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This programme contains scenes of a sexual nature | 0:00:02 | 0:00:04 | |
This programme contains very strong language | 0:00:04 | 0:00:07 | |
-That's the price we pay for being cheerleaders. -Yeah. | 0:00:07 | 0:00:09 | |
Oh, my God! | 0:00:09 | 0:00:11 | |
'In 1997 I made a documentary about the world of male porn performers | 0:00:11 | 0:00:16 | |
'in Los Angeles...' | 0:00:16 | 0:00:18 | |
I don't want to cause offence when I say that I look at him | 0:00:18 | 0:00:21 | |
and I don't automatically think, "There's a porno performer". | 0:00:21 | 0:00:24 | |
-Are you John Dough? -Hey. What's up? -How's it going? Louis from the BBC. | 0:00:24 | 0:00:28 | |
Break a leg. | 0:00:28 | 0:00:30 | |
'..finding out how difficult and stressful it can be | 0:00:30 | 0:00:33 | |
'having sex on camera for a living.' | 0:00:33 | 0:00:35 | |
Action. | 0:00:35 | 0:00:37 | |
Let's cut. Cut! Let's break. | 0:00:37 | 0:00:39 | |
It seems like the easiest job in the world, really. Let's face it. | 0:00:40 | 0:00:44 | |
-It's not. -Really? | 0:00:44 | 0:00:45 | |
Many, many men have tried and very few have made it. | 0:00:45 | 0:00:49 | |
And action! | 0:00:49 | 0:00:50 | |
'Fifteen years on, I'd heard about big changes in the industry. | 0:00:50 | 0:00:55 | |
'Porn was struggling, under threat from piracy on the internet.' | 0:00:55 | 0:01:00 | |
PornTube sites pretty much... killed the business. | 0:01:00 | 0:01:05 | |
Killed it. | 0:01:05 | 0:01:06 | |
If you've got a guy who's seen 500 porns, you know, | 0:01:06 | 0:01:09 | |
whatever you're gonna do isn't gonna particularly astound him. | 0:01:09 | 0:01:12 | |
-How you doing? -How are you, my friend? | 0:01:12 | 0:01:15 | |
'And so I'd returned to LA, curious how my old friends were faring...' | 0:01:15 | 0:01:18 | |
Good to see you. | 0:01:18 | 0:01:21 | |
'..and to meet the new performers pursuing a dream of porn stardom | 0:01:21 | 0:01:26 | |
'in an industry where a stable career was more elusive than ever.' | 0:01:26 | 0:01:30 | |
You like girls, you like boys, you like getting tied up. | 0:01:30 | 0:01:34 | |
The only thing... Actually, you like everything. | 0:01:34 | 0:01:36 | |
Everybody has to be something at some point in their life | 0:01:36 | 0:01:39 | |
that they may not want to do, but they do it because they have to. | 0:01:39 | 0:01:43 | |
I am someone that does blow bangs, I am someone that does anal scenes. | 0:01:43 | 0:01:47 | |
That's who I am. That's...who I'm becoming and I'm OK with that. | 0:01:47 | 0:01:51 | |
'My journey was starting in the San Fernando Valley, | 0:02:02 | 0:02:06 | |
'America's capital of porn. | 0:02:06 | 0:02:08 | |
'Faced with competition from free YouTube-style porn sites, | 0:02:09 | 0:02:14 | |
'studios have responded by making films with higher production values | 0:02:14 | 0:02:18 | |
'for the couples market. | 0:02:18 | 0:02:21 | |
'I'd been invited to the latest shoot by Wicked Pictures. | 0:02:21 | 0:02:25 | |
'The male lead was the rising star Xander Corvus.' | 0:02:25 | 0:02:30 | |
-How we doing? Nice to meet you. -Good. Nice to meet you too. | 0:02:30 | 0:02:34 | |
-I'm Louis. -Xander. | 0:02:34 | 0:02:35 | |
Xander. | 0:02:35 | 0:02:37 | |
-You're a performer in the business. -I am. | 0:02:37 | 0:02:39 | |
-How long have you been doing this? -About a year... A little over a year and a half. | 0:02:39 | 0:02:43 | |
-You will be having sex with someone this afternoon on camera? -I will. | 0:02:43 | 0:02:47 | |
Erm... I feel like an asshole. | 0:02:47 | 0:02:50 | |
Alex... Alexa I think her name is. | 0:02:50 | 0:02:52 | |
-Have you seen her yet? -No. | 0:02:52 | 0:02:54 | |
-Have ever you done a scene with her before? -No. | 0:02:54 | 0:02:58 | |
Is it important that you find her attractive? | 0:02:58 | 0:03:01 | |
I've had to do scenes with girls I wasn't particularly attracted to | 0:03:01 | 0:03:05 | |
but, you know, I'd get it up anyway. | 0:03:05 | 0:03:08 | |
I mean, I'm 23... I just turned 23, so it's usually not a problem, | 0:03:08 | 0:03:12 | |
and if it is, it's like, "OK, sialis. Cool, we're good". | 0:03:12 | 0:03:15 | |
-Sialis? -Boner pill. | 0:03:15 | 0:03:17 | |
-It's like Viagra? -Yeah. You get it at any doctor. | 0:03:17 | 0:03:21 | |
But we go to, like, the porn doctor, basically. | 0:03:21 | 0:03:24 | |
So what is this called, this movie? | 0:03:24 | 0:03:25 | |
Erm... I don't know. | 0:03:25 | 0:03:28 | |
I forget. | 0:03:28 | 0:03:30 | |
-We have the white virginous kind of look here. -Mmm. | 0:03:30 | 0:03:33 | |
'The film's director, Brad Armstrong, was also an occasional performer.' | 0:03:33 | 0:03:37 | |
-Brad, have you worked with Alexa before? -I have indeed. -Yeah. | 0:03:37 | 0:03:40 | |
Let me just say that Alexa's a lot of fun. | 0:03:40 | 0:03:44 | |
I mean, you've directed her, but did you mean that you've also performed with Alexa? | 0:03:44 | 0:03:48 | |
-Oh, we've made the sweet love a number of times. -Yeah. -She's fun. | 0:03:48 | 0:03:51 | |
Step. | 0:03:51 | 0:03:53 | |
Step. Step. | 0:03:53 | 0:03:56 | |
Step. | 0:03:56 | 0:03:58 | |
Step. Look deep into each other's eyes without touching. | 0:03:58 | 0:04:04 | |
Is it set in a period, a certain period of history, Brad? | 0:04:04 | 0:04:08 | |
It's not so much a specific period, but it's period-esque. | 0:04:08 | 0:04:11 | |
You know, in the romance novel, there's always that guy with the open pirate-esque shirt | 0:04:11 | 0:04:15 | |
and the girl in her little kind of Spanish... | 0:04:15 | 0:04:18 | |
-It's just sort of in romance land. -Romance land. | 0:04:18 | 0:04:20 | |
And kiss. | 0:04:20 | 0:04:23 | |
Do you recommend it as a lifestyle, | 0:04:28 | 0:04:30 | |
because it's a very particular kind of a business to be in, isn't it? | 0:04:30 | 0:04:35 | |
It depends on the person. | 0:04:35 | 0:04:37 | |
If you're straight and business minded, | 0:04:37 | 0:04:40 | |
-like Nicole's going for her Bachelor's right now. -Who's Nicole? | 0:04:40 | 0:04:44 | |
Sorry. Erm... | 0:04:44 | 0:04:45 | |
What's the chick over there? What's the girl's name? | 0:04:45 | 0:04:49 | |
-LAUGHTER -Alexa, sorry. | 0:04:49 | 0:04:51 | |
-Alexa or Nicole? -Alexa Nicole. | 0:04:51 | 0:04:53 | |
-Her first name is Alexa and her last name is Nicole? -Exactly. | 0:04:53 | 0:04:56 | |
So you very much get a wide variety... | 0:04:56 | 0:04:59 | |
You've had sex with her a couple of times | 0:04:59 | 0:05:01 | |
-and you didn't remember her name. -No, I just blanked. | 0:05:01 | 0:05:03 | |
And action. | 0:05:03 | 0:05:06 | |
Michael... | 0:05:06 | 0:05:07 | |
I can't. | 0:05:07 | 0:05:09 | |
My father will never allow this, you know this. | 0:05:09 | 0:05:13 | |
-Do that line one more time. -Which one? | 0:05:13 | 0:05:15 | |
Hers. "I know that my father will never allow it. You know this". | 0:05:15 | 0:05:21 | |
-Not "this" and "this'. -OK. | 0:05:21 | 0:05:24 | |
And go from there, and action. | 0:05:24 | 0:05:26 | |
I know... | 0:05:26 | 0:05:27 | |
-Fuck! -And I too. | 0:05:27 | 0:05:29 | |
I know, and I you. As in, I love you too. | 0:05:29 | 0:05:32 | |
Are you enjoying the scene? | 0:05:32 | 0:05:34 | |
Yeah, dude, she's great. I'm really feeling her. | 0:05:34 | 0:05:37 | |
I think we have a pretty good chemistry going so that's good. | 0:05:37 | 0:05:41 | |
-It's work, isn't it? -Yeah, it's work. -It's not sex for pleasure. | 0:05:41 | 0:05:45 | |
It's fun, but it's definitely not sex for pleasure. | 0:05:45 | 0:05:48 | |
-How you doing, Brad? -So far, so good. -Are they OK? | 0:05:48 | 0:05:52 | |
Are they just moving... He's walking around with his willy out. | 0:05:52 | 0:05:56 | |
-Yeah, it's... -Isn't that... look at that. | 0:05:56 | 0:05:59 | |
Some people are a little more... | 0:05:59 | 0:06:01 | |
..flamboyant than others with their penis out. | 0:06:03 | 0:06:06 | |
Yeah! Oh! | 0:06:06 | 0:06:08 | |
Oh! | 0:06:08 | 0:06:10 | |
Yeah, yeah, yeah, oh! | 0:06:10 | 0:06:11 | |
No, less porno. | 0:06:11 | 0:06:14 | |
"Yes, yes, yes". | 0:06:14 | 0:06:16 | |
Yes, yes. | 0:06:16 | 0:06:17 | |
Cool. You got it and I got it. | 0:06:20 | 0:06:23 | |
How did that go? Do you feel closer now that you've just had sex? | 0:06:23 | 0:06:27 | |
It was a pretty romantic scene. | 0:06:27 | 0:06:28 | |
We're not gonna run and get married but it definitely, like, | 0:06:28 | 0:06:31 | |
-opens a lot of doors to a person we're more comfortable around. -Yeah. | 0:06:31 | 0:06:35 | |
There's something quite touching about seeing you there like that, | 0:06:35 | 0:06:38 | |
how your legs are crossed over like that. | 0:06:38 | 0:06:41 | |
-It's almost like you've just had a romantic moment. -We did. -Yeah. | 0:06:41 | 0:06:44 | |
Sure did. | 0:06:44 | 0:06:45 | |
-Do you have a boyfriend, Alexa? -Yeah. Yes, I do. | 0:06:45 | 0:06:50 | |
-Who you live with? -Yes. -Kids? -No. | 0:06:50 | 0:06:53 | |
-Would you like to have kids one day? -Definitely. | 0:06:53 | 0:06:56 | |
You're not worried about your kids seeing something, seeing one of your scenes? | 0:06:56 | 0:07:00 | |
Not at all. And if they were to, I think sex is perfectly natural, | 0:07:00 | 0:07:05 | |
so I don't think it's anything that someone should be ashamed of. | 0:07:05 | 0:07:08 | |
'My next stop was the offices | 0:07:23 | 0:07:26 | |
'of one of the industry's leading talent agencies, LA Direct. | 0:07:26 | 0:07:31 | |
'Its founder and CEO is the performer known as Ben English. | 0:07:32 | 0:07:37 | |
'His real name, Derek Hay.' | 0:07:37 | 0:07:41 | |
-Louis. -Hello. -How you doing? | 0:07:41 | 0:07:43 | |
-Ah, how are you? -Nice to meet you. Yeah, good. | 0:07:43 | 0:07:46 | |
Now, you've got a busy day. What have you got going on? | 0:07:46 | 0:07:48 | |
I'm not sure how many shoots but there's today's schedule. | 0:07:48 | 0:07:52 | |
She's doing an unusual shoot, actually. | 0:07:52 | 0:07:55 | |
She's doing a gangbang, which a lot of people say 'gangbang' | 0:07:55 | 0:07:59 | |
when you're talking about the porn industry, but actually it's pretty rare. | 0:07:59 | 0:08:03 | |
Is there a rate for a gangbang? | 0:08:03 | 0:08:05 | |
Would there be a going rate for something like that? | 0:08:05 | 0:08:08 | |
Anywhere from... | 0:08:08 | 0:08:12 | |
3,000 to 8,000. | 0:08:12 | 0:08:14 | |
I don't know if people consider that a lot or not. | 0:08:14 | 0:08:18 | |
I don't know. Yeah. | 0:08:18 | 0:08:19 | |
For a gangbang, is it a lot? I don't know. | 0:08:19 | 0:08:22 | |
'A few doors down from Derek is his number two, Fran Smidor.' | 0:08:23 | 0:08:27 | |
-Hello. -Hello. -You must be Fran. -I might be. Who wants to know? | 0:08:27 | 0:08:31 | |
-Louis. -Louis? -How do you do? | 0:08:31 | 0:08:34 | |
So is that what you pay the talent with? | 0:08:34 | 0:08:37 | |
Erm... some of it is for the talent, yes. | 0:08:37 | 0:08:40 | |
Most of them are cheques. | 0:08:40 | 0:08:42 | |
-How's business? -Could always be better. | 0:08:42 | 0:08:45 | |
Do you think the internet and piracy and free porn on the internet has had an impact? | 0:08:45 | 0:08:49 | |
Yes. Devastatingly. | 0:08:49 | 0:08:51 | |
How has that had a knock-on effect on the industry and the performers? | 0:08:51 | 0:08:55 | |
Less work. | 0:08:56 | 0:08:58 | |
There's less work and there's an abundance, because of the economy, of performers. | 0:08:58 | 0:09:03 | |
There aren't enough people shooting to give everybody a day's work. | 0:09:03 | 0:09:07 | |
You see a lot of people coming in here and saying that, you know, | 0:09:07 | 0:09:11 | |
they want to be in adult movies, right? | 0:09:11 | 0:09:13 | |
Do you give them a talk where you explain what the consequences are | 0:09:13 | 0:09:17 | |
and how it's likely to affect them and have they thought it through? | 0:09:17 | 0:09:20 | |
-No. -Why not? | 0:09:20 | 0:09:22 | |
Because I would talk half... three quarters of the girls | 0:09:22 | 0:09:24 | |
out of the business and we wouldn't be in business. | 0:09:24 | 0:09:27 | |
I'm here to promote the adult industry, not put a curse on it. | 0:09:27 | 0:09:31 | |
Jinx, Jinx, Jinx. | 0:09:31 | 0:09:33 | |
-Fran, do you get on with Jinx pretty well? -Can't stand the sight of her. | 0:09:33 | 0:09:37 | |
-Can't stand the sight? She's a good earner for you. -Is she? Are you a good earner? | 0:09:37 | 0:09:42 | |
What have you got? Because you're always trying to short me. | 0:09:42 | 0:09:46 | |
This is what they do. They think I was born yesterday. | 0:09:46 | 0:09:49 | |
-Well, she's come in to give you the money, Fran. -Here you go. | 0:09:49 | 0:09:52 | |
-Are you working this week, Jinx? -Yeah, I'm working tomorrow. | 0:09:52 | 0:09:55 | |
-What are you doing? -I'm getting a pound in my ass tomorrow. | 0:09:55 | 0:09:59 | |
Do you have respect for what they do, the performers? | 0:10:00 | 0:10:04 | |
Because it's a lot of work, isn't it? Or it can be. | 0:10:05 | 0:10:08 | |
I think working 64 hours a week in an office is hard work. | 0:10:08 | 0:10:11 | |
I don't think going to set and fucking someone is as hard as we have to do on a daily basis. | 0:10:11 | 0:10:17 | |
-It's not something I would want for my child. -Why not? | 0:10:17 | 0:10:20 | |
Because it fucks with their heads and I don't want to be the mother of a whore. | 0:10:20 | 0:10:24 | |
I take care of... | 0:10:24 | 0:10:26 | |
Hi. | 0:10:26 | 0:10:27 | |
-Hi. -Brownie cam. | 0:10:27 | 0:10:29 | |
-I'm Louis. -I'm Stefania. -Stefania? | 0:10:29 | 0:10:31 | |
Stefania is another of your clients? | 0:10:31 | 0:10:34 | |
Yes. | 0:10:34 | 0:10:35 | |
-Performers? -Yes. | 0:10:35 | 0:10:37 | |
-And how long have you been doing it, Stefania? -I just started. | 0:10:37 | 0:10:40 | |
I did, like, three shoots so far. | 0:10:40 | 0:10:42 | |
-Oh, well. OK, so you're pretty new... -Yes, I am. | 0:10:42 | 0:10:44 | |
..to the whole thing. And how's it going for you? | 0:10:44 | 0:10:46 | |
-It's going pretty good. -Yeah? -Yeah. I like it, I enjoy it. | 0:10:46 | 0:10:49 | |
-How old are you? -I'm 22. -22? -Yes. | 0:10:49 | 0:10:52 | |
-So you've done three scenes, did you say? -I did three scenes. -So what were they? | 0:10:52 | 0:10:55 | |
Two scenes was boy/girl scenes and one was anal. | 0:10:55 | 0:10:59 | |
Yeah. | 0:10:59 | 0:11:00 | |
Had you ever done anal before? | 0:11:00 | 0:11:02 | |
I actually, like, in my real life, I really don't do much anal, | 0:11:02 | 0:11:08 | |
but on cam I do. | 0:11:08 | 0:11:10 | |
So if you don't do it in private, | 0:11:10 | 0:11:12 | |
that would suggest maybe you don't enjoy it that much? | 0:11:12 | 0:11:15 | |
I don't enjoy it that much, but I can make it enjoyable. | 0:11:15 | 0:11:18 | |
-I'm not sure that I agree with your question. -Well... -I can think of a lot of things | 0:11:18 | 0:11:22 | |
that we don't do in our personal life that we do at work. | 0:11:22 | 0:11:25 | |
Yeah. | 0:11:25 | 0:11:26 | |
I really regard models in the adult industry as sexual athletes | 0:11:26 | 0:11:31 | |
so, you know, I don't think that you can say | 0:11:31 | 0:11:35 | |
whatever they do on camera as actresses, you know, | 0:11:35 | 0:11:39 | |
they would necessarily do in their personal life. | 0:11:39 | 0:11:41 | |
I feel sure that they don't. | 0:11:41 | 0:11:43 | |
-How you doing? -I'm good, how are you? -All right. | 0:11:47 | 0:11:49 | |
-Nice to meet you. What's your name? -Likewise. Barry. -Barry? -Yeah. | 0:11:49 | 0:11:52 | |
-Brandy. -Brandy? Louis. -Nice to meet you. -Nice to meet you. | 0:11:52 | 0:11:54 | |
-You're a performer? -I'm a performer. -And are you going out with Brandy? -This is my wife. | 0:11:54 | 0:11:58 | |
-You're married. -Yeah. -And you're both in the industry? | 0:11:58 | 0:12:01 | |
-Yes. -And you both have sex on camera with other people for a living? -Yeah. | 0:12:01 | 0:12:04 | |
She has a certain "yes" list of dudes she works with | 0:12:04 | 0:12:07 | |
and I have a certain, like, criteria of things I do and don't do. | 0:12:07 | 0:12:10 | |
What's your list of things you won't do? | 0:12:10 | 0:12:12 | |
THEY CHUCKLE | 0:12:12 | 0:12:14 | |
I won't do... I don't do gangbangs any more, blow bangs, | 0:12:14 | 0:12:17 | |
any type of double anal or double vaginal, anything like that. | 0:12:17 | 0:12:22 | |
And so what are the reasons for those rules? | 0:12:22 | 0:12:24 | |
I'm just not down with rubbing my cock up against another dude's cock. | 0:12:24 | 0:12:27 | |
SHE LAUGHS | 0:12:27 | 0:12:30 | |
-Any more. -Any more, yeah. -You did do it? | 0:12:30 | 0:12:32 | |
THEY LAUGH | 0:12:32 | 0:12:33 | |
Any more than I have done. | 0:12:33 | 0:12:35 | |
When I was here last time, there were a few guys who I met, | 0:12:37 | 0:12:40 | |
and I'm curious to sort of know if they're still in the business and how they've made out. | 0:12:40 | 0:12:44 | |
One was John Dough. | 0:12:44 | 0:12:46 | |
Who you know has passed some years ago, right? | 0:12:46 | 0:12:50 | |
Do you know what happened? | 0:12:50 | 0:12:52 | |
You mean, to cause his death? | 0:12:52 | 0:12:55 | |
Yes. | 0:12:55 | 0:12:56 | |
If depression is the correct word, | 0:12:56 | 0:12:58 | |
I think it is related to the sort of struggle of, you know, | 0:12:58 | 0:13:02 | |
the on-set, the industry and, | 0:13:02 | 0:13:04 | |
you know, some years ago, whatever, 2007 or so, you know, | 0:13:04 | 0:13:08 | |
where we...the decline of the DVD market and... | 0:13:08 | 0:13:15 | |
you know, a lot of studios and directors sort of found it a struggle to stay viable. | 0:13:15 | 0:13:21 | |
You think him killing himself had something to do with the DVD market? | 0:13:21 | 0:13:26 | |
Well, I think that his... I think that he was one of many | 0:13:26 | 0:13:33 | |
who found their business in difficulty. | 0:13:33 | 0:13:37 | |
Do you know how he killed himself? | 0:13:37 | 0:13:40 | |
No. Do you? | 0:13:40 | 0:13:42 | |
No. | 0:13:42 | 0:13:43 | |
'With their earnings in the doldrums, | 0:13:47 | 0:13:50 | |
'porn performers are having to be creative about how they make money. | 0:13:50 | 0:13:55 | |
'To learn more, I was visiting the home of LA Direct model Kagney Linn Karter.' | 0:13:55 | 0:14:00 | |
-Hello? -Hello. | 0:14:00 | 0:14:02 | |
Can we come in? | 0:14:02 | 0:14:03 | |
-I'm Louis. -Kagney. Nice to meet you. | 0:14:03 | 0:14:05 | |
-Kagney, nice to meet you. And you are Montae? -Montae. | 0:14:05 | 0:14:08 | |
-How you doing? Nice to meet you. -Same here. | 0:14:08 | 0:14:10 | |
I'm going to use the rest room, I'll be about 20 minutes. | 0:14:10 | 0:14:12 | |
-You're going to have a bath? Is that right? -Yeah. | 0:14:12 | 0:14:15 | |
You're going to clean yourself up, get ready for what's about to happen? | 0:14:15 | 0:14:18 | |
-Yeah, I'm going to get ready for the live show. -What is the live show? | 0:14:18 | 0:14:21 | |
It's just a live webcam that I do probably like once or twice a month. | 0:14:21 | 0:14:25 | |
And you'll just be a solo performer in this? | 0:14:25 | 0:14:28 | |
Yeah, just solo. | 0:14:28 | 0:14:29 | |
-Montae, you are Kagney's significant other? -Yes. | 0:14:32 | 0:14:35 | |
-Husband? -No. -No. | 0:14:35 | 0:14:37 | |
-Not married. -Hoping to be? -Yeah, eventually, some day. | 0:14:37 | 0:14:41 | |
-What do you do? -I am a full-time assistant to my girlfriend. -Mm-hm. | 0:14:41 | 0:14:47 | |
Do you have rules about what she can't do or, you know, what you're comfortable with? | 0:14:47 | 0:14:51 | |
I give my input, I give my input on what I believe that, | 0:14:51 | 0:14:55 | |
you know, she should probably refrain from doing. | 0:14:55 | 0:14:57 | |
Like? | 0:14:57 | 0:14:58 | |
Er... Like, for example, her agent called today | 0:14:58 | 0:15:03 | |
and asked her did she want to do a boy/girl scene, | 0:15:03 | 0:15:08 | |
but after the boy/girl scene, five guys come and ejaculate on her. | 0:15:08 | 0:15:12 | |
So you expressed a preference that she not do that? | 0:15:12 | 0:15:15 | |
-Of course. I mean, I'd rather... -But what did she say? | 0:15:15 | 0:15:17 | |
DOOR OPENS | 0:15:17 | 0:15:19 | |
She said she was going to do it, you know? | 0:15:19 | 0:15:21 | |
Montae was saying about this scene that you had coming up | 0:15:21 | 0:15:24 | |
and about whether you should let these guys | 0:15:24 | 0:15:27 | |
kind of finish their business on you. | 0:15:27 | 0:15:29 | |
I mean, he didn't want to talk about it, so I'm actually surprised that he brought it up with you guys, | 0:15:29 | 0:15:33 | |
cos, babe, you wouldn't even talk with me about it. | 0:15:33 | 0:15:35 | |
Yeah, I mean, I'm always going to have my opinion, so... | 0:15:35 | 0:15:40 | |
especially if your agent says that he doesn't think that she should do it. | 0:15:40 | 0:15:43 | |
-You saying that I couldn't do it cuts me out of two grand and that... -No, I didn't say... | 0:15:43 | 0:15:47 | |
-..cut us out of money to go on vacation and do nice things for ourself. -I never did say... | 0:15:47 | 0:15:51 | |
-So that I can buy you the clothes that you wear, Montae. -I never did say that you couldn't do it. | 0:15:51 | 0:15:55 | |
Kagney, you would maybe want to respect his feelings, though, | 0:15:55 | 0:15:59 | |
if he was upset by something that you chose to do? | 0:15:59 | 0:16:03 | |
Are you upset, really? Like, you're upset now? | 0:16:03 | 0:16:05 | |
-I didn't say that I was upset. -You didn't, no. -I never did say that. | 0:16:05 | 0:16:08 | |
-Of course I want to respect his feelings. -That's the thing. | 0:16:08 | 0:16:11 | |
But sometimes he doesn't know what's best for me | 0:16:11 | 0:16:13 | |
and I know what's best for us because I've been doing this for a long time now, | 0:16:13 | 0:16:16 | |
so he sometimes doesn't understand that the reason why | 0:16:16 | 0:16:18 | |
-I do certain scenes is not cos I'm just a big whore... -No, I know! That's crazy! | 0:16:18 | 0:16:22 | |
..and I would get fucking five loads on my face. | 0:16:22 | 0:16:24 | |
It's because I know that that's going to be the type of scene that might possibly win me an award. | 0:16:24 | 0:16:28 | |
As an outsider to the business, you know, | 0:16:28 | 0:16:31 | |
and sort of representing people at home, | 0:16:31 | 0:16:33 | |
what I would see is that Montae is already taking a lot | 0:16:33 | 0:16:39 | |
by seeing the person he loves most in the world | 0:16:39 | 0:16:42 | |
performing sex acts with other people. | 0:16:42 | 0:16:44 | |
OK, but Montae also gets to have lots of days off | 0:16:44 | 0:16:48 | |
where he sits around the house and plays video games all day too, | 0:16:48 | 0:16:51 | |
so OK, like, Montae gets whatever he wants. | 0:16:51 | 0:16:54 | |
He has a really good life that I have provided for him, | 0:16:54 | 0:16:57 | |
so Montae has it easy. | 0:16:57 | 0:17:00 | |
Hi, everyone. | 0:17:01 | 0:17:02 | |
BEEP | 0:17:02 | 0:17:03 | |
Hi, guys. | 0:17:03 | 0:17:05 | |
BEEP | 0:17:05 | 0:17:07 | |
-Sorry, I'm a little late, guys. -BEEP | 0:17:07 | 0:17:09 | |
OK, yeah, that's good. | 0:17:09 | 0:17:11 | |
Fuck, yeah, that's what I want to hear. | 0:17:11 | 0:17:13 | |
SHE CHUCKLES | 0:17:13 | 0:17:14 | |
My favourite position... | 0:17:14 | 0:17:17 | |
I'm kind of old fashioned. | 0:17:17 | 0:17:18 | |
I just like missionary or, like, scissors. | 0:17:18 | 0:17:22 | |
How did it go? | 0:17:24 | 0:17:25 | |
It was good. I made 100 bucks. | 0:17:25 | 0:17:27 | |
Do you have a plan as far as how far you'll go with this? | 0:17:27 | 0:17:31 | |
I definitely want to do, like, another seven years, | 0:17:31 | 0:17:33 | |
and, by then, I think that me and Montae will retire and, | 0:17:33 | 0:17:38 | |
I mean, everything that I choose to do and whatever I might do | 0:17:38 | 0:17:42 | |
is just, you know, to secure a better future for us. | 0:17:42 | 0:17:47 | |
I'm always thinking about the future and it's a little bit... | 0:17:47 | 0:17:51 | |
Sometimes it's kind of wearing and, like, I tell Montae, | 0:17:51 | 0:17:54 | |
you know, like, I'm sorry that I'm always so concerned about money and things like that | 0:17:54 | 0:17:58 | |
but, for me, it's just really important that one day I don't have to do this any more. | 0:17:58 | 0:18:04 | |
Some of the women that are involved, they don't have a ten-year plan. | 0:18:04 | 0:18:08 | |
It's more about getting their pay cheque, | 0:18:08 | 0:18:11 | |
going to buy the new Christian Louboutins that they could fit on their feet. | 0:18:11 | 0:18:15 | |
It's not like that with her. | 0:18:15 | 0:18:17 | |
If you were... She actually has a plan of action. | 0:18:17 | 0:18:21 | |
'Kagney brought an incongruous professionalism to her commitment to extreme porn, | 0:18:25 | 0:18:30 | |
'but it was hard not to worry about the toll it might take on her relationship. | 0:18:30 | 0:18:35 | |
'In 1997, when I'd made my original documentary, | 0:18:40 | 0:18:44 | |
'one of the performers I'd focused on was a newcomer to the business. | 0:18:44 | 0:18:49 | |
'His porn name was JJ Michaels.' | 0:18:49 | 0:18:51 | |
-Hi. -Hey. | 0:18:54 | 0:18:56 | |
-How you doing? -All right. Good to see you. -Good to see you. | 0:18:56 | 0:19:00 | |
-Can we come in? -Of course. Come on in. | 0:19:00 | 0:19:02 | |
'Don't you think, like, with two people who are HIV positive, | 0:19:02 | 0:19:04 | |
'it's just a matter of time before there's more. | 0:19:04 | 0:19:07 | |
I mean, you must be worried. | 0:19:07 | 0:19:08 | |
I mean, you, basically you have unprotected sex. | 0:19:08 | 0:19:11 | |
Yeah, but I don't think about it so...I assume I'm safe, you know? | 0:19:11 | 0:19:15 | |
And that way, I don't go home and worry every night. | 0:19:15 | 0:19:18 | |
If you did that, you'd just quit. | 0:19:18 | 0:19:20 | |
Well, maybe quitting wouldn't be a bad option in that case. | 0:19:20 | 0:19:23 | |
Well, that's... No, I guess if you're worried about it, yeah, | 0:19:23 | 0:19:26 | |
whereas I don't so, you know. | 0:19:26 | 0:19:28 | |
'15 years on, JJ was out of the business | 0:19:28 | 0:19:31 | |
'and now working in IT in suburban Missouri.' | 0:19:31 | 0:19:34 | |
I wasn't comfortable talking about it. I mean, no. | 0:19:34 | 0:19:38 | |
Ah, there, the Jimmy Bone one, I think I told you about this one. | 0:19:38 | 0:19:41 | |
It was the James Bond spoof that I... | 0:19:41 | 0:19:43 | |
-Oh, yeah, you directed that one, didn't you? -Yeah, yeah, yeah, it was one I directed. | 0:19:43 | 0:19:46 | |
It was a silly James Bond spoof. That was a two-parter. That's pretty cool. | 0:19:46 | 0:19:50 | |
-Yeah, these are like some old, old just VHSs. -Naked Outdoors. | 0:19:50 | 0:19:53 | |
Naughty Little Nymphos. | 0:19:53 | 0:19:54 | |
Is It Wrong To Be Sodomised? | 0:19:54 | 0:19:56 | |
Young And Anal. Gutter Mouths Eight. | 0:19:56 | 0:19:59 | |
When we met, it was in early '97. | 0:19:59 | 0:20:01 | |
You stayed in after that for three years? | 0:20:01 | 0:20:04 | |
-Yes. -And how did you find it? | 0:20:04 | 0:20:06 | |
Wasn't bad. | 0:20:06 | 0:20:08 | |
I mean, especially, like, the second year and, you know, | 0:20:08 | 0:20:11 | |
when I really knew people and I felt comfortable. | 0:20:11 | 0:20:14 | |
It wasn't like I was meeting new people every time I went to a set I knew all the crew. | 0:20:14 | 0:20:18 | |
I was married in '99 to another actress | 0:20:18 | 0:20:21 | |
and my little brother died at the end of '99, | 0:20:21 | 0:20:25 | |
and when that happened I took, like, a month or so off and... | 0:20:25 | 0:20:31 | |
How did he die? | 0:20:31 | 0:20:32 | |
Er...drug overdose. | 0:20:32 | 0:20:35 | |
Getting into the business was caused by the death of my son. | 0:20:35 | 0:20:38 | |
In a way, it kind of shocked me and did something | 0:20:38 | 0:20:40 | |
and this, in essence, kind of got me out. | 0:20:40 | 0:20:43 | |
It just made me re-think, like, | 0:20:43 | 0:20:44 | |
"Well, do I really want to do this for ever?" | 0:20:44 | 0:20:46 | |
You think you got in because of the death of your baby son? | 0:20:46 | 0:20:50 | |
I think my recklessness was part of that, | 0:20:50 | 0:20:56 | |
part of that emotion, | 0:20:56 | 0:20:58 | |
and I think that entire mentality came from that. | 0:20:58 | 0:21:01 | |
I mean, experiencing such a loss does a lot to you | 0:21:01 | 0:21:04 | |
and, at that point in my life, I was like, "Well, what do I have to lose?" | 0:21:04 | 0:21:08 | |
How did your son die? | 0:21:08 | 0:21:09 | |
It was from SIDS. | 0:21:09 | 0:21:11 | |
That's is that cot death, basically? Sudden Infant Death. | 0:21:11 | 0:21:14 | |
Yeah, yeah, it's the same as British cot death. Yeah, he was seven and a half months. | 0:21:14 | 0:21:19 | |
I never realised those two events went together like that. | 0:21:21 | 0:21:24 | |
I wasn't comfortable talking about it. I mean... | 0:21:24 | 0:21:26 | |
certain things like that, it takes a long time to even be comfortable | 0:21:26 | 0:21:31 | |
discussing them or relating to them, understanding them | 0:21:31 | 0:21:36 | |
and, you know, obviously now I can. | 0:21:36 | 0:21:39 | |
So this is the room where I have my set-up here. | 0:21:39 | 0:21:42 | |
This is where I record my demos. I use the keyboard. | 0:21:42 | 0:21:45 | |
What kind of lyrics do you write? | 0:21:45 | 0:21:47 | |
Well, this concept for the first album, it's a main character | 0:21:47 | 0:21:51 | |
who goes into a mental hospital | 0:21:51 | 0:21:54 | |
because he was arrested for killing his girlfriend. | 0:21:54 | 0:21:59 | |
But, in the end, he actually didn't do it. | 0:21:59 | 0:22:03 | |
When you lose someone, you know, when I did, | 0:22:03 | 0:22:05 | |
you feel an overwhelming sense of guilt about it, like it's your fault, | 0:22:05 | 0:22:08 | |
and the main character in this believes he killed this girl that he loves... | 0:22:08 | 0:22:13 | |
-..but he didn't. -And it is metal? | 0:22:16 | 0:22:18 | |
Yes. | 0:22:18 | 0:22:19 | |
Yeah, definitely, it's a... I call it progressive power thrash metal. | 0:22:19 | 0:22:23 | |
MUSIC PLAYS | 0:22:23 | 0:22:27 | |
'One of the things that happened in the time | 0:22:27 | 0:22:30 | |
'since we taped that show was that John Dough died. | 0:22:30 | 0:22:33 | |
'What do you know about that?' | 0:22:33 | 0:22:35 | |
I remember when one of my friends called me and said that he'd... hung himself, I believe. | 0:22:35 | 0:22:40 | |
It was kind of... I mean, it was kind of shocking. | 0:22:40 | 0:22:42 | |
You're like, "Well, OK, why?" | 0:22:42 | 0:22:45 | |
I mean, it's a stressful job, obviously. | 0:22:45 | 0:22:48 | |
It's horribly stressful and by 2006, er... | 0:22:48 | 0:22:52 | |
I mean, the industry had changed quite a bit. | 0:22:52 | 0:22:55 | |
Was it the fact that there were so many new guys coming in, | 0:22:55 | 0:22:58 | |
the industry was spreading out, it was breaking apart, | 0:22:58 | 0:23:00 | |
the sense of family was gone and he really felt like he was alone, | 0:23:00 | 0:23:04 | |
you know, spread out over so much? | 0:23:04 | 0:23:06 | |
It's going to have an emotional impact on you in that business. | 0:23:06 | 0:23:10 | |
Is it a difficult time for performers now? | 0:23:10 | 0:23:12 | |
Yeah. I mean, the way it is now, within five years, | 0:23:12 | 0:23:17 | |
I don't see how there could be a professional porn actor. | 0:23:17 | 0:23:21 | |
Back in California, and on the northern outskirts of LA, | 0:23:29 | 0:23:32 | |
I was off to meet an industry veteran called Tommy Gunn. | 0:23:32 | 0:23:36 | |
'I was curious to get to know someone | 0:23:37 | 0:23:39 | |
'who was on the verge of middle age, | 0:23:39 | 0:23:42 | |
'still making a living performing in adult movies.' | 0:23:42 | 0:23:45 | |
How you doing? | 0:23:45 | 0:23:47 | |
What's up, man? You can park anywhere, that's good. | 0:23:47 | 0:23:49 | |
-How are you? -OK. Are you sure? | 0:23:49 | 0:23:51 | |
'I heard Tommy was struggling with the emotional side of the business.' | 0:23:51 | 0:23:55 | |
-Come on out. Welcome. -Thank you. -How are you? | 0:23:55 | 0:23:57 | |
-Nice to meet you. I'm Louis. -It's a pleasure. Tommy. | 0:23:57 | 0:23:59 | |
I was collecting for a while there. | 0:23:59 | 0:24:01 | |
HE CHUCKLES | 0:24:01 | 0:24:04 | |
I pretty much won everything they make. | 0:24:04 | 0:24:08 | |
You're known as a very dependable performer, is that correct? | 0:24:08 | 0:24:10 | |
Yeah, yeah. Yeah. Not to mention, I'm not a bad actor, so... | 0:24:10 | 0:24:15 | |
Are there things you won't do? Do you have rules? | 0:24:15 | 0:24:18 | |
You know, I try to be able to be well-rounded enough to do it all, | 0:24:18 | 0:24:22 | |
because that's what was going to separate me | 0:24:22 | 0:24:25 | |
from the next guy who said, "I only do boy/girl." | 0:24:25 | 0:24:28 | |
Who's comfortable with being next to a guy this close and a girl? | 0:24:28 | 0:24:33 | |
That's, you know, it is what it is. | 0:24:33 | 0:24:36 | |
Most of the time we know each other anyway. "How you been?" | 0:24:36 | 0:24:39 | |
"Good." "That's good," you know? | 0:24:39 | 0:24:40 | |
I don't want to show up and I never met the guy before and he's just like... | 0:24:40 | 0:24:44 | |
I'd rather know him, like, like, "Hey," | 0:24:44 | 0:24:47 | |
cos now it's just like two friends having sex with a girl, you know, and it works. | 0:24:47 | 0:24:52 | |
There's some of the movies up there. These so minimal, these are just... | 0:24:54 | 0:24:57 | |
You've done how many movies, did you say? | 0:24:57 | 0:24:59 | |
Upward of 1,100, 1,200 at this point. | 0:24:59 | 0:25:02 | |
This was kind of a cool movie, Vivids To Die For. That was me. | 0:25:02 | 0:25:05 | |
Would that be your penis on the back there? | 0:25:05 | 0:25:08 | |
No. | 0:25:08 | 0:25:10 | |
Do you feel you have a connection with the women that you work with? | 0:25:10 | 0:25:13 | |
-Once you've, you know, had sex with them... -Well... | 0:25:13 | 0:25:16 | |
..does it then feel as though you've shared something? | 0:25:16 | 0:25:19 | |
Yeah, for me. | 0:25:19 | 0:25:21 | |
Some people may not think that | 0:25:21 | 0:25:22 | |
but, you know, for me, there's gotta be some intimacy. | 0:25:22 | 0:25:25 | |
I mean, it's an intimate act, isn't it? | 0:25:25 | 0:25:27 | |
In terms of timing for me, when I got into the business, it worked. | 0:25:27 | 0:25:31 | |
I'd just go and I'd have sex with this girl and then I'm done, they pay me | 0:25:31 | 0:25:34 | |
and I leave and I go do my thing, and my heart's not involved. | 0:25:34 | 0:25:37 | |
Well, guess what? Through time and repetition, | 0:25:37 | 0:25:39 | |
eventually you do have a heart | 0:25:39 | 0:25:41 | |
and it does show its face and it does call out for attention, you know? | 0:25:41 | 0:25:47 | |
I love the business, don't get me wrong, | 0:25:47 | 0:25:49 | |
but, at the end of the day, I'm getting older, | 0:25:49 | 0:25:52 | |
I'd like to have kids, it would be nice to raise a family. | 0:25:52 | 0:25:54 | |
It's difficult having a career like this. | 0:25:54 | 0:25:58 | |
A lot of the performers I've spoken to won't acknowledge that. | 0:25:58 | 0:26:02 | |
They don't acknowledge that there's something intimate about the sex act | 0:26:02 | 0:26:06 | |
-and that that can take a toll on your... -Sure. | 0:26:06 | 0:26:08 | |
..on your relationships. | 0:26:08 | 0:26:10 | |
Maybe if they were to acknowledge that, maybe that would show | 0:26:10 | 0:26:13 | |
that they have a human side of some sort | 0:26:13 | 0:26:15 | |
and there is some sort of emotional thing there | 0:26:15 | 0:26:17 | |
and the last thing they want to do is appear to be vulnerable. | 0:26:17 | 0:26:21 | |
And maybe also it would be difficult to live with themselves, | 0:26:21 | 0:26:24 | |
knowing that there's something about the business that they've chosen, intrinsically, | 0:26:24 | 0:26:28 | |
that is...that has a coarsening effect on the human spirit. | 0:26:28 | 0:26:33 | |
Yeah. Everything you gain, you've gotta lose something. What did I lose? | 0:26:33 | 0:26:36 | |
I lost my private intimate sex life | 0:26:36 | 0:26:38 | |
in order to have a job doing sex and being paid for it on camera. | 0:26:38 | 0:26:43 | |
-Is this your vehicle, Tommy? -Yeah. This is a... -It looks like a riot control vehicle. | 0:26:45 | 0:26:49 | |
My friends would say, "Hey, you know, that van looks like a zombie van." | 0:26:49 | 0:26:52 | |
I thought, "Wow, that would be great. Maybe one day we can make a zombie movie." | 0:26:52 | 0:26:56 | |
-Have you put it in a movie yet? -No, not yet. Not at all. | 0:26:56 | 0:26:59 | |
If you're in a zombie situation, what do you need? | 0:26:59 | 0:27:01 | |
You need something that's tough and durable, right? | 0:27:01 | 0:27:03 | |
If you have to run over zombies, you can't run over them without this stuff, so... | 0:27:03 | 0:27:07 | |
-Sure. -So I built all this. | 0:27:07 | 0:27:09 | |
In the movie, this will have all the weapons, | 0:27:09 | 0:27:12 | |
-extra gas in case you need gas. -Of course. | 0:27:12 | 0:27:14 | |
So we got this little setup. | 0:27:14 | 0:27:17 | |
You know, I made all this, and worst case scenario, | 0:27:17 | 0:27:20 | |
when you have to get on the roof | 0:27:20 | 0:27:23 | |
and you can't get outside because the zombies are out there, | 0:27:23 | 0:27:26 | |
all you do is this. | 0:27:26 | 0:27:27 | |
You can get out right on the roof like this and fight the zombies. | 0:27:27 | 0:27:30 | |
I made a documentary in the '90s about the industry, | 0:27:30 | 0:27:35 | |
and one of the guys I followed at that time was John Dough. | 0:27:35 | 0:27:38 | |
Did you ever cross paths with him? | 0:27:38 | 0:27:40 | |
Yes. Yes. | 0:27:40 | 0:27:42 | |
-And he, of course, killed himself a few years ago. -Yes. | 0:27:42 | 0:27:45 | |
Tragically. It's a shame, but the people who suffer the most when they leave, | 0:27:45 | 0:27:49 | |
if there is any suffering, you know, or take it the hardest, are the guys | 0:27:49 | 0:27:55 | |
because the guys, you know, through time and through these things, you know, | 0:27:55 | 0:27:59 | |
they detach themselves from this, from their heart, from themselves | 0:27:59 | 0:28:03 | |
and you know... | 0:28:03 | 0:28:05 | |
Do you think John Dough's death had something to do | 0:28:05 | 0:28:08 | |
with his being in the business? | 0:28:08 | 0:28:10 | |
Who knows what other underlying things there were in his life | 0:28:10 | 0:28:15 | |
but, you know, it could possibly be, you know, it really could. | 0:28:15 | 0:28:20 | |
ENGINE RUMBLING | 0:28:20 | 0:28:21 | |
-Will you be careful? -No, of course. | 0:28:21 | 0:28:23 | |
Just keep your feet away from the... | 0:28:23 | 0:28:26 | |
Should I, do I put them on the thing or is that yours? | 0:28:26 | 0:28:29 | |
No, you can just have them hang out. | 0:28:29 | 0:28:31 | |
-You know, nobody wants to acknowledge... -No. | 0:28:31 | 0:28:34 | |
..anything when it's bad, cos what does that mean? | 0:28:34 | 0:28:37 | |
What does that do, you know? | 0:28:37 | 0:28:38 | |
I don't know, what does that do? I'm asking you. | 0:28:38 | 0:28:41 | |
Uh... | 0:28:41 | 0:28:43 | |
'Back in the valley, I had an appointment at another shoot, | 0:28:49 | 0:28:53 | |
'this one a little more low end.' | 0:28:53 | 0:28:56 | |
Hi. How you doing? | 0:29:01 | 0:29:02 | |
'One of the female performers was a newcomer I'd met at the LA Direct offices.' | 0:29:02 | 0:29:07 | |
So have you two guys... Have you met yet? | 0:29:07 | 0:29:10 | |
-No. -No? | 0:29:10 | 0:29:12 | |
-We're meeting now. -Yeah. | 0:29:12 | 0:29:14 | |
-Tony. -I'm Stefania. | 0:29:14 | 0:29:15 | |
-Nice to meet you. -Nice to meet you too. -Tony, have you done a few scenes before? | 0:29:15 | 0:29:19 | |
-I've been in one other scene. -Was that recently? When did you do that one? | 0:29:19 | 0:29:22 | |
-That was, like, a week ago. -How old are you? | 0:29:22 | 0:29:25 | |
-I'm 23. -You're 23? -Mm-hm. | 0:29:25 | 0:29:27 | |
And how did you get into this? | 0:29:27 | 0:29:29 | |
A friend referred me and said, | 0:29:29 | 0:29:32 | |
"This might help you get through school or whatever," | 0:29:32 | 0:29:35 | |
so I decided to do it. | 0:29:35 | 0:29:36 | |
-You're studying? -Yeah, directing and producing at LA Film School. | 0:29:36 | 0:29:40 | |
You're not worried in any way that this could hold you back in the future? | 0:29:40 | 0:29:43 | |
Everybody has to do something at some point in their life | 0:29:43 | 0:29:46 | |
that they may not want to do necessarily | 0:29:46 | 0:29:48 | |
but they do it because they have to, they need to. | 0:29:48 | 0:29:50 | |
What are your ambitions, Stefania? | 0:29:50 | 0:29:53 | |
I mean, I do want to stay in this business for as long as I can, | 0:29:53 | 0:29:56 | |
I'm actually trying to, you know, be one of the big porn stars, hopefully, | 0:29:56 | 0:30:00 | |
and then hopefully later on I could, like, you know, start my own business, get into, like, TV stuff. | 0:30:00 | 0:30:07 | |
I mean, the other way of looking at it would be do it a little bit | 0:30:07 | 0:30:09 | |
while you need some money and you're still young | 0:30:09 | 0:30:12 | |
and then put it behind you, | 0:30:12 | 0:30:14 | |
but if you make a big name for yourself, that's harder to do. | 0:30:14 | 0:30:18 | |
Well, I'm not... Yeah, I guess you're right, but still, though, | 0:30:18 | 0:30:21 | |
as long as I'm bringing money home, that's all that matters. | 0:30:21 | 0:30:24 | |
I'm paying the bills. I mean, I have a little girl I have to take care of, | 0:30:24 | 0:30:27 | |
-so, really, she's my number one priority. -A daughter? -Mm-hm. -Do you? | 0:30:27 | 0:30:31 | |
Do you have any kids, Tony? | 0:30:31 | 0:30:32 | |
No. I don't need a kid. That'd be real bad. | 0:30:32 | 0:30:35 | |
I wouldn't know what to do. | 0:30:35 | 0:30:36 | |
-I didn't have parents, growing up, so... -Why not? | 0:30:36 | 0:30:40 | |
Er... | 0:30:40 | 0:30:42 | |
I was, let's say, orphaned at six. | 0:30:42 | 0:30:45 | |
We'll keep it at that, so... | 0:30:45 | 0:30:47 | |
Who raised you? | 0:30:47 | 0:30:49 | |
US Government. | 0:30:49 | 0:30:51 | |
THEY CHUCKLE | 0:30:51 | 0:30:53 | |
I don't know. Foster homes. | 0:30:53 | 0:30:56 | |
I've been everywhere, all over the place, | 0:30:56 | 0:30:58 | |
so I've gone through my fair share of bullshit, | 0:30:58 | 0:31:02 | |
so at this point I'm like, "You either like me or you don't. | 0:31:02 | 0:31:04 | |
"If you don't, keep it pushing cos you're messing with my vibe." | 0:31:04 | 0:31:07 | |
Yeah. | 0:31:07 | 0:31:08 | |
Is it a little awkward, knowing, you know, | 0:31:08 | 0:31:11 | |
you've just met Tony, you've just met Stefania, | 0:31:11 | 0:31:13 | |
knowing that you'll be having an intimate moment a bit later? | 0:31:13 | 0:31:16 | |
Well, he looks good, so hey that helps. | 0:31:16 | 0:31:18 | |
-Yeah, that's helpful. She's sexy, so we're good. -Oh, there you go. | 0:31:18 | 0:31:21 | |
Can we come in? | 0:31:30 | 0:31:31 | |
-It's really touchy with the new guys. -Yeah. | 0:31:38 | 0:31:40 | |
They don't really, this is his second scene. | 0:31:40 | 0:31:42 | |
Once a new guy gets spooked, | 0:31:42 | 0:31:45 | |
pretty much it's a wrap pretty much after that. | 0:31:45 | 0:31:50 | |
Have you shot quite a few porn movies? | 0:31:50 | 0:31:54 | |
-Oh, yeah, about over 3,000 probably. -Really? | 0:31:54 | 0:31:58 | |
Yeah. I've been in the business since '98. | 0:31:58 | 0:32:00 | |
-Since '98? -Mm-hm. -Really? | 0:32:00 | 0:32:02 | |
KNOCKS ON DOOR | 0:32:02 | 0:32:04 | |
-He spooked? -Yeah. | 0:32:15 | 0:32:18 | |
-So I just gave him some Viagra and hopefully that'll work. -Shit. | 0:32:18 | 0:32:21 | |
-I don't know, maybe if we go in the house and give him a little more room, he might... -Yeah. | 0:32:23 | 0:32:27 | |
Oh, I'm sorry about that. | 0:32:27 | 0:32:29 | |
They're easily spooked. | 0:32:29 | 0:32:32 | |
It's so weird. | 0:32:32 | 0:32:35 | |
Penis is a very tricky animal. | 0:32:35 | 0:32:40 | |
-It's a mysterious organ. -Mm-hm. | 0:32:40 | 0:32:42 | |
What is happening in the industry right now? | 0:32:42 | 0:32:44 | |
In this sort of post-PornTube era? | 0:32:44 | 0:32:48 | |
There is a lot of people who are struggling for work, performer-wise, | 0:32:48 | 0:32:53 | |
cos it's just not as, it's not how it was in, you know, '05, '06, '07. | 0:32:53 | 0:32:59 | |
It was everyone and their mom thought they could do a porn site. | 0:32:59 | 0:33:04 | |
They would do 20 or 30 scenes, | 0:33:04 | 0:33:08 | |
they thought they'd make a million dollars out of their website, | 0:33:08 | 0:33:11 | |
their website didn't make shit so that content just sits out there, | 0:33:11 | 0:33:15 | |
they don't care about it any more, then they end up on the tube sites, | 0:33:15 | 0:33:19 | |
so it just pretty much... | 0:33:19 | 0:33:21 | |
killed the business. | 0:33:21 | 0:33:23 | |
Killed it. | 0:33:23 | 0:33:24 | |
Like, I tell guys all the time, like, | 0:33:24 | 0:33:26 | |
"Man, you guys better just make this your side gig." | 0:33:26 | 0:33:30 | |
-How are you doing? -I'm doing good. How are you? | 0:33:36 | 0:33:38 | |
There was a slightly slow start, wasn't there? | 0:33:38 | 0:33:40 | |
From what I understand. | 0:33:40 | 0:33:41 | |
To begin with, | 0:33:41 | 0:33:43 | |
I think Tony was having a couple of problems getting started? | 0:33:43 | 0:33:46 | |
Oh, no, he was fine when we started. | 0:33:46 | 0:33:49 | |
-Was he? -Yeah. -Oh. | 0:33:49 | 0:33:50 | |
Did it feel intimate? | 0:33:50 | 0:33:52 | |
I mean, like, I...I mean, no. | 0:33:52 | 0:33:55 | |
I mean, he has a girlfriend and I have a boyfriend, | 0:33:55 | 0:33:58 | |
so it's like we're just doing it. | 0:33:58 | 0:33:59 | |
-I mean, of course he's good-looking and he thinks I'm good-looking, so... -Sexy. | 0:33:59 | 0:34:03 | |
You know, I did three scenes before this one. | 0:34:03 | 0:34:05 | |
I'm actually enjoying this one. | 0:34:05 | 0:34:06 | |
The other ones were like...eh, cos he's a good-looking guy, you know? | 0:34:06 | 0:34:10 | |
I feel like you two seem like you're kind of clicking a little bit. | 0:34:10 | 0:34:12 | |
-Oh, yeah, we're cool. -Yeah. | 0:34:12 | 0:34:14 | |
And that maybe, you know, could you think about going on a date? | 0:34:14 | 0:34:17 | |
THEY LAUGH | 0:34:17 | 0:34:18 | |
I think you were meant to be together. | 0:34:18 | 0:34:20 | |
You're so funny. Oh, my God. You want us to be together? | 0:34:20 | 0:34:23 | |
THEY LAUGH | 0:34:23 | 0:34:26 | |
You keep saying how good-looking Tony is. Is he better looking than your boyfriend? | 0:34:26 | 0:34:30 | |
It's totally different. | 0:34:30 | 0:34:32 | |
I actually, I mean, like, my boyfriend's not like, | 0:34:32 | 0:34:35 | |
he's like a pretty boy and my boyfriend's totally not a pretty boy. | 0:34:35 | 0:34:38 | |
What about you, Tony? | 0:34:38 | 0:34:40 | |
It's kind of funny, I kind of like the good girls. | 0:34:40 | 0:34:43 | |
Nobody's tainted her or made her look bad about situations or... | 0:34:43 | 0:34:46 | |
I don't know, I like the good girl. | 0:34:46 | 0:34:49 | |
-Got it. -Mm-hm.. | 0:34:49 | 0:34:51 | |
Oh, yeah! Oh! | 0:34:55 | 0:34:56 | |
'After one more scene, plus Tony's pop shot, the shoot was a wrap.' | 0:34:56 | 0:35:01 | |
What are you doing? | 0:35:01 | 0:35:03 | |
Oh, we're talking. | 0:35:03 | 0:35:04 | |
SHE LAUGHS | 0:35:04 | 0:35:05 | |
-We're washing each other. -I mean, obviously we're washing ourselves off now. | 0:35:05 | 0:35:08 | |
-We're getting juices off. -We're getting intimate, like you told us to do. | 0:35:08 | 0:35:12 | |
You look like you're flirting with each other. | 0:35:12 | 0:35:14 | |
-You said it happens sometimes, right? -Absolutely. -I'm just kidding. | 0:35:14 | 0:35:18 | |
Oh, God. | 0:35:18 | 0:35:20 | |
And blow jobs again. | 0:35:20 | 0:35:21 | |
'It had been an oddly touching encounter. | 0:35:21 | 0:35:25 | |
'The two novice performers seem to have done a kind of courtship in reverse, | 0:35:25 | 0:35:29 | |
'starting with the sex and ending as something like friends. | 0:35:29 | 0:35:33 | |
'I had another re-visit to make. | 0:35:41 | 0:35:44 | |
'Since arriving back in the valley, | 0:35:44 | 0:35:46 | |
'I'd heard several times that the industry was less extreme now.' | 0:35:46 | 0:35:50 | |
How you doing? | 0:35:50 | 0:35:51 | |
-How are you, my friend? -Good to see you. | 0:35:51 | 0:35:53 | |
-Come on down. This is... Oh, how are you? -Yeah, good. | 0:35:53 | 0:35:57 | |
This movie we're working on now is called Forced Entry. | 0:35:57 | 0:36:00 | |
It sounds a little bit, you know, sounds a little bit naughty. | 0:36:00 | 0:36:03 | |
HE LAUGHS | 0:36:03 | 0:36:05 | |
Yeah, it is. It's just pretty... It's pretty bad. | 0:36:05 | 0:36:07 | |
It's, like, about rape. | 0:36:07 | 0:36:09 | |
So, yeah... | 0:36:09 | 0:36:12 | |
-It's good to see you, man. -Yeah, you too. -It really is. | 0:36:12 | 0:36:14 | |
-Yeah. -It is, it's good. -Yeah. Oh, good. | 0:36:14 | 0:36:16 | |
'In 1997, the more outrageous and gruesome side of the business had been personified | 0:36:18 | 0:36:23 | |
'by a 23-year-old director named Rob Black.' | 0:36:23 | 0:36:27 | |
How you feeling, Lexi? | 0:36:27 | 0:36:29 | |
Kind of weird. | 0:36:29 | 0:36:31 | |
'Since then, he'd lost a fortune and gone to prison, | 0:36:31 | 0:36:34 | |
'but now he was back directing.' | 0:36:34 | 0:36:36 | |
I created a genre of porn that nobody had seen. | 0:36:36 | 0:36:43 | |
Assholes stretched open and just all that just crazy shit. | 0:36:43 | 0:36:49 | |
And now, we're in the post-shocking era. | 0:36:49 | 0:36:52 | |
Yes. Parody, a huge thing. | 0:36:52 | 0:36:55 | |
Oh, well, here, example - here, this is part of the armour from Iron Man. | 0:36:55 | 0:37:03 | |
And for porn, that's actually a pretty good prop. | 0:37:03 | 0:37:05 | |
Dude, the suit cost, like, four grand. | 0:37:05 | 0:37:07 | |
Look, I mean, these are, like, the legs. | 0:37:07 | 0:37:10 | |
Mmm. | 0:37:10 | 0:37:11 | |
So, yeah, so this is, this is, like, the prop. | 0:37:11 | 0:37:15 | |
Fucking thing. | 0:37:17 | 0:37:18 | |
Go into the warehouse. | 0:37:18 | 0:37:20 | |
This is like a monster company that puts out 20, 30 different lines. | 0:37:20 | 0:37:25 | |
Rodney's Birthday, but this is shit, you know? It's jerk-off stuff, | 0:37:25 | 0:37:28 | |
but then he puts out the stuff that we do... | 0:37:28 | 0:37:31 | |
-Well, it's all jerk-off stuff, isn't it? -Yeah, but this is stuff... | 0:37:31 | 0:37:34 | |
Here's the thing. Here's the thing, Mr Thorax. | 0:37:34 | 0:37:38 | |
Where the business is going now is it's acceptable to watch pornography. | 0:37:38 | 0:37:44 | |
It's acceptable to sit down with your girlfriend or your wife | 0:37:44 | 0:37:49 | |
and introduce her to pornography, | 0:37:49 | 0:37:52 | |
but the pornography that you're introducing her to | 0:37:52 | 0:37:55 | |
is stuff that I'm doing now, | 0:37:55 | 0:37:56 | |
not, you know, have a Birthday Blast. | 0:37:56 | 0:38:00 | |
-Here we go, this is what we do. This is what I do. -OK, here we go. | 0:38:00 | 0:38:03 | |
-Captain America. -In two discs. | 0:38:05 | 0:38:08 | |
XXX. | 0:38:08 | 0:38:09 | |
Iron Man, look at that. Just look at that. | 0:38:09 | 0:38:12 | |
Come on, that's a porno. | 0:38:12 | 0:38:14 | |
How's it doing? | 0:38:14 | 0:38:15 | |
It's doing fucking fabulous. | 0:38:15 | 0:38:17 | |
-Is it? -Yeah. Look at this. | 0:38:17 | 0:38:19 | |
Here's mine. 3D. | 0:38:19 | 0:38:22 | |
-You directed that one? -I direct all of them. | 0:38:22 | 0:38:25 | |
This ain't no bullshit. This isn't anal fisting. | 0:38:25 | 0:38:28 | |
-Supergirl. Look at that. -Nice. | 0:38:28 | 0:38:30 | |
-So what happened to you? They sent you to prison. -Yeah. | 0:38:30 | 0:38:33 | |
-And your wife too. -Yeah! -What was that like? | 0:38:33 | 0:38:36 | |
-It's prison. -Yeah. -Yeah. | 0:38:36 | 0:38:38 | |
What you want to know about it? I was raped every day. | 0:38:38 | 0:38:41 | |
What were you convicted of? | 0:38:41 | 0:38:43 | |
-I was raped and sodomised. -What were you convicted of? | 0:38:43 | 0:38:45 | |
Obscenity? | 0:38:45 | 0:38:47 | |
Yeah, yeah. | 0:38:47 | 0:38:48 | |
You took a plea. You seemed very confident of winning. | 0:38:48 | 0:38:51 | |
-Yeah. Yeah. -So what went wrong? | 0:38:51 | 0:38:53 | |
At the end of the day, it wasn't just me. | 0:38:53 | 0:38:56 | |
-Lizzie was involved, you know what I mean? -Your wife. | 0:38:56 | 0:39:00 | |
Yeah, so I think if we went to trial and we had lost, | 0:39:00 | 0:39:05 | |
I think it would have really sucked if I had my wife in prison for four years. | 0:39:05 | 0:39:10 | |
-How long did they give you in the end? -A year and a day. | 0:39:10 | 0:39:13 | |
-Each of you got a year and a day? -Each of us got a year and a day. | 0:39:13 | 0:39:16 | |
-That you served? -Ten months. | 0:39:16 | 0:39:18 | |
In a way, you got what you wanted, didn't you? Cos you wanted to be a provocateur, | 0:39:18 | 0:39:21 | |
-you wanted to shake things up and be outrageous. -Yeah, of course. | 0:39:21 | 0:39:25 | |
-Yes. -So was it worth it? | 0:39:25 | 0:39:27 | |
At the end of the day, my main focus was | 0:39:27 | 0:39:32 | |
to be the biggest and baddest provocateur of pornography. | 0:39:32 | 0:39:36 | |
I accomplished that and was it worth it? | 0:39:36 | 0:39:40 | |
Hmm. Was it worth it? | 0:39:40 | 0:39:43 | |
I would say yeah. Yeah. | 0:39:43 | 0:39:45 | |
Do you miss the days of being kind of the most outrageous guy on the block? | 0:39:45 | 0:39:49 | |
-No, because this is most outrageous now. -It's not outrageous, Rob. | 0:39:49 | 0:39:52 | |
Shhh, listen to me. | 0:39:52 | 0:39:54 | |
I feel like you've been through a lot and you've landed on your feet | 0:39:54 | 0:39:57 | |
and you are back directing and that's great, | 0:39:57 | 0:39:59 | |
but that in a way they've tamed you, haven't they? | 0:39:59 | 0:40:02 | |
No, no. Why? | 0:40:02 | 0:40:05 | |
Why? I don't see... Absolutely not. | 0:40:05 | 0:40:08 | |
You gotta move on. You gotta evolve. | 0:40:08 | 0:40:10 | |
Part of evolving is looking back and thinking, "You know what? | 0:40:10 | 0:40:13 | |
"I thought that was funny at the time, | 0:40:13 | 0:40:15 | |
"now it seems kind of crass," or insensitive or whatever it is. | 0:40:15 | 0:40:18 | |
-Definitely. -Do you feel that at all? | 0:40:18 | 0:40:20 | |
I don't find anything crass or insensitive, because that's taste, | 0:40:20 | 0:40:25 | |
but, yeah, stretching anal orifices with multiple cocks and stuff like that, it's silly. | 0:40:25 | 0:40:32 | |
You know what I mean? It's, like, silly. | 0:40:32 | 0:40:34 | |
Do you think now, looking back, that there was a time when maybe | 0:40:34 | 0:40:37 | |
-you took it too far or maybe it wasn't appropriate to make that film? -No. | 0:40:37 | 0:40:41 | |
-No, no, no, no. -Or maybe the woman felt pressured or... | 0:40:41 | 0:40:44 | |
Absolutely not, because we weren't an under... See, we weren't underground. | 0:40:44 | 0:40:47 | |
It was all staged. | 0:40:47 | 0:40:49 | |
All right, dude, here's what's going to happen. The guy's going to come in, you're going to act scared. | 0:40:49 | 0:40:53 | |
What the fuck did you think, we just got random girls from the street, | 0:40:53 | 0:40:56 | |
threw them in a room and it was like, "OK, are you ready? Here we go. Boo!" | 0:40:56 | 0:41:00 | |
What the... I mean... It's retarded. | 0:41:00 | 0:41:02 | |
The films were, you know, kind of gloried | 0:41:02 | 0:41:05 | |
and revelled in the fact that they were degrading women. | 0:41:05 | 0:41:08 | |
Would you agree? | 0:41:08 | 0:41:09 | |
Everything wasn't degrading to women. | 0:41:09 | 0:41:11 | |
-Watch these sluts get...come on and... -OK. | 0:41:11 | 0:41:14 | |
-And then later on... -OK. -You wouldn't think those women might find it embarrassing? | 0:41:14 | 0:41:17 | |
It's all subjective up to that person. | 0:41:17 | 0:41:20 | |
Degrading somebody and that whole thing is all, | 0:41:20 | 0:41:23 | |
it's all up to that person - how they felt, you know? | 0:41:23 | 0:41:27 | |
-Is there a part of you that misses the old days? -Not at all. | 0:41:27 | 0:41:30 | |
Why not? | 0:41:30 | 0:41:32 | |
Cos I outgrew it. | 0:41:32 | 0:41:34 | |
I used to have steak every day for six years | 0:41:39 | 0:41:44 | |
and now I decided that, you know, I'm going to change it up. | 0:41:44 | 0:41:48 | |
I don't miss that era of who I was, | 0:41:56 | 0:41:59 | |
cos it was just different sections of my life. | 0:41:59 | 0:42:02 | |
'I was in Las Vegas. | 0:42:26 | 0:42:28 | |
'Tommy Gunn had been booked on a shoot for an internet porn company. | 0:42:30 | 0:42:35 | |
'Since seeing him, I'd been intrigued by his sense of loneliness | 0:42:35 | 0:42:38 | |
'amid the abundance of available sex. | 0:42:38 | 0:42:42 | |
'He'd agreed to let me see him at work. | 0:42:42 | 0:42:44 | |
'Also in the wings was another male performer.' | 0:42:47 | 0:42:50 | |
You are? | 0:42:50 | 0:42:51 | |
-Marco Banderas. -Marco Banderas? -Yes. | 0:42:51 | 0:42:53 | |
-From Spain? -From Spain. | 0:42:53 | 0:42:55 | |
Do you know who you're doing a scene with? | 0:42:55 | 0:42:57 | |
Sometimes I forgot the names because there's too many English name for my mind. | 0:42:57 | 0:43:01 | |
-I doing a lot girls. -Yeah. -40 girls a month. | 0:43:01 | 0:43:05 | |
-That's more than one a day. -I have the record. | 0:43:05 | 0:43:08 | |
Last two, three months ago, I did ten pop shots in three hours and a half. | 0:43:08 | 0:43:14 | |
What was that like? Was it nice? | 0:43:14 | 0:43:16 | |
Yes. | 0:43:16 | 0:43:18 | |
-How you doing, Tommy? -Good. -Good to see you. -Likewise. | 0:43:18 | 0:43:20 | |
-I'm Louis. -Hi, I'm Tasha. -Nice to meet you. -Nice to meet you. | 0:43:20 | 0:43:23 | |
-Are you are you doing a scene today? -Yeah, with Tommy. | 0:43:23 | 0:43:25 | |
-Have you worked with Tommy before? -I have, yeah. -Yes. | 0:43:25 | 0:43:28 | |
-Do you know what kind of scene it is? -Just a standard boy/girl vaginal? Nothing... | 0:43:28 | 0:43:31 | |
Yeah, yeah, just plain vanilla boy/girl. | 0:43:31 | 0:43:35 | |
No extra anal or... | 0:43:35 | 0:43:36 | |
-Eww, no. Not yet. -None of that nature. | 0:43:36 | 0:43:39 | |
Do you have a long-term plan? | 0:43:39 | 0:43:41 | |
Yes, I do. I go to school full time. | 0:43:41 | 0:43:43 | |
-I'm almost done with my Bachelors at UCLA... -Studying? | 0:43:43 | 0:43:45 | |
Women's Studies and Psychology, so... | 0:43:45 | 0:43:47 | |
-Women's Studies? -Yes. -Interesting. | 0:43:47 | 0:43:49 | |
-Actually, I think it led me to do adult because... -Yeah. | 0:43:49 | 0:43:52 | |
..adult is the only industry in America where women get paid more than men. | 0:43:52 | 0:43:56 | |
Tasha, you're comfortable separating sex from emotional connection? | 0:43:56 | 0:44:02 | |
Oh, yeah. I mean, most of the guys I know that are my age, around 22 years old, | 0:44:02 | 0:44:05 | |
are having sex with girls all the time and I don't think that they're looking at it | 0:44:05 | 0:44:09 | |
like they're going to be with that girl for ever. I think it's more... | 0:44:09 | 0:44:12 | |
-But there's still something emotional that has to happen. -Of course. | 0:44:12 | 0:44:15 | |
-When you have a conversation with somebody, there's still some sort of intimacy in it. -You know? -Yeah. | 0:44:15 | 0:44:20 | |
-Mmm. -Hmm. I gotta go do my pretty girls. -Yes. -Yes. OK, bye. | 0:44:20 | 0:44:24 | |
-Nice to meet you, Tasha. We'll see you on set. -Nice to meet you too. OK, bye. -Thank you for that. | 0:44:24 | 0:44:28 | |
-Remember today, right now. Remember right now. -Yeah. | 0:44:28 | 0:44:31 | |
-You will blink your eyes and you'll remember this conversation. -Yeah. | 0:44:31 | 0:44:34 | |
And you'll be 40 and you're going to go, "Holy fuck, I was wrong, | 0:44:34 | 0:44:38 | |
-"life isn't long, life is short." -Yeah. | 0:44:38 | 0:44:40 | |
So don't go settling for something like, | 0:44:40 | 0:44:43 | |
"Oh, well, you know, life is long, I got plenty of time." You don't. | 0:44:43 | 0:44:46 | |
Maybe...maybe I'm just another dumb girl. | 0:44:46 | 0:44:48 | |
THEY CHUCKLE | 0:44:48 | 0:44:51 | |
Jackie's awesome. She's a cutie. | 0:44:51 | 0:44:54 | |
So what does that mean, exactly? | 0:44:54 | 0:44:56 | |
You know, "Fuck a pretty girl every day." Like, what does that mean? | 0:44:56 | 0:45:00 | |
-Is that what she said to you? -Yeah. -It's a compliment, saying that you... | 0:45:00 | 0:45:03 | |
-You were successful. -OK, great. But what is that? | 0:45:03 | 0:45:06 | |
So what does that mean? | 0:45:06 | 0:45:07 | |
I'm trying to wrap my head around it. | 0:45:07 | 0:45:09 | |
You're interested in striking up a relationship with her? | 0:45:09 | 0:45:12 | |
No, it's just, you know, the truth of the matter is | 0:45:12 | 0:45:15 | |
would these girls be fucking me if they weren't getting paid to do it? | 0:45:15 | 0:45:18 | |
Well, some would and some wouldn't. | 0:45:18 | 0:45:21 | |
-Right, so... -Right? | 0:45:21 | 0:45:22 | |
You know? | 0:45:22 | 0:45:23 | |
How long have you been single for? | 0:45:23 | 0:45:26 | |
I've been single now four years. | 0:45:26 | 0:45:28 | |
Really? Describe your ideal woman. | 0:45:28 | 0:45:32 | |
Self-sacrificing and caring and nurturing and, you know, | 0:45:32 | 0:45:36 | |
wants to have children and... | 0:45:36 | 0:45:38 | |
Honestly, I'm not going to find her in this business. | 0:45:38 | 0:45:41 | |
What's stopping you from leaving the business now to find that? | 0:45:41 | 0:45:44 | |
A financial issue. You still gotta make the money. | 0:45:44 | 0:45:48 | |
Hey, guys, I'm still here on set, | 0:45:48 | 0:45:52 | |
just updating you every five seconds. Here's Marco. | 0:45:52 | 0:45:55 | |
So what did you do today? | 0:45:55 | 0:45:57 | |
I did a anal scene. | 0:45:57 | 0:45:58 | |
-With who? -With er... -We're ready. | 0:45:58 | 0:46:01 | |
-I don't remember the name. -OK. I have to go. -OK. | 0:46:01 | 0:46:03 | |
Thank you. | 0:46:05 | 0:46:07 | |
Do you feel you've got good chemistry with Tasha? | 0:46:17 | 0:46:20 | |
Yes, and part of that comes with dealing with many girls over time. | 0:46:20 | 0:46:26 | |
She doesn't seem that interested in you. | 0:46:26 | 0:46:28 | |
Do you ever comment on that? | 0:46:28 | 0:46:29 | |
No. That would just create even more of a...you know? | 0:46:29 | 0:46:34 | |
I just kind of just... | 0:46:34 | 0:46:37 | |
see what I can do about it. | 0:46:37 | 0:46:39 | |
And just look out cos I'm going to go to a wide shot how. | 0:46:39 | 0:46:42 | |
We're going, stroking the whole time, so it's already happened out there. | 0:46:42 | 0:46:45 | |
And from there right up against the wall, OK? | 0:46:45 | 0:46:47 | |
Rolling, action. | 0:46:47 | 0:46:50 | |
SHE GROANS AND MOANS Oh, fuck. | 0:46:50 | 0:46:56 | |
You know you like my customer service. | 0:46:56 | 0:46:59 | |
It's hard to think of other things to say about customer service though. | 0:46:59 | 0:47:02 | |
Your experience shopping here is good. Hopefully your experience shopping here is good. | 0:47:02 | 0:47:06 | |
-I said that five times. -Oh, you did? | 0:47:06 | 0:47:08 | |
I just kind of do my job. | 0:47:08 | 0:47:10 | |
Smile, put on that face, whatever. | 0:47:10 | 0:47:14 | |
All right, Tommy, you're going to go from that position. | 0:47:14 | 0:47:16 | |
-Gotcha. -Will you be able to? -Oh, yeah. -Cool. | 0:47:16 | 0:47:19 | |
You're going to say something like, | 0:47:19 | 0:47:22 | |
"I hope your shopping experience was easy for you," | 0:47:22 | 0:47:25 | |
or something wonderful or... | 0:47:25 | 0:47:28 | |
"I hope your experience at ZZ Video was memorable." That's easy. | 0:47:28 | 0:47:31 | |
-OK, are you ready? -Yep. -OK. | 0:47:31 | 0:47:34 | |
I'm rolling, and action. | 0:47:34 | 0:47:36 | |
SHE GROANS AND MOANS | 0:47:36 | 0:47:41 | |
I hope that your experience at ZZ Video was memorable. | 0:47:43 | 0:47:46 | |
It was. | 0:47:48 | 0:47:49 | |
Nice. All right, ready? | 0:47:54 | 0:47:56 | |
-So you did it. -I did it, yeah. | 0:47:57 | 0:47:59 | |
Again, I don't know what number that would be. | 0:47:59 | 0:48:02 | |
I've kind of lost count. | 0:48:02 | 0:48:04 | |
Without sounding creepy, you seem to be doing an excellent job. | 0:48:04 | 0:48:07 | |
I have to. That's my job. | 0:48:07 | 0:48:10 | |
You don't think for a moment in that scene today | 0:48:10 | 0:48:12 | |
I was in love with that girl in my mind? | 0:48:12 | 0:48:15 | |
I shared something with her she didn't even know I shared with her. | 0:48:15 | 0:48:20 | |
Have you had relationships while you were in the business? | 0:48:20 | 0:48:22 | |
I mean, serious, long-term relationships | 0:48:22 | 0:48:25 | |
-while you've been in the business? -Have I? -Yeah. | 0:48:25 | 0:48:28 | |
Yeah. | 0:48:28 | 0:48:29 | |
And was it a strain? Was it a struggle in any way? | 0:48:29 | 0:48:33 | |
Yeah. | 0:48:33 | 0:48:34 | |
The human side of it | 0:48:36 | 0:48:38 | |
in terms of realising that it's not... | 0:48:38 | 0:48:41 | |
..normal... | 0:48:43 | 0:48:46 | |
to leave somebody you love to go and have sex with somebody you don't. | 0:48:46 | 0:48:51 | |
That's not normal. | 0:48:53 | 0:48:55 | |
I try not to let the past affect my future, | 0:48:55 | 0:48:59 | |
but when the heart gets hurt, that's a difficult thing. | 0:48:59 | 0:49:02 | |
I have a tendency of wearing your heart on the sleeve. | 0:49:02 | 0:49:05 | |
You never heard that expression? | 0:49:05 | 0:49:06 | |
What does that mean, when you wear your heart on your sleeve? | 0:49:06 | 0:49:09 | |
It means that you give love very readily and you make yourself vulnerable. | 0:49:09 | 0:49:12 | |
Yeah. I do that. | 0:49:12 | 0:49:15 | |
A lot. | 0:49:15 | 0:49:17 | |
So maybe that's why this job works for me so much, | 0:49:17 | 0:49:20 | |
cos my heart's not involved in this, in this. | 0:49:20 | 0:49:23 | |
My heart's home, safe in a box where nobody can touch it. | 0:49:23 | 0:49:27 | |
But I get to go to work | 0:49:29 | 0:49:32 | |
and breathe heavy in some chick's ear | 0:49:32 | 0:49:36 | |
and perform a sex act... | 0:49:36 | 0:49:39 | |
and, at the end of the day, I have my release | 0:49:39 | 0:49:44 | |
and that's healthy. | 0:49:44 | 0:49:45 | |
You know? | 0:49:45 | 0:49:47 | |
And yeah, I'll do it again. I'll get my heart broken again. | 0:49:49 | 0:49:52 | |
I thought your heart was in a box. | 0:49:52 | 0:49:54 | |
It is, but I'll take it out. | 0:49:54 | 0:49:55 | |
It's OK, I'll take it out, do it again. | 0:49:55 | 0:49:58 | |
'It was hard not to sympathise with Tommy. | 0:50:01 | 0:50:04 | |
'I sensed he'd been an outsider before coming into porn | 0:50:04 | 0:50:07 | |
'and that porn was in turn making a normal life ever more unattainable. | 0:50:07 | 0:50:11 | |
'Back in Los Angeles, and I was off to see Kagney Linn Karter. | 0:50:15 | 0:50:18 | |
'She'd just returned from the outlandish shoot involving six men | 0:50:20 | 0:50:24 | |
'that her boyfriend Montae had been unhappy about.' | 0:50:24 | 0:50:27 | |
-Hi. -Hi, guys. | 0:50:29 | 0:50:31 | |
-Shall we come in? -Yes, please. | 0:50:31 | 0:50:33 | |
Are you OK? How did it go? | 0:50:33 | 0:50:35 | |
I have to admit, I was nervous this morning, I was really nervous, | 0:50:35 | 0:50:39 | |
but once I got to set, everything... | 0:50:39 | 0:50:43 | |
was fully the way that it was supposed to be, | 0:50:43 | 0:50:46 | |
so I did the scene and then the guy that I do the scene with leaves | 0:50:46 | 0:50:50 | |
and then the other guys, they just basically ejaculate on my face. | 0:50:50 | 0:50:55 | |
It was perfect, actually. | 0:50:55 | 0:50:57 | |
From the outside world perspective, | 0:50:57 | 0:50:59 | |
they see most of the people in the porn industry, the performers, | 0:50:59 | 0:51:04 | |
that they've got some kind of damage in their life. | 0:51:04 | 0:51:07 | |
For sure. I've got a lot of damage. | 0:51:07 | 0:51:09 | |
I mean, my father has been incarcerated my whole life | 0:51:09 | 0:51:14 | |
and, you know, he had a major drug problem and er... | 0:51:14 | 0:51:17 | |
Do you think maybe your dad having not been in the, | 0:51:17 | 0:51:20 | |
you know, in the picture, | 0:51:20 | 0:51:22 | |
that he was in prison all these years, | 0:51:22 | 0:51:25 | |
had something to do with you perhaps going into porn? | 0:51:25 | 0:51:28 | |
Absolutely not. | 0:51:28 | 0:51:30 | |
SHE CHUCKLES | 0:51:30 | 0:51:31 | |
I don't think that at all. | 0:51:31 | 0:51:32 | |
Everyone has problems. | 0:51:32 | 0:51:35 | |
Everyone. | 0:51:35 | 0:51:37 | |
I went into porn cos I wanted to get into porn. | 0:51:37 | 0:51:40 | |
I mean, after what we talked about, Montae, | 0:51:40 | 0:51:43 | |
you know, about how you felt and what your opinion was of this scene, | 0:51:43 | 0:51:47 | |
was it strange for you today, thinking about the scene going on? | 0:51:47 | 0:51:50 | |
No, not at all. I mean, I really actually, I didn't think about it at all. | 0:51:50 | 0:51:54 | |
I asked her, "How did the scene go?" | 0:51:54 | 0:51:56 | |
And she said, "It went great" and I said, "Great, perfect." | 0:51:56 | 0:52:02 | |
Because that makes me feel... | 0:52:02 | 0:52:06 | |
ecstatic, elated that she went to work | 0:52:06 | 0:52:10 | |
and, you know, things went well. | 0:52:10 | 0:52:12 | |
You feel ecstatic and elated about you doing this scene and it going well? | 0:52:12 | 0:52:16 | |
-No, I felt ecstatic and elated that... -That it went well. | 0:52:16 | 0:52:18 | |
..that it went well. I'm not happy and ecstatic that she had sex acts. | 0:52:18 | 0:52:23 | |
With those guys. | 0:52:23 | 0:52:24 | |
Right, and which is, you know, it's not...it's not a big deal, | 0:52:24 | 0:52:29 | |
you know what I'm saying? | 0:52:29 | 0:52:30 | |
So many people I've spoken to have said it's very difficult to maintain a stable relationship | 0:52:30 | 0:52:34 | |
when you're working in adult movies, | 0:52:34 | 0:52:37 | |
so...are you saying you're the exception to that? | 0:52:37 | 0:52:42 | |
Definitely one of the exceptions, for sure. | 0:52:44 | 0:52:47 | |
-How come? -At least for right now. | 0:52:47 | 0:52:49 | |
I mean, I would say four years, almost five years now, is quite an exception. | 0:52:49 | 0:52:53 | |
Given that he's not in the industry, | 0:52:53 | 0:52:54 | |
I think it's impressive how Montae's able to take a kind of back seat. | 0:52:54 | 0:52:57 | |
Is that part of what's happening here? | 0:52:57 | 0:53:00 | |
He's this beautiful man. | 0:53:00 | 0:53:01 | |
I mean, he's just a beautiful person, like, inside and out. | 0:53:01 | 0:53:05 | |
Maybe he's TOO relaxed. | 0:53:05 | 0:53:07 | |
-So you think he's lazy? -I'm not saying that he is, I'm just... -No. | 0:53:07 | 0:53:09 | |
THEY CHUCKLE | 0:53:09 | 0:53:11 | |
Now, if me and Montae aren't together, heaven forbid, in ten years, you know what? | 0:53:11 | 0:53:17 | |
Say what you will, whatever, we're not together any more, | 0:53:17 | 0:53:20 | |
but you know what? | 0:53:20 | 0:53:21 | |
We've had a fucking great five years now | 0:53:21 | 0:53:23 | |
and whatever more we can get, I'll take. | 0:53:23 | 0:53:27 | |
'I had one last appointment in the world of porn.' | 0:53:33 | 0:53:37 | |
-Hangs the doll by the neck. OK? -OK. | 0:53:37 | 0:53:42 | |
And that's porno! Huh?! | 0:53:42 | 0:53:44 | |
'In 1997, John Dough - real name Chet Anuszek - | 0:53:44 | 0:53:50 | |
'had been at the top of his profession.' | 0:53:50 | 0:53:52 | |
Do you get a lot of people coming up to you saying, | 0:53:52 | 0:53:54 | |
"Hey man, I want to do your job," that type of thing? | 0:53:54 | 0:53:56 | |
-Oh, yeah, you gotta go to work. Right. You gotta go to work, sure. -Ah, right. | 0:53:56 | 0:54:00 | |
It must get kind of irritating in a way, like, people don't regard you, take your work seriously, | 0:54:00 | 0:54:04 | |
like, they don't, they say, "Oh, you just have sex." | 0:54:04 | 0:54:06 | |
No, it isn't irritating. I just stay home more. | 0:54:06 | 0:54:09 | |
'He'd married a fellow performer known as Monique DeMoan.' | 0:54:09 | 0:54:13 | |
-Hi. -Hello. | 0:54:13 | 0:54:14 | |
-Cheyenne? -Hi. -I'm Louis. -Hi, Louis. | 0:54:14 | 0:54:17 | |
'I'd tracked her down, 800 miles from LA, retired from porn.' | 0:54:17 | 0:54:22 | |
Well, this is a picture of little Breena. | 0:54:22 | 0:54:25 | |
-That's your daughter? -This is our daughter. -With Chet. | 0:54:25 | 0:54:28 | |
Breena was about three years old, and that's up in Mammoth. | 0:54:28 | 0:54:33 | |
That's Chet on his motorcycle. | 0:54:33 | 0:54:35 | |
This is, I mean, after we'd been together for quite a few years. | 0:54:35 | 0:54:38 | |
Do you have copies of the films that you and Chet made together? | 0:54:38 | 0:54:42 | |
I do still have Doctor Butts 3, of course. | 0:54:42 | 0:54:45 | |
Doctor Butts 3, with a kind of Hannibal Lecter thing going on. | 0:54:45 | 0:54:48 | |
Why have you hung onto that one in particular? | 0:54:48 | 0:54:51 | |
It's sentimental. | 0:54:51 | 0:54:53 | |
If you're able to capture something that hot on camera, you know, | 0:54:53 | 0:55:00 | |
and it's your first encounter with your husband, your baby's daddy, | 0:55:00 | 0:55:05 | |
you're not going to get rid of it. | 0:55:05 | 0:55:07 | |
What worked about the relationship? What was it that you liked? | 0:55:07 | 0:55:10 | |
Er... | 0:55:10 | 0:55:12 | |
He took me out and we had a good time. | 0:55:12 | 0:55:15 | |
It was life in the fast lane, though. | 0:55:15 | 0:55:17 | |
Fast lane meaning? | 0:55:17 | 0:55:19 | |
Sex, drugs, rock and roll. | 0:55:19 | 0:55:21 | |
To a civilian like myself, the idea of having sex on camera | 0:55:21 | 0:55:24 | |
and then being faithful off camera and being committed | 0:55:24 | 0:55:28 | |
seems like it would be very difficult. | 0:55:28 | 0:55:31 | |
It's really not that hard. What's hard is active addiction - drugs. | 0:55:31 | 0:55:36 | |
That's what's hard. | 0:55:36 | 0:55:39 | |
You know? | 0:55:39 | 0:55:40 | |
If you want to have a good, happy life, you have to give up the drugs, | 0:55:40 | 0:55:44 | |
and Chet did, many times, | 0:55:44 | 0:55:47 | |
and so did I. | 0:55:47 | 0:55:49 | |
But unfortunately there are those relapses and unfortunately... | 0:55:49 | 0:55:53 | |
..it ended with his suicide. | 0:55:56 | 0:55:58 | |
How would you feel about talking about | 0:55:58 | 0:56:01 | |
how you came to find out that he'd killed himself? | 0:56:01 | 0:56:03 | |
I... | 0:56:05 | 0:56:06 | |
..I was out getting...some drugs... | 0:56:09 | 0:56:13 | |
..and I came home | 0:56:15 | 0:56:18 | |
and thought that it was very strange that I couldn't find Chet, | 0:56:18 | 0:56:22 | |
seeing as I had drugs. | 0:56:22 | 0:56:24 | |
I knew something was wrong and I started looking for him. | 0:56:24 | 0:56:27 | |
I looked throughout the whole house, | 0:56:27 | 0:56:29 | |
I looked through the back yard... | 0:56:29 | 0:56:32 | |
and it was so quiet. | 0:56:32 | 0:56:34 | |
SHE SOBS | 0:56:34 | 0:56:37 | |
It was so quiet... | 0:56:37 | 0:56:40 | |
and I heard a...a creak in the closet... | 0:56:40 | 0:56:44 | |
..and that's when I found him. | 0:56:46 | 0:56:49 | |
Chet was really, truly, honestly, he was a really good dad. | 0:56:49 | 0:56:53 | |
He was a good dad, | 0:56:56 | 0:56:58 | |
but he felt that he had failed as a husband and as a father. | 0:56:58 | 0:57:03 | |
He felt that he had failed in life. | 0:57:03 | 0:57:05 | |
He felt that he was failing as a man. | 0:57:05 | 0:57:07 | |
He felt... He just, he was...he was broken. | 0:57:07 | 0:57:11 | |
This is my spelling test and, like, I got four wrong on it. | 0:57:20 | 0:57:26 | |
Which is pretty good. Were you good in school, Cheyenne? | 0:57:27 | 0:57:30 | |
No, I wasn't that great in school. | 0:57:30 | 0:57:32 | |
-It must be nice to see Breena do so well. -Yes. | 0:57:32 | 0:57:36 | |
Oh, absolutely. | 0:57:36 | 0:57:38 | |
-Yeah. You're proud. -Very. I'm very proud of her. | 0:57:38 | 0:57:41 | |
Do you know what you'd like to be when you grow up? | 0:57:41 | 0:57:43 | |
I want to be a police officer. | 0:57:43 | 0:57:45 | |
You do? | 0:57:45 | 0:57:47 | |
-Mm. -How come? | 0:57:47 | 0:57:48 | |
Because I like to stop people from doing the wrong thing | 0:57:48 | 0:57:54 | |
and, like, cos I want everyone to do the right thing a lot. | 0:57:54 | 0:57:58 | |
'I'd gone in search of adult performers, | 0:58:11 | 0:58:14 | |
'trying to understand the price they pay | 0:58:14 | 0:58:16 | |
'for taking the most intimate human act and putting it on camera. | 0:58:16 | 0:58:20 | |
'I'd found an industry that, 15 years on, | 0:58:20 | 0:58:24 | |
'was more demoralised and still taking the privacy of its young cohorts while paying them less. | 0:58:24 | 0:58:31 | |
'And yet, the world of porn is also a refuge - | 0:58:31 | 0:58:35 | |
'somewhere people fleeing lives of chaos can blend in and feel valued. | 0:58:35 | 0:58:41 | |
'Though it can inflict wounds on those who work in it, | 0:58:41 | 0:58:43 | |
'it could also occasionally surprise with its tenderness.' | 0:58:43 | 0:58:48 | |
Subtitles by Red Bee Media Ltd | 0:59:06 | 0:59:10 |