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There'd be a lot of people who would say that me | 0:00:02 | 0:00:04 | |
and the Salvation Army are strange bedfellows | 0:00:04 | 0:00:06 | |
and it is an unholy alliance. | 0:00:06 | 0:00:09 | |
But at many different times throughout my life, | 0:00:09 | 0:00:11 | |
our paths have crossed. | 0:00:11 | 0:00:14 | |
Somehow, it works. | 0:00:14 | 0:00:15 | |
So now, on the 150th anniversary year... | 0:00:16 | 0:00:19 | |
Oh, here we go! | 0:00:19 | 0:00:21 | |
..for the next three months, | 0:00:21 | 0:00:22 | |
I'll be working with the officers and volunteers... | 0:00:22 | 0:00:25 | |
Vegetable soup. | 0:00:25 | 0:00:26 | |
-Fantastic! -Did you enjoy that? -Oh, it was wonderful! | 0:00:26 | 0:00:29 | |
..on my very own Salvation Army training course. | 0:00:29 | 0:00:33 | |
Do you know? You're putting me off old age with all this. | 0:00:33 | 0:00:36 | |
I'll be travelling up and down the country... | 0:00:36 | 0:00:38 | |
If it hadn't have worked out for me, I could be in your position now. | 0:00:38 | 0:00:42 | |
Thank you. You're welcome. | 0:00:42 | 0:00:44 | |
Look at the size of him! | 0:00:44 | 0:00:46 | |
..and even overseas. | 0:00:46 | 0:00:48 | |
Too much. | 0:00:48 | 0:00:49 | |
EXCITED SCREAMS | 0:00:51 | 0:00:52 | |
Tonight... | 0:00:52 | 0:00:53 | |
I'm going to start with once upon a time. | 0:00:53 | 0:00:55 | |
..believe it or not, I end up giving a Bible class. | 0:00:55 | 0:00:57 | |
Go easy on her! | 0:00:57 | 0:00:59 | |
You have to shout, love! | 0:00:59 | 0:01:00 | |
I train to walk a mile in someone else's shoes... | 0:01:00 | 0:01:03 | |
I'm spinning. I'm going, where am I going, lovey? | 0:01:03 | 0:01:05 | |
People don't realise the sacrifices that you make. | 0:01:05 | 0:01:07 | |
..and I face my biggest fear. | 0:01:07 | 0:01:10 | |
I'm not scared of death at all, | 0:01:10 | 0:01:11 | |
but I'm more scared of losing me marbles. | 0:01:11 | 0:01:15 | |
Come here, you. | 0:01:15 | 0:01:17 | |
And if I make it through, they've promised me | 0:01:17 | 0:01:19 | |
I can lead the Salvation Army band down London's busiest high street. | 0:01:19 | 0:01:24 | |
It's fabulous. | 0:01:24 | 0:01:25 | |
Over the last month, | 0:01:32 | 0:01:33 | |
I've been getting stuck into my training with the Salvation Army. | 0:01:33 | 0:01:37 | |
How fabulous. | 0:01:37 | 0:01:39 | |
Captain Jo has been teaching me what it takes. | 0:01:39 | 0:01:41 | |
You've well and truly passed this test, Paul. | 0:01:41 | 0:01:44 | |
I've spent time working with the homeless community in Bournemouth... | 0:01:44 | 0:01:48 | |
You're welcome. | 0:01:48 | 0:01:50 | |
..helped a man who once slept rough start his life again. | 0:01:50 | 0:01:54 | |
Seriously, I wish you all the luck in the world. Come here. | 0:01:54 | 0:01:58 | |
And I've learned how to pass on life skills to young people in need. | 0:01:58 | 0:02:01 | |
I've got to get on the bus like this! | 0:02:01 | 0:02:03 | |
Although, I'll be honest, they showed me a thing or two. | 0:02:03 | 0:02:06 | |
Now I'm up for my next challenge. | 0:02:10 | 0:02:13 | |
I'm here now to do the next bit of me training. | 0:02:13 | 0:02:15 | |
Because if you want to be a soldier of God, you have to train, | 0:02:15 | 0:02:18 | |
you just don't walk in. | 0:02:18 | 0:02:19 | |
So I'm going through the whole rigmarole. | 0:02:19 | 0:02:21 | |
So I don't know what they've got in store for me today, | 0:02:21 | 0:02:24 | |
but I'm looking forward to it, to tell you the truth. | 0:02:24 | 0:02:26 | |
It's all very interesting, | 0:02:26 | 0:02:28 | |
especially for an old sinner like me. | 0:02:28 | 0:02:30 | |
Paul's spent time with lots of different people so far | 0:02:30 | 0:02:32 | |
and we're a Christian church, | 0:02:32 | 0:02:34 | |
so I want him to understand that vital part of who we are. | 0:02:34 | 0:02:37 | |
So for this next bit of training, I want Paul to share a Bible | 0:02:37 | 0:02:40 | |
story with some children who come here for an after-school club. | 0:02:40 | 0:02:44 | |
Regardless of faith, anybody who wants to be a volunteer | 0:02:46 | 0:02:49 | |
needs to be able to share those values. | 0:02:49 | 0:02:51 | |
Our opinions clash on religion. | 0:02:51 | 0:02:54 | |
They really do clash. | 0:02:54 | 0:02:56 | |
I mean, they're committed Christians, I'm not, | 0:02:56 | 0:02:59 | |
by any standard. | 0:02:59 | 0:03:01 | |
I was brought up a Roman Catholic. | 0:03:01 | 0:03:04 | |
We used to have a thing in the hall, like a holy water font. | 0:03:04 | 0:03:07 | |
It was like a glass thing, with a Virgin Mary on it, | 0:03:07 | 0:03:10 | |
that you poured holy water on. | 0:03:10 | 0:03:11 | |
So while my Aunty Chrissie was on the phone, | 0:03:11 | 0:03:13 | |
she used to flick her ash in it. Me mother used to go insane. | 0:03:13 | 0:03:16 | |
Insane! | 0:03:16 | 0:03:17 | |
Cos when you'd bless yourself, you go, "What's that?" | 0:03:17 | 0:03:20 | |
You'd have all this ash all over you | 0:03:20 | 0:03:21 | |
because Auntie Chris - she'd be putting a bet on - she would... | 0:03:21 | 0:03:25 | |
-So this is the Holy Bible, I gather, yes? -Yep. | 0:03:26 | 0:03:28 | |
I wanted to bring you up here just to show you, | 0:03:28 | 0:03:30 | |
because we've talked a lot about the do-gooding stuff, | 0:03:30 | 0:03:34 | |
all the charity work and the community work. | 0:03:34 | 0:03:37 | |
But at the very, very heart of the Salvation Army is our faith. | 0:03:37 | 0:03:40 | |
This is pretty old, isn't it? Look at it. | 0:03:40 | 0:03:42 | |
-This was William Bramwell Booth's. -That was his original Bible? | 0:03:42 | 0:03:45 | |
This was his Bible. | 0:03:45 | 0:03:46 | |
Methodist minister William Booth | 0:03:48 | 0:03:50 | |
was the founder of the Salvation Army. | 0:03:50 | 0:03:52 | |
It all started 150 years ago in London's East End, | 0:03:55 | 0:03:58 | |
when his son Bramwell told him about all the people sleeping | 0:03:58 | 0:04:01 | |
rough on the banks of the Thames. | 0:04:01 | 0:04:03 | |
William simply told him, "Go and do something." | 0:04:03 | 0:04:07 | |
And that simple message is the foundation of the Salvation Army. | 0:04:07 | 0:04:10 | |
From the very beginning, they've demonstrated their Christian faith | 0:04:12 | 0:04:16 | |
by taking to the streets and offering support to those in need. | 0:04:16 | 0:04:19 | |
This is the cornerstone of who we are, so all the charity work... | 0:04:22 | 0:04:25 | |
-This is like the textbook, this is your manual, basically? -Yeah. | 0:04:25 | 0:04:28 | |
And there's no way we could introduce you, as a volunteer, | 0:04:28 | 0:04:31 | |
without explaining why we believe what we believe | 0:04:31 | 0:04:34 | |
and where it all comes from. | 0:04:34 | 0:04:35 | |
-There are bits in there that will make you go... -Nah. | 0:04:35 | 0:04:38 | |
-..but you have to look at the big story. -The big picture. | 0:04:38 | 0:04:41 | |
That idea about comfort and hope, and that this isn't over, | 0:04:41 | 0:04:44 | |
that there's somewhere I'm going that's going to be even better than this was. | 0:04:44 | 0:04:47 | |
See, I'd love to believe that there's an afterlife, | 0:04:47 | 0:04:50 | |
I really would. | 0:04:50 | 0:04:51 | |
But the cynical side of me says, "No, we're just like | 0:04:51 | 0:04:54 | |
"any other organic material." | 0:04:54 | 0:04:56 | |
-We just wither, go back to dust. Dust to dust. -Yeah. | 0:04:56 | 0:05:00 | |
But I'd like to think that there's this magical, | 0:05:00 | 0:05:03 | |
illuminated escalator, were you go up, you know? | 0:05:03 | 0:05:07 | |
Bit of razzmatazz! | 0:05:07 | 0:05:08 | |
And the clouds part, and St Peter's there, saying, | 0:05:08 | 0:05:11 | |
"Oh, we've been expecting you. Right, let's go through the book. | 0:05:11 | 0:05:14 | |
"Now, in 1971..." And go through your list of crimes and sins. | 0:05:14 | 0:05:19 | |
And then you go in and see the boss. | 0:05:19 | 0:05:20 | |
I feel the need for something spiritual, | 0:05:21 | 0:05:24 | |
but I find myself getting tied up in knots | 0:05:24 | 0:05:27 | |
and going down various avenues and thinking, | 0:05:27 | 0:05:30 | |
"That doesn't make sense to me, that." | 0:05:30 | 0:05:32 | |
Asking questions, being allowed to doubt, that's really important. | 0:05:32 | 0:05:35 | |
Something that we do constantly is we have to try | 0:05:35 | 0:05:38 | |
and make this 2,000-year-old piece of work make sense to people. | 0:05:38 | 0:05:42 | |
If we can bring it down and change the language | 0:05:42 | 0:05:44 | |
into a language that children understand. And not just children, | 0:05:44 | 0:05:47 | |
but older people who maybe need to hear a more poetic language, | 0:05:47 | 0:05:50 | |
or somebody in a prison, who just wants to hear it straight. | 0:05:50 | 0:05:53 | |
We teach the cadets here to be able to take a story from the Bible | 0:05:53 | 0:05:57 | |
and communicate it to all different groups, | 0:05:57 | 0:06:00 | |
so we're going to look at how you could do that with some children. | 0:06:00 | 0:06:04 | |
-Me?! -You. | 0:06:04 | 0:06:06 | |
-You are joking! -Because your background... | 0:06:06 | 0:06:08 | |
-You want me to do a Bible class for children? -Yeah. -Really? -Really. | 0:06:08 | 0:06:11 | |
And what do you want me to tell them? The Good Samaritan? | 0:06:11 | 0:06:13 | |
Well, I think this is a good story because it's about loving God | 0:06:13 | 0:06:16 | |
and loving your neighbour. That's a timeless, Salvation Army classic. | 0:06:16 | 0:06:19 | |
I've never done anything like that before. This is a first for me. | 0:06:19 | 0:06:22 | |
-Yeah. -So fingers crossed. Do you want me to turn it into a musical? | 0:06:22 | 0:06:26 | |
Oh, now you're talking! | 0:06:26 | 0:06:27 | |
You could have the poor guy who's been beaten up by the robbers sitting up and singing... | 0:06:27 | 0:06:31 | |
# They always, always pick on me! # | 0:06:31 | 0:06:35 | |
-Bring it. -How's that? -Done. | 0:06:35 | 0:06:36 | |
# Welcome to Holiday Inn! # Hallelujah, sister! | 0:06:36 | 0:06:39 | |
In the Salvation Army, we work with a whole spectrum of people - | 0:06:42 | 0:06:45 | |
people of different colour, different creed, | 0:06:45 | 0:06:47 | |
different religion, and none, and people of all age groups. | 0:06:47 | 0:06:50 | |
Let's see how he copes. | 0:06:50 | 0:06:52 | |
-Are you ready? -I am. | 0:06:52 | 0:06:53 | |
-We're going to go and meet some of these young people. -Wonderful. | 0:06:53 | 0:06:56 | |
And you're going to tell them that story. | 0:06:56 | 0:06:58 | |
I'm doing my Bible class to the children | 0:06:58 | 0:07:00 | |
of all the cadets and tutors here, | 0:07:00 | 0:07:02 | |
so there's no pressure then(!) | 0:07:02 | 0:07:03 | |
This is going to be awesome. Are you ready? | 0:07:03 | 0:07:05 | |
Do I believe in God? Oh, dear... | 0:07:05 | 0:07:07 | |
OK, Paul, so I wanted to introduce... | 0:07:07 | 0:07:10 | |
EXCITED SCREAMS | 0:07:10 | 0:07:12 | |
Hello! | 0:07:12 | 0:07:13 | |
Look at you lot! | 0:07:13 | 0:07:15 | |
Put it this way, when I'm hanging | 0:07:15 | 0:07:17 | |
60 foot on the end of a wire in panto, | 0:07:17 | 0:07:19 | |
I always say, "Please, God, please, God, | 0:07:19 | 0:07:22 | |
"don't let this rope snap and I'll never be bad again." | 0:07:22 | 0:07:25 | |
So I'm going to need some volunteers now for this | 0:07:25 | 0:07:28 | |
because we're going to act this out. | 0:07:28 | 0:07:30 | |
Who we going to have? | 0:07:30 | 0:07:31 | |
-I think Zoe would be really good, she's a very good actress. -OK, Zoe. | 0:07:31 | 0:07:34 | |
-Now, who do you want to be, Zoe? -Man on the road. | 0:07:34 | 0:07:36 | |
OK, who wants to be the bad robbers? | 0:07:36 | 0:07:39 | |
We need three absolutely rotten... | 0:07:39 | 0:07:42 | |
THEY SHOUT OVER EACH OTHER | 0:07:42 | 0:07:45 | |
Do you want to be working in the inn with me, in the hotel? | 0:07:45 | 0:07:48 | |
Do you fancy that? | 0:07:48 | 0:07:49 | |
So you can be on reception and I'm the manager, you see? | 0:07:49 | 0:07:52 | |
Now, I'm going to start with once upon a time | 0:07:52 | 0:07:54 | |
because all good stories start with once upon a time, don't they? | 0:07:54 | 0:07:58 | |
This merchant is going along, there here is. | 0:07:58 | 0:08:00 | |
Meanwhile, hiding behind the rock, | 0:08:00 | 0:08:04 | |
terrifying, EVIL robbers, | 0:08:04 | 0:08:06 | |
attack the poor merchant... | 0:08:06 | 0:08:09 | |
That's it. Go easy on her! | 0:08:09 | 0:08:12 | |
I'd like to think there was, | 0:08:12 | 0:08:14 | |
but the image of the man with the big, white beard | 0:08:14 | 0:08:17 | |
sat on a throne in the clouds, that's long vanished. | 0:08:17 | 0:08:19 | |
And the poor man's lying there going, "Help me." | 0:08:19 | 0:08:22 | |
Say it, go on, say your line. That's it, bit louder. | 0:08:22 | 0:08:25 | |
-They can't hear you in the cheap seats. -Help me! -That's it. | 0:08:25 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:28 | |
So what he did, this kind man, helped the merchant up | 0:08:28 | 0:08:32 | |
and he took the merchant down to the nearest inn, | 0:08:32 | 0:08:35 | |
which was basically a hotel. | 0:08:35 | 0:08:37 | |
Now you shout, I'm outside, shout, "Mr O'Grady! | 0:08:37 | 0:08:40 | |
"You're wanted in reception." | 0:08:40 | 0:08:42 | |
-You're wanted. -Good boy. | 0:08:42 | 0:08:43 | |
And this kind Samaritan, | 0:08:45 | 0:08:46 | |
he said, "Would you please look after this man for me?" | 0:08:46 | 0:08:51 | |
So what do you think the moral of this story is? | 0:08:51 | 0:08:54 | |
-Always help people. -That's right. | 0:08:54 | 0:08:56 | |
It doesn't matter if they're a different culture from you. | 0:08:56 | 0:09:00 | |
That's right, exactly. And that's the story of the Good Samaritan. | 0:09:00 | 0:09:03 | |
It's been an absolute pleasure | 0:09:07 | 0:09:09 | |
and we'll see each other very soon, yeah? | 0:09:09 | 0:09:12 | |
But it seems there's no escaping! | 0:09:12 | 0:09:13 | |
You were fabulous as a robber. | 0:09:13 | 0:09:15 | |
Yeah. And you, you were all good. | 0:09:15 | 0:09:18 | |
You were brilliant! | 0:09:18 | 0:09:19 | |
I feel like Maria von Trapp! | 0:09:22 | 0:09:25 | |
Phew, I'm too old for kids! | 0:09:25 | 0:09:28 | |
Well, that was a tough crowd, I'll tell you, | 0:09:28 | 0:09:30 | |
and I've worked some tough houses in my time. | 0:09:30 | 0:09:33 | |
No, seriously, they were a joy. They were an absolute joy. | 0:09:33 | 0:09:36 | |
And I'm amazed because I never thought I'd see the day where | 0:09:36 | 0:09:39 | |
I'd be doing a Bible reading to children, but there you go. | 0:09:39 | 0:09:43 | |
And I think it's very relevant, that tale, the Good Samaritan, for today, | 0:09:43 | 0:09:48 | |
with what's going on in Syria and around the world. | 0:09:48 | 0:09:51 | |
And maybe it wouldn't do any of us | 0:09:51 | 0:09:53 | |
any harm to show a bit of tolerance and a bit of kindness | 0:09:53 | 0:09:56 | |
to people of different religions, different faiths. | 0:09:56 | 0:09:59 | |
I'm learning quite a lot really, as I'm going along, doing all this. | 0:09:59 | 0:10:03 | |
Quite a lot indeed. | 0:10:03 | 0:10:05 | |
Humility, mainly, | 0:10:05 | 0:10:07 | |
is something I've learned. | 0:10:07 | 0:10:09 | |
Of course, I'm very humble. | 0:10:09 | 0:10:10 | |
Some of the training exercises that we do here are based on the Bible | 0:10:10 | 0:10:13 | |
and I really want Paul to understand, | 0:10:13 | 0:10:15 | |
with the next bit of training, | 0:10:15 | 0:10:17 | |
what it might feel like to walk a mile in someone else's shoes. | 0:10:17 | 0:10:19 | |
I'm sending Paul to Glasgow | 0:10:19 | 0:10:21 | |
to meet with an older person who's living with severe ill health. | 0:10:21 | 0:10:25 | |
And there's a module, a training module that we're going to use, | 0:10:25 | 0:10:28 | |
to help him understand what it might feel like to be her. | 0:10:28 | 0:10:30 | |
And although Paul is only young at heart, older people that | 0:10:30 | 0:10:34 | |
work in our older people services know the value of empathy. | 0:10:34 | 0:10:38 | |
Now, why have I got a crash helmet? I'm not going up a ladder, am I? | 0:10:38 | 0:10:41 | |
Or decorating or cleaning your gutters? | 0:10:41 | 0:10:43 | |
We need to give you a bit of training to experience what | 0:10:43 | 0:10:45 | |
it might feel like to be an older person. | 0:10:45 | 0:10:47 | |
Oh, I know what that feels like, don't you worry! | 0:10:47 | 0:10:51 | |
This is the age simulation system. | 0:10:51 | 0:10:54 | |
It gives you an idea about what it might feel like to be restricted in your movement. | 0:10:54 | 0:10:57 | |
-So how old are we talking here? -75-plus. -Right, OK. | 0:10:57 | 0:11:00 | |
Back when the Salvation Army was first started, | 0:11:04 | 0:11:06 | |
life expectancy was just 40. | 0:11:06 | 0:11:09 | |
Hello, my darling! | 0:11:09 | 0:11:11 | |
Now, on average, we live to over 80. | 0:11:11 | 0:11:13 | |
And, amazingly, there are more people in the UK aged 60 | 0:11:15 | 0:11:19 | |
and above then there are under 18. | 0:11:19 | 0:11:21 | |
The Sally Army are one of the biggest care providers | 0:11:21 | 0:11:24 | |
for the elderly in this country. | 0:11:24 | 0:11:26 | |
So, first of all, we have this very attractive suit. | 0:11:28 | 0:11:32 | |
Are these radioactive pensioners that we're dealing with? | 0:11:32 | 0:11:35 | |
I'm not that sure if putting on a boiler suit | 0:11:38 | 0:11:40 | |
and a hard hat is going to make me feel like a 75-year-old. | 0:11:40 | 0:11:44 | |
We do this with the cadets because, | 0:11:44 | 0:11:46 | |
when they go to old people's homes, | 0:11:46 | 0:11:48 | |
or when they organise stuff in their centres, | 0:11:48 | 0:11:51 | |
we want them to understand something from someone else's perspective | 0:11:51 | 0:11:54 | |
because it's really easy for us to judge someone's life | 0:11:54 | 0:11:57 | |
-when we've never actually lived it. -Exactly. | 0:11:57 | 0:11:59 | |
So we do that across the board, | 0:11:59 | 0:12:01 | |
to try and understand somebody else's life. | 0:12:01 | 0:12:03 | |
So they would dress up in this suit. | 0:12:03 | 0:12:06 | |
But it does actually make you feel a bit kind of...uncomfortable? | 0:12:06 | 0:12:10 | |
-No, not really. -Well, we'll fix that soon enough. | 0:12:10 | 0:12:14 | |
These have been tinted yellow because, when people get older, | 0:12:14 | 0:12:17 | |
-there's a natural yellowing of the vision. -Is there? -Yeah. | 0:12:17 | 0:12:20 | |
They feel a bit heavier round the shoulders. | 0:12:20 | 0:12:22 | |
These restrict what you can hear... | 0:12:22 | 0:12:24 | |
-MUFFLED: -..which could make the next five minutes REALLY INTERESTING! | 0:12:24 | 0:12:27 | |
-You have to shout, love! -I'll have to shout now! -I can't hear a word! | 0:12:27 | 0:12:30 | |
Yes, I'm going to shout the rest of it! | 0:12:30 | 0:12:32 | |
What I want to do, | 0:12:32 | 0:12:33 | |
is I want you to know what it feels like to have curvature of the spine. | 0:12:33 | 0:12:36 | |
It doesn't happen to everybody, but so many people face it. | 0:12:36 | 0:12:40 | |
So I'm going to anchor you, from one up there. | 0:12:40 | 0:12:43 | |
Has it got hooks in this hat or something? | 0:12:43 | 0:12:45 | |
There we go. | 0:12:45 | 0:12:47 | |
-Can you feel a bit of a tension there? -Yeah. -Right. | 0:12:47 | 0:12:52 | |
-Does that feel all right? -Yep. | 0:12:52 | 0:12:54 | |
Oh, ping! | 0:12:54 | 0:12:55 | |
Do you know what? I'm going to kill somebody when I walk past them, | 0:12:55 | 0:12:58 | |
aren't I? This is going to fly off. | 0:12:58 | 0:13:00 | |
How does that feel? | 0:13:00 | 0:13:02 | |
Yeah, it just feels odd. | 0:13:02 | 0:13:03 | |
Let's put your gloves on. | 0:13:06 | 0:13:07 | |
When people get older, | 0:13:07 | 0:13:09 | |
very often you feel like you can't pick up things in the same way. | 0:13:09 | 0:13:12 | |
You know, you're putting me off old age with all this. | 0:13:12 | 0:13:14 | |
This is the reality we want to try and get across to people. | 0:13:14 | 0:13:17 | |
Now, we're going to somehow get these on your shoes. | 0:13:17 | 0:13:19 | |
It will make you feel quite unsteady, having slippy feet. | 0:13:19 | 0:13:22 | |
I know this sounds silly, but I feel quite delicate in all this. | 0:13:22 | 0:13:25 | |
Yeah, that's a good word to use. | 0:13:25 | 0:13:27 | |
You know, a bit like... | 0:13:27 | 0:13:29 | |
-Fancy a bit of a walk? -Yeah, go on then. -Come on then. | 0:13:29 | 0:13:31 | |
-Where shall we go? -Is there anybody out there? | 0:13:31 | 0:13:33 | |
There might be a few people that might see you. | 0:13:33 | 0:13:36 | |
-We'll keep going round? -See, I'm doing all this. | 0:13:38 | 0:13:42 | |
Because you don't know where I am! | 0:13:42 | 0:13:43 | |
I'm spinning, going, "Where am I going, lovey? This way?" | 0:13:43 | 0:13:47 | |
MUFFLED ENVIRONMENT SOUNDS | 0:13:47 | 0:13:50 | |
Over 50 cadets are studying here at the moment | 0:13:50 | 0:13:53 | |
and practical exercises like this are key to their training. | 0:13:53 | 0:13:56 | |
-We'll go this way. -Don't ask! | 0:13:59 | 0:14:01 | |
I'm an elderly person. | 0:14:01 | 0:14:04 | |
-They're looking at us, laughing. -They're all staring at you... | 0:14:04 | 0:14:07 | |
I'm elderly, don't be laughing at me! Thank you very much. | 0:14:07 | 0:14:10 | |
Evil. Dragging me round, dressed up like this, with the other cadets | 0:14:10 | 0:14:14 | |
and teachers staring and laughing at me - | 0:14:14 | 0:14:15 | |
that doesn't feel very Christian. | 0:14:15 | 0:14:18 | |
I'm very impressed with the way you're coping with this. | 0:14:18 | 0:14:22 | |
It's funny, I'm tilting to the side now. I think I'm having a stroke. | 0:14:22 | 0:14:25 | |
They're all looking at me like I'm insane. | 0:14:27 | 0:14:30 | |
They've all had to do this, remember. | 0:14:30 | 0:14:32 | |
So, the challenge might be the stairs. | 0:14:35 | 0:14:39 | |
Now this would be very daunting for an elderly person. | 0:14:39 | 0:14:43 | |
Shall I go ahead of you, or should I walk behind you? | 0:14:43 | 0:14:46 | |
You better had, in case I fall. You know what I'm like. | 0:14:46 | 0:14:49 | |
I've already had two hip replacements, | 0:14:49 | 0:14:51 | |
I'm not having another one. | 0:14:51 | 0:14:53 | |
Does it feel heavy at all? Does it feel more laboured? | 0:14:53 | 0:14:56 | |
I'll tell you what it is, Jo, it's this. It pulls you down. | 0:14:56 | 0:14:59 | |
-I'm walking like an old person. -That's exactly it. | 0:14:59 | 0:15:03 | |
As Betty Davis said, "Old age is no place for sissies." | 0:15:03 | 0:15:07 | |
-And it's very true, it really is. -Yeah. | 0:15:07 | 0:15:10 | |
And what we can't show you in this suit | 0:15:10 | 0:15:11 | |
is all the changes that happen within someone's mind. | 0:15:11 | 0:15:14 | |
There's no way we can communicate to you what it feels like to | 0:15:14 | 0:15:17 | |
lose memory, or what it feels like to not recognise somebody any more, | 0:15:17 | 0:15:21 | |
and that's one of the major things that you're going to see | 0:15:21 | 0:15:23 | |
when you go to the elderly care homes. | 0:15:23 | 0:15:25 | |
And you're going to be able to make connections with people whose | 0:15:25 | 0:15:28 | |
-long-term, and sometimes short-term, memory is gone. -Oh, please... | 0:15:28 | 0:15:31 | |
But that's one of the things that we do. And we can offer hope there. | 0:15:31 | 0:15:34 | |
It feels overwhelming, but it's not hopeless. | 0:15:34 | 0:15:37 | |
-Have you had enough? -I have had enough. -We'll get you back to Paul then. -OK then. | 0:15:37 | 0:15:40 | |
-Come on, let's go and take it off. -Look, I'm doing me walk. | 0:15:40 | 0:15:44 | |
I have to say that wearing that lot was very unpleasant | 0:15:44 | 0:15:47 | |
and I'm really glad to get it off. | 0:15:47 | 0:15:49 | |
After a day's training, I'm being sent to Glasgow. | 0:15:51 | 0:15:54 | |
I'll be working with the Eva Burrows Day Care Centre, | 0:15:54 | 0:15:57 | |
who offer companionship and activities | 0:15:57 | 0:16:00 | |
for 20 pensioners every day. | 0:16:00 | 0:16:02 | |
Most of whom suffer from dementia, | 0:16:02 | 0:16:04 | |
one of the fastest-growing diseases in the UK. | 0:16:04 | 0:16:07 | |
-Good morning, how are you? -Fine, thank you! | 0:16:07 | 0:16:09 | |
Come on, Babyface, let's get you in! | 0:16:09 | 0:16:11 | |
Around 225,000 of us will develop dementia this year. | 0:16:11 | 0:16:15 | |
That's one every three minutes. | 0:16:16 | 0:16:19 | |
# You have the cutest little Babyface... # | 0:16:19 | 0:16:22 | |
Keep me on me feet, I'll tell you! | 0:16:22 | 0:16:24 | |
Get yourself in. | 0:16:26 | 0:16:27 | |
How are you this morning, Nancy? | 0:16:27 | 0:16:29 | |
-Not bad at all. -Oh, good, good. | 0:16:29 | 0:16:31 | |
-I hope your singing voice is good this morning. -Always is. -Yes! | 0:16:31 | 0:16:36 | |
-This is Georgie. -Hello, Georgie, lovely to meet you. | 0:16:40 | 0:16:43 | |
Come on, love, let's get you in. | 0:16:45 | 0:16:47 | |
81-year-old Georgie's dementia is so advanced | 0:16:47 | 0:16:50 | |
that she can no longer live alone and is looked after | 0:16:50 | 0:16:53 | |
by daughter-in-law Marie, with help from granddaughter Claire. | 0:16:53 | 0:16:57 | |
Gran, do you know it's Sophie and Georgia? | 0:16:57 | 0:17:01 | |
And who am I? | 0:17:03 | 0:17:05 | |
-Oh, I don't know what's what! -No! | 0:17:05 | 0:17:08 | |
Claire. | 0:17:08 | 0:17:09 | |
-Hmm? -She's Claire. | 0:17:10 | 0:17:12 | |
I'm Claire. | 0:17:13 | 0:17:15 | |
-Oh, you're Claire, aye. -Uh-huh! | 0:17:15 | 0:17:18 | |
Georgie has spent her whole life in Glasgow. | 0:17:18 | 0:17:21 | |
She used to work in a hat factory, was married for 35 years, | 0:17:21 | 0:17:24 | |
and had two children, | 0:17:24 | 0:17:26 | |
but now dementia has taken many of her life memories away. | 0:17:26 | 0:17:29 | |
And for me, that's a terrifying thought. | 0:17:30 | 0:17:33 | |
I'm more scared of old age than death. I'm not scared of death at all. | 0:17:33 | 0:17:36 | |
Been there twice, so I'm not bothered. | 0:17:36 | 0:17:38 | |
But I'm more scared of old age and of losing me marbles. | 0:17:38 | 0:17:42 | |
Georgie visits four times a week to give her family a break. | 0:17:46 | 0:17:50 | |
The aim of our centre is to make people happy, | 0:17:50 | 0:17:53 | |
to make people laugh, to enjoy life as much as they can. | 0:17:53 | 0:17:56 | |
We've got to make people's journey with dementia | 0:17:56 | 0:17:58 | |
as fulfilling as it possibly can be. | 0:17:58 | 0:18:00 | |
Just slither into the back. There you go, Jessie. | 0:18:02 | 0:18:05 | |
Sandra tells me that the best way to communicate with them | 0:18:05 | 0:18:08 | |
is to talk about the past. | 0:18:08 | 0:18:10 | |
Oh, my lord, look at this! | 0:18:10 | 0:18:12 | |
Listen, I remember things like this! | 0:18:12 | 0:18:14 | |
What are you doing, trying to put years on me? | 0:18:14 | 0:18:17 | |
Here's me mother's china service. | 0:18:17 | 0:18:19 | |
-And all the old tins as well. -That's right, aye. | 0:18:21 | 0:18:23 | |
We live in the past here. | 0:18:23 | 0:18:25 | |
They can't remember what happened ten minutes ago, an hour ago, | 0:18:25 | 0:18:29 | |
so we try and bring out the past. | 0:18:29 | 0:18:30 | |
And if they can communicate about the past, that's what we do. | 0:18:30 | 0:18:35 | |
Everything in this room is designed to trigger memories | 0:18:35 | 0:18:37 | |
and fire up the senses, | 0:18:37 | 0:18:39 | |
even your sense of smell. | 0:18:39 | 0:18:41 | |
-Have a wee whiff at that, Paul. -OK, it's not cat wee, is it? | 0:18:41 | 0:18:44 | |
No, you're all right. | 0:18:44 | 0:18:45 | |
Oh! Sorry. | 0:18:45 | 0:18:47 | |
It's like lavender. | 0:18:47 | 0:18:48 | |
Whenever I smell lavender, I always think of old ladies' drawers | 0:18:48 | 0:18:51 | |
because... No! Because they'd make... | 0:18:51 | 0:18:53 | |
-No, because they used to make lavender bags and put it in with their knickers. -That's right. | 0:18:53 | 0:18:57 | |
I'll need to mind and get my lavender out of the drawers tonight, Paul. | 0:18:57 | 0:19:00 | |
-Do you have singsongs? -Aye, we have singsongs every day, Paul, | 0:19:00 | 0:19:03 | |
because people relate to music. | 0:19:03 | 0:19:05 | |
-And what do they sing, is it old songs? -Oh, yes. | 0:19:05 | 0:19:07 | |
I can give them a good rousing chorus of... | 0:19:07 | 0:19:09 | |
# I belong to Glasgow | 0:19:09 | 0:19:11 | |
# Dear old Glasgow town. # | 0:19:11 | 0:19:15 | |
Normally I have to have a drink in me before I get up and sing. | 0:19:15 | 0:19:18 | |
I'll give you a can of cola, we're laughing. | 0:19:18 | 0:19:20 | |
Before I spend time with Georgie, | 0:19:20 | 0:19:22 | |
Sandra introduces me to some of the early-stage sufferers, | 0:19:22 | 0:19:26 | |
like 75-year-old Jessie. | 0:19:26 | 0:19:28 | |
Hello, how are you? Nice to see you all. What are you knitting? | 0:19:30 | 0:19:34 | |
-Squares for the cat and dog home. -Oh, good on you. | 0:19:34 | 0:19:38 | |
Florence was a Land Girl. | 0:19:38 | 0:19:40 | |
Oh, in the Army? In the war? | 0:19:40 | 0:19:42 | |
The uniforms were gorgeous. Your tight white blouse and your tie. | 0:19:42 | 0:19:45 | |
-He must have thought, wow, what's this?! -They were OK, the uniforms. | 0:19:45 | 0:19:49 | |
There's our John. | 0:19:49 | 0:19:50 | |
-John, you've cycled all over the world, nearly, haven't you, John? -Yes. | 0:19:50 | 0:19:54 | |
-Can I ask you, John, how old are you? -I'm 94. | 0:19:54 | 0:19:57 | |
Now this man is the perfect example of why | 0:19:57 | 0:20:00 | |
we should cycle everywhere, really! | 0:20:00 | 0:20:03 | |
Just got to see past dementia. | 0:20:03 | 0:20:05 | |
That's all part of our job. There are always ways of communicating | 0:20:05 | 0:20:09 | |
and you always can get through to somebody. | 0:20:09 | 0:20:11 | |
You've just got to go along with them and make them feel | 0:20:11 | 0:20:14 | |
-something different today, you know? -Exactly. | 0:20:14 | 0:20:16 | |
-You're special. -Yeah. | 0:20:16 | 0:20:18 | |
It's a lot easier to talk with sufferers | 0:20:20 | 0:20:22 | |
in the early stages of dementia. | 0:20:22 | 0:20:25 | |
The biggest challenge here is trying to communicate with someone, | 0:20:25 | 0:20:29 | |
like Georgie, in the advanced stages. | 0:20:29 | 0:20:31 | |
-We'll go through and have a wee chat, will we? -OK. | 0:20:31 | 0:20:34 | |
-Hi, Anne. -There you go. -Here we are. | 0:20:37 | 0:20:40 | |
-Georgie. -Hello, we met when you were getting off the coach, Georgie. | 0:20:40 | 0:20:44 | |
-Did you enjoy your lunch? -What? -Did you enjoy your lunch? | 0:20:44 | 0:20:48 | |
To make it even harder, Georgie's losing her hearing, | 0:20:49 | 0:20:53 | |
so Sandra's told me to raise my voice so she can hear me. | 0:20:53 | 0:20:56 | |
-Did you enjoy lunch? -Aye. | 0:20:56 | 0:20:59 | |
There we go. This gentleman's come down to have a wee word with you. | 0:20:59 | 0:21:03 | |
-I thought that. -You thought that? | 0:21:03 | 0:21:07 | |
-I'm going to help you to wash up. -What? | 0:21:07 | 0:21:09 | |
I'm going to help you wash the dishes! | 0:21:09 | 0:21:11 | |
LAUGHTER | 0:21:11 | 0:21:14 | |
I think they heard that in Bonnyrigg! | 0:21:14 | 0:21:16 | |
I think they heard that in Liverpool. | 0:21:16 | 0:21:18 | |
-I had, actually. -Did you? | 0:21:21 | 0:21:24 | |
-She knows she's washing the dishes. -I'm drying, you're washing! | 0:21:24 | 0:21:27 | |
Yeah? I'm going to dry, you wash. | 0:21:27 | 0:21:30 | |
Is that OK? | 0:21:30 | 0:21:32 | |
I'm getting on me own nerves here! | 0:21:32 | 0:21:34 | |
I know. | 0:21:36 | 0:21:37 | |
Georgie, this gentleman's going to help you do the dishes. | 0:21:37 | 0:21:41 | |
Is that OK? | 0:21:41 | 0:21:42 | |
She's not bothered. | 0:21:43 | 0:21:45 | |
She thinks, if he's daft enough to do it, then let him. | 0:21:45 | 0:21:47 | |
Right, come on, you, through with me. | 0:21:50 | 0:21:52 | |
I'll get the kitchen prepared. OK? | 0:21:52 | 0:21:54 | |
-All right. -Right, Georgie. -See you in a minute, Georgie. | 0:21:54 | 0:21:57 | |
That was harder than I expected. | 0:21:58 | 0:22:01 | |
It's all the others roaring laughing made me laugh, up the back. | 0:22:01 | 0:22:05 | |
Ugh. | 0:22:05 | 0:22:06 | |
Communication is so important here | 0:22:08 | 0:22:11 | |
and I think I failed miserably then. | 0:22:11 | 0:22:13 | |
Georgie is very content doing the washing up, | 0:22:15 | 0:22:17 | |
and I'm going to join her and see if I can do better this time. | 0:22:17 | 0:22:20 | |
-All right, Paul, you're coming to give us a wee hand? -I am. | 0:22:22 | 0:22:25 | |
I believe you need a drier-upper. | 0:22:25 | 0:22:27 | |
There you go. There you go. | 0:22:27 | 0:22:28 | |
I'm going to dry up, Georgie. | 0:22:28 | 0:22:30 | |
-You're a big help, Georgie, around here. -Thanks very much. | 0:22:31 | 0:22:35 | |
She's speed of lightning here, washing these dishes. | 0:22:35 | 0:22:38 | |
They got you working, Georgie, haven't they? | 0:22:39 | 0:22:42 | |
-They've got you working? -Eh? | 0:22:42 | 0:22:44 | |
That's it, now, Georgie. | 0:22:44 | 0:22:45 | |
You're worth your weight in gold, Georgie, aren't you? | 0:22:45 | 0:22:48 | |
Och, I don't know what's what. | 0:22:48 | 0:22:50 | |
-There's some there. -What about these ones? -I'm drying them. | 0:22:50 | 0:22:53 | |
That's it, Georgie, we're done now. | 0:22:55 | 0:22:57 | |
You all cleaned up, Georgie? | 0:22:59 | 0:23:01 | |
Ready for the next lot. | 0:23:01 | 0:23:03 | |
Thank you very much. | 0:23:03 | 0:23:05 | |
It might not seem like much, but Georgie is starting to communicate. | 0:23:05 | 0:23:09 | |
The simple act of doing something familiar is working miracles. | 0:23:09 | 0:23:13 | |
-Oh, we're in a dancing mood now. -Oh, Georgie's singing. | 0:23:13 | 0:23:16 | |
Give us a song, Georgie. | 0:23:16 | 0:23:18 | |
# Ave Maria | 0:23:18 | 0:23:25 | |
# Oh, my love, my love | 0:23:25 | 0:23:30 | |
# Now and forever. # | 0:23:30 | 0:23:34 | |
-Cut! -APPLAUSE | 0:23:35 | 0:23:37 | |
-Well done, Georgie! -Wahey, Georgie! Wahey, Georgie! | 0:23:37 | 0:23:41 | |
Clean plates and a song, | 0:23:41 | 0:23:43 | |
and suddenly all is right in the world again. | 0:23:43 | 0:23:46 | |
For now, anyway. | 0:23:46 | 0:23:47 | |
It's an emotional roller-coaster, | 0:23:49 | 0:23:51 | |
dealing with someone with advanced dementia. | 0:23:51 | 0:23:53 | |
I can't imagine what it's like living with it 24 hours a day. | 0:23:53 | 0:23:57 | |
She's a real character. She's in there singing her heart out now. | 0:23:57 | 0:24:00 | |
-She's giving it the full Ave Maria. -She loves singing. | 0:24:00 | 0:24:02 | |
With all the hand actions, the whole thing. | 0:24:02 | 0:24:05 | |
But how are you coping with her? | 0:24:05 | 0:24:07 | |
-Because she's living with you now? -Yeah, she's does stay with us. | 0:24:07 | 0:24:11 | |
-It's good and it's bad. -Yeah. | 0:24:11 | 0:24:12 | |
We used to have a good time, didn't we? | 0:24:12 | 0:24:14 | |
We used to able to show her pictures and stuff, and say, "Who's that?" | 0:24:14 | 0:24:17 | |
She doesn't recognise pictures of my grandad. | 0:24:17 | 0:24:20 | |
That's quite upsetting. | 0:24:20 | 0:24:22 | |
Have you noticed she's getting progressively worse | 0:24:22 | 0:24:24 | |
-or anything like that? -She no longer recognises who I am. | 0:24:24 | 0:24:27 | |
-You're joking! Really? -No. | 0:24:27 | 0:24:29 | |
-That must be heart-breaking for you. -It is. | 0:24:29 | 0:24:32 | |
It's hard, but I'm going to make sure I keep that relationship | 0:24:32 | 0:24:35 | |
with her because she's my gran. | 0:24:35 | 0:24:37 | |
I go and see her nearly every day | 0:24:37 | 0:24:40 | |
and she doesn't know who I am. | 0:24:40 | 0:24:42 | |
She just thinks I'm a carer... she doesn't know any more. | 0:24:42 | 0:24:48 | |
-And that's hard to comes to terms with. -It's really, really difficult. | 0:24:48 | 0:24:51 | |
It is. Listen, there's nothing harder | 0:24:51 | 0:24:54 | |
than to see your loved ones who, this time last year, | 0:24:54 | 0:24:57 | |
you could sit down with and have a sensible conversation. | 0:24:57 | 0:25:00 | |
And now, you're just making sure they get through the day safely. | 0:25:00 | 0:25:04 | |
Have you found this place really useful? | 0:25:04 | 0:25:07 | |
I don't know where we'd be without it. | 0:25:07 | 0:25:09 | |
Really. Honestly. | 0:25:09 | 0:25:11 | |
It gives us such a break. | 0:25:11 | 0:25:13 | |
People don't realise, I think, the sacrifices that you make in your own | 0:25:13 | 0:25:16 | |
life when you're caring for somebody with Alzheimer's and dementia. | 0:25:16 | 0:25:20 | |
So keep your chin up, you're doing marvellous. | 0:25:20 | 0:25:23 | |
Seriously, you really are. | 0:25:23 | 0:25:25 | |
Come here, you. | 0:25:25 | 0:25:26 | |
It's heart-breaking when somebody who's been your parent | 0:25:27 | 0:25:30 | |
suddenly says, "Who are you?" | 0:25:30 | 0:25:32 | |
That must be the worst thing ever. | 0:25:32 | 0:25:34 | |
Ta-ra, sweetheart. See you around. | 0:25:34 | 0:25:38 | |
I'll be honest with you, it terrifies me. | 0:25:38 | 0:25:40 | |
But I'd sooner have dementia than a stroke. | 0:25:40 | 0:25:41 | |
Not that I'm being offered either, but if I was, | 0:25:41 | 0:25:44 | |
because you can drift off then, and go back into the past, | 0:25:44 | 0:25:47 | |
where you were probably happy. | 0:25:47 | 0:25:49 | |
MUSIC: The Blue Danube Waltz by Johann Strauss II | 0:25:49 | 0:25:52 | |
I'll wait until I'm asked. | 0:25:57 | 0:25:58 | |
Anyone want a dance? | 0:26:00 | 0:26:03 | |
Not happening. | 0:26:03 | 0:26:04 | |
Are we having a dance? | 0:26:04 | 0:26:05 | |
-Come on, love. -Yes, thank you, my darling. -Right, we ready? | 0:26:05 | 0:26:09 | |
-I'm not the best waltzer in the world. -Neither am I. | 0:26:10 | 0:26:14 | |
-We're well-suited then, me and you. -Yes. | 0:26:14 | 0:26:16 | |
Isn't this lovely? Bit of Jonathan Strauss. | 0:26:18 | 0:26:21 | |
It wasn't Jonathan, it was Johann Strauss. | 0:26:21 | 0:26:24 | |
It's Johann Strauss? | 0:26:24 | 0:26:26 | |
Oh, yes, it is, you're right! | 0:26:26 | 0:26:27 | |
Thank you for your dance, madame. | 0:26:30 | 0:26:32 | |
Nice way to spend an afternoon, isn't it? | 0:26:34 | 0:26:36 | |
-With a fine gentleman in my arms. -Exactly. | 0:26:36 | 0:26:38 | |
-A man who's travelled the world. -There you go, John. | 0:26:38 | 0:26:41 | |
Has he got a few bob? You're laughing if he has. Laughing. | 0:26:41 | 0:26:45 | |
Any of you old girls got a load of money saved away? | 0:26:45 | 0:26:49 | |
You're looking to spend on a nice toy boy? | 0:26:49 | 0:26:51 | |
I tell you what, these lot have taught me a thing or two today. | 0:26:59 | 0:27:02 | |
I think he's excelled himself today, I think he was wonderful. | 0:27:02 | 0:27:05 | |
I would employ him any time. | 0:27:05 | 0:27:07 | |
Are we having a song, Georgie? | 0:27:08 | 0:27:10 | |
ALL SING | 0:27:10 | 0:27:12 | |
And they're such lovely people. | 0:27:15 | 0:27:17 | |
We don't look after the elderly in this country, | 0:27:17 | 0:27:19 | |
we don't treat them with enough respect. | 0:27:19 | 0:27:22 | |
They're seen as doddery old people, going down the street with a Zimmer frame. | 0:27:22 | 0:27:25 | |
They could've been a spy in the war, you don't know what they've done. | 0:27:25 | 0:27:28 | |
They could've had remarkable lives and we tend to dismiss them, | 0:27:28 | 0:27:32 | |
and that is wrong. | 0:27:32 | 0:27:33 | |
So let's get that sorted out, eh? | 0:27:33 | 0:27:35 | |
Because I'm getting that way. | 0:27:35 | 0:27:37 | |
Ahem. Right, I'm off. I'll see you, ta-ra! | 0:27:37 | 0:27:40 | |
Taxi! | 0:27:44 | 0:27:45 | |
Next time, I learn how the Salvation Army are helping | 0:27:46 | 0:27:49 | |
hard-working people who can't afford to feed their kids. | 0:27:49 | 0:27:52 | |
Do you skimp meals so the kids eat? | 0:27:52 | 0:27:55 | |
-Yeah. -You can't do that. | 0:27:55 | 0:27:57 | |
-No, I know. -You've got to look after yourself. | 0:27:57 | 0:28:00 | |
I put some tough questions to the big boss. | 0:28:00 | 0:28:03 | |
Because I know so many men and women who are gay and lesbian. | 0:28:03 | 0:28:06 | |
They'd be the most wonderful officers. | 0:28:06 | 0:28:08 | |
And I travel right across Europe | 0:28:08 | 0:28:09 | |
to witness the refugee crisis first-hand. | 0:28:09 | 0:28:13 | |
Just go, just go, leave these people alone. | 0:28:13 | 0:28:15 |