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It's the most famous shopping street in the world, in the heart | 0:00:02 | 0:00:04 | |
of Britain's capital city. | 0:00:04 | 0:00:07 | |
A mile and a half long, with 30 million visitors each year, | 0:00:07 | 0:00:11 | |
with some of the world's most famous shops, | 0:00:11 | 0:00:14 | |
biggest stars... | 0:00:14 | 0:00:15 | |
Kate Moss! | 0:00:15 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys, stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
It's the busiest street in the world, it needs constant attention. | 0:00:24 | 0:00:27 | |
..seven days a week. | 0:00:27 | 0:00:29 | |
Oi, clear off! | 0:00:29 | 0:00:30 | |
You are going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London?! | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
Coming up... | 0:00:45 | 0:00:46 | |
HORNS HONK ..Oxford Street gridlock. | 0:00:46 | 0:00:49 | |
Well over 1,000 cabs. | 0:00:49 | 0:00:51 | |
Protesting cabbies take their grievances to the street... | 0:00:51 | 0:00:55 | |
We are fighting for our rights! | 0:00:55 | 0:00:57 | |
..transport control tries to deal with the fallout. | 0:00:57 | 0:01:00 | |
This bus has not moved for about ten minutes. | 0:01:00 | 0:01:02 | |
I wasn't expecting this. | 0:01:02 | 0:01:04 | |
Bath-bomb alert, there's a flagship cosmetics store opening. | 0:01:04 | 0:01:08 | |
And a photographer is on the hunt for the perfect sunrise. | 0:01:08 | 0:01:12 | |
Any minute now. | 0:01:12 | 0:01:14 | |
It's lunchtime at the West End Central Police Station | 0:01:20 | 0:01:23 | |
and the Oxford Street police team, known as ORB, | 0:01:23 | 0:01:26 | |
are bracing themselves for a busy day. | 0:01:26 | 0:01:29 | |
A demonstration is planned on Oxford Street | 0:01:31 | 0:01:33 | |
by a black cab drivers' association, | 0:01:33 | 0:01:36 | |
and it's going to be the ORB's job to police it. | 0:01:36 | 0:01:39 | |
There's probably going to be about 150 cabbies and cabs in attendance. | 0:01:39 | 0:01:43 | |
Police have been told the protest will take the form of a go-slow, | 0:01:43 | 0:01:47 | |
with drivers of black cabs making their point by deliberately | 0:01:47 | 0:01:50 | |
driving slowly to create congestion for an hour in the afternoon. | 0:01:50 | 0:01:55 | |
It's been organised by cabbie Trevor Merralls. | 0:01:55 | 0:01:57 | |
Mr Merralls has no method of communication with the cab drivers | 0:01:57 | 0:02:00 | |
of the event, other than shouting at them as they drive past. | 0:02:00 | 0:02:03 | |
Can I give you one of them, mate? | 0:02:03 | 0:02:05 | |
Fella, can I give you one of these? | 0:02:05 | 0:02:07 | |
There's a demo here at two o'clock in case you're not aware. | 0:02:07 | 0:02:10 | |
The cabbies are protesting | 0:02:10 | 0:02:11 | |
because they believe private hire operations such as minicabs, | 0:02:11 | 0:02:14 | |
pedicabs and online taxi apps like Uber, aren't being properly | 0:02:14 | 0:02:18 | |
regulated by the overseeing authority, Transport For London. | 0:02:18 | 0:02:22 | |
Cheers, fella. | 0:02:22 | 0:02:23 | |
They say this is putting the safety of the public at risk. | 0:02:23 | 0:02:26 | |
Can I give you one of these, mate? | 0:02:26 | 0:02:28 | |
We're calling this demo Enough Is Enough | 0:02:28 | 0:02:31 | |
because the London cab drivers have had enough of this. | 0:02:31 | 0:02:33 | |
We believe that TFL are not doing their own job, which is to | 0:02:33 | 0:02:36 | |
regulate and to enforce the law. | 0:02:36 | 0:02:38 | |
Thanks very much, mate. | 0:02:38 | 0:02:39 | |
Transport For London disputes any suggestion their regulatory work | 0:02:39 | 0:02:43 | |
is inadequate, saying they robustly enforce the rules | 0:02:43 | 0:02:46 | |
and that customer satisfaction rates are high. | 0:02:46 | 0:02:50 | |
But the protest is going ahead anyway, with Oxford Street chosen | 0:02:50 | 0:02:54 | |
to give it maximum exposure. | 0:02:54 | 0:02:55 | |
It is the police's job today to make sure the street doesn't come | 0:02:59 | 0:03:02 | |
to a standstill. | 0:03:02 | 0:03:04 | |
It's a key route for buses and any hold-ups will have | 0:03:04 | 0:03:07 | |
a huge knock-on effect. | 0:03:07 | 0:03:09 | |
Fingers crossed they carry on a snail's pace, | 0:03:09 | 0:03:13 | |
flowing through the street. Hopefully! | 0:03:13 | 0:03:16 | |
At Oxford Circus, in the middle of the mile-and-a-half-long street, | 0:03:16 | 0:03:21 | |
Trevor and colleagues are getting ready for the 2pm kick-off. | 0:03:21 | 0:03:25 | |
Police are allowing them one hour for their protest | 0:03:25 | 0:03:29 | |
and it is generating publicity before it's even started. | 0:03:29 | 0:03:32 | |
-Have you spoken with the organiser? -Oh, I have... | 0:03:32 | 0:03:35 | |
Chief Inspector Stephen Manger is the key Met man on the ground. | 0:03:35 | 0:03:39 | |
-Hi. -Hi, Trevor. | 0:03:39 | 0:03:40 | |
I'm Steve Manger. | 0:03:40 | 0:03:42 | |
We're here to help you facilitate your peaceful protest today. | 0:03:42 | 0:03:46 | |
Respecting the cabbies' right to protest, | 0:03:46 | 0:03:48 | |
he wants to take a cooperative approach today. | 0:03:48 | 0:03:51 | |
I appreciate it is going to get congested down Oxford Street | 0:03:51 | 0:03:54 | |
and that is going to be part of your protest. | 0:03:54 | 0:03:56 | |
What I can't have is obviously the main junctions blocked here at all. | 0:03:56 | 0:03:59 | |
-All right. -Thank you, once again. -Cheers. Much obliged. | 0:03:59 | 0:04:02 | |
Thank you. | 0:04:02 | 0:04:04 | |
The biggest impact of the demonstration is likely to be | 0:04:04 | 0:04:07 | |
felt by the buses. | 0:04:07 | 0:04:09 | |
They are overseen by a central control room known as CentreComm. | 0:04:10 | 0:04:14 | |
This rarely seen communications hub is the nerve centre of London's | 0:04:14 | 0:04:18 | |
traffic planning. It has access to thousands of CCTV cameras | 0:04:18 | 0:04:23 | |
and cutting-edge traffic management systems. | 0:04:23 | 0:04:27 | |
Dealing with today's protest is the job of assistant events | 0:04:27 | 0:04:31 | |
planning manager, Clare Shaw. | 0:04:31 | 0:04:33 | |
My role today is to manage London buses, | 0:04:33 | 0:04:35 | |
make sure we keep them moving as much as possible, | 0:04:35 | 0:04:38 | |
minimise the impact on our passengers. | 0:04:38 | 0:04:40 | |
There's quite a lot in there already. | 0:04:40 | 0:04:42 | |
If they stop and they are static | 0:04:42 | 0:04:44 | |
and they don't move, then obviously that is when the problems start. | 0:04:44 | 0:04:48 | |
Cab traffic on Oxford Street has been steadily building up | 0:04:48 | 0:04:52 | |
in the hour before the beginning of the protest, and at the official | 0:04:52 | 0:04:56 | |
start time, it doesn't take long for the demonstration to have an effect. | 0:04:56 | 0:05:00 | |
HORNS HONK | 0:05:00 | 0:05:03 | |
So we're looking in the region of 500-plus. | 0:05:06 | 0:05:09 | |
This is a bigger response than we actually thought | 0:05:09 | 0:05:11 | |
and the demo is one minute old and already it is gridlocked. | 0:05:11 | 0:05:15 | |
HONKS HORN | 0:05:15 | 0:05:17 | |
The authorities' hopes for a go-slow are soon dashed as, instead, | 0:05:17 | 0:05:21 | |
hundreds of taxi drivers use Oxford Street as a giant car park. | 0:05:21 | 0:05:26 | |
Within seconds, it is total gridlock. | 0:05:26 | 0:05:30 | |
-It's already built up, isn't it? -Solid back there. | 0:05:30 | 0:05:33 | |
For CentreComm, it is a perfect storm. | 0:05:33 | 0:05:35 | |
There's a Tube line already down today, and a major fire | 0:05:35 | 0:05:39 | |
elsewhere means the bus network is under enormous strain as it is. | 0:05:39 | 0:05:43 | |
I've just seen Tottenham Court Road area now | 0:05:43 | 0:05:45 | |
is absolutely chocka as well. | 0:05:45 | 0:05:46 | |
With the go-slow becoming a no-go, it is up to the CentreComm team | 0:05:46 | 0:05:51 | |
to put diversions in place to try and keep the buses moving. | 0:05:51 | 0:05:54 | |
It is probably worth starting to pull... | 0:05:54 | 0:05:56 | |
I think we need to start pulling some out | 0:05:56 | 0:05:58 | |
because the delays are serious now. | 0:05:58 | 0:06:00 | |
Andrew Highfield is the CentreComm manager. | 0:06:00 | 0:06:02 | |
I've allowed the 19s to go up Shaftesbury at the moment. | 0:06:02 | 0:06:05 | |
The guys are working out the best thing to do with the buses | 0:06:05 | 0:06:07 | |
that are currently there and stuck. | 0:06:07 | 0:06:09 | |
They're trying to pull stuff away to remove buses from the area. | 0:06:09 | 0:06:12 | |
HORNS HONK | 0:06:12 | 0:06:13 | |
Later, as the demonstration escalates, | 0:06:13 | 0:06:15 | |
buses and police come into conflict. | 0:06:15 | 0:06:18 | |
-Pull up to the left-hand side, please? -Well, I'm not going to. | 0:06:18 | 0:06:22 | |
For every shop chain in the UK, the ultimate proof they've made it | 0:06:29 | 0:06:33 | |
is getting a flagship store on Oxford Street. | 0:06:33 | 0:06:36 | |
Of the street's 200 shops, over 70 are flagships. | 0:06:38 | 0:06:42 | |
But just what does it mean to a company to open their leading store | 0:06:42 | 0:06:45 | |
on Europe's busiest shopping street? | 0:06:45 | 0:06:48 | |
About to find out is British cosmetics chain Lush. | 0:06:48 | 0:06:53 | |
There's seven weeks to go | 0:06:53 | 0:06:55 | |
until they open their international flagship here. | 0:06:55 | 0:06:59 | |
But the shop itself starts life 112 miles away from the glittering | 0:06:59 | 0:07:03 | |
lights of the West End. | 0:07:03 | 0:07:04 | |
It's currently being assembled | 0:07:06 | 0:07:07 | |
in a warehouse in Sturminster Marshall, Dorset, | 0:07:07 | 0:07:10 | |
by store designers Jo and Katie. | 0:07:10 | 0:07:13 | |
This is our mock-up unit for the Oxford Street store, | 0:07:14 | 0:07:18 | |
and at the moment we are just trying to work out what's going where. | 0:07:18 | 0:07:24 | |
The company started 20 years ago making handmade cosmetic products | 0:07:25 | 0:07:29 | |
from organic materials. | 0:07:29 | 0:07:31 | |
It's grown steadily so that it now has over 900 stores across the world, | 0:07:31 | 0:07:36 | |
but the Oxford Street shop will top the lot. | 0:07:36 | 0:07:39 | |
This is the biggest thing we've ever done, store-wise. | 0:07:39 | 0:07:42 | |
This is about three to four times the size | 0:07:42 | 0:07:45 | |
of anything we've ever done. | 0:07:45 | 0:07:46 | |
To coincide with the opening, the company is trialling | 0:07:46 | 0:07:50 | |
over 200 new products, all of them exclusive to Oxford Street. | 0:07:50 | 0:07:55 | |
Their development is being overseen at the firm's production facilities, | 0:07:55 | 0:07:59 | |
also in Dorset. | 0:07:59 | 0:08:01 | |
Today, company co-founder and boss Mark Constantine has come with | 0:08:01 | 0:08:05 | |
senior management to sign off some of the new products. | 0:08:05 | 0:08:08 | |
The company made its name with bath bombs, | 0:08:08 | 0:08:12 | |
or ballistics, as it calls them. | 0:08:12 | 0:08:14 | |
They're fizzy bath salts and scents, hardpacked into balls. | 0:08:14 | 0:08:17 | |
For the store opening, they have developed eight new ones, | 0:08:17 | 0:08:21 | |
but the delicate purple petals on one are proving tricky. | 0:08:21 | 0:08:25 | |
As it went in the water, obviously, so the flower came out | 0:08:25 | 0:08:28 | |
and then we realised we could probably create absolute havoc | 0:08:28 | 0:08:31 | |
with breakages. | 0:08:31 | 0:08:32 | |
But they are so beautiful. | 0:08:32 | 0:08:34 | |
It will be up to the manufacturing team to work out how to | 0:08:34 | 0:08:37 | |
mass-produce the lotus flower to avoid breakages. | 0:08:37 | 0:08:41 | |
While they do that, back on Oxford Street, Jen Hilton | 0:08:41 | 0:08:45 | |
is in charge of fitting out the shop itself. | 0:08:45 | 0:08:48 | |
We've only got four weeks left of construction, | 0:08:48 | 0:08:51 | |
and seven and a half weeks left until we actually open | 0:08:51 | 0:08:54 | |
and there's a huge amount to do. | 0:08:54 | 0:08:55 | |
And that job isn't made any easier by an issue | 0:08:57 | 0:08:59 | |
with the shop's stockroom. | 0:08:59 | 0:09:02 | |
We were trying to get an external office, which is just adjacent | 0:09:02 | 0:09:05 | |
to this building, which is easy for access through the front | 0:09:05 | 0:09:08 | |
and through the back, but we are having landlord issues | 0:09:08 | 0:09:10 | |
in terms of they're not playing ball | 0:09:10 | 0:09:13 | |
and don't want to give us that office at the moment. | 0:09:13 | 0:09:15 | |
So we have to find a solution somehow, | 0:09:15 | 0:09:19 | |
I just don't know what that is at the moment! | 0:09:19 | 0:09:22 | |
So, a real concern, | 0:09:22 | 0:09:24 | |
real concern. | 0:09:24 | 0:09:26 | |
With potentially tens of thousands of pounds worth of stock being | 0:09:26 | 0:09:31 | |
sold every day, the store needs to keep plenty of products in reserve. | 0:09:31 | 0:09:35 | |
Without a stockroom to keep them in, they risk running empty. | 0:09:35 | 0:09:39 | |
As store manager Claire, who happens to be the boss's daughter, | 0:09:39 | 0:09:43 | |
is about to find out. | 0:09:43 | 0:09:44 | |
So we are struggling to secure that external unit. | 0:09:46 | 0:09:51 | |
But we'll find a way, we've still got time. | 0:09:51 | 0:09:54 | |
While Claire gets her head round the storage issue, back in Dorset, | 0:09:55 | 0:09:59 | |
dad Mark is inspecting the store interiors for sign off, | 0:09:59 | 0:10:03 | |
with Jo and Katie from the design team. | 0:10:03 | 0:10:06 | |
As you come down the grand staircase there, | 0:10:06 | 0:10:08 | |
this will be the first product range you see, which is our massage bars. | 0:10:08 | 0:10:11 | |
-That's great. -Yeah, you like that? | 0:10:11 | 0:10:13 | |
-Sign off. -OK. Excellent. That's one! | 0:10:13 | 0:10:16 | |
To lure people into the store, | 0:10:16 | 0:10:17 | |
they are planning a number of innovative features, including | 0:10:17 | 0:10:20 | |
a spa, cinema, lecture area, hair-washing facilities, | 0:10:20 | 0:10:25 | |
and a series of music booths. | 0:10:25 | 0:10:27 | |
So we've got a listening post in here. | 0:10:27 | 0:10:29 | |
You can try the digital format there and there's where you can play | 0:10:29 | 0:10:32 | |
-the vinyl. -Yeah. Beautiful. | 0:10:32 | 0:10:34 | |
Mark's approval means Jo, Katie | 0:10:34 | 0:10:35 | |
and the store interior team can get packing. | 0:10:35 | 0:10:38 | |
Later, the team tackles a leak... | 0:10:38 | 0:10:41 | |
No, can't do it. | 0:10:41 | 0:10:43 | |
..a lack of storage and delicate petals. | 0:10:43 | 0:10:46 | |
-These were falling out before, weren't they? -They were falling out. | 0:10:46 | 0:10:49 | |
HORN HONKS | 0:10:56 | 0:10:58 | |
Europe's busiest shopping street has been brought to a standstill | 0:10:58 | 0:11:01 | |
in a protest by drivers of black cabs. | 0:11:01 | 0:11:04 | |
Wall-to-wall taxis along the whole of Oxford Street, | 0:11:04 | 0:11:08 | |
it's very impressive. | 0:11:08 | 0:11:09 | |
They're demonstrating against their regulating authority, | 0:11:09 | 0:11:13 | |
Transport For London. | 0:11:13 | 0:11:14 | |
And as the hour they've been given to protest ticks on, | 0:11:16 | 0:11:19 | |
they start to make their presence felt. | 0:11:19 | 0:11:21 | |
HORNS HONK | 0:11:21 | 0:11:24 | |
Power to the people! For the taxi trade! | 0:11:26 | 0:11:29 | |
We're fighting for our rights! | 0:11:29 | 0:11:31 | |
This is all about enforcement! | 0:11:31 | 0:11:33 | |
Well over 1,000 cabs. Well over. Can't even get out. | 0:11:33 | 0:11:36 | |
We've all got to stick together. | 0:11:36 | 0:11:37 | |
We need to do it every week. | 0:11:37 | 0:11:39 | |
Stand up for the black cab drivers! | 0:11:39 | 0:11:42 | |
-We've been here for over 300 years! -Boris is not listening! | 0:11:42 | 0:11:46 | |
But while the cabbies are making the most of the occasion, | 0:11:46 | 0:11:50 | |
Claire and the CentreComm team have their work cut out. | 0:11:50 | 0:11:53 | |
This bus hasn't moved for about ten minutes. | 0:11:53 | 0:11:56 | |
Wasn't expecting this. | 0:11:56 | 0:11:57 | |
It was going to be minimal, wasn't it? | 0:11:57 | 0:11:59 | |
We were told it was going to be minimal, yeah. | 0:11:59 | 0:12:01 | |
Dozens of buses with thousands of passengers on board are now | 0:12:01 | 0:12:05 | |
stuck in gridlock. | 0:12:05 | 0:12:06 | |
They might just have to sit it out. | 0:12:06 | 0:12:09 | |
Until we can get the roads back, we are sort of stopping people | 0:12:09 | 0:12:12 | |
getting home, travelling to work. | 0:12:12 | 0:12:14 | |
Commuters are affected hugely today. | 0:12:14 | 0:12:17 | |
CentreComm control are desperately trying to get them moving again. | 0:12:17 | 0:12:21 | |
The police are now down here because they are stuck | 0:12:21 | 0:12:24 | |
behind traffic, so if they can help them turn right, | 0:12:24 | 0:12:26 | |
then that will be fine. | 0:12:26 | 0:12:27 | |
The pressure is now on the police to try and break the deadlock. | 0:12:27 | 0:12:30 | |
Straight on and to the right, please. | 0:12:30 | 0:12:32 | |
Chief Inspector Manger tries to redirect traffic | 0:12:32 | 0:12:36 | |
away from Oxford Street. | 0:12:36 | 0:12:38 | |
But this is unwelcome news to one bus driver. | 0:12:38 | 0:12:42 | |
Who's given me permission to turn right here? | 0:12:42 | 0:12:44 | |
I'm giving you permission to turn right here and we are | 0:12:44 | 0:12:47 | |
linking with the bus. At the moment, we have got to clear Oxford Street. | 0:12:47 | 0:12:50 | |
Yes, but I've got to be told to do that. | 0:12:50 | 0:12:51 | |
I can't just do...be told... I've got to be told by... | 0:12:51 | 0:12:54 | |
CentreComm hasn't... | 0:12:54 | 0:12:56 | |
I'm sorry, at the moment, you can't stop in the middle of the road. | 0:12:56 | 0:12:59 | |
If you go around to the left-hand side, you can park up there. | 0:13:00 | 0:13:03 | |
-That's not my route, though. -You need to go over there, madam. | 0:13:03 | 0:13:05 | |
Madam, you need to pull up over there. | 0:13:05 | 0:13:08 | |
Call them once you've pulled up over to the left-hand side. | 0:13:11 | 0:13:14 | |
If you pull up over there and I'll speak to the Gold Badge. | 0:13:14 | 0:13:19 | |
The Gold Badge is the senior transport commander on the day, | 0:13:19 | 0:13:22 | |
also based at CentreComm. | 0:13:22 | 0:13:24 | |
Have you got the contact for Gold Badge? | 0:13:24 | 0:13:26 | |
I'm going to have to start putting the buses over to the left-hand side. | 0:13:26 | 0:13:29 | |
I'm going to get buses totally redirected. | 0:13:29 | 0:13:32 | |
I'm going to put them at the moment into Regent Street to the north. | 0:13:32 | 0:13:36 | |
-OK. -OK? They'll have to park up and they can be redirected from there. | 0:13:36 | 0:13:39 | |
No problem. | 0:13:39 | 0:13:40 | |
Right, madam, I've just spoken to the Gold Badge people here. | 0:13:40 | 0:13:43 | |
-Where are they?! -Well, I don't know where they are. | 0:13:43 | 0:13:45 | |
I spoke to them and they said, "Did your garage tell you to do that?" | 0:13:45 | 0:13:48 | |
I said, "No, a policeman did." | 0:13:48 | 0:13:49 | |
They said, "Can you stay there? Stand by, we'll get back to you." | 0:13:49 | 0:13:52 | |
Pull up to the left-hand side, please? | 0:13:52 | 0:13:54 | |
Right, OK, we'll speak to the Gold Badge to try and sort this out. | 0:13:54 | 0:13:58 | |
The officer wants me to turn left, my bus doesn't go left, | 0:13:59 | 0:14:02 | |
my bus goes straight across. | 0:14:02 | 0:14:03 | |
REPORTER: Are you going to listen to the control centre or... | 0:14:03 | 0:14:06 | |
I listen to who I work for - London Transport. | 0:14:06 | 0:14:09 | |
The buses are now refusing to move off their routes. | 0:14:09 | 0:14:13 | |
The dispute with the bus driver reaches CentreComm, | 0:14:13 | 0:14:17 | |
who agree to divert the buses away from the street. | 0:14:17 | 0:14:20 | |
They wanted to go left into Regent Street, Portland Place, | 0:14:20 | 0:14:23 | |
go up to Marylebone Road, turn right onto the Euston Road there, | 0:14:23 | 0:14:27 | |
and then left onto Hampstead Road. | 0:14:27 | 0:14:29 | |
I'll put a call out. Hold on. | 0:14:29 | 0:14:31 | |
It's now Ken's job to put out an announcement to every bus in London. | 0:14:31 | 0:14:36 | |
A demonstration in Oxford Street, Marble Arch. | 0:14:36 | 0:14:38 | |
Please listen out for further calls from CentreComm. Thanks. | 0:14:38 | 0:14:41 | |
I had an audience there of about 5,000 buses, | 0:14:43 | 0:14:46 | |
plus all the operators in the garages, | 0:14:46 | 0:14:47 | |
cos that call goes out to the whole of London. | 0:14:47 | 0:14:50 | |
If you include the passengers on board, it is | 0:14:50 | 0:14:54 | |
probably a couple of hundred thousand. | 0:14:54 | 0:14:56 | |
And Ken's call has an effect on the ground. | 0:14:56 | 0:14:59 | |
To the left, he said. Yes, which would be helpful. | 0:14:59 | 0:15:02 | |
-Thank you. OK. -'Thank you, Steve.' | 0:15:03 | 0:15:05 | |
Thanks a lot. | 0:15:05 | 0:15:06 | |
OK. So she's got details now from her control | 0:15:08 | 0:15:10 | |
that she can turn left and, hopefully, that is going to | 0:15:10 | 0:15:14 | |
alleviate some of the congestion that we've got. | 0:15:14 | 0:15:16 | |
The demonstration is only due to last an hour | 0:15:16 | 0:15:18 | |
and that time is nearly up. | 0:15:18 | 0:15:20 | |
As 3pm comes round, | 0:15:22 | 0:15:24 | |
the police move in to enforce the deadline for the protest. | 0:15:24 | 0:15:27 | |
Problems? | 0:15:28 | 0:15:29 | |
My understanding was it was due to finish at three, is that correct? | 0:15:29 | 0:15:32 | |
We're getting the message out to the drivers... | 0:15:32 | 0:15:34 | |
-That's what we're doing. -OK. -Thank you very much for your help. | 0:15:34 | 0:15:38 | |
-Right, so... -OK. | 0:15:38 | 0:15:41 | |
-Can we try and get your guys to keep moving up? -Yeah. -Is that all right? | 0:15:41 | 0:15:44 | |
-Yeah, no problem at all. No problem at all, they've got to. -Thank you. | 0:15:44 | 0:15:48 | |
It's over, boys and girls. It's over, thank you very much. | 0:15:48 | 0:15:52 | |
It's over. | 0:15:52 | 0:15:54 | |
Well done. | 0:15:56 | 0:15:58 | |
Well done, boys. Thanks very much for your support. | 0:16:01 | 0:16:04 | |
HORNS BEEP | 0:16:04 | 0:16:06 | |
Well done, boys. | 0:16:06 | 0:16:08 | |
All in all, I think went quite well. | 0:16:08 | 0:16:10 | |
They got their say and they have had their piece | 0:16:10 | 0:16:13 | |
and they have had plenty of time to do it | 0:16:13 | 0:16:15 | |
and now it is just about getting the city moving again. | 0:16:15 | 0:16:18 | |
But with an hour's gridlock to clear, | 0:16:18 | 0:16:20 | |
it will take some time before the buses are back to normal. | 0:16:20 | 0:16:24 | |
We are starting to get some movement. | 0:16:24 | 0:16:26 | |
Roads are now starting to reopen in sections. | 0:16:26 | 0:16:28 | |
The plans that were in place are coming out | 0:16:28 | 0:16:30 | |
and we are now looking at a recovery plan. | 0:16:30 | 0:16:32 | |
It is probably going to take an hour to recover, really, | 0:16:32 | 0:16:35 | |
at least, to start getting the services back. | 0:16:35 | 0:16:37 | |
Trevor thinks his protest has been a triumph. | 0:16:37 | 0:16:40 | |
Be lucky! | 0:16:40 | 0:16:41 | |
We have been around for 350 years | 0:16:41 | 0:16:43 | |
and we will be around another 350 years. | 0:16:43 | 0:16:45 | |
The boys and girls have demonstrated that today. | 0:16:45 | 0:16:47 | |
I was proud beforehand of being a London cabbie | 0:16:47 | 0:16:50 | |
but I've never been more prouder in my life than I am today. | 0:16:50 | 0:16:53 | |
In a week's time, cosmetics maker Lush opens its brand-new | 0:17:03 | 0:17:07 | |
flagship store on Oxford Street. | 0:17:07 | 0:17:10 | |
But at the firm's Dorset factory, | 0:17:10 | 0:17:12 | |
manufacturing director Liz Smith has come | 0:17:12 | 0:17:15 | |
to check on another crucial area for the opening. | 0:17:15 | 0:17:18 | |
The new Oxford Street stuff, where are you doing it? | 0:17:19 | 0:17:22 | |
Liz has come to see if her ballistics boys, | 0:17:22 | 0:17:25 | |
Mike and Dan, have managed to master mass production of that | 0:17:25 | 0:17:29 | |
difficult lotus flower bath bomb, a mixture of fizzy bath salts and oils | 0:17:29 | 0:17:34 | |
hard-packed into a ball. | 0:17:34 | 0:17:36 | |
Are they working out better, then, Mike? | 0:17:36 | 0:17:39 | |
Yeah, they're working out a lot better. We have revised the formula. | 0:17:39 | 0:17:42 | |
That was the main points there, | 0:17:42 | 0:17:44 | |
every single gap you have to really push in. | 0:17:44 | 0:17:46 | |
Are they going to be ready by tomorrow to get up to Oxford Street? | 0:17:46 | 0:17:49 | |
-We will let you know in the morning. -It is go, go, go, basically. | 0:17:49 | 0:17:52 | |
I can't stress enough now that every minute, hour counts. | 0:17:52 | 0:17:56 | |
Liz's sign-off means the products can start shipping to London, | 0:17:56 | 0:18:01 | |
which is a worry for Jen. | 0:18:01 | 0:18:03 | |
She is busy fitting the shop out | 0:18:03 | 0:18:04 | |
but there is still no sign of the external stockroom, | 0:18:04 | 0:18:08 | |
which means she has got room for only a fraction | 0:18:08 | 0:18:11 | |
of Mike and Dan's bath bombs. | 0:18:11 | 0:18:13 | |
It completely changes how we would work with this building | 0:18:13 | 0:18:17 | |
and the sales and the functionality of it, in terms of stock. | 0:18:17 | 0:18:20 | |
There is no space for stock. | 0:18:20 | 0:18:22 | |
At the moment it just doesn't work, | 0:18:22 | 0:18:24 | |
so we have to try and find a solution. | 0:18:24 | 0:18:26 | |
For Jen, things are stressful enough as it is | 0:18:26 | 0:18:29 | |
without other unforeseen problems. | 0:18:29 | 0:18:31 | |
We have sprung a leak in the pipework that has already | 0:18:33 | 0:18:37 | |
filled up, so it has flooded through into the basement bit. | 0:18:37 | 0:18:41 | |
So we are just trying to fix it | 0:18:41 | 0:18:43 | |
and we are not having a lot of success at the moment. | 0:18:43 | 0:18:46 | |
And everybody is...worried. | 0:18:46 | 0:18:50 | |
There could be about 60 litres of water in that bit of pipe. | 0:18:51 | 0:18:54 | |
They need to drain the system, | 0:18:54 | 0:18:56 | |
but with the shop-fitting nearly complete, that's NOT easy. | 0:18:56 | 0:19:00 | |
I'm not sure that's going to work. | 0:19:02 | 0:19:04 | |
Later, can the team get the store ready for the grand opening | 0:19:04 | 0:19:08 | |
and a visit from a rock superstar? | 0:19:08 | 0:19:11 | |
It is the early hours of the morning | 0:19:19 | 0:19:21 | |
and James Burns is getting ready for his day's work on Oxford Street. | 0:19:21 | 0:19:27 | |
Clear as you like. | 0:19:27 | 0:19:29 | |
13 degrees, sunrise 6:05. | 0:19:29 | 0:19:33 | |
Time now, four o'clock. | 0:19:33 | 0:19:35 | |
And there is a reason James is paying such close attention | 0:19:35 | 0:19:38 | |
to the sunrise time. | 0:19:38 | 0:19:40 | |
He is a professional photographer, specialising in pictures of skylines. | 0:19:40 | 0:19:45 | |
And today, he has received his dream commission. | 0:19:45 | 0:19:49 | |
A property developer wants him to capture some images of | 0:19:49 | 0:19:52 | |
the sunrise over one of their buildings - | 0:19:52 | 0:19:55 | |
iconic '60s skyscraper, Centre Point. | 0:19:55 | 0:19:58 | |
I think the skill, really, in getting a good shot | 0:19:58 | 0:20:01 | |
is knowing the weather. | 0:20:01 | 0:20:03 | |
And after that, I think it is all just in the eye. | 0:20:03 | 0:20:06 | |
The images will be used in the company's promotional material | 0:20:06 | 0:20:09 | |
and to capture the moment, James has been waiting patiently | 0:20:09 | 0:20:13 | |
for days for the perfect atmospheric conditions. | 0:20:13 | 0:20:16 | |
This morning, he has got to make sure he is bang on time. | 0:20:16 | 0:20:20 | |
If you want to do sunrise, you have got to get there an hour early, | 0:20:20 | 0:20:23 | |
so that it is just starting to become twilight. | 0:20:23 | 0:20:26 | |
When we get there, the lights of Oxford Street will be visible | 0:20:26 | 0:20:29 | |
probably within 20 minutes or so. The light will begin to get bright | 0:20:29 | 0:20:33 | |
even about 45 minutes before sunrise. | 0:20:33 | 0:20:35 | |
James has been commissioned by developer Almacantar. | 0:20:36 | 0:20:40 | |
They are redeveloping Centre Point at the east end of Oxford Street. | 0:20:40 | 0:20:44 | |
But to get that shot, | 0:20:44 | 0:20:46 | |
he has got to get six miles across London from his flat first. | 0:20:46 | 0:20:50 | |
That gives us 45 minutes to get from here to Marble Arch. | 0:20:50 | 0:20:54 | |
A bit of a squeeze! | 0:20:54 | 0:20:56 | |
To get the best picture, James needs to be high up, | 0:20:56 | 0:20:59 | |
and the developer is letting him | 0:20:59 | 0:21:01 | |
access another of its Oxford Street buildings, the Marble Arch Tower. | 0:21:01 | 0:21:06 | |
The problem for James is it's a mile and a half down the other end | 0:21:06 | 0:21:09 | |
of the street and the time and light are not on his side. | 0:21:09 | 0:21:12 | |
Twilight has started. I'll put a little sprint in. | 0:21:12 | 0:21:16 | |
Come on, man! | 0:21:16 | 0:21:18 | |
I think I see our bus. | 0:21:19 | 0:21:20 | |
That's where we're going, look. | 0:21:24 | 0:21:26 | |
-It is waiting for us. -He has made it to the building. | 0:21:27 | 0:21:30 | |
Now all he's got to do is make it up to the roof, | 0:21:30 | 0:21:33 | |
24 storeys above the ground. | 0:21:33 | 0:21:35 | |
Morning, mate. | 0:21:36 | 0:21:37 | |
IF he can get past security. | 0:21:37 | 0:21:40 | |
A little bit of a hurry, yeah, just to get the right photograph. | 0:21:42 | 0:21:45 | |
We are trying to get the right shot from up top. | 0:21:45 | 0:21:48 | |
I've got the e-mail here if you want, mate. | 0:21:48 | 0:21:51 | |
OK, thank you, sir. Thank you. | 0:21:52 | 0:21:54 | |
-The sun doesn't wait. The sun is always on time. -Yes! | 0:21:55 | 0:22:00 | |
Whether he can outrun the sun, we will find out later. | 0:22:00 | 0:22:04 | |
Handmade cosmetics chain Lush is getting ready for the star-studded | 0:22:11 | 0:22:16 | |
opening of its brand-new flagship store on Oxford Street. | 0:22:16 | 0:22:19 | |
It is their biggest ever - over three floors - | 0:22:19 | 0:22:22 | |
and it is taking a massive company-wide effort to prepare. | 0:22:22 | 0:22:26 | |
They have only got two days before the grand store opening, | 0:22:26 | 0:22:29 | |
featuring rock legend Brian May. | 0:22:29 | 0:22:31 | |
But before any of that happens, Jen has got problems in the basement. | 0:22:32 | 0:22:37 | |
Plumber Bob is on the case. | 0:22:38 | 0:22:40 | |
Any luck? | 0:22:40 | 0:22:41 | |
We are waiting for some fittings to actually just redo the pipe... | 0:22:41 | 0:22:46 | |
Oh, here we are. | 0:22:46 | 0:22:47 | |
So, here's the pipes now. The weakest link in the chain, | 0:22:47 | 0:22:50 | |
that's it. | 0:22:50 | 0:22:51 | |
Right, here we go. So if I just turn these on... | 0:22:53 | 0:22:57 | |
Yay, we've got water! | 0:22:57 | 0:22:59 | |
Success. | 0:22:59 | 0:23:01 | |
PHONE RINGS And it looks like Jen's luck has turned. | 0:23:01 | 0:23:05 | |
There is good news about the all-important external stockroom. | 0:23:05 | 0:23:08 | |
Bye. | 0:23:08 | 0:23:09 | |
That was Martin, our estates manager, | 0:23:09 | 0:23:13 | |
and he has just picked up the keys for the external office. | 0:23:13 | 0:23:17 | |
Massive deal, really happy. | 0:23:17 | 0:23:20 | |
After you. | 0:23:21 | 0:23:23 | |
One careful owner. | 0:23:25 | 0:23:27 | |
One empty, messy space, ready to be fitted out for stock and staff. | 0:23:27 | 0:23:33 | |
And just in time, because company boss Mark is on hand to view | 0:23:33 | 0:23:37 | |
the new store he is about to hand over to daughter Claire to manage. | 0:23:37 | 0:23:40 | |
We're just going to be doing some last-minute tweaks | 0:23:40 | 0:23:43 | |
and seeing what bits and pieces aren't quite right, | 0:23:43 | 0:23:45 | |
that just need a little bit of alteration before we open the doors tomorrow morning. | 0:23:45 | 0:23:49 | |
He started the company from scratch 20 years ago | 0:23:50 | 0:23:53 | |
and he has finally made it to Oxford Street. | 0:23:53 | 0:23:56 | |
To have this kind of position on Oxford Street | 0:23:56 | 0:23:59 | |
and to have this opportunity to show off to so many people | 0:23:59 | 0:24:05 | |
our talents and to have them interested, is a great privilege. | 0:24:05 | 0:24:08 | |
For Jen and the rest of the team, | 0:24:11 | 0:24:14 | |
it is vindication for all their hard work. | 0:24:14 | 0:24:16 | |
That was a big, big relief from everyone. | 0:24:16 | 0:24:19 | |
All that is left to do is open up. | 0:24:20 | 0:24:22 | |
For the main opening, there is something a bit special planned. | 0:24:24 | 0:24:27 | |
They are expecting a royal visit. Well, almost. | 0:24:27 | 0:24:31 | |
Brian May is coming because we have a May Day bath bomb, | 0:24:32 | 0:24:35 | |
which is in the shape of a badger. | 0:24:35 | 0:24:37 | |
We sell those - to him and others - for money. | 0:24:37 | 0:24:40 | |
The badger bath bomb, very useful device. | 0:24:40 | 0:24:42 | |
Both Brian May and Lush are major animal rights campaigners | 0:24:45 | 0:24:48 | |
and the Queen guitarist is planning to cash in on the store opening | 0:24:48 | 0:24:52 | |
to get publicity for a march he's leading to Parliament. | 0:24:52 | 0:24:56 | |
Lush has become an incredible icon in fighting for decency, | 0:24:56 | 0:24:59 | |
and particularly in fighting for animal welfare and animal rights. | 0:24:59 | 0:25:02 | |
All the work that I have done over the years has given me a visibility | 0:25:02 | 0:25:05 | |
and a presence and I feel that I have to use that responsibly | 0:25:05 | 0:25:09 | |
and that is what this is about. | 0:25:09 | 0:25:11 | |
Time to open the store and start the march. | 0:25:13 | 0:25:16 | |
This is our new store. | 0:25:18 | 0:25:19 | |
Obviously we are delighted to be hosting this rally | 0:25:19 | 0:25:22 | |
and march from here on the first day | 0:25:22 | 0:25:24 | |
and it is so delightful to have Brian and everybody here. | 0:25:24 | 0:25:29 | |
Let's march on Westminster! | 0:25:29 | 0:25:31 | |
CHEERING | 0:25:31 | 0:25:33 | |
And so, for both Brian and Lush, Oxford Street, it begins. | 0:25:35 | 0:25:39 | |
So, we have arrived in Oxford Street. | 0:25:39 | 0:25:41 | |
I can't imagine a nicer way to launch the shop, I really can't. | 0:25:41 | 0:25:45 | |
I hope everyone approves. | 0:25:45 | 0:25:47 | |
Photographer James is still stuck at security, | 0:25:58 | 0:26:01 | |
trying to get up 24 floors to take a panoramic shot of Oxford Street. | 0:26:01 | 0:26:07 | |
A little bit of a hurry, yeah. | 0:26:08 | 0:26:09 | |
But it is sunrise in 15 minutes and time is running out. | 0:26:09 | 0:26:13 | |
There's a lot of people that you need to go through in order | 0:26:13 | 0:26:16 | |
to get, you know, the authorisation to get up on the roof. | 0:26:16 | 0:26:19 | |
Finally, the supervisor arrives and James gets the all-clear to head up. | 0:26:20 | 0:26:26 | |
White door. | 0:26:26 | 0:26:27 | |
This key here is the key to the best view that you get | 0:26:28 | 0:26:31 | |
over Oxford Street. | 0:26:31 | 0:26:33 | |
This and Centre Point | 0:26:33 | 0:26:34 | |
are the two best views you get in the West End, full stop. | 0:26:34 | 0:26:37 | |
'Doors opening.' | 0:26:37 | 0:26:39 | |
Oh, it's beautiful. Look, the moon's out as well. | 0:26:46 | 0:26:49 | |
Oh, that's beautiful. Right. | 0:26:49 | 0:26:51 | |
James gets to work, capturing one of the most breathtaking views | 0:26:51 | 0:26:55 | |
the capital has to offer. | 0:26:55 | 0:26:57 | |
It's actually got brighter already | 0:26:57 | 0:26:59 | |
and I've only been here five minutes. | 0:26:59 | 0:27:01 | |
Hopefully I will get a shot of the sun as it passes over Oxford Street. | 0:27:10 | 0:27:16 | |
That will do. We are all set. | 0:27:21 | 0:27:23 | |
Three minutes. | 0:27:26 | 0:27:28 | |
I am expecting to see any minute now the first little red tip | 0:27:28 | 0:27:32 | |
appear over the horizon. | 0:27:32 | 0:27:34 | |
There's the sun. | 0:27:37 | 0:27:39 | |
When you get out of bed at three o'clock in the morning, | 0:27:45 | 0:27:47 | |
as soon as you see the sun come up over the horizon, | 0:27:47 | 0:27:50 | |
I am beaming with energy and... | 0:27:50 | 0:27:51 | |
Oh, this is... Come on. Look at that. | 0:27:51 | 0:27:55 | |
Here we go. Right, I'm looking straight down Oxford Street now. | 0:27:57 | 0:28:00 | |
Oh... | 0:28:00 | 0:28:02 | |
Oh, look at that! Come on. | 0:28:03 | 0:28:05 | |
What a view, man, what a view. | 0:28:06 | 0:28:07 | |
Oh, it's so relaxing. | 0:28:11 | 0:28:13 | |
Honestly, it is the best way to start your day. | 0:28:13 | 0:28:15 | |
A view of the city that I love coming to life, | 0:28:15 | 0:28:18 | |
everybody starting to run around and do their thing | 0:28:18 | 0:28:20 | |
and bring this city to life and make it what it is. | 0:28:20 | 0:28:23 | |
And as James's working day ends, | 0:28:23 | 0:28:25 | |
another is just beginning on Europe's busiest shopping street. | 0:28:25 | 0:28:30 |