:59 | |
Yeah, if I'm in for longer than two or three hours I might be an issue. | 0:05:59 | 0:06:03 | |
-Why? -Cos I just don't want to fucking be here, mate, to be fair. | 0:06:03 | 0:06:07 | |
Oh, fucking just put me in the cell, please! | 0:06:07 | 0:06:09 | |
This way. | 0:06:10 | 0:06:11 | |
We basically got a call from his girlfriend saying he was smashing up | 0:06:11 | 0:06:14 | |
the flat and that when the police got there he was going to basically | 0:06:14 | 0:06:17 | |
kill us all and do all sorts of horrible things to ourselves. | 0:06:17 | 0:06:20 | |
As we've got there, he left on a bike. | 0:06:20 | 0:06:22 | |
We've gone to get him and then as we've turned up to get him, | 0:06:22 | 0:06:25 | |
he's had a glass in his hand, which he's threatened us with. | 0:06:25 | 0:06:27 | |
At that point, he was arrested. | 0:06:27 | 0:06:30 | |
BANGING ON DOOR | 0:06:30 | 0:06:32 | |
Ryan has been in the lock up only minutes, but he wants out, now. | 0:06:32 | 0:06:36 | |
He's got a good rhythm going there! | 0:06:38 | 0:06:40 | |
And the offices are feeling the rhythm of the night. | 0:06:40 | 0:06:43 | |
-Can you name that tune? -Bit of Phil Collins? | 0:06:43 | 0:06:46 | |
In The Air Tonight? | 0:06:47 | 0:06:49 | |
DRUM BREAK FROM: "In The Air Tonight" by Phil Collins | 0:06:49 | 0:06:51 | |
Thank you. | 0:06:51 | 0:06:53 | |
-Lost it now, ain't he? -Good evening, Wembley! | 0:06:53 | 0:06:55 | |
But Sergeant Grunner's finally had enough. | 0:06:56 | 0:06:59 | |
Ryan's getting so violent, he could injure himself. | 0:06:59 | 0:07:03 | |
With Scott away, he's moving him to the camera cell to be watched. | 0:07:03 | 0:07:07 | |
Ryan, come on, we're going to move you out of here. | 0:07:07 | 0:07:10 | |
What am I doing in there? | 0:07:13 | 0:07:14 | |
-Just take your shoes off please. -Take your shoes off. -No. | 0:07:14 | 0:07:17 | |
Ryan, go on, man. | 0:07:17 | 0:07:18 | |
Come on, Ryan. Come on, Ryan. | 0:07:18 | 0:07:20 | |
Don't throw them. | 0:07:22 | 0:07:24 | |
I don't see what your problem is, lads. | 0:07:24 | 0:07:26 | |
I smashed the fucking table and now you're fucking locking me up for it? | 0:07:26 | 0:07:30 | |
-Just take a seat and calm down. -You know what I mean? -Is that his? | 0:07:30 | 0:07:34 | |
Oh, here we go. Oh! | 0:07:37 | 0:07:39 | |
He can bang as much as he wants, really. | 0:07:39 | 0:07:42 | |
The more people bang, we know that they're all right. | 0:07:42 | 0:07:44 | |
It's the quiet ones that we have to obviously be careful of. | 0:07:44 | 0:07:49 | |
He's quite volatile now. He's really wound up. | 0:07:49 | 0:07:53 | |
He just needs to settle down. | 0:07:53 | 0:07:54 | |
We can't deal with him while he's like this, | 0:07:54 | 0:07:57 | |
but he doesn't seem to listen to reason at the moment. | 0:07:57 | 0:08:01 | |
BANGING | 0:08:01 | 0:08:03 | |
It's that samba beat! Shut your eyes, you could be in Brazil. | 0:08:07 | 0:08:11 | |
SAMBA MUSIC | 0:08:11 | 0:08:13 | |
Oh, no, we're back in it. | 0:08:14 | 0:08:17 | |
BANGING CONTINUES | 0:08:17 | 0:08:18 | |
-Really sorry I'm late! -Afternoon! | 0:08:28 | 0:08:31 | |
Detention officer Sarah has arrived. | 0:08:31 | 0:08:34 | |
Not a good start to the day, is it? | 0:08:34 | 0:08:35 | |
We've had the helicopter up, we've had dogs out, | 0:08:35 | 0:08:38 | |
Wayne was crying, Chris was pacing up and down worried. | 0:08:38 | 0:08:42 | |
-Well, I'm never going to hear the end of this now! -No! | 0:08:42 | 0:08:45 | |
She may have missed the drama and the music, | 0:08:45 | 0:08:48 | |
but she's just in time for the political satire. | 0:08:48 | 0:08:52 | |
WOMAN LAUGHS DRUNKENLY | 0:08:52 | 0:08:55 | |
WOMAN SLURS | 0:09:01 | 0:09:02 | |
-Have you been in here before? -No. | 0:09:02 | 0:09:04 | |
Yesterday, 2250. | 0:09:04 | 0:09:09 | |
I've just seen the Labour Party and Labour's working. | 0:09:09 | 0:09:12 | |
-Circumstance? -Unemployed! Unemployed! | 0:09:12 | 0:09:17 | |
We've attended at her address this evening | 0:09:17 | 0:09:20 | |
and been told by your neighbour that they've seen this female | 0:09:20 | 0:09:23 | |
running through the communal area, smashing on doors with a hammer. | 0:09:23 | 0:09:26 | |
Oh, I don't think so! I don't think so! | 0:09:26 | 0:09:28 | |
I don't think so! I don't think so! | 0:09:28 | 0:09:31 | |
-Do you have any medical conditions? -I'm not a Marxist or a communist. | 0:09:31 | 0:09:34 | |
-Do you have any medical conditions? -No, I'm not a Marxist or communist. | 0:09:34 | 0:09:38 | |
-Jeanette, are you a diabetic? -No, I'm not a Marxist or a communist. | 0:09:38 | 0:09:41 | |
-Nobody's said you are, have they? -What have you arrested me for then? | 0:09:41 | 0:09:45 | |
This is the second time in 24 hours | 0:09:46 | 0:09:48 | |
Jeanette has been arrested for alcohol fuelled offences. | 0:09:48 | 0:09:52 | |
She's been running around in drink, | 0:09:52 | 0:09:54 | |
waving her hammer about and banging at people's doors with an hammer, | 0:09:54 | 0:09:58 | |
so unfortunately, we've had to bring her in for affray. | 0:09:58 | 0:10:01 | |
THEY ALL TALK AT ONCE | 0:10:01 | 0:10:04 | |
-Go on. -Go for it. | 0:10:05 | 0:10:07 | |
No, put it in your mouth first, though. Go on. | 0:10:07 | 0:10:10 | |
-You know what you should be doing! -Go on. -Come on. | 0:10:10 | 0:10:14 | |
Not a Marxist, not a communist! | 0:10:14 | 0:10:17 | |
Forget it. | 0:10:17 | 0:10:19 | |
We've tried to put Jeanette in. She's obviously well too in drink | 0:10:19 | 0:10:23 | |
The best thing to do is pop her into a cell and let her get some sleep | 0:10:23 | 0:10:26 | |
and we'll process her in the morning | 0:10:26 | 0:10:28 | |
-when she's sobered up. -Not a Marxist... | 0:10:28 | 0:10:30 | |
I reckon we'd at least halve the number of people we get in here. | 0:10:30 | 0:10:34 | |
-Come on, then. -Am I arrested cos I'm a Marxist or a communist? | 0:10:34 | 0:10:38 | |
We laugh and joke along with it, | 0:10:38 | 0:10:40 | |
but I think if you do look behind it, it's quite a serious thing. | 0:10:40 | 0:10:43 | |
I do feel a bit sorry for her. She's obviously got some issues | 0:10:43 | 0:10:46 | |
and I think she needs help, possibly elsewhere, | 0:10:46 | 0:10:49 | |
but we've got people to look after | 0:10:49 | 0:10:50 | |
and we have to deal with things as we see them | 0:10:50 | 0:10:52 | |
and our only choice at that time is to bring her here. | 0:10:52 | 0:10:55 | |
Are you sure you don't want your jeans? | 0:10:55 | 0:10:57 | |
-No, I'm not a Marxist or a communist. -All right, then. | 0:10:57 | 0:11:00 | |
-Goodnight. -Goodnight. | 0:11:00 | 0:11:02 | |
I'm going to sit down, put me head in me hands and cry. | 0:11:04 | 0:11:08 | |
Two hours later, Scott returns from hospital. | 0:11:17 | 0:11:20 | |
Because of a heroin overdose, he'd lost consciousness for half an hour. | 0:11:20 | 0:11:24 | |
The drugs nurse Adele gave him saved his life. | 0:11:27 | 0:11:31 | |
How are you feeling now, Scott? | 0:11:31 | 0:11:33 | |
Better? A bit better? | 0:11:33 | 0:11:35 | |
Bit groggy, but better, yeah. | 0:11:35 | 0:11:37 | |
I'm glad he's alive, more than anything. | 0:11:39 | 0:11:41 | |
He's clearly been pulled back from the brink, which is good. | 0:11:41 | 0:11:44 | |
I just hope he realises how close he came, | 0:11:44 | 0:11:47 | |
the fact we just saved his life. | 0:11:47 | 0:11:48 | |
I'm glad that you came back from hospital | 0:11:48 | 0:11:50 | |
looking 100% better than when you left, anyway. | 0:11:50 | 0:11:53 | |
-Thank you, thank you. -You're welcome. | 0:11:53 | 0:11:55 | |
-I'd like to shake your hand and thank you. -You're welcome. | 0:11:55 | 0:11:58 | |
Hey, don't get that very often. How nice was that? | 0:11:58 | 0:12:01 | |
See you later, Scott. | 0:12:01 | 0:12:03 | |
-Bye. -Bye. | 0:12:03 | 0:12:04 | |
Scott's been a heroin addict since he was 15. He's now 34. | 0:12:06 | 0:12:11 | |
He's been arrested over 50 times, | 0:12:15 | 0:12:17 | |
mainly for possessing Class A drugs and theft to fund his habit. | 0:12:17 | 0:12:21 | |
Last time we saw him in The Lock Up, | 0:12:23 | 0:12:25 | |
-he was denying stealing for his fix... -Disgusting, that. | 0:12:25 | 0:12:28 | |
I ain't even done nowt wrong. | 0:12:28 | 0:12:30 | |
..but was fully aware of the vicious circle he was in. | 0:12:30 | 0:12:33 | |
When you're on drugs, when you've got bad drug problems, | 0:12:33 | 0:12:36 | |
trying to get money from here, there and everywhere, | 0:12:36 | 0:12:39 | |
that's all your life revolves around, getting drugs. | 0:12:39 | 0:12:41 | |
I mean, you lose respect off your friends and your family, | 0:12:41 | 0:12:45 | |
you don't realise who you're upsetting. | 0:12:45 | 0:12:47 | |
You've got no routine, you lose self-respect. | 0:12:47 | 0:12:51 | |
Waste of life, you know, you're just existing. | 0:12:51 | 0:12:55 | |
Two years on, the drugs have clearly taken their toll. | 0:12:56 | 0:13:00 | |
Could you just look there for a few seconds? Fantastic. | 0:13:00 | 0:13:03 | |
Even though Scott's just OD'd, | 0:13:06 | 0:13:08 | |
he still has to do the mandatory drugs test | 0:13:08 | 0:13:11 | |
for possible thieves and drug addicts. | 0:13:11 | 0:13:14 | |
Scott, just put that in your mouth. This is purely for the drug test. | 0:13:14 | 0:13:18 | |
It's sad because he's a nice lad to deal with | 0:13:21 | 0:13:25 | |
but he's getting worse, he's coming in in more of a state. | 0:13:25 | 0:13:28 | |
Out on the street, if he's in a state like that, | 0:13:28 | 0:13:31 | |
you just think about how vulnerable they are. | 0:13:31 | 0:13:33 | |
It's worrying that that could happen at any time with him | 0:13:33 | 0:13:37 | |
and you wonder for the future, | 0:13:37 | 0:13:40 | |
that potentially it could be life-threatening | 0:13:40 | 0:13:43 | |
and he'll be on his own. | 0:13:43 | 0:13:44 | |
I have to get away from all this shit and... | 0:13:44 | 0:13:48 | |
..start a new life, get a nice lass. | 0:13:51 | 0:13:54 | |
I don't know which way to turn, you know what I mean? | 0:13:55 | 0:13:59 | |
It's... | 0:14:01 | 0:14:02 | |
Scott, your drugs test result is... you're positive for opiates. OK? | 0:14:02 | 0:14:07 | |
And the cocaine is negative. Do you accept that result? | 0:14:07 | 0:14:12 | |
-Yes, do you? Do you want a copy of this at all? -Yeah. | 0:14:12 | 0:14:15 | |
I don't remember nothing at all, it was just pitch black. | 0:14:15 | 0:14:19 | |
I woke up and I thought, "What am I doing here?" | 0:14:20 | 0:14:23 | |
And the staff's told me that I've been unconscious half an hour. | 0:14:23 | 0:14:29 | |
Scary. | 0:14:29 | 0:14:31 | |
Do you know how close you came? | 0:14:31 | 0:14:34 | |
What, to death? | 0:14:35 | 0:14:36 | |
No. | 0:14:38 | 0:14:39 | |
-You can go back to your cell. -I don't give a fuck, lad. Fuck off. | 0:15:02 | 0:15:05 | |
I ain't done fuck all wrong. | 0:15:05 | 0:15:07 | |
Ryan's just been interviewed by detectives and he's still not happy. | 0:15:07 | 0:15:12 | |
Very irate. | 0:15:12 | 0:15:13 | |
He did eventually calm down, but he's just not having any of it. | 0:15:13 | 0:15:16 | |
What's the deal, man? Stop waving your arms. Come on. | 0:15:16 | 0:15:19 | |
Let the fucking go of me now! | 0:15:19 | 0:15:22 | |
We're holding you, fella. | 0:15:22 | 0:15:23 | |
-Let go of me, and I'll walk. -Walk. | 0:15:23 | 0:15:25 | |
-Let go of me and I'll walk. -Ryan, just walk. | 0:15:25 | 0:15:28 | |
Fuck off! | 0:15:29 | 0:15:30 | |
Get in your cell, then. In your cell! | 0:15:30 | 0:15:33 | |
Where are you going? | 0:15:33 | 0:15:34 | |
-Hey! -Just leave me alone! | 0:15:34 | 0:15:37 | |
-Just leave me alone. -Get into your cell. Stop making fits. | 0:15:37 | 0:15:40 | |
DOOR BANGS | 0:15:40 | 0:15:41 | |
Stop tensing up. | 0:15:41 | 0:15:42 | |
Police are allowed to restrain | 0:15:44 | 0:15:46 | |
to stop prisoners hurting themselves or officers. | 0:15:46 | 0:15:49 | |
Control of his head is key, | 0:15:49 | 0:15:51 | |
so he does as he's told and to protect everyone. | 0:15:51 | 0:15:54 | |
RYAN YELLS | 0:15:55 | 0:15:58 | |
HE LAUGHS LOUDLY | 0:15:59 | 0:16:01 | |
You try that again, we're on the walk again, you hear me? | 0:16:01 | 0:16:05 | |
What's the matter with you, lads? Fucking hell. | 0:16:08 | 0:16:11 | |
Brutality or what? | 0:16:11 | 0:16:12 | |
Their exit from the cell is a co-ordinated manoeuvre. | 0:16:25 | 0:16:28 | |
All right. | 0:16:30 | 0:16:32 | |
Watch your fingers. | 0:16:32 | 0:16:33 | |
< Bunch of pansies! | 0:16:33 | 0:16:35 | |
He's quite a well-built lad. He immediately tensed up. | 0:16:47 | 0:16:50 | |
The fists were clenched | 0:16:50 | 0:16:52 | |
and that's the sort of things we're looking for straightaway, | 0:16:52 | 0:16:55 | |
the danger signs that he's going to attack and assault one of us, | 0:16:55 | 0:16:58 | |
and while the textbooks say you do it in a certain way, | 0:16:58 | 0:17:01 | |
ultimately, it just becomes a bit of a scrum. | 0:17:01 | 0:17:03 | |
Some good arm locks there, though, eh? | 0:17:03 | 0:17:05 | |
-Thought one of us was going to get punched. -Yeah. | 0:17:05 | 0:17:09 | |
Nobody's injured or anything? | 0:17:09 | 0:17:11 | |
-No. -I got a scrape, a bruise maybe, but... | 0:17:11 | 0:17:14 | |
I've got a mark on my shirt. | 0:17:14 | 0:17:16 | |
I'll be off sick for a week for that. | 0:17:17 | 0:17:20 | |
Anything to get out of custody! | 0:17:20 | 0:17:23 | |
Jeanette has slept off her radical rantings. | 0:17:28 | 0:17:33 | |
Morning. Hiya. | 0:17:33 | 0:17:35 | |
Now she's concerned about a crime of fashion. | 0:17:35 | 0:17:38 | |
You taking your blanket with you? | 0:17:38 | 0:17:40 | |
-Look... -Oh, you've got... -I've got a miniskirt! | 0:17:40 | 0:17:43 | |
Made out of police blue, it's a police blue colour. | 0:17:43 | 0:17:46 | |
They'll be the latest rage. | 0:17:47 | 0:17:49 | |
They will. Once I get this on the telly, everybody'll want one. | 0:17:49 | 0:17:53 | |
-All right. -OK. -It's just around here. I'll show you which room it is. | 0:17:53 | 0:17:57 | |
She's finally sober enough to be booked in. | 0:17:59 | 0:18:02 | |
Was you a bit worse for wear when you came in this morning? | 0:18:02 | 0:18:05 | |
-I was a bit drunk, yeah. -How much alcohol did you have? | 0:18:05 | 0:18:08 | |
I don't know. I bought four Polish beers. | 0:18:08 | 0:18:11 | |
-Did you drink them all? -I don't know. | 0:18:11 | 0:18:13 | |
I don't remember anything. I was drinking it so fast. | 0:18:13 | 0:18:16 | |
I just got out of t'cells, then I went back in, | 0:18:16 | 0:18:18 | |
I got drunk and end up back in. | 0:18:18 | 0:18:20 | |
Jeanette's drinking has landed her in custody | 0:18:21 | 0:18:23 | |
twice in the last 24 hours. | 0:18:23 | 0:18:25 | |
Just have to let you know, Jeanette, | 0:18:27 | 0:18:29 | |
that your fingerprints are on computer file. | 0:18:29 | 0:18:32 | |
-The police might use them to identify you. -I had them done yesterday. | 0:18:32 | 0:18:35 | |
-You had your prints done? -Yeah. -Was you in yesterday? | 0:18:35 | 0:18:38 | |
I've been in two days running. | 0:18:38 | 0:18:39 | |
Right. I have to do them each time, unfortunately. | 0:18:39 | 0:18:42 | |
You're not having much luck lately, then? | 0:18:42 | 0:18:44 | |
I'll be missing you if I'm not in tonight. | 0:18:46 | 0:18:49 | |
I know! What are you going to do? | 0:18:49 | 0:18:51 | |
We don't know what's happened in peoples lives | 0:18:51 | 0:18:53 | |
that have led to them coming through that door | 0:18:53 | 0:18:56 | |
and when they do come through the door, | 0:18:56 | 0:18:58 | |
if they're in drink or drugs, they can be so violent | 0:18:58 | 0:19:02 | |
and spitting and swearing and carrying on. | 0:19:02 | 0:19:04 | |
And yet when they sober up, | 0:19:04 | 0:19:06 | |
they're the most pleasant, lovely people you could meet | 0:19:06 | 0:19:08 | |
and it's almost a pleasure | 0:19:08 | 0:19:10 | |
to be able to sit and speak to them and learn a bit about them. | 0:19:10 | 0:19:13 | |
'We've all got a story | 0:19:15 | 0:19:17 | |
'but all people see is the day you were drunk, ain't it? | 0:19:17 | 0:19:19 | |
'And that's the person you are. | 0:19:19 | 0:19:21 | |
'I've done lots of things.' | 0:19:21 | 0:19:23 | |
I've been a teacher, I've worked in educational welfare, | 0:19:23 | 0:19:27 | |
I've trained to be a social worker. | 0:19:27 | 0:19:30 | |
I've got two degrees. | 0:19:30 | 0:19:31 | |
As a single parent, I brought a child up on my own. | 0:19:31 | 0:19:34 | |
Everything got a little bit too stressful for me. | 0:19:34 | 0:19:37 | |
There was lots of changes in education, paying a mortgage, | 0:19:37 | 0:19:39 | |
and I just started to drink, | 0:19:39 | 0:19:42 | |
slowly started to drink too much. | 0:19:42 | 0:19:44 | |
It takes away all social conditioning, | 0:19:44 | 0:19:46 | |
all the veneer of civilisation | 0:19:46 | 0:19:49 | |
and you just gradually become more and more like a wild person, | 0:19:49 | 0:19:52 | |
a wild animal, really. | 0:19:52 | 0:19:54 | |
I'm beyond worrying, I really am. | 0:19:54 | 0:19:56 | |
I've reached the point where I'm just beyond it. | 0:19:56 | 0:19:59 | |
Jeanette's fate now lies with Rob Grunner. | 0:20:01 | 0:20:04 | |
The sergeant must balance her legal rights | 0:20:04 | 0:20:07 | |
with the protection of the public. | 0:20:07 | 0:20:09 | |
I have to make a decision on whether to release her on bail or not. | 0:20:10 | 0:20:14 | |
It's a bit of a difficult one. She was only released on bail yesterday, | 0:20:14 | 0:20:18 | |
so she's now, in effect, committing offences on bail. | 0:20:18 | 0:20:21 | |
She's obviously got a problem with drink, | 0:20:21 | 0:20:24 | |
so I've got a mind to release her on bail | 0:20:24 | 0:20:26 | |
with conditions not to consume any alcohol, | 0:20:26 | 0:20:29 | |
but I don't know whether I would trust her to do that | 0:20:29 | 0:20:32 | |
and if not, I would have to remand her in custody, | 0:20:32 | 0:20:36 | |
to go to court on Monday morning, | 0:20:36 | 0:20:38 | |
which when you see how she's presenting today, | 0:20:38 | 0:20:41 | |
seems really harsh. | 0:20:41 | 0:20:42 | |
Next in is what's known in the trade as a drugs packer. | 0:20:50 | 0:20:54 | |
There was a warrant out for Mark Mattock's arrest | 0:20:54 | 0:20:57 | |
for possession of heroin. | 0:20:57 | 0:20:59 | |
This is... This is Mark. | 0:20:59 | 0:21:00 | |
Can we take his cuffs off? He's been good as gold. No problem. | 0:21:00 | 0:21:03 | |
-It's the packer, isn't it? -Yeah. -The cuffs will have to stay on. | 0:21:03 | 0:21:07 | |
-All right. -He has to remain cuffed in front. | 0:21:07 | 0:21:09 | |
We have to assume he's still got things secreted. | 0:21:09 | 0:21:13 | |
He's known for keeping a stash up his bottom, | 0:21:13 | 0:21:16 | |
away from the long arm of the law. | 0:21:16 | 0:21:18 | |
How are you feeling now? | 0:21:19 | 0:21:21 | |
Shit. | 0:21:21 | 0:21:23 | |
The cuffs stay on, so he can't swallow any drugs | 0:21:23 | 0:21:26 | |
if - or when - they make an appearance. | 0:21:26 | 0:21:30 | |
Do you know what the crack is? | 0:21:30 | 0:21:32 | |
Crack! You see what I did there? | 0:21:33 | 0:21:36 | |
-Has he swallowed it? -He's plugged packages. We recovered eight. | 0:21:36 | 0:21:40 | |
He went to hospital. They said they'd do an internal | 0:21:40 | 0:21:42 | |
but he said, "I'm not having you put your fingers up my backside." | 0:21:42 | 0:21:45 | |
So for tonight, it's all stalled. | 0:21:45 | 0:21:48 | |
The question is, is there a package number nine? | 0:21:48 | 0:21:52 | |
Hiya. | 0:21:52 | 0:21:53 | |
For my information, what were in packages that you have produced? | 0:21:53 | 0:21:57 | |
-Heroin. -Heroin. -A little bit of personal, is all. | 0:21:57 | 0:22:00 | |
OK. We'll be checking on you quite regularly, Mark. | 0:22:00 | 0:22:03 | |
If you need to go to the toilet, you'll have to use our commode. | 0:22:03 | 0:22:07 | |
So Mark has his own ensuite. | 0:22:07 | 0:22:09 | |
A comfy bed on one side, and a luxury commode on the other. | 0:22:09 | 0:22:13 | |
You've got to physically watch him. | 0:22:13 | 0:22:15 | |
If the guy does want to have a poo, basically, | 0:22:15 | 0:22:18 | |
then he'll have to sit on a commode | 0:22:18 | 0:22:20 | |
and then once he's done the business, one of us will have to search the poo | 0:22:20 | 0:22:24 | |
to see whether there's these packages within the poo. | 0:22:24 | 0:22:27 | |
We'll have to leave the door open for the night. | 0:22:27 | 0:22:30 | |
No. We've got to watch, unfortunately. | 0:22:33 | 0:22:35 | |
'It's an easy job until you have to break out the sieves and the buckets | 0:22:35 | 0:22:40 | |
'and sift through it to see if there's anything in it. | 0:22:40 | 0:22:43 | |
You come in, do your job | 0:22:43 | 0:22:44 | |
and hope they don't do a poo in your eight hours. | 0:22:44 | 0:22:46 | |
Its police policy to have two officers on constant watch. | 0:22:47 | 0:22:52 | |
If any more drugs do emerge, Mark faces seven years in prison. | 0:22:52 | 0:22:56 | |
Jeanette has now been in custody for over 12 hours, | 0:23:04 | 0:23:08 | |
and is starting to show all the signs of a withdrawing alcoholic - | 0:23:08 | 0:23:13 | |
another addiction problem for nurse Adele. | 0:23:13 | 0:23:16 | |
Could you pop your hand there? Sit back in your chair. | 0:23:16 | 0:23:19 | |
No, look, I'm OK. | 0:23:19 | 0:23:20 | |
-I know you're OK, but I need you to do it. -Don't wind me up. | 0:23:20 | 0:23:23 | |
-I don't want to do it. -I want you to hold this for me. -No. | 0:23:23 | 0:23:26 | |
-Come on, Jeanette. -I know, but I'm sick of it. | 0:23:26 | 0:23:28 | |
I know what my blood pressure is. | 0:23:28 | 0:23:30 | |
Very early symptoms of alcohol withdrawal are | 0:23:30 | 0:23:33 | |
maybe a mild tremor, sweats, anxiety, | 0:23:33 | 0:23:37 | |
which affects people's behaviour, they can come across as quite rude. | 0:23:37 | 0:23:41 | |
-Do you want help for your alcohol withdrawals? -Yeah. | 0:23:41 | 0:23:44 | |
Do you want some medication | 0:23:44 | 0:23:46 | |
to treat alcohol withdrawals, to help you feel better? | 0:23:46 | 0:23:49 | |
-What, diazepam? -Yeah. | 0:23:49 | 0:23:51 | |
-Yeah, go on, then. -Right, sit back in your chair, relax. | 0:23:51 | 0:23:54 | |
Jeanette's in the early stage of alcohol withdrawal state, | 0:23:54 | 0:23:57 | |
and anxious, as you saw, | 0:23:57 | 0:23:59 | |
and a little bit agitated. | 0:23:59 | 0:24:03 | |
If somebody's alcohol-dependent and then suddenly stops drinking, | 0:24:03 | 0:24:06 | |
it can cause seizures and then ultimately death. | 0:24:06 | 0:24:10 | |
Jeanette's cold turkey makes it even harder | 0:24:10 | 0:24:13 | |
for Sgt Grunner to decide her fate. | 0:24:13 | 0:24:16 | |
I see you've got a bit of a tremor, so you can't be making that up. | 0:24:17 | 0:24:21 | |
It will affect my bail decision | 0:24:21 | 0:24:22 | |
because the bail condition I was considering applying | 0:24:22 | 0:24:26 | |
was not to consume alcohol, not to purchase alcohol etc. | 0:24:26 | 0:24:29 | |
If she's an alcoholic, I'm sentencing her to be very poorly | 0:24:29 | 0:24:33 | |
or kill her, potentially, if she can't drink, | 0:24:33 | 0:24:36 | |
so yeah, if she's charged, she'd have to stay now, | 0:24:36 | 0:24:39 | |
without a shadow of a doubt. | 0:24:39 | 0:24:41 | |
And she is being charged - with affray | 0:24:43 | 0:24:45 | |
for banging on her neighbours' doors with a hammer. | 0:24:45 | 0:24:48 | |
I'm not going to be bailing you this time. | 0:24:51 | 0:24:54 | |
I think you got bailed from Queens Gardens the other day... | 0:24:54 | 0:24:57 | |
-Hmm. -And you went out within hours, causing more problems. | 0:24:57 | 0:25:00 | |
I've got a duty to protect members of the public | 0:25:00 | 0:25:02 | |
that are victims in this case and I genuinely believe | 0:25:02 | 0:25:06 | |
that if I release you now, you'll end up drinking again so, | 0:25:06 | 0:25:08 | |
to prevent you offending on bail, I'll keep you in custody | 0:25:08 | 0:25:11 | |
to go before the next court. | 0:25:11 | 0:25:12 | |
So, you'll stay here, we'll look after you here. | 0:25:12 | 0:25:15 | |
I don't believe it. I haven't done anything. | 0:25:15 | 0:25:18 | |
I'll tell you what I did, shall I? I'll tell you what I really did. | 0:25:18 | 0:25:22 | |
Listen to me. Also, I am aware of your alcohol withdrawal issues. | 0:25:22 | 0:25:24 | |
I'm now suicidal. | 0:25:24 | 0:25:26 | |
So you'd better get me on suicide watch in the hospital. | 0:25:26 | 0:25:29 | |
-OK, just have a seat down there. -My death is your responsibility. | 0:25:29 | 0:25:32 | |
Just have a seat down there for me now. Well, you're right. | 0:25:32 | 0:25:35 | |
I'd like that recorded, please. | 0:25:35 | 0:25:37 | |
When I die, he is responsible for my death. | 0:25:37 | 0:25:39 | |
I want him to go to court. | 0:25:39 | 0:25:41 | |
-You're going to a camera cell. -OK. | 0:25:41 | 0:25:43 | |
All right... | 0:25:43 | 0:25:45 | |
Janette's suicide threats can't be ignored. | 0:25:45 | 0:25:48 | |
Another detainee for the camera cell. | 0:25:48 | 0:25:51 | |
I want a doctor, please. | 0:25:51 | 0:25:54 | |
I don't want to stay here, I've been frightened of you all. | 0:25:54 | 0:25:57 | |
I'm disturbed. | 0:25:57 | 0:25:59 | |
I feel like I'm in some sort of | 0:25:59 | 0:26:01 | |
crazy, mad place where they're just trying to do awful things to me. | 0:26:01 | 0:26:06 | |
Right, let me speak to the nurse. | 0:26:06 | 0:26:07 | |
I feel mentally and physically very ill, now. I do. | 0:26:07 | 0:26:11 | |
The withdrawal symptoms are getting worse. | 0:26:11 | 0:26:15 | |
But, within ten minutes, | 0:26:15 | 0:26:18 | |
Jeanette is fast asleep and stays that way for the next 12 hours. | 0:26:18 | 0:26:23 | |
There are over a million alcoholics in the UK. | 0:26:30 | 0:26:32 | |
Oh, does that make you fucking big, does it? | 0:26:32 | 0:26:35 | |
Booze features in half of all crime. | 0:26:35 | 0:26:38 | |
It has just got this gent into trouble. | 0:26:38 | 0:26:43 | |
Just pop your watch off. | 0:26:43 | 0:26:45 | |
The cufflinks and the bowtie will have to come off as well. | 0:26:47 | 0:26:52 | |
Stuart Taylor has had a delightful evening at a charity dinner | 0:26:52 | 0:26:57 | |
but a mix-up with the taxis home may have cost him dear. | 0:26:57 | 0:26:59 | |
It was a Valentine's dinner on behalf of the Yorkshire Scan Appeal | 0:27:01 | 0:27:05 | |
of which my partner Patricia is one of the girls that collect money. | 0:27:05 | 0:27:12 | |
I have got £105 in cash, wallet and various cards, | 0:27:12 | 0:27:16 | |
cufflinks, a watch, bowtie and seven bank cards. | 0:27:16 | 0:27:21 | |
Apparently, someone reported me for drink-driving. | 0:27:21 | 0:27:25 | |
To be fair, I did book a cab, but everybody in the cab, | 0:27:25 | 0:27:27 | |
there weren't enough room cos two other people jumped in | 0:27:27 | 0:27:30 | |
so I took a chance. | 0:27:30 | 0:27:32 | |
I drove. But someone had reported me. | 0:27:32 | 0:27:34 | |
The police were on my back straight away. | 0:27:34 | 0:27:37 | |
He blew under the legal limit at the roadside | 0:27:37 | 0:27:39 | |
but the copper's believe he'd not long | 0:27:39 | 0:27:41 | |
finished a drink so his alcohol level could still be rising. | 0:27:41 | 0:27:44 | |
OK, Stuart, I require you to provide two specimens of breath | 0:27:44 | 0:27:47 | |
for analysis by means of an approved device. | 0:27:47 | 0:27:49 | |
The specimen with the lower proportion of alcohol in your breath | 0:27:49 | 0:27:52 | |
may be used as evidence and the other will be disregarded. | 0:27:52 | 0:27:55 | |
Do you agree to provide two specimens of breath for analysis? | 0:27:55 | 0:27:59 | |
Certainly. | 0:27:59 | 0:28:00 | |
-Thank you. If you just want to come this way, Stuart. -Certainly. | 0:28:00 | 0:28:03 | |
Anyone that comes into custody for drink driving | 0:28:03 | 0:28:05 | |
will be put on the breath test machine. | 0:28:05 | 0:28:07 | |
It doesn't matter what sex they are, how old they are, | 0:28:07 | 0:28:11 | |
what social standing they're from. | 0:28:11 | 0:28:12 | |
If we think they have been driving a motor vehicle on the road whilst in drink, | 0:28:12 | 0:28:16 | |
they will be put on the machine. | 0:28:16 | 0:28:17 | |
Nice deep breath and just blow and I'll keep encouraging you. | 0:28:17 | 0:28:23 | |
Keep going, keep going, keep going, keep going, keep going, keep going, | 0:28:23 | 0:28:26 | |
keep going, keep going, keep going, keep going, keep going, | 0:28:26 | 0:28:29 | |
finished. There you go. | 0:28:29 | 0:28:30 | |
-Thank you. -You can relax now. Just wait for the results. | 0:28:30 | 0:28:32 | |
We're looking for anything below 40. | 0:28:32 | 0:28:34 | |
Anything below 40 is no further action. The legal limit is 35, OK? | 0:28:34 | 0:28:38 | |
If it's between 40 and 50, we have the option of replacing | 0:28:38 | 0:28:40 | |
the breath sample with either blood or urine, OK? | 0:28:40 | 0:28:43 | |
And anything over 50 is a straight charge. | 0:28:43 | 0:28:46 | |
Drunk drivers cause 8,000 road accidents a year. | 0:28:48 | 0:28:52 | |
Over 2,000 people are killed or seriously injured. | 0:28:52 | 0:28:57 | |
You're below the legal limit so it'll be no further action. We'll give you a lift home. | 0:28:59 | 0:29:03 | |
-All right, thanks very much. -No problem. | 0:29:03 | 0:29:05 | |
It's below the legal limit. Says, "We'll take you home." | 0:29:07 | 0:29:10 | |
-Just. -Just. | 0:29:10 | 0:29:13 | |
< You must have a good metabolism, that's all I can say. | 0:29:13 | 0:29:16 | |
-OK, Stuart, let's get you home, all right. -OK, thank you. | 0:29:16 | 0:29:20 | |
So, Stuart is on the move. | 0:29:20 | 0:29:22 | |
And, so too, is the drugs packer. | 0:29:22 | 0:29:26 | |
Mark Mattocks is finally on the commode, but he's in slow motion. | 0:29:26 | 0:29:30 | |
..isn't it, at the end of the day? | 0:29:34 | 0:29:35 | |
For tonight, we are stuck. | 0:29:35 | 0:29:37 | |
We just watch him and monitor him and make sure he is OK. | 0:29:37 | 0:29:40 | |
He may well be completely clear but, then again, he might not be. | 0:29:40 | 0:29:44 | |
There is a specialised kit that we have to view whatever he produces. | 0:29:44 | 0:29:49 | |
There is protective equipment in there. | 0:29:49 | 0:29:51 | |
Gloves, suits, masks, everything like that. | 0:29:51 | 0:29:55 | |
Ultimately, we have to look and see what he has produced, | 0:29:55 | 0:29:59 | |
one of the parts of the job that neither one of us particularly enjoys. | 0:29:59 | 0:30:02 | |
Everyone will be relieved, particularly Mark. | 0:30:08 | 0:30:11 | |
-I just want to get it over with. -Fair play, fair play. | 0:30:12 | 0:30:16 | |
I can't hear you with this door closed, by the way, | 0:30:16 | 0:30:18 | |
if it makes it any easier. | 0:30:18 | 0:30:20 | |
Mark's straining to co-operate. It's going to be a long job. | 0:30:20 | 0:30:26 | |
The beat goes on. Ryan's been banging on for hours. | 0:30:31 | 0:30:35 | |
But the party's over. | 0:30:35 | 0:30:39 | |
He's going to be charged. | 0:30:41 | 0:30:43 | |
But he's so volatile, the coppers will have to charge him through the hatch. | 0:30:43 | 0:30:47 | |
Ryan, come to the hatch, please. | 0:30:52 | 0:30:54 | |
-What? -Come here, you're going to be charged. | 0:30:54 | 0:30:57 | |
The CPS have made a decision that you're to be charged. | 0:30:57 | 0:31:00 | |
So what does this mean? | 0:31:00 | 0:31:01 | |
Listen, on 8th May 2012, without lawful excuse, | 0:31:01 | 0:31:05 | |
you damaged a television to the value of an unknown amount. | 0:31:05 | 0:31:08 | |
Also on 8th May 2012, | 0:31:08 | 0:31:12 | |
assaulted PC 2168 Dodgson. | 0:31:12 | 0:31:14 | |
How the fuck did I assault him, you bunch of dickheads? | 0:31:14 | 0:31:19 | |
..Police Act 1996. | 0:31:19 | 0:31:21 | |
-Am I staying in here? -You are. -For how long? | 0:31:21 | 0:31:24 | |
You'll be in court in the morning. | 0:31:24 | 0:31:27 | |
You made your comments and they've been noted. That is the decision. | 0:31:27 | 0:31:31 | |
You fucking wankers! | 0:31:31 | 0:31:34 | |
-That's the reason you're staying for court tomorrow. -Why? | 0:31:36 | 0:31:39 | |
Because you're too aggressive. | 0:31:39 | 0:31:40 | |
I don't think it's safe for you to be released. | 0:31:40 | 0:31:43 | |
You're far too violent, we're not letting you out tonight. | 0:31:43 | 0:31:46 | |
How have I been violent? | 0:31:46 | 0:31:47 | |
You've been going absolutely mad in this cell, | 0:31:47 | 0:31:49 | |
kicking the living daylights out of the door. | 0:31:49 | 0:31:51 | |
When you came out of the cell earlier on, | 0:31:51 | 0:31:53 | |
it took five officers to put you back in. | 0:31:53 | 0:31:55 | |
We're not having that again. | 0:31:55 | 0:31:56 | |
Get me five officers in here and I'll smash the lot of your heads in, you fucking idiots! | 0:31:56 | 0:32:00 | |
Yeah, good lad. | 0:32:00 | 0:32:02 | |
It's morning at Priory Road and breakfast is served. | 0:32:10 | 0:32:16 | |
Here we go. | 0:32:16 | 0:32:17 | |
Come on then, follow this young lady here. | 0:32:25 | 0:32:27 | |
Jeanette has made it through the nightmares and mood-swings of detox. | 0:32:30 | 0:32:35 | |
How are you feeling this morning? | 0:32:35 | 0:32:37 | |
-Did you manage to get much sleep last night? -I think I slept OK, yes. | 0:32:37 | 0:32:42 | |
You look quite well this morning. | 0:32:42 | 0:32:45 | |
Nurse Jackie is giving her a morning after the night before check-up. | 0:32:45 | 0:32:50 | |
Temperature's fine as well. | 0:32:50 | 0:32:52 | |
I won't give you anything just now because you're doing fine | 0:32:52 | 0:32:54 | |
and all your obs are fine. | 0:32:54 | 0:32:56 | |
I'll let you go and have your breakfast | 0:32:56 | 0:32:58 | |
-and that cup of tea you've been after. -OK. | 0:32:58 | 0:33:02 | |
I've had about 15 milligrams of diazepam | 0:33:02 | 0:33:05 | |
and now she says I don't need any. | 0:33:05 | 0:33:08 | |
I didn't have any last night. They've got me back off the drink as well. | 0:33:08 | 0:33:12 | |
If I could have got a brandy, I would have got one. | 0:33:12 | 0:33:15 | |
But I can't because I'm locked here, so in a way, | 0:33:15 | 0:33:18 | |
it's not very pleasant but they've done me a favour in a way. | 0:33:18 | 0:33:21 | |
It's a revolution for Jeanette | 0:33:23 | 0:33:24 | |
but she's still not sure whether it was inspired by Marxism or communism. | 0:33:24 | 0:33:29 | |
I've been watching the election results, the French elections. | 0:33:29 | 0:33:34 | |
I'm not suggesting that I'm rational when I'm drunk, I'm not. | 0:33:34 | 0:33:41 | |
< It's a really weird thing to say. | 0:33:41 | 0:33:44 | |
Well, I'm nuts! | 0:33:45 | 0:33:48 | |
Finally, after a long day's wait, Mark has done a number two. | 0:33:52 | 0:33:56 | |
But did it contain a number nine? | 0:33:57 | 0:33:59 | |
This gentleman has just been to the toilet. | 0:34:01 | 0:34:05 | |
-Steve, do you want to do this? -No. -Oh dear. | 0:34:05 | 0:34:09 | |
We're just checking to see if there's any drugs, | 0:34:11 | 0:34:14 | |
which I'm quite happy that there isn't. | 0:34:14 | 0:34:17 | |
There's nothing in his stool, and it is very smelly. | 0:34:20 | 0:34:24 | |
That wasn't very pleasant. | 0:34:26 | 0:34:29 | |
Not the nicest thing you've had to do this year, is it? | 0:34:32 | 0:34:36 | |
It's not something we do on a regular basis, | 0:34:36 | 0:34:38 | |
in fact, in 12 years of policing, it's the first time I've had to do it | 0:34:38 | 0:34:41 | |
and hopefully I won't have to do it again. | 0:34:41 | 0:34:43 | |
Mark's off the hook, of the toilet and out the door. | 0:34:43 | 0:34:48 | |
And, with their trophy spatula, | 0:34:48 | 0:34:51 | |
nobody is moving faster than the officers. | 0:34:51 | 0:34:54 | |
Right, put them in there. | 0:34:56 | 0:34:59 | |
Jeanette, the former schoolteacher, | 0:35:00 | 0:35:03 | |
was eventually found guilty of affray. | 0:35:03 | 0:35:06 | |
She was given a 12 month supervision order | 0:35:06 | 0:35:08 | |
and told to undergo treatment for alcohol dependency. | 0:35:08 | 0:35:12 | |
Rhythmic Ryan Chadburn was found guilty. | 0:35:16 | 0:35:19 | |
He was given a 12 month conditional discharge for criminal damage | 0:35:19 | 0:35:23 | |
and assaulting a police officer. | 0:35:23 | 0:35:24 | |
Drugs packer Mark Mattocks wasn't prosecuted for possession this time, | 0:35:28 | 0:35:32 | |
because he was already starting nine months in prison | 0:35:32 | 0:35:36 | |
for having a stun gun and a load of cannabis. | 0:35:36 | 0:35:38 | |
In drug-crazed confusion, | 0:35:47 | 0:35:49 | |
Scott had turned himself in for a burglary he hadn't committed. | 0:35:49 | 0:35:53 | |
Now he's being released without charge, but with his life. | 0:35:53 | 0:35:56 | |
Scott is obviously very grateful at the moment, in the moment. | 0:35:56 | 0:35:59 | |
He realises he's been pulled back from the brink. | 0:35:59 | 0:36:02 | |
But I suggest that a day or two passes, he's back outside again | 0:36:02 | 0:36:07 | |
and it will be a distant memory. | 0:36:07 | 0:36:08 | |
He won't be thinking about that | 0:36:08 | 0:36:10 | |
when he's filling himself full of drugs the next time. | 0:36:10 | 0:36:13 | |
Next time, he might not be so lucky. | 0:36:13 | 0:36:14 | |
But it's not over yet. | 0:36:14 | 0:36:16 | |
I need it. If I don't, I'll have to spend that. | 0:36:27 | 0:36:30 | |
I don't want to have to spend that. | 0:36:30 | 0:36:32 | |
That's the only way I am going to survive the day. | 0:36:32 | 0:36:35 | |
The only way I can survive is by buying heroin | 0:36:37 | 0:36:41 | |
and I don't want to buy heroin. | 0:36:41 | 0:36:42 | |
Methadone is used to wean addicts off heroin. | 0:36:47 | 0:36:49 | |
In custody, it can be prescribed, but when people are leaving, | 0:36:49 | 0:36:53 | |
the police won't return personal supplies | 0:36:53 | 0:36:55 | |
if they don't know they're clean. | 0:36:55 | 0:36:57 | |
I don't want bail or anything, can you keep me in? | 0:36:57 | 0:37:00 | |
You're not getting bail, you're getting released. | 0:37:00 | 0:37:03 | |
He is so desperate, he is begging to stay in custody. | 0:37:04 | 0:37:08 | |
If they kept me in, they'd give me methadone, wouldn't they? | 0:37:08 | 0:37:12 | |
There's no reason to keep you in. | 0:37:12 | 0:37:14 | |
Yeah but there could be, couldn't there? | 0:37:14 | 0:37:17 | |
I could give them one | 0:37:17 | 0:37:19 | |
and then I'd get my methadone at least. | 0:37:19 | 0:37:21 | |
And he's got no cigarettes either. More desperate measures. | 0:37:23 | 0:37:27 | |
There's got to be a cig somewhere. | 0:37:27 | 0:37:29 | |
It would be nice to think it but actually put him off | 0:37:29 | 0:37:32 | |
taking this muck that puts him like he is, | 0:37:32 | 0:37:35 | |
but it won't and he'll be back. | 0:37:35 | 0:37:38 | |
No doubt we'll have to save him again at some point. | 0:37:38 | 0:37:41 | |
And he was back. | 0:37:43 | 0:37:45 | |
Arrested no fewer than seven times in the following three weeks. | 0:37:45 | 0:37:49 | |
-Next time in The Lock Up... -All coppers are bastards. | 0:37:52 | 0:37:56 | |
This man has a close brush with the custody suite counter. | 0:37:57 | 0:38:01 | |
Take him straight to his cell. | 0:38:01 | 0:38:03 | |
Another is questioning police tactics. | 0:38:04 | 0:38:07 | |
What type of police dirt is this? Are we in Colombia? | 0:38:07 | 0:38:10 | |
-Why is that -BLEEP -man still stood there with a fucking Taser? | 0:38:10 | 0:38:14 | |
And after three attacks on his business, this man's had enough. | 0:38:14 | 0:38:18 | |
Someone was breaking in the van. | 0:38:18 | 0:38:21 | |
He swung round with this bar. | 0:38:21 | 0:38:24 | |
He hit me on the hand but I took it off him and brayed him with it. | 0:38:25 | 0:38:28 | |
But now he's on the wrong side of the law. | 0:38:28 | 0:38:32 | |
GBH with intent, it's one down from murder really. | 0:38:32 | 0:38:35 | |
The only element missing is that he didn't kill somebody. | 0:38:35 | 0:38:38 | |
Subtitles by Red Bee Media Ltd | 0:38:41 | 0:38:44 |