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All over the world there are remarkable hotels, born of | 0:00:02 | 0:00:05 | |
bold vision and daring endeavour. | 0:00:05 | 0:00:08 | |
Oh, my goodness! Look at that. | 0:00:10 | 0:00:12 | |
Whether it's an epic structure housing a sky park | 0:00:12 | 0:00:15 | |
the length of the Eiffel Tower... | 0:00:15 | 0:00:17 | |
This is definitely the biggest space I've ever been inside. | 0:00:17 | 0:00:20 | |
..or a glass box perched on the cloud forest. | 0:00:21 | 0:00:25 | |
-Look at that view. -Wow! | 0:00:25 | 0:00:27 | |
They are all products of innovation, creativity and hard graft. | 0:00:29 | 0:00:33 | |
The people running these hotels | 0:00:35 | 0:00:36 | |
strive to create the perfect sanctuary. | 0:00:36 | 0:00:39 | |
But what does it take to offer once-in-a-lifetime experiences | 0:00:39 | 0:00:43 | |
in stunning locations? | 0:00:43 | 0:00:46 | |
To build a hotel in a place like this, | 0:00:46 | 0:00:48 | |
everybody thinks I'm crazy. | 0:00:48 | 0:00:49 | |
In total, we have about 160,000 pieces of uniform. | 0:00:50 | 0:00:55 | |
Oh, my word! | 0:00:55 | 0:00:57 | |
I'm a restaurant writer, newspaper columnist and critic. | 0:00:57 | 0:01:00 | |
I have opinions on just about everything. | 0:01:00 | 0:01:03 | |
What a mad place to build a hotel! | 0:01:03 | 0:01:05 | |
I feel like Scott of the Antarctic, and it did not end well for him. | 0:01:05 | 0:01:09 | |
And I'm a chef, who's worked for the top end of the hospitality industry | 0:01:09 | 0:01:13 | |
for well over 20 years. | 0:01:13 | 0:01:14 | |
How many opportunities do you get | 0:01:14 | 0:01:16 | |
to cook breakfast with elephants and giraffes? | 0:01:16 | 0:01:19 | |
We'll travel to amazing hotels in every corner of the world. | 0:01:21 | 0:01:25 | |
To spend time getting to know | 0:01:25 | 0:01:27 | |
the people working away behind the scenes. | 0:01:27 | 0:01:29 | |
When did you last have a full night's sleep? | 0:01:29 | 0:01:31 | |
-I don't remember. -Really? -Yes. | 0:01:31 | 0:01:34 | |
What motivates you to work so hard? | 0:01:34 | 0:01:36 | |
The kids. I will sacrifice everything for them. | 0:01:36 | 0:01:39 | |
Join us as we venture inside... | 0:01:41 | 0:01:44 | |
..the world's most extraordinary hotels. | 0:01:46 | 0:01:49 | |
Lapland in Sweden, one of Europe's great wildernesses. | 0:01:57 | 0:02:01 | |
It's December, the sun does not rise above the horizon | 0:02:03 | 0:02:06 | |
and temperatures drop below minus 30. | 0:02:06 | 0:02:09 | |
Here, 200km above the Arctic Circle, | 0:02:10 | 0:02:13 | |
sits the world-famous Icehotel. | 0:02:13 | 0:02:16 | |
It is incredibly cold. | 0:02:19 | 0:02:20 | |
I suppose if you're going to build an ice hotel anywhere, | 0:02:20 | 0:02:22 | |
it has to be somewhere cold. | 0:02:22 | 0:02:24 | |
The polar light, sparkling snow | 0:02:24 | 0:02:26 | |
and sprawling forests make for a landscape | 0:02:26 | 0:02:29 | |
that is almost otherworldly. | 0:02:29 | 0:02:30 | |
Look at this! | 0:02:32 | 0:02:33 | |
Wow! So beautiful! | 0:02:33 | 0:02:37 | |
It's an incredibly unusual hotel | 0:02:37 | 0:02:40 | |
with a dramatic beauty carved from the snow and ice that surround it. | 0:02:40 | 0:02:44 | |
-Wow! -That's amazing. | 0:02:47 | 0:02:49 | |
They have pioneered ice chandeliers... | 0:02:53 | 0:02:55 | |
..an ice bar... | 0:02:56 | 0:02:58 | |
Oh, it's quite cool, it's quite funny. | 0:02:58 | 0:03:01 | |
..local delicacies served on ice crockery... | 0:03:01 | 0:03:04 | |
..and every room is different from the next | 0:03:06 | 0:03:08 | |
with its own unique work of ice art. | 0:03:08 | 0:03:11 | |
For the privilege of sleeping in an ice room, | 0:03:11 | 0:03:13 | |
guests pay up to £1,000 per night. | 0:03:13 | 0:03:16 | |
And with the possibility of northern lights, | 0:03:16 | 0:03:18 | |
the nights can be beautiful, but they are also long. | 0:03:18 | 0:03:22 | |
You don't see the sun from mid-December until | 0:03:22 | 0:03:24 | |
the middle of January. | 0:03:24 | 0:03:25 | |
Mornings at the hotel start at 7:30. | 0:03:30 | 0:03:32 | |
I'm going to find out how you deal with guests | 0:03:33 | 0:03:35 | |
who have been sleeping in a freezer. | 0:03:35 | 0:03:37 | |
The 20 rooms are kept at a bone-chilling minus five. | 0:03:39 | 0:03:42 | |
My first job is helping Micke from housekeeping to wake up the guests. | 0:03:44 | 0:03:48 | |
-Can people be grumpy when you come to wake them up? -Yeah. | 0:03:48 | 0:03:51 | |
What are your strategies to cheer up the grumpy people? | 0:03:51 | 0:03:55 | |
Er, lingonberry juice, I would say. | 0:03:55 | 0:03:57 | |
-It's all in the juice! -Yes, it's all in the juice. | 0:03:57 | 0:04:00 | |
-Let's hope they are in a good mood. -Yeah. | 0:04:00 | 0:04:02 | |
Lingonberries grow wild across Sweden, | 0:04:02 | 0:04:04 | |
and a hot juice is a popular way to wake up here. | 0:04:04 | 0:04:08 | |
Good morning. | 0:04:08 | 0:04:09 | |
Good morning. | 0:04:13 | 0:04:14 | |
Something warm to drink. | 0:04:16 | 0:04:18 | |
How has the night been? | 0:04:18 | 0:04:20 | |
It's been cold, but amazing. | 0:04:20 | 0:04:23 | |
I mean, warm in the thermal sleeping bag, which is fantastic, | 0:04:23 | 0:04:27 | |
but you kind of have to cover yourself right up | 0:04:27 | 0:04:30 | |
and breathe through a little hole. | 0:04:30 | 0:04:32 | |
Did you sleep in your thermals? | 0:04:32 | 0:04:34 | |
-One, two, three... -Three layers, plus the sleeping bag? | 0:04:34 | 0:04:37 | |
Dear me. I'm doing it tonight. | 0:04:37 | 0:04:40 | |
-Are you? -I'm a bit nervous. | 0:04:40 | 0:04:41 | |
It's just one of those life experiences | 0:04:41 | 0:04:43 | |
-you can't have, necessarily, anywhere else. -Yeah. | 0:04:43 | 0:04:47 | |
I've got a long night ahead of me. | 0:04:48 | 0:04:51 | |
Thank you. | 0:04:51 | 0:04:52 | |
There are no power points or phones in the rooms. | 0:04:57 | 0:05:00 | |
Would you like me to turn the lights on? | 0:05:00 | 0:05:02 | |
So the only way to wake people up is the old-fashioned way. | 0:05:02 | 0:05:04 | |
Hi, guys! | 0:05:04 | 0:05:06 | |
How was the night? Oh, there's two of you - that's nice. | 0:05:07 | 0:05:11 | |
-How was it? -It's a mission getting in and out of the sleeping bag. | 0:05:13 | 0:05:17 | |
It wasn't cold at all, really. | 0:05:17 | 0:05:18 | |
Like, just the tip of your nose. | 0:05:18 | 0:05:20 | |
Oh, gosh! That's good to know. | 0:05:20 | 0:05:22 | |
-I'm doing it tonight. -Oh, are you? | 0:05:22 | 0:05:23 | |
Yeah, but on my own. | 0:05:23 | 0:05:25 | |
You'll be fine - just do the sleeping bag up nice and tight. | 0:05:25 | 0:05:29 | |
-See you! -Bye! -See you! | 0:05:29 | 0:05:31 | |
Why do people want to come and stay in that temperature? | 0:05:33 | 0:05:36 | |
You rarely have a comfortable bed | 0:05:36 | 0:05:38 | |
like this in minus five somewhere else, | 0:05:38 | 0:05:41 | |
and the rooms are filled with art. | 0:05:41 | 0:05:42 | |
And it's not just the Icehotel, it's everything around it as well. | 0:05:42 | 0:05:46 | |
There is so much in one place. | 0:05:46 | 0:05:48 | |
This rare combination attracts 30,000 guests every year. | 0:05:50 | 0:05:54 | |
Around a quarter are Swedes, while most come from the UK and the USA. | 0:05:54 | 0:05:58 | |
-It's your room, Flow. -Very cool. | 0:05:58 | 0:06:00 | |
And I will show you. So, welcome inside. | 0:06:00 | 0:06:03 | |
Oh, my...! | 0:06:03 | 0:06:04 | |
Oh, my God! | 0:06:04 | 0:06:07 | |
Tim from New York and Mary from Chicago are best friends. | 0:06:07 | 0:06:10 | |
It's been their dream to stay at Icehotel for more than ten years. | 0:06:10 | 0:06:14 | |
I love the window. | 0:06:14 | 0:06:16 | |
So this time we need to do something different. | 0:06:16 | 0:06:19 | |
This is the most different that you can get. | 0:06:19 | 0:06:22 | |
And adventure. Everybody we talked to was like, | 0:06:22 | 0:06:24 | |
"Oh, it's on my bucket list. This is something I want to do." | 0:06:24 | 0:06:28 | |
It's amazing. It's beautiful. | 0:06:28 | 0:06:30 | |
Oh, bubbles! | 0:06:31 | 0:06:32 | |
Caroline and Andrew Quinn from Haslemere | 0:06:34 | 0:06:36 | |
have come to celebrate Andrew's 49th birthday. | 0:06:36 | 0:06:39 | |
OK. Cheers, babe. | 0:06:39 | 0:06:41 | |
I can't help but stop and just look and it's like, | 0:06:41 | 0:06:44 | |
"Wow, Andrew, look at this, it's incredible." | 0:06:44 | 0:06:46 | |
It's a magical, very magical place. | 0:06:46 | 0:06:49 | |
I've got ice in my champagne. | 0:06:49 | 0:06:51 | |
So have I! | 0:06:51 | 0:06:53 | |
Oh, my goodness! I have as well. | 0:06:53 | 0:06:55 | |
The man responsible for ensuring that guests have | 0:07:00 | 0:07:03 | |
an unforgettable experience is Arne Bergh, | 0:07:03 | 0:07:05 | |
creative director and the heartbeat of Icehotel. | 0:07:05 | 0:07:08 | |
Originally from the south of Sweden, | 0:07:09 | 0:07:11 | |
he came to the Arctic 20 years ago as an ice artist and fell in love. | 0:07:11 | 0:07:16 | |
I think I slipped on the ice and my life took another turn. | 0:07:16 | 0:07:20 | |
TRANSLATION: | 0:07:20 | 0:07:22 | |
-ALL: -Skol! | 0:07:25 | 0:07:26 | |
The hotel opened for the winter season only a matter of days ago. | 0:07:31 | 0:07:34 | |
The feeling you have when you see that it has succeeded | 0:07:34 | 0:07:38 | |
and you meet the public, you meet the people coming in and they say, | 0:07:38 | 0:07:42 | |
"Wow, this is something, | 0:07:42 | 0:07:44 | |
you have really done something new, something fantastic." | 0:07:44 | 0:07:46 | |
So, of course, I feel humble and relieved. | 0:07:46 | 0:07:49 | |
One of Arne's proudest achievements is the Icebar. | 0:07:57 | 0:08:00 | |
-ALL: -Skol! | 0:08:00 | 0:08:01 | |
Just what you need. That'll cool you down. | 0:08:03 | 0:08:06 | |
Cheers! | 0:08:06 | 0:08:07 | |
Here, guests can drink both familiar cocktails | 0:08:09 | 0:08:11 | |
and local lingonberry concoctions. | 0:08:11 | 0:08:13 | |
It's refreshing. | 0:08:15 | 0:08:17 | |
And, of course, the drinks are served in ice glasses, | 0:08:17 | 0:08:19 | |
made in the hotel's own factory. | 0:08:19 | 0:08:22 | |
Every piece of ice in the building has come through here at some point. | 0:08:23 | 0:08:27 | |
I'm going to help Arne make glasses on the production line. | 0:08:27 | 0:08:30 | |
Are there many of these machines in the world? | 0:08:30 | 0:08:33 | |
-I think it's one. -Really? -I think it's this one. | 0:08:33 | 0:08:35 | |
-Did you invent it? -Yes. | 0:08:35 | 0:08:37 | |
It's about everything we do, I think it's a lot of inventing. | 0:08:37 | 0:08:40 | |
You can't go to the hardware store just to buy one. | 0:08:40 | 0:08:42 | |
It's not like that. | 0:08:42 | 0:08:43 | |
Ice blocks are cut into cubes, then a drill takes out a central hole. | 0:08:45 | 0:08:50 | |
Just keep on stacking them here as they're coming out. | 0:08:50 | 0:08:54 | |
My job is quality control, | 0:08:54 | 0:08:56 | |
a humbling role when all the creative work is done by machine. | 0:08:56 | 0:08:59 | |
And if you find someone that has a crack in it, | 0:08:59 | 0:09:01 | |
just throw it over there. | 0:09:01 | 0:09:03 | |
-The drink might come out on your collar. -Yeah. | 0:09:03 | 0:09:06 | |
Some bloke getting drunk on schnapps isn't really going to care, is he? | 0:09:06 | 0:09:09 | |
And each glass is probably used, on average, a couple of...? | 0:09:09 | 0:09:13 | |
-Twice? -On average, twice. | 0:09:13 | 0:09:14 | |
I think the record is something like 12 or 13 refills. | 0:09:14 | 0:09:19 | |
Before the glass melts? | 0:09:19 | 0:09:20 | |
No, the guy was down on the ground. | 0:09:20 | 0:09:23 | |
-Really? -Yeah. I would throw it away, I think. -OK. | 0:09:23 | 0:09:26 | |
Now we take this one. You move it over here. | 0:09:28 | 0:09:31 | |
The machine can make 400 glasses every hour, so the pressure's on me. | 0:09:31 | 0:09:35 | |
Now we've got to move on, we've got to move on. | 0:09:35 | 0:09:38 | |
I better move a bit faster here. | 0:09:38 | 0:09:40 | |
It's good chatting and everything, | 0:09:40 | 0:09:42 | |
but it's all getting a bit on top of me. | 0:09:42 | 0:09:43 | |
I was enjoying it at the beginning, | 0:09:43 | 0:09:45 | |
but suddenly I'm just a cog in a giant industrial ice machine. | 0:09:45 | 0:09:48 | |
The process can't always have been so mechanised. | 0:09:48 | 0:09:51 | |
Oh, no, me and my colleague were standing at the bar | 0:09:51 | 0:09:54 | |
drinking a whisky out of a plastic cup. | 0:09:54 | 0:09:57 | |
Then I said to him, | 0:09:58 | 0:10:00 | |
"We want to do everything in ice here." | 0:10:00 | 0:10:03 | |
"Yeah, you're right," he said. | 0:10:03 | 0:10:05 | |
He took a big piece of ice and just cut it like this with a knife. | 0:10:05 | 0:10:10 | |
And then we went into the bar. | 0:10:10 | 0:10:11 | |
"Could we have a whisky IN the rocks, please?" | 0:10:11 | 0:10:14 | |
And that was the start of it. | 0:10:14 | 0:10:16 | |
What is so extraordinary there is, | 0:10:16 | 0:10:18 | |
great business ideas that you have in the pub | 0:10:18 | 0:10:21 | |
don't usually come to anything, do they? | 0:10:21 | 0:10:23 | |
"I know, we'll make it out of ice - that'll be brilliant! | 0:10:23 | 0:10:26 | |
"Let's go!" Normally, if it was me, | 0:10:26 | 0:10:28 | |
I'd have just cut my thumb off and never thought of it again. | 0:10:28 | 0:10:32 | |
Now it's this process, | 0:10:32 | 0:10:34 | |
so we make something like half a million, a million glasses a year. | 0:10:34 | 0:10:38 | |
OK, go. | 0:10:38 | 0:10:39 | |
You're doing a great job but it's time for a coffee break, right? | 0:10:47 | 0:10:51 | |
I love a big machine, | 0:10:55 | 0:10:56 | |
I love thousands of identical things moving in rows then being stacked, | 0:10:56 | 0:10:59 | |
and it's very nice to get involved in something like that, | 0:10:59 | 0:11:02 | |
to see these tiny little jewels, these diamonds of ice, | 0:11:02 | 0:11:05 | |
rocking along, and every single one is going to end with | 0:11:05 | 0:11:07 | |
somebody filling it with spirits and going, "Cheers!" | 0:11:07 | 0:11:10 | |
It makes it all the more fun. | 0:11:10 | 0:11:12 | |
Guests have been known to feel | 0:11:13 | 0:11:15 | |
the need for Dutch courage before sleeping in the ice rooms. | 0:11:15 | 0:11:19 | |
How do you clean it if someone has spilt, like, red wine onto the ice? | 0:11:19 | 0:11:23 | |
It happened. We had a big, big red-wine accident. | 0:11:23 | 0:11:26 | |
This is alcohol. | 0:11:26 | 0:11:27 | |
-It kind of keeps running inside. -Yeah. | 0:11:27 | 0:11:29 | |
You want to remove it as fast as you can. | 0:11:29 | 0:11:31 | |
If you get a hole, sometimes you can just pour some new water inside. | 0:11:31 | 0:11:36 | |
And let it freeze? | 0:11:36 | 0:11:37 | |
That's brilliant! | 0:11:39 | 0:11:40 | |
Of course, drinking to excess can have even more dire consequences | 0:11:42 | 0:11:45 | |
than the occasional spillage. | 0:11:45 | 0:11:47 | |
But, Micke, what happens if people get sick in here? | 0:11:47 | 0:11:50 | |
We have to do what you're doing right now. | 0:11:50 | 0:11:51 | |
I suppose the good thing is it will be all frozen. | 0:11:51 | 0:11:54 | |
Yeah. | 0:11:54 | 0:11:56 | |
Luckily, there are no carpets, curtains or upholstery. | 0:11:56 | 0:11:59 | |
Neither are there Hoovers or mops. | 0:11:59 | 0:12:01 | |
Shovels and spades are the tools of the trade. | 0:12:01 | 0:12:04 | |
There we go. | 0:12:04 | 0:12:06 | |
OK, now this feels a bit like normal housekeeping, | 0:12:06 | 0:12:09 | |
picking up frozen glasses. | 0:12:09 | 0:12:11 | |
So, recycle there for the glass. | 0:12:14 | 0:12:17 | |
Paper in there. I do like that. | 0:12:18 | 0:12:20 | |
The specially designed mattresses rest on wooden slats | 0:12:21 | 0:12:24 | |
set in ice blocks. | 0:12:24 | 0:12:26 | |
Does the reindeer skin really keep people warm? | 0:12:26 | 0:12:28 | |
Put your hand on the ice, then you put the reindeer fur on the ice | 0:12:28 | 0:12:31 | |
and then your hand, you won't feel anything. | 0:12:31 | 0:12:34 | |
The skins protect sleepers from their icy bed frames. | 0:12:34 | 0:12:37 | |
The fur is made up of hollow hairs, | 0:12:37 | 0:12:39 | |
making it perfect insulation for reindeer | 0:12:39 | 0:12:42 | |
and, hopefully, us. | 0:12:42 | 0:12:44 | |
I can't help but be overwhelmed every time I walk into a room to clean it, | 0:12:46 | 0:12:49 | |
and you are in sort of awe at the magic of this place. | 0:12:49 | 0:12:54 | |
But I am a bit anxious | 0:12:54 | 0:12:56 | |
about having to sleep in minus five for the night. | 0:12:56 | 0:12:59 | |
How are you feeling about checking in? | 0:13:01 | 0:13:03 | |
The moment has finally come. We finally get to do it. | 0:13:03 | 0:13:05 | |
It's been a phoney war up to now. | 0:13:05 | 0:13:06 | |
I was quite petrified, hearing, "My gosh, it's minus five." | 0:13:06 | 0:13:10 | |
Do we sleep like this? Do we take our clothes off? | 0:13:10 | 0:13:12 | |
Well, I've got backup. | 0:13:12 | 0:13:14 | |
But I'm happy to sleep like this, just to stay warm. | 0:13:14 | 0:13:17 | |
For visitors who want a respite from the cold, | 0:13:17 | 0:13:19 | |
not all the hotel's buildings are made of ice. | 0:13:19 | 0:13:21 | |
Guests can also stay in heated chalets, | 0:13:21 | 0:13:24 | |
take plenty of saunas and eat hearty regional dishes | 0:13:24 | 0:13:27 | |
in a nicely heated restaurant. | 0:13:27 | 0:13:28 | |
And before you're shown to your icy bedchamber, | 0:13:28 | 0:13:31 | |
you check in at a reassuringly warm reception. | 0:13:31 | 0:13:34 | |
Hi, there. Coren and... | 0:13:34 | 0:13:36 | |
-Galetti. -Galetti? Yup. | 0:13:36 | 0:13:38 | |
It's one of the more daunting check-in experiences I've had. | 0:13:38 | 0:13:41 | |
And I'd like to order an extra-warm sleeping bag. | 0:13:43 | 0:13:46 | |
Extra-warm. OK, we'll put that out. | 0:13:46 | 0:13:48 | |
Inside or out, the cold is always a battle here. | 0:13:50 | 0:13:53 | |
Oh, that's a nice way to do it, you stay warm. | 0:13:53 | 0:13:56 | |
So the hotel supply sleeping bags | 0:13:56 | 0:13:57 | |
that have been tested to minus 40 degrees. | 0:13:57 | 0:14:00 | |
You look like you're on some mountain | 0:14:04 | 0:14:06 | |
and there's a couple of goats behind you. | 0:14:06 | 0:14:08 | |
How amazing, how beautiful! | 0:14:11 | 0:14:12 | |
How not where I want to go to actually sleep. | 0:14:12 | 0:14:15 | |
-Can we sleep in these? -I recommend less clothes. | 0:14:15 | 0:14:18 | |
-Less clothes? -Exactly, yeah. | 0:14:18 | 0:14:19 | |
-Why? -The less clothes the better because, actually, | 0:14:19 | 0:14:22 | |
it's not the sleeping bag keeping you warm, it's you keeping you warm. | 0:14:22 | 0:14:25 | |
-Your body heat? -Exactly. | 0:14:25 | 0:14:27 | |
And the less clothes you have | 0:14:27 | 0:14:28 | |
the faster you spread out the heat in the sleeping bag. | 0:14:28 | 0:14:30 | |
So, is it better to be completely naked? | 0:14:30 | 0:14:33 | |
-Yeah. -Completely? -One layer is all we recommend | 0:14:33 | 0:14:36 | |
-and then you have a hat and a pair of socks as well. -Fine. | 0:14:36 | 0:14:39 | |
"Pick Your Mustache." | 0:14:39 | 0:14:40 | |
Oh, my word! | 0:14:43 | 0:14:44 | |
The bed is real and it's surrounded by cactuses. | 0:14:47 | 0:14:51 | |
Lovely. How about that? | 0:14:51 | 0:14:53 | |
You've got to climb up there to go to sleep. | 0:14:53 | 0:14:55 | |
You don't make this easy. | 0:14:55 | 0:14:57 | |
-Nope. -So sit on that and then slide. | 0:14:57 | 0:14:59 | |
Legs straight out. | 0:15:02 | 0:15:03 | |
My main concern is what happens when you need to get out of this to go to | 0:15:06 | 0:15:10 | |
the toilet at night. I'm not going to be wearing waterproofs | 0:15:10 | 0:15:14 | |
-and you're going to have to slide on this ice. -Yep. | 0:15:14 | 0:15:17 | |
You guys are pretty lucky. You guys can just run straight inside here. | 0:15:20 | 0:15:24 | |
Oh, this is more like it. | 0:15:24 | 0:15:26 | |
Fortunately, the bathrooms are not made of ice | 0:15:26 | 0:15:28 | |
and are kept at a very pleasant 20 degrees. | 0:15:28 | 0:15:31 | |
I can see myself camping on this floor if I get too cold in there. | 0:15:31 | 0:15:34 | |
-Some even have their own saunas. -This is fab. | 0:15:34 | 0:15:38 | |
Whoo! | 0:15:43 | 0:15:45 | |
Oh, I'm glad my bed is a bit easier to get into. | 0:15:46 | 0:15:48 | |
My least favourite people in the whole world, phone morons. | 0:15:50 | 0:15:53 | |
Look at them. It's rather marvellous. | 0:15:53 | 0:15:55 | |
The room is called Twitter | 0:15:55 | 0:15:57 | |
and features a host of ice statues fixated on their smartphones. | 0:15:57 | 0:16:01 | |
I'm going to have telecoms ice nightmares. | 0:16:01 | 0:16:03 | |
Do people ever not make it through the night? | 0:16:03 | 0:16:06 | |
It has happened, but most often people come up | 0:16:06 | 0:16:08 | |
because they're jet-lagged or maybe have a cold. | 0:16:08 | 0:16:12 | |
Not because they're entombed in an ice cave? | 0:16:12 | 0:16:16 | |
-No. -With no windows? -No. | 0:16:16 | 0:16:17 | |
And minus five degrees - that's not the reason? | 0:16:17 | 0:16:20 | |
No. That's the cosy part. | 0:16:20 | 0:16:22 | |
My idea of cosy and your idea of cosy are two very different things. | 0:16:22 | 0:16:25 | |
It's like the Batcave if Batman couldn't afford the heating bill. | 0:16:25 | 0:16:29 | |
-Enjoy your room. Good luck. -I will. Sleep well. Have fun. | 0:16:30 | 0:16:33 | |
There's no more putting it off. | 0:16:33 | 0:16:35 | |
It's time for one of the coldest night's sleeps | 0:16:35 | 0:16:37 | |
that anyone will ever pay for. | 0:16:37 | 0:16:39 | |
My daughter gave me this a few years ago. | 0:16:41 | 0:16:44 | |
I never leave home without it. | 0:16:45 | 0:16:47 | |
Every time I travel, it goes next to my bed. | 0:16:47 | 0:16:49 | |
God, I'm already cold. | 0:16:57 | 0:16:59 | |
I feel like Scott of the Antarctic. | 0:17:04 | 0:17:06 | |
And, as you know, it did not end well for him. | 0:17:06 | 0:17:09 | |
This is just like when you're outside in the cold, you get cold, | 0:17:09 | 0:17:12 | |
you put more layers on. I'll try that. | 0:17:12 | 0:17:15 | |
It's very, very cold. | 0:17:18 | 0:17:20 | |
The rooms are so well insulated that once you're tucked up | 0:17:23 | 0:17:26 | |
it's supernaturally quiet and rather soporific. | 0:17:26 | 0:17:29 | |
They have no idea. They have no idea. | 0:17:36 | 0:17:39 | |
Arne lives just the other side of the river from the hotel, | 0:17:39 | 0:17:42 | |
close enough to keep an eye on the brainchild of his wild imagination. | 0:17:42 | 0:17:46 | |
We have always done the unexpectable, building an ice hotel. | 0:17:46 | 0:17:51 | |
How crazy is that? | 0:17:51 | 0:17:53 | |
And sleeping... | 0:17:53 | 0:17:54 | |
When you can sleep in a comfortable hotel, why should you sleep in ice? | 0:17:54 | 0:17:58 | |
Because, obviously, it's a good idea - it works. | 0:17:58 | 0:18:01 | |
It may seem like a good idea | 0:18:02 | 0:18:03 | |
from the warmth of a cosy Swedish homestead, | 0:18:03 | 0:18:06 | |
but we've been sleeping at a temperature | 0:18:06 | 0:18:08 | |
more suited to penguins than people. | 0:18:08 | 0:18:09 | |
It's time for our wake-up call. | 0:18:12 | 0:18:14 | |
Good morning. | 0:18:18 | 0:18:20 | |
Would you like some hot lingonberry juice? | 0:18:20 | 0:18:22 | |
Did you sleep all right? | 0:18:25 | 0:18:27 | |
Oh! Oh, my God! | 0:18:29 | 0:18:32 | |
Yeah. It was all right until I had to go to the toilet, | 0:18:32 | 0:18:36 | |
until... Oh, hello. | 0:18:36 | 0:18:39 | |
See you later. | 0:18:39 | 0:18:40 | |
I've learnt now, | 0:18:43 | 0:18:45 | |
I understand the attraction about sleeping in an ice room like this. | 0:18:45 | 0:18:48 | |
It's a unique experience, it really is. Yeah, it's just... | 0:18:48 | 0:18:52 | |
Really happy, really pleased that I did it. | 0:18:52 | 0:18:55 | |
Loved it, love it. I'm so happy I did it. | 0:18:55 | 0:18:58 | |
Good morning. | 0:18:59 | 0:19:01 | |
Oh, man. | 0:19:03 | 0:19:04 | |
-What have I got? What's that? -It's lingonberry juice. | 0:19:06 | 0:19:09 | |
Cool. All right. You don't do breakfast, do you? | 0:19:09 | 0:19:11 | |
-Not in bed. -No. | 0:19:11 | 0:19:13 | |
-A cheeky coffee? -No. -PG Tips with a splash of milk? | 0:19:13 | 0:19:17 | |
-Lingonberry juice. -Bacon and eggs? -More lingonberry juice. | 0:19:17 | 0:19:20 | |
-Magic. -Delicious. Excellent. | 0:19:20 | 0:19:23 | |
It just feels sort of natural and real and quite intrepid. | 0:19:24 | 0:19:28 | |
It's as close to living on the edge | 0:19:28 | 0:19:29 | |
as I'm going to get in my bourgeois little life. | 0:19:29 | 0:19:32 | |
Once the guests are up, the hotel is transformed into an art gallery. | 0:19:37 | 0:19:42 | |
150 visitors come each day to see the sculptures first-hand. | 0:19:42 | 0:19:46 | |
Every room is designed and built by different artists. | 0:19:51 | 0:19:55 | |
There are giant letters... | 0:19:56 | 0:19:58 | |
..a Victorian library and all sorts of characters. | 0:20:00 | 0:20:04 | |
The art is bewitching, with an ethereal power all of its own, | 0:20:05 | 0:20:11 | |
but it doesn't keep you warm. | 0:20:11 | 0:20:13 | |
For that, you need to turn to food. | 0:20:13 | 0:20:16 | |
To maintain body temperature, | 0:20:16 | 0:20:17 | |
visitors are advised to eat 40% more than they usually would. | 0:20:17 | 0:20:21 | |
Guests can gorge on dishes including reindeer topside, | 0:20:22 | 0:20:25 | |
mushroom risotto and Arctic char. | 0:20:25 | 0:20:28 | |
The man responsible for feeding all those extra-hungry mouths | 0:20:31 | 0:20:34 | |
is Alex Meier, the hotel's half-Swedish, half-Swiss head chef. | 0:20:34 | 0:20:38 | |
He trained in the two-Michelin-starred Le Bearn restaurant in Geneva | 0:20:46 | 0:20:49 | |
and is famously passionate about his work. | 0:20:49 | 0:20:51 | |
It's Alex's dream to make the food at the hotel | 0:20:55 | 0:20:57 | |
as renowned as the ice art. | 0:20:57 | 0:20:59 | |
To be a chef in this harsh climate, | 0:21:03 | 0:21:05 | |
you have to think a little differently. | 0:21:05 | 0:21:06 | |
There are no commercial farms in the area - | 0:21:08 | 0:21:10 | |
it's simply too cold and dark for things to grow - | 0:21:10 | 0:21:13 | |
so to get fresh local vegetables on the menu | 0:21:13 | 0:21:15 | |
Alex has pioneered the use of rein-moss, | 0:21:15 | 0:21:18 | |
a lichen normally eaten by reindeer rather than hotel diners. | 0:21:18 | 0:21:22 | |
I love this. | 0:21:27 | 0:21:28 | |
Alex has invited me along to harvest the moss | 0:21:28 | 0:21:31 | |
and replenish his supplies for the week's service. | 0:21:31 | 0:21:34 | |
I have to do a snow angel. | 0:21:34 | 0:21:36 | |
Whee! | 0:21:40 | 0:21:41 | |
Yeah, it's quite hard, but you get used to it after a couple of years. | 0:21:42 | 0:21:46 | |
The moss is found on almost every pine tree surrounding the hotel. | 0:21:46 | 0:21:50 | |
-And it's just on the trees? -Yes. | 0:21:50 | 0:21:53 | |
You say "moss". You're not looking at... | 0:21:53 | 0:21:55 | |
-Are you looking at something like this? -Yeah, exactly. | 0:21:55 | 0:21:58 | |
I've got a knack for this, huh? | 0:21:58 | 0:21:59 | |
So, do you just pick it straight off? | 0:21:59 | 0:22:01 | |
-You just collect it, yeah. -Beautiful. | 0:22:01 | 0:22:03 | |
-Yeah, it's amazing. -Like Christmas tree decorations. | 0:22:03 | 0:22:05 | |
-Yeah. -I mean, it's beautiful on a tree. | 0:22:05 | 0:22:08 | |
Once you take it off, it's like all the hair that you collect in | 0:22:08 | 0:22:11 | |
-the bottom of a shower. -Yeah. | 0:22:11 | 0:22:13 | |
-Can you eat it raw? -Try it. | 0:22:20 | 0:22:21 | |
When it's crispy, it's a bit different. | 0:22:23 | 0:22:26 | |
-It's actually quite bitter. -Yeah, it's quite a bitter taste. | 0:22:28 | 0:22:31 | |
Yeah, there's a very light grassy flavour to it. | 0:22:31 | 0:22:34 | |
With the amount that we have here, how long would that last? | 0:22:35 | 0:22:38 | |
-This is for maybe two or three nights. -Oh, really? | 0:22:38 | 0:22:42 | |
-Oh! -No! | 0:22:42 | 0:22:44 | |
Oh, you've lost all the... | 0:22:44 | 0:22:46 | |
Don't worry. | 0:22:46 | 0:22:48 | |
We won't get it back. | 0:22:48 | 0:22:49 | |
-We'll leave it for the reindeer. Are you OK? -I'm good, I'm good. | 0:22:49 | 0:22:52 | |
-Watch out here again. -Yeah. | 0:22:55 | 0:22:56 | |
It's hard enough staying on your feet here, | 0:23:02 | 0:23:04 | |
let alone foraging for fresh produce, | 0:23:04 | 0:23:06 | |
but is it worth all the effort? | 0:23:06 | 0:23:09 | |
Perfect. | 0:23:09 | 0:23:11 | |
In the restaurant, | 0:23:11 | 0:23:12 | |
different types of rein-moss are served with reindeer fillet | 0:23:12 | 0:23:15 | |
and shiitake mushrooms. | 0:23:15 | 0:23:16 | |
It's almost like a crispy sort of rice cracker. | 0:23:20 | 0:23:25 | |
Oh, that's lovely. | 0:23:25 | 0:23:27 | |
It doesn't matter that Alex is cooking in the Arctic - | 0:23:31 | 0:23:34 | |
his diners demand their cuisine to be fresh and locally sourced. | 0:23:34 | 0:23:38 | |
Hi, I'm Monica. | 0:23:38 | 0:23:39 | |
Hi, Monica. Nice to meet you. | 0:23:39 | 0:23:42 | |
Johan Lans is one of Alex's most valued suppliers. | 0:23:42 | 0:23:44 | |
He's found an extraordinary solution | 0:23:44 | 0:23:46 | |
to the problem of growing produce here. | 0:23:46 | 0:23:48 | |
Have you been down a mine? | 0:23:48 | 0:23:50 | |
-Never. -Never? All right. | 0:23:50 | 0:23:52 | |
Just 20 miles from Icehotel is the world's largest | 0:23:52 | 0:23:55 | |
underground iron-ore mine. | 0:23:55 | 0:23:57 | |
The Kiruna mine opened over a century ago | 0:23:57 | 0:23:59 | |
and since then over a billion tonnes has been mined. | 0:23:59 | 0:24:03 | |
In fact, without it, Icehotel could not exist. | 0:24:03 | 0:24:07 | |
It's the only reason why there is an airport | 0:24:07 | 0:24:09 | |
in such a remote northerly spot. | 0:24:09 | 0:24:10 | |
So, this is the entrance to the mine? | 0:24:10 | 0:24:13 | |
It feels like you're going into a big tunnel, | 0:24:13 | 0:24:15 | |
when you go down there. | 0:24:15 | 0:24:17 | |
It's getting a little foggy on the windows. | 0:24:18 | 0:24:21 | |
-Yeah. -But it's because it's getting warmer and warmer. | 0:24:21 | 0:24:25 | |
The mine goes 1,500 metres deep | 0:24:25 | 0:24:27 | |
and has an extraordinary 80km of underground roads. | 0:24:27 | 0:24:32 | |
Johan's farm is on an empty tier, | 0:24:32 | 0:24:34 | |
where all the ore has been mined out. | 0:24:34 | 0:24:36 | |
-It is warm. -Wow! | 0:24:40 | 0:24:42 | |
I think it's around 15, 16 at least. | 0:24:42 | 0:24:44 | |
Goodness me, Johan! | 0:24:54 | 0:24:56 | |
What on earth are you growing down here, and is it legal? | 0:24:56 | 0:25:00 | |
It's legal. And it's shiitake mushrooms. | 0:25:00 | 0:25:03 | |
Wow! Johan's mushroom farm is organic. | 0:25:03 | 0:25:07 | |
Oh, my word! Look at these! Mushroom heaven. | 0:25:07 | 0:25:11 | |
It can produce 2,000 kilos of shiitakes per week. | 0:25:11 | 0:25:14 | |
-Have a look at these babies. -Look at that! | 0:25:14 | 0:25:17 | |
They are so beautiful. | 0:25:18 | 0:25:20 | |
Perfect. | 0:25:21 | 0:25:22 | |
It's so fresh. | 0:25:27 | 0:25:28 | |
It's actually more delicate in flavour, isn't it, this fresh? | 0:25:28 | 0:25:31 | |
It goes so well with everything. | 0:25:31 | 0:25:33 | |
Johan sells the mushrooms to the hotel, where they're used in soups, | 0:25:33 | 0:25:37 | |
risotto and with reindeer. | 0:25:37 | 0:25:38 | |
Do it like this, and just take it off. | 0:25:39 | 0:25:43 | |
Almost all of these are the perfect size. | 0:25:43 | 0:25:46 | |
Whatever made you think that | 0:25:46 | 0:25:48 | |
the mine would be a good place to grow mushrooms? | 0:25:48 | 0:25:50 | |
Because it's the same climate all the year, | 0:25:50 | 0:25:52 | |
so the mushroom is always getting the same quality. | 0:25:52 | 0:25:56 | |
Above ground, it's minus 18 degrees. | 0:25:56 | 0:25:58 | |
In the mine, it is plus 15. | 0:25:58 | 0:26:01 | |
So does that mean down here | 0:26:01 | 0:26:02 | |
you don't have to worry about the cost of heating? | 0:26:02 | 0:26:04 | |
If we should be in a warehouse in winter, in Kiruna, | 0:26:04 | 0:26:07 | |
it should be really, really expensive to make it. | 0:26:07 | 0:26:10 | |
We don't use almost no energy at all. | 0:26:10 | 0:26:12 | |
Look at that beauty. | 0:26:14 | 0:26:16 | |
I love my job. I love your job, actually. | 0:26:16 | 0:26:18 | |
It's not just the kitchen that strives to source locally. | 0:26:23 | 0:26:26 | |
All the ice in this frozen colossus of a hotel | 0:26:26 | 0:26:29 | |
comes from the River Torne that snakes past its front door. | 0:26:29 | 0:26:33 | |
The ice is harvested in March, when it's thickest, | 0:26:35 | 0:26:37 | |
and stored in the warehouse throughout the year. | 0:26:37 | 0:26:40 | |
So this is what we've got left. | 0:26:40 | 0:26:42 | |
Arne's showing me round his ice store | 0:26:42 | 0:26:44 | |
to give me a better idea of how you make a hotel out of a river. | 0:26:44 | 0:26:47 | |
So there's a machine that's out there that cuts them out just like that, | 0:26:49 | 0:26:51 | |
lifts them up and brings them here? So they're like diamonds? | 0:26:51 | 0:26:55 | |
There are actually the mine, | 0:26:55 | 0:26:56 | |
they are the diamonds, they are everything. | 0:26:56 | 0:26:59 | |
How is it different from working with a concrete block? | 0:26:59 | 0:27:01 | |
-You don't need mortar? -It's very simple. | 0:27:01 | 0:27:03 | |
It's a two-component glue. | 0:27:03 | 0:27:05 | |
It's like water and temperature - that's the two components we need, | 0:27:05 | 0:27:09 | |
then we can glue them together. | 0:27:09 | 0:27:10 | |
So what makes a good ice block? | 0:27:10 | 0:27:13 | |
-These look to me different. -They are different, they're all different. | 0:27:13 | 0:27:16 | |
That's what I say. It's a frozen world. | 0:27:16 | 0:27:20 | |
You can look into a block, it can be like skies inside, a landscape. | 0:27:21 | 0:27:25 | |
You can look into a block... Look here. | 0:27:25 | 0:27:28 | |
This could be an underwater world, where you see something. | 0:27:28 | 0:27:31 | |
A photograph of the underneath of the... | 0:27:31 | 0:27:33 | |
-Oh, yes. -Do you ever get fish in them? | 0:27:33 | 0:27:36 | |
Yeah, once we had a fish inside. | 0:27:36 | 0:27:38 | |
-It's like a mascot for the people working here. -That's really cool. | 0:27:38 | 0:27:42 | |
-And this is ice pre-cut? -Yeah. | 0:27:44 | 0:27:46 | |
That's a chandelier going into the church | 0:27:46 | 0:27:48 | |
-when they're finished building it. -Ah-ha. | 0:27:48 | 0:27:51 | |
I was very touched by Arne's strong emotional response | 0:27:51 | 0:27:54 | |
to the material that he works with. | 0:27:54 | 0:27:56 | |
The way that a sculptor looks at a block of marble | 0:27:56 | 0:27:59 | |
and sees the human within that they merely have to pull out of | 0:27:59 | 0:28:01 | |
the marble, he looks at a big old slab of ice, a carved cube of river, | 0:28:01 | 0:28:05 | |
and sees a hotel. | 0:28:05 | 0:28:07 | |
Whilst Arne might see a hotel, Alex sees a gastronomic experience. | 0:28:09 | 0:28:13 | |
Here, Monica, we even have the ice piece. | 0:28:13 | 0:28:15 | |
-These are neat. -Yeah. -Look at that. | 0:28:15 | 0:28:17 | |
You can use them on both sides, | 0:28:17 | 0:28:19 | |
you can put something inside or, now, | 0:28:19 | 0:28:21 | |
-we're going to do something on the side. -So, we've got one each? -Yes. | 0:28:21 | 0:28:24 | |
Alex offers a signature ice menu. | 0:28:24 | 0:28:26 | |
What sort of challenges do you face, using ice? | 0:28:27 | 0:28:30 | |
-Pushes you to be a bit more creative, does it? -Yes. | 0:28:39 | 0:28:41 | |
How many courses are there on this menu? | 0:28:46 | 0:28:48 | |
It's seven courses. | 0:28:48 | 0:28:50 | |
The starter for today is Swedish bleak roe. | 0:28:50 | 0:28:52 | |
Like caviar, the saltiness of the roe means it doesn't freeze. | 0:28:52 | 0:28:56 | |
Plating on ice is a whole new experience for me. | 0:28:58 | 0:29:00 | |
-That was right, wasn't it? -Yeah, perfect. | 0:29:01 | 0:29:03 | |
-It's just plain creme fraiche? -No, we whip it. | 0:29:03 | 0:29:05 | |
It's plain creme fraiche that we whip so it gets a bit harder. | 0:29:05 | 0:29:08 | |
-And a bit of dill. -And some dill. Service. | 0:29:08 | 0:29:10 | |
Next, we are going to make sashimi with a wakame salad. | 0:29:10 | 0:29:14 | |
-Want to make one? -Sure. | 0:29:14 | 0:29:15 | |
Unlike outside, the kitchen is roasting hot. | 0:29:15 | 0:29:18 | |
Alex has come up with an innovative solution - | 0:29:27 | 0:29:29 | |
a soy jelly to hold everything in place. | 0:29:29 | 0:29:32 | |
Very cool. I like that. | 0:29:32 | 0:29:33 | |
The menu finishes with a dessert of panna cotta, Arctic raspberries, | 0:29:37 | 0:29:41 | |
and cloudberries. | 0:29:41 | 0:29:42 | |
It's a ideal plate for this dessert, isn't it? | 0:29:43 | 0:29:46 | |
You're not going to worry about the sorbet melting. | 0:29:46 | 0:29:48 | |
No. That's one thing that's really amazing. | 0:29:48 | 0:29:50 | |
It's hard to believe in the depths of winter, but when summer comes, | 0:29:53 | 0:29:56 | |
there is 24 hours of daylight, and temperatures reach 20 degrees. | 0:29:56 | 0:30:00 | |
In these conditions, you'd think an ice hotel would melt. | 0:30:00 | 0:30:03 | |
But this hotel isn't just a work of art, | 0:30:03 | 0:30:06 | |
it's also a ground-breaking piece of engineering. | 0:30:06 | 0:30:08 | |
It is the world's first all-season, 365-days-a-year ice hotel. | 0:30:08 | 0:30:13 | |
In summer, grass will grow on the roof, whilst inside, | 0:30:15 | 0:30:18 | |
it will remain forever winter. | 0:30:18 | 0:30:21 | |
Built this year, the 365, as it's known, | 0:30:21 | 0:30:23 | |
is a solution to a long-standing problem. | 0:30:23 | 0:30:25 | |
Visitors stopped coming as soon as spring arrived. | 0:30:25 | 0:30:29 | |
365 was the answer to the questions we had for so many years. | 0:30:29 | 0:30:33 | |
What can we do? | 0:30:33 | 0:30:35 | |
Because we've got four months high season. | 0:30:35 | 0:30:37 | |
So, now we are taking a big step into the future. | 0:30:37 | 0:30:41 | |
The man responsible for making sure this leap into the future is a success, | 0:30:42 | 0:30:45 | |
and not just an enormous puddle, is chief engineer Michael Uhland. | 0:30:45 | 0:30:49 | |
-Hi. -Hello. -I'm Giles. | 0:30:50 | 0:30:52 | |
So, how do you make the building cold? | 0:30:53 | 0:30:56 | |
Just a freezing unit to cool down the whole hotel. | 0:30:56 | 0:30:59 | |
So, this is all really like the back of a fridge? | 0:30:59 | 0:31:01 | |
It actually depends all on this in this room. | 0:31:01 | 0:31:04 | |
We actually mix antifreeze, 50/50 with water, | 0:31:04 | 0:31:08 | |
cool it down to -40 degrees. | 0:31:08 | 0:31:10 | |
You pump that around the hotel, do you? | 0:31:10 | 0:31:12 | |
It goes out the roof | 0:31:12 | 0:31:14 | |
and then it goes into the corridor. | 0:31:14 | 0:31:16 | |
15 airlocks guard the delicate interior. | 0:31:16 | 0:31:20 | |
The skeleton is made of steel and concrete | 0:31:20 | 0:31:22 | |
and covered with 2,000 square metres of insulation. | 0:31:22 | 0:31:26 | |
It's like an overgrown Thermos flask. | 0:31:26 | 0:31:28 | |
Of course, we have this insulation layer of 20 centimetres. | 0:31:28 | 0:31:31 | |
Most people put insulation on the roof to keep the heat in. | 0:31:31 | 0:31:33 | |
This is the reverse system, you know. | 0:31:33 | 0:31:35 | |
20 centimetres of insulation will protect from summer temperatures. | 0:31:35 | 0:31:40 | |
Hidden from the guests in the cavity between the insulated roof | 0:31:40 | 0:31:43 | |
and the icy corridor are the eaves. | 0:31:43 | 0:31:46 | |
You've got some worrying frost on your pipes, there. | 0:31:48 | 0:31:50 | |
-Yeah. -These are presumably containing the coolant, are they? | 0:31:50 | 0:31:53 | |
-Yeah. -And how does the coldness of that get into to the room? | 0:31:53 | 0:31:56 | |
The smaller ones, here, the white ones, they go into each room. | 0:31:56 | 0:32:01 | |
-Around the whole room? -Around the whole room. | 0:32:01 | 0:32:04 | |
This will be the first summer where you'll find out if it works. | 0:32:04 | 0:32:07 | |
-Right. -And if it's not, | 0:32:07 | 0:32:10 | |
move on to another project! | 0:32:10 | 0:32:11 | |
Paradoxically, the system designed to keep the ice frozen | 0:32:16 | 0:32:19 | |
will be powered by solar panels. | 0:32:19 | 0:32:22 | |
The whole 365 Icehotel is powered by the sun. | 0:32:22 | 0:32:26 | |
And the sun is the enemy to the ice. | 0:32:26 | 0:32:28 | |
It eats our art, it eats our design. | 0:32:28 | 0:32:31 | |
And now, because we have the whole building | 0:32:31 | 0:32:33 | |
covered by solar cell panels, | 0:32:33 | 0:32:35 | |
that means the sun is powering the 365, | 0:32:35 | 0:32:40 | |
and that is a fantastic thought. | 0:32:40 | 0:32:42 | |
It's an amazing achievement, the 365. | 0:32:43 | 0:32:45 | |
For my part, I can fully understand | 0:32:45 | 0:32:47 | |
coming here to the frozen, snowy wastes | 0:32:47 | 0:32:49 | |
to hunker down in what is basically a natural igloo for the night | 0:32:49 | 0:32:52 | |
and really get in touch with your cold, northern, snowy self. | 0:32:52 | 0:32:55 | |
To spend your holiday, on the other hand, in a giant fridge, | 0:32:55 | 0:32:58 | |
that's something different, that's a more peculiar taste. | 0:32:58 | 0:33:01 | |
It may be peculiar, | 0:33:01 | 0:33:02 | |
but the 365 comes after a long line of seasonal ice hotels | 0:33:02 | 0:33:05 | |
built on this land. | 0:33:05 | 0:33:07 | |
It all began in 1991, | 0:33:10 | 0:33:12 | |
when entrepreneur Yngve Bergqvist | 0:33:12 | 0:33:14 | |
decided to establish an ice gallery for local indigenous art. | 0:33:14 | 0:33:18 | |
It only became a hotel by accident after workers began sleeping there. | 0:33:18 | 0:33:22 | |
Since then, every winter, in November, | 0:33:22 | 0:33:25 | |
they have made a seasonal hotel out of nothing but snow and ice. | 0:33:25 | 0:33:29 | |
And every spring, in April, | 0:33:29 | 0:33:31 | |
that hotel has began to melt back into the river. | 0:33:31 | 0:33:34 | |
The base of the Icehotel is to build in the winter, | 0:33:34 | 0:33:37 | |
to follow the season and let it go with the floe. | 0:33:37 | 0:33:41 | |
Great. OK, down we go. | 0:33:43 | 0:33:46 | |
Arne is continuing the annual ritual of building a seasonal hotel. | 0:33:47 | 0:33:51 | |
This 27th incarnation is known by workers as The 27, | 0:33:53 | 0:33:57 | |
and we are going to help. | 0:33:57 | 0:33:59 | |
Perhaps, surprisingly, it's not made of ice blocks alone. | 0:33:59 | 0:34:02 | |
The superstructure is built out of a substance called snice, | 0:34:02 | 0:34:05 | |
which is made using the snow throwers normally used in ski resorts. | 0:34:05 | 0:34:09 | |
Snice is actually water. | 0:34:09 | 0:34:11 | |
It goes through this snow cannon, | 0:34:11 | 0:34:14 | |
and the snow cannon produces small ice crystals with air between, | 0:34:14 | 0:34:17 | |
so it's white as snow, but stronger than snow, but softer than ice. | 0:34:17 | 0:34:21 | |
When the snice freezes, it sets like concrete. | 0:34:21 | 0:34:25 | |
So, it's the perfect building material for us. | 0:34:25 | 0:34:27 | |
The arch, that's the frames which we use for the building. | 0:34:29 | 0:34:33 | |
We put them up in a line, in sections. | 0:34:33 | 0:34:37 | |
Then we throw the snice onto them, until we have a thick cover. | 0:34:39 | 0:34:43 | |
And then we wait one day or two and then we lower them. | 0:34:48 | 0:34:53 | |
And pull them out with a tractor because they are on skis, | 0:34:57 | 0:35:00 | |
so they can be moved. | 0:35:00 | 0:35:01 | |
Like a tunnel of opportunities. | 0:35:03 | 0:35:05 | |
It takes 10,000 tonnes of snice and ice | 0:35:05 | 0:35:08 | |
to build the main structure of the hotel. | 0:35:08 | 0:35:10 | |
Only once it's ready can work on the 35 bedrooms begin. | 0:35:10 | 0:35:14 | |
-Oh, it's freezing. -It is freezing. | 0:35:19 | 0:35:22 | |
There is a lot to do and not much time. | 0:35:22 | 0:35:24 | |
Luckily for Arne, help is at hand. | 0:35:24 | 0:35:27 | |
Why would I want to live in this lovely, warm, wooden hut like this? | 0:35:27 | 0:35:30 | |
I know, I'll build a house out of ice, just because I can. | 0:35:30 | 0:35:33 | |
First, we need to get kitted up... | 0:35:33 | 0:35:36 | |
-Hello. -..for one of the world's coldest construction sites. | 0:35:36 | 0:35:39 | |
We need you, you know, because there's quite a lot... | 0:35:40 | 0:35:43 | |
Still got quite a lot to do until we open. | 0:35:43 | 0:35:46 | |
-The is always things to do. -You'll be able to tell I'm a builder | 0:35:46 | 0:35:49 | |
because I'll always be on a coffee break and nothing will get built. | 0:35:49 | 0:35:52 | |
Just run around with the other builders. | 0:35:52 | 0:35:54 | |
Sorry, love, knocking-off time. | 0:35:54 | 0:35:56 | |
-Two pair of shoes here for Giles and Monica. -Thank you. | 0:35:56 | 0:36:01 | |
-Thank you. -Steel cap, for protection. | 0:36:01 | 0:36:04 | |
If you get an ice block on your feet, you know, that's not very nice. | 0:36:04 | 0:36:07 | |
-No. -These ice blocks, they're about two tonnes. | 0:36:07 | 0:36:09 | |
It seems that Monica and I might not be quite the pair | 0:36:14 | 0:36:17 | |
of capable construction workers Arne had hoped for. | 0:36:17 | 0:36:20 | |
-I don't know, I think... Does it...? How does it...? -It's Monica's. | 0:36:20 | 0:36:23 | |
-This is Monica's, yeah. -And that's yours. -Yeah. | 0:36:23 | 0:36:27 | |
-We're OK. -Are you OK for now? | 0:36:27 | 0:36:29 | |
Yeah, I don't really want to change either. | 0:36:29 | 0:36:32 | |
You're not used to so much snow, are you? | 0:36:32 | 0:36:35 | |
Yeah, we get a scattering in January usually, for a couple of days. | 0:36:35 | 0:36:39 | |
Often it can be half an inch. It's lethal. | 0:36:39 | 0:36:41 | |
We are not the only rookies on this building site. | 0:36:44 | 0:36:46 | |
Of the 31 artists tasked with designing and sculpting rooms, | 0:36:46 | 0:36:50 | |
20 have never worked here before. | 0:36:50 | 0:36:53 | |
We've got artists from Hong Kong, Japan, Iran, England and all over. | 0:36:53 | 0:36:58 | |
For some, it's their first time working with ice. | 0:36:58 | 0:37:01 | |
It's so different to be here. | 0:37:01 | 0:37:03 | |
They could be big city people, sitting in an office, | 0:37:03 | 0:37:06 | |
working on a computer in digital design. | 0:37:06 | 0:37:09 | |
They are very skilled, but here, it's really practical | 0:37:09 | 0:37:13 | |
and so for them I think it's a challenge, but also an inspiration. | 0:37:13 | 0:37:17 | |
So, guys, you should make this fella, | 0:37:17 | 0:37:20 | |
the chainsaw, your best friend. | 0:37:20 | 0:37:22 | |
They will have 15 days to complete their rooms. | 0:37:22 | 0:37:25 | |
Come over, Lisa. | 0:37:27 | 0:37:29 | |
Take this hand and move this one forward. | 0:37:29 | 0:37:31 | |
Dorset sculptor Lisa Lindqvist is one of the novices. | 0:37:31 | 0:37:34 | |
-It was there. -Oh, have I just locked it? | 0:37:34 | 0:37:38 | |
Yeah. | 0:37:38 | 0:37:39 | |
I think you locked it again. | 0:37:40 | 0:37:42 | |
It's been a dream for about 20 years. | 0:37:47 | 0:37:49 | |
It's always been there as, "One day I'd love to do the Icehotel." | 0:37:49 | 0:37:53 | |
You're pushing yourself in all ways, | 0:37:54 | 0:37:57 | |
physically and mentally and creatively. | 0:37:57 | 0:38:00 | |
I'm joining Lisa as she works on her room, | 0:38:02 | 0:38:04 | |
called Sleeping Inside A Thought. | 0:38:04 | 0:38:06 | |
-Hi, Lisa. -Hi. | 0:38:08 | 0:38:11 | |
-Hi. -Goodness me, look at this. | 0:38:11 | 0:38:14 | |
'It's less than a week until guests arrive.' | 0:38:14 | 0:38:17 | |
Do you trust me with this? | 0:38:17 | 0:38:18 | |
'Compared to the finished rooms in the all-year-round hotel, | 0:38:18 | 0:38:21 | |
'it is very much a work in progress. | 0:38:21 | 0:38:23 | |
'Rather than embrace the chainsaw, | 0:38:26 | 0:38:28 | |
'Lisa is sticking to what she knows best - the chisel.' | 0:38:28 | 0:38:31 | |
Let's hope whoever takes the room won't be looking in this corner. | 0:38:32 | 0:38:35 | |
I see what it looks like now. | 0:38:38 | 0:38:40 | |
So, what's the concept behind the room? | 0:38:44 | 0:38:45 | |
Literally, could not sleep for getting so excited about applying. | 0:38:45 | 0:38:49 | |
And I was getting quite... You know that nervous energy, | 0:38:49 | 0:38:52 | |
where you're sort of...loads of ideas are running around, | 0:38:52 | 0:38:55 | |
and then I thought, "Maybe that should be the idea, | 0:38:55 | 0:38:57 | |
"that you're just sleeping inside your thought." | 0:38:57 | 0:39:00 | |
The bed is kind of sort of flying, about to take off, on fire. | 0:39:00 | 0:39:04 | |
-I can see the flames taking shape. -Yeah. | 0:39:04 | 0:39:06 | |
'We need to finish the walls before the bed and lighting can be moved in.' | 0:39:06 | 0:39:10 | |
And what is a typical day like for you? | 0:39:15 | 0:39:17 | |
About six till nine or ten, but it gets quite obsessive, | 0:39:17 | 0:39:21 | |
and physically, there's nothing I do that's like this. | 0:39:21 | 0:39:24 | |
-You know, not relentless, every day. -It's a room. | 0:39:24 | 0:39:28 | |
It's really nice having a helping hand. | 0:39:31 | 0:39:33 | |
Well, I'm glad it's making a difference. | 0:39:33 | 0:39:35 | |
With all this effort and stress, | 0:39:40 | 0:39:42 | |
how do you feel about it all melting away, eventually? | 0:39:42 | 0:39:45 | |
I think that's quite lovely. | 0:39:45 | 0:39:47 | |
It comes from the river, goes back to the river. | 0:39:47 | 0:39:50 | |
I'm just adding my little bit for a couple of weeks, and then... | 0:39:50 | 0:39:54 | |
Yeah. | 0:39:54 | 0:39:56 | |
'Whilst Monica works away, I want to have a quick explore.' | 0:39:58 | 0:40:02 | |
These are awesome! I tell you what, | 0:40:02 | 0:40:04 | |
the people have been having an awful lot of fun. | 0:40:04 | 0:40:06 | |
Every one you go in just makes you giggle. | 0:40:06 | 0:40:08 | |
He's got a little bit of heavy metal playing, | 0:40:11 | 0:40:13 | |
he's basically building a room out of giant sugar cubes. | 0:40:13 | 0:40:16 | |
It's just a massive trip. I want to sleep in this one. | 0:40:16 | 0:40:19 | |
What could be better? | 0:40:21 | 0:40:23 | |
The construction site of the hotel is like an enormous, ever-changing | 0:40:24 | 0:40:28 | |
and not very warm art studio. | 0:40:28 | 0:40:30 | |
Basically got sort of stained-glass windows like Westminster Abbey. | 0:40:32 | 0:40:35 | |
Howard Miller is an architect. | 0:40:39 | 0:40:41 | |
He is building the room with his brother Hugh, a furniture designer. | 0:40:41 | 0:40:44 | |
They're from Liverpool. | 0:40:44 | 0:40:45 | |
They don't look like this to begin with. | 0:40:45 | 0:40:47 | |
That's a leaf made from a mould of a leaf. | 0:40:47 | 0:40:50 | |
'They've collared me for the arduous task of making weenie ice leaves.' | 0:40:50 | 0:40:55 | |
-That's a very nice leaf. -That's about an hour's work. | 0:40:55 | 0:40:57 | |
You've chosen a bonkers theme, for me. | 0:40:57 | 0:40:59 | |
I was kind of up for lifting some pieces of ice. | 0:40:59 | 0:41:02 | |
Something a bit manly. Burn some calories, work off my lunch. | 0:41:02 | 0:41:05 | |
'The room is called Ikebana. | 0:41:06 | 0:41:08 | |
'The focus is an intricate cherry blossom tree.' | 0:41:08 | 0:41:11 | |
Is that all right? | 0:41:14 | 0:41:16 | |
It'll fall to bits. | 0:41:16 | 0:41:17 | |
-Will it? -You want it to be flat. | 0:41:17 | 0:41:19 | |
'There will be 84 leaves. | 0:41:19 | 0:41:22 | |
'To create each one, I have to melt the edge on a hot plate | 0:41:22 | 0:41:24 | |
'and force them together. | 0:41:24 | 0:41:26 | |
'It's delicate work.' | 0:41:26 | 0:41:28 | |
-Like that? -Yeah, that's pretty good. | 0:41:28 | 0:41:30 | |
-It is sticking to the glove quite a lot. -Yeah, that happens. | 0:41:30 | 0:41:34 | |
The most annoying thing is that when you've actually managed | 0:41:34 | 0:41:37 | |
to get one on the tree, and you pull your glove away | 0:41:37 | 0:41:39 | |
and the whole thing just goes...pfft! | 0:41:39 | 0:41:41 | |
It was all fine until you said put three on there. | 0:41:46 | 0:41:49 | |
-You could spend all the time you have left making the perfect flower... -Yeah. | 0:41:49 | 0:41:52 | |
..and you still wouldn't have a room. | 0:41:52 | 0:41:54 | |
Whereas you do 300 good flowers and you've got a room. | 0:41:54 | 0:41:57 | |
It's got to be done in two days. | 0:41:57 | 0:41:59 | |
The perfect is the enemy of the good, Howard. | 0:41:59 | 0:42:01 | |
That's my motto. What do you reckon of my completed leaves? | 0:42:01 | 0:42:04 | |
We'll smuggle them in somewhere. | 0:42:04 | 0:42:06 | |
-I'll be part of the Icehotel? -Yeah. -Cool. | 0:42:06 | 0:42:09 | |
Art has always been at the heart of the hotel. | 0:42:10 | 0:42:13 | |
The original Icehotel was a showcase | 0:42:13 | 0:42:16 | |
for the craftsmanship of the local Sami people. | 0:42:16 | 0:42:19 | |
Also known as Laplanders, | 0:42:19 | 0:42:21 | |
the Sami are renowned as nomadic reindeer herders. | 0:42:21 | 0:42:24 | |
The hotel today buys all of its reindeer meat from one Sami supplier - Manne. | 0:42:24 | 0:42:30 | |
Manne has been helping rear reindeer since he was three. | 0:42:36 | 0:42:39 | |
I've taken a break from construction | 0:42:56 | 0:42:58 | |
to find out more about how the hotel has impacted the Sami people. | 0:42:58 | 0:43:02 | |
What do you do with this meat? | 0:43:03 | 0:43:04 | |
Reindeer sausage. | 0:43:04 | 0:43:06 | |
-Reindeer sausage? -Yes. -Nice. | 0:43:06 | 0:43:08 | |
-All the trimmings for sausages. -Yeah. | 0:43:08 | 0:43:11 | |
'I'm helping Manne's butcher, Vladimir, | 0:43:11 | 0:43:14 | |
'prepare some reindeer meat for the hotel.' | 0:43:14 | 0:43:16 | |
-Hey, Monica. -Hey, Manne. | 0:43:18 | 0:43:20 | |
Wahey! | 0:43:28 | 0:43:30 | |
Lunch? Oh, sounds good! | 0:43:37 | 0:43:40 | |
It just falls away when you eat it. Delicious. | 0:43:49 | 0:43:52 | |
It's like something you'd have in a shawarma. | 0:43:52 | 0:43:55 | |
'Tourists can sometimes be a problem for the migrating reindeer.' | 0:43:55 | 0:43:58 | |
'Luckily, Icehotel and its guests are far away | 0:44:05 | 0:44:08 | |
'from the reindeer's historic grazing grounds.' | 0:44:08 | 0:44:11 | |
How has the hotel and tourism affected your business? | 0:44:11 | 0:44:15 | |
Do you think the nomadic way of the reindeer herders can continue? | 0:44:32 | 0:44:38 | |
Back at base, it's only days until the seasonal hotel is due to open, | 0:44:59 | 0:45:03 | |
and work is going on around the clock. | 0:45:03 | 0:45:05 | |
Next door, the permanent hotel is at full capacity. | 0:45:07 | 0:45:10 | |
For the guests, sleeping in an ice room is the main attraction, | 0:45:12 | 0:45:15 | |
but nature comes a close second, offering frozen forests, | 0:45:15 | 0:45:19 | |
the River Torne and the famous Northern Lights. | 0:45:19 | 0:45:22 | |
The hotel organises expeditions into the wild. | 0:45:26 | 0:45:29 | |
Each trip is led by one of 12 specially trained guides. | 0:45:29 | 0:45:32 | |
-So my name is Leif Hannes... -GIVES HIS FULL NAME | 0:45:34 | 0:45:38 | |
..but people call me Hannes. | 0:45:38 | 0:45:40 | |
I work as a wilderness guide here at the Icehotel. | 0:45:42 | 0:45:44 | |
For a lot of tourists coming up here, | 0:45:47 | 0:45:49 | |
this might feel a bit like them being on Mars. | 0:45:49 | 0:45:51 | |
But for me it feels like home, basically. | 0:45:53 | 0:45:56 | |
Is there any other place in the world I'd rather be? | 0:45:58 | 0:46:01 | |
Not really. | 0:46:01 | 0:46:02 | |
So I'm off to meet Hannes to set up the snowmobiles | 0:46:09 | 0:46:12 | |
to take some tourists out for a major trek into the wilderness | 0:46:12 | 0:46:15 | |
and to look after them, cater to their every whim. | 0:46:15 | 0:46:18 | |
'Hannes and the other guides will, on average, | 0:46:18 | 0:46:21 | |
'take out 200 of these excursions each per season.' | 0:46:21 | 0:46:24 | |
Is this all you are wearing? | 0:46:24 | 0:46:26 | |
-What do you mean? -Well, look, I'm dressed up in a boiler suit! | 0:46:26 | 0:46:30 | |
Yeah, but I'm an Arctic creature. | 0:46:30 | 0:46:32 | |
'The tour is a winter wilderness survival trip.' | 0:46:32 | 0:46:35 | |
Put them on your back like that. | 0:46:35 | 0:46:37 | |
'Designed to show tourists the skills needed to endure the Arctic wastes.' | 0:46:37 | 0:46:41 | |
Put two on each seat, basically. | 0:46:41 | 0:46:43 | |
-Over the snow? -Over the snow. | 0:46:43 | 0:46:45 | |
'I will be helping Hannes keep an eye on the guests | 0:46:45 | 0:46:47 | |
'and make sure we don't lose any.' | 0:46:47 | 0:46:49 | |
If you weren't there, if a bunch of tourists wandered off and got lost, | 0:46:49 | 0:46:52 | |
how long would they survive out here? | 0:46:52 | 0:46:54 | |
It depends. If they go out when we have the coldest temperatures, | 0:46:54 | 0:46:58 | |
like -40 degrees centigrade or even more than that, I would say... | 0:46:58 | 0:47:03 | |
With just jeans and sneakers, they would probably survive half an hour, | 0:47:04 | 0:47:09 | |
an hour, something like that. | 0:47:09 | 0:47:11 | |
Sarah Tucker? | 0:47:11 | 0:47:12 | |
All three. All right. | 0:47:12 | 0:47:15 | |
My name is Hannes and I'm going to be your survival guide today. | 0:47:15 | 0:47:19 | |
'Today's guests are all British.' | 0:47:19 | 0:47:22 | |
Balaclava, a scarf, just take it on top of your nose. | 0:47:22 | 0:47:26 | |
It will be windy out on the river here, | 0:47:26 | 0:47:28 | |
so just so you don't get any frostbite or even start to get cold. | 0:47:28 | 0:47:32 | |
All right. | 0:47:35 | 0:47:37 | |
Let's see about my intern, if he could find a helmet. | 0:47:37 | 0:47:40 | |
All right? | 0:47:40 | 0:47:42 | |
Everybody ready? | 0:47:43 | 0:47:44 | |
'We're heading to the other side of the river to the forest.' | 0:47:51 | 0:47:55 | |
Not since I got on a camel have I been this comfortable! | 0:47:55 | 0:47:58 | |
'Wind chill from the ride can cause frostbite.' | 0:48:00 | 0:48:02 | |
You look a little bit red here in-between your eyes. | 0:48:06 | 0:48:08 | |
You're not cold there at all? | 0:48:08 | 0:48:10 | |
All right. | 0:48:10 | 0:48:11 | |
'Hannes and I are looking for white spots that can be early indicators.' | 0:48:11 | 0:48:15 | |
-Still got your fingers and toes? -Yeah. -Cool. | 0:48:15 | 0:48:18 | |
-You're not freezing at all? -No. | 0:48:18 | 0:48:20 | |
'The main set piece of Hannes's tour | 0:48:22 | 0:48:24 | |
is to show guests how to make a fire in such hostile conditions.' | 0:48:24 | 0:48:27 | |
Always try to keep some signs that you can recognise. | 0:48:27 | 0:48:30 | |
'In this part of Sweden, | 0:48:30 | 0:48:32 | |
'there is less than one person per square kilometre. | 0:48:32 | 0:48:35 | |
'Finding someone with a bag of kindling | 0:48:35 | 0:48:37 | |
'and a box of matches is unlikely. | 0:48:37 | 0:48:39 | |
'So our first job is gathering firewood. | 0:48:40 | 0:48:42 | |
'At this time of year it's already dark at 2pm.' | 0:48:45 | 0:48:48 | |
-Ooh! -Yeah, careful there. When walking through very deep snow, | 0:48:49 | 0:48:52 | |
it's important to try and spread out. | 0:48:52 | 0:48:54 | |
-Oh, sorry! -You did that deliberately! | 0:48:54 | 0:48:57 | |
Someone has been here before me. | 0:48:58 | 0:49:00 | |
I can tell from the way it's been sliced off. | 0:49:00 | 0:49:02 | |
There may be other survivors. | 0:49:02 | 0:49:04 | |
It's my stick! | 0:49:08 | 0:49:09 | |
'My next task is to show the guests how to start a fire | 0:49:10 | 0:49:13 | |
'using only a flint and some birch bark.' | 0:49:13 | 0:49:16 | |
How long have I been doing this? About ten hours? | 0:49:18 | 0:49:20 | |
No, five minutes. | 0:49:20 | 0:49:23 | |
I'm not going to do it for you, Giles. | 0:49:24 | 0:49:26 | |
If you're going to be a guide, you have to know how to do this. | 0:49:26 | 0:49:29 | |
I don't think I'd make much of a wilderness guide. | 0:49:29 | 0:49:32 | |
The key thing seems to be patience. | 0:49:32 | 0:49:33 | |
You wouldn't want to be stuck with me in a wilderness, | 0:49:33 | 0:49:36 | |
unless what you needed was someone to just...panic. | 0:49:36 | 0:49:38 | |
'Just when Hannes is beginning to doubt my potential as a guide, | 0:49:42 | 0:49:46 | |
'I succeed in igniting a roaring blaze.' | 0:49:46 | 0:49:48 | |
Giles made a fire! | 0:49:48 | 0:49:50 | |
-Yeah, seems like I did it. -Who did that? -I'm proud. | 0:49:50 | 0:49:53 | |
Maybe I could be a guide after all. | 0:49:53 | 0:49:55 | |
You can press the twigs a little bit. There you go! | 0:49:55 | 0:49:58 | |
I've basically been faking it up to now. | 0:49:58 | 0:50:00 | |
I mean, I'm something of a fire king. | 0:50:00 | 0:50:02 | |
Roaring away there, roaring away. Very pleased with that. | 0:50:02 | 0:50:06 | |
'Up here, there are few sources of vitamins C, | 0:50:07 | 0:50:10 | |
'but in one cup of pine needle tea, | 0:50:10 | 0:50:12 | |
'you can get as much as you would from five glasses of orange juice. | 0:50:12 | 0:50:16 | |
'Sadly, there is a downside...' | 0:50:16 | 0:50:19 | |
It smells like a sauna. | 0:50:19 | 0:50:21 | |
A little bit, yeah. | 0:50:21 | 0:50:23 | |
It tastes like a kitchen table. | 0:50:24 | 0:50:26 | |
'Perhaps it's an acquired taste. | 0:50:27 | 0:50:29 | |
'Certainly, the trip itself is an exciting departure | 0:50:29 | 0:50:32 | |
'from the confines of the hotel.' | 0:50:32 | 0:50:33 | |
That's a wonderful way of offering them. | 0:50:33 | 0:50:35 | |
It's just a half-hour trip on a snowmobile across a frozen river | 0:50:35 | 0:50:38 | |
and suddenly they're in the wilderness being taught how to make fire | 0:50:38 | 0:50:42 | |
with birch, bark and flints and boil pine needle tea on it. | 0:50:42 | 0:50:45 | |
They can't go home complaining they haven't had a range of experiences. | 0:50:45 | 0:50:49 | |
After a ferociously cold day of guest wrangling, | 0:50:52 | 0:50:55 | |
it's time to unwind, but here, even having a hot bath takes work. | 0:50:55 | 0:51:00 | |
The bath is heated by wood-burning stoves - | 0:51:02 | 0:51:04 | |
a part of the traditional sauna experience enjoyed by hotel guests. | 0:51:04 | 0:51:08 | |
-Ohh! -Is it hot? -Really warm. | 0:51:08 | 0:51:12 | |
It's nice, though. | 0:51:12 | 0:51:13 | |
Oh, gosh. | 0:51:16 | 0:51:18 | |
It's been a long workday. | 0:51:18 | 0:51:20 | |
It has been a long, hard day. | 0:51:20 | 0:51:22 | |
-Cheers. -Cheers. | 0:51:22 | 0:51:24 | |
So, Hannes, how do you feel when you're out there? | 0:51:29 | 0:51:32 | |
For me, it's exciting, it possibly feels a little bit dangerous. | 0:51:32 | 0:51:35 | |
-You presumably feel at home? -If I'm in the wilderness, | 0:51:35 | 0:51:39 | |
I always feel this kind of sense of freedom. | 0:51:39 | 0:51:42 | |
I love people and I love the wild, | 0:51:42 | 0:51:44 | |
and I can bring both of them together. | 0:51:44 | 0:51:46 | |
What do you think your guests get out of it? | 0:51:46 | 0:51:49 | |
Are they looking to escape? | 0:51:49 | 0:51:51 | |
Well, that's what I try to give them, as a guide, at least. | 0:51:51 | 0:51:54 | |
We are humble and kind, but in a harsh way. | 0:51:54 | 0:51:58 | |
It's kind of weird if you don't live in this culture. | 0:51:58 | 0:52:02 | |
It's a really strange perspective. | 0:52:02 | 0:52:05 | |
So I'm feeling a bit warm. What about a snow roller? | 0:52:07 | 0:52:10 | |
A snow roller? Is that a cocktail? | 0:52:10 | 0:52:12 | |
No, it's not a cocktail! It's when you go and roll in the snow. | 0:52:12 | 0:52:16 | |
Oh, no! What, actually lie in the snow? | 0:52:16 | 0:52:18 | |
Just lie down and roll around. Are you ready? On three... | 0:52:18 | 0:52:20 | |
One, two, three! | 0:52:20 | 0:52:22 | |
Oh, Jesus! | 0:52:22 | 0:52:23 | |
Oh! | 0:52:28 | 0:52:29 | |
That's hot in there! Oh, that's prickly. | 0:52:38 | 0:52:40 | |
Oh, that's nice! | 0:52:40 | 0:52:42 | |
Oh! Oh, that's prickly! | 0:52:42 | 0:52:45 | |
Ahh! | 0:52:45 | 0:52:46 | |
For seasonal workers, like Hannes, the all-year-round Icehotel | 0:52:57 | 0:53:01 | |
will make a huge difference to their working lives. | 0:53:01 | 0:53:03 | |
The main alternative employer is the mine. | 0:53:03 | 0:53:07 | |
I would call it Mordor. | 0:53:07 | 0:53:09 | |
It looks like Lord of the Rings - dark and haunted almost. | 0:53:09 | 0:53:14 | |
It's even worse during night-time. | 0:53:14 | 0:53:16 | |
You can see it more and more. | 0:53:16 | 0:53:17 | |
I don't know how to explain it better. | 0:53:17 | 0:53:19 | |
The mine is surrounded by the town of Kiruna. | 0:53:19 | 0:53:22 | |
Of the population of 18,000, | 0:53:22 | 0:53:23 | |
more than 2,000 work at the mine and many more in related businesses. | 0:53:23 | 0:53:28 | |
We are basically the second richest city in Sweden. | 0:53:28 | 0:53:31 | |
It's all because of the mine. | 0:53:31 | 0:53:33 | |
Earn quite a lot of money down there. | 0:53:33 | 0:53:35 | |
But, for Hannes, a life underground has never appealed. | 0:53:35 | 0:53:39 | |
The Icehotel now provides him with a permanent alternative. | 0:53:46 | 0:53:50 | |
After six weeks of working day and night, | 0:54:04 | 0:54:06 | |
the big day has finally arrived for Hannes | 0:54:06 | 0:54:08 | |
and all his hotel colleagues - | 0:54:08 | 0:54:10 | |
the launch of the 27th seasonal hotel. | 0:54:10 | 0:54:13 | |
There's only two hours to go until the opening of The 27, | 0:54:13 | 0:54:15 | |
the original Icehotel. | 0:54:15 | 0:54:16 | |
Frankly, in parts, it still looks like a bit of a building site. | 0:54:16 | 0:54:19 | |
There is a terrific sense of urgency - even Arne is mucking in. | 0:54:19 | 0:54:23 | |
It's all hands to the pump. | 0:54:23 | 0:54:24 | |
So what can I do? Can I genuinely be any use? | 0:54:24 | 0:54:27 | |
I think you can because we are in a hurry | 0:54:27 | 0:54:29 | |
and we've got to fix the reception desk before we open. | 0:54:29 | 0:54:32 | |
I would like it to be a little bit wave, like water. | 0:54:32 | 0:54:36 | |
You go like this. Can you see? | 0:54:36 | 0:54:38 | |
I can see. | 0:54:38 | 0:54:39 | |
You take a firm grip and, you see, I have to like... | 0:54:39 | 0:54:44 | |
-You know. -Oh, dear. | 0:54:44 | 0:54:45 | |
-Not stop. -You've got to sort of... | 0:54:45 | 0:54:48 | |
And you go straight. | 0:54:50 | 0:54:51 | |
Gosh! If I go too far, | 0:54:53 | 0:54:54 | |
you're going to end up with no reception desk, aren't you? | 0:54:54 | 0:54:57 | |
-Is that OK? -That's OK. | 0:54:57 | 0:54:59 | |
He trusts me with this tool. | 0:55:01 | 0:55:02 | |
This is the reception desk of The 27, | 0:55:02 | 0:55:04 | |
the big house that people have come from all over the world to stay, | 0:55:04 | 0:55:07 | |
and he's just handed me... I don't even know what it's called. | 0:55:07 | 0:55:10 | |
And set me to try and create a water effect on the reception desk. | 0:55:10 | 0:55:13 | |
It's quite stressful. | 0:55:13 | 0:55:15 | |
As guests begin to gather outside the hotel, | 0:55:17 | 0:55:20 | |
Lisa's still battling to finish her room. | 0:55:20 | 0:55:22 | |
I love the idea you just put a carpet down. | 0:55:22 | 0:55:25 | |
How long before the guests arrive, Lisa? | 0:55:25 | 0:55:26 | |
Apparently, five o'clock, and I think it's about four o'clock now. | 0:55:26 | 0:55:29 | |
-You've got an hour? -Yeah. | 0:55:29 | 0:55:31 | |
Did you think it was going to be this last-minute? | 0:55:31 | 0:55:33 | |
No, I really did not think it would be this last-minute. | 0:55:33 | 0:55:36 | |
So it's just the lighting and the bed can go down? | 0:55:36 | 0:55:38 | |
Just the lighting, yeah. | 0:55:38 | 0:55:39 | |
I'm very much getting the hang of it. | 0:55:48 | 0:55:50 | |
It's all about the motion, bend the knees, | 0:55:50 | 0:55:52 | |
kind of swivel at the hips and then just smooth movement. | 0:55:52 | 0:55:55 | |
I may have found my calling. | 0:55:55 | 0:55:56 | |
I've never been an artistic type, but this may be it. | 0:55:56 | 0:56:00 | |
Maybe next year, I'll come back and do a room. | 0:56:00 | 0:56:02 | |
Getting the snow in is easier than getting it back out. | 0:56:04 | 0:56:08 | |
-Give it a good kick. -Is it always a rush like this? | 0:56:08 | 0:56:11 | |
When you have a premiere, when you have an opening, | 0:56:11 | 0:56:13 | |
it's always like that and it's been, | 0:56:13 | 0:56:15 | |
all the years I've been working with the Icehotel, last-minute. | 0:56:15 | 0:56:18 | |
-So, what do you reckon? -Yeah, look at it. | 0:56:18 | 0:56:20 | |
-It's got a lovely shimmer. -We've got a reception desk, OK? | 0:56:20 | 0:56:23 | |
Get in there. | 0:56:23 | 0:56:25 | |
With only moments to spare, the hotel is complete. | 0:56:25 | 0:56:28 | |
The guests gathered tonight will be the first of 12,000 | 0:56:29 | 0:56:32 | |
that will stay here before the hotel melts. | 0:56:32 | 0:56:35 | |
Everyone, we've got cold drinks here. | 0:56:35 | 0:56:38 | |
For founder Yngve and Arne, it has been a monumental year - | 0:56:38 | 0:56:42 | |
the opening of the world's first permanent ice hotel | 0:56:42 | 0:56:45 | |
and the completion, just in time, | 0:56:45 | 0:56:47 | |
of the 27th seasonal hotel. | 0:56:47 | 0:56:49 | |
So, welcome! | 0:56:49 | 0:56:51 | |
-Hello! -Welcome to the Icehotel. | 0:56:51 | 0:56:54 | |
It's an amazing work, it's an amazing job. | 0:56:54 | 0:56:58 | |
-27! -That's it - 27. | 0:57:00 | 0:57:03 | |
And welcome inside. | 0:57:04 | 0:57:06 | |
We are building dreams, in a way, and making dreams come true. | 0:57:11 | 0:57:15 | |
When people are heading in for the first time and you see... | 0:57:15 | 0:57:19 | |
-like a man 50 years old, like this. -Yeah. -This is amazing! | 0:57:19 | 0:57:24 | |
If people, artists, guests, anyone who comes here | 0:57:26 | 0:57:30 | |
who can contribute to a beautiful experience, | 0:57:30 | 0:57:32 | |
in some way, then you are happy. | 0:57:32 | 0:57:34 | |
You know the best feature in this room? | 0:57:34 | 0:57:37 | |
That wall. | 0:57:37 | 0:57:39 | |
It's been a fascinating experience | 0:57:44 | 0:57:46 | |
to work in these two radically different ice hotels. | 0:57:46 | 0:57:49 | |
27 - what an achievement. | 0:57:50 | 0:57:53 | |
They got that done just in the nick of time. | 0:57:53 | 0:57:55 | |
And it really is remarkable to create artworks, stunning rooms, | 0:57:55 | 0:58:00 | |
whole buildings out of frozen water alone, | 0:58:00 | 0:58:03 | |
and to do it to a deadline year after year. | 0:58:03 | 0:58:05 | |
Oh, come on! It's little more than an igloo when you compare it with 365. | 0:58:06 | 0:58:10 | |
What an achievement! All-year-round ice hotel. | 0:58:10 | 0:58:12 | |
Yeah, but is it as special? | 0:58:12 | 0:58:14 | |
'Perhaps it's not as romantic as its elder brother, | 0:58:14 | 0:58:17 | |
'but its technical brilliance, its ingenious use of the sun | 0:58:17 | 0:58:19 | |
'and its incalculable value for local people | 0:58:19 | 0:58:22 | |
'make it a towering accomplishment.' | 0:58:22 | 0:58:23 | |
They're both special. They're both enormously special. | 0:58:23 | 0:58:26 | |
They both reflect the amazingness of this crazy frozen part of the world. | 0:58:26 | 0:58:30 | |
I have to agree. | 0:58:30 | 0:58:31 | |
But maybe the greatest triumph of all is to have taken somewhere | 0:58:31 | 0:58:35 | |
so apparently inhospitable, so alienating to most humans | 0:58:35 | 0:58:38 | |
and made it warm, welcoming and utterly magical. | 0:58:38 | 0:58:42 |