Browse content similar to Ashford Castle, Ireland. Check below for episodes and series from the same categories and more!
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All over the world there are remarkable hotels | 0:00:02 | 0:00:05 | |
born of bold vision and daring endeavour. | 0:00:05 | 0:00:08 | |
Wow. | 0:00:08 | 0:00:09 | |
This is how I ought to live. | 0:00:09 | 0:00:11 | |
Whether it's one of the remotest hotels on Earth, | 0:00:11 | 0:00:14 | |
hidden on a Pacific island... | 0:00:14 | 0:00:16 | |
..or sumptuous resort | 0:00:16 | 0:00:18 | |
on one of the highest mountains in the Middle East... | 0:00:18 | 0:00:21 | |
What an incredible view. | 0:00:21 | 0:00:23 | |
The people running these hotels | 0:00:24 | 0:00:25 | |
strive to create the perfect sanctuary... | 0:00:25 | 0:00:28 | |
..but what does it take to offer once-in-a-lifetime experiences | 0:00:28 | 0:00:33 | |
in stunning locations? | 0:00:33 | 0:00:34 | |
Construction was a logistical nightmare - | 0:00:37 | 0:00:39 | |
no water, no source of power. | 0:00:39 | 0:00:42 | |
I'm a restaurant writer, newspaper columnist and critic - | 0:00:42 | 0:00:45 | |
I have opinions on just about everything... | 0:00:45 | 0:00:47 | |
He's not a very good driver, is he? | 0:00:47 | 0:00:48 | |
-Magnoon! -Magnoon! | 0:00:48 | 0:00:50 | |
Crazy! | 0:00:50 | 0:00:51 | |
Magnoon! | 0:00:51 | 0:00:52 | |
..and I'm a chef | 0:00:54 | 0:00:55 | |
who's worked at the top end of the hospitality industry | 0:00:55 | 0:00:58 | |
for well over 20 years. | 0:00:58 | 0:00:59 | |
This is awesome! Whoo. | 0:00:59 | 0:01:01 | |
We'll travel to amazing hotels in every corner of the world... | 0:01:03 | 0:01:08 | |
Enjoy. | 0:01:10 | 0:01:12 | |
..to spend time getting to know the people | 0:01:12 | 0:01:14 | |
working away behind the scenes. | 0:01:14 | 0:01:16 | |
I polished Elton John's fruits. | 0:01:16 | 0:01:18 | |
You polished Elton John's fruits?! | 0:01:19 | 0:01:22 | |
Do you recall life under apartheid? | 0:01:22 | 0:01:24 | |
Has it changed for you? | 0:01:24 | 0:01:25 | |
Nelson Mandela was the first black president. | 0:01:25 | 0:01:27 | |
Gave me more inspiration to achieve what I want in life. | 0:01:27 | 0:01:31 | |
Join us as we venture inside... | 0:01:34 | 0:01:37 | |
..the world's most extraordinary hotels. | 0:01:37 | 0:01:39 | |
We're in County Mayo in the west of Ireland | 0:01:50 | 0:01:53 | |
by the shores of Lough Corrib, the country's biggest lake. | 0:01:53 | 0:01:57 | |
I do love Ireland. | 0:02:01 | 0:02:02 | |
We're heading to an establishment | 0:02:05 | 0:02:07 | |
that's aiming to be not just the best hotel in Ireland, | 0:02:07 | 0:02:09 | |
but the best hotel of its kind in the world. | 0:02:09 | 0:02:12 | |
SHE GASPS | 0:02:21 | 0:02:22 | |
Look at that! | 0:02:22 | 0:02:23 | |
Wow. It's enormous! | 0:02:26 | 0:02:28 | |
Just set on the water there, like it's on an island - | 0:02:29 | 0:02:32 | |
it looks like Camelot. | 0:02:32 | 0:02:34 | |
That is magical. | 0:02:35 | 0:02:38 | |
This is Ashford Castle. | 0:02:41 | 0:02:43 | |
Dating back to 1228, | 0:02:44 | 0:02:46 | |
more recently it was the country house of the Guinness family. | 0:02:46 | 0:02:49 | |
Set in its own 350-acre estate, | 0:02:53 | 0:02:56 | |
the 83-room, five-star luxury hotel | 0:02:56 | 0:02:59 | |
sells a taste of old-fashioned grandeur. | 0:02:59 | 0:03:01 | |
Wow. | 0:03:06 | 0:03:07 | |
My goodness. | 0:03:07 | 0:03:09 | |
That is an extraordinary chandelier. | 0:03:12 | 0:03:15 | |
Blimey. | 0:03:17 | 0:03:18 | |
That's my corner - that's my corner right there. | 0:03:19 | 0:03:22 | |
Spot of Edwardian glamour. | 0:03:23 | 0:03:26 | |
You can imagine kings, queens, knights passing through these halls. | 0:03:27 | 0:03:31 | |
Golly, I hope it's not haunted. Erm... | 0:03:31 | 0:03:34 | |
As well as having access to a luxury spa, | 0:03:35 | 0:03:38 | |
guests can live like the landed gentry, | 0:03:38 | 0:03:40 | |
with activities such as riding and shooting. | 0:03:40 | 0:03:44 | |
Rooms start at £300 a night, | 0:03:45 | 0:03:47 | |
going all the way up to a majestic £4,000 for the very best suites, | 0:03:47 | 0:03:52 | |
decorated with Venetian Murano glass chandeliers | 0:03:52 | 0:03:55 | |
and Connemara marble in the bathrooms. | 0:03:55 | 0:03:58 | |
Oh, my goodness! | 0:04:00 | 0:04:02 | |
Wow. | 0:04:04 | 0:04:05 | |
That is the highest ceiling I have ever seen in a hotel bedroom. | 0:04:05 | 0:04:09 | |
Oh! | 0:04:10 | 0:04:11 | |
That is perfect. | 0:04:13 | 0:04:14 | |
This room is something else. | 0:04:15 | 0:04:17 | |
This is extraordinary - this is an amazing bedroom. | 0:04:18 | 0:04:21 | |
You walk into a medieval castle - | 0:04:21 | 0:04:23 | |
to then not be disappointed by the bedroom | 0:04:23 | 0:04:25 | |
is quite an achievement. | 0:04:25 | 0:04:26 | |
I mean, that is the bed you have in a castle - | 0:04:26 | 0:04:29 | |
it's four-poster, it's velvet and it's gold. | 0:04:29 | 0:04:32 | |
It's even got a gallery, | 0:04:32 | 0:04:34 | |
basically just so you can admire your awesome bedroom | 0:04:34 | 0:04:37 | |
from another level. | 0:04:37 | 0:04:39 | |
Amazing. | 0:04:39 | 0:04:41 | |
The man who currently holds the keys to the castle | 0:04:48 | 0:04:51 | |
is general manager Niall Rochford. | 0:04:51 | 0:04:54 | |
It's my life, you know? | 0:04:54 | 0:04:55 | |
I've invested 15 years of my life and my family's life here as well - | 0:04:55 | 0:04:59 | |
but you know what? I'm lucky in that I operate a castle, | 0:04:59 | 0:05:02 | |
you know? There aren't too many | 0:05:02 | 0:05:04 | |
authentic, genuine castles in the world. | 0:05:04 | 0:05:06 | |
Of course, we're not here just to enjoy the plush rooms - | 0:05:08 | 0:05:11 | |
we're here to find out | 0:05:11 | 0:05:12 | |
what operating a castle hotel is all about... | 0:05:12 | 0:05:15 | |
..but before we can serve any actual guests, | 0:05:15 | 0:05:18 | |
Niall wants us to join some other new recruits at staff induction. | 0:05:18 | 0:05:22 | |
No request too large, no detail too small. | 0:05:22 | 0:05:25 | |
So what we're saying is, our guests can ask us anything, | 0:05:25 | 0:05:28 | |
to do anything - as long as it's legal - and we will do it. | 0:05:28 | 0:05:32 | |
We're innately hospitable people - | 0:05:33 | 0:05:34 | |
particularly in the west coast of Ireland, | 0:05:34 | 0:05:36 | |
we want you to feel at home. | 0:05:36 | 0:05:38 | |
It is sophisticated - but also in a very Irish way. | 0:05:38 | 0:05:42 | |
You're not going to get a very kind of staid experience | 0:05:42 | 0:05:45 | |
where everybody has to whisper. | 0:05:45 | 0:05:47 | |
What is the style of service here? | 0:05:49 | 0:05:51 | |
Yeah, it's a very natural style of service | 0:05:51 | 0:05:53 | |
and I think that's maybe what Irish people are all about, | 0:05:53 | 0:05:56 | |
and here in Ashford, | 0:05:56 | 0:05:57 | |
it's not really that plastic Irish type of experience | 0:05:57 | 0:06:00 | |
that you might associate... | 0:06:00 | 0:06:01 | |
-What plastic Irish type are you...? -I don't know. | 0:06:01 | 0:06:04 | |
-What can he mean? -I don't know. | 0:06:04 | 0:06:05 | |
-You know, it's...it's not... -It's not the St Patrick's Day... | 0:06:05 | 0:06:08 | |
-Absolutely. -..silly hats. -Exactly, exactly. | 0:06:08 | 0:06:10 | |
Ireland has moved on from that. | 0:06:10 | 0:06:11 | |
There's more soul, there's more spiritualness, | 0:06:11 | 0:06:14 | |
and it's much more genuine, | 0:06:14 | 0:06:15 | |
so I think when you meet the people you're going to be working with, | 0:06:15 | 0:06:18 | |
you're going to see that. | 0:06:18 | 0:06:19 | |
If the warmth of the Irish welcome is their secret weapon, | 0:06:23 | 0:06:26 | |
the hotel wants it to start right from the front gate... | 0:06:26 | 0:06:29 | |
..and estate manager Thomas | 0:06:32 | 0:06:34 | |
is in charge of ten gatekeepers and doormen. | 0:06:34 | 0:06:38 | |
The welcome you get on your arrival here, it's heartfelt. | 0:06:38 | 0:06:41 | |
We want people to understand how much we love it here, | 0:06:41 | 0:06:44 | |
how much we're proud of it. | 0:06:44 | 0:06:46 | |
For our first job, we're joining the door team. | 0:06:46 | 0:06:50 | |
Ta-da! | 0:06:50 | 0:06:51 | |
I love this. Oh, it's so cosy, it's so warm - | 0:06:52 | 0:06:55 | |
and not only that, a top hat. | 0:06:55 | 0:06:58 | |
Oh, look at you! | 0:06:58 | 0:07:00 | |
What are you doing with your cape? | 0:07:00 | 0:07:02 | |
Isn't that what you're supposed to do? Swirl the cape. | 0:07:02 | 0:07:04 | |
You're not a superhero, my darling, you're a...you're a doorman. | 0:07:04 | 0:07:07 | |
So, guys, this is make or break. | 0:07:07 | 0:07:09 | |
Whatever happens inside the castle | 0:07:09 | 0:07:11 | |
can be directly affected by the arrival - | 0:07:11 | 0:07:13 | |
this is the country of the cead mile failte, the thousand welcomes, | 0:07:13 | 0:07:16 | |
and that's you - you are the very first representative, | 0:07:16 | 0:07:18 | |
the first face they see, | 0:07:18 | 0:07:20 | |
so it's of vital importance that your genuine hospitality | 0:07:20 | 0:07:23 | |
and your genuine character comes across - | 0:07:23 | 0:07:25 | |
it's very professional but it's extremely warm. | 0:07:25 | 0:07:28 | |
I'll be working with doorman Frank, | 0:07:30 | 0:07:32 | |
while Giles is at the far end of the drive with Tom the gateman. | 0:07:32 | 0:07:36 | |
-Good afternoon, sir. -Hello. | 0:07:37 | 0:07:39 | |
It's the gateman's job to radio the names of arrivals | 0:07:39 | 0:07:41 | |
up to the front door | 0:07:41 | 0:07:42 | |
so his colleague there can delight the guests | 0:07:42 | 0:07:45 | |
by greeting them personally, as if by magic. | 0:07:45 | 0:07:48 | |
Check in, Frank, number 10 - | 0:07:48 | 0:07:50 | |
McKeown, and they're travelling in a Jeep. | 0:07:50 | 0:07:53 | |
Number 10, McKeown. | 0:07:53 | 0:07:55 | |
Number 10 - he said number 10 is Shaun. | 0:07:55 | 0:07:57 | |
McKeown. | 0:07:59 | 0:08:01 | |
-McKeown! -McKeown. -God. | 0:08:01 | 0:08:02 | |
So, it's Owen and Barbara McKeown. | 0:08:02 | 0:08:04 | |
You're very welcome to Ashford Castle. | 0:08:04 | 0:08:06 | |
Thank you very much indeed. | 0:08:06 | 0:08:07 | |
Mrs McKeown. You're very welcome. | 0:08:07 | 0:08:10 | |
Frank is my name. You're very welcome - | 0:08:10 | 0:08:12 | |
and this is my colleague Monica. | 0:08:12 | 0:08:14 | |
Welcome, Mr and Mrs McKeown. This way, please. | 0:08:14 | 0:08:16 | |
Thank you. Thank you. | 0:08:16 | 0:08:18 | |
Hello, welcome. Welcome to Ashford Castle. Hello. | 0:08:18 | 0:08:21 | |
-Have you had a good journey? -Sure have. -Hi, there. | 0:08:21 | 0:08:24 | |
Can I confirm the name of the reservation? | 0:08:24 | 0:08:26 | |
Yes - last name is Everson. | 0:08:26 | 0:08:27 | |
-Everson. -Yes. Everson. | 0:08:27 | 0:08:29 | |
-Lovely to meet both of you. Have a lovely stay. -Thank you. | 0:08:29 | 0:08:32 | |
Mr and Mrs Everson are on their way up in a big black SUV. | 0:08:35 | 0:08:40 | |
I don't know what Giles just said then. Can you repeat that, please? | 0:08:41 | 0:08:44 | |
The Eversons are arriving, Mr Everson - | 0:08:44 | 0:08:46 | |
he's about 36, little bit of stubble, nice-looking fellow, | 0:08:46 | 0:08:49 | |
got his wife in the passenger seat. | 0:08:49 | 0:08:51 | |
The Jeffersons are arriving? | 0:08:51 | 0:08:53 | |
-It's Everson... -Everson. | 0:08:53 | 0:08:54 | |
-..and they're driving an SUV. -SUV. Everson. | 0:08:54 | 0:08:57 | |
I think there's something wrong with my earpiece. | 0:08:57 | 0:09:00 | |
Hello, welcome to Ashford Castle, Mr and Mrs Everson. | 0:09:00 | 0:09:03 | |
Thank you so much! | 0:09:03 | 0:09:04 | |
-Where have you travelled from? -Nashville, Tennessee. | 0:09:04 | 0:09:07 | |
Nashville, Tennessee? Is this your first time with us? | 0:09:07 | 0:09:09 | |
-It is. -It is, yes. -How fantastic. | 0:09:09 | 0:09:11 | |
-How many pieces of luggage do they need in? -I have no idea. | 0:09:11 | 0:09:15 | |
-Yeah. -That's a good question. -That's something you have to ask. | 0:09:15 | 0:09:18 | |
But wouldn't you want all your luggage in? | 0:09:18 | 0:09:20 | |
They're staying till Monday - | 0:09:20 | 0:09:21 | |
I'd presume they'd want all their underwear, at least. | 0:09:21 | 0:09:24 | |
Oh, that's a lot of luggage. Shall we ask them how much...? | 0:09:24 | 0:09:26 | |
I'm a bit worried that they were a bit disappointed | 0:09:31 | 0:09:34 | |
that I wasn't Irish. | 0:09:34 | 0:09:35 | |
Cos I think they're American. | 0:09:35 | 0:09:37 | |
They've come all this way for an Irish greeting | 0:09:37 | 0:09:39 | |
and I went, "Hello, welcome to Ashford Castle," | 0:09:39 | 0:09:41 | |
and I should have... You know? | 0:09:41 | 0:09:43 | |
But I'm not going to... I can't pretend to be Irish. | 0:09:43 | 0:09:45 | |
Check in there, Frank. Number 2, Mr Burke, number 2, Mr Burke. | 0:09:45 | 0:09:50 | |
-Number 2... -Mr Burke. | 0:09:50 | 0:09:52 | |
Mr Borke. | 0:09:52 | 0:09:53 | |
-Do you say "Borke" not "Burke"? -Burke, Burke. | 0:09:53 | 0:09:55 | |
-Burke. -Burke yeah, Burke. | 0:09:55 | 0:09:58 | |
Burke? | 0:09:58 | 0:09:59 | |
Yeah. That's it, you've got it, yeah. | 0:09:59 | 0:10:01 | |
Burke. | 0:10:01 | 0:10:02 | |
How do you feel about so far? | 0:10:04 | 0:10:06 | |
I'm enjoying it. It's really nice to welcome people, | 0:10:06 | 0:10:09 | |
especially when it's their first time. | 0:10:09 | 0:10:11 | |
-When you're that first face... -Yes! | 0:10:11 | 0:10:14 | |
..that warm handshake, that big smile | 0:10:14 | 0:10:15 | |
and that genuine welcome that comes across, and they soak it up. | 0:10:15 | 0:10:18 | |
They're like, "Oh, finally, someone that understands how I feel, | 0:10:18 | 0:10:21 | |
-"someone that wants to make sure I'm looked after..." -Yeah. | 0:10:21 | 0:10:24 | |
..and you're straight in. | 0:10:24 | 0:10:25 | |
-All the staff is, like, so kind and personable. -Yeah. | 0:10:27 | 0:10:30 | |
-No-one's just going through the motions. -Yeah. -Mm-hm. | 0:10:30 | 0:10:33 | |
Yeah, I mean, you can tell that they really care. | 0:10:33 | 0:10:35 | |
It's not just their job, | 0:10:35 | 0:10:37 | |
it's not something that they kind of do half-heartedly, | 0:10:37 | 0:10:40 | |
it's like this is just who they are. | 0:10:40 | 0:10:41 | |
You don't feel like you're at a hotel, | 0:10:41 | 0:10:43 | |
where people are professional and polite and want to help you - | 0:10:43 | 0:10:46 | |
you feel like you came home. | 0:10:46 | 0:10:47 | |
And, of course, this was once a home - | 0:10:53 | 0:10:55 | |
perhaps not one like yours or mine, but a home nonetheless. | 0:10:55 | 0:10:58 | |
I'd like to know a bit more about the people who lived here | 0:10:58 | 0:11:03 | |
and, as luck would have it, | 0:11:03 | 0:11:04 | |
Ashford has its very own resident historian, Fintan Gorman. | 0:11:04 | 0:11:08 | |
It's not many hotels that have a historian, is it? | 0:11:08 | 0:11:11 | |
I suppose not, but then I suppose not many hotels | 0:11:11 | 0:11:14 | |
have the long history and heritage that this place has - | 0:11:14 | 0:11:17 | |
an enormous history going back to 1228, right up to the present day, | 0:11:17 | 0:11:20 | |
and all the families and people who have occupied it in between. | 0:11:20 | 0:11:23 | |
So, there's a rich story to tell. | 0:11:23 | 0:11:25 | |
Ashford has been built up over many centuries, | 0:11:28 | 0:11:31 | |
with the original castle tower | 0:11:31 | 0:11:33 | |
constructed by Norman invaders in 1228. | 0:11:33 | 0:11:36 | |
Their descendants added a separate French-style chateau in 1715... | 0:11:37 | 0:11:42 | |
..but when the Irish potato famine ravaged the region in the 1840s, | 0:11:43 | 0:11:47 | |
the estate fell into ruin and was put up for sale. | 0:11:47 | 0:11:50 | |
So, always, in times of ruin, enter the people with the money - | 0:11:52 | 0:11:55 | |
and in 1852, in Ireland, that was the Guinness family. | 0:11:55 | 0:11:59 | |
They were in their fifth generation of brewing - | 0:11:59 | 0:12:02 | |
cash rich, nouveau riche. | 0:12:02 | 0:12:03 | |
They were a godsend to the area, | 0:12:05 | 0:12:07 | |
because they started employing people and paying a wage, | 0:12:07 | 0:12:10 | |
which none of these previous owners ever did - | 0:12:10 | 0:12:12 | |
they just took the money and spent it on the good life, | 0:12:12 | 0:12:15 | |
and the result of their employment is all throughout the estate here - | 0:12:15 | 0:12:19 | |
roads, bridges, houses, gardens, forests. | 0:12:19 | 0:12:22 | |
It was Arthur Guinness, who inherited the place in 1868, | 0:12:25 | 0:12:28 | |
who did more than anyone to create the castle we see today. | 0:12:28 | 0:12:32 | |
Arthur was destined to be an English gentleman - | 0:12:32 | 0:12:35 | |
they now had the money, they want the recognition. | 0:12:35 | 0:12:39 | |
He wants to climb up the political scale, | 0:12:39 | 0:12:41 | |
and he wants to climb up the social scale in England, | 0:12:41 | 0:12:43 | |
so, all of a sudden, this remote hunting lodge | 0:12:43 | 0:12:45 | |
in the west of Ireland becomes the place | 0:12:45 | 0:12:47 | |
where he's going to create the playground for the rich, | 0:12:47 | 0:12:49 | |
where he's going to impress various titled families in England. | 0:12:49 | 0:12:53 | |
Arthur built Ashford Castle, | 0:12:56 | 0:12:58 | |
connecting the French-style chateau with the original Norman tower. | 0:12:58 | 0:13:02 | |
He spent the next few decades | 0:13:02 | 0:13:04 | |
entertaining various lords and ladies | 0:13:04 | 0:13:07 | |
with what would become famous hunting and fishing trips - | 0:13:07 | 0:13:09 | |
and, in 1905, Arthur reached the pinnacle of high society | 0:13:09 | 0:13:14 | |
with the three-week visit of the Prince of Wales, | 0:13:14 | 0:13:16 | |
the future King George V. | 0:13:16 | 0:13:18 | |
The coming of George was a wonderful occasion for the Guinnesses - | 0:13:20 | 0:13:23 | |
no expense is spared, there's a flurry of building, | 0:13:23 | 0:13:26 | |
wonderful for the local economy, hundreds of local people employed, | 0:13:26 | 0:13:29 | |
the cocktail lounge in here was added, | 0:13:29 | 0:13:31 | |
the Prince of Wales cocktail lounge, for the coming of George - | 0:13:31 | 0:13:34 | |
and of course the dining room went on to become the George V, | 0:13:34 | 0:13:37 | |
because he became George V of England, | 0:13:37 | 0:13:39 | |
the grandfather of the present queen. | 0:13:39 | 0:13:41 | |
It's always nice when you arrive to be offered a cocktail - | 0:13:41 | 0:13:43 | |
but to have them offer you a whole cocktail lounge... | 0:13:43 | 0:13:46 | |
A whole cocktail lounge, | 0:13:46 | 0:13:47 | |
the Prince of Wales cocktail lounge, yeah. Yeah. | 0:13:47 | 0:13:50 | |
While the decor is very much in keeping with Guinness-era grandeur, | 0:13:53 | 0:13:57 | |
in fact, it's the result of a recent £50 million restoration. | 0:13:57 | 0:14:02 | |
Each of Ashford's 83 rooms has been individually refurbished, | 0:14:03 | 0:14:07 | |
combining restored original features | 0:14:07 | 0:14:09 | |
with Italian hand-woven silk fabrics, | 0:14:09 | 0:14:11 | |
lovingly sourced antique furniture and works of art... | 0:14:11 | 0:14:15 | |
..all of which need special care, whether it's cleaning | 0:14:17 | 0:14:20 | |
historic chandeliers piece by piece | 0:14:20 | 0:14:23 | |
or using only pH-neutral products on delicate surfaces - | 0:14:23 | 0:14:27 | |
and it's all the responsibility | 0:14:27 | 0:14:29 | |
of the hotel's 25-strong housekeeping team, | 0:14:29 | 0:14:32 | |
who work under the watchful eye of supervisor Camilla. | 0:14:32 | 0:14:35 | |
So this is the room ready for the supervisor...to be inspected. | 0:14:36 | 0:14:41 | |
It's better if you have a passion for cleaning, | 0:14:41 | 0:14:44 | |
so you do enjoy what you are doing | 0:14:44 | 0:14:46 | |
and you will actually go that extra mile. | 0:14:46 | 0:14:49 | |
Simona? | 0:14:49 | 0:14:50 | |
Can you please go back to 417 and just redo the headboard for me? | 0:14:50 | 0:14:54 | |
Lovely, thank you. | 0:14:54 | 0:14:55 | |
This morning Camilla will be putting me to work as a room attendant. | 0:14:57 | 0:15:01 | |
-Good morning. -Oh, hello, Camilla. -Good morning, Giles. | 0:15:01 | 0:15:04 | |
-How are you? -I'm very well. | 0:15:04 | 0:15:06 | |
-We have a basket for you ready here. -OK. | 0:15:06 | 0:15:09 | |
What am I going to be doing? Cleaning windows and...? | 0:15:09 | 0:15:11 | |
Well, well, basically dusting, hoovering, cleaning. | 0:15:11 | 0:15:14 | |
So, how long does it take to clean a room, roughly? | 0:15:14 | 0:15:16 | |
Erm, well, in most other hotels, it is around 20 to 25 minutes. | 0:15:16 | 0:15:21 | |
In ours, it's 40 up to one hour. | 0:15:21 | 0:15:24 | |
I'm being teamed up with Sally, | 0:15:27 | 0:15:28 | |
who first started working here in 2001. | 0:15:28 | 0:15:30 | |
-Hi. -Nice to meet you. I'm Sally. How are you doing? -I'm very well indeed. | 0:15:30 | 0:15:33 | |
-Thank you for letting me join you. -Welcome to the castle. | 0:15:33 | 0:15:36 | |
-It's your lucky day, you put your feet up. -Oh, lovely! | 0:15:36 | 0:15:38 | |
So we start with hoovering the walls. | 0:15:38 | 0:15:40 | |
-Hoovering the walls? -Yes. | 0:15:40 | 0:15:42 | |
Do you fancy doing hoovering the walls? | 0:15:42 | 0:15:44 | |
Hoovering the wall? | 0:15:44 | 0:15:46 | |
You vacuum-clean the walls? | 0:15:47 | 0:15:48 | |
Absolutely, cos, er, it's all fabric - | 0:15:48 | 0:15:51 | |
and there's dust gathers on it, so we have to hoover the walls, yes. | 0:15:51 | 0:15:55 | |
-That... That's... It's a strange-sounding thing and... -Yes. | 0:15:55 | 0:15:58 | |
-It's fabric. -Every...every inch of the wall? -Yes. | 0:15:58 | 0:16:00 | |
In fact, there are over 20,000 square metres of fine fabrics | 0:16:03 | 0:16:07 | |
lining every bedroom | 0:16:07 | 0:16:08 | |
and every square inch of corridor in the castle. | 0:16:08 | 0:16:11 | |
-I start in the corner? -In the corner. | 0:16:15 | 0:16:17 | |
Oh, it's sucking quite hard. | 0:16:17 | 0:16:18 | |
I'm quite worried about picking out a thread | 0:16:18 | 0:16:20 | |
-and unravelling the whole thing. -Yeah, up and down. | 0:16:20 | 0:16:23 | |
Sorry, I'll stop talking... | 0:16:23 | 0:16:25 | |
It's not a very good thing to do with a tie on, | 0:16:25 | 0:16:27 | |
I've got to say - every time I look up to do it, | 0:16:27 | 0:16:29 | |
my Adam's apple won't... | 0:16:29 | 0:16:30 | |
I would probably choose more casual dress for this. | 0:16:30 | 0:16:33 | |
Yeah, I should probably have what Sally's wearing. | 0:16:33 | 0:16:35 | |
Do you know what, Sally? You're better dressed for this than I am. | 0:16:35 | 0:16:38 | |
I feel like I should be serving cocktails at a wedding. | 0:16:38 | 0:16:40 | |
I can probably do it like that, actually. | 0:16:40 | 0:16:43 | |
I wonder who this lady is in the portrait. | 0:16:43 | 0:16:46 | |
Some duchess. | 0:16:46 | 0:16:47 | |
-Do I try and go up there? -Yes, yes, do that. | 0:16:51 | 0:16:53 | |
-Really? -The whole, yeah. | 0:16:53 | 0:16:55 | |
Can you manage? | 0:16:56 | 0:16:58 | |
Sort of. | 0:16:58 | 0:16:59 | |
I'm not going to admit defeat. | 0:16:59 | 0:17:00 | |
Great job. | 0:17:02 | 0:17:03 | |
It's very hard to tell if you're just being nice. | 0:17:03 | 0:17:05 | |
Everyone at the castle is so polite and friendly | 0:17:05 | 0:17:08 | |
that I'm sure you'd tell me I was doing a great job | 0:17:08 | 0:17:10 | |
even if I was rubbish. | 0:17:10 | 0:17:12 | |
"Get rid of him, send him back to England with his rubbish cleaning." | 0:17:12 | 0:17:16 | |
You're doing a good job. | 0:17:16 | 0:17:17 | |
Like many of the staff, | 0:17:21 | 0:17:22 | |
Sally grew up just a few miles from the estate. | 0:17:22 | 0:17:26 | |
Now her daughter Mary works here too... | 0:17:26 | 0:17:28 | |
..and it turns out co-working families are a common theme. | 0:17:28 | 0:17:31 | |
My husband - he runs the bar and lounge, | 0:17:31 | 0:17:34 | |
and I have, as well, my first-born... | 0:17:34 | 0:17:37 | |
My sister Eleanor, here, | 0:17:37 | 0:17:38 | |
that's worked with me for the 18 years so far - | 0:17:38 | 0:17:40 | |
we started the same day. | 0:17:40 | 0:17:42 | |
This is my son Steven. | 0:17:42 | 0:17:44 | |
Steven works in our spa. | 0:17:44 | 0:17:46 | |
-We did the same interview... -Yeah. -..the same day, same time. -Yeah! | 0:17:46 | 0:17:49 | |
Well, it's great I can keep an eye on them. | 0:17:51 | 0:17:53 | |
He used to get every day he wanted off, | 0:17:53 | 0:17:56 | |
and if he didn't, he'd go to his mother. | 0:17:56 | 0:17:58 | |
We work on the same station together, | 0:17:58 | 0:18:00 | |
we work the same hours, we get the same breaks together, | 0:18:00 | 0:18:04 | |
so...it would very bad if we didn't get on, | 0:18:04 | 0:18:06 | |
but we get on very well together. | 0:18:06 | 0:18:07 | |
We don't travel in together. | 0:18:07 | 0:18:08 | |
Most of the staff live in the surrounding countryside | 0:18:15 | 0:18:19 | |
or the village of Cong, just outside the estate walls. | 0:18:19 | 0:18:23 | |
It seems there's more to hospitality here than just Irish charm. | 0:18:23 | 0:18:27 | |
For the people that work here, | 0:18:27 | 0:18:29 | |
many of them, their family heritage is here. | 0:18:29 | 0:18:31 | |
It was their forebears that built it, | 0:18:31 | 0:18:33 | |
it was their families that worked these grounds and the gardens. | 0:18:33 | 0:18:36 | |
So, for them, it's not just a hotel, it's not a castle, | 0:18:36 | 0:18:39 | |
it's not four walls, | 0:18:39 | 0:18:41 | |
this is something that's ingrained in them, it's in their bloodline. | 0:18:41 | 0:18:45 | |
They have something that you just can't buy. | 0:18:45 | 0:18:48 | |
The passion, the pride, the sense of ownership, in one way. | 0:18:48 | 0:18:52 | |
That filters through to the guests from those staff. | 0:18:52 | 0:18:56 | |
Sally and I are still hard at work getting rooms ready for check-in. | 0:19:00 | 0:19:04 | |
Right, what's next? | 0:19:04 | 0:19:05 | |
We'll make the bed. | 0:19:05 | 0:19:07 | |
I've been dreading that. | 0:19:07 | 0:19:09 | |
I'll show you how to do the corners. | 0:19:09 | 0:19:10 | |
Hospitality corner. | 0:19:10 | 0:19:12 | |
After a quick lesson in five-star bed-making... | 0:19:12 | 0:19:15 | |
..I'm sent down the hall to make other beds in Sally's section. | 0:19:17 | 0:19:21 | |
Accommodation? Hello? | 0:19:21 | 0:19:22 | |
Agh! | 0:19:27 | 0:19:29 | |
We'll just ignore the whole corner thing. | 0:19:29 | 0:19:31 | |
I actually don't know how you're supposed to... | 0:19:33 | 0:19:36 | |
..get it round the four-poster bed. | 0:19:36 | 0:19:39 | |
I think their sheets are too small. | 0:19:39 | 0:19:41 | |
Does it...? | 0:19:41 | 0:19:43 | |
Do you think they tuck in a duvet? | 0:19:43 | 0:19:44 | |
Do they tuck in a duvet? | 0:19:44 | 0:19:46 | |
-Hello? -Hi, Camilla. | 0:19:47 | 0:19:48 | |
Hi. | 0:19:48 | 0:19:49 | |
How are you getting on, Giles? | 0:19:49 | 0:19:51 | |
-Fine. I-I think I've nailed it. -OK. | 0:19:51 | 0:19:53 | |
You can see that the bed doesn't really have a shape. | 0:19:53 | 0:19:56 | |
There, there's... The pillows should be visible, | 0:19:56 | 0:19:59 | |
the pillows should sit on the bedspread. | 0:19:59 | 0:20:01 | |
I wasn't really counting on you taking the bedspread off, | 0:20:01 | 0:20:04 | |
-I'll confess. -Well, this is how we are checking it. | 0:20:04 | 0:20:07 | |
Yeah, you see, it looked OK to me, | 0:20:07 | 0:20:09 | |
with the bedspread on, from a long distance. | 0:20:09 | 0:20:11 | |
You're standing too close. | 0:20:11 | 0:20:13 | |
You're standing too close, you want to be back here. | 0:20:13 | 0:20:16 | |
When you look at the bed now, what do you see? | 0:20:16 | 0:20:18 | |
It looks like it's been slept in by...by dogs, doesn't it? | 0:20:18 | 0:20:20 | |
Exactly! | 0:20:20 | 0:20:22 | |
The problem I had is that this is a four-poster bed | 0:20:22 | 0:20:24 | |
and I trained on a normal bed. | 0:20:24 | 0:20:26 | |
I'm going to call Sally, because obviously it needs to be redone | 0:20:26 | 0:20:30 | |
and straightened a little bit, and... | 0:20:30 | 0:20:32 | |
She might need to bring fresh sheets. | 0:20:32 | 0:20:34 | |
While Giles and the housekeeping team are busy in the bedrooms, | 0:20:36 | 0:20:39 | |
guests are off enjoying the rest of the estate... | 0:20:39 | 0:20:42 | |
..and with five restaurants from casual gastro pub... | 0:20:44 | 0:20:47 | |
..formal fine dining... | 0:20:50 | 0:20:52 | |
..as well as afternoon tea and room service... | 0:20:55 | 0:20:58 | |
..Ashford's kitchens run 24 hours a day. | 0:20:59 | 0:21:01 | |
OK, guys, give me a timing for a beef well done on a cote de boeuf. | 0:21:03 | 0:21:07 | |
The man responsible for keeping guests happily fed | 0:21:08 | 0:21:11 | |
is executive chef Philippe Farineau. | 0:21:11 | 0:21:13 | |
It's so, so important to get it right, | 0:21:15 | 0:21:17 | |
the quality should be the same for fine dining or the breakfast, | 0:21:17 | 0:21:20 | |
so it doesn't matter where and what times they are going to eat, | 0:21:20 | 0:21:24 | |
everything needs to be 100%. | 0:21:24 | 0:21:26 | |
To find out what's on the menu, | 0:21:28 | 0:21:30 | |
I'm working with chef Philippe in the kitchen | 0:21:30 | 0:21:32 | |
of their fine dining restaurant. | 0:21:32 | 0:21:34 | |
-Philippe? -Monica! -Hi. You all right? | 0:21:35 | 0:21:38 | |
As a French chef I have to give you the kiss. | 0:21:38 | 0:21:40 | |
OK! | 0:21:40 | 0:21:42 | |
Much like Britain, | 0:21:42 | 0:21:43 | |
Ireland is known more for meat and two veg than haute cuisine. | 0:21:43 | 0:21:46 | |
How many leaves of that do you want? Does it matter? | 0:21:46 | 0:21:49 | |
So the challenge for chef Philippe is to deliver a fine dining menu | 0:21:49 | 0:21:53 | |
that also satisfies guests looking for a true Irish experience. | 0:21:53 | 0:21:57 | |
It's pretty. | 0:21:57 | 0:21:59 | |
Very pretty. | 0:21:59 | 0:22:00 | |
Thank you. | 0:22:01 | 0:22:02 | |
Guys, on the way, please. | 0:22:02 | 0:22:04 | |
The guests that come here, | 0:22:04 | 0:22:06 | |
do they have certain expectations of trying Irish food? | 0:22:06 | 0:22:10 | |
When they come here, they want to see it on the menu. | 0:22:10 | 0:22:12 | |
So to accomplish that, we want to find the best of the Irish produce | 0:22:12 | 0:22:16 | |
and to make it as a fine dining. | 0:22:16 | 0:22:18 | |
The produce in Ireland is the most important thing. | 0:22:18 | 0:22:20 | |
The most important thing, you know? | 0:22:20 | 0:22:22 | |
-Deep-fried oyster? -Deep-fried oysters. | 0:22:28 | 0:22:30 | |
You have the oyster sauce? | 0:22:30 | 0:22:31 | |
-Are these local oysters? -Yes. | 0:22:31 | 0:22:33 | |
-From Dooncastle. -Dooncastle? | 0:22:33 | 0:22:35 | |
-Dooncastle oyster, so... -Look at how beautiful that is. | 0:22:35 | 0:22:38 | |
..please, two veg, two potatoes, two gratins. | 0:22:39 | 0:22:43 | |
Very tasty. Very, very tasty. | 0:22:48 | 0:22:51 | |
-Oh, that's good. -It is very tasty. | 0:22:51 | 0:22:53 | |
That is very good. | 0:22:53 | 0:22:54 | |
As a French chef, being in Ireland, | 0:22:57 | 0:22:58 | |
a lot of people, I have a lot of chefs, say, | 0:22:58 | 0:23:01 | |
"Oh, why you don't use that from France?" | 0:23:01 | 0:23:03 | |
I'm not in France, I'm in Ireland - | 0:23:03 | 0:23:05 | |
I have the best produce you can find, we want to use them. | 0:23:05 | 0:23:08 | |
Why would you buy from France, oranges, when you can get them here? | 0:23:08 | 0:23:12 | |
Main course on 10, please, one halibut, one venison. | 0:23:12 | 0:23:16 | |
On top of his commitment to local producers, | 0:23:16 | 0:23:19 | |
Philippe is creating dishes that reflect the local area | 0:23:19 | 0:23:22 | |
by using ingredients that are found within the surrounding landscape. | 0:23:22 | 0:23:26 | |
OK. | 0:23:35 | 0:23:36 | |
Something we use for generation after generation, | 0:23:36 | 0:23:39 | |
then we forgot about it. | 0:23:39 | 0:23:40 | |
Something that people, when they taste it, | 0:23:40 | 0:23:43 | |
they don't realise the flavour of sea veg can have - | 0:23:43 | 0:23:46 | |
so they come here to experience some things they don't know, | 0:23:46 | 0:23:49 | |
or they won't be able to do at home. | 0:23:49 | 0:23:51 | |
Chef Philippe employs the services of a local forager... | 0:23:52 | 0:23:56 | |
Monica, Brian our forager. | 0:23:56 | 0:23:58 | |
..who's taking us out to hunt for ingredients. | 0:23:58 | 0:24:01 | |
So where are we going, Brian? | 0:24:04 | 0:24:05 | |
We're going to go to the seashore to get some seaweed, | 0:24:05 | 0:24:09 | |
sea vegetables. | 0:24:09 | 0:24:11 | |
Can't be very specific, | 0:24:11 | 0:24:13 | |
because I don't want everybody to know where... | 0:24:13 | 0:24:16 | |
..where I find my different seaweeds. | 0:24:16 | 0:24:19 | |
-We'd better just cut the cameras. -Yeah. | 0:24:19 | 0:24:21 | |
20 minutes later, we're setting off on foot | 0:24:27 | 0:24:30 | |
at Brian's secret foraging spot - | 0:24:30 | 0:24:33 | |
and it seems we picked quite a day for it. | 0:24:33 | 0:24:35 | |
I have to provide the ingredients for the chef, | 0:24:35 | 0:24:39 | |
so, for me, this is... this is winter-time in Ireland. | 0:24:39 | 0:24:42 | |
In this weather, I am prepared to be waiting inside | 0:24:42 | 0:24:45 | |
for you to bring them to me. | 0:24:45 | 0:24:47 | |
What are we going to find here, Brian? | 0:24:47 | 0:24:49 | |
We're going to find pepper dulse. | 0:24:49 | 0:24:50 | |
It's a very small seaweed that grows at the bottom of the rocks, | 0:24:50 | 0:24:54 | |
and it's available at low tide - | 0:24:54 | 0:24:56 | |
that's why we're... It's low tide now. | 0:24:56 | 0:24:58 | |
I use pepper dulse a lot in my kitchen - I'm sure you do - | 0:24:58 | 0:25:02 | |
-but I've never foraged for it, so... Yay. -OK, it's a new experience. | 0:25:02 | 0:25:05 | |
We've got just half an hour before the tide starts to come back in | 0:25:07 | 0:25:11 | |
and this valuable ingredient is hidden once again. | 0:25:11 | 0:25:14 | |
-Very slippery here. -Very slippery. | 0:25:14 | 0:25:16 | |
Yeah. | 0:25:16 | 0:25:17 | |
Look at that, look at it all there. | 0:25:23 | 0:25:25 | |
Ah! | 0:25:25 | 0:25:27 | |
Look at that. | 0:25:27 | 0:25:28 | |
So good. | 0:25:29 | 0:25:31 | |
Oh, it's amazing. | 0:25:32 | 0:25:34 | |
Pepper dulse is almost a truffle - | 0:25:34 | 0:25:36 | |
it tastes of truffle, the ocean, it's salty. | 0:25:36 | 0:25:39 | |
Fantastic. | 0:25:39 | 0:25:40 | |
The challenges of sourcing this rare ingredient | 0:25:42 | 0:25:44 | |
mean fresh pepper dulse can sell for over £100 a kilo. | 0:25:44 | 0:25:48 | |
They're in their best when they're growing during the winter, | 0:25:48 | 0:25:51 | |
because they just love cold water. | 0:25:51 | 0:25:54 | |
So, who are most of your clients? | 0:25:56 | 0:25:58 | |
More top end, so Michelin-star restaurants, | 0:25:58 | 0:26:03 | |
hotels like Ashford Castle. | 0:26:03 | 0:26:05 | |
It's kind of niche - more chefs are getting into it, | 0:26:05 | 0:26:09 | |
realising what's on their doorstep. | 0:26:09 | 0:26:12 | |
Monica's foraging haul | 0:26:16 | 0:26:18 | |
will soon find its way onto guests' dinner plates | 0:26:18 | 0:26:21 | |
here in Ashford's George V dining room. | 0:26:21 | 0:26:23 | |
The long-serving restaurant manager is Robert Bowe. | 0:26:25 | 0:26:29 | |
This is our classic fine dining experience. | 0:26:29 | 0:26:32 | |
Jacket is required, and tie is requested. | 0:26:32 | 0:26:35 | |
There's no dress code for ladies, it's just for gentlemen. | 0:26:36 | 0:26:39 | |
We're being taken under Robert's wing for the evening... | 0:26:40 | 0:26:43 | |
Robert? We are here. | 0:26:43 | 0:26:45 | |
..to work as fine dining waiters. | 0:26:45 | 0:26:47 | |
Robert is schooling us in all aspects of fine dining... | 0:26:48 | 0:26:52 | |
In Ireland, we serve from the left and we clear from the right. | 0:26:53 | 0:26:58 | |
..from introducing the menus... | 0:26:58 | 0:27:00 | |
-"Welcome to George V," that's what we're saying? -Mm-hm. -OK. | 0:27:00 | 0:27:03 | |
-George V. -It's your...your a la carte and your table d'hote menu. | 0:27:03 | 0:27:06 | |
..to setting the right cutlery for all eight courses. | 0:27:06 | 0:27:09 | |
Always put down the cutlery that you're replacing first, | 0:27:09 | 0:27:12 | |
-and then take away the cutlery... -Really? -..you don't need. | 0:27:12 | 0:27:15 | |
-OK. -Cos you tend to frighten people when you're taking stuff away - | 0:27:15 | 0:27:18 | |
but if you give them something first that usually keeps them quite calm. | 0:27:18 | 0:27:23 | |
Despite all this daunting service etiquette, | 0:27:23 | 0:27:26 | |
Robert's keen to remind us it still has to be done the Irish way. | 0:27:26 | 0:27:30 | |
At Ashford, we have always had very high standards, | 0:27:30 | 0:27:33 | |
but something that guests have always felt coming here | 0:27:33 | 0:27:37 | |
is that, you know, it's going to be very stuffy, | 0:27:37 | 0:27:40 | |
it's going to be very formal, but it's not that. | 0:27:40 | 0:27:42 | |
There is a sense of charm, there is a sense of friendliness. | 0:27:42 | 0:27:45 | |
A lot of them come back for, as we say in Ireland, the craic. | 0:27:45 | 0:27:49 | |
Also on hand to make sure we don't destroy the restaurant's reputation | 0:27:50 | 0:27:55 | |
is maitre d' Martin, who has 43 years' service behind him. | 0:27:55 | 0:27:59 | |
You're going to be the sort of senior fellow | 0:27:59 | 0:28:00 | |
-around me, are you? -Yes, yes. | 0:28:00 | 0:28:02 | |
-Have you got any last-minute tips, Martin? -Be friendly. | 0:28:02 | 0:28:04 | |
Make sure that they have an absolutely wonderful experience | 0:28:04 | 0:28:06 | |
-at Ashford Castle. -Oh, OK. -Thank you. -I'll do my best. | 0:28:06 | 0:28:10 | |
Nice to see you. | 0:28:14 | 0:28:15 | |
Welcome to Ashford Castle. Hi. | 0:28:15 | 0:28:17 | |
Thank you very much. | 0:28:17 | 0:28:18 | |
Good evening. | 0:28:18 | 0:28:20 | |
Welcome. | 0:28:20 | 0:28:21 | |
This is our table d'hote menu - | 0:28:21 | 0:28:23 | |
and then we've got the tasting menu here, | 0:28:23 | 0:28:26 | |
which is an eight-course tasting menu. | 0:28:26 | 0:28:28 | |
Left-hand side... | 0:28:28 | 0:28:30 | |
All right. I believe you're having the salmon? | 0:28:30 | 0:28:32 | |
Fresh knife and fork, which is down there. | 0:28:37 | 0:28:39 | |
Tuna, which is fish knife, | 0:28:39 | 0:28:40 | |
and scallop, which is fish knife and fork as well. | 0:28:40 | 0:28:42 | |
So the setting for the first course is there. | 0:28:42 | 0:28:44 | |
-Oh, my Lord. OK. You've written it down? -I have done one, two, yeah. | 0:28:44 | 0:28:47 | |
-Is the lady the one and two...? -Yes. | 0:28:47 | 0:28:49 | |
-A fish fork. -A fish fork, yes. | 0:28:49 | 0:28:51 | |
Yeah, yeah, that's no problem at all. | 0:28:51 | 0:28:53 | |
-Are you having a soup? -Soup. -Are you having...? | 0:28:53 | 0:28:55 | |
Oh, soup... | 0:28:55 | 0:28:57 | |
So the tartare - I think you'd want that, cos that's a meat knife. | 0:28:57 | 0:29:01 | |
Oh, sorbet! | 0:29:01 | 0:29:02 | |
Is it? Let's have that back. | 0:29:03 | 0:29:05 | |
Enjoy. Thank you. | 0:29:12 | 0:29:14 | |
-How was it? -Great. Yeah, you did well. | 0:29:14 | 0:29:17 | |
Yay! | 0:29:17 | 0:29:18 | |
OK, I've still got six pieces of cutlery going here. | 0:29:18 | 0:29:21 | |
Erm, what have you done? | 0:29:22 | 0:29:23 | |
I was going so well before. | 0:29:24 | 0:29:27 | |
Who's having soup that hasn't got a soup spoon? Great. | 0:29:27 | 0:29:30 | |
Good, was that your starter? Or is it in the middle? | 0:29:30 | 0:29:32 | |
-Middle. -OK, great. | 0:29:32 | 0:29:33 | |
Right. Here we go. | 0:29:35 | 0:29:37 | |
What we have for you here is a crab apple sorbet | 0:29:37 | 0:29:40 | |
and the crab apples are from the estate. | 0:29:40 | 0:29:43 | |
Erm, with an apple foam on the top. | 0:29:43 | 0:29:45 | |
-Enjoy. -Thank you. | 0:29:46 | 0:29:47 | |
GILES CHUCKLES | 0:29:47 | 0:29:48 | |
MIMICS MONICA: Enjoy. | 0:29:51 | 0:29:52 | |
Some, erm, delightful amuse-bouche for you. | 0:29:52 | 0:29:55 | |
Erm, which is a salmon mousse. | 0:29:56 | 0:29:58 | |
VOICEOVER: Just when I thought it was all going rather well... | 0:29:58 | 0:30:01 | |
So serve from the left. | 0:30:05 | 0:30:06 | |
-Yeah, not bad. -It does, cos that's in England. | 0:30:06 | 0:30:08 | |
You go to the right. | 0:30:08 | 0:30:10 | |
Here we have it here, serve from the left, clear from the right. | 0:30:10 | 0:30:13 | |
It feels weird but it's great that you have a different way. | 0:30:13 | 0:30:16 | |
How was that? | 0:30:16 | 0:30:17 | |
-Stunning. -Was it good? | 0:30:17 | 0:30:18 | |
-Are you having some English wine? -Yeah. | 0:30:21 | 0:30:23 | |
-And how's that? -It's good. | 0:30:23 | 0:30:25 | |
What about Irish wine, is there, is there anything much there? | 0:30:25 | 0:30:27 | |
You should try it. It's different. | 0:30:27 | 0:30:30 | |
-Oh, it does, it does exist? -There is, it's only one. | 0:30:30 | 0:30:32 | |
It's black and it comes in a pint glass... | 0:30:32 | 0:30:34 | |
LAUGHTER ..with a creamy head on it, I've heard of it. | 0:30:34 | 0:30:37 | |
How am I doing with my, erm, with my chat? | 0:30:37 | 0:30:40 | |
Oh, very good, excellent, they're very relaxed, very happy. | 0:30:40 | 0:30:42 | |
-They're delighted with you. -That's OK. I think my, erm, | 0:30:42 | 0:30:45 | |
my actual table skills are perhaps... | 0:30:45 | 0:30:46 | |
That doesn't matter. With a bit of charm you'll always | 0:30:46 | 0:30:51 | |
make up for what you lack in, in table skills. | 0:30:51 | 0:30:54 | |
What they're doing here is | 0:30:57 | 0:30:58 | |
giving you the five-star, top notch experience that you want | 0:30:58 | 0:31:01 | |
with beautifully presented food, very well timed service, | 0:31:01 | 0:31:04 | |
ornate dining rooms and chandeliers | 0:31:04 | 0:31:06 | |
but with the charm, with the fun, with the relaxation, | 0:31:06 | 0:31:09 | |
with the craic that gives you an experience | 0:31:09 | 0:31:11 | |
that's genuinely enjoyable. | 0:31:11 | 0:31:12 | |
When I came here as a young fella in 1974 | 0:31:12 | 0:31:15 | |
I worked at the bar and I ran out of it after a week | 0:31:15 | 0:31:18 | |
and I've never left the restaurant since. | 0:31:18 | 0:31:20 | |
As I said to people all down the years, if I had my life to | 0:31:20 | 0:31:24 | |
live over again I would do exactly the same as what I've done. | 0:31:24 | 0:31:27 | |
Ask anyone round here about Ashford families | 0:31:27 | 0:31:30 | |
and they'll tell you about Martin Gibbons. | 0:31:30 | 0:31:32 | |
His father and grandfather worked on the estate - | 0:31:32 | 0:31:36 | |
now his two sons are following in their footsteps. | 0:31:36 | 0:31:39 | |
24-year-old Steven is a waiter in the lounge | 0:31:40 | 0:31:43 | |
and 21-year-old Mark is a cocktail barman. | 0:31:43 | 0:31:46 | |
After my limited success as a waiter | 0:31:47 | 0:31:49 | |
I've been sent to work with Mark in the Prince of Wales bar. | 0:31:49 | 0:31:52 | |
-Hi, how are you? -Hi, you must be Mark? I'm Giles. | 0:31:52 | 0:31:56 | |
Nice to meet you. | 0:31:56 | 0:31:57 | |
-How long have you been working here? -Near enough four years. | 0:31:57 | 0:32:00 | |
-Four years? -Yeah. -So straight out of... | 0:32:00 | 0:32:02 | |
Straight out of school, yeah. | 0:32:02 | 0:32:03 | |
Yeah, kind of the same thing as my father did. | 0:32:03 | 0:32:05 | |
VOICEOVER: We're making an Ashford signature cocktail called Gunpowder Blush. | 0:32:07 | 0:32:11 | |
Made with Irish gin, elderflower liqueur... | 0:32:14 | 0:32:17 | |
We use some cherry wood chips and spray with bergamot. | 0:32:17 | 0:32:20 | |
..and smoked with woodchips from the estate. | 0:32:20 | 0:32:23 | |
Oh, it's got a little thing that draws it in. | 0:32:24 | 0:32:26 | |
Look at that! | 0:32:27 | 0:32:28 | |
And is that nice? Is it a good feeling having your dad here? | 0:32:37 | 0:32:40 | |
It is, yeah. But it's professional. | 0:32:40 | 0:32:42 | |
There's no, there's no messing, there's no joking. | 0:32:42 | 0:32:44 | |
Once we come across that bridge it's, "I'm working". | 0:32:44 | 0:32:46 | |
It's not dead, it's not dead. | 0:32:46 | 0:32:48 | |
At home, is the sort of family chat, the banter, | 0:32:48 | 0:32:50 | |
is it often about work? Do you talk about this? | 0:32:50 | 0:32:53 | |
No! No, once you cross the bridge, it's family at work. | 0:32:53 | 0:32:55 | |
-Really? -Yeah. | 0:32:55 | 0:32:56 | |
Mark's great grandfather was working here as a gamekeeper | 0:33:00 | 0:33:04 | |
when the Prince of Wales visited in 1905. | 0:33:04 | 0:33:06 | |
The future King came specifically to shoot woodcock | 0:33:06 | 0:33:10 | |
and, of course, shooting is very much still on offer. | 0:33:10 | 0:33:13 | |
GUNSHOT | 0:33:13 | 0:33:15 | |
Estate manager Thomas is in charge of activities. | 0:33:16 | 0:33:19 | |
-Very good morning to you. -Hello. | 0:33:22 | 0:33:24 | |
This morning he'll be putting us to work wearing what is, | 0:33:24 | 0:33:27 | |
believe it or not, the actual activities department uniform. | 0:33:27 | 0:33:31 | |
And the first job of the day - cleaning guns | 0:33:35 | 0:33:37 | |
with the clay pigeon team. | 0:33:37 | 0:33:39 | |
These will be used very regularly, every single day, erm, | 0:33:40 | 0:33:43 | |
quite often late into the evening in the summer months | 0:33:43 | 0:33:46 | |
and they have to be kept in pristine condition. | 0:33:46 | 0:33:49 | |
Feidhlim manages the hotel shotguns. | 0:33:50 | 0:33:53 | |
-More? -Go a little bit more. | 0:33:53 | 0:33:54 | |
That'll do. | 0:33:55 | 0:33:57 | |
Down the barrel. All the way through to the end. | 0:33:57 | 0:33:59 | |
-Oops! Fail. -Oh, that's all right. | 0:34:02 | 0:34:04 | |
It's come back, it's come back out. | 0:34:04 | 0:34:06 | |
So see how it looks, is it cleaner compared to the other one? | 0:34:06 | 0:34:09 | |
-Absolutely. Blimey! -There you go. | 0:34:09 | 0:34:11 | |
I suppose the face of the, | 0:34:11 | 0:34:13 | |
the breach is probably one of the most important parts. | 0:34:13 | 0:34:16 | |
Oh, look at that. Ah, that makes sense. | 0:34:16 | 0:34:19 | |
Oh, there we go. | 0:34:21 | 0:34:22 | |
With up to 50 guests shooting each week, | 0:34:23 | 0:34:26 | |
Ashford gets through over 120,000 clay pigeons a year. | 0:34:26 | 0:34:29 | |
Oh, boy! | 0:34:30 | 0:34:31 | |
They break quite easily in there, | 0:34:31 | 0:34:33 | |
-they're biodegradable so once they break... -What? | 0:34:33 | 0:34:36 | |
That's how easy they break. | 0:34:36 | 0:34:38 | |
They break down, and once the small pieces get wet, they biodegrade | 0:34:38 | 0:34:42 | |
and they're gone in two years. | 0:34:42 | 0:34:44 | |
There we go! | 0:34:47 | 0:34:49 | |
So, Monica, Giles - would you like to have a go | 0:34:49 | 0:34:51 | |
-before our guests arrive? -Absolutely. | 0:34:51 | 0:34:53 | |
I'm a bit nervous. | 0:34:53 | 0:34:55 | |
Pull. | 0:34:55 | 0:34:56 | |
Pull! | 0:34:58 | 0:35:00 | |
Damn it! | 0:35:02 | 0:35:04 | |
VOICEOVER: It's harder than it looks. | 0:35:04 | 0:35:06 | |
Pull. | 0:35:06 | 0:35:07 | |
Pull! | 0:35:10 | 0:35:11 | |
Unless someone else shoots yours for you. | 0:35:12 | 0:35:15 | |
She shot it before I got my shot off. | 0:35:18 | 0:35:20 | |
She's getting pretty good over there. | 0:35:20 | 0:35:23 | |
-SOFTLY: -I like this now. | 0:35:23 | 0:35:24 | |
You got over your nerves, then? | 0:35:30 | 0:35:31 | |
Oh, yes. I got a few, actually. | 0:35:31 | 0:35:33 | |
It's interesting because, erm, as well as the five-star luxury and the views and all that kind of thing | 0:35:33 | 0:35:39 | |
they are selling this lord and lady of the manor stuff - look at us. | 0:35:39 | 0:35:42 | |
-Look at us, pair of idiots. -We look great. | 0:35:42 | 0:35:44 | |
Well, we look great but imagine people who, you know, | 0:35:44 | 0:35:46 | |
from 5,000 miles away who'd been watching Downton Abbey, erm, | 0:35:46 | 0:35:49 | |
and the likes of that and just want a little piece of that | 0:35:49 | 0:35:52 | |
and you can't really get it, it's unattainable, then | 0:35:52 | 0:35:54 | |
-you come here and you can have it. -It's absolutely attainable | 0:35:54 | 0:35:56 | |
and then making it accessible for, for anyone visiting. | 0:35:56 | 0:35:59 | |
I can't get away from this slight bitterness that I don't own | 0:35:59 | 0:36:02 | |
20,000 acres of my own prime shooting land. | 0:36:02 | 0:36:05 | |
I think that would be better. | 0:36:05 | 0:36:07 | |
Whilst shooting is in keeping with the Guinness era, | 0:36:09 | 0:36:12 | |
you've got to go a lot further back | 0:36:12 | 0:36:14 | |
for the origins of the hotel's most popular outdoor pursuit. | 0:36:14 | 0:36:17 | |
This is Ashford School of Falconry. | 0:36:19 | 0:36:21 | |
Not exactly your run-of-the-mill hotel activity. | 0:36:25 | 0:36:28 | |
Guests can actually try their hand at this UNESCO-protected sport | 0:36:29 | 0:36:33 | |
which was originally developed as a hunting aid. | 0:36:33 | 0:36:36 | |
The school is run by Debbie. | 0:36:38 | 0:36:39 | |
I'm joining her as a trainee falconer. | 0:36:39 | 0:36:41 | |
Every day before guests can actually fly the birds, poop must be scooped. | 0:36:43 | 0:36:49 | |
It's much cleaner than cleaning up after my dog, that's for sure! | 0:36:49 | 0:36:52 | |
And the aviary's kept spotless. | 0:36:53 | 0:36:56 | |
I'm sure we're the only place in the world that washes gravel. | 0:36:56 | 0:36:59 | |
The hawks must also be weighed as part of their regular health checks. | 0:37:02 | 0:37:07 | |
This morning I'm weighing seven-year-old Harris hawk Joyce. | 0:37:07 | 0:37:10 | |
Extend your arm clear of your body, this is how we fly them as well, | 0:37:10 | 0:37:14 | |
with the back of your fist facing to her. | 0:37:14 | 0:37:16 | |
And so here she comes, and there she is. | 0:37:16 | 0:37:19 | |
Now she's landed, you can slowly relax your elbow | 0:37:20 | 0:37:23 | |
so it's resting comfortably into your side. | 0:37:23 | 0:37:25 | |
-And just release your grip. There we go. -Yeah! -Perfect! | 0:37:26 | 0:37:30 | |
She needs to be as fat as possible | 0:37:30 | 0:37:32 | |
but if she's too fat, then she'll sit in a tree | 0:37:32 | 0:37:35 | |
and she'll refuse to fly, | 0:37:35 | 0:37:36 | |
exactly as she would do in the wild, they don't fly for fun. | 0:37:36 | 0:37:40 | |
Erm, that's a human view of it because we can't fly, they fly only out of necessity. | 0:37:40 | 0:37:45 | |
-So you're seeing them perched and sitting in their cage... -Yes. | 0:37:45 | 0:37:49 | |
..you're thinking, well, that's not right, they should be out flying. | 0:37:49 | 0:37:52 | |
-Absolutely. -But that's actually what they do, just... | 0:37:52 | 0:37:55 | |
It is, it is. They don't fly around their aviary, | 0:37:55 | 0:37:57 | |
they have the space to do so but they don't. | 0:37:57 | 0:37:59 | |
This is so cool. I have never held any bird of prey so close. | 0:38:03 | 0:38:08 | |
She's a lovely lady, she doesn't seem to mind. Erm, so beautiful. | 0:38:08 | 0:38:12 | |
-VOICEOVER: -With the prep work done, Debbie's going to teach me how | 0:38:14 | 0:38:18 | |
the falconers take guests for what they call a hawk walk. | 0:38:18 | 0:38:21 | |
So you can open your fist now to release your grip of the jesses, | 0:38:21 | 0:38:24 | |
she's free to go now at any time. | 0:38:24 | 0:38:26 | |
Shall I put my arm up or she'll just..? | 0:38:26 | 0:38:28 | |
You're going to, yes, you're now going to lift her up. | 0:38:28 | 0:38:30 | |
-There we go, perfect. -Amazing! | 0:38:30 | 0:38:33 | |
Close up your fist and bring your glove towards me. Look at this. | 0:38:33 | 0:38:36 | |
That's amazing! | 0:38:43 | 0:38:44 | |
Oh, my goodness, doesn't she look so beautiful? | 0:38:44 | 0:38:48 | |
She's fabulous. | 0:38:48 | 0:38:49 | |
There we go. Perfect. | 0:38:49 | 0:38:50 | |
She's free to come and go as she pleases. | 0:38:50 | 0:38:52 | |
As we walk, you just have your glove down by your side | 0:38:53 | 0:38:56 | |
so it's clear to her that we're not asking her to come in. | 0:38:56 | 0:39:00 | |
And she should follow us. Here she comes. | 0:39:00 | 0:39:03 | |
Magnificent. | 0:39:03 | 0:39:05 | |
Why bring falconry to the hotel? | 0:39:05 | 0:39:07 | |
There's a long history of falconry here. | 0:39:07 | 0:39:09 | |
It's been in Ireland since about 400 AD. | 0:39:09 | 0:39:12 | |
We tend to read about it as being the sport of royalty and | 0:39:12 | 0:39:15 | |
of landed gentry and so on, and of the wealthy | 0:39:15 | 0:39:18 | |
but in reality, erm, the peasants as well would have all had | 0:39:18 | 0:39:20 | |
a goshawk or a falcon that they will have been hunting with | 0:39:20 | 0:39:23 | |
as a serious means of putting food on the table. | 0:39:23 | 0:39:26 | |
You are amazing! | 0:39:26 | 0:39:28 | |
What an experience. | 0:39:36 | 0:39:38 | |
Hotels always offer some kind of activities | 0:39:38 | 0:39:41 | |
but this is something that's quite unique. | 0:39:41 | 0:39:45 | |
While this is definitely a great experience for the guests, | 0:39:45 | 0:39:48 | |
what's more important is | 0:39:48 | 0:39:50 | |
falconry is being preserved as parts of the Irish culture. | 0:39:50 | 0:39:53 | |
While Ashford today is able to preserve ancient traditions, | 0:39:55 | 0:39:58 | |
things could have been very different. | 0:39:58 | 0:40:00 | |
I'm on the road with historian Fintan. | 0:40:04 | 0:40:06 | |
He's taking me to see how grand country estates were | 0:40:09 | 0:40:12 | |
affected by Ireland's struggle for independence from Britain - | 0:40:12 | 0:40:15 | |
a time that could have easily spelt the end for the castle. | 0:40:15 | 0:40:19 | |
So what have we got here? What are we looking at here? | 0:40:19 | 0:40:22 | |
Erm, well, unfortunately in the early part of the 20th century, | 0:40:22 | 0:40:25 | |
especially during the War of Independence, | 0:40:25 | 0:40:27 | |
the fate of a lot of these great mansions was, erm, | 0:40:27 | 0:40:29 | |
that they were burnt to the ground. | 0:40:29 | 0:40:31 | |
These would have been seen as symbols of British imperialism, | 0:40:32 | 0:40:36 | |
colonialism, landlordism - | 0:40:36 | 0:40:37 | |
all the things that we very much resented | 0:40:37 | 0:40:40 | |
as we moved towards being a Republic. | 0:40:40 | 0:40:42 | |
And often in that era, erm, misguided patriots or whatever | 0:40:42 | 0:40:45 | |
would come along at night, throw in a gallon of petrol, | 0:40:45 | 0:40:47 | |
hoist the Tricolour, sing some rebel songs and destroy them. | 0:40:47 | 0:40:51 | |
This place had an extensive library, | 0:40:56 | 0:40:58 | |
a beautiful country estate with a sweeping driveway | 0:40:58 | 0:41:01 | |
down to the lakeway and gardens and sheds and staff and all of that. | 0:41:01 | 0:41:05 | |
You sound, you sound, you sound genuinely angry about it. | 0:41:05 | 0:41:08 | |
Well, of course, we would all be angry at the destruction | 0:41:08 | 0:41:11 | |
of our heritage. Can you imagine, this has the potential | 0:41:11 | 0:41:14 | |
to be to this area, on the edge of beautiful Lough Carra, | 0:41:14 | 0:41:16 | |
what Ashford is to Cong today. | 0:41:16 | 0:41:19 | |
In the same way as you say this could have been like Ashford, | 0:41:19 | 0:41:23 | |
of course, Ashford could have been like this. | 0:41:23 | 0:41:25 | |
Well, of course it could, yeah. | 0:41:25 | 0:41:27 | |
Ashford was just one of the ones that were lucky. | 0:41:27 | 0:41:29 | |
I suppose that, that's symptomatic, isn't it, of war - | 0:41:29 | 0:41:32 | |
the destruction - you know, and this is exactly what's happening | 0:41:32 | 0:41:35 | |
in the Middle East at the moment and places like Palmyra | 0:41:35 | 0:41:37 | |
and all of those places, people are destroying their own heritage. | 0:41:37 | 0:41:41 | |
-That's exactly what it's like, isn't it? -That's exactly what's happening and this is exactly what | 0:41:41 | 0:41:44 | |
we were doing and, you know, anger and people that are infused with | 0:41:44 | 0:41:48 | |
that anger and political fervour, they seem to do strange things. | 0:41:48 | 0:41:52 | |
I suppose looked at in the context of the time, | 0:41:52 | 0:41:55 | |
obviously some people supported the idea. | 0:41:55 | 0:41:57 | |
By now, Arthur Guinness had realised his ambition and been made a Lord. | 0:42:02 | 0:42:05 | |
But when he died in 1915, the changing social landscape | 0:42:07 | 0:42:10 | |
and soaring cost of labour were making estates like Ashford | 0:42:10 | 0:42:14 | |
unviable, so his family donated the whole thing to the Irish Government. | 0:42:14 | 0:42:18 | |
After languishing for years, it once again got lucky. | 0:42:20 | 0:42:23 | |
Leased by a hotelier by the name of Noel Huggard, | 0:42:24 | 0:42:28 | |
it opened for business as a hotel in 1939. | 0:42:28 | 0:42:31 | |
It's astonishing that anything should survive for 800 years. | 0:42:31 | 0:42:34 | |
At so many times in its history, | 0:42:34 | 0:42:36 | |
Ashford Castle could have just fallen into ruins. | 0:42:36 | 0:42:39 | |
But every time it's been on the brink of disaster | 0:42:39 | 0:42:41 | |
it's been saved, until now | 0:42:41 | 0:42:43 | |
it's arrived in what's arguably its golden age | 0:42:43 | 0:42:45 | |
where people come from all over the world to experience a living, breathing monument to Irish history. | 0:42:45 | 0:42:51 | |
I want to know how the return to prosperity is felt | 0:42:55 | 0:42:58 | |
beyond the estate walls. | 0:42:58 | 0:43:00 | |
And after chef Philippe told me of his commitment | 0:43:00 | 0:43:02 | |
to using local producers, I'm off to see one for myself. | 0:43:02 | 0:43:05 | |
An hour from the castle out on the Atlantic coast, | 0:43:07 | 0:43:10 | |
I'm meeting John, owner of Dooncastle Oyster Farm. | 0:43:10 | 0:43:13 | |
-Monica? -What a gorgeous morning. | 0:43:13 | 0:43:15 | |
I'm glad I've got one size fits all. | 0:43:15 | 0:43:18 | |
-I think I'm ready. -I think you're ready. | 0:43:23 | 0:43:26 | |
Oysters reproduce by releasing their eggs and sperm into the water. | 0:43:26 | 0:43:31 | |
The fertilised eggs are incubated in a local hatchery | 0:43:31 | 0:43:34 | |
before being transferred here to mature. | 0:43:34 | 0:43:36 | |
In a shallow inlet, the oysters are then grown in mesh bags | 0:43:38 | 0:43:42 | |
that are strapped down and submerged by the tide. | 0:43:42 | 0:43:44 | |
Aren't they gorgeous! | 0:43:48 | 0:43:49 | |
So essentially these are the babies? | 0:43:49 | 0:43:51 | |
Yeah, that'll be close to what you call spat. | 0:43:51 | 0:43:54 | |
-Spat? -Yeah. | 0:43:54 | 0:43:55 | |
-The seeds? -The seeds, yeah. | 0:43:55 | 0:43:57 | |
How long will it take for a small oyster like this to reach maturity? | 0:43:57 | 0:44:00 | |
I'd be hoping for two and a half to three years. | 0:44:00 | 0:44:02 | |
Two and a half to three years. | 0:44:02 | 0:44:03 | |
-VOICEOVER: -At first, there are 1,500 tiny oysters per bag. | 0:44:07 | 0:44:10 | |
They feed on nutrients from the water, so we have to flip | 0:44:11 | 0:44:14 | |
the bags to ensure they're not starved by green algae growth. | 0:44:14 | 0:44:18 | |
What's a typical day for you? | 0:44:19 | 0:44:21 | |
There's two tides a day so you work | 0:44:21 | 0:44:23 | |
the tide during the day and the tide at night. | 0:44:23 | 0:44:25 | |
So they're... They can be ranging up to four hours each shift | 0:44:25 | 0:44:28 | |
and then I can be doing the deliveries and packing in-between. | 0:44:28 | 0:44:32 | |
So even in the middle of the night when the tide is out | 0:44:32 | 0:44:34 | |
-you'll come out and do this? -Yeah. | 0:44:34 | 0:44:36 | |
Wow. I... Oh, my gosh! | 0:44:36 | 0:44:38 | |
-The tide is my boss. -Yeah. | 0:44:38 | 0:44:40 | |
As the oysters get bigger, they must be sorted | 0:44:42 | 0:44:45 | |
and separated into new bags to give them more growing space. | 0:44:45 | 0:44:48 | |
First 800 per bag, then down to 150 per bag. | 0:44:51 | 0:44:55 | |
How old are they now? | 0:44:56 | 0:44:58 | |
They're about 18 months. | 0:44:58 | 0:44:59 | |
18 months. | 0:44:59 | 0:45:00 | |
-OK. So a good, another 18 months to go still, isn't it? -Yeah. | 0:45:00 | 0:45:04 | |
Along with tending his crop by hand, clean waters, classified by the EU | 0:45:05 | 0:45:10 | |
as grade A, help John produce a five-star oyster. | 0:45:10 | 0:45:13 | |
What's the castle like to work with? | 0:45:13 | 0:45:15 | |
The support I've got from the chefs has really given me | 0:45:15 | 0:45:20 | |
a lifeline in the business | 0:45:20 | 0:45:22 | |
because you're guaranteed a steady income all year round. | 0:45:22 | 0:45:25 | |
-Just pour them in. -They're heavy. -They are heavy. | 0:45:27 | 0:45:30 | |
After three years, John's oysters are ready to be graded | 0:45:30 | 0:45:33 | |
by weight and sent to market. | 0:45:33 | 0:45:35 | |
-And do we put them on one by one? -Yeah, one by one. | 0:45:35 | 0:45:38 | |
Ah! | 0:45:39 | 0:45:40 | |
Wait! | 0:45:41 | 0:45:42 | |
-So the machine weighs them and drops them? -Yep. | 0:45:45 | 0:45:48 | |
I see. | 0:45:48 | 0:45:49 | |
Oh, that was a big one. | 0:45:49 | 0:45:51 | |
This is grade 1, this one would be grade 2 | 0:45:51 | 0:45:53 | |
and then we're going down to grade 3. | 0:45:53 | 0:45:55 | |
So this is the grade that, erm, that Ashford prefers. It's smaller. | 0:45:56 | 0:46:01 | |
-It's a nice eating size, isn't it, all in one? -Yeah. | 0:46:01 | 0:46:03 | |
So, can I try one? | 0:46:03 | 0:46:04 | |
-Of course. -Yay! | 0:46:04 | 0:46:05 | |
Beautiful. | 0:46:10 | 0:46:11 | |
It's the freshest oyster I've ever eaten. | 0:46:11 | 0:46:14 | |
Oh, they're fattier. | 0:46:21 | 0:46:22 | |
Oh, they're beautiful. | 0:46:22 | 0:46:24 | |
Just so fresh, delicious. | 0:46:26 | 0:46:28 | |
I am hugely impressed by the quality of John's produce. | 0:46:30 | 0:46:35 | |
These oysters are just beautiful. | 0:46:35 | 0:46:38 | |
Thank you so much. | 0:46:38 | 0:46:40 | |
Actually, Ashford Castle could easily buy the oysters from a bigger | 0:46:40 | 0:46:44 | |
producer but instead they choose to support an artisan producer. | 0:46:44 | 0:46:49 | |
What all that means is a vibrant local economy, | 0:46:49 | 0:46:52 | |
a vibrant local culture. | 0:46:52 | 0:46:54 | |
Despite its healthy position today, | 0:46:59 | 0:47:01 | |
just a few years ago, the estate found itself facing ruin once again. | 0:47:01 | 0:47:05 | |
The Irish property boom saw Ashford bought by developers | 0:47:06 | 0:47:10 | |
and heavily mortgaged. | 0:47:10 | 0:47:12 | |
The financial crash struck | 0:47:12 | 0:47:13 | |
and by 2012 it had fallen into receivership. | 0:47:13 | 0:47:16 | |
It was a very, very difficult time. | 0:47:18 | 0:47:21 | |
The castle was under significant threat - | 0:47:21 | 0:47:23 | |
nobody really knows what's going to happen, erm, | 0:47:23 | 0:47:25 | |
whether it's going to continue as a viable entity. | 0:47:25 | 0:47:28 | |
Unfortunately we had to make redundancies. | 0:47:30 | 0:47:32 | |
All the team took major significant pay cuts. | 0:47:32 | 0:47:35 | |
With the banks controlling all spending, | 0:47:36 | 0:47:39 | |
years of underinvestment were starting to show. | 0:47:39 | 0:47:41 | |
There was this huge decline in the physical structure of the property. | 0:47:43 | 0:47:46 | |
We used to have to allocate rooms depending on wind direction. | 0:47:46 | 0:47:49 | |
And it really, really does need a miracle. | 0:47:49 | 0:47:52 | |
It needs something to happen, it needs something to change. | 0:47:52 | 0:47:55 | |
Finding a suitable buyer was proving a problem. | 0:47:57 | 0:48:01 | |
I met 30 potential purchasers from Russian oligarchs to, erm, | 0:48:01 | 0:48:06 | |
people who wanted to purchase this at the lowest price, | 0:48:06 | 0:48:08 | |
invest a small bit of money and flip it very, very quickly. | 0:48:08 | 0:48:11 | |
Also in the frame were successful South African hoteliers | 0:48:13 | 0:48:16 | |
Beatrice and Stanley Tollman. | 0:48:16 | 0:48:18 | |
In the past, there had been well-publicised tax evasion cases | 0:48:20 | 0:48:23 | |
against Stanley in the US | 0:48:23 | 0:48:25 | |
which saw him pay over 100 million in back taxes and fines. | 0:48:25 | 0:48:29 | |
But Niall saw something that convinced him | 0:48:31 | 0:48:34 | |
they were the ones to take on Ashford. | 0:48:34 | 0:48:36 | |
Showing Mr and Mrs Tollman the estate, Mr Tollman turned to | 0:48:36 | 0:48:40 | |
Mrs Tollman and said, "Wow, Bea, this is just an amazing place, | 0:48:40 | 0:48:43 | |
"it's absolutely fantastic," | 0:48:43 | 0:48:44 | |
and Mrs Tollman turned around and said, "Yes, Stanley, it is, it's wonderful but it's the people, | 0:48:44 | 0:48:49 | |
"it's the people," and that very moment | 0:48:49 | 0:48:51 | |
I thought that these were the people for Ashford Castle. | 0:48:51 | 0:48:54 | |
In 2013, the Tollmans bought the Ashford estate. | 0:48:57 | 0:49:00 | |
The piper is going to meet them at the bridge and then | 0:49:02 | 0:49:04 | |
we'll have our great staff line-up | 0:49:04 | 0:49:06 | |
so if we can have as many people from each department, ready to go. | 0:49:06 | 0:49:09 | |
And today the staff are getting ready for one of Beatrice Tollman's flying visits. | 0:49:09 | 0:49:14 | |
I think they'll be here around 12.30 is my understanding so if you could make sure that every element | 0:49:14 | 0:49:18 | |
of the room, Camilla will go through the room in a few minutes, | 0:49:18 | 0:49:20 | |
just make sure everything's perfect. | 0:49:20 | 0:49:22 | |
With Mrs Tollman's arrival imminent, | 0:49:26 | 0:49:29 | |
I've been asked to hoist the company flag. | 0:49:29 | 0:49:32 | |
And we're joining the rest of the staff | 0:49:35 | 0:49:37 | |
on the front steps to welcome her. | 0:49:37 | 0:49:39 | |
Now, if you're starting to think this is all a bit royal visit, | 0:49:41 | 0:49:44 | |
you're not alone. | 0:49:44 | 0:49:45 | |
This is an extraordinary effort you're making for this lady. | 0:49:47 | 0:49:50 | |
-Absolutely. -Why? | 0:49:50 | 0:49:51 | |
It's a bit of fun, but it's something that we just do | 0:49:51 | 0:49:54 | |
out of genuine appreciation for what they have done for this property, | 0:49:54 | 0:49:57 | |
for this estate and for the employees of the estate. | 0:49:57 | 0:50:00 | |
What have they done? | 0:50:00 | 0:50:01 | |
I mean, they run a hotel business, they've bought a hotel, | 0:50:01 | 0:50:04 | |
they're making money out of it - what have they really done? | 0:50:04 | 0:50:07 | |
When Mr and Mrs Tollman first took over, | 0:50:07 | 0:50:09 | |
and I always remember Mr Tollman getting on the front steps of the castle | 0:50:09 | 0:50:12 | |
and saying the property is debt-free | 0:50:12 | 0:50:14 | |
and they wanted to create the best hotel of its kind in the world, | 0:50:14 | 0:50:16 | |
so to hear that from where we were coming from | 0:50:16 | 0:50:18 | |
was just something very, very special. | 0:50:18 | 0:50:20 | |
When the Tollmans closed Ashford for seven months of renovation, | 0:50:25 | 0:50:28 | |
they insisted that every member of staff was kept on. | 0:50:28 | 0:50:31 | |
They paid 25 million for the estate | 0:50:33 | 0:50:35 | |
but poured a further 75 million into its complete restoration. | 0:50:35 | 0:50:39 | |
1,000 square metres of roofs were reinforced | 0:50:39 | 0:50:43 | |
and 820 new windows fitted. | 0:50:43 | 0:50:45 | |
All-new plumbing and 750 kilometres of cabling were installed. | 0:50:47 | 0:50:51 | |
Local craftsmen and materials were used wherever possible. | 0:50:52 | 0:50:55 | |
And Mrs Tollman oversaw every detail of the decor. | 0:50:57 | 0:51:00 | |
This isn't a refurbishment, it's not a renovation, | 0:51:02 | 0:51:05 | |
it's much, much more fundamental than that. | 0:51:05 | 0:51:07 | |
It's a restoration of a grand old estate that could have been lost. | 0:51:07 | 0:51:11 | |
OK, here they come. | 0:51:14 | 0:51:15 | |
HORSE HOOVES CLATTER, BUGLES AND BAGPIPES PLAY | 0:51:15 | 0:51:19 | |
Standing here in the rain with everyone, | 0:51:23 | 0:51:25 | |
you get a sense of the affection that's felt towards the new owner. | 0:51:25 | 0:51:29 | |
Well, hello, Mrs Tollman. How are you? | 0:51:32 | 0:51:36 | |
And it looks like this grand welcome is about showing | 0:51:37 | 0:51:40 | |
appreciation for a job well done. | 0:51:40 | 0:51:42 | |
Hello. | 0:51:47 | 0:51:49 | |
-How are you? -Fine, how are you? | 0:51:49 | 0:51:51 | |
-Very good, thank you. -Hi. | 0:51:51 | 0:51:53 | |
Hello. How are you? | 0:51:53 | 0:51:55 | |
-I thought I recognised you. -You did? | 0:51:55 | 0:51:58 | |
-Thank you for the kiss. -Pleasure! | 0:51:58 | 0:52:01 | |
Welcome home. | 0:52:03 | 0:52:05 | |
Absolutely, as always, well, great to have you. | 0:52:06 | 0:52:08 | |
With the fanfare over and everyone off back to work, | 0:52:12 | 0:52:14 | |
I'm spending some time with Mrs Tollman, | 0:52:14 | 0:52:17 | |
to find out what it was like taking over such a venerable institution. | 0:52:17 | 0:52:20 | |
What did it need most of all? | 0:52:22 | 0:52:24 | |
It needed everything. | 0:52:24 | 0:52:26 | |
Everything, you know - new furniture in every res... | 0:52:26 | 0:52:28 | |
in the restaurant. Just wherever you look, is new. | 0:52:28 | 0:52:31 | |
So the mirrors and the pictures, was this all...? | 0:52:31 | 0:52:34 | |
I bought everything that you see, I bought. | 0:52:34 | 0:52:36 | |
-You yourself? -Yes, yes, at auctions - everything. | 0:52:36 | 0:52:40 | |
-Gosh, they must have been pleased when they saw you coming? -Oh, well, I... -For a few years. | 0:52:40 | 0:52:43 | |
Was it all a business decision | 0:52:43 | 0:52:45 | |
or were you thinking about the future, about leaving a legacy? | 0:52:45 | 0:52:48 | |
Yes, I suppose so, just because it deserved it. | 0:52:48 | 0:52:52 | |
We just felt we must put everything into it, you know, our souls | 0:52:52 | 0:52:55 | |
into recreating what it deserved to be. | 0:52:55 | 0:52:58 | |
And despite the full VIP arrival, | 0:53:02 | 0:53:04 | |
Mrs Tollman is here for business, not pleasure. | 0:53:04 | 0:53:07 | |
She always casts an eye over every department. | 0:53:08 | 0:53:11 | |
This, Mrs Tollman, is our vanilla cheesecake. | 0:53:11 | 0:53:14 | |
And her first stop is the kitchen. | 0:53:14 | 0:53:16 | |
Mine has a little bit more sugar. | 0:53:17 | 0:53:20 | |
But I'm back helping Philippe | 0:53:20 | 0:53:21 | |
prepare for tonight's dinner service. | 0:53:21 | 0:53:24 | |
It is really delicious. What did you add to it, you said? | 0:53:24 | 0:53:28 | |
-Masala... -Oh... -A little spice at the end. | 0:53:28 | 0:53:31 | |
-That's what gave it... -In olive oil. | 0:53:31 | 0:53:33 | |
I get an analysis every day of every restaurant that we've got | 0:53:34 | 0:53:38 | |
and how, you know, how many people and what they ate. | 0:53:38 | 0:53:41 | |
And if I see something never sells on a menu, I'll say, | 0:53:41 | 0:53:44 | |
"Take that off, and, you know, you'll put on something else." | 0:53:44 | 0:53:48 | |
There is something a bit special about Ashford Castle. | 0:53:49 | 0:53:52 | |
Well, yes, we love it here | 0:53:52 | 0:53:54 | |
because of the staff more than anything else. | 0:53:54 | 0:53:57 | |
They're so dedicated, they're so passionate | 0:53:57 | 0:54:00 | |
and that is the greatest reward for everything we've put into it. | 0:54:00 | 0:54:04 | |
As when the Guinnesses took over, | 0:54:07 | 0:54:09 | |
what's good for Ashford tends to be good for the area. | 0:54:09 | 0:54:12 | |
Restaurant manager Robert is taking me to one of the most important community hubs... | 0:54:12 | 0:54:16 | |
Giles, how are you? | 0:54:16 | 0:54:17 | |
Beautiful day for a game of Gaelic football. | 0:54:17 | 0:54:19 | |
..the local Gaelic sports club, where some of the staff play. | 0:54:19 | 0:54:23 | |
HORN TOOTS | 0:54:23 | 0:54:24 | |
Gaelic sports are big in every parish or every town in Ireland | 0:54:24 | 0:54:29 | |
so if you play for the parish, it's a great honour. | 0:54:29 | 0:54:31 | |
We've come to the Neale, | 0:54:33 | 0:54:35 | |
a Gaelic Athletic Association club, to watch some Gaelic football. | 0:54:35 | 0:54:39 | |
-So, this is Adam here, he works in reception. -Does he? | 0:54:39 | 0:54:42 | |
Yeah. John Colman worked in the restaurant, | 0:54:42 | 0:54:44 | |
in the George V Room, he's the goalkeeper. | 0:54:44 | 0:54:48 | |
We've got Jack Murphy as well, he works in wash-up at the moment, | 0:54:48 | 0:54:51 | |
he's going to college, he's playing as well. | 0:54:51 | 0:54:54 | |
So it sounds like there's a strong connection between the castle and the team, is there? | 0:54:54 | 0:54:58 | |
Yes, we, we've always been sponsors of the club. | 0:54:58 | 0:55:01 | |
What it's going to do, it's going to bring more people into the community | 0:55:01 | 0:55:04 | |
who are going to want to work here, who'll want to live here, and that | 0:55:04 | 0:55:07 | |
makes the community stronger and it's going to make Ashford stronger. | 0:55:07 | 0:55:11 | |
The only way you can pass is to hand pass. | 0:55:12 | 0:55:15 | |
Because I'm struggling to get my head round this curious mix | 0:55:15 | 0:55:18 | |
of soccer and rugby, Robert has kindly agreed | 0:55:18 | 0:55:20 | |
to give me some coaching. | 0:55:20 | 0:55:22 | |
A new thing for you. | 0:55:22 | 0:55:23 | |
You can't run with the ball more than three steps - if you do | 0:55:23 | 0:55:26 | |
you have to bounce it, all right, | 0:55:26 | 0:55:27 | |
but you can't bounce it twice. | 0:55:27 | 0:55:29 | |
But what you can do is drop it on your foot and | 0:55:29 | 0:55:31 | |
kick it back up into your foot. | 0:55:31 | 0:55:33 | |
And if I wanted to score, | 0:55:33 | 0:55:34 | |
I would just try and kick it over those posts? | 0:55:34 | 0:55:36 | |
Kick it over the bar. | 0:55:36 | 0:55:38 | |
Once, solo, once. | 0:55:38 | 0:55:40 | |
Should I tell him it's a children's goal? | 0:55:48 | 0:55:51 | |
It's Saturday night, Mrs Tollman's in the house | 0:55:58 | 0:56:00 | |
and we're helping the staff prepare for an evening of entertainment. | 0:56:00 | 0:56:04 | |
A young local band have been booked to perform in the lounge. | 0:56:09 | 0:56:12 | |
MUSIC: Whiskey in the Jar | 0:56:17 | 0:56:20 | |
# As I was goin' over the Cork and Kerry mountains | 0:56:23 | 0:56:27 | |
# I met with Captain Farrell and his money he was countin'... # | 0:56:27 | 0:56:31 | |
I've been roped into shucking oysters for the evening. | 0:56:33 | 0:56:35 | |
# Stand and deliver for I am a bold deceiver | 0:56:35 | 0:56:39 | |
# Musha rain dum a doo, dum a da, hup! | 0:56:39 | 0:56:42 | |
# Whack for my daddy, oh | 0:56:42 | 0:56:44 | |
# Whack for my daddy, oh, there's whiskey in the jar... # | 0:56:44 | 0:56:47 | |
-They're great, aren't they? -Absolutely. | 0:56:49 | 0:56:51 | |
Absolutely, I remember the first time seeing them, erm, | 0:56:51 | 0:56:53 | |
I was drinking a pint of Guinness. I don't get out that often, erm, | 0:56:53 | 0:56:56 | |
but I heard them and kids like this are the future of the area | 0:56:56 | 0:56:59 | |
and we're so thrilled to be able to give them an opportunity like this. | 0:56:59 | 0:57:02 | |
# Musha rain dum a doo, dum a da | 0:57:02 | 0:57:05 | |
# Whack for my daddy, oh | 0:57:05 | 0:57:07 | |
# Whack for my daddy | 0:57:07 | 0:57:08 | |
# Oh-h-h | 0:57:08 | 0:57:11 | |
# There's whiskey in the jar, oh! # | 0:57:11 | 0:57:13 | |
Thank you. | 0:57:14 | 0:57:15 | |
In 2012, we had 210 people employed on the estate. Now today we've 420. | 0:57:16 | 0:57:23 | |
The challenges that we now face are really positive challenges. | 0:57:24 | 0:57:27 | |
The future of this building and this estate, | 0:57:27 | 0:57:30 | |
it's safeguarded for generations. | 0:57:30 | 0:57:32 | |
You know, I've never stayed in a castle before. | 0:57:41 | 0:57:44 | |
Coming here, you walk into this amazing hotel, | 0:57:44 | 0:57:47 | |
the grandeur that, that's so splendid | 0:57:47 | 0:57:50 | |
but in fact, it's very relaxed here, you feel very welcome, it's warm. | 0:57:50 | 0:57:56 | |
It's all about the roots that are sunk deeply in the local soil, | 0:57:56 | 0:57:59 | |
the 30 or 40 years that some of the people have been working here. | 0:57:59 | 0:58:02 | |
And, and with that, they bring this level of service that is | 0:58:02 | 0:58:06 | |
full of pride and joy. | 0:58:06 | 0:58:08 | |
I think what, what's extraordinary is when you walk about, erm, | 0:58:08 | 0:58:11 | |
the castle and you walk past cleaners and you walk past maintenance men and stuff, | 0:58:11 | 0:58:14 | |
they all look like they're having quite a good time | 0:58:14 | 0:58:16 | |
and in really posh hotels they all care and they all want it to be great | 0:58:16 | 0:58:20 | |
but there's always a sort of underlying hint of misery, | 0:58:20 | 0:58:22 | |
erm, and there isn't here. | 0:58:22 | 0:58:24 | |
This hope and this opportunity for the next generation | 0:58:27 | 0:58:31 | |
that's going to, to come through. | 0:58:31 | 0:58:33 | |
After 800 years of up and down, | 0:58:33 | 0:58:35 | |
the various different economic travails, | 0:58:35 | 0:58:38 | |
there's this sort of sense they're all going to be all right. | 0:58:38 | 0:58:40 | |
TRADITIONAL MUSIC CONTINUES | 0:58:40 | 0:58:42 | |
CHEERING AND APPLAUSE | 0:58:53 | 0:58:54 | |
Thank you. Great dancing. | 0:58:56 | 0:58:58 |