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It's the most famous shopping street in the world | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city, | 0:00:04 | 0:00:07 | |
1.5 miles long with 30 million visitors each year, | 0:00:07 | 0:00:11 | |
with some of the world's most famous shops, biggest stars... | 0:00:11 | 0:00:16 | |
-Kate Moss! -..and busiest stations. -Sorry, guys. Stand back for me. | 0:00:16 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:25 | |
Busiest street in the world so it needs constant attention. | 0:00:25 | 0:00:27 | |
-..seven days a week? -Oi! Clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
-Are you ready, London? -A street that never sleeps... | 0:00:33 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:42 | |
..Oxford Street. | 0:00:42 | 0:00:43 | |
Coming up... Skimming devices on cash machines. | 0:00:46 | 0:00:50 | |
The Oxford Street police hunt down the gangs responsible. | 0:00:50 | 0:00:54 | |
Simon Cowell's coming to Oxford Street. Can the paps get a snap? | 0:00:56 | 0:01:00 | |
Just look at the state of that! That is incredible, that is. | 0:01:00 | 0:01:04 | |
And bread of heaven. | 0:01:04 | 0:01:06 | |
It's St David's Day at John Lewis and the store's in full voice. | 0:01:06 | 0:01:10 | |
THEY SING | 0:01:10 | 0:01:14 | |
Oxford Street has its own team of specialist police tasked with | 0:01:21 | 0:01:25 | |
keeping it safe for all those that use it. They're known as ORB. | 0:01:25 | 0:01:30 | |
It's 9am and one of the ORB team, PC Barry Nicholls, has been | 0:01:30 | 0:01:34 | |
-called to a West End bank. -'South-west 1, over.' | 0:01:34 | 0:01:37 | |
-Can you just tell us what number it is, please? -'35.' | 0:01:37 | 0:01:41 | |
He's off to deal with the latest example of a crime | 0:01:41 | 0:01:44 | |
that's afflicting Oxford Street and city centres up and down the UK - | 0:01:44 | 0:01:48 | |
ATM, or cash machine, fraud. | 0:01:48 | 0:01:51 | |
We've got a suspect device that's been put on one of the cash points. | 0:01:51 | 0:01:54 | |
Inside the bank, all becomes clear. | 0:01:54 | 0:01:57 | |
A member of staff has removed the devices to show them to the police. | 0:01:57 | 0:02:01 | |
Ah! | 0:02:01 | 0:02:03 | |
Card clips. They're not actual readers. Do you know how they work? | 0:02:04 | 0:02:08 | |
-No. -Basically, the device is stuck inside the machine, like that. | 0:02:08 | 0:02:13 | |
So you put your card into the machine. | 0:02:13 | 0:02:15 | |
So it goes underneath, works as normal, | 0:02:15 | 0:02:17 | |
and when the card goes to go out, gets stuck, then the machine | 0:02:17 | 0:02:20 | |
says "out of order" and the person thinks they've had their card eaten. | 0:02:20 | 0:02:24 | |
The person will stand near them and try and get the PIN number. | 0:02:24 | 0:02:27 | |
The person will walk away and all they'll do is unclip that, | 0:02:27 | 0:02:31 | |
the card will pop out, so they've got a PIN number and a card. | 0:02:31 | 0:02:34 | |
PC Nicholls and Rickett ask to inspect the bank's CCTV | 0:02:34 | 0:02:38 | |
to try and spot the criminal. | 0:02:38 | 0:02:40 | |
Then, after a few minutes of studying the footage... | 0:02:41 | 0:02:44 | |
-Yeah, yeah, yeah. -Yup. -It's him, isn't it? | 0:02:44 | 0:02:47 | |
Yeah, he's just lining it up, isn't he, to get it right? | 0:02:47 | 0:02:50 | |
Moments later, | 0:02:50 | 0:02:51 | |
an unwitting member of the public becomes the first victim. | 0:02:51 | 0:02:55 | |
She just keeps putting her hand up, | 0:02:55 | 0:02:57 | |
and that's where the little clip will have just held it in. | 0:02:57 | 0:03:00 | |
The skimmer waits around, looking for the moment to retrieve the device | 0:03:00 | 0:03:03 | |
and the card it's trapped. | 0:03:03 | 0:03:05 | |
There he is. | 0:03:05 | 0:03:07 | |
PCs Nicholls and Rickett, on the other hand, | 0:03:07 | 0:03:10 | |
are hoping for a clear shot of his face. | 0:03:10 | 0:03:12 | |
Especially there. That was awesome. What time is it? 10.08 and 51. | 0:03:12 | 0:03:18 | |
It's a good facial shot. | 0:03:18 | 0:03:19 | |
ATM skimming is on the rise in the UK. | 0:03:19 | 0:03:22 | |
Fraud from skimmed cards has risen 15%, according to latest figures. | 0:03:22 | 0:03:29 | |
But few places have the resources Oxford Street does to combat it. | 0:03:29 | 0:03:33 | |
Barry and colleague take the device | 0:03:33 | 0:03:35 | |
and CCTV evidence back to the station. | 0:03:35 | 0:03:38 | |
It will now go to a specialist team | 0:03:38 | 0:03:40 | |
to see if they can identify the suspect. | 0:03:40 | 0:03:43 | |
What it means for the ORB team is | 0:03:43 | 0:03:45 | |
there are cash machine gangs on the loose in the West End | 0:03:45 | 0:03:48 | |
and they need to do everything they can to disrupt them. | 0:03:48 | 0:03:52 | |
Doing his bit is PC Darren Bond, part of the team's plain-clothes squad. | 0:03:52 | 0:03:57 | |
Today, he's on patrol with colleague Hadees Iper. | 0:03:57 | 0:04:01 | |
One of the ATMs around Oxford Street will be having a device, | 0:04:01 | 0:04:05 | |
a skimming device, on it on a daily basis. | 0:04:05 | 0:04:07 | |
It's an ongoing war. | 0:04:07 | 0:04:09 | |
They're on the lookout for the telltale signs | 0:04:09 | 0:04:11 | |
of the card skimmers | 0:04:11 | 0:04:13 | |
and as they patrol, the team spots something. | 0:04:13 | 0:04:16 | |
Just been keeping an eye on a guy who's been walking down the road, | 0:04:17 | 0:04:21 | |
probably walked along behind him for about 200 metres. | 0:04:21 | 0:04:24 | |
And now he's crossed over, but he's going back the way he's come. | 0:04:26 | 0:04:31 | |
Yeah, not quite sure what to make of him. | 0:04:31 | 0:04:33 | |
The man has stopped at several cash machines. | 0:04:33 | 0:04:36 | |
Darren thinks he might be planting card skimmers on them. | 0:04:36 | 0:04:39 | |
A definite job. | 0:04:43 | 0:04:44 | |
Just seen two males standing very close | 0:04:44 | 0:04:47 | |
and observing the ATMs just down here. | 0:04:47 | 0:04:50 | |
Darren glances at the machines the men were at. | 0:04:50 | 0:04:53 | |
It's not clear if they have a skimming device on them | 0:04:53 | 0:04:55 | |
and he doesn't want to get too close. | 0:04:55 | 0:04:57 | |
Got to be very aware of the third eye | 0:04:57 | 0:05:00 | |
they may have left, watching the machines, | 0:05:00 | 0:05:03 | |
if there is a device on them. | 0:05:03 | 0:05:05 | |
Darren and Hadees call in more officers to covertly follow the two | 0:05:05 | 0:05:08 | |
and the officers report the men are heading towards a bank. | 0:05:08 | 0:05:12 | |
When they're at the cashpoint, bang! | 0:05:17 | 0:05:19 | |
Later, Darren finds a lot more than he bargained for. | 0:05:20 | 0:05:24 | |
That has a pinhole camera here. | 0:05:24 | 0:05:26 | |
In the dog-eat-dog world of the paparazzi photographer, | 0:05:37 | 0:05:40 | |
there's no patch more crucial than Oxford Street, | 0:05:40 | 0:05:44 | |
where a steady stream of stars come to work, shop and play. | 0:05:44 | 0:05:48 | |
No-one knows this better than leading celebrity snapper Andy Barnes. | 0:05:50 | 0:05:54 | |
Got to be there at the right time. | 0:05:54 | 0:05:56 | |
You've got to have the right equipment. | 0:05:56 | 0:05:58 | |
I mean, I'm all kitted out. | 0:05:58 | 0:05:59 | |
And it's all about preparation and also, perhaps, sometimes, | 0:05:59 | 0:06:03 | |
just that little bit of luck can help you just get the right moment. | 0:06:03 | 0:06:07 | |
And today, Andy's got a hot tip he's hoping will land him | 0:06:08 | 0:06:11 | |
some lucrative picture sales. | 0:06:11 | 0:06:14 | |
The auditions for ITV's Britain's Got Talent show | 0:06:14 | 0:06:17 | |
are taking place at the Dominion Theatre at the east end of the street | 0:06:17 | 0:06:21 | |
and the celebrity judges are due to arrive. | 0:06:21 | 0:06:24 | |
We're expecting some really good names to turn up - | 0:06:24 | 0:06:27 | |
the likes of Simon Cowell. | 0:06:27 | 0:06:29 | |
They always sell really well in magazines. | 0:06:29 | 0:06:31 | |
They're always absolutely brilliant, price-wise. | 0:06:31 | 0:06:34 | |
Yesterday, the show's judges staged a red carpet entrance | 0:06:34 | 0:06:39 | |
at the front door of the theatre especially for the press. | 0:06:39 | 0:06:42 | |
But Andy's learnt there's a second day of auditions, | 0:06:42 | 0:06:45 | |
and all four judges - Simon Cowell, David Walliams, | 0:06:45 | 0:06:48 | |
Amanda Holden and Alesha Dixon - | 0:06:48 | 0:06:51 | |
are expected to make a low-key entrance to the theatre. | 0:06:51 | 0:06:54 | |
-What's going on? -Britain's Got Talent. -Oh, is it here? -Yeah. | 0:06:54 | 0:06:58 | |
Oh, right. Didn't realise. Do you like Simon Cowell? | 0:06:58 | 0:07:02 | |
-See if he gets out of that car. -No. Not really! | 0:07:02 | 0:07:05 | |
SHE LAUGHS | 0:07:05 | 0:07:06 | |
-Oh, well. I hope you see him. -Yeah, so do I. | 0:07:06 | 0:07:09 | |
The problem for Andy is | 0:07:09 | 0:07:10 | |
he doesn't know where the stars will be arriving. | 0:07:10 | 0:07:14 | |
There are at least three separate entrances a good distance apart. | 0:07:14 | 0:07:19 | |
At the stage door at the back, | 0:07:19 | 0:07:21 | |
Andy thinks he might have the field to himself. | 0:07:21 | 0:07:23 | |
Have any of the judges actually arrived yet? Nothing at all? | 0:07:24 | 0:07:28 | |
Brilliant. That's lovely, that. | 0:07:28 | 0:07:30 | |
But it's not long before other snappers are on the case. | 0:07:30 | 0:07:33 | |
Andy goes on the hunt for insider information. | 0:07:35 | 0:07:39 | |
Do you know if they'll be coming this way? | 0:07:39 | 0:07:41 | |
-We've been told front doors. -Oh, really? | 0:07:41 | 0:07:43 | |
-They're going straight in at the front door? -Yeah. -Lovely. OK. | 0:07:43 | 0:07:47 | |
Andy heads back to the front. | 0:07:47 | 0:07:49 | |
Getting this right could mean the difference between | 0:07:49 | 0:07:52 | |
thousands of pounds of picture sales or nothing at all. | 0:07:52 | 0:07:55 | |
He was just saying that, if it's quiet, | 0:07:57 | 0:08:00 | |
he might drop them off here and then they walk through the front door. | 0:08:00 | 0:08:04 | |
But then, the driver might think that it's a little bit too busy | 0:08:04 | 0:08:07 | |
so he might just take them round the corner and put them | 0:08:07 | 0:08:10 | |
through the stage door. | 0:08:10 | 0:08:11 | |
If I hear that they've gone round the back, we leg it. | 0:08:11 | 0:08:15 | |
We leg it as fast as we can possibly go, and I've got a bad leg. | 0:08:15 | 0:08:19 | |
But with the arrival imminent, Andy suddenly gets fresh info. | 0:08:19 | 0:08:25 | |
They're coming in the back exit through there. | 0:08:25 | 0:08:27 | |
-Over there on the right. -Lovely. | 0:08:27 | 0:08:28 | |
-Definitely that way, is it? -100%. -Lovely. Thank you. | 0:08:28 | 0:08:31 | |
We'd better run. | 0:08:31 | 0:08:33 | |
Think we'd better go and see | 0:08:33 | 0:08:34 | |
if we can get something round the back here now. | 0:08:34 | 0:08:36 | |
Andy gets moving, bad leg and all... | 0:08:36 | 0:08:38 | |
Good for a bit of exercise. | 0:08:38 | 0:08:39 | |
..and just in time, as David Walliams's Range Rover swoops in. | 0:08:43 | 0:08:47 | |
-Hi, David. -Hi, David. -Hi, David. | 0:08:51 | 0:08:54 | |
-Thank you. -David? | 0:08:54 | 0:08:56 | |
That was a bit rubbish, wasn't it? Didn't get anything at all there. | 0:09:00 | 0:09:03 | |
I got him in the car, so it's not too bad. | 0:09:05 | 0:09:07 | |
I got a couple of frames out of it, so it's not too bad, | 0:09:07 | 0:09:10 | |
but, if I'm honest with you, he can be a bit... | 0:09:10 | 0:09:13 | |
He doesn't like just posing up outside. | 0:09:13 | 0:09:15 | |
Andy's hoping for better luck with the ladies. | 0:09:16 | 0:09:20 | |
I reckon Alesha or Amanda will probably do something for us now. | 0:09:20 | 0:09:23 | |
And he hasn't got long to wait. | 0:09:23 | 0:09:25 | |
Hold on a minute. | 0:09:25 | 0:09:27 | |
Here's Amanda. | 0:09:27 | 0:09:29 | |
Let's hope we get a better shot than Mr Walliams. | 0:09:31 | 0:09:34 | |
Guys, is there any chance we can get a photo? | 0:09:37 | 0:09:40 | |
But today, Amanda's not keen on being seen. | 0:09:40 | 0:09:44 | |
Oh, clever stuff! Oh, look at that! | 0:09:46 | 0:09:51 | |
All he gets is a view of her footwear. | 0:09:51 | 0:09:53 | |
Just look at the state of that! That is incredible, that is. | 0:09:54 | 0:09:57 | |
The lengths they've gone to to hide what she's wearing! | 0:09:57 | 0:10:01 | |
Just unbelievable. | 0:10:01 | 0:10:02 | |
This is new territory for Andy - | 0:10:02 | 0:10:04 | |
a celebrity that, today at least, doesn't want publicity. | 0:10:04 | 0:10:09 | |
Later, we'll see if he gets any more luck bagging himself a Cowell. | 0:10:11 | 0:10:16 | |
There's quite a few snappers there but we've all got very, very little. | 0:10:16 | 0:10:19 | |
Standing out from the crowd amongst Oxford Street's 200 shops | 0:10:28 | 0:10:31 | |
are its four huge department stores. | 0:10:31 | 0:10:35 | |
These giants of the retail world have battled for customers | 0:10:35 | 0:10:38 | |
on the street for decades and each seeks to outdo the others | 0:10:38 | 0:10:42 | |
with events and offerings to entice shoppers in. | 0:10:42 | 0:10:45 | |
And today, John Lewis has got an event | 0:10:46 | 0:10:48 | |
it's hoping will do exactly that. | 0:10:48 | 0:10:50 | |
It's St David's Day, the national day of Wales, and to celebrate it, | 0:10:50 | 0:10:56 | |
the shop's food hall has lined up a special series of events. | 0:10:56 | 0:11:00 | |
Half a dozen boutique Welsh food producers have sent samplers | 0:11:00 | 0:11:04 | |
to promote their products in store. | 0:11:04 | 0:11:06 | |
Hi, would you like to try? | 0:11:06 | 0:11:08 | |
Food sampler Lucinda is here on behalf of pate-maker Patchwork. | 0:11:08 | 0:11:13 | |
Hello, how are you? | 0:11:13 | 0:11:15 | |
This is tequila and cranberry with a chicken liver base. OK? | 0:11:15 | 0:11:18 | |
South Wales baker James's family have been making | 0:11:19 | 0:11:22 | |
classic Welsh cakes and pastries for three generations. | 0:11:22 | 0:11:26 | |
Today, he's hoping shoppers like his bara brith - a type of cake. | 0:11:27 | 0:11:31 | |
We soak the sultanas in tea overnight. | 0:11:31 | 0:11:34 | |
You've got mixed spices in there, the whole combination going on. | 0:11:34 | 0:11:37 | |
Well, I hope you enjoy my products on St David's Day. | 0:11:37 | 0:11:39 | |
Thank you very much. | 0:11:39 | 0:11:41 | |
At the end of the day, all the samplers will get a sales report | 0:11:41 | 0:11:44 | |
to see if they've hit their targets. | 0:11:44 | 0:11:46 | |
To add a bit of theatre to the event, | 0:11:49 | 0:11:51 | |
the store's pulling out all the stops. | 0:11:51 | 0:11:54 | |
There's a harpist on hand to accompany the food tasting | 0:11:54 | 0:11:58 | |
and they've got another special Welsh treat in store. | 0:11:58 | 0:12:01 | |
They've booked a choir to perform some of the principality's | 0:12:01 | 0:12:04 | |
most famous songs as part of a surprise flash mob. | 0:12:04 | 0:12:07 | |
But this morning, choir leader Alice has already run into difficulties. | 0:12:07 | 0:12:13 | |
The alto in our group fell over in the Tube | 0:12:13 | 0:12:17 | |
and fell down some stairs and hit her head | 0:12:17 | 0:12:20 | |
and had to go to casualty, | 0:12:20 | 0:12:22 | |
so frantically trying to call everyone we knew in London | 0:12:22 | 0:12:25 | |
who was a singer and could speak Welsh | 0:12:25 | 0:12:27 | |
and who knew the songs we were going to sing. | 0:12:27 | 0:12:29 | |
And one of those calls has found them a saviour in the shape of Becca. | 0:12:29 | 0:12:34 | |
So I've just arrived here and, hopefully, I'll know the songs | 0:12:34 | 0:12:37 | |
and maybe I'll be able to make up some harmony. | 0:12:37 | 0:12:40 | |
So hopefully, it will be OK. | 0:12:40 | 0:12:41 | |
# Mae bys Meri Ann wedi brifo | 0:12:43 | 0:12:47 | |
# A Dafydd y gwas... # | 0:12:47 | 0:12:49 | |
First rehearsals do not bode well. | 0:12:49 | 0:12:51 | |
# Dai bach... # | 0:12:53 | 0:12:55 | |
Sorry. | 0:12:55 | 0:12:57 | |
I'll do that again. I apologise. | 0:12:57 | 0:12:59 | |
The choir plan to surprise shoppers, | 0:13:01 | 0:13:03 | |
coming out of nowhere as store staff and customers | 0:13:03 | 0:13:06 | |
to sing traditional Welsh songs. | 0:13:06 | 0:13:09 | |
So I'm just putting on this staff apron, | 0:13:09 | 0:13:11 | |
so that I blend in with the rest of the Waitrose staff. | 0:13:11 | 0:13:15 | |
A flash mob is quite a bizarre thing to do anyway, and to know that | 0:13:15 | 0:13:18 | |
you're doing it in about half an hour is even more bizarre. | 0:13:18 | 0:13:21 | |
I reckon people will stop and just stare. | 0:13:21 | 0:13:26 | |
Later, it's iechyd da at the food hall, | 0:13:27 | 0:13:30 | |
as the harp plays, the public tuck in and the choir get ready to sing. | 0:13:30 | 0:13:34 | |
The undercover Oxford Street police team are on the hunt | 0:13:43 | 0:13:46 | |
for the criminal gangs targeting cash machines. | 0:13:46 | 0:13:50 | |
As they patrol, | 0:13:50 | 0:13:51 | |
they think they've spotted two men behaving suspiciously. | 0:13:51 | 0:13:55 | |
They could be planting skimmers on Oxford Street. | 0:13:55 | 0:13:58 | |
Time to find out. | 0:13:58 | 0:13:59 | |
I think I have one now. | 0:13:59 | 0:14:01 | |
Police. | 0:14:03 | 0:14:05 | |
The two men have just withdrawn cash, | 0:14:05 | 0:14:07 | |
but no-one has seen if they were interfering with the cash machines. | 0:14:07 | 0:14:11 | |
They seem surprised and are cooperating. | 0:14:11 | 0:14:14 | |
-Is this your card, sir? -Yeah. -Right, saw you earlier, | 0:14:14 | 0:14:18 | |
hanging around the cashpoint further down the road. | 0:14:18 | 0:14:21 | |
On that basis, we get a lot of distraction thefts | 0:14:21 | 0:14:23 | |
and a lot of devices put on ATMs. | 0:14:23 | 0:14:25 | |
We're going to search you for articles for use in fraud | 0:14:25 | 0:14:28 | |
and for stolen property. | 0:14:28 | 0:14:30 | |
And officer Paul Penrose has met this man before. | 0:14:30 | 0:14:33 | |
It's not first time. I remember this guy before in that other street. | 0:14:33 | 0:14:37 | |
Maybe six months. This is second time he has made me have a check. | 0:14:37 | 0:14:41 | |
Yeah, before. | 0:14:41 | 0:14:43 | |
Thankfully, everyone's smiling. | 0:14:46 | 0:14:48 | |
Despite some of their behaviour matching that of the skimmers, | 0:14:48 | 0:14:52 | |
checks have confirmed the men have no previous | 0:14:52 | 0:14:55 | |
and nothing suspicious on them. | 0:14:55 | 0:14:56 | |
He walks very fast, going from ATM to ATM, but it's all checked out. | 0:14:56 | 0:15:01 | |
Sometimes, there's an innocent explanation. | 0:15:01 | 0:15:04 | |
-Have a good day. -Have a good day, you, too. | 0:15:04 | 0:15:07 | |
The skimming gangs are hard to catch, and although this was a false alarm, | 0:15:07 | 0:15:11 | |
stops like this are essential to try and root out the real criminals. | 0:15:11 | 0:15:15 | |
And as Darren and the team continue their patrols, | 0:15:18 | 0:15:21 | |
it's not long before they find more examples of the gangs at work. | 0:15:21 | 0:15:25 | |
Another skimming device on another ATM. | 0:15:25 | 0:15:28 | |
I've come along today, noticed an ATM that has been targeted before, | 0:15:29 | 0:15:34 | |
seen there is a device on it from my experience before. | 0:15:34 | 0:15:37 | |
Darren takes a closer look at this much more sophisticated skimmer. | 0:15:37 | 0:15:43 | |
Your card would go in there and there'd be electronics | 0:15:43 | 0:15:46 | |
before it goes in to the machine to skim your card, | 0:15:46 | 0:15:49 | |
take the details off your card like any magnetic strip reader. | 0:15:49 | 0:15:53 | |
They insert it into the mouth, glue it in position. Your card goes through there. | 0:15:53 | 0:15:57 | |
Normally into the machine, you use the card and the machine perfectly normally, but as it's gone through, | 0:15:57 | 0:16:02 | |
the electronics in here have skimmed your card details. | 0:16:02 | 0:16:05 | |
So this is the camera, | 0:16:05 | 0:16:06 | |
so that's been fixed across the legitimate cash sign... | 0:16:06 | 0:16:11 | |
..with their own, as you can see, like that. | 0:16:13 | 0:16:16 | |
It has a pinhole camera here, that tiny pinhole there, | 0:16:17 | 0:16:21 | |
will read as you put your PIN number in. | 0:16:21 | 0:16:25 | |
So they've got your card details and your PIN number. | 0:16:25 | 0:16:28 | |
Then they can go away, make their own cards. | 0:16:28 | 0:16:31 | |
With the skimmer in his hands, Darren recognises an opportunity | 0:16:31 | 0:16:35 | |
to try and catch himself an elusive cash machine crook. | 0:16:35 | 0:16:38 | |
Rather than remove the skimmer, he makes it safe | 0:16:38 | 0:16:41 | |
and decides to wait across the street, in a nearby handbag shop. | 0:16:41 | 0:16:45 | |
He hopes the crooks will turn up to retrieve their device. | 0:16:45 | 0:16:49 | |
After 45 minutes of waiting, someone is using the machine | 0:16:55 | 0:16:59 | |
and looks to be tampering with it. | 0:16:59 | 0:17:02 | |
Unfortunately, it turns out to be a vigilant member of the public | 0:17:02 | 0:17:06 | |
and he's told the bank staff. | 0:17:06 | 0:17:08 | |
Darren decides to step in. | 0:17:08 | 0:17:09 | |
Hi, guys. Police. | 0:17:14 | 0:17:15 | |
We've been watching. | 0:17:15 | 0:17:17 | |
We saw it a while ago, we've been waiting for somebody to come | 0:17:17 | 0:17:20 | |
-and take it off. Obviously, not you guys. -Sorry. | 0:17:20 | 0:17:23 | |
Cos I use this machine quite regularly, I was just trying | 0:17:23 | 0:17:27 | |
to slide my card in and it was a little bit funny this time. | 0:17:27 | 0:17:31 | |
And I know those things happen, especially in this area. | 0:17:31 | 0:17:34 | |
And then I saw that the cash sign here was a little bit... | 0:17:34 | 0:17:38 | |
sticking out, so I've touched and it moved. | 0:17:38 | 0:17:41 | |
It got me scared for a second, but... | 0:17:41 | 0:17:43 | |
Thanks, guys. | 0:17:43 | 0:17:44 | |
No, no, no. That's one of those things. | 0:17:44 | 0:17:47 | |
We were monitoring it for about an hour. | 0:17:47 | 0:17:50 | |
They'll leave it on for up to five, six hours, | 0:17:50 | 0:17:52 | |
getting everybody who uses that card machine's details, | 0:17:52 | 0:17:57 | |
so that could be hundreds of people being victims of that type of crime. | 0:17:57 | 0:18:00 | |
A few of those devices put in the area soon adds up | 0:18:00 | 0:18:04 | |
to thousands of victims, so it's a priority crime. | 0:18:04 | 0:18:06 | |
So far, Darren's hunt for the ATM gangs has drawn a blank twice. | 0:18:06 | 0:18:11 | |
Later, there's another gang in action. Will Darren's luck change? | 0:18:13 | 0:18:18 | |
Right, let's go. | 0:18:18 | 0:18:20 | |
Outside the Dominion Theatre | 0:18:26 | 0:18:28 | |
and celebrity photographer Andy Barnes is not having a good day. | 0:18:28 | 0:18:32 | |
Just look at the state of that. That is incredible, that is. | 0:18:32 | 0:18:36 | |
He was hoping to catch exclusive photos | 0:18:36 | 0:18:38 | |
of the Britain's Got Talent judges. | 0:18:38 | 0:18:41 | |
He got a glimpse of David Walliams, but missed Amanda Holden. | 0:18:41 | 0:18:45 | |
But nobody's got anything at all. I just... | 0:18:45 | 0:18:48 | |
I just find it quite amusing that the lengths they went to, | 0:18:48 | 0:18:51 | |
trying to hide. | 0:18:51 | 0:18:52 | |
He heads back to the front of the theatre, | 0:18:52 | 0:18:55 | |
in the hope that Simon Cowell will be arriving there. | 0:18:55 | 0:18:58 | |
It's getting close now cos he's only got about another quarter of an hour | 0:18:58 | 0:19:01 | |
before he's got to be at the event, so... | 0:19:01 | 0:19:04 | |
We're looking at about five or six points | 0:19:04 | 0:19:07 | |
where he could possibly be, so... | 0:19:07 | 0:19:09 | |
Andy waits it out at the front, but all the action is happening | 0:19:10 | 0:19:14 | |
at the other door and Alesha Dixon sneaks in, away from Andy's lens. | 0:19:14 | 0:19:19 | |
Then Andy sees a Rolls Royce sweeping past, | 0:19:20 | 0:19:23 | |
heading round the back. | 0:19:23 | 0:19:24 | |
He throws the bad leg back into action. | 0:19:25 | 0:19:28 | |
It's the main event. Talent judge and media mogul Simon Cowell. | 0:19:32 | 0:19:36 | |
Nice to see you, Simon. | 0:19:39 | 0:19:42 | |
-Are you well? -Yeah, good. -Good, good, good. | 0:19:42 | 0:19:44 | |
-How are you doing, OK? -Just getting one shot. | 0:19:44 | 0:19:47 | |
Just one more, looking back, Simon. Lovely, thank you. | 0:19:47 | 0:19:51 | |
Yeah, nice one. | 0:19:54 | 0:19:55 | |
Oof! | 0:19:55 | 0:19:56 | |
Dear me! I'm getting too old for this game now! | 0:19:56 | 0:19:59 | |
And that's it for the day. It's been a mixed bag for Andy. | 0:19:59 | 0:20:03 | |
He missed Alesha, and Amanda hid, | 0:20:03 | 0:20:06 | |
but he's landed Walliams and the biggest fish of all, Cowell. | 0:20:06 | 0:20:10 | |
They're not bad. | 0:20:10 | 0:20:11 | |
Cowell always sells, so... | 0:20:11 | 0:20:14 | |
That'll pay for a few coffees. | 0:20:14 | 0:20:16 | |
I'm going to get these pictures sent off now. | 0:20:16 | 0:20:19 | |
So...on to the next one. | 0:20:19 | 0:20:21 | |
Good. | 0:20:22 | 0:20:24 | |
That's the magic of Oxford Street. | 0:20:25 | 0:20:27 | |
You never know what's going to happen from one day to the next. | 0:20:27 | 0:20:31 | |
John Lewis, Oxford Street, | 0:20:40 | 0:20:42 | |
is celebrating St David's Day with an action-packed Welsh food tasting. | 0:20:42 | 0:20:46 | |
-What's it got to do with Wales? -It's made in Wales. | 0:20:46 | 0:20:49 | |
-Oh, right. -In Ruthin. | 0:20:49 | 0:20:51 | |
Lucinda is one of a dozen food samplers, | 0:20:51 | 0:20:53 | |
getting shoppers to try and hopefully buy Welsh produce. | 0:20:53 | 0:20:58 | |
-Ooh, hello. Feeding you. -Mm. | 0:20:58 | 0:21:00 | |
And lunchtime has just arrived. | 0:21:00 | 0:21:02 | |
You can take it from here, if you want. Thank you very much. | 0:21:02 | 0:21:05 | |
Bye-bye. Take care. | 0:21:05 | 0:21:07 | |
At lunchtime, people are ridiculously hungry. | 0:21:07 | 0:21:09 | |
They realise something's going on | 0:21:09 | 0:21:11 | |
and it's amazing how people's behaviour changes. | 0:21:11 | 0:21:13 | |
They just ponder and then they just linger | 0:21:13 | 0:21:15 | |
and they come back for another one and then they linger, another one. | 0:21:15 | 0:21:19 | |
It's really funny. Hello. How are you? | 0:21:19 | 0:21:21 | |
She ain't interested in any products. She's a hungry shopper. | 0:21:21 | 0:21:25 | |
Meanwhile, on the other side of the store, | 0:21:25 | 0:21:27 | |
a specially arranged choir is getting ready | 0:21:27 | 0:21:30 | |
to stage a flash mob in the food hall. | 0:21:30 | 0:21:32 | |
They plan to surprise shoppers by coming out of nowhere | 0:21:32 | 0:21:36 | |
as shop staff and customers and singing traditional Welsh songs. | 0:21:36 | 0:21:40 | |
They've had an enforced line-up change already, | 0:21:42 | 0:21:45 | |
after their original alto had an accident on the Tube. | 0:21:45 | 0:21:48 | |
But with substitute Becca in place, they're ready for the kick-off. | 0:21:48 | 0:21:52 | |
# Mae bys Meri Ann wedi brifo | 0:21:55 | 0:21:59 | |
# A Dafydd y gwas ddim yn iach | 0:21:59 | 0:22:03 | |
# Mae'r baban yn y crud yn crio | 0:22:03 | 0:22:07 | |
# A'r gath wedi sgramo Joni bach | 0:22:07 | 0:22:12 | |
# Dai bach y sowldiwr | 0:22:12 | 0:22:16 | |
# Dai bach y sowldiwr | 0:22:16 | 0:22:19 | |
# Dai bach y sowldiwr | 0:22:19 | 0:22:24 | |
# A'i gwt ei grys e mas | 0:22:24 | 0:22:28 | |
# Sosban fach yn berwi ar y tan | 0:22:28 | 0:22:32 | |
# Sosban fawr yn berwi ar y llawr | 0:22:32 | 0:22:36 | |
# A'r gath wedi sgramo Joni bach. # | 0:22:36 | 0:22:44 | |
CHEERS AND APPLAUSE | 0:22:47 | 0:22:49 | |
It went very well. | 0:22:49 | 0:22:51 | |
We were all quite nervous for it, but it went really well, I think. | 0:22:51 | 0:22:55 | |
I felt quite strange because it's not every day you see | 0:22:55 | 0:23:00 | |
someone next to the crisp aisle in Waitrose just burst in to song, | 0:23:00 | 0:23:04 | |
performing in the middle of Oxford Street and making people | 0:23:04 | 0:23:07 | |
stop for a second and it's quite an experience actually. | 0:23:07 | 0:23:11 | |
It was quite good that I only knew about this half an hour ago, | 0:23:12 | 0:23:15 | |
so I didn't have time to get nervous or think about what I was doing. | 0:23:15 | 0:23:18 | |
Basically, get in and get the job done. | 0:23:18 | 0:23:20 | |
Meanwhile, back at the food tasting, | 0:23:20 | 0:23:22 | |
their aim was to get people trying Welsh foods | 0:23:22 | 0:23:25 | |
they might not have tried before and hopefully, to make some sales. | 0:23:25 | 0:23:29 | |
It's been busy. Tequila and cranberry is sold out. | 0:23:29 | 0:23:32 | |
I've had one negative customer | 0:23:32 | 0:23:33 | |
and then I killed her with lots of love and she left happy. | 0:23:33 | 0:23:37 | |
I'm quite tempted to get a sales report. | 0:23:37 | 0:23:39 | |
I usually get a sales report after I've done a sampling | 0:23:39 | 0:23:41 | |
and it boosts me and motivates me. | 0:23:41 | 0:23:43 | |
And it's the moment of truth for Lucinda and her fellow samplers. | 0:23:43 | 0:23:47 | |
-Has it gone well? -It has, yes. -Oh, it has. Thank you. | 0:23:47 | 0:23:51 | |
OK, so at least we sold something of everything. | 0:23:51 | 0:23:54 | |
I've done OK. I mean, I think I could have done better. | 0:23:54 | 0:23:57 | |
Here he is now. | 0:23:58 | 0:24:00 | |
It's been actually quite good. We had about 74% sales. | 0:24:02 | 0:24:06 | |
So I'm quite happy for that afternoon. | 0:24:06 | 0:24:08 | |
The figures show that James has sold three-quarters of the stock | 0:24:08 | 0:24:12 | |
he has in the food hall. | 0:24:12 | 0:24:15 | |
And with that, it's all over for the day | 0:24:15 | 0:24:17 | |
and as far as food hall manager Toni's concerned, | 0:24:17 | 0:24:20 | |
it's been a successful one for Welsh food, Welsh wine and Welsh song. | 0:24:20 | 0:24:25 | |
Sales were really good, especially the Welsh cakes. | 0:24:25 | 0:24:29 | |
So I'm going to head home for a bit of cake and a nice glass of wine. | 0:24:29 | 0:24:32 | |
The Oxford Street police team are dealing with a priority problem - | 0:24:41 | 0:24:45 | |
gangs targeting cash machines to get their hands on shoppers' money. | 0:24:45 | 0:24:50 | |
The ATM thieves are hard to catch, but back at the station, | 0:24:50 | 0:24:53 | |
Darren thinks he might have just found a crucial lead. | 0:24:53 | 0:24:57 | |
Footage has come in from an Oxford Street bank | 0:24:57 | 0:24:59 | |
of another scam being committed. | 0:24:59 | 0:25:02 | |
So, this is a classic ATM distraction theft. | 0:25:02 | 0:25:06 | |
The two males here have targeted this female. | 0:25:06 | 0:25:09 | |
They've encouraged her to use the ATM, | 0:25:09 | 0:25:12 | |
she had initially used it but had problems with it. | 0:25:12 | 0:25:14 | |
And they've convinced her to go back and as you can see, | 0:25:14 | 0:25:17 | |
he's taken an angle where he can see her put the PIN number. | 0:25:17 | 0:25:20 | |
Second member comes in and he's using a piece of paper to | 0:25:20 | 0:25:23 | |
confuse the person at the ATM. | 0:25:23 | 0:25:26 | |
And he's got the bank card, told his mate he's got the bank card | 0:25:26 | 0:25:29 | |
and off he goes with it. | 0:25:29 | 0:25:30 | |
She's now noticed something's wrong, but the second one's here | 0:25:30 | 0:25:34 | |
to reassure her - oh, the card may have been swallowed by the machine. | 0:25:34 | 0:25:37 | |
They're working a team, | 0:25:37 | 0:25:39 | |
doing a number of these jobs across London every day. | 0:25:39 | 0:25:42 | |
This female lost her card, and the guys then went to a nearby ATM | 0:25:42 | 0:25:47 | |
and withdrew cash from the machines. | 0:25:47 | 0:25:50 | |
And it turns out the gang tried the same distraction crime | 0:25:50 | 0:25:54 | |
at the same machine just a few weeks before. | 0:25:54 | 0:25:56 | |
But have they made a mistake? | 0:25:58 | 0:26:00 | |
Darren Bond is a police super recogniser with a unique ability | 0:26:00 | 0:26:04 | |
to recall the faces and features of regular offenders | 0:26:04 | 0:26:07 | |
to help identify culprits on the street and on grainy CCTV. | 0:26:07 | 0:26:12 | |
And in this case, | 0:26:12 | 0:26:13 | |
he thinks he might have recognised the man in the footage. | 0:26:13 | 0:26:17 | |
He's got a name and an address where his family lives. | 0:26:17 | 0:26:21 | |
So, this morning, the team are heading up the motorway | 0:26:23 | 0:26:26 | |
where they hope they'll find the suspect from the bank. | 0:26:26 | 0:26:30 | |
He's got plenty of previous for ATM distraction thefts | 0:26:30 | 0:26:33 | |
and that's what we're looking at in today. | 0:26:33 | 0:26:36 | |
I've ID'd him from CCTV. | 0:26:36 | 0:26:38 | |
Darren and the team have no way of knowing | 0:26:38 | 0:26:41 | |
if their man is at the target address. | 0:26:41 | 0:26:44 | |
The number of thefts related to ATMs has trebled in recent years. | 0:26:44 | 0:26:48 | |
Hoping to make a dent in these figures, Darren heads in. | 0:26:48 | 0:26:53 | |
OK. Right, let's go. | 0:26:53 | 0:26:55 | |
Not quite as, er...picturesque | 0:27:00 | 0:27:03 | |
or as affluent as Oxford Street, | 0:27:03 | 0:27:05 | |
but we've got to go to the criminals where they live | 0:27:05 | 0:27:08 | |
and get them out of their houses, | 0:27:08 | 0:27:10 | |
then we'll take them back to nice, pleasant Westminster. | 0:27:10 | 0:27:12 | |
Amazingly, the suspect is already behind bars for something else. | 0:27:28 | 0:27:32 | |
How long's he been in since? | 0:27:32 | 0:27:35 | |
Yesterday? | 0:27:37 | 0:27:38 | |
For six years? | 0:27:39 | 0:27:40 | |
Well, we'll have to go and talk to him in prison and... | 0:27:40 | 0:27:43 | |
about some other offences. | 0:27:43 | 0:27:46 | |
He's been sentenced to six years' imprisonment, | 0:27:46 | 0:27:49 | |
from what his mother is telling us, | 0:27:49 | 0:27:51 | |
that hasn't come up on the national computer yet, | 0:27:51 | 0:27:54 | |
for similar offences, I would imagine, | 0:27:54 | 0:27:56 | |
that we're wanting to talk to him about. | 0:27:56 | 0:27:58 | |
It turns out the man was sentenced only the day before | 0:28:00 | 0:28:04 | |
for a serious motoring offence. | 0:28:04 | 0:28:07 | |
Darren's delighted that a serious criminal is safely behind bars, | 0:28:07 | 0:28:11 | |
but his fight against the ATM gangs is far from over. | 0:28:11 | 0:28:15 | |
It's an ongoing war, | 0:28:16 | 0:28:17 | |
but a war we're coming up against and tackling as hard as we can. | 0:28:17 | 0:28:20 |