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It's the most famous shopping street in the world, in the heart | 0:00:02 | 0:00:04 | |
of Britain's capital city. | 0:00:04 | 0:00:07 | |
A mile and a half long, with 30 million visitors each year, | 0:00:07 | 0:00:11 | |
with some of the world's most famous shops, | 0:00:11 | 0:00:14 | |
biggest stars... | 0:00:14 | 0:00:15 | |
Kate Moss! | 0:00:15 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys, stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
It's the busiest street in the world, it needs constant attention. | 0:00:24 | 0:00:27 | |
..seven days a week. | 0:00:27 | 0:00:29 | |
Oi, clear off! | 0:00:29 | 0:00:30 | |
You are going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London?! | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
Coming up... | 0:00:45 | 0:00:46 | |
HORNS HONK | 0:00:46 | 0:00:48 | |
..Oxford Street gridlock. | 0:00:48 | 0:00:49 | |
Well over 1,000 cabs. | 0:00:49 | 0:00:51 | |
Protesting cabbies take their grievances to the street... | 0:00:51 | 0:00:55 | |
We are fighting for our rights! | 0:00:55 | 0:00:57 | |
..transport control tries to deal with the fallout. | 0:00:57 | 0:01:00 | |
This bus has not moved for about ten minutes. | 0:01:00 | 0:01:02 | |
I wasn't expecting this. | 0:01:02 | 0:01:04 | |
Bath-bomb alert, there's a flagship cosmetics store opening. | 0:01:04 | 0:01:08 | |
A private detective is on the lookout for fakes... | 0:01:08 | 0:01:11 | |
..and a photographer is on the hunt for the perfect sunrise. | 0:01:13 | 0:01:17 | |
Any minute now. | 0:01:17 | 0:01:19 | |
It's lunchtime at the West End Central Police Station | 0:01:25 | 0:01:28 | |
and the Oxford Street police team, known as ORB, | 0:01:28 | 0:01:31 | |
are bracing themselves for a busy day. | 0:01:31 | 0:01:34 | |
A demonstration is planned on Oxford Street by a black cab drivers' | 0:01:36 | 0:01:40 | |
association, and it's going to be the ORB's job to police it. | 0:01:40 | 0:01:44 | |
There's probably going to be about 150 cabbies and cabs in attendance. | 0:01:44 | 0:01:48 | |
Police have been told the protest will take the form of a go-slow | 0:01:48 | 0:01:52 | |
with drivers of black cabs making their point by deliberately | 0:01:52 | 0:01:55 | |
driving slowly to create congestion for an hour in the afternoon. | 0:01:55 | 0:02:00 | |
It's been organised by cabbie Trevor Merralls. | 0:02:00 | 0:02:02 | |
Mr Merralls has no method of communication with the cab | 0:02:02 | 0:02:05 | |
drivers of the event other than shouting at them as they drive past. | 0:02:05 | 0:02:08 | |
Can I give you one of them, mate? | 0:02:08 | 0:02:10 | |
Fella, can I give you one of these? | 0:02:10 | 0:02:12 | |
There's a demo here at two o'clock in case you're not aware. | 0:02:12 | 0:02:14 | |
The cabbies are protesting | 0:02:14 | 0:02:16 | |
because they believe private hire operations such as minicabs, | 0:02:16 | 0:02:19 | |
pedicabs and online taxi apps like Uber aren't being properly | 0:02:19 | 0:02:23 | |
regulated by the overseeing authority Transport For London. | 0:02:23 | 0:02:27 | |
Cheers, fella. | 0:02:27 | 0:02:28 | |
They say this is putting the safety of the public at risk. | 0:02:28 | 0:02:31 | |
Can I give you one of these, mate? | 0:02:31 | 0:02:33 | |
We're calling this demo Enough Is Enough | 0:02:33 | 0:02:35 | |
because the London cab drivers have had enough of this. | 0:02:35 | 0:02:38 | |
We believe that TFL are not doing their own job, which is to | 0:02:38 | 0:02:41 | |
regulate and to enforce the law. | 0:02:41 | 0:02:43 | |
Thank you very much, mate. | 0:02:43 | 0:02:44 | |
Transport For London disputes any suggestion their regulatory | 0:02:44 | 0:02:47 | |
work is inadequate, saying they robustly enforce the rules | 0:02:47 | 0:02:51 | |
and that customer satisfaction rates are high. | 0:02:51 | 0:02:54 | |
But the protest is going ahead anyway, with Oxford Street chosen to | 0:02:54 | 0:02:59 | |
give it maximum exposure. | 0:02:59 | 0:03:00 | |
They are starting to put the leaflets in their windows - | 0:03:02 | 0:03:05 | |
"Totally Failing London". | 0:03:05 | 0:03:06 | |
Excellent. | 0:03:06 | 0:03:08 | |
It is the police's job today to make sure the street doesn't come | 0:03:08 | 0:03:11 | |
to a standstill. | 0:03:11 | 0:03:13 | |
It's a key route for buses and any hold-ups will have | 0:03:13 | 0:03:16 | |
a huge knock-on effect. | 0:03:16 | 0:03:18 | |
Fingers crossed they carry on a snail's pace, | 0:03:18 | 0:03:22 | |
flowing through the street. Hopefully! | 0:03:22 | 0:03:25 | |
At Oxford Circus, in the middle of the mile-and-a-half-long street, | 0:03:25 | 0:03:29 | |
Trevor and colleagues are getting ready for the 2pm kick-off. | 0:03:29 | 0:03:34 | |
Police are allowing them one hour for their protest | 0:03:34 | 0:03:37 | |
and it is generating publicity before it's even started. | 0:03:37 | 0:03:41 | |
-Have you spoken with the organiser? -Oh, I have... | 0:03:41 | 0:03:44 | |
Chief Inspector Stephen Manger is the key Met man on the ground. | 0:03:44 | 0:03:48 | |
-Hi. -Hi, Trevor. | 0:03:48 | 0:03:49 | |
I'm Steve Manger. | 0:03:49 | 0:03:51 | |
We're here to help you facilitate your peaceful protest today. | 0:03:51 | 0:03:54 | |
Respecting the cabbies' right to protest, | 0:03:54 | 0:03:57 | |
he wants to take a cooperative approach today. | 0:03:57 | 0:04:00 | |
I appreciate it is going to get congested down Oxford Street | 0:04:00 | 0:04:03 | |
and that is going to be part of your protest. | 0:04:03 | 0:04:05 | |
What I can't have is obviously the main junctions blocked here at all. | 0:04:05 | 0:04:08 | |
-All right. -Thank you, once again. -Cheers. Much obliged. | 0:04:08 | 0:04:12 | |
Thank you. | 0:04:12 | 0:04:13 | |
The biggest impact of the demonstration is likely to be | 0:04:13 | 0:04:16 | |
felt by the buses. | 0:04:16 | 0:04:18 | |
They are overseen by a central control room known as CentreComm. | 0:04:19 | 0:04:23 | |
This rarely seen communications hub is the nerve centre of London's | 0:04:23 | 0:04:27 | |
traffic planning. It has access to thousands of CCTV cameras | 0:04:27 | 0:04:32 | |
and cutting-edge traffic management systems. | 0:04:32 | 0:04:36 | |
Dealing with today's protest is the job of assistant events | 0:04:36 | 0:04:40 | |
planning manager, Clare Shaw. | 0:04:40 | 0:04:42 | |
My role today is to manage London buses, | 0:04:42 | 0:04:44 | |
make sure we keep moving as much as possible, | 0:04:44 | 0:04:47 | |
minimise the impact on our passengers. | 0:04:47 | 0:04:50 | |
There's quite a lot in there already. | 0:04:50 | 0:04:51 | |
If they stop and they are static | 0:04:51 | 0:04:53 | |
and they don't move, then obviously that is when the problems start. | 0:04:53 | 0:04:57 | |
Cab traffic on Oxford Street has been steadily building up | 0:04:57 | 0:05:01 | |
in the hour before the beginning of the protest, and at the official | 0:05:01 | 0:05:05 | |
start time it doesn't take long for the demonstration to have an effect. | 0:05:05 | 0:05:10 | |
HORNS HONK | 0:05:10 | 0:05:13 | |
So we're looking in the region of 500-plus. | 0:05:16 | 0:05:18 | |
This is a bigger response than we actually thought | 0:05:18 | 0:05:20 | |
and the demo is one minute old and already it is gridlocked. | 0:05:20 | 0:05:24 | |
HONKS HORN | 0:05:24 | 0:05:25 | |
The authorities' hopes for a go-slow are soon dashed as, instead, | 0:05:25 | 0:05:30 | |
hundreds of taxi drivers use Oxford Street as a giant car park. | 0:05:30 | 0:05:35 | |
Within seconds, it is total gridlock. | 0:05:35 | 0:05:39 | |
-It's already built up, isn't it? -Solid. | 0:05:39 | 0:05:41 | |
The protest is even threatening to spread beyond Oxford Street | 0:05:41 | 0:05:45 | |
to nearby Regent Street. | 0:05:45 | 0:05:47 | |
The road is congested to the left-hand side | 0:05:47 | 0:05:49 | |
-so you won't be to go down there. -I know it is congested. | 0:05:49 | 0:05:51 | |
It's congested because we are demonstrating down there. | 0:05:51 | 0:05:54 | |
-Yes, I appreciate that. -Everyone here is turning left anyway, | 0:05:54 | 0:05:57 | |
so none of them can turn left, | 0:05:57 | 0:05:58 | |
so why can't I just stay in this lane? I'm not blocking it. | 0:05:58 | 0:06:02 | |
You're not letting anyone turn left, so why can't I just sit here | 0:06:02 | 0:06:05 | |
and do my demonstration? | 0:06:05 | 0:06:06 | |
OK, we'll have a look at the congestion further back behind. | 0:06:06 | 0:06:09 | |
If it's causing a tailback further back I'll have to ask you to move. | 0:06:09 | 0:06:12 | |
Everyone here's a cab driver. | 0:06:12 | 0:06:13 | |
If we all move out then we've come here, you know... | 0:06:13 | 0:06:16 | |
We're not going to achieve what we've come here for. | 0:06:16 | 0:06:18 | |
For CentreComm it is a perfect storm. | 0:06:18 | 0:06:21 | |
There's a Tube line already down today, and a major fire | 0:06:21 | 0:06:24 | |
elsewhere means the bus network is under enormous strain as it is. | 0:06:24 | 0:06:28 | |
I've just seen Tottenham Court Road area now | 0:06:28 | 0:06:31 | |
is absolutely chocka as well. | 0:06:31 | 0:06:32 | |
With the go-slow becoming a no-go, it is up to the CentreComm team | 0:06:32 | 0:06:36 | |
to put diversions in place to try and keep the buses moving. | 0:06:36 | 0:06:40 | |
It is probably worth starting to pull... | 0:06:40 | 0:06:41 | |
I think we need to start pulling some out | 0:06:41 | 0:06:43 | |
because the delays are serious now. | 0:06:43 | 0:06:45 | |
Andrew Highfield is the CentreComm manager. | 0:06:45 | 0:06:48 | |
I've allowed the 19s to go up Shaftesbury at the moment. | 0:06:48 | 0:06:50 | |
The guys are working out the best thing to do with the buses | 0:06:50 | 0:06:53 | |
that are currently there and stuck. | 0:06:53 | 0:06:54 | |
They're trying to pull stuff away to remove buses from the area. | 0:06:54 | 0:06:57 | |
But the protest has also blocked the team's usual diversion routes. | 0:06:57 | 0:07:01 | |
They are closing Park Lane northbound. | 0:07:01 | 0:07:04 | |
Marble Arch is, as you can see, a standstill now. | 0:07:04 | 0:07:06 | |
That's not going anywhere, | 0:07:06 | 0:07:08 | |
and if we start diverting buses all the way round, we are just | 0:07:08 | 0:07:11 | |
sending them on a wild goose chase - we might as well not send them. | 0:07:11 | 0:07:13 | |
HORNS HONK | 0:07:13 | 0:07:15 | |
Later, as the demonstration escalates, | 0:07:15 | 0:07:17 | |
buses and police come into conflict. | 0:07:17 | 0:07:20 | |
-Pull up to the left-hand side, please? -Well, I'm not going to. | 0:07:20 | 0:07:24 | |
For every shop chain in the UK, the ultimate proof they've | 0:07:31 | 0:07:35 | |
made it is getting a flagship store on Oxford Street. | 0:07:35 | 0:07:38 | |
Of the street's 200 shops, over 70 are flagships. | 0:07:40 | 0:07:44 | |
But just what does it mean to a company to open their leading | 0:07:44 | 0:07:47 | |
store on Europe's busiest shopping street? | 0:07:47 | 0:07:51 | |
About to find out is British cosmetics chain Lush. | 0:07:51 | 0:07:55 | |
There's seven weeks to go | 0:07:55 | 0:07:57 | |
until they open their international flagship here. | 0:07:57 | 0:08:00 | |
But the shop itself starts life 112 miles away from the glittering | 0:08:00 | 0:08:05 | |
lights of the West End. | 0:08:05 | 0:08:06 | |
It's currently being assembled | 0:08:07 | 0:08:09 | |
in a warehouse in Sturminster Marshall, Dorset, | 0:08:09 | 0:08:12 | |
by store designers Jo and Katie. | 0:08:12 | 0:08:15 | |
This is our mock-up unit for the Oxford Street store, | 0:08:16 | 0:08:21 | |
and what's in here at the moment is kind of the front of the store, | 0:08:21 | 0:08:25 | |
and then behind there we've set up the basement floor, which | 0:08:25 | 0:08:30 | |
will have a spa in it, | 0:08:30 | 0:08:31 | |
and at the moment we are just trying to work out what's going where. | 0:08:31 | 0:08:36 | |
The company started 20 years ago making handmade cosmetic | 0:08:37 | 0:08:41 | |
products from organic materials. | 0:08:41 | 0:08:44 | |
It's grown steadily so that it now has over 900 stores across the world, | 0:08:44 | 0:08:49 | |
but the Oxford Street shop will top the lot. | 0:08:49 | 0:08:52 | |
This is the biggest thing we've ever done, store-wise. | 0:08:52 | 0:08:55 | |
This is about three to four times the size | 0:08:55 | 0:08:57 | |
of anything we've ever done. | 0:08:57 | 0:08:59 | |
It's got three floors - we've never done three floors before. | 0:08:59 | 0:09:02 | |
It's massive, it's massive, all right?! | 0:09:02 | 0:09:07 | |
While Jo and Katie work on the interior, | 0:09:07 | 0:09:10 | |
others are busy on the merchandise. | 0:09:10 | 0:09:12 | |
To coincide with the opening, the company is trialling | 0:09:12 | 0:09:15 | |
over 200 new products, all of them exclusive to Oxford Street. | 0:09:15 | 0:09:19 | |
Their development is being overseen at the firm's production | 0:09:19 | 0:09:23 | |
facilities, also in Dorset. | 0:09:23 | 0:09:25 | |
Today, company co-founder and boss Mark Constantine has come with | 0:09:25 | 0:09:30 | |
senior management to sign off some of the new products. | 0:09:30 | 0:09:34 | |
-What's this one? -Frozen. | 0:09:34 | 0:09:36 | |
The company made its name with bath bombs, | 0:09:36 | 0:09:39 | |
or Ballistics, as it calls them. | 0:09:39 | 0:09:41 | |
They're fizzy bath salts and scents, hardpacked into balls. | 0:09:41 | 0:09:45 | |
For the store opening, they have developed eight new ones, | 0:09:45 | 0:09:49 | |
but the delicate purple petals on one are proving tricky. | 0:09:49 | 0:09:53 | |
As it went in the water, obviously, so the flower came out | 0:09:53 | 0:09:55 | |
and then we realised we could probably create absolute havoc | 0:09:55 | 0:09:58 | |
with breakages. | 0:09:58 | 0:09:59 | |
They are working hard down at Ballistics so that | 0:09:59 | 0:10:02 | |
there's not too much breakage and how to ship them. | 0:10:02 | 0:10:04 | |
But they are so beautiful. | 0:10:04 | 0:10:06 | |
It will be up to the manufacturing team to work out how to | 0:10:06 | 0:10:10 | |
mass-produce the lotus flower to avoid breakages. | 0:10:10 | 0:10:13 | |
While they do that, back on Oxford Street, Jen Hilton | 0:10:14 | 0:10:18 | |
is in charge of fitting out the shop itself. | 0:10:18 | 0:10:21 | |
We've only got four weeks left of construction, | 0:10:21 | 0:10:23 | |
and seven and a half weeks left until we actually open | 0:10:23 | 0:10:26 | |
and there's a huge amount to do. | 0:10:26 | 0:10:28 | |
What's at stake? | 0:10:29 | 0:10:31 | |
-My job! -SHE LAUGHS | 0:10:31 | 0:10:33 | |
And that job isn't made any easier by an issue | 0:10:33 | 0:10:36 | |
with the shop's stockroom. | 0:10:36 | 0:10:39 | |
We were trying to get an external office, which is just adjacent | 0:10:39 | 0:10:41 | |
to this building, which is easy for access to the front | 0:10:41 | 0:10:44 | |
and through the back, but we are having landlord | 0:10:44 | 0:10:47 | |
issues in terms of they're not playing ball | 0:10:47 | 0:10:49 | |
and don't want to give us that office at the moment, so we have to | 0:10:49 | 0:10:54 | |
find a solution somehow, | 0:10:54 | 0:10:56 | |
I just don't know what that is at the moment! | 0:10:56 | 0:11:00 | |
So it's a real concern, | 0:11:00 | 0:11:01 | |
real concern. | 0:11:01 | 0:11:03 | |
With potentially tens of thousands of pounds worth of stock being | 0:11:04 | 0:11:07 | |
sold every day, the store needs to keep plenty of products in reserve. | 0:11:07 | 0:11:12 | |
Without a stockroom to keep them in, they risk running empty. | 0:11:12 | 0:11:16 | |
As store manager Claire, who happens to be the boss's daughter, | 0:11:16 | 0:11:19 | |
is about to find out. | 0:11:19 | 0:11:21 | |
So we are struggling to secure that external unit. | 0:11:23 | 0:11:28 | |
But we'll find a way, we've still got time. | 0:11:28 | 0:11:30 | |
While Claire gets her head round the storage issue, back in Dorset, | 0:11:32 | 0:11:36 | |
dad Mark is inspecting the store interiors for sign off, | 0:11:36 | 0:11:40 | |
with Jo and Katie from the design team. | 0:11:40 | 0:11:43 | |
As you come down the grand staircase there, | 0:11:43 | 0:11:45 | |
this will be the first product they will see, which is our massage bars. | 0:11:45 | 0:11:48 | |
-That's great. -Yeah, you like that? | 0:11:48 | 0:11:50 | |
-Sign off. -OK. Excellent. That's one! | 0:11:50 | 0:11:52 | |
To lure people into the store, | 0:11:52 | 0:11:54 | |
they are planning a number of innovative features including | 0:11:54 | 0:11:57 | |
a spa, cinema, lecture area, hair-washing facilities, | 0:11:57 | 0:12:01 | |
and a series of music booths. | 0:12:01 | 0:12:03 | |
So we've got a listening post in here. | 0:12:03 | 0:12:06 | |
You can try the digital format there and there's where you can play | 0:12:06 | 0:12:09 | |
-the vinyl. -Yes. Beautiful. | 0:12:09 | 0:12:10 | |
Mark's approval means Jo, Katie | 0:12:10 | 0:12:12 | |
and the store interior team can get packing. | 0:12:12 | 0:12:15 | |
We are packing the van... vans... | 0:12:15 | 0:12:18 | |
to get everything to Oxford Street this evening | 0:12:18 | 0:12:21 | |
so we can start unloading and start building the shop. | 0:12:21 | 0:12:25 | |
Later, the team tackle a leak... | 0:12:25 | 0:12:28 | |
No, can't do it. | 0:12:28 | 0:12:30 | |
..a lack of storage and delicate petals. | 0:12:30 | 0:12:33 | |
-These were falling out before, weren't they? -They were falling out. | 0:12:33 | 0:12:37 | |
Handbags are big business in Britain, | 0:12:45 | 0:12:47 | |
worth over £1 billion a year in sales. | 0:12:47 | 0:12:50 | |
Over half the female population of the UK buy at least one handbag | 0:12:50 | 0:12:55 | |
a year. For Oxford Street it's a key item, | 0:12:55 | 0:12:58 | |
and shops pay huge rents to sell the premium products. | 0:12:58 | 0:13:02 | |
One person you wouldn't expect to see shopping for a handbag is this | 0:13:02 | 0:13:06 | |
man, Dave McKelvie. | 0:13:06 | 0:13:09 | |
He's a private detective | 0:13:09 | 0:13:10 | |
and today he's on Oxford Street looking for anyone that might | 0:13:10 | 0:13:14 | |
try and undermine the legitimate handbag trade by selling fakes. | 0:13:14 | 0:13:18 | |
He is employed by fashion companies to | 0:13:18 | 0:13:21 | |
protect their brands from cheap counterfeits and he thinks he's | 0:13:21 | 0:13:24 | |
spotted someone selling just that right in front of the real things. | 0:13:24 | 0:13:29 | |
We're looking at a stall which is immediately besides Selfridge's | 0:13:29 | 0:13:33 | |
that we believe to sell counterfeit goods, | 0:13:33 | 0:13:35 | |
particularly counterfeit bags, purses. | 0:13:35 | 0:13:38 | |
He's visited previously | 0:13:38 | 0:13:40 | |
and seen one of the stores selling what he's convinced were fake bags. | 0:13:40 | 0:13:44 | |
On a shopping street like Oxford Street this is an absolute no-no. | 0:13:44 | 0:13:49 | |
Today he's back to capture the evidence on camera | 0:13:49 | 0:13:51 | |
and bring the counterfeit sellers to justice. | 0:13:51 | 0:13:55 | |
We are going to undertake a test purchase, using | 0:13:55 | 0:13:57 | |
one of our undercover test purchase operatives, to purchase, | 0:13:57 | 0:14:00 | |
hopefully, counterfeit goods which we'll confirm when she comes away, | 0:14:00 | 0:14:04 | |
and at that point we will then consider prosecuting. | 0:14:04 | 0:14:07 | |
We can't show the investigator's face | 0:14:07 | 0:14:10 | |
but she is an experienced operative that Dave's used before. | 0:14:10 | 0:14:14 | |
Get as much information as you can from them and see | 0:14:14 | 0:14:17 | |
if you can identify them in any way, shape or form. | 0:14:17 | 0:14:20 | |
Evidence that, risk assessment's the same. Any problems at all, | 0:14:20 | 0:14:24 | |
take your sunglasses off and we'll come straight over. | 0:14:24 | 0:14:27 | |
Right, any problems... | 0:14:27 | 0:14:28 | |
The investigator has a concealed camera with her. | 0:14:28 | 0:14:31 | |
It will record as she makes the test purchase of handbags from the store. | 0:14:31 | 0:14:35 | |
The footage will be vital evidence to prove that counterfeit | 0:14:35 | 0:14:38 | |
bags are being sold on Oxford Street. | 0:14:38 | 0:14:41 | |
She'll act as normal. | 0:14:41 | 0:14:43 | |
She'll just go up | 0:14:43 | 0:14:44 | |
and be one of the many tourists or people that's | 0:14:44 | 0:14:47 | |
in Oxford Street today. | 0:14:47 | 0:14:49 | |
And as she gets closer to the stall, our camera has to hold back, | 0:14:49 | 0:14:54 | |
but her hidden lens records everything. | 0:14:54 | 0:14:58 | |
Later, she buys, Dave inspects, and the wheels of justice gets turning. | 0:14:58 | 0:15:04 | |
It's absolute rubbish. | 0:15:04 | 0:15:05 | |
HORN HONKS | 0:15:12 | 0:15:14 | |
Europe's busiest shopping street has been brought to | 0:15:14 | 0:15:16 | |
a standstill in a protest by drivers of black cabs. | 0:15:16 | 0:15:20 | |
Wall-to-wall taxis along the whole of Oxford Street, | 0:15:20 | 0:15:24 | |
it's very impressive. | 0:15:24 | 0:15:25 | |
They're demonstrating against their regulating authority, | 0:15:25 | 0:15:29 | |
Transport For London. | 0:15:29 | 0:15:30 | |
And as the hour they've been given to protest ticks on, | 0:15:32 | 0:15:35 | |
they start to make their presence felt. | 0:15:35 | 0:15:37 | |
HORNS HONK | 0:15:37 | 0:15:39 | |
Power to the people! For the taxi trade! | 0:15:41 | 0:15:45 | |
We're fighting for our rights! | 0:15:45 | 0:15:48 | |
This is all about enforcement! | 0:15:48 | 0:15:49 | |
Well over 1,000 cabs. Well over. | 0:15:49 | 0:15:51 | |
We've all got to stick together. | 0:15:51 | 0:15:54 | |
We need to do it every week. | 0:15:54 | 0:15:56 | |
Stand up for the black cab drivers! | 0:15:56 | 0:15:58 | |
-We've been here for over 300 years! -Boris is not listening! | 0:15:58 | 0:16:02 | |
But while the cabbies are making the most of the occasion, | 0:16:02 | 0:16:06 | |
Claire and the CentreComm team have their work cut out. | 0:16:06 | 0:16:10 | |
This bus hasn't moved for about ten minutes. | 0:16:10 | 0:16:12 | |
I wasn't expecting this. | 0:16:12 | 0:16:13 | |
It was going to be minimal, wasn't it? | 0:16:13 | 0:16:15 | |
We were told it was going to be minimal, yes. | 0:16:15 | 0:16:17 | |
Dozens of buses with thousands of passengers on board are now | 0:16:17 | 0:16:21 | |
stuck in gridlock. | 0:16:21 | 0:16:23 | |
They might just have to sit it out. | 0:16:23 | 0:16:25 | |
Until we can get the roads back, we are sort of stopping people | 0:16:25 | 0:16:28 | |
getting home, travelling to work. | 0:16:28 | 0:16:31 | |
Commuters are affected hugely today. | 0:16:31 | 0:16:34 | |
CentreComm control are desperately trying to get them moving again. | 0:16:34 | 0:16:37 | |
The police are now down here because they are stuck | 0:16:37 | 0:16:40 | |
behind traffic, so if they can help them turn right | 0:16:40 | 0:16:42 | |
then that will be fine. | 0:16:42 | 0:16:43 | |
The pressure is now on the police to try and break the deadlock. | 0:16:43 | 0:16:47 | |
Straight on and to the right, please. | 0:16:47 | 0:16:49 | |
Chief Inspector Manger tries to redirect traffic | 0:16:49 | 0:16:52 | |
away from Oxford Street. | 0:16:52 | 0:16:54 | |
But this is unwelcome news to one bus driver. | 0:16:54 | 0:16:58 | |
Who's given me permission to turn right here? | 0:16:58 | 0:17:00 | |
I'm giving you permission to turn right here and we are | 0:17:00 | 0:17:03 | |
linking with the bus. At the moment, we have got to clear Oxford Street. | 0:17:03 | 0:17:06 | |
Yes, but I've got to be told to do that. | 0:17:06 | 0:17:08 | |
I can't just do...be told... I've got to be told by... | 0:17:08 | 0:17:10 | |
CentreComm hasn't... | 0:17:10 | 0:17:12 | |
I'm sorry, at the moment, you can't stop in the middle of the road. | 0:17:12 | 0:17:16 | |
If you go around to the left-hand side, you can park up there. | 0:17:16 | 0:17:19 | |
-That's not my route, though. -You need to go over there, madam. | 0:17:19 | 0:17:22 | |
Madam, you need to pull up over there. | 0:17:22 | 0:17:25 | |
Call them once you've pulled up to the left-hand side. | 0:17:27 | 0:17:32 | |
If you pull up over there and I'll speak to the Gold Badge. | 0:17:32 | 0:17:34 | |
The Gold Badge is the senior transport commander on the day, | 0:17:34 | 0:17:38 | |
also based at CentreComm. | 0:17:38 | 0:17:41 | |
Have you got the contact for Gold Badge? | 0:17:41 | 0:17:42 | |
I'm going to have to start putting the buses over to the left-hand side. | 0:17:42 | 0:17:46 | |
I'm going to get buses totally redirected. | 0:17:46 | 0:17:48 | |
I'm going put them at the moment into Regent Street to the north. | 0:17:48 | 0:17:52 | |
-OK. -OK? They'll have to park up and they can be redirected from there. | 0:17:52 | 0:17:55 | |
No problem. | 0:17:55 | 0:17:56 | |
Right, madam, I've just spoken to the Gold Badge people here. | 0:17:56 | 0:17:59 | |
-Where are they?! -Well, I don't know where they are. | 0:17:59 | 0:18:01 | |
I spoke to them and they said, "Did your garage tell you to do that?" | 0:18:01 | 0:18:04 | |
I said, "No, a policeman did." | 0:18:04 | 0:18:06 | |
They said, "Can you stay there? Stand by, we'll get back to you." | 0:18:06 | 0:18:09 | |
Pull up to the left-hand side, please? | 0:18:09 | 0:18:11 | |
Right, OK, we'll speak the Gold Badge to try and sort this out. | 0:18:11 | 0:18:14 | |
The officer wants me to turn left, my bus doesn't go left, | 0:18:16 | 0:18:18 | |
my bus goes straight across. | 0:18:18 | 0:18:20 | |
REPORTER: Are you going to listen to the control centre or... | 0:18:20 | 0:18:22 | |
I listen to who I work for - London Transport. | 0:18:22 | 0:18:26 | |
The buses are now refusing to move off their routes. | 0:18:26 | 0:18:30 | |
The dispute with the bus driver reaches CentreComm | 0:18:30 | 0:18:33 | |
who agree to divert the buses away from the street. | 0:18:33 | 0:18:36 | |
They wanted to go left into Regent Street, Portland Place, | 0:18:36 | 0:18:39 | |
go up to Marylebone Road, turn right onto the Euston Road there, | 0:18:39 | 0:18:42 | |
and then left onto Hampstead Road. | 0:18:42 | 0:18:46 | |
I'll put a call out. Hold on. | 0:18:46 | 0:18:47 | |
It's now Ken's job to put out an announcement to every bus in London. | 0:18:47 | 0:18:52 | |
A demonstration in Oxford Street, Marble Arch. | 0:18:52 | 0:18:55 | |
Please listen out for further calls from CentreComm. Thanks. | 0:18:55 | 0:18:59 | |
I had an audience there of about 5,000 buses plus all the | 0:18:59 | 0:19:03 | |
operators in the garages cos that call goes out the whole of London. | 0:19:03 | 0:19:07 | |
If you include the passengers on board, it is | 0:19:07 | 0:19:09 | |
probably a couple of hundred thousand. | 0:19:09 | 0:19:12 | |
And Ken's call has an effect on the ground. | 0:19:12 | 0:19:16 | |
-To the left, he said. -Yes, which will be helpful. | 0:19:16 | 0:19:19 | |
-Thank you. -OK. -Thanks a lot. | 0:19:19 | 0:19:22 | |
OK. So she's got details now from her control | 0:19:23 | 0:19:27 | |
that she can turn left and, hopefully, that is going to | 0:19:27 | 0:19:29 | |
alleviate some of the congestion that we've got. | 0:19:29 | 0:19:33 | |
At Oxford Circus, the centre of the protest, it is still gridlock. | 0:19:33 | 0:19:37 | |
Round to the left, mate. To the left. | 0:19:38 | 0:19:41 | |
The demonstration is only due to last an hour | 0:19:41 | 0:19:44 | |
and that time is nearly up. | 0:19:44 | 0:19:46 | |
As 3pm comes round, | 0:19:47 | 0:19:49 | |
the police move in to enforce the deadline for the protest. | 0:19:49 | 0:19:53 | |
Problems? | 0:19:53 | 0:19:55 | |
My understanding was it was due to finish at three, is that correct? | 0:19:55 | 0:19:58 | |
We're getting the message out to the drivers... | 0:19:58 | 0:20:00 | |
-That's what we're doing. -OK. -Thank you very much for your help. -OK. | 0:20:00 | 0:20:04 | |
-Can we try and get your guys to keep moving up? -Yeah. -Is that all right? | 0:20:06 | 0:20:10 | |
-Yeah, no problem at all. No problem at all, they've got to. -Thank you. | 0:20:10 | 0:20:14 | |
It's over, boys and girls. It's over, thank you very much. | 0:20:14 | 0:20:18 | |
It's over. | 0:20:18 | 0:20:19 | |
Well done. | 0:20:21 | 0:20:23 | |
Well done, boys. Thanks very much for your support. | 0:20:27 | 0:20:30 | |
HORNS BEEP | 0:20:30 | 0:20:31 | |
Well done, boys. | 0:20:31 | 0:20:34 | |
All in all, I think went quite well. | 0:20:34 | 0:20:35 | |
They got there say and they have had their piece | 0:20:35 | 0:20:38 | |
and they have had plenty of time to do it | 0:20:38 | 0:20:41 | |
and now it is just about getting the city moving again. | 0:20:41 | 0:20:44 | |
But with an hour's gridlock to clear, | 0:20:44 | 0:20:46 | |
it will take some time before the buses are back to normal. | 0:20:46 | 0:20:50 | |
It is a lovely warm day and I definitely won't want to be | 0:20:50 | 0:20:52 | |
stuck on a bus, especially if you can't get off, as well. | 0:20:52 | 0:20:56 | |
That has been there a while, since it started. I think it is a 10. | 0:20:56 | 0:20:59 | |
It is going to take a bit of working out now, | 0:21:01 | 0:21:03 | |
what we have actually got going where. | 0:21:03 | 0:21:05 | |
We are starting to get some movement. | 0:21:05 | 0:21:06 | |
Roads are now starting to reopen in sections. | 0:21:06 | 0:21:08 | |
The plans that we've placed are coming out | 0:21:08 | 0:21:10 | |
and we are now looking at a recovery plan. | 0:21:10 | 0:21:12 | |
It is probably going to take an hour to recover, really, | 0:21:12 | 0:21:15 | |
at least, to start getting services back. | 0:21:15 | 0:21:18 | |
Trevor thinks his protest has been a triumph. | 0:21:18 | 0:21:21 | |
We have been around for 350 years | 0:21:21 | 0:21:23 | |
and we will be around another 350 years. | 0:21:23 | 0:21:25 | |
The boys and girls have demonstrated that today. | 0:21:25 | 0:21:28 | |
I was proud beforehand of being a London cabbie | 0:21:28 | 0:21:30 | |
but I've never been more proud in my life than I am today. | 0:21:30 | 0:21:33 | |
HORNS BEEP | 0:21:33 | 0:21:35 | |
We are going to debrief and what mistakes we have made and how | 0:21:35 | 0:21:38 | |
we can improve, because we are going to call another one for next month. | 0:21:38 | 0:21:43 | |
In a week's time, cosmetics maker Lush opens its brand-new | 0:21:55 | 0:21:59 | |
flagship store on Oxford Street. | 0:21:59 | 0:22:01 | |
But at the firm's Dorset factory, | 0:22:02 | 0:22:04 | |
manufacturing director Liz Smith has come | 0:22:04 | 0:22:07 | |
to check on another crucial area for the opening. | 0:22:07 | 0:22:09 | |
The new Oxford Street stuff, where are you doing it? | 0:22:11 | 0:22:14 | |
Liz has come to see if her ballistics boys, | 0:22:14 | 0:22:17 | |
Mike and Dan, have managed to master mass production of that | 0:22:17 | 0:22:21 | |
difficult lotus flower bath bomb, a mixture of fizzy bath salts and oils | 0:22:21 | 0:22:25 | |
hard-packed into a ball. | 0:22:25 | 0:22:28 | |
Are they working out better, then, Mike? | 0:22:28 | 0:22:30 | |
Yeah, they're marking out a lot better. We have revised the formula. | 0:22:30 | 0:22:34 | |
That was the main point, | 0:22:34 | 0:22:36 | |
every single gap you have to really push in. | 0:22:36 | 0:22:38 | |
Cos these were falling out before, weren't they? | 0:22:38 | 0:22:40 | |
Yeah, they were falling out, crumbling off on the edges. | 0:22:40 | 0:22:44 | |
But they were just... We want them to come out in the bath, | 0:22:44 | 0:22:46 | |
but they were just coming out straightaway. | 0:22:46 | 0:22:49 | |
So you need to get a bit of coverage on the outside. | 0:22:49 | 0:22:51 | |
Are they going to be ready by tomorrow to get up to Oxford Street? | 0:22:51 | 0:22:54 | |
-We will let you know in the morning. -It is go, go, go, basically. | 0:22:54 | 0:22:58 | |
I can't stress enough now that every minute, hour counts. | 0:22:58 | 0:23:02 | |
Liz's sign-off means the products can start shipping to London, | 0:23:02 | 0:23:06 | |
which is a worry for Jen. | 0:23:06 | 0:23:08 | |
She is busy fitting the shop out | 0:23:08 | 0:23:10 | |
but there is still no sign of the external stockroom, | 0:23:10 | 0:23:13 | |
which means she has got room for only a fraction | 0:23:13 | 0:23:16 | |
of Mike and Dan's bath bombs. | 0:23:16 | 0:23:19 | |
It completely changes how we would work with this building | 0:23:19 | 0:23:22 | |
and the sales and the functionality of it, in terms of stock. | 0:23:22 | 0:23:25 | |
There is no space for stock. | 0:23:25 | 0:23:27 | |
At the moment it just doesn't work, | 0:23:27 | 0:23:29 | |
so we have to try and find a solution. | 0:23:29 | 0:23:31 | |
For Jen, things are stressful enough as it is | 0:23:31 | 0:23:34 | |
without other unforeseen problems. | 0:23:34 | 0:23:36 | |
We have sprung a leak in the pipework that has already | 0:23:39 | 0:23:42 | |
filled up, so it has flooded through into the basement bit. | 0:23:42 | 0:23:46 | |
So we are just trying to fix it. | 0:23:46 | 0:23:48 | |
We are going to find a way to cut the pipe, | 0:23:48 | 0:23:50 | |
get the water out so we can solder it | 0:23:50 | 0:23:52 | |
and we are not having a lot of success at the moment. | 0:23:52 | 0:23:55 | |
And everybody is worried. | 0:23:56 | 0:23:59 | |
There could be about 60 litres of water in that pipe. | 0:24:00 | 0:24:03 | |
They need to drain the system, | 0:24:03 | 0:24:05 | |
but with the shop-fitting nearly complete, that's not easy. | 0:24:05 | 0:24:09 | |
All the ceilings are up, everything is covered in, | 0:24:09 | 0:24:12 | |
so we can't get to everything. | 0:24:12 | 0:24:13 | |
So... | 0:24:13 | 0:24:14 | |
..it's a problem. | 0:24:16 | 0:24:17 | |
I'm not sure that's going to work. | 0:24:19 | 0:24:20 | |
No, can't do it. | 0:24:22 | 0:24:24 | |
Later, can the team get the store ready for the grand opening | 0:24:24 | 0:24:27 | |
and a visit from a rock superstar? | 0:24:27 | 0:24:30 | |
As Europe's busiest shopping street, | 0:24:39 | 0:24:41 | |
Oxford Street's road surface takes a pounding. | 0:24:41 | 0:24:44 | |
Every day thousands of cars, buses and taxis make | 0:24:46 | 0:24:49 | |
journeys down its length and every evening, legions of supply trucks | 0:24:49 | 0:24:54 | |
pile down its side streets to keep the shops fully stocked. | 0:24:54 | 0:24:58 | |
This constant flow of heavy vehicles, combined with the British weather, | 0:24:58 | 0:25:02 | |
means all too often the tarmac can become prone to potholes. | 0:25:02 | 0:25:06 | |
And that matters. | 0:25:08 | 0:25:09 | |
Potholes can cause damage to cars and accidents to cyclists. | 0:25:09 | 0:25:14 | |
It is why local authorities in London spend over £25 million a year | 0:25:14 | 0:25:18 | |
filling them, which is what these guys do. | 0:25:18 | 0:25:21 | |
Further strength reduction of Oxford Street. | 0:25:21 | 0:25:23 | |
If you want to give that to the gang and brief them? | 0:25:23 | 0:25:26 | |
They're part of Westminster Council's pothole team, | 0:25:26 | 0:25:29 | |
assembled to make sure the streets of the West End of London are kept | 0:25:29 | 0:25:32 | |
roadworthy and up to scratch. | 0:25:32 | 0:25:35 | |
Alan is heading up the team today. | 0:25:35 | 0:25:38 | |
I've done the job for about 30 years. Keeps me busy, keeps me fit. | 0:25:38 | 0:25:43 | |
It definitely keeps me out of trouble! | 0:25:43 | 0:25:45 | |
Alan's team have been called in for an emergency fix. | 0:25:50 | 0:25:53 | |
There is a pothole on an Oxford Street side road | 0:25:54 | 0:25:57 | |
that needs urgent attention. | 0:25:57 | 0:25:59 | |
It is one of the busiest places that we work. | 0:26:00 | 0:26:04 | |
It is constant, it is 24 hours. | 0:26:04 | 0:26:06 | |
The team arrive. First job is to identify the pothole. | 0:26:07 | 0:26:10 | |
What is it, that pothole? | 0:26:12 | 0:26:13 | |
-That there, yeah. -What, this? | 0:26:13 | 0:26:16 | |
It might not look like much, | 0:26:17 | 0:26:19 | |
but it is vital the team fix this kind of surface damage, and fast. | 0:26:19 | 0:26:23 | |
In this state, it will deteriorate quickly. | 0:26:23 | 0:26:26 | |
A cyclist may have come off there, or some sort of accident. | 0:26:27 | 0:26:30 | |
That is why we are here to put it right. | 0:26:30 | 0:26:33 | |
So let's crack on and get it done. | 0:26:33 | 0:26:34 | |
Alan and the team swing into action. | 0:26:37 | 0:26:39 | |
In Westminster, the number of pothole fixes required | 0:26:43 | 0:26:46 | |
has risen 40% in the first three years due to some bad winters. | 0:26:46 | 0:26:52 | |
A major road like Oxford Street can't afford to leave holes lying around. | 0:26:52 | 0:26:57 | |
It is so important, | 0:26:57 | 0:26:58 | |
Westminster Council has invested over £1 million in new state-of-the-art | 0:26:58 | 0:27:03 | |
equipment to fix potholes more quickly and efficiently. | 0:27:03 | 0:27:07 | |
Meet the Rhinopatch heater. | 0:27:07 | 0:27:10 | |
-Is that the lighter? -Yeah. -All right, glasses on, yeah? | 0:27:10 | 0:27:13 | |
The machine works like a giant grill, melting the road surface | 0:27:13 | 0:27:17 | |
until it becomes malleable. | 0:27:17 | 0:27:19 | |
Unlike traditional fixes, it doesn't leave a join | 0:27:40 | 0:27:43 | |
between the old road surface and the new one. | 0:27:43 | 0:27:46 | |
It is this join that is more likely to crack | 0:27:46 | 0:27:49 | |
in traditional pothole fixes. | 0:27:49 | 0:27:50 | |
The new fixes will last for the lifetime of the surrounding | 0:28:06 | 0:28:09 | |
road surface, instead of up to four years for the old ones. | 0:28:09 | 0:28:14 | |
That done, Alan gets his big moment. | 0:28:14 | 0:28:17 | |
Chips are added to strengthen the surface. Then it is rolled again. | 0:28:24 | 0:28:28 | |
We spray it because it gives it a longer life. | 0:28:32 | 0:28:35 | |
And with that, the job is complete. | 0:28:35 | 0:28:37 | |
There we go. | 0:28:37 | 0:28:39 | |
In less than two hours they have dug up and re-laid the pothole. | 0:28:39 | 0:28:43 | |
It has all gone to plan and we can open the road up and traffic | 0:28:43 | 0:28:48 | |
and pedestrians can cross with ease now. | 0:28:48 | 0:28:50 | |
All right, well done, lads, good job. On to the next job. | 0:28:50 | 0:28:54 | |
Oxford Street, meanwhile, will be one depression less. | 0:28:55 | 0:28:59 | |
For now. | 0:28:59 | 0:29:00 | |
Outside a major department store, | 0:29:09 | 0:29:12 | |
a secret shopper is heading to a nearby stall. | 0:29:12 | 0:29:15 | |
She is secretly filming on behalf of private detective David McKelvey | 0:29:15 | 0:29:20 | |
to see to see if fakes are on sale. | 0:29:20 | 0:29:22 | |
And at the stall, she soon notices a brown bag | 0:29:25 | 0:29:29 | |
with the telltale Mulberry tree logo. | 0:29:29 | 0:29:31 | |
This bag, known as the Mulberry Bayswater, | 0:29:32 | 0:29:35 | |
is legitimately on sale around the corner for £900. | 0:29:35 | 0:29:39 | |
The man has now been captured on film openly selling the bags as Mulberrys. | 0:29:47 | 0:29:51 | |
And with that done, the investigator can report back to Dave. | 0:29:57 | 0:30:02 | |
What have we got here? | 0:30:02 | 0:30:04 | |
So, the tan Mulberry bag. | 0:30:04 | 0:30:06 | |
Tree logo, branded bag on display | 0:30:06 | 0:30:09 | |
and he has that in black and tan. | 0:30:09 | 0:30:11 | |
It is absolute rubbish. | 0:30:13 | 0:30:15 | |
With just one look, Dave is convinced this isn't Mulberry. | 0:30:15 | 0:30:19 | |
It is a counterfeit. | 0:30:19 | 0:30:20 | |
It would fall apart after a few weeks. It is not leather. | 0:30:21 | 0:30:25 | |
Following his examination, | 0:30:26 | 0:30:27 | |
Dave is satisfied that the purchased items are fakes. | 0:30:27 | 0:30:31 | |
Effectively, the stall has committed a criminal offence in selling | 0:30:32 | 0:30:36 | |
those bags. Fake goods openly on sale on Oxford Street. | 0:30:36 | 0:30:40 | |
We will bag them up now in evidence bags, | 0:30:40 | 0:30:43 | |
I will take the recording off you and I'll put it in an evidence bag. | 0:30:43 | 0:30:47 | |
The evidence will be secured, statements will be written. | 0:30:47 | 0:30:51 | |
The whole thing will be put together as a criminal file | 0:30:51 | 0:30:53 | |
and as a result of that we will go to Trading Standards | 0:30:53 | 0:30:56 | |
and the police with that evidence. | 0:30:56 | 0:30:58 | |
Dave roots out fakes on behalf of companies across the UK. | 0:30:58 | 0:31:02 | |
In the last 15 months, he has successfully convicted 177 sellers. | 0:31:02 | 0:31:07 | |
Massive, massive, massive business. Huge business. | 0:31:07 | 0:31:10 | |
Costs the government, costs the European economy vast sums of money. | 0:31:10 | 0:31:15 | |
It's involving human trafficking, it has all sorts of issues | 0:31:15 | 0:31:18 | |
and the back end of it is you have got criminals who are making | 0:31:18 | 0:31:21 | |
huge sums of money out of this. | 0:31:21 | 0:31:24 | |
And since we filmed, there was a successful prosecution | 0:31:24 | 0:31:27 | |
against the stallholder selling the fake Mulberry handbag. | 0:31:27 | 0:31:31 | |
He was given a £1,000 fine | 0:31:31 | 0:31:33 | |
and the court ordered the destruction of the counterfeit bags. | 0:31:33 | 0:31:38 | |
For Dave, it is a lesson to anyone trying to undermine | 0:31:38 | 0:31:41 | |
the legitimate trade on the country's most important shopping street. | 0:31:41 | 0:31:45 | |
It is a big tourist area and we have got tourists coming to the UK | 0:31:45 | 0:31:49 | |
and they are walking down Oxford Street, one of our most | 0:31:49 | 0:31:51 | |
high-profile streets, and they are seeing counterfeit goods. | 0:31:51 | 0:31:54 | |
It is another day at the office for Dave, but he and his operatives will | 0:31:54 | 0:31:58 | |
be back on Oxford Street soon, even if the rest of us are none the wiser. | 0:31:58 | 0:32:03 | |
It is the early hours of the morning | 0:32:12 | 0:32:14 | |
and James Burns is getting ready for his day's work on Oxford Street. | 0:32:14 | 0:32:19 | |
Clear as you like. | 0:32:19 | 0:32:22 | |
13 degrees, sunrise 6.05. | 0:32:22 | 0:32:25 | |
Time now, four o'clock. | 0:32:26 | 0:32:28 | |
And there is a reason James is paying such close attention | 0:32:28 | 0:32:31 | |
to the sunrise time. | 0:32:31 | 0:32:33 | |
He is a professional photographer, specialising in pictures of skylines. | 0:32:33 | 0:32:38 | |
And today, he has received his dream commission. | 0:32:38 | 0:32:42 | |
A property developer wants him to capture some images of | 0:32:42 | 0:32:45 | |
the sunrise over one of their buildings - | 0:32:45 | 0:32:48 | |
iconic '60s skyscraper, Centre Point. | 0:32:48 | 0:32:51 | |
I think the skill, really, in getting a good shot | 0:32:51 | 0:32:54 | |
is knowing the weather. | 0:32:54 | 0:32:56 | |
You know, knowing when to expect clear skies. | 0:32:56 | 0:33:00 | |
Even more interesting, to be honest, is knowing when to expect | 0:33:00 | 0:33:03 | |
the right type of cloud that is going to bring you | 0:33:03 | 0:33:06 | |
a really colourful scene. | 0:33:06 | 0:33:07 | |
And after that, I think it is all just in the eye. | 0:33:07 | 0:33:11 | |
The images will be used in the company's promotional material | 0:33:11 | 0:33:14 | |
and to capture the moment, James has been waiting patiently | 0:33:14 | 0:33:18 | |
for days for the perfect atmospheric conditions. | 0:33:18 | 0:33:21 | |
This morning, he has got to make sure he is bang on time. | 0:33:21 | 0:33:25 | |
If you want to do sunrise, you have got to get there an hour early, | 0:33:25 | 0:33:28 | |
so that it is just starting to become twilight. | 0:33:28 | 0:33:31 | |
When we get there, the lights of Oxford Street will be visible | 0:33:31 | 0:33:34 | |
probably within 20 minutes or so. The light will begin to get bright | 0:33:34 | 0:33:37 | |
even about 45 minutes before sunrise. | 0:33:37 | 0:33:40 | |
James has been commissioned by developer Almacantar. | 0:33:41 | 0:33:45 | |
They are redeveloping Centre Point at the east end of Oxford Street. | 0:33:45 | 0:33:49 | |
But to get that shot, | 0:33:49 | 0:33:50 | |
he has got to get six miles across London from his flat first. | 0:33:50 | 0:33:54 | |
That gives us 45 minutes to get from here to Marble Arch. | 0:33:55 | 0:33:58 | |
A bit of a squeeze! | 0:33:58 | 0:34:01 | |
To get the best picture James need to be high up, | 0:34:01 | 0:34:04 | |
and the developer is letting him | 0:34:04 | 0:34:05 | |
access another of its Oxford Street buildings, the Marble Arch Tower. | 0:34:05 | 0:34:10 | |
The problem for James is it's a mile and a half down the other end | 0:34:10 | 0:34:13 | |
of the street and the time and light are not on his side. | 0:34:13 | 0:34:17 | |
Twilight has started. I'll put a little sprint in. | 0:34:17 | 0:34:21 | |
Come on, man! | 0:34:21 | 0:34:22 | |
It's not a short road. It's too long to run it with all this gear. | 0:34:24 | 0:34:27 | |
Could get a Boris Bike. | 0:34:27 | 0:34:29 | |
I think I see our bus. | 0:34:31 | 0:34:32 | |
That's where we're going, look. | 0:34:37 | 0:34:39 | |
-It is waiting for us. -He has made it to the building. | 0:34:39 | 0:34:42 | |
Now all he's got to do is make it up to the roof, | 0:34:42 | 0:34:44 | |
24 storeys above the ground. | 0:34:44 | 0:34:47 | |
Morning, mate. | 0:34:48 | 0:34:49 | |
If he can get past security. | 0:34:49 | 0:34:52 | |
A little bit of a hurry, yeah, just to get the right photograph. | 0:34:54 | 0:34:57 | |
We are trying to get the right shot from up top. | 0:34:57 | 0:35:00 | |
I've got the e-mail here if you want, mate. | 0:35:00 | 0:35:02 | |
OK, thank you, sir. Thank you. | 0:35:04 | 0:35:06 | |
-The sun doesn't wait. The sun is always on time. -Yes! | 0:35:08 | 0:35:12 | |
Whether he can outrun the sun, we will find out later. | 0:35:12 | 0:35:15 | |
Handmade cosmetics chain Lush is getting ready for the star-studded | 0:35:23 | 0:35:27 | |
opening of its brand-new flagship store on Oxford Street. | 0:35:27 | 0:35:31 | |
It is their biggest ever - over three floors - | 0:35:31 | 0:35:34 | |
and it is taking a massive company-wide effort to prepare. | 0:35:34 | 0:35:37 | |
They have only got two days before the grand store opening, | 0:35:37 | 0:35:41 | |
featuring rock legend Brian May. | 0:35:41 | 0:35:43 | |
But before any of that happens, Jen has got problems in the basement. | 0:35:44 | 0:35:49 | |
Plumber Bob is on the case. | 0:35:50 | 0:35:52 | |
Any luck? | 0:35:52 | 0:35:54 | |
We are waiting for some fittings to actually just redo the pipe... | 0:35:54 | 0:35:57 | |
Oh, here we are. | 0:35:57 | 0:35:59 | |
So, here's the pipes now. The weakest link in the chain, | 0:35:59 | 0:36:02 | |
that's it. | 0:36:02 | 0:36:03 | |
I'm not jumping for joy just yet. | 0:36:09 | 0:36:12 | |
Right, here we go. So if I just turn these on... | 0:36:14 | 0:36:17 | |
-Yay, we've got water! -Yes, finally! | 0:36:19 | 0:36:22 | |
Success. | 0:36:22 | 0:36:24 | |
PHONE RINGS And it looks like Jen's luck has turned. | 0:36:24 | 0:36:27 | |
There is good news about the all-important external stockroom. | 0:36:27 | 0:36:31 | |
Bye. | 0:36:31 | 0:36:33 | |
That was Martin, our estates manager, | 0:36:33 | 0:36:35 | |
and he has just picked up the keys for the external office. | 0:36:35 | 0:36:40 | |
Massive deal, really happy. | 0:36:40 | 0:36:43 | |
After you. | 0:36:44 | 0:36:45 | |
One careful owner. | 0:36:48 | 0:36:50 | |
One empty, messy space ready to be fitted out for stock and staff. | 0:36:50 | 0:36:56 | |
And just in time, because company boss Mark is on hand to view | 0:36:56 | 0:37:00 | |
the new store he is about to hand over to daughter Claire to manage. | 0:37:00 | 0:37:04 | |
We're just going to be doing some last-minute tweaks | 0:37:04 | 0:37:06 | |
and seeing what bits and pieces aren't quite right, | 0:37:06 | 0:37:09 | |
that just need a little bit of alteration before we open | 0:37:09 | 0:37:11 | |
the doors tomorrow morning. | 0:37:11 | 0:37:13 | |
He started the company from scratch 20 years ago | 0:37:13 | 0:37:16 | |
and he has finally made it to Oxford Street. | 0:37:16 | 0:37:19 | |
To have this kind of position on Oxford Street | 0:37:19 | 0:37:22 | |
and to have this opportunity to show off to so many people | 0:37:22 | 0:37:28 | |
our talents and to have them interested is a great privilege. | 0:37:28 | 0:37:31 | |
It all becomes a bit too much. | 0:37:33 | 0:37:35 | |
Yes! | 0:37:36 | 0:37:37 | |
LAUGHTER | 0:37:37 | 0:37:39 | |
Just made Mark cry. | 0:37:40 | 0:37:41 | |
-Happy tears. -Yeah, it's very, very good. I love it. | 0:37:43 | 0:37:47 | |
It is good he's happy. | 0:37:47 | 0:37:49 | |
Finally! | 0:37:49 | 0:37:50 | |
For Jen and the rest of the team | 0:37:54 | 0:37:56 | |
it is vindication for all their hard work. | 0:37:56 | 0:37:59 | |
That was a big, big relief for everyone. | 0:37:59 | 0:38:02 | |
There has been a few tears | 0:38:02 | 0:38:03 | |
and there has been some really great moments | 0:38:03 | 0:38:06 | |
and there has been, obviously, frustrations, | 0:38:06 | 0:38:08 | |
but really, really overjoyed with how it's looking. | 0:38:08 | 0:38:12 | |
All that is left to do is open up. | 0:38:12 | 0:38:14 | |
Members of staff from across the chain | 0:38:16 | 0:38:18 | |
have been invited to take a look. | 0:38:18 | 0:38:19 | |
And that includes, all the way from the Dorset factory, | 0:38:21 | 0:38:24 | |
Mike and Dan, who were in charge of production of the bath bombs. | 0:38:24 | 0:38:28 | |
So, we are holding the lotus flower | 0:38:30 | 0:38:32 | |
and it has made it in one piece to Oxford Street! | 0:38:32 | 0:38:34 | |
I have only got round the first floor | 0:38:34 | 0:38:36 | |
and already I am beaming from ear to ear, and I don't smile a lot. | 0:38:36 | 0:38:39 | |
So for me it's a massive, massive achievement, | 0:38:39 | 0:38:42 | |
so very, very happy boy. | 0:38:42 | 0:38:44 | |
For the main opening there is something a bit special planned. | 0:38:44 | 0:38:47 | |
They are expecting a royal visit. Well, almost. | 0:38:47 | 0:38:51 | |
Brian May is coming because we have got a May Day bath bomb | 0:38:52 | 0:38:55 | |
which is in the shape of a badger. | 0:38:55 | 0:38:57 | |
We sell those - to him and others - for money. | 0:38:57 | 0:39:00 | |
The badger bath bomb, very useful device. | 0:39:00 | 0:39:02 | |
Both Brian May and Lush are major animal rights campaigners | 0:39:04 | 0:39:08 | |
and the Queen guitarist is planning to cash in on the store opening | 0:39:08 | 0:39:11 | |
to get publicity for a march he's leading to Parliament. | 0:39:11 | 0:39:15 | |
Lush has become an incredible icon in fighting for decency, | 0:39:15 | 0:39:19 | |
and particularly in fighting for animal welfare and animal rights. | 0:39:19 | 0:39:22 | |
All the work that I have done over the years has given me a visibility | 0:39:22 | 0:39:25 | |
and a presence and I feel that I have to use that responsibly | 0:39:25 | 0:39:29 | |
and that is what this is about. | 0:39:29 | 0:39:31 | |
Time to open the store and start the march. | 0:39:33 | 0:39:35 | |
This is our new store. | 0:39:37 | 0:39:39 | |
Obviously we are delighted to be hosting this rally | 0:39:39 | 0:39:42 | |
and march from here on the first day | 0:39:42 | 0:39:44 | |
and it is so delightful to have Brian and everybody here. | 0:39:44 | 0:39:49 | |
Let's march on Westminster! | 0:39:49 | 0:39:51 | |
CHEERING | 0:39:51 | 0:39:53 | |
And so, for both Brian and Lush, Oxford Street, it begins. | 0:39:55 | 0:39:59 | |
So, we have arrived in Oxford Street. | 0:39:59 | 0:40:01 | |
I can't imagine a nicer way to launch the shop, I really can't. | 0:40:01 | 0:40:05 | |
I hope everyone approves. | 0:40:05 | 0:40:06 | |
Photographer James is still stuck at security, | 0:40:18 | 0:40:21 | |
trying to get up 24 floors to take a panoramic shot of Oxford Street. | 0:40:21 | 0:40:26 | |
A little bit of a hurry, yeah. | 0:40:28 | 0:40:29 | |
But it is sunrise in 15 minutes and time is running out. | 0:40:29 | 0:40:33 | |
There's a lot of people that you need to go through in order | 0:40:33 | 0:40:35 | |
to get, you know, the authorisation to get up on the roof. | 0:40:35 | 0:40:38 | |
I have been here before, so I was expecting that it would happen | 0:40:38 | 0:40:41 | |
a little bit faster than this, but... | 0:40:41 | 0:40:43 | |
Finally the supervisor arrives and James gets the all-clear to head up. | 0:40:45 | 0:40:50 | |
This key here is the key to the best view that you get | 0:40:52 | 0:40:56 | |
over Oxford Street. | 0:40:56 | 0:40:57 | |
This and Centre Point are the two the best views | 0:40:57 | 0:41:00 | |
you get in the West End, full stop. | 0:41:00 | 0:41:01 | |
Oh, it's beautiful. Look, the moon's out as well. Oh! | 0:41:11 | 0:41:15 | |
Oh, that's beautiful. Right. | 0:41:19 | 0:41:21 | |
James gets to work capturing one of the most breathtaking views | 0:41:21 | 0:41:25 | |
the capital has to offer. | 0:41:25 | 0:41:27 | |
It's actually got brighter already | 0:41:27 | 0:41:29 | |
and I've only been here five minutes. | 0:41:29 | 0:41:31 | |
You can see the area to the left of frame is starting to get... | 0:41:37 | 0:41:40 | |
starting to get quite red now. | 0:41:40 | 0:41:42 | |
That is where the sun is going to come up, so hopefully | 0:41:42 | 0:41:44 | |
I will get the shot of the sun as it passes over Oxford Street. | 0:41:44 | 0:41:48 | |
That will do. We are all set. | 0:41:54 | 0:41:55 | |
Three minutes. | 0:41:59 | 0:42:01 | |
I am expecting to see any minute now the first little red tip | 0:42:01 | 0:42:05 | |
appear over the horizon. | 0:42:05 | 0:42:07 | |
There's the sun. | 0:42:11 | 0:42:12 | |
When you get out of bed at three o'clock in the morning, | 0:42:18 | 0:42:20 | |
as soon as you see the sun come up over the horizon, | 0:42:20 | 0:42:22 | |
I am beaming with energy and... | 0:42:22 | 0:42:24 | |
Oh, this is... Come on. Look at that. | 0:42:24 | 0:42:27 | |
There we go. Right, I'm looking straight down Oxford Street now. | 0:42:30 | 0:42:34 | |
Oh... | 0:42:34 | 0:42:35 | |
Centre Point is looking cool with its new coat. | 0:42:36 | 0:42:39 | |
Oh, look at that! Come on. | 0:42:40 | 0:42:43 | |
What a view, man, what a view. | 0:42:43 | 0:42:45 | |
Oh, it's so relaxing. | 0:42:48 | 0:42:49 | |
Honestly, it is the best way to start your day. | 0:42:49 | 0:42:52 | |
You know, normally I don't have anybody bothering me - | 0:42:52 | 0:42:55 | |
got the whole place to myself. A view of the city that I love | 0:42:55 | 0:42:58 | |
coming to life, everybody starting to run around | 0:42:58 | 0:43:01 | |
and do their thing and bring the city to life and make it what it is. | 0:43:01 | 0:43:04 | |
And as James's working day ends, | 0:43:04 | 0:43:07 | |
another is just beginning on Europe's busiest shopping street. | 0:43:07 | 0:43:11 |