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Hello. | 0:00:02 | 0:00:04 | |
You know, just saying that one word is one of the most complex and extraordinary operations we know. | 0:00:04 | 0:00:09 | |
70 muscles and half a billion brain cells go into it. | 0:00:09 | 0:00:13 | |
What's more, pretty much anyone who can speak English over the age of two | 0:00:13 | 0:00:16 | |
can do it without even having to think. | 0:00:16 | 0:00:19 | |
The story of language is surely one of the greatest stories we have. | 0:00:19 | 0:00:24 | |
In this series, I'm going to explore language | 0:00:27 | 0:00:30 | |
in all its amazing complexity, variety and ingenuity. | 0:00:30 | 0:00:35 | |
Our species perhaps could live together without language | 0:00:35 | 0:00:38 | |
but it wouldn't be what we call the human species. | 0:00:38 | 0:00:40 | |
'I'm going to try to understand how we learn it, | 0:00:40 | 0:00:43 | |
'how we write it...' | 0:00:43 | 0:00:45 | |
Oh, my goodness. This is magical! | 0:00:45 | 0:00:47 | |
'..how we sometimes lose it...' | 0:00:47 | 0:00:49 | |
Oh, my Lord! | 0:00:49 | 0:00:52 | |
'..how it defines us to the very core of our being...' | 0:00:52 | 0:00:56 | |
Ba, ba-ba-da-ba! Ra-ba-dum-bum-ba-dum. | 0:00:56 | 0:00:59 | |
'..why it can make us laugh and cry and tear our hair out | 0:00:59 | 0:01:03 | |
'or inspire us.' | 0:01:03 | 0:01:05 | |
To sleep...no more. | 0:01:05 | 0:01:08 | |
'It's what I treasure above all else. | 0:01:08 | 0:01:11 | |
'It is what makes me ME.' | 0:01:11 | 0:01:13 | |
In this programme, I'm going to take you on a journey | 0:01:15 | 0:01:18 | |
to find out why we are the only species to have developed | 0:01:18 | 0:01:21 | |
this miraculous gift of language. | 0:01:21 | 0:01:25 | |
We'll see the individual miracle of how we acquire language at an early age... | 0:01:25 | 0:01:30 | |
..and celebrate language as one of the most marvellous tools humanity has. | 0:01:32 | 0:01:38 | |
A continual process of innovation and creation. | 0:01:38 | 0:01:42 | |
HE SPEAKS KLINGON | 0:01:42 | 0:01:44 | |
That really hurts, actually. | 0:01:46 | 0:01:48 | |
To begin my exploration of language, | 0:02:03 | 0:02:06 | |
I've come here to north-east Africa, | 0:02:06 | 0:02:09 | |
close to where our species first evolved. | 0:02:09 | 0:02:11 | |
There are around 7,000 languages in use on our planet today, | 0:02:16 | 0:02:20 | |
some spoken by a mere handful of people, others by more than a billion. | 0:02:20 | 0:02:25 | |
It's a surprisingly short time - only about 50,000 years - | 0:02:25 | 0:02:29 | |
since mankind graduated from uggs and grunts and growls | 0:02:29 | 0:02:34 | |
into a linguistic flowering. | 0:02:34 | 0:02:36 | |
TRANSLATION: | 0:02:39 | 0:02:42 | |
These are the Turkana, a pastoral nomad tribe | 0:02:44 | 0:02:48 | |
who are about as far away from me and my tribe as you could find. | 0:02:48 | 0:02:52 | |
But one thing that I do share with them is language. | 0:02:57 | 0:03:01 | |
Turkana is as sophisticated and complicated a tongue | 0:03:01 | 0:03:05 | |
as ancient Greek, and although I can't understand a word, | 0:03:05 | 0:03:08 | |
it actually works much the same as English does. | 0:03:08 | 0:03:11 | |
THEY GIGGLE | 0:03:14 | 0:03:15 | |
There are nouns to name things, | 0:03:15 | 0:03:18 | |
adjectives to describe them | 0:03:18 | 0:03:20 | |
and verbs to explain | 0:03:20 | 0:03:21 | |
what you can do with them. | 0:03:21 | 0:03:23 | |
THEY SING IN TURKANA | 0:03:23 | 0:03:26 | |
Every language provides an amazingly rich and adaptable set of tools | 0:03:27 | 0:03:32 | |
that mankind shares the world over - | 0:03:32 | 0:03:35 | |
and which every Turkana child imbibes with their mother's milk. | 0:03:35 | 0:03:40 | |
And how old is a baby when they start to speak? | 0:03:41 | 0:03:45 | |
THEY SPEAK IN TURKANA | 0:03:45 | 0:03:48 | |
Two years? | 0:03:59 | 0:04:00 | |
Yeah, two years. | 0:04:00 | 0:04:01 | |
That means winter, summer. Winter, summer. | 0:04:06 | 0:04:09 | |
-I see, winter, summer. Two winters, two summers. -Yeah. | 0:04:09 | 0:04:14 | |
Those are the first words. "Father, mother." It's the same everywhere. | 0:04:24 | 0:04:28 | |
What's really amazing is that these children, | 0:04:28 | 0:04:30 | |
even the smallest of them, within a very short space of time | 0:04:30 | 0:04:34 | |
are able to grasp the full complexities and all the phonetics | 0:04:34 | 0:04:37 | |
and all the metaphors and all the remarkable depths that the Turkana language is capable of. | 0:04:37 | 0:04:42 | |
It's no more effort for them to acquire a full language | 0:04:42 | 0:04:46 | |
than it is for them to grow hair. | 0:04:46 | 0:04:47 | |
It just happens, | 0:04:47 | 0:04:49 | |
and yet it's the most complex piece of brain processing | 0:04:49 | 0:04:52 | |
that we know of on the planet. | 0:04:52 | 0:04:54 | |
It's a kind of miracle. | 0:04:54 | 0:04:56 | |
Miracle. You are a miracle. | 0:04:57 | 0:05:00 | |
All over the world, | 0:05:03 | 0:05:04 | |
from the cradle of man in East Africa to a hutong in China, | 0:05:04 | 0:05:08 | |
this same miraculous process takes place over the course of just a few years. | 0:05:08 | 0:05:13 | |
THEY BABBLE | 0:05:13 | 0:05:15 | |
This is Ruby, who lives in London. | 0:05:22 | 0:05:26 | |
Ruby. | 0:05:26 | 0:05:29 | |
Ruby is 15 months old and over the next year, | 0:05:32 | 0:05:35 | |
we'll be tracking her development from umms and ahs to recognisable speech. | 0:05:35 | 0:05:41 | |
Say "ta". | 0:05:41 | 0:05:43 | |
But how do we learn language? | 0:05:46 | 0:05:49 | |
And what exactly is the difference between language and communication? | 0:05:53 | 0:05:58 | |
After all, the natural world is an absolute cacophony of communication. | 0:05:58 | 0:06:03 | |
Birds singing to greet the dawn, | 0:06:06 | 0:06:09 | |
meerkats whistling to each other to warn off predators. | 0:06:09 | 0:06:13 | |
Elephants trumpeting to attract a mate, | 0:06:13 | 0:06:16 | |
dolphins clicking to point out food. | 0:06:16 | 0:06:19 | |
The closer you get to us humans on the evolutionary tree, | 0:06:23 | 0:06:26 | |
the more sophisticated their communication seems to become. | 0:06:26 | 0:06:30 | |
Monkeys have a whole grammar of whoops, howls and calls | 0:06:30 | 0:06:35 | |
that signal everything from fear to joy to love. | 0:06:35 | 0:06:40 | |
But it's still a long way from this to language as our species knows it. | 0:06:40 | 0:06:47 | |
It's not that we haven't looked for an amazing talking ape, | 0:06:48 | 0:06:51 | |
it's just that so far we haven't found one. | 0:06:51 | 0:06:55 | |
It's so closely related and yet so completely different. | 0:06:57 | 0:07:01 | |
I think it is language that's the thing that's most different about us. | 0:07:01 | 0:07:05 | |
If I trained hard, I probably could bounce from tree to tree, | 0:07:05 | 0:07:09 | |
but you could train all your life and you could never say, | 0:07:09 | 0:07:12 | |
"Betty had a bit of bitter butter, put it in her batter and made her batter bitter, | 0:07:12 | 0:07:16 | |
"then took a bit of better butter and put it in her bitter batter and made her bitter batter better." | 0:07:16 | 0:07:21 | |
If you could, you'd be the wonder of the age. | 0:07:21 | 0:07:23 | |
So how did we manage to develop language, | 0:07:29 | 0:07:32 | |
when other primates have not? | 0:07:32 | 0:07:34 | |
I've come to the Max Planck Institute for Evolutionary Biology in Leipzig, | 0:07:35 | 0:07:40 | |
where they study a number of large primates. | 0:07:40 | 0:07:43 | |
I'm here to meet one of the world's foremost evolutionary linguists, | 0:07:46 | 0:07:50 | |
Michael Tomasello. | 0:07:50 | 0:07:52 | |
There's a general assumption that we all have | 0:07:52 | 0:07:54 | |
that language is one of the things that separates human beings from all other animals, | 0:07:54 | 0:07:58 | |
but that maybe animals like the great apes, our closest relatives, with whom we share so much DNA, | 0:07:58 | 0:08:04 | |
are sort of on a continuum on the way to language. | 0:08:04 | 0:08:07 | |
That maybe they can be taught language. | 0:08:07 | 0:08:10 | |
Does your research show that any of this is likely? | 0:08:10 | 0:08:13 | |
Well, in evolution, everything is on a continuum | 0:08:13 | 0:08:16 | |
but they're a pretty far step away on that continuum, I would say. | 0:08:16 | 0:08:19 | |
So their vocalisations are pretty hard wired | 0:08:19 | 0:08:22 | |
and before you can get to something like language, | 0:08:22 | 0:08:25 | |
you have to be able to produce sounds when you want to and not when you don't. | 0:08:25 | 0:08:29 | |
So, if food is coming, they make this noise | 0:08:29 | 0:08:32 | |
or if a predator is coming, they make that noise. | 0:08:32 | 0:08:34 | |
They're very much tied to their emotions. | 0:08:34 | 0:08:36 | |
The vocalisations go with emotional states. | 0:08:36 | 0:08:39 | |
If they're frightened, they scream. | 0:08:39 | 0:08:41 | |
If they're excited about food, they hoot. | 0:08:41 | 0:08:43 | |
If they're grieving someone after a long time, | 0:08:43 | 0:08:46 | |
they give a kind of submissive pant-grunt. | 0:08:46 | 0:08:49 | |
And so their vocalisations are fairly stereotypical, | 0:08:49 | 0:08:53 | |
with only a little bit of flexibility. | 0:08:53 | 0:08:55 | |
Well, no-one can doubt that animals communicate. | 0:08:59 | 0:09:02 | |
You can see our closest cousins here - primates like us - | 0:09:02 | 0:09:06 | |
communicating like Billy-o in all kinds of ways. | 0:09:06 | 0:09:08 | |
But I don't think we can call that language. | 0:09:08 | 0:09:11 | |
One of the problems they face - even sophisticated primates - | 0:09:11 | 0:09:14 | |
is that they simply don't have the mechanical apparatus necessary for speech. | 0:09:14 | 0:09:18 | |
They don't have the control over breathing, | 0:09:18 | 0:09:20 | |
the complex facial muscles that allow such extraordinary sounds | 0:09:20 | 0:09:24 | |
that we can make, and I'm making now, | 0:09:24 | 0:09:26 | |
though goodness knows, they can try and compensate. | 0:09:26 | 0:09:29 | |
Nor do they have the larynx or vocal cords in the right position for speech, | 0:09:30 | 0:09:34 | |
but they can make signs. | 0:09:34 | 0:09:37 | |
Maybe sign language is possible amongst primates. That's worth thinking about, surely. Eh? | 0:09:37 | 0:09:42 | |
You can't JUST fart, surely. That's better! | 0:09:43 | 0:09:46 | |
Since the 1960s, there have been numerous attempts to do just that - | 0:09:50 | 0:09:56 | |
trying to teach apes language using sign language. | 0:09:56 | 0:10:00 | |
Perhaps the most famous of these experiments | 0:10:01 | 0:10:04 | |
was conducted at Columbia University, where a chimpanzee, | 0:10:04 | 0:10:08 | |
cheekily named Nim Chimpsky - | 0:10:08 | 0:10:11 | |
a pun on the great linguist Noam Chomsky - | 0:10:11 | 0:10:13 | |
was brought up like a human child | 0:10:13 | 0:10:15 | |
in an attempt to mirror a human child's linguistic development. | 0:10:15 | 0:10:20 | |
Nim became quite adept at signing, | 0:10:20 | 0:10:23 | |
but never grasped how to use grammar. | 0:10:23 | 0:10:27 | |
Around the same time, a three-year-old chimp named Lana | 0:10:33 | 0:10:37 | |
was the subject of an experiment in Atlanta. | 0:10:37 | 0:10:39 | |
-REPORTER: -Lana lives in a transparent plastic cage with a computer. | 0:10:39 | 0:10:44 | |
She operates the machine through a language of symbols. | 0:10:44 | 0:10:47 | |
The symbols have to be pressed in a specific order for the desired result to be achieved. | 0:10:47 | 0:10:52 | |
"Please, machine, give piece of apple, full stop." | 0:10:52 | 0:10:57 | |
Although this communication seems sophisticated, | 0:10:57 | 0:11:01 | |
it's not using language in the way that we do. | 0:11:01 | 0:11:04 | |
Chimps have the ability to construct very basic sentences, | 0:11:05 | 0:11:09 | |
but they don't initiate conversations. | 0:11:09 | 0:11:12 | |
There is no linguistic creativity. | 0:11:14 | 0:11:17 | |
"Please, machine, give chocolate, full stop." | 0:11:17 | 0:11:19 | |
They're doing it only to request things. | 0:11:22 | 0:11:24 | |
They're doing it imperatively, | 0:11:24 | 0:11:26 | |
or in response to some demand from them, | 0:11:26 | 0:11:28 | |
and not with one another in their natural state. | 0:11:28 | 0:11:31 | |
Pointing, for them, is not about sharing information as much as it is about getting what you want. | 0:11:31 | 0:11:36 | |
So, what is your best guess, based on your research, | 0:11:39 | 0:11:44 | |
as to how human beings separated? | 0:11:44 | 0:11:47 | |
Why and when they acquired this difference, | 0:11:47 | 0:11:51 | |
this ability to project their personality on to their fellows, | 0:11:51 | 0:11:55 | |
to co-operate and use language as a social, co-operative medium | 0:11:55 | 0:11:58 | |
in a way quite different from others? | 0:11:58 | 0:12:00 | |
I think the initial step was that we ended up | 0:12:00 | 0:12:03 | |
having to collaborate in order to produce food. | 0:12:03 | 0:12:06 | |
Something in the ecology changed that meant | 0:12:06 | 0:12:09 | |
that we had to put our heads together to be able to acquire food. | 0:12:09 | 0:12:13 | |
Working together towards a common goal | 0:12:13 | 0:12:17 | |
means we have to be co-operative in sharing the food at the end, | 0:12:17 | 0:12:20 | |
we have to co-ordinate our movements when we do that | 0:12:20 | 0:12:23 | |
and it puts pressure on for communication, | 0:12:23 | 0:12:25 | |
because I think the first major function of uniquely human communication | 0:12:25 | 0:12:30 | |
was to co-ordinate collaborative activities. | 0:12:30 | 0:12:33 | |
For simpler types of hunting, gestures and grunts may suffice - | 0:12:38 | 0:12:43 | |
but the pursuit of more elusive quarry demanded a more complex system of communication. | 0:12:43 | 0:12:48 | |
When the ancestors of these Wauja of the Xingu River in Brazil | 0:12:53 | 0:12:57 | |
first decided to hunt some alligators, | 0:12:57 | 0:12:59 | |
the whole village needed to work together to catch their prey. | 0:12:59 | 0:13:04 | |
So, somewhere along the line, | 0:13:08 | 0:13:09 | |
cries and grunts turned into words and sentences. | 0:13:09 | 0:13:15 | |
Clearer communication brought other benefits. | 0:13:18 | 0:13:22 | |
Increased efficiency created more free time to spend together as a community. | 0:13:22 | 0:13:26 | |
As language blossomed, experiences could be shared and stories told. | 0:13:26 | 0:13:32 | |
TRANSLATION: | 0:13:32 | 0:13:35 | |
So language gave us the power to hunt ever more efficiently and with greater co-operation, | 0:13:54 | 0:13:58 | |
but it also granted us completely unseen new benefits. | 0:13:58 | 0:14:02 | |
We were able to talk about the past | 0:14:02 | 0:14:04 | |
and to project our lives into the future. | 0:14:04 | 0:14:06 | |
This transmission of knowledge across the generations | 0:14:06 | 0:14:09 | |
is what gave us, ultimately, civilisation itself. | 0:14:09 | 0:14:12 | |
Language became the foundation of human society and culture | 0:14:17 | 0:14:21 | |
and for me, thinking about it, using it, playing with it, | 0:14:21 | 0:14:25 | |
has always been one of the greatest passions of my life. | 0:14:25 | 0:14:30 | |
-To you, language is more than a means of communication? -Of course it is, of course it is, | 0:14:30 | 0:14:34 | |
of course it is. Language is my mother, my father, my husband, my brother, | 0:14:34 | 0:14:37 | |
my sister, my whore, my mistress, my checkout girl. | 0:14:37 | 0:14:40 | |
Language is a complimentary moist lemon-scented cleansing square, | 0:14:40 | 0:14:44 | |
or handy freshen-up wipette. | 0:14:44 | 0:14:46 | |
Language is the breath of God. | 0:14:46 | 0:14:48 | |
If our changing environment first forced us to learn language, | 0:14:53 | 0:14:57 | |
what did that language then do to us? | 0:14:57 | 0:15:00 | |
Did it change us physiologically? | 0:15:00 | 0:15:03 | |
Elsewhere in Leipzig's Max Planck Institute, | 0:15:05 | 0:15:09 | |
leading geneticist Dr Wolfgang Enard is unravelling the mysteries of the human genome. | 0:15:09 | 0:15:15 | |
His work is providing some tantalising clues | 0:15:16 | 0:15:19 | |
as to how our brains became hard-wired for language. | 0:15:19 | 0:15:23 | |
Wolfgang, one of the most important things that science can discover is where speech comes from. | 0:15:24 | 0:15:29 | |
Where this extraordinary ability of human beings to have evolved | 0:15:29 | 0:15:33 | |
and to process language - the thing that marks us out perhaps more than | 0:15:33 | 0:15:37 | |
anything else from other animals - where it comes from. | 0:15:37 | 0:15:40 | |
There are all kinds of theories, but a recent addition to those theories | 0:15:40 | 0:15:44 | |
has been this mysterious two-letter gene difference | 0:15:44 | 0:15:49 | |
that you and your colleagues have discovered. | 0:15:49 | 0:15:52 | |
-Can you tell me about it? It's called FOXPT - is that right? -FOXP2. | 0:15:52 | 0:15:56 | |
Yes, that's how gene names are. They are strange letters and numbers. | 0:15:56 | 0:16:01 | |
FOXP2 is currently the biggest foot we have in this door. | 0:16:01 | 0:16:08 | |
What the genetic make-up is and how we evolved language and how speech, at least, functions. | 0:16:08 | 0:16:13 | |
The FOXP2 gene is what's called a forkhead box protein, | 0:16:17 | 0:16:21 | |
found on human chromosome 7. | 0:16:21 | 0:16:24 | |
All mammals have it and, in fact, | 0:16:24 | 0:16:26 | |
there are only two amino acids different between ours and the chimps' | 0:16:26 | 0:16:30 | |
and just three between us and mice. | 0:16:30 | 0:16:33 | |
Its connection to language was realised when it was discovered | 0:16:33 | 0:16:37 | |
that humans with a mutation in the gene can have extreme speech disorders. | 0:16:37 | 0:16:42 | |
We need to somehow study that and the clue to that - | 0:16:42 | 0:16:46 | |
or the only possibility we really have to study that - is to look in mice. | 0:16:46 | 0:16:51 | |
If you can make mice that have the human version of the FOXP2 gene, | 0:16:51 | 0:16:55 | |
and then see how they compare to a normal mouse. Litter mates. | 0:16:55 | 0:16:59 | |
-These are pups that have the gene in? -Yes. | 0:17:00 | 0:17:04 | |
So they... They carry the human version of FOXP2. | 0:17:04 | 0:17:09 | |
Mice can have litters every few months, | 0:17:11 | 0:17:14 | |
so the study effectively follows an evolutionary process on fast forward. | 0:17:14 | 0:17:19 | |
By closely monitoring these little creatures' squeals and squeaks, | 0:17:22 | 0:17:26 | |
Enard is already spotting some small but significant changes. | 0:17:26 | 0:17:30 | |
They have some sudden features, especially in their brain, | 0:17:34 | 0:17:37 | |
but also in their vocalisation. | 0:17:37 | 0:17:40 | |
Really? | 0:17:40 | 0:17:42 | |
Slight differences and we hope these slight differences give us some clue | 0:17:42 | 0:17:46 | |
to where and what actually changed in human FOXP2 evolution. | 0:17:46 | 0:17:51 | |
And you would hope, of course, to discover not just new sound waves | 0:17:51 | 0:17:56 | |
or new frequencies at which they're communicating, | 0:17:56 | 0:17:58 | |
but maybe even an effect in the communication, | 0:17:58 | 0:18:02 | |
which is to say quicker mating or passing of news of food, | 0:18:02 | 0:18:07 | |
or who knows? Or is that being far too optimistic about the possibilities? | 0:18:07 | 0:18:10 | |
I think that would be asking too much. The mouse would not start talking. | 0:18:10 | 0:18:14 | |
-They're not going from squeaking to speaking. -They're still a mouse. -Exactly. | 0:18:14 | 0:18:18 | |
So sadly, despite the fact that Enard's test subjects have been dubbed "the singing mice," | 0:18:21 | 0:18:27 | |
there doesn't seem to be any chance they will evolve into something like these old friends. | 0:18:27 | 0:18:32 | |
# We will wash it, we will splosh it | 0:18:32 | 0:18:34 | |
# Bring the bucket and mop, mop, mop | 0:18:34 | 0:18:36 | |
# We will dust it, we will brush it | 0:18:36 | 0:18:38 | |
# We will polish its top, top, top | 0:18:38 | 0:18:41 | |
# We will polish its top, top, top. # | 0:18:41 | 0:18:44 | |
-Do you think FOXP2 has more secrets to give up for you? -Absolutely. | 0:18:44 | 0:18:49 | |
I mean, er, we understand so little in terms of what it really does | 0:18:49 | 0:18:54 | |
because, after all, the brain is a pretty complex organ. | 0:18:54 | 0:18:57 | |
How certain molecular changes relate to physiological changes | 0:19:00 | 0:19:04 | |
in the brain, behavioural changes, it is a hard problem. | 0:19:04 | 0:19:08 | |
'Of course, scientifically appealing and revealing as it might be, | 0:19:08 | 0:19:13 | |
'to experiment with FOXP2 on primates would be ethically unthinkable. | 0:19:13 | 0:19:18 | |
'But that hasn't stopped us imagining what communicating with our closest cousins might be like.' | 0:19:18 | 0:19:24 | |
-Getting the hang of it. Mind the banisters, son. -I can't hold it, Dad. | 0:19:24 | 0:19:27 | |
Don't worry, son. I've shifted more pianos than you've had hot dinners. | 0:19:27 | 0:19:31 | |
Coo-ee. Coo-ee, Mr Shifter. Light refreshment? | 0:19:31 | 0:19:35 | |
-Thank you most kindly, madam. -Oh, my! | 0:19:35 | 0:19:38 | |
One way of shifting it. | 0:19:38 | 0:19:41 | |
-Dad, do you know the piano's on my foot? -You hum it, son, I'll play it. | 0:19:41 | 0:19:45 | |
Human. | 0:19:46 | 0:19:48 | |
Chimp. | 0:19:51 | 0:19:52 | |
Mm... Mouse. | 0:19:53 | 0:19:55 | |
And... | 0:19:57 | 0:20:00 | |
human. | 0:20:00 | 0:20:01 | |
If only it were that simple. | 0:20:02 | 0:20:04 | |
But we are, it seems, beginning to unlock some of the mystery. | 0:20:04 | 0:20:09 | |
A few misplaced atoms on chromosome 7 was probably part of it, | 0:20:09 | 0:20:13 | |
causing some improved communication during hunting, | 0:20:13 | 0:20:16 | |
which led to a better diet so that those who had the gene had more children. | 0:20:16 | 0:20:21 | |
But exactly when and where humankind first started to speak, | 0:20:21 | 0:20:25 | |
we'll never know. | 0:20:25 | 0:20:26 | |
But we certainly did learn to speak and, frankly, ever since then, | 0:20:26 | 0:20:29 | |
we've never shut up. | 0:20:29 | 0:20:31 | |
As haven't you, I notice. Yes. | 0:20:32 | 0:20:36 | |
But absolutely none of that would have been possible without this exquisite thing - | 0:20:38 | 0:20:43 | |
this glorious three pounds of mushy grey matter | 0:20:43 | 0:20:46 | |
which differentiates us from all other animals. | 0:20:46 | 0:20:50 | |
The human brain. | 0:20:50 | 0:20:52 | |
With this cauliflower-walnut-like mass containing something like 100 billion neurons, | 0:20:52 | 0:20:58 | |
we're able to think our thoughts, dream our dreams, | 0:20:58 | 0:21:00 | |
dredge the memory banks, to translate them into words | 0:21:00 | 0:21:04 | |
and then get our bodies actually to speak them. | 0:21:04 | 0:21:08 | |
The strange thing is, we know more about the origins and workings of the universe | 0:21:08 | 0:21:12 | |
than we do about the human brain. | 0:21:12 | 0:21:14 | |
It's mankind's final frontier. | 0:21:14 | 0:21:17 | |
'So what do we actually know about this language-producing machine between our ears? | 0:21:18 | 0:21:24 | |
'I'm off to have a delve into my own brain. | 0:21:24 | 0:21:28 | |
'At the University College London Centre for Neuroimaging, | 0:21:30 | 0:21:33 | |
'psychologists, brain boxes and neurolinguists | 0:21:33 | 0:21:37 | |
'have the very latest kit to look into the grey matter.' | 0:21:37 | 0:21:40 | |
-Ah, this looks like a little office. -Control room. | 0:21:45 | 0:21:47 | |
It's through there, right? Oh, yes. | 0:21:47 | 0:21:49 | |
Yes, I've seen these on House and things like that. | 0:21:49 | 0:21:52 | |
'Dr Joe Devlin and Professor Cathy Price are clinical psycholinguists, | 0:21:52 | 0:21:57 | |
'whose work is focused on how language works in the brain - | 0:21:57 | 0:22:02 | |
'specialising in how strokes affect language ability.' | 0:22:02 | 0:22:05 | |
OK. | 0:22:05 | 0:22:07 | |
'They're going to have my brain scanned by MRI, | 0:22:08 | 0:22:11 | |
'the magnetic resonance imaging technique that allows scientists | 0:22:11 | 0:22:15 | |
'to see which parts of the brain are working, lighting up areas which are being stimulated - | 0:22:15 | 0:22:20 | |
'in this case, while I'm speaking.' | 0:22:20 | 0:22:22 | |
Magnetic resonance imaging. | 0:22:22 | 0:22:25 | |
It's what I'm undergoing even as I speak. | 0:22:25 | 0:22:27 | |
An extraordinary technology which allows one to view | 0:22:27 | 0:22:30 | |
areas of the brain and the activity which they undergo | 0:22:30 | 0:22:33 | |
when performing certain tasks, | 0:22:33 | 0:22:35 | |
such as this rather self-reflexive one of describing MRI. | 0:22:35 | 0:22:38 | |
'Professor Price has now analysed my scan results.' | 0:22:42 | 0:22:46 | |
This is your brain here and this is a model of the brain, | 0:22:46 | 0:22:49 | |
where we've superimposed a summary of the activations during different conditions. | 0:22:49 | 0:22:54 | |
It doesn't matter where the human being is brought up | 0:22:54 | 0:22:56 | |
or how they have learned to communicate. | 0:22:56 | 0:22:59 | |
The same set of regions are involved. | 0:22:59 | 0:23:01 | |
It's like looking at bodies. | 0:23:01 | 0:23:04 | |
They're all made up of the same components. | 0:23:04 | 0:23:07 | |
Anyone who learns to play the piano will be taught to do it | 0:23:07 | 0:23:11 | |
the same way, to use the same set of instruments. | 0:23:11 | 0:23:15 | |
'When it comes to understanding exactly how our brains work in the language process, | 0:23:15 | 0:23:20 | |
'we are still in the neurological equivalent of the dark ages. | 0:23:20 | 0:23:24 | |
'But looking at the images, I can't help but wonder at how much of my brain is involved in it. | 0:23:26 | 0:23:31 | |
'Is my grey matter saturated with language?' | 0:23:31 | 0:23:34 | |
Language uses most of our brain | 0:23:34 | 0:23:36 | |
because it is integrating all of our sensory sources, | 0:23:36 | 0:23:40 | |
all the different types of memory that we can have | 0:23:40 | 0:23:43 | |
and then co-ordinating how we respond to it. | 0:23:43 | 0:23:45 | |
And then everything we do is then monitored by language, | 0:23:45 | 0:23:50 | |
so language then becomes an integral part of our human nature. | 0:23:50 | 0:23:55 | |
'I do feel that language is what I am, | 0:23:56 | 0:23:59 | |
'so what happened to the writer Robert McCrum | 0:23:59 | 0:24:02 | |
'is just the sort of thing I would fear most. | 0:24:02 | 0:24:05 | |
'15 years ago, a stroke left Robert unable to walk or talk. | 0:24:05 | 0:24:10 | |
'Language lived on inside him, but he could not express it.' | 0:24:10 | 0:24:14 | |
-I had what's called a right-side haemorrhagic infarct. -Goodness me. | 0:24:14 | 0:24:19 | |
Which is quite a bad one, | 0:24:19 | 0:24:21 | |
and I was paralysed all the way down my left side. | 0:24:21 | 0:24:26 | |
The right goes to left in the brain, | 0:24:26 | 0:24:28 | |
so I was paralysed and couldn't stand or do anything. | 0:24:28 | 0:24:31 | |
I was completely poleaxed. The stroke took place in what's called the basal ganglia. | 0:24:31 | 0:24:36 | |
It's very deep in the brain. But I did have language, and never lost... | 0:24:36 | 0:24:41 | |
I couldn't speak, cos my mouth was all... | 0:24:41 | 0:24:44 | |
-So the language was in your head? -The language was in my head but the face was frozen, or half-frozen. | 0:24:44 | 0:24:49 | |
There was a nervous two or three months | 0:24:49 | 0:24:52 | |
-when I wasn't sure what I was going to get back. -Right. | 0:24:52 | 0:24:55 | |
'As Robert recuperated, his brain did an extraordinary thing. | 0:24:57 | 0:25:01 | |
'New parts of it took over to replace the burnt-out ones. | 0:25:01 | 0:25:04 | |
'It rewired itself. | 0:25:04 | 0:25:06 | |
'And although it's not quite as easy as before, | 0:25:06 | 0:25:09 | |
'Robert is now able once again physically to verbalise his thoughts. | 0:25:09 | 0:25:13 | |
'It's now believed that somewhere between 50 and 80% of the brain | 0:25:13 | 0:25:16 | |
'is involved in language processes.' | 0:25:16 | 0:25:19 | |
Gradually, it's got better. | 0:25:19 | 0:25:21 | |
Even now, when I'm speaking to you I still have to make an effort. | 0:25:21 | 0:25:25 | |
-There's a greater amount of conscious production? -Absolutely. | 0:25:25 | 0:25:29 | |
So it's like someone who has to walk by remembering how to use... | 0:25:29 | 0:25:32 | |
Have to remember to articulate clearly and not to speak too quickly | 0:25:32 | 0:25:36 | |
and I have a slight - you probably didn't get this or see this - | 0:25:36 | 0:25:39 | |
but there's probably a slight stammer, particularly if I'm nervous. | 0:25:39 | 0:25:43 | |
Tiny things. | 0:25:43 | 0:25:44 | |
So language is clearly integral to being human. | 0:25:44 | 0:25:48 | |
It's hard-wired into us at a genetic level, | 0:25:48 | 0:25:51 | |
utilising every part of the brain. | 0:25:51 | 0:25:53 | |
Indeed, the brain will rewire itself just to keep us speaking. | 0:25:53 | 0:25:57 | |
But how intrinsic - how automatic - is language? | 0:25:57 | 0:26:00 | |
Is it like eating and sleeping or is it, to some extent, a learned skill? | 0:26:00 | 0:26:05 | |
It's really a kind of nature-versus-nurture question. | 0:26:05 | 0:26:09 | |
The kind of question that has beguiled and fascinated scientists and philosophers since time began. | 0:26:09 | 0:26:15 | |
It's not often that nature affords us an opportunity to investigate. | 0:26:15 | 0:26:19 | |
In the midst of the craziness of the French Revolution, | 0:26:27 | 0:26:31 | |
a young boy was discovered in the forests of the south-eastern Massif Central, | 0:26:31 | 0:26:36 | |
one of the wildest and least inhabited regions in Europe. | 0:26:36 | 0:26:40 | |
It appeared that the boy had been living alone, | 0:26:40 | 0:26:44 | |
and like an animal, for some years. | 0:26:44 | 0:26:47 | |
Feral children have fascinated philosophers for centuries, | 0:26:57 | 0:27:01 | |
offering a window into human nature untainted by society's strictures. | 0:27:01 | 0:27:08 | |
And in doing so, revealing how language might be formed. | 0:27:08 | 0:27:13 | |
Finding a real-life feral child was nothing short of sensational. | 0:27:14 | 0:27:18 | |
He was captured and ended up in Paris | 0:27:24 | 0:27:27 | |
under the care of the innovative doctor Jean Marc Itard, | 0:27:27 | 0:27:30 | |
who was working at the recently established Institute for Deaf Mutes. | 0:27:30 | 0:27:35 | |
The boy, whom they named Victor, | 0:27:36 | 0:27:38 | |
having experienced almost nothing of society and no education, | 0:27:38 | 0:27:43 | |
was considered something of a blank slate. | 0:27:43 | 0:27:46 | |
Victor? | 0:27:46 | 0:27:47 | |
Tu veux un peu de lait? Du lait? | 0:27:48 | 0:27:51 | |
Most significantly, he was unable to speak, suggesting that language | 0:27:51 | 0:27:56 | |
is not just genetic - it needs to be learned from others. | 0:27:56 | 0:28:00 | |
Doucement, doucement. Pas si vite, pas si vite. | 0:28:00 | 0:28:03 | |
For the next five years, Itard devoted himself to Victor. | 0:28:05 | 0:28:09 | |
He taught him how to eat, how to use the toilet, | 0:28:09 | 0:28:11 | |
how to restrain his animal urges, | 0:28:11 | 0:28:14 | |
in particular with the female inmates once he had reached puberty. | 0:28:14 | 0:28:18 | |
And of course, how to speak French. | 0:28:18 | 0:28:20 | |
Victor, Victor. | 0:28:20 | 0:28:23 | |
Va chercher la plume. | 0:28:23 | 0:28:24 | |
Va chercher la plume. | 0:28:24 | 0:28:26 | |
Victor's vocal cords, like any muscle unused to exercise, needed training. | 0:28:29 | 0:28:35 | |
Just as a baby learns to babble, | 0:28:35 | 0:28:37 | |
so Victor started to learn to articulate sounds. | 0:28:37 | 0:28:42 | |
Mar... | 0:28:43 | 0:28:44 | |
Mar-teau. Mar-teau. Mar-teau. | 0:28:44 | 0:28:48 | |
..teau. | 0:28:48 | 0:28:50 | |
Tres bien. Prends le pomme de terre. | 0:28:50 | 0:28:52 | |
Doucement, doucement. Pas si vite. | 0:28:54 | 0:28:56 | |
Le retrouve. Fort, comme ca. Direct. Encore. | 0:28:56 | 0:28:59 | |
Despite remaining in Itard's care until his death aged 42, | 0:28:59 | 0:29:04 | |
Victor never learned to talk. | 0:29:04 | 0:29:08 | |
The reasons why were never established. | 0:29:08 | 0:29:10 | |
Perhaps it was a congenital defect or psychological trauma, | 0:29:10 | 0:29:15 | |
or perhaps Victor simply started to learn too late. | 0:29:15 | 0:29:18 | |
Oui. Tres bien, tres bien. | 0:29:20 | 0:29:21 | |
The trouble is, cases like Victor make for messy scientific study | 0:29:21 | 0:29:24 | |
because, by definition, with all feral children their backgrounds are unclear. | 0:29:24 | 0:29:29 | |
What seems certain is that there is a window for language acquisition, | 0:29:29 | 0:29:33 | |
which closes round about early puberty. | 0:29:33 | 0:29:35 | |
Then it's much more difficult to acquire language. | 0:29:35 | 0:29:38 | |
Of course we do, as we often learn foreign languages | 0:29:38 | 0:29:42 | |
but, as most of us can testify, | 0:29:42 | 0:29:44 | |
it becomes a lot more difficult as the brain loses plasticity. | 0:29:44 | 0:29:48 | |
One thing, though, is certain - by the age of five, | 0:29:48 | 0:29:50 | |
most of us will have acquired the gift of language. | 0:29:50 | 0:29:54 | |
To study this magical process, Dr Deb Roy of the Massachusetts Institute of Technology | 0:29:57 | 0:30:02 | |
had cameras installed throughout his house. | 0:30:02 | 0:30:06 | |
For three years, Dr Roy filmed his son as he began to talk. | 0:30:06 | 0:30:11 | |
WOMAN: OK, water. Water. | 0:30:11 | 0:30:14 | |
Dr Roy's son was right on schedule. | 0:30:16 | 0:30:19 | |
At first, he spoke in simple phonemes - | 0:30:19 | 0:30:21 | |
the "wahs" and "gahs". | 0:30:21 | 0:30:24 | |
By 18 months, he had progressed to words and phrases. | 0:30:24 | 0:30:28 | |
After 24 months, like most other children, | 0:30:32 | 0:30:36 | |
he was acquiring ten new words a day. | 0:30:36 | 0:30:40 | |
And how is Ruby, the little girl we met earlier in the film, | 0:30:45 | 0:30:48 | |
how is she doing? | 0:30:48 | 0:30:50 | |
Hello. | 0:30:51 | 0:30:53 | |
RUBY: Come in. | 0:30:53 | 0:30:55 | |
HE LAUGHS | 0:30:55 | 0:30:56 | |
-Who's that? Who said that noise? -Poo. | 0:30:56 | 0:31:00 | |
RUBY SPEAKS IN DISTANCE | 0:31:00 | 0:31:04 | |
It's a mixture of melody... | 0:31:04 | 0:31:07 | |
RUBY CONTINUES | 0:31:07 | 0:31:10 | |
HE LAUGHS | 0:31:10 | 0:31:12 | |
-I've a horrible feeling my first word might even have been "sorry". -Baby's chair. | 0:31:12 | 0:31:16 | |
-Baby's chair. -Baby chair. | 0:31:16 | 0:31:20 | |
Baby chair. That's exactly right. | 0:31:20 | 0:31:22 | |
There is the baby's chair and both the babies are on the chair now. | 0:31:22 | 0:31:28 | |
Today is actually her second birthday, so quite literally she is two. | 0:31:28 | 0:31:32 | |
And she's not your first child. | 0:31:33 | 0:31:36 | |
So you've had the opportunity to observe children learning, | 0:31:36 | 0:31:40 | |
acquiring - as I believe the technical phrase is - language before. | 0:31:40 | 0:31:45 | |
-Yes. -And I suppose you are probably more relaxed by the time it's the third one. | 0:31:45 | 0:31:51 | |
Well, yes, and also it's more funny, | 0:31:51 | 0:31:53 | |
because you kind of make it more of a laugh rather than... | 0:31:53 | 0:31:56 | |
With your first, you're slightly watching what everyone else's kids are doing - | 0:31:56 | 0:32:01 | |
to see when their language is coming, is mine advanced, is mine behind? | 0:32:01 | 0:32:06 | |
Whereas with this one, it doesn't matter. | 0:32:06 | 0:32:09 | |
You know it will come whenever she's ready. | 0:32:09 | 0:32:11 | |
And she's got her siblings to help her. | 0:32:11 | 0:32:14 | |
Well, yes, and to be quite annoying. | 0:32:14 | 0:32:16 | |
Because they are always trying to get her to say all the bad stuff. | 0:32:16 | 0:32:19 | |
Of course they are. | 0:32:19 | 0:32:21 | |
Which is great, but it means she's not necessarily learning the words you want her to learn. | 0:32:21 | 0:32:26 | |
My apple, thank you. | 0:32:26 | 0:32:29 | |
-Apple. -Apple. Exactly. | 0:32:29 | 0:32:33 | |
'From here on in, Ruby's vocabulary grows day by day.' | 0:32:33 | 0:32:37 | |
SHE CHUCKLES Bye-bye. | 0:32:38 | 0:32:40 | |
Bye-bye. | 0:32:40 | 0:32:42 | |
Hello. | 0:32:42 | 0:32:44 | |
Hello. | 0:32:44 | 0:32:46 | |
SHE BLOWS A RASPBERRY | 0:32:46 | 0:32:48 | |
-I... -I... | 0:32:48 | 0:32:49 | |
-..am... -..am... | 0:32:49 | 0:32:51 | |
-..a... -..a... | 0:32:51 | 0:32:54 | |
-..banana. -..bana-nana. | 0:32:54 | 0:32:58 | |
What is your name? | 0:32:58 | 0:33:00 | |
Mary. | 0:33:00 | 0:33:02 | |
No, what is your name? | 0:33:02 | 0:33:04 | |
Ruby. | 0:33:04 | 0:33:06 | |
Yes! Well done. | 0:33:06 | 0:33:07 | |
-What is your name? -Ruby. | 0:33:07 | 0:33:10 | |
'It's wonderful watching Ruby starting to speak.' | 0:33:10 | 0:33:13 | |
'I want to know more about how children manage this miraculous process, | 0:33:13 | 0:33:19 | |
'so I've come to see a bit of a hero of mine - | 0:33:19 | 0:33:21 | |
'the renowned academic and author, Professor Steven Pinker.' | 0:33:21 | 0:33:26 | |
I wondered if you could explain to me what current thinking might be about language acquisition. | 0:33:26 | 0:33:31 | |
Presumably, it needs society, it needs encouraging. | 0:33:31 | 0:33:34 | |
Language, at a bare minimum, needs words, | 0:33:34 | 0:33:37 | |
and the words have to be the same words that everyone else is using. | 0:33:37 | 0:33:40 | |
If you had your own private language, | 0:33:40 | 0:33:42 | |
even if it were possible for language to spring up out of the brain, it would be useless. | 0:33:42 | 0:33:47 | |
No-one would know or understand a word you're saying. | 0:33:47 | 0:33:50 | |
So the child has to be attuned to the words that are floating around | 0:33:50 | 0:33:54 | |
in the linguistic environment. | 0:33:54 | 0:33:56 | |
There also has to be some kind of talent in the child's brain | 0:33:56 | 0:34:01 | |
that allows them not just to parrot back the exact words and sentences they've heard, | 0:34:01 | 0:34:05 | |
it would be upsetting if that's what your child did. | 0:34:05 | 0:34:08 | |
We expect children, from the beginning, to compose their own sentences. | 0:34:08 | 0:34:12 | |
To abstract the rules of combination, the rules of grammar, | 0:34:12 | 0:34:17 | |
so that they can talk about new events and new thoughts | 0:34:17 | 0:34:21 | |
and take the familiar words but rearrange them in new sentences. | 0:34:21 | 0:34:25 | |
'What's really amazing is that with this gift of grammar, | 0:34:25 | 0:34:30 | |
'we can go beyond forming our own simple sentences | 0:34:30 | 0:34:33 | |
'and begin to be creative with language.' | 0:34:33 | 0:34:35 | |
Even a young child can come up with a sentence | 0:34:35 | 0:34:37 | |
that has never been uttered in the history of their language? | 0:34:37 | 0:34:41 | |
Right from the beginning, from the time at which children first start putting words together, | 0:34:41 | 0:34:45 | |
some of those combinations are clearly from their own creativity. | 0:34:45 | 0:34:49 | |
An example - a child whose hands were covered with jam | 0:34:49 | 0:34:53 | |
and wanted mother to wash them. | 0:34:53 | 0:34:55 | |
Mother washed off the jam and the child said, "All gone, sticky." | 0:34:55 | 0:34:58 | |
That doesn't correspond to any adult English sentence, | 0:34:58 | 0:35:03 | |
but the child had those two words and had the formula that put them in that order | 0:35:03 | 0:35:08 | |
to express the idea of the passing of a state. | 0:35:08 | 0:35:11 | |
Imagine a piano keyboard. | 0:35:11 | 0:35:13 | |
88 keys, only 88, and yet hundreds of new melodies, new tunes, new harmonies | 0:35:13 | 0:35:18 | |
are being composed on hundreds of keyboards every day in Dorset alone. | 0:35:18 | 0:35:22 | |
-LAUGHTER -Our language, tiger, | 0:35:22 | 0:35:25 | |
our language, hundreds of thousands of available words, | 0:35:25 | 0:35:29 | |
frillions of legitimate new ideas, | 0:35:29 | 0:35:31 | |
so that I can say the following sentence and be utterly sure that nobody has ever said it before | 0:35:31 | 0:35:36 | |
in the history of human communication. | 0:35:36 | 0:35:39 | |
Hold the newsreader's nose squarely, waiter, | 0:35:39 | 0:35:43 | |
or friendly milk will countermand my trousers. | 0:35:43 | 0:35:47 | |
LAUGHTER | 0:35:47 | 0:35:48 | |
Perfectly ordinary words, but never before put in that precise order. | 0:35:48 | 0:35:55 | |
A unique child delivered of a unique mother. | 0:35:55 | 0:35:58 | |
CHILDREN CHATTER | 0:35:58 | 0:36:01 | |
A path-breaking way of investigating how children instinctively use grammar was created in 1958 | 0:36:01 | 0:36:07 | |
by a pioneering psycholinguist, who I've come to meet today - | 0:36:07 | 0:36:12 | |
Jean Berko Gleason. | 0:36:12 | 0:36:14 | |
-Hello. -This is Twyla. | 0:36:14 | 0:36:17 | |
Twyla. One of my favourites names. | 0:36:17 | 0:36:19 | |
-Twyla is a famous woman. How old are you, Twyla? -Four-and-a-half. | 0:36:19 | 0:36:23 | |
-Four-and-a-half! A good age. -OK, Twyla, er, hi. -Hi. | 0:36:23 | 0:36:29 | |
I'm going to show you some pictures, OK? | 0:36:29 | 0:36:32 | |
'It's called the Wug test and Jean still uses the original cards she designed half a century ago.' | 0:36:32 | 0:36:37 | |
-This is a Wug. -'They show that even with nonsense words they've never heard before, | 0:36:37 | 0:36:43 | |
'children can use grammatical rules that they've somehow absorbed.' | 0:36:43 | 0:36:47 | |
-What are they? You tell me. -Wugs. | 0:36:47 | 0:36:50 | |
-Say that louder. -Wugs. -Wugs is great. | 0:36:50 | 0:36:53 | |
Very good. | 0:36:53 | 0:36:55 | |
OK. | 0:36:55 | 0:36:57 | |
This is a man who knows how to bing. He is binging. He did the same thing yesterday. | 0:36:57 | 0:37:02 | |
What did he do yesterday? Yesterday, he...? | 0:37:02 | 0:37:04 | |
-Binged. -Binged. Very nice. | 0:37:04 | 0:37:07 | |
-Yes. -Here is a man who knows how to zib. | 0:37:07 | 0:37:12 | |
So what is he doing? He is...? | 0:37:12 | 0:37:14 | |
Zib... | 0:37:14 | 0:37:16 | |
-Zibbing. -Zibbing! -Zibbing! -Very good. | 0:37:16 | 0:37:18 | |
What would you call a man whose job is to zib? | 0:37:18 | 0:37:22 | |
He has to do it every day, his job is to zib. So he is a...? | 0:37:26 | 0:37:30 | |
-Zibber. -Mmm! | 0:37:30 | 0:37:33 | |
Very, very, very good. | 0:37:33 | 0:37:35 | |
Is there evidence as to how many times a child who's right in the flush of language acquisition | 0:37:35 | 0:37:40 | |
needs to hear someone not correct them, exactly... | 0:37:40 | 0:37:44 | |
They say, "I think that..." "Oh, you thought it, did you?" | 0:37:44 | 0:37:47 | |
But the amount of speech that parents provide for their kids at home, | 0:37:47 | 0:37:53 | |
before they get to school, is crucial, | 0:37:53 | 0:37:56 | |
absolutely crucial. All the research has shown that hearing a lot of language, | 0:37:56 | 0:38:02 | |
and getting the opportunity to talk in different ways, | 0:38:02 | 0:38:06 | |
really is the kind of insurance you would want for your kids to be successful. | 0:38:06 | 0:38:11 | |
So actually trying to coach them, or correct them, | 0:38:11 | 0:38:14 | |
-is irrelevant in your estimation? -I think so. | 0:38:14 | 0:38:16 | |
I think coaching... But, reading the books and talking to them | 0:38:16 | 0:38:20 | |
and listening to what they say, and giving them | 0:38:20 | 0:38:23 | |
the opportunity to engage in different kinds of linguistic experiences, | 0:38:23 | 0:38:28 | |
in other words, having them tell you what they did, narrative, | 0:38:28 | 0:38:32 | |
but having them describe something. | 0:38:32 | 0:38:35 | |
A lot of different genres that kids might be able to engage in, | 0:38:35 | 0:38:38 | |
that is a wonderful thing for young kids. | 0:38:38 | 0:38:41 | |
Wherever people congregate, they talk, they use language | 0:38:47 | 0:38:51 | |
to affirm, to reaffirm, to confirm, to reassure, to amuse, to beguile, | 0:38:51 | 0:38:56 | |
to delight, because language itself seems to fascinate and delight us. | 0:38:56 | 0:39:00 | |
So much so that perhaps over 400 conlangs, constructed languages, | 0:39:00 | 0:39:05 | |
have been made up, usually out of idealism, like Esperanto, I suppose is the most famous. | 0:39:05 | 0:39:10 | |
Sometimes, languages are made up for more amusing reasons. | 0:39:10 | 0:39:14 | |
ACTORS SHOUTING | 0:39:15 | 0:39:18 | |
HE SPEAKS KLINGON | 0:39:20 | 0:39:23 | |
'One of the newest languages on the planet is Klingon, | 0:39:28 | 0:39:32 | |
'named after the eponymous Star Trek species.' | 0:39:32 | 0:39:36 | |
'My guest appearance in the Klingon version of Shakespeare's Hamlet | 0:39:37 | 0:39:42 | |
'is not one of my proudest theatrical moments.' | 0:39:42 | 0:39:45 | |
AUDIENCE LAUGHTER | 0:39:45 | 0:39:46 | |
That really hurts, actually. | 0:39:48 | 0:39:50 | |
LAUGHTER | 0:39:50 | 0:39:52 | |
'Backstage, before the performance, | 0:40:02 | 0:40:04 | |
I chatted to a level 4 Klingon speaker, the highest you can be. | 0:40:04 | 0:40:09 | |
'D'Armond Speers is a computational linguist who took the unusual step | 0:40:09 | 0:40:14 | |
'of teaching his son Klingon as his first language.' | 0:40:14 | 0:40:18 | |
We had a lot of fun. We would play language games, | 0:40:19 | 0:40:22 | |
so I would say things to him like... HE SPEAKS KLINGON | 0:40:22 | 0:40:25 | |
He would point to my cheek - where's my cheek? | 0:40:27 | 0:40:29 | |
I would say... HE SPEAKS KLINGON | 0:40:29 | 0:40:31 | |
-..and he would point to his nose. -Wow. | 0:40:31 | 0:40:33 | |
One day, we were playing on the carpet in the living room | 0:40:33 | 0:40:36 | |
and I had his bottle that he would drink from. | 0:40:36 | 0:40:39 | |
We didn't have a word for bottle, diaper, we didn't have a word for, you know, high chair. | 0:40:39 | 0:40:44 | |
-Domestic things. They're not domestic people, the Klingons. -I had words for shuttlecraft, | 0:40:44 | 0:40:49 | |
and phaser and transporter ionisation unit - I didn't have "bottle". | 0:40:49 | 0:40:54 | |
So we were using the word for bottle that is a drinking vessel. | 0:40:54 | 0:40:58 | |
And I said to him one day... We had this game, "This or that". | 0:40:58 | 0:41:04 | |
And so I said to him... HE SPEAKS KLINGON | 0:41:04 | 0:41:07 | |
So I used the word for bottle, I used it with a suffix, | 0:41:07 | 0:41:10 | |
I used it in a sentence. | 0:41:10 | 0:41:12 | |
I didn't point at it, look at it, I didn't do anything like that. | 0:41:12 | 0:41:15 | |
And this two-year old kid, baby, toddler, | 0:41:15 | 0:41:18 | |
started crawling over to the bottle and grabbed the bottle. | 0:41:18 | 0:41:21 | |
At that moment, I knew this was working. He was learning this language. It was very exciting. | 0:41:21 | 0:41:26 | |
SHE GROANS | 0:41:26 | 0:41:28 | |
HE SPEAKS KLINGON | 0:41:28 | 0:41:30 | |
LAUGHTER | 0:41:31 | 0:41:33 | |
One of the other things we did was we had a lullaby that we would sing every night. | 0:41:42 | 0:41:47 | |
The Klingon imperial anthem. HE LAUGHS | 0:41:47 | 0:41:51 | |
HE SPEAKS TITLE IN KLINGON "May The Empire Endure. | 0:41:51 | 0:41:54 | |
And we sang it as a lullaby. | 0:41:54 | 0:41:56 | |
I'm so picturing this baby in a Pooh Bear onesie, | 0:41:56 | 0:42:00 | |
-singing the Klingon Empire song. -Absolutely right. | 0:42:00 | 0:42:03 | |
There were things like that and he was learning to count and he was learning colours, | 0:42:03 | 0:42:08 | |
and he was learning words. | 0:42:08 | 0:42:10 | |
But as he went from two-and-a-half to three years old, he stopped. | 0:42:10 | 0:42:14 | |
He stopped being interested, | 0:42:14 | 0:42:16 | |
he stopped enjoying doing it with me as much. | 0:42:16 | 0:42:19 | |
I would say something in Klingon and he would say it back in English, | 0:42:19 | 0:42:22 | |
-and I would try to encourage him. -Ooh... -He started to resist it. | 0:42:22 | 0:42:26 | |
And it was fun and interesting. When it stopped being fun and interesting, I stopped doing it. | 0:42:26 | 0:42:32 | |
SHE SPEAKS KLINGON | 0:42:32 | 0:42:34 | |
'Klingon was little use to D'Armond's son in communicating with the outside world | 0:42:35 | 0:42:40 | |
'and that is the key factor in whether a language survives and flourishes, or dies.' | 0:42:40 | 0:42:46 | |
'One of the most enduringly practical forms of communication | 0:42:51 | 0:42:55 | |
'is sign language for the deaf.' | 0:42:55 | 0:42:57 | |
Surprise. | 0:42:57 | 0:42:59 | |
Shock. | 0:42:59 | 0:43:01 | |
'Since the first form of it was codified in Paris in 1760, | 0:43:02 | 0:43:06 | |
'over 200 different versions have evolved.' | 0:43:06 | 0:43:11 | |
'But can we really call this a language?' | 0:43:11 | 0:43:13 | |
TRANSLATION: Hello. My name is Claudia. And I am from Germany. | 0:43:14 | 0:43:19 | |
TRANSLATION: Hello. I'm Ian. And I'm from New Hampshire. | 0:43:20 | 0:43:25 | |
Hello. I'm Janice and I'm from Oklahoma. | 0:43:26 | 0:43:30 | |
And we're the Little Theatre Of The Deaf. | 0:43:31 | 0:43:34 | |
LAUGHTER AND APPLAUSE | 0:43:35 | 0:43:37 | |
So, Janice, perhaps you can ask Ian and Claudia to explain to me, | 0:43:40 | 0:43:47 | |
in all my ignorance, | 0:43:47 | 0:43:48 | |
why sign language is more than just gestures, and why it is a complete language. | 0:43:48 | 0:43:53 | |
TRANSLATION: Sign language really is part of language because... | 0:43:59 | 0:44:04 | |
we can't hear, but we can communicate. | 0:44:04 | 0:44:07 | |
It's a visual language. | 0:44:08 | 0:44:10 | |
Instead of hearing it and depending on our ears, | 0:44:12 | 0:44:16 | |
we sign it and we depend on our eyes. | 0:44:16 | 0:44:18 | |
We don't just make up signs, there are actual words that have pictures and meaning and structure, | 0:44:18 | 0:44:23 | |
sentence structure and concepts. | 0:44:23 | 0:44:26 | |
Everything is involved so that it's clear and understandable communication. | 0:44:27 | 0:44:32 | |
And Claudia, you're German. | 0:44:32 | 0:44:35 | |
In Germany, is there a...is there a Deutsche Zeichensprache? | 0:44:35 | 0:44:41 | |
Go on, say that! | 0:44:41 | 0:44:43 | |
-Deutsche Zeichensprache. -She doesn't interpret German! | 0:44:45 | 0:44:47 | |
I'm only kidding. But is there a Germanic sign language | 0:44:47 | 0:44:53 | |
that's different from French or Italian, let alone American? | 0:44:53 | 0:44:58 | |
Yes, it's very different. | 0:44:58 | 0:45:01 | |
Just as the writing is different in every language. | 0:45:01 | 0:45:04 | |
So an Italian signer would not be able to understand a German signer? | 0:45:04 | 0:45:08 | |
-No. -No. | 0:45:10 | 0:45:12 | |
It's very interesting. | 0:45:12 | 0:45:13 | |
One afternoon, there was a large wolf that waited in a dark forest... | 0:45:13 | 0:45:20 | |
AUDIENCE LAUGHS | 0:45:20 | 0:45:22 | |
..for a little girl to come along. | 0:45:28 | 0:45:31 | |
Finally, a little girl did come along | 0:45:33 | 0:45:35 | |
and she was carrying a basket of food. | 0:45:35 | 0:45:38 | |
AUDIENCE LAUGHS | 0:45:39 | 0:45:41 | |
Are you... | 0:45:41 | 0:45:42 | |
'How do you agree on a sign? | 0:45:42 | 0:45:45 | |
'Does it spread very quickly?' | 0:45:45 | 0:45:47 | |
That this is going to be the sign for Barack Obama, for example? | 0:45:47 | 0:45:51 | |
TRANSLATION: Really, it starts with a big name, like Obama. | 0:45:56 | 0:46:00 | |
Typically, there's an agreement and it just sort of develops | 0:46:01 | 0:46:05 | |
with... | 0:46:05 | 0:46:07 | |
with big deaf...politicians. | 0:46:07 | 0:46:12 | |
No? P... Population. | 0:46:12 | 0:46:15 | |
What is Barack Obama, for example? | 0:46:15 | 0:46:17 | |
Right. And can you give me the derivation of that? | 0:46:23 | 0:46:26 | |
Where would that have come from? Is it BO, | 0:46:26 | 0:46:29 | |
or is it... It's not the letters "B" and "O", is it? | 0:46:29 | 0:46:32 | |
-It's "O". -"O". | 0:46:32 | 0:46:33 | |
-Something about the flag. -Ah, right. | 0:46:35 | 0:46:38 | |
-Emphasise the "O" and then, like, the flag, the American flag. -I see. -Obama. | 0:46:38 | 0:46:43 | |
Ask Claudia this, not meaning to be offensive but it's interesting, because as a German, | 0:46:43 | 0:46:49 | |
there may be a different sign for Adolf Hitler | 0:46:49 | 0:46:51 | |
from one that we might use in the rest of the world, for example. | 0:46:51 | 0:46:55 | |
He is one of the most famous images... | 0:46:55 | 0:46:57 | |
I guess, if you were British, you'd just do the moustache. | 0:46:57 | 0:47:01 | |
-What's the American sign? -Yeah. The moustache, exactly. | 0:47:01 | 0:47:04 | |
That's what I thought. And in German? | 0:47:04 | 0:47:07 | |
Normally, it's the same but I have... | 0:47:07 | 0:47:11 | |
Um... | 0:47:11 | 0:47:12 | |
Some people sign... | 0:47:12 | 0:47:15 | |
like a combination of how... | 0:47:15 | 0:47:17 | |
And the salute, hidden into... Yes. Very interesting. | 0:47:17 | 0:47:20 | |
OK, Madonna. | 0:47:22 | 0:47:23 | |
I don't want to sign that one. | 0:47:26 | 0:47:28 | |
That's interesting, is that like pointy breasts? | 0:47:28 | 0:47:31 | |
There. You see. Exactly. | 0:47:31 | 0:47:33 | |
That's what's so wonderful about sign languages, | 0:47:33 | 0:47:35 | |
you can do things that incorporate the character and the reputation of the person, | 0:47:35 | 0:47:40 | |
not just the dull spelling of their name. It can be witty. | 0:47:40 | 0:47:43 | |
TRANSLATION: I agree with that. | 0:47:48 | 0:47:50 | |
-And deaf tend to put more of the spirit in the language. -Yeah. | 0:47:52 | 0:47:57 | |
So that they get a reaction... "OK." | 0:47:57 | 0:48:00 | |
It has a good effect. | 0:48:01 | 0:48:03 | |
SHE SCREAMS | 0:48:03 | 0:48:04 | |
When she opened the door, all the girls saw | 0:48:10 | 0:48:14 | |
that there someone in bed with the nightcap and a nightgown on. | 0:48:14 | 0:48:18 | |
But she had approached no nearer than 25 feet | 0:48:20 | 0:48:24 | |
when she realised it was not her grandmother, | 0:48:24 | 0:48:27 | |
but the wolf. | 0:48:27 | 0:48:28 | |
For even in a nightcap, a wolf does not look any more like your grandmother | 0:48:30 | 0:48:34 | |
than the MGM lion looks like Calvin Coolidge. | 0:48:34 | 0:48:38 | |
AUDIENCE LAUGHS | 0:48:38 | 0:48:41 | |
So, she reached into her basket, | 0:48:41 | 0:48:43 | |
pulled out an automatic | 0:48:43 | 0:48:45 | |
And shot the wolf dead. | 0:48:45 | 0:48:47 | |
LAUGHTER | 0:48:47 | 0:48:49 | |
Moral - | 0:48:54 | 0:48:55 | |
it's not so easy to fool little girls nowadays as it used to be. | 0:48:55 | 0:48:59 | |
LAUGHTER AND APPLAUSE | 0:48:59 | 0:49:00 | |
The question of how thought and language came about in the human race | 0:49:16 | 0:49:20 | |
is one of central concern, so it's hardly surprising we've spent thousands of years | 0:49:20 | 0:49:25 | |
thinking and speaking about it. | 0:49:25 | 0:49:26 | |
The biblical account suggests Adam and Eve spoke a prelapsarian language, | 0:49:26 | 0:49:31 | |
a single language of paradise. | 0:49:31 | 0:49:33 | |
And then came the Tower of Babel | 0:49:33 | 0:49:35 | |
and thousands of languages were unleashed upon the planet, | 0:49:35 | 0:49:38 | |
and we were all doomed to crawl on its surface for eternity, | 0:49:38 | 0:49:42 | |
misunderstanding each other. | 0:49:42 | 0:49:44 | |
Not surprisingly, people became obsessed with the idea | 0:49:44 | 0:49:47 | |
of what that primary language of Adam and Eve's was, | 0:49:47 | 0:49:49 | |
even if it was only a metaphor. What did mankind first speak? | 0:49:49 | 0:49:54 | |
'The Old Testament Babel myth doesn't quite do it for me, | 0:50:01 | 0:50:05 | |
'but, 250 years ago, one of the greatest of linguistic forensic discoveries | 0:50:05 | 0:50:11 | |
'was unearthed here by two brothers.' | 0:50:11 | 0:50:14 | |
This is the famous Leipzig Christmas market, | 0:50:16 | 0:50:19 | |
and it all looks rather a fairy tale. | 0:50:19 | 0:50:22 | |
It's quite appropriate, because aside from being remembered for JS Bach, | 0:50:22 | 0:50:26 | |
Leipzig is also remembered for the Brothers Grimm, | 0:50:26 | 0:50:28 | |
progenitors of some of the best loved fairy tales Europe ever produced. | 0:50:28 | 0:50:32 | |
Also, and perhaps you may not know this, the Brothers Grimm | 0:50:32 | 0:50:35 | |
were responsible for founding the signs of linguistics, | 0:50:35 | 0:50:38 | |
what the Germans call philology, tracing back to the very roots, the languages of the world. | 0:50:38 | 0:50:44 | |
Professor Wolfgang Klein is a philologist and psycholinguistic, | 0:50:47 | 0:50:52 | |
currently working on Grimm's original documents. | 0:50:52 | 0:50:56 | |
I suppose Jacob's greatest contribution is called Grimm's Law, or Rask's-Grimm's Law? | 0:50:56 | 0:51:02 | |
That's true, both terms exist, actually. | 0:51:02 | 0:51:04 | |
What people noticed, actually began to notice systematically, | 0:51:04 | 0:51:08 | |
let me say the second half of the 18th century, | 0:51:08 | 0:51:11 | |
is there are many similarities and correspondences between languages. | 0:51:11 | 0:51:16 | |
They discovered there are similar words in languages, as remote as Sanskrit and Greek, | 0:51:16 | 0:51:22 | |
and then the Germanic languages. | 0:51:22 | 0:51:24 | |
-Sanskrit is an ancient Indian language? -True. Absolutely true. | 0:51:24 | 0:51:28 | |
There is huge distance and still words sometimes sound surprisingly similar. | 0:51:28 | 0:51:33 | |
It's not just accidental. Sometimes the similarities are completely accidental, but not in that case. | 0:51:33 | 0:51:39 | |
'Grimm's Law, as it became known, | 0:51:41 | 0:51:43 | |
'showed how the consonants of different Indo-European languages relate to each other.' | 0:51:43 | 0:51:48 | |
'For example, there's a relationship between words beginning with "P" in Sanskrit, Latin or Greek, | 0:51:48 | 0:51:55 | |
'and "F" in Germanic languages, including English. | 0:51:55 | 0:51:59 | |
'So "pater" in Latin becomes "father" in English. | 0:51:59 | 0:52:02 | |
'This single language - proto-Indo-European, or PIE - the root to over 2,000, | 0:52:02 | 0:52:08 | |
'is thought to have been spoken more than 5,000 years ago | 0:52:08 | 0:52:11 | |
'in the Steppes of Southern Russia. | 0:52:11 | 0:52:13 | |
'As tribes migrated through Europe and Asia, | 0:52:13 | 0:52:16 | |
'PIE split into a number of dialects, and these, in time, developed into separate languages.' | 0:52:16 | 0:52:22 | |
PIE isn't the first language that humanity spoke, | 0:52:22 | 0:52:26 | |
but is the first of which we have evidence. | 0:52:26 | 0:52:29 | |
This English that we speak that you are very kindly speaking as fluently as anybody can, frankly, | 0:52:30 | 0:52:38 | |
it seems so natural to us and it seems so separate. | 0:52:38 | 0:52:42 | |
It seems so different from German, from French, | 0:52:42 | 0:52:45 | |
certainly different from Danish. | 0:52:45 | 0:52:47 | |
Yeah. It is. | 0:52:47 | 0:52:50 | |
Any of these languages and Persian languages, | 0:52:50 | 0:52:53 | |
and yet, with this common ancestor. It's quite extraordinary. | 0:52:53 | 0:52:57 | |
Do you think in some sense it's necessary for mankind to have so many languages? | 0:52:57 | 0:53:03 | |
-Well... -Why Babel? Why did it happen? | 0:53:03 | 0:53:06 | |
First of all, it's beautiful and I wonder | 0:53:06 | 0:53:09 | |
whether this argument, biology, is not also a romantic argument. | 0:53:09 | 0:53:13 | |
I really would like to see the evidence that it is necessary, | 0:53:13 | 0:53:16 | |
but it's beautiful to have many species. | 0:53:16 | 0:53:18 | |
Beautiful not to have just one type of cat, but many types of cats. | 0:53:18 | 0:53:23 | |
In that sense, that argument also applies to languages. | 0:53:23 | 0:53:26 | |
Beautiful to see all of this. The Romans said "varietas delectat". | 0:53:26 | 0:53:30 | |
They have many things that are beautiful here. | 0:53:30 | 0:53:32 | |
What would you regard as the thing about language | 0:53:32 | 0:53:36 | |
that keeps you getting up every morning and being excited about your job? | 0:53:36 | 0:53:40 | |
I mean, everything, what makes human beings human, is based on language. | 0:53:40 | 0:53:45 | |
Our species perhaps could live together without a language, | 0:53:45 | 0:53:48 | |
but then it wouldn't be what we call the human species. | 0:53:48 | 0:53:51 | |
Whatever we know, whatever we have done over the centuries | 0:53:51 | 0:53:55 | |
is based on language, on languages and language. | 0:53:55 | 0:53:59 | |
Some would argue that the 6,000-plus languages we speak on the planet | 0:54:06 | 0:54:10 | |
are structurally just one primal human tongue. | 0:54:10 | 0:54:13 | |
What's amazing is how quickly language evolves | 0:54:13 | 0:54:16 | |
according to how quickly children can develop slang | 0:54:16 | 0:54:19 | |
or how quickly culture and technology demands. | 0:54:19 | 0:54:22 | |
There's a constant practicality about the way | 0:54:22 | 0:54:25 | |
we use language, as well as a deep beauty. | 0:54:25 | 0:54:28 | |
One thing's for certain, language will never stay still. | 0:54:28 | 0:54:32 | |
Mummy! Mummy! | 0:54:33 | 0:54:36 | |
'And finally, aged two and three months, | 0:54:36 | 0:54:39 | |
'Ruby is chatting away in complete sentences with her siblings. | 0:54:39 | 0:54:44 | |
'She understands more than she says and, over the next year, her vocabulary will explode.' | 0:54:45 | 0:54:51 | |
'Some children, perhaps Ruby will be one of them, | 0:54:55 | 0:54:58 | |
'do not stop at learning one language. | 0:54:58 | 0:55:01 | |
'And there are plenty of others to choose from. | 0:55:02 | 0:55:05 | |
'There are currently 194 member states | 0:55:07 | 0:55:10 | |
'belonging to the United Nations, | 0:55:10 | 0:55:12 | |
'with over 6,000 languages spoken in them.' | 0:55:12 | 0:55:16 | |
They are saying these demonstrators are followers of Bin Laden | 0:55:18 | 0:55:22 | |
and I ask him is the six-month-old baby who was killed | 0:55:22 | 0:55:25 | |
a follower of Bin Laden, also? | 0:55:25 | 0:55:27 | |
'Maybe many of our species' troubles could be avoided | 0:55:27 | 0:55:30 | |
'if we understood each other better. | 0:55:30 | 0:55:33 | |
'Would having one world language, be it Esperanto, English | 0:55:33 | 0:55:37 | |
'or, to be utterly neutral and possibly perverse, Klingon, | 0:55:37 | 0:55:41 | |
'even be an advantage? | 0:55:41 | 0:55:43 | |
'Perhaps in world forums like here in the UN Security Council, | 0:55:43 | 0:55:48 | |
'which is currently in session discussing the Libyan crisis, | 0:55:48 | 0:55:52 | |
'it would. But then it would also put Zahar out of the job.' | 0:55:52 | 0:55:57 | |
-How many working languages are there? -Two. English and French. -So that's it? | 0:55:57 | 0:56:01 | |
-Just English and French. -For the working languages. -I see. | 0:56:01 | 0:56:04 | |
-Then there are official languages. -Six of them. -Only six? -Yes. | 0:56:04 | 0:56:08 | |
The official languages are English, French, Spanish, Russian, Chinese | 0:56:08 | 0:56:14 | |
and Arabic, which is the most recent addition to the official languages. | 0:56:14 | 0:56:18 | |
SHE TRANSLATES FROM ENGLISH | 0:56:18 | 0:56:23 | |
That is rather wonderful, watching you translate simultaneously, | 0:56:33 | 0:56:37 | |
it seems like an extraordinary thing, like a conductor being able to read a music score. | 0:56:37 | 0:56:42 | |
It's incredible the human brain can do this. | 0:56:42 | 0:56:44 | |
I look down here and it's almost like a living symbol of the Tower of Babel, | 0:56:44 | 0:56:48 | |
of the fact that mankind split into so many languages. | 0:56:48 | 0:56:52 | |
Do you sometimes think the world would be better if everybody spoke Esperanto? | 0:56:52 | 0:56:56 | |
No, there is a beauty to languages, | 0:56:56 | 0:56:58 | |
each and every language has its own beauty, its own music, | 0:56:58 | 0:57:02 | |
its own imagery, its way of expressing the sentiments | 0:57:02 | 0:57:08 | |
and the nature of the people who speak that language. | 0:57:08 | 0:57:11 | |
It would be a loss if that language did not exist. | 0:57:11 | 0:57:14 | |
I am very much in favour of the Tower of Babel. | 0:57:14 | 0:57:17 | |
This building where the General Assembly of the United Nations meet | 0:57:30 | 0:57:33 | |
perhaps symbolises more than any other what happened to humankind after Babel. | 0:57:33 | 0:57:38 | |
Thousands of voices upraised in different mutually incomprehensible tongues, | 0:57:38 | 0:57:43 | |
trying to comprehend each other, trying to understand, | 0:57:43 | 0:57:46 | |
trying to build some sort of peace out of the wreckage of the 20th century. | 0:57:46 | 0:57:51 | |
Well, they sort of solved the problem by reducing | 0:57:51 | 0:57:54 | |
all those languages to the six working languages of the UN. | 0:57:54 | 0:57:58 | |
And, that way, people do understand each other. | 0:57:58 | 0:58:01 | |
They understand how they think, perhaps, they understand how they communicate | 0:58:01 | 0:58:05 | |
and a little of the history of each language. | 0:58:05 | 0:58:08 | |
But languages do so much more than that. | 0:58:08 | 0:58:10 | |
Languages, in many respects, defined our identities, who we are. | 0:58:10 | 0:58:16 | |
And that's what I'll be looking at next time. | 0:58:16 | 0:58:18 | |
Four times 14. | 0:58:20 | 0:58:22 | |
'From Kenya to Israel, | 0:58:24 | 0:58:26 | |
'Ireland to Oxytown, Newcastle to Barnsley...' | 0:58:26 | 0:58:29 | |
'..I'll be looking at how our 6,000-plus languages and myriad accents | 0:58:31 | 0:58:36 | |
'are threatened with extinction as the global village becomes a reality.' | 0:58:36 | 0:58:42 | |
Subtitles for the deaf and hard-of-hearing by Red Bee Media | 0:59:00 | 0:59:04 | |
E-mail [email protected] | 0:59:04 | 0:59:07 |