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It's the most famous shopping street in the world | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city. | 0:00:04 | 0:00:06 | |
A mile and a half long | 0:00:06 | 0:00:09 | |
with 30 million visitors each year, | 0:00:09 | 0:00:12 | |
with some of the world's most famous shops, | 0:00:12 | 0:00:14 | |
biggest stars... | 0:00:14 | 0:00:16 | |
Kate Moss! | 0:00:16 | 0:00:17 | |
..and busiest stations. | 0:00:18 | 0:00:19 | |
Sorry, guys. Stand back for me. | 0:00:19 | 0:00:22 | |
What does it take to keep it running 24 hours a day... | 0:00:22 | 0:00:25 | |
Busiest street in the world so it needs constant attention. | 0:00:25 | 0:00:27 | |
..seven days a week? | 0:00:27 | 0:00:29 | |
Oi! Clear off! | 0:00:29 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London? | 0:00:33 | 0:00:36 | |
A street that never sleeps. | 0:00:36 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:42 | |
Oxford Street. | 0:00:42 | 0:00:43 | |
Coming up... | 0:00:45 | 0:00:46 | |
Stay there. Move! | 0:00:46 | 0:00:48 | |
..rough sleepers at Marble Arch. | 0:00:48 | 0:00:50 | |
Guys, do you just want to stay there a second, please? | 0:00:50 | 0:00:52 | |
The police take action. | 0:00:52 | 0:00:54 | |
If you come back here you're going to get arrested, yeah? | 0:00:54 | 0:00:57 | |
There's a countdown to a major announcement at John Lewis. | 0:00:57 | 0:01:00 | |
Four, three, two... | 0:01:00 | 0:01:03 | |
And a guide dog takes on his biggest challenge yet. | 0:01:03 | 0:01:06 | |
Good boy. | 0:01:06 | 0:01:07 | |
Oxford Street and its surrounding area is best | 0:01:12 | 0:01:15 | |
known for its glittering department stores and glamorous shopping. | 0:01:15 | 0:01:19 | |
But recently the end of the street around Marble Arch | 0:01:19 | 0:01:23 | |
has become a landmark destination for recently arrived | 0:01:23 | 0:01:26 | |
groups from Eastern Europe. | 0:01:26 | 0:01:28 | |
And without other accommodation, some have decided to make it their home. | 0:01:28 | 0:01:33 | |
There have been ongoing complaints of antisocial behaviour. | 0:01:33 | 0:01:37 | |
It's fallen to the Oxford Street police team to deal with the problem. | 0:01:37 | 0:01:41 | |
And while plain-clothes officers Paul Penrose and Hetise Ipa patrol, | 0:01:42 | 0:01:47 | |
a call comes through relating to this very issue. | 0:01:47 | 0:01:50 | |
OK. Right, OK. | 0:01:50 | 0:01:52 | |
And the news isn't good. | 0:01:52 | 0:01:54 | |
Bye. | 0:01:54 | 0:01:56 | |
We're just heading up to Marble Arch... | 0:01:56 | 0:01:59 | |
support uniformed officers. | 0:01:59 | 0:02:00 | |
A section of the Roma community who've been camping | 0:02:02 | 0:02:04 | |
out on Marble Arch and under Park Lane subway. | 0:02:04 | 0:02:07 | |
We don't know how many are up there. | 0:02:07 | 0:02:09 | |
But when we get up there we're going to detain them, | 0:02:09 | 0:02:12 | |
wait for uniform to come along, who'll find out who was dispersed | 0:02:12 | 0:02:16 | |
this morning and if they've come back then they'll be arrested. | 0:02:16 | 0:02:21 | |
Paul and Hetise hurry to the Marble Arch underpass. | 0:02:21 | 0:02:24 | |
It's an area and a problem they know all too well. | 0:02:24 | 0:02:28 | |
When it gets dark, this place, at the moment, has been overtaken by... | 0:02:28 | 0:02:33 | |
uh, by Roma, rough sleeping, | 0:02:33 | 0:02:35 | |
they use the whole place to defecate, urinate. | 0:02:35 | 0:02:39 | |
In the arches you'll come, you'll find human faeces everywhere, | 0:02:39 | 0:02:43 | |
rubbish, everything else. | 0:02:43 | 0:02:45 | |
OK, there they all are. It's the usual place they all gather. | 0:02:45 | 0:02:49 | |
Um, it's just down by the fountain. | 0:02:49 | 0:02:51 | |
There's a large group of people on the right-hand side. | 0:02:51 | 0:02:54 | |
Paul and Hetise take advantage of being in plain clothes | 0:02:54 | 0:02:57 | |
to get a handle on the situation in the park above the underpass. | 0:02:57 | 0:03:01 | |
There's stuff changing hands between those two. | 0:03:02 | 0:03:07 | |
See, I think they're gambling on the floor there. | 0:03:07 | 0:03:10 | |
But even in plain clothes, Paul and Hetise's presence is soon spotted. | 0:03:10 | 0:03:15 | |
Despite being outnumbered, Paul feels he's got no choice | 0:03:15 | 0:03:18 | |
but to move in without backup. | 0:03:18 | 0:03:20 | |
Guys, do you just want to stay there a second, please? | 0:03:20 | 0:03:23 | |
Police. | 0:03:23 | 0:03:24 | |
Hi, guys. What are we up to down here? | 0:03:24 | 0:03:26 | |
Paul thinks the men are gambling, which is illegal, | 0:03:26 | 0:03:29 | |
but he's limited in what he can do. | 0:03:29 | 0:03:31 | |
Before he can check on them, many run off. | 0:03:31 | 0:03:33 | |
No, no, no. You don't have to go away. We don't run off, do we? | 0:03:33 | 0:03:36 | |
All right? Let's all stay here. | 0:03:36 | 0:03:38 | |
And you! Oi! | 0:03:38 | 0:03:40 | |
Got about as much chance of keeping this lot under control... | 0:03:40 | 0:03:42 | |
But look at them, they're off. | 0:03:42 | 0:03:45 | |
With no uniform backup, Paul would struggle to make any arrests. | 0:03:45 | 0:03:49 | |
So, for now, he just gives them a verbal warning. | 0:03:49 | 0:03:52 | |
Guys, if you come back here, | 0:03:53 | 0:03:56 | |
or the subway, | 0:03:56 | 0:03:58 | |
you're going to get arrested, yeah? | 0:03:58 | 0:04:00 | |
Go away. Yeah, all of you. All of you. | 0:04:00 | 0:04:02 | |
At the very least, Paul and Hetise | 0:04:02 | 0:04:04 | |
have managed to clear this area of the park. | 0:04:04 | 0:04:06 | |
We've managed to clear them in the space of three minutes. | 0:04:06 | 0:04:09 | |
But their experience demonstrates the difficulty of containing | 0:04:09 | 0:04:13 | |
the rough sleeping problem. | 0:04:13 | 0:04:15 | |
Paul checks through the detritus that's been left. | 0:04:15 | 0:04:18 | |
One of them has kindly left their rucksack. | 0:04:18 | 0:04:21 | |
So, um, what I'm going to do is have a look in there, | 0:04:21 | 0:04:24 | |
see if I can identify who it belongs to, really. | 0:04:24 | 0:04:27 | |
We've got a sleeping bag. | 0:04:27 | 0:04:28 | |
There's a brand-new, um... | 0:04:30 | 0:04:32 | |
..DHB radio. | 0:04:33 | 0:04:35 | |
Uniformed officers finally arrive, but they're too late. | 0:04:35 | 0:04:38 | |
All Paul can do is hand over what he's found. | 0:04:38 | 0:04:41 | |
They all sprinted off and left this bag. | 0:04:41 | 0:04:44 | |
Paul and Hetise head off. There's nothing more they can do tonight. | 0:04:44 | 0:04:48 | |
What is clear is that there's an ongoing problem with newly | 0:04:48 | 0:04:51 | |
arrived East Europeans | 0:04:51 | 0:04:53 | |
acting anti-socially at key landmarks. | 0:04:53 | 0:04:55 | |
In the glittering West End of London, this is a strict no-no. | 0:04:55 | 0:04:59 | |
Later, handcuffs come out as Paul's called to deal with another | 0:05:00 | 0:05:04 | |
rough sleeper for very different reasons. | 0:05:04 | 0:05:07 | |
You are safe, yeah? | 0:05:07 | 0:05:08 | |
It's evening at John Lewis Oxford Street | 0:05:16 | 0:05:19 | |
and marketing coordinator Steve Cooper is getting the store | 0:05:19 | 0:05:22 | |
ready for one of its biggest events of the year. | 0:05:22 | 0:05:25 | |
The event in question takes place behind closed doors | 0:05:27 | 0:05:30 | |
and there's not a shopper in sight. | 0:05:30 | 0:05:32 | |
But for the chain's 91,000 staff nationwide, | 0:05:32 | 0:05:36 | |
it's unmissable. | 0:05:36 | 0:05:38 | |
Getting ready for a really big day, a really important day tomorrow. | 0:05:38 | 0:05:42 | |
We reveal this year's John Lewis partnership bonus. | 0:05:42 | 0:05:47 | |
Very exciting event. | 0:05:47 | 0:05:48 | |
Very secretive, in that nobody | 0:05:48 | 0:05:50 | |
and I genuinely have no idea what the amount will be. | 0:05:50 | 0:05:54 | |
Quarter past nine tomorrow morning, we reveal all. | 0:05:54 | 0:05:57 | |
Every year, the national chain reveals the size of the year's bonus | 0:05:57 | 0:06:00 | |
when they open an envelope in the Oxford Street store. | 0:06:00 | 0:06:04 | |
The percentage figure is the amount every member of staff, | 0:06:04 | 0:06:07 | |
or partners as they're known, | 0:06:07 | 0:06:09 | |
will get on top of their regular salary. | 0:06:09 | 0:06:11 | |
The unveiling will take place in the store's seven-storey atrium. | 0:06:11 | 0:06:16 | |
As well as managing the event, Steve will be in charge of | 0:06:16 | 0:06:19 | |
the all-important announcement envelope. | 0:06:19 | 0:06:22 | |
This'll be my 38th bonus. | 0:06:22 | 0:06:25 | |
I've had as high as 24%, I've had as low as 8% during that time. | 0:06:25 | 0:06:29 | |
But before Steve can count his money, | 0:06:29 | 0:06:31 | |
he's got to make sure everything's in place for this key event. | 0:06:31 | 0:06:35 | |
They're putting up banners, erecting a stage | 0:06:35 | 0:06:38 | |
and the chain's own choir is going to be on hand | 0:06:38 | 0:06:41 | |
to entertain the gathered partners. | 0:06:41 | 0:06:43 | |
So, choir there. Manvinder will be there. | 0:06:43 | 0:06:45 | |
Yeah. I think they're going to have a camera over there as well. | 0:06:45 | 0:06:48 | |
Probably be partners on the stairs there. | 0:06:48 | 0:06:50 | |
-I've got to get all the way... -So we are stopping them? | 0:06:50 | 0:06:52 | |
-Stopping the escalators. -OK. -And a press pen here. | 0:06:52 | 0:06:54 | |
The event's also important media-wise. | 0:06:54 | 0:06:57 | |
Many business commentators judge the company's success over | 0:06:57 | 0:07:00 | |
the last 12 months on the size of the bonus. | 0:07:00 | 0:07:04 | |
-Quarter past nine now. -Quarter past nine. -12 hours time... | 0:07:04 | 0:07:06 | |
all will be revealed. | 0:07:06 | 0:07:08 | |
That's my lot for tonight. | 0:07:08 | 0:07:09 | |
I'll be in, probably, quarter past, half past seven in the morning | 0:07:09 | 0:07:12 | |
to see the result of all the efforts and then move onto the next phase. | 0:07:12 | 0:07:15 | |
But I think I need my beauty sleep. | 0:07:15 | 0:07:17 | |
And the next morning, beauty sleep in the bag, | 0:07:18 | 0:07:21 | |
Steve is back for the big event. | 0:07:21 | 0:07:23 | |
-Fashion accessories. -Fashion accessories? -Yeah, we've relocated. | 0:07:23 | 0:07:27 | |
And he's brought something with him. | 0:07:27 | 0:07:29 | |
This is the envelope that actually contains the figure, | 0:07:29 | 0:07:33 | |
which I'm not tempted to look at because it's actually | 0:07:33 | 0:07:36 | |
a nice surprise. I don't want to ruin it for myself either. | 0:07:36 | 0:07:38 | |
I need to take this up to management office, | 0:07:38 | 0:07:40 | |
then that'll come down with the head of branch and the people | 0:07:40 | 0:07:43 | |
opening the envelope at 9:15, which is rapidly approaching. | 0:07:43 | 0:07:47 | |
-Morning, Steve. -Morning. | 0:07:49 | 0:07:51 | |
-This is it. -It's arrived? -It's now over to you. | 0:07:51 | 0:07:54 | |
-The main one. -Thank you. -OK. -I'll catch you later. Cheers. | 0:07:54 | 0:07:57 | |
No-one knows what this number is, apart from a select few, | 0:07:57 | 0:07:59 | |
that are mainly the board members. Slightly anxious. | 0:07:59 | 0:08:02 | |
We've got a lot that we've been organising, | 0:08:02 | 0:08:04 | |
a lot of press, a lot of media | 0:08:04 | 0:08:05 | |
and, of course, partners from across the whole partnership | 0:08:05 | 0:08:08 | |
have joined us today, so a big audience | 0:08:08 | 0:08:10 | |
and I now need to ensure that | 0:08:10 | 0:08:12 | |
the managing director is ready for the presentation. | 0:08:12 | 0:08:15 | |
Morning, Karen. It's arrived. | 0:08:15 | 0:08:17 | |
Later, the nerves are kicking in as staff count down to bonus time. | 0:08:17 | 0:08:21 | |
Five, four, three, | 0:08:21 | 0:08:24 | |
two, one! | 0:08:24 | 0:08:26 | |
CHEERING AND APPLAUSE | 0:08:26 | 0:08:27 | |
And you! Oi! | 0:08:33 | 0:08:35 | |
Earlier, we were with the Oxford Street police team, | 0:08:35 | 0:08:39 | |
as they grappled with the problem of East European rough sleepers. | 0:08:39 | 0:08:43 | |
Hi, guys. What are we up to down here? | 0:08:43 | 0:08:46 | |
A few weeks later, | 0:08:46 | 0:08:47 | |
we're filming at the West End Central police station, when a call | 0:08:47 | 0:08:51 | |
comes through to Paul Penrose about another East European visitor. | 0:08:51 | 0:08:55 | |
One of the Safer Transport Teams have... | 0:08:55 | 0:08:59 | |
found someone who is in the country illegally. | 0:08:59 | 0:09:02 | |
Um...I'm just going out | 0:09:02 | 0:09:05 | |
to support them, check if they are. | 0:09:05 | 0:09:08 | |
If they are then we'll arrest them, bring them back to the station. | 0:09:08 | 0:09:11 | |
The suspect's being held on Oxford Street, | 0:09:11 | 0:09:14 | |
and Paul heads out there as fast as he can. | 0:09:14 | 0:09:17 | |
The information he has is that the man is in the country illegally | 0:09:17 | 0:09:20 | |
and wanted by the immigration authorities. | 0:09:20 | 0:09:24 | |
A Safer Transport PCSO has got the male detained. | 0:09:24 | 0:09:27 | |
We'll come in and take over. They can't arrest anyone, you see. | 0:09:27 | 0:09:31 | |
-Hey, guys. -Hello. -PC Penrose. | 0:09:38 | 0:09:40 | |
So, what's the issue? | 0:09:40 | 0:09:42 | |
Yeah, OK, take him to West End Central, if we can get a... | 0:09:46 | 0:09:49 | |
-Don't do it. -I'm a police officer. I'm a police officer, yeah? | 0:09:49 | 0:09:52 | |
You're going to be arrested, | 0:09:52 | 0:09:54 | |
-all right, for immigration offences? -Oh. -OK? | 0:09:54 | 0:09:57 | |
For immigration, because it's come back that immigration would like to | 0:09:57 | 0:10:00 | |
-talk to you about your current status. -It's no problem. | 0:10:00 | 0:10:03 | |
So, you do not have to say anything, | 0:10:03 | 0:10:04 | |
but you may harm your defence if you do not mention | 0:10:04 | 0:10:06 | |
when questioned something which you later rely on in court. | 0:10:06 | 0:10:09 | |
Anything you do say may be given in evidence. | 0:10:09 | 0:10:12 | |
The man may be wanted by the immigration authorities | 0:10:12 | 0:10:15 | |
but it soon becomes apparent that, bizarrely, it was the man | 0:10:15 | 0:10:18 | |
himself who approached the PCSOs and asked to be arrested. | 0:10:18 | 0:10:22 | |
-So, how did you come across this guy? -Sorry? | 0:10:23 | 0:10:25 | |
How did you come across him? | 0:10:25 | 0:10:27 | |
We were just walking down and he just approached us. He stated that, | 0:10:27 | 0:10:30 | |
"I've got a problem and I need to get back in my country." | 0:10:30 | 0:10:34 | |
Right. Where are you from, friend? | 0:10:34 | 0:10:36 | |
-I'm from Albania. -From Albania, yeah? | 0:10:36 | 0:10:38 | |
Paul searches the man, who begins to become agitated. | 0:10:38 | 0:10:42 | |
Mate, you need to stand still. Yeah, all right, you need to... | 0:10:43 | 0:10:46 | |
Right, listen to me, though, you need to stand still. | 0:10:46 | 0:10:48 | |
You have to stay still for me. | 0:10:48 | 0:10:51 | |
Paul will now escort the man back to the station | 0:10:51 | 0:10:53 | |
to confirm that he is indeed here illegally. | 0:10:53 | 0:10:56 | |
Come with me. We'll pop in the van. | 0:10:56 | 0:10:58 | |
He claims to be an Albanian national, so has no right to residency, | 0:10:58 | 0:11:01 | |
but why would he turn himself in? | 0:11:01 | 0:11:03 | |
It's OK, sir, you are safe, yeah? | 0:11:03 | 0:11:06 | |
Ah, right, OK. | 0:11:08 | 0:11:09 | |
-That's correct. -No, that's right. | 0:11:16 | 0:11:19 | |
What I think is happening, and it's sometimes all too common, | 0:11:19 | 0:11:22 | |
at the moment, is you can't find work, | 0:11:22 | 0:11:24 | |
doesn't have the money to get home, so believes by handing himself in, | 0:11:24 | 0:11:28 | |
he'll get a free flight back, which sometimes may send out | 0:11:28 | 0:11:31 | |
the wrong message that you can come illegally and, | 0:11:31 | 0:11:34 | |
when you've had enough, we'll just pay for you to go home. | 0:11:34 | 0:11:37 | |
But that's on a much higher pay scale | 0:11:37 | 0:11:39 | |
than mine to sort that problem out. | 0:11:39 | 0:11:41 | |
For Paul, as part of the team struggling to cope with | 0:11:42 | 0:11:45 | |
so many East Europeans looking for a place to sleep in London, | 0:11:45 | 0:11:49 | |
helping one go home marks a refreshing change. | 0:11:49 | 0:11:52 | |
Illegal entry into the UK is obviously quite a big problem. | 0:11:52 | 0:11:56 | |
Dare I say, this is a good result because, obviously, | 0:11:59 | 0:12:02 | |
the chap has decided he wants to go home. | 0:12:02 | 0:12:04 | |
What we sometimes find will happen is people come here, they can't find | 0:12:04 | 0:12:07 | |
work, they obviously, naturally, become desperate as a result. | 0:12:07 | 0:12:10 | |
That's when they'll resort to criminality, | 0:12:10 | 0:12:14 | |
and, more often than not, that will end up on Oxford Street. | 0:12:14 | 0:12:17 | |
The man is booked in and will eventually be passed to | 0:12:17 | 0:12:20 | |
the immigration authorities. | 0:12:20 | 0:12:22 | |
-Do you have some -ID? No, I don't. | 0:12:22 | 0:12:25 | |
For Paul, it brings one of his more unexpected arrests to a close. | 0:12:25 | 0:12:28 | |
I asked the police to stop me, man. Why are you saying you arrest me? | 0:12:28 | 0:12:32 | |
Well, because I officially have to bring you into custody. | 0:12:32 | 0:12:35 | |
And, since we filmed, it turned out the man wasn't just | 0:12:35 | 0:12:38 | |
wanted by immigration, | 0:12:38 | 0:12:40 | |
he was also wanted in Leicester for shoplifting offences, | 0:12:40 | 0:12:43 | |
so was taken up there, where he's since served time in prison. | 0:12:43 | 0:12:47 | |
-Oi! -Later, problems continue with rough sleepers at London landmarks. | 0:12:47 | 0:12:52 | |
-Up! -The police go to tackle it head on. | 0:12:52 | 0:12:54 | |
If you return within 48 hours, you will be arrested. | 0:12:54 | 0:12:58 | |
This is Stanley. | 0:13:07 | 0:13:09 | |
He's currently in training to become a guide dog. | 0:13:09 | 0:13:12 | |
It's an important job. | 0:13:12 | 0:13:14 | |
One day, a blind or partially sighted person will rely on him | 0:13:14 | 0:13:18 | |
for their every step. | 0:13:18 | 0:13:20 | |
Sit. Good boy. | 0:13:20 | 0:13:23 | |
To get ready for that day is a rigorous and intensive process, | 0:13:23 | 0:13:27 | |
taking 24 months and costing over £30,000. | 0:13:27 | 0:13:31 | |
So far, Stanley's been trained for six months | 0:13:33 | 0:13:35 | |
and he's about to have his biggest day yet. | 0:13:35 | 0:13:38 | |
He needs to learn how to cope in large crowds of people | 0:13:39 | 0:13:42 | |
and how to deal with escalators. | 0:13:42 | 0:13:45 | |
Good boy. Sit. | 0:13:45 | 0:13:47 | |
To get him ready for doing both, today, his trainer, Elliott, | 0:13:47 | 0:13:50 | |
is taking him to Oxford Street. | 0:13:50 | 0:13:52 | |
I think he's ready for the challenge today. | 0:13:54 | 0:13:56 | |
I wouldn't do it if I didn't think he was. | 0:13:56 | 0:13:58 | |
We'll take it slowly and if at any moment we need to, | 0:13:58 | 0:14:01 | |
we'll...we'll leave. | 0:14:01 | 0:14:04 | |
Every year, Guide Dogs For The Blind train 780 dogs, | 0:14:04 | 0:14:08 | |
but demand is massive, | 0:14:08 | 0:14:10 | |
so it's vital they all get through the training. | 0:14:10 | 0:14:13 | |
Leading a blind owner into any sort of collision, or becoming disturbed | 0:14:13 | 0:14:17 | |
in noisy crowds could be calamitous. | 0:14:17 | 0:14:19 | |
It amazes me every time I train one of these dogs that they can | 0:14:19 | 0:14:23 | |
take me down a busy road and I can miss every single person. | 0:14:23 | 0:14:27 | |
It's really phenomenal what they can do. | 0:14:27 | 0:14:31 | |
Today, Stanley will be expected to lead Elliott through the crowded | 0:14:31 | 0:14:35 | |
shopping streets without hitting other pedestrians or obstacles. | 0:14:35 | 0:14:39 | |
And, for Stanley, | 0:14:40 | 0:14:42 | |
that means getting to grips with Europe's busiest shopping street. | 0:14:42 | 0:14:46 | |
Good boy. Touch. I'm going to try and make it as pleasant | 0:14:50 | 0:14:54 | |
an experience as possible. Good lad. | 0:14:54 | 0:14:56 | |
He's never encountered this many people, or this much noise, before. | 0:14:56 | 0:15:00 | |
SIREN BLARES | 0:15:00 | 0:15:01 | |
It's just a really difficult environment. | 0:15:04 | 0:15:06 | |
So busy and so many different places you can go wrong. | 0:15:06 | 0:15:10 | |
A blind or partially sighted person would be looking for Stanley now to | 0:15:10 | 0:15:14 | |
be confident in his movements | 0:15:14 | 0:15:16 | |
and not be jumpy at sounds, sights or smells. | 0:15:16 | 0:15:20 | |
First up, Stanley needs to show confidence in tracing a path | 0:15:20 | 0:15:23 | |
for Elliott along the busy street and through the pedestrians. | 0:15:23 | 0:15:28 | |
He's dropped his speed down nicely | 0:15:28 | 0:15:30 | |
to navigate round the busy environment. Good boy. | 0:15:30 | 0:15:34 | |
Basically, they have a critical area which they know, self-preservation, | 0:15:34 | 0:15:38 | |
they're going to move if they're going to walk into an obstacle. | 0:15:38 | 0:15:40 | |
We teach them appreciation for us, | 0:15:40 | 0:15:43 | |
so he will move left and right and incorporate me into it. | 0:15:43 | 0:15:47 | |
Good boy. And, then, if there's no space through, | 0:15:47 | 0:15:50 | |
like now, he'll just stop. Good boy, well done. | 0:15:50 | 0:15:53 | |
Then Stanley's got to safely lead Elliott across the road. | 0:15:53 | 0:15:56 | |
Stanley's coping well. | 0:15:59 | 0:16:01 | |
Yeah, good boy! | 0:16:01 | 0:16:02 | |
So, I'm just teaching him that he can use the whole pavement. | 0:16:02 | 0:16:06 | |
Looking to me a little bit more than he would normally. | 0:16:06 | 0:16:09 | |
It's an intense environment. I think there's a bit more uncertainty. | 0:16:09 | 0:16:13 | |
If he's to lead a blind person, he'll have to cope with buskers. | 0:16:13 | 0:16:17 | |
HE BEATBOXES | 0:16:17 | 0:16:18 | |
But, as they get closer, Stanley is getting hesitant. | 0:16:21 | 0:16:25 | |
Good boy. Forward. | 0:16:25 | 0:16:26 | |
BEATBOXING | 0:16:26 | 0:16:28 | |
This is where Elliot's role as trainer is crucial. | 0:16:35 | 0:16:39 | |
He needs to teach Stanley not to be afraid of street commotion like this. | 0:16:39 | 0:16:43 | |
And, to do that, he uses a cheesy treat your reward him. | 0:16:43 | 0:16:46 | |
Wow. Good boy! | 0:16:46 | 0:16:49 | |
So, now, hopefully, he associates | 0:16:49 | 0:16:52 | |
human beatbox with good things. | 0:16:52 | 0:16:55 | |
Cheese. | 0:16:55 | 0:16:57 | |
Stanley is looking like a star pupil. Elliott's happy | 0:16:57 | 0:17:00 | |
he's handled his first day in a place like this so well. | 0:17:00 | 0:17:04 | |
Later, Stanley's mastered Europe's busiest shopping street, | 0:17:04 | 0:17:08 | |
but how will he cope when he comes face-to-face with | 0:17:08 | 0:17:11 | |
the escalators at the UK's busiest station? | 0:17:11 | 0:17:14 | |
Wait. | 0:17:14 | 0:17:15 | |
It's 9am at John Lewis Oxford Street, | 0:17:22 | 0:17:25 | |
and the store's atrium is being prepared for senior management, | 0:17:25 | 0:17:29 | |
hundreds of staff and the national media, | 0:17:29 | 0:17:32 | |
for a major annual announcement. | 0:17:32 | 0:17:34 | |
In a few minutes' time, the chain's 91,000 employees will find out | 0:17:34 | 0:17:39 | |
how much this year's bonus is going to be. | 0:17:39 | 0:17:42 | |
Anything over 10% is considered good. Over 15%, exceptional. | 0:17:42 | 0:17:48 | |
Steve Cooper is the man responsible for making sure the show goes to plan | 0:17:48 | 0:17:52 | |
and getting the store ready to open to the public just minutes later. | 0:17:52 | 0:17:57 | |
So, quarter to nine, half hour to go, I say half hour to go, | 0:17:57 | 0:18:00 | |
really it all starts in about quarter of an hour | 0:18:00 | 0:18:02 | |
when everybody starts to gather round. | 0:18:02 | 0:18:05 | |
The choir should be rehearsing now. | 0:18:05 | 0:18:07 | |
Conductor and John Lewis partner Manvinder is overseeing the choir. | 0:18:09 | 0:18:14 | |
Don't strain it, whatever you do. | 0:18:14 | 0:18:16 | |
But you can afford to give a little bit more. | 0:18:16 | 0:18:19 | |
Tenors, if there's anything more to be had, that would be good. | 0:18:19 | 0:18:22 | |
Michael, if there's any moment where the tenors | 0:18:22 | 0:18:25 | |
might need a bit of moral support, don't be shy. | 0:18:25 | 0:18:28 | |
It's now about getting everyone, staff, press and top brass, | 0:18:30 | 0:18:34 | |
into place for Steve. | 0:18:34 | 0:18:36 | |
Three or four over there, thank you. | 0:18:36 | 0:18:38 | |
Um... Do you want to sort of go up the escalators and be around there | 0:18:38 | 0:18:43 | |
This is quite fun, trying to get them to evenly spread around | 0:18:43 | 0:18:46 | |
so there's a good mix of people. Yeah, give it a good atmosphere. | 0:18:46 | 0:18:50 | |
It seems to be happening. | 0:18:50 | 0:18:51 | |
All the press are here, everybody's here today, | 0:18:51 | 0:18:54 | |
waiting for the announcement of our bonus. We've worked hard all year. | 0:18:54 | 0:18:58 | |
I think we're all working out what to spend it on. I'm saving mine! | 0:18:58 | 0:19:02 | |
And with just a few minutes to go, it's time for the show to start. | 0:19:02 | 0:19:07 | |
To get you in the mood, I'm going to introduce Manvinder | 0:19:08 | 0:19:11 | |
and the Cavendish Singers. | 0:19:11 | 0:19:13 | |
# If you have a minute why don't we go | 0:19:15 | 0:19:20 | |
# Talk about it somewhere only we know? | 0:19:20 | 0:19:25 | |
# This could be the end of everything | 0:19:26 | 0:19:30 | |
# Somewhere only we know. # | 0:19:30 | 0:19:35 | |
CHEERING AND APPLAUSE | 0:19:35 | 0:19:39 | |
Next up, the main event. | 0:19:41 | 0:19:43 | |
-Are we all ready for the big moment? -ALL: Yes! | 0:19:43 | 0:19:46 | |
We're ready for the countdown, so, please join me, | 0:19:46 | 0:19:48 | |
as we begin the countdown from ten, nine, eight... | 0:19:48 | 0:19:53 | |
ALL JOIN IN: ..seven, six, five, | 0:19:53 | 0:19:57 | |
four, three, two, one! | 0:19:57 | 0:20:01 | |
Go, go, go! | 0:20:01 | 0:20:02 | |
CHEERING | 0:20:02 | 0:20:05 | |
11%! | 0:20:05 | 0:20:06 | |
Have a wonderful rest of the day, guys, thank you. | 0:20:14 | 0:20:17 | |
Really happy, yeah, it's a lovely result. | 0:20:17 | 0:20:19 | |
I've just got back from holiday | 0:20:19 | 0:20:21 | |
and I'm definitely feeling the holiday blues | 0:20:21 | 0:20:23 | |
so I might be booking myself another one. | 0:20:23 | 0:20:25 | |
Our colleagues are happy for that, | 0:20:25 | 0:20:27 | |
the massed halls around the building were happy with 11%. | 0:20:27 | 0:20:30 | |
For Steve, the bonus is one thing, | 0:20:30 | 0:20:33 | |
but his focus is now on getting the shop ready | 0:20:33 | 0:20:35 | |
to open in five minutes' time. | 0:20:35 | 0:20:37 | |
Dismantle the stage, and away we go. | 0:20:37 | 0:20:40 | |
Five minutes later, someone will come in and never know it's happened. | 0:20:40 | 0:20:43 | |
And then, it's all over for another year. | 0:20:43 | 0:20:46 | |
I'm going to get on with my day now. Hear those tills ringing. | 0:20:46 | 0:20:48 | |
We've got to start working for next year's bonus. | 0:20:48 | 0:20:51 | |
Hi, guys, what are we up to down here? | 0:20:59 | 0:21:01 | |
Earlier, we saw the Oxford Street police team trying to deal with | 0:21:01 | 0:21:04 | |
the problem of newly arrived East Europeans | 0:21:04 | 0:21:07 | |
making a home for themselves at Marble Arch. | 0:21:07 | 0:21:10 | |
If you come back here, you're going to get arrested, yeah? | 0:21:10 | 0:21:13 | |
And since then, | 0:21:13 | 0:21:14 | |
complaints of antisocial behaviour have continued to flood in. | 0:21:14 | 0:21:18 | |
So today, PC Andy Pescott is leading another operation | 0:21:19 | 0:21:23 | |
to stop them sleeping rough in Oxford Street or the West End of London. | 0:21:23 | 0:21:27 | |
Today's intention is to go out and issue a 48-hour dispersal | 0:21:30 | 0:21:34 | |
to alleviate the problem for at least 48 hours. | 0:21:34 | 0:21:37 | |
This morning, Andy will lead a team of police, interpreters | 0:21:37 | 0:21:41 | |
and an immigration team. | 0:21:41 | 0:21:43 | |
They're being dispersed | 0:21:43 | 0:21:44 | |
on the grounds of ongoing antisocial behaviour, | 0:21:44 | 0:21:47 | |
through begging, littering, | 0:21:47 | 0:21:50 | |
urination, defecation, etc, etc. | 0:21:50 | 0:21:55 | |
Andy's is one of three teams in the area today, | 0:21:55 | 0:21:58 | |
launching similar operations to disperse this kind of rough sleeping. | 0:21:58 | 0:22:02 | |
Ready to go? | 0:22:02 | 0:22:03 | |
What a beautiful morning(!) | 0:22:06 | 0:22:08 | |
Andy and the team head out to the underpass in question | 0:22:08 | 0:22:12 | |
and in the van, just how serious the problem is becomes apparent. | 0:22:12 | 0:22:16 | |
There was reports that have just come in | 0:22:16 | 0:22:18 | |
that there was 50 to 60 in the tunnels overnight, | 0:22:18 | 0:22:22 | |
so we'll take a look and see if they were there and if not, | 0:22:22 | 0:22:25 | |
then we'll start sweeping back along the side streets. | 0:22:25 | 0:22:28 | |
Rough sleeping is a complicated problem at the best of times. | 0:22:28 | 0:22:32 | |
Recently arrived immigrants from EU member states | 0:22:32 | 0:22:35 | |
have the right to live and work in the UK. | 0:22:35 | 0:22:37 | |
But they don't have the right to sleep rough | 0:22:37 | 0:22:40 | |
at famous London landmarks, as they're about to find out. | 0:22:40 | 0:22:44 | |
Whoa! | 0:22:44 | 0:22:45 | |
Don't let him go, make sure he doesn't go anywhere. | 0:22:45 | 0:22:49 | |
-Buna dimineata! -THEY RESPOND IN ROMANIAN | 0:22:49 | 0:22:53 | |
Stay there, move. | 0:22:53 | 0:22:55 | |
At the far end of the tunnel, some of them try and dash off. | 0:22:55 | 0:22:58 | |
Oi! Stay there. | 0:22:58 | 0:23:01 | |
But Andy is not letting them get away. | 0:23:02 | 0:23:04 | |
Wait. Up! | 0:23:04 | 0:23:06 | |
The problem is all too clear. | 0:23:08 | 0:23:10 | |
Dozens of people sleeping rough in a public underpass | 0:23:10 | 0:23:13 | |
right next to the world-famous shopping areas of London's West End. | 0:23:13 | 0:23:17 | |
We've probably got about 50 here. | 0:23:17 | 0:23:20 | |
This was a bit of a shock. Does anybody speak English? | 0:23:22 | 0:23:26 | |
Andy gathers the rough sleepers. | 0:23:26 | 0:23:28 | |
If I can have one interpreter | 0:23:28 | 0:23:30 | |
and one immigration officer with me on this side. | 0:23:30 | 0:23:33 | |
With the help of a translator, | 0:23:33 | 0:23:34 | |
he's now going to serve every one of them with a dispersal order. | 0:23:34 | 0:23:39 | |
Because of the ongoing antisocial behaviour... | 0:23:39 | 0:23:42 | |
WOMAN TRANSLATES INTO ROMANIAN | 0:23:42 | 0:23:45 | |
..this morning, you will be issued with a 48-hour dispersal notice. | 0:23:45 | 0:23:51 | |
On the dispersal notice, | 0:23:51 | 0:23:53 | |
it gives you a map that tells you the area that you cannot come into. | 0:23:53 | 0:23:57 | |
In other words, you will leave central London. | 0:23:57 | 0:24:01 | |
If you return within 48 hours, you will be arrested. | 0:24:01 | 0:24:05 | |
So, no Marble Arch, no Oxford Street, no London. | 0:24:07 | 0:24:12 | |
And as they go through each individual's details, | 0:24:12 | 0:24:15 | |
they find someone who might end up being banned | 0:24:15 | 0:24:18 | |
from more than just central London. | 0:24:18 | 0:24:20 | |
Newcomers to the UK have a time limit on how long they can stay | 0:24:20 | 0:24:24 | |
without funds or employment or a course of education. | 0:24:24 | 0:24:27 | |
And Andy thinks this man is in breach of it. | 0:24:27 | 0:24:30 | |
Under the EU treaty rights, he has of maximum of three months | 0:24:30 | 0:24:34 | |
to show that he has integrated | 0:24:34 | 0:24:36 | |
and that he's got a job, he's got accommodation. | 0:24:36 | 0:24:38 | |
He obviously hasn't done any of that. | 0:24:38 | 0:24:41 | |
He's expired by four days over those three months. | 0:24:41 | 0:24:44 | |
It takes 90 minutes, | 0:24:44 | 0:24:46 | |
but finally Andy's got the details of everyone and moves them on. | 0:24:46 | 0:24:51 | |
Andy returns to the surface and checks in with the other teams. | 0:24:51 | 0:24:55 | |
There's been a number of Roma from three different teams | 0:24:55 | 0:24:59 | |
where they've moved on at least ten each. | 0:24:59 | 0:25:01 | |
Plus the 40-odd that we've moved on, | 0:25:01 | 0:25:05 | |
that's at least 70-odd Roma this morning | 0:25:05 | 0:25:08 | |
that have been disbursed for 48 hours. | 0:25:08 | 0:25:10 | |
For now, Andy's happy, | 0:25:10 | 0:25:12 | |
and the problem, at this underpass at least, is dealt with. | 0:25:12 | 0:25:16 | |
But Andy knows the likelihood is the rough sleeping problem | 0:25:16 | 0:25:20 | |
at Marble Arch isn't over. | 0:25:20 | 0:25:22 | |
Others are likely to try their luck, | 0:25:22 | 0:25:24 | |
but if they do, they can be sure Andy will be there too. | 0:25:24 | 0:25:27 | |
Good boy! | 0:25:35 | 0:25:36 | |
Earlier, we saw trainee guide dog Stanley | 0:25:36 | 0:25:39 | |
getting to grips with Oxford Street's crowds of shoppers. | 0:25:39 | 0:25:42 | |
But now, an even bigger challenge awaits. | 0:25:44 | 0:25:47 | |
They're in the Tube and Stanley's about to try leading trainer Elliott | 0:25:47 | 0:25:51 | |
up and down moving escalators. | 0:25:51 | 0:25:53 | |
First of all, to acclimatise, | 0:25:53 | 0:25:55 | |
they get used to Tube trains by riding up and down the network. | 0:25:55 | 0:25:59 | |
Yes. Good boy! | 0:25:59 | 0:26:01 | |
It's not a natural thing for a dog to want to come on the Tube. | 0:26:01 | 0:26:05 | |
The lights, sounds, the noises, the movement. | 0:26:05 | 0:26:09 | |
It's all unnatural for a dog. | 0:26:09 | 0:26:12 | |
So we take a lot of time preparing them, taking them, | 0:26:12 | 0:26:15 | |
sitting on the platform, letting trains come and go. | 0:26:15 | 0:26:17 | |
'The next station is Oxford Circus.' | 0:26:17 | 0:26:21 | |
Elliott's got special permission from London Underground | 0:26:21 | 0:26:24 | |
to train Stanley at the station. | 0:26:24 | 0:26:26 | |
It's vital guide dogs can cope in the most inhospitable environments. | 0:26:26 | 0:26:30 | |
A wrong step amongst so much moving machinery could be disastrous. | 0:26:30 | 0:26:35 | |
And there's no bigger test than the escalators | 0:26:35 | 0:26:38 | |
on the busiest station on the Underground network. | 0:26:38 | 0:26:40 | |
First, Stanley will have a go on a static escalator to get him started. | 0:26:42 | 0:26:47 | |
To a dog, these huge mechanical stairs must look daunting. | 0:26:47 | 0:26:51 | |
Good lad. | 0:26:51 | 0:26:52 | |
After a few goes, Elliott is happy enough at Stanley's performance | 0:26:52 | 0:26:56 | |
to move him onto the first real, working escalator. | 0:26:56 | 0:27:00 | |
It's a big moment for both of them. | 0:27:00 | 0:27:01 | |
Good boy, yes. And hop on, stand. | 0:27:03 | 0:27:07 | |
Good boy! And wait. | 0:27:07 | 0:27:09 | |
So, that was a little bit of a messy step-on. | 0:27:11 | 0:27:15 | |
The first time he's done it. May have been over-focused on me. | 0:27:15 | 0:27:19 | |
He just sometimes stares so much at me | 0:27:19 | 0:27:21 | |
that he doesn't always watch where he's going. | 0:27:21 | 0:27:24 | |
So I'll try and take the focus off me later. | 0:27:24 | 0:27:26 | |
It's a good start for Stanley and he gets a reward. | 0:27:27 | 0:27:30 | |
Then he's got to try going down. | 0:27:30 | 0:27:33 | |
Wait. Hop on. Yes, good boy! Well done. | 0:27:33 | 0:27:38 | |
Good boy. Wait. Ready, and hop! | 0:27:38 | 0:27:41 | |
Wheyyy! Good boy! Sit. And wait. Wait. Hop on. Yeah, stand. | 0:27:41 | 0:27:48 | |
And wait. | 0:27:48 | 0:27:49 | |
He's now been on quite a few | 0:27:49 | 0:27:50 | |
and I'm really chuffed to bits with how he's getting on. | 0:27:50 | 0:27:54 | |
Good boy. | 0:27:54 | 0:27:55 | |
With the practice, Stanley is now focusing on the escalators | 0:27:55 | 0:27:59 | |
and not his trainer. He's passed this test. | 0:27:59 | 0:28:02 | |
So, Stanley's done absolutely amazing here, | 0:28:02 | 0:28:04 | |
better than I could have even hoped for. | 0:28:04 | 0:28:06 | |
It just shows the preparation has really paid off. | 0:28:06 | 0:28:09 | |
Stanley still has a year and a half left | 0:28:09 | 0:28:11 | |
before he'll be ready to be given to a blind person. | 0:28:11 | 0:28:14 | |
But if he can cope with Europe's busiest shopping street | 0:28:14 | 0:28:17 | |
and the UK's busiest station, | 0:28:17 | 0:28:19 | |
there can be little doubt he's made of the right stuff. | 0:28:19 | 0:28:22 | |
And if his new owner likes shopping on Oxford Street, | 0:28:22 | 0:28:25 | |
he can be sure Stan's his man. | 0:28:25 | 0:28:27 |