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All the over world there are remarkable hotels | 0:00:02 | 0:00:05 | |
born of bold vision and daring endeavour. | 0:00:05 | 0:00:08 | |
Wow! | 0:00:08 | 0:00:09 | |
This is how I ought to live. | 0:00:09 | 0:00:11 | |
Whether it's one of the remotest hotels on earth, | 0:00:11 | 0:00:14 | |
hidden on a Pacific island... | 0:00:14 | 0:00:16 | |
..or a sumptuous resort | 0:00:16 | 0:00:17 | |
on one of the highest mountains in the Middle East... | 0:00:17 | 0:00:20 | |
What an incredible view! | 0:00:21 | 0:00:24 | |
..the people running these hotels | 0:00:24 | 0:00:26 | |
strive to create the perfect sanctuary. | 0:00:26 | 0:00:28 | |
But what does it take to offer once-in-a-lifetime experiences | 0:00:28 | 0:00:33 | |
in stunning locations? | 0:00:33 | 0:00:35 | |
Construction was a logistical nightmare. | 0:00:37 | 0:00:39 | |
No water, no source of power. | 0:00:39 | 0:00:42 | |
I'm a restaurant writer, newspaper columnist and critic. | 0:00:42 | 0:00:44 | |
I have opinions on just about everything. | 0:00:44 | 0:00:47 | |
He's not a very good driver, is he? | 0:00:47 | 0:00:48 | |
-Majnoon! -Majnoon! | 0:00:48 | 0:00:50 | |
Crazy! | 0:00:50 | 0:00:52 | |
Majnoon! | 0:00:52 | 0:00:54 | |
And I'm a chef who's worked for the top end of the hospitality industry | 0:00:54 | 0:00:58 | |
for well over 20 years. | 0:00:58 | 0:00:59 | |
This is awesome. Whoo! | 0:00:59 | 0:01:01 | |
We'll travel to amazing hotels in every corner of the world... | 0:01:04 | 0:01:08 | |
Enjoy. | 0:01:10 | 0:01:12 | |
..to spend time getting to know the people | 0:01:12 | 0:01:14 | |
working away behind the scenes. | 0:01:14 | 0:01:16 | |
I polished Elton John's fruits. | 0:01:16 | 0:01:19 | |
You polished Elton John's fruits?! | 0:01:19 | 0:01:22 | |
Do you recall life under apartheid, has it changed for you? | 0:01:22 | 0:01:25 | |
Nelson Mandela was the first black president. | 0:01:25 | 0:01:27 | |
Given me more inspiration to achieve what I want in life. | 0:01:27 | 0:01:31 | |
Join us as we venture inside... | 0:01:34 | 0:01:36 | |
..the world's most extraordinary hotels. | 0:01:36 | 0:01:39 | |
This private plane is approaching an island retreat | 0:01:46 | 0:01:49 | |
in one of the remotest places on the planet. | 0:01:49 | 0:01:52 | |
Lying in the middle of the South Pacific Ocean | 0:01:52 | 0:01:55 | |
is the atoll of Tetiaroa. | 0:01:55 | 0:01:57 | |
A necklace of 12 small islets | 0:02:00 | 0:02:02 | |
surrounding a ludicrously turquoise lagoon | 0:02:02 | 0:02:05 | |
is sheltered from the deep ocean waves | 0:02:05 | 0:02:09 | |
by an uninterrupted coral reef. | 0:02:09 | 0:02:11 | |
Tetiaroa lies 30 miles north of Tahiti in French Polynesia. | 0:02:11 | 0:02:16 | |
Three flights and well over 24 hours travel away from the UK. | 0:02:16 | 0:02:20 | |
It's pretty much as far away from any landmass as you can be. | 0:02:22 | 0:02:26 | |
This Eden also attracts the kind of marine life | 0:02:28 | 0:02:30 | |
that would have made Darwin's jaw drop. | 0:02:30 | 0:02:33 | |
And hidden in the shade of the atoll's whispering palm fronds | 0:02:36 | 0:02:40 | |
is a breathtaking resort. | 0:02:40 | 0:02:41 | |
We're not on our way to any old hotel. | 0:02:46 | 0:02:48 | |
We are on our way to the Brando. | 0:02:50 | 0:02:53 | |
This place is considered to be one of the most exclusive, | 0:02:58 | 0:03:01 | |
eco-conscious hotels in the world. | 0:03:01 | 0:03:03 | |
It's very difficult for somewhere to live up | 0:03:14 | 0:03:16 | |
to the sort of expectations I have about this, | 0:03:16 | 0:03:18 | |
because this is the furthest I've ever been anywhere in the world - | 0:03:18 | 0:03:21 | |
and I've been reading about Captain Cook on the way here. | 0:03:21 | 0:03:23 | |
The Bounty, and the whole history of it. | 0:03:23 | 0:03:25 | |
The beauty - people have gone on for 300 years about how beautiful it is. | 0:03:25 | 0:03:28 | |
It's possible you could fly over in a plane and go, "Eh", | 0:03:28 | 0:03:31 | |
but I didn't - it was absolutely amazing. | 0:03:31 | 0:03:34 | |
It's not like it's always been my dream to come here, | 0:03:34 | 0:03:36 | |
but now that I've seen it, I realise it should have been. | 0:03:36 | 0:03:38 | |
When the plane was coming down, I just was, "Where is it?" | 0:03:38 | 0:03:40 | |
You know, "Where is this resort?" | 0:03:40 | 0:03:42 | |
It's so beautiful, lush, green, blue. | 0:03:42 | 0:03:45 | |
I was born in Samoa, so I want to see the similarities. | 0:03:45 | 0:03:49 | |
It's a bit like coming home - | 0:03:50 | 0:03:52 | |
in the culture, as well as the surroundings to what I'm used to. | 0:03:52 | 0:03:55 | |
So, it is special being here. | 0:03:55 | 0:03:58 | |
THEY SING | 0:03:58 | 0:03:59 | |
Thank you. See you later. | 0:04:03 | 0:04:05 | |
Time to go our separate ways and immerse into hotel life. | 0:04:05 | 0:04:10 | |
The Brando's 35 villas, restaurant and spa | 0:04:10 | 0:04:13 | |
are all spread out across the atoll's only inhabited island, | 0:04:13 | 0:04:17 | |
Onetahi. | 0:04:17 | 0:04:19 | |
This eco-resort is open all year round. | 0:04:20 | 0:04:23 | |
The most expensive room here costs a gob smacking £11,000 a night. | 0:04:23 | 0:04:29 | |
Staff work around the clock to run the 5-star beach-side restaurant... | 0:04:29 | 0:04:33 | |
..offering French and Polynesian cuisine | 0:04:35 | 0:04:38 | |
that uses ingredients from the organic garden... | 0:04:38 | 0:04:42 | |
..A state-of-the-art spa | 0:04:42 | 0:04:44 | |
using locally sourced extra virgin coconut oil... | 0:04:44 | 0:04:47 | |
..and provide water sports in the crystal clear lagoon | 0:04:49 | 0:04:53 | |
alongside the chance to swim with stunning marine life... | 0:04:53 | 0:04:56 | |
..but, perhaps most impressive of all, | 0:04:58 | 0:05:00 | |
each villa has its own secluded beach. | 0:05:00 | 0:05:02 | |
Privacy is prized so highly that there is no reception. | 0:05:04 | 0:05:08 | |
A chauffeur whisks guests off to their villas, | 0:05:08 | 0:05:10 | |
feet barely touching the ground. | 0:05:10 | 0:05:12 | |
Seclusion is the ultimate luxury for the rich and famous... | 0:05:15 | 0:05:19 | |
..and since the resort is hidden behind the tree line, | 0:05:19 | 0:05:21 | |
celebrities and US presidents alike can't get enough of the place. | 0:05:21 | 0:05:25 | |
Before we get to work there is just time to check out our rooms. | 0:05:28 | 0:05:32 | |
So, Monica, welcome home. | 0:05:32 | 0:05:34 | |
This here is the magic key. | 0:05:34 | 0:05:36 | |
After you. | 0:05:37 | 0:05:40 | |
Rumour has it this is megastar Leonardo DiCaprio's favourite villa. | 0:05:40 | 0:05:44 | |
Well, it's been whispered that Barack Obama prefers mine. | 0:05:45 | 0:05:50 | |
Look at that! | 0:05:50 | 0:05:52 | |
I don't think I want to go anywhere else. | 0:05:53 | 0:05:55 | |
I've got the perfect spot. | 0:05:55 | 0:05:57 | |
All the villas are made with environmentally friendly materials. | 0:05:58 | 0:06:02 | |
Inside is a blend of old and new, | 0:06:02 | 0:06:04 | |
as the roof is thatched with local pandanus leaves. | 0:06:04 | 0:06:07 | |
Yet the bespoke emperor sized beds, sexy outdoor bathrooms, | 0:06:08 | 0:06:12 | |
and 24-hour hi-tech butlering | 0:06:12 | 0:06:14 | |
show an attempt to deliver the utmost contemporary luxury - | 0:06:14 | 0:06:17 | |
and despite its remoteness, | 0:06:17 | 0:06:19 | |
it's a super air-conditioned, super comfortable, super high spec room | 0:06:19 | 0:06:22 | |
that's simply bigger and more comfortable than my actual house. | 0:06:22 | 0:06:26 | |
I'd almost say it's too high spec - | 0:06:32 | 0:06:34 | |
it protects you a bit from the place - | 0:06:34 | 0:06:36 | |
but the fact is that people who can afford to come here are so rich | 0:06:36 | 0:06:40 | |
that they inevitably expect it. | 0:06:40 | 0:06:42 | |
That's got to be the nature of the tourism here. | 0:06:42 | 0:06:45 | |
There's such an emphasis on personalised service here | 0:06:45 | 0:06:48 | |
that my chauffeur has returned | 0:06:48 | 0:06:49 | |
with a nostalgic gift. | 0:06:49 | 0:06:51 | |
Amazing. | 0:06:52 | 0:06:54 | |
I was telling Ludo on the ride over that as a child I used to eat this, | 0:06:54 | 0:06:59 | |
and he said "I'll find you one", and he's got me one here. | 0:06:59 | 0:07:02 | |
Merci. | 0:07:02 | 0:07:03 | |
Mm. | 0:07:04 | 0:07:05 | |
There are just so many enormous, and beautiful, | 0:07:09 | 0:07:12 | |
and probably delicious fish - | 0:07:12 | 0:07:13 | |
and I've only been here ten minutes. | 0:07:13 | 0:07:15 | |
I just want to strip off and go and harpoon something... | 0:07:15 | 0:07:18 | |
..within the parameters that are acceptable | 0:07:18 | 0:07:20 | |
to the conservation project in this area, of course. | 0:07:20 | 0:07:23 | |
I mean, like, not a turtle. | 0:07:23 | 0:07:25 | |
The whole resort exists due to the efforts of passionate visionaries | 0:07:29 | 0:07:33 | |
including lawyer-turned-hotelier Stan Rowland. | 0:07:33 | 0:07:36 | |
Tetiaroa is really a natural marvel. | 0:07:38 | 0:07:41 | |
It's one of the most spectacular places I've ever been in the world, | 0:07:41 | 0:07:44 | |
and one of the most spectacular places in the world. | 0:07:44 | 0:07:47 | |
It's got a combination of not only natural beauty, | 0:07:47 | 0:07:51 | |
but it's got a rich cultural history. | 0:07:51 | 0:07:53 | |
The charms of the region | 0:07:54 | 0:07:56 | |
inspired the crew of the 18th century ship HMS Bounty | 0:07:56 | 0:07:59 | |
to mutiny against their captain and go native. | 0:07:59 | 0:08:01 | |
Two centuries later, | 0:08:04 | 0:08:05 | |
the island mesmerised the superstar Marlon Brando | 0:08:05 | 0:08:09 | |
when he arrived to film a Hollywood version of the story. | 0:08:09 | 0:08:12 | |
He fell in love with both the island of Tetiaroa and the leading lady, | 0:08:12 | 0:08:16 | |
and he ended up with both of them. | 0:08:16 | 0:08:17 | |
Marlon Brando bought the atoll in 1967 for £200,000, | 0:08:18 | 0:08:23 | |
and he soon began building a primitive hotel | 0:08:23 | 0:08:26 | |
in the shape of a few wooden huts, | 0:08:26 | 0:08:28 | |
calling it Tetiaroa Village. | 0:08:28 | 0:08:30 | |
I'm meeting up with Stan to find out more | 0:08:32 | 0:08:35 | |
about Marlon's fascination with this place. | 0:08:35 | 0:08:37 | |
Actually, his hotel, the Tetiaroa Village, | 0:08:37 | 0:08:40 | |
was on the far side of the island - | 0:08:40 | 0:08:42 | |
but he loved this place, | 0:08:42 | 0:08:43 | |
the whole concept of the hotel was actually conceived | 0:08:43 | 0:08:45 | |
in the early meetings with Marlon Brando. | 0:08:45 | 0:08:47 | |
He provided a lot of the ideas behind what we're doing today. | 0:08:47 | 0:08:50 | |
Some of them a little bit fanciful - | 0:08:50 | 0:08:51 | |
the idea of generating electricity with electric eels, | 0:08:51 | 0:08:54 | |
which we have... which we have not followed up on! | 0:08:54 | 0:08:57 | |
-Um... -How was he planning for that to work? | 0:08:57 | 0:09:01 | |
A series of tanks and, I guess, some sort of extraction, | 0:09:01 | 0:09:04 | |
I'm not sure if it really came and... | 0:09:04 | 0:09:06 | |
..but he had ideas like that, but he was a great idea man. | 0:09:06 | 0:09:10 | |
He wanted to bring tourists to the island | 0:09:10 | 0:09:12 | |
to raise money to conserve it. Was that the vision? | 0:09:12 | 0:09:14 | |
Yeah, I think he wanted to bring tourists in - | 0:09:14 | 0:09:16 | |
but, yeah, he also had this vision of a university of the sea, | 0:09:16 | 0:09:18 | |
where he wanted people, the great minds of his time | 0:09:18 | 0:09:21 | |
to come together and talk about major issues of his time. | 0:09:21 | 0:09:24 | |
The hotel has come a long way since Marlon's day. | 0:09:24 | 0:09:28 | |
Back then the place was very basic, | 0:09:28 | 0:09:30 | |
lacking in infrastructure and infested with mosquitoes. | 0:09:30 | 0:09:33 | |
In the late '90s, Brando brought in hoteliers | 0:09:34 | 0:09:37 | |
to plan an upgrade of the resort | 0:09:37 | 0:09:38 | |
in keeping with his environmental ethos. | 0:09:38 | 0:09:41 | |
Construction of the new Brando hotel began in 2007, | 0:09:43 | 0:09:47 | |
involving hundreds of people. | 0:09:47 | 0:09:49 | |
The project was fraught with difficulties... | 0:09:49 | 0:09:51 | |
Construction, to be frank with you, was a logistical nightmare. | 0:09:52 | 0:09:56 | |
No water, | 0:09:56 | 0:09:58 | |
no source of power, no electricity. | 0:09:58 | 0:10:01 | |
We had to start from scratch. | 0:10:01 | 0:10:04 | |
..but Marlon Brando's influence on the new project was immense. | 0:10:04 | 0:10:07 | |
He was insistent on building a resort that was carbon neutral. | 0:10:07 | 0:10:12 | |
Every decision made here was driven by a desire to be eco-sensitive, | 0:10:12 | 0:10:16 | |
such as using only sustainable timber in construction - | 0:10:16 | 0:10:20 | |
and the carbon footprint was so light | 0:10:20 | 0:10:22 | |
that the hotel has been given a top environmental award. | 0:10:22 | 0:10:26 | |
The new resort eventually opened in 2014... | 0:10:28 | 0:10:31 | |
..but sadly Marlon Brando died before ever seeing it finished. | 0:10:31 | 0:10:34 | |
It's 5:30 in the morning and I'm off to start work. | 0:10:42 | 0:10:45 | |
Over 250 French and Polynesian staff run this resort... | 0:10:46 | 0:10:50 | |
..but every job here depends on this faraway island being fully stocked. | 0:10:51 | 0:10:55 | |
The man in charge of all deliveries is French logistics manager Nicolas. | 0:10:58 | 0:11:03 | |
He's been working here for six years. | 0:11:03 | 0:11:05 | |
I'm going to be Nicolas' first mate | 0:11:13 | 0:11:15 | |
as we travel to the hotel's reef dock | 0:11:15 | 0:11:17 | |
to meet a ship and collect crucial supplies. | 0:11:17 | 0:11:20 | |
There are two literally six foot blacktip sharks there. | 0:11:20 | 0:11:23 | |
Just fish, they eat fish only. | 0:11:23 | 0:11:26 | |
He's seen me. He's obviously tasted Englishman before. | 0:11:26 | 0:11:29 | |
These sharks are, in fact, only young | 0:11:31 | 0:11:33 | |
and are protected by the surrounding coral reef. | 0:11:33 | 0:11:35 | |
The lagoon inside acts as a watery creche | 0:11:37 | 0:11:39 | |
as the reef keeps out the bigger predators. | 0:11:39 | 0:11:41 | |
If it were cut wide open allowing big boats in to deliver supplies, | 0:11:41 | 0:11:45 | |
the delicate ecosystem would be destroyed. | 0:11:45 | 0:11:49 | |
-So, is that the boat coming to meet us? -Yeah. | 0:11:49 | 0:11:52 | |
So the hotel has come up with an eco-friendly way | 0:11:52 | 0:11:55 | |
to receive deliveries. | 0:11:55 | 0:11:56 | |
-Is our breakfast on there? -Yeah. | 0:11:56 | 0:11:58 | |
The clever solution is a crane on a platform constructed over the reef. | 0:11:58 | 0:12:03 | |
This crane not only lifts cargo coming to the hotel, | 0:12:03 | 0:12:06 | |
but also anything returning to the mainland. | 0:12:06 | 0:12:09 | |
Giant, massive bags with Brando written on them. | 0:12:09 | 0:12:13 | |
Shaped much as he was in later years. | 0:12:15 | 0:12:18 | |
Big boats moor up on the outside to unload | 0:12:18 | 0:12:22 | |
while Nicolas' small barge stays on the inside. | 0:12:22 | 0:12:24 | |
This way, the reef remains intact, | 0:12:27 | 0:12:29 | |
and the lagoon ecosystem is protected. | 0:12:29 | 0:12:31 | |
This one has less impact on the environment inside | 0:12:33 | 0:12:37 | |
because if you dig a pass, there is a new current inside, | 0:12:37 | 0:12:41 | |
there's a lot of new species going inside - | 0:12:41 | 0:12:43 | |
and you change all the things inside the lagoon. | 0:12:43 | 0:12:46 | |
Your life would be much easier | 0:12:46 | 0:12:48 | |
-if the boat could sail in and moor up at the hotel. -Yep. | 0:12:48 | 0:12:51 | |
It's just wonderfully incongruous, | 0:13:06 | 0:13:07 | |
because they're basically dockers in paradise. | 0:13:07 | 0:13:10 | |
In fact, that's a good idea for a documentary series. | 0:13:10 | 0:13:13 | |
It also makes you aware that it's all very well | 0:13:14 | 0:13:16 | |
to fly here to come on holiday, | 0:13:16 | 0:13:18 | |
but someone has to do an awful lot of work. | 0:13:18 | 0:13:19 | |
And that someone is now me. | 0:13:19 | 0:13:21 | |
I'm putting a hard hat on, I have to wear one. | 0:13:23 | 0:13:25 | |
I'm very relieved, because this apparently weighs five tonnes. | 0:13:25 | 0:13:28 | |
If it fell on my head, I'd want to have a plastic hat on. | 0:13:28 | 0:13:33 | |
Geezer's got two hats on, he's taking no chances. | 0:13:33 | 0:13:35 | |
YMCA. | 0:13:37 | 0:13:40 | |
Don't think he knows what I'm on about. | 0:13:40 | 0:13:42 | |
-I should ask him. -I need your help! | 0:13:42 | 0:13:45 | |
Oh, sorry. He needs my help. | 0:13:45 | 0:13:46 | |
The team shifts nearly 2,500 tonnes of goods a year. | 0:13:46 | 0:13:50 | |
Today we're collecting, amongst other things, | 0:13:51 | 0:13:53 | |
tanks of coconut oil biofuel to run the resort's eco generators... | 0:13:53 | 0:13:57 | |
Like that? | 0:13:59 | 0:14:00 | |
Be careful with your hand. OK, dude. | 0:14:00 | 0:14:04 | |
..as well as materials for villa repairs | 0:14:05 | 0:14:07 | |
and resupplies of quality meat from Tahiti and beyond. | 0:14:07 | 0:14:11 | |
We're even picking up bikes | 0:14:13 | 0:14:14 | |
to be used by guests to explore the island. | 0:14:14 | 0:14:16 | |
By 7:30am the housekeepers are also well into their working day. | 0:14:21 | 0:14:24 | |
If I see it, somebody else can see it. | 0:14:26 | 0:14:29 | |
You can definitely see that is not... | 0:14:29 | 0:14:30 | |
That's not really clean. You want to see perfection. | 0:14:30 | 0:14:34 | |
I'm a bit crazy with that. | 0:14:34 | 0:14:35 | |
In charge is executive housekeeper Stephanie... | 0:14:35 | 0:14:38 | |
Look, this is great. That's nice. | 0:14:38 | 0:14:41 | |
..who learned her trade at the Ritz in Paris | 0:14:41 | 0:14:44 | |
and has been at the Brando for three years. | 0:14:44 | 0:14:46 | |
That's the difference between four-star and five-star. | 0:14:46 | 0:14:49 | |
It's OK? | 0:14:50 | 0:14:52 | |
I'm joining Stephanie and her crew | 0:14:53 | 0:14:55 | |
to learn how they try to deliver the highest standards | 0:14:55 | 0:14:58 | |
to the most exclusive guests in the world. | 0:14:58 | 0:15:01 | |
-Happy birthday, cherie! -Oh, merci! | 0:15:01 | 0:15:04 | |
You get the best out of your team when they're happy. | 0:15:04 | 0:15:06 | |
All the time, what I say to them, "If you have any problem, | 0:15:06 | 0:15:09 | |
"anything you want, just come and tell me, | 0:15:09 | 0:15:11 | |
"and we arrange something." | 0:15:11 | 0:15:13 | |
We try to organise whatever they want. | 0:15:13 | 0:15:15 | |
Stephanie's 34 eco cleaners | 0:15:26 | 0:15:28 | |
use only natural products and no damaging chemicals. | 0:15:28 | 0:15:31 | |
Right, so, into the room we go? | 0:15:31 | 0:15:34 | |
-Yes. -Yes. -Let's go, OK. | 0:15:34 | 0:15:37 | |
Every morning the pressure is on | 0:15:37 | 0:15:40 | |
to make all 35 villas spotless in just a few hours - | 0:15:40 | 0:15:44 | |
and we're doing it barefooted so we don't drag in sand. | 0:15:44 | 0:15:47 | |
We just want... I just want to move it. | 0:15:48 | 0:15:50 | |
Got nice decoration. | 0:15:50 | 0:15:51 | |
-Look at that. -And this is really shiny and that's perfect. | 0:15:51 | 0:15:54 | |
That's beautiful. So beautiful. | 0:15:54 | 0:15:56 | |
This is amazing. | 0:15:56 | 0:15:58 | |
This room that we're preparing, | 0:15:58 | 0:16:00 | |
this is going to be for some Hollywood VIP? | 0:16:00 | 0:16:03 | |
-Come on, Steph, give me something to go on! -No. Look. | 0:16:03 | 0:16:05 | |
-It's so professional. -No, no. It's not really... | 0:16:07 | 0:16:09 | |
Yeah, that's maybe professional, but it's just normal. | 0:16:09 | 0:16:12 | |
You know, they come here to be part of our life. | 0:16:12 | 0:16:17 | |
Just sharing with us this paradise - | 0:16:17 | 0:16:20 | |
and we definitely... we can't tell you the names. | 0:16:20 | 0:16:22 | |
To work at this hotel, staff must sign a confidentiality agreement. | 0:16:23 | 0:16:28 | |
-Monica, we need to work now. -OK. OK. | 0:16:28 | 0:16:30 | |
This is so ridiculous. | 0:16:34 | 0:16:36 | |
Asking for help to fold a towel. | 0:16:36 | 0:16:38 | |
This... I feel hopeless. | 0:16:38 | 0:16:41 | |
-There we go. -It's nice. | 0:16:41 | 0:16:43 | |
Why, yes, of course, I do all my towels like this at home. | 0:16:43 | 0:16:45 | |
And does that go to the back? | 0:16:45 | 0:16:46 | |
Exactly. It's even better than me! | 0:16:46 | 0:16:49 | |
You make it perfect. | 0:16:50 | 0:16:52 | |
-OK, you start tomorrow, Monica. -Oh! | 0:16:52 | 0:16:54 | |
We have a problem with something now. | 0:16:54 | 0:16:57 | |
Something happened, a customer can say "Oh, something's wrong with it." | 0:16:57 | 0:17:00 | |
So, always like this. Yeah, just make sure. | 0:17:00 | 0:17:02 | |
Because, like this, look, what I find. | 0:17:05 | 0:17:08 | |
-A fly. -But you see everything. -Yeah. | 0:17:08 | 0:17:12 | |
-I wouldn't be happy if my room... -Yeah. | 0:17:12 | 0:17:15 | |
For housekeeping, it's one villa down, 34 to go. | 0:17:16 | 0:17:20 | |
On the hotel's reef dock, | 0:17:24 | 0:17:25 | |
I've been such a help getting the deliveries off the ship | 0:17:25 | 0:17:28 | |
that Nicolas has promoted me. | 0:17:28 | 0:17:30 | |
I can't really believe that I'm operating a crane - | 0:17:31 | 0:17:34 | |
on my own, for the moment - | 0:17:34 | 0:17:35 | |
on a reef surrounded by literally shark-infested waters. | 0:17:35 | 0:17:39 | |
Now we move really slowly. | 0:17:40 | 0:17:43 | |
I want to go that way a bit, don't I? | 0:17:43 | 0:17:45 | |
So, this one to go left, yeah? | 0:17:45 | 0:17:48 | |
It's like some hideous game show. | 0:17:48 | 0:17:50 | |
Is it not swinging too much? | 0:17:50 | 0:17:52 | |
Would you normally have somebody there to help...? | 0:17:52 | 0:17:54 | |
-Yeah. -Do you want me to do that? -Yes, if you want to. | 0:17:54 | 0:17:59 | |
The last container needs to be dropped onto the barge, | 0:17:59 | 0:18:02 | |
and with the ship having left, | 0:18:02 | 0:18:04 | |
it falls to me to guide it into position. | 0:18:04 | 0:18:06 | |
I'm just going to help him manoeuvre the crate into space. | 0:18:08 | 0:18:11 | |
Because it was either him do it and me lower it | 0:18:11 | 0:18:13 | |
and squash him and kill him, | 0:18:13 | 0:18:14 | |
or vice versa, without the squashing and killing. | 0:18:14 | 0:18:17 | |
Big gust of wind and it's early lunch for the sharks. | 0:18:21 | 0:18:25 | |
-C'est bon? -Yeah, good. Good worker. | 0:18:29 | 0:18:32 | |
Job's a mighty fine one. | 0:18:32 | 0:18:34 | |
This is man's work. | 0:18:35 | 0:18:36 | |
It's very, really, quite embarrassingly thrilling. | 0:18:36 | 0:18:39 | |
The thing is if you're some geezer spending £4,000 a night on this hotel | 0:18:41 | 0:18:45 | |
you'd still be in bed having your croissant | 0:18:45 | 0:18:47 | |
and flicking through Instagram or something instead | 0:18:47 | 0:18:49 | |
of out here working, seeing amazing sunrises. | 0:18:49 | 0:18:52 | |
Amazing views that normal people simply don't get. | 0:18:52 | 0:18:55 | |
I'm back in time to deliver supplies | 0:19:00 | 0:19:01 | |
to the hotel's kitchen before breakfast. | 0:19:01 | 0:19:04 | |
-Here you go. -Thank you very much. | 0:19:04 | 0:19:07 | |
You're welcome. | 0:19:07 | 0:19:08 | |
Thank you. See you later. | 0:19:08 | 0:19:10 | |
It's fast approaching check-in time. | 0:19:11 | 0:19:13 | |
This is the best job ever. | 0:19:14 | 0:19:16 | |
I'm helping the housekeepers with some artistic final touches. | 0:19:20 | 0:19:23 | |
So, it's a VVVIP | 0:19:24 | 0:19:28 | |
having a first wedding anniversary. | 0:19:28 | 0:19:30 | |
There's a clue. | 0:19:30 | 0:19:31 | |
Adornment with native flowers such as the tiare | 0:19:36 | 0:19:39 | |
signifies welcome in Polynesian culture, | 0:19:39 | 0:19:41 | |
and it's learned from a young age. | 0:19:41 | 0:19:43 | |
Oh! | 0:19:45 | 0:19:46 | |
There we go. | 0:19:50 | 0:19:52 | |
She's got me paranoid, like, picking up every little thing now! | 0:19:54 | 0:19:58 | |
PHONE RINGS | 0:19:58 | 0:19:59 | |
Oui? | 0:20:00 | 0:20:01 | |
-You have to go? -Yes. -OK, I'll see you after. | 0:20:07 | 0:20:10 | |
-OK, I'll see you later. -Thank you. Bye. | 0:20:10 | 0:20:13 | |
OK, she's gone. Shall we have a drink at the minibar before...? | 0:20:13 | 0:20:16 | |
It's a joke. | 0:20:21 | 0:20:22 | |
28-year-old Heitiare, whose Tahitian name means bouquet of flowers, | 0:20:24 | 0:20:29 | |
has been cleaning villas for three years. | 0:20:29 | 0:20:31 | |
She works eight-hour shifts | 0:20:31 | 0:20:33 | |
and lives on the island in staff quarters | 0:20:33 | 0:20:35 | |
away from the guests' private beaches. | 0:20:35 | 0:20:37 | |
The villa is ready with five minutes to spare, | 0:20:55 | 0:20:57 | |
so I persuade Heitiare to join me for a paddle. | 0:20:57 | 0:21:00 | |
Ah, look at that. Hello. | 0:21:09 | 0:21:12 | |
It's like a sea cucumber... | 0:21:12 | 0:21:14 | |
And you don't touch? | 0:21:14 | 0:21:16 | |
Argh! | 0:21:19 | 0:21:20 | |
Guests say they are lured here | 0:21:34 | 0:21:36 | |
not only by the remoteness and luxury of the resort, | 0:21:36 | 0:21:40 | |
but also by the nature that surrounds it. | 0:21:40 | 0:21:43 | |
After a busy shift I suddenly spy something extraordinary | 0:21:49 | 0:21:52 | |
from the breakfast terrace that highlights exactly why. | 0:21:52 | 0:21:56 | |
What did you see? | 0:21:56 | 0:21:58 | |
It's a definite whale, definite whale. | 0:21:58 | 0:22:00 | |
Definite... | 0:22:00 | 0:22:01 | |
There. There. | 0:22:04 | 0:22:06 | |
Definitely a whale. | 0:22:07 | 0:22:09 | |
My God, just leapt out. | 0:22:11 | 0:22:14 | |
there are binoculars knocking around on tables in case you see whales. | 0:22:14 | 0:22:17 | |
It's not just like they're put there | 0:22:17 | 0:22:18 | |
in case you're disappointed with the small portions. | 0:22:18 | 0:22:21 | |
I'm very glad that they had them there. | 0:22:21 | 0:22:23 | |
I'm not very good with binoculars. | 0:22:23 | 0:22:25 | |
There again. Look at that. | 0:22:25 | 0:22:26 | |
Proper sort of Captain Ahab moment. | 0:22:28 | 0:22:31 | |
The white whale... | 0:22:31 | 0:22:33 | |
..and all that "thar she blows" stuff. | 0:22:33 | 0:22:36 | |
I've never seen a whale before. Did anybody pick up my phone? | 0:22:36 | 0:22:39 | |
So exciting was it that I dropped my phone and didn't go back to get it. | 0:22:41 | 0:22:44 | |
So... You can tell it was a whale. | 0:22:44 | 0:22:47 | |
Wouldn't do that for no cormorant. | 0:22:47 | 0:22:48 | |
Listen to the ocean, that reminds me of home. | 0:22:58 | 0:23:00 | |
It's 6pm, before service starts, | 0:23:02 | 0:23:04 | |
and I'm keen to know more about the inner workings | 0:23:04 | 0:23:06 | |
of the open air restaurant here. | 0:23:06 | 0:23:08 | |
Setting the table. | 0:23:10 | 0:23:12 | |
The maitre d' in charge is Adrian, | 0:23:12 | 0:23:14 | |
who's lived in French Polynesia nearly all his life. | 0:23:14 | 0:23:17 | |
We are way more than just waiters here. | 0:23:17 | 0:23:20 | |
People want to speak with us. | 0:23:20 | 0:23:21 | |
They want to understand why we are in a place like that. | 0:23:21 | 0:23:23 | |
They are going to ask questions to us. | 0:23:23 | 0:23:25 | |
It's not only about food and wine. | 0:23:25 | 0:23:27 | |
To see how the hotel strives | 0:23:27 | 0:23:29 | |
to create a luxurious dining experience... | 0:23:29 | 0:23:31 | |
-I'm in training. -Yeah, you are in training. | 0:23:31 | 0:23:33 | |
..Adrian has made me his apprentice for the evening. | 0:23:33 | 0:23:35 | |
All right, this doesn't happen often. | 0:23:35 | 0:23:38 | |
Honestly, you better hope you keep me away from your guests. | 0:23:38 | 0:23:42 | |
I'm normally better in the back of house. | 0:23:42 | 0:23:44 | |
Yeah, yeah. I've been told that. | 0:23:44 | 0:23:46 | |
-Yeah. But it's fine. -Is that the right way for this plate? | 0:23:46 | 0:23:50 | |
And how long have you worked here? | 0:23:50 | 0:23:52 | |
Almost two years now. | 0:23:52 | 0:23:53 | |
I came with my father here 25 years ago. | 0:23:53 | 0:23:56 | |
We actually came many times. | 0:23:56 | 0:23:59 | |
There is a species, it's called coconut crab, | 0:23:59 | 0:24:02 | |
and my dad loved that so much. | 0:24:02 | 0:24:04 | |
He actually used me as a decoy. | 0:24:04 | 0:24:05 | |
So, he was taking me in the forest, putting me in the middle, | 0:24:05 | 0:24:08 | |
and was like, "Tap with your foot," and the crabs were just coming out | 0:24:08 | 0:24:11 | |
to see what was coming from the tree... | 0:24:11 | 0:24:14 | |
-No! -..and so he was just grabbing the crab - | 0:24:14 | 0:24:16 | |
and that's why I came. | 0:24:16 | 0:24:18 | |
Marlon was there from time to time, but he didn't... | 0:24:18 | 0:24:21 | |
Marlon Brando was here and then... | 0:24:21 | 0:24:22 | |
Yeah. Any take on a traditional food on this menu? | 0:24:22 | 0:24:26 | |
-Yes. -Adapted for this. | 0:24:26 | 0:24:28 | |
The tuna, which is the most common dish | 0:24:28 | 0:24:30 | |
that we do in French Polynesia. | 0:24:30 | 0:24:32 | |
Crab meat with mayonnaise, | 0:24:32 | 0:24:36 | |
fried served with curry and coconut foam. | 0:24:36 | 0:24:39 | |
And the majority of the fruit and veg that's on here - | 0:24:39 | 0:24:41 | |
are you importing a lot into the island? | 0:24:41 | 0:24:43 | |
Everything is mostly coming from French Polynesia. | 0:24:43 | 0:24:46 | |
-OK. -For many reasons. We want to make things right, | 0:24:46 | 0:24:48 | |
and to make things right, | 0:24:48 | 0:24:49 | |
we have to think also about the place where we are living. | 0:24:49 | 0:24:51 | |
Not only on the ecology part, | 0:24:51 | 0:24:53 | |
but also in the service, in the food, in the drinks. | 0:24:53 | 0:24:56 | |
It's the whole thing. | 0:24:56 | 0:24:58 | |
We are a new generation of resort, and that's what we want to be. | 0:24:58 | 0:25:01 | |
It's so pretty. | 0:25:01 | 0:25:02 | |
The silhouette of that boat is just beautiful, isn't it? | 0:25:02 | 0:25:05 | |
I'd never get any work done out here. | 0:25:05 | 0:25:07 | |
I would constantly be taking this wine glass | 0:25:07 | 0:25:10 | |
and just sitting down here with it. | 0:25:10 | 0:25:12 | |
More, please! | 0:25:12 | 0:25:14 | |
Well, that's what we do on the day off. | 0:25:14 | 0:25:17 | |
With plenty of covers this evening, | 0:25:26 | 0:25:28 | |
the kitchen will be serving East-West fusion - | 0:25:28 | 0:25:31 | |
classic French and Polynesian inspired dishes. | 0:25:31 | 0:25:35 | |
-So this is your main kitchen here. -Yes. -Hey, guys. | 0:25:35 | 0:25:39 | |
One of which is very familiar to me. | 0:25:39 | 0:25:41 | |
It's so funny. I had this on my lunch menu about three weeks ago, | 0:25:41 | 0:25:45 | |
back in London. | 0:25:45 | 0:25:46 | |
This traditional dish is called poisson cru, made with raw fish, | 0:25:48 | 0:25:53 | |
like tuna diced vegetables from the hotel's garden, | 0:25:53 | 0:25:56 | |
a squirt of lime juice... | 0:25:56 | 0:25:58 | |
Oh, c'est magnifique. | 0:25:58 | 0:26:00 | |
And all mixed together with the magic ingredient - | 0:26:00 | 0:26:03 | |
freshly squeezed coconut milk. | 0:26:03 | 0:26:05 | |
This dish embodies the Polynesian culture and what we are about. | 0:26:07 | 0:26:12 | |
Oh, wow! | 0:26:12 | 0:26:14 | |
I like the way it's been served. | 0:26:24 | 0:26:25 | |
The orders are coming in thick and fast, | 0:26:27 | 0:26:29 | |
and the popular dish of the night is... | 0:26:29 | 0:26:32 | |
..the poisson cru. | 0:26:32 | 0:26:34 | |
-Hello. -Hello. | 0:26:34 | 0:26:35 | |
-Hello. -Hi. This is for you. | 0:26:36 | 0:26:39 | |
Thank you. | 0:26:39 | 0:26:40 | |
-Enjoy. -Thank you very much. | 0:26:41 | 0:26:44 | |
However much diners may like the food, there are always leftovers... | 0:26:53 | 0:26:57 | |
..and every morning, the waste from the restaurant | 0:26:58 | 0:27:01 | |
is taken to be processed in a digester for 24 hours... | 0:27:01 | 0:27:04 | |
..turning it into compost | 0:27:06 | 0:27:09 | |
to enrich the soil of the hotel's organic garden. | 0:27:09 | 0:27:13 | |
A host of fruit and veg and even vanilla pods are grown here, | 0:27:13 | 0:27:17 | |
with the aim of making the kitchen 80% self-sufficient | 0:27:17 | 0:27:21 | |
within the next few years. | 0:27:21 | 0:27:22 | |
One delicious but potentially hazardous ingredient | 0:27:24 | 0:27:26 | |
found everywhere on the island is coconut. | 0:27:26 | 0:27:28 | |
The man tasked with making the island safe | 0:27:30 | 0:27:33 | |
by trimming coconuts for the kitchen is eagle-eyed John. | 0:27:33 | 0:27:36 | |
This morning, I'm going to be John's assistant. | 0:27:45 | 0:27:47 | |
A troublesome tree in this villa's garden needs a trim. | 0:27:48 | 0:27:51 | |
The hotel prohibits heavy machinery that could damage the beach, | 0:27:51 | 0:27:55 | |
so John uses an old school technique. | 0:27:55 | 0:27:57 | |
It's dangerous even putting on your workwear! | 0:27:59 | 0:28:02 | |
I mean, that could go horribly wrong | 0:28:02 | 0:28:04 | |
if you were running for a bus in a pair of them. | 0:28:04 | 0:28:07 | |
May not stand under it. | 0:28:10 | 0:28:12 | |
With the aid of his medieval crampons, | 0:28:12 | 0:28:14 | |
John's attempting to summit a 60-footer. | 0:28:14 | 0:28:17 | |
Technology that looks like it comes from the 15th century - | 0:28:19 | 0:28:22 | |
but he's defied gravity! | 0:28:22 | 0:28:25 | |
Apparently, John's the only person on the island | 0:28:25 | 0:28:27 | |
brave enough to do this. | 0:28:27 | 0:28:28 | |
They tested, like, ten people, | 0:28:28 | 0:28:30 | |
and he was the only one brave enough to go to the top. | 0:28:30 | 0:28:32 | |
We are in the presence of some serious courage. | 0:28:32 | 0:28:35 | |
It does look quite precarious, doesn't it? | 0:28:35 | 0:28:37 | |
Oh, my God. | 0:28:40 | 0:28:42 | |
That thud when those things hit the ground. Hey! | 0:28:48 | 0:28:51 | |
Cluster bomb! | 0:28:52 | 0:28:55 | |
That's like a rugby ball full of concrete, | 0:28:55 | 0:28:57 | |
and if that fell on your head, | 0:28:57 | 0:28:58 | |
it really, really, really wouldn't be funny. | 0:28:58 | 0:29:00 | |
Even though everybody would laugh. | 0:29:00 | 0:29:02 | |
Of course, we know what's going to happen next. | 0:29:06 | 0:29:09 | |
Don't we? | 0:29:09 | 0:29:10 | |
My name's Forrest. Forrest Gump. | 0:29:16 | 0:29:18 | |
Do you remember, with the shackles, and they come off. | 0:29:20 | 0:29:22 | |
You know what I mean? | 0:29:22 | 0:29:23 | |
No. | 0:29:26 | 0:29:27 | |
Like this... Sort of... | 0:29:29 | 0:29:31 | |
This is dangerous, you know. Anyway... | 0:29:38 | 0:29:40 | |
This is... | 0:29:46 | 0:29:48 | |
..freaking dangerous! | 0:29:48 | 0:29:50 | |
All my weight on my heel. | 0:29:50 | 0:29:51 | |
I've got to try and pull that one out. OK. | 0:29:54 | 0:29:58 | |
OK. We're cooking with gas here. | 0:30:01 | 0:30:02 | |
This is amazing! | 0:30:07 | 0:30:10 | |
You get over the fear, you conquer the fear, and you get up here, | 0:30:10 | 0:30:13 | |
and then you're just the king of the tropics. | 0:30:13 | 0:30:15 | |
I want to spend the rest of my life just living in the trees. | 0:30:15 | 0:30:18 | |
Look out belo-o-ow! | 0:30:18 | 0:30:21 | |
Come on! You didn't really think I was right up at the top, did you? | 0:30:27 | 0:30:30 | |
Guest safety is taken very seriously by all members of staff. | 0:30:36 | 0:30:40 | |
Pool boys must equip visitors with a life-saving device. | 0:30:42 | 0:30:45 | |
This is very important. | 0:30:45 | 0:30:47 | |
A GPS. When you press here, this sets you on the computer. | 0:30:48 | 0:30:51 | |
Anyone needing help in the lagoon won't be waiting for long. | 0:30:53 | 0:30:56 | |
The care and attention doesn't stop there. | 0:30:59 | 0:31:02 | |
The hotel even employs landscapers | 0:31:02 | 0:31:04 | |
to literally beachcomb and remove sharp coral | 0:31:04 | 0:31:07 | |
for the benefit of guests' soft soles. | 0:31:07 | 0:31:09 | |
I love bees. They are my family. | 0:31:14 | 0:31:18 | |
Another job that you just don't see at any ordinary hotel is beekeeping. | 0:31:20 | 0:31:25 | |
I'm going to help veteran beekeeper Stephane | 0:31:27 | 0:31:29 | |
harvest the month's quota of honey for the kitchen. | 0:31:29 | 0:31:32 | |
Before we head off to see the hotel's hives, | 0:31:33 | 0:31:36 | |
he wants to show me just how influential | 0:31:36 | 0:31:38 | |
Marlon Brando was around here... | 0:31:38 | 0:31:39 | |
..even when it came to apiculture. | 0:31:41 | 0:31:43 | |
Marlon ultimately failed to produce regular honey, | 0:31:56 | 0:32:00 | |
but Stephane has been far more successful. | 0:32:00 | 0:32:02 | |
This is definitely one of the most surreal things I've done! | 0:32:02 | 0:32:08 | |
Stephane's tasked me with an important job. | 0:32:08 | 0:32:10 | |
Smoking the bees. | 0:32:10 | 0:32:12 | |
Which makes them more docile and less likely to sting. | 0:32:12 | 0:32:15 | |
Around 2.5 million bees are at work here, | 0:32:20 | 0:32:23 | |
producing more than a tonne of honey a year for the hotel. | 0:32:23 | 0:32:26 | |
Wow. Isn't nature amazing? | 0:32:29 | 0:32:31 | |
This organic honey is renowned for its taste, | 0:32:34 | 0:32:36 | |
as these bees live in a pollution-free, | 0:32:36 | 0:32:39 | |
flower filled rainforest. | 0:32:39 | 0:32:41 | |
Very special and quite unique. | 0:32:41 | 0:32:42 | |
We are collecting around ten kilos of honey | 0:32:47 | 0:32:49 | |
that the kitchen desperately needs to keep up with guest demand. | 0:32:49 | 0:32:52 | |
This guy's a legend. Those stings in your hand. | 0:32:53 | 0:32:56 | |
Stephane processes the honey by hand, | 0:33:15 | 0:33:17 | |
giving me the chance for my first taste. | 0:33:17 | 0:33:20 | |
Oh, my goodness. That's the taste of paradise, it really is. | 0:33:23 | 0:33:26 | |
Oh, my goodness. Bring me some toast. | 0:33:26 | 0:33:29 | |
After the wax has been scraped off, | 0:33:29 | 0:33:31 | |
the frames are slotted into an extractor for ten minutes... | 0:33:31 | 0:33:34 | |
..after which, liquid honey can then be poured. | 0:33:35 | 0:33:38 | |
I feel like sticking my mouth underneath it. | 0:33:42 | 0:33:46 | |
Look at that! | 0:33:48 | 0:33:50 | |
That's for me. | 0:33:52 | 0:33:53 | |
That's liquid gold. | 0:33:53 | 0:33:55 | |
It really is. You guys are very lucky, yeah? | 0:33:55 | 0:33:58 | |
People love it. Once they have had it at breakfast, | 0:33:58 | 0:34:01 | |
they're going to ask for it at lunch and at dinner, just with some bread, | 0:34:01 | 0:34:04 | |
and just going to dip the bread in here and eat all day long. | 0:34:04 | 0:34:06 | |
Absolutely delicious. | 0:34:06 | 0:34:08 | |
Hotel guests of today may revel in the natural produce found here, | 0:34:17 | 0:34:21 | |
but for Marlon Brando, | 0:34:21 | 0:34:22 | |
the atoll's history and people were the most important thing. | 0:34:22 | 0:34:26 | |
He once wrote, "If I have my way, | 0:34:26 | 0:34:28 | |
"Tetiaroa will remain forever a place that reminds Tahitians | 0:34:28 | 0:34:33 | |
"of what they are and what they were centuries ago." | 0:34:33 | 0:34:35 | |
I'm about to meet up with someone from the Brando family. | 0:34:40 | 0:34:43 | |
Granddaughter Tumi Brando was a hotel guide here, | 0:34:44 | 0:34:47 | |
but recently stepped down to have a baby. | 0:34:47 | 0:34:49 | |
She's travelled over from Tahiti | 0:34:50 | 0:34:52 | |
to share her memories of her grandfather | 0:34:52 | 0:34:54 | |
and his love of this part of the world. | 0:34:54 | 0:34:56 | |
-Do you remember him? -Yes. | 0:34:56 | 0:34:58 | |
I was 16 when he died. | 0:34:58 | 0:35:00 | |
He had this thing - my grandma kept telling me that he has this... | 0:35:00 | 0:35:05 | |
He... | 0:35:05 | 0:35:07 | |
He was bonding with people quickly, | 0:35:07 | 0:35:10 | |
and he really liked this authenticity in Polynesian people. | 0:35:10 | 0:35:16 | |
Because Polynesians, they are free people. | 0:35:16 | 0:35:18 | |
They are free spirits, and he liked it. | 0:35:18 | 0:35:21 | |
Even if he was Marlon Brando, known all over the world, | 0:35:21 | 0:35:28 | |
people wouldn't... | 0:35:28 | 0:35:29 | |
He couldn't get them to do things? They wouldn't bend to his wishes... | 0:35:29 | 0:35:32 | |
-Voila. -..and he liked that. -Oui. | 0:35:32 | 0:35:35 | |
And Marlon was also adamant that his island | 0:35:35 | 0:35:38 | |
should preserve all aspects of Polynesian culture. | 0:35:38 | 0:35:40 | |
He was a visionary in terms of building a cultural centre here | 0:35:42 | 0:35:47 | |
and making all these customs, | 0:35:47 | 0:35:50 | |
Polynesian customs, traditional customs, alive again. | 0:35:50 | 0:35:55 | |
It was really important for him. | 0:35:55 | 0:35:57 | |
The last time I went to LA, and he was really sick, and he said, | 0:35:58 | 0:36:03 | |
"You know what, you won't come back again if you don't speak Tahitian." | 0:36:03 | 0:36:08 | |
-Really? -Because he was speaking Tahitian a little. | 0:36:08 | 0:36:11 | |
-Really? -Yeah. I remember him speaking Tahitian. | 0:36:11 | 0:36:14 | |
As one of the hotel's driving ambitions, | 0:36:25 | 0:36:28 | |
staff are taught all aspects of Polynesian heritage | 0:36:28 | 0:36:32 | |
by the resort's own cultural director. | 0:36:32 | 0:36:34 | |
So, we'll go in the forest down here and look at the plants. | 0:36:37 | 0:36:42 | |
I'm joining her to forage for traditional plants | 0:36:43 | 0:36:46 | |
to be used in an upcoming meal involving the staff. | 0:36:46 | 0:36:50 | |
We have so many different plants here that we use. | 0:36:50 | 0:36:54 | |
The forests around the hotel are a treasure trove of ancient wisdom. | 0:36:54 | 0:36:58 | |
If you look in here, we have to collect this little plant here. | 0:36:59 | 0:37:02 | |
Oh, what do you call it? | 0:37:04 | 0:37:06 | |
Oh! I love that. | 0:37:10 | 0:37:13 | |
That's sweet, and now it's peppery hot. | 0:37:13 | 0:37:15 | |
-Yes. Yes. -Oh, that would be great in a salad. | 0:37:15 | 0:37:18 | |
We call it noh. | 0:37:18 | 0:37:19 | |
Is that because when people first ate it, they were like, no, no, no? | 0:37:19 | 0:37:25 | |
They said, no! | 0:37:25 | 0:37:26 | |
No! | 0:37:26 | 0:37:27 | |
This is one plant we have to collect, also, | 0:37:28 | 0:37:31 | |
and we collect the leaves because we wrap our food, | 0:37:31 | 0:37:36 | |
and when we cook meat, we used to wrap it that way, with those leaves. | 0:37:36 | 0:37:42 | |
The traditional practice of wrapping food... | 0:37:42 | 0:37:44 | |
One more. | 0:37:44 | 0:37:45 | |
..keeps it tender while acting as a natural seasoning. | 0:37:45 | 0:37:49 | |
That's plenty. That would be great. | 0:37:49 | 0:37:51 | |
Yeah? OK. | 0:37:51 | 0:37:54 | |
It's this kind of traditional wisdom that she teaches | 0:37:54 | 0:37:57 | |
to hotel staff, guests, | 0:37:57 | 0:37:59 | |
and even schoolchildren invited to the island. | 0:37:59 | 0:38:02 | |
It's all about traditional knowledge, | 0:38:02 | 0:38:05 | |
and if that is not passed on, | 0:38:05 | 0:38:07 | |
we will lose all this knowledge and all the traditional practices. | 0:38:07 | 0:38:11 | |
If they do know why this plant is important, | 0:38:11 | 0:38:15 | |
then they will look at it differently. | 0:38:15 | 0:38:17 | |
-To preserve your culture... -To preserve the culture, | 0:38:17 | 0:38:21 | |
and also to preserve the environment. | 0:38:21 | 0:38:22 | |
To Hinano, the forest is not only a larder, but an incredible pharmacy. | 0:38:22 | 0:38:28 | |
This is a scaevola, and this is a great medicine for... | 0:38:28 | 0:38:33 | |
-Put it in your... -Eye drops? | 0:38:33 | 0:38:35 | |
Yes, they are eye drops. | 0:38:35 | 0:38:37 | |
Natural eye drops. | 0:38:37 | 0:38:38 | |
Natural eye drops - and it really helps, with one in each eye. | 0:38:38 | 0:38:42 | |
-That's excellent! -Yeah. | 0:38:42 | 0:38:44 | |
Look at that. Natural eye drops, | 0:38:44 | 0:38:47 | |
when you've got dry, itchy, irritable eyes. | 0:38:47 | 0:38:50 | |
That's fabulous knowledge. | 0:38:51 | 0:38:53 | |
That's so interesting. | 0:38:53 | 0:38:54 | |
There we go. Quite a few plants. | 0:38:56 | 0:38:58 | |
-Yeah. -It's all about love and giving and caring about someone. | 0:38:58 | 0:39:03 | |
It's throughout the Pacific Islands, isn't it? | 0:39:03 | 0:39:07 | |
Our cultures are all so interlinked in that way. | 0:39:07 | 0:39:11 | |
Hinano leads me to a poignant example | 0:39:11 | 0:39:13 | |
of how easy it is for the traditions of the past to be lost. | 0:39:13 | 0:39:17 | |
These fragile ruins are all that's left here | 0:39:19 | 0:39:22 | |
of an ancient fishing temple. | 0:39:22 | 0:39:23 | |
Missionaries have gathered all the old priest. | 0:39:25 | 0:39:28 | |
They gave the order to destroy all these sites, | 0:39:28 | 0:39:32 | |
and so the Polynesians would never go back. | 0:39:32 | 0:39:36 | |
-To worship? -Yes, to their practice. | 0:39:36 | 0:39:39 | |
This is our culture. | 0:39:42 | 0:39:44 | |
It's really sad, because, today, | 0:39:44 | 0:39:46 | |
we ought to be able to say, "OK, the religion has done that." | 0:39:46 | 0:39:51 | |
This is what we are trying to give to the children. | 0:39:51 | 0:39:54 | |
This is not a place where you find the devil, | 0:39:54 | 0:39:57 | |
or this is a place where our beautiful and very smart ancestors | 0:39:57 | 0:40:04 | |
would travel this big ocean, went everywhere, | 0:40:04 | 0:40:08 | |
and this is why we should... | 0:40:08 | 0:40:10 | |
Missionaries. They did the same in Samoa. | 0:40:10 | 0:40:13 | |
You can almost feel the desperation in her, | 0:40:13 | 0:40:17 | |
that this knowledge is passed on | 0:40:17 | 0:40:19 | |
and it's carried on for future generations, | 0:40:19 | 0:40:22 | |
and that passion is in her eyes, it's in her voice... | 0:40:22 | 0:40:25 | |
..and you can't help but be touched by it. | 0:40:27 | 0:40:29 | |
I think Marlon Brando dreamt about teaching Polynesian kids | 0:40:31 | 0:40:35 | |
and teaching the world, also, | 0:40:35 | 0:40:38 | |
having an island like this as an example of sustainable development. | 0:40:38 | 0:40:43 | |
I think we are on a path. | 0:40:43 | 0:40:46 | |
And it's a path that embraces not only the preservation of culture, | 0:40:49 | 0:40:53 | |
but also of the environment. | 0:40:53 | 0:40:55 | |
I go to a lot of hotels that claim to be eco-friendly, carbon neutral, | 0:40:56 | 0:41:00 | |
environmentally sustainable. | 0:41:00 | 0:41:01 | |
This place is different. | 0:41:01 | 0:41:03 | |
They are implementing some seriously innovative sustainable technology | 0:41:03 | 0:41:06 | |
to deal with their own special, local problems and wider issues. | 0:41:06 | 0:41:10 | |
This is a place that is genuinely as concerned with preserving itself | 0:41:10 | 0:41:13 | |
for the future, and its environment's future, | 0:41:13 | 0:41:16 | |
as it is with giving people a jolly nice holiday. | 0:41:16 | 0:41:19 | |
As part of this philosophy, | 0:41:20 | 0:41:21 | |
the hotel has installed 3,700 solar panels | 0:41:21 | 0:41:25 | |
to help meet its energy needs, | 0:41:25 | 0:41:27 | |
and more than 75% of the resort's energy | 0:41:27 | 0:41:29 | |
comes from renewable sources... | 0:41:29 | 0:41:31 | |
..but by far the most ingenious eco-innovation | 0:41:32 | 0:41:35 | |
is the resort's seawater air conditioning, | 0:41:35 | 0:41:38 | |
or SWAC as it is called. | 0:41:38 | 0:41:39 | |
It was Marlon Brando's idea to install it. | 0:41:42 | 0:41:44 | |
It's carbon neutral, and Eddie the engineer couldn't be prouder. | 0:41:44 | 0:41:48 | |
So this is the famous Marlon Brando air conditioning system? | 0:41:48 | 0:41:52 | |
Yes, the SWAC. | 0:41:52 | 0:41:53 | |
This system reduces the Brando's energy waste by 90%. | 0:42:13 | 0:42:16 | |
To create such eco-efficiency, | 0:42:17 | 0:42:20 | |
a single pipe was carefully laid to the edge of the reef | 0:42:20 | 0:42:23 | |
and lowered to the deep ocean floor. | 0:42:23 | 0:42:25 | |
This, here, is literally where the 2,000 metre pipe, | 0:42:27 | 0:42:31 | |
which goes 900 metres down to the bottom of the sea, | 0:42:31 | 0:42:34 | |
deeper than a person can dream of scuba-diving, | 0:42:34 | 0:42:37 | |
comes in right there, | 0:42:37 | 0:42:39 | |
to cool the whole place, and with that alone, you can just... | 0:42:39 | 0:42:41 | |
I could just turn it off, no more air conditioning. | 0:42:41 | 0:42:45 | |
I'm helping Eddie with the daily checks of the pipe system. | 0:42:47 | 0:42:50 | |
OK, I'm going to go and close the other end of the pipe, | 0:42:55 | 0:42:58 | |
because otherwise, having taken off this one, | 0:42:58 | 0:43:00 | |
the water will go around and come in this way and go everywhere, | 0:43:00 | 0:43:02 | |
and getting a plumber out at this time of night here is impossible. | 0:43:02 | 0:43:07 | |
The cold sea water is passed through a heat exchanger, | 0:43:07 | 0:43:10 | |
which cools fresh water, which is then pumped around the hotel, | 0:43:10 | 0:43:14 | |
keeping it at 20 degrees. | 0:43:14 | 0:43:15 | |
The three huge filters need regular cleaning, | 0:43:16 | 0:43:18 | |
as they can get clogged up with debris sucked up from the deep. | 0:43:18 | 0:43:21 | |
A major blockage could damage the system. | 0:43:23 | 0:43:25 | |
Blimey, that's cold! | 0:43:40 | 0:43:42 | |
Aie! He was alive! | 0:43:46 | 0:43:49 | |
-No! -Yes! | 0:43:49 | 0:43:51 | |
It was alive! And my arm is frozen! | 0:43:51 | 0:43:53 | |
Aargh! | 0:43:56 | 0:43:58 | |
I told you. He's not VERY alive, but he's certainly alive. | 0:44:01 | 0:44:05 | |
It's very, very, very cold water, | 0:44:05 | 0:44:07 | |
so I can well sort of grasp just by touching it | 0:44:07 | 0:44:09 | |
what an excellent way it must be of cooling down a hotel... | 0:44:09 | 0:44:12 | |
..but the world's least effective shrimping system. | 0:44:12 | 0:44:16 | |
The hotel has such belief in scientific innovation | 0:44:21 | 0:44:25 | |
that it has even channelled profits | 0:44:25 | 0:44:26 | |
into building a world-renowned research station. | 0:44:26 | 0:44:29 | |
It's Marlon Brando's university of the sea, | 0:44:30 | 0:44:33 | |
right here within the resort, | 0:44:33 | 0:44:36 | |
and it's a project close to Stan's heart. | 0:44:36 | 0:44:38 | |
It's a million-dollar research facility with wet labs, dry labs, | 0:44:38 | 0:44:42 | |
and a dormitory for visiting scientists, | 0:44:42 | 0:44:44 | |
so this is a fundamental part of what we're all about. | 0:44:44 | 0:44:47 | |
Guests at this hotel pay not only for a luxurious holiday, | 0:44:49 | 0:44:53 | |
but also fund the work of scientists researching the atoll's ecosystem, | 0:44:53 | 0:44:56 | |
and the state of the world's oceans... | 0:44:56 | 0:44:59 | |
..and their cutting-edge work | 0:44:59 | 0:45:01 | |
has even attracted the attention of presidents. | 0:45:01 | 0:45:03 | |
These guys hide in the rocks. | 0:45:05 | 0:45:07 | |
They hide into the rocks? | 0:45:07 | 0:45:08 | |
This morning, we're joining Hinano's husband Frank, | 0:45:08 | 0:45:11 | |
who is the executive director of the Tetiaroa Society, | 0:45:11 | 0:45:14 | |
the hotel's so-called university of the sea. | 0:45:14 | 0:45:18 | |
You just want to have something for the guests to see | 0:45:18 | 0:45:20 | |
when they come around. | 0:45:20 | 0:45:22 | |
We are collecting reef creatures to show guests the type of sealife | 0:45:22 | 0:45:25 | |
that is under threat from global warming. | 0:45:25 | 0:45:27 | |
That's a big oyster. | 0:45:27 | 0:45:29 | |
Put that in the aquarium, and he'll open up. | 0:45:29 | 0:45:32 | |
These are all related to starfish. | 0:45:32 | 0:45:35 | |
And how's it managed to get itself done by Burberry? | 0:45:35 | 0:45:37 | |
Coral reefs are considered to be the rainforests of the sea. | 0:45:39 | 0:45:43 | |
They're vital ecosystems | 0:45:43 | 0:45:44 | |
that support a myriad of different marine species. | 0:45:44 | 0:45:48 | |
Oh, beautiful. Oh, both eyes are coming out now. | 0:45:48 | 0:45:51 | |
Hello! | 0:45:51 | 0:45:52 | |
-It's mine! -I can't believe it's being held by the octopus. | 0:45:56 | 0:46:00 | |
-Yeah! -Yeah! | 0:46:00 | 0:46:03 | |
OK, well, a successful search. | 0:46:03 | 0:46:05 | |
The work that Frank and the researchers are doing | 0:46:06 | 0:46:08 | |
is focused on trying to preserve this coral, | 0:46:08 | 0:46:10 | |
and the marine life dependent on it... | 0:46:10 | 0:46:12 | |
..and it couldn't be more urgent. | 0:46:14 | 0:46:16 | |
Rising sea temperatures | 0:46:18 | 0:46:19 | |
are causing coral reefs all over the world to turn white and die... | 0:46:19 | 0:46:23 | |
..but this phenomenon has not yet reached the waters around Tetiaroa. | 0:46:27 | 0:46:31 | |
Who wants to grab the cucumber? | 0:46:31 | 0:46:33 | |
Yeah. He doesn't have a mouth or anything, does he? | 0:46:33 | 0:46:35 | |
No, there's nothing going to hurt you. | 0:46:35 | 0:46:36 | |
This experiment models the effects of higher CO2 levels in the ocean, | 0:46:36 | 0:46:41 | |
to try to find ways to protect the coral reefs. | 0:46:41 | 0:46:44 | |
So tell me, the incredibly wealthy people who come to stay - | 0:46:44 | 0:46:47 | |
do they care about all of this? | 0:46:47 | 0:46:49 | |
Do they talk about it, | 0:46:49 | 0:46:50 | |
or do they just want to flop and have a pina colada | 0:46:50 | 0:46:52 | |
by the pool and read a book? | 0:46:52 | 0:46:54 | |
We get a lot of sponsorship from guests, | 0:46:54 | 0:46:58 | |
you know, that join us and try and work with us | 0:46:58 | 0:47:00 | |
in terms of what we're doing, | 0:47:00 | 0:47:02 | |
not just for Tetiaroa, but the larger picture globally. | 0:47:02 | 0:47:05 | |
If Tetiaroa's coral were to bleach white and die, | 0:47:07 | 0:47:10 | |
this breathtaking reef that surrounds the hotel and its guests | 0:47:10 | 0:47:14 | |
would become a graveyard. | 0:47:14 | 0:47:15 | |
Coral and the fish and the sea urchins and the sea cucumbers | 0:47:17 | 0:47:21 | |
and all that are living all in one system, | 0:47:21 | 0:47:24 | |
so there's a serious problem if you're... | 0:47:24 | 0:47:27 | |
In terms of losing coral, | 0:47:27 | 0:47:28 | |
and then affecting everything else it cascades down on. | 0:47:28 | 0:47:31 | |
There's a huge abundance of marine life here, | 0:47:31 | 0:47:33 | |
and it's all dependent on the coral reef, | 0:47:33 | 0:47:35 | |
which is why the research that's done here | 0:47:35 | 0:47:38 | |
in league with the hotel is so important, | 0:47:38 | 0:47:40 | |
because if it all goes, the consequences, | 0:47:40 | 0:47:43 | |
well, they are unthinkable. | 0:47:43 | 0:47:44 | |
To comprehend what's at stake here, | 0:47:48 | 0:47:50 | |
Frank's taking us outside the reef | 0:47:50 | 0:47:52 | |
in the hope we'll be able to experience | 0:47:52 | 0:47:54 | |
something extraordinary. | 0:47:54 | 0:47:56 | |
There! Look! | 0:47:58 | 0:47:59 | |
-Whoa! -Look at that! | 0:48:03 | 0:48:07 | |
We're helping Frank identify any new humpback whales, | 0:48:07 | 0:48:10 | |
to get an overall sense of how their numbers are doing in this area. | 0:48:10 | 0:48:13 | |
It's sort of like seeing a submarine come up. | 0:48:13 | 0:48:15 | |
I was looking through binoculars, and I realised, | 0:48:15 | 0:48:18 | |
why am I looking at it through binoculars? | 0:48:18 | 0:48:20 | |
I'm right next to it! | 0:48:20 | 0:48:21 | |
These whales have migrated thousands of miles | 0:48:23 | 0:48:25 | |
from their Antarctic feeding ground to these waters | 0:48:25 | 0:48:28 | |
to mate, give birth and nurture their young. | 0:48:28 | 0:48:31 | |
And although we are meant to be helping, | 0:48:34 | 0:48:36 | |
it's hard not to just sit and marvel at these incredible creatures. | 0:48:36 | 0:48:40 | |
I've got goose bumps. | 0:48:42 | 0:48:45 | |
And these giants are so calm, Frank gives the OK... | 0:48:45 | 0:48:49 | |
..for us to witness them in their world. | 0:48:50 | 0:48:53 | |
It's only when you see the whole creature up close | 0:49:02 | 0:49:05 | |
that you understand the scale. | 0:49:05 | 0:49:07 | |
This mother, nurturing her calf, weighs nearly 36 tonnes, | 0:49:08 | 0:49:12 | |
and is almost 15 metres long. | 0:49:12 | 0:49:14 | |
Oh, my God! | 0:49:20 | 0:49:22 | |
That really... | 0:49:29 | 0:49:30 | |
That is almost a life-changing experience. In fact, it is. | 0:49:30 | 0:49:34 | |
-If my life was not all right already... -I just can't compare... | 0:49:34 | 0:49:37 | |
You're watching it from here, | 0:49:37 | 0:49:38 | |
you think you're excited watching it from a boat, | 0:49:38 | 0:49:40 | |
-but to be in the water... -All three of them right there - | 0:49:40 | 0:49:42 | |
and no David Attenborough! | 0:49:42 | 0:49:43 | |
-No! No, no. -I mean... | 0:49:43 | 0:49:45 | |
It was better than that. | 0:49:45 | 0:49:46 | |
In Polynesian culture, | 0:49:52 | 0:49:54 | |
large marine creatures like whales | 0:49:54 | 0:49:56 | |
are believed by some to be the spirit of people's ancestors. | 0:49:56 | 0:50:00 | |
For many, Tetiaroa itself is a very sacred place. | 0:50:02 | 0:50:05 | |
In celebration of this, | 0:50:07 | 0:50:08 | |
tonight the hotel is holding a rare ceremony | 0:50:08 | 0:50:11 | |
involving the guests and all the staff. | 0:50:11 | 0:50:13 | |
For maitre d' Adrian, who first came to the island as a child, | 0:50:20 | 0:50:24 | |
it holds great significance. | 0:50:24 | 0:50:27 | |
It's a very important celebration for the spirits | 0:50:27 | 0:50:30 | |
to make sure that everything we need, from the sea or from the land, | 0:50:30 | 0:50:34 | |
that we need them to bless what we're doing here. | 0:50:34 | 0:50:37 | |
For centuries it has been believed in this part of Polynesia | 0:50:41 | 0:50:44 | |
that this walk of faith appeases the spirit world... | 0:50:44 | 0:50:46 | |
..which rewards them with bountiful food from the land and sea. | 0:50:48 | 0:50:51 | |
All staff and hotel guests are invited to cross the hot stones - | 0:50:54 | 0:50:59 | |
but it must be done via foot. | 0:50:59 | 0:51:01 | |
For Adrian, the occasion embodies the hotel's commitment | 0:51:05 | 0:51:08 | |
to keeping island traditions alive. | 0:51:08 | 0:51:10 | |
Yeah. It's fine. | 0:51:17 | 0:51:19 | |
It's not even burned. | 0:51:20 | 0:51:22 | |
It's hot. But not that hot. | 0:51:23 | 0:51:25 | |
Nearly 300 staff and guests walk the stones, | 0:51:28 | 0:51:31 | |
as the ritual carries on well into the night. | 0:51:31 | 0:51:34 | |
So, you're going to take that back... | 0:51:41 | 0:51:43 | |
You want me to take it off? | 0:51:43 | 0:51:44 | |
Yes. It's just going to be wrapped around. | 0:51:44 | 0:51:47 | |
In the cold light of day, | 0:51:47 | 0:51:48 | |
I'm helping Adrian close the ceremony. | 0:51:48 | 0:51:50 | |
We are carrying the firewalking wreath | 0:51:52 | 0:51:55 | |
to another of the island's temple ruins. | 0:51:55 | 0:51:59 | |
Would you mind taking off your shoes, please? | 0:51:59 | 0:52:01 | |
Shoes off, yes. | 0:52:01 | 0:52:03 | |
It became a temple more than 1,000 years ago. | 0:52:03 | 0:52:06 | |
This one was meant for the biggest ceremony, | 0:52:06 | 0:52:09 | |
mostly for kings and queens. | 0:52:09 | 0:52:10 | |
People still go there to respect the ancestors, | 0:52:10 | 0:52:13 | |
to show them that we still know that they are there. | 0:52:13 | 0:52:17 | |
The wreath is a sign of gratitude for the wisdom of the ancestors. | 0:52:17 | 0:52:20 | |
-To the front? -Yes. | 0:52:24 | 0:52:25 | |
And just grab it. | 0:52:25 | 0:52:28 | |
Then you have to walk backwards? | 0:52:28 | 0:52:30 | |
Careful. | 0:52:30 | 0:52:32 | |
Then, we make another step. | 0:52:32 | 0:52:35 | |
-You're OK? -Yeah. -Yeah? | 0:52:37 | 0:52:41 | |
As an islander myself, | 0:52:41 | 0:52:42 | |
it's both moving and inspiring to see such respect | 0:52:42 | 0:52:45 | |
in this young generation of hotel staff. | 0:52:45 | 0:52:48 | |
-It's really meaningful. -It is. | 0:52:48 | 0:52:51 | |
I realise how special it is to you. | 0:52:51 | 0:52:53 | |
We have to give back, and never forget what we know. | 0:52:53 | 0:52:57 | |
It's fine. | 0:52:59 | 0:53:02 | |
Thank you very much to be a part of that. | 0:53:04 | 0:53:06 | |
Thank you for letting me be a part of it. | 0:53:06 | 0:53:09 | |
The knowledge about this fragile culture is clearly being passed down | 0:53:09 | 0:53:13 | |
from people like Hinano and taking root. | 0:53:13 | 0:53:15 | |
Before we leave the island, we have one more job to do. | 0:53:19 | 0:53:23 | |
Hinano's teaching the hotel staff | 0:53:25 | 0:53:27 | |
how to throw a traditional Polynesian banquet - | 0:53:27 | 0:53:29 | |
and she's asked us along to help. | 0:53:29 | 0:53:33 | |
OK, that's it. | 0:53:33 | 0:53:34 | |
The oven is a sandpit filled with dead coral | 0:53:34 | 0:53:37 | |
that needs to be smoking hot. | 0:53:37 | 0:53:39 | |
Here what they do is about heating the stones, | 0:53:39 | 0:53:42 | |
getting a certain amount of heat into the stones. | 0:53:42 | 0:53:45 | |
Again, really squeeze it. | 0:53:45 | 0:53:47 | |
Meanwhile, I'm making a fruit pudding | 0:53:47 | 0:53:49 | |
of plantain and papaya called Po'e. | 0:53:49 | 0:53:51 | |
Are these the vanillas from the hotel garden? | 0:53:51 | 0:53:54 | |
Yes - and you're doing a great job. | 0:53:54 | 0:53:57 | |
And it's started. | 0:53:57 | 0:53:59 | |
Good job! | 0:53:59 | 0:54:00 | |
Thank you very much. | 0:54:00 | 0:54:02 | |
Hinano now offers us the privilege of handling one of the main dishes. | 0:54:02 | 0:54:06 | |
We have some parrotfish down the beach over there, | 0:54:06 | 0:54:09 | |
so if you and Giles could open it... | 0:54:09 | 0:54:11 | |
Gut it? Into the water? | 0:54:11 | 0:54:12 | |
So we're going to wash it up in the seawater. | 0:54:12 | 0:54:15 | |
Isn't that great? It sort of seasons the fish at the same time. | 0:54:15 | 0:54:18 | |
We're entering the shallows for a time-honoured tradition | 0:54:18 | 0:54:21 | |
of preparing fish amongst sharks. | 0:54:21 | 0:54:24 | |
It's like something out of Jaws! | 0:54:28 | 0:54:30 | |
Oh, there's a big one! | 0:54:34 | 0:54:37 | |
-Hello! -Hello! | 0:54:37 | 0:54:38 | |
As with whales, | 0:54:42 | 0:54:43 | |
some Polynesians also believe sharks to be reincarnated ancestors, | 0:54:43 | 0:54:48 | |
so rather than be scared, it's only right to look after them. | 0:54:48 | 0:54:52 | |
Oi! | 0:54:52 | 0:54:53 | |
Just like feeding the ducks at Regent's Park! | 0:54:53 | 0:54:55 | |
It's got a little bit... Got a little bit more of something. | 0:54:55 | 0:54:58 | |
Although those ducks can be pretty ferocious. | 0:54:58 | 0:55:00 | |
Oh, this is exciting. | 0:55:02 | 0:55:03 | |
These baby reef sharks are only interested in the leftovers | 0:55:05 | 0:55:08 | |
and any smaller fish. Once they're old enough, | 0:55:08 | 0:55:11 | |
they leave the coral lagoon for life in the outer reef. | 0:55:11 | 0:55:14 | |
-It's like a waste disposal unit, but... -This is fab. | 0:55:17 | 0:55:20 | |
-I've never done anything like it. -No, no, no. | 0:55:21 | 0:55:24 | |
How many do you want to get in, then? You want me to sort of...? | 0:55:28 | 0:55:30 | |
That's enough here? And then tie them up. | 0:55:30 | 0:55:32 | |
The food is wrapped in leaves collected from the forest, | 0:55:32 | 0:55:35 | |
then sealed in bags woven from palm fronds. | 0:55:35 | 0:55:38 | |
Look at that! | 0:55:38 | 0:55:40 | |
That is just amazing. | 0:55:40 | 0:55:41 | |
Rammed in like sardines, you might say. | 0:55:41 | 0:55:43 | |
In the middle, in the middle. | 0:55:43 | 0:55:45 | |
Meat in the middle because it's hottest, yeah? | 0:55:45 | 0:55:49 | |
-There? -Yeah. | 0:55:49 | 0:55:51 | |
Our feast is strategically laid out across the oven, | 0:55:51 | 0:55:54 | |
and covered with an intricate blanket of hibiscus leaves. | 0:55:54 | 0:55:56 | |
It does look amazing. | 0:55:58 | 0:55:59 | |
This is to protect it from the sand while it slow cooks. | 0:56:00 | 0:56:04 | |
-To weigh it down here? -Yeah. | 0:56:04 | 0:56:05 | |
You're doing a great job. I'm going to hire you! | 0:56:07 | 0:56:09 | |
Can't wait to get in there. | 0:56:11 | 0:56:12 | |
This is the moment of truth. | 0:56:15 | 0:56:16 | |
Wow, smells amazing. | 0:56:16 | 0:56:18 | |
It's no wonder the sharks are hanging around. | 0:56:20 | 0:56:22 | |
Cooking has taken three hours, and as well as our parrotfish, | 0:56:22 | 0:56:25 | |
we can't wait to get stuck in to all the other delicious offerings. | 0:56:25 | 0:56:29 | |
Oh, my gosh! | 0:56:29 | 0:56:30 | |
This is what I used to eat as a child! | 0:56:30 | 0:56:33 | |
There's roasted sweet potato, coconut bread | 0:56:33 | 0:56:36 | |
and mouthwatering pork ribs. | 0:56:36 | 0:56:38 | |
So tender. Oh! | 0:56:38 | 0:56:40 | |
So fresh and so tasty. | 0:56:40 | 0:56:43 | |
That is very, very delicious. | 0:56:43 | 0:56:45 | |
Really, really good. | 0:56:45 | 0:56:47 | |
In our honour, Adrian performs his Polynesian send-off. | 0:56:52 | 0:56:57 | |
I mean, the thing that is most impressive is, | 0:56:57 | 0:56:58 | |
he's juggling surrounded by sharks. | 0:56:58 | 0:57:01 | |
I know! | 0:57:01 | 0:57:03 | |
That was fabulous. | 0:57:09 | 0:57:11 | |
Wonderful! The people here have really moved me. | 0:57:11 | 0:57:14 | |
Their desire to celebrate the culture here is truly inspiring. | 0:57:14 | 0:57:18 | |
It's a pleasure to have all of us here, | 0:57:23 | 0:57:26 | |
and we share some great moments together with Monica and Giles, | 0:57:26 | 0:57:30 | |
to welcome you, and of course, for the Brando. | 0:57:30 | 0:57:34 | |
I've actually been caught a little bit by surprise | 0:57:40 | 0:57:43 | |
how sort of personal this journey has been for me here. | 0:57:43 | 0:57:46 | |
The people are soulful. | 0:57:46 | 0:57:49 | |
They are gentle. | 0:57:49 | 0:57:51 | |
They are warm and inviting. | 0:57:51 | 0:57:54 | |
It's been an absolute journey for me | 0:57:54 | 0:57:56 | |
to discover this little treasure in the Pacific. | 0:57:56 | 0:58:00 | |
Everyone here, from Stan and Frank to Hinano and Adrian... | 0:58:02 | 0:58:06 | |
..they're all living with the truth | 0:58:08 | 0:58:10 | |
that Marlon Brando realised 50 years ago, | 0:58:10 | 0:58:12 | |
that, yes, we're living in paradise, but, yes, it's very fragile... | 0:58:12 | 0:58:15 | |
..but what's most important is that they're fighting to keep it safe, | 0:58:15 | 0:58:19 | |
and the whole world is richer for it. | 0:58:19 | 0:58:22 |