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It's the most famous shopping street in the world, | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city, | 0:00:04 | 0:00:06 | |
a mile and a half long with 30 million visitors each year, | 0:00:06 | 0:00:11 | |
with some of the world's most famous shops, | 0:00:11 | 0:00:14 | |
-biggest stars... -Kate Moss! | 0:00:14 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys, stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:25 | |
The busiest street in the world, so it needs constant attention. | 0:00:25 | 0:00:27 | |
-..seven days a week? -Oi! Clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London? | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:40 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
Coming up: The battle of Oxford Street. | 0:00:45 | 0:00:48 | |
Whose is this one? | 0:00:48 | 0:00:50 | |
Police and pedicab drivers vie for supremacy... | 0:00:50 | 0:00:53 | |
I don't give a damn whether you agree or not. | 0:00:53 | 0:00:56 | |
I'm in charge on the street. | 0:00:56 | 0:00:57 | |
..there's a pop star at Debenhams... | 0:00:57 | 0:01:00 | |
# Treats me awfully... # | 0:01:00 | 0:01:02 | |
..scaffolders fight the elements on the street's tallest building. | 0:01:02 | 0:01:06 | |
You can just get a sudden gust and it will just knock you off balance. | 0:01:06 | 0:01:10 | |
One of the biggest problems on Oxford Street | 0:01:16 | 0:01:18 | |
at the moment are these - | 0:01:18 | 0:01:20 | |
rickshaw drivers. | 0:01:20 | 0:01:22 | |
These unregulated cycle taxis converge on Oxford Street | 0:01:23 | 0:01:27 | |
to pick up tourists, but shops and other road users complain | 0:01:27 | 0:01:32 | |
they park where they're not allowed to | 0:01:32 | 0:01:34 | |
and clog up the road, waiting for fares. | 0:01:34 | 0:01:36 | |
They're also accused of overcharging passengers, | 0:01:38 | 0:01:41 | |
with some being known to charge £5 per minute per person. | 0:01:41 | 0:01:45 | |
You! | 0:01:45 | 0:01:47 | |
We've previously seen this man, Officer Andy Pescott, | 0:01:47 | 0:01:50 | |
the self-styled sheriff of Oxford Street, | 0:01:50 | 0:01:53 | |
waging a one-man war on the problem. | 0:01:53 | 0:01:56 | |
They're actually parked up in the bus lane, double yellow lines. | 0:01:56 | 0:01:59 | |
But the complaints have kept coming. | 0:01:59 | 0:02:02 | |
Oi! Clear off! | 0:02:02 | 0:02:03 | |
So much so, that Andy is now trying a new approach. | 0:02:03 | 0:02:06 | |
He wants to work with the riders to get the situation under control, | 0:02:09 | 0:02:12 | |
so he has drawn up a code of practice, | 0:02:12 | 0:02:15 | |
outlining the rules they must adhere to. | 0:02:15 | 0:02:18 | |
Most of the riders have signed up. If they break its terms, | 0:02:19 | 0:02:23 | |
they become liable for a community protection notice, | 0:02:23 | 0:02:26 | |
which can mean a fine of up to £2,500. | 0:02:26 | 0:02:29 | |
Those that are adhering to my rules and regulations, | 0:02:29 | 0:02:32 | |
I haven't got a problem with. | 0:02:32 | 0:02:34 | |
If they're outside of my rules and regulations, then, | 0:02:34 | 0:02:37 | |
as the sheriff of Oxford Street, | 0:02:37 | 0:02:38 | |
I'm going to move them on and kick them out of town. | 0:02:38 | 0:02:41 | |
Tonight, Andy is going on patrol | 0:02:42 | 0:02:44 | |
to see if the riders are sticking to his code of practice. | 0:02:44 | 0:02:48 | |
And it doesn't look good. | 0:02:49 | 0:02:51 | |
Oi! | 0:02:51 | 0:02:53 | |
What's that light? Red. | 0:02:53 | 0:02:55 | |
You're crossing the road and you've got children on board. | 0:02:55 | 0:02:58 | |
Turn that music down. | 0:02:58 | 0:03:00 | |
Move on to the footpath cos you're causing an obstruction. | 0:03:00 | 0:03:04 | |
The rider is clearly not following Andy's rules | 0:03:04 | 0:03:07 | |
and he's been warned in the past. | 0:03:07 | 0:03:09 | |
You know the rules and regulations, don't you? | 0:03:10 | 0:03:12 | |
Do you have your code of practice on you? | 0:03:12 | 0:03:15 | |
Have you bothered reading it? | 0:03:15 | 0:03:16 | |
-Yeah, I read it today. -You read it today? | 0:03:16 | 0:03:19 | |
Do you want me to ban you from riding on Oxford Street? | 0:03:19 | 0:03:22 | |
-No. -That's your one and only warning. OK? | 0:03:22 | 0:03:24 | |
The next time I rip up your agreement and you will be banned. | 0:03:24 | 0:03:28 | |
All right? | 0:03:28 | 0:03:29 | |
Don't let me have to tell you again, my friend, | 0:03:29 | 0:03:31 | |
I'm trying to work WITH you guys. | 0:03:31 | 0:03:33 | |
He cut across the junction at the crossing. | 0:03:33 | 0:03:37 | |
The lights were red to him. He had a female and two children on board. | 0:03:37 | 0:03:40 | |
The guy's a clown. | 0:03:40 | 0:03:42 | |
Across the road from Selfridges, | 0:03:48 | 0:03:50 | |
Andy is covertly watching to see if the | 0:03:50 | 0:03:53 | |
pedicab writers are obeying the rule forbidding them from parking here. | 0:03:53 | 0:03:57 | |
One rider has been a persistent offender | 0:04:00 | 0:04:02 | |
and Andy wants to see if he's here tonight. | 0:04:02 | 0:04:05 | |
The rider in question has signed the code of practice | 0:04:05 | 0:04:08 | |
but Andy believes he's flouting its rules. | 0:04:08 | 0:04:11 | |
We may be here sometime but it'll be worth the wait. | 0:04:13 | 0:04:17 | |
It's like a little bit of fly fishing. A little bit of bait, | 0:04:17 | 0:04:20 | |
at the end of it, you're going to catch a nice big trout. | 0:04:20 | 0:04:22 | |
And, as Andy keeps watch, his trout appears. | 0:04:24 | 0:04:28 | |
Yes! | 0:04:29 | 0:04:30 | |
Oh, deary me. | 0:04:35 | 0:04:37 | |
-You guys are supposed to be working in partnership with me. -Yes. | 0:04:37 | 0:04:42 | |
Do you know you shouldn't be here? | 0:04:42 | 0:04:45 | |
The man seems to suggest that his company supervisor, | 0:04:45 | 0:04:48 | |
a man named Mavis, | 0:04:48 | 0:04:50 | |
said it was OK to park here. | 0:04:50 | 0:04:52 | |
I don't care what Mavis had to say, OK? | 0:04:52 | 0:04:56 | |
He is a rickshaw supervisor and I am a police officer. | 0:04:56 | 0:05:00 | |
This is my footprint. | 0:05:00 | 0:05:01 | |
So, it's another rider ignoring the rules. | 0:05:01 | 0:05:05 | |
I now intend to serve you a community protection notice, | 0:05:05 | 0:05:08 | |
-which is the next stage up, OK? -OK, yes. | 0:05:08 | 0:05:12 | |
If you do not abide by the rules and regulations set out in this, OK? | 0:05:12 | 0:05:17 | |
I will summons you to court, | 0:05:17 | 0:05:19 | |
but unless you are flagged down by a member of the public, | 0:05:19 | 0:05:22 | |
you will not stop anywhere. | 0:05:22 | 0:05:23 | |
You will ride until your legs drop off. | 0:05:23 | 0:05:26 | |
I'm the daddy. | 0:05:29 | 0:05:30 | |
But the smile is soon wiped off Andy's face. | 0:05:32 | 0:05:35 | |
Just down the road, his code of practice is being ignored again. | 0:05:35 | 0:05:39 | |
This is not acceptable, OK? | 0:05:39 | 0:05:44 | |
One, two, three, four, five, six, seven, eight. Clear off! | 0:05:44 | 0:05:48 | |
All the pedicabs were parked up, | 0:05:48 | 0:05:50 | |
despite being forbidden from doing so by the code. | 0:05:50 | 0:05:54 | |
Not on my footprint you don't, gentlemen. | 0:05:54 | 0:05:57 | |
Tonight, he just moves them on, but Andy is beginning to think | 0:05:57 | 0:06:00 | |
that his code of practice is falling on deaf ears. | 0:06:00 | 0:06:03 | |
I'm going to give them a couple of weeks | 0:06:03 | 0:06:06 | |
and, if there's still minor infringements, I'm just going to | 0:06:06 | 0:06:10 | |
tear up that local agreement and go back to issuing 48-hour dispersals. | 0:06:10 | 0:06:14 | |
Later, we hear the pedicab drivers' side of things, | 0:06:14 | 0:06:18 | |
as they fight back against the sheriff. | 0:06:18 | 0:06:21 | |
Once upon a time, selling goods on Oxford Street | 0:06:33 | 0:06:36 | |
meant putting products on shelves and letting customers do the rest. | 0:06:36 | 0:06:41 | |
But not any more. | 0:06:41 | 0:06:43 | |
The arrival of online shopping has made it easier than ever | 0:06:43 | 0:06:46 | |
to shop at home, so to get people to come into store, | 0:06:46 | 0:06:50 | |
Oxford Street shops more and more need to provide | 0:06:50 | 0:06:53 | |
an experience you can't get online. | 0:06:53 | 0:06:55 | |
One chain that's working hard on this is Debenhams. | 0:06:55 | 0:06:59 | |
They use their flagship Oxford Street store to run events | 0:06:59 | 0:07:03 | |
to entice in customers, and today, for the first time, | 0:07:03 | 0:07:06 | |
they're staging a live music performance by a leading pop star. | 0:07:06 | 0:07:11 | |
Brilliant singer, X Factor finalist, Rebecca Ferguson's going to be | 0:07:11 | 0:07:14 | |
doing a personal appearance in our store today in Oxford Street. | 0:07:14 | 0:07:18 | |
Making sure it all goes to plan is the job of the store's PR team, | 0:07:18 | 0:07:22 | |
led by Chris Morgan. | 0:07:22 | 0:07:24 | |
This is the first time we've been working with a big star | 0:07:24 | 0:07:28 | |
to come in and do an in-store performance. | 0:07:28 | 0:07:30 | |
I guess that the bar is now for retailers not only to offer | 0:07:30 | 0:07:33 | |
great products but also really exciting experiences | 0:07:33 | 0:07:36 | |
while people shop as well. | 0:07:36 | 0:07:39 | |
Five or ten minutes until Rebecca arrives with us. | 0:07:40 | 0:07:42 | |
I think we are all in shape. | 0:07:42 | 0:07:45 | |
As well as creating an experience for customers, | 0:07:45 | 0:07:47 | |
there's another purpose. | 0:07:47 | 0:07:49 | |
Rebecca will be performing in one of their occasion wear dresses, | 0:07:49 | 0:07:53 | |
and they're hoping to get priceless coverage | 0:07:53 | 0:07:55 | |
of her wearing it into the papers. | 0:07:55 | 0:07:57 | |
Other members of staff are playing a part as well. | 0:07:57 | 0:08:00 | |
They're being dressed in the same clothing line, | 0:08:00 | 0:08:03 | |
and will spread out around the store to direct people to the show. | 0:08:03 | 0:08:06 | |
And, bang on time, Rebecca arrives. | 0:08:07 | 0:08:10 | |
Rebecca, I'm Chris, the director of PR for Debenhams. | 0:08:10 | 0:08:13 | |
-Thanks for coming in. -Thanks for having me. | 0:08:13 | 0:08:16 | |
It's going to be really exciting event. Don't they look gorgeous? | 0:08:16 | 0:08:19 | |
-Really? -You look much nicer in it. | 0:08:19 | 0:08:23 | |
Rebecca goes off to get ready. | 0:08:23 | 0:08:26 | |
Meanwhile, the crowd is gathering. | 0:08:26 | 0:08:28 | |
I'm getting a bit of a buzz | 0:08:28 | 0:08:30 | |
so should be coming out in the next five or ten minutes. | 0:08:30 | 0:08:32 | |
Yeah, looking forward for it to start. I want it to get going now. | 0:08:32 | 0:08:36 | |
But, ten minutes later and Rebecca's not yet out. | 0:08:37 | 0:08:40 | |
The team were planning on a photo shoot | 0:08:40 | 0:08:42 | |
and some media one-to-ones before her performance, but itineraries | 0:08:42 | 0:08:46 | |
are now going out the window for Sophie and Laura from the PR team. | 0:08:46 | 0:08:51 | |
I think we should just go straight into the performance at 6.15 | 0:08:51 | 0:08:55 | |
-if Rebecca's happy to do that. -Yeah, yeah, let's do that. | 0:08:55 | 0:08:57 | |
Laura goes to see what the hold-up is. | 0:08:57 | 0:09:01 | |
We are just waiting for Rebecca. | 0:09:01 | 0:09:02 | |
I think that, as always in these situations, | 0:09:02 | 0:09:06 | |
you have to allow for time. | 0:09:06 | 0:09:08 | |
We're not if that's what the time's going to be. | 0:09:13 | 0:09:16 | |
Certainly in ten minutes, she needs to be here. | 0:09:16 | 0:09:18 | |
I just don't want, yeah, people to get all wound up. | 0:09:20 | 0:09:24 | |
These things happen. | 0:09:24 | 0:09:27 | |
I am just OCD with time and I'm probably in the wrong industry. | 0:09:27 | 0:09:30 | |
Later, the canapes and bubbly emerge, but will Rebecca? | 0:09:32 | 0:09:36 | |
Yeah, we are fine. We are... | 0:09:36 | 0:09:38 | |
..fine. | 0:09:40 | 0:09:41 | |
In 1966, England won the World Cup at Wembley | 0:09:48 | 0:09:52 | |
and you could have seen the stadium from the top of this building, | 0:09:52 | 0:09:55 | |
Centre Point, which was completed in the same year. | 0:09:55 | 0:09:59 | |
At 400 feet high, it's one of the tallest and most iconic buildings | 0:09:59 | 0:10:04 | |
on Oxford Street, and it's currently undergoing a massive redevelopment. | 0:10:04 | 0:10:08 | |
It's being converted from business to residential use, | 0:10:08 | 0:10:12 | |
a multi-million pound renovation job that will take two years. | 0:10:12 | 0:10:16 | |
But before work can start, | 0:10:17 | 0:10:19 | |
the building exterior needs to be scaffolded. | 0:10:19 | 0:10:22 | |
It's then being covered with a specially commissioned artwork. | 0:10:22 | 0:10:26 | |
Most of the scaffolding and the artwork wrap has been assembled, | 0:10:26 | 0:10:30 | |
but they've still got the top to do. | 0:10:30 | 0:10:32 | |
And today is the final challenge. | 0:10:32 | 0:10:35 | |
Team leader Mick Popov is taking his team to the 33rd floor, | 0:10:35 | 0:10:39 | |
to build the final level, | 0:10:39 | 0:10:41 | |
so they can hang the last part of the artwork. | 0:10:41 | 0:10:44 | |
Before the team can start, | 0:10:45 | 0:10:47 | |
they always take one particular precaution. | 0:10:47 | 0:10:49 | |
The first thing we have to do is let out the safety nets. | 0:10:51 | 0:10:53 | |
These nets are our barrier between where we're working and the ground. | 0:10:53 | 0:10:57 | |
This high up over Oxford Street, safety measures like that | 0:10:59 | 0:11:02 | |
are vital, but this job is even remarkable to | 0:11:02 | 0:11:05 | |
a scaffolder with a whopping 44 years' experience. | 0:11:05 | 0:11:09 | |
People think, like, scaffolding is high, high, high, | 0:11:09 | 0:11:11 | |
but this is really high for scaffolding. | 0:11:11 | 0:11:14 | |
Do you know what I mean? It's normally a lot lower than this. | 0:11:14 | 0:11:18 | |
And, unsurprisingly, | 0:11:18 | 0:11:19 | |
the team think quite a lot about their own safety too. | 0:11:19 | 0:11:23 | |
You can't run around like an idiot, | 0:11:23 | 0:11:25 | |
you've got to have your wits about you. | 0:11:25 | 0:11:27 | |
I mean, one false step and it could be, you know, see you later. | 0:11:27 | 0:11:31 | |
The team are harnessed to the scaffold for safety, | 0:11:33 | 0:11:36 | |
but, as Mick and his crew start laying the boards, | 0:11:36 | 0:11:39 | |
they're aware that the wind is getting stronger. | 0:11:39 | 0:11:42 | |
This is all about restraining the boards for the wind... | 0:11:42 | 0:11:45 | |
..so nobody gets killed down there. | 0:11:48 | 0:11:50 | |
The wind is proving a factor for the workers this morning. | 0:11:52 | 0:11:56 | |
You occasionally get a sudden gust and it'll just knock you | 0:11:56 | 0:11:59 | |
slightly off-balance and it's a little bit off-putting. | 0:11:59 | 0:12:03 | |
So, Kevin must make an extra safety check, | 0:12:03 | 0:12:06 | |
using a feature that's vital on the tallest buildings. | 0:12:06 | 0:12:09 | |
Yes, it's the wind meter and the anemometer that we have on-site, | 0:12:09 | 0:12:13 | |
so I'll check this at regular intervals. | 0:12:13 | 0:12:16 | |
At 20mph, the wind could cause problems. | 0:12:16 | 0:12:20 | |
30mph or more and work will have to be stopped. | 0:12:20 | 0:12:23 | |
-What's the wind speed, Kev? -About 20mph, Kev. | 0:12:25 | 0:12:28 | |
20 mile an hour wind at 350 feet, | 0:12:28 | 0:12:31 | |
that's a big change in conditions, isn't it? | 0:12:31 | 0:12:33 | |
It is from what it was, yeah. | 0:12:33 | 0:12:35 | |
I'll keep my eye on it. | 0:12:35 | 0:12:37 | |
At 20mph, the wind is not enough to stop them working, | 0:12:37 | 0:12:41 | |
but they will only be able to install safely | 0:12:41 | 0:12:44 | |
the metal framework tubes, | 0:12:44 | 0:12:46 | |
not the all-important boards needed to make scaffold. | 0:12:46 | 0:12:49 | |
We are on a tight schedule. | 0:12:49 | 0:12:51 | |
Obviously we are, to some extent, at the mercy of the weather. | 0:12:51 | 0:12:56 | |
We lost a few hours yesterday because of the weather, | 0:12:56 | 0:13:01 | |
and it's not good for us to stop too long. | 0:13:01 | 0:13:04 | |
There's a reason why the team don't want to stop. | 0:13:04 | 0:13:07 | |
Tomorrow, a second team will install the final level of sheeting - | 0:13:07 | 0:13:10 | |
or Monarflex wrap - that's going around the top floor. | 0:13:10 | 0:13:14 | |
Without the scaffold frame, it can't be put on. | 0:13:14 | 0:13:17 | |
So the team need to get their poles in at the very least. | 0:13:17 | 0:13:21 | |
These are... We're putting four-metre tubes on these. | 0:13:21 | 0:13:24 | |
Almost done. | 0:13:28 | 0:13:30 | |
This last corner to complete and then we're onto the Monarflex. | 0:13:30 | 0:13:33 | |
Although the wind has slowed them down, by the end of the day, | 0:13:33 | 0:13:37 | |
they have built enough scaffold for the wrappers to take over. | 0:13:37 | 0:13:41 | |
-High-five, Kev! Well done, son. Thanks. -Good day, Kev. | 0:13:41 | 0:13:46 | |
Later: Scaffolding up, it's time to put Centre Point under wraps. | 0:13:47 | 0:13:52 | |
Oi! | 0:13:59 | 0:14:00 | |
Earlier on, we saw how pedicabs | 0:14:01 | 0:14:03 | |
had become one of the biggest problems on Oxford Street. | 0:14:03 | 0:14:06 | |
Four, five, six, seven, eight. Clear off! | 0:14:06 | 0:14:10 | |
The police and businesses complain they block up roads | 0:14:10 | 0:14:13 | |
and park illegally, but the pedicab drivers themselves have | 0:14:13 | 0:14:17 | |
a different view, and one of them wants to put his side of the story. | 0:14:17 | 0:14:21 | |
Murat is a pedicab driver. | 0:14:22 | 0:14:24 | |
He also owns a fleet of them and hires them out to other riders. | 0:14:24 | 0:14:28 | |
He's become something of a voice for the trade. | 0:14:28 | 0:14:31 | |
It's our empire, the rickshaw, pedicab. | 0:14:31 | 0:14:34 | |
He says drivers like himself are just working hard to try | 0:14:34 | 0:14:38 | |
and make a living, with little assistance from the authorities. | 0:14:38 | 0:14:41 | |
Right now I'm going to Oxford Street | 0:14:41 | 0:14:44 | |
and it is right now the best place to make some money. | 0:14:44 | 0:14:47 | |
People might complain about pedicabs, | 0:14:48 | 0:14:50 | |
but Murat and his fellow rickshaw drivers have gripes of their own. | 0:14:50 | 0:14:54 | |
Murat would like to see better proper parking facilities | 0:14:54 | 0:14:57 | |
and even a system of licensing. | 0:14:57 | 0:15:00 | |
He'd also like better treatment from other key road users. | 0:15:00 | 0:15:04 | |
Murat says the main problem is the lack of parking for pedicabs. | 0:15:12 | 0:15:17 | |
Hello, hello. Excuse me. | 0:15:17 | 0:15:19 | |
Excuse me, can you come to me? | 0:15:19 | 0:15:21 | |
And on Oxford Street, one of his riders is in trouble | 0:15:21 | 0:15:25 | |
for stopping where he's not allowed to be. | 0:15:25 | 0:15:28 | |
I know it is a double line but what is the mistake which is I'm staying | 0:15:28 | 0:15:31 | |
on a double line? I don't disturb anyone and there's no traffic. | 0:15:31 | 0:15:35 | |
Murat says without proper parking facilities, his pedicabs | 0:15:36 | 0:15:40 | |
have no choice but to break the law when they come to a stop. | 0:15:40 | 0:15:44 | |
We have do stay somewhere to pick up customers. | 0:15:44 | 0:15:46 | |
If there's nowhere to park, there's nowhere to park. | 0:15:46 | 0:15:49 | |
That's why we need a park. We want a special rank for ourselves. | 0:15:49 | 0:15:53 | |
But the PCSO is well aware there's a code of practice in place | 0:15:53 | 0:15:57 | |
that, in this case, the pedicabs are now breaking. | 0:15:57 | 0:16:01 | |
Did we not get agreement before with the other officer | 0:16:01 | 0:16:05 | |
that you're only allowed to do certain things? | 0:16:05 | 0:16:07 | |
But then, earlier today, there was still three parked outside | 0:16:07 | 0:16:11 | |
Selfridges on the zigzag line. | 0:16:11 | 0:16:13 | |
That's why we need a special place for Selfridges as well. | 0:16:13 | 0:16:15 | |
There's nothing Murat can do. He moves off. | 0:16:15 | 0:16:19 | |
To compound his frustration, when he makes it up the street to | 0:16:19 | 0:16:22 | |
Selfridges, it's not a pedicab | 0:16:22 | 0:16:24 | |
that's stopping where it shouldn't be. | 0:16:24 | 0:16:27 | |
Look at that, black cabs are parking over there, | 0:16:27 | 0:16:30 | |
no-one doesn't touch them, or nobody doesn't say, they are still here. | 0:16:30 | 0:16:34 | |
Murat's so incensed, he stops to make his point, but he's now | 0:16:34 | 0:16:38 | |
parked illegally himself, and soon drawing police intention of his own. | 0:16:38 | 0:16:43 | |
What about the black cab, sir? Over there? | 0:16:43 | 0:16:45 | |
Why don't you move them, then? | 0:16:45 | 0:16:46 | |
You were there and you saw them, you didn't move any of them, | 0:16:46 | 0:16:49 | |
you came straightaway for the rickshaw. | 0:16:49 | 0:16:51 | |
With things getting heated, | 0:16:51 | 0:16:53 | |
it's not long before a familiar name is brought up. | 0:16:53 | 0:16:56 | |
Yeah, there you go, Mr Andy is coming. | 0:16:56 | 0:16:59 | |
It's the sheriff of Oxford Street himself, Andy Pescott. | 0:16:59 | 0:17:02 | |
And he's not best pleased. | 0:17:02 | 0:17:04 | |
Why are you parked up here? You know the rules. | 0:17:04 | 0:17:06 | |
What about the black cabs, though? Why don't you touch them? | 0:17:06 | 0:17:08 | |
The argument... | 0:17:08 | 0:17:10 | |
Listen, you know I have done more than anybody else to try | 0:17:10 | 0:17:14 | |
-and work with you guys. -Of course. | 0:17:14 | 0:17:16 | |
It came to a point where we had a working agreement | 0:17:16 | 0:17:18 | |
and members of your own team as well as members of the other teams | 0:17:18 | 0:17:21 | |
breached that agreement within a week. | 0:17:21 | 0:17:24 | |
It's two weeks since we last saw him, | 0:17:24 | 0:17:26 | |
and Andy's investigations have now shown beyond doubt | 0:17:26 | 0:17:30 | |
that pedicab drivers are ignoring | 0:17:30 | 0:17:32 | |
his code of practice on a regular basis. | 0:17:32 | 0:17:35 | |
There were more people, once our agreement was in place, | 0:17:35 | 0:17:38 | |
breaching it than there was before the agreement was in place. | 0:17:38 | 0:17:42 | |
-I had egg on my face, my friend. -I know. | 0:17:42 | 0:17:45 | |
Gloves off and every single rickshaw rider | 0:17:45 | 0:17:48 | |
within our footprint will get dealt with robustly now. | 0:17:48 | 0:17:50 | |
Andy remains unmoved. | 0:17:50 | 0:17:52 | |
As far as he's concerned, | 0:17:52 | 0:17:54 | |
pedicabs still have no right to park up on the street. | 0:17:54 | 0:17:57 | |
But Murat's convinced that's impractical. | 0:17:57 | 0:18:00 | |
Murut heads off. | 0:18:09 | 0:18:11 | |
He still believes he and his fellow drivers work hard | 0:18:11 | 0:18:14 | |
and have a right to earn a living. | 0:18:14 | 0:18:16 | |
Later, Andy tears up the code of practice | 0:18:17 | 0:18:20 | |
and goes back to his traditional methods of policing. | 0:18:20 | 0:18:23 | |
I don't give a damn whether you agree or not. | 0:18:23 | 0:18:26 | |
I'm in charge on this street. | 0:18:26 | 0:18:28 | |
Department store Debenhams is getting ready | 0:18:36 | 0:18:38 | |
for its first-ever live pop performance. | 0:18:38 | 0:18:41 | |
Press and public are gathered, but as they wait for guest star | 0:18:41 | 0:18:45 | |
Rebecca Ferguson, already the schedule is slipping. | 0:18:45 | 0:18:48 | |
Sophie from the PR team is worried | 0:18:48 | 0:18:51 | |
the large crowd are getting restless. | 0:18:51 | 0:18:54 | |
We have spoken about maybe a slight change of plan, just so we don't | 0:18:54 | 0:18:57 | |
keep the general public waiting for the live performance. | 0:18:57 | 0:19:01 | |
But, as the minutes tick by, there's still no sign of the singer. | 0:19:01 | 0:19:05 | |
We're fine. | 0:19:07 | 0:19:09 | |
Yeah, we are fine. We are... | 0:19:09 | 0:19:11 | |
..fine. | 0:19:13 | 0:19:15 | |
Luckily, they don't have to wait much longer. | 0:19:15 | 0:19:18 | |
I think we're in business, yes. Just this way. | 0:19:18 | 0:19:21 | |
CHEERING | 0:19:23 | 0:19:27 | |
Just there. | 0:19:27 | 0:19:28 | |
While the media get their photo call, | 0:19:28 | 0:19:30 | |
Chris gets ready to do the introductions. | 0:19:30 | 0:19:34 | |
Evening, everybody, and thank you for joining us | 0:19:34 | 0:19:36 | |
this evening at Debenhams on Oxford Street. | 0:19:36 | 0:19:38 | |
Really pleased and honoured to introduce Rebecca Ferguson, | 0:19:38 | 0:19:41 | |
so let's all enjoy her performance. Thanks. | 0:19:41 | 0:19:44 | |
CHEERING | 0:19:44 | 0:19:46 | |
And then it's time for Debenhams' first-ever live pop performance. | 0:19:46 | 0:19:50 | |
I love you, Rebecca! | 0:19:50 | 0:19:52 | |
I love you too. Thank you so much for coming. | 0:19:52 | 0:19:55 | |
This song's Fine And Mellow from the new album. | 0:19:56 | 0:19:59 | |
# My man, he don't love me | 0:19:59 | 0:20:03 | |
# Treats me oh so mean | 0:20:03 | 0:20:06 | |
# My man, he don't love me | 0:20:07 | 0:20:11 | |
# Treats me awfully | 0:20:11 | 0:20:14 | |
# He is the lowest man I've ever seen | 0:20:14 | 0:20:20 | |
# That boy's going to drive me away | 0:20:21 | 0:20:23 | |
# Said that boy's going to drive me away. # | 0:20:23 | 0:20:27 | |
CHEERING | 0:20:29 | 0:20:31 | |
Thank you. | 0:20:31 | 0:20:32 | |
Thank you so much. | 0:20:32 | 0:20:34 | |
The show's gone down well with customers, | 0:20:34 | 0:20:37 | |
many of whom came specially. | 0:20:37 | 0:20:39 | |
For others, it was a nice surprise. | 0:20:39 | 0:20:41 | |
Remember seeing you... Oh, my God, I'm so excited. | 0:20:44 | 0:20:47 | |
I love Rebecca Ferguson. | 0:20:50 | 0:20:52 | |
I have all her music. | 0:20:52 | 0:20:54 | |
I'm huge fan and I almost cried. I mean it was really, really good. | 0:20:57 | 0:21:02 | |
You just hear this Scouser accent and as soon as she kind of sings, | 0:21:02 | 0:21:06 | |
like this gorgeous, husky kind of perfect voice that comes out, | 0:21:06 | 0:21:09 | |
I think she's an amazing singer. | 0:21:09 | 0:21:12 | |
And with the crowd and media sated, | 0:21:12 | 0:21:14 | |
Rebecca can finally get a little time for herself. | 0:21:14 | 0:21:17 | |
Knowing me, I won't get a minute, but we'll see. | 0:21:18 | 0:21:21 | |
Hopefully I'll get to have a little, little spree. | 0:21:21 | 0:21:25 | |
But while Rebecca gets busy with some retail therapy, | 0:21:25 | 0:21:28 | |
the store's press team are working the publicity side, | 0:21:28 | 0:21:31 | |
hoping to get some coverage into the newspapers. | 0:21:31 | 0:21:34 | |
We always like to, when we do things like this, is to get | 0:21:36 | 0:21:39 | |
the photo caption out as soon as possible on, like, the evening of. | 0:21:39 | 0:21:43 | |
And with pictures appearing in a number of key news | 0:21:44 | 0:21:48 | |
and celebrity websites, the team can consider it a job well done. | 0:21:48 | 0:21:52 | |
Back at Centre Point, and a two-year programme | 0:22:02 | 0:22:05 | |
of refurbishment is going on for Oxford Street's biggest building. | 0:22:05 | 0:22:08 | |
It's taken an amazing nine months just to build the scaffolding. | 0:22:08 | 0:22:13 | |
As soon as each level of scaffolding is built, a second crew have | 0:22:14 | 0:22:18 | |
been covering it up in a Monarflex wrap, plastic sheeting specially | 0:22:18 | 0:22:22 | |
designed to keep the elements out | 0:22:22 | 0:22:24 | |
so work can continue in all weathers. | 0:22:24 | 0:22:26 | |
Together, each level of wrap will | 0:22:26 | 0:22:28 | |
form a specially commissioned artwork called Private View. | 0:22:28 | 0:22:32 | |
And today the wrap team are at the crucial final phase. | 0:22:32 | 0:22:36 | |
It's the last bit of the wrap that we're attaching today | 0:22:36 | 0:22:39 | |
and we've got the day to finish it. | 0:22:39 | 0:22:42 | |
The wrap is designed by the Eley Kishimoto studio, who based their | 0:22:42 | 0:22:46 | |
design on the look of the building's original 1960s architecture. | 0:22:46 | 0:22:51 | |
I mean, we've been here for, like, | 0:22:51 | 0:22:54 | |
a couple of months putting the sheeting on, the wrapping, | 0:22:54 | 0:22:57 | |
which is really important to get it right aesthetically. | 0:22:57 | 0:23:00 | |
So, it's time to finish wrapping up a London icon. | 0:23:01 | 0:23:04 | |
Each one of these rolls has a specific design. | 0:23:07 | 0:23:10 | |
The team must position each one correctly to display the pattern. | 0:23:10 | 0:23:14 | |
Yeah, that's about 30 metres long and about 100 foot, | 0:23:14 | 0:23:18 | |
so when we're ready to pass the roll out, we've got the boys, | 0:23:18 | 0:23:22 | |
as you can see, we've got the team ready. | 0:23:22 | 0:23:24 | |
The sheets are now hung over the side of the building. | 0:23:24 | 0:23:27 | |
At this point, there is no room for a mistake from the crew. | 0:23:27 | 0:23:30 | |
So, as you can see, we're just sort of working the sheet | 0:23:32 | 0:23:35 | |
along the outside of the scaffold now. | 0:23:35 | 0:23:38 | |
Working together nicely as a team. | 0:23:39 | 0:23:41 | |
The crew can't let that wonderful view distract them. | 0:23:43 | 0:23:46 | |
There's still no room for any mistakes. | 0:23:46 | 0:23:50 | |
Keep it coming then. | 0:23:50 | 0:23:52 | |
Hurray, here we go. | 0:23:54 | 0:23:56 | |
That's it, you lot, that's enough. | 0:23:58 | 0:24:00 | |
The Monarflex is rolled out and lined up in the right position, | 0:24:00 | 0:24:04 | |
and a very low-tech method will be used to keep it in place. | 0:24:04 | 0:24:08 | |
Bungees. | 0:24:08 | 0:24:09 | |
But these sturdy rubber cords have a surprising design feature. | 0:24:09 | 0:24:13 | |
This is what you tie the Monarflex to the scaffold with, | 0:24:13 | 0:24:15 | |
and if there's too much wind, that could pull the scaffold. | 0:24:15 | 0:24:18 | |
So they're designed to break, | 0:24:18 | 0:24:19 | |
so if it is too windy, the Monarflex will go, | 0:24:19 | 0:24:21 | |
rather than take the scaffold with it. | 0:24:21 | 0:24:24 | |
These bungees will now have to stay in place for two years, | 0:24:24 | 0:24:27 | |
whilst the full building work is completed. | 0:24:27 | 0:24:30 | |
The team make the finishing touches and Centre Point is now wrapped | 0:24:31 | 0:24:35 | |
and hidden from view. | 0:24:35 | 0:24:37 | |
It's been a long journey. | 0:24:38 | 0:24:39 | |
We're ready for a beer and it's a great sense of relief. Yep. | 0:24:39 | 0:24:43 | |
So we are just ready to receive the big bonus now. | 0:24:43 | 0:24:46 | |
And, on a warm sunny afternoon, the man that designed the wrap, | 0:24:49 | 0:24:53 | |
Mark Eley, has come to inspect his work. | 0:24:53 | 0:24:56 | |
It's very impressive. | 0:24:58 | 0:24:59 | |
Just the way that they've lined it up, like the scaffolders, | 0:24:59 | 0:25:03 | |
they work it like artisans themselves. | 0:25:03 | 0:25:05 | |
I know my name's not on it, | 0:25:05 | 0:25:07 | |
but in my heart I know they're looking at my work. | 0:25:07 | 0:25:09 | |
It's an honour to do something so significant in my city | 0:25:09 | 0:25:12 | |
that I work and live. | 0:25:12 | 0:25:13 | |
Whose is this one? | 0:25:19 | 0:25:21 | |
On Oxford Street, battle lines continue to be drawn | 0:25:21 | 0:25:24 | |
between pedicabs and the authorities. | 0:25:24 | 0:25:27 | |
This is not acceptable. | 0:25:27 | 0:25:30 | |
Andy Pescott's trying to work with the pedicab riders, | 0:25:30 | 0:25:33 | |
but has seen his code of practice roundly ignored. | 0:25:33 | 0:25:36 | |
-I had egg on my face, my friend. -I know... -The gloves are off. | 0:25:36 | 0:25:40 | |
So today, he's returning to issuing penalties. | 0:25:40 | 0:25:43 | |
These include Section 35 dispersal orders, | 0:25:43 | 0:25:47 | |
which can ban drivers from the area for 48 hours. | 0:25:47 | 0:25:51 | |
And every single rickshaw rider within our footprint will get dealt | 0:25:51 | 0:25:54 | |
with robustly now. | 0:25:54 | 0:25:56 | |
And back on patrol, immediately there are problems. | 0:25:56 | 0:26:00 | |
-You've got three outside Gap and two on Stratford Place. -All right, OK. | 0:26:00 | 0:26:03 | |
Andy's alerted by an Oxford Street ambassador to more pedicabs | 0:26:03 | 0:26:07 | |
parked up where they're not allowed to be. | 0:26:07 | 0:26:10 | |
And this time, Andy's finally had enough. | 0:26:10 | 0:26:13 | |
-Turn that down! Now! -MUSIC CEASES | 0:26:13 | 0:26:15 | |
Andy's code of practice comes with stiff new penalties if breached. | 0:26:17 | 0:26:21 | |
And you all have a copy of the codes of practice, is that correct? | 0:26:21 | 0:26:24 | |
Yet again, you've failed to comply with it and as a result, | 0:26:24 | 0:26:28 | |
you four gentlemen are going to be issued a Section 35 dispersal. | 0:26:28 | 0:26:32 | |
That means, when I've finished your paperwork, you will leave. | 0:26:32 | 0:26:36 | |
You will not return to Oxford Street, Regent Street, Bond Street, | 0:26:36 | 0:26:40 | |
Davies Street or Marble Arch for 48 hours. | 0:26:40 | 0:26:42 | |
If you return within that time, you'll be arrested. | 0:26:42 | 0:26:46 | |
It's Andy's ultimate power to ban the riders | 0:26:46 | 0:26:49 | |
from an area for 48 hours. | 0:26:49 | 0:26:51 | |
You will leave in that direction... | 0:26:51 | 0:26:53 | |
It's rarely been used before on pedicab riders | 0:26:53 | 0:26:56 | |
and marks a major escalation in Andy's one-man war. | 0:26:56 | 0:27:00 | |
Chastened, the pedicabs leave. But Andy's not finished yet. | 0:27:01 | 0:27:06 | |
Just confirm your name for me. | 0:27:06 | 0:27:08 | |
One rider is in another level of trouble. | 0:27:08 | 0:27:11 | |
Earlier, we saw him given a formal warning | 0:27:13 | 0:27:16 | |
by Andy for parking up illegally. | 0:27:16 | 0:27:18 | |
FUZZY VOICE ON RADIO | 0:27:18 | 0:27:20 | |
-Oh, I don't remember. -Let me show you. I have one here for you. | 0:27:20 | 0:27:24 | |
And he's just gone and done it again. | 0:27:24 | 0:27:26 | |
As a result of me issuing you that community protection notice, | 0:27:26 | 0:27:30 | |
I'm informing you, OK? You do not have to say anything, | 0:27:30 | 0:27:32 | |
but it may harm your defence if you do not mention when questioned | 0:27:32 | 0:27:35 | |
something you later rely on in court. Anything you do say may be given in evidence. | 0:27:35 | 0:27:38 | |
The man is cautioned and given a court summons, | 0:27:38 | 0:27:41 | |
with a serious financial implication. | 0:27:41 | 0:27:44 | |
You will get notification from the courts to attend. | 0:27:44 | 0:27:47 | |
Then you are likely to receive a fine up to £2,500. | 0:27:47 | 0:27:53 | |
For being an extremely naughty boy. | 0:27:53 | 0:27:56 | |
Leave, don't return. | 0:27:57 | 0:27:58 | |
The man rides off. For today at least, he and the others are gone. | 0:27:59 | 0:28:04 | |
But Andy knows they'll be back. | 0:28:04 | 0:28:06 | |
And as long as they're around, he will be too. | 0:28:06 | 0:28:09 | |
I'm in charge, and they will adhere to my rules and regulations. | 0:28:10 | 0:28:13 | |
So for the foreseeable future, | 0:28:13 | 0:28:15 | |
they will get dispersal notices for 48 hours every single week, | 0:28:15 | 0:28:19 | |
all the time there is ongoing antisocial behaviour. | 0:28:19 | 0:28:22 | |
Now, I guarantee they will be back. So will I. | 0:28:22 | 0:28:25 |