Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Where are you going? It's not there. There is the beginning of the shop. | 0:00:03 | 0:00:06 | |
I'm completely lost. | 0:00:06 | 0:00:08 | |
Love it or loathe it, | 0:00:08 | 0:00:10 | |
the world's largest furniture shop has shaped the way we live. | 0:00:10 | 0:00:14 | |
As soon as you're in, you can't get out, can you? | 0:00:14 | 0:00:16 | |
You spend and spend and spend, really. | 0:00:16 | 0:00:19 | |
Founded in 1943, | 0:00:19 | 0:00:21 | |
Ingvar Kamprad established Ikea as a global brand | 0:00:21 | 0:00:24 | |
before his recent death at the age of 91. | 0:00:24 | 0:00:28 | |
His unique approach to business still guides staff today. | 0:00:28 | 0:00:33 | |
I've always seen Ikea as more of a movement than a company. | 0:00:33 | 0:00:36 | |
For the first time in its 75 year history... | 0:00:37 | 0:00:40 | |
Hej-hej! | 0:00:40 | 0:00:41 | |
..Sweden's most famous export has granted our cameras worldwide access. | 0:00:41 | 0:00:45 | |
Namaste! | 0:00:45 | 0:00:46 | |
We filmed the £34 billion operation over the course of a year... | 0:00:47 | 0:00:51 | |
It is a big machine. It needs to be fed. | 0:00:51 | 0:00:54 | |
..following their rapid global expansion... | 0:00:54 | 0:00:56 | |
We're just entering one of the biggest markets in the world. | 0:00:58 | 0:01:02 | |
I think that we're writing some history, actually. | 0:01:02 | 0:01:04 | |
..discovering what it takes for a new product to make it to the shelves... | 0:01:04 | 0:01:08 | |
So, I wanted to do a cot and a coffin, so I approached Ikea with that idea | 0:01:08 | 0:01:12 | |
and they just said, "No, you're joking." | 0:01:12 | 0:01:14 | |
..and learning the secrets of how it became one of the largest | 0:01:14 | 0:01:17 | |
and most influential companies in the world. | 0:01:17 | 0:01:21 | |
It is creativity versus commercialism and finding that beautiful balance. | 0:01:21 | 0:01:26 | |
Every morning before the customers arrive, | 0:01:51 | 0:01:53 | |
each of Ikea's 399 stores restock their shelves. | 0:01:53 | 0:01:57 | |
I just received this and I have no clue where they go in. | 0:01:59 | 0:02:03 | |
Follow the arrows! | 0:02:03 | 0:02:04 | |
HE CHUCKLES | 0:02:04 | 0:02:06 | |
In Helsingborg, Sweden, one employee has recently been promoted. | 0:02:07 | 0:02:11 | |
But Jesper Brodin is no ordinary member of staff. | 0:02:18 | 0:02:21 | |
He's worked for the company for 20 years, and just two days ago, | 0:02:21 | 0:02:25 | |
became the fifth CEO in its 75-year history. | 0:02:25 | 0:02:28 | |
Lots of butterflies in the stomach. | 0:02:32 | 0:02:34 | |
Obviously, like anybody stepping into a new job, you think about, | 0:02:34 | 0:02:38 | |
"Will I manage? Can I really add any value? | 0:02:38 | 0:02:42 | |
"Will I make any sense?" | 0:02:42 | 0:02:44 | |
And then you kind of figure it out. | 0:02:44 | 0:02:46 | |
But this is my - what can it be? - seventh or eighth job in Ikea. | 0:02:46 | 0:02:50 | |
So, maybe tenth job in life, so... | 0:02:50 | 0:02:53 | |
..you tend to get a little bit more relaxed, also. | 0:02:53 | 0:02:57 | |
But I also have a humble approach to it and don't overestimate your own importance. | 0:02:57 | 0:03:02 | |
Jesper may be in charge, but he's starting his new job on the shop floor | 0:03:02 | 0:03:08 | |
to get a better understanding of how the business works. | 0:03:08 | 0:03:12 | |
The biggest learning so far this morning is the inefficiency | 0:03:12 | 0:03:15 | |
in the unpacking, where some things are ready to sell | 0:03:15 | 0:03:18 | |
and some things still need a lot of handling. | 0:03:18 | 0:03:21 | |
Anything he learns could be rolled out in stores around the world. | 0:03:21 | 0:03:25 | |
It can look like a detail, but when you start to do the math in Ikea, it's huge. | 0:03:27 | 0:03:31 | |
2.4 million Swedish krona. | 0:03:40 | 0:03:43 | |
So, a quarter of a million euros, about there. | 0:03:43 | 0:03:47 | |
That's just one store. How many stores do you have? | 0:03:47 | 0:03:49 | |
We're opening number 400. | 0:03:49 | 0:03:51 | |
So, yeah, 400. | 0:03:52 | 0:03:53 | |
-They must have one good one out of that! -I know! | 0:04:01 | 0:04:04 | |
On the outskirts of Sheffield, a new store is taking shape. | 0:04:04 | 0:04:07 | |
Do you want us to take them next door or do you want to sit them down? | 0:04:07 | 0:04:11 | |
What do you want to do? It's five to. | 0:04:11 | 0:04:13 | |
Six months into the build and management are introducing the project to the local press. | 0:04:13 | 0:04:18 | |
We are a company that actually has a purpose | 0:04:20 | 0:04:22 | |
and our purpose is to create a better everyday life for the many people | 0:04:22 | 0:04:26 | |
and we'd like to do this through home furnishings. | 0:04:26 | 0:04:28 | |
Yeah? Because we have a very strong belief that everybody deserves a good home, yeah? | 0:04:28 | 0:04:33 | |
Gillian Drakeford is country retail manager in the UK. | 0:04:33 | 0:04:38 | |
I'm really excited today that we're actually at this point, | 0:04:38 | 0:04:41 | |
because most of the customers are saying, "Well, if I want to shop, | 0:04:41 | 0:04:44 | |
"I either have to go south to Nottingham or north to Leeds," | 0:04:44 | 0:04:47 | |
so, yeah, this is a good thing for us. | 0:04:47 | 0:04:50 | |
And it's fantastic to see the steel frame because once you have the steel frame, | 0:04:50 | 0:04:53 | |
it moves very, very quickly. | 0:04:53 | 0:04:56 | |
I am so pleased that I am the store manager of Ikea, Sheffield. | 0:04:56 | 0:05:00 | |
Bringing the Ikea brand onto a new market is incredibly exciting and, | 0:05:00 | 0:05:04 | |
of course, the number one question you all want to know is, | 0:05:04 | 0:05:07 | |
"When is it going to open?" | 0:05:07 | 0:05:08 | |
I can assure you nobody wants to know that more than me and this team sitting here! | 0:05:08 | 0:05:12 | |
LAUGHTER | 0:05:12 | 0:05:13 | |
But it will be as soon as our construction team tell us it's watertight. | 0:05:13 | 0:05:17 | |
One of the company's most experienced managers, Gary Deacon, | 0:05:18 | 0:05:22 | |
will be in charge of the store. | 0:05:22 | 0:05:23 | |
I did build Belfast, and I built and managed Dublin, | 0:05:25 | 0:05:29 | |
and now I'm building Sheffield, and I was also incredibly fortunate | 0:05:29 | 0:05:33 | |
to run Wembley when it was the biggest store in the Ikea world, | 0:05:33 | 0:05:36 | |
so how lucky does that make me? | 0:05:36 | 0:05:37 | |
With the store due to open in July, | 0:05:39 | 0:05:41 | |
the team have just seven months to recruit and train 500 new employees. | 0:05:41 | 0:05:46 | |
These 500-odd jobs that you will be creating, will they make a big impact here, do you think? | 0:05:47 | 0:05:51 | |
I think today, if you are passionate about home furnishings, | 0:05:51 | 0:05:55 | |
you must be so excited that Ikea is coming, | 0:05:55 | 0:05:57 | |
and, of course, for anybody to be told there are 500 real jobs coming, that must give those people hope. | 0:05:57 | 0:06:03 | |
-ALL: -Whoo! | 0:06:03 | 0:06:04 | |
The stores are nothing without products. | 0:06:15 | 0:06:17 | |
Every year, hundreds of millions are mass-produced. | 0:06:18 | 0:06:21 | |
One of their biggest sellers is the Billy bookcase, with one sold every ten seconds. | 0:06:23 | 0:06:29 | |
For the last 40 years, | 0:06:32 | 0:06:34 | |
they've been made in southern Sweden | 0:06:34 | 0:06:36 | |
by one of the company's longest serving suppliers, the Gyllensvaans. | 0:06:36 | 0:06:40 | |
It's here we produce a lot of furniture for Ikea. | 0:06:45 | 0:06:48 | |
The Billy bookcase, for example. | 0:06:48 | 0:06:50 | |
And here is my sister. | 0:06:51 | 0:06:54 | |
My sister's husband. No, my daughter's husband! | 0:06:55 | 0:06:59 | |
HE LAUGHS | 0:06:59 | 0:07:00 | |
-My brother's sons, Morten and Philip. -Hej! -And my son. | 0:07:01 | 0:07:06 | |
Hello. | 0:07:06 | 0:07:07 | |
How many family members are in your company? | 0:07:07 | 0:07:10 | |
I think it's nine. | 0:07:10 | 0:07:11 | |
But I have to count. | 0:07:12 | 0:07:13 | |
I think it's nine. | 0:07:13 | 0:07:14 | |
That's my father. | 0:07:17 | 0:07:18 | |
This is the letter my father got from Ingvar. | 0:07:20 | 0:07:24 | |
It is our first contact with Ikea. | 0:07:24 | 0:07:25 | |
What does it say? | 0:07:27 | 0:07:29 | |
We want to buy furniture. | 0:07:29 | 0:07:30 | |
And they did. Starting with just 120,000 units a year, | 0:07:31 | 0:07:36 | |
growing to millions today. | 0:07:36 | 0:07:38 | |
This is Morten. | 0:07:39 | 0:07:41 | |
He is in charge of purchasing and contact with Ikea. | 0:07:41 | 0:07:46 | |
-You've got the hardest job? -The toughest job. I think so, yeah. | 0:07:46 | 0:07:49 | |
The factory takes delivery of sheets of chipboard before cutting... | 0:07:51 | 0:07:55 | |
..laminating with protective foil... | 0:07:56 | 0:07:58 | |
..packaging and sending to Ikea. | 0:08:00 | 0:08:02 | |
This is the area where we receive the chipboards. | 0:08:06 | 0:08:09 | |
We receive about 700 tonnes daily, | 0:08:09 | 0:08:12 | |
and it is about 19 to 22 trucks every day coming with chipboard. | 0:08:12 | 0:08:17 | |
This is a very big volume in the factory. | 0:08:17 | 0:08:19 | |
The Gyllensvaans' factory is Ikea's biggest supplier of Billy bookcases. | 0:08:22 | 0:08:27 | |
We produce about 170,000 weekly. | 0:08:27 | 0:08:30 | |
This is the box folder where we make the box, | 0:08:38 | 0:08:41 | |
and here we put in protection | 0:08:41 | 0:08:43 | |
to protect the furniture that we have in the flatpack. | 0:08:43 | 0:08:46 | |
We try to be more and more efficient every year | 0:08:54 | 0:08:58 | |
so we can lower the prices | 0:08:58 | 0:09:00 | |
as Ikea is expecting, and we can produce more furniture every year. | 0:09:00 | 0:09:04 | |
Follow me. Let's go to breakfast. | 0:09:08 | 0:09:12 | |
Until recently, the factory supplied over 6 million Ikea products globally. | 0:09:12 | 0:09:16 | |
A few years ago, | 0:09:16 | 0:09:18 | |
we delivered the Billy bookcase to the whole world. | 0:09:18 | 0:09:21 | |
We delivered worldwide, to Asia, to Australia, all over. | 0:09:21 | 0:09:26 | |
And we lost the volume to Asia. | 0:09:26 | 0:09:29 | |
Mainly because Ikea wants to buy furniture more locally. | 0:09:30 | 0:09:35 | |
-Was that hard? -It's a challenge. | 0:09:35 | 0:09:37 | |
Yes. Billy is a bookcase that many producers want to produce. | 0:09:39 | 0:09:44 | |
Huge volumes, quite a simple bookcase. | 0:09:44 | 0:09:48 | |
We lost 600,000 bookcases. | 0:09:48 | 0:09:51 | |
-Yes. -Approximately. | 0:09:51 | 0:09:52 | |
-10%? -Yes, 10%. | 0:09:52 | 0:09:55 | |
We lost. | 0:09:56 | 0:09:58 | |
We have never fired anybody because of lack of work, no. | 0:09:58 | 0:10:04 | |
You can never feel confident. | 0:10:04 | 0:10:05 | |
You never know, never know. | 0:10:08 | 0:10:10 | |
To keep their 240 staff in work, | 0:10:14 | 0:10:17 | |
Eric and Morten have been trying to secure a lucrative contract | 0:10:17 | 0:10:21 | |
for a new range of cupboards called Platsa. | 0:10:21 | 0:10:24 | |
If we get the Platsa deal, we will get to produce about 700,000 doors | 0:10:24 | 0:10:30 | |
to the Platsa range, and it is for North America and North Europe. | 0:10:30 | 0:10:35 | |
They have already produced a small number, | 0:10:35 | 0:10:38 | |
which failed a water damage test at Ikea's lab in Almhult, | 0:10:38 | 0:10:41 | |
putting them three months behind schedule. | 0:10:41 | 0:10:43 | |
The challenge is to fix all the surface demands. | 0:10:44 | 0:10:49 | |
Very, very tough surface demands for water. | 0:10:49 | 0:10:53 | |
We have to solve it. | 0:10:53 | 0:10:54 | |
You only have one client, right? | 0:10:54 | 0:10:56 | |
Yes, one client, one customer. | 0:10:56 | 0:10:58 | |
The factory is one of hundreds worldwide | 0:11:02 | 0:11:05 | |
mass-producing flatpack furniture. | 0:11:05 | 0:11:07 | |
The decision whether to give the Gyllensvaans the contract will be made | 0:11:10 | 0:11:14 | |
at design and production HQ in Almhult. | 0:11:14 | 0:11:18 | |
Platsa is a new range coming in that Gyllensvaans has been part of quoting. | 0:11:18 | 0:11:23 | |
As it seems right now, they will have 45% of the matrix. | 0:11:23 | 0:11:28 | |
Simply, we have to make sure that the products are being produced and sold | 0:11:29 | 0:11:33 | |
under the brand of Ikea, that they manage the daily life in a family at home. | 0:11:33 | 0:11:40 | |
You should be able to spill out a couple of coffee or a glass of water | 0:11:40 | 0:11:44 | |
without destroying the furniture, simply. | 0:11:44 | 0:11:48 | |
So, that is what the task is about. | 0:11:48 | 0:11:50 | |
-Hej. -Hej. Hello again. | 0:11:57 | 0:11:59 | |
Olof Ahlberg is in charge of the Platsa contract. | 0:11:59 | 0:12:03 | |
After they failed the water test, | 0:12:03 | 0:12:05 | |
he is concerned about the factory passing a retest and hitting the delivery schedule. | 0:12:05 | 0:12:10 | |
What I see as a risk is that... | 0:12:10 | 0:12:12 | |
Because, I mean, if we don't manage this, | 0:12:12 | 0:12:14 | |
there is a possibility, of course, to place the matrix at the other supplier. | 0:12:14 | 0:12:19 | |
Now, we have been working with this for at least two, three months. | 0:12:19 | 0:12:24 | |
We need to make progress, otherwise he takes the decision. | 0:12:24 | 0:12:28 | |
Because time is flying, of course. | 0:12:28 | 0:12:29 | |
-Also in this case, we're getting closer and closer to first production and so on. -Yes, yeah. | 0:12:29 | 0:12:35 | |
You saw the letter down there and the demands, | 0:12:35 | 0:12:38 | |
it is the same today as it was in... Before. | 0:12:38 | 0:12:44 | |
It is high demands, good quality, right price and then they buy. | 0:12:44 | 0:12:48 | |
This is a happy factory. | 0:12:50 | 0:12:51 | |
We are very important for the area, also. | 0:12:53 | 0:12:56 | |
Our workers feel that we can work together. | 0:12:56 | 0:12:58 | |
Hej-hej! | 0:12:58 | 0:13:00 | |
My father did it this way, | 0:13:00 | 0:13:02 | |
and every year you had to produce faster and better quality. | 0:13:02 | 0:13:07 | |
They put the pressure on us and we... | 0:13:07 | 0:13:09 | |
-Try to live up to it. -Yes. | 0:13:10 | 0:13:12 | |
You look a little bit worried, I must say. | 0:13:12 | 0:13:15 | |
It creates a bad feeling in my stomach. | 0:13:15 | 0:13:18 | |
The factory won't get the contract until they pass a retest. | 0:13:24 | 0:13:28 | |
Ikea have some very high standards, don't they? | 0:13:29 | 0:13:32 | |
Yeah, I think the customer demands, they increase year by year, | 0:13:32 | 0:13:37 | |
and, of course, that puts requirements on us, Ikea, | 0:13:37 | 0:13:39 | |
and also the suppliers and our partners. | 0:13:39 | 0:13:42 | |
So, for sure, it is tough demands on quality, for instance, | 0:13:42 | 0:13:47 | |
and we can't compromise on that area. | 0:13:47 | 0:13:50 | |
But it's also a business? | 0:13:50 | 0:13:52 | |
It is business in the end, for sure. | 0:13:52 | 0:13:54 | |
No question about it. We need to secure the demands. | 0:13:54 | 0:13:57 | |
This is where all these products that you see here, | 0:14:17 | 0:14:19 | |
they are born here, they started here. | 0:14:19 | 0:14:22 | |
Like the PS Maskros lamp. | 0:14:22 | 0:14:23 | |
That idea started here and then it has been developed | 0:14:23 | 0:14:26 | |
and sold all over the world. | 0:14:26 | 0:14:28 | |
James Futcher is starting work on a quirky new collection. | 0:14:28 | 0:14:32 | |
-Can we catch up later about the stuff you missed? -Yes. -OK, cheers. | 0:14:32 | 0:14:38 | |
Aimed at a younger market, | 0:14:38 | 0:14:40 | |
James and the team are showing some ideas to his boss, | 0:14:40 | 0:14:44 | |
head of design, Marcus Engman. | 0:14:44 | 0:14:45 | |
-OK. -Yes, we have products that are a little bit more open for interpretation. | 0:14:47 | 0:14:52 | |
One of them being this leg set. | 0:14:52 | 0:14:54 | |
-It comes in sections. -Then you put together your own legs? | 0:14:54 | 0:14:58 | |
-Yes. -That's one thing. | 0:14:58 | 0:14:59 | |
-What's more, then? -Build your own rug. | 0:14:59 | 0:15:01 | |
So, it comes in maybe a kit | 0:15:04 | 0:15:06 | |
with certain cut shapes. | 0:15:06 | 0:15:07 | |
-OK. All in all, that would be quite nice, actually. -Yeah. | 0:15:07 | 0:15:10 | |
Many of our customers, especially the younger generation, | 0:15:11 | 0:15:15 | |
they want to have products that are unique, | 0:15:15 | 0:15:17 | |
and each product looking different, | 0:15:17 | 0:15:19 | |
so it's a big change for us to see how we can work with | 0:15:19 | 0:15:22 | |
mass production, but make unique products. | 0:15:22 | 0:15:24 | |
Hanna, when you've finished there, | 0:15:30 | 0:15:32 | |
could you bring up the ceramic 3-D drawings? | 0:15:32 | 0:15:36 | |
-Yeah. -Cheers. -Thanks. | 0:15:36 | 0:15:38 | |
One of Ikea's newest designers, Hanna-Kaarina, | 0:15:38 | 0:15:42 | |
is pitching some of her ideas into the collection. | 0:15:42 | 0:15:44 | |
What's your idea? | 0:15:46 | 0:15:48 | |
A vase. | 0:15:48 | 0:15:50 | |
I was thinking that we always try to make everything exactly the same, | 0:15:50 | 0:15:54 | |
but maybe we could use the whole manufacturing process in a different way, | 0:15:54 | 0:15:59 | |
and actually make pieces that are based on the same shape, | 0:15:59 | 0:16:03 | |
but everything becomes unique. | 0:16:03 | 0:16:05 | |
When you take it out from the mould, you just place it on the surface. | 0:16:05 | 0:16:09 | |
You use your hands, so basically it's going to be... | 0:16:09 | 0:16:12 | |
also unique pieces. | 0:16:12 | 0:16:15 | |
Have you done it before? | 0:16:15 | 0:16:17 | |
-By mistake! -OK. | 0:16:17 | 0:16:18 | |
So, it's actually embracing a mistake? | 0:16:19 | 0:16:24 | |
Yeah. I think that could be quirky. | 0:16:24 | 0:16:26 | |
-That could be really cool. -Yeah. | 0:16:26 | 0:16:28 | |
Today, we make everything the same in big volumes, | 0:16:28 | 0:16:31 | |
but Hanna's got this idea of sticking a finger in each vase | 0:16:31 | 0:16:37 | |
or handprint, to make it different. | 0:16:37 | 0:16:39 | |
I mean, that's really crazy, but when you think about it, | 0:16:39 | 0:16:41 | |
it's really fun and it makes mass production | 0:16:41 | 0:16:45 | |
in a different way. | 0:16:45 | 0:16:47 | |
We can have mass production with uniqueness. | 0:16:47 | 0:16:50 | |
Do you think that each one will come out different? | 0:16:50 | 0:16:52 | |
Yeah, I think so. | 0:16:52 | 0:16:54 | |
If we just play a bit with the clay as well. | 0:16:54 | 0:16:57 | |
It's quite nice to do something a bit more experimental. | 0:16:57 | 0:17:01 | |
That's not what Ikea is usually doing, | 0:17:01 | 0:17:04 | |
so that's a nice chance to shake the system as well, a bit. | 0:17:04 | 0:17:10 | |
Why do you want to shake the system? | 0:17:10 | 0:17:12 | |
Just for fun! | 0:17:12 | 0:17:14 | |
I think the challenges are cost. | 0:17:20 | 0:17:23 | |
That if it started to become too expensive, | 0:17:23 | 0:17:25 | |
then we don't really fulfil what we want to do at Ikea. | 0:17:25 | 0:17:29 | |
The next stage is to get the supplier to really understand what our idea is. | 0:17:29 | 0:17:34 | |
To be on the factory floor, | 0:17:34 | 0:17:36 | |
to work with the specialists in the ceramic factory, | 0:17:36 | 0:17:40 | |
in the production line, | 0:17:40 | 0:17:42 | |
and make that idea work within the process | 0:17:42 | 0:17:45 | |
so we can produce thousands of vases that are different. | 0:17:45 | 0:17:49 | |
It's going to be exciting to see how Hanna's idea comes to fruition. | 0:18:02 | 0:18:06 | |
Yeah. And if we have to modify the shape, as well, | 0:18:06 | 0:18:11 | |
let's see what we have to do. | 0:18:11 | 0:18:13 | |
Hopefully they have some ideas to see how we can make the idea work. | 0:18:13 | 0:18:17 | |
Hanna-Kaarina's design is so unusual, | 0:18:20 | 0:18:24 | |
she and James have come to meet with a supplier who is used to | 0:18:24 | 0:18:27 | |
mass-producing millions of products for Ikea. | 0:18:27 | 0:18:29 | |
-It's not such an industrialised set-up so far, so it seems promising. -Yeah. | 0:18:32 | 0:18:37 | |
They start by inspecting a sample with the supplier's management. | 0:18:39 | 0:18:43 | |
-Yes. -But the vase has no imperfections. | 0:18:46 | 0:18:49 | |
I don't think they fully understand. | 0:18:51 | 0:18:53 | |
It's actually about doing something, provoking a discussion. | 0:18:53 | 0:18:56 | |
So then we can talk about all the steps. | 0:18:56 | 0:18:58 | |
Yeah, because what we can actually do here... | 0:18:58 | 0:19:00 | |
-Yeah, like squeeze one. -Yeah. | 0:19:00 | 0:19:03 | |
Then it's also, | 0:19:04 | 0:19:06 | |
I kind of think it's not about you doing it, | 0:19:06 | 0:19:08 | |
it's actually about having a discussion, because I don't think they understand it fully. | 0:19:08 | 0:19:12 | |
From what we've seen, what could be possible that they could do in production? | 0:19:12 | 0:19:16 | |
IN ENGLISH: | 0:19:16 | 0:19:19 | |
But we don't want that. | 0:19:22 | 0:19:23 | |
That's what we want. It is to understand what can we do | 0:19:26 | 0:19:30 | |
within the production steps so then we can design something. | 0:19:30 | 0:19:34 | |
A little bit frustrating. | 0:19:34 | 0:19:35 | |
I thought the supplier would have been more prepared | 0:19:35 | 0:19:38 | |
and we would have had more samples, | 0:19:38 | 0:19:40 | |
and be really able to dive in | 0:19:40 | 0:19:41 | |
and to see how we could create this imperfection. | 0:19:41 | 0:19:45 | |
In general, it's a question like how much we can modify. | 0:19:45 | 0:19:49 | |
-Maybe that's too much. -Yeah. | 0:19:49 | 0:19:52 | |
-Is it just a level of... just a little? -Yeah. | 0:19:52 | 0:19:55 | |
It's how do we achieve something that looks different. | 0:19:55 | 0:19:58 | |
IN ENGLISH: | 0:19:58 | 0:20:00 | |
That's fine. That's even nicer. | 0:20:08 | 0:20:10 | |
Ah, OK. | 0:20:10 | 0:20:12 | |
Then that one actually has a story, it belongs to that person, | 0:20:12 | 0:20:15 | |
that's their fingerprint. | 0:20:15 | 0:20:17 | |
Here we can make handmade individual products that are | 0:20:19 | 0:20:22 | |
available for the many people, because it will be in a price picture. | 0:20:22 | 0:20:26 | |
But I think that's where we need to go through the steps - | 0:20:30 | 0:20:32 | |
how do we do it so we get the right price? | 0:20:32 | 0:20:35 | |
It's like a give and take relationship. | 0:20:35 | 0:20:37 | |
It seems the bosses have finally understood, | 0:20:37 | 0:20:40 | |
but the real test will be tomorrow, when the team return to see the workers make prototypes. | 0:20:40 | 0:20:46 | |
We want Hanna to have all of the drawings ready tomorrow, | 0:20:46 | 0:20:49 | |
so then we can bring up the discussion again. | 0:20:49 | 0:20:51 | |
Are these shapes possible? | 0:20:51 | 0:20:53 | |
It's all fun making something that looks good, | 0:20:53 | 0:20:55 | |
but if it's not at the right price, then you can't afford to buy it. | 0:20:55 | 0:20:58 | |
-HE SINGS: -# She told me she missed school today...# | 0:21:08 | 0:21:10 | |
Since the press launch, | 0:21:16 | 0:21:18 | |
the Sheffield store has fallen a month behind schedule | 0:21:18 | 0:21:21 | |
and is now due to open in August, just 16 weeks away. | 0:21:21 | 0:21:25 | |
When we get on site now, you're going to say to me, "Gary, that store's not opening." | 0:21:25 | 0:21:29 | |
You look at it now and you think, really?! | 0:21:29 | 0:21:31 | |
Are people going to be shopping in that? Is that going to be finished? | 0:21:31 | 0:21:34 | |
Not this August, you're thinking next August. | 0:21:34 | 0:21:37 | |
No, seriously, you are. Look at that. | 0:21:37 | 0:21:39 | |
Seriously, can you believe? | 0:21:39 | 0:21:40 | |
We need eight weeks to shop fit it, so eight weeks before, they've got to hand that over. | 0:21:40 | 0:21:45 | |
The lift shaft at the back still isn't in. | 0:21:45 | 0:21:47 | |
There's no lift. There's no roof on this half, is there? | 0:21:47 | 0:21:51 | |
Can you see a roof? That's not watertight, is it? | 0:21:51 | 0:21:55 | |
You need it to be watertight? | 0:21:55 | 0:21:56 | |
HE LAUGHS | 0:21:56 | 0:21:58 | |
Otherwise the trades can't come in. The electricians, the plasterers. | 0:21:58 | 0:22:01 | |
Nobody can start until it's watertight, so let's go and meet them | 0:22:01 | 0:22:04 | |
and see what they've got to say. | 0:22:04 | 0:22:05 | |
16 weeks from now. | 0:22:23 | 0:22:25 | |
16 weeks. | 0:22:25 | 0:22:27 | |
It is hard to believe, isn't it, we're going to stand here in 16 weeks | 0:22:27 | 0:22:30 | |
and that's going to be an operating unit. | 0:22:30 | 0:22:32 | |
But I trust. I keep saying I trust, don't I? I trust. I do trust. | 0:22:32 | 0:22:36 | |
Well, it needs to, doesn't it? | 0:22:44 | 0:22:46 | |
Cos there's no back end and no roof at the moment. | 0:22:46 | 0:22:49 | |
-Eh? -There's no back end and no roof. | 0:22:49 | 0:22:51 | |
HE LAUGHS | 0:22:51 | 0:22:53 | |
He seems to think it's OK! He knows. | 0:22:54 | 0:22:57 | |
When do we go watertight? | 0:23:02 | 0:23:03 | |
Overall watertight will be by mid-June. | 0:23:05 | 0:23:07 | |
Mid-June?! Oh, Christ. | 0:23:07 | 0:23:09 | |
OK, Adil, if you'd like to go With Gareth. | 0:23:14 | 0:23:17 | |
With Gary worried about the build, on the other side of town, | 0:23:17 | 0:23:21 | |
a massive recruitment drive has begun. | 0:23:21 | 0:23:23 | |
The Steel City, there were so many people that lost their jobs | 0:23:24 | 0:23:28 | |
and morale went really down, so I think it's a great boost for the city, | 0:23:28 | 0:23:31 | |
that Ikea is coming to Sheffield. Exciting. | 0:23:31 | 0:23:37 | |
Come on, I don't bite! | 0:23:37 | 0:23:38 | |
Ikea have had over 4,500 applications for just 500 jobs. | 0:23:38 | 0:23:43 | |
Can I have the next group for... # Getting to know you. # | 0:23:43 | 0:23:48 | |
Maria Crosby will be the logistics manager at the new Sheffield store, | 0:23:48 | 0:23:53 | |
and is part of the team responsible for recruiting staff. | 0:23:53 | 0:23:56 | |
Can you go and get me a form? | 0:23:56 | 0:23:57 | |
Can you get me one of those candidate sheet forms? | 0:23:57 | 0:24:00 | |
They're not just looking at CVs and skills. | 0:24:00 | 0:24:03 | |
At Ikea, it's all about having the right personality. | 0:24:03 | 0:24:06 | |
We don't want everyone to be the same, we're not robots. | 0:24:06 | 0:24:10 | |
We just want to be similar. Yeah? | 0:24:10 | 0:24:13 | |
The culture and values in Ikea, it's the same here in England, in Sheffield, | 0:24:13 | 0:24:18 | |
as it is in Dubai or Spain or, obviously, Sweden. | 0:24:18 | 0:24:22 | |
It doesn't matter what Ikea you go into, it's exactly the same. | 0:24:22 | 0:24:25 | |
The team are looking for people who possess the eight key values | 0:24:27 | 0:24:31 | |
that Ingvar Kamprad founded the company on in 1943. | 0:24:31 | 0:24:34 | |
OK, so humbleness and willpower, simplicity, togetherness... | 0:24:38 | 0:24:42 | |
This is where I get stuck. Cos they're my three. | 0:24:44 | 0:24:47 | |
My three, my three that I hold dear. | 0:24:48 | 0:24:50 | |
Humbleness and willpower is a massive one for me. | 0:24:50 | 0:24:53 | |
Togetherness is also amazing. | 0:24:53 | 0:24:55 | |
Without togetherness, we have nothing. | 0:24:55 | 0:24:58 | |
This is very different to any other company you've ever worked in. | 0:24:58 | 0:25:01 | |
It really is. I can't stress that enough. | 0:25:01 | 0:25:04 | |
Being able to have the opportunity to work in that box is amazing. | 0:25:04 | 0:25:08 | |
What I want you to do, | 0:25:08 | 0:25:09 | |
and I know some of you might be a little uncomfortable doing it, but we don't bite at all. | 0:25:09 | 0:25:14 | |
I just want you to say hello and where in the store do you think you can see yourself working. | 0:25:14 | 0:25:19 | |
I'm Tom, I live in Greenhill in Sheffield. | 0:25:19 | 0:25:22 | |
Where I see myself in Ikea would definitely be something customer facing. | 0:25:24 | 0:25:29 | |
The way I see it, it's helping people. | 0:25:29 | 0:25:31 | |
Hi, I'm Luke, I currently... | 0:25:33 | 0:25:35 | |
I live in Rotherham and currently work for Poundland... | 0:25:35 | 0:25:38 | |
..as a replenisher/sales assistant, | 0:25:40 | 0:25:43 | |
but I am willing to climb the ladder in any business. | 0:25:43 | 0:25:48 | |
Have you enjoyed today? | 0:25:48 | 0:25:49 | |
INAUDIBLE RESPONSE | 0:25:49 | 0:25:51 | |
So, getting to work for 5am, would that be an issue? | 0:25:52 | 0:25:55 | |
I could ask my mum to drop me off. | 0:25:56 | 0:25:58 | |
-She won't mind. -Excellent, so you'll be able to... | 0:26:00 | 0:26:03 | |
I'm fully flexible. | 0:26:03 | 0:26:05 | |
I do it to look after my family, cos I pay my mum board. | 0:26:05 | 0:26:10 | |
We pay £8.45 an hour. | 0:26:10 | 0:26:12 | |
-Is that to anyone? -To anyone, yeah. | 0:26:12 | 0:26:15 | |
-Is that OK? -Yeah. -OK. | 0:26:16 | 0:26:18 | |
He was a very, very humble, very much a family person, which is, | 0:26:18 | 0:26:23 | |
in terms of values, that really, really fits. | 0:26:23 | 0:26:25 | |
But he was also determined and eager. | 0:26:25 | 0:26:28 | |
It seemed to go well, the interview? | 0:26:28 | 0:26:30 | |
Yeah, yeah, it went really well. | 0:26:30 | 0:26:32 | |
What were you and Maria talking about? | 0:26:32 | 0:26:35 | |
-Was she called Maria? -Yeah. -I thought she were called Claire! | 0:26:35 | 0:26:37 | |
INTERVIEWER CHUCKLES | 0:26:37 | 0:26:39 | |
OK, so, Luke, you can say, I want to be a manager. | 0:26:39 | 0:26:43 | |
I want to be the best I can be. | 0:26:43 | 0:26:46 | |
I want to know what that looks like. | 0:26:46 | 0:26:47 | |
I didn't know Ikea even existed, I'll be honest with you. | 0:26:47 | 0:26:51 | |
I thought it were Lidl at first. | 0:26:51 | 0:26:53 | |
They've got a nice uniform, but this one's just yellow. | 0:26:53 | 0:26:56 | |
You look like a McDonald's straw in it or something. | 0:26:58 | 0:27:00 | |
Almost look a bit emotional! Bless her! | 0:27:05 | 0:27:07 | |
You get that sometimes, don't you? | 0:27:07 | 0:27:09 | |
Keep your eyes out for Luke. He'll be my manager soon! | 0:27:09 | 0:27:13 | |
-Hello. -How are you? -It will be interesting to see the samples today. -It will. -Yeah. | 0:27:48 | 0:27:55 | |
Having failed Ikea's strict water test regulations, | 0:27:55 | 0:27:58 | |
Morten is preparing a new batch of cupboard samples to be reassessed. | 0:27:58 | 0:28:02 | |
The first time we failed because of the 16 hour water requirements. | 0:28:03 | 0:28:09 | |
It is like a water test. | 0:28:09 | 0:28:11 | |
Take a drop of water, | 0:28:11 | 0:28:13 | |
put it under a glass for 16 hours, and then it should make | 0:28:13 | 0:28:16 | |
no structure change or visible changes to the board. | 0:28:16 | 0:28:19 | |
The last samples failed when the external foil wrap blistered. | 0:28:21 | 0:28:26 | |
This is the new foil that we are testing. | 0:28:26 | 0:28:30 | |
Just making ten samples and then send to the test lab. | 0:28:30 | 0:28:34 | |
Let's just hope also that it can pass all the tests. | 0:28:34 | 0:28:38 | |
The foil is glued to MDF panels using a specialist machine. | 0:28:38 | 0:28:42 | |
The board is coming out. | 0:28:44 | 0:28:46 | |
The surface is looking good. | 0:28:49 | 0:28:51 | |
But we have to look closer to really see if it's perfect. | 0:28:54 | 0:28:58 | |
Last year, we cut down some shifts and we have kept all the people, | 0:29:03 | 0:29:07 | |
but we lost some volume to Asia and now we are fighting to get it back. | 0:29:07 | 0:29:12 | |
If this test doesn't succeed, | 0:29:25 | 0:29:26 | |
I'm quite hesitant that we will get this volume, | 0:29:26 | 0:29:30 | |
so failure is not really an option for us right now. | 0:29:30 | 0:29:34 | |
We have to succeed with the test. | 0:29:34 | 0:29:36 | |
It looks good to me. | 0:29:36 | 0:29:38 | |
Then we have problems. | 0:29:45 | 0:29:46 | |
Ikea test more than 15,000 products a year in their hi-tech purpose-built lab. | 0:29:56 | 0:30:02 | |
The first sign - no photography, right? | 0:30:03 | 0:30:05 | |
This is where the magic happens. | 0:30:12 | 0:30:14 | |
This is where we make all the mechanical testing | 0:30:17 | 0:30:19 | |
for all different kind of furnitures, | 0:30:19 | 0:30:22 | |
like chairs, like sofas, like beds. | 0:30:22 | 0:30:24 | |
We have another room here where we test textile and surfaces, | 0:30:27 | 0:30:32 | |
especially the surface resilience to different fluids and so on. | 0:30:32 | 0:30:35 | |
Today, I have a sample from Gyllensvaans. | 0:30:38 | 0:30:41 | |
And I am testing cold liquids, water. | 0:30:41 | 0:30:44 | |
So we have the still water and a filter paper... | 0:30:51 | 0:30:54 | |
..which I put on the surface. | 0:30:55 | 0:30:56 | |
And I leave it there for 16 hours. | 0:30:59 | 0:31:01 | |
The test is ongoing right now. | 0:31:15 | 0:31:17 | |
We're coming to an end when it comes to time, | 0:31:17 | 0:31:19 | |
where we need to make sure we have the tests in place. | 0:31:19 | 0:31:22 | |
Otherwise we will jeopardise the sale starts, etc. | 0:31:24 | 0:31:27 | |
It has been some hiccups and failures along the road. | 0:31:27 | 0:31:30 | |
If not, we need to move on and place the matrix and the volume at another supplier. | 0:31:30 | 0:31:37 | |
I think they are a little bit nervous, yes. | 0:31:37 | 0:31:39 | |
Now I am looking for some kind of a change. | 0:31:44 | 0:31:47 | |
I am looking for any mark, or if I see some bubbles or structure change. | 0:31:47 | 0:31:52 | |
If I see a strong mark, it will fail. | 0:31:54 | 0:31:56 | |
If I see some small or large structure change, it will also fail. | 0:31:56 | 0:32:02 | |
The Gyllensvaans will find out if they've passed the test in 24 hours' time. | 0:32:02 | 0:32:06 | |
We are very thorough when we do the assessments, | 0:32:07 | 0:32:10 | |
so we won't let any bad samples get in the store. | 0:32:10 | 0:32:13 | |
So they could touch in this, anywhere in this striped part. | 0:32:21 | 0:32:27 | |
James and Hanna-Kaarina have been struggling to translate | 0:32:27 | 0:32:30 | |
their imperfect vase idea to the supplier. | 0:32:30 | 0:32:32 | |
I think it's something, when we go into the factory, | 0:32:39 | 0:32:42 | |
when we start to pull it out, | 0:32:42 | 0:32:43 | |
Hanna can actually start to explain what her idea is. | 0:32:43 | 0:32:47 | |
IN MANDARIN: | 0:32:47 | 0:32:49 | |
Now that management understand, | 0:32:56 | 0:32:58 | |
the big test is whether the workers can actually create Hanna-Kaarina's maverick idea. | 0:32:58 | 0:33:03 | |
The big final thing is to really physically pick the vase out of the mould. | 0:33:03 | 0:33:10 | |
Here we go. Have you explained to him not to be careful? | 0:33:10 | 0:33:14 | |
I am worried that it's going to go wrong. | 0:33:14 | 0:33:16 | |
IN MANDARIN: | 0:33:16 | 0:33:19 | |
Relax. You know, it's not about being careful. | 0:33:29 | 0:33:32 | |
If he needs to put his fingers in to get it out... | 0:33:32 | 0:33:34 | |
Now take it out. Yeah, brilliant. | 0:33:39 | 0:33:41 | |
Put it down. Yes, that's it. | 0:33:41 | 0:33:44 | |
-That's one. -Perfect! | 0:33:44 | 0:33:47 | |
That was actually the magic moment. | 0:33:47 | 0:33:49 | |
They actually understand it. | 0:33:49 | 0:33:50 | |
It looks like it's possible. | 0:33:50 | 0:33:52 | |
I wouldn't say we've solved it all. | 0:33:52 | 0:33:54 | |
Sort of happy, but confused at the same time. | 0:33:54 | 0:33:57 | |
Maybe it's going to be OK. | 0:33:57 | 0:34:00 | |
Now they know the factory can make the vase, | 0:34:01 | 0:34:03 | |
James is keen to ensure each one being unique hasn't added too much to the price. | 0:34:03 | 0:34:08 | |
How did it look, do you have rough price ideas on the imperfection? | 0:34:08 | 0:34:13 | |
That's quite important, to know roughly where we are on those. | 0:34:13 | 0:34:16 | |
If you just take that green one, what price? | 0:34:16 | 0:34:20 | |
Cos, I mean, that's not far off. | 0:34:20 | 0:34:21 | |
IN ENGLISH: | 0:34:21 | 0:34:24 | |
That's quite a lot. | 0:34:30 | 0:34:31 | |
The team will find out the final price when the vase samples arrive in Sweden in a few weeks' time. | 0:34:32 | 0:34:37 | |
But I'm a little bit worried. | 0:34:40 | 0:34:41 | |
I mean, how much are those vases going to be? | 0:34:42 | 0:34:44 | |
Cos, I mean, it's not much difference in material. | 0:34:44 | 0:34:47 | |
With just two months until the grand opening, | 0:34:56 | 0:34:58 | |
the Sheffield store has a roof, but it's still not finished. | 0:34:58 | 0:35:01 | |
Recruitment, however, is complete. | 0:35:02 | 0:35:04 | |
Are you ready for this? Do you want to know why it's called Ikea? | 0:35:07 | 0:35:11 | |
Because they've got the I at the start of his first name, | 0:35:11 | 0:35:14 | |
then they've got the K at the start of his second name. | 0:35:14 | 0:35:18 | |
Took it all in, didn't he? | 0:35:18 | 0:35:20 | |
Luke has landed one of the 500 jobs and is about to start his in-store training. | 0:35:22 | 0:35:27 | |
-INTERVIEWER: -Why do you think you got the job? | 0:35:27 | 0:35:29 | |
Because I've got experience in retail, and I like customers. | 0:35:29 | 0:35:34 | |
What do you think the customers will be like at Ikea? | 0:35:34 | 0:35:36 | |
Well, they're all from Sheffield, mostly, aren't they? | 0:35:36 | 0:35:39 | |
So they're going to have banter. They're going to have a laugh. | 0:35:39 | 0:35:43 | |
As the Sheffield store isn't finished, | 0:35:47 | 0:35:49 | |
new recruits are learning the ropes in Nottingham. | 0:35:49 | 0:35:52 | |
You see how the number ends in 20? | 0:35:52 | 0:35:54 | |
So, anything with a number that is 20 or bigger means a forklift has to | 0:35:54 | 0:35:57 | |
get it down. Everything else below is available for the customer. | 0:35:57 | 0:36:01 | |
My job is replenishment. | 0:36:01 | 0:36:03 | |
We have to get all the pallets done before the shop opens. | 0:36:04 | 0:36:07 | |
I think, for me, it's more than just stacking shelves. | 0:36:10 | 0:36:12 | |
I want the co-workers engaged with the product as well, and what we sell, | 0:36:12 | 0:36:15 | |
and be passionate about it. | 0:36:15 | 0:36:17 | |
Half of these things, I've never seen my life. | 0:36:17 | 0:36:19 | |
I don't even know what you'd use that for. | 0:36:19 | 0:36:20 | |
I don't even know what you use that for. | 0:36:20 | 0:36:24 | |
If I looked at that, I'd have thought it was something | 0:36:24 | 0:36:26 | |
you play Russian roulette with. | 0:36:26 | 0:36:28 | |
You know when you go to the casino and chuck that ball in? | 0:36:29 | 0:36:31 | |
That's what I'd this it was. | 0:36:31 | 0:36:33 | |
Some days are very hectic, so you do have to have a bit of speed | 0:36:33 | 0:36:37 | |
about you and have a keen eye for detail. | 0:36:37 | 0:36:40 | |
I know what it's for. | 0:36:40 | 0:36:42 | |
Pineapple. So, yeah. | 0:36:42 | 0:36:43 | |
Pineapple splitter. | 0:36:43 | 0:36:44 | |
Oh, no, it's an apple slicer. | 0:36:46 | 0:36:48 | |
Not a pineapple one. | 0:36:48 | 0:36:49 | |
HE SMIRKS | 0:36:49 | 0:36:50 | |
Gary? You can ring the bell. | 0:36:58 | 0:37:01 | |
-Ring the bell? -Or stand and stare, whichever is most effective. | 0:37:01 | 0:37:04 | |
BELL RINGS | 0:37:04 | 0:37:05 | |
The UK's top managers are assembled to hear an important update | 0:37:07 | 0:37:12 | |
about the Sheffield store. | 0:37:12 | 0:37:14 | |
So, that's the team that I've been working with | 0:37:14 | 0:37:16 | |
for the last nearly 11 months now. You can't quite see it, | 0:37:16 | 0:37:18 | |
but if you were to look closely at Kate and Laura, | 0:37:18 | 0:37:21 | |
you will see how much they have aged in 11 months. | 0:37:21 | 0:37:23 | |
LAUGHTER | 0:37:23 | 0:37:25 | |
That's what opening a new store does for you. | 0:37:25 | 0:37:27 | |
It's working with you, Gary. | 0:37:27 | 0:37:28 | |
LAUGHTER | 0:37:28 | 0:37:30 | |
-I just throw it out and you bat it back. -I did. | 0:37:30 | 0:37:34 | |
OK, so, in terms of date, | 0:37:34 | 0:37:37 | |
for the last eight weeks, we have been opening on the 31st of August. | 0:37:37 | 0:37:40 | |
I think you have all received an e-mail to say now it is likely to be | 0:37:40 | 0:37:43 | |
the 28th of September. | 0:37:43 | 0:37:44 | |
You will get your invite, and I look forward to having what I hope will | 0:37:44 | 0:37:47 | |
be a wonderful day with you, on what is looking like the 28th of September. | 0:37:47 | 0:37:51 | |
Thank you. | 0:37:51 | 0:37:53 | |
APPLAUSE | 0:37:53 | 0:37:54 | |
-Well done. -Thank you very much. You were super. | 0:37:58 | 0:38:00 | |
-Good, wasn't it? -Yes. | 0:38:00 | 0:38:02 | |
As a company, we never like to say "Put back, delayed." | 0:38:02 | 0:38:05 | |
We don't like to use that language. | 0:38:05 | 0:38:07 | |
But, ultimately, it was hoping to open in July. | 0:38:07 | 0:38:11 | |
Then we had a revised date of August 31st. | 0:38:11 | 0:38:13 | |
Then, at the last minute, the very 11th hour, almost the 12th hour, | 0:38:13 | 0:38:17 | |
we got this delay again of four weeks to the end of September. | 0:38:17 | 0:38:21 | |
The truth is, we'll lose 6 million of sales by not opening, | 0:38:21 | 0:38:24 | |
and therefore that will have an impact on the cost picture. | 0:38:24 | 0:38:26 | |
And that means we need to look at how do we find that additional sales, yeah? | 0:38:26 | 0:38:32 | |
So, will it come from pushing Gary and the team to really secure | 0:38:32 | 0:38:36 | |
and over-perform? Ultimately, I have agreed with my board | 0:38:36 | 0:38:39 | |
that our organisation will deliver the goals that have been set, and we just need to do that. | 0:38:39 | 0:38:46 | |
Although the Sheffield building is now watertight, they're having to | 0:38:51 | 0:38:54 | |
delay the opening to allow time to prepare the interior. | 0:38:54 | 0:38:57 | |
It always feels a little bit of a disappointment when you have to move the date. | 0:39:03 | 0:39:07 | |
But you can now see why we were not opening on the 31st of August. | 0:39:07 | 0:39:11 | |
The 28th of September will be a super day, when we open. | 0:39:11 | 0:39:14 | |
Having opened Belfast and Dublin, it's that always wanting to know, | 0:39:17 | 0:39:20 | |
can you do better than you did last time? | 0:39:20 | 0:39:22 | |
I think the pressure on Sheffield is that when we opened Dublin, | 0:39:22 | 0:39:26 | |
I think it was accepted that it was the best store opening that we had ever achieved. | 0:39:26 | 0:39:30 | |
Of course, because I was the guy who opened Dublin, | 0:39:30 | 0:39:32 | |
I always knew that if I got Sheffield, it is another level. | 0:39:32 | 0:39:35 | |
And of course, if it's not, it will be so personal. | 0:39:35 | 0:39:38 | |
It will hurt me like hell. | 0:39:38 | 0:39:39 | |
The test results of the Gyllensvaans cupboard samples are back. | 0:39:48 | 0:39:51 | |
The latest data says that we passed the test. | 0:39:54 | 0:39:57 | |
So now we finally have an approved test for Platsa. | 0:39:57 | 0:40:01 | |
And we have a go-ahead on the business, together with Gyllensvaans. | 0:40:01 | 0:40:05 | |
Even though it's passed, | 0:40:05 | 0:40:06 | |
Ikea aren't placing the full order until they're satisfied the factory | 0:40:06 | 0:40:10 | |
can produce the required volume to their strict standards. | 0:40:10 | 0:40:13 | |
I sure hope they have the assembly line and all parts of the factory | 0:40:14 | 0:40:19 | |
in place, or prepared, simply. Yes. | 0:40:19 | 0:40:21 | |
We've got Platsa, and it's a lot of work. | 0:40:29 | 0:40:33 | |
The initial order is 200,000 units, | 0:40:34 | 0:40:37 | |
to be delivered in just three months' time. | 0:40:37 | 0:40:40 | |
I hope it goes faster, because we are in a really hurry. | 0:40:40 | 0:40:44 | |
Problem in the machine. | 0:40:57 | 0:40:58 | |
The plastic got loose and got caught up in the machine, | 0:40:58 | 0:41:02 | |
so we need to redo it. | 0:41:02 | 0:41:04 | |
-INTERVIEWER: -You don't need delays, do you? -Not at all. | 0:41:04 | 0:41:06 | |
Producing the Platsa, alongside the Billy bookcase, | 0:41:07 | 0:41:10 | |
means the factory is stretched to the limit. | 0:41:10 | 0:41:13 | |
Quite stressful. Very hard to catch up when you stop for a while. | 0:41:14 | 0:41:18 | |
Plastic got stuck in the oven. | 0:41:30 | 0:41:31 | |
We don't understand what is wrong. | 0:41:31 | 0:41:33 | |
-Oh! -Smoke comes from that machine. | 0:41:37 | 0:41:40 | |
Something wrong with the lift, | 0:41:44 | 0:41:46 | |
something wrong with the electronic motor on that one. | 0:41:46 | 0:41:49 | |
-It needs to be fixed. -INTERVIEWER: -You are having a bad day? -Yes. | 0:41:49 | 0:41:53 | |
Stressful day. | 0:41:55 | 0:41:56 | |
Once the first batch is ready, Olaf will be visiting to sign off | 0:41:58 | 0:42:02 | |
the entire multi-million pound contract. | 0:42:02 | 0:42:05 | |
If we can't deliver in time, | 0:42:05 | 0:42:07 | |
then I think it will be a business consequence for the future. | 0:42:07 | 0:42:13 | |
Ikea needs to have reliable suppliers. | 0:42:14 | 0:42:16 | |
Yes, we like it like this. It's not boring at all. | 0:42:21 | 0:42:24 | |
-Oh, great, Christina. -Here is the box. | 0:42:35 | 0:42:37 | |
-Hello. -Did they just come today? | 0:42:37 | 0:42:40 | |
Yes. Just come, really fresh. | 0:42:40 | 0:42:42 | |
-I hope they haven't broken. -Hope not! | 0:42:42 | 0:42:45 | |
Hanna-Kaarina's imperfect vase samples have arrived. | 0:42:45 | 0:42:48 | |
When we open this package, I think it's going to be make or break. | 0:42:50 | 0:42:54 | |
It will either be smiley faces or sad faces. | 0:42:54 | 0:42:56 | |
Ah! | 0:43:00 | 0:43:01 | |
Not too bad. | 0:43:03 | 0:43:04 | |
I'm happy that the shape is not too much... | 0:43:06 | 0:43:08 | |
It's not too distorted, is it? | 0:43:08 | 0:43:10 | |
So it's actually quite good. | 0:43:10 | 0:43:11 | |
Whoa! | 0:43:12 | 0:43:13 | |
What do you think, Hanna, are you pleased? | 0:43:19 | 0:43:21 | |
I think it looks quite nice, actually. | 0:43:21 | 0:43:23 | |
-I was a bit worried it might look a little bit childish. -Yeah. | 0:43:23 | 0:43:26 | |
I'm pretty happy, actually. | 0:43:28 | 0:43:30 | |
I'm sort of... I feel I'm relieved that it's... | 0:43:30 | 0:43:34 | |
I was a bit stressed, to be honest. | 0:43:34 | 0:43:37 | |
Yes, it seems promising, actually. | 0:43:37 | 0:43:39 | |
Seeing the samples and seeing that they have | 0:43:39 | 0:43:41 | |
actually understood the concept and they can produce pieces that are unique, | 0:43:41 | 0:43:45 | |
it's really good for us. | 0:43:45 | 0:43:46 | |
Almost a little bit lost for words. It looks like it's going to work. | 0:43:46 | 0:43:49 | |
Really exciting. | 0:43:49 | 0:43:50 | |
It will be very interesting to see what other people think. | 0:43:50 | 0:43:53 | |
It's decision day. | 0:43:55 | 0:43:57 | |
James needs to present the design to the business team for final approval. | 0:43:57 | 0:44:00 | |
So, this is the final collection meeting that we have invited you to today. | 0:44:00 | 0:44:04 | |
So, this is actually where we decide what the collection will consist of. | 0:44:04 | 0:44:08 | |
They've agreed a cost with the supplier, which will allow | 0:44:08 | 0:44:11 | |
other stores to sell the vase at a suitable recommended price. | 0:44:11 | 0:44:16 | |
-The price point is 12.90 for this one. -For this one? -Yeah. | 0:44:16 | 0:44:19 | |
And then we have the smaller one. | 0:44:19 | 0:44:22 | |
9.99. | 0:44:22 | 0:44:23 | |
As the team deliberate, all Hanna-Kaarina can do is wait for news. | 0:44:24 | 0:44:29 | |
What I like about Hanna is she puts her heart and soul into everything. | 0:44:31 | 0:44:35 | |
And you can see that she wants to succeed and make it. | 0:44:36 | 0:44:40 | |
You can see that she goes that extra mile. | 0:44:40 | 0:44:43 | |
When briefing at this project, we actually approached Hanna-Kaarina, | 0:44:45 | 0:44:49 | |
one of our own in-house designers. | 0:44:49 | 0:44:50 | |
How could you challenge that thing, mass production, | 0:44:50 | 0:44:53 | |
everything looks the same? | 0:44:53 | 0:44:55 | |
How could you make something look different? | 0:44:55 | 0:44:57 | |
She had some super stupid, crazy ideas. | 0:44:57 | 0:45:00 | |
Why don't we press a finger or poke a ceramic pot to make it different? | 0:45:00 | 0:45:04 | |
The first samples you see here were actually done just as we left. | 0:45:04 | 0:45:07 | |
They were just getting it. But do you like the idea? | 0:45:07 | 0:45:11 | |
Do you think...? It's very different. | 0:45:11 | 0:45:14 | |
All of our glasses look exactly the same. | 0:45:14 | 0:45:16 | |
Here, we're allowing for... You know, they will be in the store, | 0:45:16 | 0:45:19 | |
lined up slightly different with this human touch. | 0:45:19 | 0:45:22 | |
Looking at these marks, I don't see that as handmade, | 0:45:22 | 0:45:25 | |
I see it as somebody punching on purpose from different sides. | 0:45:25 | 0:45:30 | |
It's a tricky process to get them to destroy the perfect mould. | 0:45:30 | 0:45:34 | |
For me, I work in the square area of Ikea, I would be very much, like, | 0:45:34 | 0:45:41 | |
I don't think I'll get it. | 0:45:41 | 0:45:42 | |
You are used to finding the mass production at Ikea. | 0:45:42 | 0:45:46 | |
You kind of feel like this must be a defect. | 0:45:46 | 0:45:49 | |
Personally, I think that it'll work, if the communication is really, really clear. | 0:45:49 | 0:45:54 | |
I think it's really interesting and super exciting. | 0:45:54 | 0:45:56 | |
I think we will need everybody behind it to get it to work | 0:45:56 | 0:46:00 | |
from explaining in supply, communication, | 0:46:00 | 0:46:03 | |
even forecasting and selling. | 0:46:03 | 0:46:04 | |
Because it's very different, like you say, Nikolai, it's not the norm. | 0:46:04 | 0:46:07 | |
After two hours, a decision is made. | 0:46:14 | 0:46:17 | |
-Hello. -Hanna. | 0:46:20 | 0:46:22 | |
-Moment of... -Well done. | 0:46:23 | 0:46:26 | |
-We made it. -Really? | 0:46:26 | 0:46:27 | |
-No, we did. We had the meeting today. -OK. | 0:46:27 | 0:46:29 | |
It went really well. | 0:46:29 | 0:46:30 | |
-It's going to happen. -Nice. | 0:46:31 | 0:46:33 | |
You must be a little bit excited. It could be your first product in Ikea. | 0:46:33 | 0:46:37 | |
Yes. I like starting with the crazy stuff, it's good. | 0:46:37 | 0:46:41 | |
I think the exciting thing is we're going to go for it. | 0:46:42 | 0:46:45 | |
It's going to be between 60,000 and 70,000 pieces of these vases. | 0:46:45 | 0:46:49 | |
-So, I think that's super exciting. -That's a lot. | 0:46:49 | 0:46:51 | |
Many people will be able to have an Ikea Hanna-Kaarina affected vase. | 0:46:51 | 0:46:57 | |
Yes, that's crazy. | 0:46:57 | 0:47:00 | |
We did it. | 0:47:00 | 0:47:01 | |
Sometimes I think I should cycle around the store, | 0:47:12 | 0:47:15 | |
get there quicker to the meeting, wouldn't we? | 0:47:15 | 0:47:17 | |
If you were not following me now, I could just borrow that bike. | 0:47:17 | 0:47:20 | |
With just six days until the big opening, | 0:47:20 | 0:47:22 | |
Gary's called a crisis meeting to discuss | 0:47:22 | 0:47:25 | |
one of the most important parts of the store - wardrobes. | 0:47:25 | 0:47:29 | |
I honestly want to start by saying it's awesome. | 0:47:30 | 0:47:33 | |
I think the store looks absolutely super. | 0:47:33 | 0:47:36 | |
Except Pax. | 0:47:36 | 0:47:38 | |
Pax wardrobes are one of Ikea's biggest sellers. | 0:47:38 | 0:47:41 | |
Stocked in every store around the world, | 0:47:41 | 0:47:44 | |
they're available in multiple combinations. | 0:47:44 | 0:47:46 | |
There's 130 combinations. | 0:47:46 | 0:47:49 | |
I think we are showing 15. | 0:47:49 | 0:47:50 | |
-23. -Out of 130. | 0:47:50 | 0:47:53 | |
24 combinations. | 0:47:53 | 0:47:55 | |
-Really? -Yes. -One, two, three... | 0:47:55 | 0:47:58 | |
..four, five, six, seven, eight, nine, ten... | 0:48:00 | 0:48:04 | |
..11, 12, 13, 14, 15. | 0:48:04 | 0:48:07 | |
I still get 15. | 0:48:07 | 0:48:08 | |
Adam, show me why you get more. | 0:48:10 | 0:48:11 | |
You're calculating just with closed, right? | 0:48:14 | 0:48:16 | |
-Not open? So you're not counting with doors on. -OK. | 0:48:16 | 0:48:19 | |
I believe that if any of my neighbours now come | 0:48:21 | 0:48:24 | |
to buy a wardrobe, yeah, that is not a wardrobe. | 0:48:24 | 0:48:27 | |
Put some doors on it for me and it's a wardrobe. | 0:48:27 | 0:48:30 | |
What you show me here is the inside of a wardrobe. | 0:48:30 | 0:48:32 | |
I'd say, yeah, that's true. | 0:48:32 | 0:48:34 | |
That's the inside of a wardrobe. | 0:48:34 | 0:48:36 | |
I don't think something without a door, in my opinion, | 0:48:36 | 0:48:39 | |
should be called a wardrobe. | 0:48:39 | 0:48:41 | |
I don't. But if you tell me it should, | 0:48:41 | 0:48:43 | |
then I can agree on that one that we disagree. | 0:48:43 | 0:48:46 | |
If you take the whole Ikea range, in most countries, | 0:48:50 | 0:48:54 | |
absolutely in the UK, | 0:48:54 | 0:48:56 | |
in all 19 stores today, the number one cash machine is bedrooms. | 0:48:56 | 0:49:00 | |
The wardrobes takes us the most money. | 0:49:00 | 0:49:03 | |
So, it's the one that if you want to walk round today and say, | 0:49:03 | 0:49:06 | |
"What looks amazing," you would always want to start with Pax wardrobes | 0:49:06 | 0:49:10 | |
and freestanding wardrobes, because they're where the money comes from. | 0:49:10 | 0:49:13 | |
We have a combination of nearly 200 doors to show | 0:49:13 | 0:49:16 | |
and we've decided to show 15 out of 200. | 0:49:16 | 0:49:20 | |
With Gary determined to have the perfect opening, | 0:49:24 | 0:49:27 | |
his mind is turning to the big day itself. | 0:49:27 | 0:49:29 | |
-INTERVIEWER: -Is the success of Ikea Sheffield personal for you? -Yes. | 0:49:30 | 0:49:35 | |
When we open the door, will there be 100, 300, 500, 1,000? | 0:49:36 | 0:49:41 | |
I'm going to say 500. | 0:49:41 | 0:49:43 | |
If there's more than 500 people, | 0:49:43 | 0:49:45 | |
I'm going to say that's exceeded what I expected. | 0:49:45 | 0:49:49 | |
If there's only 300 or 400 people, at 9.55, I guess, deep down inside, | 0:49:49 | 0:49:54 | |
I will be a little bit disappointed. | 0:49:54 | 0:49:56 | |
Olaf is on his way to conduct a delivery inspection | 0:50:04 | 0:50:07 | |
at the Gyllensvaans factory. | 0:50:07 | 0:50:08 | |
Simply, if Gyllensvaans wouldn't pass the first delivery inspection, | 0:50:10 | 0:50:15 | |
we would not be OK to send deliveries out from the factory, simply. | 0:50:15 | 0:50:21 | |
And, of course, that would jeopardise the time plans. | 0:50:22 | 0:50:25 | |
There would be potential risks of delays and so on. | 0:50:25 | 0:50:28 | |
And, of course, that is something that we try to avoid. | 0:50:29 | 0:50:33 | |
With the production issues ironed out, | 0:50:36 | 0:50:38 | |
today's visit is to make sure the cupboards are up to standard. | 0:50:38 | 0:50:42 | |
We're going to have a check, it's called the first delivery inspection. | 0:50:42 | 0:50:45 | |
So, they check all the issues regarding quality of the product, | 0:50:45 | 0:50:49 | |
of the packaging, the pallets and everything, | 0:50:49 | 0:50:51 | |
so it's according to what they need. | 0:50:51 | 0:50:55 | |
-INTERVIEWER: -So, it's pretty intense? -Yeah. | 0:50:55 | 0:50:58 | |
It's make or break. | 0:50:59 | 0:51:01 | |
Pass today and they'll secure the entire contract of 700,000 units. | 0:51:01 | 0:51:06 | |
It's really important that we get success | 0:51:06 | 0:51:09 | |
in this first delivery inspection, so we get this range, so we can continue to grow with Ikea. | 0:51:09 | 0:51:15 | |
So we can have all these workers coming every day and doing their job. | 0:51:15 | 0:51:20 | |
It's important for the community. | 0:51:20 | 0:51:22 | |
Success hinges on passing a vital drop test. | 0:51:25 | 0:51:28 | |
It's one of the tests that is really important to pass, | 0:51:28 | 0:51:31 | |
with the packaging. | 0:51:31 | 0:51:32 | |
It simulates that the customer will drop the box, | 0:51:32 | 0:51:35 | |
and we have added protection inside the box | 0:51:35 | 0:51:38 | |
so it doesn't hurt the product inside. | 0:51:38 | 0:51:40 | |
-INTERVIEWER: -So, in an hour's time, Ikea are going to do this test? | 0:51:40 | 0:51:43 | |
-Yes. -Why are you doing this so late? | 0:51:43 | 0:51:45 | |
We've done it before, but then we had sample boxes. | 0:51:45 | 0:51:49 | |
Now we have boxes from the real production. | 0:51:49 | 0:51:51 | |
So, we want to make sure that they have the same quality as the samples | 0:51:51 | 0:51:55 | |
that we have received before. | 0:51:55 | 0:51:57 | |
-This has only just come in, has it? -Yes, yesterday. | 0:51:57 | 0:52:00 | |
-So it's really last-minute? -Yes. | 0:52:00 | 0:52:01 | |
They've just arrived. | 0:52:05 | 0:52:06 | |
-Welcome. -Thanks. | 0:52:08 | 0:52:12 | |
It's the final step before go-ahead. | 0:52:12 | 0:52:15 | |
So, it would be nice to have to tick off and say, | 0:52:15 | 0:52:17 | |
"Yes, now we're ready to go, finally." | 0:52:17 | 0:52:20 | |
Nervous and excited at the same time. | 0:52:28 | 0:52:31 | |
The product is dropped from a height of 40 centimetres. | 0:52:31 | 0:52:35 | |
OK. | 0:52:35 | 0:52:37 | |
Yes. | 0:52:37 | 0:52:39 | |
It's passed. You don't see it, | 0:52:52 | 0:52:54 | |
there is no damages or anything on the surface. | 0:52:54 | 0:52:58 | |
The Gyllensvaans win the contract. | 0:53:03 | 0:53:05 | |
As always, Ikea will keep a close eye on production. | 0:53:09 | 0:53:12 | |
I would say slowing down, if you are having that mind-set, | 0:53:15 | 0:53:19 | |
that attitude, that is dangerous for a company. | 0:53:19 | 0:53:22 | |
Then you become kind of fat and lazy | 0:53:22 | 0:53:24 | |
and the competitors will catch up. | 0:53:24 | 0:53:26 | |
It never stops. If we want to grow, we cannot just be satisfied. | 0:53:26 | 0:53:31 | |
We need to continue all the time. | 0:53:31 | 0:53:33 | |
-INTERVIEWER: -What time have you been here since? | 0:53:44 | 0:53:46 | |
-What time is it now? -It's about 7am now. | 0:53:46 | 0:53:48 | |
I've been here since 4am. | 0:53:48 | 0:53:51 | |
-How come? -Well, I thought people would be queueing up. | 0:53:51 | 0:53:54 | |
But there's no-one here yet. | 0:53:54 | 0:53:56 | |
Test, one, two, one, two. | 0:53:56 | 0:53:58 | |
I didn't come with my wife, because they say that a trip to Ikea is, | 0:53:58 | 0:54:02 | |
could become a relationship breaker, even for the strongest relationship, | 0:54:02 | 0:54:06 | |
with the amount of arguments and what have you that you could have. | 0:54:06 | 0:54:09 | |
Julie Dore, Olivia Blake. | 0:54:11 | 0:54:14 | |
Why do I keep mixing the names up and saying Julie Blake and Olivia Dore, | 0:54:14 | 0:54:18 | |
when it's Julie Dore and Olivia Blake? | 0:54:18 | 0:54:20 | |
After months of preparation, as Gary prepares his speech, | 0:54:21 | 0:54:25 | |
anticipation outside is building. | 0:54:25 | 0:54:27 | |
We thought there'd have been a bigger queue. | 0:54:30 | 0:54:32 | |
A really big queue. | 0:54:32 | 0:54:33 | |
Hello, good morning. Oh, no. | 0:54:38 | 0:54:39 | |
Good morning, everybody, and a warm welcome to the UK's 20th store. | 0:54:43 | 0:54:48 | |
I begin by giving an extended welcome to His Excellency, | 0:54:48 | 0:54:53 | |
the Swedish ambassador, Torbjorn Sohlstrom. | 0:54:53 | 0:54:56 | |
And to the leader of our council, Julie Dore. | 0:54:56 | 0:55:01 | |
And to all of you who have travelled here at your own expense, | 0:55:01 | 0:55:04 | |
thank you very much, I appreciate you being here. | 0:55:04 | 0:55:08 | |
APPLAUSE | 0:55:08 | 0:55:10 | |
Can I ask, do we know if people are queueing? | 0:55:10 | 0:55:12 | |
Do we have a small queue, any queue? | 0:55:12 | 0:55:14 | |
Is it 50, 20? | 0:55:14 | 0:55:16 | |
-100? -50 to 60. -50 to 60. OK. | 0:55:16 | 0:55:20 | |
-INTERVIEWER: -What brings you down to Ikea? | 0:55:25 | 0:55:27 | |
Well, it's my wife's birthday today. | 0:55:27 | 0:55:29 | |
She wanted to come. That's why we're here. | 0:55:29 | 0:55:32 | |
Birthday meatballs! | 0:55:32 | 0:55:33 | |
Logistics, are you ready? | 0:55:33 | 0:55:35 | |
CHEERING | 0:55:35 | 0:55:36 | |
Customer Relations, are you ready? | 0:55:36 | 0:55:38 | |
CHEERING | 0:55:38 | 0:55:39 | |
Gillian Drakeford, are you ready? | 0:55:39 | 0:55:41 | |
Yes! | 0:55:41 | 0:55:43 | |
Yes! Gary Deacon, are you ready? | 0:55:43 | 0:55:45 | |
Oh, yes! | 0:55:45 | 0:55:46 | |
Let's get that door open. | 0:55:48 | 0:55:50 | |
CHEERING | 0:55:51 | 0:55:54 | |
After a six-hour wait, Chris is the first customer through the doors. | 0:55:57 | 0:56:00 | |
CHEERING | 0:56:07 | 0:56:08 | |
Adam. Adam, why have you not pegged them back? | 0:56:08 | 0:56:11 | |
Look at the queue. | 0:56:11 | 0:56:12 | |
Ever the perfectionist, Gary has one more niggle. | 0:56:12 | 0:56:15 | |
Come this way. Come this way. | 0:56:18 | 0:56:20 | |
It's quicker. Come this way, it's quicker. | 0:56:20 | 0:56:23 | |
There we go. There we go. | 0:56:23 | 0:56:24 | |
Look at the queue. What do you think it is, 700? | 0:56:28 | 0:56:32 | |
-It's more than that. There's 1,000. -1,000 people? 1,000 people. | 0:56:33 | 0:56:38 | |
He believes 1,000 plus. Closer to 1,000 than 700. | 0:56:38 | 0:56:42 | |
-1,000 plus. -1,000 people. | 0:56:42 | 0:56:45 | |
1,000 people. More than 1,000 people. | 0:56:45 | 0:56:49 | |
Marta Garcia from the business team has a sales update | 0:57:00 | 0:57:06 | |
with the all-important figures. | 0:57:06 | 0:57:08 | |
So, are we level or are we up? We're not down. | 0:57:08 | 0:57:11 | |
I know we're not down, we're too busy to be down. | 0:57:11 | 0:57:14 | |
Are we level or are we up? | 0:57:14 | 0:57:16 | |
What do you think? How much? | 0:57:16 | 0:57:18 | |
-Up. -Yes, by how much, do you think? | 0:57:18 | 0:57:21 | |
I would be happy with £10,000. | 0:57:21 | 0:57:24 | |
I would be an exceptionally happy man at 20,000. | 0:57:24 | 0:57:27 | |
We are at £35,000 up on our goal today so far. | 0:57:27 | 0:57:32 | |
-Are you serious? -Yes. -You swear? -I promise you. -35,000 up? | 0:57:32 | 0:57:35 | |
Yes. | 0:57:35 | 0:57:36 | |
That is awesome! | 0:57:36 | 0:57:38 | |
It's a promising start, | 0:57:38 | 0:57:41 | |
but there's a long way to go to plug the shortfall caused by the delay. | 0:57:41 | 0:57:45 | |
Show me the money. Show me the money. | 0:57:45 | 0:57:48 | |
Show me the money! | 0:57:48 | 0:57:49 | |
-Next time... -So, these room sets will go. | 0:57:51 | 0:57:54 | |
We will not have this walkway, and that's revolutionary. | 0:57:55 | 0:57:58 | |
To design for Ikea, we have to design for all the people, | 0:57:58 | 0:58:04 | |
all around the world. | 0:58:04 | 0:58:05 | |
So, now we're going into India. | 0:58:05 | 0:58:08 | |
An Ikea bag on the market. | 0:58:08 | 0:58:10 | |
The potential is enormous. | 0:58:10 | 0:58:11 | |
I don't think that we understand what we're getting into. | 0:58:11 | 0:58:15 | |
Uncover the mysteries of flatpack, everyday design and brand names. | 0:58:15 | 0:58:20 | |
To find out more, go to... | 0:58:20 | 0:58:22 | |
..and follow the links to the Open University. | 0:58:24 | 0:58:28 |