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All over the world, there are remarkable hotels, | 0:00:02 | 0:00:05 | |
born of bold vision and daring endeavour. | 0:00:05 | 0:00:08 | |
Oh, my goodness. Look at that! | 0:00:09 | 0:00:11 | |
Whether it's an epic structure housing a sky park | 0:00:12 | 0:00:15 | |
the length of the Eiffel Tower... | 0:00:15 | 0:00:17 | |
This is definitely the biggest space I've ever been inside. | 0:00:17 | 0:00:20 | |
..or a glass box perched in the cloud forest... | 0:00:21 | 0:00:25 | |
-Look at that view! -Wow! | 0:00:25 | 0:00:27 | |
They're all products of innovation, creativity and hard graft. | 0:00:29 | 0:00:33 | |
The people running these hotels | 0:00:34 | 0:00:36 | |
strive to create the perfect sanctuary. | 0:00:36 | 0:00:39 | |
But what does it take to offer once-in-a-lifetime experiences | 0:00:39 | 0:00:44 | |
in stunning locations? | 0:00:44 | 0:00:46 | |
To build a hotel in a place like this, | 0:00:46 | 0:00:48 | |
everybody thinks I'm crazy! | 0:00:48 | 0:00:49 | |
In total, we have about 160,000 pieces of uniform. | 0:00:51 | 0:00:55 | |
-BELL CHIMES -Oh, my word! | 0:00:55 | 0:00:57 | |
I'm a restaurant writer, newspaper columnist and critic - | 0:00:57 | 0:01:01 | |
I have opinions on just about everything. | 0:01:01 | 0:01:03 | |
What a mad place to build a hotel! | 0:01:03 | 0:01:05 | |
I feel like Scott of the Antarctic, and it did not end well for him. | 0:01:05 | 0:01:09 | |
And I'm a chef who's worked at the top end of the hospitality industry | 0:01:09 | 0:01:13 | |
for well over 20 years. | 0:01:13 | 0:01:14 | |
How many opportunities do you get | 0:01:14 | 0:01:16 | |
to cook breakfast with elephants and giraffes? | 0:01:16 | 0:01:19 | |
We'll travel to amazing hotels in every corner of the world... | 0:01:21 | 0:01:25 | |
..to spend time getting to know the people | 0:01:25 | 0:01:27 | |
working away behind the scenes. | 0:01:27 | 0:01:29 | |
When did you last have a full night's sleep? | 0:01:29 | 0:01:31 | |
I don't remember. | 0:01:31 | 0:01:32 | |
-Really? -Yes. | 0:01:32 | 0:01:34 | |
What motivates you to work so hard? | 0:01:34 | 0:01:36 | |
The kids. I will sacrifice everything for them. | 0:01:36 | 0:01:39 | |
Join us as we venture inside... | 0:01:41 | 0:01:44 | |
..the world's most extraordinary hotels. | 0:01:47 | 0:01:50 | |
CALL TO PRAYER | 0:01:55 | 0:01:58 | |
Marrakech is one of the most beguiling cities in North Africa. | 0:02:07 | 0:02:10 | |
Once the capital of an Arab empire | 0:02:11 | 0:02:13 | |
that stretched across the Mediterranean to Spain, | 0:02:13 | 0:02:16 | |
for many centuries it was used by Moroccan kings | 0:02:16 | 0:02:19 | |
to showcase their culture to the world. | 0:02:19 | 0:02:21 | |
And that's a tradition that today's king, Mohammed VI, wants to revive | 0:02:22 | 0:02:27 | |
with the luxurious hotel he has built, Royal Mansour. | 0:02:27 | 0:02:31 | |
We represent the kingdom. | 0:02:32 | 0:02:35 | |
You are staying in the showcase of the kingdom. | 0:02:35 | 0:02:38 | |
The man tasked with implementing the royal vision | 0:02:39 | 0:02:41 | |
is managing director Jean-Claude Messant. | 0:02:41 | 0:02:44 | |
Ambition is very simple here, | 0:02:44 | 0:02:46 | |
and it's very easy to explain to the staff the ambition. | 0:02:46 | 0:02:49 | |
It's to be number one. | 0:02:49 | 0:02:52 | |
For the next few days, | 0:02:52 | 0:02:53 | |
we're joining Jean-Claude and his staff | 0:02:53 | 0:02:55 | |
to find out how they deliver their ambition | 0:02:55 | 0:02:58 | |
and whether it succeeds. | 0:02:58 | 0:03:00 | |
Good morning. A very warm welcome. | 0:03:00 | 0:03:03 | |
And with Monica in her office clothes, | 0:03:03 | 0:03:05 | |
I'm feeling a little bit underdressed. | 0:03:05 | 0:03:06 | |
Welcome to sunny Marrakech and Royal Mansour. | 0:03:06 | 0:03:10 | |
This is a hotel where staff can outnumber guests by ten to one. | 0:03:13 | 0:03:17 | |
We'll be looked after by our very own butler, Mohammed. | 0:03:19 | 0:03:23 | |
You're very welcome to Royal Mansour. | 0:03:23 | 0:03:26 | |
I will be pleased to be your butler during your stay. | 0:03:26 | 0:03:29 | |
-Thank you. -You're our butler, just for us? | 0:03:29 | 0:03:32 | |
Yes, sir. | 0:03:32 | 0:03:33 | |
Just a stone's throw away from the teeming heart of the city, | 0:03:36 | 0:03:40 | |
Royal Mansour is a peaceful haven. | 0:03:40 | 0:03:42 | |
It's made up of 53 separate residences known as riads. | 0:03:44 | 0:03:47 | |
The traditional Moroccan riad is designed for privacy. | 0:03:49 | 0:03:53 | |
Facing inwards to a central courtyard, | 0:03:53 | 0:03:55 | |
it therefore suits the needs of the presidents, diplomats | 0:03:55 | 0:03:57 | |
and A-listers who can afford to stay here, | 0:03:57 | 0:04:00 | |
spending between £1,000 and a staggering £35,000 per night. | 0:04:00 | 0:04:04 | |
Welcome to your riad, Mr Coren. | 0:04:07 | 0:04:09 | |
Look at this. It's amazing. | 0:04:09 | 0:04:11 | |
-Is this all mine? -Yes, sir. | 0:04:11 | 0:04:12 | |
'All £3,000 per night's worth of it.' | 0:04:12 | 0:04:15 | |
-The living room. -This is so beautiful. | 0:04:18 | 0:04:22 | |
-This is the guest room, sir. -Very nice. | 0:04:24 | 0:04:27 | |
The first room, madam. | 0:04:27 | 0:04:29 | |
I've never had so much space to myself before. | 0:04:29 | 0:04:33 | |
'To understand the levels of service expected of them, | 0:04:34 | 0:04:37 | |
'Royal Mansour staff are given a guest experience.' | 0:04:37 | 0:04:40 | |
So, Mohammed, you said you've stayed in a riad like this? | 0:04:42 | 0:04:44 | |
-I did, madam. -How did you find that? | 0:04:44 | 0:04:46 | |
They escorted me from my house to the hotel in the hotel's car, | 0:04:46 | 0:04:52 | |
welcomed me in the main entrance, | 0:04:52 | 0:04:55 | |
the same welcome they would do for any of the guests. | 0:04:55 | 0:04:59 | |
I still remember that feeling I got. | 0:04:59 | 0:05:02 | |
-Being special. -Nobody can explain it, unless you try it, | 0:05:02 | 0:05:06 | |
unless you live it yourself. | 0:05:06 | 0:05:07 | |
Guests Victoria and Antoine are accustomed to exclusive hotels, | 0:05:14 | 0:05:18 | |
but this is their first experience of the Royal Mansour. | 0:05:18 | 0:05:22 | |
The Royal Mansour allows a sense of wonder. | 0:05:22 | 0:05:25 | |
There is a grandeur to walking through the doors | 0:05:25 | 0:05:28 | |
and feeling like you're entering somewhere magical. | 0:05:28 | 0:05:32 | |
But what's interesting about this hotel | 0:05:32 | 0:05:34 | |
is how the magic is created. | 0:05:34 | 0:05:37 | |
And for that, we have to go behind the scenes. | 0:05:37 | 0:05:40 | |
So, Mr Coren, welcome to the undergrounds. | 0:05:41 | 0:05:45 | |
You can call me Giles now. | 0:05:45 | 0:05:46 | |
As part of its drive for absolute privacy, | 0:05:48 | 0:05:51 | |
the Royal Mansour has taken the palace tradition | 0:05:51 | 0:05:53 | |
of upstairs/downstairs | 0:05:53 | 0:05:55 | |
and rolled it out on a monumental scale. | 0:05:55 | 0:05:57 | |
It's like Downton Abbey meets Aladdin | 0:06:00 | 0:06:02 | |
with a bit of James Bond for good measure. | 0:06:02 | 0:06:04 | |
There's a car. | 0:06:06 | 0:06:07 | |
Can we go in one of those? | 0:06:08 | 0:06:10 | |
'No wonder they need those golf carts. | 0:06:10 | 0:06:12 | |
'There are more than 1,000 metres of tunnels here, | 0:06:12 | 0:06:15 | |
'mirroring the plan of the hotel above. | 0:06:15 | 0:06:18 | |
'It's here that the 500 staff go about their duties. | 0:06:18 | 0:06:22 | |
'Laundering and pressing 300 staff uniforms every single day. | 0:06:22 | 0:06:28 | |
'Cutting and arranging the weekly delivery of 7,000 fresh roses. | 0:06:28 | 0:06:32 | |
'And all this for just 53 riads.' | 0:06:34 | 0:06:36 | |
-Is it a problem with staff getting lost? -Yes, of course. | 0:06:36 | 0:06:39 | |
Do people quite often order breakfast | 0:06:39 | 0:06:41 | |
and then the guy just disappears for hours | 0:06:41 | 0:06:43 | |
and they phone down and go...? | 0:06:43 | 0:06:45 | |
For the new ones, it happens sometimes. | 0:06:45 | 0:06:46 | |
Every riad has a private service entrance | 0:06:49 | 0:06:52 | |
on each of its three floors. | 0:06:52 | 0:06:53 | |
This allows staff to appear as if by magic | 0:06:55 | 0:06:57 | |
wherever they're required, | 0:06:57 | 0:06:59 | |
enabling the utmost discretion for butlers like Mohammed | 0:06:59 | 0:07:02 | |
and his new apprentice. | 0:07:02 | 0:07:04 | |
-OK. So, this way? -Yes. | 0:07:06 | 0:07:10 | |
Easy to get lost. | 0:07:10 | 0:07:12 | |
'My first lesson from Mohammed | 0:07:12 | 0:07:13 | |
'presents a bit of a challenge for me - | 0:07:13 | 0:07:15 | |
'learning how to treat people like VIPs.' | 0:07:15 | 0:07:18 | |
So, you have to respect some protocols. | 0:07:18 | 0:07:20 | |
For example, you have to respect the distance. | 0:07:20 | 0:07:22 | |
-At least you leave... -A special distance? -A special distance. | 0:07:22 | 0:07:25 | |
So when you say, "Bonsoir, monsieur. Je suis Mohammed..." | 0:07:25 | 0:07:27 | |
You don't enter his area. | 0:07:27 | 0:07:30 | |
-You don't stand this close? -One metre 60. | 0:07:30 | 0:07:32 | |
-Really? -Yes. -One metre 60. | 0:07:32 | 0:07:33 | |
-This's about... -One metre 60. -And this is OK. | 0:07:33 | 0:07:36 | |
-Now you can speak to him. -Really? -Yes. | 0:07:36 | 0:07:39 | |
You don't have to speak toxic words. For example, we never say no. | 0:07:39 | 0:07:43 | |
-You never say no? -We never say no. | 0:07:43 | 0:07:46 | |
He would ask, for example, for something which we don't have. | 0:07:46 | 0:07:49 | |
You don't say no, but you explain that we have something else instead. | 0:07:49 | 0:07:56 | |
So, if he says, "I'd like some caviar", | 0:07:56 | 0:07:58 | |
you can say, "Excellent choice. | 0:07:58 | 0:08:01 | |
"We actually have Pringles." THEY LAUGH | 0:08:01 | 0:08:04 | |
-Something like that. That... -Sort of thing. -..sort of thing. | 0:08:04 | 0:08:06 | |
'I don't think I'm quite ready to be let loose | 0:08:13 | 0:08:16 | |
'on Mohammed's VIP guests, | 0:08:16 | 0:08:18 | |
'but having found out that they've left their riad, | 0:08:18 | 0:08:20 | |
'he's sneaked me in to show me how he prepares it for their return.' | 0:08:20 | 0:08:24 | |
We don't walk across the patio. | 0:08:24 | 0:08:27 | |
-OK. -We walk around the, um... | 0:08:27 | 0:08:31 | |
The edge of the carpet but not on the carpet. | 0:08:31 | 0:08:33 | |
-Yes, not on the carpet. -OK. | 0:08:33 | 0:08:36 | |
You can just... | 0:08:41 | 0:08:43 | |
Oh, we can't use that. | 0:08:43 | 0:08:44 | |
I'm really sorry. I would... | 0:08:44 | 0:08:47 | |
Is it a special...? | 0:08:47 | 0:08:49 | |
-Because it's prepared by... -Oh, I see. | 0:08:49 | 0:08:52 | |
It's already prepared by the housekeeping. We can't... | 0:08:52 | 0:08:55 | |
-We can't destroy... -Yeah, we cannot ruin what the others have done. | 0:08:55 | 0:08:59 | |
OK. Sorry. | 0:08:59 | 0:09:02 | |
That's so weird. I was... Sorry. | 0:09:04 | 0:09:07 | |
I was totally expecting to come out into the sunshine | 0:09:07 | 0:09:09 | |
of a beautiful courtyard. | 0:09:09 | 0:09:10 | |
I'd completely forgotten that | 0:09:10 | 0:09:12 | |
we were just appearing in the underground warren again. | 0:09:12 | 0:09:14 | |
That's so strange. | 0:09:14 | 0:09:16 | |
Giles isn't the only one who has to dress in a uniform | 0:09:17 | 0:09:19 | |
inspired by Moroccan tradition. | 0:09:19 | 0:09:21 | |
Ta-da! | 0:09:22 | 0:09:24 | |
'I'm joining the housekeeping team, | 0:09:24 | 0:09:26 | |
'reporting to executive housekeeper Laurence Jaspard.' | 0:09:26 | 0:09:29 | |
-What do you think? -It's beautiful. You look like a room attendant. | 0:09:29 | 0:09:34 | |
-A room attendant? -You are the perfect one. | 0:09:34 | 0:09:37 | |
And then, from what I know, you speak French as well? | 0:09:37 | 0:09:39 | |
-Yes. -Tres bien. | 0:09:39 | 0:09:40 | |
Laurence began her career at the Paris Ritz | 0:09:41 | 0:09:44 | |
and has worked at some of the world's most exclusive hotels. | 0:09:44 | 0:09:47 | |
She has responsibility | 0:09:47 | 0:09:49 | |
for maintaining the Royal Mansour's exacting standards. | 0:09:49 | 0:09:52 | |
At Royal Mansour, everything is about elegance and beauty. | 0:09:53 | 0:09:59 | |
Laurence leads a team of 44 room attendants. | 0:09:59 | 0:10:03 | |
Quietly and discreetly, | 0:10:03 | 0:10:05 | |
they have elevated housekeeping into an art form. | 0:10:05 | 0:10:09 | |
From wiping perfumed essential oil on drawers... | 0:10:09 | 0:10:12 | |
When the guests open, it smells good. | 0:10:12 | 0:10:15 | |
..and even telephones... | 0:10:15 | 0:10:16 | |
..to brushing unique palm patterns into velvet chairs | 0:10:18 | 0:10:21 | |
or combing the fringes of rugs. | 0:10:21 | 0:10:23 | |
It has to be perfect and we work hard for this. | 0:10:25 | 0:10:28 | |
Every little detail is extremely important. | 0:10:28 | 0:10:32 | |
I've been given the task of preparing a riad | 0:10:33 | 0:10:36 | |
to get a sense of the level of detail required. | 0:10:36 | 0:10:38 | |
So, in your room, | 0:10:40 | 0:10:41 | |
we have more this style of | 0:10:41 | 0:10:43 | |
-putting the cushion like this. -Yes. | 0:10:43 | 0:10:44 | |
And we give it more like this. | 0:10:44 | 0:10:45 | |
In here, it's this shape, | 0:10:45 | 0:10:48 | |
and then we need really | 0:10:48 | 0:10:50 | |
to find the right match, the right colour. | 0:10:50 | 0:10:52 | |
So, today we'll remove all of them. | 0:10:52 | 0:10:55 | |
You remove all of them? | 0:10:55 | 0:10:56 | |
-Just for you. -Oh, yay! I'm lucky. | 0:10:56 | 0:10:59 | |
Cos then you have to put them back. | 0:10:59 | 0:11:01 | |
'To maintain a sense of magic, | 0:11:02 | 0:11:04 | |
'the housekeeping team aim for invisibility. | 0:11:04 | 0:11:07 | |
'Tipped off by butlers when their guests have left the riad, | 0:11:07 | 0:11:10 | |
'they slip in using the service tunnels, cleaning, | 0:11:10 | 0:11:13 | |
'rearranging and refreshing. | 0:11:13 | 0:11:16 | |
'And it's not just in the morning. | 0:11:16 | 0:11:18 | |
'It could be several times a day. | 0:11:18 | 0:11:20 | |
'The slightest deviation from perfection, | 0:11:20 | 0:11:22 | |
'an unplumped or wonky cushion, say, | 0:11:22 | 0:11:24 | |
'will be fixed for the guests on their return.' | 0:11:24 | 0:11:27 | |
-It's not easy to make them stand on the corner. -I know. | 0:11:27 | 0:11:31 | |
Do you maybe need some help? | 0:11:31 | 0:11:32 | |
No! | 0:11:32 | 0:11:34 | |
-Yes. -THEY LAUGH | 0:11:34 | 0:11:36 | |
'I'll need some help with this too, showing love to curtains.' | 0:11:37 | 0:11:42 | |
The curtains here are extremely, extremely nice, | 0:11:42 | 0:11:45 | |
as you can see, so we have to put them like... | 0:11:45 | 0:11:48 | |
we need to show them. | 0:11:48 | 0:11:49 | |
-Making pleats. -Exactly. -Yes. | 0:12:00 | 0:12:02 | |
Well, I've never caressed a drape before! | 0:12:02 | 0:12:05 | |
So much more to tying a drape back... | 0:12:22 | 0:12:25 | |
SHE CHUCKLES | 0:12:25 | 0:12:27 | |
..than, you know, one would presume. | 0:12:27 | 0:12:30 | |
'There are 350 pairs of curtains in Royal Mansour, | 0:12:30 | 0:12:34 | |
'and each one gets the same level of personal attention. | 0:12:34 | 0:12:37 | |
'That's 350 instances of untangling, pleating and, of course, caressing, | 0:12:37 | 0:12:42 | |
'every single day.' | 0:12:42 | 0:12:44 | |
I think it's a really, really good start. | 0:12:44 | 0:12:46 | |
Tomorrow, it will be perfect. | 0:12:46 | 0:12:49 | |
'Uh, I think I might be busy doing something else tomorrow.' | 0:12:49 | 0:12:52 | |
'There's something a little disorientating | 0:13:02 | 0:13:05 | |
'about waking up upstairs as Mr Coren | 0:13:05 | 0:13:07 | |
'and being treated like a king by my butler...' | 0:13:07 | 0:13:10 | |
-Thank you. -You're welcome, sir. | 0:13:10 | 0:13:12 | |
'..knowing that the day ahead will be spent downstairs | 0:13:12 | 0:13:15 | |
'as Giles the worker.' | 0:13:15 | 0:13:16 | |
Mr Coren, you will be spending some time with Akram, | 0:13:16 | 0:13:20 | |
-the chauffeur. -Jolly good. | 0:13:20 | 0:13:22 | |
Aha! Excellent. | 0:13:22 | 0:13:24 | |
Your outfit for today, sir. | 0:13:24 | 0:13:26 | |
That looks fine. Could you give it a little press, perhaps? | 0:13:26 | 0:13:28 | |
-Just give it a little press. -Immediately, sir. | 0:13:28 | 0:13:31 | |
-Thank you very much. -You're welcome. | 0:13:31 | 0:13:33 | |
'Royal Mansour luxury begins when guests are met at the airport | 0:13:34 | 0:13:37 | |
'by one of the hotel's chauffeurs. | 0:13:37 | 0:13:40 | |
'First impressions count, | 0:13:40 | 0:13:42 | |
'so this is a key front line role for me to experience. | 0:13:42 | 0:13:46 | |
'As well as another awesome uniform.' | 0:13:46 | 0:13:48 | |
-It really suits you, sir. -Does it? | 0:13:48 | 0:13:50 | |
-Can I adjust your buttons, sir? -Yeah, sure. | 0:13:50 | 0:13:53 | |
The ladies do love a chauffeur. | 0:13:53 | 0:13:55 | |
-They do, sir. -They love a uniform, they love a car. | 0:13:55 | 0:13:58 | |
Yes, and your little beard, sir. | 0:13:58 | 0:14:01 | |
-HE LAUGHS My LITTLE beard?! -Yes. | 0:14:01 | 0:14:03 | |
Oh, dear. And we're out of the magic kingdom, aren't we? | 0:14:07 | 0:14:10 | |
Into the service area. | 0:14:10 | 0:14:12 | |
-Yes, sir. -The dream is over. | 0:14:12 | 0:14:14 | |
In the nerve centre of the magic kingdom, | 0:14:17 | 0:14:19 | |
I've arranged to meet manager Jean-Claude | 0:14:19 | 0:14:22 | |
to find out what drew him to the Royal Mansour. | 0:14:22 | 0:14:25 | |
-Bonjour. -Bonjour. Good morning. | 0:14:25 | 0:14:27 | |
'Jean-Claude has managed some of the world's finest hotels, | 0:14:27 | 0:14:31 | |
'including the St James's Hotel in London, | 0:14:31 | 0:14:34 | |
'Hotel de Crillon in Paris and Hotel Metropol in Monaco. | 0:14:34 | 0:14:38 | |
'No sooner have I sat down, it becomes clear | 0:14:38 | 0:14:40 | |
'he's very much in demand.' | 0:14:40 | 0:14:42 | |
I always seem to notice you somewhere in the hotel, | 0:14:42 | 0:14:45 | |
whether I notice you disappearing in the lobby, | 0:14:45 | 0:14:47 | |
I see you passing in the restaurant, | 0:14:47 | 0:14:50 | |
You seem to be everywhere at the same time. | 0:14:50 | 0:14:52 | |
It's important to be visible. | 0:14:52 | 0:14:54 | |
You need to be seen. | 0:14:54 | 0:14:56 | |
-Some people... -PHONE RINGS | 0:14:56 | 0:14:58 | |
Ah, it's my phone. Sorry. | 0:14:58 | 0:15:01 | |
HE SPEAKS FRENCH | 0:15:01 | 0:15:03 | |
Sorry, we have to go. | 0:15:13 | 0:15:15 | |
Come with me. | 0:15:16 | 0:15:18 | |
-Rush, rush. -You need to rush? | 0:15:18 | 0:15:20 | |
'I'm starting to understand - | 0:15:20 | 0:15:22 | |
'here Jean-Claude has an almost diplomatic role. | 0:15:22 | 0:15:26 | |
'He's never more than a phone call away | 0:15:26 | 0:15:28 | |
'from a royal or official duty.' | 0:15:28 | 0:15:30 | |
'It's a job where we meet extraordinary people. | 0:15:30 | 0:15:33 | |
'You know, we're looking after the top 100 of this world. | 0:15:33 | 0:15:36 | |
'A guest could walk in, could be someone important. | 0:15:36 | 0:15:38 | |
'Could be a head of state. | 0:15:38 | 0:15:40 | |
'And you have to be there and to be at the front.' | 0:15:40 | 0:15:43 | |
He's got to be fit. | 0:15:43 | 0:15:46 | |
He's just sprinted down the stairs from up there. | 0:15:46 | 0:15:49 | |
I could do the same, | 0:15:49 | 0:15:50 | |
but I'd like to see him do it in six-inch heels. | 0:15:50 | 0:15:53 | |
Sorry. False alarm. 20 minutes. | 0:15:55 | 0:15:58 | |
SHE LAUGHS | 0:15:58 | 0:16:00 | |
'It's a seven-days-a-week job, it's a 24-hours-a-day job.' | 0:16:00 | 0:16:05 | |
I couldn't work in a bank | 0:16:05 | 0:16:07 | |
or I couldn't work in a place where everything shut down at five o'clock | 0:16:07 | 0:16:11 | |
and you go home. | 0:16:11 | 0:16:12 | |
So, if you were starting your day at 7, 7.30, | 0:16:12 | 0:16:15 | |
when will you see your pillow again? | 0:16:15 | 0:16:18 | |
Depending on the day, it could be any time between 11pm and 2am. | 0:16:18 | 0:16:22 | |
-Depends on the day. -Yeah. | 0:16:22 | 0:16:24 | |
I come from a middle-class background. | 0:16:24 | 0:16:27 | |
I was a very happy boy. And I did my national service in France. | 0:16:27 | 0:16:32 | |
I was the butler of the French prime minister | 0:16:32 | 0:16:35 | |
and I discovered a new world. | 0:16:35 | 0:16:37 | |
With him, I was travelling. | 0:16:37 | 0:16:38 | |
I went to the Pope in Italy, to the Vatican. | 0:16:38 | 0:16:41 | |
I mean, I entered a new life. | 0:16:41 | 0:16:43 | |
I managed some great hotels worldwide, | 0:16:43 | 0:16:47 | |
and when this one came about... | 0:16:47 | 0:16:49 | |
..it was a job you just could not refuse. | 0:16:51 | 0:16:53 | |
Perhaps part of the appeal was the seemingly limitless budget | 0:16:53 | 0:16:57 | |
that Jean-Claude has to play with. | 0:16:57 | 0:16:59 | |
Take the hotel's fleet | 0:17:04 | 0:17:05 | |
of ten chauffeur-driven luxury vehicles, | 0:17:05 | 0:17:08 | |
including two custom-built Bentleys. | 0:17:08 | 0:17:11 | |
As the first hotel representative to meet guests, | 0:17:11 | 0:17:14 | |
the chauffeurs are ambassadors. | 0:17:14 | 0:17:16 | |
All are highly trained and must speak Arabic, French and English. | 0:17:16 | 0:17:20 | |
To understand the chauffeur's role | 0:17:22 | 0:17:24 | |
and the strict protocols that govern it, | 0:17:24 | 0:17:26 | |
I'm spending this morning with Akram, | 0:17:26 | 0:17:28 | |
one of the Royal Mansour's most experienced chauffeurs. | 0:17:28 | 0:17:31 | |
-Hi. -Hi. -Mr Coren, let me introduce you. | 0:17:32 | 0:17:36 | |
-Akram. -Hi, Akram. -Hi. -Call me Giles. | 0:17:36 | 0:17:38 | |
'There must be over £1 million worth of cars down here. | 0:17:38 | 0:17:42 | |
'No wonder Akram takes such good care of them.' | 0:17:42 | 0:17:45 | |
So, that's so people can clean their hands and then if they...? | 0:17:45 | 0:17:49 | |
-No, no. It's for the car. -If they... | 0:17:49 | 0:17:52 | |
That is specially to clean the car. It's for the cleaning. | 0:17:52 | 0:17:55 | |
But if they come where their hands are clean | 0:17:55 | 0:17:57 | |
and they haven't wiped their hands and they go like that... | 0:17:57 | 0:18:00 | |
So, that's why always you use the cloths. | 0:18:00 | 0:18:04 | |
-Even if my hands are really clean? -Yes. | 0:18:04 | 0:18:06 | |
-This is always to clean. -HE CHUCKLES | 0:18:06 | 0:18:10 | |
I need you at home to just follow me around my house. | 0:18:10 | 0:18:12 | |
How do we shut the boot if we're not allowed to touch it? | 0:18:12 | 0:18:15 | |
OK, so then we can... | 0:18:15 | 0:18:17 | |
That's amazing. So then you can close it without touching it? | 0:18:19 | 0:18:22 | |
Oh, my goodness! | 0:18:22 | 0:18:24 | |
Akram has reluctantly allowed me to get behind the wheel. | 0:18:28 | 0:18:32 | |
But as with the butlering, | 0:18:32 | 0:18:33 | |
I'm having to unlearn behaviour I've become accustomed to. | 0:18:33 | 0:18:37 | |
After all, there could be a VIP in the back seat. | 0:18:37 | 0:18:40 | |
OK. | 0:18:40 | 0:18:42 | |
There's also the fine art of permissible conversation. | 0:18:49 | 0:18:52 | |
ENGINE REVS Oh, listen to that baby growl! | 0:19:17 | 0:19:20 | |
'I'm desperate to get beyond the hotel grounds, | 0:19:24 | 0:19:27 | |
'but Akram doesn't think I'm quite ready | 0:19:27 | 0:19:30 | |
'for the mean streets of Marrakech.' | 0:19:30 | 0:19:31 | |
Ooh! | 0:19:31 | 0:19:32 | |
'Or is it Marrakech that isn't ready for me?' | 0:19:32 | 0:19:34 | |
Can I slide over the top, you know, like the Dukes Of Hazzard? No. | 0:19:34 | 0:19:38 | |
'Anyway, just beyond the hotel walls is the Medina, | 0:19:40 | 0:19:43 | |
'and it's a very different place. | 0:19:43 | 0:19:45 | |
'It's a reminder that one of the world's most luxurious hotels | 0:19:48 | 0:19:51 | |
'is in a developing country.' | 0:19:51 | 0:19:54 | |
There's a lot of horses and donkeys. | 0:19:54 | 0:19:55 | |
There's people on mopeds with no respect for the rules at all. | 0:19:55 | 0:19:58 | |
The roundabouts seem to be make it up as you go along. | 0:19:58 | 0:20:01 | |
He talks about "sangfroid". We'll see it in action. | 0:20:01 | 0:20:04 | |
Given that the national income per head | 0:20:12 | 0:20:15 | |
is 14 times lower than in the UK, | 0:20:15 | 0:20:17 | |
it's not surprising we're attracting attention. | 0:20:17 | 0:20:20 | |
This car alone is worth 60 times more | 0:20:20 | 0:20:23 | |
than a year's wages for most Moroccans. | 0:20:23 | 0:20:25 | |
Graham Norton? | 0:20:53 | 0:20:55 | |
Come on! | 0:20:55 | 0:20:57 | |
What about those terrible people off TOWIE? | 0:20:57 | 0:20:59 | |
Of course, Akram would never tell me how his mystery VIP guests feel | 0:21:04 | 0:21:08 | |
seeing the real Marrakech from the window of a Bentley, | 0:21:08 | 0:21:11 | |
but the contrast is certainly a stark one. | 0:21:11 | 0:21:14 | |
I think from a morning of chauffeuring around Marrakech | 0:21:18 | 0:21:22 | |
in a champagne-coloured Bentley with wonderful Akram, | 0:21:22 | 0:21:26 | |
the thing that I've learnt is the job of the chauffeur here | 0:21:26 | 0:21:29 | |
is very much like the job of everyone else. | 0:21:29 | 0:21:31 | |
It's to keep you closeted and quiet and calm | 0:21:31 | 0:21:35 | |
and well watered and air-conditioned | 0:21:35 | 0:21:37 | |
in a position where you can see Morocco | 0:21:37 | 0:21:39 | |
and you're aware that you're in Morocco, | 0:21:39 | 0:21:40 | |
but you can't touch it and it can't touch you. | 0:21:40 | 0:21:43 | |
And while it's a very beautiful thing, | 0:21:43 | 0:21:45 | |
it is very slightly frustrating when I find myself back here, | 0:21:45 | 0:21:49 | |
closeted again, in what is essentially a giant Bentley | 0:21:49 | 0:21:52 | |
with a view of Marrakech. | 0:21:52 | 0:21:54 | |
Being closeted to this extent might work for the guests of a king, | 0:21:57 | 0:22:01 | |
royalty and presidents, A-list stars | 0:22:01 | 0:22:04 | |
or captains of industry, | 0:22:04 | 0:22:05 | |
but that's not necessarily what all the hotel's guests want. | 0:22:05 | 0:22:08 | |
One of my favourite things when I travel is to speak to other guests. | 0:22:10 | 0:22:12 | |
Um, that's where I make my friends, in public environments. | 0:22:12 | 0:22:16 | |
But this hotel tends to have you inside your riad. | 0:22:16 | 0:22:20 | |
Although we are within the city walls | 0:22:20 | 0:22:21 | |
and the city's just a few metres away, | 0:22:21 | 0:22:24 | |
I feel like I'm supposed to be in my riad. | 0:22:24 | 0:22:26 | |
I feel you have a very great service when you're inside of your area, | 0:22:28 | 0:22:32 | |
but there is no social life, if I can say, | 0:22:32 | 0:22:35 | |
when you get out of the room and you want to go to the bar. | 0:22:35 | 0:22:38 | |
All of the ingredients are here. The place and the setting are here. | 0:22:40 | 0:22:43 | |
The service is here. It's just, we're waiting for the vibe. | 0:22:43 | 0:22:47 | |
The truth is that no amount of beauty and luxury | 0:22:47 | 0:22:50 | |
can make you feel truly comfortable. | 0:22:50 | 0:22:53 | |
RELAXING MUSIC PLAYS | 0:22:53 | 0:22:56 | |
Back in my riad, I'm finding that the privacy can be a bit isolating. | 0:22:57 | 0:23:01 | |
And even if I were to venture out to the beautiful chic bar, say, | 0:23:09 | 0:23:13 | |
or the ornate library, the chances are I wouldn't see another soul. | 0:23:13 | 0:23:18 | |
But this problem isn't lost on the hotel management. | 0:23:22 | 0:23:26 | |
Yes, we have a very beautiful hotel but that's not sufficient. | 0:23:26 | 0:23:31 | |
It's how do we make one of the most beautiful hotels in the world | 0:23:31 | 0:23:35 | |
one of the best hotels in the world? | 0:23:35 | 0:23:38 | |
Well, with access to royal funds | 0:23:38 | 0:23:40 | |
and many years of international luxury experience, | 0:23:40 | 0:23:43 | |
Jean-Claude has a vision. | 0:23:43 | 0:23:45 | |
In an extravagant bid to soften the image of the hotel | 0:23:45 | 0:23:48 | |
and change its atmosphere, | 0:23:48 | 0:23:50 | |
the Royal Mansour is undergoing a transformation. | 0:23:50 | 0:23:53 | |
A new, more prominent entrance is being created | 0:23:55 | 0:23:58 | |
by opening a gate in the 12th-century city walls. | 0:23:58 | 0:24:02 | |
Try doing that if you're not the King. | 0:24:02 | 0:24:05 | |
But the centrepiece is Le Jardin - a new one-and-a-half-hectare garden | 0:24:05 | 0:24:10 | |
that has been eight months in the making. | 0:24:10 | 0:24:12 | |
There's a new 30-metre pool surrounded by glassy, | 0:24:13 | 0:24:17 | |
outward-looking pavilions. | 0:24:17 | 0:24:19 | |
And adjacent to these, an open and informal pool bar and restaurant. | 0:24:19 | 0:24:23 | |
It's a radical change from the existing hotel. | 0:24:24 | 0:24:27 | |
But one thing it has in common | 0:24:28 | 0:24:30 | |
is the aim to create a brand-new space | 0:24:30 | 0:24:33 | |
that feels well established. | 0:24:33 | 0:24:36 | |
Over the past ten days, we've planted 25,000 bedding plants. | 0:24:36 | 0:24:41 | |
I don't know how we did it, but we did it. | 0:24:43 | 0:24:45 | |
-Outside of the main gates... -Uh-huh? | 0:24:45 | 0:24:48 | |
..could you add more bedding plants there? | 0:24:48 | 0:24:50 | |
I would like to do it today and tomorrow. | 0:24:50 | 0:24:53 | |
-Good luck! -OK. Thank you. | 0:24:55 | 0:24:57 | |
Morocco's fabulous gardens, with their olive and palm trees, | 0:24:57 | 0:25:01 | |
take hundreds of years to mature, | 0:25:01 | 0:25:04 | |
but Mother Nature's work can be speeded up | 0:25:04 | 0:25:06 | |
in the magical world of the Royal Mansour | 0:25:06 | 0:25:09 | |
thanks to the depth of the owner's pockets. | 0:25:09 | 0:25:12 | |
We actually got from all around Morocco | 0:25:12 | 0:25:15 | |
nearly 500 trees like those beautiful olive trees, palm trees. | 0:25:15 | 0:25:20 | |
Those olive trees, on average, | 0:25:20 | 0:25:23 | |
are anything between 600 to 800 years old. | 0:25:23 | 0:25:26 | |
What makes this even more impressive | 0:25:26 | 0:25:29 | |
is that they're all planted above a brand-new network of tunnels. | 0:25:29 | 0:25:33 | |
Welcome to the underground world. | 0:25:33 | 0:25:36 | |
It contains everything from pool filtration, | 0:25:36 | 0:25:38 | |
power supplies and offices, to classrooms for staff training. | 0:25:38 | 0:25:42 | |
With most of the palm trees above weighing over half a tonne, | 0:25:44 | 0:25:48 | |
the tunnels are engineered to take their weight and allow them to grow. | 0:25:48 | 0:25:53 | |
There seems to be no limit to the scale, | 0:25:53 | 0:25:56 | |
ambition and cost of the project, | 0:25:56 | 0:25:58 | |
but one luxury they don't have is time. | 0:25:58 | 0:26:02 | |
Do we have pressure? Yes. Deadline is six working days. | 0:26:02 | 0:26:06 | |
Pressure is on, but we'll manage. | 0:26:06 | 0:26:09 | |
Jean-Claude's calmness under pressure | 0:26:09 | 0:26:11 | |
is all the more extraordinary given the nature of his deadline. | 0:26:11 | 0:26:14 | |
A UN climate change conference is coming to Marrakech, | 0:26:15 | 0:26:18 | |
and the Royal Mansour has been asked to host six heads of state. | 0:26:18 | 0:26:22 | |
By the time they arrive, | 0:26:24 | 0:26:25 | |
all construction work has to be finished, | 0:26:25 | 0:26:27 | |
and the pool, bar and restaurant must be open. | 0:26:27 | 0:26:30 | |
We have a lot of people working on site. | 0:26:31 | 0:26:34 | |
When on a normal project we should be with 50 people, | 0:26:36 | 0:26:39 | |
we have 350 people or 400 people working. | 0:26:39 | 0:26:43 | |
We're working seven days a week. We're working 24 hours a day. | 0:26:43 | 0:26:47 | |
Guest number one will arrive at ten o'clock next Friday. | 0:26:47 | 0:26:53 | |
After my time with housekeeping, | 0:27:12 | 0:27:14 | |
I understand how important the riads are | 0:27:14 | 0:27:17 | |
in delivering the royal vision - | 0:27:17 | 0:27:19 | |
a luxurious, discreet experience that showcases the best of Morocco. | 0:27:19 | 0:27:24 | |
But how does the hotel's dining experience | 0:27:24 | 0:27:26 | |
deliver that vision? | 0:27:26 | 0:27:28 | |
There are two fine-dining restaurants - | 0:27:29 | 0:27:32 | |
one French, the other Moroccan. | 0:27:32 | 0:27:34 | |
They're serviced by a team of male and female waiting staff, | 0:27:34 | 0:27:37 | |
managed and regularly trained by 24-year-old Julien. | 0:27:37 | 0:27:41 | |
We are doing training like a simulation, | 0:27:41 | 0:27:45 | |
where each head waiter and waiters try to take an order | 0:27:45 | 0:27:50 | |
and welcome the guest. | 0:27:50 | 0:27:52 | |
HE SPEAKS FRENCH | 0:27:54 | 0:27:56 | |
'We have to be perfect every time. | 0:27:56 | 0:27:58 | |
'This kind of clientele, they expect a perfect service. | 0:27:58 | 0:28:01 | |
'They pay the price for this quality of service, | 0:28:01 | 0:28:05 | |
'so they expect it, so they are really challenging.' | 0:28:05 | 0:28:08 | |
We teach how to take an order. | 0:28:08 | 0:28:10 | |
We teach how to explain these to a guest, | 0:28:10 | 0:28:13 | |
and we also teach how to have a good attitude | 0:28:13 | 0:28:16 | |
in front of the guest. | 0:28:16 | 0:28:17 | |
HE SPEAKS FRENCH | 0:28:17 | 0:28:20 | |
'Of course, prices are like three Michelin star in Paris | 0:28:20 | 0:28:23 | |
'because we have the quality of three Michelin star.' | 0:28:23 | 0:28:26 | |
To bring that quality to Marrakech, | 0:28:26 | 0:28:28 | |
the kitchens are run by French chef Jerome Videau. | 0:28:28 | 0:28:32 | |
And the mastermind of the menu is three-Michelin-starred | 0:28:34 | 0:28:37 | |
culinary superstar chef Yannick Alleno. | 0:28:37 | 0:28:40 | |
He regularly flies in from Paris. | 0:28:40 | 0:28:42 | |
HE SPEAKS FRENCH | 0:28:42 | 0:28:45 | |
My role here is to train the people and to train them to the excellency. | 0:28:46 | 0:28:53 | |
The level has to be at the top. | 0:28:53 | 0:28:57 | |
In trying to combine Moroccan tradition | 0:28:59 | 0:29:01 | |
with the highest international standards, | 0:29:01 | 0:29:04 | |
Yannick had plenty of homework to do when creating the menu. | 0:29:04 | 0:29:06 | |
It's a huge country with a lot of regional tastes, | 0:29:09 | 0:29:13 | |
so I had to understand that. | 0:29:13 | 0:29:15 | |
Take the dish I'm making - | 0:29:16 | 0:29:17 | |
an amuse-bouche of beetroot jelly topped with orange segments | 0:29:17 | 0:29:21 | |
finely wrapped in beetroot. | 0:29:21 | 0:29:23 | |
High-end and distinctively Moroccan. | 0:29:23 | 0:29:25 | |
Beetroot and orange are two flavours | 0:29:26 | 0:29:29 | |
that they're used to using in their cooking here in Morocco, | 0:29:29 | 0:29:32 | |
but this is a refinement of that wonderful cuisine. | 0:29:32 | 0:29:35 | |
In fact, there are more women in this kitchen than I've been used to. | 0:29:45 | 0:29:49 | |
Moroccan cuisine was created by women, | 0:29:55 | 0:29:58 | |
who traditionally stayed at home, but as the country has modernised, | 0:29:58 | 0:30:01 | |
more women have entered the workplace | 0:30:01 | 0:30:03 | |
and its restaurant culture has blossomed. | 0:30:03 | 0:30:06 | |
And it makes sense to have a Moroccan restaurant | 0:30:06 | 0:30:09 | |
with the women, the chefs here, that know how to make it properly. | 0:30:09 | 0:30:13 | |
As the hotel is a showcase for a modern kingdom, | 0:30:14 | 0:30:16 | |
giving opportunities to local women like Dalila and Fatima is a win-win. | 0:30:16 | 0:30:21 | |
The saffron Fatima and I are using in this chicken dish | 0:30:31 | 0:30:33 | |
is one of the most highly-prized ingredients for any chef. | 0:30:33 | 0:30:37 | |
And this being the Royal Mansour, it has to be Moroccan. | 0:30:37 | 0:30:41 | |
So, it's an early start for me | 0:30:43 | 0:30:45 | |
because I want to find out where it comes from. | 0:30:45 | 0:30:48 | |
I'm heading to the fertile Ourika Valley | 0:30:48 | 0:30:51 | |
with head chef Jerome Videau. | 0:30:51 | 0:30:52 | |
We've come to the farm that supplies the Royal Mansour with saffron. | 0:30:54 | 0:30:57 | |
The owner is Dr Lakbabi. | 0:30:57 | 0:30:59 | |
THEY SPEAK FRENCH | 0:30:59 | 0:31:02 | |
Once again, I'm happy again to see so many women of all ages at work. | 0:31:08 | 0:31:12 | |
THEY SING IN OWN LANGUAGE | 0:31:32 | 0:31:35 | |
The women are racing against the sun. | 0:31:35 | 0:31:38 | |
They have to complete their picking before it gets too high, | 0:31:38 | 0:31:40 | |
so I'd better get stuck in and help. | 0:31:40 | 0:31:42 | |
My fellow pickers are Berbers, | 0:31:44 | 0:31:45 | |
descendants of the pre-Arab population of Morocco. | 0:31:45 | 0:31:49 | |
They're paid 100 dirhams, or about £8, for the day. | 0:31:50 | 0:31:54 | |
It's not much but, in this area, every dirham counts. | 0:31:54 | 0:31:59 | |
Madame here is 90 years old. She's picking faster than me. | 0:31:59 | 0:32:02 | |
She's making me look really bad. Right. I'm going to catch up. | 0:32:02 | 0:32:06 | |
THEY CONTINUE SINGING | 0:33:01 | 0:33:04 | |
I'm loving this. Really am. | 0:33:04 | 0:33:06 | |
You know, for any chef, | 0:33:06 | 0:33:09 | |
or a lover of food, to have this opportunity... | 0:33:09 | 0:33:13 | |
Listen to that! | 0:33:13 | 0:33:14 | |
..and to see it and to really... | 0:33:14 | 0:33:17 | |
SHE SNIFFS | 0:33:17 | 0:33:18 | |
Oh, this is heaven. | 0:33:18 | 0:33:20 | |
With the sun up and the flowers picked, | 0:33:21 | 0:33:23 | |
we're off to a shady spot to separate the saffron stigmas | 0:33:23 | 0:33:26 | |
from the rest of the flowers. | 0:33:26 | 0:33:27 | |
The finished product sells for £8 per gram, | 0:33:28 | 0:33:32 | |
even in Morocco, | 0:33:32 | 0:33:33 | |
making it literally worth its weight in gold. | 0:33:33 | 0:33:36 | |
It's labour-intensive. | 0:33:36 | 0:33:39 | |
For one gram of saffron... | 0:33:39 | 0:33:42 | |
200 of these for one gram. | 0:33:42 | 0:33:47 | |
You can see why it's so expensive. | 0:33:47 | 0:33:50 | |
But you have the Royal Mansour Hotel, | 0:33:50 | 0:33:54 | |
who can afford to buy this saffron in abundance. | 0:33:54 | 0:33:59 | |
As long as the hotel is there, | 0:33:59 | 0:34:02 | |
it's actually a bit of a support network, you know. | 0:34:02 | 0:34:06 | |
It's actually providing the jobs for these amazing people. | 0:34:06 | 0:34:09 | |
In Le Jardin, the new garden development, | 0:34:17 | 0:34:21 | |
there's a final push ahead of the opening. | 0:34:21 | 0:34:23 | |
The pool has been filled and filtered | 0:34:24 | 0:34:27 | |
and the last of the trees are being planted. | 0:34:27 | 0:34:29 | |
The finishing touches are being given to the pavilions | 0:34:30 | 0:34:34 | |
and to the new alfresco bar and restaurant. | 0:34:34 | 0:34:37 | |
But architecture alone | 0:34:37 | 0:34:39 | |
won't transform the atmosphere of the Royal Mansour. | 0:34:39 | 0:34:42 | |
For that, the staff need to change their attitude and approach. | 0:34:42 | 0:34:45 | |
HE SPEAKS FRENCH | 0:34:45 | 0:34:47 | |
Restaurant manager Julien is overseeing the retraining. | 0:34:47 | 0:34:51 | |
HE SPEAKS FRENCH | 0:34:51 | 0:34:53 | |
We have a lot of team members. | 0:34:53 | 0:34:55 | |
They have been here for over six years now, | 0:34:55 | 0:34:57 | |
and they have a really strict sense of protocol. | 0:34:57 | 0:35:01 | |
And it was perfect for the French fine-dining restaurants, | 0:35:01 | 0:35:05 | |
but with this place we have to make them more relaxed, you know? | 0:35:05 | 0:35:09 | |
To help create the more relaxed vibe, | 0:35:10 | 0:35:12 | |
jackets and ties have been ditched | 0:35:12 | 0:35:14 | |
in favour of polo shirts, chinos and loafers. | 0:35:14 | 0:35:16 | |
We wanted a different kind of service, | 0:35:19 | 0:35:21 | |
so we have to train the team | 0:35:21 | 0:35:23 | |
to keep the quality but to change the attitude. | 0:35:23 | 0:35:25 | |
It's really new for us, you know. | 0:35:25 | 0:35:27 | |
With a lot of people around the swimming pool | 0:35:27 | 0:35:30 | |
and the restaurant, I hope to create this... | 0:35:30 | 0:35:32 | |
You know, how do you say? | 0:35:32 | 0:35:33 | |
..the beating heart of the Royal Mansour, you know? | 0:35:33 | 0:35:36 | |
But we need time, of course. | 0:35:36 | 0:35:38 | |
In a rare moment away from the hotel, | 0:35:40 | 0:35:42 | |
manager Jean-Claude is headed for the hills. | 0:35:42 | 0:35:45 | |
Well, the Atlas Mountains, to be precise. | 0:35:45 | 0:35:47 | |
He's been invited to sample a restaurant | 0:35:47 | 0:35:50 | |
for guest excursions, | 0:35:50 | 0:35:51 | |
and he's brought me along for the ride. | 0:35:51 | 0:35:53 | |
You see the snow on the mountains? | 0:35:53 | 0:35:55 | |
On the other side you have a ski resort. | 0:35:55 | 0:35:59 | |
Some of the butlers, actually, were brought up here, | 0:36:01 | 0:36:05 | |
either in Imlil or in Asni. | 0:36:05 | 0:36:08 | |
Those villages now are only filled with kids, women, grandparents. | 0:36:08 | 0:36:15 | |
All the men have gone to town to work. | 0:36:15 | 0:36:19 | |
Let's go. | 0:36:23 | 0:36:25 | |
That's my favourite place. | 0:36:29 | 0:36:31 | |
I come with my guide Hamid, | 0:36:31 | 0:36:33 | |
and we get dropped here and then we cycle | 0:36:33 | 0:36:36 | |
all the way back down to Marrakech. | 0:36:36 | 0:36:38 | |
It's fantastic. | 0:36:38 | 0:36:40 | |
So, you like to get away from luxury, then, | 0:36:40 | 0:36:42 | |
in your private life? | 0:36:42 | 0:36:43 | |
If I have the choice between Michelin three-star lunch... | 0:36:43 | 0:36:48 | |
..and a very rustic picnic, simple lunch, | 0:36:49 | 0:36:54 | |
I'll go for the rustic one. | 0:36:54 | 0:36:57 | |
You know, it's so luxurious at the Royal Mansour. | 0:36:57 | 0:36:59 | |
I wonder if the guests need to be brought out | 0:36:59 | 0:37:01 | |
and shown a bit of real life. | 0:37:01 | 0:37:03 | |
Interesting pattern within the guests. | 0:37:03 | 0:37:05 | |
On day one on arrival, they don't want to leave the hotel. | 0:37:05 | 0:37:09 | |
Day two, that's when they go out and visit Marrakech itself. | 0:37:09 | 0:37:14 | |
And then day three, they want to get out of Marrakech, | 0:37:14 | 0:37:19 | |
they want to see proper Morocco, so we will take them here. | 0:37:19 | 0:37:23 | |
You see, we just follow this road | 0:37:23 | 0:37:25 | |
and we will end up in that village over there. | 0:37:25 | 0:37:28 | |
Despite economic progress, | 0:37:30 | 0:37:32 | |
Morocco's rural areas still suffer from high unemployment, | 0:37:32 | 0:37:35 | |
poverty and illiteracy, | 0:37:35 | 0:37:36 | |
something Jean-Claude is all too aware of. | 0:37:36 | 0:37:39 | |
You know, I've run hotels in Paris and in London, | 0:37:39 | 0:37:43 | |
and it's a completely different ballgame, you know. | 0:37:43 | 0:37:46 | |
You run the hotel, | 0:37:46 | 0:37:47 | |
you go home or your staff will go home, and that's it. | 0:37:47 | 0:37:49 | |
-You forget about it. -Mm-hm. | 0:37:49 | 0:37:51 | |
Here, you have a complete social responsibility. | 0:37:51 | 0:37:54 | |
Often, the salary will give them, | 0:37:54 | 0:37:57 | |
that salary provides for the full family - | 0:37:57 | 0:38:00 | |
for the kids, parents, grandparents. | 0:38:00 | 0:38:03 | |
-In villages out here, presumably? -Exactly. | 0:38:03 | 0:38:06 | |
Our lunch stop, the Kasbah Du Toubkal, | 0:38:08 | 0:38:10 | |
is managed by local Berber people and offers traditional cuisine. | 0:38:10 | 0:38:14 | |
It doesn't promise luxury, | 0:38:16 | 0:38:18 | |
but a rustic experience could be just the ticket | 0:38:18 | 0:38:20 | |
after a few days at the Royal Mansour. | 0:38:20 | 0:38:23 | |
If you brought your guests out here, would they be happy eating this? | 0:38:23 | 0:38:26 | |
Would this be too rustic, or...? | 0:38:26 | 0:38:27 | |
I think there'd be very happy to come here. | 0:38:27 | 0:38:31 | |
It's not too far, convenient, great view, good food, nice people. | 0:38:31 | 0:38:36 | |
-No wine. -No wine. | 0:38:36 | 0:38:38 | |
But, I mean, otherwise, we've done pretty well. | 0:38:38 | 0:38:41 | |
We've got as far as the mint tea | 0:38:41 | 0:38:42 | |
when a call from the Royal Palace comes in. | 0:38:42 | 0:38:45 | |
PHONE RINGS | 0:38:45 | 0:38:47 | |
HE SPEAKS FRENCH | 0:38:47 | 0:38:50 | |
I need to go. I've just been called in. | 0:38:56 | 0:38:58 | |
-Oh, so sorry. -So, see you later. -OK, fair enough. | 0:38:58 | 0:39:02 | |
Thanks for a good day. | 0:39:02 | 0:39:03 | |
Well, that was nice while it lasted. | 0:39:04 | 0:39:06 | |
That's basically as long as you're going to get with Jean-Claude. | 0:39:06 | 0:39:09 | |
We hadn't had dessert yet, | 0:39:09 | 0:39:10 | |
but he got a phone call from the owner, | 0:39:10 | 0:39:13 | |
who is unexpectedly coming in for lunch. | 0:39:13 | 0:39:15 | |
And when I say the owner, it's actually "Mrs Owner" - | 0:39:15 | 0:39:17 | |
possibly even more of a panic than "Mr Owner" - | 0:39:17 | 0:39:20 | |
has arrived for lunch at the Royal Mansour, | 0:39:20 | 0:39:22 | |
and she can't possibly be served without him being there, | 0:39:22 | 0:39:25 | |
so he's run off to see to it that she is served | 0:39:25 | 0:39:27 | |
in the way in which he thinks is fitting. | 0:39:27 | 0:39:29 | |
And that's just how it rolls with the Royal Mansour. | 0:39:29 | 0:39:32 | |
And there won't be many more opportunities | 0:39:35 | 0:39:37 | |
for a tete-a-tete with Jean-Claude. | 0:39:37 | 0:39:40 | |
The Royal Mansour is gearing up for a succession of VIP arrivals | 0:39:40 | 0:39:43 | |
for the impending UN conference. | 0:39:43 | 0:39:45 | |
During a quick break in the canteen, where lunch is free for staff, | 0:39:47 | 0:39:50 | |
Mohammed explains where he gets his incredible work ethic from. | 0:39:50 | 0:39:55 | |
When I was young, my mother used to teach me to keep myself clean, | 0:39:55 | 0:39:58 | |
keep my place clean, | 0:39:58 | 0:40:00 | |
and I used to take care of my sisters and the brothers. | 0:40:00 | 0:40:03 | |
-When your mother went out to work? -Yes. | 0:40:03 | 0:40:06 | |
And so you took care of them and you cleaned the whole house? | 0:40:06 | 0:40:08 | |
-Yes. -At what age? -Six years old, five. | 0:40:08 | 0:40:12 | |
Five or six years old you cleaned the whole house? | 0:40:12 | 0:40:14 | |
Yeah, because I used to do that before I went to school, | 0:40:14 | 0:40:16 | |
and then I went to school at the age of seven. | 0:40:16 | 0:40:19 | |
-PHONE RINGS -Mohammed. | 0:40:19 | 0:40:21 | |
Oui. | 0:40:21 | 0:40:22 | |
Someone needs his socks folded. | 0:40:26 | 0:40:28 | |
Possibly just his shoes polished or a biscuit put into his mouth | 0:40:28 | 0:40:33 | |
because he's too busy to do it himself. | 0:40:33 | 0:40:35 | |
-Giles... -Mm-hm? | 0:40:35 | 0:40:38 | |
-Have to go? -Yeah, we've got to go. | 0:40:38 | 0:40:39 | |
Although it looks perfectly tranquil above ground, | 0:40:39 | 0:40:42 | |
the hotel is at its busiest. | 0:40:42 | 0:40:44 | |
The Royal Mansour is at full occupancy, | 0:40:44 | 0:40:47 | |
meaning Mohammed has very little downtime. | 0:40:47 | 0:40:49 | |
That's a very fast walk you've got there. | 0:40:49 | 0:40:51 | |
Yes, we have to hurry up. | 0:40:51 | 0:40:53 | |
Right now, he's been asked to prepare a riad for an arrival. | 0:40:53 | 0:40:56 | |
-Shall we take the polythene off? -Yes, please. | 0:40:56 | 0:40:58 | |
We've only just started when Mohammed receives another call. | 0:40:58 | 0:41:01 | |
Oui. | 0:41:02 | 0:41:04 | |
We were just about to prepare the white riad for the guest. | 0:41:07 | 0:41:09 | |
We had the minibar trolley all ready. | 0:41:09 | 0:41:11 | |
A call's just come through | 0:41:11 | 0:41:13 | |
that Mohammed forgot to clean the chimney. | 0:41:13 | 0:41:15 | |
HE SPEAKS FRENCH | 0:41:15 | 0:41:18 | |
-I don't feel we're exactly dressed for chimney cleaning. -Giles... -Yeah? | 0:41:20 | 0:41:23 | |
I think I'm in trouble. I forgot to clean the chimney. | 0:41:23 | 0:41:26 | |
-I heard on the phone. Shall we go and do it? -Please. | 0:41:26 | 0:41:29 | |
Even in emergencies like this, | 0:41:29 | 0:41:30 | |
it's important to remember the protocols. | 0:41:30 | 0:41:33 | |
For a butler, there's to be no walking on the carpet. | 0:41:33 | 0:41:37 | |
So, this chimney is not going to clean itself. | 0:41:42 | 0:41:44 | |
-Would you like to do it? -Yeah, of course. -Please. | 0:41:51 | 0:41:54 | |
Absolutely. | 0:41:54 | 0:41:55 | |
No, sweep it... | 0:41:55 | 0:41:57 | |
-Oh, the other way? -Yes. | 0:41:57 | 0:42:00 | |
-Let me just do some...some finishing. -What? | 0:42:00 | 0:42:04 | |
-You're going to finish it off? -Yes. | 0:42:04 | 0:42:06 | |
He's not happy with the job I've done. | 0:42:06 | 0:42:08 | |
Just got to finish it off. | 0:42:08 | 0:42:10 | |
-Do you ever rest? -Yes, I do, when I can. -You do? -When I can. | 0:42:11 | 0:42:16 | |
When did you last have a full night's sleep? | 0:42:16 | 0:42:19 | |
-I don't remember. -Really? -Yes. | 0:42:19 | 0:42:22 | |
For this week, I have two or three to four hours' sleep. | 0:42:22 | 0:42:28 | |
Really? Why? | 0:42:28 | 0:42:30 | |
What do people need in the middle of the night? | 0:42:30 | 0:42:32 | |
Why are you so busy? | 0:42:32 | 0:42:33 | |
There is one thing you need to know. | 0:42:33 | 0:42:35 | |
Even after the guests go to bed, | 0:42:35 | 0:42:38 | |
there is still some work to do before I go. | 0:42:38 | 0:42:41 | |
Do you think your work ever suffers because you're too tired? | 0:42:41 | 0:42:46 | |
No, actually, I enjoy it. | 0:42:46 | 0:42:48 | |
Does it remind you of when you were a child | 0:42:48 | 0:42:50 | |
and your mother wanted you to clean the house? | 0:42:50 | 0:42:52 | |
I always remember these feelings. | 0:42:52 | 0:42:54 | |
When I see my mother, | 0:42:54 | 0:42:56 | |
I was always telling her, | 0:42:56 | 0:42:58 | |
"When I will be older, I will work and bring you money." | 0:42:58 | 0:43:02 | |
And is that why you work so hard? | 0:43:02 | 0:43:04 | |
Well, I work so hard because I have to work so hard, | 0:43:04 | 0:43:07 | |
everyone has to work so hard. | 0:43:07 | 0:43:09 | |
BIRDS CHIRP | 0:43:12 | 0:43:16 | |
Well, I'm exhausted after just a few hours | 0:43:17 | 0:43:19 | |
of, frankly, only really tailing Mohammed, | 0:43:19 | 0:43:21 | |
and I can't imagine what it would be like. | 0:43:21 | 0:43:23 | |
The man has not slept for three weeks, properly. | 0:43:23 | 0:43:25 | |
He has two hours' sleep, three hours' sleep | 0:43:25 | 0:43:26 | |
because people want their laundry done at three in the morning | 0:43:26 | 0:43:29 | |
or they've run out of Haribos or need their fire lit. | 0:43:29 | 0:43:31 | |
It was a bit of a mystery to me about why Mohammed would want to do that, | 0:43:31 | 0:43:34 | |
but then you see he took a genuine pride in keeping his home clean | 0:43:34 | 0:43:38 | |
cos his mum had to go at the crack of dawn | 0:43:38 | 0:43:40 | |
to go and get water, his dad was out working, you know. | 0:43:40 | 0:43:43 | |
That was the thing that sort of made him, was the hard work. | 0:43:43 | 0:43:46 | |
I hope the squillionaire plutocrats he's working for | 0:43:46 | 0:43:49 | |
appreciate that when he waits on them hand and foot. | 0:43:49 | 0:43:53 | |
I've been impressed with the dedication of all the staff. | 0:43:55 | 0:43:59 | |
For me, this is particularly evident | 0:43:59 | 0:44:01 | |
among the chefs in the Moroccan kitchen. | 0:44:01 | 0:44:04 | |
Today, I'm joining chefs Fatima and Dalila | 0:44:05 | 0:44:08 | |
on a shopping expedition to the souk. | 0:44:08 | 0:44:10 | |
It's where Moroccan housewives buy their spices | 0:44:10 | 0:44:14 | |
and, as the hotel appreciates, they know best. | 0:44:14 | 0:44:16 | |
Moroccan cuisine is famous for its use of spices. | 0:44:28 | 0:44:31 | |
This stems back hundreds of years to Morocco's position | 0:44:31 | 0:44:34 | |
on the spice route from Asia to the Middle East and Europe. | 0:44:34 | 0:44:38 | |
The Moroccans' favourite spices add flavour and colour, | 0:44:44 | 0:44:46 | |
rather than heat, | 0:44:46 | 0:44:48 | |
and include cumin, turmeric, dried ginger and paprika. | 0:44:48 | 0:44:51 | |
They also use dried herbs and flowers. | 0:44:51 | 0:44:54 | |
Traditionally, spice shop owners | 0:44:54 | 0:44:57 | |
would have their own mix of spices called the ras el hanout, | 0:44:57 | 0:44:59 | |
meaning the head of the shop - the best in stock. | 0:44:59 | 0:45:02 | |
And what's amazing is, so I take it and the monsieur | 0:45:02 | 0:45:05 | |
is going to grind me fresh ras el hanout powder ready to go. | 0:45:05 | 0:45:10 | |
'The secret blend can combine all manner of spices.' | 0:45:10 | 0:45:14 | |
SHE SPEAKS FRENCH | 0:45:14 | 0:45:16 | |
Today, ras el hanout is the common name | 0:45:18 | 0:45:20 | |
for the quintessentially Moroccan blend. | 0:45:20 | 0:45:23 | |
Look what I got! | 0:45:25 | 0:45:27 | |
I'm so happy. | 0:45:27 | 0:45:29 | |
Fresh ras el hanout. It's still warm. | 0:45:29 | 0:45:32 | |
It's just a short walk back to the hotel. | 0:45:34 | 0:45:37 | |
Dalila and Fatima are going to show me | 0:45:37 | 0:45:39 | |
how the Royal Mansour has elevated a housewives' favourite, | 0:45:39 | 0:45:42 | |
pigeon pastilla, into an upmarket signature dish. | 0:45:42 | 0:45:46 | |
Oui. | 0:45:49 | 0:45:51 | |
'It's a savoury pie using filo pastry | 0:45:51 | 0:45:53 | |
'and more butter than I could possibly imagine.' | 0:45:53 | 0:45:56 | |
I have never used this much butter in one dish. | 0:45:56 | 0:46:02 | |
'Dalila's been stewing the wood pigeon | 0:46:02 | 0:46:05 | |
'with our ras el hanout spices, and, of course, saffron. | 0:46:05 | 0:46:09 | |
'Moroccan cuisine combines flavour in a very distinctive way, | 0:46:09 | 0:46:13 | |
'so inside the filo pastry case | 0:46:13 | 0:46:15 | |
'dry spiced scrambled egg is combined | 0:46:15 | 0:46:18 | |
'with our gamey pigeon meat, | 0:46:18 | 0:46:20 | |
'followed by a layer of ground spiced almonds.' | 0:46:20 | 0:46:23 | |
I mean, my senses have just been set on fire | 0:46:23 | 0:46:25 | |
with the spices that are going into this dish. | 0:46:25 | 0:46:28 | |
More butter. Yes, very good. | 0:46:28 | 0:46:32 | |
'Why bother with the brush? | 0:46:32 | 0:46:33 | |
'Let's just pour it in and use our hands.' | 0:46:33 | 0:46:36 | |
Oh, my word! | 0:46:36 | 0:46:38 | |
'Even after baking, | 0:46:38 | 0:46:40 | |
'the distinctiveness of Moroccan cuisine | 0:46:40 | 0:46:42 | |
'is very apparent. | 0:46:42 | 0:46:44 | |
'They certainly have a sweet tooth. | 0:46:44 | 0:46:45 | |
'Look at the amount of icing sugar | 0:46:45 | 0:46:47 | |
'being dusted on what is, essentially, a savoury dish.' | 0:46:47 | 0:46:50 | |
I've had to film it because | 0:46:50 | 0:46:51 | |
people won't believe how much sugar has gone into this pastilla. | 0:46:51 | 0:46:54 | |
I can't wait to try it. Giles is missing out. | 0:46:55 | 0:46:59 | |
THEY SPEAK FRENCH | 0:47:02 | 0:47:04 | |
Mm...! | 0:47:17 | 0:47:18 | |
That is incredible. | 0:47:18 | 0:47:20 | |
I'm very honoured to be taught by the masters | 0:47:21 | 0:47:25 | |
of pastilla here in this very kitchen. | 0:47:25 | 0:47:28 | |
And this is how they eat it. | 0:47:28 | 0:47:29 | |
The whole family sit down | 0:47:29 | 0:47:30 | |
and everyone gets in with their hands, | 0:47:30 | 0:47:33 | |
and you just take a bit of the pastilla and drink your tea with it. | 0:47:33 | 0:47:36 | |
What a wonderful way to enjoy such a dish. | 0:47:36 | 0:47:39 | |
Since Mohammed told me about his upbringing, | 0:47:45 | 0:47:47 | |
I'm beginning to understand what gives him | 0:47:47 | 0:47:48 | |
his incredible motivation, | 0:47:48 | 0:47:50 | |
and now I have a chance to see where he grew up. | 0:47:50 | 0:47:54 | |
He's invited me to join him on his day off | 0:47:54 | 0:47:57 | |
at his family's Berber village home | 0:47:57 | 0:47:59 | |
around an hour's drive from Marrakech. | 0:47:59 | 0:48:01 | |
But first, I need to stop off in a nearby town to buy a gift. | 0:48:01 | 0:48:05 | |
-And this is 200? -Yes. -THEY SPEAK FRENCH | 0:48:10 | 0:48:14 | |
Perfect. It might look like quite a strange present | 0:48:14 | 0:48:16 | |
to take round to someone's house for dinner, | 0:48:16 | 0:48:18 | |
a massive piece of meat, but I've asked around | 0:48:18 | 0:48:20 | |
and people said that's the thing Mohammed's family | 0:48:20 | 0:48:22 | |
would like the best. | 0:48:22 | 0:48:24 | |
So I've gone for side of lamb, a leg and most of the ribcage. | 0:48:24 | 0:48:26 | |
The more I think about it, the more I think, "What a great present." | 0:48:26 | 0:48:29 | |
Instead of a rubbish old bottle of wine, flowers or stinky chocolate, | 0:48:29 | 0:48:32 | |
imagine a side of meat with the organs still attached. | 0:48:32 | 0:48:35 | |
Excellent present. | 0:48:35 | 0:48:36 | |
Like many hotel staff, Mohammed moved to Marrakech for work, | 0:48:37 | 0:48:40 | |
but he always tries to return to his home village on a day off. | 0:48:40 | 0:48:44 | |
It's Mohammed in civvies. | 0:48:45 | 0:48:46 | |
-Hi. -Hi. | 0:48:48 | 0:48:49 | |
-How are you? -I'm all right. -Welcome. -Thank you very much. | 0:48:49 | 0:48:53 | |
You look different now. You look happier. | 0:48:53 | 0:48:55 | |
Because I'm visiting my family. | 0:48:55 | 0:48:57 | |
And this is the village where you were born? | 0:48:59 | 0:49:01 | |
Yes, this is the village. | 0:49:01 | 0:49:03 | |
'And the house, it turns out.' | 0:49:03 | 0:49:05 | |
Mohammed is the eldest of 11 children, | 0:49:20 | 0:49:22 | |
some of whom still live in the family home. | 0:49:22 | 0:49:25 | |
His father is 88 years old and spent his working life as a farm labourer. | 0:49:25 | 0:49:30 | |
-My father. -Hello. | 0:49:30 | 0:49:33 | |
Conversation will be limited as most of his family speak only Berber. | 0:49:33 | 0:49:38 | |
Mohammed speaks Berber, Arabic, French and English. | 0:49:38 | 0:49:41 | |
GILES SPEAKS FRENCH | 0:49:46 | 0:49:48 | |
-He's saying thank you. -You're very welcome, indeed. | 0:49:51 | 0:49:53 | |
What an amazing view. | 0:49:55 | 0:49:57 | |
Although this old house looks superficially unchanged, | 0:49:58 | 0:50:01 | |
there are plenty of signs that Mohammed's family enjoy a better lifestyle | 0:50:01 | 0:50:05 | |
than the one he grew up with. | 0:50:05 | 0:50:07 | |
And his mother no longer has to make the daily trek for water. | 0:50:09 | 0:50:12 | |
They are now connected to the mains and to electricity. | 0:50:12 | 0:50:16 | |
It's clear who's behind these improved circumstances. | 0:50:16 | 0:50:20 | |
This is a luxury life for my family now, | 0:50:20 | 0:50:23 | |
comparing it to what it used to be. | 0:50:23 | 0:50:26 | |
I will tell you, | 0:50:26 | 0:50:28 | |
there were days where we had old bread. | 0:50:28 | 0:50:33 | |
Dried bread. | 0:50:35 | 0:50:38 | |
But my mother used to keep, when there is a piece of that left, | 0:50:38 | 0:50:41 | |
she doesn't throw it, she will keep it. | 0:50:41 | 0:50:45 | |
She will save it for the future. | 0:50:45 | 0:50:47 | |
When there is nothing to eat, she will bring that bread. | 0:50:47 | 0:50:50 | |
We'll soak it in water and we'll eat it. | 0:50:51 | 0:50:55 | |
And they don't have to do that now? | 0:50:55 | 0:50:57 | |
No. No. | 0:50:57 | 0:51:00 | |
-Thanks to you. -Thanks to God. | 0:51:03 | 0:51:04 | |
-Thanks to God. -To Allah. | 0:51:04 | 0:51:06 | |
Do they know where you work now? | 0:51:08 | 0:51:11 | |
-They do. -Have they seen pictures? Have they seen photographs? | 0:51:11 | 0:51:14 | |
I have showed them pictures, but I am sure they don't remember. | 0:51:14 | 0:51:17 | |
It's just interesting because at the hotel | 0:51:17 | 0:51:19 | |
they think it's such a big deal, and your parents don't care. | 0:51:19 | 0:51:23 | |
They don't care about sophisticated life. | 0:51:23 | 0:51:25 | |
They care about their children. | 0:51:25 | 0:51:27 | |
What I am worried about is we go back to the hotel | 0:51:29 | 0:51:31 | |
and I can't have you waiting on me hand and foot, | 0:51:31 | 0:51:34 | |
I can't have you serving me. | 0:51:34 | 0:51:36 | |
Why not? | 0:51:36 | 0:51:37 | |
Because that sort of... | 0:51:37 | 0:51:40 | |
that skin is broken between where we... | 0:51:40 | 0:51:42 | |
You know, we're real people and... | 0:51:42 | 0:51:44 | |
Listen to me, there is a saying in Arabic. | 0:51:44 | 0:51:47 | |
HE SPEAKS ARABIC | 0:51:47 | 0:51:49 | |
The master of the people is the one who is serving them, | 0:51:49 | 0:51:52 | |
is the one who serves them. | 0:51:52 | 0:51:54 | |
So I never feel any shame. I never feel any inferiority... | 0:51:54 | 0:51:58 | |
-No, no, no. -..to serve or do any kind of work. | 0:51:58 | 0:52:02 | |
I have left them still eating. | 0:52:11 | 0:52:12 | |
It was an amazing thing to see the house that he was born in, | 0:52:12 | 0:52:16 | |
the 100-year-old house that his father inherited from his father. | 0:52:16 | 0:52:19 | |
An amazing lack of resent. | 0:52:19 | 0:52:21 | |
He doesn't care the hotel keeps him away, Mohammed, | 0:52:21 | 0:52:24 | |
and then he gets back so infrequently, | 0:52:24 | 0:52:25 | |
but when he is, he's still happy. | 0:52:25 | 0:52:27 | |
He harbours no ill will, the idea of service... | 0:52:27 | 0:52:29 | |
His parents couldn't care less where he works. They don't know. | 0:52:29 | 0:52:32 | |
I asked them, they couldn't even remember the name of the hotel. | 0:52:32 | 0:52:35 | |
It seems to me that, for them, this is old Morocco | 0:52:35 | 0:52:38 | |
and that's their life and he goes from here to new Morocco in the city | 0:52:38 | 0:52:42 | |
and he works and he provides for them with a better life. | 0:52:42 | 0:52:44 | |
He is the deuxieme pere, the second father for the kids. | 0:52:44 | 0:52:48 | |
He looks after everyone. It's all thanks to the hotel. | 0:52:48 | 0:52:51 | |
As I head back to the city, | 0:52:52 | 0:52:54 | |
it is with the real sense of there being two Moroccos. | 0:52:54 | 0:52:57 | |
And with the arrival of the UN conference on climate change, | 0:53:03 | 0:53:07 | |
it is the new Morocco that is being shown off to the world. | 0:53:07 | 0:53:11 | |
Nearly 200 nations have sent representatives for negotiations. | 0:53:11 | 0:53:15 | |
It's exactly the kind of showcase to the world | 0:53:17 | 0:53:20 | |
that the hotel tries to embody. | 0:53:20 | 0:53:22 | |
With the Royal Mansour hosting six heads of state, | 0:53:23 | 0:53:26 | |
finishing the construction on time for Le Jardin to open was crucial. | 0:53:26 | 0:53:30 | |
This hotel was lacking possibly a little bit of emotion. | 0:53:41 | 0:53:45 | |
I'm sure the garden and the pool | 0:53:45 | 0:53:48 | |
will help us tremendously to give that extra bit | 0:53:48 | 0:53:50 | |
we were possibly lacking. | 0:53:50 | 0:53:52 | |
Now you have spaces, you have this magnificent garden. | 0:53:56 | 0:53:59 | |
It has to grow a bit, but maybe in six months, | 0:53:59 | 0:54:02 | |
one year, it is going to be perfect. | 0:54:02 | 0:54:03 | |
But we needed some breath, | 0:54:03 | 0:54:06 | |
to breathe some fresh air, so now I think we have got it. | 0:54:06 | 0:54:11 | |
Manager Jean-Claude has invited all the hotel's 500 staff, | 0:54:13 | 0:54:17 | |
many of whom spend most of their time underground, to a launch party. | 0:54:17 | 0:54:21 | |
They are celebrating a new chapter | 0:54:23 | 0:54:25 | |
in the hotel's life and a new approach to service. | 0:54:25 | 0:54:28 | |
The pressure was on to open this week on time for this | 0:54:56 | 0:55:00 | |
big global conference. | 0:55:00 | 0:55:01 | |
The first very important guest is arriving today | 0:55:01 | 0:55:05 | |
and for the next few days it's going to be crammed | 0:55:05 | 0:55:08 | |
with heads of state, presidents, | 0:55:08 | 0:55:13 | |
so it was important to be open today, and we have made it. | 0:55:13 | 0:55:18 | |
No stress. | 0:55:25 | 0:55:27 | |
Oh, a little bit of stress. | 0:55:27 | 0:55:28 | |
It looks like it's time for us to make ourselves scarce. | 0:55:46 | 0:55:49 | |
CHAMPAGNE CORK POPS | 0:55:49 | 0:55:51 | |
So we're beginning a gentle transition | 0:55:51 | 0:55:53 | |
back into butler-free life by serving our own champagne. | 0:55:53 | 0:55:57 | |
At least we're drinking! | 0:55:58 | 0:56:00 | |
This for me has been, you know, | 0:56:04 | 0:56:07 | |
an extraordinary experience, it really has. | 0:56:07 | 0:56:10 | |
You know what it's felt most like to me as an overall experience? | 0:56:10 | 0:56:14 | |
It's as if I was a sort of distant, distant, distant | 0:56:14 | 0:56:17 | |
relative of the king of some crazy land | 0:56:17 | 0:56:19 | |
and he invited me to come and stay | 0:56:19 | 0:56:21 | |
and I got here and there was nobody here. | 0:56:21 | 0:56:23 | |
And I was allowed to run around the giant imperial palace | 0:56:23 | 0:56:26 | |
all on my own. | 0:56:26 | 0:56:27 | |
It is quite amazing, you know, knowing that underneath all this | 0:56:27 | 0:56:30 | |
there's 500 people working away | 0:56:30 | 0:56:32 | |
to make it run, and the fact that when we walk around the riad, | 0:56:32 | 0:56:36 | |
if there's room service, or a housekeeper around, | 0:56:36 | 0:56:39 | |
as soon as they hear you, they disappear. | 0:56:39 | 0:56:40 | |
Is that a flaw or is that a benefit? | 0:56:40 | 0:56:42 | |
This is the place... | 0:56:42 | 0:56:43 | |
You know, by royal decree, this place was built for the king. | 0:56:43 | 0:56:46 | |
So this is what a king wants, | 0:56:46 | 0:56:48 | |
to never have to look a servant in the eye | 0:56:48 | 0:56:51 | |
and they walk away backwards and... | 0:56:51 | 0:56:52 | |
Then, when you have people like us, would we want that? | 0:56:52 | 0:56:55 | |
Would we want the silence and emptiness? | 0:56:55 | 0:56:57 | |
Maybe not, but the global political elite descending on this place | 0:56:57 | 0:57:01 | |
certainly do. | 0:57:01 | 0:57:02 | |
And if the new garden can bring that missing vibe, | 0:57:03 | 0:57:06 | |
that beating heart, | 0:57:06 | 0:57:08 | |
then the Royal Mansour will finally have completed its transition | 0:57:08 | 0:57:11 | |
from palace annexe to international super hotel. | 0:57:11 | 0:57:15 | |
But there's one great thing which | 0:57:16 | 0:57:18 | |
I've really appreciated about being here | 0:57:18 | 0:57:21 | |
and my time with the staff, | 0:57:21 | 0:57:23 | |
is the detail. | 0:57:23 | 0:57:25 | |
If this was your house, would you light all these candles? | 0:57:25 | 0:57:29 | |
Yes, I would. | 0:57:29 | 0:57:30 | |
Well, actually, no. My butler would! | 0:57:30 | 0:57:32 | |
Your butler would light all the candles. | 0:57:32 | 0:57:35 |