Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Where are you going? It's not there. There is the beginning of the shop. | 0:00:03 | 0:00:06 | |
I'm completely lost. | 0:00:06 | 0:00:08 | |
Love it or loath it, | 0:00:08 | 0:00:10 | |
the world's largest furniture shop has shaped the way we live. | 0:00:10 | 0:00:14 | |
As soon as you're in, you can't get out, can you? | 0:00:14 | 0:00:17 | |
Just spend and spend and spend, really. | 0:00:17 | 0:00:19 | |
Founded in 1943, Ingvar Kamprad established Ikea as a global | 0:00:19 | 0:00:22 | |
brand before his recent death at the age of 91. | 0:00:23 | 0:00:28 | |
His unique approach to business still guides staff today. | 0:00:28 | 0:00:32 | |
I've always seen Ikea as more of a movement than a company. | 0:00:33 | 0:00:36 | |
For the first time in its 75-year history, Sweden's most famous | 0:00:37 | 0:00:42 | |
export has granted our cameras worldwide access. | 0:00:42 | 0:00:45 | |
Namaste! | 0:00:45 | 0:00:47 | |
We filmed the £34 billion operation over | 0:00:47 | 0:00:50 | |
the course of a year... | 0:00:50 | 0:00:52 | |
It's a big machine and it needs to be fed. | 0:00:52 | 0:00:54 | |
..following their rapid global expansion... | 0:00:54 | 0:00:57 | |
We're just entering one of the biggest markets in the world, | 0:00:59 | 0:01:02 | |
and I think that we're writing some history, actually. | 0:01:02 | 0:01:04 | |
..discovering what it takes for a | 0:01:04 | 0:01:06 | |
new product to make it to the shelves... | 0:01:06 | 0:01:09 | |
I wanted to do a cot and a coffin, | 0:01:09 | 0:01:10 | |
so I approached Ikea with that idea, | 0:01:10 | 0:01:12 | |
and they just said, "No, you're joking." | 0:01:12 | 0:01:14 | |
..and learning the secrets of how it became one of the largest | 0:01:14 | 0:01:17 | |
and most influential companies in the world. | 0:01:17 | 0:01:21 | |
It is creativity versus commercialism, | 0:01:21 | 0:01:23 | |
and finding that beautiful balance. | 0:01:23 | 0:01:26 | |
So, welcome to Sweden. | 0:01:54 | 0:01:56 | |
Ikea have invited a select group of journalists from India | 0:01:58 | 0:02:01 | |
for a two-day trip to Almhult. | 0:02:01 | 0:02:03 | |
I'm terribly sorry for the cold weather. | 0:02:05 | 0:02:07 | |
But you can always buy blankets in Ikea. | 0:02:08 | 0:02:10 | |
We have a store not far from here, so let's see what we can do. | 0:02:11 | 0:02:15 | |
They are announcing the launch of their brand into one | 0:02:15 | 0:02:17 | |
of the most lucrative markets in the world. | 0:02:17 | 0:02:19 | |
We have very ambitious plans of stepping into many | 0:02:21 | 0:02:25 | |
places in India and learning how to become a good retailer, | 0:02:25 | 0:02:28 | |
so we will try to facilitate | 0:02:28 | 0:02:30 | |
and help you with all questions you have during the trip. | 0:02:30 | 0:02:33 | |
What's been a top seller? | 0:02:33 | 0:02:35 | |
The top seller in Ikea is the blue bag. | 0:02:35 | 0:02:39 | |
You know, the Ikea shopping bag, actually. | 0:02:39 | 0:02:42 | |
It seems that nothing beats that product, yeah? | 0:02:42 | 0:02:45 | |
OK. Let's see. | 0:02:48 | 0:02:50 | |
With a budget of £1.3 billion, | 0:02:50 | 0:02:53 | |
they plan to open 25 stores across India in under a decade. | 0:02:53 | 0:02:57 | |
How will you keep that aggressive pricing very low in India? | 0:02:57 | 0:03:00 | |
Because India is a very price-sensitive market. | 0:03:00 | 0:03:03 | |
I can say, to start with, we have a long-term view on pricing. | 0:03:03 | 0:03:07 | |
From the first store, it's just the starting point, | 0:03:07 | 0:03:10 | |
but when we get up to some 25 stores in India, | 0:03:10 | 0:03:13 | |
we will have bigger volumes, | 0:03:13 | 0:03:14 | |
we have more opportunities to actually achieve it. | 0:03:14 | 0:03:16 | |
I work with Zee Business, and we're recording a show on how Ikea | 0:03:18 | 0:03:22 | |
might change shopping experience, home furnishing in India, | 0:03:22 | 0:03:27 | |
like the way Uber did, the taxi service, in India. | 0:03:27 | 0:03:31 | |
It could be big if competent prices | 0:03:31 | 0:03:34 | |
because in India they're not used to having really cheap | 0:03:34 | 0:03:38 | |
furniture that could be assembled and dismantled. | 0:03:38 | 0:03:41 | |
So tell me, really, | 0:03:42 | 0:03:44 | |
about what significance India plays to the global plans here at Ikea. | 0:03:44 | 0:03:47 | |
It's a great opportunity for us, but it's also a lot of challenges. | 0:03:47 | 0:03:51 | |
How do we reach the many people within their wallets, | 0:03:51 | 0:03:54 | |
how do we facilitate needs that are unique, and so on? | 0:03:54 | 0:03:57 | |
So we think not only is India a market for us to sell or retail, | 0:03:57 | 0:04:02 | |
but it's a market to learn. | 0:04:02 | 0:04:04 | |
One has to understand the consumer's mindset. | 0:04:04 | 0:04:07 | |
How exactly would you be relevant to the consumer? | 0:04:07 | 0:04:11 | |
So our consumers, we are about 1.5 billion people, | 0:04:11 | 0:04:15 | |
so are you going to be relevant to a certain audience, and if yes, | 0:04:15 | 0:04:19 | |
how exactly are you going to be relevant to that audience? | 0:04:19 | 0:04:22 | |
The challenge of making sure the Ikea brand is relevant to the | 0:04:26 | 0:04:29 | |
Indian market has been given to Mia Lundstrom. | 0:04:29 | 0:04:33 | |
So now we're going into India, | 0:04:33 | 0:04:35 | |
and I'm working there as the creative director, and people | 0:04:35 | 0:04:39 | |
really need good products to make their everyday life much better. | 0:04:39 | 0:04:44 | |
So I think the potential is enormous. | 0:04:46 | 0:04:50 | |
I don't think that we understand what we're getting into, | 0:04:50 | 0:04:53 | |
it feels sometimes. | 0:04:53 | 0:04:54 | |
The first of the 25 stores is being built in Hyderabad. | 0:05:09 | 0:05:13 | |
But launching in a new territory is not just about building blue boxes. | 0:05:13 | 0:05:17 | |
When you first sort of come there, you think, "Oh, my God. | 0:05:20 | 0:05:23 | |
"We're going to have a car accident within ten minutes." | 0:05:23 | 0:05:27 | |
Mia has been living in India for three years, | 0:05:28 | 0:05:31 | |
working with a team to conduct extensive research to fully | 0:05:31 | 0:05:34 | |
understand the Indian market before they open. | 0:05:34 | 0:05:37 | |
So, today we're going to go to KR Market. | 0:05:39 | 0:05:43 | |
Digging down a little bit deeper in people's lives | 0:05:43 | 0:05:45 | |
and getting a little bit closer to them. | 0:05:45 | 0:05:47 | |
Looking at what people are buying | 0:05:50 | 0:05:52 | |
and seeing how much more critical they are. | 0:05:52 | 0:05:55 | |
Critical in that they want the best, they want to have the best price. | 0:05:55 | 0:05:59 | |
They're very price-conscious in India. | 0:05:59 | 0:06:01 | |
Two bunches, OK? How much? | 0:06:06 | 0:06:09 | |
-160. -For two bunches? | 0:06:09 | 0:06:11 | |
150. | 0:06:11 | 0:06:13 | |
OK? Bargain. | 0:06:13 | 0:06:15 | |
The red, the pink and orange is really, really big here in India. | 0:06:18 | 0:06:22 | |
Just look at that man there. Look at the colour he's wearing. | 0:06:23 | 0:06:26 | |
It's absolutely fabulous. | 0:06:26 | 0:06:28 | |
Just getting red plastic, you know, stacked... | 0:06:29 | 0:06:32 | |
Stacked like that. | 0:06:34 | 0:06:35 | |
Well, maybe trying to influence Ikea to pick more colours. | 0:06:38 | 0:06:41 | |
We've been a little bit sort of white and beige | 0:06:41 | 0:06:44 | |
and grey lately, and it's, you know, been a trend. | 0:06:44 | 0:06:47 | |
This is so lovely. | 0:06:47 | 0:06:49 | |
The world needs colour. | 0:06:49 | 0:06:50 | |
Ah, thank you so much. | 0:06:54 | 0:06:56 | |
Ikea. Ikea bag on the market. | 0:06:58 | 0:07:00 | |
I think this is great inspiration. | 0:07:08 | 0:07:11 | |
I take from this that simplicity rules, you know. | 0:07:11 | 0:07:16 | |
When you have less means and work with less material, | 0:07:16 | 0:07:21 | |
it becomes just beautiful. | 0:07:21 | 0:07:22 | |
Hey. How are you? | 0:07:29 | 0:07:31 | |
It's a beautiful sofa set you have there. | 0:07:31 | 0:07:33 | |
What's the covers made from? | 0:07:33 | 0:07:35 | |
Coconut. | 0:07:35 | 0:07:36 | |
Yeah? | 0:07:40 | 0:07:42 | |
Across town, Mia's colleague Chris Cartledge is investigating | 0:07:42 | 0:07:45 | |
the type of furniture locals spend their money on. | 0:07:45 | 0:07:49 | |
It feels that the really dark wood is the most popular, yeah? | 0:07:49 | 0:07:53 | |
And everything feels really ornate. | 0:07:54 | 0:07:56 | |
Let's have a look at some of these wardrobes. | 0:07:56 | 0:07:59 | |
I know in India, solid, heavy furniture is really popular. | 0:07:59 | 0:08:02 | |
Solid wood in India is famous, is popular, is the teak wood. | 0:08:02 | 0:08:07 | |
-The teak? And that's another solid wood. -Like this. | 0:08:07 | 0:08:09 | |
Solid wood and natural grains. | 0:08:09 | 0:08:12 | |
And it tends to be the really ornate finish, so it's very traditional. | 0:08:12 | 0:08:17 | |
-Yeah. -How do you think the customer would feel about European furniture? | 0:08:17 | 0:08:21 | |
If, for example, this wardrobe came in white or a crazy | 0:08:21 | 0:08:27 | |
colour like red, how would the customer feel? | 0:08:27 | 0:08:30 | |
-So coordination's really important. -Yeah. | 0:08:34 | 0:08:37 | |
So it would be a crazy customer that would come in here | 0:08:38 | 0:08:41 | |
and say, "Give me a red wardrobe." | 0:08:41 | 0:08:43 | |
The concept of bright, Scandinavian-style furniture | 0:08:47 | 0:08:52 | |
is going to be so, so new to the Indian people. | 0:08:52 | 0:08:55 | |
If we look at our prices in Sweden and in Europe in general, yes. | 0:09:00 | 0:09:05 | |
They are higher than the average here in India, | 0:09:05 | 0:09:09 | |
but then we can use supply in India and use the materials, | 0:09:09 | 0:09:14 | |
use our supply chain to make sure that we can be competitive. | 0:09:14 | 0:09:18 | |
The tricky part is to know | 0:09:21 | 0:09:23 | |
whether we're going to be right on the price levels. | 0:09:23 | 0:09:25 | |
You can't go around and watch the pricetags. | 0:09:25 | 0:09:29 | |
It's all negotiable and so it's super hard. | 0:09:29 | 0:09:31 | |
What happens when price is not right, people won't buy. | 0:09:34 | 0:09:37 | |
Yeah, it could be a challenge, | 0:09:42 | 0:09:43 | |
but it's just to be aware about it when we're entering a market | 0:09:43 | 0:09:47 | |
and have respect for the way people shop and the way people behave | 0:09:47 | 0:09:52 | |
so that we don't come in here and think that we know everything | 0:09:52 | 0:09:55 | |
and that whatever we do is the best. | 0:09:55 | 0:09:57 | |
Has Ikea done that before? | 0:09:57 | 0:09:59 | |
Oh, yeah. | 0:09:59 | 0:10:00 | |
I mean, we have done that in a few markets before, both to Russia | 0:10:00 | 0:10:04 | |
and China, where behaviours are different. | 0:10:04 | 0:10:07 | |
And we had to rethink. | 0:10:08 | 0:10:10 | |
So over here we really need to do it right from the beginning. | 0:10:10 | 0:10:13 | |
Yeah, we have learned our lessons. | 0:10:13 | 0:10:15 | |
Absolutely. | 0:10:15 | 0:10:16 | |
While Mia and her team are learning all about the Indian market, | 0:10:20 | 0:10:23 | |
back in Almhult, | 0:10:23 | 0:10:25 | |
the Indian journalists are learning all about the Ikea experience. | 0:10:25 | 0:10:28 | |
No, but what section is this, then? | 0:10:30 | 0:10:33 | |
This is just like a setup. | 0:10:33 | 0:10:34 | |
So you'll have to go downstairs and then go and get it. | 0:10:34 | 0:10:37 | |
Wait, OK. I can follow the arrows on the floor. | 0:10:38 | 0:10:41 | |
For many of them, it's their first time in a blue box. | 0:10:41 | 0:10:45 | |
Hopefully will guide me to the exit. | 0:10:45 | 0:10:47 | |
No, but then this is a setup section, but they are... | 0:10:48 | 0:10:51 | |
No, you can't buy it from here. | 0:10:51 | 0:10:52 | |
You'll have to go to the light section. | 0:10:52 | 0:10:54 | |
Where is the light section? | 0:10:54 | 0:10:56 | |
There is no light section. There is no light section. | 0:10:56 | 0:10:59 | |
I think lights are downstairs. | 0:10:59 | 0:11:01 | |
Uh... | 0:11:02 | 0:11:04 | |
I'm finding it really nice. | 0:11:05 | 0:11:08 | |
My mother is also now calling because she's like, "Buy this, | 0:11:08 | 0:11:11 | |
"buy this, and buy that." | 0:11:11 | 0:11:13 | |
So, yeah, I'm making a call to my mother. | 0:11:13 | 0:11:15 | |
This is absolutely an impulse buy. Why? | 0:11:15 | 0:11:18 | |
My house is filled with cushions. Why would one need more? | 0:11:18 | 0:11:22 | |
This is an impulse buy. | 0:11:22 | 0:11:24 | |
I normally don't do impulse buying, but in a place like this, | 0:11:24 | 0:11:27 | |
one is forced to. | 0:11:27 | 0:11:29 | |
Lots of little knickknacks for my nephew. | 0:11:29 | 0:11:32 | |
And then I've got a floor lamp, | 0:11:32 | 0:11:33 | |
which we still don't have at a very good price point in India. | 0:11:33 | 0:11:37 | |
Oh, I love it. I love the experience. | 0:11:38 | 0:11:41 | |
I love just drowning myself in shopping, | 0:11:41 | 0:11:43 | |
and I'm going round in circles. | 0:11:43 | 0:11:45 | |
And this is not helping. | 0:11:45 | 0:11:47 | |
Yeah, first time. | 0:11:48 | 0:11:50 | |
First time. | 0:11:50 | 0:11:51 | |
Fantastic variety. | 0:11:53 | 0:11:55 | |
And some colour palettes that I've never seen anywhere else. | 0:11:55 | 0:11:58 | |
Like... | 0:12:00 | 0:12:01 | |
..this, for instance. | 0:12:05 | 0:12:07 | |
Yeah? It will look really nice on my balcony. | 0:12:07 | 0:12:09 | |
We are missing one of our colleagues because she got | 0:12:14 | 0:12:17 | |
so busy with shopping | 0:12:17 | 0:12:19 | |
that she didn't realise that it's time for bus to go. | 0:12:19 | 0:12:22 | |
I got lost. I was just roaming around in circles for half an hour. | 0:12:24 | 0:12:27 | |
APPLAUSE | 0:12:29 | 0:12:31 | |
It could be that this thing that I sit here | 0:12:59 | 0:13:01 | |
and do now goes around the globe | 0:13:01 | 0:13:04 | |
and hits millions and millions of homes. | 0:13:04 | 0:13:08 | |
To design for Ikea, it's tough in a way | 0:13:08 | 0:13:11 | |
because we have to design for all the people all around the world. | 0:13:11 | 0:13:17 | |
With the things I do here and the things my colleagues do, and | 0:13:17 | 0:13:21 | |
I think that's the tough bit, to hit the market, what the people want. | 0:13:21 | 0:13:27 | |
Andreas Fredriksson is one of 12 in-house designers charged | 0:13:27 | 0:13:31 | |
with creating 2,000 new products every year. | 0:13:31 | 0:13:34 | |
This tray is a tray that is extremely flat pack, as you can see. | 0:13:37 | 0:13:41 | |
You know Ikea is all about that. | 0:13:41 | 0:13:43 | |
This one was in a collection that in the end of the day if you transport | 0:13:43 | 0:13:48 | |
a lot of this it's basically like transporting a solid piece of steel. | 0:13:48 | 0:13:52 | |
So it's a weight problem instead. | 0:13:52 | 0:13:54 | |
And so this one is a walking board I made for children's Ikea. | 0:13:55 | 0:14:02 | |
It kind of works like this, and you walk... | 0:14:02 | 0:14:04 | |
It's a kind of walking board kind of trick board | 0:14:07 | 0:14:09 | |
when you learn tricks for skateboard. | 0:14:09 | 0:14:12 | |
I used to make this when I was a kid because my mum didn't buy me | 0:14:12 | 0:14:15 | |
a skateboard. It was too dangerous. | 0:14:15 | 0:14:17 | |
Then I made this kind of stuff instead. | 0:14:17 | 0:14:20 | |
We do a lot of things here | 0:14:20 | 0:14:22 | |
and all the things doesn't go through to the store. | 0:14:22 | 0:14:26 | |
I had a few failures, absolutely. | 0:14:26 | 0:14:28 | |
And it's kind of when you like it | 0:14:28 | 0:14:31 | |
but for some reason it doesn't work out in the plan, then of | 0:14:31 | 0:14:34 | |
course it's a little bit like it's a pity because you like the product. | 0:14:34 | 0:14:38 | |
Andreas has developed a radical flat-pack sofa that uses | 0:14:42 | 0:14:46 | |
water-resistant material so it can be used both indoors and outdoors. | 0:14:46 | 0:14:50 | |
This is the weave. This is the piece of fabric... | 0:14:51 | 0:14:53 | |
..that I would like to replace all the springs and pocket springs | 0:14:56 | 0:15:00 | |
and everything that you have in a normal sofa. | 0:15:00 | 0:15:03 | |
So I'm just using a piece of fabric here. | 0:15:03 | 0:15:05 | |
Like that, so it just hangs. | 0:15:09 | 0:15:11 | |
And this one, you know, it just holds it, the fabric, really tense | 0:15:23 | 0:15:28 | |
with the whole width. | 0:15:28 | 0:15:30 | |
Even if I push right now, I can see that would work. | 0:15:31 | 0:15:34 | |
Yeah, I mean... | 0:15:36 | 0:15:37 | |
This is kind of a new way to make these kind of sofas, | 0:15:38 | 0:15:45 | |
so I never know. | 0:15:45 | 0:15:47 | |
We don't know how the Ikea customer will see this, you know. | 0:15:49 | 0:15:53 | |
Maybe they just think, "OK, that's a bit strange. | 0:15:53 | 0:15:56 | |
"Why do we have all these straps here?" I don't know. | 0:15:56 | 0:15:59 | |
But hopefully they find it really exciting. That's my hope. | 0:15:59 | 0:16:03 | |
If you think sofa, you don't think this. | 0:16:03 | 0:16:06 | |
So I really would like this to work. | 0:16:06 | 0:16:08 | |
That would be... That would be really nice, if it works. | 0:16:08 | 0:16:11 | |
How does Ikea judge success? | 0:16:11 | 0:16:13 | |
A very strong one is how much it sells. | 0:16:13 | 0:16:15 | |
Every part of Andreas' design needs to be agreed before it makes | 0:16:18 | 0:16:22 | |
it to the store. | 0:16:22 | 0:16:23 | |
Today, he's discussing his idea with the development team. | 0:16:24 | 0:16:28 | |
It's very nice that we actually managed to make a sofa knocked | 0:16:28 | 0:16:32 | |
down and to make it flat pack, which is very much the Ikea concept. | 0:16:32 | 0:16:36 | |
If we take this two-seater here, it would be possible for the | 0:16:37 | 0:16:41 | |
customer to carry a two-seater sofa like a handbag out of the store. | 0:16:41 | 0:16:46 | |
What do you think, Jerry, about the comfort? | 0:16:48 | 0:16:50 | |
This is a lot softer. I think that is more supportive. | 0:16:50 | 0:16:53 | |
And I like that quite a lot. | 0:16:53 | 0:16:55 | |
Jerry Svensson works as a middleman between the designers | 0:16:55 | 0:16:59 | |
and the business team. | 0:16:59 | 0:17:00 | |
So what's this? | 0:17:02 | 0:17:03 | |
This is the armrest that we... | 0:17:05 | 0:17:09 | |
You know, the drawings, when I presented the sofa, it's with this | 0:17:12 | 0:17:17 | |
-armrest. -Is the comfort that you add by adding that extra cushion | 0:17:17 | 0:17:23 | |
-worth it? -I kind of like it. I think it's more a complete product | 0:17:23 | 0:17:28 | |
when it's added, if I'm honest. | 0:17:28 | 0:17:33 | |
If we include it in the product, | 0:17:33 | 0:17:35 | |
if that means that we need to raise the price, | 0:17:35 | 0:17:37 | |
do we want to do that, | 0:17:37 | 0:17:39 | |
or should we then have the product more affordable? | 0:17:39 | 0:17:42 | |
So that needs to be decided as well. | 0:17:42 | 0:17:44 | |
Andreas will refine the design with Jerry and his colleagues | 0:17:47 | 0:17:50 | |
before it's pitched to the business team for final approval. | 0:17:50 | 0:17:53 | |
To have this, you know, you just put it like this, | 0:17:53 | 0:17:57 | |
you have it like a lumbar support, you know. | 0:17:57 | 0:18:02 | |
I really think it's something important to it. | 0:18:02 | 0:18:06 | |
So, yeah, definitely. I'm fighting for this. | 0:18:06 | 0:18:09 | |
Almhult is known as Ikea Town. | 0:18:12 | 0:18:14 | |
It's home to 2,500 employees, including Andreas | 0:18:14 | 0:18:19 | |
and his wife Jennifer - | 0:18:19 | 0:18:20 | |
a freelance designer for the firm. | 0:18:20 | 0:18:22 | |
Hello. | 0:18:23 | 0:18:25 | |
-Right on time. How are you? -I'm OK. | 0:18:28 | 0:18:31 | |
What's kind of unique about with Ikea is that for the in-house | 0:18:33 | 0:18:36 | |
designers, they're kind of their own bosses, really. | 0:18:36 | 0:18:38 | |
They just get on with it. | 0:18:38 | 0:18:40 | |
And it seems very nice in that way, but then you have to have... | 0:18:40 | 0:18:44 | |
You must deliver the goods. | 0:18:44 | 0:18:45 | |
Ooh! | 0:18:49 | 0:18:50 | |
Yeah, I have a project now that they said to me that, you know, | 0:18:50 | 0:18:54 | |
they want to see more of this and that, and I actually got | 0:18:54 | 0:18:57 | |
an e-mail today - "Oh, how is it going?" And I was like, "OK..." | 0:18:57 | 0:19:01 | |
"It's going great!" | 0:19:01 | 0:19:03 | |
But, of course, these days are really tough. | 0:19:04 | 0:19:07 | |
I'm coming home and I'm really exhausted. | 0:19:07 | 0:19:09 | |
Because that's a big thing about Ikea is that it can be tough. | 0:19:09 | 0:19:13 | |
I guess if it gets cancelled because it's a bad idea, then, OK, | 0:19:13 | 0:19:17 | |
it's a bad idea. | 0:19:17 | 0:19:19 | |
Just have to do better the next time. | 0:19:19 | 0:19:21 | |
I think you'd know. | 0:19:24 | 0:19:26 | |
-Yeah. -You would know. | 0:19:26 | 0:19:28 | |
I mean, OK, sometimes it happens, you know? OK, it doesn't work. | 0:19:28 | 0:19:33 | |
I mean, at the end of the day you are quite small in the company, | 0:19:33 | 0:19:36 | |
but the idea, | 0:19:36 | 0:19:37 | |
if you look at the idea and what we do, | 0:19:37 | 0:19:39 | |
it's a really big task that we have. | 0:19:39 | 0:19:41 | |
Just about to enter the area that we're going to completely | 0:19:58 | 0:20:01 | |
revolutionise. | 0:20:01 | 0:20:02 | |
Darren Lancaster is overseeing a radical new marketing idea, | 0:20:02 | 0:20:06 | |
masterminded by a team in Almhult. | 0:20:06 | 0:20:08 | |
The in-store revolution is being trialled in a handful | 0:20:10 | 0:20:12 | |
of stores around the world, including Wembley. | 0:20:12 | 0:20:14 | |
One of the major changes you've got is we will not have this walkway. | 0:20:16 | 0:20:21 | |
And that's revolutionary, | 0:20:21 | 0:20:23 | |
cos we've had that walkway ever since we built stores. | 0:20:23 | 0:20:26 | |
But we're really, really challenging ourselves to say, | 0:20:26 | 0:20:28 | |
"What would it be if we took away this grey walkway that | 0:20:28 | 0:20:32 | |
"we have in all the stores, and have it free-flow?" | 0:20:32 | 0:20:35 | |
So these room sets will go. | 0:20:36 | 0:20:37 | |
We will not have the room sets along the natural walkway. | 0:20:37 | 0:20:40 | |
It will become a neighbourhood. | 0:20:40 | 0:20:42 | |
We will have three or four room sets | 0:20:42 | 0:20:44 | |
gathered together in a small little neighbourhood, and that, then, | 0:20:44 | 0:20:49 | |
is literally how the customers will connect to their life at home. | 0:20:49 | 0:20:53 | |
"I have a neighbour, I can see that front door. Ah! Now I get it. | 0:20:53 | 0:20:56 | |
"They really understand how I live." | 0:20:56 | 0:20:58 | |
You bet your life on it. I cannot wait! | 0:21:00 | 0:21:03 | |
It's something that's been in fruition for the past | 0:21:03 | 0:21:05 | |
five, six months. We've been planning. It's transformational. | 0:21:05 | 0:21:08 | |
Yep. I can make a difference. That's the big thing for me. | 0:21:11 | 0:21:14 | |
I don't need a badge that says I'm a manager. | 0:21:14 | 0:21:17 | |
We're all equal in Ikea. I just love it. | 0:21:17 | 0:21:20 | |
The new store layout will be inspired by | 0:21:24 | 0:21:27 | |
how people in the local area live. | 0:21:27 | 0:21:29 | |
So we're off on a home visit to go and find out some visual | 0:21:31 | 0:21:34 | |
insights into how our customers are really living in reality. | 0:21:34 | 0:21:38 | |
So when we're there, | 0:21:38 | 0:21:39 | |
we don't provide a solution or anything like that, | 0:21:39 | 0:21:41 | |
but we just take what the customer's saying, how they're living, | 0:21:41 | 0:21:45 | |
see what they've got going on in their homes, | 0:21:45 | 0:21:48 | |
and see if there's anything we can do in the store to improve it. | 0:21:48 | 0:21:52 | |
Rickylee Thompson is visiting a single mum and her son, | 0:21:52 | 0:21:55 | |
who live in a rented one-bedroom flat. | 0:21:55 | 0:21:57 | |
BUZZER RINGS | 0:22:00 | 0:22:01 | |
Hi, it's Ikea. | 0:22:01 | 0:22:03 | |
-Hi! -Hello. | 0:22:03 | 0:22:05 | |
Ah, hello, hi! I'm Rickylee. | 0:22:08 | 0:22:11 | |
-Would you like us to take our shoes off? -Er, no, no, feel free. | 0:22:11 | 0:22:14 | |
Oh, cool, thank you. So the main use of this space...? | 0:22:14 | 0:22:18 | |
Dropping bags off when we come in, and just keeping shoes. | 0:22:18 | 0:22:23 | |
Ikea have been doing home visits since they first came to the UK | 0:22:23 | 0:22:26 | |
in 1987, and ask everyone the same questions. | 0:22:26 | 0:22:30 | |
And where do you eat meals - breakfast, lunch, snacks? | 0:22:30 | 0:22:33 | |
Er, just here in the living room. | 0:22:33 | 0:22:35 | |
My son sits here, and then I... just kind of around there. | 0:22:35 | 0:22:39 | |
Do you invite friends and family over for meals? | 0:22:39 | 0:22:41 | |
If so, how many can comfortably sit down and eat at once? | 0:22:41 | 0:22:44 | |
No, I don't. There's not many that can fit in here. | 0:22:44 | 0:22:47 | |
The main challenges that we've kind of found from most of our | 0:22:50 | 0:22:53 | |
home visits is space, kind of to store goods, | 0:22:53 | 0:22:57 | |
and the rental market - | 0:22:57 | 0:23:00 | |
not being able to put anything on the walls really frustrates | 0:23:00 | 0:23:03 | |
our customers, cos they've got to take up their floor space. | 0:23:03 | 0:23:06 | |
But it's now down to us with these home visits to make sure | 0:23:06 | 0:23:09 | |
we provide really, really cool solutions | 0:23:09 | 0:23:13 | |
that customers will look at and go, "Oh, that's the solution I need." | 0:23:13 | 0:23:16 | |
Ikea conduct home visits all around the world. | 0:23:26 | 0:23:29 | |
Hello! | 0:23:29 | 0:23:30 | |
Hi, how are you? | 0:23:31 | 0:23:33 | |
So far, Mia and her team have done more than 800 across India. | 0:23:35 | 0:23:39 | |
Home visits is really not only about the visit itself, | 0:23:41 | 0:23:45 | |
but it is to share the insights and the findings that we do, | 0:23:45 | 0:23:49 | |
that is so important. | 0:23:49 | 0:23:50 | |
But it is when you have the dialogue with people when you really find out | 0:23:50 | 0:23:54 | |
what they aspire for, what they dream of. | 0:23:54 | 0:23:56 | |
Namaste. Hello. | 0:23:59 | 0:24:01 | |
Looks so nice. | 0:24:01 | 0:24:03 | |
So many nice colours here on the walls. | 0:24:03 | 0:24:05 | |
How do you use the living room? | 0:24:05 | 0:24:07 | |
When you sit here, do you sit here and talk? | 0:24:07 | 0:24:11 | |
-Yes. -Do you sit here and look at TV? | 0:24:11 | 0:24:13 | |
TV, yes. And we have dinner also here, sitting on the floor. | 0:24:13 | 0:24:16 | |
OK, you sit on the floor to have dinner? | 0:24:16 | 0:24:19 | |
Yeah, family together, and have a dinner here. | 0:24:19 | 0:24:21 | |
Very nice. | 0:24:21 | 0:24:23 | |
If you would like to do something a little bit different | 0:24:23 | 0:24:25 | |
in the living room, what would it be? | 0:24:25 | 0:24:27 | |
Oh, yeah, this is super nice. | 0:24:36 | 0:24:38 | |
Yeah, all the stainless steel and the shelf, hooks and... | 0:24:38 | 0:24:43 | |
Very organised. | 0:24:43 | 0:24:44 | |
-This is more accessibility, wouldn't you say? -Yeah. | 0:24:44 | 0:24:47 | |
-And here sleeps you and your wife? -My wife, yes. -Yes. | 0:24:50 | 0:24:55 | |
And the kids? | 0:24:55 | 0:24:56 | |
-Oh, they do? -Yes. They won't come. | 0:25:00 | 0:25:02 | |
OK, so they go and sleep with their grandparents. | 0:25:03 | 0:25:05 | |
That's nice. And here's the famous... | 0:25:05 | 0:25:09 | |
..Godrej cabinet. | 0:25:09 | 0:25:12 | |
I would say that nine out of ten Indian homes have a Godrej cabinet. | 0:25:12 | 0:25:17 | |
And Godrej is actually the brand, but it is a metal | 0:25:17 | 0:25:20 | |
lockable high cabinet that takes up a lot of space. | 0:25:20 | 0:25:25 | |
So in here, the space for kids. | 0:25:25 | 0:25:27 | |
I think it would be interesting to hear everyone in the family | 0:25:30 | 0:25:34 | |
saying something about, if I had 5,000 rupees to give you, | 0:25:34 | 0:25:38 | |
what they would dream to do about this money. | 0:25:38 | 0:25:42 | |
Could you ask everyone? | 0:25:42 | 0:25:44 | |
THEY SPEAK OWN LANGUAGE | 0:25:44 | 0:25:46 | |
-For home? -Yeah, firstly, she would spend for home. | 0:25:50 | 0:25:52 | |
What would your father like to improve if he had the chance? | 0:25:52 | 0:25:55 | |
HE SPEAKS OWN LANGUAGE | 0:25:55 | 0:25:58 | |
It was really lovely, really lovely meeting you. | 0:26:05 | 0:26:08 | |
And this beautiful home - very, very nice. | 0:26:08 | 0:26:10 | |
I just become emotional when I see how simple, | 0:26:18 | 0:26:23 | |
and how little people actually have. | 0:26:23 | 0:26:25 | |
And getting emotional also over all the unnecessary things that | 0:26:25 | 0:26:30 | |
we are surrounding ourselves with, | 0:26:30 | 0:26:32 | |
and of course, become a little bit philosophical about life in general. | 0:26:32 | 0:26:36 | |
You're not more than a human being, you know. | 0:26:36 | 0:26:39 | |
As someone said here in the home visit, | 0:26:39 | 0:26:41 | |
"No, I have everything I need. | 0:26:41 | 0:26:43 | |
"If I have a little bit of money over, I give it to my family | 0:26:43 | 0:26:46 | |
"and to my grandchildren." | 0:26:46 | 0:26:48 | |
When you start to interact with people, not just stuff... | 0:26:49 | 0:26:54 | |
..then things become much more emotional, | 0:26:56 | 0:26:58 | |
and much more interesting, actually. | 0:26:58 | 0:27:00 | |
I don't think that you ever get used to India. | 0:27:18 | 0:27:21 | |
There are so many things to learn. | 0:27:21 | 0:27:23 | |
No, but true. | 0:27:23 | 0:27:25 | |
And I am here for a reason, I wanted to challenge myself, | 0:27:25 | 0:27:28 | |
and I wanted to try to explore something else, | 0:27:28 | 0:27:31 | |
and also to contribute with Ikea knowledge to India. | 0:27:31 | 0:27:36 | |
And I love every minute. | 0:27:36 | 0:27:38 | |
But of course, there is days when I think, "What am I doing here?" | 0:27:38 | 0:27:42 | |
You know, it's... | 0:27:42 | 0:27:44 | |
It's tough sometimes. | 0:27:44 | 0:27:46 | |
I'm not married, I'm single. | 0:27:46 | 0:27:48 | |
Clara, my daughter, is grown-up. | 0:27:48 | 0:27:50 | |
She is studying at university in Sweden, and sometimes there is | 0:27:50 | 0:27:54 | |
some tears and longing for friends and family at home. | 0:27:54 | 0:27:58 | |
So this is Clara's room. | 0:28:02 | 0:28:04 | |
It's important to have a room for her when she gets here. | 0:28:04 | 0:28:07 | |
And also that... | 0:28:09 | 0:28:11 | |
I'm getting a little bit... | 0:28:18 | 0:28:21 | |
Whoops! I'm getting... | 0:28:21 | 0:28:23 | |
Sorry to be emotional. | 0:28:23 | 0:28:24 | |
OK, why did I get that? | 0:28:26 | 0:28:29 | |
I miss her, yeah. | 0:28:32 | 0:28:33 | |
I miss her. | 0:28:34 | 0:28:35 | |
This is that fabric that you developed, right? | 0:28:53 | 0:28:57 | |
-This is how it started. -Yeah. | 0:28:57 | 0:28:59 | |
Andreas is showing his design to friend and colleague | 0:29:01 | 0:29:04 | |
Mikael Mikolich. | 0:29:04 | 0:29:05 | |
-You know, I really like it. -Yeah? | 0:29:07 | 0:29:09 | |
This is the best thing you have done, Andreas! | 0:29:09 | 0:29:11 | |
Is it the kind of...? | 0:29:13 | 0:29:14 | |
-What are you saying? -This is the best design. | 0:29:14 | 0:29:17 | |
-The peak of my career? -Yeah! | 0:29:17 | 0:29:19 | |
Maybe we should have the pillow here. We have that on the... | 0:29:19 | 0:29:22 | |
-The side cushion? -Yeah, it gives us some support. | 0:29:22 | 0:29:24 | |
I'm fighting for that. | 0:29:24 | 0:29:26 | |
-Yeah? It will come? -Yeah. | 0:29:26 | 0:29:28 | |
I personally think we should have one a little bit half high, | 0:29:28 | 0:29:31 | |
so we can get the armrest down. You get a better armrest, too. | 0:29:31 | 0:29:34 | |
Yeah. | 0:29:34 | 0:29:36 | |
It becomes so much nicer when it's here, you know? | 0:29:36 | 0:29:38 | |
Determined to keep the side cushion, | 0:29:48 | 0:29:51 | |
he's come up with a low-cost solution that uses the waste | 0:29:51 | 0:29:54 | |
from the material already used in the design. | 0:29:54 | 0:29:56 | |
It's a good argument, that it's not an added cost, so we... | 0:29:58 | 0:30:03 | |
I'm trying to find arguments, | 0:30:03 | 0:30:05 | |
not just to say, "I want that side cushion," you know. | 0:30:05 | 0:30:08 | |
Basically, this is two pieces from the left over | 0:30:19 | 0:30:23 | |
when the supplier cuts the big cushions. | 0:30:23 | 0:30:27 | |
Now it will look like something like this. | 0:30:27 | 0:30:31 | |
It's not bad at all, this is really good. | 0:30:31 | 0:30:33 | |
I think now they don't have a choice! | 0:30:33 | 0:30:35 | |
I'm going to sew this up and show them that this will work for sure! | 0:30:37 | 0:30:41 | |
This is the future of Hyderabad and the first Ikea store in India. | 0:30:53 | 0:30:56 | |
So this is really exciting. | 0:30:56 | 0:30:59 | |
There it is, there's the beauty. | 0:30:59 | 0:31:01 | |
And the first bit of blue cladding, so everybody should recognise that. | 0:31:02 | 0:31:05 | |
It's phenomenal. | 0:31:05 | 0:31:06 | |
It's just up here, this is great, thank you. | 0:31:06 | 0:31:08 | |
So let's get out and have a look, shall we? | 0:31:08 | 0:31:10 | |
John Achillea will have the honour of being the manager | 0:31:12 | 0:31:15 | |
of the first store to open in India. | 0:31:15 | 0:31:17 | |
This is where we'll meet, hopefully, our first eight million customers. | 0:31:19 | 0:31:22 | |
-And when will the store be ready? -That's a very good question. | 0:31:22 | 0:31:25 | |
We are hoping spring 2018, and that is the date we have got, | 0:31:25 | 0:31:29 | |
and I'm driving towards that. | 0:31:29 | 0:31:31 | |
So maybe it's ambitious. My heart says we have to do it, | 0:31:31 | 0:31:34 | |
and my brain says, you know, it's going to be a lot of work to do. | 0:31:34 | 0:31:38 | |
But the first store is always going to be really tough, | 0:31:38 | 0:31:40 | |
because you haven't had the opportunity to send your co-workers | 0:31:40 | 0:31:43 | |
to a store to really see it. | 0:31:43 | 0:31:45 | |
But that's the reality of what we've got to face, | 0:31:45 | 0:31:47 | |
and my job is to get people ready to do the best we can. | 0:31:47 | 0:31:50 | |
Although there's no fixed date for the store opening, | 0:31:56 | 0:31:59 | |
Ikea are pushing ahead with a large recruitment drive. | 0:31:59 | 0:32:03 | |
Are you late again? Put your name on there. | 0:32:03 | 0:32:06 | |
Everyone should have a name badge. | 0:32:06 | 0:32:07 | |
Good morning, sir. How are you? | 0:32:07 | 0:32:09 | |
Get a name badge and put your name badge on, and then come on through. | 0:32:09 | 0:32:13 | |
John has recently hired 42 new managers | 0:32:13 | 0:32:16 | |
who are about to begin a two-day training course. | 0:32:16 | 0:32:19 | |
When people say, "What is your leadership style?", it goes back to | 0:32:19 | 0:32:22 | |
what my mother taught me - just do the right thing. | 0:32:22 | 0:32:25 | |
I will always say I trust every single one of you, | 0:32:25 | 0:32:27 | |
but there's an expectation that goes with that. | 0:32:27 | 0:32:30 | |
It means a lot to me that we behave correctly, | 0:32:30 | 0:32:33 | |
and that we treat our people really, really well. | 0:32:33 | 0:32:36 | |
And that is me in a nutshell. OK? | 0:32:36 | 0:32:38 | |
APPLAUSE | 0:32:38 | 0:32:41 | |
When we talk about recruitment, | 0:32:44 | 0:32:45 | |
we recruit to our values and our culture. | 0:32:45 | 0:32:47 | |
But everybody should have the basic values that Ikea has. | 0:32:47 | 0:32:50 | |
OK, do we think we have a full team? | 0:32:51 | 0:32:53 | |
I don't know. | 0:32:53 | 0:32:55 | |
John has flown in Garry Deakin, who has opened and managed many stores. | 0:32:55 | 0:32:59 | |
He's here with his team to teach the recruits the Ikea way. | 0:32:59 | 0:33:03 | |
The next two and a half days are all about, | 0:33:03 | 0:33:06 | |
"What is this word, culture, and this word, values?" | 0:33:06 | 0:33:09 | |
We are going to dig into those two works. | 0:33:09 | 0:33:12 | |
Garry, because I trust Garry. Garry and I have a history together. | 0:33:13 | 0:33:16 | |
He was my store manager many years ago, | 0:33:16 | 0:33:17 | |
and we have a great relationship, and he has proven that | 0:33:17 | 0:33:20 | |
this programme's worked in previous stores where he's been. | 0:33:20 | 0:33:23 | |
One of the questions Ingvar was asked is, | 0:33:25 | 0:33:27 | |
"What's the one thing that you worry about the most in Ikea?" | 0:33:27 | 0:33:30 | |
He said, "How will Ikea's culture be kept alive | 0:33:30 | 0:33:34 | |
"as we continue to get bigger and bigger and bigger? | 0:33:34 | 0:33:37 | |
"That's the thing that I lose sleep over the most." | 0:33:37 | 0:33:41 | |
The company culture is made up of eight key values, | 0:33:41 | 0:33:44 | |
set by founder Ingvar Kamprad, | 0:33:44 | 0:33:47 | |
like simplicity, togetherness, and to lead by example. | 0:33:47 | 0:33:51 | |
You are Ikea Hyderabad. | 0:33:51 | 0:33:53 | |
It will be what you make it. | 0:33:53 | 0:33:55 | |
Honestly, I tell you that again - it will be what you make it. | 0:33:55 | 0:33:58 | |
It's much more special because you're the first. | 0:33:58 | 0:34:01 | |
Much more special. | 0:34:01 | 0:34:03 | |
Garry has planned a series of leadership games | 0:34:03 | 0:34:06 | |
that put the values to the test. | 0:34:06 | 0:34:07 | |
OK, the game is, | 0:34:09 | 0:34:10 | |
they give us a sequence of left winks and right winks. | 0:34:10 | 0:34:14 | |
They have given me the sequence, so they might say, | 0:34:14 | 0:34:16 | |
"One left wink, two right wink, and one left wink," to me. | 0:34:16 | 0:34:19 | |
-Is it wink? -Wink. | 0:34:19 | 0:34:22 | |
-OK. -And I will show you the sequence. | 0:34:22 | 0:34:23 | |
Then you pass it on to the next person. | 0:34:23 | 0:34:25 | |
OK, silent game. | 0:34:27 | 0:34:28 | |
Shh, shh, shh. | 0:34:31 | 0:34:33 | |
Silent game. | 0:34:33 | 0:34:35 | |
I think it hits this togetherness, and having one common goal. | 0:34:38 | 0:34:42 | |
Because the common goal of this | 0:34:42 | 0:34:43 | |
is that they will receive an instruction at that end, | 0:34:43 | 0:34:46 | |
they will deliver it to this end, and write down the same answer. | 0:34:46 | 0:34:49 | |
OK, we have two answers. I'll just ask the captains - | 0:35:07 | 0:35:11 | |
what did you send? What was the first signal? | 0:35:11 | 0:35:13 | |
What did you receive? | 0:35:15 | 0:35:17 | |
-One right. -One right?! | 0:35:17 | 0:35:18 | |
John, did you receive...? | 0:35:19 | 0:35:21 | |
One left. | 0:35:21 | 0:35:23 | |
LAUGHTER | 0:35:23 | 0:35:25 | |
Third signal you sent down the line? | 0:35:26 | 0:35:29 | |
-Three rights. -Three right. John? | 0:35:29 | 0:35:32 | |
One right. | 0:35:32 | 0:35:33 | |
One right. | 0:35:35 | 0:35:37 | |
And finally, what did you send? What was the fourth? | 0:35:38 | 0:35:42 | |
Only three sequences. | 0:35:42 | 0:35:43 | |
Oh, there's only three? | 0:35:43 | 0:35:45 | |
He's got four, that's why I asked. | 0:35:45 | 0:35:46 | |
How many did YOU receive? | 0:35:46 | 0:35:48 | |
Five. | 0:35:48 | 0:35:49 | |
LAUGHTER | 0:35:49 | 0:35:50 | |
Team, never in my life has this happened! | 0:35:55 | 0:35:59 | |
You can't send three and receive five! | 0:35:59 | 0:36:01 | |
All right. | 0:36:05 | 0:36:06 | |
We are really happy, we are full of energy, we are very excited. | 0:36:13 | 0:36:17 | |
The culture and the values, we are so different, | 0:36:17 | 0:36:19 | |
but yet we are all connected, with one value and the other value, | 0:36:19 | 0:36:23 | |
and then that makes the culture very rich for us. | 0:36:23 | 0:36:26 | |
So that's where we all come together. | 0:36:26 | 0:36:29 | |
India loves to have fun, and I think that's what we're seeing today. | 0:36:30 | 0:36:34 | |
But I think the one thing that is important for me is that they | 0:36:34 | 0:36:37 | |
understand the importance of the message we are trying to give them. | 0:36:37 | 0:36:41 | |
Because there's also a very fine line between having fun | 0:36:41 | 0:36:43 | |
and learning at the same time. | 0:36:43 | 0:36:46 | |
We have a long, long way to go. | 0:36:46 | 0:36:47 | |
In Wembley, the revolutionary redesign is under way. | 0:36:51 | 0:36:54 | |
So we are ripping out all the old, | 0:36:58 | 0:37:00 | |
sending it all back to the departments, all bargain corner, | 0:37:00 | 0:37:04 | |
and then we are making room for life. | 0:37:04 | 0:37:06 | |
Can we go in and have a look? Come on, let's go. | 0:37:16 | 0:37:18 | |
-Have you seen this yet? -No, this is my first time. | 0:37:18 | 0:37:22 | |
-So I'm really, really curious. -I've been sneaking in! | 0:37:22 | 0:37:25 | |
Country retail manager Gillian Drakeford | 0:37:25 | 0:37:27 | |
is checking up on progress. | 0:37:27 | 0:37:29 | |
Oh, wow, we're starting to put some lights in. | 0:37:30 | 0:37:33 | |
Ah! | 0:37:33 | 0:37:35 | |
Yeah, it starts to take shape now. | 0:37:35 | 0:37:37 | |
But I think this looks quite... | 0:37:37 | 0:37:39 | |
For me, this is very market relevant as well. | 0:37:39 | 0:37:41 | |
Yeah? In terms of the layout. | 0:37:41 | 0:37:43 | |
-Yeah. -Yeah, really with the country feel. | 0:37:43 | 0:37:45 | |
With the country feel, then you've got open living-kitchen-dining, | 0:37:45 | 0:37:49 | |
which is so on trend. | 0:37:49 | 0:37:51 | |
Looks really good, Darren, yeah? | 0:37:51 | 0:37:52 | |
I've been reflecting a lot on the neighbourhoods, | 0:37:54 | 0:37:57 | |
because we're investing so much in them. | 0:37:57 | 0:37:59 | |
We spend a lot of time digging around people's homes. | 0:37:59 | 0:38:02 | |
We do a lot of home visits. | 0:38:02 | 0:38:04 | |
And then it's really getting the living situation and telling a story | 0:38:04 | 0:38:08 | |
of who lives in here, and feel that it's like a real home, yeah? | 0:38:08 | 0:38:13 | |
Each new room is designed for a fictional character. | 0:38:14 | 0:38:17 | |
Most characters are based on aspects of real people | 0:38:17 | 0:38:20 | |
met by Rickylee and the team when they were doing home visits. | 0:38:20 | 0:38:24 | |
The extrovert, Ben. | 0:38:25 | 0:38:27 | |
Living situation, he's living single, tattoo artist, | 0:38:27 | 0:38:30 | |
29 years old, income between £30,000 and £39,000 a year. | 0:38:30 | 0:38:34 | |
This is a typical man cave, loves dark wood, solid colours, | 0:38:34 | 0:38:37 | |
and beloved leather sofa make up his space. | 0:38:37 | 0:38:39 | |
It is really important, but also we make the person up according to | 0:38:42 | 0:38:47 | |
what we have found from home visits and the marketing side. | 0:38:47 | 0:38:50 | |
So in order to help us also build the emotional connection, | 0:38:50 | 0:38:53 | |
we make it Ben's room, then we are able to tell the story more. | 0:38:53 | 0:38:56 | |
So it is quite important for the whole process, really. | 0:38:56 | 0:39:00 | |
-And then... -Some Stephen King. | 0:39:00 | 0:39:02 | |
Stephen King... | 0:39:02 | 0:39:04 | |
Oh, I love it! | 0:39:04 | 0:39:07 | |
Some of the new rooms will have a specific sound and smell. | 0:39:07 | 0:39:11 | |
Scents and sounds will be coming in, and then we finish the rest of | 0:39:11 | 0:39:14 | |
the propping of the back wall, and then we're ready to go. | 0:39:14 | 0:39:17 | |
What do you think the smell would be in this room? | 0:39:17 | 0:39:20 | |
Weed. | 0:39:21 | 0:39:22 | |
While some rooms are more inspirational, | 0:39:26 | 0:39:29 | |
others more directly reflect how people live today. | 0:39:29 | 0:39:32 | |
This is the rental hub. This is how people have to live - | 0:39:34 | 0:39:37 | |
they live in really, really small spaces. | 0:39:37 | 0:39:40 | |
And then it's life. | 0:39:40 | 0:39:42 | |
It's literally, you know, you've got so many things in one room, | 0:39:42 | 0:39:45 | |
and this is how the people live. | 0:39:45 | 0:39:48 | |
It's a kitchen, it's a bedroom, it's a living room, all in one, | 0:39:48 | 0:39:51 | |
in a really, really small space. I love it. | 0:39:51 | 0:39:55 | |
You know, I really want to be champing at the bit to say, | 0:39:55 | 0:39:58 | |
"Come on, yes, it's open!" | 0:39:58 | 0:40:00 | |
And let's open the bottle of Champagne. | 0:40:00 | 0:40:02 | |
Not in opening hours, of course! | 0:40:02 | 0:40:03 | |
There's just a month to go until Andreas' flat-pack sofa is pitched | 0:40:12 | 0:40:17 | |
to the business team for final approval. | 0:40:17 | 0:40:20 | |
And Jerry has some important news. | 0:40:20 | 0:40:22 | |
The decision that we've taken when it comes to the... | 0:40:23 | 0:40:26 | |
..extra, smaller cushion is that that will not be included | 0:40:27 | 0:40:32 | |
in the sofa, and that's part of the strategy that we have decided on. | 0:40:32 | 0:40:35 | |
Jerry and the development team want customers to choose their own | 0:40:37 | 0:40:40 | |
cushions from the existing range. | 0:40:40 | 0:40:42 | |
The idea from the beginning was that there was supposed to be | 0:40:44 | 0:40:47 | |
a cushion included. | 0:40:47 | 0:40:49 | |
But I think that this is a much better way to go, | 0:40:49 | 0:40:52 | |
both from a cost perspective - keeping the price down - | 0:40:52 | 0:40:55 | |
and mainly then, of course, | 0:40:55 | 0:40:58 | |
also giving more options to the customer of how to dress the sofa. | 0:40:58 | 0:41:02 | |
I mean, that's... | 0:41:03 | 0:41:05 | |
It's kind of, I totally understand the thinking behind it. | 0:41:06 | 0:41:10 | |
What did he say? | 0:41:10 | 0:41:12 | |
He said, "Yeah, we in the team, we made a decision," | 0:41:12 | 0:41:15 | |
and then I knew that, OK, we would not have a side cushion. | 0:41:15 | 0:41:18 | |
And I thought, "OK, good, but hang on," you know. | 0:41:18 | 0:41:22 | |
"Hold your horses. Let's see what he comes up with." | 0:41:22 | 0:41:25 | |
What is the key elements of a product? | 0:41:25 | 0:41:28 | |
What are the things that we absolutely cannot compromise with? | 0:41:28 | 0:41:32 | |
And in here, of course, it's the look of the frame, | 0:41:32 | 0:41:36 | |
the volumes of the cushions, the comfort. | 0:41:36 | 0:41:39 | |
And that's still here. | 0:41:39 | 0:41:41 | |
This is a little bit also what I have to fight with | 0:41:41 | 0:41:44 | |
all the time, you know. | 0:41:44 | 0:41:45 | |
I can't just say, "I want it like that," or, | 0:41:45 | 0:41:48 | |
"No, I don't do it like this." | 0:41:48 | 0:41:50 | |
-So that's the cushion issue. -That's the cushion issue. | 0:41:51 | 0:41:54 | |
Very good. | 0:41:54 | 0:41:56 | |
We need to have what we call the business case | 0:41:56 | 0:41:58 | |
approval in a few weeks' time. | 0:41:58 | 0:42:00 | |
And that's where we settle more or less everything around the sofa. | 0:42:02 | 0:42:06 | |
OK, everybody, if you just give me your attention for one minute. | 0:42:17 | 0:42:21 | |
So shuffle together. Get your fingers out. | 0:42:21 | 0:42:24 | |
And then we'll lie the helium stick on top. | 0:42:24 | 0:42:26 | |
So put your fingers together. | 0:42:26 | 0:42:28 | |
Right. | 0:42:28 | 0:42:29 | |
A little bit higher than that, team, a little bit higher. | 0:42:29 | 0:42:32 | |
OK, line your team up. | 0:42:32 | 0:42:34 | |
All we need you to do is lower the stick to the floor, OK? | 0:42:34 | 0:42:37 | |
So just relax. | 0:42:37 | 0:42:39 | |
Relax. Your finger mustn't come off. Three, OK? Go. | 0:42:39 | 0:42:43 | |
Three, two, one. | 0:42:43 | 0:42:46 | |
Lower it to the floor. | 0:42:46 | 0:42:47 | |
Now we're going up. | 0:42:48 | 0:42:50 | |
Lower it to the floor. | 0:42:50 | 0:42:52 | |
ALL TALK AT ONCE | 0:42:52 | 0:42:54 | |
OK. | 0:42:54 | 0:42:55 | |
Talk about it. What went wrong? | 0:42:55 | 0:42:57 | |
-By the time you fall, it's going to fall off. -Yes, exactly. | 0:42:57 | 0:42:59 | |
Because you will lose balance. | 0:42:59 | 0:43:01 | |
There's a little bit of chaos at the moment. | 0:43:01 | 0:43:03 | |
It's the volume of noise and the fact that at the moment | 0:43:03 | 0:43:06 | |
they're working with ten leaders, not one. | 0:43:06 | 0:43:08 | |
Everybody has an opinion, and that often happens in the business, | 0:43:08 | 0:43:11 | |
where every manager wants to talk, and the co-worker says, | 0:43:11 | 0:43:14 | |
"Could one of you just tell me with clarity what I'm doing?" | 0:43:14 | 0:43:18 | |
And that's what they're learning in this already. You can hear them now. | 0:43:18 | 0:43:21 | |
No, it was going down, but... | 0:43:21 | 0:43:23 | |
OK. Team, I'm going to ask for silence. | 0:43:25 | 0:43:28 | |
And I feel like I'm wasting my time. Team... | 0:43:30 | 0:43:33 | |
Could everybody in the room please be quiet? Silence now. No talking. | 0:43:35 | 0:43:38 | |
No talking at all. | 0:43:38 | 0:43:40 | |
Three, two, one, lower it to the floor. | 0:43:40 | 0:43:44 | |
Lower it to the floor. | 0:43:44 | 0:43:45 | |
What are you doing? | 0:43:50 | 0:43:52 | |
THEY ALL TALK AT ONCE | 0:43:54 | 0:43:57 | |
OK, can I come in and help you? | 0:43:57 | 0:43:59 | |
How many of you in the group understand that the | 0:43:59 | 0:44:02 | |
stick is going up because it's filled with helium gas? Yes. | 0:44:02 | 0:44:05 | |
You understand that, don't you? Oh, gosh... | 0:44:05 | 0:44:09 | |
I thought one of you was going to say to me, "Don't be silly, Garry. | 0:44:09 | 0:44:12 | |
"There's no gas in the stick." | 0:44:12 | 0:44:13 | |
You think this is filled with helium, don't you? | 0:44:15 | 0:44:18 | |
There's no helium in that stick, is there? | 0:44:18 | 0:44:20 | |
I would say it was a challenging day. | 0:44:22 | 0:44:25 | |
I thought it was going to be a tough day, but it was tougher than that. | 0:44:25 | 0:44:29 | |
They talk over you. They talk over each other. | 0:44:29 | 0:44:31 | |
We're not here to change their culture. We're not. | 0:44:31 | 0:44:35 | |
The challenge we have is, how does Ikea's culture and their culture | 0:44:35 | 0:44:39 | |
come together so that the co-worker says Ikea is a great place to work? | 0:44:39 | 0:44:44 | |
It's going to be one hell of a hill. | 0:44:44 | 0:44:46 | |
With the opening date for the Hyderabad store yet to be | 0:44:47 | 0:44:50 | |
confirmed, Ikea plan to showcase a small | 0:44:50 | 0:44:53 | |
selection of their products at a pop-up store in a few months' time. | 0:44:53 | 0:44:56 | |
It's a painful, sometimes, experience to get there, | 0:44:58 | 0:45:00 | |
but we'll get there. | 0:45:00 | 0:45:01 | |
We are just doing the finishing touches now... | 0:45:08 | 0:45:11 | |
..for our grand opening. | 0:45:13 | 0:45:15 | |
Yay! It's finally here. | 0:45:15 | 0:45:18 | |
The Wembley store is preparing to unveil its new look to customers. | 0:45:18 | 0:45:23 | |
Woo-hoo! | 0:45:23 | 0:45:25 | |
It really, really is different to the old room sets. My goodness. | 0:45:25 | 0:45:29 | |
I'm a little bit speechless. I'm quite shocked at it. | 0:45:29 | 0:45:32 | |
It's, like, absolutely beautiful. | 0:45:32 | 0:45:34 | |
And really, really we are sure that our customers are going to love it. | 0:45:34 | 0:45:38 | |
The Make Room For Life project was to really think differently. | 0:45:39 | 0:45:42 | |
We followed the principles that were given on a country level, | 0:45:42 | 0:45:46 | |
and then we wanted to make it something better | 0:45:46 | 0:45:48 | |
and something bigger and special in Ikea Wembley, and I really | 0:45:48 | 0:45:52 | |
think when you do a walk around the department you'll see it. | 0:45:52 | 0:45:55 | |
So one final round of applause for the guys, | 0:45:55 | 0:45:57 | |
and then we cut the ribbon. | 0:45:57 | 0:45:59 | |
CHEERING | 0:45:59 | 0:46:02 | |
Where are the people? | 0:46:09 | 0:46:11 | |
They're right out there, I can feel it. | 0:46:11 | 0:46:13 | |
Hi, there. You want some drink? | 0:46:18 | 0:46:20 | |
This is some nice sparkling pear, or you can try some plain orange juice. | 0:46:20 | 0:46:26 | |
It's up to you. | 0:46:26 | 0:46:27 | |
When they see the room, they get more excited than | 0:46:29 | 0:46:32 | |
when they come here. | 0:46:32 | 0:46:33 | |
They're more excited to have the drinks, to be honest. | 0:46:33 | 0:46:36 | |
No. It doesn't at all. | 0:46:38 | 0:46:40 | |
I didn't realise this was a new area. | 0:46:40 | 0:46:42 | |
Yes, you see, they've got elderly couples there | 0:46:44 | 0:46:47 | |
in their photograph, so that's obviously the idea. | 0:46:47 | 0:46:50 | |
This is to appeal to us and our age-group, I would say, yes. | 0:46:50 | 0:46:54 | |
And it does. | 0:46:54 | 0:46:56 | |
If we had to move into a tiny little flat, it's all here, isn't it? | 0:46:56 | 0:47:00 | |
No, no, no. | 0:47:04 | 0:47:07 | |
To help set the scene, some of the staff get into character. | 0:47:07 | 0:47:10 | |
-I'm a tattoo artist. -OK. | 0:47:12 | 0:47:14 | |
-All of my tattoos are hidden, because they're quite personal. -OK. | 0:47:14 | 0:47:18 | |
But, basically, I make art pieces for other people and, like, | 0:47:18 | 0:47:21 | |
anything that's special, you know, if you would like artwork to be | 0:47:21 | 0:47:24 | |
made, and this is like a reflection of my room. | 0:47:24 | 0:47:27 | |
What's your favourite item in this? | 0:47:27 | 0:47:29 | |
Those lamps. | 0:47:29 | 0:47:30 | |
-These lamps? -Yeah. -This is my favourite part of the room. | 0:47:30 | 0:47:32 | |
Do you like how this looks? | 0:47:32 | 0:47:34 | |
No. | 0:47:34 | 0:47:35 | |
I don't like the skeleton. | 0:47:37 | 0:47:38 | |
So this is our family home. | 0:47:40 | 0:47:42 | |
We own this house and we do loads of different activities here. | 0:47:42 | 0:47:46 | |
I would relax in here, easily. | 0:47:50 | 0:47:52 | |
I think it's a masculine... | 0:47:52 | 0:47:53 | |
There's not many feminine touches. | 0:47:55 | 0:47:57 | |
But then if you have too much feminine, | 0:47:57 | 0:47:59 | |
then what happens to the masculine person that lives in your house? | 0:47:59 | 0:48:03 | |
-How do you both relax? I don't know. -You don't have a man in your house. | 0:48:03 | 0:48:07 | |
Well, I'd like to have one, so I think I'll have this room. | 0:48:07 | 0:48:10 | |
-Oh, yes. Definitely. -Because there's something for young, old, and older. | 0:48:16 | 0:48:22 | |
-And beyond. And beyond Wembley. -Are you talking about aliens here? | 0:48:22 | 0:48:27 | |
No, and beyond Wembley. | 0:48:27 | 0:48:29 | |
-And these are real rooms for real people, aren't they? -Yeah. | 0:48:29 | 0:48:33 | |
Like the tattooist, like the single man in his man cave room. | 0:48:33 | 0:48:38 | |
-A single man who wants a woman in the cold room. -That's it. | 0:48:38 | 0:48:41 | |
Like, the princess in their white room. | 0:48:41 | 0:48:44 | |
-Yeah. -Didn't see that room. | 0:48:45 | 0:48:48 | |
That's going to be my room. | 0:48:48 | 0:48:50 | |
After months of refinement, Andreas is waiting to hear | 0:49:00 | 0:49:03 | |
if his radical flat-pack sofa will get the green light. | 0:49:03 | 0:49:06 | |
Never know what's going to happen. | 0:49:08 | 0:49:11 | |
So I guess I'm a little bit nervous about that. | 0:49:11 | 0:49:13 | |
And I would really be disappointed if it doesn't happen now. | 0:49:13 | 0:49:18 | |
If the sofa is going to make the cut, | 0:49:18 | 0:49:20 | |
Jerry and the business team need to sign off on the idea. | 0:49:20 | 0:49:24 | |
What we are talking about is a flexible sofa, a great speaker | 0:49:25 | 0:49:28 | |
for democratic design | 0:49:28 | 0:49:29 | |
and the Make Room For Play launch in February '18. | 0:49:29 | 0:49:33 | |
Don't like to wait. | 0:49:33 | 0:49:35 | |
I need... I need answers. | 0:49:35 | 0:49:37 | |
See you later, guys. | 0:49:48 | 0:49:50 | |
-How are you? -I'm good. I'm good. | 0:50:05 | 0:50:07 | |
-And you? -Tired, but otherwise good. | 0:50:07 | 0:50:10 | |
Yeah. | 0:50:10 | 0:50:12 | |
Yes, we had the business case approval. | 0:50:12 | 0:50:14 | |
And it's all approved. | 0:50:14 | 0:50:16 | |
-Fantastic. -Which is nice. -Yeah, that's cool. | 0:50:16 | 0:50:19 | |
-Yeah. -So yeah. | 0:50:19 | 0:50:22 | |
But it's going to be big for us | 0:50:22 | 0:50:23 | |
because it's one of the biggest things we do for next year. | 0:50:23 | 0:50:26 | |
Great news. | 0:50:26 | 0:50:28 | |
Good. | 0:50:28 | 0:50:29 | |
Hello. | 0:51:02 | 0:51:04 | |
-You came all the way from there with that? -Yeah. | 0:51:04 | 0:51:07 | |
It had its final meeting today, but it's approved. | 0:51:07 | 0:51:10 | |
So it's actually ticked off now that everything is approved. | 0:51:10 | 0:51:13 | |
-Basically, it's ready for production now. -Oh, really? | 0:51:13 | 0:51:15 | |
-Yeah, so that's really cool. -Well, I remember you enjoyed doing this one. | 0:51:15 | 0:51:18 | |
I can see when you have a bit of a buzz on a project. | 0:51:18 | 0:51:22 | |
This one was a super nice project. | 0:51:22 | 0:51:25 | |
It's very you, this, I think. | 0:51:25 | 0:51:27 | |
-Yeah. -When I've seen all the things that you've done. | 0:51:27 | 0:51:29 | |
But I've not actually seen it in real life. | 0:51:29 | 0:51:32 | |
So this is great, actually, and I really want to see how it | 0:51:32 | 0:51:34 | |
looks like in the garden, how it works. | 0:51:34 | 0:51:36 | |
-And you haven't tried it yet, either. -No, I haven't tried it. | 0:51:36 | 0:51:39 | |
So I'm really... I'm really interested to see how it goes. | 0:51:39 | 0:51:41 | |
Oh, it's very light, isn't it? | 0:51:41 | 0:51:43 | |
That's amazing. | 0:51:43 | 0:51:45 | |
-Put it there. -You want it over there? -Yeah. | 0:51:45 | 0:51:47 | |
That would be so funny if it just collapsed, wouldn't it? | 0:51:52 | 0:51:55 | |
But I do love the feeling of it. It's like you just sink in. | 0:51:57 | 0:52:01 | |
And you get a headrest. Perfect. | 0:52:01 | 0:52:04 | |
So you're quite proud of him, then? | 0:52:04 | 0:52:06 | |
I'm very proud of him. | 0:52:06 | 0:52:08 | |
Actually, I'm always proud of him. | 0:52:08 | 0:52:10 | |
First drink in the sofa. | 0:52:10 | 0:52:12 | |
Don't stain it! | 0:52:12 | 0:52:15 | |
You just couldn't... | 0:52:16 | 0:52:18 | |
You just couldn't live without those, could you? | 0:52:18 | 0:52:20 | |
That was bugging you, actually. | 0:52:20 | 0:52:22 | |
Exactly. | 0:52:22 | 0:52:23 | |
But it needs something like this. | 0:52:24 | 0:52:27 | |
-Huh? -Yeah. | 0:52:27 | 0:52:28 | |
In India, the team have rented space in a shopping centre | 0:52:37 | 0:52:40 | |
for their pop-up showroom. | 0:52:40 | 0:52:42 | |
Super excited! | 0:52:42 | 0:52:45 | |
I don't know if I'm nervous. Maybe I should be. | 0:52:45 | 0:52:49 | |
But I'm... I'm excited. | 0:52:49 | 0:52:51 | |
God, think if it comes sort of thousands and thousands of people. | 0:52:51 | 0:52:54 | |
It may be the culmination of three years' | 0:52:54 | 0:52:57 | |
research, but pricing still hasn't been finalised. | 0:52:57 | 0:53:01 | |
We can't sell anything from here. | 0:53:01 | 0:53:03 | |
It is just to show and tell. | 0:53:03 | 0:53:06 | |
We have a licence to sell the day we open up the big store. | 0:53:06 | 0:53:11 | |
That's going to be maybe a little bit tricky to explain | 0:53:11 | 0:53:14 | |
and so on, so we're maybe a little bit nervous about that. | 0:53:14 | 0:53:17 | |
-How do you feel? -Fantastic. -Are you nervous? -Not at all. | 0:53:19 | 0:53:23 | |
-Excited. -Excited. -Not at all. No, no, no. | 0:53:23 | 0:53:25 | |
-We've been waiting a long time for this. -Yeah. | 0:53:25 | 0:53:27 | |
The moment's here now and I think | 0:53:27 | 0:53:29 | |
it's going to be absolutely fantastic. | 0:53:29 | 0:53:30 | |
I don't think I realise, really, what's happening. | 0:53:30 | 0:53:33 | |
CHEERING | 0:53:48 | 0:53:51 | |
We're open! We're open. | 0:54:01 | 0:54:04 | |
Should I start to cry now or...? | 0:54:04 | 0:54:06 | |
Wow. | 0:54:06 | 0:54:08 | |
You know, that first woman, she must be sort of a super fan. | 0:54:08 | 0:54:11 | |
I love Ikea from the bottom of my heart. | 0:54:13 | 0:54:15 | |
It's about the uniqueness. | 0:54:15 | 0:54:17 | |
-How do you like it? -It's very nice. | 0:54:17 | 0:54:19 | |
-It's a shame that I can't buy anything. -No, I know. | 0:54:19 | 0:54:23 | |
-It's like, you know, giving an ice cream... -Yeah, you can't have it. | 0:54:23 | 0:54:26 | |
As of now, we're not taking any bookings. | 0:54:30 | 0:54:32 | |
The only thing is that we just put some things on display. | 0:54:32 | 0:54:36 | |
I love that it's coming to India. | 0:54:36 | 0:54:37 | |
I'm not quite sure what this experience store is. | 0:54:37 | 0:54:41 | |
I don't quite understand what this is. | 0:54:41 | 0:54:43 | |
There's no prices, and the whole reason, like, | 0:54:43 | 0:54:45 | |
when I go to Ikea, I know that they're really well priced. | 0:54:45 | 0:54:48 | |
Absolutely. It's been... It's been extremely tough. | 0:55:08 | 0:55:11 | |
I mean, we need to make a profit. | 0:55:11 | 0:55:13 | |
We need to sort of earn money, as any other business environment. | 0:55:13 | 0:55:18 | |
We are working extremely, extremely hard to lower the prices | 0:55:18 | 0:55:23 | |
and to set the exact right price. | 0:55:23 | 0:55:25 | |
So that work is still going on. | 0:55:25 | 0:55:28 | |
So we're giving some price examples, | 0:55:28 | 0:55:30 | |
but we are not pricing all the articles. | 0:55:30 | 0:55:33 | |
With their aim to be affordable to all, finalising | 0:55:34 | 0:55:37 | |
prices in India has been tough, and only four items have price tags. | 0:55:37 | 0:55:41 | |
You don't see all kinds of class floating in. | 0:55:43 | 0:55:46 | |
Are they looking only for a specific set of, you know, | 0:55:46 | 0:55:48 | |
community or crowd that they are catering to? | 0:55:48 | 0:55:52 | |
If they want to crack the Indian market, they have to meet | 0:55:52 | 0:55:56 | |
everybody not from the medium class, but even from low to medium. | 0:55:56 | 0:55:59 | |
Let's be real. | 0:56:01 | 0:56:02 | |
If you look around now, does it look like somewhere that | 0:56:02 | 0:56:05 | |
a working-class person would even feel comfortable? | 0:56:05 | 0:56:07 | |
And I think, you know, one of my fears in the beginning was | 0:56:07 | 0:56:10 | |
we make it look too chic. | 0:56:10 | 0:56:11 | |
We need to do a lot of work, but what we need to do, | 0:56:11 | 0:56:14 | |
we need to start making money to invest more to reduce prices | 0:56:14 | 0:56:18 | |
so that many more of those people can afford Ikea. | 0:56:18 | 0:56:21 | |
For John, | 0:56:27 | 0:56:28 | |
today is the first real opportunity to see his staff at work. | 0:56:28 | 0:56:31 | |
Had we been building this when we were doing our training | 0:56:33 | 0:56:35 | |
back in May or June, I think | 0:56:35 | 0:56:37 | |
these guys would have been speaking over each other, almost | 0:56:37 | 0:56:40 | |
punching each other out of the way to be the first one to | 0:56:40 | 0:56:43 | |
attempt it, but now what you can see is they're actually collaborating | 0:56:43 | 0:56:46 | |
and working together to find a solution. | 0:56:46 | 0:56:48 | |
I'm an Ikean, with a blend of an Indian twist. | 0:56:55 | 0:56:57 | |
I married this Indian culture to the Ikean culture | 0:56:57 | 0:57:00 | |
and I'm a complete blend of Ikea and India. | 0:57:00 | 0:57:03 | |
We have to understand that we have to be | 0:57:08 | 0:57:11 | |
serious about the fact that we are impactful. | 0:57:11 | 0:57:14 | |
Both when it comes to people's life, both | 0:57:14 | 0:57:17 | |
when it comes to consumption and how do we sort of fix that, | 0:57:17 | 0:57:19 | |
how do we take responsibility, and also super, | 0:57:19 | 0:57:23 | |
super big and interesting questions, and with the paradigm shift that we | 0:57:23 | 0:57:28 | |
are in front, we will meet a much, much more critical crowd ahead | 0:57:28 | 0:57:32 | |
than we ever have. | 0:57:32 | 0:57:34 | |
We're going to open up 25, 30 stores here, | 0:57:34 | 0:57:37 | |
and that's a wow just in itself. | 0:57:37 | 0:57:41 | |
What an impact we will make. | 0:57:41 | 0:57:42 | |
With prices not yet fixed, and the first store still to open, | 0:57:44 | 0:57:48 | |
Ikea have a long way to go before it they can say they've cracked India. | 0:57:48 | 0:57:53 | |
Uncover the mysteries of flat-pack everyday design and brand names. | 0:58:04 | 0:58:08 | |
To find out more, go to our website... | 0:58:08 | 0:58:10 | |
..and follow the links to the Open University. | 0:58:13 | 0:58:16 |