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The A1 - Britain's longest road... | 0:00:02 | 0:00:04 | |
..stretching almost 400 miles from the City of London | 0:00:05 | 0:00:09 | |
to the heart of the Scottish capital. | 0:00:09 | 0:00:11 | |
Connecting two nations and passing through 18 counties, | 0:00:13 | 0:00:16 | |
it's an unrivalled highway | 0:00:16 | 0:00:18 | |
used by hundreds of thousands of vehicles every day. | 0:00:18 | 0:00:21 | |
We're going southbound down the A1, | 0:00:21 | 0:00:24 | |
on the northbound carriageway. | 0:00:24 | 0:00:26 | |
But not all journeys go to plan. | 0:00:27 | 0:00:29 | |
I thought, "I am going to lose my life." | 0:00:32 | 0:00:34 | |
Cars are coming close. | 0:00:34 | 0:00:36 | |
It is a dangerous place to be. | 0:00:36 | 0:00:38 | |
Lives can hang in the balance. | 0:00:38 | 0:00:41 | |
The rear end of that vehicle is unrecognisable. | 0:00:41 | 0:00:44 | |
This is actually the bodywork of the car. | 0:00:44 | 0:00:46 | |
24 hours a day... | 0:00:47 | 0:00:49 | |
It's not a safe place here. | 0:00:49 | 0:00:51 | |
..there's a team of people who keep us safe from harm. | 0:00:51 | 0:00:55 | |
The police... | 0:00:55 | 0:00:56 | |
..response teams... | 0:00:58 | 0:00:59 | |
We don't know whether we've got the road closed, or... | 0:00:59 | 0:01:01 | |
We don't know what's happened. | 0:01:01 | 0:01:03 | |
..and traffic officers. | 0:01:03 | 0:01:05 | |
Keep going. | 0:01:06 | 0:01:08 | |
Keeping Britain's most iconic road... | 0:01:08 | 0:01:11 | |
-Get out! -..on the move. | 0:01:11 | 0:01:13 | |
Substantially damaged flatbed truck in lane two. | 0:01:14 | 0:01:17 | |
The A1, the monster that it is, will start to return to normal. | 0:01:18 | 0:01:21 | |
Coming up - | 0:01:25 | 0:01:27 | |
a runaway van crashes down an embankment... | 0:01:27 | 0:01:30 | |
-Police are all in the slip, so... -We need to keep going. | 0:01:30 | 0:01:33 | |
..and leaves the A1 in total gridlock. | 0:01:33 | 0:01:36 | |
The race to get to a multiple crash near Newcastle. | 0:01:38 | 0:01:41 | |
Injuries sustained in road traffic collisions | 0:01:41 | 0:01:44 | |
are quite often life-changing. | 0:01:44 | 0:01:47 | |
And the risks for road workers clearing up the A1's graffiti. | 0:01:47 | 0:01:52 | |
We're right on the bend. It's very, very dangerous. | 0:01:52 | 0:01:54 | |
I mean, you can hear the traffic going past us now. | 0:01:54 | 0:01:57 | |
At nearly 400 miles long, | 0:02:03 | 0:02:05 | |
the A1 runs through country more diverse than any other British road. | 0:02:05 | 0:02:09 | |
From the heart of London, it heads north, past Peterborough, | 0:02:09 | 0:02:13 | |
Grantham and the industrial heartlands of Leeds and Newcastle. | 0:02:13 | 0:02:17 | |
In all, it sees 18 counties | 0:02:17 | 0:02:20 | |
before it finally ends in the City of Edinburgh. | 0:02:20 | 0:02:23 | |
7.30am, rush hour, near Newcastle, | 0:02:26 | 0:02:30 | |
and while thousands of commuters slowly edge their way to work, | 0:02:30 | 0:02:34 | |
an emergency call means A1 patrol officer PC Alan Keenleyside | 0:02:34 | 0:02:38 | |
needs to quickly jump the queue. | 0:02:38 | 0:02:43 | |
At the moment, we're right at the start of | 0:02:45 | 0:02:48 | |
morning rush hour on a Tuesday morning. | 0:02:48 | 0:02:50 | |
It's two Celsius, we've got freezing fog, | 0:02:50 | 0:02:53 | |
and we've just had a report that the A1 is blocked southbound. | 0:02:53 | 0:02:56 | |
But it's what's blocking the road which is worrying Alan - | 0:02:59 | 0:03:03 | |
there's been a three-car pile-up in the fast lane and the potential | 0:03:03 | 0:03:06 | |
for injuries is massive. | 0:03:06 | 0:03:08 | |
A real priority here is to get to the scene, to assess any injuries, | 0:03:08 | 0:03:13 | |
and try to get this road opened as quickly as possible. | 0:03:13 | 0:03:16 | |
My own personal fear is always the level of injury, | 0:03:19 | 0:03:23 | |
that people aren't too badly injured. Cars can be replaced, | 0:03:23 | 0:03:26 | |
vehicles can be replaced, people can't. | 0:03:26 | 0:03:30 | |
Injuries sustained in road-traffic collisions are quite often | 0:03:30 | 0:03:35 | |
life-changing and life-lasting. | 0:03:35 | 0:03:37 | |
Alan's colleagues and firefighters are already at the scene. | 0:03:39 | 0:03:42 | |
Two of the cars have crashed into each other in the fast lane, | 0:03:44 | 0:03:48 | |
causing some serious damage, and a third vehicle, a silver Kia, | 0:03:48 | 0:03:52 | |
has ended up 50 yards down the road. | 0:03:52 | 0:03:55 | |
What we're looking at now is a collision, which is reasonably | 0:03:57 | 0:04:00 | |
typical of rush-hour traffic. | 0:04:00 | 0:04:01 | |
Three vehicles have been travelling in the fast lane. | 0:04:01 | 0:04:04 | |
For some reason, the traffic has slowed in front. | 0:04:04 | 0:04:06 | |
The Volvo has reacted to that, braking heavily. | 0:04:06 | 0:04:08 | |
Then the Vauxhall Corsa brakes, pushing the Volvo forward | 0:04:08 | 0:04:12 | |
into the third vehicle, which is a silver Kia. | 0:04:12 | 0:04:15 | |
Minor damage to the Kia, | 0:04:15 | 0:04:18 | |
quite significant damage to the rear of the Volvo and to the Corsa. | 0:04:18 | 0:04:23 | |
Sometimes when you get brake fluid, oil, oil especially, | 0:04:23 | 0:04:27 | |
it gets quite slippy, especially on a damp road surface, | 0:04:27 | 0:04:29 | |
so we need to get some cleansing down as well. | 0:04:29 | 0:04:33 | |
Business manager Lee Kerswell was driving his Volvo to his office | 0:04:33 | 0:04:36 | |
in Durham when he collided with the car in front. | 0:04:36 | 0:04:39 | |
I put my brakes on. | 0:04:41 | 0:04:43 | |
The car just started to slide. I nudged him, | 0:04:43 | 0:04:47 | |
and then all of a sudden there was a big impact from behind | 0:04:47 | 0:04:49 | |
and the air bags and everything went off and then from there, | 0:04:49 | 0:04:53 | |
everything started to go crazy. | 0:04:53 | 0:04:55 | |
Lots of people, lots of blue flashing lights. | 0:04:55 | 0:04:58 | |
Just glad everybody was OK, I think that's the first thing. | 0:04:58 | 0:05:01 | |
It was quite an impact from behind. | 0:05:01 | 0:05:03 | |
The car had gone underneath mine. | 0:05:03 | 0:05:05 | |
The other car was being driven by hairdresser Kathleen Watson. | 0:05:05 | 0:05:10 | |
I was just driving along, happily driving along, going to work. | 0:05:10 | 0:05:13 | |
And the guy in front just put his brakes on | 0:05:13 | 0:05:15 | |
and I slammed my brakes on, and the next minute, crashed, that's it. | 0:05:15 | 0:05:21 | |
There was nothing... | 0:05:21 | 0:05:23 | |
I couldn't see anything untoward that was wrong on the road. | 0:05:23 | 0:05:27 | |
Just cannae believe it. | 0:05:27 | 0:05:30 | |
Bit shocked, I'm shocked, just shocked... | 0:05:35 | 0:05:39 | |
that it's happened. | 0:05:39 | 0:05:40 | |
I've been driving for a lot of years and... | 0:05:42 | 0:05:44 | |
..never had anything like this. | 0:05:45 | 0:05:47 | |
Haven't even got a point on my licence or anything. | 0:05:47 | 0:05:50 | |
With no-one injured, Alan's priority is to clear the carriageway. | 0:05:52 | 0:05:56 | |
Can I have the keys...? | 0:05:59 | 0:06:00 | |
Is this yours, is it? Do you mind if I have a go at trying to start it? | 0:06:00 | 0:06:03 | |
-Go for it. -All right. It might do. | 0:06:03 | 0:06:05 | |
And Alan's in luck. | 0:06:08 | 0:06:10 | |
While the Volvo proves easy to move, | 0:06:17 | 0:06:20 | |
there's little hope for Kathleen's car - it's a total write-off. | 0:06:20 | 0:06:24 | |
Traffic's already stretching back six miles, | 0:06:26 | 0:06:30 | |
and unless the car is moved, it could get a whole lot worse. | 0:06:30 | 0:06:34 | |
Nearly seven billion miles are travelled on the A1 every year. | 0:06:39 | 0:06:45 | |
With such a massive volume of traffic pounding the road, | 0:06:45 | 0:06:48 | |
there's an army of workers dedicating to keeping the A1 | 0:06:48 | 0:06:52 | |
in tiptop condition. | 0:06:52 | 0:06:55 | |
These caretakers of the road turn their hand to everything - | 0:06:55 | 0:06:58 | |
from picking up litter... | 0:06:58 | 0:07:00 | |
..to driving a gritter. | 0:07:02 | 0:07:04 | |
And when the A1 cracks under the pressure... | 0:07:07 | 0:07:09 | |
-Ready? -..they're there to smooth things over. | 0:07:09 | 0:07:13 | |
In County Durham, | 0:07:17 | 0:07:18 | |
one of these teams is clocking on for their morning shift. | 0:07:18 | 0:07:21 | |
At their depot just off the A1, | 0:07:25 | 0:07:27 | |
Joe Wafer and Kev Taylor are preparing to take on a job | 0:07:27 | 0:07:31 | |
which only a tin of masonry paint can solve. | 0:07:31 | 0:07:34 | |
Whether it's vandalism or urban art, | 0:07:35 | 0:07:38 | |
graffiti along the A1 is a real problem, | 0:07:38 | 0:07:41 | |
with scores of incidents reported to Highways England every year. | 0:07:41 | 0:07:46 | |
Hi, Kelvin. Sure. | 0:07:46 | 0:07:48 | |
And during his seven years in the job, | 0:07:48 | 0:07:51 | |
Joe has developed a critical eye. | 0:07:51 | 0:07:52 | |
Most of the time, it's like an art type thing, | 0:07:55 | 0:07:59 | |
people putting designs on, as you will. | 0:07:59 | 0:08:02 | |
We have had graffiti with, | 0:08:02 | 0:08:04 | |
"Jill, will you marry me?" and things like that, | 0:08:04 | 0:08:07 | |
which is great for them, but, you know, | 0:08:07 | 0:08:10 | |
it's not every Jill that comes up the network is deciding whether | 0:08:10 | 0:08:13 | |
they're going to get married or not(!) | 0:08:13 | 0:08:15 | |
So, it doesn't matter what graffiti it is, | 0:08:15 | 0:08:16 | |
it's all got to be removed or overpainted. | 0:08:16 | 0:08:20 | |
What people see as just a harmless bit of paint could turn out to be, | 0:08:20 | 0:08:25 | |
you know, time-consuming and expensive to remove. | 0:08:25 | 0:08:28 | |
And their job today is a huge one. | 0:08:30 | 0:08:33 | |
They're tackling this sprawling eight-metre long section of graffiti | 0:08:33 | 0:08:37 | |
under a motorway bridge near Bowburn. | 0:08:37 | 0:08:39 | |
It's been freshly daubed on, but it's about to get another coat. | 0:08:41 | 0:08:45 | |
To be quite honest, I've got better things to do with my time than | 0:08:48 | 0:08:51 | |
actually come to a bridge and paint it for two or three hours. | 0:08:51 | 0:08:54 | |
It's just one of those things. | 0:08:54 | 0:08:55 | |
They paint it, we come out and paint over it. | 0:08:55 | 0:08:59 | |
With Joe keeping an eye on the traffic, | 0:08:59 | 0:09:01 | |
Kev gets to work with the masonry paint. | 0:09:01 | 0:09:05 | |
For them, it's not just about getting rid of all the eyesores, | 0:09:05 | 0:09:08 | |
but stopping accidents. | 0:09:08 | 0:09:10 | |
We have to cover this up | 0:09:10 | 0:09:12 | |
simply because the traffic that is passing, | 0:09:12 | 0:09:14 | |
people tend to look at graffiti | 0:09:14 | 0:09:16 | |
and they're obviously not concentrating on the road. | 0:09:16 | 0:09:20 | |
So, we mask it off so it ends up grey and at a later stage, | 0:09:20 | 0:09:25 | |
Highways England will bring in a company to remove it completely. | 0:09:25 | 0:09:29 | |
There's a serious sense of deja vu. | 0:09:31 | 0:09:33 | |
This is the sixth time they've repainted this bridge | 0:09:33 | 0:09:36 | |
in the last year. | 0:09:36 | 0:09:38 | |
Personally, I think it's a waste. | 0:09:39 | 0:09:41 | |
I think it's a waste of time, money and effort. | 0:09:41 | 0:09:43 | |
It's their type of art. | 0:09:43 | 0:09:46 | |
To me, I'd sooner see a canvas hanging up in a museum. | 0:09:46 | 0:09:48 | |
Even though the artist has painted his piece in an area easy to reach, | 0:09:51 | 0:09:55 | |
it's still a step too far for Joe. | 0:09:55 | 0:09:57 | |
I'll do some of the top stuff. | 0:09:57 | 0:09:59 | |
I've got me colleague with us today. | 0:09:59 | 0:10:02 | |
Kev's nickname is "the giraffe", and he can reach the high bits. | 0:10:02 | 0:10:05 | |
See, I can't reach up there, Kev. | 0:10:05 | 0:10:08 | |
I've got a higher standard, you see. I do all the heights. | 0:10:08 | 0:10:10 | |
Kev's wife has just been on the phone. | 0:10:10 | 0:10:12 | |
He's got to do a painting job when he gets home. | 0:10:12 | 0:10:14 | |
Apparently, your kitchen needs painting, Kev. | 0:10:14 | 0:10:17 | |
It's obvious Joe doesn't know me. | 0:10:17 | 0:10:19 | |
After an hour, Joe and Kev have managed to conceal the graffiti. | 0:10:23 | 0:10:28 | |
But with slogans being repainted regularly, | 0:10:28 | 0:10:31 | |
they know it's likely they'll be back here, removing them again soon. | 0:10:31 | 0:10:36 | |
As you can see, it is time-consuming. | 0:10:36 | 0:10:39 | |
But it's got to be done. | 0:10:40 | 0:10:41 | |
And hopefully, | 0:10:41 | 0:10:43 | |
we won't be revisited here for a while. | 0:10:43 | 0:10:46 | |
Now that is a work of art. Nice and clear. | 0:10:49 | 0:10:53 | |
That's a face of pride, that. | 0:10:53 | 0:10:56 | |
That's one for Highways England. | 0:10:56 | 0:10:58 | |
The boys are back. | 0:10:58 | 0:11:00 | |
However, their next paint job isn't going to be as straightforward, | 0:11:01 | 0:11:05 | |
and they'll definitely need a head for heights. | 0:11:05 | 0:11:07 | |
Just a few miles up the road in Newcastle, | 0:11:11 | 0:11:14 | |
PC Alan Keenleyside is still trying to reopen his section of the A1. | 0:11:14 | 0:11:18 | |
A three-car crash in the morning rush hour is causing traffic chaos. | 0:11:22 | 0:11:26 | |
With just one lane moving, | 0:11:28 | 0:11:30 | |
Alan is trying to clear the vehicles | 0:11:30 | 0:11:32 | |
and reopen the road as quickly as possible. | 0:11:32 | 0:11:35 | |
Right now, we're probably looking at around about five to six miles of | 0:11:36 | 0:11:40 | |
slow-moving traffic behind us. | 0:11:40 | 0:11:41 | |
So we're really moving as quickly as we can to get this cleared. | 0:11:41 | 0:11:45 | |
Business manager Lee Kerswell, who was caught up in the crash, | 0:11:46 | 0:11:50 | |
has taken the brunt of motorists' anger. | 0:11:50 | 0:11:53 | |
We actually got quite a few people shouting abuse out the window, | 0:11:53 | 0:11:56 | |
obscenities and that, because obviously, | 0:11:56 | 0:11:58 | |
we deliberately crashed this morning, that was the aim, | 0:11:58 | 0:12:01 | |
to spoil everybody's commute to work. | 0:12:01 | 0:12:03 | |
It's quite disappointing. | 0:12:03 | 0:12:05 | |
You know, somebody could have been seriously injured. | 0:12:05 | 0:12:07 | |
And that's the kind of attitude we were getting. | 0:12:07 | 0:12:10 | |
With the smashed-up Corsa still blocking the fast lane, | 0:12:10 | 0:12:13 | |
it's going to need a police 4x4 to shift it. | 0:12:13 | 0:12:17 | |
It's clearly going to move, cos we've got the power | 0:12:17 | 0:12:19 | |
in this to pull it. But we need to do it safely, | 0:12:19 | 0:12:21 | |
make sure we're not going to get right across the road | 0:12:21 | 0:12:24 | |
and then a wheel is going to fall off. | 0:12:24 | 0:12:27 | |
While Alan stops the frustrated commuters one last time, | 0:12:27 | 0:12:30 | |
the car is finally dragged off the carriageway. | 0:12:30 | 0:12:33 | |
And it's a race to clean up and get the road back to normal. | 0:12:37 | 0:12:40 | |
We need to look at bits like this - if a member of the public | 0:12:44 | 0:12:47 | |
comes along in the hours to come, on a motorcycle... | 0:12:47 | 0:12:51 | |
sees these bits, they might react to it, and if they react, | 0:12:51 | 0:12:54 | |
could cause a collision. | 0:12:54 | 0:12:56 | |
Right, that's it, we're ready to reopen. | 0:12:56 | 0:13:00 | |
It's taken 20 minutes to clear the accident. | 0:13:00 | 0:13:04 | |
Now Alan and fellow officers | 0:13:04 | 0:13:05 | |
have to deal with the people involved in the crash. | 0:13:05 | 0:13:09 | |
-Are you all right? -Yeah. | 0:13:09 | 0:13:10 | |
Part of this is making sure the drivers are breathalysed. | 0:13:12 | 0:13:16 | |
I certainly don't suspect any of these drivers being impaired | 0:13:18 | 0:13:22 | |
through alcohol or drugs, but in Northumbria, | 0:13:22 | 0:13:26 | |
if you are involved in a road-traffic collision, | 0:13:26 | 0:13:28 | |
you will be breathalysed as a matter of course. | 0:13:28 | 0:13:31 | |
For the drivers caught up in the incident | 0:13:38 | 0:13:40 | |
in sub-zero weather conditions, | 0:13:40 | 0:13:42 | |
it's been a learning experience in more ways than one. | 0:13:42 | 0:13:44 | |
It's a little bit chilly this morning. | 0:13:44 | 0:13:46 | |
A good day not to have your coat with you. | 0:13:46 | 0:13:48 | |
When you're defrosting your car, maybe it's a good thought to | 0:13:48 | 0:13:50 | |
actually make sure you take your coat with you. | 0:13:50 | 0:13:52 | |
Need to think that in future, always make sure there's a coat in the car. | 0:13:52 | 0:13:56 | |
Traffic's finally flowing again past the scene, | 0:13:59 | 0:14:02 | |
although the knock-on effects from this smash will ripple down the road | 0:14:02 | 0:14:06 | |
for hours to come. | 0:14:06 | 0:14:08 | |
That now, the A1, the monster that it is, | 0:14:08 | 0:14:10 | |
will start to return to normal. | 0:14:10 | 0:14:12 | |
Unfortunately, mornings like this | 0:14:12 | 0:14:15 | |
will probably never fully recover from that incident. | 0:14:15 | 0:14:18 | |
That backlog of traffic will remain in some form, | 0:14:20 | 0:14:23 | |
but that's the harsh reality of it. | 0:14:23 | 0:14:25 | |
One incident that's lasted 20-25 minutes has a knock-on effect | 0:14:25 | 0:14:29 | |
for many, many hours. | 0:14:29 | 0:14:31 | |
The average cost of a minor collision on the A1 | 0:14:36 | 0:14:38 | |
is around £15,000, | 0:14:38 | 0:14:42 | |
so this three car pile-up, which held up rush-hour traffic for | 0:14:42 | 0:14:46 | |
almost half an hour, could easily run into the tens of thousands. | 0:14:46 | 0:14:50 | |
But with more than 500,000 vehicles using the A1 near Newcastle | 0:14:53 | 0:14:57 | |
every week, it's not only police officers like Alan | 0:14:57 | 0:15:00 | |
who keep motorists moving. | 0:15:00 | 0:15:03 | |
When problems crop up, it's also the job of | 0:15:03 | 0:15:06 | |
Highways England traffic officers Peter Senior and Scott Wilson | 0:15:06 | 0:15:10 | |
to be in the right place at the right time. | 0:15:10 | 0:15:13 | |
For motorists travelling along the road, | 0:15:27 | 0:15:29 | |
a stray object can prove potentially deadly. | 0:15:29 | 0:15:32 | |
There's a possibility, if someone strikes it, | 0:15:32 | 0:15:35 | |
it could blow their tyres out, it could possibly throw it up | 0:15:35 | 0:15:37 | |
and strike another vehicle. | 0:15:37 | 0:15:39 | |
I've heard stories of the actual hook digging into the tyre | 0:15:39 | 0:15:42 | |
and then the strap wrapping around the axle, | 0:15:42 | 0:15:45 | |
or wrapping around the wheel. | 0:15:45 | 0:15:47 | |
Unfortunately for Scott and Peter, | 0:15:48 | 0:15:51 | |
this latest item is right in the middle of one of the fastest-flowing | 0:15:51 | 0:15:54 | |
sections of the A1. | 0:15:54 | 0:15:57 | |
To remove it safely means they're going to have to stop the traffic. | 0:15:57 | 0:16:01 | |
You just find a gap, and we'll go for it. | 0:16:03 | 0:16:04 | |
-Get it on now, mate. -You ready? -Yeah. | 0:16:04 | 0:16:08 | |
Lights and "don't pass" displayed. | 0:16:08 | 0:16:11 | |
Hotel, Alpha, Charlie, Lima, 4-1, | 0:16:11 | 0:16:13 | |
we've now implemented the block just adjacent to Washington services, | 0:16:13 | 0:16:17 | |
over. | 0:16:17 | 0:16:19 | |
For traffic officers like Peter and Scott, | 0:16:19 | 0:16:21 | |
the rolling road block is a well-rehearsed manoeuvre. | 0:16:21 | 0:16:25 | |
4-1, we've taken a position lane two. | 0:16:25 | 0:16:28 | |
We have full compliance. | 0:16:28 | 0:16:30 | |
Got traffic speed down to 5-0, over. | 0:16:30 | 0:16:33 | |
It allows them to slow the traffic down | 0:16:33 | 0:16:36 | |
and bring it to a halt just before the debris. | 0:16:36 | 0:16:38 | |
We've got control of the traffic, but we've still got to be | 0:16:38 | 0:16:41 | |
watching that traffic just to make sure no-one comes past. | 0:16:41 | 0:16:45 | |
Just need to get control of the traffic off this slip now, | 0:16:45 | 0:16:48 | |
which we've got. | 0:16:48 | 0:16:49 | |
We'll let that van get away. | 0:16:49 | 0:16:50 | |
4-1, we've now got traffic at a stop. | 0:16:54 | 0:16:56 | |
Just going to remove the debris now. Stand by. | 0:16:56 | 0:17:00 | |
While Peter collects the lorry strap, | 0:17:00 | 0:17:02 | |
Scott watches his back to make sure no vehicles jump the block. | 0:17:02 | 0:17:06 | |
We'll be releasing it in a minute, mate. Won't be long. | 0:17:06 | 0:17:08 | |
When traffic's at its peak, | 0:17:08 | 0:17:10 | |
a road closure can cause a jam that builds out a mile a minute, | 0:17:10 | 0:17:14 | |
so it's important the debris is cleared as quickly as possible. | 0:17:14 | 0:17:18 | |
So, we'll just slowly run the traffic away | 0:17:18 | 0:17:21 | |
now the debris is removed. | 0:17:21 | 0:17:24 | |
Traffic has been held up for only three minutes - | 0:17:24 | 0:17:27 | |
a small price to pay for keeping the A1 safe. | 0:17:27 | 0:17:30 | |
Job well done. Job very well done. | 0:17:30 | 0:17:33 | |
Traffic officers like Peter and Scott pick up nearly 2,500 obstacles | 0:17:36 | 0:17:40 | |
from along the A1 every year. | 0:17:40 | 0:17:44 | |
It's a tiny part of the role they play, | 0:17:44 | 0:17:47 | |
but they still have their fair share of critics. | 0:17:47 | 0:17:50 | |
Certain people maybe haven't perceived us well. | 0:17:50 | 0:17:55 | |
Some celebrities have maybe mentioned us as Day-Glo Wombles, | 0:17:55 | 0:17:58 | |
-or whatever. -Jeremy Clarkson. | 0:17:58 | 0:18:00 | |
If them people could come out with us and see what we did... | 0:18:00 | 0:18:05 | |
We don't just put cones out and close lanes for the fun of it, | 0:18:05 | 0:18:08 | |
or for practice. We're doing it for a reason - | 0:18:08 | 0:18:11 | |
to help people or to make something safe. | 0:18:11 | 0:18:13 | |
I believe he has been offered to come out on a patrol with us | 0:18:13 | 0:18:16 | |
and he declined. | 0:18:16 | 0:18:18 | |
From stray animals to breakdowns and serious accidents, | 0:18:21 | 0:18:24 | |
traffic officers deal with more than 10,000 incidents | 0:18:24 | 0:18:28 | |
on the A1 every year. | 0:18:28 | 0:18:31 | |
With such an unpredictable job on the front line, | 0:18:31 | 0:18:34 | |
Peter and Scott know just how quickly things can change. | 0:18:34 | 0:18:38 | |
It's rush hour on the outskirts of Gateshead, | 0:18:43 | 0:18:46 | |
and reports are coming in of a major crash. | 0:18:46 | 0:18:49 | |
4-1. | 0:18:49 | 0:18:50 | |
1-1-3, yeah, received. We're just approaching junction 68 now, | 0:18:59 | 0:19:02 | |
so we should have eyes on very shortly, over. | 0:19:02 | 0:19:04 | |
Within seconds, they are on the scene. | 0:19:08 | 0:19:10 | |
The police are there, all on the slip, so... | 0:19:10 | 0:19:12 | |
He says it's crossing... Across the full carriageway. | 0:19:12 | 0:19:15 | |
-Of the...? -Of the main carriageway, mate. Keep going. | 0:19:15 | 0:19:18 | |
A van driver has plunged down an embankment | 0:19:22 | 0:19:25 | |
and smashed into a lamp post, | 0:19:25 | 0:19:27 | |
the only thing that stopped him ploughing across the motorway. | 0:19:27 | 0:19:31 | |
He's being treated by paramedics for his injuries. | 0:19:32 | 0:19:36 | |
We can confirm that police and ambulance are on scene. | 0:19:36 | 0:19:39 | |
And with traffic already at a standstill, | 0:19:41 | 0:19:44 | |
Peter and Scott will be pushed to the limit | 0:19:44 | 0:19:47 | |
dealing with the aftermath. | 0:19:47 | 0:19:48 | |
Managing an incident like this can be fraught with danger, | 0:19:57 | 0:20:00 | |
but down the A1 in Durham, | 0:20:00 | 0:20:02 | |
even a simple cleaning job can mean risking life and limb. | 0:20:02 | 0:20:06 | |
Incident response workers Joe and Kev are continuing their crusade to | 0:20:09 | 0:20:13 | |
rid the A1 of unsightly graffiti. | 0:20:13 | 0:20:16 | |
It's a time-consuming and expensive job. | 0:20:17 | 0:20:22 | |
Right, A1 in, northbound, between junction 61 and 62. | 0:20:22 | 0:20:25 | |
This bridge has been riddled with slogans at every level. | 0:20:25 | 0:20:29 | |
And you can see, just by the graffiti, | 0:20:30 | 0:20:32 | |
we've got one on the wing wall, one on the wall itself, | 0:20:32 | 0:20:35 | |
one on the wall there and one up on the wing wall, there. | 0:20:35 | 0:20:38 | |
And there's actual graffiti on the bridge itself. | 0:20:38 | 0:20:42 | |
So, for him to do that, | 0:20:42 | 0:20:44 | |
he's either hung over the edge of the bridge | 0:20:44 | 0:20:46 | |
or he's leant out from the side. | 0:20:46 | 0:20:49 | |
It is dangerous, whichever way he's done that one. | 0:20:49 | 0:20:52 | |
They want to get rid of a tag left by a prolific artist, | 0:20:53 | 0:21:00 | |
but accessing it means going off-road. | 0:21:00 | 0:21:03 | |
And once there, Joe's using the graffiti artist's favourite tool | 0:21:07 | 0:21:11 | |
to blitz it. | 0:21:11 | 0:21:13 | |
Well, I've got a hold of the railings. | 0:21:13 | 0:21:16 | |
I've got a good hold on my feet, so I don't feel too bad. | 0:21:16 | 0:21:19 | |
I'm not frightened of heights, or anything. | 0:21:19 | 0:21:21 | |
We're never going to get it perfect, | 0:21:21 | 0:21:23 | |
but what we'll do is we'll just blot out as much as we can. | 0:21:23 | 0:21:26 | |
I mean, is it worth it? | 0:21:26 | 0:21:28 | |
But the next cover-up job is in an even more dangerous position, | 0:21:32 | 0:21:38 | |
just metres from speeding traffic. | 0:21:38 | 0:21:41 | |
We're right on a bend. | 0:21:42 | 0:21:44 | |
Heavy traffic nine metres away from the lane. | 0:21:44 | 0:21:47 | |
It's very, very dangerous. | 0:21:47 | 0:21:49 | |
I mean, you can hear the traffic going past us now. | 0:21:49 | 0:21:55 | |
A job like this needs teamwork and trust. | 0:21:55 | 0:21:58 | |
Start from here and work our way that way. | 0:21:58 | 0:22:01 | |
While Kev blitzes the graffiti, Joe acts as their eyes and ears. | 0:22:04 | 0:22:09 | |
If you don't have a lookout system, we've got nothing. | 0:22:14 | 0:22:18 | |
We won't know anything is happening until the last moment. | 0:22:18 | 0:22:21 | |
But if I've seen a car coming down the hard shoulder, I can tell Kev, | 0:22:21 | 0:22:24 | |
so it's just like an early warning system. | 0:22:24 | 0:22:29 | |
If a vehicle is coming that way, you would head that way | 0:22:29 | 0:22:31 | |
and get round the corner as quick as you can. | 0:22:31 | 0:22:33 | |
But with the sun dropping fast, | 0:22:33 | 0:22:35 | |
the situation is growing riskier with every passing minute. | 0:22:35 | 0:22:39 | |
This is under the shade. | 0:22:39 | 0:22:40 | |
The drivers are coming from strong sunlight farther up the road, | 0:22:40 | 0:22:43 | |
so it's getting to the point of the day now where we don't really want | 0:22:43 | 0:22:46 | |
to be on a corner on a hard shoulder. | 0:22:46 | 0:22:49 | |
We've got a large load coming down the motorway now. | 0:22:50 | 0:22:53 | |
Luckily enough, he's moved across. | 0:22:53 | 0:22:55 | |
If he can't get across, his overhang might be into the hard shoulder. | 0:22:57 | 0:23:01 | |
Luckily enough, we're OK, there. | 0:23:03 | 0:23:04 | |
But this is the sort of thing that happens. | 0:23:04 | 0:23:06 | |
With the light too low to continue, | 0:23:08 | 0:23:11 | |
Joe and Kev will return tomorrow to finish the job. | 0:23:11 | 0:23:14 | |
But with dozens of cases a year to tackle, | 0:23:18 | 0:23:21 | |
their war on A1 graffiti goes on. | 0:23:21 | 0:23:24 | |
Nearly 20 miles north on the A1 near Newcastle, | 0:23:28 | 0:23:31 | |
the emergency services have a much more serious battle on their hands. | 0:23:31 | 0:23:35 | |
SIREN WAILS | 0:23:35 | 0:23:38 | |
This van has careered down a grass bank and smashed into a lamp post, | 0:23:38 | 0:23:42 | |
knocking it across two lanes of the road. | 0:23:42 | 0:23:46 | |
Traffic officers Peter Senior and Scott Wilson are battling through | 0:23:48 | 0:23:52 | |
the traffic to get to the incident. | 0:23:52 | 0:23:54 | |
We can position our vehicle in the middle of the road. | 0:23:54 | 0:23:57 | |
The traffic will make attempts to get out of our way and let us | 0:23:57 | 0:24:01 | |
filter through the middle. What you've got to be watching for now, | 0:24:01 | 0:24:05 | |
though, is the driver who doesn't see you coming. | 0:24:05 | 0:24:07 | |
A mile down the road, | 0:24:09 | 0:24:10 | |
police and firefighters are trying to work out how this van ended up in | 0:24:10 | 0:24:15 | |
such a bizarre position. | 0:24:15 | 0:24:16 | |
DISTANT SIRENS WAIL | 0:24:16 | 0:24:18 | |
Amazingly, motorcycle patrol officer Ian Scott was just metres away when | 0:24:21 | 0:24:26 | |
the van came plunging down the bank. | 0:24:26 | 0:24:29 | |
It started to come through the traffic. | 0:24:29 | 0:24:31 | |
As I was coming through, this white van just came down the slip, | 0:24:31 | 0:24:34 | |
hit the lamp post. It just blocked all three lanes off. | 0:24:34 | 0:24:37 | |
So, everybody just stopped. | 0:24:37 | 0:24:38 | |
It didn't actually clip any cars? | 0:24:38 | 0:24:40 | |
-No, it didn't. -How lucky is that? | 0:24:40 | 0:24:42 | |
And at the time, this was three lanes of solid traffic, | 0:24:42 | 0:24:45 | |
so I don't know how the lamp post didn't hit anything. | 0:24:45 | 0:24:49 | |
Paramedics are treating the driver for his injuries. | 0:24:49 | 0:24:53 | |
Police don't know yet what caused the accident, | 0:24:53 | 0:24:56 | |
but it's already had a massive impact, | 0:24:56 | 0:24:58 | |
causing five miles of tailbacks. | 0:24:58 | 0:25:01 | |
With Scott and Peter now on the scene, | 0:25:03 | 0:25:05 | |
they've got to find a way of getting thousands of vehicles safely past. | 0:25:05 | 0:25:10 | |
The police have sorted the lamp post that was | 0:25:14 | 0:25:16 | |
across lanes one and two. We're going to move everything that is | 0:25:16 | 0:25:19 | |
currently in lane two into lane one, | 0:25:19 | 0:25:21 | |
so we can open lanes two and three, and help traffic keep flowing by. | 0:25:21 | 0:25:25 | |
Opening another lane should halve the problem. | 0:25:29 | 0:25:32 | |
So, now we've got two lanes of traffic available | 0:25:32 | 0:25:34 | |
for traffic to use. | 0:25:34 | 0:25:36 | |
It's just, they are a bit like sheep following each other at the moment, | 0:25:36 | 0:25:39 | |
they're just using lane three. | 0:25:39 | 0:25:40 | |
But once they've realised we've adjusted things, | 0:25:40 | 0:25:43 | |
they'll start dropping in. | 0:25:43 | 0:25:44 | |
We'll get a higher volume of traffic past the scene. | 0:25:44 | 0:25:47 | |
Scott is keen to discover just how the van has managed to end up in | 0:25:49 | 0:25:52 | |
such a bizarre position. | 0:25:52 | 0:25:55 | |
He appears to have gone up the V part where the two barriers are. | 0:25:55 | 0:25:59 | |
That's launched him in between the two posts. | 0:25:59 | 0:26:02 | |
I think he's been a bit lucky. | 0:26:02 | 0:26:03 | |
He only seems to have a cut on his nose, | 0:26:03 | 0:26:05 | |
and he's saying he's got a few neck problems now, | 0:26:05 | 0:26:07 | |
but it could've been a lot more serious than what it actually | 0:26:07 | 0:26:10 | |
appears to be at the minute. | 0:26:10 | 0:26:12 | |
It's been nearly an hour | 0:26:14 | 0:26:15 | |
since the crash brought the A1 to a standstill. | 0:26:15 | 0:26:18 | |
But finally, with the inside lane cleared, | 0:26:22 | 0:26:25 | |
Scott and Peter can fully reopen the road. | 0:26:25 | 0:26:28 | |
Hotel, Alpha, Charlie, Lima, 4-1, to Charlie, Tango, 4-1. | 0:26:40 | 0:26:43 | |
You can release the block. Our ETM's been taken in | 0:26:43 | 0:26:45 | |
and we've left the scene, over. | 0:26:45 | 0:26:47 | |
The stranded van will be dealt with later by a recovery team. | 0:26:48 | 0:26:52 | |
It's been a busy and varied shift for the pair, | 0:26:54 | 0:26:57 | |
which deserves a reward. | 0:26:57 | 0:26:59 | |
So, that was a job that we weren't expecting on a Friday, Pete. | 0:27:01 | 0:27:05 | |
I think it's about time for a kebab to get my fitness levels back up. | 0:27:05 | 0:27:09 | |
Get them calories back into you. | 0:27:09 | 0:27:11 | |
Peter's doner is going to have to be delayed, though, | 0:27:11 | 0:27:14 | |
because even at the end of the busiest shifts, | 0:27:14 | 0:27:17 | |
the routine jobs still need doing. | 0:27:17 | 0:27:19 | |
They way we work as a team, you know, it's all down to teamwork. | 0:27:21 | 0:27:24 | |
Scott does the washing and I just have a look | 0:27:24 | 0:27:26 | |
to make sure he's done it right. | 0:27:26 | 0:27:29 | |
It's cos I'm still younger, that's what it is. | 0:27:29 | 0:27:31 | |
I don't want him to wear himself out. | 0:27:31 | 0:27:33 | |
The youngest always cleans the car. | 0:27:33 | 0:27:35 | |
I know I look a bit younger than him, but... | 0:27:35 | 0:27:37 | |
SCOTT LAUGHS | 0:27:37 | 0:27:39 | |
The van driver was later questioned by police, | 0:27:46 | 0:27:49 | |
but no further action was taken. | 0:27:49 | 0:27:51 | |
And after returning to the bridge for a second day, | 0:27:53 | 0:27:56 | |
Joe finally covered up all of the graffiti. | 0:27:56 | 0:27:59 | |
Hopefully, I won't be back again. | 0:27:59 | 0:28:02 |