
Browse content similar to Moscow. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
It's 100 years since the Russian Revolution... | 0:00:03 | 0:00:06 | |
..and it all started here. | 0:00:07 | 0:00:09 | |
And it cut off Russia from the world for nearly 70 years. | 0:00:09 | 0:00:13 | |
But new DNA evidence suggests that 1 in every 600 Russians | 0:00:15 | 0:00:22 | |
has Scottish ancestry. | 0:00:22 | 0:00:24 | |
I'm discovering Scots | 0:00:24 | 0:00:26 | |
who made a massive impact on Russia's history. | 0:00:26 | 0:00:29 | |
Some made the former Empire their home, | 0:00:30 | 0:00:34 | |
and others fought and died there. | 0:00:34 | 0:00:36 | |
From those who helped to establish Russian football... | 0:00:40 | 0:00:43 | |
..to those, like me, who came to Russia | 0:00:45 | 0:00:47 | |
at a crucial time in their life. | 0:00:47 | 0:00:49 | |
They found Russia beautiful, captivating and quite exasperating. | 0:00:49 | 0:00:56 | |
This is from Scotland to Russia, with love. | 0:01:00 | 0:01:03 | |
HE SPEAKS RUSSIAN | 0:01:03 | 0:01:05 | |
This programme contains some strong language. | 0:01:07 | 0:01:15 | |
I first went to Russia 30 years ago | 0:01:19 | 0:01:21 | |
to teach a series of Shakespeare workshops to young Russian actors. | 0:01:21 | 0:01:26 | |
It was my first experience of Russia and of being in a documentary. | 0:01:26 | 0:01:31 | |
You have to really keep this text, | 0:01:31 | 0:01:34 | |
it's tricky, but it's... | 0:01:34 | 0:01:36 | |
I'm now going back to find out about other Scots | 0:01:37 | 0:01:40 | |
who came to Russia and made the Empire their own. | 0:01:40 | 0:01:43 | |
Our journey starts here, in Leuchars, Fife, | 0:01:45 | 0:01:48 | |
with an intriguing link between Russia | 0:01:48 | 0:01:50 | |
and one of Scotland's most-respected regiments, | 0:01:50 | 0:01:54 | |
the Royal Scots Dragoon Guards. | 0:01:54 | 0:01:56 | |
This regiment is about as Scottish as they come. | 0:01:59 | 0:02:02 | |
But they have Russia in their hearts. | 0:02:04 | 0:02:06 | |
Nicholas II, the last Emperor of Russia. | 0:02:08 | 0:02:12 | |
In 1894, he was given the honorary title | 0:02:12 | 0:02:15 | |
of the regiment's first-ever Colonel in Chief. | 0:02:15 | 0:02:19 | |
What we've got here is a troop | 0:02:21 | 0:02:22 | |
in what we would call, and in the Tsar's day... | 0:02:22 | 0:02:26 | |
Taking up the story is commanding officer | 0:02:26 | 0:02:28 | |
Lieutenant Colonel Dominic Coombes. | 0:02:28 | 0:02:31 | |
So, we're in Fife and very happy to be here. | 0:02:31 | 0:02:34 | |
And, of course, we're talking about our relationship | 0:02:34 | 0:02:37 | |
with Tsar Nicholas and with Russia. | 0:02:37 | 0:02:39 | |
We wear these grey berets | 0:02:39 | 0:02:42 | |
which are the mark of the Scots Greys. | 0:02:42 | 0:02:45 | |
And the cap badge. | 0:02:45 | 0:02:46 | |
There's a black backing to it. | 0:02:46 | 0:02:48 | |
Yeah, I see that, yeah. | 0:02:48 | 0:02:49 | |
And common folklore and the internet | 0:02:49 | 0:02:52 | |
will tell you that we wear this in mourning for the Tsar. | 0:02:52 | 0:02:54 | |
The reality is, we've worked out, | 0:02:54 | 0:02:57 | |
actually, it was the black backing to put the silver badge, | 0:02:57 | 0:03:00 | |
-to show it off better against the grey beret. -Right. | 0:03:00 | 0:03:03 | |
But the regiment's historical link with the Tsar is very real. | 0:03:03 | 0:03:08 | |
Corporal Bell here is holding this icon. | 0:03:08 | 0:03:11 | |
It's of Tsar Nicholas II. | 0:03:11 | 0:03:13 | |
-So, when Tsar Nicholas... -May I? -Yeah, absolutely. | 0:03:13 | 0:03:18 | |
This icon was a gift from the people of Russia. | 0:03:18 | 0:03:21 | |
Many in the regiment believe it gives them good luck. | 0:03:21 | 0:03:25 | |
It's been to Kosovo, it's been to Iraq twice, | 0:03:25 | 0:03:28 | |
it's been to Afghanistan twice, and anywhere we go in the future, | 0:03:28 | 0:03:32 | |
whenever we go on operations, that comes with us | 0:03:32 | 0:03:35 | |
and goes and sits next to me, wherever I am. | 0:03:35 | 0:03:38 | |
Even if you're on the front line? | 0:03:38 | 0:03:39 | |
-Yeah, anywhere. -That's pretty impressive. | 0:03:39 | 0:03:43 | |
In Afghanistan, it went in various vehicles. | 0:03:43 | 0:03:45 | |
So, yeah, it's travelled. | 0:03:45 | 0:03:47 | |
-So, we take it with us everywhere. -I love that. | 0:03:49 | 0:03:51 | |
-It's great, isn't it? -Yeah, it's tremendous. | 0:03:51 | 0:03:54 | |
We look after it. | 0:03:54 | 0:03:55 | |
-We cherish it. -Yeah, yeah, yeah. | 0:03:55 | 0:03:57 | |
I think it's a great link. | 0:03:57 | 0:03:59 | |
And now it's in Fife. | 0:03:59 | 0:04:00 | |
And now it's in Fife. In Leuchars, yeah. | 0:04:00 | 0:04:03 | |
-Very proud to have it here. -Yeah, great. | 0:04:03 | 0:04:05 | |
Nicholas II was the last of the three-century-old Romanov dynasty. | 0:04:23 | 0:04:28 | |
That the Royal Scots Dragoon Guards carry this piece of history | 0:04:29 | 0:04:33 | |
wherever they go is truly amazing. | 0:04:33 | 0:04:35 | |
But first, we have to find out where it started. | 0:04:35 | 0:04:39 | |
Helping me understand the Russian connection | 0:04:49 | 0:04:51 | |
is Brigadier Mel Jameson, | 0:04:51 | 0:04:52 | |
chairman of the Scots Dragoon Guards Museum Trust. | 0:04:52 | 0:04:56 | |
What's the uniform he is wearing here? | 0:04:57 | 0:04:58 | |
-That's the Scots Greys uniform. -That is the Scots Greys uniform. | 0:04:58 | 0:05:01 | |
Full dress of the Scots Greys. | 0:05:01 | 0:05:02 | |
-This is the Tsar? -This is the Tsar again, on his royal yacht, Standart. | 0:05:02 | 0:05:07 | |
And the band played, the Scots Rose band played on the yacht for him. | 0:05:07 | 0:05:12 | |
I love this picture. | 0:05:12 | 0:05:13 | |
And I love this torch that has somehow gone down with it. | 0:05:13 | 0:05:17 | |
That picture still hangs in Buckingham Palace, | 0:05:17 | 0:05:20 | |
and Queen Victoria was so fond of her great-granddaughter, Alexei, | 0:05:20 | 0:05:25 | |
that she turned out at the front door to meet her, | 0:05:25 | 0:05:28 | |
and, as she called him, Nicky. | 0:05:28 | 0:05:30 | |
In 1896, the Tsar and his wife, Alexei, | 0:05:33 | 0:05:37 | |
granddaughter to Queen Victoria, | 0:05:37 | 0:05:39 | |
visited Balmoral. | 0:05:39 | 0:05:41 | |
This rare footage captures that moment. | 0:05:41 | 0:05:44 | |
The royal couple had been married two years, | 0:05:47 | 0:05:50 | |
a fairy-tale romance that Queen Victoria believed | 0:05:50 | 0:05:53 | |
would help create peace within Europe. | 0:05:53 | 0:05:57 | |
Tsar Nicholas, | 0:05:57 | 0:05:59 | |
Tsarevich Nicholas, actually, came over | 0:05:59 | 0:06:01 | |
because Queen Victoria had a review of her troops at Aldershot | 0:06:01 | 0:06:05 | |
and riding past one of the regimens was the Royal Scots Greys, | 0:06:05 | 0:06:08 | |
and he said to Queen Victoria, seeing all these grey horses | 0:06:08 | 0:06:12 | |
and scarlet tunics, "What a beautiful regiment." | 0:06:12 | 0:06:15 | |
Then there was a pause, | 0:06:15 | 0:06:16 | |
he got married the same year, | 0:06:16 | 0:06:18 | |
and Queen Victoria made him Colonel in Chief, | 0:06:18 | 0:06:22 | |
probably one of the first foreign monarchs | 0:06:22 | 0:06:25 | |
to be made Colonel in Chief of a British regiment. | 0:06:25 | 0:06:27 | |
Was that like a wedding present? | 0:06:27 | 0:06:29 | |
Indeed. That's the way I look at it, as a wedding present. | 0:06:29 | 0:06:33 | |
GUN FIRES | 0:06:33 | 0:06:34 | |
20 years later, Europe was in the grips of World War I. | 0:06:34 | 0:06:38 | |
In Russia, Tsar Nicholas II had been forced to abdicate, | 0:06:43 | 0:06:47 | |
after losing the support of his battle-weary army. | 0:06:47 | 0:06:50 | |
When the Bolsheviks took over in 1917, | 0:06:51 | 0:06:54 | |
Nicholas and his family were imprisoned. | 0:06:54 | 0:06:57 | |
A year later, an order, almost certainly from Lenin, | 0:06:57 | 0:07:01 | |
was given to execute the royal family. | 0:07:01 | 0:07:03 | |
Tsar Nicholas, his wife Alexei, | 0:07:05 | 0:07:08 | |
five children and four servants were taken down to the cellar and shot. | 0:07:08 | 0:07:13 | |
The regiment must have been, then, | 0:07:16 | 0:07:18 | |
incredibly affected by the assassination | 0:07:18 | 0:07:20 | |
and what eventually happened to him. | 0:07:20 | 0:07:22 | |
Yes, the tragic death of the Tsar in 1918, from that moment on, | 0:07:22 | 0:07:28 | |
the one thing that happened and still happens today, | 0:07:28 | 0:07:31 | |
is that when we have a formal dinner in the officers' mess, we will play, | 0:07:31 | 0:07:37 | |
before the loyal toast and the National Anthem, God Save The Queen, | 0:07:37 | 0:07:42 | |
we will play the Imperial Anthem of Russia, | 0:07:42 | 0:07:45 | |
one verse, in memory of the Tsar. | 0:07:45 | 0:07:47 | |
MUSIC: Imperial Anthem of Russia by Alexie Lvov | 0:07:47 | 0:07:50 | |
It's done with us sitting down, | 0:07:54 | 0:07:56 | |
as we sit for the national anthem as well, | 0:07:56 | 0:07:58 | |
strangely, sitting at attention, | 0:07:58 | 0:08:00 | |
remembering the Tsar for that period of time, | 0:08:00 | 0:08:02 | |
and we take it very seriously. | 0:08:02 | 0:08:04 | |
As you can imagine, the occasional dinner got a bit rowdy, | 0:08:05 | 0:08:08 | |
rolls being thrown. | 0:08:08 | 0:08:10 | |
And there was never any damage to the Tsar. | 0:08:10 | 0:08:13 | |
The regiment has one more magnificent reminder of the Tsar, | 0:08:16 | 0:08:20 | |
their murdered Colonel in Chief. | 0:08:20 | 0:08:22 | |
He's very like King George V. | 0:08:22 | 0:08:25 | |
They were so alike, weren't they? | 0:08:25 | 0:08:27 | |
-So alike. -Yeah, incredibly alike. | 0:08:27 | 0:08:30 | |
King George V and him, they could have been twins. | 0:08:30 | 0:08:33 | |
He had these eyes, these amazingly blue eyes. | 0:08:33 | 0:08:35 | |
I always felt with Nicholas II, he had tragedy written all over him. | 0:08:37 | 0:08:41 | |
But he's well remembered and revered in the regiment | 0:08:41 | 0:08:44 | |
and part of our wonderful history. | 0:08:44 | 0:08:47 | |
So, we have had everybody come and have a look at it, | 0:08:47 | 0:08:50 | |
Sotheby's and Christie's, and everybody is fascinated. | 0:08:50 | 0:08:52 | |
It's probably worth a few shillings. | 0:08:52 | 0:08:54 | |
A few bob, yeah. | 0:08:54 | 0:08:56 | |
We Scots certainly love... | 0:09:01 | 0:09:03 | |
..lost causes, and there's nothing more romantic or tragic | 0:09:04 | 0:09:08 | |
than the demise of the Russian Imperial family. | 0:09:08 | 0:09:12 | |
But there are many other links between Russia and us Scots. | 0:09:14 | 0:09:18 | |
Welcome to Russia. | 0:09:25 | 0:09:27 | |
Where I'm standing is arguably | 0:09:28 | 0:09:30 | |
the heart and soul of this great country, | 0:09:30 | 0:09:33 | |
and there is no better location to show Russia's turbulent past, | 0:09:33 | 0:09:39 | |
then here, in this very spot. | 0:09:39 | 0:09:41 | |
Krasnaya Ploschad, Red Square. | 0:09:41 | 0:09:45 | |
In the 15th century, | 0:09:45 | 0:09:47 | |
Red Square was little more than a shanty town of wooden huts | 0:09:47 | 0:09:50 | |
housing criminals, pedlars and drunks. | 0:09:50 | 0:09:54 | |
Now, from the iconic Saint Basil's Cathedral | 0:09:54 | 0:09:57 | |
to the Kremlin, | 0:09:57 | 0:09:59 | |
where leaders since Ivan the Terrible have ruled, | 0:09:59 | 0:10:01 | |
it's a tourist destination and the historic centre of Moscow. | 0:10:01 | 0:10:05 | |
But if you know where to look, | 0:10:09 | 0:10:11 | |
you will find the presence of we Scots everywhere. | 0:10:11 | 0:10:15 | |
The original clock in the Spasskaya Bashnya | 0:10:17 | 0:10:20 | |
was built by a Scot, Christopher Galloway, | 0:10:20 | 0:10:23 | |
in 1624. | 0:10:23 | 0:10:24 | |
Beside this beautiful Orthodox church | 0:10:27 | 0:10:29 | |
is the entrance to the grand Kremlin Palace. | 0:10:29 | 0:10:32 | |
It's a place that strikes fear in many, | 0:10:32 | 0:10:35 | |
but I have been given privileged access. | 0:10:35 | 0:10:38 | |
Citadel of the Tsars, it was once the very centre of the Soviet Union. | 0:10:40 | 0:10:46 | |
But even here, there is a mark of the Scots. | 0:10:46 | 0:10:49 | |
We come through these pair of extraordinary - ooh!- | 0:10:52 | 0:10:58 | |
gold doors. | 0:10:58 | 0:10:59 | |
Gold, real gold... | 0:11:00 | 0:11:02 | |
..into St Alexander Room. | 0:11:04 | 0:11:06 | |
Unbelievable. | 0:11:09 | 0:11:10 | |
I don't think we've got anything to match this. | 0:11:12 | 0:11:14 | |
It's hard to believe, but... | 0:11:17 | 0:11:18 | |
..during the Soviet period, | 0:11:20 | 0:11:22 | |
these rooms were treated in a utilitarian fashion. | 0:11:22 | 0:11:26 | |
There'd be huge tables here and desks | 0:11:26 | 0:11:30 | |
and lots of people buzzing around | 0:11:30 | 0:11:33 | |
and meetings, trying to ignore this absolute spectacle... | 0:11:33 | 0:11:38 | |
..pretend it wasn't here. | 0:11:39 | 0:11:40 | |
It must have been very, very distracting. | 0:11:44 | 0:11:47 | |
It's a magnificent piece of work, absolutely magnificent. | 0:11:47 | 0:11:50 | |
We come to the room... | 0:11:54 | 0:11:56 | |
..of our mutual patron saint. | 0:11:58 | 0:12:00 | |
And here we are. | 0:12:02 | 0:12:03 | |
The St Andrew's Room. | 0:12:06 | 0:12:07 | |
The throne room of the Tsars. | 0:12:09 | 0:12:11 | |
Gobsmackingly beautiful. | 0:12:20 | 0:12:22 | |
No people, just me. | 0:12:24 | 0:12:26 | |
Incredible. | 0:12:28 | 0:12:29 | |
If you look way up high, you can see a little St Andrew on his cross, | 0:12:36 | 0:12:43 | |
the saltire. | 0:12:43 | 0:12:44 | |
It's quite funny. | 0:12:47 | 0:12:48 | |
He's wearing what can only be best described | 0:12:48 | 0:12:52 | |
as a pair of wee white jockeys. | 0:12:52 | 0:12:55 | |
Good old St Andrew. | 0:12:56 | 0:12:58 | |
The St Andrew's Hall is one of five massive chambers within the Kremlin. | 0:12:59 | 0:13:03 | |
In 2012, it was chosen to host President Putin's inauguration. | 0:13:03 | 0:13:08 | |
So, here we have the three thrones. | 0:13:10 | 0:13:12 | |
The Tsar, his wife... | 0:13:14 | 0:13:16 | |
..and his mother. | 0:13:17 | 0:13:18 | |
Very evocative... | 0:13:21 | 0:13:22 | |
..in the midst of all this amazing splendour. | 0:13:24 | 0:13:28 | |
It's also such a strong reminder | 0:13:28 | 0:13:30 | |
that St Andrew, he's all over the place. | 0:13:30 | 0:13:32 | |
He's part of the Russian emblem, | 0:13:33 | 0:13:37 | |
the two-headed eagle, | 0:13:37 | 0:13:38 | |
and there's St Andrew crucified in the middle... | 0:13:38 | 0:13:41 | |
..and how | 0:13:43 | 0:13:45 | |
much that saltire has come to mean to us... | 0:13:45 | 0:13:49 | |
..so it's something we have in common. | 0:13:50 | 0:13:52 | |
Well, there's only so much gold a man fae Dundee can take. | 0:13:55 | 0:13:59 | |
It's time to leave the big city of Moscow. | 0:13:59 | 0:14:01 | |
I'm now travelling back in time | 0:14:11 | 0:14:13 | |
to the medieval town of Vyborg, | 0:14:13 | 0:14:15 | |
close to the border of Finland. | 0:14:15 | 0:14:18 | |
This re-enactment group come from all over Russia | 0:14:24 | 0:14:28 | |
to follow in the footsteps of Patrick Gordon from Aberdeen. | 0:14:28 | 0:14:33 | |
In the 1690s, | 0:14:33 | 0:14:34 | |
this Scottish soldier was the highest-ranking general | 0:14:34 | 0:14:38 | |
in the Russian army. | 0:14:38 | 0:14:39 | |
They're led by Boris Migorsky. | 0:14:41 | 0:14:44 | |
I thought you behaved in a very commanding way just now. | 0:14:51 | 0:14:54 | |
-Yes, see those stripes? -Yes. -It means I am a sergeant. | 0:14:54 | 0:14:57 | |
Ah, sergeant. | 0:14:58 | 0:15:00 | |
For the last 14 years, Boris and his group | 0:15:10 | 0:15:14 | |
have been researching Patrick Gordon's regiment. | 0:15:14 | 0:15:16 | |
What are you going to show me? | 0:15:16 | 0:15:18 | |
We will perform the drill manual of late 17th, early 18th century. | 0:15:18 | 0:15:25 | |
With flintlock muskets, this is | 0:15:25 | 0:15:28 | |
more or less what Patrick Gordon taught his troops. | 0:15:28 | 0:15:32 | |
These roots lie in Patrick Gordon. | 0:15:32 | 0:15:35 | |
Yes. The words of command, all the motions, | 0:15:35 | 0:15:39 | |
we can be sure that they are more or less authentic. | 0:15:39 | 0:15:41 | |
In the middle of the 17th century, | 0:15:47 | 0:15:49 | |
Russia's army was largely made up of villagers, | 0:15:49 | 0:15:52 | |
defending the motherland. | 0:15:52 | 0:15:54 | |
In 1661... | 0:15:57 | 0:15:58 | |
..Patrick Gordon began to professionalise the army. | 0:16:00 | 0:16:03 | |
This drill is an example of the ones taught by Patrick Gordon. | 0:16:08 | 0:16:11 | |
There's the sense of, you know, firing in volley. | 0:16:26 | 0:16:31 | |
When 100 muskets fire... | 0:16:31 | 0:16:32 | |
..it will look like everybody fired. | 0:16:33 | 0:16:36 | |
-Yeah. -But when you look at individuals... | 0:16:36 | 0:16:38 | |
Yeah. | 0:16:38 | 0:16:40 | |
Do you take them to task if they don't fire properly? | 0:16:40 | 0:16:44 | |
Yeah, of course. | 0:16:44 | 0:16:45 | |
THEY LAUGH | 0:16:45 | 0:16:46 | |
What do you do? | 0:16:46 | 0:16:48 | |
-That's all I can do. -Wag your finger! | 0:16:50 | 0:16:52 | |
-It's a habit. -Yeah. | 0:16:52 | 0:16:54 | |
I want to find out more about Patrick Gordon, | 0:17:03 | 0:17:06 | |
and why he came to Russia in the first place. | 0:17:06 | 0:17:09 | |
In Scotland, few have heard of him, yet, here, he's not just remembered, | 0:17:10 | 0:17:15 | |
he's revered. | 0:17:15 | 0:17:16 | |
How this man became like a father to the Tsar | 0:17:18 | 0:17:22 | |
is as long and as deep as the Russian Metro itself. | 0:17:22 | 0:17:26 | |
Maybe he was in the right place at the right time. | 0:17:30 | 0:17:34 | |
It's a common sight. | 0:17:34 | 0:17:36 | |
You'll see people touching the dog for good luck. | 0:17:36 | 0:17:39 | |
And so they have a good day. | 0:17:40 | 0:17:41 | |
And you can see it's quite worn away here. | 0:17:43 | 0:17:46 | |
In fact, that's what the metal would have been... | 0:17:46 | 0:17:48 | |
Ah! | 0:17:48 | 0:17:49 | |
See? | 0:17:51 | 0:17:52 | |
To find out more, I'm going to meet Dr Dmitry Fedosov - | 0:18:00 | 0:18:05 | |
a historian who has been researching Patrick Gordon | 0:18:05 | 0:18:07 | |
for the last 20 years. | 0:18:07 | 0:18:09 | |
Patrick Gordon's diaries are here in the military archive | 0:18:14 | 0:18:18 | |
of the Lefort Palace. He kept a detailed, vivid account of his life, | 0:18:18 | 0:18:23 | |
even in the middle of battle. | 0:18:23 | 0:18:25 | |
So, let me understand. | 0:18:26 | 0:18:28 | |
There was this little boy from Aberdeen... | 0:18:28 | 0:18:29 | |
-Yes. -..who ends up going to Poland at the age of... | 0:18:29 | 0:18:34 | |
At the age of 16. | 0:18:34 | 0:18:35 | |
16? And the idea was to send a son to Poland. | 0:18:35 | 0:18:40 | |
Yes, but the thing is, as he himself writes, | 0:18:40 | 0:18:43 | |
he was a younger son of a younger brother, of a younger house. | 0:18:43 | 0:18:47 | |
So he had nothing to hope for in terms of inheritance back home. | 0:18:47 | 0:18:52 | |
And as so many other Scots, all over the world, | 0:18:52 | 0:18:56 | |
he just followed the track of wonder in Europe, to seek employment. | 0:18:56 | 0:19:02 | |
Military employment. You'll see, | 0:19:02 | 0:19:03 | |
as he puts it in this very first volume here. | 0:19:03 | 0:19:06 | |
The explanation for his leaving the country, is... | 0:19:07 | 0:19:11 | |
..here. "I resolved, I say, to go to some foreign country, | 0:19:14 | 0:19:18 | |
"not caring much on what pretence, or to which country I should go, | 0:19:18 | 0:19:22 | |
"seeing I had no known friend in any foreign place." | 0:19:22 | 0:19:25 | |
That's fascinating. | 0:19:27 | 0:19:28 | |
Patrick Gordon was fighting for the Polish Army | 0:19:30 | 0:19:33 | |
when he was captured by the Russians. | 0:19:33 | 0:19:36 | |
But luck was on his side. | 0:19:36 | 0:19:38 | |
One of his captors was a fellow Scot. | 0:19:38 | 0:19:41 | |
So there were these bunch of Scots lads, they said, | 0:19:41 | 0:19:44 | |
"Listen, you've got to come and join us." | 0:19:44 | 0:19:46 | |
Yes. This is exactly what happened. | 0:19:46 | 0:19:48 | |
"You know, you're going to be among your own kind." | 0:19:48 | 0:19:51 | |
So he was quite critical, wasn't he, of the Russians? | 0:19:51 | 0:19:53 | |
Initially. Let's see if I can... | 0:19:53 | 0:19:55 | |
I love the way you know these books, seemingly by heart. | 0:19:55 | 0:19:59 | |
Well, I've been... | 0:19:59 | 0:20:01 | |
And you can go straight to the source. | 0:20:01 | 0:20:03 | |
-It's incredible. -"The people being..." | 0:20:03 | 0:20:05 | |
Now listen to this. | 0:20:05 | 0:20:06 | |
"..morose, avaricious, niggard, deceitful, false, | 0:20:06 | 0:20:11 | |
"insolent and tyrannous, where they have command, | 0:20:11 | 0:20:15 | |
"and being under command, | 0:20:15 | 0:20:16 | |
"submissive and even slavish, sloven and base, | 0:20:16 | 0:20:20 | |
"and yet overweening and valuing themselves above all other nations." | 0:20:20 | 0:20:24 | |
In 1682, the new Tsar took over the throne. | 0:20:27 | 0:20:31 | |
Pyotr Alexeyevich. | 0:20:31 | 0:20:33 | |
Better known in the west as Peter the Great. | 0:20:33 | 0:20:37 | |
From a young age, Peter the Great was fascinated with toy soldiers. | 0:20:37 | 0:20:42 | |
What happened was that Peter was, as indeed young boys tend to be, | 0:20:42 | 0:20:46 | |
was very keen on things military from very early on. | 0:20:46 | 0:20:50 | |
So he started with toy soldiers in wood, and perhaps other materials, | 0:20:50 | 0:20:54 | |
but increasingly, he was into re-enactments. | 0:20:54 | 0:20:58 | |
As the Tsar grew older, he was given his own real soldiers to play with, | 0:21:02 | 0:21:07 | |
a bodyguard of 100 men. | 0:21:07 | 0:21:10 | |
Patrick Gordon trained them up for the young Tsar, | 0:21:10 | 0:21:13 | |
and they were nicknamed The Toy Soldiers, | 0:21:13 | 0:21:15 | |
or Play Men. | 0:21:15 | 0:21:16 | |
You've also got, in here, I've noticed some amazing drawings. | 0:21:28 | 0:21:33 | |
That's true. This is volume three, which is the smallest, but, perhaps, | 0:21:33 | 0:21:36 | |
the most military of them all, with...action. | 0:21:36 | 0:21:40 | |
In 1695, Patrick Gordon had a reputation as a formidable soldier. | 0:21:42 | 0:21:47 | |
The siege of Azov, where Russia fought the Ottoman Empire | 0:21:47 | 0:21:51 | |
for access to the Black Sea, would make him a legend. | 0:21:51 | 0:21:55 | |
So, amazingly, they managed to hold out with some, like, | 0:22:01 | 0:22:05 | |
10,000 men against... | 0:22:05 | 0:22:08 | |
being outnumbered by ten to one | 0:22:08 | 0:22:09 | |
by the Turks and Cathars for over a month. | 0:22:09 | 0:22:13 | |
One diary entry sums up what Gordon faced. | 0:22:13 | 0:22:17 | |
"On the bridge I did meet five or six Turks, | 0:22:17 | 0:22:20 | |
"with their drawn scimitars, | 0:22:20 | 0:22:22 | |
"and of the heads of Christians in their left hands. | 0:22:22 | 0:22:25 | |
"At these, firing my pistol, I break through, | 0:22:25 | 0:22:28 | |
"and run to the right hand on the top of the dam. | 0:22:28 | 0:22:32 | |
"I got out also. | 0:22:32 | 0:22:33 | |
"And then made as much haste as possible | 0:22:33 | 0:22:36 | |
"to the laager, to the Russian camp." | 0:22:36 | 0:22:38 | |
So he survived by a hair's breadth. | 0:22:38 | 0:22:40 | |
It was really a miraculous salvation. | 0:22:40 | 0:22:42 | |
That's an amazing escape. | 0:22:42 | 0:22:43 | |
Patrick Gordon served the Tsar until his death in 1699. | 0:22:46 | 0:22:51 | |
Peter attended him several times, almost constantly, | 0:22:53 | 0:22:58 | |
when Gordon was on his deathbed, | 0:22:58 | 0:23:00 | |
again, here, in this part of Moscow. | 0:23:00 | 0:23:04 | |
In November 1699, indeed Peter closed his eyes. | 0:23:04 | 0:23:09 | |
And, of course, the funeral was lavish. | 0:23:09 | 0:23:13 | |
I think no Gordon, | 0:23:13 | 0:23:14 | |
not even any Duke of Gordon was ever buried with such pomp and grandeur | 0:23:14 | 0:23:20 | |
as Patrick here in Moscow, | 0:23:20 | 0:23:21 | |
because the Tsar himself was in the procession, | 0:23:21 | 0:23:24 | |
at the head of his regiment. | 0:23:24 | 0:23:26 | |
To sum up, Dmitry, would you say, I mean, apart from Peter... | 0:23:26 | 0:23:30 | |
..who was the Great, | 0:23:31 | 0:23:33 | |
that he was probably one of the most important men in Russia? | 0:23:33 | 0:23:37 | |
Definitely. | 0:23:37 | 0:23:38 | |
Certainly. In Russia, and I would say more, | 0:23:38 | 0:23:41 | |
he was one of the more important men | 0:23:41 | 0:23:43 | |
of the Scottish diaspora worldwide. | 0:23:43 | 0:23:45 | |
After speaking to Dmitry, | 0:23:45 | 0:23:48 | |
Patrick Gordon's story has come alive for me. | 0:23:48 | 0:23:51 | |
I'm about to fire my first musket. | 0:23:56 | 0:23:58 | |
Well, I'm not actually sure if it's my first musket. | 0:23:59 | 0:24:02 | |
I think it is. | 0:24:02 | 0:24:03 | |
So, what do I do? | 0:24:04 | 0:24:06 | |
God, they're heavy, aren't they? | 0:24:08 | 0:24:10 | |
Put that back, yes. | 0:24:11 | 0:24:13 | |
-You shoot, open. -Open. | 0:24:13 | 0:24:14 | |
Ah. | 0:24:17 | 0:24:18 | |
OK. In here? | 0:24:20 | 0:24:21 | |
All right, OK. Do you hold it there? | 0:24:23 | 0:24:26 | |
There? | 0:24:26 | 0:24:27 | |
OK. Hold it back. | 0:24:27 | 0:24:29 | |
OK. Is that it? | 0:24:31 | 0:24:32 | |
There's an interesting postscript to this tale. | 0:24:42 | 0:24:45 | |
The Toy Soldiers, or Play Men... | 0:24:45 | 0:24:49 | |
..disappeared after the revolution... | 0:24:51 | 0:24:52 | |
..when the Imperial family, whom they guarded, were murdered. | 0:24:54 | 0:24:58 | |
And just three years ago, Putin decided to reinstate them. | 0:24:58 | 0:25:03 | |
And now they are the official guard of the Kremlin. | 0:25:04 | 0:25:07 | |
Time to meet my chauffeur for the day. | 0:25:22 | 0:25:24 | |
-Nice to meet you. -It's moving. | 0:25:26 | 0:25:28 | |
-Welcome to Russia. -Is it OK? | 0:25:28 | 0:25:30 | |
It's OK. | 0:25:30 | 0:25:31 | |
-Power in motion. -Power in motion? | 0:25:31 | 0:25:33 | |
So, Sergei, what do I do with this seat belt? | 0:25:35 | 0:25:39 | |
Well, actually, you can forget about it. | 0:25:39 | 0:25:42 | |
I don't think our police will give me a fine for an abroad actor. | 0:25:42 | 0:25:46 | |
I see. But... | 0:25:46 | 0:25:47 | |
Normally, you should put it under the leg. | 0:25:49 | 0:25:52 | |
Put it under the leg. This is so Soviet. | 0:25:52 | 0:25:55 | |
-Yes. -This is what they used to do in the Soviet times. | 0:25:55 | 0:25:57 | |
-So, how old are you? -I'm 26. | 0:25:57 | 0:26:00 | |
So, 26, that means you were born in 1990? | 0:26:00 | 0:26:04 | |
-'89. -'89. | 0:26:04 | 0:26:05 | |
To be fair, I'm really proud | 0:26:05 | 0:26:07 | |
I was born in the Soviet Union, not Russia. | 0:26:07 | 0:26:09 | |
When I was here in 1988, there was a great optimism, | 0:26:12 | 0:26:17 | |
because there was perestroika, there was glasnost, | 0:26:17 | 0:26:20 | |
everything was changing, Mikhail Gorbachev, | 0:26:20 | 0:26:23 | |
everything was possible. | 0:26:23 | 0:26:25 | |
You know, it was a great, great time. | 0:26:25 | 0:26:28 | |
They offered new opportunities. | 0:26:28 | 0:26:30 | |
Back then the city was drab, but unique. | 0:26:30 | 0:26:34 | |
Looking around now at the luxury shops, it feels less distinctive. | 0:26:34 | 0:26:39 | |
How do you feel about Gorbachev? | 0:26:46 | 0:26:48 | |
He is the man who fucked up my country. | 0:26:50 | 0:26:52 | |
He was...to me, he seems a weak leader. | 0:26:54 | 0:26:58 | |
I feel sorry that we live in different countries | 0:27:00 | 0:27:04 | |
with Ukraine, Belarus, it's one nation for me, and, you know... | 0:27:04 | 0:27:07 | |
I'm really sorry we are separate nowadays. | 0:27:10 | 0:27:13 | |
And you think that was Gorbachev who fucked up the country? | 0:27:13 | 0:27:16 | |
Yeah. Probably. | 0:27:16 | 0:27:17 | |
But at the same time, he allowed for changes to happen. | 0:27:19 | 0:27:24 | |
I like the changes, but I don't like there is | 0:27:24 | 0:27:28 | |
some hate between the nations which were brothers. | 0:27:28 | 0:27:31 | |
We're heading north on the trail of our next Scottish connection. | 0:27:36 | 0:27:40 | |
This is Serednikovo. | 0:27:44 | 0:27:46 | |
In the 19th-century, one of Russia's most famous poets, | 0:27:46 | 0:27:49 | |
and one of my favourite novelists, Mikhail Lermontov, lived here. | 0:27:49 | 0:27:53 | |
And, ancestrally at least, he's a Scot. | 0:27:53 | 0:27:57 | |
Here to meet me is a direct descendant of Lermontov, | 0:28:01 | 0:28:04 | |
and Moscow's only expert on Scots Gaelic, Mhari Koralova. | 0:28:04 | 0:28:09 | |
-Mhari. -Hello, Brian. | 0:28:13 | 0:28:15 | |
-Ciamar a' tha thu? -Oh! Tha mi gu math. | 0:28:15 | 0:28:17 | |
You have Gaelic? | 0:28:17 | 0:28:19 | |
Mm. Ochen' plokha. | 0:28:19 | 0:28:21 | |
I see. Welcome to Serednikovo, | 0:28:21 | 0:28:23 | |
the home where Lermontov stayed | 0:28:23 | 0:28:25 | |
during his younger years as a teenager. | 0:28:25 | 0:28:28 | |
-Let's go upstairs. -And this was his grandmother's home? | 0:28:28 | 0:28:31 | |
Yes, it was. His grandmother's home. | 0:28:31 | 0:28:34 | |
Mikhail was cut off from his father, | 0:28:34 | 0:28:37 | |
and brought up by his aristocratic granny. | 0:28:37 | 0:28:39 | |
The Lermontov dynasty began in Scotland. | 0:28:41 | 0:28:45 | |
In the 16th century, a Scottish soldier, George Learmonth, | 0:28:45 | 0:28:49 | |
left Fife to seek his fortune. | 0:28:49 | 0:28:51 | |
He settled in Russia and changed his name to Yuri Lermontov. | 0:28:51 | 0:28:56 | |
Mikhail would be born nearly two centuries later. | 0:28:56 | 0:29:00 | |
So these are all the famous Learmonths. | 0:29:00 | 0:29:03 | |
And over here we have, is this...? | 0:29:03 | 0:29:05 | |
This is, this is... | 0:29:07 | 0:29:08 | |
This is Mikhail, yes? | 0:29:10 | 0:29:11 | |
-No. This is Mikhail. -This is Mikhail. | 0:29:11 | 0:29:14 | |
This one is his cousin, I believe. | 0:29:14 | 0:29:16 | |
Lermontov remains one of the most-loved writers in Russia. | 0:29:20 | 0:29:23 | |
He devolved a very clear language which became, some people say, | 0:29:24 | 0:29:30 | |
probably the best prose, | 0:29:30 | 0:29:33 | |
the best prose for Russia is written by Lermontov | 0:29:33 | 0:29:37 | |
because his language is very clear. | 0:29:37 | 0:29:39 | |
And there's an element of self-hatred that comes through | 0:29:39 | 0:29:42 | |
-in a lot of the characters. -There is a dictionary where they | 0:29:42 | 0:29:48 | |
list all the most frequent words of each writer, | 0:29:48 | 0:29:51 | |
and the most frequent word of Lermontov is no. | 0:29:51 | 0:29:54 | |
-No. -No. -Nyet, nyet. -Yes. | 0:29:54 | 0:29:58 | |
"So I grew envious, I was ready to love the whole world, | 0:29:58 | 0:30:02 | |
"but no-one understood me. | 0:30:02 | 0:30:04 | |
"And I learned to hate. | 0:30:04 | 0:30:06 | |
"My cheerless youth passed in conflict, and with myself and society. | 0:30:06 | 0:30:12 | |
"And fearing ridicule, I buried my finest feelings deep in my heart, | 0:30:12 | 0:30:17 | |
"and there, they died." | 0:30:17 | 0:30:19 | |
'Lermontov wrote these words when he was 24 years old.' | 0:30:20 | 0:30:24 | |
You can see the roots of that in his childhood. | 0:30:24 | 0:30:27 | |
You can see the roots of that in the fact that he was not able to... | 0:30:27 | 0:30:32 | |
..create, you know, be a part of a family. | 0:30:33 | 0:30:35 | |
You know, with his dad. | 0:30:35 | 0:30:38 | |
Anybody who... | 0:30:38 | 0:30:39 | |
I mean, I lost my father when I was very little, | 0:30:39 | 0:30:42 | |
so I know what that's like. | 0:30:42 | 0:30:43 | |
And I know what that does to you. | 0:30:43 | 0:30:45 | |
That sense of alienation. | 0:30:45 | 0:30:47 | |
You know, not having a father. | 0:30:47 | 0:30:49 | |
And I could feel that. | 0:30:49 | 0:30:51 | |
I could feel that empathy with him. | 0:30:51 | 0:30:54 | |
Yes. And that's why, I think, | 0:30:54 | 0:30:56 | |
Lermontov always dreamt about his ancestors. | 0:30:56 | 0:31:00 | |
He was really fascinated by his ancestors. | 0:31:00 | 0:31:03 | |
Sadly, Lermontov wasn't long for this world. | 0:31:05 | 0:31:08 | |
At the age of 26, | 0:31:10 | 0:31:11 | |
he got involved in an argument with a friend in the Caucasus. | 0:31:11 | 0:31:15 | |
He was probably considered to be a friend of his but he, probably, | 0:31:16 | 0:31:21 | |
he was jealous because Lermontov was so talented. | 0:31:21 | 0:31:24 | |
He challenged him to a duel? | 0:31:24 | 0:31:26 | |
He challenged him to a duel, | 0:31:26 | 0:31:28 | |
yes, and that's how his life ended. | 0:31:28 | 0:31:31 | |
There's lots of speculation whether it was intentional or unintentional. | 0:31:31 | 0:31:36 | |
He thought it was a joke right until the end. | 0:31:36 | 0:31:38 | |
Because didn't he fire his gun in the air? | 0:31:38 | 0:31:40 | |
Yes. And Martynov just fired straight... | 0:31:40 | 0:31:42 | |
-Straight at him. -Yes. | 0:31:42 | 0:31:44 | |
Shall we go down to the lake? | 0:31:44 | 0:31:47 | |
Yes, let's do that. I'll show you | 0:31:47 | 0:31:49 | |
the place where Yearning was written. | 0:31:49 | 0:31:51 | |
This is so beautiful. | 0:31:51 | 0:31:53 | |
In 1831, when Mikhail was just 16 years old, | 0:31:53 | 0:31:58 | |
he wrote one of his most celebrated poems, The Yearning. | 0:31:58 | 0:32:02 | |
-It looks like Scotland. It could be one of your Scottish lochs. -Yes. | 0:32:02 | 0:32:06 | |
'It shows how important his Scottish roots were to him.' | 0:32:08 | 0:32:11 | |
"To the west, to the west, I'll be gone in an hour. | 0:32:13 | 0:32:17 | |
"To the land where my forefathers flowered." | 0:32:18 | 0:32:21 | |
SHE RECITES POEM IN RUSSIAN | 0:32:22 | 0:32:25 | |
'Lermontov never made it to Scotland, his ancestral home.' | 0:32:30 | 0:32:34 | |
But he could never fulfil his dream during his lifetime. | 0:32:34 | 0:32:38 | |
So my idea was to bring that monument to Scotland, | 0:32:38 | 0:32:41 | |
so that we could finally, after 200 years, fulfil his dream. | 0:32:41 | 0:32:46 | |
And I'm sure that his spirit now rests happily. | 0:32:47 | 0:32:51 | |
And that he is very, very welcome in the land of his ancestor. | 0:32:51 | 0:32:55 | |
He is among his kin. | 0:32:55 | 0:32:56 | |
I'm sure he's very happy. | 0:32:59 | 0:33:00 | |
"Westwards, ever westwards would I fly. | 0:33:06 | 0:33:10 | |
"Where flourish the lands of my forebears. | 0:33:10 | 0:33:13 | |
"Where, in an empty castle, | 0:33:13 | 0:33:15 | |
"on mist-clad mountains rest their forgotten remains." | 0:33:15 | 0:33:19 | |
That sculpture now lies here | 0:33:22 | 0:33:26 | |
in the village of Earlston in the Scottish Borders. | 0:33:26 | 0:33:29 | |
Today is the anniversary of his birth. | 0:33:31 | 0:33:34 | |
It's a Russian tradition to give flowers to the monument. | 0:33:34 | 0:33:37 | |
So we have a little posy of red roses, | 0:33:37 | 0:33:39 | |
and thistles to represent Scotland, | 0:33:39 | 0:33:42 | |
the Scottish people. And it's tied with the Flower of Scotland ribbon. | 0:33:42 | 0:33:46 | |
APPLAUSE | 0:33:50 | 0:33:52 | |
Friday night in Moscow. | 0:34:06 | 0:34:08 | |
I love this city. | 0:34:10 | 0:34:12 | |
I mean, it's hard not to, but the traffic, oh, my God! | 0:34:12 | 0:34:15 | |
It's bad. | 0:34:17 | 0:34:19 | |
So bad that the uber-rich put on flashing lights and sirens | 0:34:19 | 0:34:24 | |
and pretend that they are ambulances just to get through the traffic. | 0:34:24 | 0:34:28 | |
I'm heading to Russia's first Caledonian club, | 0:34:30 | 0:34:33 | |
a place for Scotophiles to meet wandering Scots like me. | 0:34:33 | 0:34:37 | |
Extraordinary. | 0:34:59 | 0:35:00 | |
Russian fusion. Scottish fusion. | 0:35:00 | 0:35:04 | |
It's run by President Vitaly Myranov. | 0:35:06 | 0:35:09 | |
Vitaly has an amazing claim to fame. | 0:35:09 | 0:35:12 | |
In 2007 he brought Edinburgh's famous Military Tattoo to Red Square. | 0:35:17 | 0:35:23 | |
Over 1,000 musicians from nine countries took part, | 0:35:24 | 0:35:27 | |
with a combined audience of over 35,000 people. | 0:35:27 | 0:35:32 | |
It's now one of the most important annual cultural events in Moscow. | 0:35:32 | 0:35:36 | |
For Vitaly, it's not just about tourism. | 0:35:39 | 0:35:41 | |
Give people opportunity to understand each other better, | 0:35:43 | 0:35:47 | |
because... Because, sorry to interrupt, my friend, | 0:35:47 | 0:35:49 | |
but because, you see, I strongly believe that what politicians are doing now, | 0:35:49 | 0:35:53 | |
this is horrible thing. | 0:35:53 | 0:35:55 | |
All politicians around the world. | 0:35:55 | 0:35:57 | |
They're thinking instead of us, they live in a plastic world. | 0:35:57 | 0:36:01 | |
In a world which they create for themselves. | 0:36:01 | 0:36:04 | |
But we ordinary people, we don't need to follow this. | 0:36:04 | 0:36:07 | |
We need to create our own world. | 0:36:07 | 0:36:10 | |
And speak with each other. | 0:36:10 | 0:36:12 | |
We need... Our people need to see ordinary people from Scotland. | 0:36:12 | 0:36:16 | |
Ordinary people from the Western countries. | 0:36:16 | 0:36:18 | |
And not follow Russian propaganda. | 0:36:18 | 0:36:20 | |
Because from both sides, it's propaganda. | 0:36:20 | 0:36:22 | |
There is a lot of propaganda. | 0:36:22 | 0:36:24 | |
This is where I feel there's a real disconnection | 0:36:24 | 0:36:27 | |
between peoples because of the politics. | 0:36:27 | 0:36:31 | |
Because we need to understand. | 0:36:31 | 0:36:33 | |
We need to make a real connection. | 0:36:33 | 0:36:35 | |
Now it's the right time to do it, because you see what's happening in the world. | 0:36:35 | 0:36:38 | |
-Absolutely. -It's terrible. | 0:36:38 | 0:36:40 | |
It's terrible. So we need to do something. | 0:36:40 | 0:36:43 | |
Ordinary people. Everything depends on us. | 0:36:43 | 0:36:45 | |
From one ordinary Russian person... | 0:36:45 | 0:36:48 | |
But who am I? I'm just head of the Moscow Caledonian club. | 0:36:48 | 0:36:51 | |
I have three lovely kids. | 0:36:51 | 0:36:53 | |
I met my wife while I was in Scotland, you know? | 0:36:53 | 0:36:56 | |
So I like this country. I like this world. I like this life. | 0:36:56 | 0:36:59 | |
Your wife's not Scottish, though, is she? | 0:36:59 | 0:37:00 | |
-No, she's Russian. But she used to be a dancer. -Oh, really? | 0:37:00 | 0:37:03 | |
And I met her in Edinburgh in 1988. | 0:37:03 | 0:37:04 | |
At Edinburgh Military Tattoo, actually. | 0:37:04 | 0:37:06 | |
THEY LAUGH | 0:37:06 | 0:37:08 | |
# I spent all my money on whisky and beer... # | 0:37:08 | 0:37:10 | |
'But for Dmitri, co-founder of the Cally club, | 0:37:10 | 0:37:14 | |
'it's a chance to let his hair down.' | 0:37:14 | 0:37:17 | |
# And I swear I'll play the wild rover no more | 0:37:17 | 0:37:20 | |
# No nay never | 0:37:20 | 0:37:23 | |
# No nay never no more | 0:37:23 | 0:37:26 | |
# And I'll play the wild rover | 0:37:26 | 0:37:31 | |
# No never no more. # | 0:37:31 | 0:37:36 | |
Never more! | 0:37:36 | 0:37:38 | |
But every time come back in Moscow Cally Club! | 0:37:38 | 0:37:41 | |
The next Scot we're about to meet is a man who was so obsessed with communism | 0:38:04 | 0:38:10 | |
he even made his name onto a Soviet stamp, and yet he was never, | 0:38:10 | 0:38:14 | |
ever allowed to visit the country. | 0:38:14 | 0:38:16 | |
John Maclean, the great Bolshevik defender, a man who sums up, | 0:38:17 | 0:38:24 | |
very neatly, where the word "bolshy" comes from. | 0:38:24 | 0:38:27 | |
This is the old Bowhill mining colliery in Fife. | 0:38:29 | 0:38:33 | |
'Here to tell us about John Maclean | 0:38:33 | 0:38:35 | |
'is my friend, writer and broadcaster, Billy Kay.' | 0:38:35 | 0:38:40 | |
Thank you. | 0:38:41 | 0:38:43 | |
Billy! | 0:38:43 | 0:38:44 | |
Mr Cox, welcome to the Little Moscows of West Fife. | 0:38:44 | 0:38:48 | |
Little Moscows of West Fife? | 0:38:48 | 0:38:49 | |
Bowhill, Cardenden... | 0:38:49 | 0:38:52 | |
'Nearly a century ago, John Maclean and his fellow comrades | 0:38:52 | 0:38:56 | |
'orchestrated a strike here over low pay and poor working conditions.' | 0:38:56 | 0:39:01 | |
The great John Maclean, his stronghold was North Lanarkshire, | 0:39:02 | 0:39:06 | |
Glasgow and West Fife. | 0:39:06 | 0:39:08 | |
Born in 1879, John Maclean grew up in Glasgow. | 0:39:10 | 0:39:15 | |
Graduating from Glasgow University to become a primary school teacher. | 0:39:15 | 0:39:19 | |
At the same time, | 0:39:20 | 0:39:21 | |
he was beginning to make a name for himself as a political agitator. | 0:39:21 | 0:39:26 | |
Although he was not a strong religious man, he reminds me - | 0:39:26 | 0:39:30 | |
what went on then - a bit like some of the religious revivals. | 0:39:30 | 0:39:34 | |
He had the ability to communicate | 0:39:34 | 0:39:37 | |
communist and Marxian ideology to the ordinary man. | 0:39:37 | 0:39:41 | |
And that was a great, great ability at that time, | 0:39:41 | 0:39:45 | |
because the ordinary man wanted something that would take him out of himself, | 0:39:45 | 0:39:49 | |
and make him think that there was a better world around the corner. | 0:39:49 | 0:39:53 | |
Some vision of the future? | 0:39:53 | 0:39:54 | |
And that's what Maclean did. | 0:39:54 | 0:39:56 | |
John Maclean became increasingly angry at what was happening | 0:40:00 | 0:40:03 | |
to the Scottish working-class. | 0:40:03 | 0:40:05 | |
He saw Glasgow, the second city of the Empire, | 0:40:07 | 0:40:11 | |
had become an industrial lynchpin in the war effort. | 0:40:11 | 0:40:14 | |
In 1915, | 0:40:17 | 0:40:18 | |
the Munitions Of War Act suspended trade union rights for workers. | 0:40:18 | 0:40:23 | |
Thousands of working-class Scots were being massacred in the trenches. | 0:40:27 | 0:40:30 | |
Maclean began campaigning against the war. | 0:40:32 | 0:40:35 | |
A year later, he was imprisoned for comments against conscription | 0:40:38 | 0:40:42 | |
under The Defence Of The Realm Act. | 0:40:42 | 0:40:44 | |
Do you like John Maclean? | 0:40:50 | 0:40:51 | |
I do. Because I've always responded to that phrase | 0:40:51 | 0:40:55 | |
"all hail the Scottish workers' Republic." | 0:40:55 | 0:40:57 | |
Right. | 0:40:57 | 0:40:58 | |
Maclean saw the Russian Revolution as an inspiration. | 0:40:59 | 0:41:03 | |
The working classes could overthrow the elite. | 0:41:03 | 0:41:05 | |
The very thing the British government feared. | 0:41:05 | 0:41:08 | |
"Arise you starvlings from your slumbers. | 0:41:13 | 0:41:16 | |
"Arise you criminals of want. | 0:41:16 | 0:41:19 | |
"For reason and revolt now thunders. | 0:41:19 | 0:41:21 | |
"And at last ends the age of can't. | 0:41:21 | 0:41:24 | |
"Away with all your superstitions, servile masses, arise, arise! | 0:41:25 | 0:41:30 | |
"We'll change forthwith with the old conditions | 0:41:30 | 0:41:32 | |
"and spurn the dust to win the prize." | 0:41:32 | 0:41:36 | |
In 1919, | 0:41:38 | 0:41:40 | |
estimates of up to 100,000 men and women filled Glasgow's George Square | 0:41:40 | 0:41:45 | |
to protest for better rights. | 0:41:45 | 0:41:47 | |
The Government feared a British Bolshevik uprising. | 0:41:47 | 0:41:51 | |
They sent in 12,000 troops and snipers to attack the protesters. | 0:41:51 | 0:41:56 | |
He was an enemy of the state. | 0:41:57 | 0:41:58 | |
He was regarded as such and he was regarded - | 0:41:58 | 0:42:01 | |
in later years, the correspondence from that period - | 0:42:01 | 0:42:03 | |
he was regarded as the most dangerous man in Britain. | 0:42:03 | 0:42:05 | |
-Right. -He was the man who could cause a revolution. | 0:42:05 | 0:42:09 | |
The biggest irony of all this was | 0:42:09 | 0:42:11 | |
that he never actually visited Russia. | 0:42:11 | 0:42:14 | |
-He never got there. -He never got there. Did he ever intend to go? | 0:42:14 | 0:42:17 | |
I think he would have wanted to go, but he just was unable. | 0:42:17 | 0:42:20 | |
I mean, from the Russian Revolution onwards, he was in prison. | 0:42:20 | 0:42:25 | |
Something like in about a three-year period, | 0:42:26 | 0:42:28 | |
he was in prison for about 20 months or something. | 0:42:28 | 0:42:30 | |
He was, say, arrested under the Defence Of The Realm Act, | 0:42:30 | 0:42:35 | |
he went to Peterhead, he was force-fed at times in Peterhead. | 0:42:35 | 0:42:41 | |
He eventually came out, but he died of pneumonia in 1923. | 0:42:41 | 0:42:46 | |
On his death, more than 20,000 people came out | 0:42:48 | 0:42:51 | |
to pay their respects. | 0:42:51 | 0:42:53 | |
Now Maclean has been recognised as the Scottish Lenin, | 0:42:55 | 0:43:00 | |
and rightfully remembered as the champion of the working classes. | 0:43:00 | 0:43:03 | |
This is a real treasure. | 0:43:05 | 0:43:07 | |
It's a stamp with the face of... | 0:43:07 | 0:43:10 | |
..John Maclean. | 0:43:14 | 0:43:16 | |
Only ten years later, Russia was under the grip of Josef Stalin. | 0:43:24 | 0:43:29 | |
Very few foreigners travelled to Russia, | 0:43:32 | 0:43:35 | |
or knew what was happening there, | 0:43:35 | 0:43:37 | |
but one extraordinary Scot was an exception to the rule. | 0:43:37 | 0:43:41 | |
So, Fitzroy Maclean crisscrossed Russia's vast empire | 0:43:45 | 0:43:50 | |
in the late 1930s, | 0:43:50 | 0:43:51 | |
attending the purge trials of the great Russian intellectuals | 0:43:51 | 0:43:55 | |
such as Bukharin. | 0:43:55 | 0:43:57 | |
Soldier, diplomat, author, spy... | 0:43:59 | 0:44:04 | |
Some say that he was even the inspiration | 0:44:04 | 0:44:07 | |
for Ian Fleming's James Bond. | 0:44:07 | 0:44:10 | |
Born in Cairo in 1911, | 0:44:13 | 0:44:16 | |
Fitzroy Maclean was educated at Eton and Cambridge. | 0:44:16 | 0:44:20 | |
In his 20s he joined the diplomatic service. | 0:44:20 | 0:44:23 | |
He'd later go on to be one of the founding members of the SAS. | 0:44:23 | 0:44:27 | |
Today I'm meeting his son Charles at Fitzroy's family home in Argyll. | 0:44:31 | 0:44:36 | |
So, Charles, tell me, | 0:44:37 | 0:44:39 | |
what was it that brought your father to Russia in the first place? | 0:44:39 | 0:44:44 | |
Well, he was third secretary | 0:44:44 | 0:44:48 | |
at the embassy in Paris in the early '30s, | 0:44:48 | 0:44:52 | |
and was living a life of luxury, really. | 0:44:52 | 0:44:57 | |
When the opportunity arose, | 0:44:57 | 0:45:02 | |
he decided, after about three years of living this good life, | 0:45:02 | 0:45:06 | |
that he wanted to go to Russia, | 0:45:06 | 0:45:09 | |
that he asked to be what was then regarded as a punishment post, | 0:45:09 | 0:45:14 | |
he asked, "Can I go to the Moscow embassy?" | 0:45:14 | 0:45:17 | |
He had a downstairs flat, | 0:45:17 | 0:45:19 | |
but it looked directly across to the Kremlin, | 0:45:19 | 0:45:21 | |
and I think the view of the Kremlin... | 0:45:21 | 0:45:25 | |
Yeah, here it is, here. | 0:45:26 | 0:45:28 | |
That's what he took from his flat. | 0:45:28 | 0:45:31 | |
There it is all. And there was a red star that flashed at night, | 0:45:31 | 0:45:35 | |
and the red flag was illuminated, and he said, | 0:45:35 | 0:45:38 | |
you could hear in the middle of the night, | 0:45:38 | 0:45:40 | |
you would be woken by the screams of people being dragged away | 0:45:40 | 0:45:44 | |
by the NKVD and tossed into the river or the Lubyanka. | 0:45:44 | 0:45:48 | |
So it was, he said, it was a terrifying time to be there. | 0:45:48 | 0:45:53 | |
Fitzroy arrived in 1937, two years before the Second World War. | 0:45:53 | 0:46:00 | |
He returned much later in a BBC documentary. | 0:46:00 | 0:46:04 | |
I remember the first time I arrived in Moscow at this station. | 0:46:04 | 0:46:08 | |
It was a gloomy February afternoon. | 0:46:08 | 0:46:12 | |
Dark, snow everywhere, | 0:46:12 | 0:46:15 | |
crowds on the streets, all huddled in their sheepskin. | 0:46:15 | 0:46:19 | |
Not a very cheerful outlook. | 0:46:19 | 0:46:21 | |
Fitzroy witnessed the beginnings of Stalin's purges, | 0:46:21 | 0:46:26 | |
including the show trials of key figures within the Communist Party. | 0:46:26 | 0:46:29 | |
I sat listening to the speeches and taking notes, | 0:46:31 | 0:46:36 | |
and in the intervals I did that ten hours a day for ten days. | 0:46:36 | 0:46:41 | |
Pretty exhausting, especially as you went on to two or three in the morning quite often. | 0:46:41 | 0:46:45 | |
In those days, Stalin liked staying up late | 0:46:45 | 0:46:48 | |
and he kept the country up late too. | 0:46:48 | 0:46:50 | |
Well, that's rather like Nuremberg, isn't it? | 0:46:50 | 0:46:53 | |
Yeah, absolutely. | 0:46:53 | 0:46:54 | |
Absolutely. | 0:46:55 | 0:46:57 | |
'Proceedings were filmed right through as far as I remember...' | 0:46:57 | 0:47:00 | |
I never realised that they were filmed. | 0:47:00 | 0:47:03 | |
-No? -I've never seen this. | 0:47:03 | 0:47:05 | |
Extraordinary. | 0:47:05 | 0:47:07 | |
There was one extraordinary episode during the trial, | 0:47:10 | 0:47:14 | |
when the man, poor man, who was operating the arc lights, | 0:47:14 | 0:47:19 | |
let it get out of control. | 0:47:19 | 0:47:21 | |
And it shot right up, | 0:47:21 | 0:47:23 | |
threw its loud beam of light onto this little middle window up there. | 0:47:23 | 0:47:29 | |
And through the dark glass we could recognise the features of Stalin, | 0:47:29 | 0:47:34 | |
gloating over his former colleagues. | 0:47:34 | 0:47:38 | |
It was very dramatic indeed. | 0:47:38 | 0:47:40 | |
-Brilliant. -It's astonishing. | 0:47:40 | 0:47:41 | |
-Astonishing. -Absolutely, I mean, to witness that, | 0:47:41 | 0:47:45 | |
to witness that incredible moment of history, | 0:47:45 | 0:47:48 | |
and of course it must have had a very profound effect on his life. | 0:47:48 | 0:47:51 | |
It must have had a very profound effect, certainly on his thinking... | 0:47:51 | 0:47:54 | |
I think it did. I think he was horrified, actually. | 0:47:54 | 0:47:57 | |
In the run-up to war, | 0:47:58 | 0:48:00 | |
Fitzroy heard rumours about a possible pact between Russia | 0:48:00 | 0:48:04 | |
and Nazi Germany. | 0:48:04 | 0:48:06 | |
If it was true, it would change the world. | 0:48:09 | 0:48:11 | |
Fitzroy's source was someone deep within the German Embassy. | 0:48:12 | 0:48:16 | |
He actually was feeding stories about what was going on in Germany | 0:48:18 | 0:48:24 | |
with regard to the certainty of war. | 0:48:24 | 0:48:27 | |
If he'd been caught, he would have been executed immediately, | 0:48:30 | 0:48:33 | |
so it was a really very serious and dangerous thing. | 0:48:33 | 0:48:35 | |
So, this was information that your father was getting? | 0:48:35 | 0:48:37 | |
-That he was getting. -And certainly very useful in terms of his position? | 0:48:37 | 0:48:41 | |
And he was relaying back to London. | 0:48:41 | 0:48:42 | |
-Exactly. -How much people were listening, debatable. | 0:48:42 | 0:48:47 | |
But certainly... | 0:48:47 | 0:48:49 | |
You see, we didn't have any... | 0:48:49 | 0:48:51 | |
We didn't have any spies in Russia. | 0:48:51 | 0:48:53 | |
There was nobody kind of able to penetrate at that point. | 0:48:53 | 0:48:56 | |
So, that now comes to my next question, the inevitable one. | 0:48:56 | 0:49:01 | |
Ian Fleming was working for naval intelligence. | 0:49:01 | 0:49:04 | |
He also came out to Moscow and hung out with these guys | 0:49:04 | 0:49:07 | |
at the dacha and everything. | 0:49:07 | 0:49:09 | |
So, that is where the notion, | 0:49:09 | 0:49:11 | |
that James Bond connection might come about? | 0:49:11 | 0:49:14 | |
Yes, that's right. I think there was a moment, | 0:49:14 | 0:49:16 | |
and I could tell you exactly when it was. 1940. | 0:49:16 | 0:49:19 | |
The Germans were about to occupy Paris. | 0:49:19 | 0:49:22 | |
And he, Bruce Lockhart, Ian Fleming and Fitzroy Maclean | 0:49:22 | 0:49:27 | |
all had lunch together. | 0:49:27 | 0:49:30 | |
That's astonishing! | 0:49:30 | 0:49:31 | |
-I know. -Because Bruce Lockhart is supposed to be the other possible | 0:49:31 | 0:49:34 | |
-influence for James Bond. -That's right. But they were all there. | 0:49:34 | 0:49:37 | |
And of course, 007 is the official dialling code for Russia. | 0:49:37 | 0:49:42 | |
That I didn't know. That's very funny. | 0:49:43 | 0:49:46 | |
Fitzroy died in 1996, after a life of action and achievement. | 0:49:47 | 0:49:53 | |
In his later years he had what many Scots would see as a dream job. | 0:49:53 | 0:49:57 | |
He created his very own malt whisky. | 0:49:57 | 0:50:01 | |
And it would be rude not to try it. | 0:50:01 | 0:50:03 | |
Brian, have a seat. I'm going to introduce you to the MacPhunn. | 0:50:04 | 0:50:08 | |
-The MacPhunn? -Yeah. | 0:50:08 | 0:50:09 | |
Now, this is the first bottle of a new... | 0:50:09 | 0:50:12 | |
A hogshead which we have just bottled. | 0:50:12 | 0:50:15 | |
So we are trying something new here, in the sense that... | 0:50:15 | 0:50:18 | |
It's quite powerful stuff, cos it's cask strength, | 0:50:20 | 0:50:23 | |
so this is it, full proof. | 0:50:23 | 0:50:25 | |
And sherried oak, single malt. | 0:50:26 | 0:50:29 | |
-Well... -And if you like a little drop of water... | 0:50:31 | 0:50:34 | |
-Tiny, tiny. -It releases the flavour. | 0:50:34 | 0:50:37 | |
That's fine, yeah. | 0:50:37 | 0:50:38 | |
That's great. | 0:50:38 | 0:50:40 | |
-You don't want to drown it. -No. | 0:50:40 | 0:50:42 | |
That's great. | 0:50:42 | 0:50:44 | |
Well, na zdrowie. | 0:50:44 | 0:50:46 | |
Slainte. OK. | 0:50:46 | 0:50:48 | |
Ooh. | 0:50:53 | 0:50:54 | |
That's a bit good. | 0:50:55 | 0:50:57 | |
-A bit good? -Yes! | 0:50:57 | 0:50:58 | |
It's a bit good! | 0:51:00 | 0:51:01 | |
So, I just want to raise our glass a little bit, MacPhunn, to your dad. | 0:51:06 | 0:51:10 | |
Yes. I'll join you with that. | 0:51:10 | 0:51:12 | |
-To your dad. -Thanks. To my father. | 0:51:12 | 0:51:14 | |
By the 1980s, Russia was changing almost by the day. | 0:51:16 | 0:51:21 | |
Premier Mikhail Gorbachev introduced glasnost, | 0:51:21 | 0:51:24 | |
which literally translates as "openness". | 0:51:24 | 0:51:27 | |
The old Empire began to disintegrate, | 0:51:28 | 0:51:31 | |
allowing Westerners like me to arrive. | 0:51:31 | 0:51:34 | |
I was teaching a group of students and having the time of my life. | 0:51:35 | 0:51:40 | |
Brian Cox! | 0:51:40 | 0:51:42 | |
I just have to say something for the viewers out there. | 0:51:44 | 0:51:48 | |
This is a trapped man. | 0:51:48 | 0:51:50 | |
I am trapped between two continents. | 0:51:50 | 0:51:53 | |
They have got me here and they ain't going to let me go. | 0:51:53 | 0:51:55 | |
They got me here under pretences - not false, but spurious. | 0:51:55 | 0:51:59 | |
I'm now on my way to my old stomping ground. | 0:52:00 | 0:52:03 | |
LAUGHTER | 0:52:06 | 0:52:07 | |
Look at you! | 0:52:10 | 0:52:12 | |
You haven't changed! | 0:52:12 | 0:52:14 | |
You look exactly the same. | 0:52:14 | 0:52:16 | |
THEY GREET EACH OTHER | 0:52:18 | 0:52:22 | |
This is my rock. This man was my rock, my absolute... | 0:52:22 | 0:52:26 | |
he was the rock. | 0:52:26 | 0:52:28 | |
What do you say "rock" in Russia? | 0:52:28 | 0:52:30 | |
-Rock. -Rock. He was my rock. | 0:52:30 | 0:52:32 | |
'I haven't seen Aliona and Sergei since the late '80s.' | 0:52:34 | 0:52:38 | |
It's like visiting your childhood again, coming back. | 0:52:38 | 0:52:42 | |
Well, shall we go in here? | 0:52:44 | 0:52:46 | |
'The famous Moscow Arts Theatre has one of the oldest and most important drama schools in Russia, | 0:52:46 | 0:52:52 | |
'and I spent nearly two years of my life here.' | 0:52:52 | 0:52:55 | |
I love this space. | 0:52:55 | 0:52:58 | |
-Oh! -Come here, I'll show you something. | 0:52:58 | 0:53:01 | |
It's one of the greatest spaces in the world. | 0:53:01 | 0:53:05 | |
It's just incredible. | 0:53:05 | 0:53:06 | |
'After a series of workshops, | 0:53:06 | 0:53:09 | |
'the production we finally worked on was Arthur Miller's The Crucible.' | 0:53:09 | 0:53:12 | |
'The play is an allegory of the McCarthy era, | 0:53:15 | 0:53:18 | |
'when the American government began purging supposed communists.' | 0:53:18 | 0:53:22 | |
We have to really keep this text. | 0:53:22 | 0:53:25 | |
It's tricky, but it's... | 0:53:25 | 0:53:27 | |
OK... | 0:53:28 | 0:53:30 | |
'I was worried that this play might be too on the nose | 0:53:33 | 0:53:36 | |
'for these young students whose country, after all, | 0:53:36 | 0:53:40 | |
'was right in the middle of a state of flux.' | 0:53:40 | 0:53:43 | |
But, you know, the extraordinary thing is, they got it right away. | 0:53:47 | 0:53:53 | |
SCREAMING AND YELLING | 0:53:54 | 0:53:57 | |
Do you remember this? | 0:54:01 | 0:54:03 | |
Yeah! | 0:54:03 | 0:54:04 | |
Remember that there? | 0:54:04 | 0:54:05 | |
'I wanted to open their world up even more. | 0:54:05 | 0:54:08 | |
'So I brought them to London. | 0:54:11 | 0:54:13 | |
'None of these guys have ever seen this footage.' | 0:54:16 | 0:54:18 | |
You were drunk. | 0:54:31 | 0:54:33 | |
And do you remember I took you around various houses, | 0:54:33 | 0:54:37 | |
to all the houses you stayed in? | 0:54:37 | 0:54:38 | |
I remember everything. | 0:54:38 | 0:54:39 | |
Yeah. Well, do you remember who you stayed with? | 0:54:39 | 0:54:42 | |
I remember, of course, in your flat. | 0:54:42 | 0:54:43 | |
Oh, you stayed with me! | 0:54:43 | 0:54:45 | |
THEY LAUGH | 0:54:45 | 0:54:47 | |
Ssh! We mustn't talk about that. | 0:54:47 | 0:54:49 | |
Yes! Yes, I'd forgotten. | 0:54:54 | 0:54:56 | |
So... I am now embarrassed. | 0:54:58 | 0:55:00 | |
Every one of these is a genius. | 0:55:02 | 0:55:05 | |
Every one of these is a genius. | 0:55:05 | 0:55:06 | |
WOMAN SPEAKS RUSSIAN | 0:55:06 | 0:55:09 | |
Seven geniuses. | 0:55:09 | 0:55:10 | |
See, you've got a completed circle here. | 0:55:10 | 0:55:13 | |
'The biggest surprise was how it changed me. | 0:55:13 | 0:55:17 | |
'At that time I was trying to work out | 0:55:17 | 0:55:20 | |
'who I was and who I wanted to be.' | 0:55:20 | 0:55:22 | |
You know, there is pre-Moscow and there is post-Moscow in my life. | 0:55:22 | 0:55:27 | |
And everything changed after that, because you guys, | 0:55:27 | 0:55:31 | |
you taught me so much about being, | 0:55:31 | 0:55:33 | |
you know, because you had very little, | 0:55:33 | 0:55:36 | |
you had nothing, but your imaginations - | 0:55:36 | 0:55:39 | |
you had the greatest imaginations I'd ever come across. | 0:55:39 | 0:55:42 | |
Fierce. I mean, it was just fierce what you imagined, what you could do. | 0:55:42 | 0:55:46 | |
And I was just... So that has never left me. | 0:55:46 | 0:55:49 | |
I still think of you and I think of you in rehearsal. | 0:55:49 | 0:55:53 | |
We are all keeping this fantastic experience. | 0:55:53 | 0:55:56 | |
-We all keep it. -Yeah? | 0:55:56 | 0:55:58 | |
It's not left them, it's not left me, | 0:56:09 | 0:56:11 | |
and it's something that we'll carry with us to our dying days, | 0:56:11 | 0:56:15 | |
just there. | 0:56:15 | 0:56:16 | |
'At lunch with my old friend, Oleg Tabakov, | 0:56:16 | 0:56:18 | |
'who brought me to Russia. | 0:56:18 | 0:56:20 | |
'It's just... | 0:56:22 | 0:56:23 | |
'It's overwhelming.' | 0:56:23 | 0:56:24 | |
Are you OK? | 0:56:26 | 0:56:27 | |
'It's incredibly moving.' | 0:56:29 | 0:56:30 | |
And also that leaves you kind of bereft of | 0:56:33 | 0:56:36 | |
the right words to describe it. | 0:56:36 | 0:56:39 | |
MAN SPEAKS RUSSIAN | 0:56:39 | 0:56:40 | |
-MAN TRANSLATES: -We ran ahead of time, Brian. | 0:56:40 | 0:56:42 | |
We were so free. | 0:56:44 | 0:56:46 | |
We've seen so much of the world. | 0:56:46 | 0:56:49 | |
You raised the curtain for us. | 0:56:49 | 0:56:52 | |
This is for you, and thank you so much. | 0:56:54 | 0:56:57 | |
You are my Sergei Korolev to Yuri Gagarin. | 0:57:00 | 0:57:04 | |
You selected us. | 0:57:07 | 0:57:09 | |
It's, um... | 0:57:15 | 0:57:16 | |
It's fantastic. | 0:57:20 | 0:57:22 | |
Next time on my Russian odyssey, | 0:57:34 | 0:57:36 | |
we go to the dream city of Peter the Great. | 0:57:36 | 0:57:39 | |
The jewel in the crown of Russian culture. | 0:57:40 | 0:57:44 | |
St Petersburg. | 0:57:44 | 0:57:46 | |
-They damaged the painting. -Oh. | 0:57:46 | 0:57:48 | |
Poor Alexandra Feodorovna got the full might of the Bolshevik. | 0:57:48 | 0:57:53 | |
Oh! This is beautiful. | 0:57:56 | 0:57:59 | |
I wonder what the people of Leningrad made of this. | 0:57:59 | 0:58:01 | |
What is it about this place that gets under your skin? | 0:58:05 | 0:58:08 | |
I didn't want to say this cos you're my father, | 0:58:08 | 0:58:10 | |
but a lot of the time, of course, we were drunk. | 0:58:10 | 0:58:12 | |
Goodnight. | 0:58:17 | 0:58:18 | |
Spokoynoy nochi. | 0:58:20 | 0:58:22 |