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All over the world, there are remarkable hotels, | 0:00:02 | 0:00:05 | |
born of bold vision and daring endeavour. | 0:00:05 | 0:00:09 | |
Oh, my goodness, look at that! | 0:00:09 | 0:00:12 | |
Whether it's an epic structure housing a sky park | 0:00:12 | 0:00:15 | |
the length of the Eiffel Tower... | 0:00:15 | 0:00:17 | |
This is definitely the biggest space I've ever been inside. | 0:00:17 | 0:00:20 | |
..or a glass box perched in the cloud forest... | 0:00:21 | 0:00:25 | |
-Look at that view! -Wow! | 0:00:25 | 0:00:27 | |
They're all products of innovation, creativity and hard graft. | 0:00:29 | 0:00:33 | |
The people running these hotels strive to | 0:00:34 | 0:00:37 | |
create the perfect sanctuary. | 0:00:37 | 0:00:39 | |
But what does it take to offer once-in-a-lifetime experiences | 0:00:39 | 0:00:44 | |
in stunning locations? | 0:00:44 | 0:00:46 | |
To build a hotel in a place like this, | 0:00:46 | 0:00:47 | |
everybody thinks I'm crazy! | 0:00:47 | 0:00:49 | |
In total, we have about 160,000 pieces of uniform. | 0:00:50 | 0:00:55 | |
-BELL CHIMES -Oh, my word! | 0:00:55 | 0:00:58 | |
I'm a restaurant writer, newspaper columnist and critic - | 0:00:58 | 0:01:00 | |
I have opinions on just about everything. | 0:01:00 | 0:01:03 | |
What a mad place to build a hotel! | 0:01:03 | 0:01:05 | |
I feel like Scott of the Antarctic, and it did not end well for him. | 0:01:05 | 0:01:09 | |
And I'm a chef who's worked at the top end of the hospitality industry | 0:01:09 | 0:01:13 | |
for well over 20 years. | 0:01:13 | 0:01:14 | |
How many opportunities do you get to cook breakfast with elephants | 0:01:14 | 0:01:18 | |
and giraffes? | 0:01:18 | 0:01:19 | |
We'll travel to amazing hotels in every corner of the world... | 0:01:21 | 0:01:25 | |
..to spend time getting to know the people | 0:01:25 | 0:01:27 | |
working away behind-the-scenes. | 0:01:27 | 0:01:29 | |
When did you last have a full night's sleep? | 0:01:29 | 0:01:31 | |
I don't remember. | 0:01:31 | 0:01:32 | |
-Really? -Yes. | 0:01:32 | 0:01:34 | |
What motivates you to work so hard? | 0:01:34 | 0:01:36 | |
The kids - I will sacrifice everything for them. | 0:01:36 | 0:01:39 | |
Join us as we venture inside... | 0:01:41 | 0:01:44 | |
..the world's most extraordinary hotels. | 0:01:47 | 0:01:49 | |
We're in Kenya. | 0:01:56 | 0:01:58 | |
The country's beautiful savannas and thousands of exotic animal species | 0:01:58 | 0:02:02 | |
draw visitors from around the world, | 0:02:02 | 0:02:04 | |
with the promise of awesome wildlife encounters. | 0:02:04 | 0:02:07 | |
Yet, arriving at this hotel on the outskirts of the capital Nairobi, | 0:02:09 | 0:02:13 | |
it's easy to forget that we're in Africa, | 0:02:13 | 0:02:16 | |
as this feels more like a grand suburban house | 0:02:16 | 0:02:18 | |
in the English Home Counties. | 0:02:18 | 0:02:20 | |
It's very nice. | 0:02:20 | 0:02:22 | |
But, here, nothing is quite as it seems, | 0:02:22 | 0:02:25 | |
as we're about to find out. | 0:02:25 | 0:02:27 | |
'It's dawn. | 0:02:34 | 0:02:35 | |
'The guests are still asleep, but, downstairs, we're hard at work, | 0:02:35 | 0:02:39 | |
'because something extraordinary is about to take place.' | 0:02:39 | 0:02:42 | |
Do the spoons just go on the side? | 0:02:44 | 0:02:47 | |
You think I'd never laid a table before. | 0:02:47 | 0:02:49 | |
I mean, this is slightly different from breakfast at home for me | 0:02:49 | 0:02:52 | |
because, basically, my son doesn't eat breakfast | 0:02:52 | 0:02:55 | |
because he doesn't want to, | 0:02:55 | 0:02:56 | |
and my daughter has it in front of the TV, | 0:02:56 | 0:02:58 | |
even though she's not allowed to, | 0:02:58 | 0:03:00 | |
and my wife would still be asleep so, erm... | 0:03:00 | 0:03:03 | |
laying a table for people who are | 0:03:03 | 0:03:05 | |
actually going to eat is quite weird. | 0:03:05 | 0:03:07 | |
'Breakfast preparation starts painfully early here, | 0:03:07 | 0:03:10 | |
'as guests arrive to eat before first light. | 0:03:10 | 0:03:12 | |
'I'm with duty manager Tony Levi.' | 0:03:14 | 0:03:16 | |
So, how many people have you got staying at the moment? | 0:03:16 | 0:03:19 | |
We have about 22 guests tonight. | 0:03:19 | 0:03:21 | |
-22? -Yeah. -And are they all having breakfast? | 0:03:21 | 0:03:23 | |
Yeah, they're all having breakfast, so we'd better get cracking. | 0:03:23 | 0:03:26 | |
Do you want them quite fine? | 0:03:29 | 0:03:30 | |
-Yeah. -Skins on? -Finely chopped. | 0:03:30 | 0:03:32 | |
-Skin on, yeah. -OK. | 0:03:32 | 0:03:34 | |
'I'm helping head chef David Kisevu. | 0:03:34 | 0:03:37 | |
'He's been preparing highly anticipated breakfasts here | 0:03:37 | 0:03:40 | |
'for seven years.' | 0:03:40 | 0:03:42 | |
Mornings are always busy. | 0:03:42 | 0:03:44 | |
Here, we do our breakfast according to the wake-up call. | 0:03:46 | 0:03:51 | |
By 6.30, everything should be ready. | 0:03:51 | 0:03:53 | |
'One of the dishes on offer catches my eye.' | 0:03:56 | 0:03:59 | |
And what is this very large muesli? | 0:03:59 | 0:04:01 | |
Are they tasty, these things? | 0:04:01 | 0:04:03 | |
It's a pellet made out of molasses. | 0:04:03 | 0:04:06 | |
HE CRUNCHES Oh, it's... | 0:04:06 | 0:04:08 | |
Oh, with some grit in it. | 0:04:08 | 0:04:10 | |
-Yes. -Quite a lot of grit in it! | 0:04:10 | 0:04:12 | |
So, why do the guests get up so early? | 0:04:13 | 0:04:17 | |
They will miss the special opportunity. | 0:04:17 | 0:04:19 | |
Oh... | 0:04:19 | 0:04:20 | |
'People travel the globe for breakfast at the Manor, | 0:04:22 | 0:04:25 | |
'to share their first meal of the day with some extra-special guests.' | 0:04:25 | 0:04:29 | |
-Hello! -This is Stacey, here. | 0:04:37 | 0:04:40 | |
Stacey? | 0:04:40 | 0:04:42 | |
Hello, Stacey. | 0:04:42 | 0:04:44 | |
I've never done anything like this. | 0:04:47 | 0:04:50 | |
Amazing! I mean, she's massive! | 0:04:50 | 0:04:53 | |
And the size of her head, it's just... | 0:04:53 | 0:04:55 | |
So, how many giraffes can you fit in here? | 0:04:56 | 0:04:59 | |
Six at one time. | 0:04:59 | 0:05:00 | |
Six? | 0:05:00 | 0:05:01 | |
'Here at the aptly named Giraffe Manor, | 0:05:03 | 0:05:06 | |
'you share your morning coffee and eggs | 0:05:06 | 0:05:08 | |
'with the world's tallest animals. | 0:05:08 | 0:05:12 | |
'and, if you want breakfast in bed, | 0:05:12 | 0:05:14 | |
'you can share it with a giraffe from the comfort of | 0:05:14 | 0:05:16 | |
'your first-floor room.' | 0:05:16 | 0:05:18 | |
Breakfast is quite a boring meal, isn't it? It's quite... | 0:05:21 | 0:05:23 | |
I think it always ought to be served with a giraffe. | 0:05:23 | 0:05:25 | |
Giraffe Manor has over 7,000 guests a year, | 0:05:28 | 0:05:31 | |
prepared to spend between £500 and £1,000 a night. | 0:05:31 | 0:05:36 | |
Several rooms are named after giraffes, | 0:05:36 | 0:05:39 | |
and, with only ten rooms, | 0:05:39 | 0:05:40 | |
guests often have to book a year in advance to stay here. | 0:05:40 | 0:05:43 | |
The Manor serves up old-school nostalgia in the form of | 0:05:45 | 0:05:49 | |
classic cucumber sandwiches and cream teas, | 0:05:49 | 0:05:54 | |
but it's the hotel's unusual neighbours that lure guests here. | 0:05:54 | 0:05:58 | |
We've been to every other continent, and I have never experienced | 0:05:59 | 0:06:03 | |
-anything quite like this. -Yeah, yeah. | 0:06:03 | 0:06:05 | |
You're obsessed, aren't you? | 0:06:07 | 0:06:08 | |
Yeah, I am a bit obsessed with giraffes. | 0:06:08 | 0:06:10 | |
It's just perfect - absolutely perfect. | 0:06:10 | 0:06:13 | |
The experience of having a giraffe walking towards your bedroom window, | 0:06:16 | 0:06:20 | |
in the early hours of the morning, as the sun is just starting to rise, | 0:06:20 | 0:06:23 | |
is a very surreal, dream moment. | 0:06:23 | 0:06:27 | |
Wonderful. Absolutely amazing. | 0:06:27 | 0:06:29 | |
To have them lower their heads and look in your eyes, | 0:06:29 | 0:06:34 | |
you just feel a connection with them. | 0:06:34 | 0:06:36 | |
Giraffe Manor occupies 13 acres of | 0:06:38 | 0:06:40 | |
a natural enclave, surrounded by | 0:06:40 | 0:06:42 | |
the expanding city of Nairobi. | 0:06:42 | 0:06:44 | |
The Manor is owned by Tanya Carr-Hartley, | 0:06:47 | 0:06:50 | |
a fourth-generation Kenyan who has lived locally all her life. | 0:06:50 | 0:06:53 | |
When my mum and dad moved here 46 years ago, | 0:06:54 | 0:06:59 | |
it was a really out-of-the-way neighbourhood, | 0:06:59 | 0:07:01 | |
and at that point there was no tarmac roads, no fences... | 0:07:01 | 0:07:05 | |
Actually, when we were children, | 0:07:05 | 0:07:06 | |
my sister and I would ride to the Manor with my mum. | 0:07:06 | 0:07:09 | |
Giraffe Manor is very much a family affair, | 0:07:16 | 0:07:18 | |
run by Tanya and her husband Mikey. | 0:07:18 | 0:07:22 | |
He's also a fourth-generation Kenyan, | 0:07:22 | 0:07:24 | |
whose family have been involved with wildlife for generations, | 0:07:24 | 0:07:28 | |
running safaris. | 0:07:28 | 0:07:29 | |
So, can we arrange to get one from Hebatullah | 0:07:31 | 0:07:34 | |
and bring it to the Manor? | 0:07:34 | 0:07:36 | |
Tanya and Mikey bought Giraffe Manor in 2009, | 0:07:36 | 0:07:40 | |
and have strived to establish it as one of the most unusual | 0:07:40 | 0:07:43 | |
holiday destinations in the world. | 0:07:43 | 0:07:45 | |
Mike and Tanya, I think they work super hard. | 0:07:45 | 0:07:48 | |
They're just at it, seven days a week, | 0:07:48 | 0:07:50 | |
five hours' sleep a night... | 0:07:50 | 0:07:52 | |
Just never giving up - I think that's the driving factor. | 0:07:52 | 0:07:55 | |
So, what exactly is it like to run a hotel surrounded by wild giraffes? | 0:07:57 | 0:08:02 | |
-Hi. -This is Tanya. -Hello! -Hi, Tanya. Giles. | 0:08:03 | 0:08:06 | |
-How are you doing? -Hi, Tanya. Lovely to meet you. | 0:08:06 | 0:08:09 | |
Lovely to meet you too. | 0:08:09 | 0:08:10 | |
-How was your morning? -Amazing. | 0:08:10 | 0:08:13 | |
-Early. -Early, but worth it. | 0:08:13 | 0:08:14 | |
-A surreal experience. -It is. | 0:08:14 | 0:08:17 | |
-Even for you, you're not...? -You see it on a regular basis. | 0:08:17 | 0:08:19 | |
Why do people care so much about giraffes? | 0:08:19 | 0:08:21 | |
I guess it's its gracefulness, the big eyes, the big eyelashes... | 0:08:21 | 0:08:25 | |
Giraffes are just unique animals, really. | 0:08:25 | 0:08:28 | |
So, I mean, is it easy to run a giraffe hotel? | 0:08:28 | 0:08:30 | |
No, it's not easy. | 0:08:30 | 0:08:32 | |
The biggest downside is people understanding that the giraffes | 0:08:32 | 0:08:35 | |
are still wild animals, | 0:08:35 | 0:08:36 | |
which means the safety of people is key. | 0:08:36 | 0:08:39 | |
When you say, the dangers of the wild animals, so, like what? | 0:08:39 | 0:08:41 | |
So, a giraffe can obviously kick very hard, erm, | 0:08:41 | 0:08:46 | |
and kill a lion, in fact. | 0:08:46 | 0:08:47 | |
You know, that kind of kick. | 0:08:47 | 0:08:50 | |
And they head-butt a lot, and we have to, sort of, | 0:08:50 | 0:08:53 | |
manage people's expectations, where they... | 0:08:53 | 0:08:56 | |
You know, the animal puts its neck through here | 0:08:56 | 0:08:58 | |
and they feel like it's their best friend, | 0:08:58 | 0:09:00 | |
but, in the same instant, that same animal can do an injury. | 0:09:00 | 0:09:04 | |
I'm sorry, that's it. I haven't got any more. | 0:09:04 | 0:09:07 | |
'It seems giraffe aren't the only wild animals | 0:09:11 | 0:09:13 | |
'wandering through the grounds, on the scrounge for titbits.' | 0:09:13 | 0:09:17 | |
(It's a warthoglet, or a warthog piglet. It's so sweet.) | 0:09:17 | 0:09:22 | |
It's quite strange having pigs in a hotel of this kind, | 0:09:26 | 0:09:29 | |
but I think it's brilliant being so close to these animals. | 0:09:29 | 0:09:31 | |
-It's... My children would go mad. It's just... -Oh, no! | 0:09:31 | 0:09:33 | |
It's properly the Lion King, although luckily without lions! | 0:09:33 | 0:09:37 | |
The ten giraffe here are all Rothschild giraffes. | 0:09:38 | 0:09:42 | |
They're named after Lord Walter Rothschild, | 0:09:42 | 0:09:45 | |
zoologist and member of the famous banking family. | 0:09:45 | 0:09:48 | |
He first came across them in the early 1900s, | 0:09:48 | 0:09:51 | |
when they could be found in abundance across Kenya, | 0:09:51 | 0:09:54 | |
Uganda and Sudan, | 0:09:54 | 0:09:56 | |
but, by the 1970s, they were under threat. | 0:09:56 | 0:09:59 | |
The Rothschild's giraffe at that time was rapidly diminishing, | 0:10:00 | 0:10:04 | |
with only 70 or so left. | 0:10:04 | 0:10:07 | |
-And why were they diminishing? -A couple of reasons, | 0:10:07 | 0:10:09 | |
one being that their habitat was being cut up into smaller plots, | 0:10:09 | 0:10:13 | |
and also, in Uganda, where there was actually more of them, | 0:10:13 | 0:10:18 | |
they were used as target practice by Idi Amin, | 0:10:18 | 0:10:22 | |
so the '70s was a very trying time for them. | 0:10:22 | 0:10:26 | |
It was at this point that a couple called | 0:10:27 | 0:10:29 | |
Jock and Betty Leslie-Melville bought the Manor. | 0:10:29 | 0:10:32 | |
They were delighted to find three wild Maasai giraffe | 0:10:32 | 0:10:35 | |
in the grounds that slept on the lawn at night, | 0:10:35 | 0:10:39 | |
and, when they heard that endangered Rothschild giraffe were living on | 0:10:39 | 0:10:42 | |
local land due to be redeveloped, | 0:10:42 | 0:10:43 | |
Jock and Betty adopted one of the babies, called Daisy, | 0:10:43 | 0:10:46 | |
and later brought in another, called Marlon. | 0:10:46 | 0:10:49 | |
So that's the Leslie-Melvilles, Betty and Jock. | 0:10:51 | 0:10:54 | |
I love that one with Betty, the dog and the giraffe. | 0:10:56 | 0:10:59 | |
So, was she a conservationist? Was she into giraffes? | 0:10:59 | 0:11:02 | |
She became very into giraffes! | 0:11:02 | 0:11:04 | |
In response to the dramatic decline in giraffe numbers, | 0:11:05 | 0:11:08 | |
the Leslie-Melvilles started a sanctuary and a breeding programme. | 0:11:08 | 0:11:12 | |
And so how many did they start off with here? | 0:11:13 | 0:11:15 | |
Just two. | 0:11:15 | 0:11:16 | |
So the descendants of the original giraffes, are they still here? | 0:11:16 | 0:11:19 | |
Most of them are still here. Some of them are still here. | 0:11:19 | 0:11:22 | |
40 years on, the giraffe centre next door, started by Betty and Jock, | 0:11:22 | 0:11:26 | |
is still going strong, and has released 15 of these | 0:11:26 | 0:11:30 | |
rare and endangered giraffe into the wild. | 0:11:30 | 0:11:32 | |
I'm really looking forward to finding out a bit more about how | 0:11:35 | 0:11:39 | |
Giraffe Manor is being managed, | 0:11:39 | 0:11:41 | |
and how the whole team work together to make this happen. | 0:11:41 | 0:11:45 | |
Giraffe Manor employs over 65 people - | 0:11:48 | 0:11:51 | |
three for every guest, to serve their every whim. | 0:11:51 | 0:11:54 | |
Five chefs, five porters, 11 waiters, | 0:11:55 | 0:11:58 | |
four drivers and four gardeners. | 0:11:58 | 0:12:00 | |
It's a tight team, | 0:12:00 | 0:12:02 | |
and duty manager Tony Levi has the job of keeping everyone on track, | 0:12:02 | 0:12:07 | |
whether staff, guests or giraffe. | 0:12:07 | 0:12:10 | |
So, the biggest challenges I face as duty manager | 0:12:10 | 0:12:12 | |
is probably guest expectations. | 0:12:12 | 0:12:14 | |
You have to realise there are 140 acres here, | 0:12:14 | 0:12:16 | |
and we have ten giraffe on site. | 0:12:16 | 0:12:18 | |
I have to manage unpredictable giraffe movements, in this sense, | 0:12:18 | 0:12:21 | |
if the giraffe refuse to show up. | 0:12:21 | 0:12:23 | |
This way, please. After you. | 0:12:25 | 0:12:27 | |
I have to manage the guests between check-out and check-in times. | 0:12:27 | 0:12:30 | |
Trying to get rooms ready, just constant moving... | 0:12:30 | 0:12:33 | |
This way, please. | 0:12:33 | 0:12:35 | |
It's 8am, and Laura and Emmanuel are arriving on | 0:12:35 | 0:12:39 | |
the first day of their honeymoon. | 0:12:39 | 0:12:41 | |
We spent probably twice as much on the honeymoon as we did | 0:12:42 | 0:12:46 | |
on the actual wedding, | 0:12:46 | 0:12:48 | |
and to know that tomorrow morning we can wake up and be feeding a giraffe | 0:12:48 | 0:12:51 | |
out of the bedroom window is really cool. | 0:12:51 | 0:12:55 | |
I'm going to feel like I haven't woken up. | 0:12:55 | 0:12:57 | |
It's going to feel like a dream. | 0:12:57 | 0:12:59 | |
Despite the charms of the giraffe, | 0:12:59 | 0:13:01 | |
Laura and Emmanuel are only staying here for one night. | 0:13:01 | 0:13:05 | |
Like most guests, they're using the Manor as a staging post on their way | 0:13:05 | 0:13:09 | |
to other parts of Kenya. | 0:13:09 | 0:13:10 | |
This means the Manor's nine housekeepers face | 0:13:12 | 0:13:14 | |
a pressurised changeover of rooms every 24 hours. | 0:13:14 | 0:13:17 | |
'I'm joining head housekeeper Pamela on her morning rounds. | 0:13:20 | 0:13:24 | |
'She and her team usually have between 45 minutes and an hour | 0:13:24 | 0:13:27 | |
'to turn over all ten rooms. | 0:13:27 | 0:13:29 | |
'Pamela is one of the longest-serving members of staff. | 0:13:31 | 0:13:34 | |
'At 64, she's been making beds here for the last 17 years.' | 0:13:34 | 0:13:39 | |
Ah, I love the feel of clean sheets! | 0:13:40 | 0:13:42 | |
PAMELA LAUGHS | 0:13:42 | 0:13:44 | |
'Aside from the mess caused by guests, | 0:13:44 | 0:13:47 | |
'Pamela has to deal with long-necked intruders.' | 0:13:47 | 0:13:50 | |
Does this stay down here? | 0:13:50 | 0:13:51 | |
It will stay... We will put it on there. | 0:13:51 | 0:13:53 | |
Do they just come and stick their heads in? | 0:13:53 | 0:13:55 | |
-Yeah. No, when we shake the bucket... -Ah. | 0:13:55 | 0:13:58 | |
-..the giraffes will come, and then you'll take one by one... -OK. | 0:13:58 | 0:14:01 | |
OK, do they make a mess for you, when you're trying to...? | 0:14:01 | 0:14:04 | |
Yeah, when there's nobody around and the window is open, | 0:14:04 | 0:14:06 | |
if they come here, near, they'll push the bucket and then... | 0:14:06 | 0:14:10 | |
down! | 0:14:10 | 0:14:11 | |
-To give you... -Yeah, give you a bit of a headache. -Yeah. | 0:14:11 | 0:14:15 | |
Do you have a certain time when you have to have it all finished? | 0:14:15 | 0:14:18 | |
By 12. | 0:14:18 | 0:14:20 | |
They'll be checking in at 13. | 0:14:20 | 0:14:22 | |
-At one o'clock? OK. -Yes, please. | 0:14:22 | 0:14:24 | |
If you can show me a quicker way, I'll show you my way. | 0:14:24 | 0:14:27 | |
Fine! | 0:14:27 | 0:14:29 | |
There's got to be a simpler way to... | 0:14:29 | 0:14:31 | |
THEY LAUGH | 0:14:31 | 0:14:33 | |
It's like a Zumba class! | 0:14:33 | 0:14:35 | |
THEY LAUGH | 0:14:35 | 0:14:38 | |
Oh, look how strong you are! | 0:14:38 | 0:14:41 | |
'As a single mother, Giraffe Manor has had a big impact | 0:14:41 | 0:14:43 | |
'on Pamela's family life. | 0:14:43 | 0:14:45 | |
'One of her children works here, too.' | 0:14:45 | 0:14:48 | |
Working at Giraffe Manor, | 0:14:48 | 0:14:50 | |
I have used my money in bringing up my children, | 0:14:50 | 0:14:54 | |
paying the education for high school, | 0:14:54 | 0:14:57 | |
for four of them, and in college. | 0:14:57 | 0:15:00 | |
Do you have enough to cover the mattress? | 0:15:00 | 0:15:02 | |
At the moment, I am now saving for a piece of small land, | 0:15:02 | 0:15:07 | |
then I'll build them a house, which I will call my home! | 0:15:07 | 0:15:11 | |
That looks pretty good to me. | 0:15:12 | 0:15:14 | |
I'd sleep in it! | 0:15:16 | 0:15:17 | |
One of the oldest buildings in suburban Nairobi, | 0:15:18 | 0:15:20 | |
Giraffe Manor was built in 1932 when Kenya was still a colony | 0:15:20 | 0:15:24 | |
of the British Empire. | 0:15:24 | 0:15:26 | |
The most surprising thing is how suburban it feels. | 0:15:26 | 0:15:28 | |
You're, sort of, prepared for something, sort of, wild, | 0:15:28 | 0:15:31 | |
and obviously it looks like African savanna, | 0:15:31 | 0:15:33 | |
but it feels like Surrey with giraffes. | 0:15:33 | 0:15:34 | |
There is this desire to recreate something | 0:15:34 | 0:15:36 | |
that looks like suburban England - | 0:15:36 | 0:15:38 | |
something, sort of, normal and, kind of, golf clubby. | 0:15:38 | 0:15:41 | |
It's just that they're giraffes. | 0:15:41 | 0:15:43 | |
And I guess that's Africa as imagined by English people. | 0:15:43 | 0:15:47 | |
'But what are the challenges of running this historic hotel?' | 0:15:47 | 0:15:50 | |
And so this is the dining room... | 0:15:52 | 0:15:54 | |
-Wow! -..which has absolutely no electricity. | 0:15:54 | 0:15:57 | |
All candlelit. | 0:15:57 | 0:15:59 | |
So you're offering people a nostalgic return to | 0:16:00 | 0:16:02 | |
a simpler way of living? | 0:16:02 | 0:16:04 | |
Is that one of the things people are looking for? | 0:16:04 | 0:16:06 | |
Definitely. People are definitely looking for | 0:16:06 | 0:16:09 | |
a time in a simpler environment, I think. | 0:16:09 | 0:16:11 | |
-With Wi-Fi? -With Wi-Fi. | 0:16:11 | 0:16:13 | |
So you provide that for them, and that freedom, and that return, | 0:16:13 | 0:16:16 | |
and that nostalgia, but do they have other expectations of home comforts? | 0:16:16 | 0:16:19 | |
Food, accommodation... | 0:16:19 | 0:16:21 | |
I mean, this house... | 0:16:21 | 0:16:23 | |
We really struggle, because a lot of... You know, a lot of... | 0:16:23 | 0:16:26 | |
-Certainly the plumbing is archaic... -Yeah. -..and the lighting is archaic. | 0:16:26 | 0:16:29 | |
I mean, it's nearly 100 years old and it's African! | 0:16:29 | 0:16:32 | |
-Yeah. -Yes, And then you're dealing with, you know, what's available | 0:16:32 | 0:16:36 | |
on the market, which isn't what's available in London or New York. | 0:16:36 | 0:16:40 | |
But, erm... | 0:16:40 | 0:16:42 | |
But I think, generally, people are quite forgiving, thankfully, | 0:16:42 | 0:16:45 | |
to us, because we've got giraffes! | 0:16:45 | 0:16:47 | |
'Nostalgia is all very well, but the past can leave challenging legacies. | 0:16:50 | 0:16:54 | |
'I'm Samoan. As a former colony, | 0:16:56 | 0:16:58 | |
'the Pacific island of Samoa gained independence the year before Kenya. | 0:16:58 | 0:17:03 | |
'I wonder whether the colonial past can have | 0:17:03 | 0:17:05 | |
'implications for Kenyans today.' | 0:17:05 | 0:17:08 | |
So, how do you find working here? | 0:17:08 | 0:17:09 | |
I mean, the Manor has been owned by a white Kenyan family, | 0:17:09 | 0:17:13 | |
is that right? | 0:17:13 | 0:17:14 | |
I was somehow lucky because they are not harsh people. | 0:17:14 | 0:17:17 | |
In some places, you may find workers and the owners, | 0:17:17 | 0:17:21 | |
they don't get actually together. | 0:17:21 | 0:17:23 | |
-No. -Yeah, there's... We have some barriers. | 0:17:23 | 0:17:26 | |
We are lucky. Carr-Hartley and Tanya, they are friendly. | 0:17:26 | 0:17:31 | |
The relationship is so good. | 0:17:31 | 0:17:33 | |
-Yeah. -Yeah. They don't discriminate us. | 0:17:33 | 0:17:36 | |
-Not at all? -Uh-uh. -That is so wonderful. | 0:17:36 | 0:17:37 | |
'It's mid-afternoon and we're with Tony, the duty manager, | 0:17:41 | 0:17:44 | |
'whose unusual job means he's on first-name terms with the giraffe.' | 0:17:44 | 0:17:48 | |
So, this is Kelly and this is Ed, | 0:17:48 | 0:17:50 | |
so Ed is our biggest male and Kelly is our most notorious female. | 0:17:50 | 0:17:53 | |
-She's about 14 years old. -OK. | 0:17:53 | 0:17:55 | |
I'm quite scared of animals. | 0:17:57 | 0:17:58 | |
I mean, I normally wouldn't choose to get this close to a cow, | 0:17:58 | 0:18:01 | |
let alone a giraffe. | 0:18:01 | 0:18:02 | |
I will... Out on a country walk, | 0:18:02 | 0:18:03 | |
I will turn around and go back if I see cows. | 0:18:03 | 0:18:06 | |
-Can you catch? Yeah! -MONICA LAUGHS | 0:18:06 | 0:18:08 | |
'In the grounds of the Manor, | 0:18:10 | 0:18:11 | |
'the giraffe eat the leaves of acacia, | 0:18:11 | 0:18:13 | |
'croton and African olive trees.' | 0:18:13 | 0:18:15 | |
I just feel like a nut vending machine. | 0:18:16 | 0:18:19 | |
'But here, Tony gives them treats of oat, bran and molasses pellets. | 0:18:20 | 0:18:24 | |
-'The tongue of the giraffe is up to 50cm long...' -Oh! | 0:18:26 | 0:18:30 | |
'..and it's surprisingly versatile.' | 0:18:30 | 0:18:32 | |
-This is a giraffe kiss! -Oh, right, I'll try it. | 0:18:32 | 0:18:35 | |
Yeah, good girl. | 0:18:37 | 0:18:39 | |
Do they ever bite when you do that? | 0:18:39 | 0:18:41 | |
So there's no risks attached to kissing a giraffe? | 0:18:41 | 0:18:44 | |
Do you want a kiss? | 0:18:44 | 0:18:45 | |
Yeah, all right! MONICA LAUGHS | 0:18:45 | 0:18:47 | |
Oh, you mean... I see! | 0:18:47 | 0:18:50 | |
Think so... | 0:18:53 | 0:18:54 | |
Yeah! | 0:18:54 | 0:18:55 | |
MONICA LAUGHS | 0:18:56 | 0:18:58 | |
It's easier after two o'clock at the Groucho Club, to be honest! | 0:18:58 | 0:19:00 | |
'A giraffe's saliva is actually antiseptic | 0:19:03 | 0:19:06 | |
'to protect them from thorn cuts and cynics!' | 0:19:06 | 0:19:10 | |
I'm feeling quite a strong emotional bond. | 0:19:10 | 0:19:12 | |
I mean, you know, I've had some kisses. | 0:19:12 | 0:19:14 | |
He's nuzzled in a few times, but, I mean, he's only after one thing. | 0:19:14 | 0:19:17 | |
Young giraffe born in the grounds of the Manor are introduced into | 0:19:23 | 0:19:26 | |
Kenya's protected wild areas from the age of three. | 0:19:26 | 0:19:30 | |
Back from the brink, there are now 780 Rothschild giraffes overall | 0:19:30 | 0:19:34 | |
living in the wild. | 0:19:34 | 0:19:36 | |
Whilst pellets are on offer for the giraffes, | 0:19:40 | 0:19:42 | |
guests at the Manor feast on dishes like poached fillet of beef | 0:19:42 | 0:19:45 | |
and tamarillo tarte tatin, prepared by a team of ten. | 0:19:45 | 0:19:48 | |
My name's David Kisevu and I am the head chef of Giraffe Manor. | 0:19:52 | 0:19:58 | |
We have hosted so many celebrities in Giraffe Manor. | 0:19:59 | 0:20:03 | |
One of the guys I will never forget, I cooked for him, | 0:20:03 | 0:20:06 | |
was Sir Richard Branson. I'll always remember. | 0:20:06 | 0:20:09 | |
I love to cook. It's my passion. | 0:20:12 | 0:20:15 | |
We want to make so many things, to make them so yummy, | 0:20:15 | 0:20:18 | |
so that the guests, "Mmm," feel all right. | 0:20:18 | 0:20:21 | |
'With work over for the day, | 0:20:24 | 0:20:26 | |
'Kisevu has brought me to the Nairobi suburb of Rongai.' | 0:20:26 | 0:20:29 | |
-It's busy. -It is. | 0:20:29 | 0:20:31 | |
Yeah. Is this the time when everyone comes out to do their shopping? | 0:20:31 | 0:20:34 | |
-Yeah. -Yeah? | 0:20:34 | 0:20:36 | |
'The local market is just 3km away from the tranquillity of | 0:20:37 | 0:20:41 | |
'the Manor and feels like a different world. | 0:20:41 | 0:20:43 | |
'When he's working, Kisevu rents in Rongai and shops here regularly.' | 0:20:45 | 0:20:49 | |
Tomatoes, onions... | 0:20:49 | 0:20:51 | |
'Tonight, he's going to cook a traditional Kenyan meal...' | 0:20:51 | 0:20:54 | |
Are you going to tell me what the dish is? | 0:20:54 | 0:20:56 | |
'..and his first purchase is a form of kale.' | 0:20:56 | 0:20:59 | |
-We call them sukuma wiki. -Sukuma wiki? | 0:20:59 | 0:21:01 | |
-Yeah, sukuma wiki, and it is very popular. -Oh, wow. | 0:21:01 | 0:21:03 | |
-Yeah. -In Swahili, "sukuma wiki" means "to push a week". | 0:21:03 | 0:21:08 | |
-To push a week? -Yes. | 0:21:08 | 0:21:09 | |
You can survive on this one for a whole week, no problem. | 0:21:09 | 0:21:12 | |
-Really? -This with ugali. | 0:21:12 | 0:21:14 | |
-With...? -Ugali. | 0:21:14 | 0:21:15 | |
-Ugali. What's ugali? -Ugali is the maize flour. | 0:21:15 | 0:21:18 | |
-Oh, cornflour, yeah. -Yeah, with water. | 0:21:18 | 0:21:21 | |
Uh-huh, then that is ugali, so ugali and sukuma wiki. | 0:21:21 | 0:21:23 | |
Do you think I could survive on that for a week, then? | 0:21:23 | 0:21:26 | |
Ah, you must be a tough one, like us. | 0:21:26 | 0:21:28 | |
KISEVU LAUGHS | 0:21:28 | 0:21:30 | |
Kisevu, this is very different to the... | 0:21:33 | 0:21:35 | |
Very different. | 0:21:35 | 0:21:36 | |
Giraffe Manor is like a high-end kind of a village, | 0:21:36 | 0:21:39 | |
and here is a village of lower-earning citizens, | 0:21:39 | 0:21:44 | |
or lower-earning people. | 0:21:44 | 0:21:45 | |
The life here is a bit cheaper. It is cheaper. | 0:21:45 | 0:21:48 | |
But this is now a different Kisevu - | 0:21:48 | 0:21:50 | |
not the Kisevu of Giraffe Manor. | 0:21:50 | 0:21:52 | |
Oh, my beautiful baby girl. | 0:21:54 | 0:21:56 | |
'Kisevu's daughters Faith and Angel and his wife Gladys | 0:21:58 | 0:22:00 | |
'live an hour away in the family home...' | 0:22:00 | 0:22:05 | |
-Hi, hi. -Hello, Gladys. -Hi. | 0:22:05 | 0:22:07 | |
'..and are joining us for dinner.' | 0:22:07 | 0:22:09 | |
Where did you grow up, Kisevu? | 0:22:11 | 0:22:13 | |
Or, you know, where did you start life? | 0:22:13 | 0:22:15 | |
I grew up in an eastern part of Kenya called Kitui. | 0:22:15 | 0:22:21 | |
'One of eight children, | 0:22:21 | 0:22:23 | |
'Kisevu's father died a month before he was born.' | 0:22:23 | 0:22:26 | |
It was a tough life when I was growing up. | 0:22:26 | 0:22:29 | |
I was around ten, and I had to go and work | 0:22:29 | 0:22:33 | |
small menial jobs so that I can get money to buy school uniform, | 0:22:33 | 0:22:39 | |
and money to buy books. | 0:22:39 | 0:22:40 | |
You worked to buy your own books? | 0:22:40 | 0:22:42 | |
Yes, to buy my own books, yeah. | 0:22:42 | 0:22:45 | |
What would a younger Kisevu have thought of | 0:22:45 | 0:22:49 | |
seeing a place like Giraffe Manor? | 0:22:49 | 0:22:51 | |
That was like a dream come true. | 0:22:51 | 0:22:54 | |
When I look at my life today, Monica, I can sing, "God is great." | 0:22:54 | 0:22:58 | |
Come on, then. | 0:22:58 | 0:23:00 | |
Wow. | 0:23:00 | 0:23:02 | |
African-style, you eat like this, | 0:23:05 | 0:23:08 | |
and then like this. | 0:23:08 | 0:23:09 | |
LAUGHTER | 0:23:09 | 0:23:11 | |
I could eat that for a week. | 0:23:14 | 0:23:15 | |
What motivates you both to work so hard? | 0:23:20 | 0:23:23 | |
-The kids. -The kids. | 0:23:23 | 0:23:25 | |
I would like this family to have the best from me. | 0:23:25 | 0:23:30 | |
I will sacrifice everything in my life for them. | 0:23:30 | 0:23:33 | |
I come from very humble beginnings myself. | 0:23:35 | 0:23:38 | |
I really do recognise the drive Kisevu has to succeed and to provide | 0:23:38 | 0:23:43 | |
for family, which is very much something I try to do | 0:23:43 | 0:23:46 | |
for my...my siblings, | 0:23:46 | 0:23:48 | |
or, you know, if anyone is in need. | 0:23:48 | 0:23:50 | |
He doesn't want to see anyone go without. | 0:23:50 | 0:23:52 | |
Giraffe Manor is an extraordinary hotel, | 0:23:58 | 0:24:00 | |
but Tanya and Mikey also use it as the hub of | 0:24:00 | 0:24:03 | |
their luxury safari business. | 0:24:03 | 0:24:05 | |
They have remote lodges in Samburu County and the Maasai Mara, | 0:24:07 | 0:24:11 | |
the location of Sala's Camp. | 0:24:11 | 0:24:12 | |
Sala is my daughter, my first child, so we named the camp after her. | 0:24:15 | 0:24:20 | |
It was like a double strike of good luck. | 0:24:20 | 0:24:23 | |
Out here, Tanya and Mikey have created comfortable bases | 0:24:25 | 0:24:28 | |
from which guests can get up close to wild animals | 0:24:28 | 0:24:31 | |
like water buffalo, zebra and lions. | 0:24:31 | 0:24:36 | |
Sometimes they can get a little too close for comfort. | 0:24:37 | 0:24:39 | |
One of the guys from the team saw the client taking off with gym shoes | 0:24:41 | 0:24:45 | |
and kit and quickly advised the management. | 0:24:45 | 0:24:48 | |
By the time the management had got in a car to go and find out | 0:24:48 | 0:24:53 | |
what they were doing, she was halfway up the hill. | 0:24:53 | 0:24:56 | |
She kind of said, "Oh, I didn't think I would be in danger." | 0:24:56 | 0:25:00 | |
Anyway, it was fortunate we spotted it | 0:25:03 | 0:25:05 | |
because anything could've happened, | 0:25:05 | 0:25:07 | |
and more than lions, actually, | 0:25:07 | 0:25:09 | |
buffalo are really our biggest concern. | 0:25:09 | 0:25:12 | |
In 2000, my sister was very badly injured by a buffalo. | 0:25:12 | 0:25:17 | |
She nearly lost her life, | 0:25:17 | 0:25:19 | |
and my uncle, five years later, lost his life to a buffalo, | 0:25:19 | 0:25:24 | |
so we're all quite alert and aware of the dangers of wildlife. | 0:25:24 | 0:25:29 | |
So alert that Tanya's installing a gym in the bush to balance urban | 0:25:31 | 0:25:36 | |
exercise regimes with the laws of nature. | 0:25:36 | 0:25:38 | |
Here, let me help. | 0:25:39 | 0:25:41 | |
It's taken five hours to ship the equipment overland from Nairobi. | 0:25:42 | 0:25:45 | |
All masterminded from headquarters back at Giraffe Manor. | 0:25:47 | 0:25:50 | |
The man in charge of all things logistical is head of operations | 0:25:55 | 0:25:58 | |
Ben Evans. | 0:25:58 | 0:26:00 | |
He also happens to be the pilot of the hotel's own company plane. | 0:26:00 | 0:26:04 | |
We are providing a service | 0:26:04 | 0:26:07 | |
to some of the most demanding customers you can get. | 0:26:07 | 0:26:11 | |
From an operations perspective, | 0:26:12 | 0:26:13 | |
I do need to be there to make sure that everything happens smoothly | 0:26:13 | 0:26:16 | |
without any problems, and it's my job to make it look easy. | 0:26:16 | 0:26:20 | |
The biggest issues I deal with within operations in Kenya | 0:26:21 | 0:26:24 | |
is the size of the country as a whole. | 0:26:24 | 0:26:27 | |
So on almost a weekly basis, | 0:26:27 | 0:26:30 | |
Ben despatches lorries that travel hundreds of miles to the camps, | 0:26:30 | 0:26:34 | |
delivering everything from plumbing supplies to foodstuffs. | 0:26:34 | 0:26:39 | |
THEY SING | 0:26:39 | 0:26:41 | |
Braving potholes, wildlife and uncovered roads, | 0:26:41 | 0:26:45 | |
the lorries are the lifeline that keep the camps alive. | 0:26:45 | 0:26:48 | |
As well as Sala's Camp, | 0:26:51 | 0:26:52 | |
Ben and his team service one of the most remote and inaccessible lodges, | 0:26:52 | 0:26:57 | |
Sasaab, which is in Samburu County. | 0:26:57 | 0:27:00 | |
I'm looking forward to heading up there next, | 0:27:00 | 0:27:02 | |
as I'm ready to explore the wilder side of what | 0:27:02 | 0:27:04 | |
Giraffe Manor has to offer. | 0:27:04 | 0:27:07 | |
I've not been in Nairobi very long and to be here standing on the edge | 0:27:07 | 0:27:10 | |
of this beautiful hotel, feeding this beautiful thing, | 0:27:10 | 0:27:13 | |
it feels a little bit too easy. | 0:27:13 | 0:27:15 | |
I feel slightly uncomfortably spoon-fed. | 0:27:15 | 0:27:17 | |
I kind of want my game experience to be... | 0:27:17 | 0:27:20 | |
wild, to be more difficult. | 0:27:20 | 0:27:22 | |
I kind of want more of a struggle, you know? | 0:27:22 | 0:27:25 | |
Something is almost more worth having if you have to work for it. | 0:27:25 | 0:27:28 | |
But the struggle we're about to face isn't quite what I had in mind. | 0:27:28 | 0:27:32 | |
Ben has invited us to hitch a ride | 0:27:34 | 0:27:36 | |
on one of his supply flights to Sasaab. | 0:27:36 | 0:27:38 | |
We're on our way to meet him at the airfield where we've been told he's | 0:27:40 | 0:27:43 | |
waiting with a rather small plane. | 0:27:43 | 0:27:45 | |
This was my only hesitancy about coming here at all | 0:27:46 | 0:27:49 | |
was the plane because, | 0:27:49 | 0:27:51 | |
you know, I don't like flying that much. | 0:27:51 | 0:27:53 | |
If you have an engine failure in a jumbo jet, you're all dead. | 0:27:53 | 0:27:55 | |
Whereas theoretically, a little plane like that, | 0:27:55 | 0:27:58 | |
you can still land it, | 0:27:58 | 0:27:59 | |
but then you land it and then you get eaten by lions. | 0:27:59 | 0:28:02 | |
You're such a great companion to travel with. | 0:28:02 | 0:28:05 | |
I feel so much better that I'm going to die with you. | 0:28:05 | 0:28:09 | |
I want to pass on some of my heebie-jeebies to you. | 0:28:09 | 0:28:12 | |
I think you've done a great job. | 0:28:12 | 0:28:13 | |
Looks like a nice day for flying. | 0:28:15 | 0:28:17 | |
I hope we're going in that slightly bigger one there. | 0:28:17 | 0:28:20 | |
It's a Robin Reliant with wings. | 0:28:23 | 0:28:25 | |
I have never flown in a plane like this before. | 0:28:26 | 0:28:29 | |
My honest and first reaction was shock horror at how small it is. | 0:28:29 | 0:28:33 | |
What happens if you have some medical incident or something? | 0:28:33 | 0:28:37 | |
-You have a cardiac or...? -Well, then we can talk you through it. | 0:28:37 | 0:28:40 | |
I just boot you out and talk to air control? | 0:28:40 | 0:28:43 | |
Yeah, I tell you where to press the button. | 0:28:43 | 0:28:45 | |
It's hard to believe there'll be space for anything else, | 0:28:45 | 0:28:47 | |
but we need to squeeze in bottles of champagne | 0:28:47 | 0:28:51 | |
and a small gang of chickens. | 0:28:51 | 0:28:53 | |
Ready? | 0:28:53 | 0:28:55 | |
They seem to be dreading it as much as we are. | 0:28:55 | 0:28:57 | |
I'll have the champagne next to me, yeah? | 0:28:57 | 0:28:59 | |
Very cosy. | 0:29:02 | 0:29:03 | |
-Ready? -Yeah. -You are coming, aren't you? | 0:29:03 | 0:29:06 | |
Why have I got the controls? | 0:29:09 | 0:29:11 | |
Just in case something does happen. | 0:29:11 | 0:29:13 | |
Hold on to your knickers! | 0:29:15 | 0:29:17 | |
It's like an old car. | 0:29:19 | 0:29:20 | |
I had a car when I was a student, | 0:29:20 | 0:29:22 | |
a kind of 40-year-old car that smelt like this | 0:29:22 | 0:29:24 | |
and looked like this and... | 0:29:24 | 0:29:25 | |
..broke down all the time. | 0:29:27 | 0:29:28 | |
Might get a little bit of turbulence coming through here. | 0:29:30 | 0:29:33 | |
Whoa! | 0:29:33 | 0:29:34 | |
Where did you put that sick bag? | 0:29:36 | 0:29:37 | |
My head actually hit the roof! | 0:29:37 | 0:29:39 | |
'But we soon forget our fears | 0:29:42 | 0:29:43 | |
'as we see the landscape unfolding beneath us.' | 0:29:43 | 0:29:46 | |
My goodness! That looks so beautiful. | 0:29:51 | 0:29:54 | |
'Sasaab Lodge is 230 miles north of Nairobi. | 0:29:56 | 0:29:59 | |
'Whilst Giraffe Manor boasts lush manicured gardens, | 0:30:01 | 0:30:04 | |
'out here the temperatures can hit 45 degrees. | 0:30:04 | 0:30:07 | |
'It's hot, dry and arid.' | 0:30:07 | 0:30:10 | |
There...elephant. | 0:30:10 | 0:30:12 | |
Yay! Look at them. | 0:30:12 | 0:30:13 | |
Ahh! That's amazing! | 0:30:17 | 0:30:19 | |
Woo! | 0:30:19 | 0:30:21 | |
Here we are. Sasaab. | 0:30:21 | 0:30:24 | |
'Perched on the banks of the Ewaso River in the Rift Valley, | 0:30:24 | 0:30:27 | |
'Sasaab looks out towards the heights of Mount Kenya. | 0:30:27 | 0:30:30 | |
'The six-acre plot of Sasaab Lodge | 0:30:32 | 0:30:35 | |
'lies within 82,000 acres of community land, | 0:30:35 | 0:30:38 | |
'owned by the local Samburu people.' | 0:30:38 | 0:30:40 | |
I've just realised I've literally had my arse clenched | 0:30:45 | 0:30:48 | |
for the entire trip. | 0:30:48 | 0:30:49 | |
That was so fun! | 0:30:52 | 0:30:54 | |
I don't know what I enjoyed more - | 0:30:55 | 0:30:56 | |
the plane ride or just watching Giles squirm and scream in there. | 0:30:56 | 0:31:00 | |
Would not imagine a hotel out here. | 0:31:02 | 0:31:05 | |
'The only way to access the lodge is down a dirt track.' | 0:31:11 | 0:31:14 | |
Also very beautiful. | 0:31:14 | 0:31:17 | |
'And the nearest town is 91 miles away.' | 0:31:17 | 0:31:19 | |
'Sasaab was built in 2007 by Tanya and Mikey with a team of 100 people | 0:31:21 | 0:31:27 | |
'working in searing heat. | 0:31:27 | 0:31:28 | |
'Because of its isolated position, | 0:31:29 | 0:31:32 | |
'building materials were moved by hand | 0:31:32 | 0:31:34 | |
'and wheelbarrow as trucks couldn't reach the site.' | 0:31:34 | 0:31:37 | |
Oh, look at... | 0:31:39 | 0:31:41 | |
Ha! | 0:31:42 | 0:31:43 | |
Look at this place! | 0:31:50 | 0:31:52 | |
Oh, my goodness! | 0:31:52 | 0:31:54 | |
Oh, this view! My goodness! | 0:31:57 | 0:31:59 | |
'To get water out here, | 0:32:00 | 0:32:01 | |
'the hotel had to dig its own well and the whole complex is powered by | 0:32:01 | 0:32:06 | |
'solar energy. | 0:32:06 | 0:32:07 | |
'Up to £800 per night | 0:32:08 | 0:32:10 | |
'gets you one of nine high-spec rooms with outdoor bathrooms, | 0:32:10 | 0:32:14 | |
'private plunge pools and if you're lucky, views of giraffes, | 0:32:14 | 0:32:17 | |
'big cats and elephants casually strolling by.' | 0:32:17 | 0:32:21 | |
'Scott Dyson is the manager of Sasaab Lodge. | 0:32:26 | 0:32:29 | |
'He and his team want to depend less on deliveries from Nairobi and are | 0:32:30 | 0:32:33 | |
'trying to be self-sufficient.' | 0:32:33 | 0:32:35 | |
'Providing luxury in places like this | 0:32:37 | 0:32:39 | |
'involves thinking outside the box. | 0:32:39 | 0:32:41 | |
'Or in this case, the egg carton.' | 0:32:41 | 0:32:43 | |
-Giles... -All right. How are you? -Very good. How are you doing? | 0:32:45 | 0:32:47 | |
'Scott couldn't source eggs locally and the long, bumpy journey | 0:32:47 | 0:32:50 | |
'from Nairobi results in eggs being smashed, | 0:32:50 | 0:32:54 | |
'not quite the scrambled eggs his guests demand.' | 0:32:54 | 0:32:57 | |
I'm looking forward to seeing what you've done with my chickens. | 0:32:57 | 0:32:59 | |
'So he's nurturing his own brood.' | 0:32:59 | 0:33:02 | |
-After you. -Aha! | 0:33:02 | 0:33:03 | |
'My feathered fellow passengers are reinforcements. | 0:33:03 | 0:33:06 | |
'But newcomers aren't always welcome in this coop.' | 0:33:06 | 0:33:09 | |
Because they're going to be a minority, | 0:33:10 | 0:33:12 | |
the resident flock could start picking on them. | 0:33:12 | 0:33:15 | |
What are we going to do with them now? | 0:33:15 | 0:33:16 | |
We will release all four of them simultaneously, not one at a time. | 0:33:16 | 0:33:20 | |
If we give them four to choose from, it may help... | 0:33:20 | 0:33:23 | |
What are you expecting? Really, it's like a cage fight? | 0:33:23 | 0:33:26 | |
-I mean... -They can be brutal, they can be brutal. | 0:33:26 | 0:33:30 | |
Let's see what happens. | 0:33:30 | 0:33:32 | |
Get these three out first! | 0:33:32 | 0:33:34 | |
OK. Everything seems fine. | 0:33:34 | 0:33:36 | |
My word, this one looks like an evil... | 0:33:36 | 0:33:38 | |
-What do I do? Tip him out? -Tip it out. | 0:33:38 | 0:33:40 | |
Go on, my son! | 0:33:40 | 0:33:41 | |
Is he going to come for me? | 0:33:43 | 0:33:45 | |
Just... Close that. | 0:33:46 | 0:33:47 | |
Whoop... | 0:33:51 | 0:33:52 | |
This is the one that's being bullied! | 0:33:53 | 0:33:56 | |
You got him. Good shot. | 0:33:58 | 0:34:00 | |
Put it in its own little spot. | 0:34:00 | 0:34:02 | |
Very good. There you go. | 0:34:02 | 0:34:05 | |
You can just relax in there. | 0:34:05 | 0:34:06 | |
'Whilst this hen is put into solitary for her own protection, | 0:34:07 | 0:34:10 | |
'Scott shows me his chicken fortress.' | 0:34:10 | 0:34:12 | |
So, this is so far, the impenetrable coop where they sleep. | 0:34:14 | 0:34:18 | |
Why is it so impenetrable? | 0:34:18 | 0:34:20 | |
Because of leopards, honey badgers, mongooses, genets, | 0:34:20 | 0:34:24 | |
there's a host of different animals | 0:34:24 | 0:34:28 | |
that have the wit and strength to be able to cause major damage | 0:34:28 | 0:34:32 | |
to a flock of chickens. | 0:34:32 | 0:34:34 | |
And if anything does get in there, | 0:34:34 | 0:34:36 | |
we will accept defeat and realise | 0:34:36 | 0:34:39 | |
that whatever it was was very hungry and deserved a chicken! | 0:34:39 | 0:34:43 | |
And also, I guess, because your guests have come here | 0:34:45 | 0:34:47 | |
-for the leopards, not the chickens. -Exactly. | 0:34:47 | 0:34:51 | |
I suppose it goes without saying if you're having breakfast in a hotel | 0:34:51 | 0:34:53 | |
anywhere in the world you expect eggs. | 0:34:53 | 0:34:56 | |
The problem that Scott obviously has is leopards and lions and attacks | 0:34:56 | 0:35:00 | |
from jackals, let alone the internecine strife of the chickens | 0:35:00 | 0:35:03 | |
within themselves. He's bringing a new kind of animal | 0:35:03 | 0:35:06 | |
to this teeming savanna and trying to make a go of keeping them alive, | 0:35:06 | 0:35:09 | |
it's a lot to think about when you tuck into your morning omelette. | 0:35:09 | 0:35:12 | |
Giles has emerged unscathed from the chicken version of West Side Story. | 0:35:16 | 0:35:20 | |
But I'm heading into the bush with some eggs from the coop | 0:35:22 | 0:35:24 | |
to make a safari breakfast on the go. | 0:35:24 | 0:35:26 | |
Oh, wow! | 0:35:27 | 0:35:28 | |
'Our guests are honeymooners Florence and Frank.' | 0:35:30 | 0:35:33 | |
-Wow! We're doing well. -Yes. -Very well this morning. | 0:35:33 | 0:35:37 | |
My goodness! | 0:35:39 | 0:35:40 | |
Woo! | 0:35:40 | 0:35:41 | |
Amazing! | 0:35:41 | 0:35:44 | |
Once we find the perfect place, | 0:35:48 | 0:35:50 | |
it's time for me to help the lodge staff prepare breakfast. | 0:35:50 | 0:35:54 | |
What a spot for breakfast! | 0:35:54 | 0:35:55 | |
The food on offer today | 0:35:57 | 0:35:58 | |
is quite different to the safari fare of days gone by. | 0:35:58 | 0:36:01 | |
I'm being spoiled. | 0:36:01 | 0:36:03 | |
-TANYA: -When Mikey's family took people on safari, | 0:36:03 | 0:36:05 | |
a square meal - a roast and potatoes - | 0:36:05 | 0:36:08 | |
was basically accepted by anybody and they really appreciated that. | 0:36:08 | 0:36:12 | |
In today's world, they're expecting first-class food, | 0:36:12 | 0:36:16 | |
wine and everything else that goes with it. | 0:36:16 | 0:36:19 | |
I'm preparing a champagne breakfast you might expect in a restaurant. | 0:36:22 | 0:36:26 | |
Eggs, smoked salmon and hollandaise sauce. | 0:36:26 | 0:36:28 | |
But I'm miles from power, | 0:36:30 | 0:36:32 | |
cooking on a camping stove on what seems to be a wooden box. | 0:36:32 | 0:36:35 | |
This could not be any more different to working in my kitchen! | 0:36:35 | 0:36:40 | |
Never would I have thought in my career I'd be out here in Kenya, | 0:36:42 | 0:36:45 | |
cooking breakfast with elephants and giraffes just across the way there! | 0:36:45 | 0:36:49 | |
Life is great! | 0:36:49 | 0:36:51 | |
Delicious, absolutely delicious! | 0:36:56 | 0:36:58 | |
I'd love to swim but I know there's crocodiles in there. | 0:36:58 | 0:37:02 | |
SHE LAUGHS | 0:37:02 | 0:37:04 | |
Hey! Congratulations! | 0:37:04 | 0:37:06 | |
The guests who come to Sasaab Lodge have certain expectations. | 0:37:14 | 0:37:17 | |
This means manager Scott has to maintain high standards throughout | 0:37:19 | 0:37:22 | |
the grounds regardless of the remote, dry and dusty location. | 0:37:22 | 0:37:27 | |
I'm helping him patch up one of the lodge's ten plunge pools. | 0:37:27 | 0:37:31 | |
Are these guests going to be happy with their white pool as they look | 0:37:31 | 0:37:34 | |
out over their river and all that? | 0:37:34 | 0:37:35 | |
What are the most extreme elements of luxury that they expect or | 0:37:35 | 0:37:38 | |
-complaints that they make? -There are some properties that will add every | 0:37:38 | 0:37:44 | |
possible amenity under the sun. | 0:37:44 | 0:37:46 | |
If some client's friends have been on safari before at one of these | 0:37:46 | 0:37:50 | |
places that are really over the top with air conditioning and everything | 0:37:50 | 0:37:53 | |
like that, then, you know, | 0:37:53 | 0:37:55 | |
some people could be a little bit let down | 0:37:55 | 0:37:57 | |
or disturbed by certain things. | 0:37:57 | 0:37:59 | |
People are coming from Europe and North America, | 0:37:59 | 0:38:01 | |
from places where food is so plentiful that they invent all kinds | 0:38:01 | 0:38:04 | |
of imaginary things they think they need to make themselves healthy. | 0:38:04 | 0:38:07 | |
You know, they're obsessed with vitamins and fibre and hydration | 0:38:07 | 0:38:11 | |
and these kinds of things which to people who have so little, | 0:38:11 | 0:38:13 | |
it must just seem ridiculous. | 0:38:13 | 0:38:15 | |
Exactly and the locals will be walking along this river, | 0:38:15 | 0:38:18 | |
bend over and cup their hand and take a sip | 0:38:18 | 0:38:20 | |
and then guests come here | 0:38:20 | 0:38:21 | |
and insist that they need to have bottled water. | 0:38:21 | 0:38:24 | |
Obviously, all the staff scratch their heads in amazement | 0:38:24 | 0:38:27 | |
when that happens. | 0:38:27 | 0:38:28 | |
Out here, Tanya and Mikey have to rely on a unique partnership with | 0:38:30 | 0:38:34 | |
their neighbours, the Samburu people who live alongside the Lodge. | 0:38:34 | 0:38:37 | |
Perhaps surprisingly, it's the Samburu who are the landlords here, | 0:38:39 | 0:38:42 | |
Tanya and Mikey are merely tenants. | 0:38:42 | 0:38:45 | |
It's totally different to running a big hotel in Nairobi. | 0:38:46 | 0:38:50 | |
This is what we call a community group ranch, | 0:38:50 | 0:38:52 | |
whereby the Samburu community, 550 families, own this land, | 0:38:52 | 0:38:58 | |
the land where the lodge is situated on, and we rent the land from the | 0:38:58 | 0:39:03 | |
community, from the Samburu people and give them a bed night fee. | 0:39:03 | 0:39:07 | |
For every guest that stays in the lodge, | 0:39:07 | 0:39:10 | |
the community gets paid money as a rent. | 0:39:10 | 0:39:13 | |
It enables them to have an income from tourism | 0:39:13 | 0:39:16 | |
which enables us to protect the wildlife for future generations. | 0:39:16 | 0:39:19 | |
Mikey and Tanya pay £47 per guest per night to the community. | 0:39:21 | 0:39:25 | |
For the hotel and local community to succeed, | 0:39:27 | 0:39:30 | |
Mikey needs to negotiate regularly with his Samburu landlords | 0:39:30 | 0:39:33 | |
to balance the commercial needs of the hotel | 0:39:33 | 0:39:35 | |
with the fragile ecology of the local people, animals and land. | 0:39:35 | 0:39:39 | |
In Nairobi, typically our meetings would always be in an office, | 0:39:39 | 0:39:45 | |
coffee on the table, lawyers surrounding you, the accountants. | 0:39:45 | 0:39:50 | |
Whereas here it's a lot of talking, | 0:39:50 | 0:39:53 | |
sitting under acacia trees and discussing how it would work best | 0:39:53 | 0:39:58 | |
for both parties. | 0:39:58 | 0:39:59 | |
You can't come in with our Western ideals. | 0:39:59 | 0:40:01 | |
Only four miles from the lodge, | 0:40:04 | 0:40:06 | |
Sasaab village is home to five families. | 0:40:06 | 0:40:08 | |
Traditionally nomadic, their lives depend on their herds of animals. | 0:40:16 | 0:40:21 | |
Livestock, mainly cattle, goats, sheep, camel, | 0:40:21 | 0:40:25 | |
are the lifeline of this community. | 0:40:25 | 0:40:27 | |
That is their money, that is their wealth and their form of income. | 0:40:27 | 0:40:32 | |
But the village animals can cause problems. | 0:40:32 | 0:40:35 | |
Out here there is little quality grazing land | 0:40:35 | 0:40:38 | |
and the best terrain lies within the lodge grounds, close to the river. | 0:40:38 | 0:40:42 | |
But if Samburu livestock eat their vegetation, | 0:40:44 | 0:40:47 | |
there's less to attract wild animals. | 0:40:47 | 0:40:49 | |
If the wild animals stop coming, so will the tourists, | 0:40:49 | 0:40:53 | |
and in Mikey's view, that's bad news for everyone. | 0:40:53 | 0:40:56 | |
This is Jackson. | 0:40:56 | 0:40:59 | |
Mikey's meeting a village elder to discuss the boundary issue. | 0:40:59 | 0:41:02 | |
What is the community feeling about the livestock that comes into the | 0:41:02 | 0:41:06 | |
lodge area around Sasaab? | 0:41:06 | 0:41:09 | |
The kids, we are just sending to look after livestock. | 0:41:09 | 0:41:13 | |
They see grass a lot in this area. | 0:41:13 | 0:41:16 | |
The goats are not supposed to come from this area up to this area. | 0:41:16 | 0:41:20 | |
So, we, as elders in this village, once we knew the people, | 0:41:20 | 0:41:25 | |
we should have to shun them. | 0:41:25 | 0:41:27 | |
So they get fined if they get caught | 0:41:27 | 0:41:29 | |
-coming into that area by the community? -Yes. By the community. | 0:41:29 | 0:41:33 | |
The elders are so aware | 0:41:33 | 0:41:34 | |
that the fortunes of the village rely on wildlife | 0:41:34 | 0:41:37 | |
coming close to the lodge that they will do what it takes to stop local | 0:41:37 | 0:41:41 | |
livestock straying onto hotel land. | 0:41:41 | 0:41:44 | |
It is a tricky one and there is a fine line, | 0:41:44 | 0:41:47 | |
especially in an area like this that's so arid and rugged because | 0:41:47 | 0:41:51 | |
the conflict for grazing and grasslands is so... | 0:41:51 | 0:41:57 | |
is at the breaking point all the time here. | 0:41:57 | 0:42:01 | |
As well as deriving some income from the lodge, | 0:42:01 | 0:42:05 | |
the local Samburu community have access to new job opportunities. | 0:42:05 | 0:42:09 | |
Tanya and Mikey have committed to employ | 0:42:09 | 0:42:12 | |
75% of their workers from the local area. | 0:42:12 | 0:42:15 | |
On average, the wage paid to one such worker will go on to support | 0:42:17 | 0:42:20 | |
at least ten other people in their family and community. | 0:42:20 | 0:42:23 | |
And it seems that work here is highly sought after. | 0:42:25 | 0:42:27 | |
Go ahead, Nicks. | 0:42:31 | 0:42:32 | |
-OVER RADIO: -'There's a warrior | 0:42:34 | 0:42:35 | |
'here about a job if you have time to come up and speak to him.' | 0:42:35 | 0:42:39 | |
So, this is a normal thing, you're painting a plunge pool and you get | 0:42:39 | 0:42:42 | |
a call on the intercom and there's a warrior at reception looking for | 0:42:42 | 0:42:45 | |
-a job. -We do often have the local warriors coming in looking for work. | 0:42:45 | 0:42:48 | |
We've actually got one employed now | 0:42:48 | 0:42:50 | |
who's helping to look after our camels. | 0:42:50 | 0:42:52 | |
'I like the sound of this job-seeking warrior.' | 0:42:52 | 0:42:56 | |
Do you have any idea what sort of work he's going to want? | 0:42:56 | 0:42:59 | |
Hi, buddy. | 0:42:59 | 0:43:03 | |
I'm Giles. | 0:43:03 | 0:43:05 | |
Could you ask for me why he wants to work here? | 0:43:05 | 0:43:08 | |
HE SPEAKS SAMBURU LANGUAGE | 0:43:08 | 0:43:12 | |
He knows a lot of the staff here. | 0:43:21 | 0:43:24 | |
It's very close to his home, which is another big perk. | 0:43:24 | 0:43:26 | |
Sadly at the moment, you know, | 0:43:28 | 0:43:30 | |
we've got all the positions covered, but in the event that, you know, | 0:43:30 | 0:43:34 | |
we get higher occupancies or if some of our staff require their off days, | 0:43:34 | 0:43:38 | |
then we'll be able to call him. | 0:43:38 | 0:43:40 | |
Good luck. | 0:43:40 | 0:43:42 | |
It's quite an interesting thing seeing this fellow | 0:43:42 | 0:43:46 | |
arrive looking for a job, walked over from the nearest village. | 0:43:46 | 0:43:49 | |
When I've seen other guys like that Samburu warrior, you can't help | 0:43:49 | 0:43:53 | |
wondering, have they dressed up like that for me, for the BBC, | 0:43:53 | 0:43:56 | |
where actually they're just wearing Man United strips all the time? | 0:43:56 | 0:43:59 | |
But this guy's just walked over looking for a job in the clothes | 0:43:59 | 0:44:02 | |
that he, as a Samburu warrior, wears every day | 0:44:02 | 0:44:04 | |
and he's not got lucky today but he may another time. | 0:44:04 | 0:44:07 | |
However, for people used to living and working in the bush, | 0:44:09 | 0:44:13 | |
delivering Western forms of hospitality often requires a degree | 0:44:13 | 0:44:17 | |
of cultural adjustment. | 0:44:17 | 0:44:19 | |
After years of training staff, Tanya has her own observations. | 0:44:19 | 0:44:23 | |
Seeing a straight line does not come naturally to people who have not had | 0:44:23 | 0:44:28 | |
to have straight lines around them. | 0:44:28 | 0:44:30 | |
If you look out in the wilderness there's nothing straight about it, | 0:44:30 | 0:44:35 | |
actually, and hanging a mirror or a picture straight is a challenge. | 0:44:35 | 0:44:40 | |
The most coveted role at the lodge is safari guide. | 0:44:48 | 0:44:51 | |
28-year-old Jacob is one of the most senior guides. | 0:44:52 | 0:44:56 | |
It's taken him three years to get the necessary licences and now he | 0:44:56 | 0:45:00 | |
educates international guests about his region and its wildlife. | 0:45:00 | 0:45:04 | |
These are lion footprints. | 0:45:06 | 0:45:09 | |
It seems to be heading up that way. | 0:45:09 | 0:45:12 | |
But on days off, Jacob still herds the family goats. | 0:45:12 | 0:45:16 | |
He's also a Samburu warrior. | 0:45:18 | 0:45:20 | |
In Samburu culture, a warrior is a single man under 30 | 0:45:20 | 0:45:23 | |
responsible for protecting the village and looking after animals. | 0:45:23 | 0:45:27 | |
When I go home when I'm not working | 0:45:34 | 0:45:36 | |
I'm still going back to look after the goats, cows, camels | 0:45:36 | 0:45:40 | |
and to help in everyday duty in the village. | 0:45:40 | 0:45:44 | |
MOBILE PHONE RINGTONE | 0:45:48 | 0:45:52 | |
When he's herding animals, Jacob walks the savanna. | 0:46:02 | 0:46:04 | |
When he's a tourist guide, he makes his journeys by car or camel. | 0:46:06 | 0:46:09 | |
'I'm joining Jacob to see what kind of experience he offers his guests.' | 0:46:11 | 0:46:14 | |
-Jacob. Nice to meet you. -How are you? | 0:46:14 | 0:46:16 | |
'Although I'm not sure I fancy getting close | 0:46:16 | 0:46:18 | |
'to one of these feisty beasts.' CAMEL GRUNTS | 0:46:18 | 0:46:23 | |
He's very big. Do they, erm, bite or anything? | 0:46:23 | 0:46:26 | |
They bite. | 0:46:26 | 0:46:28 | |
Sometimes they spit but it's not very much. | 0:46:28 | 0:46:31 | |
It's enough. | 0:46:31 | 0:46:32 | |
Shall I put it on that one? And then just chuck it over? | 0:46:33 | 0:46:36 | |
I've never ridden a camel before. | 0:46:42 | 0:46:44 | |
It never occurred to me until this morning that I never had. | 0:46:44 | 0:46:46 | |
I never particularly wanted to. | 0:46:46 | 0:46:48 | |
It's just it's better than going in a Land Rover, isn't it? | 0:46:48 | 0:46:52 | |
Because you're not going to scare away the lions and the leopards. | 0:46:52 | 0:46:55 | |
In fact, you're going to probably attract them | 0:46:55 | 0:46:57 | |
with the possibility of a tasty camel lunch. | 0:46:57 | 0:46:59 | |
So, we are going with the ranger here | 0:47:00 | 0:47:02 | |
because we have the elephants where we are walking to. | 0:47:02 | 0:47:05 | |
Will that kill an elephant? | 0:47:05 | 0:47:06 | |
Yeah, like one bullet. One or two. Maybe three. | 0:47:06 | 0:47:10 | |
OK. | 0:47:10 | 0:47:11 | |
This has taken a whole different complexion, this trip. | 0:47:11 | 0:47:14 | |
OK, let's go then. | 0:47:14 | 0:47:15 | |
First of all you put your leg here, left foot. | 0:47:15 | 0:47:18 | |
-This one there? -Yeah. Then swing quickly. | 0:47:18 | 0:47:22 | |
-Yeah? -And you hold tight here. | 0:47:23 | 0:47:26 | |
Do I...? I'm not sure my legs bend like that. | 0:47:26 | 0:47:28 | |
-Where are they meant to go? -Yeah, just right there. | 0:47:28 | 0:47:31 | |
Ah! Well... | 0:47:31 | 0:47:32 | |
-What's up? -Well, it... | 0:47:32 | 0:47:34 | |
My legs don't really bend like that. | 0:47:34 | 0:47:36 | |
-It's supposed to be in there. -So what shall I do? | 0:47:36 | 0:47:38 | |
Maybe you change your shorts. | 0:47:38 | 0:47:40 | |
I've just changed into the researcher's shorts | 0:47:41 | 0:47:44 | |
because mine were a bit tight to get on the camel, so... | 0:47:44 | 0:47:47 | |
Bit embarrassing. I'll try and do it now. | 0:47:47 | 0:47:49 | |
CAMEL GRUNTS | 0:47:49 | 0:47:50 | |
Don't be afraid. | 0:47:52 | 0:47:55 | |
HE LAUGHS | 0:47:55 | 0:47:56 | |
Supposing the elephant comes, and then the camel is afraid, | 0:48:03 | 0:48:07 | |
and the camel runs off over there - | 0:48:07 | 0:48:10 | |
what do I do? | 0:48:10 | 0:48:11 | |
You just really need to hold on to the camel. | 0:48:11 | 0:48:14 | |
-What if he bites me? -No, no, he's not going to bite you. | 0:48:14 | 0:48:18 | |
What if my nuts just go back inside my sternum? | 0:48:18 | 0:48:21 | |
JACOB LAUGHS | 0:48:21 | 0:48:24 | |
So, hold tight there. It's, like, going to drop you down. | 0:48:32 | 0:48:35 | |
Oh! Thank you. That was brilliant. | 0:48:35 | 0:48:38 | |
That was fantastic. | 0:48:38 | 0:48:39 | |
Ahh! No wonder they invented the horse. And the car. | 0:48:42 | 0:48:45 | |
'I take the opportunity to sit down, carefully, | 0:48:46 | 0:48:49 | |
'with Jacob to talk about local perceptions of tourism.' | 0:48:49 | 0:48:51 | |
What do the other ones think, the more traditional ones, | 0:48:53 | 0:48:55 | |
think about people coming here, driving around, | 0:48:55 | 0:48:57 | |
looking for lions and elephants? Do they think that's strange? | 0:48:57 | 0:49:00 | |
It's OK if we walk home? | 0:49:27 | 0:49:29 | |
It wasn't very comfortable. | 0:49:29 | 0:49:31 | |
I'm walking a bit funny even now. | 0:49:31 | 0:49:33 | |
-Because of the camel? -Yeah. | 0:49:33 | 0:49:35 | |
The arrival of the lodge nine years ago means life is changing | 0:49:37 | 0:49:40 | |
for the locals in an unprecedented way. | 0:49:40 | 0:49:43 | |
Whereas previously Samburu people would breed and herd livestock | 0:49:43 | 0:49:47 | |
to trade, through tourism they can now earn a wage for the first time. | 0:49:47 | 0:49:51 | |
This means that warriors like Jacob are now able | 0:49:51 | 0:49:54 | |
to buy more livestock sooner. | 0:49:54 | 0:49:56 | |
Out of 43 people employed at Sasaab Lodge, | 0:49:56 | 0:49:58 | |
three quarters are local Samburu. | 0:49:58 | 0:50:01 | |
Their wages go on to support many other people | 0:50:01 | 0:50:03 | |
within their families and community. | 0:50:03 | 0:50:05 | |
Yeah, hello! | 0:50:06 | 0:50:08 | |
'Today, there's a warrior ceremony in Jacob's village of Ungutuk.' | 0:50:08 | 0:50:11 | |
SINGING | 0:50:11 | 0:50:13 | |
'It's a chance to see whether the lodge's existence | 0:50:13 | 0:50:16 | |
'has changed the daily lives and culture of the villagers.' | 0:50:16 | 0:50:19 | |
-And they're singing? -Yeah. -For me? -Yeah, yeah. | 0:50:20 | 0:50:23 | |
'I'm moved by the vibrant welcome | 0:50:24 | 0:50:26 | |
'and the deep sense of tradition here.' | 0:50:26 | 0:50:29 | |
SINGING CONTINUES | 0:50:29 | 0:50:31 | |
My head's too big! | 0:50:34 | 0:50:36 | |
My culture in Samoa, we do a lot of singing to welcome people, | 0:50:38 | 0:50:42 | |
but that's a mix of women and men, | 0:50:42 | 0:50:44 | |
it's never just the women that do it alone. | 0:50:44 | 0:50:46 | |
Here it's very segregated. | 0:50:46 | 0:50:48 | |
'I'm with Jacob and the warriors, who are about to prepare a feast, | 0:50:51 | 0:50:55 | |
'and it's a world away from smoked salmon and hollandaise sauce.' | 0:50:55 | 0:50:58 | |
So you're going to kill it right here? | 0:50:59 | 0:51:01 | |
We're going to kill it right here. | 0:51:01 | 0:51:02 | |
'And I'm being offered the best bit.' | 0:51:02 | 0:51:04 | |
-Actually, are you going to drink the blood? -Of this fellow? | 0:51:04 | 0:51:08 | |
Well, it's not my normal thing but if it's good, I'll try it. | 0:51:08 | 0:51:12 | |
Oh, from the actual, from the... | 0:51:12 | 0:51:14 | |
Straight from the neck? | 0:51:14 | 0:51:16 | |
-Yeah. -I see. | 0:51:16 | 0:51:17 | |
Cool. | 0:51:17 | 0:51:19 | |
All my life I've known it's a thing that warriors | 0:51:20 | 0:51:23 | |
in Eastern Africa do, and I never wanted to put myself | 0:51:23 | 0:51:25 | |
in a situation where I would risk offending my host. | 0:51:25 | 0:51:28 | |
You ready for the blood? | 0:51:28 | 0:51:30 | |
Erm... | 0:51:30 | 0:51:31 | |
Yeah, just a little bit, just a little bit. | 0:51:31 | 0:51:34 | |
You done? | 0:51:37 | 0:51:38 | |
Mm! Yeah. | 0:51:38 | 0:51:40 | |
Kemelok, kemelok. | 0:51:40 | 0:51:43 | |
'Kemelok means "delicious" in Samburu, by the way.' | 0:51:43 | 0:51:46 | |
I realise this looks gross to you sitting at home, having your dinner | 0:51:46 | 0:51:49 | |
in front of the TV. This is what these guys do, | 0:51:49 | 0:51:52 | |
and I felt like I ought to give it a go. | 0:51:52 | 0:51:54 | |
Thick. It's like egg yolk. It's like egg yolk. | 0:51:56 | 0:51:59 | |
'Seeing this side of Jacob's life makes me wonder what it's like | 0:52:00 | 0:52:03 | |
'balancing two very different worlds.' | 0:52:03 | 0:52:06 | |
Is that easy for you to go backwards and forwards? | 0:52:06 | 0:52:09 | |
-A msungu is me, white people. -Yes. | 0:52:31 | 0:52:33 | |
Whilst the lodge has brought some fresh opportunities | 0:52:37 | 0:52:40 | |
for local men and their families, | 0:52:40 | 0:52:42 | |
for most of the ladies it seems daily life has remained the same. | 0:52:42 | 0:52:46 | |
The women of the village still walk for over an hour each day | 0:52:47 | 0:52:51 | |
with donkeys to collect water, | 0:52:51 | 0:52:53 | |
are responsible for all the domestic chores | 0:52:53 | 0:52:55 | |
and get the leftovers from the men's feasts. | 0:52:55 | 0:52:58 | |
And do you think the women are OK about that | 0:53:00 | 0:53:02 | |
because it's their normal way of life? | 0:53:02 | 0:53:05 | |
But can we ask them, are they happy to do that? | 0:53:09 | 0:53:11 | |
SHE SPEAKS IN OWN LANGUAGE | 0:53:11 | 0:53:15 | |
-Yeah. So they're happy with the way things are? -Yeah. | 0:53:26 | 0:53:29 | |
Samburu people working inside the lodge wear hotel uniforms, | 0:53:31 | 0:53:35 | |
but in his role as a guide Jacob can wear his own clothes. | 0:53:35 | 0:53:38 | |
-Chubby msungu. -Did you say "chubby msungu"? | 0:53:39 | 0:53:41 | |
HE LAUGHS | 0:53:41 | 0:53:43 | |
-Did you say "chubby msungu"? -Sorry! | 0:53:43 | 0:53:45 | |
I heard you say... | 0:53:45 | 0:53:47 | |
Chubby white bastard, eh? I heard you! | 0:53:47 | 0:53:50 | |
'My outfit for the ceremony, on the other hand, is borrowed.' | 0:53:51 | 0:53:54 | |
So I'm now dressed, I'm ready for the party? | 0:53:55 | 0:53:57 | |
Yeah, yeah, very much ready to party. | 0:53:57 | 0:54:00 | |
'But I'm feeling a bit self-conscious | 0:54:00 | 0:54:02 | |
'as a chubby msungu dressed as a warrior.' | 0:54:02 | 0:54:04 | |
You all right? | 0:54:04 | 0:54:06 | |
You did it! | 0:54:07 | 0:54:09 | |
Wow! | 0:54:09 | 0:54:10 | |
-You want me to do that? -Yeah. | 0:54:10 | 0:54:12 | |
I haven't got... I haven't got a spear. | 0:54:12 | 0:54:15 | |
-Can I be in the back? -Yeah, on the back. | 0:54:15 | 0:54:18 | |
'At this point it should be said that I loathe dancing.' | 0:54:19 | 0:54:22 | |
SINGING AND WHOOPING | 0:54:23 | 0:54:25 | |
I can't... | 0:54:27 | 0:54:29 | |
'But I'm doing my best to keep up with 30 fearsome pogoing warriors.' | 0:54:29 | 0:54:33 | |
There's a lot of laughing going on, I think. | 0:54:46 | 0:54:48 | |
No, no, no, it isn't laughing. | 0:54:48 | 0:54:50 | |
It's the last dance of the night | 0:54:52 | 0:54:54 | |
and a chance for the men to choose the most desirable partners. | 0:54:54 | 0:54:57 | |
-Monica, can we go? -Where? -Can we go? -Oh, my God. | 0:54:58 | 0:55:01 | |
-You go and dance, I'll watch. -Yeah, make sure someone takes Giles. | 0:55:01 | 0:55:05 | |
That's absolutely typical, I've spent all day becoming | 0:55:05 | 0:55:07 | |
a Samburu warrior, dressing up, all ready to dance, | 0:55:07 | 0:55:10 | |
and now my date, Monica, has gone off with Jacob. | 0:55:10 | 0:55:13 | |
I can't really blame her, he's a fine figure of a Samburu warrior | 0:55:13 | 0:55:16 | |
and I'm "chubby msungu", | 0:55:16 | 0:55:17 | |
so it's not surprising I ended up without a date. | 0:55:17 | 0:55:20 | |
The lodge generates money, | 0:55:24 | 0:55:26 | |
jobs and some security for the local community, | 0:55:26 | 0:55:29 | |
but with that comes the prospect of all kinds of other changes. | 0:55:29 | 0:55:33 | |
I hope all the European influence or the white influence | 0:55:33 | 0:55:38 | |
on this way of life and this culture | 0:55:38 | 0:55:41 | |
doesn't overtake that, you know? | 0:55:41 | 0:55:44 | |
This doesn't get lost within the next...20, 30 years. | 0:55:44 | 0:55:50 | |
Samburu is a passionate place and they're passionate people. | 0:55:53 | 0:55:58 | |
They have this cultural love of wildlife | 0:55:59 | 0:56:04 | |
that makes working in harmony with them a great asset. | 0:56:04 | 0:56:10 | |
Of course it's more than a business, it's, erm... | 0:56:13 | 0:56:16 | |
It's, you know, we do this for our family | 0:56:16 | 0:56:19 | |
and for other people's families, | 0:56:19 | 0:56:23 | |
and just to help people... | 0:56:23 | 0:56:25 | |
..understand and realise | 0:56:27 | 0:56:31 | |
what a special place or country we have. | 0:56:31 | 0:56:34 | |
Back at the Manor, it's time for afternoon tea. | 0:56:45 | 0:56:48 | |
This is civilised. | 0:56:50 | 0:56:52 | |
Over four decades since Betty and Jock welcomed giraffe | 0:56:52 | 0:56:55 | |
into their grounds, | 0:56:55 | 0:56:56 | |
it can feel like nothing much has changed in Kenya. | 0:56:56 | 0:56:59 | |
In they come. | 0:57:00 | 0:57:02 | |
Yet we've come a long way since the big game hunts of the past. | 0:57:03 | 0:57:07 | |
Today, travellers are offered the experience of Africa | 0:57:09 | 0:57:12 | |
in various packages, some more safe and comfortable than others. | 0:57:12 | 0:57:16 | |
We don't do this at the Dorchester, Grandma, do we, | 0:57:16 | 0:57:18 | |
feed a giraffe after afternoon tea? | 0:57:18 | 0:57:21 | |
Look at this baby running! | 0:57:22 | 0:57:24 | |
Oh, she's beautiful. | 0:57:24 | 0:57:26 | |
Oh, I mean... Yeah. | 0:57:27 | 0:57:29 | |
I don't think you'd ever get tired of a giraffe. | 0:57:34 | 0:57:36 | |
People are a different story but, no, not the giraffe! | 0:57:36 | 0:57:40 | |
Oh, look. Oh, look, they're so cute! | 0:57:40 | 0:57:43 | |
So cute! | 0:57:45 | 0:57:47 | |
-Oh, they love it. Don't you? -What? | 0:57:48 | 0:57:50 | |
-Feeding the giraffe. -Yeah. -Yeah! | 0:57:50 | 0:57:53 | |
It's that up close and personal thing, really. | 0:57:54 | 0:57:56 | |
It's an intangible feeling, wildlife, being with wildlife, | 0:57:56 | 0:58:00 | |
being in the bush. | 0:58:00 | 0:58:02 | |
It's not something you can really explain, | 0:58:02 | 0:58:05 | |
you have to feel it, | 0:58:05 | 0:58:07 | |
and I think that's what draws people emotively to this environment, | 0:58:07 | 0:58:11 | |
because it makes you more alive, definitely. | 0:58:11 | 0:58:14 | |
At its heart, the allure of this extraordinary hotel | 0:58:18 | 0:58:20 | |
and the people who run it rests on enabling guests | 0:58:20 | 0:58:23 | |
'to get close to animals and to be moved by that.' | 0:58:23 | 0:58:27 | |
Yet the sensitive dynamic | 0:58:31 | 0:58:33 | |
between tourism, wildlife and local communities | 0:58:33 | 0:58:36 | |
will continue to challenge all who visit Kenya | 0:58:36 | 0:58:39 | |
and everyone who calls it home. | 0:58:39 | 0:58:41 |