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The A1 - Britain's longest road... | 0:00:02 | 0:00:04 | |
..stretching almost 400 miles from the City of London to the heart | 0:00:05 | 0:00:10 | |
of the Scottish capital. | 0:00:10 | 0:00:12 | |
Connecting two nations and passing through 18 counties, | 0:00:13 | 0:00:17 | |
it's an unrivalled highway used by hundreds of thousands of vehicles | 0:00:17 | 0:00:21 | |
every day. | 0:00:21 | 0:00:22 | |
We're going southbound down the A1, on the northbound carriageway. | 0:00:22 | 0:00:26 | |
But not all journeys go to plan. | 0:00:27 | 0:00:29 | |
I thought, "Am I going to lose my life?" | 0:00:32 | 0:00:35 | |
The cars are coming close, it is a dangerous place to be. | 0:00:35 | 0:00:39 | |
Lives can hang in the balance. | 0:00:39 | 0:00:41 | |
The rear end of that vehicle is unrecognisable. | 0:00:41 | 0:00:44 | |
This is actually the bodywork of the car. | 0:00:44 | 0:00:46 | |
24 hours a day... | 0:00:47 | 0:00:49 | |
It's not a safe place here. | 0:00:49 | 0:00:51 | |
..there's a team of people who keep us safe from harm. | 0:00:51 | 0:00:53 | |
The police... | 0:00:55 | 0:00:56 | |
..response teams... | 0:00:58 | 0:00:59 | |
We don't know whether they've got the road closed, or what's happened. | 0:00:59 | 0:01:02 | |
..and traffic officers... | 0:01:02 | 0:01:04 | |
Keep going. | 0:01:06 | 0:01:07 | |
..keeping Britain's most iconic road... | 0:01:08 | 0:01:10 | |
Get out! | 0:01:10 | 0:01:12 | |
..on the move. | 0:01:12 | 0:01:14 | |
Substantially damaged flatbed truck in lane two. | 0:01:14 | 0:01:17 | |
The A1, the monster that it is, it will start to return to normal. | 0:01:18 | 0:01:21 | |
Today, a serious smash on a busy A1 junction... | 0:01:25 | 0:01:30 | |
Paramedics are indicating a possible serious head injury, | 0:01:30 | 0:01:32 | |
we are going to have to drag this vehicle clear of the barrier. | 0:01:32 | 0:01:36 | |
..leaves the driver's life hanging in the balance. | 0:01:36 | 0:01:39 | |
Ready to move when you want. | 0:01:39 | 0:01:41 | |
Will treacherous weather hamper an emergency road repair? | 0:01:41 | 0:01:44 | |
As you can see, the mist is coming in quite quickly. | 0:01:44 | 0:01:47 | |
We could have low fog on the carriageway. | 0:01:47 | 0:01:50 | |
And the perils of transporting a priceless piece of art. | 0:01:50 | 0:01:53 | |
It's not working. | 0:01:55 | 0:01:56 | |
There are over 45 million drivers licensed to travel on the UK's | 0:02:02 | 0:02:06 | |
road network. And, despite improvements in car safety, | 0:02:06 | 0:02:12 | |
there are still over 180,000 people injured in accidents every year. | 0:02:12 | 0:02:17 | |
And the A1 sees more than its fair share, with over 2,000 annually. | 0:02:18 | 0:02:22 | |
It's rush hour on a Friday afternoon north of Newcastle... | 0:02:24 | 0:02:28 | |
..and A1 patrol officer PC Alan Keenleyside | 0:02:30 | 0:02:33 | |
is responding to the latest emergency. | 0:02:33 | 0:02:36 | |
There was a two vehicle accident on the A1. | 0:02:36 | 0:02:38 | |
It's actually junction 80, as we go off the A1 on the roundabout, | 0:02:38 | 0:02:42 | |
and people have requested an ambulance. | 0:02:42 | 0:02:44 | |
It means there could be serious injuries. | 0:02:44 | 0:02:47 | |
We're starting to get to our collisions now, 4.10pm in the afternoon. | 0:02:47 | 0:02:51 | |
We just hope that this one here is not going to prove too problematic | 0:02:51 | 0:02:54 | |
when we get to it. | 0:02:54 | 0:02:56 | |
The reports are that the collision we are attending is just up on this bridge here. | 0:02:56 | 0:03:01 | |
Can we see any collisions? Can we see any collisions? | 0:03:01 | 0:03:05 | |
There they are. | 0:03:05 | 0:03:07 | |
Alan's one of the first on the scene. | 0:03:07 | 0:03:09 | |
HE TALKS ON RADIO | 0:03:10 | 0:03:12 | |
A car has ploughed into the central reservation | 0:03:12 | 0:03:16 | |
and the driver is still in her seat. | 0:03:16 | 0:03:18 | |
Hi there, you all right? | 0:03:18 | 0:03:20 | |
An emergency care assistant who was passing the scene has pulled over | 0:03:20 | 0:03:24 | |
-to help. -I'm just in training at the minute. -OK. | 0:03:24 | 0:03:26 | |
Non-responsive, I think she's gone into shock. She has a pain down the right-hand side. | 0:03:26 | 0:03:30 | |
-OK. -I told the Ambulance Service... | 0:03:30 | 0:03:33 | |
The ambulance can't get here soon enough. | 0:03:33 | 0:03:35 | |
There is a crew just coming on the right there, might be us. | 0:03:35 | 0:03:38 | |
But it's battling to make its way through rush-hour traffic. | 0:03:38 | 0:03:42 | |
There's an emergency care assistant from the Ambulance Service, | 0:03:42 | 0:03:45 | |
she's saying the lady is unresponsive. | 0:03:45 | 0:03:47 | |
Certainly appears to be breathing | 0:03:47 | 0:03:49 | |
but the crew is arriving on scene now. | 0:03:49 | 0:03:51 | |
Hello, you all right? The driver of the Renault here, | 0:03:58 | 0:04:01 | |
there's an emergency care assistant on the scene. | 0:04:01 | 0:04:04 | |
She appears to have gone into shock, passed out. | 0:04:04 | 0:04:07 | |
If the driver is seriously injured, | 0:04:07 | 0:04:09 | |
she'll need urgent medical attention. | 0:04:09 | 0:04:11 | |
Open your eyes, sweetheart. | 0:04:11 | 0:04:13 | |
And the first signs aren't good. | 0:04:13 | 0:04:15 | |
OK, you're in safe hands. | 0:04:15 | 0:04:18 | |
I can get the fire brigade coming. | 0:04:21 | 0:04:23 | |
And there's another serious problem. | 0:04:23 | 0:04:25 | |
The driver's side door is wedged up against the central reservation. | 0:04:25 | 0:04:29 | |
It means the ambulance crew are struggling to gain access to the car. | 0:04:29 | 0:04:33 | |
Can you talk to us yet? | 0:04:33 | 0:04:35 | |
Without medical attention, | 0:04:35 | 0:04:37 | |
the driver's condition could deteriorate rapidly. | 0:04:37 | 0:04:41 | |
We're thinking the lady's got a potentially serious head injury. | 0:04:41 | 0:04:43 | |
We're now going to actually use our police vehicles to pull the vehicle | 0:04:43 | 0:04:47 | |
around, that will give access to the paramedics to get a quick extraction | 0:04:47 | 0:04:50 | |
out of the vehicle. | 0:04:50 | 0:04:52 | |
Rescuing the driver from her car quickly and safely is a job that is | 0:04:52 | 0:04:57 | |
going to push Alan and the rest of the team to the limit. | 0:04:57 | 0:05:00 | |
Like every part of Britain's 250,000 mile-long road network, | 0:05:04 | 0:05:09 | |
the A1 takes a lot of maintenance... | 0:05:09 | 0:05:11 | |
..and it contributes to the 2.2 million potholes which are filled in | 0:05:13 | 0:05:17 | |
on roads across England and Wales each year. | 0:05:17 | 0:05:20 | |
That's one every 15 seconds. | 0:05:21 | 0:05:24 | |
On Britain's longest road, | 0:05:25 | 0:05:27 | |
they're a constant headache for maintenance crews. | 0:05:27 | 0:05:29 | |
With traffic passing close by, it can be a difficult job. | 0:05:30 | 0:05:34 | |
And for road users, it can lead to delays while repairs are made. | 0:05:34 | 0:05:39 | |
So when some large potholes need filling on a busy stretch of the A1 | 0:05:39 | 0:05:43 | |
near Stevenage, it's time to call in reinforcements. | 0:05:43 | 0:05:47 | |
Received... | 0:05:47 | 0:05:49 | |
Traffic patrol officers Steve Francis and Rob Taylor get the call | 0:05:49 | 0:05:53 | |
to set up a rolling road block to hold back traffic while workers fill | 0:05:53 | 0:05:57 | |
in the potholes. | 0:05:57 | 0:05:58 | |
They've got one pothole on the slip road at junction seven, | 0:05:58 | 0:06:02 | |
and they've got another secondary one on the main carriageway, | 0:06:02 | 0:06:05 | |
so what we're going to try and do is to do both in one rolling road block. | 0:06:05 | 0:06:10 | |
They both know how dangerous holes in the carriageway can be. | 0:06:10 | 0:06:13 | |
The main concern is the motorbikes, obviously, | 0:06:13 | 0:06:16 | |
cos it only takes one wheel for the rider to come off | 0:06:16 | 0:06:20 | |
and injure themselves, and it can even cause a fatal accident. | 0:06:20 | 0:06:23 | |
So it is quite a dangerous concern. | 0:06:23 | 0:06:25 | |
In these conditions, the cold gets under the damaged tarmac, | 0:06:26 | 0:06:31 | |
so you might have a little crack or a one-inch hole initially, | 0:06:31 | 0:06:34 | |
and within a couple of hours you could have a 12-inch by four-inch hole | 0:06:34 | 0:06:38 | |
and they are the ones that cause the most damage. | 0:06:38 | 0:06:41 | |
With motorists travelling at up to 70mph, | 0:06:42 | 0:06:45 | |
it's vital these latest potholes are filled in to prevent any accidents. | 0:06:45 | 0:06:49 | |
But to do that, Rob and Steve will have to close the road. | 0:06:49 | 0:06:54 | |
We've just come through the Hatfield Tunnel, | 0:06:54 | 0:06:56 | |
I've asked signs and signals to be set, ready for the rolling roadblocks. | 0:06:56 | 0:07:00 | |
But the traffic officers will have to deal with a big problem. | 0:07:00 | 0:07:03 | |
As you can see ahead, the mist is coming in quite quickly. | 0:07:03 | 0:07:06 | |
If it starts rolling in any more than it is at the moment, | 0:07:06 | 0:07:10 | |
we could have low fog on the carriageway. | 0:07:10 | 0:07:14 | |
I am doing a small weave, | 0:07:14 | 0:07:15 | |
for the cars behind to realise something is happening. | 0:07:15 | 0:07:19 | |
And if you'll see that they're actually slowing down. | 0:07:19 | 0:07:22 | |
So we are going to bring the traffic to a stop here. | 0:07:22 | 0:07:24 | |
Steve explains the situation to stationary motorists, held up behind. | 0:07:24 | 0:07:29 | |
We have two potholes ahead, one on the slip road, | 0:07:29 | 0:07:32 | |
one on the main carriageway, pretty bad ones. | 0:07:32 | 0:07:34 | |
We're repairing them at the moment. | 0:07:34 | 0:07:36 | |
With traffic building quickly, there's pressure to get the job done, | 0:07:36 | 0:07:40 | |
but now it's bigger than they first thought. | 0:07:40 | 0:07:43 | |
They found a second pothole on there, | 0:07:43 | 0:07:45 | |
so they've just done two instead of one. | 0:07:45 | 0:07:48 | |
And they've got a third one to do now. | 0:07:48 | 0:07:50 | |
With two potholes quickly filled, | 0:07:52 | 0:07:54 | |
Rob and Steve slowly pull the traffic forward | 0:07:54 | 0:07:57 | |
to the next repair site. | 0:07:57 | 0:07:58 | |
But a motorcyclist has broken away too soon. | 0:08:00 | 0:08:04 | |
The guy on the motorbike, I told him, | 0:08:04 | 0:08:06 | |
go up the slip when I take him up the slip, but as you can see... | 0:08:06 | 0:08:10 | |
And the funny thing about that is, | 0:08:10 | 0:08:12 | |
you often find it is motorbikes that do that. | 0:08:12 | 0:08:15 | |
They're the ones we're protecting because of the holes, | 0:08:15 | 0:08:18 | |
you can see the repair. | 0:08:18 | 0:08:20 | |
If he went up there at speed, he would have come off the bike. | 0:08:20 | 0:08:23 | |
Drivers in the backed-up traffic are getting impatient, | 0:08:24 | 0:08:28 | |
but just nine minutes after the traffic was halted... | 0:08:28 | 0:08:31 | |
People are in a hurry but I think for the sake of a couple of minutes, | 0:08:31 | 0:08:35 | |
it'll save the tyres and save the cars, | 0:08:35 | 0:08:38 | |
save the motorbikes. | 0:08:38 | 0:08:40 | |
..the third and final pothole is filled. | 0:08:40 | 0:08:43 | |
-OK, you happy? -That's it, lads. | 0:08:45 | 0:08:47 | |
Time to get the traffic moving again. | 0:08:47 | 0:08:50 | |
Got to build the speed up. | 0:08:52 | 0:08:55 | |
I tend to liken it to a motor race, | 0:08:55 | 0:08:57 | |
where you might get a collision on a motor race, | 0:08:57 | 0:09:00 | |
and then the safety car will come out. | 0:09:00 | 0:09:03 | |
The way to see it would be a bit like that. | 0:09:03 | 0:09:06 | |
I'd say three to four minutes per pothole, which is very good. | 0:09:06 | 0:09:11 | |
I would've thought that's quite a minor inconvenience considering | 0:09:11 | 0:09:14 | |
what could have occurred if we had not filled it. | 0:09:14 | 0:09:16 | |
Used by hundreds of thousands of motorists every day | 0:09:20 | 0:09:24 | |
and on the doorstep of millions, the A1 connects us all | 0:09:24 | 0:09:27 | |
to some of the UK's most iconic landmarks and attractions. | 0:09:27 | 0:09:31 | |
From London to Scotland, | 0:09:32 | 0:09:33 | |
national treasures up and down its route rely on the road | 0:09:33 | 0:09:37 | |
to bring tourists to their doors. | 0:09:37 | 0:09:39 | |
One such place is the beautiful Bowes Museum in County Durham. | 0:09:39 | 0:09:43 | |
This truly spectacular building houses a nationally-renowned | 0:09:48 | 0:09:51 | |
art collection. | 0:09:51 | 0:09:53 | |
But amongst its hundreds of pieces, | 0:09:55 | 0:09:57 | |
there is one major jewel in its crown. | 0:09:57 | 0:09:59 | |
This is the Silver Swan. | 0:10:05 | 0:10:06 | |
I think you could safely say it is one of the major draws of the museum. | 0:10:06 | 0:10:10 | |
Because this swan is like no other - | 0:10:11 | 0:10:14 | |
a mechanical masterpiece nearly 250 years old. | 0:10:14 | 0:10:17 | |
The technology that was used to make it is absolutely phenomenal. | 0:10:21 | 0:10:25 | |
The other thing that's really special to us is, | 0:10:25 | 0:10:27 | |
it's never left the Bowes since it came in the late 19th century. | 0:10:27 | 0:10:31 | |
Until now. Because, for the very first time, | 0:10:31 | 0:10:34 | |
the Swan is leaving the Bowes Museum | 0:10:34 | 0:10:37 | |
and heading off on a 250-mile journey down the A1. | 0:10:37 | 0:10:41 | |
This extraordinary piece is being loaned to the Science Museum in | 0:10:41 | 0:10:45 | |
London for its Robots exhibition. | 0:10:45 | 0:10:48 | |
So that was one of its final performances before its move. | 0:10:48 | 0:10:51 | |
So now we just have to begin the long process of dismantling it | 0:10:52 | 0:10:57 | |
and packing it up ready to go to London. | 0:10:57 | 0:11:00 | |
But with 700 moving parts, it's an extremely delicate task... | 0:11:00 | 0:11:05 | |
..which will take conservators Matthew Reed and Karen Barker | 0:11:07 | 0:11:11 | |
four days to complete. | 0:11:11 | 0:11:13 | |
So the Silver Swan swims on a lake of 140 rotating hollow glass rods. | 0:11:14 | 0:11:22 | |
You can't have one part of it that is malfunctioning, | 0:11:22 | 0:11:25 | |
otherwise the whole thing stops. | 0:11:25 | 0:11:28 | |
It is a very early robot. | 0:11:28 | 0:11:30 | |
It acts like a swan and behaves like a swan. | 0:11:30 | 0:11:33 | |
So the neck comes away from the head. | 0:11:33 | 0:11:36 | |
There are 113 interlocking neck rings here | 0:11:36 | 0:11:40 | |
and these are hardened and chased silver, | 0:11:40 | 0:11:42 | |
so they are incredibly fragile. | 0:11:42 | 0:11:44 | |
They have sore of a mechanical but also organic nature, | 0:11:46 | 0:11:50 | |
and we don't want to get them mixed up either. | 0:11:50 | 0:11:53 | |
And Karen is concerned about the impact the journey down the A1 | 0:11:53 | 0:11:57 | |
might have on this irreplaceable swan. | 0:11:57 | 0:12:00 | |
Although the van is cushioned and it will be a very smooth ride, | 0:12:00 | 0:12:05 | |
compared to most trucks that go up and down the A1, | 0:12:05 | 0:12:09 | |
there is still going to be some vibration. | 0:12:09 | 0:12:13 | |
Hopefully it will work out right at the other end. | 0:12:13 | 0:12:15 | |
It's incredibly important that everything is packaged properly | 0:12:18 | 0:12:22 | |
in terms of transportation. | 0:12:22 | 0:12:24 | |
That goes in there. | 0:12:25 | 0:12:28 | |
After the painstaking packing process is complete, | 0:12:28 | 0:12:32 | |
it's time for the specialist moving team to load up the truck. | 0:12:32 | 0:12:36 | |
-Any side? -Any side will be fine. | 0:12:36 | 0:12:38 | |
I'm feeling all right at the moment, hopefully nothing will go wrong. | 0:12:38 | 0:12:41 | |
In theory, it should all go perfectly well. | 0:12:41 | 0:12:44 | |
The bit that sticks out on the door, | 0:12:46 | 0:12:49 | |
we're not sure whether it's been taken into account for the case to go out. | 0:12:49 | 0:12:53 | |
That there. | 0:12:53 | 0:12:56 | |
If ever an exhibit needed its protective case, | 0:12:56 | 0:12:59 | |
it's this fragile old bird. | 0:12:59 | 0:13:01 | |
Coming up to this carpet now. | 0:13:03 | 0:13:06 | |
Ready? | 0:13:06 | 0:13:08 | |
Haven't heard any cracks, nothing sounds like it's broken. | 0:13:08 | 0:13:11 | |
The delicate glass case is intact and loaded. | 0:13:21 | 0:13:24 | |
So it's time to head off down the A1. | 0:13:26 | 0:13:28 | |
With such valuable cargo on board the truck, Karen's on edge. | 0:13:34 | 0:13:39 | |
There should be no movement of the box, | 0:13:39 | 0:13:41 | |
but obviously if we have to do an emergency stop, | 0:13:41 | 0:13:43 | |
that could have an impact on the boxes in the back. | 0:13:43 | 0:13:47 | |
That's my biggest fear. | 0:13:47 | 0:13:49 | |
But it's only when they actually get to the museum that the pressure | 0:13:49 | 0:13:53 | |
will really start to build, | 0:13:53 | 0:13:54 | |
and the team will discover whether the Silver Swan actually works. | 0:13:54 | 0:13:58 | |
More than 50 miles north, near Newcastle, | 0:14:03 | 0:14:07 | |
A1 patrol officer PC Alan Keenleyside has been at the scene | 0:14:07 | 0:14:11 | |
of a serious collision between two cars on a busy roundabout. | 0:14:11 | 0:14:16 | |
-Hi, there, you all right? -It's believed one of the drivers may be | 0:14:16 | 0:14:19 | |
in a critical condition. | 0:14:19 | 0:14:21 | |
Got a lady who's unresponsive in the driver's seat of this vehicle. | 0:14:21 | 0:14:26 | |
Certainly appears to be breathing, but the crew is arriving on scene now. | 0:14:26 | 0:14:29 | |
Her car has been wedged up against the central reservation, | 0:14:31 | 0:14:35 | |
making it impossible for the ambulance crew to get to her. | 0:14:35 | 0:14:38 | |
Open your eyes, sweetheart. | 0:14:38 | 0:14:40 | |
The driver needs urgent treatment. | 0:14:41 | 0:14:44 | |
I'll start jacking the car up. | 0:14:44 | 0:14:45 | |
Alan must now move the car, so the team can get inside the vehicle. | 0:14:45 | 0:14:49 | |
We're not hanging around, | 0:14:49 | 0:14:51 | |
we're now using our police vehicles to pull the vehicle around while | 0:14:51 | 0:14:56 | |
trying to support the lady as well. | 0:14:56 | 0:14:57 | |
That will give access to the paramedics to get a quick extraction out of the vehicle. | 0:14:57 | 0:15:01 | |
So time is a little bit of the essence now. | 0:15:01 | 0:15:03 | |
Thankfully, Highways England traffic officers are also arriving at the | 0:15:03 | 0:15:07 | |
scene to help manage the rush-hour congestion. | 0:15:07 | 0:15:10 | |
Hello, you all right? Got a lady with a potentially serious head injury. | 0:15:10 | 0:15:13 | |
Could you just take this lane out for two minutes? | 0:15:13 | 0:15:15 | |
-Mint, thanks. -Alan has to work quickly. | 0:15:15 | 0:15:18 | |
The driver has blown a pupil, | 0:15:20 | 0:15:23 | |
a sign of a potentially serious head injury. | 0:15:23 | 0:15:25 | |
Paramedics at Seaton Burn are indicating a possible serious head injury. | 0:15:30 | 0:15:35 | |
We're going to have to drag this vehicle clear of the Armco barrier | 0:15:35 | 0:15:39 | |
to get this lady out of the vehicle. | 0:15:39 | 0:15:40 | |
Could you just make 27-92 aware? | 0:15:40 | 0:15:42 | |
Ready to move when you want. | 0:15:50 | 0:15:52 | |
Alan needs to be extremely careful. | 0:15:52 | 0:15:55 | |
They're going to have to support her neck when we do this. | 0:15:55 | 0:15:57 | |
Any sudden movement could make the driver's injuries even worse. | 0:15:59 | 0:16:03 | |
Even though the traffic has only been stopped a few seconds, | 0:16:16 | 0:16:19 | |
it's already caused a serious build-up of vehicles. | 0:16:19 | 0:16:22 | |
Thanks, Paul. | 0:16:22 | 0:16:24 | |
Finally though, the medics can get to the injured driver. | 0:16:25 | 0:16:29 | |
But they now believe her injuries are potentially so serious... | 0:16:30 | 0:16:34 | |
Just relax. | 0:16:34 | 0:16:35 | |
..they need to bring her out of the back of the car on a spinal board. | 0:16:35 | 0:16:39 | |
-Keep going. -Just relax, that's fabulous. | 0:16:39 | 0:16:43 | |
-Keep going. -You're doing marvellous. | 0:16:43 | 0:16:45 | |
Can you talk to us yet? | 0:16:45 | 0:16:47 | |
A spinal board is used to reduce the movement of an injured person. | 0:16:49 | 0:16:53 | |
It's essential in preventing critical injuries from getting worse. | 0:16:53 | 0:16:58 | |
Which way do you want to do this? | 0:16:58 | 0:17:01 | |
Try and get under her arm and then it will be a case of one, two three... | 0:17:01 | 0:17:05 | |
-Pull. -Little bits. -Yeah. | 0:17:05 | 0:17:06 | |
And get her right on the board. If you can get her feet first, I can do the first push-up. | 0:17:06 | 0:17:11 | |
Yeah. | 0:17:11 | 0:17:13 | |
-Hold her. -Ready, steady, slide. | 0:17:13 | 0:17:16 | |
-All right? -Everybody OK? -Yeah. | 0:17:17 | 0:17:19 | |
Ready, steady, slide. | 0:17:20 | 0:17:22 | |
A tiny bit more. | 0:17:23 | 0:17:25 | |
Ready, steady, slide. | 0:17:25 | 0:17:27 | |
This is an extremely delicate job. | 0:17:27 | 0:17:29 | |
One wrong move could have very serious consequences. | 0:17:29 | 0:17:34 | |
OK, you're in safe hands. | 0:17:34 | 0:17:36 | |
But the medics will only know the full extent of the driver's injuries | 0:17:36 | 0:17:39 | |
once she's been rescued from the vehicle. | 0:17:39 | 0:17:42 | |
More than 300 miles south of Newcastle, | 0:17:46 | 0:17:48 | |
a priceless antique is nearing the end of its A1 journey. | 0:17:48 | 0:17:52 | |
The Bowes Museum's Silver Swan is heading across the capital to its | 0:17:52 | 0:17:57 | |
temporary new home. | 0:17:57 | 0:17:58 | |
Are we nearly there yet, Rick? | 0:17:58 | 0:18:01 | |
I'd like to say yes, but unfortunately London traffic | 0:18:01 | 0:18:05 | |
-has beat us again. -Yes. | 0:18:05 | 0:18:07 | |
The swan is due to take centre stage at the Science Museum's | 0:18:07 | 0:18:11 | |
Robots exhibition. | 0:18:11 | 0:18:13 | |
Hopefully, we've done our job well and everything will be in perfect condition. | 0:18:13 | 0:18:17 | |
If we put her back together | 0:18:17 | 0:18:20 | |
and she doesn't work, | 0:18:20 | 0:18:23 | |
then we've put her back together wrong. | 0:18:23 | 0:18:25 | |
This is the entrance to the Science Museum. | 0:18:27 | 0:18:30 | |
So I think we're here, we've arrived safe and sound. | 0:18:31 | 0:18:34 | |
It's the next morning and Kate Perks at the Science Museum | 0:18:41 | 0:18:45 | |
is excited that the star of her 21st-century show | 0:18:45 | 0:18:48 | |
is an 18th-century masterpiece. | 0:18:48 | 0:18:50 | |
The exhibition as a whole is all about robots. | 0:18:50 | 0:18:54 | |
Showing you from 500 years, a sort of cycle | 0:18:57 | 0:19:02 | |
of us trying to recreate ourselves. | 0:19:02 | 0:19:04 | |
We are so excited that we've got the swan to come down to London | 0:19:06 | 0:19:11 | |
and be in this exhibition. We just cannot believe our good fortune. | 0:19:11 | 0:19:14 | |
In the exhibition preparation area... | 0:19:17 | 0:19:19 | |
..conservators Matthew, Karen and Kate carefully unpack the swan. | 0:19:21 | 0:19:27 | |
We're going to put her on a case, put her silver on, | 0:19:27 | 0:19:29 | |
and then we're going to give her a run and make sure that | 0:19:29 | 0:19:33 | |
-she's working properly. -Are you all right? | 0:19:33 | 0:19:36 | |
So this is the first of 113 neck rings, | 0:19:39 | 0:19:43 | |
and it is unbelievably fragile. | 0:19:43 | 0:19:46 | |
It's just 0.4mm thick silver. | 0:19:46 | 0:19:49 | |
So we'll put that one on. | 0:19:49 | 0:19:51 | |
Rebuilding the swan is a painstaking process. | 0:19:53 | 0:19:57 | |
It will take as long as it takes. | 0:19:57 | 0:19:59 | |
If you start rushing it, then that's when damage happens. | 0:19:59 | 0:20:04 | |
I'm not quite sure how many are there - maybe nine done. | 0:20:04 | 0:20:07 | |
102 to go. | 0:20:07 | 0:20:08 | |
It's not quite hitting the hole. | 0:20:15 | 0:20:16 | |
With the head finally in place... | 0:20:18 | 0:20:20 | |
-Voila. -Well done, Matthew. | 0:20:21 | 0:20:23 | |
..the team hold their breath... | 0:20:24 | 0:20:25 | |
..as the swan is wound up for the first time. | 0:20:28 | 0:20:30 | |
The observant amongst you will see that it's not working. | 0:20:35 | 0:20:38 | |
There's so many different things that can go wrong on so many different parts. | 0:20:40 | 0:20:43 | |
She's old and a bit cranky. | 0:20:43 | 0:20:45 | |
Matthew thinks the problem might lie with the 140 moving rods that mimic | 0:20:46 | 0:20:52 | |
the effect of the stream. | 0:20:52 | 0:20:54 | |
Every single one of these rods has got to be loose... | 0:20:54 | 0:20:56 | |
..because they're all interconnected. | 0:20:58 | 0:21:00 | |
If one stops, they all stop. | 0:21:00 | 0:21:02 | |
What we could do, ideally, | 0:21:02 | 0:21:04 | |
is I'd take it all apart and work through right from the beginning, | 0:21:04 | 0:21:08 | |
but as we don't have another three years to do that, | 0:21:08 | 0:21:13 | |
it's probably best to at least try and figure out which one it is. | 0:21:13 | 0:21:16 | |
The Science Museum wants the swan in place in the exhibition by the end | 0:21:16 | 0:21:20 | |
-of the day. -The swan needs to be in position tonight. | 0:21:20 | 0:21:23 | |
We've got two working days before it opens. | 0:21:23 | 0:21:27 | |
We've still got to get the whole thing in the gallery. | 0:21:27 | 0:21:29 | |
We haven't dealt with the swan with the silver on yet. | 0:21:29 | 0:21:31 | |
But eagle-eyed Matthew may have found the root of the problem. | 0:21:32 | 0:21:36 | |
I think it might be this one, actually. | 0:21:36 | 0:21:38 | |
On this little gear thing here, three of the teeth are bent over. | 0:21:38 | 0:21:42 | |
After removing the faulty rod, | 0:21:43 | 0:21:46 | |
the stream is finally running smoothly again. | 0:21:46 | 0:21:48 | |
-Magic. -We're at five o'clock in the evening. | 0:21:48 | 0:21:53 | |
We need to get finished. | 0:21:53 | 0:21:54 | |
Time to wind the swan up for a second time. | 0:21:55 | 0:21:58 | |
Oh. | 0:21:59 | 0:22:01 | |
Oh, my goodness. | 0:22:01 | 0:22:02 | |
It did move, | 0:22:04 | 0:22:05 | |
but just briefly. | 0:22:05 | 0:22:07 | |
But now there's an even bigger problem. | 0:22:07 | 0:22:10 | |
-It's not happy. -Yeah, it's just going to jam now, isn't it? | 0:22:10 | 0:22:13 | |
It's not working. | 0:22:17 | 0:22:18 | |
Problems of a much more serious nature are mounting for the | 0:22:23 | 0:22:27 | |
emergency services on a busy A1 junction near Newcastle. | 0:22:27 | 0:22:30 | |
Police patrol officer PC Alan Keenleyside | 0:22:32 | 0:22:34 | |
is helping paramedics to remove an injured motorist from her crashed car. | 0:22:34 | 0:22:39 | |
-OK. -Ready, steady... | 0:22:39 | 0:22:40 | |
slide. | 0:22:40 | 0:22:41 | |
The driver may have a serious head injury, | 0:22:43 | 0:22:45 | |
and any sudden movement could have devastating consequences. | 0:22:45 | 0:22:50 | |
A little bit more. Ready, steady, slide. | 0:22:50 | 0:22:52 | |
Inch by inch... | 0:22:55 | 0:22:56 | |
-Keep going. -One, two, three. | 0:22:56 | 0:22:59 | |
..the injured driver is rescued from the wreckage. | 0:23:00 | 0:23:03 | |
Shall I sit on the back of the car? | 0:23:03 | 0:23:06 | |
OK. Thank you for your help with this. | 0:23:07 | 0:23:09 | |
She's rushed to the ambulance, | 0:23:09 | 0:23:11 | |
where she can receive urgent medical attention. | 0:23:11 | 0:23:14 | |
Traffic's stopped. | 0:23:14 | 0:23:16 | |
For Alan and the police team, | 0:23:23 | 0:23:25 | |
it's time to investigate the cause of the collision. | 0:23:25 | 0:23:28 | |
We think vehicle one has maybe come out from here with a view to going | 0:23:28 | 0:23:32 | |
straight over, so it's been a typical lane to roundabout type collision. | 0:23:32 | 0:23:36 | |
-Yeah. -However, this vehicle's come to rest post-impact | 0:23:36 | 0:23:40 | |
up against the Armco barrier with the driver's door. | 0:23:40 | 0:23:43 | |
With the scene here, what we'll do is we'll mark and photograph the | 0:23:44 | 0:23:46 | |
post-impact position of the vehicles, get them recovered, | 0:23:46 | 0:23:50 | |
and then conduct our investigation from there. | 0:23:50 | 0:23:53 | |
Alan's seen something which could provide crucial evidence. | 0:23:53 | 0:23:56 | |
I've just pointed out, actually, up there we've got a camera. | 0:23:56 | 0:23:58 | |
It's one of the Highways England cameras, which cover the A19. | 0:23:58 | 0:24:02 | |
So that could be really, really key in our, erm, in our investigation. | 0:24:02 | 0:24:07 | |
The CCTV camera captured how the car careered into the barrier, | 0:24:07 | 0:24:11 | |
just moments after the crash. | 0:24:11 | 0:24:13 | |
As the investigation continues... | 0:24:15 | 0:24:17 | |
OK, we've got an exit into lane two of the A19. | 0:24:17 | 0:24:20 | |
..there is still only one lane open on the roundabout. | 0:24:20 | 0:24:24 | |
It means the rush-hour traffic is backing up in all directions. | 0:24:24 | 0:24:29 | |
This is a junction of the A1 and the A19, two major routes, | 0:24:29 | 0:24:32 | |
and the effect that it has on the A1, it will slow vehicles coming, | 0:24:32 | 0:24:36 | |
like, exiting the A1. | 0:24:36 | 0:24:37 | |
It'll form tailbacks along those exit slip roads. | 0:24:37 | 0:24:41 | |
Clearly there's a lot of emergency services here. | 0:24:41 | 0:24:43 | |
Unfortunately we can't really help that. It's the nature of what we're dealing with. | 0:24:43 | 0:24:47 | |
And as the darkness falls... | 0:24:47 | 0:24:49 | |
Paramedics have been treating the lady in the ambulance for some time now, | 0:24:49 | 0:24:53 | |
which tends to suggest they have a significant amount of work to do | 0:24:53 | 0:24:57 | |
to stabilise her. | 0:24:57 | 0:24:59 | |
As the ambulance takes the injured driver to hospital, | 0:24:59 | 0:25:02 | |
there is no doubt the trainee care assistant has played a crucial part | 0:25:02 | 0:25:06 | |
in rescuing her safely. | 0:25:06 | 0:25:08 | |
Well, I just was driving past, and I seen loads of people out of the car, so I thought they were all right | 0:25:08 | 0:25:13 | |
until then I seen the lady in the driver's seat of this car. | 0:25:13 | 0:25:16 | |
She looked unconscious, so I thought I'd pull over and get out and help. | 0:25:16 | 0:25:19 | |
I was literally on my way to my parents' log cabin for the weekend, | 0:25:19 | 0:25:22 | |
with a hot tub. So that's where I'm heading now. | 0:25:22 | 0:25:25 | |
-And a bottle of fizz? -Yeah. | 0:25:25 | 0:25:27 | |
Definitely a bottle of fizz. | 0:25:27 | 0:25:29 | |
Nearly two hours after the initial incident, | 0:25:32 | 0:25:35 | |
the recovery vehicle can finally take away the wreckage... | 0:25:35 | 0:25:38 | |
..and Alan can start fully reopening the road to traffic. | 0:25:43 | 0:25:46 | |
All right. | 0:25:52 | 0:25:53 | |
I'm a little bit concerned about this lady, if the truth be known. | 0:25:54 | 0:25:58 | |
It's being treated as life-threatening at this moment in time, | 0:25:58 | 0:26:01 | |
hence the roads being closed for a couple of hours to facilitating | 0:26:01 | 0:26:05 | |
her care, which takes precedence over everything. | 0:26:05 | 0:26:07 | |
I know it's horrible, because people are hurting and people are in pain, | 0:26:09 | 0:26:12 | |
but we can't get emotionally attached to what those people are | 0:26:12 | 0:26:15 | |
going through, so, yeah, | 0:26:15 | 0:26:17 | |
it's a bit of a sobering moment, knowing that somebody's potentially | 0:26:17 | 0:26:21 | |
very, very seriously injured indeed. | 0:26:21 | 0:26:23 | |
But it's not only accidents when rescue teams come to the help | 0:26:26 | 0:26:30 | |
of stranded motorists on the A1. | 0:26:30 | 0:26:32 | |
Every year, teams from Highways England and Transport Scotland | 0:26:32 | 0:26:37 | |
deal with more than 4,500 breakdowns. | 0:26:37 | 0:26:40 | |
Just six miles south down the A1 near Newcastle, | 0:26:41 | 0:26:45 | |
traffic officers Peter Senior and Scott Wilson are responding | 0:26:45 | 0:26:48 | |
to an emergency call. | 0:26:48 | 0:26:50 | |
Apparently, up at junction 77, | 0:26:50 | 0:26:53 | |
they've got a vehicle broken down in a running lane, | 0:26:53 | 0:26:55 | |
and they want us to go and offer some form of protection | 0:26:55 | 0:26:59 | |
while they recover it. | 0:26:59 | 0:27:00 | |
It means their planned meal break will just have to wait. | 0:27:01 | 0:27:05 | |
We just went to order a nice takeaway, and then, right on cue, | 0:27:05 | 0:27:09 | |
-a job comes in, but... -Every time, isn't it? | 0:27:09 | 0:27:11 | |
It does. It happens every time. It's unbelievable. | 0:27:11 | 0:27:14 | |
You can have a shift where you do nothing... | 0:27:14 | 0:27:16 | |
As soon as you go and order hot food, | 0:27:16 | 0:27:18 | |
you can guarantee a job will come in. | 0:27:18 | 0:27:20 | |
But if ever you've got a shift | 0:27:20 | 0:27:22 | |
and you get a bit bored if there's nothing to do, | 0:27:22 | 0:27:24 | |
that's all you've got to do to get some work going - order some food. | 0:27:24 | 0:27:26 | |
When Peter and Scott arrive at the scene, | 0:27:32 | 0:27:35 | |
it's clear the van is parked in a dangerous position... | 0:27:35 | 0:27:38 | |
Hotel Alpha Charlie Lima. | 0:27:39 | 0:27:41 | |
..just metres from the main carriageway. | 0:27:41 | 0:27:43 | |
It's a van with a small trailer on the back. | 0:27:43 | 0:27:47 | |
We're just approaching that now, so we'll advise shortly, over. | 0:27:47 | 0:27:50 | |
Right. | 0:27:51 | 0:27:52 | |
What's the matter with it? | 0:27:54 | 0:27:56 | |
This section of the A1 is so busy that Highways England offer free | 0:28:05 | 0:28:09 | |
recovery, so vehicles can be moved off the carriageway as quickly as possible. | 0:28:09 | 0:28:14 | |
I was just driving along the A1, and the gearbox went. | 0:28:14 | 0:28:18 | |
Just lost all drive, so I just pulled in to the side of the road. | 0:28:18 | 0:28:22 | |
But a breakdown truck needs to get here quickly. | 0:28:24 | 0:28:27 | |
See if we do it under the free recovery, | 0:28:27 | 0:28:29 | |
if they've got a wagon just about here, we'll let them move it. | 0:28:29 | 0:28:33 | |
Peter has an idea to speed things up. | 0:28:33 | 0:28:36 | |
I'm just wondering - if we can get a hitch on the front, | 0:28:36 | 0:28:39 | |
if you stay behind to protect us, | 0:28:39 | 0:28:41 | |
we could drag it off at the next junction. | 0:28:41 | 0:28:43 | |
Has the gearbox locked up, or is it freewheeling? | 0:28:44 | 0:28:47 | |
-No, it's free, it's... -Well, rather than getting recovered, | 0:28:47 | 0:28:49 | |
because when recovery comes, we'd basically have to close | 0:28:49 | 0:28:52 | |
the whole lane off to get you recovered... | 0:28:52 | 0:28:54 | |
-Right. -..maybe we could just drag you off at the next junction, | 0:28:54 | 0:28:57 | |
and position you somewhere there, which would be better for recovery. | 0:28:57 | 0:29:00 | |
-Yeah, I'll follow behind so there's no worry for when you're going into traffic. -Yeah, if you sit behind us. | 0:29:00 | 0:29:04 | |
-Yeah, yeah. Do you want to do that? -Yeah, that's fine. -Excellent. | 0:29:04 | 0:29:07 | |
With other vehicles passing the broken-down truck at 70mph, | 0:29:07 | 0:29:11 | |
a collision could be fatal. | 0:29:11 | 0:29:14 | |
We'll get off at the Washington Services quicker than getting on the radio, so... | 0:29:14 | 0:29:17 | |
-So where are we going to go to, mate, cos I don't know where... -Off at the next junction. | 0:29:17 | 0:29:22 | |
The recovery's due in half an hour, | 0:29:22 | 0:29:24 | |
so we're just going to tow it off network. | 0:29:24 | 0:29:27 | |
The police are going to sit behind us and escort us, some protection, | 0:29:27 | 0:29:30 | |
and we'll just tow it off ourselves. | 0:29:30 | 0:29:32 | |
Its gearbox has failed. | 0:29:32 | 0:29:35 | |
It is still freewheeling, though, | 0:29:35 | 0:29:36 | |
which enables us to be able to clear it from the carriageway, | 0:29:36 | 0:29:40 | |
and then they can just await their own recovery. | 0:29:40 | 0:29:42 | |
Right, we'll get it hitched up. | 0:29:45 | 0:29:48 | |
Every year, nearly 250 people are killed or injured on the hard shoulder, | 0:29:48 | 0:29:52 | |
so it's important Peter and Scott move the vehicle as soon as possible. | 0:29:52 | 0:29:57 | |
Right, take the bite up, Scott. | 0:29:57 | 0:29:59 | |
Starting to take it off the floor. Go on. | 0:30:01 | 0:30:04 | |
Whoa. | 0:30:06 | 0:30:08 | |
Are you all right? | 0:30:08 | 0:30:09 | |
With a police escort behind... | 0:30:11 | 0:30:13 | |
-Yeah. -..Scott carefully pulls the van to an emergency recovery area | 0:30:13 | 0:30:18 | |
away from the main carriageway. | 0:30:18 | 0:30:20 | |
Keep it as far back as you can, for his recovery to get in. | 0:30:21 | 0:30:26 | |
What is it? A bit soft? | 0:30:26 | 0:30:27 | |
-RADIO: -Charlie 81 following. | 0:30:28 | 0:30:31 | |
4-1, we've carriageway-cleared this vehicle into an ERA. | 0:30:35 | 0:30:38 | |
The area you can see, where the little bollards are pulled in, | 0:30:41 | 0:30:44 | |
it's known as an emergency recovery area, | 0:30:44 | 0:30:47 | |
where the ground's reinforced on the verge, | 0:30:47 | 0:30:50 | |
so that's going to be safe to leave here, | 0:30:50 | 0:30:52 | |
and they can get their onward recovery from here. | 0:30:52 | 0:30:54 | |
-Good job, that. -Yeah. | 0:30:58 | 0:31:00 | |
Less than 20 minutes after arriving at the scene, | 0:31:00 | 0:31:03 | |
Peter and Scott are back on the road. | 0:31:03 | 0:31:05 | |
Anything which is in a running lane, there is always that element of risk. | 0:31:05 | 0:31:10 | |
So by moving that vehicle as we did into that emergency lay-by, | 0:31:10 | 0:31:13 | |
you know, you've eliminated that risk. | 0:31:13 | 0:31:16 | |
And the lads have built up quite an appetite. | 0:31:16 | 0:31:19 | |
If someone needs us, then we'll go... | 0:31:19 | 0:31:20 | |
I know, but their needs can't be as great as the needs of us getting fed. | 0:31:20 | 0:31:25 | |
Have you seen the time, man? It's after seven o'clock. | 0:31:25 | 0:31:28 | |
We did ask them to keep it hot for us, so hopefully they have. | 0:31:28 | 0:31:31 | |
In a recent survey, | 0:31:36 | 0:31:37 | |
nearly half of all drivers admitted to flouting traffic laws... | 0:31:37 | 0:31:41 | |
..either through inattention or simply because they think they can | 0:31:43 | 0:31:46 | |
get away with it. So it's not surprising that, | 0:31:46 | 0:31:49 | |
for the 15 forces that police the A1, | 0:31:49 | 0:31:52 | |
there is no such thing as a quiet shift. | 0:31:52 | 0:31:55 | |
Near Morpeth in Northumberland, PC Darren Lant is on patrol, | 0:31:56 | 0:32:01 | |
when a passing Citroen Saxo catches his attention. | 0:32:01 | 0:32:04 | |
Vehicle check, please. A1 southbound at Hebron. | 0:32:05 | 0:32:09 | |
-RADIO: -It's come back as a red Citroen Saxo. No reports present. | 0:32:11 | 0:32:17 | |
While Darren is running some checks, the car disappears from view. | 0:32:17 | 0:32:21 | |
Interesting. It looks like it's took off. | 0:32:21 | 0:32:23 | |
Yeah, it's gone. | 0:32:23 | 0:32:25 | |
Keen to catch up, Darren puts on his lights to move through the traffic. | 0:32:25 | 0:32:30 | |
But he's going to have to put his foot down. | 0:32:30 | 0:32:33 | |
Despite a 40mph speed limit because of roadworks, | 0:32:33 | 0:32:36 | |
this driver isn't slowing down. | 0:32:36 | 0:32:39 | |
At 70mph on a 40... | 0:32:39 | 0:32:41 | |
He's doing nearly 70mph in a 40mph limit. | 0:32:42 | 0:32:45 | |
That's through the roadworks, where you've got guys trying to do repairs | 0:32:45 | 0:32:49 | |
and maintenance on the road. | 0:32:49 | 0:32:50 | |
Clearly down to 40, and he's just blew them. | 0:32:52 | 0:32:55 | |
He's gone straight through them, and he's stayed at 70mph through the 40. | 0:32:55 | 0:32:59 | |
It's really dangerous, and it's reduced speed for a safety reason. | 0:33:00 | 0:33:03 | |
You know, still, working on the side of the road at 40mph is still frightening. | 0:33:04 | 0:33:08 | |
But when you've got vehicles that are blatantly ignoring the speed limit, | 0:33:08 | 0:33:11 | |
they're just taking off down at 70mph, it's horrendous. | 0:33:11 | 0:33:14 | |
And the driver seems oblivious to Darren behind. | 0:33:14 | 0:33:18 | |
How has he not seen the patrol car behind him? | 0:33:18 | 0:33:20 | |
Every time he moves out into a lane, | 0:33:20 | 0:33:22 | |
you would think he would check his mirror. | 0:33:22 | 0:33:25 | |
But he's clearly not, cos he would see us. | 0:33:25 | 0:33:28 | |
This guy was - he was going to move out, | 0:33:28 | 0:33:30 | |
but he's looked in his mirror and decided not to. | 0:33:30 | 0:33:33 | |
Time for Darren to pull the motorist over. | 0:33:33 | 0:33:36 | |
We'll get them stopped and see what they've got to say. | 0:33:37 | 0:33:40 | |
-Hello, how are you doing? -All right. -Do you have your driving documents, | 0:33:42 | 0:33:45 | |
licence, insurance, that sort of stuff? | 0:33:45 | 0:33:47 | |
-Not on us, mate. -No bother. | 0:33:47 | 0:33:48 | |
Grab your keys. Come and have a chat with me and I'll explain to you why I've stopped you. | 0:33:48 | 0:33:51 | |
Take a seat in the back, on that side. | 0:33:53 | 0:33:56 | |
-The reason why I've stopped you is cos you're speeding. -I'm speeding? -Aye, yeah. | 0:33:59 | 0:34:02 | |
I thought it was a 70 on a dual carriageway. | 0:34:02 | 0:34:04 | |
It is, yeah, ordinarily. | 0:34:04 | 0:34:06 | |
But what about all them cones and all them speed-restriction signs | 0:34:06 | 0:34:08 | |
that you saw when you passed the speed camera, | 0:34:08 | 0:34:10 | |
when it takes you down from the national speed limit of 60 | 0:34:10 | 0:34:14 | |
on the single carriageway to 50 to 40? | 0:34:14 | 0:34:17 | |
All right. | 0:34:17 | 0:34:18 | |
And you just continued all the way through the 40s at about 70mph. | 0:34:18 | 0:34:22 | |
Did I? Right. | 0:34:22 | 0:34:23 | |
-I've followed you all the way through, even when you were changing lanes. -Aye. -Which tends to suggest | 0:34:23 | 0:34:27 | |
-you weren't using your mirror, either, when you were changing lanes. -I did, I did use my mirror. | 0:34:27 | 0:34:31 | |
-I was. I even turned my head... -Right? -..to check that nowt was coming. | 0:34:31 | 0:34:34 | |
So how did you not see the big, massive patrol car behind you? | 0:34:34 | 0:34:37 | |
-Well, I did see you. -And you still drove at 70mph in a 40? | 0:34:37 | 0:34:40 | |
I still... I seen you. | 0:34:40 | 0:34:41 | |
OK. I've got to caution you. You don't have to say anything thing, but it may harm your defence if you | 0:34:41 | 0:34:45 | |
don't mention when questioned something which you later rely on in court, and anything you do say | 0:34:45 | 0:34:49 | |
-may be given in evidence. All right? -OK. -You're not under arrest. | 0:34:49 | 0:34:51 | |
Because she was 30mph over the speed limit, | 0:34:51 | 0:34:55 | |
Darren can't issue a ticket - | 0:34:55 | 0:34:57 | |
the woman will have to go to court. | 0:34:57 | 0:34:59 | |
-So I'm just going to do a couple of checks. Have you got a full licence? -Yeah. -You have, have you? | 0:34:59 | 0:35:04 | |
And things are about to get worse for this speeding driver. | 0:35:04 | 0:35:08 | |
-When I said, "Have you got a full licence," and you said, "Aye?" -Aye. | 0:35:08 | 0:35:11 | |
-You're lying, aren't you? -No. -You've got a revoked licence. | 0:35:11 | 0:35:13 | |
-I haven't got a revoked licence. -You have, man. -How have I got it revoked? | 0:35:13 | 0:35:17 | |
-I'll tell you... -Cos the DVLA have said your licence is revoked. | 0:35:17 | 0:35:19 | |
Aye, on medical reasons, right, | 0:35:19 | 0:35:21 | |
and they've sent us a letter saying to send it back, | 0:35:21 | 0:35:24 | |
which is exactly what I did, | 0:35:24 | 0:35:25 | |
so technically I've got a licence when that's gone back to get, like, | 0:35:25 | 0:35:28 | |
-to pay the fee to get it un-thingied. -Right. OK. -So I've got a licence. | 0:35:28 | 0:35:31 | |
So have you got proof now, here, that the DVLA have said you can drive? | 0:35:31 | 0:35:35 | |
Not on us. | 0:35:35 | 0:35:37 | |
Well, the DVLA still say that you've got a revoked licence, | 0:35:38 | 0:35:41 | |
-and I've got to go off what the computer says. -Right. Fair play. | 0:35:41 | 0:35:43 | |
So your car is going to be seized from you today, under section 165, | 0:35:43 | 0:35:46 | |
until such time as you can prove that you do have a licence... | 0:35:46 | 0:35:49 | |
-Yeah. -..and that you've got insurance for the vehicle. | 0:35:49 | 0:35:51 | |
The woman's car will be towed away. | 0:35:51 | 0:35:54 | |
Is there anyone that can come give us a hand | 0:35:55 | 0:35:58 | |
with this 165 on the A1? | 0:35:58 | 0:36:00 | |
So Darren arranges for another patrol car to collect the driver | 0:36:02 | 0:36:06 | |
and her passenger to get them to their destination. | 0:36:06 | 0:36:09 | |
The driver will have seven days to prove her licence was valid to get | 0:36:09 | 0:36:13 | |
her car back, and she still faces court for the speeding offence. | 0:36:13 | 0:36:17 | |
She's got a blatant disregard for any road users anyway, hasn't she? | 0:36:17 | 0:36:20 | |
She's doing 70mph in a 40, through roadworks, | 0:36:20 | 0:36:22 | |
where she's not paying any attention. | 0:36:22 | 0:36:24 | |
She said she's looking in her mirror, and moving in and out, | 0:36:24 | 0:36:27 | |
but the patrol car's following her. | 0:36:27 | 0:36:29 | |
I'm behind her all the way. | 0:36:29 | 0:36:30 | |
She's made no attempt to alter her driving. | 0:36:30 | 0:36:32 | |
She's driving on a revoked licence, so a risk to you, to me, | 0:36:32 | 0:36:36 | |
to every other road user. | 0:36:36 | 0:36:38 | |
So, for now, it's the end of the road for this motorist. | 0:36:38 | 0:36:42 | |
And more than 300 miles south, near the start of the A1 in London, | 0:36:42 | 0:36:46 | |
it's also crunch time for a specialist team. | 0:36:46 | 0:36:49 | |
It's two days before the Science Museum opens its doors | 0:36:55 | 0:36:58 | |
for the start of its Robots exhibition. | 0:36:58 | 0:37:00 | |
Oh, my goodness. | 0:37:07 | 0:37:09 | |
But a long journey down the A1 has left one of its star attractions | 0:37:09 | 0:37:13 | |
still struggling to work properly. | 0:37:13 | 0:37:15 | |
There is something wrong with the counterpointing with the neck. | 0:37:18 | 0:37:20 | |
There's so many different things that can go wrong on so many different parts. | 0:37:20 | 0:37:24 | |
The next morning, conservator Matthew is still trying to fathom | 0:37:26 | 0:37:30 | |
out why the swan's not working. | 0:37:30 | 0:37:32 | |
The situation is good in the sense that we are finding faults. | 0:37:34 | 0:37:38 | |
But last night we noticed the action of the neck was really kind of graunchy | 0:37:38 | 0:37:42 | |
and it's normally very silky smooth. | 0:37:42 | 0:37:44 | |
It's a frustrating time for Science Museum conservator Kate. | 0:37:45 | 0:37:50 | |
It's a shame, really, because it was all going so well. | 0:37:50 | 0:37:53 | |
But hopefully Matt knows what he's doing, so we will get there. | 0:37:53 | 0:37:57 | |
After nearly three hours of painstaking adjustments... | 0:38:01 | 0:38:04 | |
-Good. -..it's time for Matthew and Kate to carefully replace the silver... | 0:38:09 | 0:38:14 | |
It needs to hook round that bit at the front. | 0:38:14 | 0:38:16 | |
-There we are. -There we are. | 0:38:18 | 0:38:20 | |
..ready for a final test run. | 0:38:20 | 0:38:22 | |
I think the most temperamental, needy, | 0:38:22 | 0:38:24 | |
demanding object that we have in this exhibition is probably | 0:38:24 | 0:38:27 | |
the Silver Swan. | 0:38:27 | 0:38:29 | |
-This is when it stalls. -Please don't stall. | 0:38:29 | 0:38:32 | |
-Hooray! -Ta-da. | 0:38:39 | 0:38:41 | |
So it was only just getting there, wasn't it? | 0:38:41 | 0:38:44 | |
The swan needs more work, but Matthew is running out of time. | 0:38:44 | 0:38:48 | |
I think that these dozens of adjustments could go on and I think | 0:38:48 | 0:38:54 | |
the Science Museum people, they'd like to see it on gallery. | 0:38:54 | 0:38:59 | |
With this stuff, you have to draw a line under it. | 0:38:59 | 0:39:01 | |
There is never going to be that perfect moment where everything is | 0:39:01 | 0:39:04 | |
beautiful because it just doesn't kind of work like that. | 0:39:04 | 0:39:07 | |
The fragile swan is moved into the exhibition, | 0:39:09 | 0:39:12 | |
but the size of its display case means it has to go the long way | 0:39:12 | 0:39:15 | |
around the museum... | 0:39:15 | 0:39:17 | |
We are going to the gallery now, so no more misbehaving. | 0:39:17 | 0:39:20 | |
..and across uneven floors. | 0:39:20 | 0:39:22 | |
The floor in any building like this is uneven | 0:39:24 | 0:39:28 | |
and this thing is not designed to move, full stop. | 0:39:28 | 0:39:32 | |
So the glass was bouncing up and down a little bit, | 0:39:34 | 0:39:38 | |
the bells were bouncing on their resilient mounts. | 0:39:38 | 0:39:41 | |
I am so relieved we have got the swan in her position, so fingers crossed, she works. | 0:39:44 | 0:39:50 | |
And it's looking great. Even if it doesn't work, | 0:39:50 | 0:39:52 | |
it's looking fantastic, so what more can you ask? | 0:39:52 | 0:39:54 | |
It's time to open the Robots exhibition to the general public. | 0:39:56 | 0:40:00 | |
But will the temperamental Silver Swan perform | 0:40:01 | 0:40:04 | |
for its expectant audience? | 0:40:04 | 0:40:06 | |
Hello, everyone. My name's Kate. | 0:40:06 | 0:40:09 | |
I have to warn you that yesterday it didn't work so... | 0:40:09 | 0:40:14 | |
50-50 it's going to work. | 0:40:14 | 0:40:16 | |
So wish me luck, and here we go. | 0:40:16 | 0:40:18 | |
Are you ready? | 0:40:18 | 0:40:20 | |
CHIMING | 0:40:26 | 0:40:28 | |
That's so beautiful. | 0:40:55 | 0:40:57 | |
The swan has worked perfectly and delighted the Science Museum crowds. | 0:40:57 | 0:41:02 | |
An extraordinary piece of machinery. Absolutely extraordinary. | 0:41:02 | 0:41:06 | |
-It was amazing. -It was good. | 0:41:06 | 0:41:08 | |
We found out how old it is as well. | 0:41:08 | 0:41:10 | |
To realise it's over 200 years old, it's amazing. | 0:41:10 | 0:41:12 | |
It was kind of magical, really. | 0:41:12 | 0:41:15 | |
It looked incredibly lifelike and it was really wonderful. | 0:41:15 | 0:41:18 | |
You have no idea how relieved I am feeling right now. | 0:41:20 | 0:41:23 | |
I've been dreading it sticking, cos I wouldn't know quite what to do, | 0:41:23 | 0:41:27 | |
but it behaved beautifully. | 0:41:27 | 0:41:29 | |
This has been such a long journey. | 0:41:31 | 0:41:33 | |
The Bowes Swan started up in County Durham at Barnard Castle. | 0:41:33 | 0:41:38 | |
It took a week to prepare it... | 0:41:38 | 0:41:41 | |
..pack it all beautifully and carefully... | 0:41:42 | 0:41:45 | |
..bring it down the A1 motorway to London, ready for this moment. | 0:41:46 | 0:41:51 | |
It could not have gone better and I am so happy that it all went well. | 0:41:53 | 0:41:59 | |
It was definitely the star act and it was just brilliant. | 0:41:59 | 0:42:03 | |
The driver injured in the roundabout crash was treated in hospital | 0:42:09 | 0:42:12 | |
for a week but has since made a good recovery. | 0:42:12 | 0:42:15 | |
The motorist stopped near roadworks is being prosecuted for speeding | 0:42:16 | 0:42:20 | |
and driving without a licence. | 0:42:20 | 0:42:23 | |
And after its special appearance in London, | 0:42:23 | 0:42:25 | |
the Silver Swan was safely transported back up the A1 | 0:42:25 | 0:42:29 | |
to its home in County Durham. | 0:42:29 | 0:42:31 | |
Next time, the fight to cut a woman free from her car... | 0:42:32 | 0:42:35 | |
-Don't panic, darling. -..without causing her further injury. | 0:42:35 | 0:42:40 | |
Keep your head as still as possible. | 0:42:40 | 0:42:42 | |
A motorist accused of drink-driving... | 0:42:42 | 0:42:45 | |
Have you had any alcohol in the last 20 minutes? | 0:42:45 | 0:42:47 | |
..is left high and dry. | 0:42:47 | 0:42:49 | |
There's a high probability that his alcohol level is going up. | 0:42:49 | 0:42:54 | |
And monster machines on the march down the Great North Road. | 0:42:54 | 0:42:58 | |
Travelling at 50 mile an hour, | 0:42:58 | 0:43:00 | |
the wind will just get under them and blow them up. | 0:43:00 | 0:43:03 |