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The A1 - Britain's longest road... | 0:00:02 | 0:00:04 | |
..stretching almost 400 miles from the City of London | 0:00:05 | 0:00:09 | |
to the heart of the Scottish capital. | 0:00:09 | 0:00:11 | |
Connecting two nations and passing through 18 counties, | 0:00:13 | 0:00:16 | |
it's an unrivalled highway | 0:00:16 | 0:00:18 | |
used by hundreds of thousands of vehicles every day. | 0:00:18 | 0:00:21 | |
We're going southbound down the A1, | 0:00:21 | 0:00:24 | |
on the northbound carriageway. | 0:00:24 | 0:00:26 | |
But not all journeys go to plan. | 0:00:27 | 0:00:29 | |
I thought, "I am going to lose my life." | 0:00:32 | 0:00:34 | |
Cars are coming close. | 0:00:34 | 0:00:36 | |
It is a dangerous place to be. | 0:00:36 | 0:00:38 | |
Lives can hang in the balance. | 0:00:38 | 0:00:41 | |
The rear end of that vehicle is unrecognisable. | 0:00:41 | 0:00:44 | |
This is actually the bodywork of the car. | 0:00:44 | 0:00:46 | |
24 hours a day... | 0:00:47 | 0:00:49 | |
It's not a safe place here. | 0:00:49 | 0:00:51 | |
..there's a team of people who keep us safe from harm. | 0:00:51 | 0:00:55 | |
The police... | 0:00:55 | 0:00:56 | |
..response teams... | 0:00:58 | 0:00:59 | |
We don't know whether we've got the road closed, or... | 0:00:59 | 0:01:01 | |
We don't know what's happened. | 0:01:01 | 0:01:03 | |
..and traffic officers. | 0:01:03 | 0:01:05 | |
Keep going. | 0:01:06 | 0:01:08 | |
Keeping Britain's most iconic road... | 0:01:08 | 0:01:11 | |
-Get out! -..on the move. | 0:01:11 | 0:01:13 | |
Substantially damaged flatbed truck in lane two. | 0:01:14 | 0:01:17 | |
The A1, the monster that it is, will start to return to normal. | 0:01:18 | 0:01:21 | |
Coming up - | 0:01:25 | 0:01:27 | |
a runaway van crashes down an embankment... | 0:01:27 | 0:01:30 | |
-Police are all in the slip, so... -We need to keep going. | 0:01:30 | 0:01:33 | |
..and leaves the A1 in total gridlock. | 0:01:33 | 0:01:36 | |
The race to get to a multiple crash near Newcastle. | 0:01:38 | 0:01:41 | |
Injuries sustained in road traffic collisions | 0:01:41 | 0:01:44 | |
are quite often life-changing. | 0:01:44 | 0:01:47 | |
And transporting a luxury liner, the driver who's all at sea on the A1. | 0:01:49 | 0:01:54 | |
We've missed our exit. | 0:01:54 | 0:01:56 | |
Not good. | 0:01:56 | 0:01:58 | |
At nearly 400 miles long, | 0:02:03 | 0:02:05 | |
the A1 runs through country more diverse than any other British road. | 0:02:05 | 0:02:09 | |
From the heart of London, it heads north, past Peterborough, | 0:02:09 | 0:02:13 | |
Grantham and the industrial heartlands of Leeds and Newcastle. | 0:02:13 | 0:02:18 | |
In all, it sees 18 counties | 0:02:18 | 0:02:20 | |
before it finally ends in the city of Edinburgh. | 0:02:20 | 0:02:23 | |
7:30am, rush hour, near Newcastle, | 0:02:26 | 0:02:30 | |
and while thousands of commuters slowly edge their way to work, | 0:02:30 | 0:02:34 | |
an emergency call means A1 patrol officer PC Alan Keenleyside | 0:02:34 | 0:02:38 | |
needs to quickly jump the queue. | 0:02:38 | 0:02:43 | |
At the moment, we're right at the start of | 0:02:45 | 0:02:48 | |
morning rush hour on a Tuesday morning, | 0:02:48 | 0:02:51 | |
two Celsius, we've got freezing fog. | 0:02:51 | 0:02:53 | |
We've just had a report that the A1 is blocked southbound. | 0:02:53 | 0:02:56 | |
But it's what's blocking the road which is worrying Alan - | 0:02:59 | 0:03:03 | |
there's been a three-car pile-up in the fast lane and the potential | 0:03:03 | 0:03:06 | |
for injuries is massive. | 0:03:06 | 0:03:08 | |
A real priority here is to get to the scene, to assess any injuries, | 0:03:08 | 0:03:13 | |
try to get this road opened as quickly as possible. | 0:03:13 | 0:03:16 | |
My own personal fear is always the level of injury, | 0:03:19 | 0:03:23 | |
that people aren't too badly injured. Cars can be replaced, | 0:03:23 | 0:03:26 | |
vehicles can be replaced, people can't. | 0:03:26 | 0:03:30 | |
Injuries sustained in road-traffic collisions are quite often | 0:03:30 | 0:03:35 | |
life-changing and life-lasting. | 0:03:35 | 0:03:37 | |
Alan's colleagues and firefighters are already at the scene. | 0:03:39 | 0:03:42 | |
Two of the cars have crashed into each other in the fast lane, | 0:03:44 | 0:03:48 | |
causing some serious damage, and a third vehicle, a silver Kia, | 0:03:48 | 0:03:52 | |
has ended up 50 yards down the road. | 0:03:52 | 0:03:55 | |
What we are looking at now is a collision, which is reasonably | 0:03:57 | 0:04:00 | |
typical of rush-hour traffic. | 0:04:00 | 0:04:01 | |
Three vehicles have been travelling in the fast lane. | 0:04:01 | 0:04:04 | |
For some reason, the traffic has slowed in front. | 0:04:04 | 0:04:06 | |
The Volvo has reacted to that, braking heavily. | 0:04:06 | 0:04:08 | |
Then the Vauxhall Corsa brakes, pushing the Volvo forward | 0:04:08 | 0:04:12 | |
into the third vehicle, which is a silver Kia. | 0:04:12 | 0:04:15 | |
Minor damage to the Kia, | 0:04:15 | 0:04:18 | |
quite significant damage to the rear of the Volvo and to the Corsa. | 0:04:18 | 0:04:23 | |
Sometimes when you get brake fluid, oil, oil especially, | 0:04:23 | 0:04:27 | |
it gets quite slippy, especially on a damp road surface, | 0:04:27 | 0:04:29 | |
so we need to get some cleansing down as well. | 0:04:29 | 0:04:33 | |
Business manager Lee Kerswell was driving his Volvo to his office | 0:04:33 | 0:04:36 | |
in Durham when he collided with the car in front. | 0:04:36 | 0:04:39 | |
I put my brakes on. | 0:04:41 | 0:04:43 | |
The car just started to slide. I nudged him, | 0:04:43 | 0:04:47 | |
and then all of a sudden there was a big impact from behind | 0:04:47 | 0:04:49 | |
and the air bags and everything went off and then from there, | 0:04:49 | 0:04:53 | |
everything started to go crazy. | 0:04:53 | 0:04:55 | |
Lots of people, lots of blue flashing lights. | 0:04:55 | 0:04:58 | |
Just glad everybody was OK, I think that's the first thing. | 0:04:58 | 0:05:01 | |
It was quite an impact from behind. | 0:05:01 | 0:05:03 | |
The car had gone underneath mine. | 0:05:03 | 0:05:05 | |
The other car was being driven by hairdresser Kathleen Watson. | 0:05:05 | 0:05:09 | |
I was just driving along, happily driving along, going to work. | 0:05:11 | 0:05:14 | |
And the guy in front just put his brakes on | 0:05:14 | 0:05:16 | |
and I slammed my brakes on, and the next minute, crashed, that's it. | 0:05:16 | 0:05:22 | |
There was nothing... | 0:05:22 | 0:05:24 | |
I couldn't see anything untoward that was wrong on the road. | 0:05:24 | 0:05:28 | |
Just cannae believe it. | 0:05:29 | 0:05:32 | |
Bit shocked, I'm shocked, just shocked... | 0:05:36 | 0:05:40 | |
that it's happened. | 0:05:40 | 0:05:41 | |
I've been driving for a lot of years and... | 0:05:43 | 0:05:45 | |
..never had anything like this. | 0:05:46 | 0:05:48 | |
Haven't even got a point on my license or anything. | 0:05:48 | 0:05:51 | |
With no-one injured, Alan's priority is to clear the carriageway. | 0:05:53 | 0:05:57 | |
Can I have the keys...? | 0:06:00 | 0:06:02 | |
Is this yours, is it? Do you mind if I have a go at trying to start it? | 0:06:02 | 0:06:04 | |
-Go for it. -All right. It might do. | 0:06:04 | 0:06:06 | |
And Alan's in luck. | 0:06:09 | 0:06:11 | |
While the Volvo proves easy to move, | 0:06:18 | 0:06:21 | |
there's little hope for Kathleen's car - it's a total write-off. | 0:06:21 | 0:06:25 | |
Traffic's already stretching back six miles. | 0:06:27 | 0:06:31 | |
And unless the car is moved, it could get a whole lot worse. | 0:06:31 | 0:06:35 | |
With more than 90,000 vehicles ploughing around | 0:06:38 | 0:06:42 | |
the city of Newcastle every day, accidents and jams are inevitable. | 0:06:42 | 0:06:47 | |
More than 250 miles away, in East Anglia, | 0:06:47 | 0:06:50 | |
our team's hoping their trip down the A1 | 0:06:50 | 0:06:52 | |
down to London is plain sailing. | 0:06:52 | 0:06:54 | |
Broom have been building luxury cruisers for over 100 years. | 0:06:58 | 0:07:02 | |
Hi, there. Very well, yourself? | 0:07:09 | 0:07:12 | |
Today, Guy Girling and his crew are preparing their latest supermodel | 0:07:12 | 0:07:17 | |
for one of the most significant exhibitions of the season - | 0:07:17 | 0:07:20 | |
the London Boat Show. | 0:07:20 | 0:07:23 | |
So, this is the boat that's actually going to London. | 0:07:23 | 0:07:26 | |
This boat is fully specced up with a large engine, | 0:07:26 | 0:07:29 | |
the latest electronic dash controls, | 0:07:29 | 0:07:32 | |
and can be used equally at sea, but also on inland waterways as well. | 0:07:32 | 0:07:38 | |
The UK leisure boat industry turns over a whopping £3 billion a year, | 0:07:40 | 0:07:46 | |
and Guy's hoping showing of this high-spec model, | 0:07:46 | 0:07:48 | |
worth a cool quarter of a million, | 0:07:48 | 0:07:51 | |
will help generate plenty of future orders. | 0:07:51 | 0:07:54 | |
Certainly the target of taking a boat to the Boat Show | 0:07:54 | 0:07:57 | |
is obviously to sell it. | 0:07:57 | 0:07:59 | |
In less than 24 hours' time, | 0:08:04 | 0:08:06 | |
this 35-foot cruiser will be making its debut alongside 300 exhibitors | 0:08:06 | 0:08:11 | |
at the show in London's Docklands. | 0:08:11 | 0:08:13 | |
Move forwards, about a metre and a half. | 0:08:19 | 0:08:22 | |
But delivering this seven-tonne load safely will need | 0:08:22 | 0:08:25 | |
precision planning... | 0:08:25 | 0:08:27 | |
Just come back a little bit. | 0:08:27 | 0:08:29 | |
..as HGV driver Derek McLaren knows. | 0:08:29 | 0:08:33 | |
Every boat's different. The technique is to get it as close as | 0:08:35 | 0:08:38 | |
you possibly can... Come down a bit lower. | 0:08:38 | 0:08:42 | |
..so it's low enough to miss possible bridges. | 0:08:42 | 0:08:45 | |
And bridges aren't Derek's only restriction. | 0:08:46 | 0:08:49 | |
There is a traffic ban for abnormal loads in London between 7am and 10am | 0:08:50 | 0:08:54 | |
-on weekdays. -Get that back over to the right. | 0:08:54 | 0:08:58 | |
So his journey must be timed to perfection. | 0:08:58 | 0:09:01 | |
Down altogether. Just come down on the front. | 0:09:01 | 0:09:04 | |
That's it. We're there. | 0:09:07 | 0:09:10 | |
Perfect. | 0:09:10 | 0:09:12 | |
Before the boat can leave the yard, it has to be secured, and checked. | 0:09:12 | 0:09:17 | |
The boat is now strapped down onto the truck, so it doesn't move left | 0:09:17 | 0:09:20 | |
or right, back or forward, then the side support stands, | 0:09:20 | 0:09:22 | |
literally holding the boat level. | 0:09:22 | 0:09:25 | |
Obviously, accidents can happen, and they won't happen | 0:09:25 | 0:09:28 | |
if you're safe and secure at this stage. | 0:09:28 | 0:09:31 | |
They're like eggs, boats, aren't they? | 0:09:31 | 0:09:34 | |
They certainly are. | 0:09:34 | 0:09:36 | |
With his basket loaded, Derek and his fragile flotilla of one | 0:09:36 | 0:09:40 | |
are ready to hit the road. | 0:09:40 | 0:09:42 | |
Transporting the boat requires a specialist wide-load escort to | 0:09:48 | 0:09:52 | |
travel with Derek for the entire 174-mile journey. | 0:09:52 | 0:09:56 | |
Yeah, just get the bus and truck out of the way, | 0:09:57 | 0:10:00 | |
then I'll start heading down. | 0:10:00 | 0:10:02 | |
'See you round the corner, mate. No problem.' | 0:10:02 | 0:10:05 | |
And with such an abnormal load, | 0:10:05 | 0:10:09 | |
just getting out of Norfolk is a tricky business. | 0:10:09 | 0:10:13 | |
We could be sat for quite a while sometimes. | 0:10:13 | 0:10:15 | |
'All clear, mate, come round.' | 0:10:18 | 0:10:21 | |
Okey dokey. | 0:10:21 | 0:10:23 | |
Derek and his convoy team will have to negotiate a further 80 miles | 0:10:26 | 0:10:30 | |
cross-country before they reach the A1 and head south. | 0:10:30 | 0:10:33 | |
With 27 years' driving experience, | 0:10:34 | 0:10:37 | |
Derek knows they are unlikely to cruise unhindered into the capital. | 0:10:37 | 0:10:42 | |
It's a lottery, really. We can get traffic problems, | 0:10:42 | 0:10:45 | |
we've got Christmas shoppers going around the North Circular, | 0:10:45 | 0:10:49 | |
always busy this time of year. | 0:10:49 | 0:10:52 | |
You never can tell. | 0:10:52 | 0:10:53 | |
The slightest incident, it backs right up | 0:10:53 | 0:10:55 | |
and then when you're sat there, you can be sat there for an hour. | 0:10:55 | 0:10:59 | |
Derek's driven this route many times, but he has a strict timetable | 0:11:00 | 0:11:04 | |
to stick to and can't afford any mistakes. | 0:11:04 | 0:11:09 | |
Roger, we've missed our exit. | 0:11:09 | 0:11:11 | |
I've looked at the sat nav, and thought, "Hang on a minute, | 0:11:11 | 0:11:14 | |
"this isn't right." | 0:11:14 | 0:11:16 | |
'That's what I was just thinking, you've gone wrong.' | 0:11:16 | 0:11:20 | |
I was waiting for you to correct me. | 0:11:20 | 0:11:23 | |
-So, I'm going to have to do an up-and-over and come back. -'OK.' | 0:11:23 | 0:11:26 | |
Not good. | 0:11:28 | 0:11:30 | |
It's only a small detour, | 0:11:30 | 0:11:32 | |
but with Derek already battling to stay on a tight schedule, | 0:11:32 | 0:11:35 | |
it could prove costly. | 0:11:35 | 0:11:37 | |
But his journey is just a tiny portion of the nearly seven billion | 0:11:40 | 0:11:44 | |
miles travelled on the A1 every year. | 0:11:44 | 0:11:47 | |
With such a massive volume of traffic pounding the road, | 0:11:49 | 0:11:52 | |
there's an army of workers dedicating to keeping the A1 | 0:11:52 | 0:11:56 | |
in tiptop condition. | 0:11:56 | 0:11:58 | |
These caretakers of the road turn their hand to everything - | 0:12:01 | 0:12:04 | |
from picking up litter... | 0:12:04 | 0:12:06 | |
..to driving a gritter. | 0:12:08 | 0:12:10 | |
And when the A1 cracks under the pressure... | 0:12:13 | 0:12:15 | |
-Ready? -..they're there to smooth things over. | 0:12:15 | 0:12:19 | |
In County Durham, | 0:12:22 | 0:12:24 | |
one of these teams is clocking on for their morning shift. | 0:12:24 | 0:12:27 | |
At their depot just off the A1, | 0:12:30 | 0:12:33 | |
Joe Wafer and Kev Taylor are preparing to take on a job | 0:12:33 | 0:12:37 | |
which only a tin of masonry paint can solve. | 0:12:37 | 0:12:40 | |
Whether it's vandalism or urban art, | 0:12:41 | 0:12:44 | |
graffiti along the A1 is a real problem, | 0:12:44 | 0:12:47 | |
with scores of incidents reported to Highways England every year. | 0:12:47 | 0:12:52 | |
Hi, Kelvin. Sure. | 0:12:52 | 0:12:54 | |
And during his seven years in the job, | 0:12:54 | 0:12:56 | |
Joe has developed a critical eye. | 0:12:56 | 0:12:58 | |
Most of the time, it's like an art type thing, | 0:13:00 | 0:13:04 | |
people putting designs on, as you will. | 0:13:04 | 0:13:08 | |
We have had graffiti with, | 0:13:08 | 0:13:10 | |
"Jill, will you marry me?" and things like that, | 0:13:10 | 0:13:13 | |
which is great for them, but, you know, | 0:13:13 | 0:13:15 | |
it's not every Jill that comes up the network is deciding whether | 0:13:15 | 0:13:19 | |
they're going to get married or not(!) | 0:13:19 | 0:13:20 | |
So, it doesn't matter what graffiti it is, | 0:13:20 | 0:13:22 | |
it's all got to be removed or overpainted. | 0:13:22 | 0:13:26 | |
What people see as just a harmless bit of paint could turn out to be, | 0:13:26 | 0:13:31 | |
you know, time-consuming and expensive to remove. | 0:13:31 | 0:13:34 | |
And their job today is a huge one. | 0:13:35 | 0:13:38 | |
They're tackling this sprawling eight-metre long section of graffiti | 0:13:39 | 0:13:43 | |
under a motorway bridge near Bowburn. | 0:13:43 | 0:13:45 | |
It's been freshly daubed on, but it's about to get another coat. | 0:13:47 | 0:13:50 | |
To be quite honest, I've got better things to do with my time than | 0:13:54 | 0:13:57 | |
actually come to a bridge and paint it for two or three hours. | 0:13:57 | 0:13:59 | |
It's just one of those things. They paint it, we come out | 0:13:59 | 0:14:03 | |
-and paint over it. -With Joe keeping an eye on the traffic, | 0:14:03 | 0:14:07 | |
Kev gets to work with the masonry paint. | 0:14:07 | 0:14:10 | |
For them, it's not just about getting rid of all the eyesores, | 0:14:10 | 0:14:14 | |
but stopping accidents. | 0:14:14 | 0:14:16 | |
We have to cover this up | 0:14:16 | 0:14:17 | |
simply because the traffic that is passing, | 0:14:17 | 0:14:20 | |
people tend to look at graffiti | 0:14:20 | 0:14:22 | |
and they're obviously not concentrating on the road. | 0:14:22 | 0:14:25 | |
So, we mask it off so it ends up grey and at a later stage, | 0:14:25 | 0:14:30 | |
Highways England will bring in a company to remove it completely. | 0:14:30 | 0:14:35 | |
There's a serious sense of deja-vu. This is the sixth time | 0:14:36 | 0:14:40 | |
they've repainted this bridge in the last year. | 0:14:40 | 0:14:43 | |
Personally, I think it's a waste. | 0:14:45 | 0:14:46 | |
I think it's a waste of time, money and effort. | 0:14:46 | 0:14:49 | |
It's their type of art. To me, | 0:14:49 | 0:14:52 | |
I'd sooner see a canvas hanging up in a museum. | 0:14:52 | 0:14:54 | |
Even though the artist has painted his piece in an area easy to reach, | 0:14:57 | 0:15:01 | |
it's still a step too far for Joe. | 0:15:01 | 0:15:03 | |
I'll do some of the top stuff. | 0:15:03 | 0:15:05 | |
I've got me colleague with us today. | 0:15:05 | 0:15:08 | |
Kev's nickname is "the giraffe", and he can reach the high bits. | 0:15:08 | 0:15:11 | |
See, I can't reach up there, Kev. | 0:15:11 | 0:15:13 | |
I've got a higher standard, you see. I do all the heights. | 0:15:13 | 0:15:16 | |
Kev's wife has just been on the phone. | 0:15:16 | 0:15:18 | |
He's got to do a painting job when he gets home. | 0:15:18 | 0:15:20 | |
Apparently, your kitchen needs painting, Kev. | 0:15:20 | 0:15:23 | |
It's obvious Joe doesn't know me. | 0:15:23 | 0:15:25 | |
After an hour, Joe and Kev have managed to conceal the graffiti. | 0:15:29 | 0:15:34 | |
But with slogans being repainted regularly, | 0:15:34 | 0:15:37 | |
they know it's likely they'll be back here, removing them again soon. | 0:15:37 | 0:15:41 | |
As you can see, it is time-consuming. | 0:15:41 | 0:15:44 | |
But it's got to be done. | 0:15:45 | 0:15:47 | |
And hopefully, | 0:15:47 | 0:15:49 | |
we won't be revisited here for a while. | 0:15:49 | 0:15:52 | |
Now that is a work of art. Nice and clear. | 0:15:55 | 0:15:59 | |
That's a face of pride, that. | 0:15:59 | 0:16:02 | |
That's one for Highways England. | 0:16:02 | 0:16:03 | |
The boys are back. | 0:16:03 | 0:16:05 | |
However, their next paint job isn't going to be as straightforward, | 0:16:07 | 0:16:11 | |
and they'll definitely need a head for heights. | 0:16:11 | 0:16:13 | |
Just a few miles up the road in Newcastle, | 0:16:17 | 0:16:20 | |
PC Alan Keenleyside is still trying to reopen his section of the A1. | 0:16:20 | 0:16:24 | |
A three-car crash in the morning rush hour is causing traffic chaos. | 0:16:28 | 0:16:32 | |
With just one lane moving, | 0:16:34 | 0:16:35 | |
Alan is trying to clear the vehicles | 0:16:35 | 0:16:37 | |
and reopen the road as quickly as possible. | 0:16:37 | 0:16:40 | |
Right now, we're probably looking at around about five to six miles of | 0:16:42 | 0:16:46 | |
slow-moving traffic behind us. | 0:16:46 | 0:16:47 | |
So we're really moving as quickly as we can to get this cleared. | 0:16:47 | 0:16:50 | |
Business manager Lee Kerswell, who was caught up in the crash, | 0:16:52 | 0:16:55 | |
has taken the brunt of motorists' anger. | 0:16:55 | 0:16:59 | |
We actually got quite a few people shouting abuse out the window, | 0:16:59 | 0:17:02 | |
obscenities and that, because obviously, | 0:17:02 | 0:17:04 | |
we deliberately crashed this morning, that was the aim, | 0:17:04 | 0:17:07 | |
to spoil everybody's commute to work. | 0:17:07 | 0:17:09 | |
It's quite disappointing. | 0:17:09 | 0:17:11 | |
You know, somebody could have been seriously injured. | 0:17:11 | 0:17:13 | |
And that's the kind of attitude we were getting. | 0:17:13 | 0:17:16 | |
With the smashed-up Corsa still blocking the fast lane, | 0:17:16 | 0:17:19 | |
it's going to need a police 4x4 to shift it. | 0:17:19 | 0:17:22 | |
It's clearly going to move, cos we've got the power | 0:17:22 | 0:17:24 | |
in this to pull it. But we need to do it safely, | 0:17:24 | 0:17:26 | |
make sure we're not going to get right across the road | 0:17:26 | 0:17:29 | |
and then a wheel is going to fall off, | 0:17:29 | 0:17:32 | |
or lose the brakes or the steering lock's going to come off, | 0:17:32 | 0:17:34 | |
and we're going to end up with the police vehicle being damaged. | 0:17:34 | 0:17:38 | |
While Alan stops the frustrated commuters one last time, | 0:17:39 | 0:17:43 | |
the car is finally dragged off the carriageway. | 0:17:43 | 0:17:45 | |
And it's a race to clean up and get the road back to normal. | 0:17:49 | 0:17:53 | |
We need to look at bits like this - if a member of the public | 0:17:56 | 0:17:59 | |
comes along in the hours to come, on a motorcycle... | 0:17:59 | 0:18:03 | |
sees these bits, they might react to it, and if they react, | 0:18:03 | 0:18:07 | |
could cause a collision. | 0:18:07 | 0:18:09 | |
Right, that's it, we're ready to reopen. | 0:18:09 | 0:18:13 | |
It's taken 20 minutes to clear the accident. | 0:18:13 | 0:18:16 | |
Now Alan and fellow officers | 0:18:16 | 0:18:18 | |
have to deal with the people involved in the crash. | 0:18:18 | 0:18:21 | |
-Are you all right? -Yeah. | 0:18:21 | 0:18:23 | |
Part of this is making sure the drivers are breathalysed. | 0:18:25 | 0:18:29 | |
I certainly don't suspect any of these drivers being impaired | 0:18:30 | 0:18:34 | |
via alcohol or drugs, but in Northumbria, | 0:18:34 | 0:18:37 | |
if you are involved in a road-traffic collision, | 0:18:37 | 0:18:40 | |
you will be breathalysed as a matter of course. | 0:18:40 | 0:18:43 | |
For the drivers caught up in the incident | 0:18:50 | 0:18:52 | |
in sub-zero weather conditions, | 0:18:52 | 0:18:54 | |
it has been a learning experience in more ways than one. | 0:18:54 | 0:18:57 | |
It's a little bit chilly this morning. | 0:18:57 | 0:18:59 | |
A good day not to have your coat with you. | 0:18:59 | 0:19:00 | |
When you're defrosting your car, maybe it's a good thought to | 0:19:00 | 0:19:03 | |
actually make sure you take your coat with you. | 0:19:03 | 0:19:05 | |
Need to think that in future, always make sure there's a coat in the car. | 0:19:05 | 0:19:08 | |
Traffic's finally flowing again past the scene, | 0:19:11 | 0:19:15 | |
although the knock-on effects from this smash will ripple down the road | 0:19:15 | 0:19:18 | |
for hours to come. | 0:19:18 | 0:19:20 | |
That now, the A1, the monster that it is, | 0:19:20 | 0:19:22 | |
will start to return to normal. | 0:19:22 | 0:19:24 | |
Unfortunately, mornings like this | 0:19:24 | 0:19:27 | |
will probably never fully recover from that incident. | 0:19:27 | 0:19:30 | |
That backlog of traffic will remain in some form, | 0:19:33 | 0:19:36 | |
but that's the harsh reality of it. | 0:19:36 | 0:19:38 | |
One incident that's lasted 20-25 minutes has a knock-on effect | 0:19:38 | 0:19:41 | |
for many, many hours. | 0:19:41 | 0:19:43 | |
The average cost of a minor collision | 0:19:48 | 0:19:51 | |
on the A1 is around £15,000. | 0:19:51 | 0:19:53 | |
So this three car pile-up, which held up rush-hour traffic for | 0:19:53 | 0:19:58 | |
almost half an hour, could easily run into the tens of thousands. | 0:19:58 | 0:20:02 | |
Someone who is hoping not to incur any costly damages | 0:20:07 | 0:20:10 | |
is luxury boat transporter Derek McLaren, | 0:20:10 | 0:20:13 | |
who's halfway through his voyage from East Anglia to London. | 0:20:13 | 0:20:17 | |
After a wrong turn, Derek and his quarter of million cruiser | 0:20:22 | 0:20:26 | |
have made it to the A1... | 0:20:26 | 0:20:28 | |
..but he's still got 80 miles to go. | 0:20:30 | 0:20:32 | |
He needs to drop anchor at the London Boat Show | 0:20:35 | 0:20:37 | |
in just two hours' time. | 0:20:37 | 0:20:40 | |
And if Derek misses his slot, sales exec Guy | 0:20:44 | 0:20:47 | |
will be left high and dry. | 0:20:47 | 0:20:50 | |
It's a fairly confined space when they're actually unloaded from | 0:20:50 | 0:20:54 | |
the lorries and, for ourselves, this year, we've got to be unloaded | 0:20:54 | 0:20:58 | |
at around about 10-11am. | 0:20:58 | 0:21:00 | |
If we don't make the slot, we basically don't get in the show. | 0:21:00 | 0:21:04 | |
It's nine o'clock now and we need to be there, | 0:21:04 | 0:21:09 | |
at the very latest, at 11:00 | 0:21:09 | 0:21:11 | |
and I've got a rough ETA of 10:40. | 0:21:11 | 0:21:14 | |
So we haven't got a lot of leeway at the moment. | 0:21:14 | 0:21:17 | |
There will be over 100,000 potential customers at the show, | 0:21:20 | 0:21:24 | |
so missing their unloading window | 0:21:24 | 0:21:26 | |
would certainly scupper crucial sales. | 0:21:26 | 0:21:28 | |
Concerned about what obstacles may lie further along the road, | 0:21:28 | 0:21:32 | |
Derek checks in with Guy. | 0:21:32 | 0:21:34 | |
-Morning, Guy, it's Derek. -'Hello, Derek, how are you?' | 0:21:34 | 0:21:38 | |
-We're on the move, Guy. -'OK, we've just arrived. | 0:21:38 | 0:21:42 | |
'Traffic coming south was almost non-existent, | 0:21:42 | 0:21:45 | |
-'so there were no hold-ups whatsoever.' -That's good. | 0:21:45 | 0:21:47 | |
So far, so good. But with only 20 minutes to spare, | 0:21:47 | 0:21:52 | |
the pressure is on. | 0:21:52 | 0:21:53 | |
Especially as the volume of traffic begins to build | 0:21:55 | 0:21:58 | |
as he edges closer to the centre of London. | 0:21:58 | 0:22:01 | |
We've got a truck coming past us at the minute, there. | 0:22:04 | 0:22:06 | |
Derek's reliant on his specialist escort | 0:22:06 | 0:22:09 | |
not only to help him negotiate the route, | 0:22:09 | 0:22:11 | |
but to keep an eye on the precious cargo. | 0:22:11 | 0:22:14 | |
I've got Roger, the pilot, in his van. | 0:22:14 | 0:22:17 | |
He's there probably as a warning to traffic coming up behind. | 0:22:17 | 0:22:21 | |
If anything untoward should happen, | 0:22:21 | 0:22:24 | |
trucks can sneak up and get too close, he's there. | 0:22:24 | 0:22:27 | |
Or like this situation in front of me now, | 0:22:27 | 0:22:30 | |
there's a truck in a lay-by. | 0:22:30 | 0:22:32 | |
-All right, Roger. -Just go a little bit right, mate. | 0:22:32 | 0:22:35 | |
OK. | 0:22:35 | 0:22:36 | |
Stuff I can't see, he relays back to me and then I can drive accordingly. | 0:22:43 | 0:22:49 | |
Derek's leaving the A1 where it meets the M25. | 0:22:53 | 0:22:57 | |
But, unfortunately, he's greeted with an all-too-familiar sight. | 0:22:57 | 0:23:02 | |
There's a bit of traffic here, look. | 0:23:02 | 0:23:04 | |
Blimey. Got to be a bit careful with these wider loads. | 0:23:05 | 0:23:09 | |
It narrows down here, they come flying in. | 0:23:09 | 0:23:12 | |
Cars ain't too bad, but lorries... | 0:23:14 | 0:23:17 | |
they do get close to the boats. | 0:23:17 | 0:23:19 | |
Over at the exhibition centre... | 0:23:28 | 0:23:30 | |
..more than 400 boats are being carefully positioned | 0:23:32 | 0:23:34 | |
under a strict time schedule. | 0:23:34 | 0:23:36 | |
And the event planners won't allow for delays. | 0:23:39 | 0:23:42 | |
Got about 20 minutes. | 0:23:46 | 0:23:48 | |
20 minutes. | 0:23:48 | 0:23:50 | |
Back on the road, just as Derek starts moving again... | 0:23:50 | 0:23:52 | |
Jam further on. | 0:23:52 | 0:23:54 | |
-OK, mate. Cheers. -..he's hit another hold-up. | 0:23:56 | 0:24:00 | |
Bit of a traffic jam now at the end of the 11. | 0:24:00 | 0:24:02 | |
It is a busy road down here. | 0:24:04 | 0:24:06 | |
Oh, dear. | 0:24:06 | 0:24:08 | |
This will make us late. | 0:24:08 | 0:24:10 | |
Nightmare. | 0:24:10 | 0:24:12 | |
Four hours' drive north is one of the busiest stretches | 0:24:18 | 0:24:21 | |
of the A1, near Newcastle. | 0:24:21 | 0:24:23 | |
The road here sees over half a million vehicles every week. | 0:24:27 | 0:24:31 | |
And it's down to traffic officers Peter Senior and Scott Wilson | 0:24:32 | 0:24:36 | |
to be in the right place at the right time. | 0:24:36 | 0:24:38 | |
For motorists travelling along the road, | 0:24:54 | 0:24:56 | |
a stray object can prove potentially deadly. | 0:24:56 | 0:24:59 | |
There's a possibility, if someone strikes it, | 0:24:59 | 0:25:01 | |
it could blow their tyres out, it could possibly throw it up | 0:25:01 | 0:25:04 | |
and strike another vehicle. | 0:25:04 | 0:25:06 | |
I've heard stories of the actual hook digging into the tyre | 0:25:06 | 0:25:08 | |
and then the strap wrapping round the axle. | 0:25:08 | 0:25:11 | |
Or wrapping on the wheel. | 0:25:11 | 0:25:13 | |
Unfortunately for Scott and Peter, | 0:25:15 | 0:25:17 | |
this latest item is right in the middle of one of the fastest-flowing | 0:25:17 | 0:25:20 | |
sections of the A1. | 0:25:20 | 0:25:23 | |
To remove it safely means they're going to have to stop the traffic. | 0:25:23 | 0:25:27 | |
You just find a gap, we'll go for it. | 0:25:29 | 0:25:31 | |
-Get it on now, mate. -You ready? -Yeah. | 0:25:31 | 0:25:34 | |
Lights and don't pass displayed. | 0:25:34 | 0:25:37 | |
Hotel, Alpha, Charlie, Lima, 4-1, | 0:25:37 | 0:25:40 | |
we've now implemented the block just adjacent to Washington services, | 0:25:40 | 0:25:43 | |
over. | 0:25:43 | 0:25:45 | |
For traffic officers like Peter and Scott, | 0:25:45 | 0:25:47 | |
the rolling road block is a well-rehearsed manoeuvre. | 0:25:47 | 0:25:51 | |
4-1, we've taken a position lane two. | 0:25:51 | 0:25:54 | |
We have full compliance. | 0:25:54 | 0:25:56 | |
Got traffic speed down to 5-0, over. | 0:25:56 | 0:26:00 | |
It allows them to slow the traffic down | 0:26:00 | 0:26:02 | |
and bring it to a halt just before the debris. | 0:26:02 | 0:26:05 | |
We've got control of the traffic, but we've still got to be | 0:26:05 | 0:26:08 | |
watching that traffic just to make sure no-one comes past. | 0:26:08 | 0:26:11 | |
Should anybody come past, | 0:26:11 | 0:26:12 | |
we'll take their details and that would be passed on, | 0:26:12 | 0:26:15 | |
because they're committing a road traffic offence. | 0:26:15 | 0:26:18 | |
Just need to get control of the traffic off this slip now, | 0:26:18 | 0:26:21 | |
which we've got. We'll let that van get away. | 0:26:21 | 0:26:23 | |
4-1, we've now got traffic at a stop. | 0:26:27 | 0:26:29 | |
Just going to remove the debris now. Stand by. | 0:26:29 | 0:26:33 | |
While Peter collects the lorry strap, | 0:26:33 | 0:26:35 | |
Scott watches his back to make sure no vehicles jump the block. | 0:26:35 | 0:26:38 | |
We'll be releasing it in a minute, mate. Won't be long. | 0:26:38 | 0:26:42 | |
When traffic's at its peak, | 0:26:42 | 0:26:44 | |
a road closure can cause a jam that builds out a mile a minute. | 0:26:44 | 0:26:47 | |
So it's important the debris is cleared as quickly as possible. | 0:26:47 | 0:26:51 | |
So, we'll just slowly run the traffic away now. | 0:26:51 | 0:26:55 | |
The debris is removed. | 0:26:55 | 0:26:57 | |
Traffic has been held up for only three minutes. | 0:26:57 | 0:27:00 | |
A small price to pay for keeping the A1 safe. | 0:27:00 | 0:27:03 | |
It just takes one person to panic and try to swerve to avoid that, | 0:27:03 | 0:27:08 | |
and it could cause a really serious incident. | 0:27:08 | 0:27:11 | |
Job well done. Job very well done. | 0:27:11 | 0:27:13 | |
Traffic officers like Peter and Scott pick up nearly 2,500 obstacles | 0:27:16 | 0:27:21 | |
from along the A1 every year. | 0:27:21 | 0:27:23 | |
It's a tiny part of the role they play, | 0:27:24 | 0:27:27 | |
but they still have their fair share of critics. | 0:27:27 | 0:27:31 | |
Certain people maybe haven't perceived us well. | 0:27:31 | 0:27:35 | |
Some celebrities have maybe mentioned us as Day-Glo Wombles, | 0:27:35 | 0:27:39 | |
-or whatever. -Jeremy Clarkson. | 0:27:39 | 0:27:41 | |
If them people could come out with us and see what we did... | 0:27:41 | 0:27:45 | |
We don't just put cones out and close lanes for the fun of it, | 0:27:45 | 0:27:48 | |
or for practice. We're doing it for a reason - | 0:27:48 | 0:27:51 | |
to help people or to make something safe. | 0:27:51 | 0:27:53 | |
I believe he has been offered to come out on a patrol with us | 0:27:53 | 0:27:57 | |
and he declined. | 0:27:57 | 0:27:59 | |
It's good that we're having a busy shift, anyway. | 0:28:00 | 0:28:03 | |
It lets members of the public see that we do actually do something. | 0:28:03 | 0:28:07 | |
From stray animals to breakdowns and serious accidents, | 0:28:11 | 0:28:14 | |
traffic officers deal with more than 10,000 incidents | 0:28:14 | 0:28:18 | |
on the A1 every year. | 0:28:18 | 0:28:21 | |
With such an unpredictable job on the front line, | 0:28:21 | 0:28:24 | |
Peter and Scott know just how quickly things can change. | 0:28:24 | 0:28:28 | |
It's rush hour on the outskirts of Gateshead, | 0:28:33 | 0:28:36 | |
and reports are coming in of a major crash. | 0:28:36 | 0:28:39 | |
4-1. | 0:28:39 | 0:28:40 | |
1-1-3, yeah, received. We're just approaching junction 68 now, | 0:28:49 | 0:28:52 | |
so we should have eyes on very shortly, over. | 0:28:52 | 0:28:54 | |
Within seconds, they are on the scene. | 0:28:58 | 0:29:00 | |
The police are there, all on the slip, so... | 0:29:00 | 0:29:02 | |
He says it's crossing... Across the full carriageway. | 0:29:02 | 0:29:05 | |
-Of the...? -Of the main carriageway, mate. Keep going. | 0:29:05 | 0:29:08 | |
A van driver has plunged down an embankment | 0:29:12 | 0:29:15 | |
and smashed into a lamp post, | 0:29:15 | 0:29:18 | |
the only thing that stopped him ploughing across the motorway. | 0:29:18 | 0:29:21 | |
He's being treated by paramedics for his injuries. | 0:29:23 | 0:29:26 | |
We can confirm that police and ambulance are on scene. | 0:29:26 | 0:29:29 | |
And with traffic already at a standstill, | 0:29:31 | 0:29:34 | |
Peter and Scott will be pushed to the limit | 0:29:34 | 0:29:37 | |
dealing with the aftermath. | 0:29:37 | 0:29:38 | |
Managing an incident like this can be fraught with danger, | 0:29:47 | 0:29:50 | |
but down the A1 in Durham, | 0:29:50 | 0:29:52 | |
even a simple cleaning job can mean risking life and limb. | 0:29:52 | 0:29:56 | |
Incident response workers Joe and Kev are continuing their crusade to | 0:29:59 | 0:30:03 | |
rid the A1 of unsightly graffiti. | 0:30:03 | 0:30:06 | |
It's a time-consuming and expensive job. | 0:30:07 | 0:30:12 | |
Right, A1 in, northbound, between junction 61 and 62. | 0:30:12 | 0:30:15 | |
This bridge has been riddled with slogans at every level. | 0:30:15 | 0:30:19 | |
And you can see, just by the graffiti, | 0:30:20 | 0:30:23 | |
we've got one on the wing wall, one on the wall itself, | 0:30:23 | 0:30:25 | |
one on the wall there and one up on the wing wall, there. | 0:30:25 | 0:30:28 | |
And there's actual graffiti on the bridge itself. | 0:30:28 | 0:30:32 | |
So, for him to do that, | 0:30:32 | 0:30:34 | |
he's either hung over the edge of the bridge | 0:30:34 | 0:30:37 | |
or he's leant out from the side. | 0:30:37 | 0:30:39 | |
It is dangerous, whichever way he's done that one. | 0:30:39 | 0:30:42 | |
They want to get rid of a tag left by a prolific artist. | 0:30:44 | 0:30:47 | |
But accessing it means going off-road. | 0:30:50 | 0:30:53 | |
And once there, Joe's using the graffiti artist's favourite tool | 0:30:57 | 0:31:01 | |
to blitz it. | 0:31:01 | 0:31:04 | |
Well, I've got a hold of the railings. | 0:31:04 | 0:31:06 | |
I've got a good hold on my feet, so I don't feel too bad. | 0:31:06 | 0:31:09 | |
I'm not frightened of heights, or anything. | 0:31:09 | 0:31:11 | |
We're never going to get it perfect, | 0:31:11 | 0:31:13 | |
but what we'll do is we'll just blot out as much as we can. | 0:31:13 | 0:31:16 | |
I mean, is it worth it? | 0:31:16 | 0:31:18 | |
But the next cover-up job is in an even more dangerous position. | 0:31:23 | 0:31:26 | |
Just metres from speeding traffic. | 0:31:28 | 0:31:31 | |
We're right on a bend. | 0:31:32 | 0:31:34 | |
Heavy traffic nine metres away from the lane. | 0:31:34 | 0:31:37 | |
It's very, very dangerous. | 0:31:37 | 0:31:39 | |
I mean, you can hear the traffic going past us now. | 0:31:39 | 0:31:44 | |
I mean, whoever has done this, | 0:31:44 | 0:31:47 | |
taking their life into their hands, to be fair. | 0:31:47 | 0:31:50 | |
A job like this needs teamwork and trust. | 0:31:50 | 0:31:54 | |
Start from here and work our way that way. | 0:31:54 | 0:31:56 | |
While Kev blitzes the graffiti, Joe acts as their eyes and ears. | 0:31:59 | 0:32:04 | |
If you don't have a lookout system, we've got nothing. | 0:32:09 | 0:32:12 | |
We won't know anything is happening until the last moment. | 0:32:12 | 0:32:15 | |
But if I've seen a car coming down the hard shoulder, I can tell Kev. | 0:32:15 | 0:32:20 | |
So, it's just like an early warning system. | 0:32:20 | 0:32:24 | |
If a vehicle is coming that way, you would head that way | 0:32:24 | 0:32:26 | |
and get round the corner as quick as you can. | 0:32:26 | 0:32:28 | |
Because these can be taken down. | 0:32:28 | 0:32:30 | |
They take a lot of strain, but you still get away, | 0:32:30 | 0:32:34 | |
because debris flies. | 0:32:34 | 0:32:35 | |
Just run the opposite direction to where the vehicle is. | 0:32:35 | 0:32:40 | |
But with the sun dropping fast, | 0:32:40 | 0:32:42 | |
the situation is growing riskier with every passing minute. | 0:32:42 | 0:32:45 | |
This is under the shade. | 0:32:45 | 0:32:47 | |
The drivers are coming from strong sunlight farther up the road, | 0:32:47 | 0:32:50 | |
so it's getting to the point of the day now where we don't really want | 0:32:50 | 0:32:53 | |
to be on a corner on a hard shoulder. | 0:32:53 | 0:32:55 | |
We've got a large load coming down the motorway now. | 0:32:57 | 0:32:59 | |
Luckily enough, he's moved across. | 0:32:59 | 0:33:02 | |
If he can't get across, his overhang might be into the hard shoulder. | 0:33:03 | 0:33:07 | |
Luckily enough, we're OK, there. | 0:33:09 | 0:33:11 | |
But this is the sort of thing that happens. | 0:33:11 | 0:33:13 | |
With the light too low to continue, | 0:33:15 | 0:33:17 | |
Joe and Kev will return tomorrow to finish the job. | 0:33:17 | 0:33:20 | |
But with dozens of cases a year to tackle, | 0:33:25 | 0:33:28 | |
their war on A1 graffiti goes on. | 0:33:28 | 0:33:31 | |
More than 260 miles south, on the outskirts of the capital, | 0:33:38 | 0:33:43 | |
time is ticking away for luxury boat transporter Derek McLaren. | 0:33:43 | 0:33:47 | |
This 35-foot luxury cruiser | 0:33:50 | 0:33:52 | |
is due to be delivered at London's ExCel exhibition centre | 0:33:52 | 0:33:58 | |
at 11 o'clock prompt. | 0:33:58 | 0:33:59 | |
But having been delayed twice, Derek's already ten minutes' late. | 0:33:59 | 0:34:04 | |
-Hello. -Hello, mate. | 0:34:05 | 0:34:07 | |
-How are you? -Yeah, we're just coming in now. | 0:34:07 | 0:34:09 | |
The organisers have given strict delivery time slots, | 0:34:13 | 0:34:16 | |
and could deny Derek entry. | 0:34:16 | 0:34:18 | |
We're here. | 0:34:22 | 0:34:24 | |
-Are they ready and waiting for us? -They're ready for you. | 0:34:25 | 0:34:28 | |
-Right. -They're not waiting for you. -Right. | 0:34:28 | 0:34:31 | |
Fortunately for Derek, they've given him some leeway, | 0:34:33 | 0:34:37 | |
and he's given the green light to dock. | 0:34:37 | 0:34:41 | |
But that's not the end of today's challenging trip. | 0:34:41 | 0:34:44 | |
Now the delicate 250-grand cruiser needs to be squeezed onto its stand | 0:34:44 | 0:34:50 | |
between equally expensive boats. | 0:34:50 | 0:34:52 | |
The boat is basically swung into position. | 0:34:57 | 0:35:00 | |
It's fairly critical, | 0:35:00 | 0:35:02 | |
because you've got to get three boats in on that side, | 0:35:02 | 0:35:05 | |
on that actual side. | 0:35:05 | 0:35:06 | |
With £250,000 worth of luxury boat suspended in the air... | 0:35:08 | 0:35:12 | |
Whoa! | 0:35:12 | 0:35:14 | |
..there's no room for error. | 0:35:14 | 0:35:16 | |
-Yeah, it wants to come back to me a bit. -Back to you again? -Yeah. | 0:35:16 | 0:35:20 | |
-You tell us when. -You won't get your boats in at that side. | 0:35:20 | 0:35:23 | |
You're really tight. That's it, there. | 0:35:23 | 0:35:24 | |
-Good. -Yeah? -Yeah. | 0:35:24 | 0:35:26 | |
-Bring it down, there. Go and put your blocks in, mate. -Yeah. | 0:35:26 | 0:35:29 | |
During the show, potential buyers will be invited on the boat, | 0:35:30 | 0:35:34 | |
so the boats needs to be secured precisely. | 0:35:34 | 0:35:37 | |
Right, that's in the right place, so now, in under we go. | 0:35:37 | 0:35:41 | |
Let me know when to bring it down, mate. | 0:35:41 | 0:35:43 | |
-All right, fingers clear. -Yeah. -OK, down. | 0:35:43 | 0:35:46 | |
The important thing is to get the actual stand in the right location, | 0:35:46 | 0:35:49 | |
cos there's going to be a lot of people going on and off the boat | 0:35:49 | 0:35:52 | |
during the show. So, we've got to make sure we get the stands | 0:35:52 | 0:35:54 | |
right on the edge of the boat, which is the strongest bit. | 0:35:54 | 0:35:57 | |
After two and a half hours of tricky manoeuvring... | 0:35:57 | 0:36:00 | |
-Yeah, that's good. -..the boat is finally in place. | 0:36:00 | 0:36:04 | |
Fully safe and sound. Ready for the show. | 0:36:04 | 0:36:06 | |
With over 100,000 visitors expected, | 0:36:08 | 0:36:11 | |
the prestigious London Boat Show is about to open its doors. | 0:36:11 | 0:36:15 | |
It's crucial Guy's supermodel not only impresses the browsers, | 0:36:15 | 0:36:19 | |
but generates sales, too. | 0:36:19 | 0:36:22 | |
Just got bloody filthy underneath that. | 0:36:22 | 0:36:25 | |
With Guy dusted down, the doors open. | 0:36:29 | 0:36:32 | |
And there's soon some interest in what he's got to offer. | 0:36:34 | 0:36:38 | |
So, with the 430, you've got option of a three-cabin layout as well, | 0:36:38 | 0:36:42 | |
haven't you? So, you can have the side cabin with two bunks in it, | 0:36:42 | 0:36:45 | |
and then a chaise longue across the back of the boat | 0:36:45 | 0:36:47 | |
with a separate toilet and the separate showers. | 0:36:47 | 0:36:49 | |
So, it gives you fantastic off-cabin facilities. | 0:36:49 | 0:36:51 | |
The ideal scenario obviously is that you get a customer | 0:36:51 | 0:36:53 | |
come along who says, "Yes, I want to buy a boat," | 0:36:53 | 0:36:56 | |
-and pays quite a nice deposit. -With the crowds increasing... | 0:36:56 | 0:36:59 | |
-Do you like what you see? -I do, yes. | 0:36:59 | 0:37:02 | |
..there's another potential customer. | 0:37:02 | 0:37:04 | |
-Have that, again, anyway, so you've got that. -Thank you again. | 0:37:04 | 0:37:06 | |
No problem at all. Why don't I scribble down your contact details | 0:37:06 | 0:37:09 | |
-myself, as well? -Guy will spend the next ten days at the show, | 0:37:09 | 0:37:13 | |
showing off his model and the rest of the company's range, | 0:37:13 | 0:37:16 | |
which is all good for business. | 0:37:16 | 0:37:18 | |
-Thank you very much. -Lovely to see you again. | 0:37:18 | 0:37:21 | |
It's been a relatively good day. | 0:37:21 | 0:37:23 | |
Steady flow of clients right through the day, | 0:37:23 | 0:37:25 | |
some of whom were getting closer to actual committing. | 0:37:25 | 0:37:28 | |
The model on display had a lot of interest as well. | 0:37:28 | 0:37:31 | |
This boat might be attracting interest, | 0:37:33 | 0:37:36 | |
but it won't be taking its maiden voyage just yet. | 0:37:36 | 0:37:40 | |
Instead, it will leave the glitz and glamour behind | 0:37:40 | 0:37:43 | |
and head the 170 miles back up the A1 to the boat yard. | 0:37:43 | 0:37:48 | |
From the thrall of the London Boat Show, | 0:37:52 | 0:37:55 | |
up in the north-east, there's a major emergency on the A1. | 0:37:55 | 0:37:58 | |
This van has careered down a grassy bank and smashed into a lamp post, | 0:38:00 | 0:38:06 | |
knocking it across two lanes of the road. | 0:38:06 | 0:38:09 | |
Traffic officers Peter Senior and Scott Wilson are battling through | 0:38:11 | 0:38:15 | |
the traffic to get to the incident. | 0:38:15 | 0:38:17 | |
We can position our vehicle in the middle of the road. | 0:38:17 | 0:38:20 | |
The traffic will make attempts to get out of our way and let us | 0:38:20 | 0:38:24 | |
filter through the middle. What you've got to be watching for now, | 0:38:24 | 0:38:28 | |
though, is the driver who doesn't see you coming. | 0:38:28 | 0:38:30 | |
A mile down the road, | 0:38:32 | 0:38:34 | |
police and firefighters are trying to work out how this van ended up in | 0:38:34 | 0:38:38 | |
such a bizarre position. | 0:38:38 | 0:38:39 | |
DISTANT SIRENS WAIL | 0:38:39 | 0:38:41 | |
Amazingly, motorcycle patrol officer Ian Scott was just metres away when | 0:38:44 | 0:38:49 | |
the van came plunging down the bank. | 0:38:49 | 0:38:52 | |
It started to come through the traffic. | 0:38:52 | 0:38:54 | |
As I was coming through, this white van just came down the slip, | 0:38:54 | 0:38:57 | |
hit the lamp post. It just blocked all three lanes off. | 0:38:57 | 0:39:00 | |
So, everybody just stopped. | 0:39:00 | 0:39:01 | |
It didn't actually clip any cars? | 0:39:01 | 0:39:03 | |
-No, it didn't. -How lucky is that? | 0:39:03 | 0:39:06 | |
And at the time, this was three lanes of solid traffic, | 0:39:06 | 0:39:08 | |
so I don't know how the lamp post didn't hit anything. | 0:39:08 | 0:39:12 | |
Paramedics are treating the driver for his injuries. | 0:39:12 | 0:39:15 | |
Police don't know yet what caused the accident, | 0:39:16 | 0:39:19 | |
but it's already had a massive impact, | 0:39:19 | 0:39:22 | |
causing five miles of tailbacks. | 0:39:22 | 0:39:24 | |
With Scott and Peter now on the scene, | 0:39:26 | 0:39:28 | |
they've got to find a way of getting thousands of vehicles safely past. | 0:39:28 | 0:39:32 | |
The police have sorted the lamp post that was | 0:39:37 | 0:39:39 | |
across lanes one and two. We're going to move everything that is | 0:39:39 | 0:39:42 | |
currently in lane two into lane one, | 0:39:42 | 0:39:44 | |
so we can open lanes two and three, and help traffic keep flowing by. | 0:39:44 | 0:39:48 | |
Opening another lane should halve the problem. | 0:39:52 | 0:39:55 | |
So, now we've got two lanes of traffic available | 0:39:55 | 0:39:57 | |
for traffic to use. | 0:39:57 | 0:39:59 | |
It's just, they are a bit like sheep following each other at the moment, | 0:39:59 | 0:40:02 | |
they're just using lane three. | 0:40:02 | 0:40:03 | |
But once they've realised we've adjusted things, | 0:40:03 | 0:40:06 | |
they'll start dropping in. | 0:40:06 | 0:40:07 | |
We'll get a higher volume of traffic past the scene. | 0:40:07 | 0:40:10 | |
Scott is keen to discover just how the van has managed to end up in | 0:40:12 | 0:40:15 | |
such a bizarre position. | 0:40:15 | 0:40:18 | |
He appears to have gone up the V part where the two barriers are. | 0:40:18 | 0:40:22 | |
That's launched him in between the two posts. | 0:40:22 | 0:40:25 | |
I think he's been a bit lucky. | 0:40:25 | 0:40:26 | |
He only seems to have a cut on his nose, | 0:40:26 | 0:40:28 | |
and he's saying he's got a few neck problems now, | 0:40:28 | 0:40:31 | |
but it could've been a lot more serious than what it actually | 0:40:31 | 0:40:33 | |
appears to be at the minute. | 0:40:33 | 0:40:35 | |
It's been nearly an hour | 0:40:37 | 0:40:38 | |
since the crash brought the A1 to a standstill. | 0:40:38 | 0:40:41 | |
But finally, with the inside lane cleared, | 0:40:45 | 0:40:48 | |
Scott and Peter can fully reopen the road. | 0:40:48 | 0:40:51 | |
Hotel, Alpha, Charlie, Lima, 4-1, to Charlie, Tango, 4-1. | 0:41:03 | 0:41:06 | |
You can release the block. Our ETM's been taken in | 0:41:06 | 0:41:08 | |
and we've left the scene, over. | 0:41:08 | 0:41:10 | |
The stranded van will be dealt with later by a recovery team. | 0:41:11 | 0:41:15 | |
It's been a busy and varied shift for the pair, | 0:41:17 | 0:41:20 | |
which deserves a reward. | 0:41:20 | 0:41:22 | |
So, that was a job that we weren't expecting on a Friday, Pete. | 0:41:24 | 0:41:28 | |
I think it's about time for a kebab to get my fitness levels back up. | 0:41:28 | 0:41:32 | |
Get them calories back into you. | 0:41:32 | 0:41:34 | |
Peter's donner is going to have to be delayed, though, | 0:41:34 | 0:41:37 | |
because even at the end of the busiest shifts, | 0:41:37 | 0:41:40 | |
the routine jobs still need doing. | 0:41:40 | 0:41:42 | |
They way we work as a team, you know, it's all down to teamwork. | 0:41:44 | 0:41:47 | |
Scott does the washing and I just have a look | 0:41:47 | 0:41:49 | |
to make sure he's done it right. | 0:41:49 | 0:41:52 | |
It's cos I'm still younger, that's what it is. | 0:41:52 | 0:41:54 | |
I don't want him to wear himself out. | 0:41:54 | 0:41:56 | |
I should be getting carers' allowance. | 0:41:56 | 0:41:58 | |
-For doing all this. -Oh, cheers(!) | 0:41:58 | 0:42:02 | |
No, youngest always cleans the car. | 0:42:02 | 0:42:04 | |
I know I look a bit younger than him, but... | 0:42:04 | 0:42:06 | |
SCOTT LAUGHS | 0:42:06 | 0:42:08 | |
The van driver was later questioned by police, | 0:42:15 | 0:42:18 | |
but no further action was taken. | 0:42:18 | 0:42:20 | |
The luxury cruiser made its way safely back up the A1, | 0:42:22 | 0:42:26 | |
having done its job, securing over £500,000 worth of orders. | 0:42:26 | 0:42:31 | |
And after returning to the bridge for a second day, | 0:42:31 | 0:42:34 | |
Joe finally covered up all of the graffiti. | 0:42:34 | 0:42:37 | |
Hopefully, I won't be back again. | 0:42:37 | 0:42:40 | |
Next time - | 0:42:40 | 0:42:41 | |
a serious smash on a busy A1 junction... | 0:42:41 | 0:42:44 | |
Paramedics are indicating a possible serious head injury. | 0:42:44 | 0:42:46 | |
We're going to have to drag this vehicle clear of the barrier. | 0:42:46 | 0:42:50 | |
..leaves the driver's life hanging in the balance. | 0:42:50 | 0:42:53 | |
Ready to move when you want. | 0:42:53 | 0:42:55 | |
Will treacherous weather hamper an emergency road repair? | 0:42:55 | 0:42:58 | |
As you can see ahead, the mist is coming in quite quickly. | 0:42:58 | 0:43:01 | |
We could have low fog on the carriageway. | 0:43:01 | 0:43:04 | |
And the perils of transporting a priceless piece of art. | 0:43:04 | 0:43:07 | |
It's not working. | 0:43:09 | 0:43:10 |