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All over the world, there are remarkable hotels, | 0:00:02 | 0:00:05 | |
born of bold vision and daring endeavour. | 0:00:05 | 0:00:09 | |
Oh, my goodness, look at that! | 0:00:09 | 0:00:12 | |
Whether it's an epic structure housing a sky park | 0:00:12 | 0:00:15 | |
the length of the Eiffel Tower... | 0:00:15 | 0:00:17 | |
This is definitely the biggest space I've ever been inside. | 0:00:17 | 0:00:20 | |
..or a glass box, perched in the cloud forest. | 0:00:22 | 0:00:25 | |
-Look at that view! -Wow. | 0:00:25 | 0:00:27 | |
..they're all products of innovation, | 0:00:29 | 0:00:31 | |
creativity and hard graft. | 0:00:31 | 0:00:33 | |
The people running these hotels | 0:00:34 | 0:00:36 | |
strive to create the perfect sanctuary. | 0:00:36 | 0:00:38 | |
But what does it take to offer once-in-a-lifetime experiences | 0:00:39 | 0:00:43 | |
in stunning locations? | 0:00:43 | 0:00:46 | |
To build a hotel in a place like this, everybody thinks I'm crazy! | 0:00:46 | 0:00:49 | |
In total, we have about 160,000 pieces of uniform. | 0:00:50 | 0:00:54 | |
Oh, my word! | 0:00:55 | 0:00:57 | |
I'm a restaurant writer, newspaper columnist and critic. | 0:00:58 | 0:01:00 | |
I have opinions on just about everything. | 0:01:00 | 0:01:03 | |
What a mad place to build a hotel! | 0:01:03 | 0:01:05 | |
I feel like Scott of the Antarctic, and it did not end well for him. | 0:01:05 | 0:01:09 | |
And I'm a chef, who's worked at the top end of the hospitality industry | 0:01:09 | 0:01:13 | |
for well over 20 years. | 0:01:13 | 0:01:14 | |
How many opportunities do you get to cook breakfast with elephants and giraffes? | 0:01:14 | 0:01:19 | |
We'll travel to amazing hotels in every corner of the world. | 0:01:21 | 0:01:25 | |
To spend time getting to know the people working away behind the scenes. | 0:01:25 | 0:01:29 | |
When did you last have a full night's sleep? | 0:01:29 | 0:01:31 | |
-I don't remember. -Really? -Yes. | 0:01:31 | 0:01:33 | |
What motivates you to work so hard? | 0:01:33 | 0:01:36 | |
The kids. I would sacrifice everything for them. | 0:01:36 | 0:01:40 | |
Join us as we venture inside... | 0:01:41 | 0:01:44 | |
..the world's most extraordinary hotels. | 0:01:46 | 0:01:49 | |
We're on a winding single-track road | 0:01:57 | 0:01:59 | |
in the South American country of Ecuador... | 0:01:59 | 0:02:01 | |
Oi, oi, oi! | 0:02:01 | 0:02:03 | |
..on the way to a private reserve... | 0:02:03 | 0:02:05 | |
..and a hotel called Mashpi Lodge. | 0:02:06 | 0:02:09 | |
You can see the mist in the background, and the palms and the huge trees. | 0:02:11 | 0:02:14 | |
Really terribly exciting. Kind of Garden of Eden vibes. | 0:02:14 | 0:02:17 | |
Ecuador straddles the equator | 0:02:21 | 0:02:23 | |
on South America's West Coast. | 0:02:23 | 0:02:25 | |
And the Mashpi Reserve is situated in the Andean foothills, | 0:02:26 | 0:02:30 | |
three hours' drive from the capital, Quito. | 0:02:30 | 0:02:32 | |
My goodness, now there's a big gate. | 0:02:32 | 0:02:34 | |
I feel like we're in Jurassic Park. | 0:02:34 | 0:02:37 | |
It's like, what are they trying to keep out?! | 0:02:37 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:42 | |
I think we're here. | 0:02:46 | 0:02:47 | |
This is amazing! | 0:02:48 | 0:02:49 | |
Oh, my life! | 0:02:54 | 0:02:55 | |
That's a hell of a road. I'd have had a bigger jeep or something. | 0:02:58 | 0:03:00 | |
-That's a bit of a town car. -That was bumpy, wasn't it? | 0:03:00 | 0:03:03 | |
-But look at this! -Hey! -Hi. | 0:03:03 | 0:03:05 | |
-Welcome to Mashpi. -Hi. | 0:03:05 | 0:03:06 | |
'We're greeted by general manager Marc Berry.' | 0:03:06 | 0:03:09 | |
What a mad place to build a hotel! | 0:03:09 | 0:03:11 | |
It is, isn't it? Right in the middle of a cloud. | 0:03:11 | 0:03:14 | |
Mashpi Lodge is a 10 million hotel, offering understated jungle luxury | 0:03:19 | 0:03:25 | |
to guests willing to pay up to 1,500 a night. | 0:03:25 | 0:03:29 | |
-Look at that view! -Wow. | 0:03:31 | 0:03:34 | |
That is amazing. | 0:03:34 | 0:03:35 | |
Opened four years ago, this 22-room eco-hotel | 0:03:37 | 0:03:40 | |
is an air-conditioned modernist glass bubble, | 0:03:40 | 0:03:43 | |
with jaw-dropping views from every window. | 0:03:43 | 0:03:46 | |
It's like a massive treehouse, where 84 staff outnumber guests two-to-one, | 0:03:48 | 0:03:53 | |
and work around the clock providing five-star food and maintaining | 0:03:53 | 0:03:57 | |
the minimalist accommodation. | 0:03:57 | 0:03:59 | |
Upstairs, please. The restaurant is downstairs. | 0:04:01 | 0:04:03 | |
It looks lovely, it looks amazing. | 0:04:03 | 0:04:06 | |
'Marc Berry ran busy restaurants in Mexico and Quito, | 0:04:06 | 0:04:09 | |
'before joining Mashpi as operations manager two years ago.' | 0:04:09 | 0:04:12 | |
We're sustainable, we don't have any kind of pollution, | 0:04:13 | 0:04:17 | |
we don't have landfills. | 0:04:17 | 0:04:18 | |
We don't want to leave a mark. | 0:04:18 | 0:04:20 | |
So we really are making a big effort to respect nature. | 0:04:20 | 0:04:23 | |
It's a tall order for a hotel in such a remote location. | 0:04:25 | 0:04:28 | |
Mashpi is an incongruous luxury sanctuary, buried deep in the heart | 0:04:28 | 0:04:32 | |
of one of the last surviving examples of primary | 0:04:32 | 0:04:35 | |
Andean cloud forest. | 0:04:35 | 0:04:37 | |
Guests travel here from all over the world, | 0:04:37 | 0:04:40 | |
for a chance to experience the extraordinary animal and plant life, | 0:04:40 | 0:04:43 | |
guided by highly-trained naturalists. | 0:04:43 | 0:04:46 | |
I've never seen anything like this before. | 0:04:48 | 0:04:50 | |
I was not even absolutely certain until I saw it that it really | 0:04:50 | 0:04:53 | |
existed, outside of a Warner Brothers set. | 0:04:53 | 0:04:55 | |
It looks proper Tarzan. | 0:04:55 | 0:04:57 | |
What I most want to do is get out into it, I think. | 0:04:57 | 0:05:00 | |
I don't know how I'd ever get back. | 0:05:01 | 0:05:02 | |
'Giles may be taking in the view, but we are here to work, | 0:05:05 | 0:05:08 | |
'and I'm already in the bar | 0:05:08 | 0:05:10 | |
'learning the ropes as part of the welcome team.' | 0:05:10 | 0:05:12 | |
Ah, it's amazing. | 0:05:12 | 0:05:15 | |
'Every guest is greeted with a special drink, which today includes | 0:05:15 | 0:05:19 | |
'sugar syrup, citronella, lime and sparkling water.' | 0:05:19 | 0:05:22 | |
That is delicious. | 0:05:25 | 0:05:27 | |
We receive with a big smile, "How are you, sir?" | 0:05:27 | 0:05:31 | |
Of course, the most important ingredient. | 0:05:31 | 0:05:33 | |
-Hello, welcome to Mashpi. -Thank you. | 0:05:33 | 0:05:35 | |
British newlyweds David and Fiona have just arrived for their honeymoon. | 0:05:35 | 0:05:39 | |
There we go, would you like a welcome drink? | 0:05:39 | 0:05:42 | |
-I'd love one, thank you. -Personally made by myself for you. | 0:05:42 | 0:05:44 | |
-Oh, wow! -Excellent. -Congratulations, I hear. | 0:05:44 | 0:05:47 | |
Thank you. | 0:05:47 | 0:05:49 | |
-How was the journey? -Yeah, good. -Not too bad. | 0:05:49 | 0:05:51 | |
So, this is your room key. | 0:05:51 | 0:05:53 | |
'I've been told to let the view do the talking.' | 0:05:53 | 0:05:56 | |
Your room. | 0:05:57 | 0:05:58 | |
-Wow. -Pretty impressive. | 0:06:05 | 0:06:08 | |
That is phenomenal. | 0:06:09 | 0:06:11 | |
You just feel like you're in the jungle. | 0:06:14 | 0:06:16 | |
-It's kind of all-encompassing, really. -Immersed in it. | 0:06:16 | 0:06:19 | |
Because of all the glass, it's incredible. | 0:06:19 | 0:06:22 | |
I should leave you two honeymooners to enjoy your room. | 0:06:22 | 0:06:25 | |
Thanks very much. | 0:06:25 | 0:06:27 | |
Have a great honeymoon. | 0:06:27 | 0:06:29 | |
The owner of Mashpi Lodge is Roque Sevilla. | 0:06:34 | 0:06:37 | |
Formerly the Mayor of Quito, | 0:06:39 | 0:06:41 | |
Roque made his fortune in insurance and communications. | 0:06:41 | 0:06:45 | |
But as owner of Mashpi Lodge, | 0:06:46 | 0:06:48 | |
he's combined business acumen with his deep love of nature. | 0:06:48 | 0:06:51 | |
The visitors that come here come to see not the hotel, but the forest. | 0:06:52 | 0:06:57 | |
That's the main objective. | 0:06:57 | 0:07:00 | |
So, the building should be a beautiful thing, | 0:07:00 | 0:07:02 | |
but shouldn't compete with the beauty of nature. | 0:07:02 | 0:07:06 | |
So, I decided to build this shell of glass. | 0:07:06 | 0:07:09 | |
This bubble of glass, | 0:07:10 | 0:07:12 | |
that allows you to be in constant contact with the forest. | 0:07:12 | 0:07:16 | |
So, wherever you are in the hotel, you'll have a glimpse of the forest. | 0:07:16 | 0:07:22 | |
It's a bold idea, | 0:07:25 | 0:07:27 | |
but how do the staff manage to keep up appearances in a hotel | 0:07:27 | 0:07:31 | |
that's surrounded by vegetation, and regularly buried in cloud? | 0:07:31 | 0:07:35 | |
23-year-old Ana Gabriela Moya is head of housekeeping. | 0:07:41 | 0:07:44 | |
The hotel is like a cocoon for the guests to feel safe here, | 0:07:47 | 0:07:51 | |
and they can relax, but also to be part of the forest, | 0:07:51 | 0:07:54 | |
and see how mysterious it is and how beautiful it is. | 0:07:54 | 0:07:56 | |
So, they expect to be able to get super dirty outside in the forest, | 0:07:56 | 0:08:01 | |
but to be able to come back and have luxury. | 0:08:01 | 0:08:03 | |
Like, a mix of those things. | 0:08:03 | 0:08:05 | |
Ana runs a staff of 12, whose battle with the elements is never-ending. | 0:08:06 | 0:08:10 | |
-Giles! -Hi, Ana. | 0:08:13 | 0:08:15 | |
'And today, she's got an extra pair of hands - me!' | 0:08:15 | 0:08:18 | |
First this, you're going to have to wear your name tag. | 0:08:18 | 0:08:21 | |
Thank you very much. | 0:08:21 | 0:08:22 | |
'I'm going to help her fight her nemesis - mould.' | 0:08:22 | 0:08:26 | |
This is the result of the humidity of the forest. | 0:08:26 | 0:08:28 | |
Humidity inside the hotel is, like, our biggest enemy. | 0:08:28 | 0:08:32 | |
Well, that's the forest basically trying to grow in the hotel, isn't it? | 0:08:32 | 0:08:36 | |
It's like saying, "This is my spot." | 0:08:36 | 0:08:38 | |
It is, but that would eventually turn into rainforest, | 0:08:38 | 0:08:41 | |
if it wasn't for you. | 0:08:41 | 0:08:42 | |
Housekeeping. | 0:08:43 | 0:08:45 | |
A cloud forest is similar to a rainforest, | 0:08:45 | 0:08:48 | |
but situated high above sea-level. | 0:08:48 | 0:08:49 | |
So, the rising air cools to create clouds, | 0:08:51 | 0:08:54 | |
meaning that everything here stays moist. | 0:08:54 | 0:08:57 | |
Great for plants and vegetation, but not so great for hotels. | 0:08:57 | 0:09:01 | |
So, it's a very hostile environment to keep a room clean, isn't it? | 0:09:01 | 0:09:04 | |
The humidity is crazy here - it's really crazy. | 0:09:04 | 0:09:08 | |
And it's like a constant battle, like, it's never stopping. | 0:09:08 | 0:09:11 | |
We have to paint the rooms continuously, | 0:09:12 | 0:09:15 | |
maybe every three weeks. | 0:09:15 | 0:09:16 | |
-You repaint every three weeks? -Just, like, the mouldy parts. | 0:09:16 | 0:09:19 | |
Really? | 0:09:19 | 0:09:21 | |
Ana wages war on the 90% humidity with a fleet of dehumidifiers that | 0:09:21 | 0:09:26 | |
liberate a staggering 15 litres of water each and every day. | 0:09:26 | 0:09:30 | |
To further complicate her job, | 0:09:33 | 0:09:35 | |
Roque insists that every product in the hotel, | 0:09:35 | 0:09:38 | |
from cleaning products to guest shampoo, is chemical-free. | 0:09:38 | 0:09:42 | |
Is this good wheeling? | 0:09:43 | 0:09:44 | |
Really good wheeling, isn't it? | 0:09:44 | 0:09:46 | |
He's very committed to, like, the environment, | 0:09:46 | 0:09:49 | |
so we have to use things that are eco-friendly. | 0:09:49 | 0:09:51 | |
-Biodegradable? -Biodegradable. | 0:09:51 | 0:09:53 | |
And we have to come up with different ideas, | 0:09:53 | 0:09:56 | |
like vinegar and baking soda, | 0:09:56 | 0:09:58 | |
so that makes my job a lot harder. | 0:09:58 | 0:09:59 | |
And then there's Ecuador's estimated one million different species of insect. | 0:10:02 | 0:10:07 | |
Moths every night get attracted when we turn on the lights. | 0:10:09 | 0:10:12 | |
So it's, kind of, moth carnage in there. | 0:10:13 | 0:10:15 | |
I am world-famous for my moth cleaning skills. | 0:10:15 | 0:10:18 | |
-OK? -This is like a major suicide spot for moths. | 0:10:18 | 0:10:22 | |
Somersault, and... Boom! | 0:10:27 | 0:10:30 | |
-Thank you very much. -Good job. | 0:10:30 | 0:10:32 | |
Having experienced first-hand the challenges of running a hotel | 0:10:35 | 0:10:38 | |
in this environment, I want to meet the man behind the vision. | 0:10:38 | 0:10:42 | |
So, why on earth would you build a hotel here? | 0:10:43 | 0:10:45 | |
Why did you want to do that? | 0:10:45 | 0:10:47 | |
Basically, because I wanted to show other people | 0:10:47 | 0:10:50 | |
the beauty of this place. | 0:10:50 | 0:10:52 | |
To help me understand his ambition for Mashpi Lodge, | 0:10:54 | 0:10:57 | |
Roque has invited me to his observation tower. | 0:10:57 | 0:10:59 | |
It stands 20 metres high on a ridge above the hotel and the forest | 0:11:01 | 0:11:06 | |
that he bought 15 years ago. | 0:11:06 | 0:11:08 | |
Yeah, I don't really like heights. | 0:11:08 | 0:11:09 | |
I wish you'd bought a lower bit of forest, frankly. | 0:11:09 | 0:11:12 | |
Right... | 0:11:15 | 0:11:16 | |
You see, there you can see... | 0:11:18 | 0:11:20 | |
-Is that it, there? -That's the hotel. -Wow! | 0:11:20 | 0:11:24 | |
Everybody thinks I'm completely crazy, | 0:11:24 | 0:11:26 | |
because who cares to build a hotel in a place like this one? | 0:11:26 | 0:11:30 | |
Tell me, so, you were the Mayor of Quito, you're a businessman. | 0:11:31 | 0:11:34 | |
What led you to buy a chunk of cloud forest? | 0:11:34 | 0:11:37 | |
Well, when I bought it, I had no idea of doing a business here, | 0:11:37 | 0:11:41 | |
a tourist business. It was just a protection of this area. | 0:11:41 | 0:11:45 | |
This kind of forest is disappearing at an incredible rate, | 0:11:45 | 0:11:48 | |
and in Ecuador we have only 5% of it still standing. | 0:11:48 | 0:11:54 | |
Roque's 1,200 hectares of tropical forest | 0:11:54 | 0:11:57 | |
reaches almost as far as I can see, | 0:11:57 | 0:11:59 | |
but it's just a fraction of the Choco, a once vast forest | 0:11:59 | 0:12:02 | |
that stretched for thousands of miles through Panama, | 0:12:02 | 0:12:05 | |
Colombia and Ecuador. | 0:12:05 | 0:12:07 | |
Widespread logging and farming in the Ecuadorian Choco has seen 95% of | 0:12:08 | 0:12:13 | |
it cut down in the last 50 years. | 0:12:13 | 0:12:15 | |
Roque's land was owned by a logging company, | 0:12:18 | 0:12:20 | |
but the mountainous terrain slowed them down long enough for him to | 0:12:20 | 0:12:23 | |
buy it, before it was too late. | 0:12:23 | 0:12:24 | |
Getting down to the nitty-gritty of how much it all cost, first of all, | 0:12:26 | 0:12:30 | |
buying the forest in the first place - was that expensive? | 0:12:30 | 0:12:33 | |
It cost exactly the same as a 200 square metre apartment in Quito. | 0:12:33 | 0:12:40 | |
350,000 to buy 1,200 hectares. | 0:12:40 | 0:12:45 | |
So, it's probably the cheapest thing I've bought in my life, | 0:12:45 | 0:12:50 | |
because it's the most valuable thing I have. | 0:12:50 | 0:12:52 | |
Roque's passion for nature meant that he insisted no large trees or | 0:12:54 | 0:12:59 | |
plants were disturbed by the build. | 0:12:59 | 0:13:01 | |
So, the structure was fabricated off-site in large pieces, and trucked in. | 0:13:01 | 0:13:05 | |
It took two years to build, and cost 10 million. | 0:13:07 | 0:13:10 | |
That was the place where the logging company had cut the forest, | 0:13:12 | 0:13:17 | |
for putting the mill. | 0:13:17 | 0:13:19 | |
-It's on the site of where the mill was... -Exactly. | 0:13:19 | 0:13:22 | |
..that sawed up the trees that they cut down? | 0:13:22 | 0:13:24 | |
-Exactly. -That's actually, like, the centre of evil. | 0:13:24 | 0:13:26 | |
That's the centre of evil, yes! | 0:13:26 | 0:13:29 | |
Roque didn't just save a forest - | 0:13:31 | 0:13:34 | |
he preserved some of the most diverse habitat in the world. | 0:13:34 | 0:13:36 | |
Ecuador is home to around 10% of all plant life on the planet, | 0:13:38 | 0:13:42 | |
and a phenomenal 1,700 bird species, | 0:13:42 | 0:13:46 | |
more than twice the amount found in the whole of North America. | 0:13:46 | 0:13:49 | |
Just looking around, all the life | 0:13:52 | 0:13:55 | |
that you have in this green | 0:13:55 | 0:13:57 | |
mass of forest, it's amazing. | 0:13:57 | 0:14:00 | |
There's no other hotel, probably, that has so much life near to it, | 0:14:00 | 0:14:04 | |
in the world. | 0:14:04 | 0:14:06 | |
So, I think it's the best idea I've had in my life. | 0:14:06 | 0:14:11 | |
Roque's made it his mission to encourage everyone | 0:14:12 | 0:14:15 | |
who visits the hotel to see the forest through his eyes. | 0:14:15 | 0:14:19 | |
What we would like is that when people come here, | 0:14:20 | 0:14:24 | |
their view of the planet would change, | 0:14:24 | 0:14:28 | |
that they would consider themselves as part of the whole system, | 0:14:28 | 0:14:31 | |
and not as the king of the creation. | 0:14:31 | 0:14:35 | |
That would be the most wonderful thing that could happen. | 0:14:35 | 0:14:38 | |
Roque's desire for guests to engage with nature has led to a wondrous | 0:14:45 | 0:14:49 | |
invention, deep in the forest. | 0:14:49 | 0:14:51 | |
I know it's a gondola, that's all I know. | 0:14:54 | 0:14:57 | |
A gondola in the sense of a ski lift, kind of a thing? | 0:14:57 | 0:14:59 | |
Yes, in the middle of this rainforest. | 0:14:59 | 0:15:02 | |
This is Roque's latest project, | 0:15:02 | 0:15:05 | |
a jungle cable car called the Dragonfly. | 0:15:05 | 0:15:07 | |
Gondola baskets float for almost a mile | 0:15:12 | 0:15:14 | |
through the reserve's treetops, | 0:15:14 | 0:15:16 | |
at heights of up to 200 metres from the ground. | 0:15:16 | 0:15:19 | |
Some experts suggest that it's up here that around 70% of life in | 0:15:19 | 0:15:22 | |
the forest is found, and this gives guests a unique opportunity | 0:15:22 | 0:15:26 | |
to catch a glimpse of it. | 0:15:26 | 0:15:28 | |
That looks kind of exciting. That looks like Jurassic Park, doesn't it? | 0:15:28 | 0:15:31 | |
I feel like we're going to get in this gondola, | 0:15:31 | 0:15:33 | |
and a huge bird is just going to come and take us out. | 0:15:33 | 0:15:36 | |
-A pterodactyl? -Pterodactyl, there you go. | 0:15:39 | 0:15:41 | |
'Today, we'll be helping operations manager Marc | 0:15:41 | 0:15:44 | |
'carry out vital safety checks.' | 0:15:44 | 0:15:46 | |
It has to be very smooth, it has to be very safe, | 0:15:47 | 0:15:50 | |
it has to be very comfortable. | 0:15:50 | 0:15:52 | |
And to do that right in the middle of nowhere | 0:15:52 | 0:15:55 | |
is a real, real challenge. | 0:15:55 | 0:15:57 | |
Oh, my word! | 0:15:57 | 0:15:58 | |
Yeah! | 0:15:59 | 0:16:00 | |
This is so cool. | 0:16:02 | 0:16:04 | |
I could stay out here all day. | 0:16:08 | 0:16:10 | |
I wish my daughter was here with me - she'd love it. | 0:16:10 | 0:16:13 | |
If Roque thought it was tough to build the hotel without impacting | 0:16:14 | 0:16:17 | |
the environment, it was nothing | 0:16:17 | 0:16:19 | |
compared to constructing a mile-long jungle ski lift. | 0:16:19 | 0:16:22 | |
He had to find a way to put this system somewhere in the middle of | 0:16:26 | 0:16:31 | |
the Mashpi Reserve, without having to cut down trees. | 0:16:31 | 0:16:34 | |
This extraordinary feat of engineering took four years | 0:16:37 | 0:16:40 | |
and 3 million to complete, employing a crew of 20 and using | 0:16:40 | 0:16:44 | |
over 1,000 tonnes of concrete. | 0:16:44 | 0:16:46 | |
Whoo! Can you imagine just going...zip down there? | 0:16:51 | 0:16:55 | |
I mean, it's a beautiful, amazing thing - | 0:16:55 | 0:16:57 | |
it's just really terrifying. | 0:16:57 | 0:16:59 | |
I mean, really terrifying. If you have any sort of imagination, | 0:16:59 | 0:17:02 | |
I don't see how you can think about anything except | 0:17:02 | 0:17:04 | |
the twang of the cable snapping, and the whole thing plummeting down, | 0:17:04 | 0:17:07 | |
smashing through the trees, and the twigs and the branches, | 0:17:07 | 0:17:10 | |
and bam, hitting the deck. | 0:17:10 | 0:17:11 | |
And then waking up with your limbs all broken, | 0:17:11 | 0:17:14 | |
with a panther eating you. | 0:17:14 | 0:17:15 | |
That's probably not going to happen, | 0:17:18 | 0:17:19 | |
but there does have to be a rescue procedure in case of power failure. | 0:17:19 | 0:17:23 | |
And there is - it's called a rope. | 0:17:25 | 0:17:27 | |
The thing is that you never know what can happen - | 0:17:28 | 0:17:31 | |
better to be safe than sorry. | 0:17:31 | 0:17:32 | |
MONICA GASPS | 0:17:32 | 0:17:34 | |
That's high! | 0:17:34 | 0:17:35 | |
'Staff members take turns to test the escape drill, but, today, | 0:17:35 | 0:17:39 | |
'that dubious honour has fallen to one of us.' | 0:17:39 | 0:17:42 | |
It looks like quite a long way down. | 0:17:44 | 0:17:46 | |
Certainly, if you fell out of this thing, you would die. | 0:17:46 | 0:17:49 | |
I am just too scared, so I'm not going to do it. | 0:17:49 | 0:17:51 | |
I reckon I'm being quite brave by staying up here. | 0:17:53 | 0:17:55 | |
With Giles bravely opting to keep my seat warm... | 0:17:57 | 0:17:59 | |
..it's my turn to take one for the team. | 0:18:00 | 0:18:04 | |
Well done, well done. | 0:18:04 | 0:18:05 | |
Whoa-ho! | 0:18:07 | 0:18:09 | |
-Don't... -Don't look down. -Don't look down. | 0:18:09 | 0:18:12 | |
-Slowly sit back. -Sit back?! | 0:18:12 | 0:18:14 | |
-Trust your equipment. -OK. | 0:18:14 | 0:18:16 | |
Whoo! Woohoo! | 0:18:18 | 0:18:21 | |
Whoa! Don't do that! | 0:18:27 | 0:18:30 | |
Woohoo! This is so cool! | 0:18:30 | 0:18:33 | |
This feels awesome, just sitting in a swing, really. | 0:18:36 | 0:18:39 | |
It's the letting go. It's the letting go. | 0:18:39 | 0:18:41 | |
Giles, did we bring any champagne with us? | 0:18:41 | 0:18:43 | |
'This isn't just thrill-seeking - | 0:18:49 | 0:18:51 | |
'it's a drill that has to be tested regularly.' | 0:18:51 | 0:18:53 | |
Woohoo! That's so awesome. | 0:18:53 | 0:18:57 | |
Shall we do it again?! | 0:18:57 | 0:18:58 | |
Argh! Wet foot. | 0:19:00 | 0:19:03 | |
After doing that and managing to get myself down here in one piece, | 0:19:03 | 0:19:08 | |
the system is really safe. | 0:19:08 | 0:19:11 | |
How was that, then, Mon, are you all right? | 0:19:11 | 0:19:13 | |
Yeah, I am. I made it down in one piece! | 0:19:13 | 0:19:16 | |
Would you do it again? | 0:19:16 | 0:19:17 | |
Yeah, I would do it again. | 0:19:17 | 0:19:19 | |
Come on, then! | 0:19:19 | 0:19:21 | |
LAUGHTER | 0:19:21 | 0:19:22 | |
Have you got a pub up here, mate? | 0:19:25 | 0:19:27 | |
Mwah! | 0:19:29 | 0:19:30 | |
You really do get a sense of how huge it is and how dense the forest | 0:19:32 | 0:19:35 | |
is when you're right in the middle of it. | 0:19:35 | 0:19:39 | |
It's an amazing experience. | 0:19:39 | 0:19:41 | |
Mashpi Lodge's remote location is a big part of its charm, | 0:19:47 | 0:19:51 | |
but running a five-star eco-hotel in such a wild environment | 0:19:51 | 0:19:55 | |
comes with unique logistical issues. | 0:19:55 | 0:19:57 | |
In keeping with Roque's zero-impact policy, | 0:19:59 | 0:20:01 | |
the access road hasn't been modernised since the logging company | 0:20:01 | 0:20:05 | |
established it 40 years ago. | 0:20:05 | 0:20:06 | |
Landslides are a weekly occurrence and threaten to | 0:20:10 | 0:20:13 | |
derail guest transfers unless they're cleared quickly. | 0:20:13 | 0:20:16 | |
Today, I'm joining operations manager Marc to find out | 0:20:20 | 0:20:23 | |
how to run a hotel in the middle of nowhere. | 0:20:23 | 0:20:26 | |
It is a challenge, and, if it was easy, it would be boring. | 0:20:26 | 0:20:31 | |
This is one kitchen that really needs their walk-in fridge, | 0:20:31 | 0:20:34 | |
as the bulk of their weekly supplies arrive in a single delivery. | 0:20:34 | 0:20:38 | |
It's not like living in the city, you're missing something, | 0:20:40 | 0:20:43 | |
you can get something delivered in maybe a few minutes. | 0:20:43 | 0:20:46 | |
So you've got to be on top of things, plan everything ahead. | 0:20:46 | 0:20:50 | |
When the lodge is full, the kitchen feeds 44 guests, plus 60 staff | 0:20:51 | 0:20:56 | |
three meals a day. | 0:20:56 | 0:20:57 | |
That's 300 plates of food. | 0:20:57 | 0:20:58 | |
I'm delighted to see that a special request I made for Giles has arrived - | 0:21:00 | 0:21:05 | |
a local delicacy that is only found in this part of the world. | 0:21:05 | 0:21:09 | |
Here in Ecuador they eat guinea pig, | 0:21:09 | 0:21:12 | |
and Giles is just about to discover how that tastes. | 0:21:12 | 0:21:16 | |
The cloud forest may steal the show here, | 0:21:20 | 0:21:23 | |
but Roque has made sure the food doesn't disappoint either. | 0:21:23 | 0:21:26 | |
Head chef Oswaldo and his team | 0:21:27 | 0:21:29 | |
lay on a comprehensive breakfast and lunch buffet, | 0:21:29 | 0:21:32 | |
switching to an Ecuadorian-influenced a la carte in the evening. | 0:21:32 | 0:21:36 | |
Today, I'm working with Oswaldo to prepare lunch - | 0:21:39 | 0:21:43 | |
guinea pig. | 0:21:43 | 0:21:44 | |
'Guinea pig, or cuy, isn't a permanent fixture on the menu here...' | 0:21:49 | 0:21:52 | |
Do you want me to take that out? | 0:21:52 | 0:21:54 | |
'..but it is widely eaten in Ecuador, Peru and Bolivia.' | 0:21:54 | 0:21:58 | |
I'm so sorry, it's squeaking! | 0:21:58 | 0:22:01 | |
-Sale? -Sal. -Sal. | 0:22:01 | 0:22:03 | |
So really rubbing the salt and the garlic into the guinea pig. | 0:22:04 | 0:22:10 | |
That just sounds so wrong. | 0:22:10 | 0:22:12 | |
'Achiote is the saffron of South America. | 0:22:12 | 0:22:16 | |
'Mixed with cooking oil, it adds perfume and colour.' | 0:22:16 | 0:22:19 | |
It's just a little bit bitter. It's fragrant. | 0:22:19 | 0:22:22 | |
And now we have a fluorescent orange guinea pig. | 0:22:22 | 0:22:25 | |
And in the oven we go. | 0:22:25 | 0:22:28 | |
One nation's pet, another's traditional lunch. | 0:22:28 | 0:22:31 | |
Will I try it? Yes, I will. | 0:22:32 | 0:22:34 | |
Will I put it on the menu back at home? | 0:22:35 | 0:22:37 | |
No, I won't. | 0:22:37 | 0:22:39 | |
The structure of this hotel is dominated by one thing - glass. | 0:22:41 | 0:22:47 | |
Roque designed it this way | 0:22:47 | 0:22:49 | |
to keep guests connected to the forest at all times. | 0:22:49 | 0:22:52 | |
The daunting task of keeping it all clean | 0:22:52 | 0:22:54 | |
falls to maintenance man Fabian. | 0:22:54 | 0:22:56 | |
He works his way around each pane every three weeks, | 0:22:58 | 0:23:02 | |
but, today, Ana's nominated me to help. | 0:23:02 | 0:23:05 | |
They're not technically windows, are they? | 0:23:05 | 0:23:07 | |
Because they're just walls made of glass. | 0:23:07 | 0:23:09 | |
I think of a window as a little thing in a wall. | 0:23:09 | 0:23:11 | |
-You've got a hotel made entirely of glass. -A lot of glass, that's true. | 0:23:11 | 0:23:15 | |
Ana tells me Fabian will only answer to the name Nino, | 0:23:15 | 0:23:18 | |
which in Spanish means "boy". | 0:23:18 | 0:23:19 | |
'As Nino is famously a man of few words...' | 0:23:22 | 0:23:25 | |
Fabian. | 0:23:25 | 0:23:26 | |
'..I'm not sure how he feels about me trying my hand at his job.' | 0:23:26 | 0:23:30 | |
Nice wobbly ladder you've got here, Nino. | 0:23:35 | 0:23:37 | |
That's great. | 0:23:37 | 0:23:39 | |
Nice view from up here, though. | 0:23:42 | 0:23:44 | |
How many metres of glass are there in this building? | 0:23:45 | 0:23:48 | |
We have around 1,000 square metres of glass inside the hotel. | 0:23:48 | 0:23:51 | |
In some ways you might say it's a project of sheer madness to build | 0:23:51 | 0:23:55 | |
a giant glass box in the jungle and then try and keep it clean all day. | 0:23:55 | 0:23:59 | |
I mean, that's slightly mental, isn't it? | 0:23:59 | 0:24:01 | |
Do you ever get the sense that you're fighting the jungle? | 0:24:01 | 0:24:04 | |
The jungle wants you to be dirty, doesn't it? | 0:24:04 | 0:24:06 | |
That's the thing about jungles, they're dirty, wet, bacteria, life, | 0:24:06 | 0:24:10 | |
everything grows out of this dirt. | 0:24:10 | 0:24:12 | |
You must know deep down that you're going to lose. | 0:24:12 | 0:24:14 | |
-1,000 years from now... -Yeah. | 0:24:14 | 0:24:16 | |
..the jungle is going to have eaten this place and everything in it. | 0:24:16 | 0:24:19 | |
That's why we have to keep all the details and the constant cleaning | 0:24:19 | 0:24:22 | |
all the time. We cannot even stop for a week - | 0:24:22 | 0:24:25 | |
we have to do it all the time. | 0:24:25 | 0:24:26 | |
Do you wake up in the night screaming at the thought? | 0:24:26 | 0:24:29 | |
No, I don't. I'm not that obsessed with cleaning. | 0:24:29 | 0:24:32 | |
-Yes, you are. -I'm not. -You are! | 0:24:32 | 0:24:34 | |
It's actually rather satisfying, that is the thing. | 0:24:36 | 0:24:39 | |
What does Nino think? Is this all right? | 0:24:39 | 0:24:41 | |
ANA SPEAKS IN SPANISH | 0:24:41 | 0:24:43 | |
Si? | 0:24:43 | 0:24:44 | |
'Hats off to Nino. | 0:24:45 | 0:24:47 | |
'This is a tiring job, and anyone who can spend | 0:24:47 | 0:24:49 | |
'45 solitary hours a week doing it deserves a medal.' | 0:24:49 | 0:24:52 | |
Oh, terra firma. | 0:24:53 | 0:24:55 | |
How about that? Top job, eh? Nino's out of a job. | 0:24:55 | 0:24:58 | |
That's actually quite good fun for me to climb up there | 0:25:00 | 0:25:02 | |
and there's a satisfaction in cleaning a couple of panes, | 0:25:02 | 0:25:05 | |
but there's 1,000 square metres of glass here, and poor old Nino, | 0:25:05 | 0:25:08 | |
his entire life, day after day after day, | 0:25:08 | 0:25:10 | |
hour after hour after hour is keeping this clean. | 0:25:10 | 0:25:13 | |
What do you suppose "served with smoked moron pepper gelais" is? | 0:25:17 | 0:25:20 | |
-Do you know what a moron is? -Moron? Well... You're here. | 0:25:20 | 0:25:24 | |
I hope Giles has worked up an appetite for his special lunch - | 0:25:26 | 0:25:30 | |
guinea pig a la Mashpi. | 0:25:30 | 0:25:32 | |
Sir, traditional plato Ecuador. Cuy. | 0:25:34 | 0:25:38 | |
Oh, cool. | 0:25:38 | 0:25:39 | |
So, I took the liberty of ordering you something special. | 0:25:39 | 0:25:43 | |
Did you save the skin, because I did want to make a pair of gloves? | 0:25:43 | 0:25:46 | |
Cuy. Very good. | 0:25:46 | 0:25:49 | |
-Gracias. -Otro cuy. -Ah! | 0:25:49 | 0:25:51 | |
-What are you having? -The same. | 0:25:51 | 0:25:53 | |
Why does yours look like that? | 0:25:53 | 0:25:55 | |
-Is yours the traditional way? -No, yours is the traditional way. | 0:25:55 | 0:25:58 | |
I thought you'd enjoy it better that way. | 0:25:58 | 0:26:00 | |
This recipe has been handed down by the Incas... | 0:26:00 | 0:26:03 | |
Because they didn't want it any more. | 0:26:03 | 0:26:05 | |
Can I offer you the head? Because you don't seem to have got one. | 0:26:06 | 0:26:09 | |
-No. -What I really need is a steak knife. | 0:26:09 | 0:26:12 | |
Do you have a guinea pig knife? Is that a...? | 0:26:12 | 0:26:15 | |
It's quite difficult to cut. | 0:26:16 | 0:26:18 | |
-Mmm. It's delicious. -Is it? | 0:26:22 | 0:26:24 | |
It's got a lot more fat than I thought it would have had. | 0:26:24 | 0:26:26 | |
I assume it's farmed guinea pig, isn't it? | 0:26:26 | 0:26:28 | |
'In South America, the guinea pig was around long before the cow, | 0:26:28 | 0:26:32 | |
'and still carries a certain status for special occasions. | 0:26:32 | 0:26:36 | |
You look at a meal like this, don't you? And you say that we, | 0:26:36 | 0:26:39 | |
in Europe, have become quite separated from | 0:26:39 | 0:26:41 | |
the reality of the food we eat, and you thank heaven for it. | 0:26:41 | 0:26:44 | |
LAUGHTER | 0:26:44 | 0:26:46 | |
I'm trying to think of this as a rat, because then if I eat it, | 0:26:46 | 0:26:49 | |
even if I don't enjoy it, at least there's one less in the world. | 0:26:49 | 0:26:51 | |
I mean, to be honest, as a restaurant critic for the last 20 years, | 0:26:51 | 0:26:54 | |
how many rats I've eaten without knowing it, I don't know. | 0:26:54 | 0:26:57 | |
'Our waitress, Miriam, has even got a local tip for using those | 0:26:57 | 0:27:00 | |
'little guinea pig claws.' | 0:27:00 | 0:27:01 | |
SHE SPEAKS IN SPANISH | 0:27:01 | 0:27:04 | |
To clean your teeth with. | 0:27:04 | 0:27:06 | |
-I see that. -Does it work? | 0:27:06 | 0:27:09 | |
Oh, you missed a spot. | 0:27:09 | 0:27:10 | |
Normally you'd look in there. | 0:27:10 | 0:27:12 | |
The usual, non-rodent cooking here is so good, | 0:27:16 | 0:27:19 | |
it would be easy to put on weight. | 0:27:19 | 0:27:22 | |
But, thankfully, there's an army of nature guides on hand | 0:27:23 | 0:27:27 | |
to help guests walk it off round the reserve's nine miles of trails. | 0:27:27 | 0:27:31 | |
It's a very beautiful flower - it's known as Gesneriaceae. | 0:27:31 | 0:27:34 | |
Let me take maybe one of these little things out of here. | 0:27:34 | 0:27:38 | |
And just magic comes, right? | 0:27:38 | 0:27:40 | |
So, what do you see now? A hummingbird. | 0:27:41 | 0:27:44 | |
-Oh, yes. -Oh! -THEY LAUGH | 0:27:44 | 0:27:46 | |
But Roque wanted to do more with the forest than just preserve it, | 0:27:49 | 0:27:55 | |
so he allocated hotel money to pay an unusual employee, | 0:27:55 | 0:27:59 | |
resident biologist Carlos Morochz. | 0:27:59 | 0:28:01 | |
When I started here, they hired me for four months. | 0:28:04 | 0:28:07 | |
After four months, imagine being here eight years - | 0:28:07 | 0:28:10 | |
I never imagined here being eight years. | 0:28:10 | 0:28:13 | |
Carlos began with an audit of the forest to see how much wildlife had | 0:28:13 | 0:28:17 | |
survived years of hunting and logging. | 0:28:17 | 0:28:21 | |
Three years ago, everything was just cut down, | 0:28:21 | 0:28:23 | |
logging companies everywhere. | 0:28:23 | 0:28:26 | |
Now it has stopped, it's just amazing - | 0:28:26 | 0:28:29 | |
you want to be here for the rest of your life. | 0:28:29 | 0:28:32 | |
Every day is understanding something new or finding something new, | 0:28:32 | 0:28:35 | |
and we are getting amazing results of our research. | 0:28:35 | 0:28:39 | |
And we are trying to share this information to the world, to science | 0:28:39 | 0:28:42 | |
and to people in general. | 0:28:42 | 0:28:45 | |
Tonight, Carlos has asked us to help out on a research trip into the jungle... | 0:28:50 | 0:28:55 | |
in the dark. | 0:28:55 | 0:28:57 | |
I'm told that I need a head torch. | 0:28:57 | 0:29:00 | |
Look at that, it comes on. | 0:29:00 | 0:29:01 | |
So you put that on, I don't know whether this is... | 0:29:01 | 0:29:04 | |
I didn't think anybody apart from a coal miner or a gynaecologist | 0:29:04 | 0:29:08 | |
would need one of these. | 0:29:08 | 0:29:09 | |
EERIE MUSIC PLAYS | 0:29:09 | 0:29:11 | |
Everything changes at night. | 0:29:19 | 0:29:22 | |
There are more mammals that usually come out at night, too. | 0:29:22 | 0:29:25 | |
Tonight, we're hunting Carlos' latest discovery, | 0:29:25 | 0:29:28 | |
a brand-new species of frog. | 0:29:28 | 0:29:31 | |
This is the lagoon - | 0:29:34 | 0:29:35 | |
this is the place that we're going to find the Mashpi frog. | 0:29:35 | 0:29:38 | |
But a close cousin captures our attention. | 0:29:38 | 0:29:40 | |
Amazing, this is a type of tree frog, here. | 0:29:41 | 0:29:44 | |
This is called the Inbabura tree frog. | 0:29:44 | 0:29:46 | |
-Inbabura? -They're very charismatic. | 0:29:46 | 0:29:50 | |
Oh, look at that. | 0:29:50 | 0:29:52 | |
Hey, baby. | 0:29:52 | 0:29:54 | |
Ah! | 0:29:55 | 0:29:57 | |
I don't mind. That's all right. | 0:29:57 | 0:29:59 | |
Oh, that is so cool. It's love at first sight. | 0:30:00 | 0:30:02 | |
When he arrived here eight years ago, Carlos spent months living | 0:30:06 | 0:30:10 | |
in a tent while he explored every inch of the reserve. | 0:30:10 | 0:30:14 | |
Many of the nights, you just work for two or three hours, | 0:30:14 | 0:30:17 | |
work in the dark, | 0:30:17 | 0:30:19 | |
and you keep seeing stuff, and then you just start understanding | 0:30:19 | 0:30:23 | |
how the ecosystem works. | 0:30:23 | 0:30:25 | |
It's a connection with nature that I think all humans | 0:30:25 | 0:30:29 | |
need and have, actually. | 0:30:29 | 0:30:32 | |
Absolutely. | 0:30:32 | 0:30:33 | |
It's a connection that Giles is struggling to make. | 0:30:34 | 0:30:37 | |
Argh! Look! | 0:30:38 | 0:30:40 | |
There's a BLEEP butterfly the size of a cat flying around! | 0:30:40 | 0:30:44 | |
Carlos, what brings you to this part of the world? | 0:30:44 | 0:30:47 | |
-What brings me? -Yeah. -Yeah, I'm not afraid of anything. | 0:30:47 | 0:30:51 | |
I'm freaked out by the jungle, | 0:30:51 | 0:30:52 | |
so I'm just having a bit of a moment, here. | 0:30:52 | 0:30:55 | |
Mon's a chef, she's different. | 0:30:55 | 0:30:57 | |
The insect in question is just a harmless owl butterfly. | 0:31:00 | 0:31:03 | |
Yeah, all right, fine. | 0:31:05 | 0:31:06 | |
I've got a light on my head, which means the moths just want to mate | 0:31:08 | 0:31:11 | |
with my eyes, and, you know... | 0:31:11 | 0:31:14 | |
Argh! Horrible. | 0:31:14 | 0:31:16 | |
I'd rather there were gorillas and tigers, frankly, | 0:31:16 | 0:31:19 | |
than all these revolting giant insects. | 0:31:19 | 0:31:21 | |
'But then I spot a pair of tiny eyes in the darkness.' | 0:31:23 | 0:31:25 | |
Yes, just behind that leaf. | 0:31:27 | 0:31:28 | |
-What is it? -Yeah! -Is that it? | 0:31:30 | 0:31:32 | |
-I found the Mashpi? -Yeah, you find a Mashpi. -Really? -Yeah. -Ha-ha! | 0:31:32 | 0:31:37 | |
Is it definitely the Mashpi? | 0:31:37 | 0:31:39 | |
-Because this could be the giant frog. -It's definitely the Mashpi. | 0:31:39 | 0:31:41 | |
Can I see? That's quite exciting, actually. | 0:31:41 | 0:31:44 | |
I just found the Mashpi frog. I'm very, very good at this. | 0:31:44 | 0:31:47 | |
I'm like a Crocodile Dundee, except with weenie amphibians. | 0:31:47 | 0:31:51 | |
It's every biologist's dream to describe a new species to science, | 0:31:51 | 0:31:56 | |
but the Mashpi frog also helps validate Carlos' staff job. | 0:31:56 | 0:31:59 | |
If it wasn't for the Mashpi preservation, | 0:32:01 | 0:32:03 | |
if it was not for this project, | 0:32:03 | 0:32:04 | |
if it was not for the hotel, almost, you wouldn't have the frog? | 0:32:04 | 0:32:07 | |
Exactly. | 0:32:07 | 0:32:08 | |
Oh, God. Carlos, your work here is done. | 0:32:09 | 0:32:12 | |
You've converted me, that's for sure. | 0:32:12 | 0:32:14 | |
Carlos's enthusiasm has spurred me on | 0:32:19 | 0:32:22 | |
to find out about his other projects, | 0:32:22 | 0:32:24 | |
so he's agreed to introduce me to some of the locals. | 0:32:24 | 0:32:27 | |
I'm very proud of these local people that have been working for us | 0:32:27 | 0:32:32 | |
in the last six years. | 0:32:32 | 0:32:34 | |
They're the ambassadors, right now, of our conservation efforts. | 0:32:34 | 0:32:37 | |
Look how beautiful it is. | 0:32:47 | 0:32:49 | |
Six years ago, Carlos persuaded Roque to fund a life centre, | 0:32:49 | 0:32:54 | |
enabling the detailed study of the 35 butterfly species | 0:32:54 | 0:32:59 | |
native to Mashpi... | 0:32:59 | 0:33:00 | |
..and paying the salary of four local people. | 0:33:02 | 0:33:05 | |
Ola, Nixon. | 0:33:07 | 0:33:08 | |
'Nixon Napa is Carlos's right-hand man.' | 0:33:09 | 0:33:12 | |
Oh! | 0:33:20 | 0:33:22 | |
I'm going to call you Mr Coren. | 0:33:22 | 0:33:25 | |
Look how gorgeous that is - that's what you're going to turn into. | 0:33:30 | 0:33:33 | |
'Previously, Nixon was a farmer. | 0:33:35 | 0:33:38 | |
'Before Carlos hired him, he viewed caterpillars as a pest.' | 0:33:38 | 0:33:41 | |
Look how beautiful it is. | 0:33:53 | 0:33:55 | |
That's so beautiful. | 0:33:55 | 0:33:56 | |
While Monica is chasing butterflies, | 0:33:58 | 0:34:00 | |
I'm heading out to meet Nixon's brother. | 0:34:00 | 0:34:02 | |
Jose Napa is a man who knows Mashpi Reserve better than anyone, | 0:34:07 | 0:34:11 | |
having spent years logging and hunting in it. | 0:34:11 | 0:34:13 | |
He was the only inhabitant of this area. | 0:34:15 | 0:34:19 | |
When I first met him, he had his machete, of course, | 0:34:19 | 0:34:24 | |
with him all the time, and people in the vicinity said, | 0:34:24 | 0:34:28 | |
"Be careful of Jose Napa, he's a dangerous fellow." | 0:34:28 | 0:34:31 | |
But he knows very well the area, he had been hunting all around, | 0:34:31 | 0:34:36 | |
so we wanted to know what we had bought. | 0:34:36 | 0:34:40 | |
Instead of chasing Jose away, Roque hired him on the spot | 0:34:42 | 0:34:46 | |
and, 15 years on, he's a senior guide responsible for the upkeep of the trails. | 0:34:46 | 0:34:50 | |
Jose is also leader of a small local community called Mashpi village, | 0:34:53 | 0:34:58 | |
home to other staff members too. | 0:34:58 | 0:34:59 | |
Today, we're clearing some fallen trees from the path | 0:35:02 | 0:35:04 | |
leading to the village, which is three miles from the lodge. | 0:35:04 | 0:35:07 | |
Watching Jose at work is a stark reminder of what could have been. | 0:35:11 | 0:35:14 | |
That's a man who could deforest an entire jungle with a Swiss army knife. | 0:35:15 | 0:35:21 | |
Did it make you sad to cut down the trees? | 0:35:24 | 0:35:26 | |
Jose was initially deeply suspicious of Roque, but his trust was won | 0:35:38 | 0:35:42 | |
when his new boss visited the forest with an orchid expert. | 0:35:42 | 0:35:45 | |
Winding our way through the forest towards Mashpi village, | 0:36:28 | 0:36:32 | |
I'm beginning to understand what all the fuss is about, | 0:36:32 | 0:36:35 | |
and things are about to get even more jungle-tastic. | 0:36:35 | 0:36:38 | |
-That's a laugh - that's an actual vine. -Yes. | 0:36:39 | 0:36:43 | |
Hold that and then... | 0:36:43 | 0:36:44 | |
Really? So it's OK? | 0:36:45 | 0:36:47 | |
Safe? I'm not going to die? | 0:36:47 | 0:36:49 | |
Yes. | 0:36:49 | 0:36:51 | |
MAKES TARZAN CALL | 0:36:51 | 0:36:53 | |
That sounded more like fear, didn't it, than Tarzan? | 0:36:54 | 0:36:57 | |
Yes! | 0:36:58 | 0:37:00 | |
MAKES TARZAN CALL | 0:37:00 | 0:37:02 | |
The only thing is those lions are going to come running, and the gorillas. | 0:37:02 | 0:37:05 | |
That's proper jungle living, that is. | 0:37:05 | 0:37:07 | |
Maybe I should swing from that one, onto another one | 0:37:07 | 0:37:10 | |
and then another one and then another one. | 0:37:10 | 0:37:12 | |
Eventually arriving, with a bit of luck, at a pub. | 0:37:12 | 0:37:14 | |
But after two hours walking, the trees start to thin... | 0:37:20 | 0:37:23 | |
..and we're running out of cloud forest. | 0:37:24 | 0:37:26 | |
God, it just ends, doesn't it? | 0:37:28 | 0:37:29 | |
That's it. | 0:37:31 | 0:37:32 | |
Wow! | 0:37:35 | 0:37:37 | |
That's the jungle which was supposed to go on forever all the way | 0:37:39 | 0:37:42 | |
to the sea, and there it just stops, | 0:37:42 | 0:37:44 | |
and you walk out like it was a park. | 0:37:44 | 0:37:45 | |
Leaving the reserve, we're confronted with a reason for | 0:37:48 | 0:37:50 | |
deforestation the world over - | 0:37:50 | 0:37:53 | |
agriculture. | 0:37:53 | 0:37:54 | |
Here, it's palm hearts, an increasingly popular vegetable | 0:37:55 | 0:37:59 | |
that tastes a bit like artichoke | 0:37:59 | 0:38:00 | |
and yields around 200 a year per square metre. | 0:38:00 | 0:38:03 | |
And this all used to be forest and was all cut down so you could grow this? | 0:38:07 | 0:38:12 | |
As we arrive on the outskirts of Mashpi village, | 0:38:20 | 0:38:23 | |
Jose invites me to see his pride and joy. | 0:38:23 | 0:38:25 | |
Amazing. | 0:38:32 | 0:38:33 | |
What an amazing place - what an incredible array of orchids. | 0:38:39 | 0:38:42 | |
I was just thinking, | 0:38:42 | 0:38:43 | |
I wonder how they keep the conditions right for these orchids. | 0:38:43 | 0:38:46 | |
And then I realised these are the conditions of the orchids. | 0:38:46 | 0:38:48 | |
And every greenhouse you ever go to in the world, | 0:38:48 | 0:38:50 | |
anything you go to in Kew Gardens, what they're trying to do is | 0:38:50 | 0:38:53 | |
replicate this cloud forest environment, | 0:38:53 | 0:38:55 | |
to keep the orchids happy. | 0:38:55 | 0:38:57 | |
My wife keeps orchids, or pet sticks as I tend to think of them, | 0:38:57 | 0:39:00 | |
because they just die immediately if you don't look after them, | 0:39:00 | 0:39:03 | |
and you couldn't kill an orchid if you tried here. | 0:39:03 | 0:39:06 | |
In the last five years, Jose has found 200 of the 4,600 different | 0:39:15 | 0:39:20 | |
species of orchid in Ecuador. | 0:39:20 | 0:39:22 | |
And we're adding another to his collection from our walk down today. | 0:39:24 | 0:39:28 | |
So you're going to plant the orchid bulb in the wood? | 0:39:28 | 0:39:31 | |
That's so clever. | 0:39:36 | 0:39:37 | |
Yes, Jose was offered a job. | 0:39:43 | 0:39:44 | |
Yes, he was offered an easier way of life than he had before. | 0:39:44 | 0:39:46 | |
But it was seeing the orchids and realising there was something | 0:39:46 | 0:39:49 | |
beautiful and different that he hadn't understood about the forest, | 0:39:49 | 0:39:52 | |
that could be the way the future worked for him, that changed his mind. | 0:39:52 | 0:39:55 | |
So the orchids, effectively, have helped to save this bit of cloud forest. | 0:39:55 | 0:39:59 | |
Jose was the first of many locals with no formal hospitality | 0:40:02 | 0:40:05 | |
experience whom Roque hired at the hotel as part of his mission | 0:40:05 | 0:40:08 | |
to bring alternative employment to this former logging community. | 0:40:08 | 0:40:12 | |
Oh, really? | 0:40:12 | 0:40:13 | |
The basic principle was that the people who are in the area | 0:40:15 | 0:40:19 | |
would benefit from the project. | 0:40:19 | 0:40:21 | |
So here in this hotel, | 0:40:21 | 0:40:23 | |
70% of the people who work here come from the area. | 0:40:23 | 0:40:27 | |
The other 30% are hospitality professionals from Quito. | 0:40:30 | 0:40:34 | |
They live on site for 20 days a month, and share the staff house | 0:40:34 | 0:40:38 | |
with local employees overnighting between shifts. | 0:40:38 | 0:40:41 | |
Oh, sorry, that's rubbish! What am I doing? | 0:40:41 | 0:40:44 | |
There we go again. | 0:40:44 | 0:40:46 | |
'So I realise family must be far away from here.' | 0:40:48 | 0:40:51 | |
What's it like staying with everyone here? | 0:40:51 | 0:40:53 | |
Well, people here become your second family. | 0:40:53 | 0:40:55 | |
So these are the ones you spend more time with. | 0:40:55 | 0:40:58 | |
This is not for everybody. | 0:40:58 | 0:41:00 | |
We've had people that haven't even stayed for 24 hours. | 0:41:00 | 0:41:03 | |
For the ones that are married, it's hard, like, | 0:41:03 | 0:41:05 | |
knowing that you haven't seen your children. | 0:41:05 | 0:41:07 | |
I can imagine that. That, for me, would be tough. | 0:41:07 | 0:41:09 | |
-It's tough. -I would find that tough. | 0:41:09 | 0:41:11 | |
36-year-old Miriam is a hard-working waitress who never stops smiling. | 0:41:16 | 0:41:20 | |
But I know that her job means regular overnights away from her family. | 0:41:23 | 0:41:27 | |
As a working mum myself, I want to find out how Miriam manages, | 0:41:46 | 0:41:50 | |
so I'm visiting her at home | 0:41:50 | 0:41:52 | |
on the outskirts of the village of La Delicia. | 0:41:52 | 0:41:54 | |
Monica! | 0:41:56 | 0:41:57 | |
'What she didn't tell me is that along with her husband | 0:42:00 | 0:42:03 | |
'she's got four children, | 0:42:03 | 0:42:05 | |
'and the youngest, Gabrielle, is just a year old.' | 0:42:05 | 0:42:07 | |
-Cheers! -Cheers! | 0:42:10 | 0:42:12 | |
Miriam's house is surrounded by fields of sugar cane, | 0:42:13 | 0:42:16 | |
which is brewed into a local pick-me-up. | 0:42:16 | 0:42:18 | |
Oh, it's lovely! But very sweet. | 0:42:21 | 0:42:23 | |
-Natural. -Yeah, very natural. -Natural. -That's delicious. | 0:42:23 | 0:42:26 | |
-Chilli. Oh, that's good. -Very good. | 0:42:29 | 0:42:33 | |
-Limona? -Limon. Si, limon. | 0:42:33 | 0:42:36 | |
Look at your view! | 0:42:36 | 0:42:38 | |
How did I miss that?! Oh, my word! | 0:42:40 | 0:42:43 | |
-Beautiful. -Yes. | 0:42:44 | 0:42:45 | |
This four-hectare sugar cane plantation is owned | 0:42:48 | 0:42:50 | |
by Miriam's husband's family. | 0:42:50 | 0:42:52 | |
In exchange for living here, they maintain it and harvest the crop. | 0:42:53 | 0:42:57 | |
Today, I'm helping out. | 0:43:01 | 0:43:02 | |
Oh! I like that. | 0:43:14 | 0:43:17 | |
That is not easy. | 0:43:19 | 0:43:20 | |
OK. One down... | 0:43:23 | 0:43:26 | |
..three and a half hectares to go! | 0:43:27 | 0:43:28 | |
Miriam and her husband need to harvest 200 kilos of cane every week, | 0:43:30 | 0:43:35 | |
so any time she's not working at the lodge, she gets stuck in down here. | 0:43:35 | 0:43:39 | |
Are you kidding me right now, Miriam? | 0:43:40 | 0:43:41 | |
-You finish working and you come and do this? -OK. | 0:43:43 | 0:43:45 | |
So, Miriam, having the job at the hotel, | 0:43:47 | 0:43:51 | |
has it made a big difference financially for you and the family? | 0:43:51 | 0:43:54 | |
'While Miriam's new career is providing financial stability, | 0:44:09 | 0:44:13 | |
'her husband now juggles his workload in the sugar cane plantation with | 0:44:13 | 0:44:17 | |
'single-handedly looking after the kids when Miriam's at the lodge. | 0:44:17 | 0:44:20 | |
'It's an unusual set-up for a man in this part of the world.' | 0:44:21 | 0:44:26 | |
How do you feel, being the one to stay home now | 0:44:26 | 0:44:28 | |
and raise the children? | 0:44:28 | 0:44:29 | |
So, Miriam, it must be hard for you now to work in the hotel | 0:44:39 | 0:44:42 | |
and having to leave the family? | 0:44:42 | 0:44:44 | |
Everything you're doing is for your family. | 0:45:30 | 0:45:32 | |
I come from a family where I hardly saw my mother, | 0:45:32 | 0:45:36 | |
because she had to work to provide for myself and my siblings, | 0:45:36 | 0:45:40 | |
and I'm sure as hell that your girls and your little boy will grow up | 0:45:40 | 0:45:45 | |
better adults for what you're sacrificing now. | 0:45:45 | 0:45:47 | |
What Miriam's doing is she's breaking boundaries here, | 0:45:53 | 0:45:56 | |
to be a woman that is leaving family life and the babies to go in search | 0:45:56 | 0:46:01 | |
of a career, to better their way of life | 0:46:01 | 0:46:05 | |
and to provide a future for her babies. | 0:46:05 | 0:46:07 | |
She wants them to see that they too can achieve more. | 0:46:07 | 0:46:11 | |
Any parent can relate to that. | 0:46:11 | 0:46:12 | |
It's amazing to see the impact of the hotel on one family, | 0:46:18 | 0:46:22 | |
but what about the hundreds of other people who can no longer log or hunt | 0:46:22 | 0:46:26 | |
in the cloud forest? | 0:46:26 | 0:46:28 | |
I do wonder how the local people in the community really do feel about the hotel. | 0:46:32 | 0:46:36 | |
Is there a bit of resentment of the tourists | 0:46:36 | 0:46:38 | |
that just come here for the hotel? | 0:46:38 | 0:46:40 | |
All the towns and villages were presumably once logging towns, | 0:46:40 | 0:46:43 | |
so there's a sort of slight sadness, like when you have a thing that used | 0:46:43 | 0:46:46 | |
to be a mining village, there's people now with nothing to do. | 0:46:46 | 0:46:49 | |
I guess there are people in what used to be logging villages with | 0:46:49 | 0:46:51 | |
nothing to do, and I suppose | 0:46:51 | 0:46:53 | |
if they get sequestered into the tourism business, | 0:46:53 | 0:46:55 | |
that's better than logging? | 0:46:55 | 0:46:57 | |
Roque believes that tourism may be the answer, | 0:46:59 | 0:47:02 | |
even for those not employed by the lodge. | 0:47:02 | 0:47:04 | |
It has taken some time, so that people begin to understand | 0:47:06 | 0:47:10 | |
that what we're doing is developing a touristic business, | 0:47:10 | 0:47:15 | |
and they're beginning to see that it is a good idea. | 0:47:15 | 0:47:19 | |
So we hope that they copy us, | 0:47:19 | 0:47:21 | |
and that they learn how to do it in the best way possible. | 0:47:21 | 0:47:25 | |
So we hope to have a lot of competition by people | 0:47:26 | 0:47:29 | |
who have worked with us! | 0:47:29 | 0:47:31 | |
That would be very good. | 0:47:31 | 0:47:32 | |
Three miles from the lodge, in Mashpi, | 0:47:35 | 0:47:37 | |
village chief Jose has been applying everything he's learned at work | 0:47:37 | 0:47:40 | |
to his own community. | 0:47:40 | 0:47:42 | |
Under his stewardship, they've transformed their picturesque | 0:47:46 | 0:47:49 | |
stretch of river into a family-friendly picnic spot, | 0:47:49 | 0:47:52 | |
hoping to entice weekend tourists from Quito, | 0:47:52 | 0:47:55 | |
and it seems to be catching on. | 0:47:55 | 0:47:57 | |
Today, they're having a procession to mark the opening | 0:48:13 | 0:48:16 | |
of another community milestone. | 0:48:16 | 0:48:17 | |
FIREWORK BANGS | 0:48:20 | 0:48:22 | |
As more than 80% of Ecuadorians are Roman Catholic, | 0:48:28 | 0:48:31 | |
an official place of worship will help put Mashpi on the map, | 0:48:31 | 0:48:35 | |
inaugurated today by a Polish missionary and his giant Alsatian. | 0:48:35 | 0:48:39 | |
Just like any city needs a cathedral, | 0:48:45 | 0:48:46 | |
a village needs an outdoor place of worship and a shrine to the Virgin. | 0:48:46 | 0:48:51 | |
It's got slightly more dogs and chickens in it than you'd be used to | 0:48:51 | 0:48:53 | |
back home, but it has a very lovely, special feeling. | 0:48:53 | 0:48:57 | |
Jose's nephew, Manolo, is benefiting from his well-paid job | 0:48:59 | 0:49:02 | |
as an English-speaking guide up at the hotel. | 0:49:02 | 0:49:04 | |
-Oh, wow! -This here is my little cabin. | 0:49:06 | 0:49:08 | |
It's beautiful. | 0:49:08 | 0:49:10 | |
'He wants to show me the house he's built for his family.' | 0:49:10 | 0:49:13 | |
-Open-plan living. -Yes. | 0:49:14 | 0:49:16 | |
-Very nice. -Yes. | 0:49:16 | 0:49:18 | |
And so, are there enough jobs at Mashpi? | 0:49:18 | 0:49:20 | |
I mean, if, supposing all the men in the village... | 0:49:20 | 0:49:23 | |
There aren't enough jobs, are there? | 0:49:23 | 0:49:25 | |
No, no, no. Here, it's very difficult to get a job. | 0:49:25 | 0:49:28 | |
That's why we're trying to have tourism in the place. | 0:49:28 | 0:49:31 | |
In that way, we can make more jobs for the community. | 0:49:31 | 0:49:35 | |
'He may now be one of the most prosperous people in town, | 0:49:37 | 0:49:40 | |
'but Manolo still likes to provide for his family the old-fashioned way.' | 0:49:40 | 0:49:44 | |
-We're going fishing, then, are we? -Yeah! Yes, we go for fishing. | 0:49:47 | 0:49:50 | |
Using a line, but not using a rod? | 0:49:50 | 0:49:52 | |
Yeah. It's much better. | 0:49:52 | 0:49:54 | |
-You put a piece of cheese on the end of a string and put the other end in your pocket? -Yeah. | 0:49:54 | 0:49:58 | |
-And this definitely works? -Yeah, put it in your pocket. | 0:49:58 | 0:50:00 | |
This is a strange way of fishing. | 0:50:00 | 0:50:02 | |
You've been fishing here all your life, have you? | 0:50:02 | 0:50:03 | |
-Yes. -What kind of cheese do you use for this? | 0:50:03 | 0:50:05 | |
-Normal cheese. -Normal cheese, OK. | 0:50:05 | 0:50:07 | |
Oops, that didn't work! Give me one more go. | 0:50:09 | 0:50:11 | |
Because it's not the most obvious way to fish, but I love it. | 0:50:11 | 0:50:15 | |
I love it. | 0:50:15 | 0:50:16 | |
-Good, good. -OK, my son, there we go. | 0:50:19 | 0:50:20 | |
-Well done, well done. -Is that good? -OK, wait. | 0:50:20 | 0:50:22 | |
-OK. -When they pull, you have to... | 0:50:22 | 0:50:25 | |
Now, now! | 0:50:25 | 0:50:26 | |
-Oh, no, no. -Oh, for heaven's sake! | 0:50:26 | 0:50:28 | |
LAUGHTER | 0:50:28 | 0:50:29 | |
When you were a kid and you used to fish here, did it look the same? | 0:50:29 | 0:50:32 | |
No. Years ago, we had more, bigger fish in these waters, | 0:50:32 | 0:50:36 | |
so now you can see just little ones. | 0:50:36 | 0:50:38 | |
Why are there not big fish now? | 0:50:38 | 0:50:40 | |
Too many people. They're always fishing. | 0:50:40 | 0:50:42 | |
No, no, no, no. You got it, you got it. You got it! | 0:50:43 | 0:50:47 | |
OK! That's a biggie. | 0:50:47 | 0:50:49 | |
Ow! I got the... Got the thing. There we go. | 0:50:49 | 0:50:52 | |
So is there any downside to the tourism? | 0:50:53 | 0:50:55 | |
-You had a good childhood here. -Yeah. | 0:50:55 | 0:50:58 | |
If you have lots and lots of tourists coming, | 0:50:58 | 0:51:00 | |
do you think your children will have the same childhood? | 0:51:00 | 0:51:03 | |
No, no. If we have a lot of visitors in this place, I think... | 0:51:03 | 0:51:07 | |
I think one day this is going to change. | 0:51:07 | 0:51:10 | |
But for the kids, it's going to be a good change, because, you know, | 0:51:10 | 0:51:15 | |
better school, high school. | 0:51:15 | 0:51:18 | |
I hope one day we have better jobs in this area. | 0:51:18 | 0:51:23 | |
The people, they stay here, they don't have to migrate | 0:51:23 | 0:51:28 | |
if we have a lot of visitors here. | 0:51:28 | 0:51:30 | |
In some parts of the world, where tourism is just opening up, | 0:51:33 | 0:51:36 | |
you do get a sense of, if not anger, then certainly regret and loss | 0:51:36 | 0:51:40 | |
from the locals of the passing of a way of life which is being | 0:51:40 | 0:51:43 | |
sucked out by visitors. | 0:51:43 | 0:51:44 | |
I don't think that's the case here. | 0:51:44 | 0:51:46 | |
I think what was going to be lost was already lost, the rainforest, | 0:51:46 | 0:51:49 | |
the cloud forest. | 0:51:49 | 0:51:50 | |
Big agriculture and the loggers had already done the harm, and indeed, | 0:51:50 | 0:51:53 | |
the local people, they were in a fairly dark place before the advent | 0:51:53 | 0:51:57 | |
of the lodge at Mashpi, and tourism generally. | 0:51:57 | 0:51:59 | |
And I think for them, the future really is much brighter | 0:51:59 | 0:52:02 | |
than it could possibly have been without it, and I think | 0:52:02 | 0:52:04 | |
it truly is a symbiotic and happy relationship. | 0:52:04 | 0:52:07 | |
Before we leave, Mashpi's resident biologist, Carlos Morochz, | 0:52:10 | 0:52:14 | |
wants to show me one of his most promising research projects - | 0:52:14 | 0:52:19 | |
a series of camera traps around the reserve that capture | 0:52:19 | 0:52:23 | |
the forest's nocturnal activity. | 0:52:23 | 0:52:25 | |
This one here, see? | 0:52:25 | 0:52:27 | |
They work with an infrared sensor, | 0:52:27 | 0:52:29 | |
so they sense the heat and the movement of the animal. | 0:52:29 | 0:52:31 | |
-Yeah. -Before on the site, | 0:52:31 | 0:52:34 | |
we used to have just mostly rodents at the beginning for the first year, | 0:52:34 | 0:52:38 | |
and now we've been getting interesting, interesting results. | 0:52:38 | 0:52:41 | |
Oh, come on, let's do it! | 0:52:41 | 0:52:43 | |
OK? Armadillo. Right there. | 0:52:48 | 0:52:50 | |
-And it's in the shot! -Yeah. | 0:52:50 | 0:52:51 | |
-Oh, look at it! -Look at it. | 0:52:51 | 0:52:53 | |
-That's a nice picture. -Oh, wow! | 0:52:53 | 0:52:56 | |
You have all the... | 0:52:56 | 0:52:58 | |
Wow, look! That's an agouti. | 0:52:58 | 0:53:00 | |
-Agouti? -Agouti. It's a rodent. -It's a big rat. | 0:53:00 | 0:53:03 | |
Twice the size of a guinea pig. | 0:53:03 | 0:53:05 | |
-That is amazing. -It's very nice. | 0:53:05 | 0:53:07 | |
'Under Roque's protection, | 0:53:08 | 0:53:09 | |
'there's been a huge increase in smaller mammals that were previously | 0:53:09 | 0:53:12 | |
'hunted for food, but there's been some bigger surprises too.' | 0:53:12 | 0:53:16 | |
I will show you something very interesting that we saw last year. | 0:53:17 | 0:53:23 | |
Oh, look at that! | 0:53:25 | 0:53:26 | |
-We have a puma. -Beauty! | 0:53:26 | 0:53:28 | |
OK? | 0:53:30 | 0:53:31 | |
'Wild puma have been pushed to the brink of extinction here in Ecuador, | 0:53:31 | 0:53:35 | |
'so to see these individuals thriving alongside the lodge | 0:53:35 | 0:53:39 | |
'is a real success.' | 0:53:39 | 0:53:40 | |
Look at this video. | 0:53:42 | 0:53:43 | |
-It's got a baby! -One cub. | 0:53:44 | 0:53:46 | |
-Two. -Two cubs. -Three! -Three cubs. | 0:53:46 | 0:53:48 | |
Oh, my word! | 0:53:48 | 0:53:49 | |
-Oh, that is so neat. -So, this is something very, very rare. | 0:53:49 | 0:53:53 | |
It tells you also that the forest is in good shape. | 0:53:53 | 0:53:55 | |
The sighting of species thought extinct provides yet more proof of | 0:53:57 | 0:54:01 | |
the success of Roque's vision. | 0:54:01 | 0:54:03 | |
We have found, for instance, birds that haven't been seen since 1936, | 0:54:04 | 0:54:12 | |
and that happened just six months ago. | 0:54:12 | 0:54:15 | |
That gives us a lot of hope that we can recover | 0:54:15 | 0:54:19 | |
many, many forms of life, and that's the good news. | 0:54:19 | 0:54:22 | |
All along, Roque has known that | 0:54:24 | 0:54:25 | |
the long-term survival of the cloud forest lies with the local people, | 0:54:25 | 0:54:31 | |
so, today, he's making the journey to Mashpi village | 0:54:31 | 0:54:34 | |
to visit his old friend Jose Napa. | 0:54:34 | 0:54:37 | |
He's keen to see how the community are progressing | 0:54:37 | 0:54:39 | |
with their transformation of this former logging town | 0:54:39 | 0:54:41 | |
to a tourist destination. | 0:54:41 | 0:54:43 | |
Roque has brought along his wife, Pilar. | 0:54:54 | 0:54:57 | |
Jose has helped transform the communal areas of the village | 0:55:12 | 0:55:15 | |
since Roque's last visit, | 0:55:15 | 0:55:16 | |
but there's one place he's been cultivating all alone. | 0:55:16 | 0:55:19 | |
We can see the whole collection of orchids here, | 0:55:37 | 0:55:39 | |
and that is an incredible work of Jose. | 0:55:39 | 0:55:43 | |
He's not only the leader of this village, | 0:55:43 | 0:55:46 | |
he's also now a botanist guide. | 0:55:46 | 0:55:49 | |
It's a complete transformation. | 0:55:50 | 0:55:52 | |
Through his involvement of the local people, Roque has empowered them to | 0:56:18 | 0:56:22 | |
take the future of the cloud forest into their own hands. | 0:56:22 | 0:56:25 | |
And with Mashpi Lodge on the verge of making a profit, | 0:56:26 | 0:56:29 | |
he's even offering them a chance to take a share of the financial | 0:56:29 | 0:56:33 | |
rewards from the hotel they've helped make a success. | 0:56:33 | 0:56:35 | |
The objective is that the people who live in the area will be our partners. | 0:56:37 | 0:56:42 | |
I feel I'm very lucky to have had the opportunity to develop this. | 0:56:42 | 0:56:47 | |
The help of the people has been invaluable, | 0:56:47 | 0:56:51 | |
and they're part of it now. | 0:56:51 | 0:56:52 | |
A place like this could never be arrived at by committee. | 0:56:58 | 0:57:01 | |
It's just... It's too crazy. | 0:57:02 | 0:57:03 | |
It requires one person with a very rooted feeling about his country and | 0:57:03 | 0:57:10 | |
the land, and a lot of money. | 0:57:10 | 0:57:12 | |
He feels it offers great hope for the ecological future of places like | 0:57:12 | 0:57:16 | |
this, and it may do, but it also does offer you the slightly scary | 0:57:16 | 0:57:21 | |
vision that none of this is going to be repeated anywhere unless | 0:57:21 | 0:57:25 | |
there are lots of Roques, and I slightly wonder whether there are. | 0:57:25 | 0:57:29 | |
Look at that one! | 0:57:35 | 0:57:36 | |
The colours are stunning when they get in the light, aren't they? | 0:57:38 | 0:57:42 | |
Don't you think Mashpi Lodge has basically, | 0:57:42 | 0:57:44 | |
in terms of the wild-versus-comfort balance, | 0:57:44 | 0:57:48 | |
-don't you think they've nailed it? -Absolutely. | 0:57:48 | 0:57:50 | |
Five-star luxury, yet, also, the huge emphasis on getting out of | 0:57:50 | 0:57:56 | |
the hotel and seeing the real reason it's there, | 0:57:56 | 0:58:00 | |
and that's to preserve this - | 0:58:00 | 0:58:03 | |
this little bit of paradise that we have left. | 0:58:03 | 0:58:05 |