Browse content similar to Anantara Al Jabal Al Akhdar, Oman. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:04 | |
All over the world, there are remarkable hotels, born of bold vision and daring endeavour. | 0:00:04 | 0:00:08 | |
Wow. This is how I ought to live. | 0:00:08 | 0:00:11 | |
Whether it's one of the remotest hotels on earth, | 0:00:11 | 0:00:14 | |
hidden on a Pacific island... | 0:00:14 | 0:00:15 | |
Or a sumptuous resort on one of the highest mountains in the Middle East. | 0:00:16 | 0:00:20 | |
What an incredible view. | 0:00:21 | 0:00:22 | |
The people running these hotels strive to create the perfect sanctuary. | 0:00:24 | 0:00:28 | |
But what does it take to offer once-in-a-lifetime experiences... | 0:00:28 | 0:00:32 | |
Woo! | 0:00:32 | 0:00:33 | |
..in stunning locations? | 0:00:33 | 0:00:35 | |
Construction was a logistical nightmare. | 0:00:37 | 0:00:39 | |
No water, no source of power. | 0:00:39 | 0:00:42 | |
I'm a restaurant writer, newspaper columnist and critic. | 0:00:42 | 0:00:45 | |
I have opinions on just about everything. | 0:00:45 | 0:00:47 | |
He's not a very good driver, is he? | 0:00:47 | 0:00:48 | |
HORN BLARES | 0:00:48 | 0:00:50 | |
-Majnun. -Majnun! -Crazy! | 0:00:50 | 0:00:52 | |
Majnun! | 0:00:52 | 0:00:53 | |
And I'm a chef who's worked at the top end of the hospitality | 0:00:53 | 0:00:57 | |
industry for well over 20 years. | 0:00:57 | 0:00:59 | |
This is awesome, whoo! | 0:00:59 | 0:01:01 | |
SHE LAUGHS | 0:01:01 | 0:01:03 | |
We'll travel to amazing hotels in every corner of the world. | 0:01:05 | 0:01:09 | |
HE LAUGHS | 0:01:09 | 0:01:10 | |
Enjoy! | 0:01:10 | 0:01:12 | |
We'll spend time getting to know the people working away behind the scenes. | 0:01:12 | 0:01:15 | |
I polished Elton John's fruits. | 0:01:15 | 0:01:18 | |
MONICA LAUGHS | 0:01:18 | 0:01:19 | |
You've polished Elton John's fruits? | 0:01:19 | 0:01:22 | |
Do you recall life under apartheid, has it changed for you? | 0:01:22 | 0:01:25 | |
Nelson Mandela, the first black president, | 0:01:25 | 0:01:27 | |
gave me more inspiration to achieve what I want in life. | 0:01:27 | 0:01:31 | |
THEY LAUGH | 0:01:31 | 0:01:32 | |
Join us as we venture inside... | 0:01:34 | 0:01:37 | |
The world's most extraordinary hotels. | 0:01:37 | 0:01:40 | |
Oman. An oil-rich Muslim kingdom of four million people. | 0:01:45 | 0:01:49 | |
It is renowned for its harsh beauty. | 0:01:49 | 0:01:52 | |
On the east coast of the Arabian Peninsula, | 0:01:56 | 0:01:59 | |
it has become a magnet for high-end travellers. | 0:01:59 | 0:02:01 | |
Nowhere more so than the 2,000-metre-high Anantara Al Jabal Al Akhdar Resort. | 0:02:03 | 0:02:09 | |
The highest five-star resort in the Middle East, it opened only a year ago. | 0:02:10 | 0:02:15 | |
It's unbelievable. | 0:02:24 | 0:02:26 | |
Built to resemble an ancient Omani fort, it has a forbidding exterior. | 0:02:26 | 0:02:31 | |
But once inside, its opulence is mind-blowing. | 0:02:31 | 0:02:34 | |
Wow! What an amazing place. | 0:02:35 | 0:02:37 | |
The hotel treads a delicate line. | 0:02:39 | 0:02:41 | |
Striving to be authentically Omani... | 0:02:41 | 0:02:43 | |
..whilst providing international levels of luxury. | 0:02:44 | 0:02:47 | |
And it has one attraction that is unquestionably world-class - | 0:02:50 | 0:02:54 | |
the breathtaking location. | 0:02:54 | 0:02:55 | |
Wow! What an incredible view. | 0:02:58 | 0:03:00 | |
Oof! | 0:03:03 | 0:03:04 | |
It's a long way down. | 0:03:04 | 0:03:05 | |
We're going to be working in this mountainous resort... | 0:03:12 | 0:03:15 | |
..getting to grips with the three restaurants, | 0:03:16 | 0:03:19 | |
spa, 82 rooms, and 33 villas. | 0:03:19 | 0:03:23 | |
And helping out the 250 staff who work on the six-acre site. | 0:03:25 | 0:03:28 | |
Double basket, please. | 0:03:28 | 0:03:30 | |
But luxury at altitude isn't cheap. | 0:03:30 | 0:03:32 | |
Prices reach £6,000 a night for the best villa. | 0:03:33 | 0:03:36 | |
The man in charge of this huge operation is former soldier Darren Darwin. | 0:03:41 | 0:03:46 | |
I've always had an eye for detail, | 0:03:47 | 0:03:48 | |
but it was definitely drilled into me in the Army. | 0:03:48 | 0:03:51 | |
We really had to support and help each other, | 0:03:51 | 0:03:53 | |
and it's the same principles here. | 0:03:53 | 0:03:55 | |
Good morning, Abdula, how are you? | 0:03:55 | 0:03:57 | |
Darren was the hotel's first employee. | 0:03:57 | 0:03:59 | |
I'm very emotionally attached to this place. | 0:03:59 | 0:04:00 | |
I came here, it was bricks and mortar and scaffolding, and mud everywhere. | 0:04:00 | 0:04:04 | |
And everything is going OK on the gate? | 0:04:04 | 0:04:05 | |
I feel a pressure, because I try, I live up to my own expectations, | 0:04:05 | 0:04:09 | |
which are very high. | 0:04:09 | 0:04:10 | |
It's 8:00am at reception, | 0:04:14 | 0:04:16 | |
and I'm kicking off my stint at the hotel with Darren as he does his daily inspection. | 0:04:16 | 0:04:21 | |
-Good morning! -Good morning, Monica, very pleased to meet you. -How are you, you well? -I'm good. Please. | 0:04:21 | 0:04:25 | |
Everywhere he goes, | 0:04:25 | 0:04:27 | |
he is joined by staff noting down the tiniest of defects. | 0:04:27 | 0:04:31 | |
This is the reception waiting area. | 0:04:31 | 0:04:32 | |
So this is the first impression for the guests, | 0:04:32 | 0:04:34 | |
so it's very important that everything's in its place, everything's perfect. | 0:04:34 | 0:04:38 | |
So, the candle... | 0:04:39 | 0:04:40 | |
Ah, the candle's fallen down, yeah. | 0:04:40 | 0:04:43 | |
I'm quite obsessed with symmetrics. | 0:04:43 | 0:04:46 | |
So, if I stand in the middle, like, | 0:04:46 | 0:04:47 | |
I can see everything on the left the same as everything on the right? | 0:04:47 | 0:04:50 | |
-You can see the umbrellas... -Yeah. -And they're pointed out. | 0:04:50 | 0:04:53 | |
And here, they're pointing in. | 0:04:53 | 0:04:54 | |
Oh, I thought they were meant to be yin and yang. | 0:04:54 | 0:04:58 | |
No, I would be thinking about that all day now. | 0:04:58 | 0:05:00 | |
If you can see the candle stand... | 0:05:01 | 0:05:03 | |
-Yes? -This one needs to be moved over to the left. -All right. | 0:05:03 | 0:05:07 | |
-Oh, much better. -All is good in the world now. | 0:05:09 | 0:05:11 | |
Oh, yes. Everything is now Zen. | 0:05:11 | 0:05:13 | |
And also, Capilla, see where there is finger marks on that middle glass? | 0:05:15 | 0:05:19 | |
It's not just about the interiors. | 0:05:21 | 0:05:23 | |
Here, even the view has to be double checked. | 0:05:23 | 0:05:26 | |
Look at this, these are finger marks. | 0:05:26 | 0:05:28 | |
Oh, goodness, yeah. Wet, ugh, sweaty! | 0:05:28 | 0:05:31 | |
That's not acceptable. The glass has to be perfectly clean, | 0:05:31 | 0:05:34 | |
the decking has to be polished. | 0:05:34 | 0:05:35 | |
Then I can enjoy the view. | 0:05:35 | 0:05:37 | |
The man tested with creating a hotel beautiful enough to rival the view was architect Lotfi Sidirahal. | 0:05:44 | 0:05:50 | |
I've been designing more than 20 hotels in seven different countries. | 0:05:51 | 0:05:55 | |
I dream about sequences, I dream about moments. | 0:05:55 | 0:05:59 | |
It's not really about, I mean, the building itself. | 0:05:59 | 0:06:03 | |
It can be wrong to think that a hotel is a building. | 0:06:03 | 0:06:06 | |
A hotel, I think, it's life. | 0:06:06 | 0:06:09 | |
It's a year since construction of the hotel finished, | 0:06:10 | 0:06:13 | |
and Lotfi is back to check on its progress. | 0:06:13 | 0:06:15 | |
It's an amazing place to build a hotel. | 0:06:17 | 0:06:19 | |
I mean, who owns all this land? | 0:06:19 | 0:06:21 | |
It's the military, actually. | 0:06:21 | 0:06:23 | |
The hotel is owned by the Omani military pension fund. | 0:06:23 | 0:06:27 | |
First time when we came here, we were hearing the shootings. | 0:06:27 | 0:06:30 | |
I mean, here before the opening of the hotel, | 0:06:30 | 0:06:32 | |
we were still hearing the training and shooting each time we came here, so... | 0:06:32 | 0:06:35 | |
-Really? -Yeah, yeah. | 0:06:35 | 0:06:36 | |
It took over three years, 200 million, | 0:06:39 | 0:06:42 | |
and 2,000 people to realise Lotfi's ambitious plans for the hotel. | 0:06:42 | 0:06:47 | |
One of the biggest challenges he faced was the expectation of privacy. | 0:06:51 | 0:06:56 | |
For many Omani women, | 0:06:56 | 0:06:57 | |
it is unacceptable to be seen in public wearing a bathing suit. | 0:06:57 | 0:07:00 | |
Amazing, it's like a swimming pool in the middle of a cowboy western | 0:07:01 | 0:07:05 | |
-movie, or something. -Yeah. | 0:07:05 | 0:07:07 | |
There is one big communal pool, | 0:07:08 | 0:07:10 | |
but the other 34 are all designed to provide complete concealment, | 0:07:10 | 0:07:14 | |
despite some being open to the cliffs. | 0:07:14 | 0:07:16 | |
Privacy is at a premium. | 0:07:16 | 0:07:17 | |
How do you stop people just walking past and looking in? | 0:07:19 | 0:07:22 | |
What we did is that, actually... | 0:07:22 | 0:07:23 | |
..it's not allowed to walk in, | 0:07:25 | 0:07:26 | |
because there is no way you can get directly to the bed rocks on the cliff edge. | 0:07:26 | 0:07:31 | |
The resort has been built to stop guests being able to access the | 0:07:31 | 0:07:34 | |
cliffs without putting up any obvious barriers. | 0:07:34 | 0:07:38 | |
If you were sort of walking up and down here naked, | 0:07:38 | 0:07:40 | |
you might still be worried that someone was going to appear. | 0:07:40 | 0:07:43 | |
Yeah, well... Some goats may appear, actually. | 0:07:43 | 0:07:46 | |
-Really. -Really? -Because, yeah... | 0:07:46 | 0:07:48 | |
Well, I don't think they will take pictures of guests and send that on Instagram, so it's fine. | 0:07:48 | 0:07:53 | |
Today, Darren's mind is not solely on privacy, | 0:07:55 | 0:07:58 | |
but also on making sure all of his staff look immaculate. | 0:07:58 | 0:08:01 | |
-Good morning, everybody. -Good morning! | 0:08:01 | 0:08:03 | |
We are dropping in on a grooming inspection for the housekeeping team. | 0:08:03 | 0:08:06 | |
How are you? | 0:08:06 | 0:08:07 | |
-Very good, sir, and you? -Good, good. | 0:08:07 | 0:08:09 | |
Oh, actually, what happened here? | 0:08:12 | 0:08:14 | |
You need to change this, yeah? | 0:08:14 | 0:08:15 | |
We're trying to create perfection. | 0:08:16 | 0:08:18 | |
7 days a week, 24 hours a day. | 0:08:18 | 0:08:21 | |
-How are you? -Thank you, sir. -Yeah. -Good. | 0:08:21 | 0:08:24 | |
What did we forget this morning? | 0:08:24 | 0:08:27 | |
-Yeah. -Polish, my friend. Your shoes, please. | 0:08:27 | 0:08:29 | |
If you are not passionate to the core, you will fail. | 0:08:29 | 0:08:33 | |
And that goes for not just me, but all of the team. | 0:08:33 | 0:08:36 | |
Good morning. | 0:08:36 | 0:08:38 | |
-Oh, he looks very good. -Perfect. -Yeah. | 0:08:38 | 0:08:41 | |
Guys, thank you very much. Very good, thank you. | 0:08:41 | 0:08:43 | |
-Thank you. -Have a good day. | 0:08:43 | 0:08:44 | |
Poor guys. | 0:08:46 | 0:08:48 | |
-They're so nervous... -MONICA LAUGHS | 0:08:48 | 0:08:50 | |
One of the reasons Darren demands such high standards is the number of | 0:08:53 | 0:08:56 | |
high-profile guests the hotel attracts. | 0:08:56 | 0:08:59 | |
When we go through the VIP list, it's so huge. | 0:08:59 | 0:09:02 | |
I mean, it can be over 60% of our guests. | 0:09:02 | 0:09:04 | |
But the reality of it is we love it. | 0:09:04 | 0:09:06 | |
Is it challenging at times? | 0:09:06 | 0:09:08 | |
Very, but we've not had any complaints, touch wood. | 0:09:08 | 0:09:11 | |
Today, a guest is arriving to stay in the Royal Villa. | 0:09:12 | 0:09:15 | |
Every VIP gets an authentic Omani welcome. | 0:09:15 | 0:09:18 | |
And I'm going to be helping Nasser al Sicuani. | 0:09:21 | 0:09:23 | |
He's giving me a crash course on national greetings. | 0:09:23 | 0:09:27 | |
-Your name? -Giles. | 0:09:27 | 0:09:28 | |
-Giles. -Giles. -OK, I have problem... | 0:09:28 | 0:09:30 | |
-I haven't got it, I should write it on a thing. -OK, OK. Giles. Giles. Giles. | 0:09:30 | 0:09:33 | |
-OK. -It's a very English name. -Yeah. -So, there's no Arabic equivalent, unfortunately. | 0:09:33 | 0:09:37 | |
Hills. Hih-ales. Yeah, but... Giles. | 0:09:37 | 0:09:41 | |
-OK. -This right here, for me. | 0:09:42 | 0:09:44 | |
I'm struggling with a dishdasha, | 0:09:44 | 0:09:47 | |
they're worn by almost all Omani men. | 0:09:47 | 0:09:49 | |
So, also, you have to close this. | 0:09:49 | 0:09:51 | |
What do we do with that? | 0:09:53 | 0:09:54 | |
So, first we do this. | 0:09:54 | 0:09:57 | |
My headgear is a traditional turban known as a muzzar. | 0:09:57 | 0:10:00 | |
It's quite Lawrence of Arabia. | 0:10:04 | 0:10:06 | |
I look like a public school boy with all this get-up here. | 0:10:06 | 0:10:08 | |
The uniform has a novel accessory, should any guest prove truculent. | 0:10:08 | 0:10:12 | |
-So, this is just ceremonial? -Yeah. Don't kill me. | 0:10:14 | 0:10:16 | |
Come on, look at that. He looks really, really cool. | 0:10:18 | 0:10:20 | |
Him, he can do my accounts. | 0:10:20 | 0:10:22 | |
The welcome is not only about looking the part. | 0:10:26 | 0:10:28 | |
We're giving our guest a full musical performance. | 0:10:28 | 0:10:31 | |
So I'm going to tell you how to do the drum. | 0:10:31 | 0:10:33 | |
Honestly, I have no rhythm. | 0:10:33 | 0:10:35 | |
GILES BEATS THE DRUM | 0:10:35 | 0:10:36 | |
Yeah. | 0:10:36 | 0:10:37 | |
Just keep it the same. | 0:10:37 | 0:10:39 | |
The same time. | 0:10:40 | 0:10:42 | |
So you have space to drum. | 0:10:42 | 0:10:43 | |
THEY DRUM | 0:10:43 | 0:10:46 | |
It doesn't make a nice noise... | 0:10:46 | 0:10:48 | |
More heavy, your hand makes it more heavy. | 0:10:49 | 0:10:52 | |
Despite my best efforts, Nasser concedes defeat. | 0:10:52 | 0:10:55 | |
After we do this, we will start singing. | 0:10:55 | 0:10:58 | |
-Yalli-lalli. -Yalli-lalli? | 0:10:58 | 0:11:00 | |
Yeah. # Yalli-lalli... # | 0:11:00 | 0:11:02 | |
But if there's one thing I'm even worse at than drumming, it's singing. | 0:11:02 | 0:11:08 | |
It's not my natural gift. | 0:11:08 | 0:11:10 | |
-Say lalli-lalli. -Lalli-lalli. -Yeah. Lalli-lalli... -Lalli-lalli... | 0:11:10 | 0:11:14 | |
But I've forgotten the first bit now. | 0:11:22 | 0:11:24 | |
Nasser makes an executive decision. | 0:11:31 | 0:11:33 | |
You will do drum, I will sing. | 0:11:33 | 0:11:36 | |
-OK. -Right? -Perfect. -Let's start. | 0:11:36 | 0:11:37 | |
Thankfully, I still have a couple of hours to practise before our guests arrive. | 0:11:37 | 0:11:42 | |
NASSER SINGS AND DRUMS | 0:11:42 | 0:11:44 | |
One man who has no need for practise is the unflappable Villa host, Fahad. | 0:11:47 | 0:11:52 | |
Villa host is a butler. | 0:11:52 | 0:11:54 | |
Normally, I am looking after a lot of VIPs. | 0:11:54 | 0:11:56 | |
The jewel in the hotel's crown is the Royal Villa. | 0:11:58 | 0:12:01 | |
It's one of the best villas in the Middle East. | 0:12:01 | 0:12:04 | |
Fahad is the Villa host to the Royal suite. | 0:12:04 | 0:12:07 | |
And today, we are working together to make sure everything will be perfect for a new arrival. | 0:12:07 | 0:12:12 | |
Oh, wow. This is nice. | 0:12:14 | 0:12:16 | |
Not bad! | 0:12:19 | 0:12:21 | |
-You know, wherever I go, I seem to just go straight to the view, you know? -Yeah. | 0:12:21 | 0:12:26 | |
-This is the place which attract our guest in the beginning. -Yeah. | 0:12:26 | 0:12:29 | |
Temperatures can reach as high as 35 degrees in the day, | 0:12:31 | 0:12:34 | |
and as low as freezing during winter nights. | 0:12:34 | 0:12:36 | |
The pool is kept at a constant balmy 29. | 0:12:38 | 0:12:40 | |
We have to check first the pool temperature. | 0:12:41 | 0:12:44 | |
-But the best way to know the temperature is to take a swim, Fahad. -Never. | 0:12:46 | 0:12:50 | |
Towels, here. | 0:12:50 | 0:12:51 | |
Nice. | 0:12:53 | 0:12:54 | |
We are obviously in a Muslim country, | 0:12:56 | 0:12:58 | |
is there anything especially different you need to organise for that? | 0:12:58 | 0:13:02 | |
We have signage, which is right in the top. | 0:13:02 | 0:13:06 | |
-It's an arrow. -The arrow that points to Mecca? | 0:13:06 | 0:13:09 | |
Exactly. And we also, we have for Muslim guests, | 0:13:09 | 0:13:13 | |
we have a prayer mat and a Koran. | 0:13:13 | 0:13:16 | |
Our guest, he asked to remove alcohol, so we have to make sure... | 0:13:16 | 0:13:20 | |
-OK. All of it? -All of it. | 0:13:20 | 0:13:22 | |
As part of the service, Fahad bathes guests' feet. | 0:13:23 | 0:13:26 | |
It's not a rude question to ask, you must get some good tips, though? | 0:13:27 | 0:13:30 | |
Most of the time, you are getting a very nice tip from the guest. | 0:13:30 | 0:13:34 | |
So, what's the biggest tip you've had? | 0:13:34 | 0:13:36 | |
It was 950 Omani rial, from one of... | 0:13:36 | 0:13:41 | |
That's almost £2,000! | 0:13:41 | 0:13:43 | |
Exactly. | 0:13:43 | 0:13:44 | |
The Royal Villa is ready. | 0:13:49 | 0:13:50 | |
Which is lucky, because our guest is only moments away. | 0:13:51 | 0:13:54 | |
You have to be in one line. | 0:13:54 | 0:13:55 | |
There is a palpable sense of tension. | 0:13:58 | 0:14:01 | |
Even Darren is here for the grand welcome. | 0:14:01 | 0:14:03 | |
The car has been spotted. | 0:14:06 | 0:14:08 | |
SINGING | 0:14:08 | 0:14:10 | |
Fahad, worried I might embarrass our guests, | 0:14:11 | 0:14:14 | |
has some last-minute advice for me. | 0:14:14 | 0:14:16 | |
Shake hands for man, as you, as a lady, no. | 0:14:16 | 0:14:20 | |
-Yes? -For me, it's OK. | 0:14:20 | 0:14:21 | |
For you, for ladies, you can't. | 0:14:21 | 0:14:23 | |
So you shake hands with only the same gender? | 0:14:23 | 0:14:27 | |
He may shake your hand. | 0:14:27 | 0:14:28 | |
Yes. If he offers his hand, then I'll take it. | 0:14:28 | 0:14:31 | |
-Or give him the choice... -Absolutely, OK. | 0:14:31 | 0:14:33 | |
And after all my practice, I'm not even sure they noticed me. | 0:14:41 | 0:14:44 | |
-Hi, Monica, how are you? -Hi! -How are you, how is things? Excellent. -Pleasure to meet you. | 0:14:47 | 0:14:51 | |
The pleasure is mine! | 0:14:51 | 0:14:53 | |
-Get the luggage. -The heat is on to get those bags. -Yeah. | 0:14:56 | 0:14:59 | |
Whilst Fahad and Monica are checking the guests in, | 0:14:59 | 0:15:01 | |
we've got to get their luggage to the Villa. | 0:15:01 | 0:15:04 | |
It's unacceptable for the guest to arrive before their bags, | 0:15:04 | 0:15:07 | |
or even to see us moving them. | 0:15:07 | 0:15:10 | |
-Right, I'll drive, sir. -Yeah, OK. | 0:15:10 | 0:15:12 | |
Yeah, yeah. | 0:15:19 | 0:15:20 | |
THEY LAUGH | 0:15:20 | 0:15:22 | |
It's all feeling so Ocean's Eleven until we hit a problem. | 0:15:25 | 0:15:28 | |
We need to go inside, but we don't have key. | 0:15:31 | 0:15:33 | |
You don't have a key? | 0:15:33 | 0:15:35 | |
We've got no key. | 0:15:35 | 0:15:36 | |
We have a coffee shop, they're open from 10:30 to 7:30. | 0:15:38 | 0:15:42 | |
It's part of the villa host's job | 0:15:42 | 0:15:44 | |
to give their guests a tour of the hotel. | 0:15:44 | 0:15:47 | |
And we have Al Maisan, which is the main restaurant, buffet restaurant, | 0:15:47 | 0:15:50 | |
where you can have breakfast, lunch and dinner. | 0:15:50 | 0:15:53 | |
And we have a shisha lounge right here. | 0:15:53 | 0:15:56 | |
It's time to panic - the main door is locked, too. | 0:15:56 | 0:16:00 | |
We got to this villa, and we didn't have a master key, | 0:16:00 | 0:16:02 | |
so we couldn't put the stuff in, and they're nearly here, so... | 0:16:02 | 0:16:05 | |
This chap himself may have a key. | 0:16:05 | 0:16:07 | |
-Have you got a key? -Yep. | 0:16:07 | 0:16:09 | |
But it turns out it's still not simple even when we have a key. | 0:16:09 | 0:16:13 | |
-Does this key not open this? -No, this is for the Wi-Fi. | 0:16:13 | 0:16:17 | |
-OK, that key doesn't open that? -No. | 0:16:17 | 0:16:19 | |
Luckily, Monica and Fahad are taking the scenic route. | 0:16:21 | 0:16:24 | |
I will take it, you take one. | 0:16:25 | 0:16:27 | |
-OK. -I will take it. OK. | 0:16:27 | 0:16:29 | |
Eventually, someone manages to find a key that works. | 0:16:29 | 0:16:34 | |
-Where shall I put these? -In the luggage room. | 0:16:34 | 0:16:36 | |
-Yeah, I guess you really need a sweater. -Yeah. | 0:16:36 | 0:16:40 | |
And Fahad and I managed to deliver our guest | 0:16:45 | 0:16:48 | |
to their secluded luxury... | 0:16:48 | 0:16:49 | |
-Welcome home. -..none the wiser. | 0:16:49 | 0:16:52 | |
Well, that was a close one, wasn't it? | 0:16:52 | 0:16:55 | |
-We finish. -Let's blow this joint. | 0:16:55 | 0:16:57 | |
One last job remains - to wash our guests' feet. | 0:16:59 | 0:17:02 | |
Slowly, slowly. | 0:17:05 | 0:17:07 | |
Oh! Shit. | 0:17:07 | 0:17:08 | |
-It's no problem, it's OK. -Is that OK? -The car is OK, fine. | 0:17:08 | 0:17:13 | |
-All of us, we can do this. -Really? Have you ever done that? | 0:17:16 | 0:17:19 | |
Yeah, before, two times before. | 0:17:19 | 0:17:20 | |
-One day, I broke one of the lights here. -Oh, yeah? -Yeah. | 0:17:20 | 0:17:24 | |
Nobody knows about this. | 0:17:24 | 0:17:26 | |
HE LAUGHS | 0:17:26 | 0:17:28 | |
The man who has to cater for all guests, VIP or otherwise, | 0:17:41 | 0:17:45 | |
is executive chef Sam Greco. | 0:17:45 | 0:17:47 | |
If I didn't make people happy with my food, | 0:17:47 | 0:17:50 | |
I might as well hang up my hat and stop cooking. | 0:17:50 | 0:17:52 | |
Canadian-Italian, | 0:17:52 | 0:17:54 | |
Sam has been working in the Middle East for the last 14 years. | 0:17:54 | 0:17:57 | |
To keep the Omani guests happy | 0:17:57 | 0:17:59 | |
requires that they have a lot of food, | 0:17:59 | 0:18:02 | |
an abundance of food at the table, but that the food has to be amazing, | 0:18:02 | 0:18:05 | |
it has to taste amazing. | 0:18:05 | 0:18:07 | |
I'm joining Sam on the breakfast shift. | 0:18:07 | 0:18:10 | |
The hotel tries to cater for all tastes - of dim sum, | 0:18:10 | 0:18:14 | |
French pastries and local delicacies. | 0:18:14 | 0:18:17 | |
So, what do the Omani like to have for breakfast? | 0:18:17 | 0:18:20 | |
So, Omanis basically love ful medames, which is a fava bean dish. | 0:18:20 | 0:18:27 | |
If you're looking for an English breakfast, | 0:18:27 | 0:18:29 | |
Sam has some interesting variations. | 0:18:29 | 0:18:31 | |
-Veal sausages and... -Beef bacon? -..obviously beef and turkey. | 0:18:31 | 0:18:34 | |
There is a lot of Muslims come here, | 0:18:34 | 0:18:36 | |
and obviously pork is out of the question, | 0:18:36 | 0:18:38 | |
so we don't really feature it. | 0:18:38 | 0:18:39 | |
We do have pork, but we keep it sort of hush-hush. | 0:18:39 | 0:18:44 | |
In order to serve pork, | 0:18:44 | 0:18:46 | |
the hotel has a special licence and uses entirely different utensils. | 0:18:46 | 0:18:50 | |
A much more traditional element of the breakfast is the bread station, | 0:18:52 | 0:18:56 | |
manned by Egyptian chef Mahmoud. | 0:18:56 | 0:18:58 | |
I hear you make something quite special. | 0:19:00 | 0:19:02 | |
Yeah. This is actually the saj bread, we're doing saj bread. | 0:19:02 | 0:19:05 | |
This comes from all Arab countries. | 0:19:05 | 0:19:08 | |
Saj is an unleavened flatbread, similar to pitta. | 0:19:08 | 0:19:11 | |
So I start just opening... slowly, slowly. | 0:19:13 | 0:19:16 | |
The dough is made overnight, then it's a case of kneading, rolling | 0:19:16 | 0:19:21 | |
and throwing. | 0:19:21 | 0:19:23 | |
Slowly, slowly. | 0:19:23 | 0:19:24 | |
From right to left. Again, right to left. | 0:19:24 | 0:19:28 | |
The specially designed saj dough heats up to 220 degrees. | 0:19:31 | 0:19:36 | |
Mahmoud! Mahmoud! Wow, that is just so awesome. | 0:19:37 | 0:19:42 | |
Absolutely love it. Clearly, Mahmoud's a master. | 0:19:42 | 0:19:44 | |
I'm like a little kid when I'm learning something new. | 0:19:44 | 0:19:48 | |
When things get hectic, Mahmoud can make 250 in a shift. | 0:19:48 | 0:19:52 | |
After the cheese, I'm going to bake again, to melt the cheese. | 0:19:52 | 0:19:56 | |
Look at that! | 0:19:56 | 0:19:58 | |
The hotel serves a saj with cheese, or the more traditional za'atar, | 0:19:58 | 0:20:02 | |
a blend of thyme, oregano, marjoram and toasted sesame seeds. | 0:20:02 | 0:20:07 | |
So, I will just get the cheese melted nicely. | 0:20:07 | 0:20:09 | |
-Yeah. -Roll it... | 0:20:09 | 0:20:11 | |
Shall I roll this one? | 0:20:11 | 0:20:14 | |
Just be careful, because the olive oil's still hot. | 0:20:14 | 0:20:18 | |
So, you want to try now? | 0:20:18 | 0:20:20 | |
Well, if I must, yes. | 0:20:20 | 0:20:22 | |
Sure. | 0:20:22 | 0:20:23 | |
-Look at the cheese now. -Look at that. | 0:20:23 | 0:20:26 | |
-How is it? -It's so good. Oh... -Good. | 0:20:28 | 0:20:31 | |
This has got to be the most fun I've ever had on a breakfast shift. | 0:20:33 | 0:20:36 | |
Not only that, it is delicious. | 0:20:36 | 0:20:38 | |
For me, it beats an English breakfast hands down any day! | 0:20:38 | 0:20:43 | |
Oman has not always been open to luxury tourism. | 0:20:48 | 0:20:51 | |
For much of the 20th century, | 0:20:51 | 0:20:53 | |
an all-powerful sultan took a feudal and isolationist approach | 0:20:53 | 0:20:56 | |
to running the country. As late as the 1960s, | 0:20:56 | 0:21:00 | |
most Omanis lived without running water or electricity. | 0:21:00 | 0:21:04 | |
There were only three schools and six miles of paved roads | 0:21:04 | 0:21:07 | |
in the whole country. | 0:21:07 | 0:21:09 | |
But in 1970, Sultan Qaboos grabbed power from his father, | 0:21:09 | 0:21:14 | |
and ushered in a period of oil-funded rapid modernisation. | 0:21:14 | 0:21:17 | |
Schools, roads and whole new towns shot up. | 0:21:17 | 0:21:21 | |
The changes have been dramatic | 0:21:24 | 0:21:25 | |
for people like the hotel's mountain guru, Maher. | 0:21:25 | 0:21:28 | |
Just when I wake up early morning to see the sunrise, | 0:21:28 | 0:21:32 | |
to look to this mountain, I really feel happy, | 0:21:32 | 0:21:35 | |
I feel like this is my home, this is my heaven. | 0:21:35 | 0:21:39 | |
Maher leads walking tours of the mountain. | 0:21:39 | 0:21:42 | |
Today, we are guiding the Knight-Jeppesen family from Denmark. | 0:21:42 | 0:21:46 | |
Then I want to introduce my friend and the new guide, Giles. | 0:21:46 | 0:21:50 | |
Right, I'll look after you, don't worry. | 0:21:50 | 0:21:54 | |
I may not have an in-depth knowledge of local culture, | 0:21:54 | 0:21:57 | |
but I am well equipped with caution. | 0:21:57 | 0:22:00 | |
Mind your step, it's quite rocky. | 0:22:00 | 0:22:03 | |
Don't bang your head or fall off the side. | 0:22:03 | 0:22:06 | |
If you fall, the phone goes! | 0:22:06 | 0:22:08 | |
OK, Giles. I want you to guess which tree is this. | 0:22:09 | 0:22:14 | |
Ooh! That's delicious. I assume it's pomegranate? | 0:22:14 | 0:22:17 | |
No, no, jasmine leaf. | 0:22:17 | 0:22:19 | |
So, because the man, he spends all the day working in the farm, | 0:22:19 | 0:22:22 | |
we take the leaves, | 0:22:22 | 0:22:25 | |
we put it in the hat right here, we close it. | 0:22:25 | 0:22:29 | |
So when you go back to your wife, at least you have good smell. | 0:22:29 | 0:22:33 | |
THEY LAUGH | 0:22:33 | 0:22:35 | |
In English, "al jabal akhdar" means the green mountain. | 0:22:35 | 0:22:38 | |
But in recent years, it has lost its colour. | 0:22:38 | 0:22:42 | |
There are tiers of dried-up, disused terraces | 0:22:42 | 0:22:45 | |
and, indeed, the ancient villages here are deserted. | 0:22:45 | 0:22:49 | |
-Why did they leave? -For two main reasons, actually. | 0:22:49 | 0:22:52 | |
The houses were really small for a big family. | 0:22:52 | 0:22:55 | |
Omani family, they have, like, three generations live in one house, | 0:22:55 | 0:22:58 | |
and the water starts to get dry from the irrigation system, | 0:22:58 | 0:23:01 | |
so we don't have any more water. | 0:23:01 | 0:23:03 | |
OK, guys, so this is where the water used to start | 0:23:04 | 0:23:07 | |
for the irrigation system. | 0:23:07 | 0:23:09 | |
It springs from the ground. | 0:23:09 | 0:23:11 | |
So the water was flowing here, | 0:23:11 | 0:23:12 | |
so this was like a big river right here. | 0:23:12 | 0:23:14 | |
-When that new village came up... -They took the water away, | 0:23:14 | 0:23:17 | |
they pumped the water from here to the new village? | 0:23:17 | 0:23:20 | |
-That's what's happened. -And killed all these... | 0:23:20 | 0:23:23 | |
-All these terraces are gone now. -That's so sad. | 0:23:23 | 0:23:26 | |
So, that's Shirayjah village. | 0:23:28 | 0:23:30 | |
-And that's where we're going to finish the walk? -Exactly. | 0:23:30 | 0:23:33 | |
With the guests heading for home, | 0:23:33 | 0:23:35 | |
Maher invites me to see where he grew up. | 0:23:35 | 0:23:38 | |
This is my old house. | 0:23:38 | 0:23:40 | |
I miss the life in this village. | 0:23:47 | 0:23:49 | |
So, what has to happen | 0:23:49 | 0:23:50 | |
for you to move back? | 0:23:50 | 0:23:52 | |
If the water comes back to the irrigation system, | 0:23:52 | 0:23:54 | |
I will be the first one back who will come back to this village. | 0:23:54 | 0:23:56 | |
And is that a possibility, might that happen? | 0:23:56 | 0:23:59 | |
Yeah, the government is now working to bring the water from the sea | 0:23:59 | 0:24:02 | |
-after the distillery... -It's a desalination plant? -Exactly. | 0:24:02 | 0:24:06 | |
It's a big problem, yeah, because less raining here. | 0:24:06 | 0:24:09 | |
Maher hopes that the hotel's presence may speed up | 0:24:09 | 0:24:12 | |
plans to pipe water to the terraces. | 0:24:12 | 0:24:14 | |
When we want to bring a lot of guests to Oman, | 0:24:14 | 0:24:17 | |
they want to see all of these terraces green, not dry. | 0:24:17 | 0:24:20 | |
So, they must put a lot of water right here. | 0:24:20 | 0:24:23 | |
And what would you do if that happened? | 0:24:23 | 0:24:25 | |
-Would you still work at the hotel? -No, no, no. | 0:24:25 | 0:24:28 | |
Maybe I will retire, I will come back and work! | 0:24:28 | 0:24:31 | |
What started out today as a tragic story, Maher was saying, | 0:24:31 | 0:24:33 | |
I thought it was the end of the village, | 0:24:33 | 0:24:35 | |
turned round to him saying it's all going to come back, | 0:24:35 | 0:24:38 | |
the water's going to come back, the people are going to come back. | 0:24:38 | 0:24:41 | |
It's a lovely vision of the future. | 0:24:41 | 0:24:42 | |
He seems very confident in it, and I hope he's right. | 0:24:42 | 0:24:46 | |
Despite the water shortages, | 0:24:48 | 0:24:50 | |
the Green Mountain is still renowned for its pomegranates. | 0:24:50 | 0:24:53 | |
The hotel uses them in molasses, and as a garnish with meat. | 0:24:53 | 0:24:57 | |
They get through 30 kilos of them in a week. | 0:24:57 | 0:25:01 | |
Sheikh Abdullah is one of the local suppliers, | 0:25:01 | 0:25:04 | |
his orchards sit just two kilometres away. | 0:25:04 | 0:25:06 | |
-Salaam alaikum. -Alaikum salaam. -OK. | 0:25:06 | 0:25:12 | |
-Can I help? -Yeah, OK. | 0:25:12 | 0:25:14 | |
-OK? -Yes. -Yes. | 0:25:14 | 0:25:15 | |
Pomegranates sell for as much as £2 a fruit. | 0:25:15 | 0:25:19 | |
So, you can't just pull it off, you've actually got to... | 0:25:19 | 0:25:22 | |
..break it gently. | 0:25:22 | 0:25:24 | |
-OK. -Yeah. | 0:25:24 | 0:25:25 | |
-You need... -Yeah. | 0:25:25 | 0:25:26 | |
-Tear like this? -There you are. -Uh-huh. | 0:25:26 | 0:25:28 | |
-How do I know which one is good and which one is not? -Wait. | 0:25:28 | 0:25:31 | |
Mm-hm. | 0:25:35 | 0:25:36 | |
-OK. -Yeah, yeah. | 0:25:44 | 0:25:46 | |
-OK? OK? -Mm! | 0:25:48 | 0:25:49 | |
Oh, so sweet! | 0:25:49 | 0:25:51 | |
Sweet. Yeah. | 0:25:51 | 0:25:53 | |
-It's so good! -OK. | 0:25:53 | 0:25:55 | |
It's nothing... Nothing like a pomegranate we get back in the UK. | 0:25:55 | 0:25:59 | |
Working with Abdullah, | 0:26:01 | 0:26:02 | |
it feels like we are in a completely different world from the VIPs and | 0:26:02 | 0:26:05 | |
extravagance of the hotel. | 0:26:05 | 0:26:07 | |
Do you worry that foreigners coming here would have a change on some of | 0:26:07 | 0:26:10 | |
your culture? | 0:26:10 | 0:26:12 | |
Here we go. | 0:26:28 | 0:26:30 | |
-Yeah. -OK. | 0:26:30 | 0:26:31 | |
-Got it? -Yeah. | 0:26:31 | 0:26:33 | |
The hotel has found another and ingenious way to use the local pomegranates... | 0:26:34 | 0:26:38 | |
Hi, Gina. | 0:26:38 | 0:26:39 | |
..in the spa. | 0:26:39 | 0:26:41 | |
-How are you? -How are you? Are you well? | 0:26:41 | 0:26:42 | |
I'm working with manager Gina Da Costa. | 0:26:42 | 0:26:45 | |
In order to respect Omani sensibilities, | 0:26:45 | 0:26:48 | |
the spa is split according to gender. | 0:26:48 | 0:26:51 | |
There are private pools, | 0:26:51 | 0:26:53 | |
saunas, a hammam, and five treatment rooms. | 0:26:53 | 0:26:57 | |
Unusually, the spa also has a kitchen, where Gina and Maria - | 0:27:00 | 0:27:04 | |
one of the therapists - make an unusual scrub. | 0:27:04 | 0:27:07 | |
You're going to blend all this lovely pomegranate for the scrub? | 0:27:09 | 0:27:12 | |
Yeah. It's very tasty. | 0:27:12 | 0:27:14 | |
Sweet... | 0:27:14 | 0:27:15 | |
The flesh and the husks are blended with salt. | 0:27:17 | 0:27:19 | |
What a gorgeous colour! | 0:27:22 | 0:27:24 | |
It's so natural, isn't it? | 0:27:24 | 0:27:25 | |
I can make this at home. | 0:27:25 | 0:27:27 | |
Blitzing done, it's my chance to try out my massage skills. | 0:27:27 | 0:27:31 | |
-Do you feel uncomfortable? -No. | 0:27:31 | 0:27:34 | |
-You're not comfortable? -Very comfortable. | 0:27:34 | 0:27:36 | |
-Oh, OK. -LAUGHTER | 0:27:36 | 0:27:38 | |
The scrub is designed to remove dead skin cells and to leave the skin | 0:27:38 | 0:27:42 | |
positively glowing. | 0:27:42 | 0:27:43 | |
Is this not too much? It's perfect. I've never done a salt scrub on a | 0:27:43 | 0:27:48 | |
woman before, | 0:27:48 | 0:27:50 | |
or anyone, for that matter. | 0:27:50 | 0:27:53 | |
I have put a salt rub on pork. | 0:27:53 | 0:27:56 | |
This is my first human being. | 0:27:56 | 0:27:58 | |
She does feel much nicer to rub, | 0:27:58 | 0:28:01 | |
put a salt rub on, than on a piece of meat or fish. | 0:28:01 | 0:28:04 | |
RINGS | 0:28:04 | 0:28:06 | |
Your treatment is finished. How do you feel? | 0:28:09 | 0:28:11 | |
Great. Thank you. | 0:28:13 | 0:28:15 | |
The hotel accommodates a cosmopolitan clientele, and for the Omani staff, | 0:28:17 | 0:28:22 | |
life at work can be radically different from the lives they're used to. | 0:28:22 | 0:28:26 | |
I'm back with Nasser for a daily ceremonial lighting of the fire pits. | 0:28:30 | 0:28:35 | |
Our own little ceremony. Well done. | 0:28:41 | 0:28:43 | |
Thank you. | 0:28:43 | 0:28:44 | |
I'm interested in how he feels about the hotel's Western ways. | 0:28:46 | 0:28:50 | |
What do your family think? | 0:28:50 | 0:28:51 | |
Do they think it's a good job? | 0:28:51 | 0:28:53 | |
Sometimes my mother, she is worried about me because, you know, | 0:28:53 | 0:28:58 | |
the hotel is serving alcohol. | 0:28:58 | 0:29:00 | |
Does she ask you, "Have you had a drink?" | 0:29:00 | 0:29:02 | |
-Yeah. -She does? -Yeah. -And what do you say? | 0:29:02 | 0:29:05 | |
I say, "I will not drink." | 0:29:05 | 0:29:07 | |
Because, in our religion, it's wrong. | 0:29:08 | 0:29:12 | |
Does she worry about you mixing with people who are not Omani? | 0:29:12 | 0:29:15 | |
No, she is not worried about this. | 0:29:15 | 0:29:17 | |
Instead of that, she is encouraging me | 0:29:17 | 0:29:20 | |
to learn about the other cultures. | 0:29:20 | 0:29:22 | |
And supposing they give you a job in the hotel group in another country? | 0:29:22 | 0:29:26 | |
-Uh-huh. -Would you leave Oman? | 0:29:26 | 0:29:27 | |
I don't think so. Because my home is here, | 0:29:29 | 0:29:33 | |
so I see my future is here in Oman. | 0:29:33 | 0:29:35 | |
And my future now appears to involve more singing. | 0:29:35 | 0:29:39 | |
Three, two, one... | 0:29:39 | 0:29:41 | |
THEY CHANT IN OWN LANGUAGE | 0:29:41 | 0:29:43 | |
It's easy to worry that something is being diluted, | 0:30:08 | 0:30:11 | |
something's being destroyed about the local culture, | 0:30:11 | 0:30:14 | |
that the locals are being made to compromise working here. | 0:30:14 | 0:30:16 | |
So it's interesting to hear Nasser say that he loves Oman, | 0:30:16 | 0:30:19 | |
and that he appreciates his job, he's giving away nothing of himself, | 0:30:19 | 0:30:23 | |
he's remaining true to his Omani culture. | 0:30:23 | 0:30:25 | |
It may not be terribly Omani, | 0:30:30 | 0:30:32 | |
but the hotel has recently found a new way to attract guests. | 0:30:32 | 0:30:37 | |
It was just one picture in a magazine that just showed... | 0:30:37 | 0:30:41 | |
..a shoot of two people doing yoga. | 0:30:42 | 0:30:44 | |
And I just said, "I just want to do that." | 0:30:44 | 0:30:46 | |
It was just that picture. | 0:30:46 | 0:30:48 | |
Kelvin and Katrina are from Essex. | 0:30:49 | 0:30:51 | |
I said to my wife, "We've got to go there because I want to do the yoga!" | 0:30:51 | 0:30:56 | |
Before coming to Oman, they had never done yoga. | 0:30:57 | 0:31:00 | |
My God, you feel so small when you look out there | 0:31:00 | 0:31:04 | |
and you see all of those mountains. | 0:31:04 | 0:31:06 | |
It's a good leveller. | 0:31:06 | 0:31:09 | |
Darren's plans to capitalise on the hotel's extraordinary location go | 0:31:09 | 0:31:13 | |
well beyond picturesque stretching. | 0:31:13 | 0:31:15 | |
We don't want people just to relax and see the mountain, | 0:31:15 | 0:31:18 | |
we want people to really experience it. | 0:31:18 | 0:31:20 | |
And a big part... | 0:31:20 | 0:31:22 | |
To really do that, it has to be driven on an adventure. | 0:31:22 | 0:31:25 | |
He's opening a 200-metre climbing route on the sheer cliff face | 0:31:25 | 0:31:29 | |
immediately beneath the hotel. | 0:31:29 | 0:31:31 | |
I haven't tried it yet. | 0:31:31 | 0:31:33 | |
I got to be honest with you, it looks terrifying. | 0:31:33 | 0:31:35 | |
Mountain guru Maher needs to practise taking people on the route | 0:31:35 | 0:31:39 | |
before it opens to the public. | 0:31:39 | 0:31:41 | |
And we're going to be his guinea pigs. | 0:31:41 | 0:31:43 | |
Have you done any climbing before? | 0:31:43 | 0:31:45 | |
I used to do it at school, but it was to separate the men from the boys, | 0:31:45 | 0:31:48 | |
and the weaker kids just fell off and died, | 0:31:48 | 0:31:50 | |
and you're left with the strong ones. | 0:31:50 | 0:31:52 | |
-Hi, there. -Hello. -Hi, how are you guys? | 0:31:52 | 0:31:54 | |
Very well. So, you haven't done it with any real clients yet? | 0:31:54 | 0:31:59 | |
With real clients, no, not yet. | 0:31:59 | 0:32:01 | |
I'm going to practise on you guys. | 0:32:01 | 0:32:03 | |
It's really safe, yeah. | 0:32:03 | 0:32:04 | |
It's really safe, you assume, having never done it before with clients, | 0:32:04 | 0:32:08 | |
-though? -Yeah, yeah. -And if it's not, we'll find out? | 0:32:08 | 0:32:10 | |
Yeah. | 0:32:10 | 0:32:12 | |
The route begins just metres away from the viewpoint. | 0:32:13 | 0:32:16 | |
-You nervous? -What? | 0:32:16 | 0:32:18 | |
-No. -No! -Come on, how hard could it be? | 0:32:18 | 0:32:20 | |
Do you think you're on? | 0:32:23 | 0:32:25 | |
It's flashing. | 0:32:25 | 0:32:26 | |
-Oh! -It's fine. | 0:32:34 | 0:32:36 | |
Now we are safe. | 0:32:40 | 0:32:42 | |
We all connect to the cable. | 0:32:42 | 0:32:44 | |
Climbers are attached to a steel cable throughout the climb. | 0:32:47 | 0:32:50 | |
So, you just hold on to this... | 0:32:53 | 0:32:54 | |
It starts with a descent down a crevasse, | 0:32:56 | 0:32:59 | |
with a 30-metre drop beneath. | 0:32:59 | 0:33:01 | |
Oh, God, don't look down. | 0:33:05 | 0:33:06 | |
Oh... | 0:33:06 | 0:33:08 | |
-You can do it, come on. -It's really scary. | 0:33:08 | 0:33:10 | |
Ooh! | 0:33:12 | 0:33:14 | |
What are you meant to hold on to? Are you meant to hold on to the rope or the rock? | 0:33:14 | 0:33:17 | |
The rock, the rock, go for the rock. | 0:33:17 | 0:33:18 | |
And is this some sort of deliberate comedy ladder? | 0:33:21 | 0:33:24 | |
-OK... -Almost there. | 0:33:24 | 0:33:25 | |
Almost there. Almost there, Giles, keep going. | 0:33:27 | 0:33:31 | |
Step back. Good... | 0:33:31 | 0:33:34 | |
There we are. | 0:33:35 | 0:33:37 | |
Knees still trembling, I've at last found a shelf wide enough to stand on. | 0:33:37 | 0:33:41 | |
Wow, look at that. | 0:33:41 | 0:33:42 | |
With the adrenaline pumping and tethered only by a rope, | 0:33:45 | 0:33:49 | |
the view is even more awe-inspiring. | 0:33:49 | 0:33:52 | |
The view is exactly the same as the view from my swimming pool, | 0:33:52 | 0:33:55 | |
where I sat and had a cup of coffee this morning in literally no | 0:33:55 | 0:33:58 | |
percentage danger of death. | 0:33:58 | 0:34:00 | |
The fun is not over. | 0:34:01 | 0:34:03 | |
The route stretches over another 180 metres of spiralling cliffs and | 0:34:03 | 0:34:07 | |
terrifying drops. | 0:34:07 | 0:34:08 | |
OK... OK. | 0:34:11 | 0:34:13 | |
-What do you hold on to? -Under here. | 0:34:13 | 0:34:15 | |
Oh, no, another step. | 0:34:15 | 0:34:16 | |
Well done. | 0:34:21 | 0:34:22 | |
What am I meant to be holding on to? | 0:34:22 | 0:34:24 | |
Underneath the... Underneath where you were, underneath there. | 0:34:24 | 0:34:27 | |
-Cool, yeah. Keep going. -What, | 0:34:27 | 0:34:29 | |
and I just step across to that? | 0:34:29 | 0:34:31 | |
Yeah. Keep your legs straight... | 0:34:31 | 0:34:33 | |
But then, where does my right leg go? | 0:34:33 | 0:34:36 | |
The same place with your left leg. | 0:34:36 | 0:34:38 | |
Oh, I just want to get this shit over with. | 0:34:40 | 0:34:42 | |
So, Monica and Giles, how's it going? | 0:34:46 | 0:34:48 | |
I haven't hyperventilated so much since I gave birth. | 0:34:48 | 0:34:50 | |
I don't think I've breathed at all. | 0:34:50 | 0:34:52 | |
Now we get into the most challenging part. | 0:34:52 | 0:34:55 | |
Oh, no, what's that? | 0:34:55 | 0:34:57 | |
And just when I thought it was almost over... | 0:34:57 | 0:34:59 | |
The zip line. | 0:34:59 | 0:35:01 | |
-What? -It's the zip line time, guys. | 0:35:01 | 0:35:02 | |
You trust me all the way up there, right? | 0:35:02 | 0:35:04 | |
-Yep. -You'll need to trust me on this one. | 0:35:04 | 0:35:06 | |
OK. The zip line is 35 metres long, with a 30-metre drop. | 0:35:06 | 0:35:10 | |
-I can't get a grip! Ah! -Three, two, one! | 0:35:10 | 0:35:14 | |
SHE SHRIEKS | 0:35:14 | 0:35:15 | |
And it's absolutely thrilling. | 0:35:17 | 0:35:19 | |
SHE LAUGHS | 0:35:19 | 0:35:20 | |
I can't do that. | 0:35:20 | 0:35:21 | |
Fuck! | 0:35:23 | 0:35:24 | |
There is nothing, nothing in my DNA that would ever allow me to do that. | 0:35:27 | 0:35:32 | |
Luckily for me, the hotel has designed escape routes for exactly | 0:35:32 | 0:35:36 | |
these moments. | 0:35:36 | 0:35:37 | |
Wait, and then I can climb back and up this thing? | 0:35:37 | 0:35:40 | |
-Yeah. -Giles is taking the escape route out. | 0:35:40 | 0:35:43 | |
He has a fear of heights, and he's done so well to get this far. | 0:35:43 | 0:35:47 | |
I don't want him to be afraid. | 0:35:47 | 0:35:48 | |
But that was pretty awesome! | 0:35:48 | 0:35:50 | |
Up I go, I'm getting out of here. | 0:35:51 | 0:35:53 | |
Obviously, my appearance of fear was a cunning ruse to give Maher some | 0:35:53 | 0:35:57 | |
practise with easily scared guests. | 0:35:57 | 0:36:00 | |
I just think it's important to test the escape routes for them! | 0:36:00 | 0:36:02 | |
HE LAUGHS | 0:36:10 | 0:36:12 | |
Soon, I was joining Giles back at the top. | 0:36:12 | 0:36:14 | |
Oh, get me away from the edge. | 0:36:14 | 0:36:16 | |
Well done, wherever we go, you have to do the brave stuff. | 0:36:16 | 0:36:19 | |
Oh, you did amazing! | 0:36:19 | 0:36:20 | |
I did half an amazing... | 0:36:20 | 0:36:22 | |
-You did amazing. -You do the brave stuff... | 0:36:22 | 0:36:25 | |
Good job, guys, well done. | 0:36:25 | 0:36:26 | |
Oh, my goodness, I need to sit down. | 0:36:26 | 0:36:28 | |
Of course, before guests can risk life and limb on the cliffs, | 0:36:30 | 0:36:33 | |
they need to ascend 2,000 metres to get there. | 0:36:33 | 0:36:36 | |
It's driver Mubarek's job to make sure they do. | 0:36:37 | 0:36:41 | |
I'm born in the mountain, my heart's in the mountain. | 0:36:41 | 0:36:44 | |
I need the mountain, I love the mountain. | 0:36:44 | 0:36:47 | |
The hotel has a fleet of five four-wheel-drive cars. | 0:36:47 | 0:36:51 | |
Mubarek is going to give me a lesson in mountain driving. | 0:36:51 | 0:36:54 | |
The drivers are very important, because we are high up a mountain, | 0:36:54 | 0:36:57 | |
a long way from the airport. | 0:36:57 | 0:36:59 | |
Now, my driving is fine, but it's not amazing, | 0:36:59 | 0:37:02 | |
and I'm not known for my politeness and hospitality, | 0:37:02 | 0:37:05 | |
so I'm thinking it may be a bit of a struggle. | 0:37:05 | 0:37:07 | |
Welcome, my name is Mubarek Mohammed... | 0:37:07 | 0:37:12 | |
-Giles Coren. -Welcome. | 0:37:12 | 0:37:14 | |
OK. | 0:37:14 | 0:37:16 | |
After the regrettable golf buggy incident, I'm eager to prove myself. | 0:37:16 | 0:37:21 | |
Which side of the road do you drive on in this...? | 0:37:21 | 0:37:24 | |
You take it right here. | 0:37:24 | 0:37:25 | |
-I'll take a right? -Yeah. | 0:37:25 | 0:37:27 | |
Mubarek has some strict rules. | 0:37:27 | 0:37:29 | |
Before the drive... | 0:37:29 | 0:37:30 | |
-Yeah? -..you can't keep your phone... | 0:37:30 | 0:37:33 | |
Silence, no need using your phone, and no need using it for WhatsApp. | 0:37:33 | 0:37:39 | |
Am I doing the right speed? | 0:37:39 | 0:37:41 | |
I'm driving at about...70, is it too slow? | 0:37:41 | 0:37:43 | |
No, they have only 60. | 0:37:43 | 0:37:46 | |
-Should I be going slower? -60, OK, 60. | 0:37:46 | 0:37:48 | |
You're using your phone? | 0:37:48 | 0:37:49 | |
Yes, my wife is... | 0:37:49 | 0:37:51 | |
Oh, is that different? The rules are off if it's your wife? | 0:37:51 | 0:37:54 | |
Fine. If my wife phones, I'll... No, that's fine, carry on! | 0:37:54 | 0:37:56 | |
I am done to drive, you drive now! | 0:37:56 | 0:37:58 | |
If I drive, I cannot... | 0:37:58 | 0:38:00 | |
You chat to the wife, Mubarek, I'll drive, that's fine, you chat. | 0:38:00 | 0:38:03 | |
-Say hello from me. -No, no problem. | 0:38:03 | 0:38:05 | |
Because the road to the hotel is a relentless descent, | 0:38:06 | 0:38:09 | |
you're legally obliged to use a four-wheel-drive vehicle. | 0:38:09 | 0:38:12 | |
A normal car runs the risk of dangerously overheating brakes. | 0:38:12 | 0:38:16 | |
Oh... | 0:38:16 | 0:38:18 | |
-Too fast? -Not need fast. | 0:38:18 | 0:38:20 | |
-OK. -Because fast like that's not good to you. | 0:38:20 | 0:38:23 | |
-No? -Yeah, the guest with you... | 0:38:23 | 0:38:25 | |
-Oh, of course, the guest. -Right! | 0:38:25 | 0:38:27 | |
Safety. | 0:38:27 | 0:38:29 | |
OK. I will, OK... | 0:38:29 | 0:38:31 | |
With my driving not impressing, | 0:38:33 | 0:38:34 | |
I thought maybe I should learn some Arabic. | 0:38:34 | 0:38:37 | |
What do I need to learn to say to the guests? | 0:38:37 | 0:38:39 | |
How do I say, "Hello, and welcome to the hotel"? | 0:38:39 | 0:38:43 | |
HE SPEAKS IN ARABIC | 0:38:43 | 0:38:45 | |
HE REPEATS | 0:38:45 | 0:38:47 | |
-Yes. -We're going to stop, so... Don't... | 0:38:47 | 0:38:49 | |
You see, he's not a very good driver, is he? HORN HONKS | 0:38:49 | 0:38:52 | |
Should we wind down the window? What? | 0:38:52 | 0:38:54 | |
-Majnun. -Majnun! | 0:38:54 | 0:38:56 | |
Crazy! | 0:38:56 | 0:38:58 | |
MAJNUN! | 0:38:58 | 0:39:00 | |
LAUGHTER | 0:39:00 | 0:39:02 | |
He's a complete majnun! | 0:39:02 | 0:39:05 | |
To avoid our road rage escalating, Mubarek suggests we take a break. | 0:39:05 | 0:39:10 | |
And that's the hotel? | 0:39:10 | 0:39:12 | |
Yes, you can see nice, that's the Anantara Hotel in the nice view. | 0:39:12 | 0:39:16 | |
In the hotel, where the men and women work together? | 0:39:16 | 0:39:19 | |
-Yeah. -That didn't used to happen in Oman? | 0:39:19 | 0:39:22 | |
No, that's OK now, because all think now, that's needed, | 0:39:22 | 0:39:26 | |
jobs for men and women, that's OK. | 0:39:26 | 0:39:29 | |
-Is that OK? -Yeah. -What if your daughter wanted to work in there? | 0:39:29 | 0:39:33 | |
My daughter, that's maybe, leave it, no need. | 0:39:33 | 0:39:35 | |
-Why not? -No need, that's... | 0:39:35 | 0:39:37 | |
Nothing, that's no need. | 0:39:38 | 0:39:40 | |
In Oman, fathers and husbands are legally considered to be the heads | 0:39:43 | 0:39:47 | |
of household. | 0:39:47 | 0:39:49 | |
Only in 2003 were all women allowed to vote. | 0:39:49 | 0:39:52 | |
The hotel employs 46 expat women, | 0:39:53 | 0:39:56 | |
but it also has a small number of Omanis. | 0:39:56 | 0:40:00 | |
We are six Omani women who work at the hotel. | 0:40:00 | 0:40:03 | |
With a degree in chemical engineering, | 0:40:03 | 0:40:06 | |
Marshaal is in charge of food hygiene and determined to break the mould. | 0:40:06 | 0:40:10 | |
The women can do anything, and they can even be better than the men. | 0:40:10 | 0:40:16 | |
Marshaal's very feisty, she's not scared to say what she thinks. | 0:40:18 | 0:40:22 | |
It's her first managerial role, and she's an Omani lady, | 0:40:22 | 0:40:25 | |
you can imagine... It wasn't embraced with open arms | 0:40:25 | 0:40:29 | |
with a lot of the guys at the resort. | 0:40:29 | 0:40:30 | |
She goes and tells them herself, and they do it. | 0:40:30 | 0:40:32 | |
Every morning, she checks the chefs are maintaining standards of hygiene. | 0:40:34 | 0:40:38 | |
I just want to have a look at your nails. | 0:40:38 | 0:40:40 | |
-Yes. -There are four kitchens and 38 employees to monitor. | 0:40:40 | 0:40:44 | |
Almost all of whom are men. | 0:40:45 | 0:40:46 | |
You didn't shave today. | 0:40:46 | 0:40:48 | |
It's like they're our standard, I have to send him back to shave, | 0:40:48 | 0:40:53 | |
and to come back to the kitchen. | 0:40:53 | 0:40:55 | |
OK. | 0:40:55 | 0:40:56 | |
One of Marshaal's pioneering Omani colleagues is Amal. | 0:40:56 | 0:41:00 | |
She teaches staff English. | 0:41:00 | 0:41:02 | |
I advise Omani ladies to work in tourism. | 0:41:02 | 0:41:06 | |
I want to advise those families who restrict their ladies. | 0:41:07 | 0:41:14 | |
I want to tell them it's good, let her to see her life. | 0:41:14 | 0:41:18 | |
She will work, she will be strong, she will be a leader, | 0:41:18 | 0:41:21 | |
she'll protect herself, | 0:41:21 | 0:41:23 | |
and don't worry. | 0:41:23 | 0:41:26 | |
In Oman, industries like hospitality, where women mix with men, | 0:41:26 | 0:41:30 | |
are traditionally frowned upon. | 0:41:30 | 0:41:32 | |
Over coffee and dates, | 0:41:33 | 0:41:34 | |
I've got a chance to find out how Marshaal and Amal feel about working | 0:41:34 | 0:41:38 | |
in the hotel. | 0:41:38 | 0:41:39 | |
What do the locals or the people in your community think of you | 0:41:39 | 0:41:42 | |
-working here? -My family, actually, they're totally fine, | 0:41:42 | 0:41:46 | |
and they always supported me. | 0:41:46 | 0:41:48 | |
Especially my father. | 0:41:48 | 0:41:51 | |
I have to be honest, I can't say that they love | 0:41:51 | 0:41:55 | |
a woman who is working in hospitality. | 0:41:55 | 0:42:00 | |
They cannot accept a woman who is dealing with guys too much. | 0:42:00 | 0:42:04 | |
-You understand me? -Yeah. -But I think for me, I have to ignore it, | 0:42:04 | 0:42:09 | |
because I'm doing just my duty, and then I'm leaving. | 0:42:09 | 0:42:12 | |
How do you think the hotel has changed women's lives here? | 0:42:12 | 0:42:16 | |
I mean, women come here and they see that there is Arab ladies or Omani | 0:42:16 | 0:42:21 | |
ladies working here, and they feel that Oman has changed. | 0:42:21 | 0:42:27 | |
Could you imagine one day having an Omani woman as a general manager here? | 0:42:27 | 0:42:32 | |
I want to be a general manager. | 0:42:32 | 0:42:34 | |
-Well, you can. -Yes, maybe I'll be the first Omani. | 0:42:34 | 0:42:37 | |
Yes! Right there. | 0:42:37 | 0:42:40 | |
Yeah, really, I'm working on it. | 0:42:40 | 0:42:42 | |
For me, it's still surprising to come to a place where women working | 0:42:42 | 0:42:46 | |
alongside men is seen as novel. | 0:42:46 | 0:42:49 | |
But there is much to celebrate. | 0:42:49 | 0:42:50 | |
These women want more, they want their independence, | 0:42:50 | 0:42:53 | |
and they're working for it. And to see that happen, for me, is... | 0:42:53 | 0:42:57 | |
..something to rejoice in. | 0:42:57 | 0:42:59 | |
It's empowering. | 0:42:59 | 0:43:01 | |
In some hotels, housekeeping can traditionally be seen as women's work. | 0:43:03 | 0:43:07 | |
But here, they have an almost-exclusively male team. | 0:43:07 | 0:43:09 | |
Yes, I like things in spick-and-span, | 0:43:11 | 0:43:14 | |
and has to be perfect for the guests. | 0:43:14 | 0:43:16 | |
Ateev Shah is executive housekeeper. | 0:43:16 | 0:43:20 | |
And a man who takes his job personally. | 0:43:20 | 0:43:22 | |
I'm not married. Yeah, you can say that housekeeping is my girlfriend. | 0:43:22 | 0:43:26 | |
We're preparing one of the 82 standard rooms. | 0:43:28 | 0:43:32 | |
For Ateev, it's about more than just keeping the rooms clean. | 0:43:32 | 0:43:35 | |
He demands creativity from his team. | 0:43:35 | 0:43:37 | |
We have to fold it, and then we start rolling it. | 0:43:39 | 0:43:44 | |
Today, we're using towels to make elephants. | 0:43:44 | 0:43:47 | |
They also make monkeys and swans. | 0:43:47 | 0:43:49 | |
Wow, look at that! | 0:43:49 | 0:43:51 | |
-Look at his little head! -And then... | 0:43:51 | 0:43:53 | |
..we fold it from the centre. | 0:43:53 | 0:43:54 | |
And there's an elephant! | 0:43:56 | 0:43:58 | |
-So, you want to try it? -Yeah! | 0:43:58 | 0:44:00 | |
COMICAL MUSIC | 0:44:00 | 0:44:03 | |
So, we basically want the legs to be the sort of same size, don't we? | 0:44:03 | 0:44:06 | |
Mm. | 0:44:06 | 0:44:09 | |
OK, and then... | 0:44:09 | 0:44:10 | |
Flip it like that? | 0:44:12 | 0:44:13 | |
Which actually looks like... | 0:44:15 | 0:44:19 | |
A snowman, naked, bending down. | 0:44:19 | 0:44:22 | |
The pressure to impress Ateev is beginning to tell. | 0:44:22 | 0:44:25 | |
Is this definitely the only way you can do it? | 0:44:28 | 0:44:32 | |
Oh! | 0:44:32 | 0:44:33 | |
-OK, let me help you. -No! | 0:44:33 | 0:44:35 | |
When people doesn't do their attention to detail, | 0:44:35 | 0:44:37 | |
it's a pinch in my heart. | 0:44:37 | 0:44:40 | |
No, leave my elephant legs alone! | 0:44:40 | 0:44:42 | |
OK, and then, you turn him around like that? | 0:44:46 | 0:44:49 | |
And then, don't come undone, don't come undone... | 0:44:49 | 0:44:54 | |
There we are! | 0:44:54 | 0:44:55 | |
It's looking like a baby elephant. | 0:44:55 | 0:44:57 | |
Thank you! A baby elephant after a difficult birth. | 0:44:57 | 0:45:00 | |
Yes, yes, yes. It's something unique. | 0:45:00 | 0:45:02 | |
So what's that amazing smell? | 0:45:02 | 0:45:04 | |
Yeah, it's rose water, which we use in our guest rooms. | 0:45:04 | 0:45:08 | |
We do it on the curtains. | 0:45:08 | 0:45:10 | |
Rose water is traditionally used in the Middle East to make houses, | 0:45:10 | 0:45:14 | |
and people, smell good. | 0:45:14 | 0:45:16 | |
And then we do it in bathroom, shower area and the main bathroom, | 0:45:16 | 0:45:19 | |
-and it's finished. -So how much more do I need, lots? | 0:45:19 | 0:45:22 | |
No, no, it's enough, enough, enough. | 0:45:22 | 0:45:24 | |
The area around the hotel is famous for its rose water, | 0:45:25 | 0:45:29 | |
and Sheikh Abdullah, along with growing pomegranates, | 0:45:29 | 0:45:32 | |
uses age-old methods to produce it in his workshop. | 0:45:32 | 0:45:34 | |
THEY SPEAK ARABIC | 0:45:34 | 0:45:36 | |
Oh, my word! | 0:45:40 | 0:45:42 | |
I'm going to help Abdullah make a batch of his potent perfume. | 0:45:42 | 0:45:46 | |
Oh, you can smell them. | 0:45:46 | 0:45:48 | |
Wow. How many roses does it take to make a bottle? | 0:45:48 | 0:45:52 | |
Over several hours, the fire heats the roses. | 0:45:57 | 0:46:01 | |
The steam from the petals condenses on the plate above, | 0:46:01 | 0:46:03 | |
and drips down into the bowl. | 0:46:03 | 0:46:05 | |
You put water on there? | 0:46:05 | 0:46:08 | |
Rose water has a host of uses. | 0:46:08 | 0:46:10 | |
The rose-infused water has already begun to condense. | 0:46:24 | 0:46:27 | |
-Look at that! -Yeah. | 0:46:27 | 0:46:30 | |
-Wow! -OK? | 0:46:30 | 0:46:31 | |
That is amazing. | 0:46:31 | 0:46:33 | |
Once the cooking process is over, | 0:46:34 | 0:46:36 | |
the liquid is strained and left to settle for two and a half months, | 0:46:36 | 0:46:39 | |
before being decanted. | 0:46:39 | 0:46:41 | |
A bottle of this precious solution costs £12. | 0:46:42 | 0:46:45 | |
-Omani. -Yeah. | 0:46:47 | 0:46:48 | |
-Yeah? -OK! | 0:46:50 | 0:46:51 | |
Oh, smells quite smoky, yeah? | 0:46:53 | 0:46:55 | |
Yes, OK, OK. | 0:46:55 | 0:46:56 | |
Smells smoky. That's beautiful. | 0:46:56 | 0:46:58 | |
-Yeah. -It's fantastic. | 0:46:58 | 0:47:00 | |
What a great way to refresh yourself, as well. | 0:47:00 | 0:47:02 | |
Using rose water to keep the hotel smelling fragrant is only one of | 0:47:15 | 0:47:18 | |
housekeeper Ateev's responsibilities. | 0:47:18 | 0:47:20 | |
It's also down to him to keep everything looking immaculate. | 0:47:20 | 0:47:24 | |
This hotel is positively brimming with ornate ceilings and beautiful | 0:47:24 | 0:47:27 | |
chandeliers, which is obviously lovely, on paper, if you're an architect, | 0:47:27 | 0:47:30 | |
and beautiful to look at if you're a guest. | 0:47:30 | 0:47:32 | |
Not so much fun if you have to clean them. | 0:47:32 | 0:47:34 | |
So these are the lights, which we're going to clean today. | 0:47:35 | 0:47:39 | |
And you saved this job until I was available to help you? | 0:47:39 | 0:47:41 | |
-Yes, definitely. -Someone thought I might be handy. | 0:47:41 | 0:47:44 | |
Yes. Before we start, you can have gloves. | 0:47:44 | 0:47:47 | |
-Do I need gloves? -Yes. | 0:47:47 | 0:47:49 | |
The chandelier hangs across two floors, | 0:47:50 | 0:47:53 | |
connecting the cocktail bar and the Al Baha restaurant. | 0:47:53 | 0:47:56 | |
It's made up of 53 different lights. | 0:47:56 | 0:47:58 | |
It's like polishing Christmas decorations. | 0:48:00 | 0:48:02 | |
It's like Christmas every day. | 0:48:02 | 0:48:04 | |
Some of the areas, still dust is there, OK, but not bad. | 0:48:08 | 0:48:13 | |
Quite fun, getting these. | 0:48:15 | 0:48:17 | |
As you spend time in the hotel, | 0:48:17 | 0:48:19 | |
it becomes obvious that not all the staff are Omani. | 0:48:19 | 0:48:21 | |
You're not from around here, are you? | 0:48:21 | 0:48:23 | |
I'm from India, basically. | 0:48:23 | 0:48:25 | |
What's the place that most are from? | 0:48:25 | 0:48:26 | |
Like, we can say Indians are there, then you can take Sri Lankans, | 0:48:26 | 0:48:30 | |
there are from Pakistan, there are from, like, UK, | 0:48:30 | 0:48:34 | |
then you can say Philippines. | 0:48:34 | 0:48:36 | |
But why are there so many foreigners working in the hotel? | 0:48:36 | 0:48:39 | |
There are lots of Omanis also working in our companies, | 0:48:39 | 0:48:42 | |
but they are not comfortable with cleaning up the rooms. | 0:48:42 | 0:48:45 | |
With its oil wealth, Oman has become accustomed to relying on | 0:48:46 | 0:48:50 | |
foreign workers, the rights of whom have at times been under the spotlight. | 0:48:50 | 0:48:53 | |
Although the place feels quite Omani, | 0:48:55 | 0:48:57 | |
and when you arrive you are greeted by Omanis, | 0:48:57 | 0:49:00 | |
and the whole vibe here is designed to be local, | 0:49:00 | 0:49:03 | |
it has become very clear from talking to Ateev that to keep it | 0:49:03 | 0:49:06 | |
actually running, they are dependent on hundreds of people who are not | 0:49:06 | 0:49:09 | |
Omani, who are expats. | 0:49:09 | 0:49:10 | |
Of the hotel's 260 staff, 190 are from overseas. | 0:49:12 | 0:49:17 | |
Keeping them happy whilst living and working on a remote desert mountain | 0:49:17 | 0:49:20 | |
is a challenge for Darren. | 0:49:20 | 0:49:22 | |
We have over 30 nationalities here, from various cultures, | 0:49:23 | 0:49:27 | |
all continents of the globe. | 0:49:27 | 0:49:30 | |
The community is very much ingrained within us. | 0:49:30 | 0:49:33 | |
I think a lot of it is, we all live together, we're a family. | 0:49:33 | 0:49:36 | |
I know it's a cliche, but we literally live, breathe, sleep together. | 0:49:36 | 0:49:40 | |
Maybe not sleep together! | 0:49:40 | 0:49:43 | |
When I was in the Army, one thing that brought us all together was sport. | 0:49:43 | 0:49:47 | |
In the shadow of the staff accommodation block | 0:49:47 | 0:49:50 | |
sits the most unlikely of | 0:49:50 | 0:49:52 | |
sporting venues - a cricket pitch, hewn from the rock. | 0:49:52 | 0:49:56 | |
Got quite a good crowd today. | 0:49:56 | 0:49:58 | |
It's a long wicket for a game with a tennis ball, isn't it? | 0:49:59 | 0:50:02 | |
-You want to see them play. -Are they really good? | 0:50:02 | 0:50:04 | |
Really good, really good. | 0:50:04 | 0:50:05 | |
Well, they'll have fun bowling out an Englishman, won't they? | 0:50:05 | 0:50:08 | |
I've been picked to play for Housekeeping against the might of Food and Beverage. | 0:50:08 | 0:50:12 | |
I'm playing alongside Ateev. | 0:50:12 | 0:50:14 | |
-Is it important that we win? -Yes, definitely. | 0:50:14 | 0:50:16 | |
One has to win, so that is the most... | 0:50:16 | 0:50:18 | |
And does Housekeeping normally win, do we generally...? | 0:50:18 | 0:50:21 | |
-Yes, yes. -Darren is umpiring today. | 0:50:21 | 0:50:23 | |
Make sure you get this guy out, first ball. | 0:50:23 | 0:50:26 | |
Go on! | 0:50:28 | 0:50:30 | |
Yes! | 0:50:34 | 0:50:35 | |
CHEERING | 0:50:39 | 0:50:40 | |
Ah... | 0:50:42 | 0:50:44 | |
Do you get the Omanis playing cricket with you, or not? | 0:50:50 | 0:50:52 | |
Yes, sometimes some of the Omanis are also keen to play various games. | 0:50:52 | 0:50:57 | |
They are also taking part in playing cricket with us. | 0:50:57 | 0:51:00 | |
So we are also giving them a chance to play, | 0:51:00 | 0:51:03 | |
and then they are also learning. | 0:51:03 | 0:51:04 | |
With a total of 70 on the board, it's Food and Beverage's turn to bat. | 0:51:06 | 0:51:11 | |
CHEERING | 0:51:11 | 0:51:12 | |
It doesn't start well for them. | 0:51:12 | 0:51:14 | |
I never thought I'd play cricket in the Middle East. | 0:51:17 | 0:51:20 | |
I've played in Malaysia, I've played in Yorkshire, | 0:51:20 | 0:51:22 | |
never played in the Middle East before. | 0:51:22 | 0:51:25 | |
Very exciting, and I actually took a catch. | 0:51:25 | 0:51:27 | |
It's easy to see why cricket is so important for Ateev and the others. | 0:51:27 | 0:51:31 | |
I'm a long way from home, but only for a week or so, | 0:51:33 | 0:51:35 | |
and it's already making me feel lifted and excited and happy about | 0:51:35 | 0:51:38 | |
being here, and working in the hotel, | 0:51:38 | 0:51:40 | |
but to get out and have a game of cricket in this kind of surroundings, | 0:51:40 | 0:51:43 | |
who couldn't feel enlivened? | 0:51:43 | 0:51:45 | |
Oh... | 0:51:45 | 0:51:47 | |
CHEERING | 0:51:47 | 0:51:49 | |
It's a big win for Housekeeping, | 0:51:51 | 0:51:53 | |
but our victory is not the only cause for celebration. | 0:51:53 | 0:51:56 | |
The hotel is about to have its first birthday. | 0:51:56 | 0:51:59 | |
The first-year anniversary is a huge milestone. | 0:51:59 | 0:52:01 | |
We want the anniversary party to be as local as possible. | 0:52:01 | 0:52:04 | |
And you can't have an Omani party without a goat. | 0:52:06 | 0:52:08 | |
I've headed down the mountain to stock up for the festivities. | 0:52:10 | 0:52:13 | |
I have never bought a live goat before, and I have no idea where to start. | 0:52:13 | 0:52:18 | |
Luckily, I'm with chef Ibrahim and mountain guide Maher, | 0:52:18 | 0:52:23 | |
who has been buying and selling goats here since he was a child. | 0:52:23 | 0:52:26 | |
-Busy, no? -Always busy. | 0:52:26 | 0:52:29 | |
Farmers employ salesmen from the market to parade the animals in | 0:52:29 | 0:52:32 | |
front of potential buyers. | 0:52:32 | 0:52:35 | |
Oh, little baby. | 0:52:35 | 0:52:37 | |
The baby is for family, not for cooking. | 0:52:37 | 0:52:41 | |
-OK. -So we keep it for family. -Ah, OK. | 0:52:41 | 0:52:43 | |
A top breeding goat sells for as much as £1,000, | 0:52:43 | 0:52:46 | |
but normal prices are about £100. | 0:52:46 | 0:52:49 | |
If I choose, I want to take it home! | 0:52:49 | 0:52:51 | |
Here, you try before you buy, | 0:52:52 | 0:52:54 | |
and each goat must be inspected before we make an offer. | 0:52:54 | 0:52:57 | |
So we'll check the teeth. | 0:52:57 | 0:52:59 | |
-Yeah. -To be sure that it's really young. | 0:52:59 | 0:53:02 | |
-Yep. -See the teeth? -That is the same, yeah. -Six to eight months, the age of this goat. | 0:53:02 | 0:53:07 | |
So we'll take this one. | 0:53:07 | 0:53:08 | |
-We take this one? -We're going to take this one. | 0:53:08 | 0:53:11 | |
THEY SPEAK ARABIC | 0:53:11 | 0:53:13 | |
Before we go, I want to talk to the seller. | 0:53:14 | 0:53:16 | |
So, does he have a big herd? | 0:53:16 | 0:53:18 | |
-He have almost, like, 70 goats. -70? | 0:53:27 | 0:53:30 | |
-Yeah. -Oh, my goodness. -Yeah, he love to be with the goats. | 0:53:30 | 0:53:32 | |
He loves his goats. | 0:53:32 | 0:53:35 | |
Back at the hotel, Ibrahim and I are reunited with the goat. | 0:53:44 | 0:53:47 | |
Now, this kind of salt rubbing I'm familiar with. | 0:53:47 | 0:53:50 | |
Yes. | 0:53:50 | 0:53:51 | |
No pomegranates this time. | 0:53:53 | 0:53:55 | |
We are using a blend of Omani spices. | 0:53:55 | 0:53:57 | |
That smells fantastic. | 0:53:57 | 0:54:00 | |
The goat will be the centrepiece of the party. | 0:54:00 | 0:54:02 | |
Executive chef Sam is cooking it using a traditional Omani method. | 0:54:02 | 0:54:06 | |
So if you tell an Omani that they've got goat for dinner, | 0:54:06 | 0:54:09 | |
the immediate thing that they think about is shuwa. | 0:54:09 | 0:54:11 | |
What do you do, do you toothpick it together, or...? | 0:54:11 | 0:54:14 | |
Basically, what it involves is cooking a goat in a pit with embers, | 0:54:14 | 0:54:19 | |
and it's cooked for 24 hours. | 0:54:19 | 0:54:21 | |
It's used in celebrations, it's used in weddings, | 0:54:21 | 0:54:24 | |
so this is the first thing they think about goat. | 0:54:24 | 0:54:28 | |
Having wrapped the meat in local banana leaves, | 0:54:28 | 0:54:30 | |
we head to the hotel's own shuwa in the garden. | 0:54:30 | 0:54:34 | |
The shuwa both cooks and smokes the meat. | 0:54:34 | 0:54:37 | |
Do we close it now? | 0:54:37 | 0:54:38 | |
Yep, perfect. | 0:54:38 | 0:54:40 | |
How long will it cook for? | 0:54:40 | 0:54:42 | |
It's going to cook until tomorrow. | 0:54:42 | 0:54:43 | |
-Really, that long? -Yeah, we're going to leave it in there all night, | 0:54:43 | 0:54:46 | |
-for 24 hours. -Wow. | 0:54:46 | 0:54:47 | |
It's the morning of the first-year anniversary party, | 0:54:52 | 0:54:56 | |
a chance for Darren to say thank you to his staff. | 0:54:56 | 0:54:58 | |
I am very proud when I look at my team. | 0:54:58 | 0:55:01 | |
I don't know if I'll ever have a team as good as this. | 0:55:01 | 0:55:03 | |
All right, mate, I'm here to help, don't worry, it'll all be fine. | 0:55:03 | 0:55:06 | |
Just under two hours until we start. | 0:55:06 | 0:55:09 | |
I'm already nervous, because it's the one-year anniversary, I've got my speech, | 0:55:09 | 0:55:12 | |
it's quite emotional for me, when I think back to the journey, | 0:55:12 | 0:55:15 | |
where this all started. | 0:55:15 | 0:55:16 | |
Along with the team, there will be hotel guests, media, the owners, | 0:55:16 | 0:55:20 | |
and an alarming number of men with guns. | 0:55:20 | 0:55:23 | |
We've got high profile VIPs from the owner's party, | 0:55:23 | 0:55:26 | |
so there will be security. | 0:55:26 | 0:55:28 | |
The band has arrived, and is practising. | 0:55:28 | 0:55:31 | |
It turns out, even they're packing heat. | 0:55:31 | 0:55:33 | |
An interesting musical instrument this fellow's got. | 0:55:33 | 0:55:36 | |
The M16?! | 0:55:36 | 0:55:37 | |
LAUGHTER | 0:55:37 | 0:55:39 | |
Just behind the courtyard, we're back at Sam's goat pit. | 0:55:39 | 0:55:42 | |
Oh, absolutely, it smells amazing from here. | 0:55:42 | 0:55:44 | |
It's been a while now, hasn't it? | 0:55:44 | 0:55:45 | |
The goat has been cooking for the last 24 hours. | 0:55:47 | 0:55:49 | |
Shall we open it up? | 0:55:49 | 0:55:51 | |
Oh, look at this. | 0:55:51 | 0:55:53 | |
It melts like butter. | 0:55:55 | 0:55:57 | |
You have that little bit of a charred taste, | 0:55:57 | 0:55:59 | |
but you can also taste all the spices, and a little bit of the | 0:55:59 | 0:56:02 | |
infusion and the smell from the banana leaf. | 0:56:02 | 0:56:05 | |
-It's delicious. -I could eat all of this now, actually. | 0:56:05 | 0:56:07 | |
You got a nice big chunk there. We're not going to have anything left for our anniversary. | 0:56:07 | 0:56:11 | |
Oh, my God. | 0:56:11 | 0:56:12 | |
We're turning the distinctly Omani-tasting goat into something | 0:56:12 | 0:56:16 | |
more international - canapes. | 0:56:16 | 0:56:19 | |
Before any of the party guests can eat, it's Darren's big moment. | 0:56:23 | 0:56:28 | |
Good morning, everybody. I'd like to thank the team. | 0:56:28 | 0:56:33 | |
We have the most amazing team in this resort. | 0:56:33 | 0:56:36 | |
I feel proud and humble to lead you, | 0:56:36 | 0:56:39 | |
I feel proud and humble to know you, | 0:56:39 | 0:56:41 | |
and I feel proud and humble to have you with me on this exciting journey. | 0:56:41 | 0:56:45 | |
So I would like to ask everybody to thank the amazing team that work | 0:56:45 | 0:56:49 | |
here at Anantara Al Jabal Al Akhdar. | 0:56:49 | 0:56:51 | |
Thank you. | 0:56:51 | 0:56:53 | |
I need a cigarette! | 0:56:56 | 0:56:59 | |
With the speeches over, it's time to serve our smoky goat canapes. | 0:56:59 | 0:57:03 | |
Would you like to try one? | 0:57:03 | 0:57:05 | |
-Sure. -It's good? -Good. | 0:57:05 | 0:57:07 | |
Yes! Thank you, enjoy! | 0:57:07 | 0:57:10 | |
CHEERING | 0:57:10 | 0:57:12 | |
And it turns out that even though it's 11 in the morning, | 0:57:17 | 0:57:20 | |
and there isn't a drink in sight, it's time to dance. | 0:57:20 | 0:57:23 | |
CHANTING AND SINGING | 0:57:23 | 0:57:26 | |
Seeing Darren and his team celebrate together, | 0:57:39 | 0:57:42 | |
you're reminded how different it is here to the world outside, | 0:57:42 | 0:57:46 | |
but also how well it seems to work. | 0:57:46 | 0:57:49 | |
It is a great event. | 0:57:49 | 0:57:51 | |
There was an amount of stress beforehand, Darren was all worried. | 0:57:51 | 0:57:54 | |
I thoroughly enjoyed it. | 0:57:54 | 0:57:55 | |
I thought it would just be the men standing there, just clapping. | 0:57:55 | 0:57:58 | |
And there were all the kind of Indians and Sri Lankans and Pakistanis were | 0:57:58 | 0:58:01 | |
all there, in amongst the Omanis, and there was, sort of, yeah, | 0:58:01 | 0:58:04 | |
they sort of made a new thing out of all the different constituent parts. | 0:58:04 | 0:58:08 | |
And with its inclusivity, | 0:58:08 | 0:58:11 | |
the celebrations really capture the ethos of the hotel itself. | 0:58:11 | 0:58:14 | |
Yeah, I mean, they haven't got 100% authentic Omani here, | 0:58:14 | 0:58:17 | |
but what they do have is very distinctive, and special. | 0:58:17 | 0:58:21 |