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-RATTLE -Uh-oh. What happened there? | 0:00:03 | 0:00:06 | |
Who are you? | 0:00:06 | 0:00:08 | |
-Me? -Yeah! -I'm Louis. | 0:00:08 | 0:00:11 | |
Oh, Louis. Who's that? | 0:00:11 | 0:00:16 | |
It's Louis. | 0:00:16 | 0:00:17 | |
Who's Louis? | 0:00:17 | 0:00:19 | |
'I was in Phoenix, Arizona, | 0:00:28 | 0:00:29 | |
'the capital of America's population of retirees, | 0:00:29 | 0:00:33 | |
'and its sufferers of dementia. | 0:00:33 | 0:00:35 | |
'A vast community of the increasingly forgetful, | 0:00:39 | 0:00:43 | |
'and in some cases eccentric, lives here. | 0:00:43 | 0:00:46 | |
'And, alongside them, the husbands, wives and children who love them.' | 0:00:46 | 0:00:50 | |
Thank you. | 0:00:50 | 0:00:51 | |
'I was here to try to experience their lives at first hand. | 0:00:56 | 0:01:00 | |
'The struggle of living in a world of encroaching shadows, | 0:01:00 | 0:01:02 | |
'and of keeping relationships alive in circumstances | 0:01:02 | 0:01:07 | |
'that can be among the strangest and most challenging imaginable. | 0:01:07 | 0:01:10 | |
'My journey began here, at Beatitudes, | 0:01:22 | 0:01:26 | |
'a retirement community with a specialist unit | 0:01:26 | 0:01:28 | |
'for people with dementia.' | 0:01:28 | 0:01:30 | |
I don't know where she is, if she's OK. | 0:01:30 | 0:01:32 | |
'A resident on the second floor, called Janet Cottrell, | 0:01:32 | 0:01:34 | |
'had seen an intruder.' | 0:01:34 | 0:01:36 | |
Janet, who was yelling at you? | 0:01:36 | 0:01:38 | |
The woman that was in here. She was climbing in her pyjamas | 0:01:38 | 0:01:41 | |
and going... She was in that room. | 0:01:41 | 0:01:43 | |
I don't know where she could have gone so fast. | 0:01:43 | 0:01:46 | |
Well, if you see her again, let her know, or you can push your button. | 0:01:46 | 0:01:50 | |
'Dawn Grant is in charge of the unit.' | 0:01:50 | 0:01:54 | |
Do you think that was a hallucination? | 0:01:54 | 0:01:56 | |
-I do believe so. -Why could it not be a real person? | 0:01:56 | 0:02:00 | |
I don't have any other small females, skinny, | 0:02:00 | 0:02:02 | |
running round in their jammies right now. | 0:02:02 | 0:02:05 | |
Another resident. And they can't move that fast, either. | 0:02:05 | 0:02:08 | |
So it's probably a hallucination. Well, it IS a hallucination. | 0:02:08 | 0:02:12 | |
'Janet was a new arrival at Beatitudes. | 0:02:14 | 0:02:17 | |
'Her daughter, Nancy, came to see how she was settling in.' | 0:02:17 | 0:02:20 | |
-Do you like the chair, Mom? -Pardon? | 0:02:22 | 0:02:25 | |
Do you like the chair? | 0:02:25 | 0:02:27 | |
Do I like the chair? Yes, very much so. | 0:02:27 | 0:02:30 | |
-So your mum just moved in yesterday, is that right? -Yes. | 0:02:30 | 0:02:33 | |
And how did that go? | 0:02:33 | 0:02:34 | |
It was pretty emotional. | 0:02:34 | 0:02:36 | |
In the morning it was very, very difficult | 0:02:36 | 0:02:39 | |
when we told her she was coming. | 0:02:39 | 0:02:41 | |
How did you get to the point of feeling she needed to be here? | 0:02:41 | 0:02:44 | |
She walked away from the house one day, | 0:02:44 | 0:02:47 | |
and she didn't know where she was, and nobody knew where she was, | 0:02:47 | 0:02:52 | |
so that was the end of my being able to take care of her, | 0:02:52 | 0:02:56 | |
because I couldn't keep her safe anymore. | 0:02:56 | 0:03:00 | |
Course, I keep thinking, you know, she likes to go out a lot, | 0:03:00 | 0:03:04 | |
but we aren't allowed to go out. We don't have a car. | 0:03:04 | 0:03:08 | |
Once your car was taken away, was that quite a big thing for you? | 0:03:08 | 0:03:11 | |
It was terrible, and it still is. | 0:03:11 | 0:03:15 | |
And Nancy says I cannot get my car back. | 0:03:15 | 0:03:19 | |
My mom, I hope, knows that I love her very much, | 0:03:19 | 0:03:23 | |
and that the reason that I'm doing these things is to keep her safe, | 0:03:23 | 0:03:27 | |
and I hope she remembers that. | 0:03:27 | 0:03:31 | |
See, if you just leave me alone, I do all good things by myself. | 0:03:32 | 0:03:37 | |
Yeah. | 0:03:37 | 0:03:39 | |
At any point did you kind of say to Janet, | 0:03:39 | 0:03:41 | |
"This is basically where you'll be living now"? | 0:03:41 | 0:03:44 | |
Not yesterday before we left, no. | 0:03:45 | 0:03:49 | |
And we really actually haven't said that, | 0:03:49 | 0:03:52 | |
I've not said that to her at all. | 0:03:52 | 0:03:54 | |
-(Do not talk about her as though she's not in the room.) -OK. | 0:03:57 | 0:04:01 | |
Include her in, (or don't have a conversation in front of her). | 0:04:01 | 0:04:04 | |
Yeah. | 0:04:04 | 0:04:05 | |
She's not saying, "When can I go home?", or anything? | 0:04:05 | 0:04:08 | |
She's not, but she is under the impression she's here temporarily. | 0:04:08 | 0:04:11 | |
She is, but so is Sonja, her roommate. | 0:04:11 | 0:04:13 | |
-Right, and half of the people here. -Yeah, they all think they're going. | 0:04:13 | 0:04:16 | |
-They do? -It's just such a transition to take them | 0:04:16 | 0:04:19 | |
from what they're so used to, to putting them in a new setting. | 0:04:19 | 0:04:22 | |
It's OK to tell...I guess they'd be white lies, is that the right term? | 0:04:22 | 0:04:28 | |
Yes. We do it all the time. | 0:04:28 | 0:04:29 | |
Yeah, we tell white lies all day long here, all day. | 0:04:29 | 0:04:34 | |
'The residents of the memory support unit | 0:04:45 | 0:04:48 | |
'exist in a twilight world of half-remembered reality.' | 0:04:48 | 0:04:52 | |
So you have your oatmeal and you've got your pears. Good? | 0:04:52 | 0:04:55 | |
'Staff have a philosophy of going along | 0:04:55 | 0:04:58 | |
'with the delusions of the residents | 0:04:58 | 0:05:00 | |
'to alleviate their sense of confusion and distress.' | 0:05:00 | 0:05:04 | |
Just to be clear about this, they cannot leave under their own steam? | 0:05:05 | 0:05:08 | |
-Correct. -Because? | 0:05:08 | 0:05:10 | |
They're not safe. We can't guarantee they can find their way back, | 0:05:10 | 0:05:14 | |
or, well, where they're going, so we have it secured. | 0:05:14 | 0:05:17 | |
The lift is right there, so what's to stop them from going down in the lift on their own? | 0:05:17 | 0:05:21 | |
You need to have a code to access the floor. | 0:05:21 | 0:05:23 | |
One of the ways staff keep tabs on how residents are doing | 0:05:26 | 0:05:29 | |
is through occasional memory tests. | 0:05:29 | 0:05:31 | |
-Hello. -Hi, Pat. | 0:05:31 | 0:05:33 | |
-Hello. -How are you doing this afternoon? | 0:05:33 | 0:05:37 | |
Well, I think I'm doing fine. | 0:05:37 | 0:05:39 | |
-Hi, Pat. -Hello. -How are you? -I'm fine. | 0:05:39 | 0:05:42 | |
So, as I mentioned to you earlier, I was going to come in | 0:05:42 | 0:05:45 | |
and do an assessment, just to kind of get a feel for how you're doing. | 0:05:45 | 0:05:49 | |
It's going to be several questions related to testing your memory. | 0:05:49 | 0:05:52 | |
Oh, OK. | 0:05:52 | 0:05:53 | |
I'm going to say three words, three objects, | 0:05:53 | 0:05:56 | |
-and I want you to repeat after me, OK? -Mm-hmm. | 0:05:56 | 0:05:58 | |
-Apple. -Apple. | 0:05:58 | 0:06:00 | |
-Table. -Table. | 0:06:00 | 0:06:01 | |
-Penny. -Penny. | 0:06:01 | 0:06:03 | |
Try and remember those three words, | 0:06:03 | 0:06:05 | |
because I'm going to ask you again in a minute. | 0:06:05 | 0:06:07 | |
(Apple, table, penny.) | 0:06:07 | 0:06:09 | |
Apple. Maple. Maple. | 0:06:09 | 0:06:14 | |
Oh, I've already forgotten it. | 0:06:14 | 0:06:17 | |
Apple. Maple... | 0:06:17 | 0:06:19 | |
OK, we're going to come back to that question. | 0:06:21 | 0:06:24 | |
Can you spell the word "world" backwards? | 0:06:24 | 0:06:27 | |
D-L-R-O-W. | 0:06:27 | 0:06:30 | |
-Perfect. -Oh, good. | 0:06:30 | 0:06:34 | |
Perfect, now, can you remember any of those three objects | 0:06:34 | 0:06:37 | |
I asked you to repeat for me? | 0:06:37 | 0:06:40 | |
World... | 0:06:40 | 0:06:42 | |
World... | 0:06:42 | 0:06:43 | |
-That's OK. -What struck me was how well she did, | 0:06:47 | 0:06:50 | |
and yet, with the three objects, very quickly she'd forgotten. | 0:06:50 | 0:06:54 | |
Short-term memory is always an issue on this floor. | 0:06:54 | 0:06:58 | |
Where's the front door here? | 0:06:58 | 0:07:01 | |
This ain't the front door, is it? | 0:07:01 | 0:07:03 | |
This is a hard place to get out. | 0:07:05 | 0:07:08 | |
One of the few men on the floor is 69-year-old Gary Gilliam. | 0:07:09 | 0:07:13 | |
I'd like to know where in the hell...? | 0:07:13 | 0:07:16 | |
Hmm. | 0:07:16 | 0:07:18 | |
You OK? | 0:07:18 | 0:07:20 | |
Well, I'm worried. I'm just going to walk up here and see if I can't. | 0:07:20 | 0:07:24 | |
What are you worried about? | 0:07:24 | 0:07:26 | |
-What am I worried about? -There's nothing to worry about. | 0:07:26 | 0:07:28 | |
Well, guys get out and get lost. | 0:07:28 | 0:07:30 | |
What sort of things do you enjoy doing here? | 0:07:34 | 0:07:36 | |
How do you keep busy? | 0:07:36 | 0:07:37 | |
This is my workplace. | 0:07:37 | 0:07:39 | |
Doing? | 0:07:39 | 0:07:41 | |
Dentistry, or working on something dental, you know? Whatever. | 0:07:41 | 0:07:45 | |
Whatever they want to put me to, I don't care. | 0:07:45 | 0:07:48 | |
It's not really a medical building or something like that, | 0:07:48 | 0:07:51 | |
but here we are. | 0:07:51 | 0:07:53 | |
I ain't ever leaving. It's kind of strange that way. | 0:07:53 | 0:07:56 | |
Does he know where he is? | 0:07:58 | 0:08:00 | |
He does know. | 0:08:00 | 0:08:02 | |
He seems to think he's involved in a dental practice here. | 0:08:02 | 0:08:05 | |
I know. And one of the ways we redirect him | 0:08:05 | 0:08:07 | |
is to have him examine our teeth. | 0:08:07 | 0:08:10 | |
When you say "redirect", means what? | 0:08:10 | 0:08:13 | |
If he's on a mission to go outside, | 0:08:13 | 0:08:16 | |
or if he's just having one of those moments that he's irritable, | 0:08:16 | 0:08:19 | |
you can easily redirect him by saying, "Hey, Doctor, | 0:08:19 | 0:08:22 | |
"I have a problem with my tooth. Can you a look inside my mouth?" | 0:08:22 | 0:08:25 | |
And he will. | 0:08:25 | 0:08:26 | |
-Do you want to take a walk with me? -Sure, I'll walk with you. | 0:08:26 | 0:08:30 | |
See, now they change these things about every other week. | 0:08:31 | 0:08:34 | |
"Push until alarm sounds. Door can be open 15 seconds." | 0:08:34 | 0:08:38 | |
That's a siren going off for 15 seconds through this building. | 0:08:38 | 0:08:41 | |
-We can't use that. -No. | 0:08:41 | 0:08:44 | |
-That's ridiculous. -No. | 0:08:44 | 0:08:47 | |
So, you know, what can I do? I'm screwed. | 0:08:47 | 0:08:49 | |
Someone told me you used to be a dentist? | 0:08:49 | 0:08:52 | |
I AM a dentist, I guess. | 0:08:52 | 0:08:54 | |
Once a dentist, always a dentist, you know? | 0:08:54 | 0:08:56 | |
It's like being born an Indian, or something. | 0:08:56 | 0:08:59 | |
You'll always be an Indian. | 0:08:59 | 0:09:01 | |
Would you take a quick look at my teeth? | 0:09:01 | 0:09:03 | |
Yes, sir, I would. | 0:09:03 | 0:09:04 | |
They're not very clean, though. | 0:09:04 | 0:09:06 | |
-Oh, I know. You're a Brit, aren't you? -Yeah. | 0:09:06 | 0:09:09 | |
-Well, you guys don't clean your teeth like we do. -I know. | 0:09:09 | 0:09:12 | |
Bite down, please. You've got good occlusion. | 0:09:14 | 0:09:17 | |
No, you're in cross-bite, back there. | 0:09:19 | 0:09:21 | |
Yeah, I wouldn't do anything about it, it's not going to hurt you now. | 0:09:21 | 0:09:25 | |
Jammies? | 0:09:27 | 0:09:29 | |
Yes, ma'am. God, you're beautiful. Are you sleeping with me tonight? | 0:09:29 | 0:09:32 | |
No. | 0:09:32 | 0:09:34 | |
Damn. Talk about wrecking a man's night. | 0:09:34 | 0:09:39 | |
SATNAV: Right turn on West Willow Creek Circle. | 0:09:50 | 0:09:52 | |
'It's reckoned that one in eight Americans aged 65 and over | 0:09:52 | 0:09:55 | |
'has Alzheimer's, the most common cause of dementia. | 0:09:55 | 0:10:00 | |
'The rates climb alarmingly with age. | 0:10:00 | 0:10:03 | |
'Nearly half of the over-85s has the disease. | 0:10:03 | 0:10:06 | |
'Whilst some are in institutional settings, | 0:10:06 | 0:10:09 | |
'many sufferers are cared for at home, by their loved ones.' | 0:10:09 | 0:10:12 | |
SATNAV: You have arrived. | 0:10:12 | 0:10:14 | |
'I was about to meet retired engineer John Vaughan.' | 0:10:15 | 0:10:19 | |
-Hi, John. -Hi, there, Gavin. -Louis. | 0:10:19 | 0:10:22 | |
-Yeah, good morning. -Nice to meet you. | 0:10:22 | 0:10:25 | |
'John looks after his wife Nancy, | 0:10:25 | 0:10:26 | |
'who is in the advanced stages of Alzheimer's.' | 0:10:26 | 0:10:29 | |
I'm Louis. | 0:10:29 | 0:10:31 | |
Yes. SHE SNEEZES | 0:10:31 | 0:10:33 | |
SHE LAUGHS | 0:10:33 | 0:10:35 | |
Allergies? | 0:10:35 | 0:10:37 | |
Oh, you're beautiful. | 0:10:37 | 0:10:41 | |
Thank you. How are you? So are you. You're beautiful. | 0:10:41 | 0:10:45 | |
Oh, wow, we're being beautiful... | 0:10:45 | 0:10:47 | |
Let me see. What are we going to do with you? | 0:10:47 | 0:10:51 | |
What are we going to do? Maybe a glass of water? | 0:10:51 | 0:10:54 | |
-Would you like that? -Yes, I would. | 0:10:54 | 0:10:56 | |
Oh, come with me! | 0:10:56 | 0:10:58 | |
What is your memory like, Nancy? | 0:10:58 | 0:11:00 | |
Are you aware of having problems with your memory? | 0:11:00 | 0:11:03 | |
-Yes. -You forget things? | 0:11:03 | 0:11:05 | |
-Not very much. -No, what would you say? | 0:11:05 | 0:11:10 | |
I would say very much. Nancy, what's your name? | 0:11:10 | 0:11:13 | |
-My name? -Yes, what's your name? | 0:11:13 | 0:11:15 | |
-Hair? -Yes. -At this...point? | 0:11:17 | 0:11:20 | |
At this point, what is your name? | 0:11:20 | 0:11:22 | |
Nice tap-dancing. Your name, please? | 0:11:24 | 0:11:28 | |
-Nancy. -OK, do you know your last name? | 0:11:28 | 0:11:30 | |
-You know your last name? -Bread. -Huh? -Bread. -Bread, OK. | 0:11:32 | 0:11:36 | |
Is that Nancy's maiden name? | 0:11:38 | 0:11:39 | |
No. Johnson is her maiden name. | 0:11:39 | 0:11:42 | |
Not Bread? | 0:11:42 | 0:11:43 | |
And this is why this is there all the time. | 0:11:43 | 0:11:48 | |
Sometimes she'll say, "Who's that?" | 0:11:48 | 0:11:50 | |
I'll say, "Well, that's you, and that's me, | 0:11:50 | 0:11:53 | |
"and that was on December 3rd, 1949." | 0:11:53 | 0:11:56 | |
-Gee, whiz! -She's 89 years old. | 0:11:56 | 0:11:59 | |
But you look so much younger. | 0:11:59 | 0:12:02 | |
-Right! -How do you do that? | 0:12:02 | 0:12:05 | |
I'm not...doing it. I just don't know how I did do it. | 0:12:05 | 0:12:10 | |
Yeah. Doesn't she look great? But it's still... | 0:12:10 | 0:12:13 | |
Yeah. | 0:12:13 | 0:12:15 | |
SHE LAUGHS | 0:12:15 | 0:12:17 | |
Aw, this guy is smart. He sees I'm talented. | 0:12:17 | 0:12:21 | |
Yes, I do. | 0:12:21 | 0:12:22 | |
Yes! | 0:12:22 | 0:12:23 | |
Nancy was a very social person, and so she has these reflexes | 0:12:23 | 0:12:26 | |
built in, and that tricks some people to say, | 0:12:26 | 0:12:30 | |
"Oh, Nancy's got Alzheimer's? | 0:12:30 | 0:12:31 | |
"She doesn't look like she's got Alzheimer's." | 0:12:31 | 0:12:33 | |
If we say that a lot of the verbal stuff is basically | 0:12:33 | 0:12:38 | |
just a kind of conditioned response, | 0:12:38 | 0:12:40 | |
what is real in what she expresses? | 0:12:40 | 0:12:44 | |
-What is reality? -When you have a hug or a kiss. | 0:12:44 | 0:12:47 | |
I'm sitting here, and she comes over and gives me a kiss. | 0:12:47 | 0:12:52 | |
Or comes over and strokes my back... | 0:12:52 | 0:12:55 | |
Hello there. | 0:12:59 | 0:13:02 | |
When she does this and that's coming from for real. | 0:13:02 | 0:13:06 | |
-That's from a real place? -Mm-hmm. | 0:13:06 | 0:13:08 | |
-Oh! -You OK? | 0:13:08 | 0:13:11 | |
Yes. Yes. | 0:13:11 | 0:13:13 | |
Are you sad about something? | 0:13:13 | 0:13:16 | |
-Me? -Yeah, are you sad about something? | 0:13:16 | 0:13:19 | |
-Oh, no. Gosh, no. -OK. | 0:13:19 | 0:13:21 | |
I love the whole... | 0:13:21 | 0:13:25 | |
-system. -You do? | 0:13:25 | 0:13:27 | |
-Mm-hm. -That's good. | 0:13:27 | 0:13:29 | |
-Well, I couldn't get it any place. -Hmm? Give me a kiss? | 0:13:29 | 0:13:33 | |
-Thank you. -That's good. | 0:13:33 | 0:13:37 | |
Inside, and get set. | 0:13:37 | 0:13:38 | |
You and I have got to go and have a little...potty training here. | 0:13:38 | 0:13:43 | |
Yes. OK. | 0:13:43 | 0:13:45 | |
'Though they've been happily married for 40 years, | 0:13:46 | 0:13:49 | |
'John and Nancy have no children, | 0:13:49 | 0:13:51 | |
'and so responsibility for Nancy's care | 0:13:51 | 0:13:54 | |
'now falls squarely on John's shoulders.' | 0:13:54 | 0:13:57 | |
-Can you help me a little bit? -No! I cannot. -OK. | 0:13:57 | 0:14:01 | |
-John?! -Yes? -Please, you are hurting me! | 0:14:01 | 0:14:05 | |
'Aged 88, John is carer to someone with many of the same needs | 0:14:05 | 0:14:09 | |
'as a very large toddler.' | 0:14:09 | 0:14:12 | |
Are you OK, John? | 0:14:12 | 0:14:13 | |
CISTERN FLUSHES | 0:14:14 | 0:14:16 | |
Not bad for me. No. | 0:14:16 | 0:14:19 | |
That sounded quite stressful. | 0:14:19 | 0:14:21 | |
She said she wanted to clout you at one point? | 0:14:21 | 0:14:24 | |
Yeah, well, I think I was having trouble getting the pants leg on, | 0:14:24 | 0:14:27 | |
and I was struggling with it. | 0:14:27 | 0:14:30 | |
We have a course, we call it "signal breathing", | 0:14:30 | 0:14:34 | |
and it's... | 0:14:34 | 0:14:36 | |
HE BREATHES DEEPLY | 0:14:36 | 0:14:39 | |
..whether somebody's cutting you off in traffic, | 0:14:39 | 0:14:42 | |
or you have to change a pair of panties. | 0:14:42 | 0:14:46 | |
John?! Wake up! | 0:14:48 | 0:14:50 | |
THEY LAUGH | 0:14:50 | 0:14:52 | |
I know a lot of people at this stage, | 0:14:55 | 0:14:58 | |
because of the safety factor, | 0:14:58 | 0:14:59 | |
and also just because of the stress of being a carer, | 0:14:59 | 0:15:02 | |
would start thinking about a home, an institution? | 0:15:02 | 0:15:04 | |
An institution. | 0:15:04 | 0:15:06 | |
And they're really delightful places, and the care is great. | 0:15:06 | 0:15:12 | |
But they cost 4,000 dollars a month. | 0:15:12 | 0:15:14 | |
-A month? -A month. | 0:15:14 | 0:15:16 | |
SHE WHISTLES | 0:15:16 | 0:15:17 | |
So that's too much? | 0:15:19 | 0:15:22 | |
-Well, yeah... -Couldn't afford it. | 0:15:22 | 0:15:25 | |
-Everybody's a nut. -Hmm? -Everybody's a nut. | 0:15:26 | 0:15:29 | |
THEY LAUGH | 0:15:29 | 0:15:31 | |
I know the feeling. | 0:15:31 | 0:15:32 | |
-Ho-ho-ho! You do? -I do. -Thank you, sir! | 0:15:32 | 0:15:35 | |
Good morning, Gary. | 0:15:45 | 0:15:48 | |
Want some breakfast? Some hot coffee? | 0:15:48 | 0:15:51 | |
'Back at Beatitudes, it was the start of another day.' | 0:15:51 | 0:15:54 | |
I'm fine for now, dear. | 0:15:54 | 0:15:56 | |
Gary, the ladies are waiting on you. | 0:15:56 | 0:15:58 | |
I do believe Gary is our youngest resident, | 0:16:05 | 0:16:07 | |
and therefore one of the fittest, as well. | 0:16:07 | 0:16:11 | |
-"Youngest resident"? -Mm-hmm. -What am I a resident for? | 0:16:11 | 0:16:14 | |
Of this floor, where you live, in this apartment setting. | 0:16:14 | 0:16:18 | |
How well do you feel you know Dawn? | 0:16:18 | 0:16:20 | |
-Know who? -Dawn. -How well do I know you? | 0:16:20 | 0:16:23 | |
Well, I haven't known you very much, because I would, | 0:16:25 | 0:16:27 | |
-I would remember you forever... -Aw! -..because you're a pretty lady. | 0:16:27 | 0:16:31 | |
You remember the pretty ladies, huh? | 0:16:31 | 0:16:33 | |
I try to. I think I'm losing my grasp. | 0:16:33 | 0:16:36 | |
He tells me that every day. It's good for my ego. | 0:16:36 | 0:16:39 | |
-And are you married? -No, sir. | 0:16:42 | 0:16:44 | |
-No. -Nobody would have me. | 0:16:44 | 0:16:46 | |
I had a sign out in the yard for a long time, | 0:16:48 | 0:16:50 | |
it got to be embarrassing. | 0:16:50 | 0:16:51 | |
-What about Carla? -Carla? | 0:16:51 | 0:16:53 | |
That's the meanest little bugger in the world, but I just love her. | 0:16:53 | 0:16:56 | |
-Who's Carla? -She's the little gal about this tall, isn't she? | 0:16:56 | 0:16:59 | |
And she came to work for me. | 0:16:59 | 0:17:01 | |
Right. Exactly! | 0:17:01 | 0:17:02 | |
And then she ended up running my office, | 0:17:02 | 0:17:04 | |
-and did an excellent job of it. -She did. | 0:17:04 | 0:17:06 | |
-She's really a nice person. I think a lot of her. -Yes. | 0:17:06 | 0:17:09 | |
'Carla Gilliam has been Gary's wife for 26 years. | 0:17:17 | 0:17:20 | |
'They started dating when she was just 21. | 0:17:21 | 0:17:24 | |
'She now lives on her own in the house they once shared. | 0:17:24 | 0:17:28 | |
Pictures, pictures, pictures. Oh, Lord. | 0:17:29 | 0:17:34 | |
There's Gary with his dogs. He just loves his dogs. | 0:17:34 | 0:17:37 | |
What was the Gary of old like? | 0:17:37 | 0:17:39 | |
Definitely an outdoorsman. Highly intelligent. | 0:17:40 | 0:17:44 | |
Very interested in everything, and remembered things verbatim. | 0:17:44 | 0:17:48 | |
Did he? Good memory. | 0:17:48 | 0:17:50 | |
What was your first inkling that something was up? | 0:17:50 | 0:17:53 | |
Probably when he came home and told me, when he was in his sports car, | 0:17:56 | 0:18:00 | |
that he had turned left to come home, against traffic, four lanes. | 0:18:00 | 0:18:05 | |
Has he gone back to a particular point in time? | 0:18:07 | 0:18:11 | |
I think he's more in his 20s, early 30s. | 0:18:11 | 0:18:13 | |
I'm not even his spouse, | 0:18:13 | 0:18:15 | |
because in his mind he would have never gotten married. | 0:18:15 | 0:18:18 | |
In terms of your relationship with Gary now, | 0:18:18 | 0:18:20 | |
how fulfilling is that for you? | 0:18:20 | 0:18:22 | |
When he's really sweet and just kind of caring, | 0:18:22 | 0:18:26 | |
then, oh yeah, I savour that. But it's very little. | 0:18:26 | 0:18:30 | |
Hey, Gary. | 0:18:36 | 0:18:38 | |
I see you're getting photographed. | 0:18:38 | 0:18:40 | |
Yes. | 0:18:40 | 0:18:42 | |
-That means you'll be in jail in a month. -Yes. | 0:18:42 | 0:18:45 | |
Oh, yeah, OK. | 0:18:45 | 0:18:47 | |
-Hi Gary. -Hello. -You remember me? -Yes, I do. | 0:18:47 | 0:18:50 | |
'I decided to take Carla and Gary to lunch, | 0:18:50 | 0:18:53 | |
'but it was a bit more complicated than I'd expected.' | 0:18:53 | 0:18:57 | |
There are his two ladies, right there. Hi, Pat, hi, Betty. | 0:18:57 | 0:19:01 | |
-How are you doing? -I'm doing just fine. | 0:19:01 | 0:19:04 | |
I just need to ask you something quickly, Carla. | 0:19:06 | 0:19:09 | |
You said these are two special friends of Gary's? | 0:19:09 | 0:19:12 | |
Yes. Betty is very possessive, but Pat is more normal. | 0:19:15 | 0:19:20 | |
-Then, don't bring them both. -No, absolutely not. | 0:19:20 | 0:19:23 | |
No, we're going with Pat. | 0:19:23 | 0:19:24 | |
You want to come to lunch with us? | 0:19:24 | 0:19:27 | |
We're making a break for it. Don't tell anyone. | 0:19:27 | 0:19:30 | |
-She's pretty easy on the eyes, don't you think? -I do. | 0:19:31 | 0:19:34 | |
You know how you guys sometimes stand at the elevator at night, | 0:19:34 | 0:19:37 | |
-trying to escape? -Yes. OK. | 0:19:37 | 0:19:39 | |
-Well, I often go to sleep by the elevator. -So you punch? | 0:19:40 | 0:19:42 | |
Well, I'm not telling you what you punch, that's top-secret. | 0:19:42 | 0:19:45 | |
Oh! | 0:19:45 | 0:19:47 | |
I don't understand why he's... | 0:19:49 | 0:19:52 | |
Would it not be more normal for him to put his arm around you? | 0:19:52 | 0:19:55 | |
No, he's never been physically very... I'm just his buddy. | 0:19:57 | 0:20:01 | |
-And how do you know Gary, Pat? -Well, we met here at the Beatitudes. | 0:20:07 | 0:20:12 | |
You get on well? | 0:20:12 | 0:20:14 | |
Oh, yes. I consider him my best friend. | 0:20:14 | 0:20:17 | |
There's another lady called Betty. | 0:20:17 | 0:20:20 | |
Did you say that there's more intimacy in that relationship? | 0:20:20 | 0:20:24 | |
Well, she, I guess, is always taking her clothes off, | 0:20:24 | 0:20:27 | |
and I've seen her a couple times, | 0:20:27 | 0:20:29 | |
and I don't know what happens after that. | 0:20:29 | 0:20:33 | |
-Taking her clothes off? -In his room, yeah. | 0:20:33 | 0:20:35 | |
-And getting into bed with him? -My guess is, yeah. | 0:20:35 | 0:20:38 | |
The idea of Gary with another woman, performing sexually, | 0:20:38 | 0:20:42 | |
wouldn't trouble you in the least? | 0:20:42 | 0:20:43 | |
No, I just realise it's the disease and it's the way it is, | 0:20:43 | 0:20:47 | |
and it's unconditional love. It's nothing to be bad for me. | 0:20:47 | 0:20:52 | |
No, it's not. Um...no. | 0:20:53 | 0:20:57 | |
I've taken as good a care as I can of him, and I will do so to the end. | 0:20:57 | 0:21:03 | |
-You want me to carry you? -No. -I can carry you. | 0:21:04 | 0:21:06 | |
-Bye, Gary. -See you, kid. | 0:21:09 | 0:21:11 | |
-OK, love you. -Nice doing business with you. | 0:21:11 | 0:21:14 | |
Business? | 0:21:16 | 0:21:17 | |
When she comes into town. | 0:21:17 | 0:21:18 | |
-OK. -Talk to you a little later. | 0:21:21 | 0:21:22 | |
-So, Carla? -Yeah? | 0:21:22 | 0:21:23 | |
What are your feelings for him at this point? | 0:21:23 | 0:21:27 | |
Oh, I still... I've always loved him. | 0:21:27 | 0:21:30 | |
Haven't always liked him, but I've loved him, | 0:21:31 | 0:21:34 | |
and I'm so saddened by this. | 0:21:34 | 0:21:36 | |
It's just I never thought I'd see Gary in this position. | 0:21:36 | 0:21:40 | |
-Is he the same person? -Hmm, he's probably mellower. | 0:21:40 | 0:21:44 | |
Wish he'd have been this way more in life. | 0:21:44 | 0:21:46 | |
I guess I was just too young. And so, you know, he's never treated me | 0:21:46 | 0:21:52 | |
like he does somebody his age, or... What are you doing with your hat on? | 0:21:52 | 0:21:57 | |
-Getting ready to go. -Oh, you're going to take him for a walk? | 0:21:58 | 0:22:01 | |
-No, not in this heat. Are you going to take me with you? -No. | 0:22:01 | 0:22:05 | |
-Where you going? -You're still here, remember? You have a year's lease. | 0:22:05 | 0:22:09 | |
So I have to stay here? | 0:22:09 | 0:22:10 | |
This is where you live, and I live in South Chandler. | 0:22:10 | 0:22:13 | |
In my own house. | 0:22:15 | 0:22:16 | |
Jesus. | 0:22:18 | 0:22:20 | |
Where are my parents right now? | 0:22:23 | 0:22:25 | |
They need to be in touch with you, I wouldn't know. | 0:22:26 | 0:22:29 | |
They'll call me. So where are we going? | 0:22:29 | 0:22:32 | |
-You're staying with April. -You're staying with me. | 0:22:32 | 0:22:35 | |
-You have the pleasure of that, let's go. -Really? | 0:22:35 | 0:22:38 | |
Yeah, come on. You got the pleasure of being with me. | 0:22:38 | 0:22:41 | |
What are you? What do I call you? | 0:22:41 | 0:22:43 | |
-Huh? -What do I call you? Do you remember? | 0:22:43 | 0:22:45 | |
-Huh? -What do I call you? | 0:22:45 | 0:22:47 | |
'A few hours after Carla had left, I caught up with Gary.' | 0:22:58 | 0:23:01 | |
-Do you wish Carla was here with you? -Right now? | 0:23:02 | 0:23:06 | |
Yes, in many ways. | 0:23:09 | 0:23:11 | |
But, if she's having a good time, that's just fine with me. | 0:23:11 | 0:23:15 | |
Are you looking forward to her coming back? | 0:23:15 | 0:23:20 | |
Yeah, I thought she'd be back today, maybe tomorrow now. | 0:23:20 | 0:23:23 | |
She'll be back pretty soon. | 0:23:23 | 0:23:25 | |
She might be at home just resting up before she came down here, you know. | 0:23:27 | 0:23:31 | |
-Shall we get out of your hair? -No, I don't care. You can stay. | 0:23:31 | 0:23:35 | |
-We're OK? -Yeah. Yeah. | 0:23:35 | 0:23:38 | |
Of course, we strip-search you at the end of the day, | 0:23:38 | 0:23:41 | |
just to make sure nobody runs off with anything, you know that. | 0:23:41 | 0:23:44 | |
I thought you only did that to the ladies? | 0:23:44 | 0:23:46 | |
-HE LAUGHS -No, I couldn't. | 0:23:46 | 0:23:47 | |
No, I'd scratch my eyes out and be completely blind. | 0:23:49 | 0:23:51 | |
That's pretty good. | 0:23:57 | 0:23:59 | |
'Dementia is usually thought of as an older person's disease, | 0:24:12 | 0:24:15 | |
'and yet it can strike people in their 40s | 0:24:15 | 0:24:18 | |
'and, in very rare cases, even younger.' | 0:24:18 | 0:24:20 | |
-Hello. -Hi. -How are you? -Are you Selinda? -I am. -I'm Louis. | 0:24:26 | 0:24:28 | |
-Nice to meet you, Louis. -Nice to meet you. Can I come in? | 0:24:28 | 0:24:31 | |
Absolutely. Happy to have you. | 0:24:31 | 0:24:34 | |
-And this must be Glenn? -Yes. -Hi. | 0:24:34 | 0:24:36 | |
-How do you do? I'm Louis. -Nice to meet you, Louis. | 0:24:36 | 0:24:38 | |
Nice to meet you. | 0:24:38 | 0:24:40 | |
'Glenn and Selinda Border have been married 26 years. | 0:24:40 | 0:24:43 | |
'Two years ago, after Glenn noticed Selinda was misplacing car keys, | 0:24:43 | 0:24:46 | |
'she went for a check-up, and was diagnosed with Alzheimer's.' | 0:24:46 | 0:24:51 | |
So how old are you, Selinda? | 0:24:51 | 0:24:53 | |
How old am I, Glenn? Huh? | 0:24:53 | 0:24:56 | |
-Do you know? -I'm not sure right now. | 0:24:56 | 0:24:59 | |
-Selinda's 49. -Yeah, almost 50. | 0:24:59 | 0:25:02 | |
49. You'd forgotten that? | 0:25:02 | 0:25:05 | |
-No! No, I didn't forget that. -Ah! -I didn't really. | 0:25:05 | 0:25:08 | |
HE LAUGHS | 0:25:08 | 0:25:10 | |
I think, you know, that's the one thing about the disease, is... | 0:25:10 | 0:25:15 | |
I think she knows what she wants to say, | 0:25:15 | 0:25:19 | |
but she's just not able to say it. | 0:25:19 | 0:25:22 | |
And I notice a lot of times, you know, as the disease has gone on, | 0:25:22 | 0:25:27 | |
she has it on the tip of her tongue, but she can never get it out. | 0:25:27 | 0:25:30 | |
How fast are things changing now in terms of personality and ability? | 0:25:30 | 0:25:35 | |
It's kind of... I think it's kind of not as bad as it had been. | 0:25:35 | 0:25:39 | |
Well, that's another part of the disease. | 0:25:39 | 0:25:43 | |
She thinks she can do more than what she can. | 0:25:43 | 0:25:47 | |
She has her cell phone and she has difficulty even calling somebody. | 0:25:47 | 0:25:52 | |
What is the tricky part about making a call on a cell phone? | 0:25:52 | 0:25:55 | |
Well, that's a good question, cos I don't seem to be able to get it. | 0:25:55 | 0:25:59 | |
Would you feel weird about trying to do that? | 0:25:59 | 0:26:02 | |
-No, that's fine. -It's fine. -You know, I think... | 0:26:02 | 0:26:05 | |
People have to know this. They have to understand what it's about. | 0:26:05 | 0:26:08 | |
-OK, here. -What are we doing? | 0:26:08 | 0:26:11 | |
Just try dialling our home phone number. | 0:26:11 | 0:26:15 | |
Our phone number? | 0:26:15 | 0:26:16 | |
-Yeah. Dial 253... -OK, wait a minute. | 0:26:16 | 0:26:19 | |
-2, 5... -Where am I? | 0:26:19 | 0:26:23 | |
-OK, the two... -The two? Where is it? I can't even see it! | 0:26:23 | 0:26:27 | |
-OK. -Come on, Glenn. Just do it. | 0:26:27 | 0:26:29 | |
-That's... -Sorry, guys. -And see... | 0:26:29 | 0:26:32 | |
But I don't understand. You can't... | 0:26:32 | 0:26:34 | |
-The two is right there in the middle of the screen pad there. -OK, let me see. | 0:26:34 | 0:26:39 | |
-I'm not trying to be biased... -Yeah, I know what you're saying. -..but the two is right there. | 0:26:39 | 0:26:42 | |
-You can still read, right? -Yeah, I can still read... | 0:26:42 | 0:26:46 | |
-somehow. -SHE LAUGHS | 0:26:46 | 0:26:49 | |
So, this reaffirms that she's to the point where she needs somebody with her during the day. | 0:26:49 | 0:26:53 | |
I don't want people with me during the day. I really don't. | 0:26:53 | 0:26:57 | |
I don't want you to be here by yourself if there's an emergency. | 0:26:57 | 0:27:01 | |
-I can get out. I know how to get out. -Well, that's... -I can. | 0:27:01 | 0:27:05 | |
That's horseshit. HE LAUGHS | 0:27:05 | 0:27:08 | |
-Hey, Cali. -What? | 0:27:08 | 0:27:09 | |
Can I introduce you to somebody? | 0:27:09 | 0:27:11 | |
'Making Glenn and Selinda's situation rather more complicated | 0:27:12 | 0:27:16 | |
'is the presence of their young daughter, Cali, aged nine.' | 0:27:16 | 0:27:21 | |
We're from London. We're making a documentary. | 0:27:21 | 0:27:23 | |
-Awesome! -Yeah, exactly. That's what I thought. | 0:27:23 | 0:27:27 | |
-We're going to go and get an ice cream. -Yeah! | 0:27:27 | 0:27:29 | |
Is that what you wanted? | 0:27:43 | 0:27:45 | |
No, but it's OK. I'll eat it. | 0:27:45 | 0:27:48 | |
What did you want? | 0:27:48 | 0:27:50 | |
What was it I used to have? This is not what I used to get. | 0:27:50 | 0:27:52 | |
You used to have black cherry. | 0:27:52 | 0:27:55 | |
Has it been difficult getting used to your mum not being able to do some things? | 0:27:55 | 0:27:59 | |
How have you found that? | 0:27:59 | 0:28:01 | |
Umm... | 0:28:01 | 0:28:03 | |
Well, it is kind of difficult | 0:28:03 | 0:28:07 | |
cos sometimes I forget to do stuff, | 0:28:07 | 0:28:12 | |
so I have to do my homework in the morning. | 0:28:12 | 0:28:15 | |
And I kind of wish my mom could drive cos then sometimes we get late for my bus. | 0:28:15 | 0:28:20 | |
That's the thing where I feel, you know, | 0:28:20 | 0:28:24 | |
bad about Cali, is I can't replace her mother, you know. | 0:28:24 | 0:28:29 | |
As hard as I try, I can never fill that spot. | 0:28:29 | 0:28:34 | |
'Back at Beatitudes, I was making my first visit to the fourth floor. | 0:28:42 | 0:28:47 | |
# My bonnie lies over the ocean... # | 0:28:47 | 0:28:49 | |
'Here, they care for residents with the most advanced cases of dementia.' | 0:28:49 | 0:28:53 | |
# My bonnie lies over the sea | 0:28:53 | 0:28:57 | |
# My bonnie lies over the ocean... # | 0:28:58 | 0:29:02 | |
'Most of the people living here can no longer speak coherently. | 0:29:02 | 0:29:07 | |
'Some appear physically fit, and yet their minds are almost completely disconnected.' | 0:29:07 | 0:29:11 | |
# Bring back | 0:29:11 | 0:29:13 | |
# Oh Bring back my bonnie to me... # | 0:29:13 | 0:29:17 | |
Hi, Mom. How are you? | 0:29:17 | 0:29:19 | |
'David Watson was making his weekly visit to his mother Gayle.' | 0:29:21 | 0:29:26 | |
Just woken? Did you get woken up for your nap? | 0:29:26 | 0:29:29 | |
-Mum? -Yeah? -Hi. Can I have a hug? | 0:29:30 | 0:29:33 | |
No? HE LAUGHS | 0:29:35 | 0:29:38 | |
Off on a tear. | 0:29:43 | 0:29:45 | |
Hey, Mom? | 0:29:46 | 0:29:48 | |
Mom? | 0:29:49 | 0:29:51 | |
Do you know this guy? | 0:29:51 | 0:29:53 | |
SHE MUMBLES | 0:29:53 | 0:29:55 | |
You recognise this lady? | 0:29:55 | 0:29:57 | |
That's you. | 0:29:57 | 0:29:58 | |
Do you remember? Do you remember our cherry tree in Ohio? Yeah? | 0:30:01 | 0:30:06 | |
Do you remember that? | 0:30:06 | 0:30:08 | |
Graduation? Katie? | 0:30:08 | 0:30:10 | |
SHE CONTINUES MUMBLING | 0:30:10 | 0:30:13 | |
They're nice pictures, aren't they? | 0:30:15 | 0:30:18 | |
They're nice pictures, aren't they? | 0:30:19 | 0:30:21 | |
We could put them down here and have a look at some more. | 0:30:21 | 0:30:24 | |
Do you want to look at some more? | 0:30:24 | 0:30:26 | |
No! | 0:30:26 | 0:30:29 | |
-"Golly, golly." -I know. | 0:30:29 | 0:30:32 | |
She's down to the one word. | 0:30:32 | 0:30:34 | |
For a while, she was doing sentences in a sort of staccato... | 0:30:34 | 0:30:37 | |
HE TALKS IN STACCATO WAY | 0:30:37 | 0:30:39 | |
She would finally finish the word after a few minutes. | 0:30:39 | 0:30:44 | |
If you were careful, you could kind of figure out what she was saying. | 0:30:44 | 0:30:47 | |
Not necessarily that the sentence had any connection to anything that was going on, | 0:30:47 | 0:30:51 | |
but at least she was trying to make a pattern. | 0:30:51 | 0:30:54 | |
And the last few months it's "golly". | 0:30:54 | 0:30:57 | |
Hi. | 0:30:57 | 0:30:58 | |
It's like fresh all over again, right? No? | 0:31:01 | 0:31:04 | |
HE LAUGHS | 0:31:04 | 0:31:06 | |
Do you think she recognises you? | 0:31:06 | 0:31:08 | |
Sometimes. I'm not sure now. | 0:31:08 | 0:31:11 | |
-I wasn't seeing it. -No, I didn't see it that one. Yeah. | 0:31:11 | 0:31:14 | |
The other one, maybe. There's sometimes a glimmer. | 0:31:14 | 0:31:17 | |
And my sisters don't visit, because this is hard. | 0:31:19 | 0:31:24 | |
I come frequently enough that I'm used to it. | 0:31:24 | 0:31:27 | |
It doesn't make it easy, you know. | 0:31:27 | 0:31:30 | |
I've told other people it's one of the worst possible things that could happen. | 0:31:30 | 0:31:34 | |
Except, she's happy now. | 0:31:34 | 0:31:36 | |
You say she's happy now, as though maybe she wasn't happy before? | 0:31:36 | 0:31:39 | |
She's always been a little bit shy | 0:31:39 | 0:31:44 | |
and a little scared of public situations | 0:31:44 | 0:31:48 | |
and, you know, stressed. | 0:31:48 | 0:31:51 | |
She was a nurse. She was a cardiac care nurse up until 2000 | 0:31:51 | 0:31:55 | |
and, you know, that's a hard job. | 0:31:55 | 0:31:58 | |
And.... | 0:31:58 | 0:32:01 | |
she doesn't have any of that. | 0:32:01 | 0:32:04 | |
She has no concerns left. | 0:32:04 | 0:32:06 | |
Hi. | 0:32:12 | 0:32:14 | |
What have you found? What is this? | 0:32:14 | 0:32:17 | |
What is this? Does it sing? | 0:32:17 | 0:32:19 | |
Hi. | 0:32:19 | 0:32:21 | |
How are you doing? Can I have a hug? Can I have a hug? | 0:32:21 | 0:32:24 | |
Do you think so? | 0:32:26 | 0:32:28 | |
What else? How are you? | 0:32:28 | 0:32:30 | |
SHE MUMBLES How are you? | 0:32:30 | 0:32:32 | |
If you're going to live in fragments of time.... | 0:32:43 | 0:32:47 | |
it's not a bad fragment, right? | 0:32:47 | 0:32:50 | |
So, that's why I come visit, | 0:32:51 | 0:32:53 | |
cos sometimes that happens and then, you know, that's good. | 0:32:53 | 0:32:56 | |
'With its large population of dementia sufferers, | 0:33:07 | 0:33:10 | |
'Phoenix has developed a specialised industry for dealing with the disease. | 0:33:10 | 0:33:14 | |
'At Banner Alzheimer's Institute, | 0:33:16 | 0:33:18 | |
'I was meeting up with Glenn and Selinda. | 0:33:18 | 0:33:21 | |
'Selinda was about to undergo a check-up.' | 0:33:21 | 0:33:24 | |
-How are you? -Good. How are you doing? | 0:33:24 | 0:33:27 | |
-Nice to see you. -Pleasure to see you again. | 0:33:27 | 0:33:29 | |
-Hello, how are you? -Hello, nice to see you. -Nice to see you. | 0:33:29 | 0:33:32 | |
-How are things going? -Good. -Good? | 0:33:32 | 0:33:33 | |
Since the last time you were here, | 0:33:33 | 0:33:36 | |
any changes that you've noticed with anything? No? | 0:33:36 | 0:33:39 | |
-Same old stuff. -Same old stuff? -Mm-hmm. | 0:33:39 | 0:33:41 | |
-What I'd like to do now is borrow Glenn for a little bit... -OK. | 0:33:41 | 0:33:44 | |
-..so wait right here... -All right. -..and we shall return soon. | 0:33:44 | 0:33:48 | |
So, Glenn... | 0:33:50 | 0:33:52 | |
what's going on? | 0:33:52 | 0:33:54 | |
It seems like she's a lot more confused. | 0:33:54 | 0:33:58 | |
The other night, I asked her, I said, "Selinda, can you get your cell phone?" | 0:33:58 | 0:34:02 | |
And she brought me her purse in one hand and her keys in the other hand | 0:34:02 | 0:34:07 | |
and I said, "Do you have your cell phone?" | 0:34:07 | 0:34:09 | |
And she reached out with her keys and says, "Here it is." | 0:34:09 | 0:34:13 | |
So, I'm starting to notice that... | 0:34:13 | 0:34:16 | |
..when you ask her to do something, she is just confused. | 0:34:18 | 0:34:22 | |
Got it. | 0:34:22 | 0:34:23 | |
I think Cali, you know, is learning that also. | 0:34:23 | 0:34:26 | |
You know, we went out last night and I got a little bit frustrated, | 0:34:26 | 0:34:30 | |
and Cali comes over. She goes, "Dad, remember the S words, | 0:34:30 | 0:34:34 | |
"slow and sweet." | 0:34:34 | 0:34:37 | |
And I was like, "You're right, Cali. You're right." | 0:34:37 | 0:34:40 | |
You know, it makes me proud to see that Cali is joining in this as far as, you know, | 0:34:40 | 0:34:44 | |
getting a little bit more of an idea how to deal with her mother. | 0:34:44 | 0:34:47 | |
Let's see what we've got in here for you. | 0:34:49 | 0:34:53 | |
What's the name of this place that we're in right now? | 0:34:53 | 0:34:57 | |
We're here where we're at right now! Yeah. | 0:34:57 | 0:35:00 | |
What kind of building is this? | 0:35:00 | 0:35:03 | |
What do you mean, what kind of building is it? | 0:35:03 | 0:35:05 | |
It's a place that we come to see you. How's that? | 0:35:05 | 0:35:09 | |
Very good. That works. That works. | 0:35:09 | 0:35:11 | |
And what city are we in? | 0:35:11 | 0:35:13 | |
-We're...what what? -What city? | 0:35:13 | 0:35:15 | |
What city? Phoenix. | 0:35:15 | 0:35:17 | |
-Excellent. -Yeah. -Very good. -I can do those! -Good. | 0:35:17 | 0:35:20 | |
You can do this. All right. | 0:35:20 | 0:35:22 | |
Well, let's start with this, a blank sheet of paper and a pen. | 0:35:22 | 0:35:26 | |
Oh, great(!) | 0:35:26 | 0:35:27 | |
I want you to draw a clock for me. | 0:35:27 | 0:35:30 | |
Draw a big circle, put in all the numbers, | 0:35:30 | 0:35:33 | |
and set the time to 10 after 11. | 0:35:33 | 0:35:35 | |
This is a new one. I don't know this one. | 0:35:35 | 0:35:38 | |
-Well, give it a try. -That's bad. | 0:35:38 | 0:35:40 | |
This is going to be hard. | 0:35:40 | 0:35:43 | |
-Huh? -You're just making a clock face. -A clock face. -Uh-huh. | 0:35:43 | 0:35:47 | |
Mm-hmm. Great. | 0:35:47 | 0:35:48 | |
All right. Put in all the numbers on the face of the clock. | 0:35:48 | 0:35:51 | |
All the numbers. OK. | 0:35:51 | 0:35:53 | |
Starting where? Or does it not matter? | 0:35:54 | 0:35:56 | |
-It doesn't matter. -OK. | 0:35:56 | 0:35:58 | |
Just put in all the numbers that would go in a clock. | 0:35:58 | 0:36:00 | |
OK. So... | 0:36:00 | 0:36:02 | |
-start here? -Mm-hmm. -OK. -Yeah. | 0:36:02 | 0:36:04 | |
-So one... -Uh-huh. | 0:36:04 | 0:36:07 | |
..two... | 0:36:07 | 0:36:08 | |
I don't know what I'm doing here. Two... | 0:36:08 | 0:36:11 | |
three... | 0:36:11 | 0:36:13 | |
four... | 0:36:13 | 0:36:15 | |
Oops. | 0:36:15 | 0:36:17 | |
Four. OK. | 0:36:17 | 0:36:18 | |
And? | 0:36:18 | 0:36:20 | |
And set the time to 10 after 11. | 0:36:20 | 0:36:22 | |
-10 after 11? -Mm-hmm. -God! | 0:36:22 | 0:36:25 | |
10... | 0:36:25 | 0:36:27 | |
-I'm not doing well. Sorry. -It's OK. -I know I'm freaked out now. | 0:36:27 | 0:36:31 | |
You're doing the best you can. | 0:36:31 | 0:36:33 | |
SHE SIGHS | 0:36:33 | 0:36:35 | |
My feeling is I don't think we need to do any more. | 0:36:35 | 0:36:39 | |
You seemed that you wanted to stop the test. I just wondered why. | 0:36:39 | 0:36:45 | |
It's causing her distress | 0:36:45 | 0:36:46 | |
and it's not going to give me additional information that would change my management. | 0:36:46 | 0:36:52 | |
I don't want to put her through it if it won't change anything. | 0:36:52 | 0:36:55 | |
And what's the prognosis? What happens? | 0:36:55 | 0:36:58 | |
Unfortunately, despite everything we're doing, | 0:37:00 | 0:37:03 | |
she's going to continue to get worse, likely at the same rate, | 0:37:03 | 0:37:08 | |
unless something else happens. | 0:37:08 | 0:37:11 | |
But she's on the maximum - or almost the maximum - medications that we could give her. | 0:37:11 | 0:37:15 | |
I'm glad we have them, they help, but we need better medications. | 0:37:15 | 0:37:20 | |
We need something, if not to halt this disease, | 0:37:20 | 0:37:23 | |
even better, something to prevent it. | 0:37:23 | 0:37:25 | |
And that's what we're working on here. | 0:37:25 | 0:37:27 | |
'A short while after the test, | 0:37:27 | 0:37:29 | |
'I sat down with Glenn and Selinda for a debrief.' | 0:37:29 | 0:37:32 | |
Selinda, do you have a plan for the next six months | 0:37:32 | 0:37:35 | |
to a year, to two years? | 0:37:35 | 0:37:37 | |
-I hope so. -What is your plan? | 0:37:37 | 0:37:40 | |
I don't have one very much, but... | 0:37:40 | 0:37:42 | |
SHE LAUGHS | 0:37:42 | 0:37:43 | |
I... | 0:37:43 | 0:37:46 | |
asked Doctor Yari the last time we were in. | 0:37:46 | 0:37:49 | |
-What did he say? -I said... | 0:37:49 | 0:37:51 | |
"In your best opinion, | 0:37:51 | 0:37:54 | |
"when will it be that Selinda will no longer be able to recognise Cali and I? | 0:37:54 | 0:37:58 | |
-I don't think it's going to be THAT soon. -And he said that... | 0:37:58 | 0:38:03 | |
you know, he can't give me an exact day, which I wasn't asking for, | 0:38:03 | 0:38:06 | |
but I was kind of shocked when he said probably two years. | 0:38:06 | 0:38:11 | |
Two years?! Are you kidding me? | 0:38:11 | 0:38:13 | |
-No. -That sucks! -It does. | 0:38:13 | 0:38:16 | |
-That sucks big time. -It does. It does. | 0:38:16 | 0:38:19 | |
How come you didn't tell me that? | 0:38:19 | 0:38:21 | |
-I did. -When? | 0:38:21 | 0:38:23 | |
After the appointment. | 0:38:23 | 0:38:25 | |
What, today? | 0:38:25 | 0:38:27 | |
But that's OK. You can forget about it, OK? | 0:38:27 | 0:38:30 | |
You just live every day like it's... a new day. | 0:38:30 | 0:38:33 | |
Yeah. OK, honey. | 0:38:33 | 0:38:36 | |
I'll be fine. | 0:38:36 | 0:38:38 | |
'I was paying another visit to John Vaughan. | 0:38:47 | 0:38:50 | |
'He'd asked me to take care of Nancy for the morning, | 0:38:50 | 0:38:54 | |
'with responsibility for everything except bathroom emergencies.' | 0:38:54 | 0:38:58 | |
You were quite keen on the idea of me being Nancy's carer. | 0:38:58 | 0:39:02 | |
I wanted you to experience what goes on | 0:39:02 | 0:39:05 | |
and how you communicate and what I go through | 0:39:05 | 0:39:09 | |
and doing things like playing ball. | 0:39:09 | 0:39:13 | |
You're about to play ball. | 0:39:13 | 0:39:15 | |
OK. | 0:39:15 | 0:39:17 | |
OK. Got it. | 0:39:19 | 0:39:20 | |
Are you ready? | 0:39:20 | 0:39:22 | |
I could... I'm going to have to! | 0:39:22 | 0:39:25 | |
-Go away. -I'm sorry. | 0:39:25 | 0:39:28 | |
-Sorry, did I take you by surprise? -Yes. | 0:39:28 | 0:39:31 | |
-Yes, you did. -I'm sorry. | 0:39:31 | 0:39:33 | |
That's all right. No problem. | 0:39:33 | 0:39:35 | |
No problem, OK? | 0:39:35 | 0:39:37 | |
Shall we try again? Are you ready? | 0:39:38 | 0:39:40 | |
-Yes. -Here goes. | 0:39:40 | 0:39:42 | |
GLASS SMASHES | 0:39:45 | 0:39:46 | |
Oh! | 0:39:46 | 0:39:47 | |
-Ohhh! -What did you do? | 0:39:48 | 0:39:51 | |
The broom is in the closet right there. | 0:39:51 | 0:39:53 | |
You set me up, John! | 0:39:53 | 0:39:55 | |
Did you know that was going to happen? | 0:39:55 | 0:39:57 | |
Normally she would catch it. | 0:39:57 | 0:40:00 | |
You're boring her, Louis. | 0:40:01 | 0:40:03 | |
OK, let's try this again. | 0:40:03 | 0:40:05 | |
Here we go, Nancy. Ready? | 0:40:05 | 0:40:08 | |
Aim. Fire. | 0:40:08 | 0:40:09 | |
Exactly. | 0:40:09 | 0:40:10 | |
-You did it! -Of course. | 0:40:12 | 0:40:13 | |
Hello. Mwah. | 0:40:13 | 0:40:16 | |
Hello. | 0:40:18 | 0:40:19 | |
HE LAUGHS | 0:40:19 | 0:40:20 | |
Why are you laughing? | 0:40:20 | 0:40:22 | |
Because you keep kissing the ball! | 0:40:22 | 0:40:24 | |
Mwah. | 0:40:24 | 0:40:26 | |
Well, I have nobody else here to kiss. | 0:40:26 | 0:40:29 | |
-You're up and running, Louis. -OK. | 0:40:29 | 0:40:31 | |
-Nancy... -What? | 0:40:31 | 0:40:34 | |
Take care of Louis while I go away for a second or two, OK? | 0:40:34 | 0:40:39 | |
-Certainly. -OK, thank you. -OK. | 0:40:39 | 0:40:42 | |
And are there any things that redirect Nancy | 0:40:42 | 0:40:45 | |
to a more positive place? | 0:40:45 | 0:40:47 | |
You're the improvisation man. | 0:40:47 | 0:40:49 | |
Improvise. | 0:40:49 | 0:40:51 | |
HE SINGS | 0:40:51 | 0:40:53 | |
-OK, thank you. -See you. | 0:40:53 | 0:40:55 | |
-See you later. -Yeah. | 0:40:55 | 0:40:57 | |
Shall we go for a little walk? | 0:41:07 | 0:41:08 | |
I don't know, I'm not that tone. | 0:41:08 | 0:41:12 | |
I'm... I'd rather come stay on my own company here and... | 0:41:12 | 0:41:18 | |
..be swore by you. | 0:41:20 | 0:41:24 | |
You too. | 0:41:25 | 0:41:27 | |
Take my hand. | 0:41:27 | 0:41:28 | |
We'll go this way. | 0:41:28 | 0:41:30 | |
Oh, that's nice. | 0:41:30 | 0:41:31 | |
-And put your arm through the sleeve. -Yes. | 0:41:32 | 0:41:35 | |
-There we go. -That's enough. | 0:41:35 | 0:41:37 | |
-Ooh! -There we go. | 0:41:37 | 0:41:38 | |
'I'd decided to start the day with a morning constitutional.' | 0:41:38 | 0:41:41 | |
-OK. -We did it. | 0:41:41 | 0:41:43 | |
Knock me down. | 0:41:43 | 0:41:45 | |
With a feather. | 0:41:45 | 0:41:46 | |
SHE LAUGHS | 0:41:46 | 0:41:47 | |
Oh, where are we going? | 0:41:50 | 0:41:52 | |
We're going for a little walk. | 0:41:52 | 0:41:53 | |
Oh, my goodness. | 0:41:53 | 0:41:55 | |
What's a little walk? | 0:41:55 | 0:41:56 | |
Just up and down the block. | 0:41:56 | 0:41:58 | |
Ahhh! No. | 0:41:58 | 0:42:00 | |
No, no. | 0:42:00 | 0:42:01 | |
-So I'm going to stop pretty soon... -Yeah. | 0:42:01 | 0:42:06 | |
..but I want to sit down for about... | 0:42:06 | 0:42:09 | |
..I don't know how many whatevers. | 0:42:10 | 0:42:13 | |
-Shall we turn around, then? -Yeah. | 0:42:13 | 0:42:15 | |
'The walk was soon abandoned and we returned to base for sustenance.' | 0:42:15 | 0:42:19 | |
Oh, this is wonderful, cos there's no... | 0:42:19 | 0:42:21 | |
it's nice and Norse. | 0:42:21 | 0:42:24 | |
Norse. | 0:42:24 | 0:42:26 | |
-Is that right? -Yes. -Yes. -It's nice and comfortable. | 0:42:26 | 0:42:29 | |
-Comfortable. -Yeah. | 0:42:29 | 0:42:31 | |
-Cheers. -Cheers. | 0:42:31 | 0:42:34 | |
Would you like to try one? | 0:42:34 | 0:42:36 | |
One what? | 0:42:36 | 0:42:38 | |
Cookie. | 0:42:38 | 0:42:39 | |
That? | 0:42:39 | 0:42:40 | |
No, these. | 0:42:40 | 0:42:42 | |
Looks like same thing. | 0:42:42 | 0:42:44 | |
That's for you. Those ones are for you. | 0:42:44 | 0:42:46 | |
Tell it to give me the scene here. | 0:42:46 | 0:42:49 | |
-Take one of the cookies... -Yes. | 0:42:49 | 0:42:52 | |
-..in your hand. -Yes. | 0:42:52 | 0:42:54 | |
-Pick it up. -Yes, sir. | 0:42:54 | 0:42:56 | |
Ooh! | 0:42:58 | 0:42:59 | |
Try eating it. | 0:43:00 | 0:43:02 | |
That's why I've got it in my hand. Ooh! | 0:43:02 | 0:43:05 | |
Ones for me. | 0:43:08 | 0:43:09 | |
-Mmm. -Shall I put some music on? | 0:43:10 | 0:43:13 | |
-Yes. -What kind? | 0:43:13 | 0:43:16 | |
Anything you got in thought. | 0:43:16 | 0:43:19 | |
Running low on ideas, I resorted to the CD player. | 0:43:19 | 0:43:23 | |
SHE SINGS ALONG | 0:43:23 | 0:43:25 | |
Do-do-do, | 0:43:25 | 0:43:27 | |
do-do-do, | 0:43:27 | 0:43:30 | |
do... | 0:43:30 | 0:43:32 | |
You going to spend all day on the floor like that? | 0:43:33 | 0:43:37 | |
HE LAUGHS | 0:43:37 | 0:43:39 | |
Well, I'm not...that's OK, you can do anything you want to. | 0:43:39 | 0:43:42 | |
What are you doing? | 0:43:45 | 0:43:47 | |
-We're looking at photographs. -Oh. | 0:43:47 | 0:43:50 | |
'I wondered whether some old photos might jog some memories.' | 0:43:51 | 0:43:54 | |
Is that you, or not? | 0:43:58 | 0:44:01 | |
I don't know. | 0:44:01 | 0:44:02 | |
-Do you see that one? That's a funny one. -Yeah. | 0:44:04 | 0:44:07 | |
I wonder why you were yawning. | 0:44:07 | 0:44:09 | |
Probably was tired! | 0:44:11 | 0:44:13 | |
What? | 0:44:30 | 0:44:31 | |
What? | 0:44:33 | 0:44:35 | |
Are you OK, Nancy? | 0:44:35 | 0:44:36 | |
I'm Louis. | 0:44:37 | 0:44:38 | |
-Yes. -We're just relaxing. | 0:44:38 | 0:44:41 | |
-Hey, gang, you having fun? -Hey, look who it is. | 0:44:43 | 0:44:46 | |
Where did you go? | 0:44:46 | 0:44:49 | |
Are you having... isn't this a nice guy? | 0:44:49 | 0:44:52 | |
Is Louis a nice guy? | 0:44:52 | 0:44:54 | |
-Oh, yes. -Oh. | 0:44:54 | 0:44:55 | |
Who is John... | 0:44:55 | 0:44:58 | |
..Frame? | 0:44:58 | 0:45:00 | |
That's my name, somewhere up there. | 0:45:00 | 0:45:01 | |
John... | 0:45:01 | 0:45:02 | |
-V-A-U-G-H-A-N. -Vaughan. -Vaughan. | 0:45:02 | 0:45:05 | |
-Yes. -And your name is Nancy Vaughan. | 0:45:05 | 0:45:08 | |
Well, make up a time! | 0:45:08 | 0:45:09 | |
Make up a time? | 0:45:09 | 0:45:11 | |
-"Make up your mind" is what she meant. -Mind, yeah. | 0:45:11 | 0:45:13 | |
Oh, make up my mind. Time and mind. | 0:45:13 | 0:45:15 | |
You're beginning to understand her! SHE LAUGHS | 0:45:15 | 0:45:18 | |
I think it would be a good idea | 0:45:18 | 0:45:20 | |
if John and I went and talked about that thing we were discussing. | 0:45:20 | 0:45:22 | |
-OK. All right. -Would that be OK? | 0:45:22 | 0:45:24 | |
That's all right as far as I'm concerned. | 0:45:24 | 0:45:27 | |
How much of Nancy is still here, do you think? | 0:45:27 | 0:45:30 | |
30 per cent. | 0:45:30 | 0:45:32 | |
But all of it is still in here, | 0:45:32 | 0:45:37 | |
my memories of a great 61 years... | 0:45:37 | 0:45:40 | |
..and a feeling... | 0:45:41 | 0:45:43 | |
an oath that said certain things, | 0:45:43 | 0:45:46 | |
that we were going to be with each other until death do us part, | 0:45:46 | 0:45:50 | |
and it hasn't parted us yet. | 0:45:50 | 0:45:53 | |
I want you. | 0:45:53 | 0:45:55 | |
Who? | 0:45:55 | 0:45:56 | |
All of you. | 0:45:56 | 0:45:58 | |
Well, you can't have us all, you have to pick one. | 0:45:58 | 0:46:00 | |
Why? | 0:46:02 | 0:46:03 | |
Moment to moment, I feel like Nancy understands a lot. | 0:46:03 | 0:46:08 | |
-That's right. -Yeah. | 0:46:08 | 0:46:09 | |
Those moments are the things | 0:46:09 | 0:46:12 | |
that make the hard parts of the day worthwhile. | 0:46:12 | 0:46:18 | |
Now, isn't that nice? | 0:46:18 | 0:46:20 | |
I thought so, and I just have been going "brrr!" since. | 0:46:20 | 0:46:27 | |
And the comprehension of that speech | 0:46:27 | 0:46:29 | |
is kind of gratifying, don't you think? | 0:46:29 | 0:46:32 | |
Yes. Well, I think you're going to stick with John. | 0:46:32 | 0:46:35 | |
You like me? | 0:46:35 | 0:46:37 | |
I...more than that. | 0:46:37 | 0:46:39 | |
Much more than that. | 0:46:39 | 0:46:41 | |
Oh, boy! Sex? | 0:46:41 | 0:46:43 | |
SHE LAUGHS Who could tell? | 0:46:43 | 0:46:45 | |
No, I won't go for you for that. | 0:46:48 | 0:46:51 | |
No, OK, you won't? That's disappointing. | 0:46:51 | 0:46:54 | |
THEY LAUGH | 0:46:54 | 0:46:56 | |
-What's the matter, you hate it? -Oh, my. -There. | 0:46:56 | 0:46:59 | |
There's my picture over there. | 0:46:59 | 0:47:01 | |
Yeah, I see your picture over there. | 0:47:01 | 0:47:03 | |
Don't go out anyplace. | 0:47:03 | 0:47:06 | |
I'm not going to go anyplace. | 0:47:06 | 0:47:07 | |
-Cos I owe you so much. -You owe me so...? -And I love you. | 0:47:07 | 0:47:10 | |
I think we owe each other so much. | 0:47:10 | 0:47:14 | |
And that's what's sustaining us right now. | 0:47:14 | 0:47:16 | |
-It is? -Mm-hm. | 0:47:16 | 0:47:18 | |
Well, we have to be sustained, so... | 0:47:18 | 0:47:20 | |
Yep. | 0:47:20 | 0:47:22 | |
How are you doing? | 0:47:30 | 0:47:32 | |
Well, moving on. I'm trying to get packed up. | 0:47:32 | 0:47:34 | |
Packed up? | 0:47:34 | 0:47:36 | |
Not a very easy thing. | 0:47:36 | 0:47:37 | |
-Nice to see you again. -Are you getting packed? | 0:47:37 | 0:47:40 | |
'At Beatitudes, Gary was in high spirits.' | 0:47:40 | 0:47:44 | |
'He'd got word that he'd be moving on.' | 0:47:44 | 0:47:47 | |
You know what? I just take all these home, | 0:47:47 | 0:47:50 | |
because there'll probably be a time before I get back here, | 0:47:50 | 0:47:53 | |
pretty good on this circuit. | 0:47:53 | 0:47:57 | |
That's the trouble, you just go. | 0:47:57 | 0:47:58 | |
You don't know who else is going to be in here. | 0:47:58 | 0:48:01 | |
-In here? -Yeah. You know? | 0:48:01 | 0:48:03 | |
You don't know the next occupant. | 0:48:03 | 0:48:06 | |
-No. -Well... | 0:48:06 | 0:48:08 | |
You just know that he's probably an officer in one of the US Forces, | 0:48:08 | 0:48:14 | |
probably army. Most of them are army. | 0:48:14 | 0:48:17 | |
Some mint. You guys need some floss or something? | 0:48:21 | 0:48:24 | |
-I've got my own, thanks. -OK. | 0:48:24 | 0:48:27 | |
All right. | 0:48:27 | 0:48:29 | |
Well, you're keeping track of me, young man. | 0:48:29 | 0:48:32 | |
So Gary is packing to leave? | 0:48:32 | 0:48:34 | |
Yes. Something common that he does. | 0:48:34 | 0:48:37 | |
Sometimes it's looking for his car keys, | 0:48:37 | 0:48:39 | |
other times it's packing up to leave. | 0:48:39 | 0:48:41 | |
-Hi, Gary. -Hi. | 0:48:45 | 0:48:48 | |
Where are you going? | 0:48:49 | 0:48:51 | |
-I'm going to get my stuff to pack in my suitcase. -Oh, OK. | 0:48:51 | 0:48:55 | |
Where did the old woman go? | 0:48:55 | 0:48:57 | |
Well, let's walk back down to your room. | 0:48:57 | 0:49:01 | |
OK, well, this is where you're going to stay for tonight, OK? | 0:49:01 | 0:49:05 | |
What? | 0:49:05 | 0:49:06 | |
Just here for tonight, and then tomorrow... | 0:49:06 | 0:49:08 | |
Yeah, I was going to carry it home with me. | 0:49:08 | 0:49:10 | |
Oh, OK. Well, tonight we're going to stay here tonight, OK? | 0:49:10 | 0:49:13 | |
You're going to stay here? | 0:49:13 | 0:49:15 | |
I want to work tonight and you can stay in this nice, comfortable bed. | 0:49:15 | 0:49:18 | |
Today's work and a bicycle ride would kill you, young 'un. | 0:49:18 | 0:49:21 | |
'Though Gary was confused on the question of his leaving,' | 0:49:21 | 0:49:25 | |
'it struck me that on this occasion, he wasn't the least bit anxious.' | 0:49:25 | 0:49:30 | |
Boy, have you latched onto a pretty army officer? | 0:49:30 | 0:49:33 | |
Good specimen right there. | 0:49:33 | 0:49:35 | |
Never been called a specimen before. | 0:49:35 | 0:49:37 | |
-That's a new one! -Well, you are. | 0:49:37 | 0:49:39 | |
Look at that all kept up there. | 0:49:39 | 0:49:42 | |
-Mm-hm. Thank you. -Sharp, sharp. | 0:49:42 | 0:49:44 | |
Where did our boys from Britain go? | 0:49:44 | 0:49:47 | |
-I'm one of them! -Are you? | 0:49:47 | 0:49:49 | |
-Yes, I am. -I recognise you. -Thank you. | 0:49:49 | 0:49:52 | |
-Yeah, it's good to see you again. -Good to be here. | 0:49:52 | 0:49:55 | |
Everything good? | 0:49:55 | 0:49:56 | |
It just goes on and on and on, you know? It's a big wheel. | 0:49:58 | 0:50:01 | |
-It is. -Yeah, if you try to stop it, | 0:50:01 | 0:50:03 | |
-it'll just roll over you. -Yeah. | 0:50:03 | 0:50:05 | |
And, you know, it's just one of those things. | 0:50:05 | 0:50:08 | |
Yeah, better off rolling with it. | 0:50:08 | 0:50:10 | |
Better off cooperating as best you can. | 0:50:10 | 0:50:13 | |
Rascal. | 0:50:13 | 0:50:15 | |
What am I following you for, dear? | 0:50:16 | 0:50:19 | |
Oh, you've got to come down here and watch the movie... | 0:50:19 | 0:50:22 | |
With my time in Phoenix nearly at an end, | 0:50:25 | 0:50:27 | |
I was making one last visit to see Glenn and Selinda. | 0:50:27 | 0:50:31 | |
There were plans afoot for Glenn to get more support at home. | 0:50:31 | 0:50:34 | |
We had a friend call us | 0:50:35 | 0:50:37 | |
and said that she'd be glad to move out here to Phoenix | 0:50:37 | 0:50:40 | |
and, for room and board, be Selinda's companion. | 0:50:40 | 0:50:43 | |
It's not going to start this early, honey. | 0:50:43 | 0:50:45 | |
-Well, we're almost to the point, so... -I don't think so. | 0:50:45 | 0:50:48 | |
-We'll talk about it. -That's right. -We'll talk about it and see. | 0:50:48 | 0:50:51 | |
Do you know this person that Glenn has in mind? | 0:50:51 | 0:50:53 | |
Yes. But I'm not sure that that would be the one, | 0:50:53 | 0:50:56 | |
cos I'm not going to have anybody else's dogs over here, | 0:50:56 | 0:51:00 | |
-that's for sure. -Well, that's... Sometimes you have to put up. | 0:51:00 | 0:51:02 | |
-It is pretty much of a godsend though. -Yeah, but still... | 0:51:02 | 0:51:05 | |
You think it may not be the right person, Selinda? | 0:51:05 | 0:51:08 | |
You know, I just want to be independent | 0:51:08 | 0:51:11 | |
and Glenn doesn't want me to be any more. | 0:51:11 | 0:51:13 | |
-Well, I want you to also be independent. -Gosh, you love me so much, I know, darling. | 0:51:13 | 0:51:18 | |
But the fact is, and the truth is, that you probably... | 0:51:18 | 0:51:21 | |
-Yes, I know. -..aren't able to. | 0:51:21 | 0:51:23 | |
We'll see. We shall see. | 0:51:23 | 0:51:25 | |
In some ways, it might be that she knows what's coming | 0:51:35 | 0:51:39 | |
and she's trying to fight off those things, | 0:51:39 | 0:51:42 | |
those different steps where she sees she's losing her independence. | 0:51:42 | 0:51:49 | |
They say at the beginning in some ways it's hardest, | 0:51:49 | 0:51:52 | |
because you're still fighting it in a way, if that makes sense? | 0:51:52 | 0:51:57 | |
And then there comes a point when it just becomes a new normal. | 0:51:57 | 0:52:02 | |
At that point, in their mind, | 0:52:02 | 0:52:03 | |
for all I can think, everything's fine, | 0:52:03 | 0:52:06 | |
but then it switches over to the caregiver and any of the family. | 0:52:06 | 0:52:11 | |
What's it going to be like when you look at the person you've been with for so many years | 0:52:12 | 0:52:16 | |
and they don't remember you? | 0:52:16 | 0:52:18 | |
What is your obligation to someone as they change in that way? | 0:52:18 | 0:52:21 | |
I've got to think about Cali, myself. We've got to go on. | 0:52:21 | 0:52:24 | |
I've read about people that have had Alzheimer's | 0:52:24 | 0:52:27 | |
and they've lived 20, 30 years | 0:52:27 | 0:52:30 | |
and that's a question - if she lives that long, | 0:52:30 | 0:52:33 | |
financially, the cost of a nursing home... | 0:52:33 | 0:52:35 | |
..so I've thought about, you know, | 0:52:37 | 0:52:39 | |
down the road, do I have to, you know, go into the courts | 0:52:39 | 0:52:42 | |
and get a divorce from someone, | 0:52:42 | 0:52:43 | |
you know, and make her a ward of the state, so I don't know. | 0:52:43 | 0:52:46 | |
That's something I need to talk to an older attorney and say what do I do? | 0:52:46 | 0:52:50 | |
What have other people done? | 0:52:50 | 0:52:52 | |
That's the point. | 0:52:52 | 0:52:53 | |
-But this time of year it's cheaper, right? -Mm-hm. | 0:52:53 | 0:52:56 | |
I would say that. | 0:52:56 | 0:52:58 | |
'All families affected by dementia | 0:52:58 | 0:53:00 | |
'are faced with incredibly hard choices, | 0:53:00 | 0:53:03 | |
'but Glenn and Selinda were in the impossible position' | 0:53:03 | 0:53:06 | |
'of battling the disease whilst also trying to raise a child.' | 0:53:06 | 0:53:11 | |
Can't go wrong there. | 0:53:11 | 0:53:13 | |
I just want to... hope that I can be around | 0:53:13 | 0:53:16 | |
to see Cali, you know, grow up. | 0:53:16 | 0:53:18 | |
-That's what bothers me. -Yeah. | 0:53:18 | 0:53:20 | |
But she's a pretty good girl. | 0:53:20 | 0:53:22 | |
I mean, if she has to, she can make it happen, you know, | 0:53:22 | 0:53:27 | |
so that's a good thing, I think. | 0:53:27 | 0:53:29 | |
-And there's still plenty of time. -Oh, yeah. | 0:53:29 | 0:53:33 | |
I'm counting on that. | 0:53:33 | 0:53:34 | |
SHE LAUGHS | 0:53:34 | 0:53:36 | |
Before leaving Phoenix, | 0:53:45 | 0:53:46 | |
I was making one last call at Beatitudes, | 0:53:46 | 0:53:49 | |
tagging along with Carla for her weekly visit. | 0:53:49 | 0:53:53 | |
She told me she'd noticed a deterioration in Gary. | 0:53:53 | 0:53:56 | |
She'd begun talking about moving on, | 0:53:56 | 0:53:59 | |
making plans for a new life for herself without her husband. | 0:53:59 | 0:54:03 | |
Hi, Gary. You're so... | 0:54:03 | 0:54:06 | |
It'd be a championship run. | 0:54:06 | 0:54:08 | |
How are you doing anyway, huh? | 0:54:10 | 0:54:12 | |
Good. | 0:54:12 | 0:54:14 | |
-You'd better. I haven't seen you. -I know you haven't. | 0:54:14 | 0:54:17 | |
I've been looking up and down the street where all the action is. | 0:54:17 | 0:54:21 | |
-You haven't found me, have you? -You rascal. | 0:54:21 | 0:54:24 | |
What are we doing? | 0:54:24 | 0:54:25 | |
Sit down, in your favourite chair. | 0:54:25 | 0:54:28 | |
I think we're doing OK, don't you, Carla? | 0:54:28 | 0:54:31 | |
Yeah, I'm doing fine. | 0:54:31 | 0:54:33 | |
-You know you called me up? -You have nothing to complain about. | 0:54:34 | 0:54:37 | |
Tell me to bend over and kiss my ass and then you're gone. | 0:54:37 | 0:54:40 | |
Shhh, I don't either. Now, cut it out. Stop that. | 0:54:40 | 0:54:43 | |
GARY LAUGHS | 0:54:43 | 0:54:45 | |
No, I'm just teasing you. | 0:54:45 | 0:54:47 | |
Look at those cheeks now. | 0:54:47 | 0:54:50 | |
They're redder and redder. | 0:54:50 | 0:54:52 | |
I'll get ya. I'll get ya. | 0:54:52 | 0:54:55 | |
-Fosters took me out last night. -Did they? -Mm-hm. | 0:54:56 | 0:54:59 | |
Kevin and his wife Joyce. | 0:54:59 | 0:55:01 | |
Oh, yeah, Kevin, he's a nice guy. | 0:55:01 | 0:55:03 | |
I didn't go to bed till one o'clock. | 0:55:03 | 0:55:06 | |
You know, it seemed like a real conversation you were having. | 0:55:11 | 0:55:14 | |
-Yeah. -Didn't it to you? Like, you were mentioning people, | 0:55:14 | 0:55:17 | |
he said, "Oh, yeah, how's he doing?" | 0:55:17 | 0:55:19 | |
Yes, he remembers Phil, his high school buddy that lives in Texas, | 0:55:19 | 0:55:25 | |
but then, you know, he's still positive his mom's alive, | 0:55:25 | 0:55:28 | |
so he's nowhere near normal. | 0:55:28 | 0:55:31 | |
Are you sentimental? | 0:55:31 | 0:55:33 | |
Is there a sentimental part of you that is still attached? | 0:55:33 | 0:55:36 | |
It's just sadness. | 0:55:38 | 0:55:40 | |
No, no sentimental, it's just sadness. | 0:55:40 | 0:55:43 | |
I probably feel it less than I did... | 0:55:43 | 0:55:46 | |
Every day gets easier and better, but no. | 0:55:47 | 0:55:53 | |
I've kinda let go. | 0:55:53 | 0:55:56 | |
I've done all I can do. | 0:55:56 | 0:55:58 | |
The last appointment of my stay was with Janet and Nancy. | 0:56:00 | 0:56:05 | |
They'd been the first people I'd met on my journey a few weeks earlier, | 0:56:05 | 0:56:09 | |
when Janet had just moved in | 0:56:09 | 0:56:11 | |
and she'd been at loggerheads with her daughter. | 0:56:11 | 0:56:13 | |
How are you today? | 0:56:13 | 0:56:14 | |
I'm good, thanks. How's my mom behaving? | 0:56:14 | 0:56:16 | |
She's always good. | 0:56:16 | 0:56:18 | |
-She always is good? -Yes, she is. | 0:56:18 | 0:56:20 | |
Most pleasant person. Really nice. | 0:56:20 | 0:56:22 | |
Hello. | 0:56:22 | 0:56:24 | |
How you doing? | 0:56:25 | 0:56:26 | |
-Hi, Janet. -Hi. | 0:56:26 | 0:56:27 | |
-How are you doing? -I'm hanging in. | 0:56:27 | 0:56:30 | |
Shall we go down this way? | 0:56:30 | 0:56:31 | |
We can go anywhere we want. | 0:56:31 | 0:56:34 | |
Here we are. | 0:56:36 | 0:56:37 | |
-Yeah, so it's pretty cosy. -Yeah, it's nice now. | 0:56:37 | 0:56:40 | |
Got lots of photos. Yeah, she can watch TV, | 0:56:40 | 0:56:43 | |
she can do a puzzle. | 0:56:43 | 0:56:44 | |
Does Janet seem more settled? | 0:56:44 | 0:56:47 | |
I think she's settled. I think she's much happier than she was, | 0:56:47 | 0:56:51 | |
and I think, too, | 0:56:51 | 0:56:54 | |
it's nicer for me not to have to tell you what to do now, right? | 0:56:54 | 0:56:58 | |
For sure. | 0:56:58 | 0:57:00 | |
So that's huge for us. | 0:57:01 | 0:57:02 | |
She's been a mother once. | 0:57:02 | 0:57:04 | |
She doesn't need to be taking my place. | 0:57:04 | 0:57:07 | |
Yeah, and I really don't want to be your mother, so it's good to be a daughter again. | 0:57:07 | 0:57:11 | |
I mean, I see what's happened here | 0:57:11 | 0:57:15 | |
and it makes me so happy, | 0:57:15 | 0:57:17 | |
because we can be friends again and we can be mother and daughter, | 0:57:17 | 0:57:21 | |
the way it's supposed to be, and it's so much better. | 0:57:21 | 0:57:25 | |
Right, Mom? | 0:57:25 | 0:57:26 | |
'I was at the end of my stay in Phoenix | 0:57:28 | 0:57:30 | |
'and the world of dementia. | 0:57:30 | 0:57:33 | |
'I'd come to see that the people who suffer most from the disease | 0:57:33 | 0:57:37 | |
'are often those left in the position of carers, | 0:57:37 | 0:57:40 | |
'and yet they still find their share | 0:57:40 | 0:57:42 | |
'of happiness and humour in their relationships.' | 0:57:42 | 0:57:45 | |
JANET LAUGHS | 0:57:45 | 0:57:47 | |
'The ones they love face a different kind of struggle, | 0:57:50 | 0:57:53 | |
'with confusion and uncertainty. | 0:57:53 | 0:57:55 | |
'But they too are managing to enjoy life | 0:57:59 | 0:58:02 | |
'in an ever-shrinking circle of forgetfulness.' | 0:58:02 | 0:58:06 | |
I can't believe I'm watching a bunch of adults do this. | 0:58:06 | 0:58:10 | |
Oh, now you're smiling. | 0:58:13 | 0:58:15 | |
Look at that. | 0:58:15 | 0:58:17 | |
THEY LAUGH | 0:58:17 | 0:58:19 | |
See? I told you... | 0:58:19 | 0:58:20 | |
Now we're going, kids. | 0:58:20 | 0:58:21 | |
Now you're going. | 0:58:21 | 0:58:23 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:53 |