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Scotland is changing and growing. | 0:00:02 | 0:00:04 | |
More than five million people now live and work here... | 0:00:04 | 0:00:07 | |
..from the big cities to the Highlands and Islands. | 0:00:08 | 0:00:12 | |
You think it's just a quiet backwater where practically nothing goes on, | 0:00:12 | 0:00:15 | |
but it's not. People work very, very hard to make a living. | 0:00:15 | 0:00:17 | |
It's not easy to make a living out here. | 0:00:17 | 0:00:19 | |
Life in the wilderness is being transformed by technology. | 0:00:20 | 0:00:23 | |
Far-flung communities are becoming better connected. | 0:00:23 | 0:00:26 | |
I've no idea how to fly this thing, but I've got an app! | 0:00:27 | 0:00:30 | |
LAUGHTER | 0:00:30 | 0:00:31 | |
And across Scotland, | 0:00:31 | 0:00:33 | |
people are finding new ways to create their ideal home. | 0:00:33 | 0:00:36 | |
I'm the only one that lives in a boat in my class. | 0:00:36 | 0:00:39 | |
So how does modern Scotland work? | 0:00:40 | 0:00:43 | |
How does Scotland's infrastructure keep the country moving? | 0:00:43 | 0:00:47 | |
How are Scotland's remotest communities facing the future, | 0:00:48 | 0:00:52 | |
and how is home life in Scotland changing in the 21st century? | 0:00:52 | 0:00:56 | |
This series goes to the heart of contemporary Scottish life | 0:00:56 | 0:01:00 | |
to reveal how Scotland works. | 0:01:00 | 0:01:03 | |
Scotland is home to almost two and a half million households, | 0:01:09 | 0:01:13 | |
an increase of 7% in the last decade. | 0:01:13 | 0:01:16 | |
They all need somewhere to live. | 0:01:17 | 0:01:19 | |
During the 20th Century, housing in Scotland experienced a revolution. | 0:01:21 | 0:01:25 | |
People moved from the country to the city, | 0:01:25 | 0:01:28 | |
tenements gave way to tower blocks, | 0:01:28 | 0:01:30 | |
and new towns sprang up across the central belt. | 0:01:30 | 0:01:33 | |
But in 21st century Scotland, | 0:01:36 | 0:01:38 | |
finding a home can still be a challenge. | 0:01:38 | 0:01:41 | |
So how are today's Scots tackling this problem? | 0:01:41 | 0:01:44 | |
How are Scotland's most traditional kinds of properties | 0:01:44 | 0:01:48 | |
being repurposed for the modern world? | 0:01:48 | 0:01:50 | |
What goes into creating the ideal home of today? | 0:01:51 | 0:01:54 | |
This is Scotland at home. | 0:01:55 | 0:01:58 | |
This is the stairs, which is our fire escape. | 0:02:15 | 0:02:18 | |
This is basically a chute for your rubbish. | 0:02:21 | 0:02:24 | |
'Lift going down.' | 0:02:25 | 0:02:27 | |
There's 542 stairs if you're walking them. | 0:02:28 | 0:02:31 | |
Betty has been living in this flat on the top floor of a block | 0:02:32 | 0:02:36 | |
in Aberdeen city centre since it was first built in 1978. | 0:02:36 | 0:02:40 | |
I would have been 38th here, and I came in, straight from new. | 0:02:41 | 0:02:45 | |
And the reason I came is because I used to bide across the road, | 0:02:46 | 0:02:51 | |
and I like inner city living. | 0:02:51 | 0:02:54 | |
This was actually slum clearance. | 0:02:56 | 0:02:59 | |
Like, it was tenement flats, | 0:03:00 | 0:03:03 | |
and then they cleared them and put the multies up. | 0:03:03 | 0:03:06 | |
Aberdeen has one of the highest concentrations | 0:03:08 | 0:03:11 | |
of tower blocks in Scotland. | 0:03:11 | 0:03:13 | |
Most were built during the 1960s and '70s | 0:03:13 | 0:03:16 | |
as a radical solution to the city's housing problems. | 0:03:16 | 0:03:19 | |
Most of the folk that I ken lived in the area, | 0:03:21 | 0:03:25 | |
and they wanted to come into the multi | 0:03:25 | 0:03:28 | |
because it still gave them their inner city living. | 0:03:28 | 0:03:30 | |
INTERVIEWER: And they were brand-new, brand spanking new. | 0:03:30 | 0:03:33 | |
Brand spanking new. | 0:03:33 | 0:03:34 | |
You'd to leave them for six months to see if they cracked or anything | 0:03:34 | 0:03:37 | |
before you could even put wallpaper on your walls! | 0:03:37 | 0:03:40 | |
Tower blocks like this one often get a bad press in Scotland. | 0:03:41 | 0:03:45 | |
But Betty wouldn't live anywhere else. | 0:03:45 | 0:03:47 | |
On a nice day, you've got all these clear views right across the city. | 0:03:47 | 0:03:53 | |
You can see right up the coast, | 0:03:53 | 0:03:57 | |
and then this way takes you to the south. | 0:03:57 | 0:04:01 | |
Aberdeen's tower blocks | 0:04:04 | 0:04:05 | |
are currently being refurbished by the council, | 0:04:05 | 0:04:08 | |
and becoming more sought-after than they have been in years. | 0:04:08 | 0:04:11 | |
But the city, like much of Scotland, is still facing a housing shortage. | 0:04:11 | 0:04:16 | |
Today, Aberdeen is one of the fastest-growing cities in Scotland. | 0:04:17 | 0:04:22 | |
It's now home to over 228,000 people, | 0:04:22 | 0:04:26 | |
and the population is projected to grow by more than 25% | 0:04:26 | 0:04:29 | |
over the next 20 years. | 0:04:29 | 0:04:31 | |
All those people are going to need somewhere to live. | 0:04:32 | 0:04:35 | |
So down the road, | 0:04:36 | 0:04:37 | |
an ambitious plan is taking shape that could point to a solution. | 0:04:37 | 0:04:41 | |
It harks back to an earlier housing innovation - | 0:04:44 | 0:04:47 | |
the new town. | 0:04:47 | 0:04:48 | |
In the '60s and '70s, | 0:04:50 | 0:04:51 | |
new towns began to spring up across Scotland's central belt. | 0:04:51 | 0:04:55 | |
Livingston, East Kilbride, Cumbernauld - | 0:04:55 | 0:04:57 | |
these were to be the communities of the future. | 0:04:57 | 0:05:00 | |
Since they were built, | 0:05:01 | 0:05:03 | |
Scotland's original new towns have had a mixed reputation. | 0:05:03 | 0:05:06 | |
But today, ten miles south of Aberdeen, | 0:05:12 | 0:05:16 | |
a new town for the 21st century is being born. | 0:05:16 | 0:05:19 | |
It's called Chapelton, | 0:05:19 | 0:05:22 | |
and it's largely the vision of one man - | 0:05:22 | 0:05:24 | |
the landowner, the Duke of Fife. | 0:05:24 | 0:05:26 | |
We actually have planning permission for 4,000 houses, | 0:05:27 | 0:05:30 | |
but that's really only half the total, that's half the area. | 0:05:30 | 0:05:33 | |
So ultimately we're looking at a masterplan of some 8,000 houses, | 0:05:33 | 0:05:37 | |
and I think that will take 40 years at least to build. | 0:05:37 | 0:05:40 | |
Chapelton is a development with a difference. | 0:05:43 | 0:05:46 | |
Many new housing estates in Scotland are built as add-ons | 0:05:47 | 0:05:50 | |
to existing towns and cities. | 0:05:50 | 0:05:52 | |
But Chapelton is an attempt | 0:05:53 | 0:05:55 | |
to build a completely new community from scratch. | 0:05:55 | 0:05:57 | |
It has been modelled on traditional Scottish towns | 0:05:59 | 0:06:02 | |
like Montrose and St Andrews. | 0:06:02 | 0:06:04 | |
If it succeeds, | 0:06:05 | 0:06:07 | |
this will be one of the first new towns of its kind in Scotland. | 0:06:07 | 0:06:10 | |
In terms of the overall vision for Chapelton, | 0:06:13 | 0:06:16 | |
it's actually very simple. | 0:06:16 | 0:06:18 | |
We simply want to design a place that people feel happy living in. | 0:06:18 | 0:06:21 | |
It really is as simple as that. | 0:06:21 | 0:06:23 | |
Each of these neighbourhoods will have a small centre, | 0:06:24 | 0:06:26 | |
which will provide a limited range of services, | 0:06:26 | 0:06:28 | |
but it may be the home to the primary school as well, | 0:06:28 | 0:06:32 | |
and by creating that little hub there, people will walk up to it, | 0:06:32 | 0:06:36 | |
and in walking up to it, they'll bump into their neighbours, | 0:06:36 | 0:06:38 | |
they'll talk to their neighbours, and that's part of forming a community. | 0:06:38 | 0:06:41 | |
So what we're trying to achieve here | 0:06:41 | 0:06:43 | |
is urban design that allows people to walk around, | 0:06:43 | 0:06:46 | |
feel really comfortable in doing that, and the car moves through - | 0:06:46 | 0:06:49 | |
you have to have cars - it's very important people can get their cars | 0:06:49 | 0:06:52 | |
to where they work or where they want to shop or where they live. | 0:06:52 | 0:06:55 | |
It's very important that can happen but in a way that doesn't dominate. | 0:06:55 | 0:06:58 | |
In one of the first streets to be completed, | 0:07:00 | 0:07:02 | |
Alistair Struthers and his family | 0:07:02 | 0:07:04 | |
are getting ready to move into their new home. | 0:07:04 | 0:07:07 | |
Through here - albeit it's a bit of a work in progress - is the kitchen. | 0:07:07 | 0:07:13 | |
So we've got a dining space, | 0:07:13 | 0:07:14 | |
and we've got the kitchen at the other end, | 0:07:14 | 0:07:16 | |
which is covered in boxes, dust, dirt, | 0:07:16 | 0:07:18 | |
and all the other things that come with construction. | 0:07:18 | 0:07:20 | |
This is going to be our lounge. | 0:07:22 | 0:07:24 | |
So this is where my wife and my... | 0:07:24 | 0:07:26 | |
We've got a wee 11-week-old boy, | 0:07:26 | 0:07:28 | |
so this is where he's going to grow up. | 0:07:28 | 0:07:29 | |
We're going to be here probably for the next 40-odd years. | 0:07:33 | 0:07:35 | |
I love the idea that this town can become | 0:07:36 | 0:07:40 | |
whatever the people that are living in it want to make of it. | 0:07:40 | 0:07:44 | |
It's a really exciting concept. | 0:07:44 | 0:07:47 | |
I've never been involved in it, and I know nobody else here has ever | 0:07:47 | 0:07:49 | |
been involved in creating a whole new town, basically by ourselves. | 0:07:49 | 0:07:54 | |
CHILDREN LAUGH | 0:07:56 | 0:07:58 | |
Down the road, another family has already moved in. | 0:07:58 | 0:08:01 | |
Boomie and Hope Laqcoulia are originally from Nigeria. | 0:08:02 | 0:08:06 | |
They came to Scotland 18 years ago and settled in Aberdeen. | 0:08:06 | 0:08:09 | |
But with a growing family, they needed more space. | 0:08:10 | 0:08:13 | |
And so when they heard about the plans for Chapelton, | 0:08:14 | 0:08:17 | |
they decided to take a leap of faith and move here. | 0:08:17 | 0:08:20 | |
It met more than what we wanted. Yeah. | 0:08:23 | 0:08:26 | |
It's, like, more than our expectation. | 0:08:26 | 0:08:28 | |
It's lovely. | 0:08:28 | 0:08:29 | |
Lovely view. | 0:08:29 | 0:08:31 | |
And for the first few weeks, | 0:08:31 | 0:08:32 | |
it felt like we were staying in a holiday home or something like that! | 0:08:32 | 0:08:35 | |
Yeah. Felt like we were in a hotel. Yeah! | 0:08:35 | 0:08:37 | |
Most houses in Nigeria, you paint your houses yourself, | 0:08:37 | 0:08:41 | |
whatever colours you want it to be, so they're quite colourful. | 0:08:41 | 0:08:44 | |
So having different colours here, you're kind of like, | 0:08:44 | 0:08:46 | |
"Oh, yeah, this is good." SHE LAUGHS | 0:08:46 | 0:08:49 | |
Rather than everything looking all the same, you know, | 0:08:49 | 0:08:52 | |
so all the houses are different. | 0:08:52 | 0:08:54 | |
We stayed in Aberdeen... | 0:08:54 | 0:08:56 | |
ten years in the same place, | 0:08:56 | 0:08:57 | |
but we only really connected to one neighbour. | 0:08:57 | 0:08:59 | |
Yeah. | 0:08:59 | 0:09:00 | |
Here, we've already connected to pretty much everybody you can see. SHE LAUGHS | 0:09:00 | 0:09:06 | |
When it's completed, | 0:09:11 | 0:09:12 | |
Chapelton could have as many as seven distinct neighbourhoods. | 0:09:12 | 0:09:16 | |
Included in the plans are all the amenities | 0:09:16 | 0:09:19 | |
that people in any other Scottish town would take for granted - | 0:09:19 | 0:09:22 | |
shops, schools and office space. | 0:09:22 | 0:09:24 | |
And with so many young families moving in, | 0:09:25 | 0:09:28 | |
one service is a top priority - | 0:09:28 | 0:09:30 | |
the nursery. | 0:09:30 | 0:09:31 | |
This is going to be our baby unit, | 0:09:33 | 0:09:35 | |
which you can see is really nice and bright and light, | 0:09:35 | 0:09:38 | |
and lots of low windows, | 0:09:38 | 0:09:39 | |
so that the children can see outside onto the square, | 0:09:39 | 0:09:42 | |
and so that local people as they pass can see the children. | 0:09:42 | 0:09:45 | |
It's great for the children and the local community | 0:09:45 | 0:09:47 | |
to have that contact and be able to wave and see each other. | 0:09:47 | 0:09:51 | |
In terms of population growth, it's been very exciting. We've already had a number of babies. | 0:09:53 | 0:09:57 | |
We've had some twins, and I think certainly two other singletons. | 0:09:57 | 0:10:00 | |
So it's very exciting seeing the prams going about. | 0:10:00 | 0:10:02 | |
One of Chapelton's newest arrivals is baby Leone. | 0:10:05 | 0:10:08 | |
Her mum and dad moved here because they were drawn to the idea | 0:10:09 | 0:10:12 | |
of being part of this pioneering community. | 0:10:12 | 0:10:14 | |
A big part of the move to Chapelton was the feeling of community. | 0:10:16 | 0:10:20 | |
Already there seems to be a community vibe - | 0:10:20 | 0:10:22 | |
the local coffee shop - | 0:10:22 | 0:10:24 | |
you're getting to see the regulars there, and... | 0:10:24 | 0:10:27 | |
Just walking down the street, everyone says hello, | 0:10:27 | 0:10:30 | |
and neighbours pass you by, and everyone's, you know... | 0:10:30 | 0:10:34 | |
happy that everything's getting developed at the same time. | 0:10:34 | 0:10:37 | |
I can see the kids growing up here. | 0:10:37 | 0:10:39 | |
Going out on their first dates... | 0:10:39 | 0:10:42 | |
And us walking with our walking sticks | 0:10:42 | 0:10:44 | |
and our zimmer frames up the road! | 0:10:44 | 0:10:46 | |
So I think we won't move again. | 0:10:46 | 0:10:48 | |
The young families moving into Chapelton | 0:10:52 | 0:10:54 | |
and planning to grow old there already see it as a home for life. | 0:10:54 | 0:10:58 | |
But they can't know what the future will bring. | 0:10:58 | 0:11:01 | |
And as people get older, they're often faced with difficult choices | 0:11:01 | 0:11:05 | |
about where and how they make their homes. | 0:11:05 | 0:11:08 | |
For Scotland's ageing population, this is becoming a real challenge. | 0:11:09 | 0:11:13 | |
By 2037, it's projected that the number of Scots | 0:11:13 | 0:11:17 | |
aged over 75 will increase by 86%. | 0:11:17 | 0:11:22 | |
So how do we make homes for the elderly that really work? | 0:11:22 | 0:11:25 | |
In modern Scotland, | 0:11:29 | 0:11:30 | |
this is an issue that is inspiring some innovative solutions. | 0:11:30 | 0:11:33 | |
Peggy is 77. | 0:11:34 | 0:11:37 | |
Until a few months ago, | 0:11:37 | 0:11:39 | |
she lived independently in the south of England in her home of 43 years - | 0:11:39 | 0:11:42 | |
the place where she had raised her family. | 0:11:42 | 0:11:45 | |
But last year, Peggy's health deteriorated, | 0:11:47 | 0:11:50 | |
and she was struggling to cope on her own. | 0:11:50 | 0:11:53 | |
On you get. Go on! | 0:11:53 | 0:11:54 | |
So her son Robin persuaded her to come and live with him. | 0:11:54 | 0:11:57 | |
This was a big wrench for Peggy, | 0:11:58 | 0:12:00 | |
as it meant moving 600 miles north to Inverness-shire. | 0:12:00 | 0:12:03 | |
When I first moved here, I was so down, | 0:12:05 | 0:12:08 | |
because I'd left all my friends, all my lovely, lovely friends. | 0:12:08 | 0:12:12 | |
I am a very, very independent girl, and it was only out of desperation, | 0:12:12 | 0:12:16 | |
because I knew I couldn't carry on the way I was. | 0:12:16 | 0:12:19 | |
'At the moment, my mum is incredibly independent, | 0:12:21 | 0:12:23 | |
'and she has been all her life.' | 0:12:23 | 0:12:25 | |
And that's what we wanted, and she wanted - | 0:12:25 | 0:12:29 | |
we'd spoken about this before - her to be independent. | 0:12:29 | 0:12:32 | |
We came up with three options, and the options were really, | 0:12:33 | 0:12:36 | |
she moves into a flat in Inverness, | 0:12:36 | 0:12:38 | |
or she buys a house in the local village here, in Foyers, | 0:12:38 | 0:12:42 | |
or we look at building something here. | 0:12:42 | 0:12:47 | |
In the end, Robin and Peggy agreed | 0:12:51 | 0:12:53 | |
that the best option would be to build a new house for her | 0:12:53 | 0:12:56 | |
on Robin's land. | 0:12:56 | 0:12:58 | |
But this will be no traditional bungalow, | 0:12:58 | 0:13:00 | |
which would be very expensive and time-consuming to build. | 0:13:00 | 0:13:04 | |
Instead, Peggy's new home will be delivered on the back of a lorry, | 0:13:05 | 0:13:08 | |
ready-built and simply slotted into place. | 0:13:08 | 0:13:11 | |
This factory in Ayrshire creates innovative housing | 0:13:14 | 0:13:17 | |
for Scotland's rural areas. | 0:13:17 | 0:13:20 | |
Here, they build modular houses that can be transported | 0:13:20 | 0:13:23 | |
anywhere in the country and simply assembled on site. | 0:13:23 | 0:13:26 | |
This is Peggy's wee house. | 0:13:27 | 0:13:29 | |
The house at the moment has just been completed in its modules, | 0:13:29 | 0:13:34 | |
and we're just starting to pack the house up, ready for transportation. | 0:13:34 | 0:13:40 | |
This will be Peggy's front door, | 0:13:41 | 0:13:44 | |
and we can just head into the porch here. | 0:13:44 | 0:13:46 | |
This is the first and the smallest one of the modules. | 0:13:49 | 0:13:52 | |
So this is us into the second module, which is the lounge, | 0:13:54 | 0:13:59 | |
and we've got a nice log-burning stove in here. | 0:13:59 | 0:14:03 | |
Step into this next module, into the kitchen, | 0:14:03 | 0:14:06 | |
and we've designed this kitchen specifically | 0:14:06 | 0:14:09 | |
to suit Peggy's requirements. | 0:14:09 | 0:14:12 | |
And into the shower room here. | 0:14:12 | 0:14:14 | |
We've sort of future-proofed this shower room | 0:14:15 | 0:14:20 | |
particularly for Peggy, so that in the future, | 0:14:20 | 0:14:24 | |
it's still going to be really easy for her to access. | 0:14:24 | 0:14:28 | |
It's really exciting to be moving this house today, | 0:14:32 | 0:14:35 | |
because we're always building them onto customers' own plots, | 0:14:35 | 0:14:40 | |
usually in quite rural areas, | 0:14:40 | 0:14:42 | |
and each one comes with its own, kind of, logistical challenges. | 0:14:42 | 0:14:47 | |
Once we get up to Inverness, it's quite a tight turn into the site, | 0:14:49 | 0:14:56 | |
so we've created a space in the field opposite to let | 0:14:56 | 0:14:59 | |
the lorries turn in and access the site to get Peggy's house in place. | 0:14:59 | 0:15:04 | |
Loaded up, the convoy of trucks that will deliver Peggy's house sets off. | 0:15:07 | 0:15:12 | |
It's 200 miles from the factory to the building plot. | 0:15:12 | 0:15:15 | |
But once they arrive, the house will only take a couple of days to assemble. | 0:15:17 | 0:15:21 | |
But making a home is about more than just four walls and a roof, | 0:15:26 | 0:15:30 | |
it's about finding a place to live that fits our personalities | 0:15:30 | 0:15:34 | |
and our lives. | 0:15:34 | 0:15:36 | |
Glasgow-based interior designer, Margo Paton, has been | 0:15:36 | 0:15:39 | |
helping clients to create the homes of their dreams for over 20 years. | 0:15:39 | 0:15:44 | |
It's her job to get to the heart of what makes a house a home for each of them. | 0:15:44 | 0:15:48 | |
People invest such a lot in their homes, | 0:15:48 | 0:15:51 | |
not only financially but emotionally. | 0:15:51 | 0:15:54 | |
It colours how they feel about their lives, their home. | 0:15:54 | 0:15:56 | |
Quite often we feel like counsellors, yeah, | 0:15:57 | 0:15:59 | |
because people do come and they tell you so much about their lives | 0:15:59 | 0:16:02 | |
and they tell you a lot of personal stuff. | 0:16:02 | 0:16:05 | |
It's all information that you use to build up a picture | 0:16:06 | 0:16:08 | |
of who that person is and how they would like to live. | 0:16:08 | 0:16:12 | |
One of Margo's longest-standing clients is Trish. | 0:16:14 | 0:16:18 | |
Trish and her family have lived in this house in Killearn for 42 years. | 0:16:18 | 0:16:22 | |
She and her husband raised their three children here. | 0:16:23 | 0:16:26 | |
Two of them even got married here. | 0:16:26 | 0:16:28 | |
And over that time, Trish has never stopped improving and perfecting her home. | 0:16:28 | 0:16:32 | |
I get great pleasure in doing things with the house. | 0:16:34 | 0:16:38 | |
I just love placing things. | 0:16:38 | 0:16:40 | |
I think placing an ornament or something... | 0:16:40 | 0:16:43 | |
You don't plonk it down, you actually | 0:16:43 | 0:16:45 | |
make some movement with it. | 0:16:45 | 0:16:48 | |
I don't like things in straight lines. | 0:16:48 | 0:16:50 | |
Something about straight lines I don't like. | 0:16:50 | 0:16:54 | |
When I go into my daughters' houses, | 0:16:54 | 0:16:56 | |
you know, my son-in-laws say to their wives, | 0:16:56 | 0:17:00 | |
"Has your mother been in?" | 0:17:00 | 0:17:03 | |
because they find that the photograph frames are all | 0:17:03 | 0:17:05 | |
gathered together in little groups. | 0:17:05 | 0:17:07 | |
But for Trish, home is about far more than arranging ornaments. | 0:17:09 | 0:17:13 | |
Its rooms and objects are alive with memories and feelings. | 0:17:13 | 0:17:17 | |
This one in particular. | 0:17:17 | 0:17:19 | |
My son used to call it "the good room". | 0:17:19 | 0:17:22 | |
You know, I used to have to say to them, | 0:17:22 | 0:17:24 | |
"You have to knock before you come in here | 0:17:24 | 0:17:26 | |
"and you have to remember the password." | 0:17:26 | 0:17:29 | |
But they never did, they used to barge in here. | 0:17:29 | 0:17:32 | |
I remember when I was growing up, | 0:17:34 | 0:17:36 | |
in my mum and dad's good room, as I would... | 0:17:36 | 0:17:40 | |
we were never allowed in at all. | 0:17:40 | 0:17:43 | |
All these little nests of tables - I remember Mum and Dad using them | 0:17:43 | 0:17:48 | |
for their martinis a lot so, yeah, | 0:17:48 | 0:17:53 | |
I just quite like this room because it's got so much | 0:17:53 | 0:17:56 | |
I remember of my younger days and, well, my husband's younger days. | 0:17:56 | 0:18:02 | |
But now, Trish has come to a difficult decision - | 0:18:02 | 0:18:05 | |
it's time for her and her husband to leave this house and move on. | 0:18:05 | 0:18:09 | |
You know, it's a large garden here. | 0:18:09 | 0:18:12 | |
I know my husband likes doing the garden, | 0:18:12 | 0:18:16 | |
but for him I think it would be quite good to have a smaller garden. | 0:18:16 | 0:18:21 | |
But also, driving now - | 0:18:21 | 0:18:23 | |
especially night-time driving - | 0:18:23 | 0:18:25 | |
I'm just fed up with driving out here. | 0:18:25 | 0:18:28 | |
I just think it would be nicer to be near my family. | 0:18:28 | 0:18:32 | |
So Trish has enlisted Margo, | 0:18:32 | 0:18:34 | |
who designed much of the interior of her house over the years, | 0:18:34 | 0:18:38 | |
to help her create a new home, | 0:18:38 | 0:18:40 | |
where she will feel as happy as she does there. | 0:18:40 | 0:18:42 | |
It will be a close collaboration. | 0:18:43 | 0:18:46 | |
Well, she has ideas and I have ideas. | 0:18:46 | 0:18:48 | |
I have a strong sense of style I think, and Margo realises that | 0:18:48 | 0:18:53 | |
and that's why... Doesn't try to, you know, | 0:18:53 | 0:18:57 | |
"You've got to do it my way." | 0:18:57 | 0:18:59 | |
That's what I like about her. | 0:18:59 | 0:19:00 | |
She has my say, she'll hear me out and we'll compromise. | 0:19:00 | 0:19:05 | |
But one thing isn't open to negotiation - | 0:19:08 | 0:19:11 | |
Trisha's precious heirlooms, which connect her to her past. | 0:19:11 | 0:19:15 | |
I'm taking everything, everything from... | 0:19:15 | 0:19:18 | |
I'll find a room for it anyway. | 0:19:18 | 0:19:21 | |
For Margo, designing a new home like this is a sensitive job | 0:19:21 | 0:19:25 | |
They've lived in that house for so long. | 0:19:25 | 0:19:28 | |
They have so much emotional investment in that home | 0:19:28 | 0:19:31 | |
and, you know, they close the door and they leave that behind, | 0:19:31 | 0:19:35 | |
and it's about trying to recreate that for them in a new home | 0:19:35 | 0:19:39 | |
with a new environment, a new neighbourhood - | 0:19:39 | 0:19:42 | |
just a completely different feel. | 0:19:42 | 0:19:45 | |
So when they walk through the door of that home they think, "Yeah, I'm home." | 0:19:45 | 0:19:49 | |
Hi. Hello. | 0:19:49 | 0:19:50 | |
Today, Margo is meeting Trish to discuss how some of her | 0:19:50 | 0:19:53 | |
most valued pieces will fit into her new house. | 0:19:53 | 0:19:56 | |
So what we'll do is we'll accommodate as much as possible of | 0:19:56 | 0:19:59 | |
your really precious stuff in the drawing room. | 0:19:59 | 0:20:02 | |
And it's just a different configuration of rooms, | 0:20:02 | 0:20:04 | |
so you can have all those lovely pieces that you've treasured for all those years... | 0:20:04 | 0:20:08 | |
Because you change your house, you don't want to put everything back | 0:20:08 | 0:20:11 | |
in a similar... No, you don't. No. ..format. | 0:20:11 | 0:20:14 | |
Your homes are always family homes, aren't they? | 0:20:14 | 0:20:17 | |
Yeah. I'll be very sad, I think. | 0:20:17 | 0:20:19 | |
Emotional when the time comes to actually pack up and leave, | 0:20:19 | 0:20:24 | |
I'm sure my husband will feel the same. | 0:20:24 | 0:20:28 | |
Well, I presume my husband's coming with me but... | 0:20:28 | 0:20:32 | |
I'm sure he will but... | 0:20:32 | 0:20:34 | |
Yeah, I'm being positive about it. | 0:20:34 | 0:20:36 | |
I really think it's another... | 0:20:36 | 0:20:38 | |
..another thing in my life that I'm going to enjoy. | 0:20:41 | 0:20:45 | |
It's a new phase, isn't it? A new phase. A new decade. | 0:20:45 | 0:20:48 | |
Whatever you like to call it. Exactly. | 0:20:48 | 0:20:50 | |
And my youngest granddaughter - she's now four - | 0:20:50 | 0:20:54 | |
came running up to me and said, | 0:20:54 | 0:20:56 | |
"Grandma, we're 59 steps away from you." | 0:20:56 | 0:20:59 | |
Trish is lucky to have found her perfect house | 0:21:01 | 0:21:04 | |
just down the road from her children and grandchildren. | 0:21:04 | 0:21:07 | |
For many Scots, especially younger families, | 0:21:07 | 0:21:11 | |
finding somewhere to live is a real challenge. | 0:21:11 | 0:21:14 | |
New homes are being built in Scotland. | 0:21:15 | 0:21:19 | |
The latest figures show that construction began | 0:21:19 | 0:21:21 | |
on more than 15,000 new houses last year. | 0:21:21 | 0:21:24 | |
The question is - will this be enough to keep up with demand | 0:21:26 | 0:21:29 | |
and will they be affordable? | 0:21:29 | 0:21:32 | |
Frustrated by the difficulties of getting on the housing ladder, | 0:21:34 | 0:21:38 | |
some Scots are choosing to bypass the market altogether | 0:21:38 | 0:21:42 | |
and make their homes on the water. | 0:21:42 | 0:21:44 | |
It's a different way of life. | 0:21:46 | 0:21:47 | |
I see all the seasons. | 0:21:47 | 0:21:50 | |
And get to know all the local people that are walking by with their dogs | 0:21:53 | 0:21:59 | |
and the different variety of people that live on the canal. | 0:21:59 | 0:22:03 | |
Scotland has 137 miles of canals, | 0:22:05 | 0:22:08 | |
and today it's estimated that over 100 people | 0:22:08 | 0:22:12 | |
make their homes on these waterways. | 0:22:12 | 0:22:14 | |
That might not sound like much, but the numbers are rising | 0:22:14 | 0:22:18 | |
and there are now 13 sites across Scotland | 0:22:18 | 0:22:20 | |
where people can permanently moor their houseboats. | 0:22:20 | 0:22:23 | |
Retired printer, Davie Brown and his dog, Brody, | 0:22:23 | 0:22:27 | |
have been living on their boat, The Methil, for the past 10 years. | 0:22:27 | 0:22:31 | |
He's certainly getting himself all spruced up. | 0:22:31 | 0:22:34 | |
Davie was bitten by the bug while volunteering on a local charity barge, | 0:22:34 | 0:22:38 | |
and he's never looked back. | 0:22:38 | 0:22:41 | |
He's currently moored on the Forth And Clyde Canal at Auchinstarry, | 0:22:43 | 0:22:46 | |
just to the northeast of Glasgow. | 0:22:46 | 0:22:48 | |
But should he fancy a change of scene, | 0:22:50 | 0:22:52 | |
he can simply sail away, taking his home with him. | 0:22:52 | 0:22:55 | |
It's refreshing. Certainly the cobwebs don't grow on you. | 0:22:56 | 0:23:00 | |
There's always something happening round about me. | 0:23:00 | 0:23:04 | |
It's either swans or even people walking by. | 0:23:04 | 0:23:08 | |
Permission to come aboard? | 0:23:08 | 0:23:09 | |
Permission to come aboard? | 0:23:10 | 0:23:12 | |
'This is the stern of the boat,' | 0:23:12 | 0:23:14 | |
which is basically the mark of a sleeping area. | 0:23:14 | 0:23:17 | |
This is my bed and that's his bed. | 0:23:17 | 0:23:20 | |
Is that good? | 0:23:21 | 0:23:23 | |
Every window's a picture as you go along. | 0:23:33 | 0:23:36 | |
What a place to go. This is heaven. | 0:23:38 | 0:23:41 | |
Heaven. | 0:23:43 | 0:23:44 | |
A bit chilly this morning, eh? | 0:23:46 | 0:23:49 | |
A wee bit of a nip in the air. | 0:23:49 | 0:23:51 | |
They're all nice houses but | 0:23:54 | 0:23:57 | |
they're still four walls and nothing moves. | 0:23:57 | 0:24:01 | |
All you do, you either look at pictures or you look at a television | 0:24:01 | 0:24:06 | |
but on this thing I've got... the world's moving round about you. | 0:24:06 | 0:24:11 | |
Hold on, I'm going to have to press a horn here for this fisherman. | 0:24:11 | 0:24:15 | |
So are you ready? I'm going to peep. | 0:24:15 | 0:24:17 | |
There's the bridge in front of me now. | 0:24:23 | 0:24:25 | |
It's a nice day. | 0:24:25 | 0:24:27 | |
Even on a cold day, get out here on a crisp morning | 0:24:27 | 0:24:30 | |
and you feel the ice breaking underneath the bow of the boat | 0:24:30 | 0:24:34 | |
and you hear that tish, tish, tish, smack. | 0:24:34 | 0:24:36 | |
Then you get a bow wave and you can see that, if it's frozen completely, | 0:24:36 | 0:24:41 | |
you see the ice just rising up and down and then you get the crack. | 0:24:41 | 0:24:46 | |
It's just something you can never do with a house. | 0:24:46 | 0:24:50 | |
Obviously, my health, you know, I'm not getting any younger, | 0:24:56 | 0:24:59 | |
but until the day that I can't lift my legs up on to that bow, | 0:24:59 | 0:25:04 | |
I'll be on a boat. | 0:25:04 | 0:25:06 | |
It's not just retired people like Davie | 0:25:08 | 0:25:10 | |
who find canal living irresistible. | 0:25:10 | 0:25:13 | |
For some young families in search of a home, | 0:25:13 | 0:25:15 | |
living on the water is a surprisingly practical solution. | 0:25:15 | 0:25:18 | |
Although it can still be hard work. | 0:25:20 | 0:25:22 | |
I think we just thought... | 0:25:24 | 0:25:25 | |
..we'd just be, kind of, boating | 0:25:28 | 0:25:30 | |
and hanging out on a boat and having fun. | 0:25:30 | 0:25:35 | |
I don't think we really had any clue how much work it would be. | 0:25:35 | 0:25:39 | |
I don't know whether we would have bought this particular boat | 0:25:40 | 0:25:43 | |
if we...quite understood. | 0:25:43 | 0:25:45 | |
11 years ago, Kirsty and Mark | 0:25:47 | 0:25:49 | |
swapped solid ground for a floating home. | 0:25:49 | 0:25:51 | |
Since then, they've had two children | 0:25:53 | 0:25:55 | |
and the family now lives on this 100-year-old Dutch barge. | 0:25:55 | 0:25:58 | |
One night, I think we were struggling, newly married, | 0:26:02 | 0:26:05 | |
trying to get on the housing ladder, all the rest of it... | 0:26:05 | 0:26:09 | |
Living in a flat in Glasgow. And came up with this crazy plan | 0:26:09 | 0:26:12 | |
and nobody really talked... | 0:26:12 | 0:26:14 | |
us out of it. | 0:26:14 | 0:26:16 | |
And we came here. | 0:26:16 | 0:26:18 | |
We just loved the surrounding area and all the bike paths | 0:26:18 | 0:26:22 | |
and the canoe club and the climbing and the walks... | 0:26:22 | 0:26:26 | |
and everything... | 0:26:26 | 0:26:28 | |
We just thought that there was so much to do here for kids, that we | 0:26:28 | 0:26:31 | |
thought it would be a great place to have a family. | 0:26:31 | 0:26:33 | |
And for the kids, Ethan and Orla, who have never known anything else, | 0:26:35 | 0:26:39 | |
having a boat for a home seems perfectly natural. | 0:26:39 | 0:26:42 | |
I think I like it here better than a house. | 0:26:42 | 0:26:44 | |
INTERVIEWER: What do you think it is that's... | 0:26:46 | 0:26:48 | |
..better here than a house? | 0:26:50 | 0:26:52 | |
Well, you get to move about and... | 0:26:52 | 0:26:55 | |
..you don't really get to do that in a house. | 0:26:56 | 0:26:58 | |
Everyone in my class lives in a house. | 0:27:02 | 0:27:06 | |
I'm the only one that lives in a boat in my class. | 0:27:07 | 0:27:10 | |
The amazing outside space that we have, for me, | 0:27:12 | 0:27:16 | |
totally outweighs the disadvantages of having little inside space. | 0:27:16 | 0:27:20 | |
I just think, as long as they're together, you can kind of trust them | 0:27:20 | 0:27:23 | |
to go out and play and they've got such a huge area to play in. | 0:27:23 | 0:27:27 | |
And there's generally people about and neighbours who are out | 0:27:27 | 0:27:31 | |
and about - because it's kind of an outdoor life - | 0:27:31 | 0:27:34 | |
that there's always someone around to look out for them. | 0:27:34 | 0:27:37 | |
I think they do have more independence than | 0:27:37 | 0:27:40 | |
I would probably allow them if they lived in a street. | 0:27:40 | 0:27:43 | |
INTERVIEWER: Would you ever yearn for four walls and | 0:27:48 | 0:27:50 | |
the central heating and double glazing? | 0:27:50 | 0:27:52 | |
I don't think I could do that now. | 0:27:52 | 0:27:54 | |
I think...I would have to get my land legs again. | 0:27:54 | 0:27:59 | |
SHE CHUCKLES | 0:27:59 | 0:28:01 | |
I know it sounds weird, but I think I would feel claustrophobic in a house | 0:28:01 | 0:28:05 | |
because it would take some getting used to, | 0:28:05 | 0:28:08 | |
just being rooted in one place. | 0:28:08 | 0:28:11 | |
For me, our home is within the boat but it's also all of this. | 0:28:11 | 0:28:14 | |
And I think I would feel quite contained | 0:28:14 | 0:28:17 | |
if I had a house with a little garden. | 0:28:17 | 0:28:20 | |
I don't think...I would last long. | 0:28:20 | 0:28:24 | |
And when I'm older, if I can afford it, | 0:28:25 | 0:28:28 | |
I would like to have a canal boat. | 0:28:28 | 0:28:30 | |
What kind would you like? | 0:28:32 | 0:28:35 | |
Same kind as this one. | 0:28:35 | 0:28:37 | |
Canal living might work for these Scots, but it's not for everyone. | 0:28:38 | 0:28:43 | |
And back on dry land, property and the ground it's built on, | 0:28:46 | 0:28:50 | |
is getting more expensive all the time. | 0:28:50 | 0:28:52 | |
In the past decade, house prices in Scotland have increased by 35% | 0:28:52 | 0:28:56 | |
and they're projected to keep rising. | 0:28:56 | 0:29:00 | |
The average price of a Scottish house is now ?170,000. | 0:29:00 | 0:29:04 | |
And if you want to build your own house, as people in other | 0:29:06 | 0:29:08 | |
European countries often do, | 0:29:08 | 0:29:11 | |
the price of land is even more prohibitive. | 0:29:11 | 0:29:14 | |
This is just as true for Scotland's rural areas | 0:29:14 | 0:29:17 | |
as it is for towns and cities. | 0:29:17 | 0:29:19 | |
Here, most land has historically been owned by relatively few people | 0:29:19 | 0:29:24 | |
and building plots for new homes are still in short supply. | 0:29:24 | 0:29:28 | |
Across the Highlands and Islands, the lack of housing is | 0:29:28 | 0:29:31 | |
forcing some locals into a more modest type of accommodation. | 0:29:31 | 0:29:35 | |
One that can have its own advantages. | 0:29:35 | 0:29:38 | |
I have a very, very, very tiny council tax. | 0:29:38 | 0:29:42 | |
The biggest thing's, possibly... in the winter is the gas... | 0:29:42 | 0:29:46 | |
you go through just keeping the place warm. | 0:29:46 | 0:29:49 | |
I have a generator for electricity that I charge | 0:29:49 | 0:29:53 | |
batteries in the caravan. | 0:29:53 | 0:29:55 | |
The winter is maybe more expensive | 0:29:55 | 0:29:58 | |
but in the summer it costs you virtually nothing. | 0:29:58 | 0:30:01 | |
Ian has been living in this caravan on the Isle of Mull | 0:30:01 | 0:30:04 | |
for the past year. | 0:30:04 | 0:30:06 | |
High rents on the island and a lack of availability in the area | 0:30:07 | 0:30:10 | |
meant that this was the best option for him. | 0:30:10 | 0:30:13 | |
And he found that it actually suited him pretty well. | 0:30:13 | 0:30:16 | |
I'm out working most days all day, so it's really a place to sleep | 0:30:19 | 0:30:25 | |
and rest, and just relax | 0:30:25 | 0:30:29 | |
and be warm and dry. | 0:30:29 | 0:30:31 | |
It fills all those needs, really. | 0:30:31 | 0:30:34 | |
I don't have lots of hot water for things like showers... | 0:30:34 | 0:30:39 | |
..but I have means for dealing with that. | 0:30:40 | 0:30:44 | |
I can go to Tobermory for a shower and things like that. | 0:30:44 | 0:30:47 | |
I don't have television but I can read. | 0:30:47 | 0:30:49 | |
I can play music. I can... | 0:30:51 | 0:30:53 | |
It, it... | 0:30:53 | 0:30:54 | |
It's a dry, warm place, roof over the head | 0:30:54 | 0:30:57 | |
and that's everything really. | 0:30:57 | 0:30:59 | |
It's all you need. | 0:30:59 | 0:31:00 | |
HE CHUCKLES | 0:31:00 | 0:31:02 | |
Ian's housing situation is by no means unique | 0:31:02 | 0:31:04 | |
in this part of Scotland. | 0:31:04 | 0:31:05 | |
It is a big problem. | 0:31:07 | 0:31:08 | |
Even for people coming to work here, it's always a problem getting | 0:31:08 | 0:31:11 | |
somewhere to live. | 0:31:11 | 0:31:13 | |
And rental accommodation is not that cheap either. | 0:31:13 | 0:31:18 | |
It's an ageing population... | 0:31:18 | 0:31:20 | |
but there's no houses available for young people | 0:31:20 | 0:31:23 | |
to live and the community's in danger of dying. | 0:31:23 | 0:31:27 | |
But for Ian, there's an obvious solution - freeing up more | 0:31:28 | 0:31:32 | |
private land for house building. | 0:31:32 | 0:31:34 | |
If necessary, by compelling owners to sell. | 0:31:34 | 0:31:37 | |
I'm very radical about it, I have to say. | 0:31:38 | 0:31:40 | |
I think major, major land reform is needed in this country. | 0:31:42 | 0:31:45 | |
It makes me very angry the way some of the land is treated. | 0:31:45 | 0:31:49 | |
I know estates that are running really well | 0:31:49 | 0:31:51 | |
and do a lot for local people. | 0:31:51 | 0:31:54 | |
But the ones that aren't, I don't think there should be any sympathy | 0:31:54 | 0:31:58 | |
with them... | 0:31:58 | 0:32:00 | |
I have no sympathy for them at all, basically. | 0:32:00 | 0:32:03 | |
There's land not getting used the way it should get used. | 0:32:03 | 0:32:05 | |
Why can't some of this land be used for young people to come back to the | 0:32:05 | 0:32:09 | |
land and get the chance to build something and create something? | 0:32:09 | 0:32:12 | |
Create businesses and... | 0:32:12 | 0:32:15 | |
Erm... | 0:32:15 | 0:32:17 | |
So I want to see more land brought into the hands of the people | 0:32:17 | 0:32:20 | |
big time. | 0:32:20 | 0:32:21 | |
Change is coming. | 0:32:23 | 0:32:24 | |
Since 2003, when the first Scottish Land Reform Bill was | 0:32:24 | 0:32:28 | |
passed by Parliament, | 0:32:28 | 0:32:30 | |
communities have had the right to buy land | 0:32:30 | 0:32:32 | |
under certain circumstances. | 0:32:32 | 0:32:34 | |
Since then, 500,000 acres have passed into community ownership | 0:32:34 | 0:32:38 | |
across the country. | 0:32:38 | 0:32:40 | |
Here on Mull, Ian is set to benefit from one such scheme. | 0:32:40 | 0:32:44 | |
There's been nine crofts set up through the community | 0:32:44 | 0:32:48 | |
and that in itself is potential for nine people to have homes. | 0:32:48 | 0:32:53 | |
Ultimately, this community land buy-out will give Ian | 0:32:56 | 0:32:59 | |
the chance to build a permanent house | 0:32:59 | 0:33:01 | |
and develop his own croft in this corner of Mull he calls home. | 0:33:01 | 0:33:05 | |
Four hectares altogether, which is around about ten acres. | 0:33:06 | 0:33:11 | |
It goes into the trees there where there would be | 0:33:11 | 0:33:14 | |
the potential... The hope to build | 0:33:14 | 0:33:17 | |
a house - or somewhere to live in there. | 0:33:17 | 0:33:21 | |
In many ways it's been a dream of mine to see | 0:33:23 | 0:33:25 | |
people back on the land | 0:33:25 | 0:33:27 | |
and just community and crofting. | 0:33:27 | 0:33:31 | |
It's maybe a far-fetched dream | 0:33:31 | 0:33:32 | |
but if anything it's the only way | 0:33:32 | 0:33:35 | |
that's going to get people back | 0:33:35 | 0:33:37 | |
because buying houses and plots of land | 0:33:37 | 0:33:41 | |
are just unreachable for young people | 0:33:41 | 0:33:43 | |
the way the economy's going. | 0:33:43 | 0:33:46 | |
Some form of land tenure with security | 0:33:46 | 0:33:50 | |
and the potential to build a home and make a life | 0:33:50 | 0:33:54 | |
and make something off the land where they're just producing | 0:33:54 | 0:33:59 | |
their own meat and vegetables - and living off the land more. | 0:33:59 | 0:34:03 | |
It would be a wonderful thing for the future. | 0:34:05 | 0:34:09 | |
It's a step-by-step process. It's a long-term project, definitely. | 0:34:09 | 0:34:13 | |
HE CHUCKLES | 0:34:13 | 0:34:15 | |
Ian's new home will be a modern version of that traditional | 0:34:17 | 0:34:20 | |
Scottish house - the crofter's cottage. | 0:34:20 | 0:34:23 | |
But it will be more than just a roof over his head. | 0:34:25 | 0:34:28 | |
He'll be resettling this remote corner of Scotland | 0:34:28 | 0:34:31 | |
and bringing life back into it. | 0:34:31 | 0:34:33 | |
He'll grow vegetables and raise animals on the land, | 0:34:34 | 0:34:37 | |
much as previous generations did. | 0:34:37 | 0:34:40 | |
So his connection to this place, and to its past, runs deep. | 0:34:40 | 0:34:44 | |
In Inverness-shire, Peggy has been trying to put down new roots | 0:34:51 | 0:34:55 | |
after moving from the south of England to be near her son, Robin. | 0:34:55 | 0:34:59 | |
So now, Peggy is getting a brand-new house of her own, | 0:35:00 | 0:35:03 | |
delivered on the back of a lorry. | 0:35:03 | 0:35:05 | |
Today it will be assembled on-site, | 0:35:05 | 0:35:08 | |
assuming they can squeeze it down the track. | 0:35:08 | 0:35:11 | |
This one here, it's going to certainly be different | 0:35:11 | 0:35:13 | |
going up that road because the road's not very wide as it is | 0:35:13 | 0:35:16 | |
and there's a foot over either side, | 0:35:16 | 0:35:18 | |
so hopefully there's no damage on any of the hedges or bushes. | 0:35:18 | 0:35:21 | |
INTERVIEWER: So it's a bit of a precarious job, then? | 0:35:21 | 0:35:24 | |
Aye, this one here's a bit more ropey, aye! | 0:35:24 | 0:35:26 | |
Maybe have to do a wee bit of tree surgery. | 0:35:26 | 0:35:28 | |
HE CHUCKLES | 0:35:28 | 0:35:31 | |
The fact that this house has been pre-built in the factory | 0:35:31 | 0:35:34 | |
makes it extremely quick and cost-effective to put together. | 0:35:34 | 0:35:38 | |
When all five sections are assembled, Peggy will have | 0:35:38 | 0:35:41 | |
her own two-bedroom home, carefully configured to suit her needs. | 0:35:41 | 0:35:46 | |
The way the house is designed is that if her mobility | 0:35:46 | 0:35:48 | |
and things start going downhill, she can still stay in it. | 0:35:48 | 0:35:53 | |
Low-access showers, ramps up to the doors and everything. | 0:35:53 | 0:35:56 | |
So if her care needs increase in the future, the building will be there | 0:35:56 | 0:36:01 | |
and it's designed to allow us to provide that as well. | 0:36:01 | 0:36:05 | |
So what do you think? It's all coming on nicely. | 0:36:07 | 0:36:09 | |
Have you been peeking out the window? | 0:36:09 | 0:36:11 | |
I have. | 0:36:11 | 0:36:12 | |
I saw the first bit and I thought, "Not very big." | 0:36:12 | 0:36:16 | |
But there's more to come. | 0:36:16 | 0:36:17 | |
SHE CHUCKLES | 0:36:21 | 0:36:22 | |
I wave to everybody as they go by. | 0:36:24 | 0:36:26 | |
All five sections of the house are now on-site. | 0:36:31 | 0:36:34 | |
There's just one last problem for the team to overcome. | 0:36:34 | 0:36:38 | |
Our biggest concern in any of these builds is the weather | 0:36:39 | 0:36:43 | |
because the separate sections are sealed at the moment - | 0:36:43 | 0:36:45 | |
and weather-proofed - | 0:36:45 | 0:36:47 | |
but to put it together we have got to take that seal off. | 0:36:47 | 0:36:52 | |
INTERVIEWER: So if you get loads of rain like there was in the night, | 0:36:52 | 0:36:55 | |
are you hammered? | 0:36:55 | 0:36:57 | |
We will be, yeah. | 0:36:57 | 0:36:59 | |
It means we can't really... | 0:36:59 | 0:37:01 | |
We could certainly get the house in place | 0:37:02 | 0:37:05 | |
but we can't break the seals on it | 0:37:05 | 0:37:07 | |
because it would just...possibly ruin the house. | 0:37:07 | 0:37:11 | |
As the builders press on, | 0:37:17 | 0:37:19 | |
Peggy can see her new home take shape right before her eyes. | 0:37:19 | 0:37:23 | |
Moving in will mark a new chapter in her life | 0:37:23 | 0:37:25 | |
and allow her to keep her independence. | 0:37:25 | 0:37:29 | |
And I couldn't expect Robin | 0:37:29 | 0:37:31 | |
and Christiana to be there at my beck and call. | 0:37:31 | 0:37:34 | |
My house back home, it was lovely. I'd been there 40 years. | 0:37:35 | 0:37:39 | |
It's a long time and I think that was half my problem. | 0:37:39 | 0:37:44 | |
But now I've got that to look forward to - here I come! | 0:37:44 | 0:37:48 | |
SHE LAUGHS | 0:37:48 | 0:37:50 | |
When I saw them actually lifting the thing off, | 0:37:53 | 0:37:55 | |
I went, "My house! My house!" | 0:37:55 | 0:37:57 | |
SHE LAUGHS | 0:37:57 | 0:38:00 | |
Yeah, so... | 0:38:00 | 0:38:01 | |
Huge excitement? | 0:38:01 | 0:38:03 | |
Oh, it is. Beautiful. | 0:38:03 | 0:38:04 | |
With the rain starting to clear, | 0:38:06 | 0:38:09 | |
Peggy's house is finally nearing completion. | 0:38:09 | 0:38:11 | |
Well, that looks like that's the final unit in. | 0:38:15 | 0:38:19 | |
So that will be the two bedrooms going in and I would imagine | 0:38:19 | 0:38:22 | |
once that's done, they'll shunt things around, push it all together. | 0:38:22 | 0:38:26 | |
Get the porch in and then hopefully we'll have an idea | 0:38:26 | 0:38:30 | |
of how the thing's going to look but at the moment it's looking great. | 0:38:30 | 0:38:34 | |
So there you go, what do you think of that? | 0:38:36 | 0:38:38 | |
Is that it? Yeah. | 0:38:38 | 0:38:40 | |
I shall be pleased to see when it's all out. | 0:38:40 | 0:38:42 | |
Oh, yeah. Well, that's the bit... Oh, yeah. | 0:38:42 | 0:38:45 | |
The roof obviously needs to go on. | 0:38:45 | 0:38:47 | |
No, it's lovely. Lovely with the trees. | 0:38:47 | 0:38:49 | |
Yeah, it is. Yeah. | 0:38:49 | 0:38:51 | |
It sort of fills in quite nicely. You've got the trees all around. | 0:38:51 | 0:38:54 | |
Beautiful, Robin. Thank you. Beautiful. | 0:38:54 | 0:38:57 | |
The house is there. We can look after her. | 0:38:57 | 0:39:00 | |
We can keep an eye on her. Keeps the family group together. | 0:39:00 | 0:39:03 | |
It's the right thing to do for your family if you can. | 0:39:03 | 0:39:06 | |
Roots are important for most people's sense of home. | 0:39:09 | 0:39:12 | |
We feel attached, not just to a building, | 0:39:14 | 0:39:16 | |
but to it's place in the world and even its history. | 0:39:16 | 0:39:20 | |
And one iconic type of Scottish home is famous for its romantic, | 0:39:20 | 0:39:24 | |
historical associations - the castle. | 0:39:24 | 0:39:27 | |
But in 21st century Scotland, does anybody actually live in one? | 0:39:29 | 0:39:33 | |
It was built by my great-great-great grandfather exactly 200 years ago, | 0:39:35 | 0:39:40 | |
in the same year as the Battle of Waterloo. | 0:39:40 | 0:39:43 | |
This is Castle Forbes in Aberdeenshire, | 0:39:44 | 0:39:47 | |
home to the current Lord Forbes and his wife. | 0:39:47 | 0:39:50 | |
The land it's built on has been in the family | 0:39:51 | 0:39:53 | |
since the early 15th century, and since then, | 0:39:53 | 0:39:56 | |
generations of Forbes have called this place home. | 0:39:56 | 0:39:59 | |
That's my grandmother at the bottom, who was the last member | 0:40:01 | 0:40:05 | |
of the family to live here before we moved in. | 0:40:05 | 0:40:09 | |
I know she hoped that it would pass on to me one day, | 0:40:09 | 0:40:12 | |
but I could never see how I could possibly cope with it. | 0:40:12 | 0:40:16 | |
In the end, her wish has come true and that gives me | 0:40:16 | 0:40:20 | |
a lot of pleasure, actually, that I managed to keep it going. | 0:40:20 | 0:40:26 | |
But in the modern world, castle living doesn't come cheap | 0:40:27 | 0:40:31 | |
and keeping this place alive as a real home, | 0:40:31 | 0:40:34 | |
rather than a museum or a ruin, has been a huge challenge. | 0:40:34 | 0:40:37 | |
I was fortunate in that shortly after my grandmother died, | 0:40:39 | 0:40:44 | |
the oil business started up in Aberdeen | 0:40:44 | 0:40:47 | |
and I formed a company that serviced the oilrigs. | 0:40:47 | 0:40:52 | |
And that really gave us the wherewithal to | 0:40:54 | 0:40:58 | |
take the decision to move in here and do it up slowly. | 0:40:58 | 0:41:04 | |
Lady Forbes is just as committed to castle living as her husband. | 0:41:05 | 0:41:09 | |
She runs a perfumery business on the estate | 0:41:09 | 0:41:12 | |
that helps to pay for its upkeep. | 0:41:12 | 0:41:14 | |
You don't think of it as living in a castle, it's just | 0:41:15 | 0:41:18 | |
living in a normal home, normal house. | 0:41:18 | 0:41:20 | |
Sometimes rooms are bigger, sometimes rooms are smaller. | 0:41:22 | 0:41:25 | |
It's one of the few, if not only place around here that's | 0:41:25 | 0:41:32 | |
still lived in by the family that built it. | 0:41:32 | 0:41:37 | |
I could very easily move out in the winter to somewhere a bit warmer, | 0:41:37 | 0:41:42 | |
but, um... That's chicken. That's not the way it works. | 0:41:42 | 0:41:47 | |
Then you'd come back and then everything would be... | 0:41:47 | 0:41:50 | |
I couldn't do that. I just have to live in one place. | 0:41:50 | 0:41:53 | |
A house like this one, with deep roots in Scotland's past, | 0:41:53 | 0:41:57 | |
speaks volumes about how domestic life has changed over | 0:41:57 | 0:42:00 | |
the centuries, because while it was built for the upper-class, | 0:42:00 | 0:42:04 | |
it would have been home to a good number of more humble folk as well. | 0:42:04 | 0:42:08 | |
When the house was actually built, | 0:42:08 | 0:42:10 | |
there would have been an army of servants. | 0:42:10 | 0:42:12 | |
In fact I've got the details when it was actually let | 0:42:12 | 0:42:16 | |
during my great-great grandfather's time | 0:42:16 | 0:42:20 | |
and it was talking about space for up to 18 servants. | 0:42:20 | 0:42:24 | |
And with its long history, Castle Forbes has also become | 0:42:25 | 0:42:28 | |
a repository for some unusual objects from another age. | 0:42:28 | 0:42:32 | |
Now, this is quite an interesting piece of ironmongery. | 0:42:32 | 0:42:35 | |
It's called a scold's mask or a scold's bridle | 0:42:35 | 0:42:39 | |
and it was specifically designed to put on ladies | 0:42:39 | 0:42:44 | |
if they became too talkative after dinner. | 0:42:44 | 0:42:47 | |
It goes over your head and that goes into your mouth | 0:42:47 | 0:42:51 | |
and it does make it very difficult to talk. | 0:42:51 | 0:42:53 | |
And they could be padlocked at the back, you see? | 0:42:53 | 0:42:56 | |
I think every big house in Scotland really needs one. | 0:42:56 | 0:42:59 | |
But above all, it's the deep sense of family history that gives | 0:43:01 | 0:43:04 | |
this home its significance for the current owners. | 0:43:04 | 0:43:08 | |
These rooms have seen generations of Forbes grow up | 0:43:08 | 0:43:11 | |
and played host to some important guests. | 0:43:11 | 0:43:14 | |
When someone comes and stays, they write their name in it. | 0:43:16 | 0:43:20 | |
It has gone from... | 0:43:20 | 0:43:22 | |
..1919 until today. | 0:43:23 | 0:43:27 | |
Mr Chamberlain... | 0:43:28 | 0:43:29 | |
..with his fish. | 0:43:31 | 0:43:32 | |
That's Queen Mother with Malcolm's grandparents. | 0:43:37 | 0:43:40 | |
1935. | 0:43:42 | 0:43:44 | |
Baden Powell, outside the house. | 0:43:45 | 0:43:48 | |
Malcolm as a little boy. | 0:43:51 | 0:43:52 | |
Lord and Lady Forbes do still receive visitors here, | 0:43:57 | 0:44:01 | |
some of whom have an historical connection. | 0:44:01 | 0:44:04 | |
Today, a few Australian members of the extended family | 0:44:04 | 0:44:07 | |
have dropped in for a look around. | 0:44:07 | 0:44:10 | |
This two-handed sword belonged to Black Arthur, who was the younger | 0:44:10 | 0:44:14 | |
son of the eighth Lord Forbes and he was around at the time when we had a | 0:44:14 | 0:44:20 | |
lot of feuding with the Gordon Clan, particularly, and also the Leslies. | 0:44:20 | 0:44:25 | |
Our last name is Forbes, so we came to have a look at a bit of our heritage, obviously | 0:44:25 | 0:44:29 | |
from the complete opposite part of the world, so it's just been really good to | 0:44:29 | 0:44:33 | |
come here and see some of the more of the historical aspects of it. | 0:44:33 | 0:44:37 | |
We don't have that much history in Australia... Well, that dates back | 0:44:37 | 0:44:41 | |
this far. So to come somewhere that's 200 yeas old, | 0:44:41 | 0:44:43 | |
yeah, it's pretty exciting. | 0:44:43 | 0:44:45 | |
There we are. Lovely, thank you. Thank YOU. | 0:44:46 | 0:44:49 | |
It's pretty surprising actually. | 0:44:49 | 0:44:51 | |
We've been to a few castles on our trip so far | 0:44:51 | 0:44:53 | |
and this is completely different. | 0:44:53 | 0:44:56 | |
It's definitely more of a home than your average castle. | 0:44:56 | 0:44:59 | |
All the other ones are very touristy now, but this has much more of a homely feel. | 0:44:59 | 0:45:03 | |
Yeah, it's been really nice. | 0:45:03 | 0:45:05 | |
So long as we can cope with it, we'll stay here. | 0:45:09 | 0:45:12 | |
But there may come a day when we find getting upstairs to bed | 0:45:14 | 0:45:18 | |
a bit more difficult than we do at the moment. | 0:45:18 | 0:45:20 | |
If Lord and Lady Forbes ever do put their castle on the market, | 0:45:23 | 0:45:26 | |
they probably won't have trouble selling. | 0:45:26 | 0:45:29 | |
Luxury Scottish property is booming. | 0:45:29 | 0:45:32 | |
Wealthy buyers from around the world are drawn to Scotland's romantic history. | 0:45:32 | 0:45:37 | |
They also see it as a safe investment. | 0:45:37 | 0:45:39 | |
In London, fashion designer, former Versace model | 0:45:41 | 0:45:44 | |
and Russian princess, Olga Roh, is showing her latest collection. | 0:45:44 | 0:45:49 | |
Thank you very much. | 0:45:49 | 0:45:50 | |
# From Russia with love | 0:45:50 | 0:45:53 | |
# I fly to you... # | 0:45:56 | 0:46:00 | |
'Olga has always been a fan of Scottish style and fabrics, | 0:46:00 | 0:46:04 | |
'and she often incorporates Scottish elements into her collections.' | 0:46:04 | 0:46:08 | |
Some like it hot! Like Marilyn Monroe. | 0:46:08 | 0:46:11 | |
# I've travelled the world... # | 0:46:11 | 0:46:16 | |
The colours, the combinations... | 0:46:16 | 0:46:18 | |
It's not directly Scotland, I would say, but you can make | 0:46:18 | 0:46:21 | |
your own Scotland out of real Scotland, and I made MY Scotland. | 0:46:21 | 0:46:25 | |
I feel very comfortable there. | 0:46:25 | 0:46:27 | |
It's a very fashionable place and very famous for tweeds. | 0:46:27 | 0:46:30 | |
Winter tweeds or very heavy tweeds, wonderful quality of cashmere. | 0:46:30 | 0:46:36 | |
Recently, Olga and her millionaire husband decided the time had | 0:46:39 | 0:46:42 | |
come to make a deeper connection to the land they loved. | 0:46:42 | 0:46:45 | |
So they bought a ruined castle in Aberdeenshire. | 0:46:45 | 0:46:49 | |
I was never expecting myself to go and buy a castle. | 0:46:49 | 0:46:54 | |
So it's my husband, of course, the brain behind the story. | 0:46:54 | 0:46:58 | |
He was always attracted by Scotland. | 0:46:59 | 0:47:01 | |
It was maybe a boy's dream. | 0:47:01 | 0:47:03 | |
It's like a love story. When you love somebody, it's the same. | 0:47:03 | 0:47:06 | |
You just start to love. Not because it belongs to you, | 0:47:06 | 0:47:09 | |
because I always say it doesn't belong to me, | 0:47:09 | 0:47:12 | |
a place never can belong to somebody, you belong to the place. | 0:47:12 | 0:47:16 | |
So I belong to castle now. | 0:47:16 | 0:47:17 | |
Olga's daughter Nicole is helping her to plan the renovation. | 0:47:22 | 0:47:26 | |
I could see myself...not living here, | 0:47:32 | 0:47:34 | |
but spending perhaps the milder months of the year here. | 0:47:34 | 0:47:37 | |
Somehow, in this house, I see every room becoming a comfortable | 0:47:39 | 0:47:43 | |
little sofa room, like a drawing room, with settees and fireplaces. | 0:47:43 | 0:47:50 | |
It's going to take a lot of work, but their vision of castle life is | 0:47:52 | 0:47:56 | |
spurring them on to create a living home out of this crumbling ruin. | 0:47:56 | 0:48:00 | |
Ah, this is definitely a grand room here. | 0:48:03 | 0:48:06 | |
It's got lovely high ceilings. | 0:48:06 | 0:48:08 | |
I suppose it could be a bedroom. | 0:48:08 | 0:48:10 | |
It's got nice views. | 0:48:10 | 0:48:12 | |
What's this room? | 0:48:22 | 0:48:23 | |
This is by far the dirtiest room of all. | 0:48:23 | 0:48:26 | |
It's been host to many pigeons, but they're going to get kicked out, | 0:48:26 | 0:48:31 | |
unfortunately, because we're moving in. | 0:48:31 | 0:48:33 | |
It's a panoramic view. | 0:48:36 | 0:48:38 | |
Castles like this one are perhaps Scotland's | 0:48:42 | 0:48:45 | |
most iconic type of house. | 0:48:45 | 0:48:46 | |
There's a more modest, but just as distinctive, | 0:48:48 | 0:48:51 | |
form of Scottish domestic architecture that's also | 0:48:51 | 0:48:53 | |
being revived for 21st-century living. | 0:48:53 | 0:48:56 | |
The tenement flat. | 0:48:56 | 0:48:59 | |
Tenements are a defining feature, not just of Glasgow, | 0:48:59 | 0:49:02 | |
but most of Scotland's cities. | 0:49:02 | 0:49:04 | |
They come in all shapes and sizes, | 0:49:04 | 0:49:07 | |
from modest flats to much grander properties | 0:49:07 | 0:49:09 | |
originally built for the more affluent end of the market. | 0:49:09 | 0:49:13 | |
Today, tenements like these are still highly prized | 0:49:13 | 0:49:16 | |
and they aren't just nice places to live. | 0:49:16 | 0:49:18 | |
If, like many Scots, you find yourself working from home, | 0:49:20 | 0:49:24 | |
you'll have plenty of space. | 0:49:24 | 0:49:26 | |
So, should you decide to start a business staging live gigs | 0:49:26 | 0:49:31 | |
for your own online TV channel, | 0:49:31 | 0:49:32 | |
you won't even need to leave the house. | 0:49:32 | 0:49:34 | |
Music promoter, Chae Houston, was brought up in this handsome | 0:49:38 | 0:49:41 | |
tenement flat in the West End of Glasgow. | 0:49:41 | 0:49:44 | |
Now his folks have flown the nest, | 0:49:45 | 0:49:47 | |
he shares his three-bedroom home with his brother | 0:49:47 | 0:49:50 | |
and fellow music aficionado, Jamie. | 0:49:50 | 0:49:52 | |
One day, preparing to shoot some videos for the bands | 0:49:54 | 0:49:57 | |
they were working with, the boys were stuck for a location. | 0:49:57 | 0:50:00 | |
We were just sitting around in this room. | 0:50:00 | 0:50:02 | |
We were looking at the bay window | 0:50:02 | 0:50:04 | |
and we though, it kind of looks like a wee stage. | 0:50:04 | 0:50:06 | |
Let's do maybe a gig in here. | 0:50:06 | 0:50:07 | |
We were like, "Oh, right, maybe we could film it". | 0:50:07 | 0:50:09 | |
And I thought, we'll just call it Tenement TV | 0:50:09 | 0:50:11 | |
and let's do a wee session, get a couple of bands up. | 0:50:11 | 0:50:14 | |
So we got a few up. | 0:50:14 | 0:50:15 | |
And so Chae's business, a music website based in his home, was born. | 0:50:17 | 0:50:21 | |
This song is called Getaway. | 0:50:23 | 0:50:25 | |
The website started to get a lot of views. | 0:50:29 | 0:50:32 | |
Started getting some touring bands. Lots of interest. | 0:50:32 | 0:50:34 | |
It's a great buzz having the sessions, parties here. | 0:50:36 | 0:50:39 | |
We've had quite a few influential people up here. Some massive bands. | 0:50:39 | 0:50:43 | |
And also just the kind of vibe of the whole flat. | 0:50:45 | 0:50:48 | |
It's a really old-school flat and when all the bands come up, | 0:50:48 | 0:50:50 | |
walk up the close, walk through into the big, kind of long hall, | 0:50:50 | 0:50:53 | |
they all go, "Wow." | 0:50:53 | 0:50:55 | |
These American bands that we've had up, | 0:50:55 | 0:50:57 | |
like Cage The Elephant and stuff, | 0:50:57 | 0:50:58 | |
they're like, "What an amazing place, man." | 0:50:58 | 0:51:00 | |
They've never seen places like this. Big flats with these big windows. | 0:51:00 | 0:51:05 | |
Since recording their first band five years ago, | 0:51:05 | 0:51:08 | |
Tenement TV has grown into Scotland's largest | 0:51:08 | 0:51:11 | |
online music platform, | 0:51:11 | 0:51:12 | |
with over three million hits since its launch. | 0:51:12 | 0:51:15 | |
Some of the bands who have played here | 0:51:15 | 0:51:17 | |
have gone on to have top-ten hits and even get to number one. | 0:51:17 | 0:51:21 | |
Everything that's happened has came from this flat. | 0:51:21 | 0:51:24 | |
Everything we've spoke about or tried to create has | 0:51:24 | 0:51:27 | |
happened in here, based around this in this building. | 0:51:27 | 0:51:30 | |
I think it's a very good hub for creatives to come in, | 0:51:30 | 0:51:34 | |
like-minded people to come and just work alongside us. | 0:51:34 | 0:51:38 | |
Today, the team is shooting a session with another | 0:51:38 | 0:51:41 | |
up-and-coming act from Glasgow. | 0:51:41 | 0:51:43 | |
These guys that are up today, Atom Tree, | 0:51:43 | 0:51:45 | |
they've just recently got signed to Morse Code Management, the guys | 0:51:45 | 0:51:48 | |
who used to look after Paolo Nutini and various acts like that. | 0:51:48 | 0:51:52 | |
They've got a couple of label interest, | 0:51:52 | 0:51:54 | |
agent interest at the moment. | 0:51:54 | 0:51:56 | |
Living room. It's where you guys can make some noise. | 0:51:57 | 0:51:59 | |
The guys have been about for a couple of years now and that's them | 0:51:59 | 0:52:02 | |
really starting to take off, | 0:52:02 | 0:52:03 | |
so it's great to see local bands kind of doing this kind of thing. | 0:52:03 | 0:52:06 | |
# You can fool me once | 0:52:06 | 0:52:08 | |
# You can blind me twice... # | 0:52:10 | 0:52:12 | |
I'd always kind of followed it on YouTube. | 0:52:14 | 0:52:16 | |
They do a lot of massive bands | 0:52:16 | 0:52:18 | |
and when he kind of asked us to do it, we were well up for it. | 0:52:18 | 0:52:21 | |
We thought it was definitely worth the trip home. | 0:52:21 | 0:52:24 | |
And the fact it's in a tenement, as well, it's cool, really cool. | 0:52:24 | 0:52:29 | |
# I don't care if I die when I'm this high... # | 0:52:29 | 0:52:34 | |
But there's always been one potential downside | 0:52:34 | 0:52:36 | |
to tenement living - | 0:52:36 | 0:52:38 | |
noisy neighbours. | 0:52:38 | 0:52:39 | |
So how have the other residents on the stair reacted to the racket? | 0:52:39 | 0:52:43 | |
We have had a few upset neighbours before, but it's nothing that... | 0:52:44 | 0:52:47 | |
You just explain the situation and then a week later | 0:52:47 | 0:52:50 | |
they find out they've had a number-one band | 0:52:50 | 0:52:53 | |
above their living room. | 0:52:53 | 0:52:55 | |
# All right. # | 0:52:55 | 0:52:57 | |
But living next to a TV studio isn't everyone's vision of an ideal home. | 0:52:59 | 0:53:04 | |
Trish and her husband Sandy are heading into Glasgow to see | 0:53:07 | 0:53:11 | |
how work on their new house is progressing. | 0:53:11 | 0:53:13 | |
Moving from the country to the city after more than 40 years | 0:53:15 | 0:53:19 | |
will be a big change for them. | 0:53:19 | 0:53:21 | |
But they have decided it's for the best. | 0:53:21 | 0:53:23 | |
It's the sensible thing to do. | 0:53:23 | 0:53:25 | |
There are closer access to facilities for shopping | 0:53:25 | 0:53:29 | |
and restaurants. | 0:53:29 | 0:53:30 | |
And as we get older, particularly in the wintertime, | 0:53:30 | 0:53:34 | |
the commute from Glasgow out to Killearn becomes more difficult. | 0:53:34 | 0:53:42 | |
I think we're both dubious about having neighbours | 0:53:42 | 0:53:45 | |
because we haven't had neighbours for so long and living so close. | 0:53:45 | 0:53:49 | |
Then again, it has its advantages. | 0:53:49 | 0:53:52 | |
Having neighbours if anything happens to any of us. | 0:53:52 | 0:53:56 | |
The new house is a Victorian terrace in the West End | 0:53:59 | 0:54:02 | |
which is currently being gutted | 0:54:02 | 0:54:04 | |
and remodelled to Trish's specifications. | 0:54:04 | 0:54:07 | |
Oh, dear. What have we done? | 0:54:09 | 0:54:12 | |
SHE LAUGHS | 0:54:12 | 0:54:14 | |
That in there is the kitchen. | 0:54:14 | 0:54:16 | |
This used to be the dining room. | 0:54:18 | 0:54:20 | |
Decided to obviously make it... | 0:54:20 | 0:54:22 | |
We like open-plan living. | 0:54:22 | 0:54:24 | |
..open-plan living. | 0:54:24 | 0:54:25 | |
So this is, in fact, one of the smaller houses | 0:54:25 | 0:54:28 | |
in this area of Glasgow. | 0:54:28 | 0:54:30 | |
Other ones are four storeys and they were built with families | 0:54:30 | 0:54:35 | |
and substantial staff in mind. | 0:54:35 | 0:54:37 | |
So we're trying to bring them up to the 21st century. | 0:54:37 | 0:54:40 | |
Hi. Hello! Hi, hi, hi. | 0:54:42 | 0:54:44 | |
Interior designer, Margo, hasn't seen inside the house | 0:54:44 | 0:54:47 | |
since work started. | 0:54:47 | 0:54:48 | |
Amazing. I know. Golly, what a difference. | 0:54:48 | 0:54:52 | |
It's gone through a big transformation. | 0:54:53 | 0:54:55 | |
With construction work well underway, | 0:54:55 | 0:54:57 | |
this is starting to resemble the home Trish and Margo have designed. | 0:54:57 | 0:55:01 | |
This is going to be my gym. | 0:55:01 | 0:55:04 | |
I'm going to pop my weight machine there | 0:55:04 | 0:55:06 | |
and then my... | 0:55:06 | 0:55:08 | |
All my other equipment here. | 0:55:08 | 0:55:11 | |
That's my garden room. | 0:55:11 | 0:55:13 | |
That's all obviously coming out because that's the dumbwaiter | 0:55:15 | 0:55:18 | |
and I'll get a different worktop. | 0:55:18 | 0:55:22 | |
It won't be long before Trish can start filling it with | 0:55:22 | 0:55:25 | |
the objects that are so close to her heart. | 0:55:25 | 0:55:28 | |
I had to get one of each of my children! | 0:55:28 | 0:55:30 | |
THEY LAUGH Otherwise I'll forget! | 0:55:30 | 0:55:33 | |
Obviously, this shelving are not going to be... | 0:55:33 | 0:55:37 | |
No, I don't think so. You like to be different. It has to be a bit asymmetric. | 0:55:37 | 0:55:40 | |
Because I don't like everything in a straight line. You don't, no. | 0:55:40 | 0:55:43 | |
But you do have, you've got a lot of photographs, | 0:55:45 | 0:55:47 | |
but you've also got a lot of other objects | 0:55:47 | 0:55:49 | |
that you want to incorporate into this room, yeah? Mm-hm. | 0:55:49 | 0:55:52 | |
So, yeah, I think that would work really well in here. | 0:55:52 | 0:55:55 | |
Do you think you'll talk Sandy into it? To enjoying it? | 0:55:55 | 0:55:58 | |
I'm sure I will. | 0:55:58 | 0:56:00 | |
But, you know, if he doesn't come, I'll be here. | 0:56:00 | 0:56:05 | |
I'm sure he will. | 0:56:05 | 0:56:06 | |
Men don't like moving. Men don't like change. | 0:56:06 | 0:56:10 | |
For one other lady, the hassle of moving is finally over. | 0:56:14 | 0:56:18 | |
Peggy's modular house is finished and she has a new home of her own. | 0:56:18 | 0:56:23 | |
What are you making of it? | 0:56:23 | 0:56:24 | |
How are you finding it since you're moved in, then? | 0:56:24 | 0:56:27 | |
Oh, especially since I've moved in here, lovely. | 0:56:27 | 0:56:30 | |
Definitely. There's nothing like your own place, is there? | 0:56:30 | 0:56:33 | |
I would've liked to have stayed where I was, | 0:56:33 | 0:56:35 | |
but it was impossible. | 0:56:35 | 0:56:37 | |
I couldn't. No way. | 0:56:37 | 0:56:39 | |
But that's all part of it, isn't it? | 0:56:39 | 0:56:40 | |
We all get old, I'm afraid. | 0:56:40 | 0:56:43 | |
For Peggy's son, Robin, | 0:56:45 | 0:56:46 | |
the new ready-built house has proved the ideal solution for her and him. | 0:56:46 | 0:56:51 | |
Mum's always been independent, really independent, | 0:56:51 | 0:56:54 | |
and it was quite difficult to get her out of where she was before. | 0:56:54 | 0:56:59 | |
Now she's in the house, I think she realises just how great it is | 0:56:59 | 0:57:03 | |
and she's now beginning to comment on how friendly everyone is | 0:57:03 | 0:57:06 | |
and how beautiful the area is, so I think she's seeing the benefit. | 0:57:06 | 0:57:11 | |
She can get on with her life without interference with us, | 0:57:11 | 0:57:15 | |
apart from when she really needs it. | 0:57:15 | 0:57:17 | |
You know, they show you all these plans. | 0:57:23 | 0:57:25 | |
And you think, "Oh, yeah. Looks all right, yeah." | 0:57:25 | 0:57:28 | |
Until you actually see it like it is now, | 0:57:28 | 0:57:31 | |
you realise how nice it is. | 0:57:31 | 0:57:34 | |
It's nice to have the two bedrooms. | 0:57:34 | 0:57:35 | |
You could have a studio flat, a one bedroom, | 0:57:35 | 0:57:40 | |
but I'm glad I went for the two. | 0:57:40 | 0:57:42 | |
The idea is my friends will come by. | 0:57:42 | 0:57:46 | |
A studio place would be so small, whereas, you know, this is perfect. | 0:57:46 | 0:57:51 | |
And when you're living in it day-to-day | 0:57:56 | 0:57:58 | |
and waking up and seeing the nice view out of your... | 0:57:58 | 0:58:00 | |
Oh, it's lovely. Lovely! | 0:58:00 | 0:58:02 | |
Seeing the birds flying around. | 0:58:02 | 0:58:05 | |
I can't wait to leave the door open a bit. | 0:58:05 | 0:58:07 | |
But it's too cold at the moment. | 0:58:07 | 0:58:09 | |
I want a nice, bold stripe. | 0:59:33 | 0:59:35 | |
Lace, lace, lace... | 0:59:35 | 0:59:36 | |
Oh, the haberdashery is amazing. | 0:59:36 | 0:59:38 |