Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm probably not ideal material for the Salvation Army. | 0:00:03 | 0:00:06 | |
And even now, you know, I'm outspoken, | 0:00:06 | 0:00:08 | |
I've got a bit of a mouth on me - I'm known for it - | 0:00:08 | 0:00:10 | |
and I don't toe the line. | 0:00:10 | 0:00:12 | |
And I've no intentions of toeing the line. | 0:00:12 | 0:00:15 | |
That's... I don't want to. | 0:00:15 | 0:00:16 | |
Because I'm a firm believer in "you have to be true to yourself." | 0:00:16 | 0:00:20 | |
'But at many different times throughout my life, | 0:00:20 | 0:00:23 | |
'our paths have crossed.' | 0:00:23 | 0:00:24 | |
So I'm curious - very curious - | 0:00:24 | 0:00:27 | |
because this is like no other job I've ever done before. | 0:00:27 | 0:00:31 | |
'So on the 150th anniversary year...' | 0:00:31 | 0:00:33 | |
Oh, here we go. | 0:00:33 | 0:00:35 | |
'..I've been working with the officers and volunteers...' | 0:00:35 | 0:00:39 | |
Vegetable soup? | 0:00:39 | 0:00:40 | |
And you. Fantastic. You enjoy that? | 0:00:40 | 0:00:42 | |
Oh, it was wonderful. Yeah? | 0:00:42 | 0:00:44 | |
'..on my very own Salvation Army training course.' | 0:00:44 | 0:00:47 | |
Do you know, you're putting me off old age with all this. | 0:00:48 | 0:00:51 | |
'I've travelled up and down the country...' | 0:00:51 | 0:00:52 | |
If it hadn't have worked out for me, | 0:00:52 | 0:00:54 | |
I could be in your position now. | 0:00:54 | 0:00:56 | |
Oh, thank you. You're welcome. | 0:00:56 | 0:00:58 | |
MONITOR BEEPS Look at the size of him. | 0:00:58 | 0:01:00 | |
..and even abroad... | 0:01:00 | 0:01:02 | |
It's too much. | 0:01:02 | 0:01:04 | |
CHILD CRIES | 0:01:04 | 0:01:05 | |
Tonight, I'm sent back to my hometown of Liverpool... | 0:01:05 | 0:01:08 | |
Come on, girl. | 0:01:08 | 0:01:09 | |
..to meet a woman whose drug addiction has ruined her life. | 0:01:11 | 0:01:14 | |
I lost all my family, | 0:01:14 | 0:01:16 | |
but I still couldn't stop. | 0:01:16 | 0:01:18 | |
'I deal with the few of my rhythm issues...' | 0:01:19 | 0:01:21 | |
'..and I use my stand-up comedy experiences | 0:01:23 | 0:01:25 | |
'to help a man who has hit rock bottom.' | 0:01:25 | 0:01:27 | |
Now everyone's trying to get me to STOP talking. | 0:01:29 | 0:01:32 | |
'And if I make it through all that, I'll be a step closer | 0:01:32 | 0:01:35 | |
'to leading this Sally Army band | 0:01:35 | 0:01:37 | |
'down London's Oxford Street.' | 0:01:37 | 0:01:39 | |
It's fabulous. | 0:01:39 | 0:01:40 | |
I remember every Sunday | 0:01:47 | 0:01:48 | |
they were always down the bottom of our hill - | 0:01:48 | 0:01:50 | |
you'd hear the Salvation Army band, | 0:01:50 | 0:01:52 | |
cos me mother'd get up and shut the window. | 0:01:52 | 0:01:55 | |
That's how you knew the Salvation Army band! | 0:01:55 | 0:01:58 | |
She would, she'd get up and shut the window. | 0:01:58 | 0:02:00 | |
Cos she'd be watching the telly or listening to Radio Merseyside. | 0:02:00 | 0:02:04 | |
So she wasn't in the mood for Bringing In The Sheaves, | 0:02:04 | 0:02:06 | |
whereas I was, funny enough. | 0:02:06 | 0:02:08 | |
Thank you. Come on, Babyface. | 0:02:08 | 0:02:10 | |
'I'm over halfway through my three-month | 0:02:10 | 0:02:11 | |
'training programme with the Sally Army.' | 0:02:11 | 0:02:14 | |
You want me to do a Bible class for children? Yeah. | 0:02:14 | 0:02:17 | |
'Step-by-step, Jo has exposed me | 0:02:17 | 0:02:19 | |
'to ever-increasingly challenging aspects of their work.' | 0:02:19 | 0:02:22 | |
Come here. Hello, lovely to meet you. Lovely to meet ya, kiddo. | 0:02:22 | 0:02:25 | |
If your kids are hungry, or you're hungry... | 0:02:25 | 0:02:28 | |
You're going to eat. ..you've got to eat. | 0:02:28 | 0:02:30 | |
She took me to the front line, | 0:02:30 | 0:02:31 | |
helping refugees in Greece who have escaped the horrors of war. | 0:02:31 | 0:02:36 | |
I mean, that's a two-month-old baby lying on a park bench. | 0:02:36 | 0:02:40 | |
A humbling experience, and one I will never forget. | 0:02:40 | 0:02:43 | |
Just like a pebble in the ocean, that's how I feel... | 0:02:43 | 0:02:45 | |
hopeless. | 0:02:45 | 0:02:47 | |
And now, it's time for my next mission. | 0:02:48 | 0:02:51 | |
We believe that, as part of the healing process, | 0:02:51 | 0:02:53 | |
it's really important that people are able to share | 0:02:53 | 0:02:56 | |
their experiences with others. | 0:02:56 | 0:02:57 | |
So those that work in this area of service need to learn how | 0:02:57 | 0:03:00 | |
to guide people through that. | 0:03:00 | 0:03:02 | |
So I've sent Paul to North London to meet David. | 0:03:02 | 0:03:06 | |
He wants to share his story in a really brave way - | 0:03:06 | 0:03:09 | |
onstage as part of a comedy act - | 0:03:09 | 0:03:11 | |
and I have a feeling that Paul's natural comedic presence | 0:03:11 | 0:03:15 | |
will actually help with this bit of training. | 0:03:15 | 0:03:17 | |
BUZZES | 0:03:17 | 0:03:19 | |
Hello? | 0:03:19 | 0:03:20 | |
David? Paul, how are you doing? | 0:03:23 | 0:03:25 | |
Nice to meet you. Nice to meet you. | 0:03:25 | 0:03:27 | |
Former pub landlord David has been living at Cambria House | 0:03:27 | 0:03:30 | |
for the last seven months | 0:03:30 | 0:03:32 | |
since depression led to an attempt to take his own life. | 0:03:32 | 0:03:36 | |
First, I was in denial that anything was wrong with me. | 0:03:37 | 0:03:41 | |
Even when I'm in hospital on a drip, I'm was still saying I was OK. | 0:03:41 | 0:03:44 | |
I seemed to have this problem that I bottled everything up. | 0:03:44 | 0:03:48 | |
I would not ask for help. | 0:03:48 | 0:03:50 | |
I just thought I could handle everything myself, | 0:03:50 | 0:03:53 | |
and clearly I couldn't. | 0:03:53 | 0:03:55 | |
And I realise that now. | 0:03:55 | 0:03:56 | |
You don't realise there's help... | 0:03:58 | 0:04:01 | |
and so you're there in a dark, lonely place, | 0:04:01 | 0:04:03 | |
and you don't see a way out. | 0:04:03 | 0:04:06 | |
Do you mind telling me what happened? | 0:04:06 | 0:04:09 | |
I... | 0:04:09 | 0:04:10 | |
just got myself in a bubble. | 0:04:10 | 0:04:12 | |
And it's weird, it's like, "I don't want to be here any more." | 0:04:12 | 0:04:16 | |
You needed a friend at that time, didn't you? | 0:04:16 | 0:04:18 | |
You needed somebody to confide in. | 0:04:18 | 0:04:19 | |
Well... Somebody you could talk to? | 0:04:19 | 0:04:21 | |
..everyone'd say, "Get the beers in, you'll be fine." | 0:04:21 | 0:04:23 | |
Men don't talk about their problems. Men don't talk about their problems. | 0:04:23 | 0:04:26 | |
I'll tell you something - there's a terrible stigma now attached | 0:04:26 | 0:04:29 | |
to depression - to any mental health issues - | 0:04:29 | 0:04:32 | |
but I think things are changing now. | 0:04:32 | 0:04:34 | |
And what you want to do, by talking about it, | 0:04:34 | 0:04:36 | |
it's going to make a dramatic difference, I think. | 0:04:36 | 0:04:39 | |
The Salvation Army was the first organisation in the world | 0:04:41 | 0:04:44 | |
to provide suicide prevention programmes. | 0:04:44 | 0:04:47 | |
In the 1890s, they had an arrangement with Broadmoor, | 0:04:48 | 0:04:51 | |
the secure psychiatric hospital. | 0:04:51 | 0:04:54 | |
They offered aftercare to men released from the asylum | 0:04:55 | 0:04:58 | |
at their Hadleigh Farm in Essex. | 0:04:58 | 0:05:01 | |
In 1907, its founder, William Booth, opened an anti-suicide bureau | 0:05:01 | 0:05:05 | |
in London that helped those contemplating suicide, | 0:05:05 | 0:05:09 | |
and the bereaved. | 0:05:09 | 0:05:10 | |
It's still going now. | 0:05:10 | 0:05:11 | |
Today, over 75% of suicides in the UK are by men. | 0:05:13 | 0:05:18 | |
Us men are less likely to ask for help. | 0:05:19 | 0:05:21 | |
'To move forward in his recovery, | 0:05:23 | 0:05:25 | |
'David has decided to share his experience with others, | 0:05:25 | 0:05:29 | |
'and he's going to do this using comedy. | 0:05:29 | 0:05:32 | |
'And that's where I come in.' | 0:05:32 | 0:05:34 | |
ANNOUNCER: Live from London, | 0:05:34 | 0:05:36 | |
the Blonde Bombsite herself, | 0:05:36 | 0:05:39 | |
here's Lily Savage! | 0:05:39 | 0:05:43 | |
CHEERING AND APPLAUSE | 0:05:43 | 0:05:44 | |
MARCHING BAND PLAYS | 0:05:44 | 0:05:46 | |
I had one last week, seriously, and I went... | 0:05:59 | 0:06:01 | |
I staggered down, opened the door, | 0:06:01 | 0:06:02 | |
he said, "Have you sinned today?" | 0:06:02 | 0:06:04 | |
"Give me a chance, I've just got up." | 0:06:04 | 0:06:06 | |
Comedy's very cathartic | 0:06:06 | 0:06:07 | |
because, you know, if you've had a bad day... | 0:06:07 | 0:06:10 | |
I used to do it when I was doing Lily - | 0:06:10 | 0:06:12 | |
I'd warp it slightly to suit Lily, you know, | 0:06:12 | 0:06:14 | |
and then I'd get up, I'd let it all out, the rage and the anger, | 0:06:14 | 0:06:17 | |
and the angst out, and I'd feel fabulous afterwards. | 0:06:17 | 0:06:20 | |
I've got the hump. I have. I've just woke up. | 0:06:20 | 0:06:23 | |
When you have a little kip in the afternoon - it's fatal, isn't it? | 0:06:23 | 0:06:26 | |
Isn't it, though? Because you wake up like the wrath of God. | 0:06:26 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:30 | |
I woke up like that girl in the | 0:06:30 | 0:06:31 | |
Exorcist - me head was spinning... SHE GROWLS | 0:06:31 | 0:06:33 | |
LAUGHTER "Your mother knits socks in hell." | 0:06:33 | 0:06:36 | |
SHE GROWLS | 0:06:36 | 0:06:37 | |
It was the same with problems. | 0:06:37 | 0:06:39 | |
When I started to do me own thing, had a heart attack and all that, | 0:06:39 | 0:06:42 | |
and me partner died, | 0:06:42 | 0:06:43 | |
I spoke about it. | 0:06:43 | 0:06:45 | |
But I didn't speak about it when tragedy struck. | 0:06:45 | 0:06:48 | |
You know, "I've had this terrible..." | 0:06:48 | 0:06:50 | |
I made fun of it, really. | 0:06:50 | 0:06:51 | |
And I think that helps other people who are in that situation. | 0:06:51 | 0:06:55 | |
You know, they look at you and they think, | 0:06:55 | 0:06:57 | |
"Actually, I'm not the only one." | 0:06:57 | 0:06:59 | |
Now tell me about this comedy act. I'm dying to know. | 0:06:59 | 0:07:01 | |
What are you going to do? | 0:07:01 | 0:07:03 | |
Have you sort of written that down, like an idea | 0:07:03 | 0:07:05 | |
of what you're going to say? | 0:07:05 | 0:07:06 | |
I've always got ideas, and... | 0:07:06 | 0:07:08 | |
because of the stigma around | 0:07:08 | 0:07:11 | |
suicide and mental health, | 0:07:11 | 0:07:13 | |
and people are worried about what... | 0:07:13 | 0:07:15 | |
they're going to listen as soon as I walk in... | 0:07:15 | 0:07:17 | |
so I do, like, an icebreaker, which is that I'm suing paracetamol. | 0:07:17 | 0:07:20 | |
PAUL LAUGHS Because they didn't work? | 0:07:20 | 0:07:22 | |
No, I took 80 of them and woke up with a headache. | 0:07:22 | 0:07:24 | |
See, that's a good opener. | 0:07:26 | 0:07:27 | |
The most important bit about comedy is your first couple of minutes | 0:07:27 | 0:07:30 | |
when you get onstage. | 0:07:30 | 0:07:32 | |
That's when you have to grab them. Grab them. That's a good one. | 0:07:32 | 0:07:35 | |
You have to say that deadpan when you say that. | 0:07:35 | 0:07:37 | |
"I'm suing paracetamol." | 0:07:37 | 0:07:39 | |
That's great that you're able to get up in public | 0:07:39 | 0:07:41 | |
and talk about suicide and depression, and make a joke of it. | 0:07:41 | 0:07:44 | |
And also, there's the elephant in the room, you see. | 0:07:44 | 0:07:46 | |
So if you come out and don't mention it, people are thinking it. | 0:07:46 | 0:07:49 | |
So you have to mention it. | 0:07:49 | 0:07:50 | |
When I had the heart attack, I used to say, | 0:07:50 | 0:07:52 | |
"It's very nice to be here. Actually, it's nice to be anywhere." | 0:07:52 | 0:07:55 | |
You know, and all this business... | 0:07:55 | 0:07:57 | |
Cos... it's not you, cos you're comfortable with it. Yeah. | 0:07:57 | 0:08:00 | |
But you can sense in the room that | 0:08:00 | 0:08:02 | |
everyone's scared to mention it. | 0:08:02 | 0:08:05 | |
It's like... So you have to break the ice. | 0:08:05 | 0:08:07 | |
But you're talking about your own experience, | 0:08:07 | 0:08:09 | |
and you're laughing it off. | 0:08:09 | 0:08:10 | |
You're not treating it lightly, but the thing... | 0:08:10 | 0:08:13 | |
The important thing is, you're talking about the subject | 0:08:13 | 0:08:16 | |
of suicide and depression, and bringing it out into the open. | 0:08:16 | 0:08:18 | |
And there's light at the end of the tunnel. Of course there is. | 0:08:18 | 0:08:21 | |
Well, you're the example. Look at you, lit up like a beacon there, | 0:08:21 | 0:08:24 | |
cracking on about it! | 0:08:24 | 0:08:26 | |
I don't think you've got me worried. | 0:08:26 | 0:08:28 | |
David is performing here at the House of St Barnabas in Soho - | 0:08:28 | 0:08:32 | |
the headquarters of a charity which helps homeless men | 0:08:32 | 0:08:35 | |
to get back into employment. | 0:08:35 | 0:08:37 | |
His audience will be a mixture of friends, | 0:08:38 | 0:08:40 | |
people who work for the charity, and Salvation Army members. | 0:08:40 | 0:08:44 | |
He's probably nervous, so I'll have a few words with him, | 0:08:44 | 0:08:47 | |
and hopefully he'll go down a storm. | 0:08:47 | 0:08:49 | |
I think he will. | 0:08:49 | 0:08:51 | |
He's got a ready-made audience, hasn't he? | 0:08:51 | 0:08:52 | |
They're going to be sympathetic. | 0:08:52 | 0:08:54 | |
They better bloody had be, put it that way, | 0:08:54 | 0:08:56 | |
or they'll have me to deal with. | 0:08:56 | 0:08:57 | |
Right, come on, let's get this show on the road. | 0:08:57 | 0:09:00 | |
Can I come in? Hey... Look at you. | 0:09:01 | 0:09:03 | |
Oh, it's good to see you, David. Good to see you, Paul. | 0:09:03 | 0:09:06 | |
You look fantastic. Thank you. | 0:09:06 | 0:09:08 | |
Let's have a look at you. I love the shoes. | 0:09:08 | 0:09:10 | |
You can't be in Soho and not wear pink. | 0:09:10 | 0:09:12 | |
Exactly, yeah, yeah. | 0:09:12 | 0:09:14 | |
Or leather. DAVID LAUGHS | 0:09:14 | 0:09:17 | |
What... You're not nervous, are you? | 0:09:17 | 0:09:19 | |
I'm not nervous at all. Good, that's what I want to hear. | 0:09:19 | 0:09:22 | |
Don't be nervous, cos you got a nice audience out there. | 0:09:22 | 0:09:24 | |
It's actually nine months to the day that a priest was | 0:09:24 | 0:09:27 | |
standing over me, and told me I wasn't going to make the night. | 0:09:27 | 0:09:30 | |
PAUL TUTS Well, look at you now - | 0:09:30 | 0:09:32 | |
resplendent in pink, and about to get up and do the act. | 0:09:32 | 0:09:35 | |
Are you on a mic, or is it in a smaller room? | 0:09:35 | 0:09:37 | |
It's in the chapel... Oh, is it? ..so it's got to stay clean. | 0:09:37 | 0:09:40 | |
Oh, OK. OK. DAVID LAUGHS | 0:09:40 | 0:09:42 | |
So we don't want nothin' blue, do you hear? No filth. | 0:09:42 | 0:09:45 | |
OK? | 0:09:45 | 0:09:46 | |
Right, the big moment has arrived. | 0:09:48 | 0:09:51 | |
Fingers crossed for him. | 0:09:51 | 0:09:52 | |
I do hope they laugh. | 0:09:52 | 0:09:54 | |
PAUL: Erm... | 0:09:59 | 0:10:01 | |
Well, good afternoon, everybody. | 0:10:01 | 0:10:02 | |
I had the privilege of meeting a very special young man. | 0:10:02 | 0:10:06 | |
Please would you raise the roof for this man himself - Mr David Standen! | 0:10:06 | 0:10:10 | |
Thank you. | 0:10:10 | 0:10:11 | |
Give them what for, kid! | 0:10:13 | 0:10:15 | |
Thanks, Paul. It's really weird. They said, if you put | 0:10:19 | 0:10:22 | |
a man that's going to talk about suicide in the room, he'll empty it. | 0:10:22 | 0:10:25 | |
Put Salvation Army in the room, they'll empty it. | 0:10:25 | 0:10:27 | |
Well, we've managed to fill it! | 0:10:27 | 0:10:30 | |
Yes, I am jobless, I am homeless | 0:10:31 | 0:10:35 | |
and I'm house-trained, | 0:10:35 | 0:10:37 | |
but don't be phoning Battersea, I'm not up for adoption. | 0:10:37 | 0:10:40 | |
Shame, I just got you a new owner, as well! | 0:10:40 | 0:10:42 | |
Why I'm here is serious, but with a light side, | 0:10:44 | 0:10:49 | |
because nine months today, exactly today, I come round in hospital | 0:10:49 | 0:10:55 | |
and it led me to think about suing the pharmaceutical company. | 0:10:55 | 0:10:59 | |
I took 80 painkillers and I woke up with a bloody headache! | 0:11:00 | 0:11:03 | |
Then I was told I can't sue them | 0:11:05 | 0:11:07 | |
because it's in the small print, "may get headaches". | 0:11:07 | 0:11:10 | |
So that's the funny bit. | 0:11:10 | 0:11:12 | |
So what led me to suicide? | 0:11:12 | 0:11:15 | |
I just didn't want to be here any more. | 0:11:15 | 0:11:16 | |
I felt worthless, I felt useless. | 0:11:16 | 0:11:18 | |
And I was still telling people I was all right, | 0:11:19 | 0:11:22 | |
but the hospital wouldn't let me go, they knew I wasn't all right | 0:11:22 | 0:11:25 | |
and then I realised, you have to open up, you have to start talking. | 0:11:25 | 0:11:28 | |
And why I'm here after nine months is that I've opened up, I've started | 0:11:28 | 0:11:33 | |
talking, but now everybody's trying to get me to stop talking! | 0:11:33 | 0:11:36 | |
That's now the problem. | 0:11:39 | 0:11:41 | |
So, with that, I'd like to thank you all for coming. | 0:11:41 | 0:11:44 | |
Come here, you! Well done, that was fantastic. | 0:11:58 | 0:12:01 | |
Did you enjoy it? I loved it. | 0:12:01 | 0:12:03 | |
Yeah? Sense of relief, getting all that off your chest | 0:12:03 | 0:12:07 | |
in front of people? | 0:12:07 | 0:12:09 | |
It is, because you have to deal with the past, deal with it, | 0:12:09 | 0:12:12 | |
put it in a tidy little box and put it in the corner of your brain | 0:12:12 | 0:12:16 | |
because experiences make you stronger and they learn you. | 0:12:16 | 0:12:20 | |
And the thing with the past is to remember the past, | 0:12:20 | 0:12:22 | |
but not to live in it. | 0:12:22 | 0:12:24 | |
Listening to you talk about your experiences | 0:12:24 | 0:12:26 | |
and how you came through it is going to help people. | 0:12:26 | 0:12:29 | |
So you're as good as a social worker, a pink social worker. | 0:12:29 | 0:12:32 | |
And you know why that was good? Because it was from the heart. | 0:12:32 | 0:12:35 | |
Thank you, Paul. You meant every word of that and that's admirable, | 0:12:35 | 0:12:39 | |
that's extremely brave of you and I so admire you, I can't tell you. | 0:12:39 | 0:12:43 | |
So let's have more of it, yeah? I guarantee it. Deal? Deal. Deal! | 0:12:43 | 0:12:48 | |
Paul did a really good job of guiding David through | 0:12:48 | 0:12:51 | |
the final stages of his recovery, | 0:12:51 | 0:12:53 | |
but one of the biggest challenges for us in the Salvation Army | 0:12:53 | 0:12:55 | |
is guiding people through the early stages of their recovery. | 0:12:55 | 0:12:59 | |
So I'm going to send Paul to meet a lady who is struggling | 0:12:59 | 0:13:01 | |
with addiction and has chosen to go to rehab. | 0:13:01 | 0:13:04 | |
For this training, he's going back to his roots, | 0:13:04 | 0:13:06 | |
up to Liverpool, to one of our all-female life houses. | 0:13:06 | 0:13:11 | |
Merseyside is where my journey with the Sally Army first began. | 0:13:11 | 0:13:14 | |
My earliest recollection of the Salvation Army | 0:13:14 | 0:13:18 | |
is Christmas when I was a kid. | 0:13:18 | 0:13:20 | |
I'd be down shopping with my mum in Grange Road in Birkenhead | 0:13:20 | 0:13:31 | |
and that for me as a child, not the Christmas tree, not the presents, | 0:13:31 | 0:13:38 | |
the Salvation Army. It used to have an effect on me. | 0:13:38 | 0:13:41 | |
Later on when I was 16, | 0:13:42 | 0:13:44 | |
I volunteered in one of the hostels for homeless men on Norton Street. | 0:13:44 | 0:13:50 | |
Today I've come to the Ann Fowler House, an all-female life house | 0:13:50 | 0:13:54 | |
for vulnerable women who have nowhere else to go. | 0:13:54 | 0:13:57 | |
It's on Fraser Street, | 0:13:59 | 0:14:00 | |
which of course has changed since I was a kid. | 0:14:00 | 0:14:02 | |
I knew somebody who lived in them flats, | 0:14:04 | 0:14:06 | |
so I remember that building well. | 0:14:06 | 0:14:08 | |
It's all gone now. | 0:14:08 | 0:14:09 | |
There's the Old Shakespeare. This is what this is built on. | 0:14:09 | 0:14:18 | |
Everything's changed. It's all so institutionalised - look at this. | 0:14:18 | 0:14:23 | |
It was in places like this | 0:14:23 | 0:14:24 | |
where I started my career as a care worker. | 0:14:24 | 0:14:27 | |
And we worked 14 hours a day, | 0:14:27 | 0:14:36 | |
I had epilepsy, diabetes, Hirschsprung's disease, | 0:14:36 | 0:14:41 | |
two kids with colostomy bags we used to have to change. | 0:14:41 | 0:14:44 | |
You learned on the job, basically. | 0:14:44 | 0:14:45 | |
There was no training, you know, you're thrown in on the job | 0:14:45 | 0:14:48 | |
and you have to learn as you go along and pick up | 0:14:48 | 0:14:50 | |
off other members of staff who were great. | 0:14:50 | 0:14:53 | |
You know, they really were, but, yeah, | 0:14:53 | 0:14:55 | |
I wouldn't have changed it for the world. | 0:14:55 | 0:14:57 | |
Not for the world. | 0:14:57 | 0:14:58 | |
Before I talk to the ladies here, I'm meeting Sally Army | 0:15:00 | 0:15:03 | |
support worker Ronnie, who's been working here for the past 12 years. | 0:15:03 | 0:15:07 | |
Come in, Paul. Ronnie! Nice to meet you. I'm Paul, lovely to meet you. | 0:15:07 | 0:15:11 | |
Oh, listen, thanks for having me. You're welcome. How are things here? | 0:15:11 | 0:15:15 | |
Good, good, at the moment. Yeah. How many is in here? | 0:15:15 | 0:15:23 | |
First and foremost, | 0:15:23 | 0:15:25 | |
you're vulnerable because of your homelessness, | 0:15:25 | 0:15:27 | |
but alongside the homelessness there's an awful lot | 0:15:27 | 0:15:31 | |
of other issues as well. | 0:15:31 | 0:15:33 | |
What we try to do predominantly is to give them hope | 0:15:33 | 0:15:37 | |
that there is a future for them. | 0:15:37 | 0:15:39 | |
The girls range in age from as young as 18 up to their late 40s | 0:15:41 | 0:15:45 | |
and they're all here for different reasons. | 0:15:45 | 0:15:48 | |
And how's the girls? Are they behaving themselves? | 0:15:48 | 0:15:50 | |
The girls are great, they're on their best behaviour today. | 0:15:50 | 0:15:53 | |
This is Dawn. Hiya, Dawn. You all right? This is Jo-Ann. Hiya. | 0:15:53 | 0:15:56 | |
And this is Jane. And how are you getting on here? | 0:15:56 | 0:15:59 | |
Are they helping in here? Yeah, oh, yeah. | 0:15:59 | 0:16:01 | |
It helps you get back on your feet and any support you need, | 0:16:01 | 0:16:05 | |
you just ask. We're all going through the same situation. | 0:16:05 | 0:16:08 | |
We're all, you know... Do you all help each other? Yeah. | 0:16:08 | 0:16:11 | |
We've had our ups and downs, haven't we? You're bound to. | 0:16:11 | 0:16:15 | |
Can I ask you, how did you end up on the streets? | 0:16:15 | 0:16:18 | |
My husband died, I sold my house because I couldn't live there, | 0:16:18 | 0:16:21 | |
because it was just too much, too many memories. | 0:16:21 | 0:16:24 | |
Couldn't even sleep in the bedroom, do you know what I mean? | 0:16:24 | 0:16:27 | |
And then I ended up on heroin, | 0:16:27 | 0:16:28 | |
my girls ended up going to live with my brother | 0:16:28 | 0:16:31 | |
and I ended up on the streets. | 0:16:31 | 0:16:33 | |
Well, I always say, you know, there but for the grace of God, go I. | 0:16:33 | 0:16:36 | |
Cos it's so easy to happen. | 0:16:36 | 0:16:37 | |
You have to hit rock bottom to get back up. That's right. | 0:16:37 | 0:16:40 | |
There's only one way to go when you're that low, isn't there, and that's up. | 0:16:40 | 0:16:43 | |
People are too quick to judge, this is the other thing. | 0:16:43 | 0:16:46 | |
A lot of people have family members where they can get on the sofas, | 0:16:46 | 0:16:50 | |
so they become unnoticed, you know, but some people like us lot, | 0:16:50 | 0:16:56 | |
I didn't have anyone I could turn to. | 0:16:56 | 0:17:00 | |
This is Jo-Ann. | 0:17:00 | 0:17:01 | |
She's here because she's struggling with a serious addiction | 0:17:01 | 0:17:04 | |
to hard drugs. | 0:17:04 | 0:17:06 | |
She desperately wants to be clean | 0:17:07 | 0:17:09 | |
in time to spend Christmas with her mum. | 0:17:09 | 0:17:12 | |
Tell me about your addiction, how did it start? | 0:17:14 | 0:17:16 | |
It was crack and heroin, and crack is the one that brought us | 0:17:16 | 0:17:20 | |
to my knees, you know, and really did hit rock bottom with that. | 0:17:20 | 0:17:26 | |
You know... The things that you do to get it, it's degrading. | 0:17:26 | 0:17:29 | |
It's awful, it's just... I lost all my family | 0:17:29 | 0:17:33 | |
because they'd all just had enough, | 0:17:33 | 0:17:36 | |
but I still couldn't stop. | 0:17:36 | 0:17:39 | |
I would have done anything for my children, | 0:17:39 | 0:17:41 | |
but I just could not stop taking drugs. | 0:17:41 | 0:17:44 | |
And that's the power that drugs has over you. | 0:17:44 | 0:17:47 | |
But you're halfway there, because you've admitted this to yourself. | 0:17:47 | 0:17:51 | |
Yeah, yeah. You've been able to say and you can talk about it openly. | 0:17:51 | 0:17:55 | |
That's a massive step. And you desperately want to get off it. | 0:17:55 | 0:17:58 | |
I desperately want to get off it! | 0:17:58 | 0:17:59 | |
Now you're being honest with yourself, because a lot of people | 0:17:59 | 0:18:02 | |
who are addicted won't, they say, | 0:18:02 | 0:18:04 | |
"Oh, I can take it or leave it," and they can't. | 0:18:04 | 0:18:06 | |
I used to say, "I'm quite happy," and I wasn't. | 0:18:06 | 0:18:09 | |
I used to sit in my room and I'd cry. | 0:18:09 | 0:18:11 | |
Even when I'm taking the drugs, I'd be crying my eyes out | 0:18:11 | 0:18:14 | |
because I don't want to be doing it, but I have this... But you need it. | 0:18:14 | 0:18:17 | |
But I'm an addict. I had that choice... And you took it. | 0:18:17 | 0:18:21 | |
..to take that first drug and it's not the last drug that got us | 0:18:21 | 0:18:24 | |
into trouble, it's the very first one that I picked up. | 0:18:24 | 0:18:28 | |
'As well as providing a safe home for people like Jo-Ann, | 0:18:28 | 0:18:31 | |
'the aim of the hostel is always to help them rebuild their lives. | 0:18:31 | 0:18:35 | |
'To move on, Jo-Ann needs to go to rehab. | 0:18:36 | 0:18:39 | |
'She's currently on methadone, a prescribed heroin substitute, | 0:18:40 | 0:18:44 | |
'but her next stage is to be accepted by a rehab clinic | 0:18:44 | 0:18:47 | |
'to get her off drugs completely. | 0:18:47 | 0:18:49 | |
'My task today is to support her through her application.' | 0:18:49 | 0:18:53 | |
Just say all the things you've already been saying to us. OK. | 0:18:56 | 0:19:00 | |
And it should come through how much you want it. You'll be fine, honest. | 0:19:00 | 0:19:05 | |
All right, thanks. Good girl. See you in a bit, good luck. | 0:19:05 | 0:19:09 | |
I'll be here when you come back. | 0:19:09 | 0:19:11 | |
She'll be all right with me, don't worry. | 0:19:11 | 0:19:13 | |
We'll have no messing when we get in there. Come on, girl. | 0:19:13 | 0:19:18 | |
Come on, get my arm. Have you got everything? | 0:19:18 | 0:19:21 | |
She'll be fine, honestly, she'll be fine. | 0:19:23 | 0:19:25 | |
Come on, kid, let's show them what you're made of. | 0:19:25 | 0:19:28 | |
The rehab clinic is three miles down the road. | 0:19:28 | 0:19:32 | |
This is Joanne's second attempt at getting clean, | 0:19:32 | 0:19:35 | |
so she knows the horrors that she will face | 0:19:35 | 0:19:37 | |
if she gets accepted onto the detox programme. | 0:19:37 | 0:19:40 | |
You've got, like, a doctor on call. | 0:19:42 | 0:19:44 | |
You know, if you're suffering, they're going to try | 0:19:44 | 0:19:46 | |
and make you as comfortable as they possibly can, | 0:19:46 | 0:19:48 | |
but it's still going to be a little bit painful. | 0:19:48 | 0:19:50 | |
Is that when the flu symptoms start and all that? | 0:19:50 | 0:19:53 | |
It's when the aches and pains start, yeah. | 0:19:53 | 0:19:55 | |
Is that what they are, terrible aches and pains? | 0:19:55 | 0:19:57 | |
Yes, yes, like having snakes in your legs, it's just... | 0:19:57 | 0:20:01 | |
You know, you've got the blanket on you one minute, | 0:20:01 | 0:20:04 | |
then you're kicking it off. You go hot and cold? | 0:20:04 | 0:20:06 | |
You feel like you just want to saw your legs off. | 0:20:06 | 0:20:09 | |
She must be dreading it. | 0:20:09 | 0:20:11 | |
But no-one can do this other than her. | 0:20:11 | 0:20:14 | |
I just need to support her as best I can. | 0:20:14 | 0:20:17 | |
Well, we're here. Is this it? | 0:20:17 | 0:20:20 | |
I hope Joanne can find the strength to talk to the doctor | 0:20:22 | 0:20:25 | |
as honestly as she's spoken to me. | 0:20:25 | 0:20:29 | |
Hello? Hi, hi. Hi. | 0:20:29 | 0:20:31 | |
I've got my mate here for you to meet. | 0:20:31 | 0:20:34 | |
Hi, Joanne, I'm Tom, I'm one of the doctors. Nice to meet you. | 0:20:34 | 0:20:37 | |
You want to come in? Nice to meet you. I'm Paul, Tom, by the way. | 0:20:37 | 0:20:39 | |
Nice to meet you. You're all right there? | 0:20:39 | 0:20:41 | |
I'm all right, yeah. Good on you, girl. | 0:20:41 | 0:20:43 | |
Take a seat. So I understand you've come here for some detox. Yeah. | 0:20:43 | 0:20:47 | |
Can you just tell me a bit about yourself? | 0:20:47 | 0:20:50 | |
I just turned 40 and... | 0:20:50 | 0:20:53 | |
I've been in and out of addiction since I was a teenager, basically. | 0:20:53 | 0:20:59 | |
Starting with light drugs, | 0:20:59 | 0:21:01 | |
my problem now is heroin and crack cocaine. | 0:21:01 | 0:21:05 | |
It took us to some really bad lows, to being homeless... | 0:21:05 | 0:21:10 | |
I've just had enough. I just need to do this | 0:21:10 | 0:21:14 | |
so I can move on with my life and start again. | 0:21:14 | 0:21:17 | |
I'm better than that and I know I am. | 0:21:17 | 0:21:20 | |
You are, this is it, you are. | 0:21:20 | 0:21:21 | |
You're a smart woman, you know what I mean, | 0:21:21 | 0:21:24 | |
and this muck has dragged you down, you've got to get rid of it. | 0:21:24 | 0:21:27 | |
You mentioned you'd been in detox before. Yes. | 0:21:27 | 0:21:29 | |
What were your experiences like that time? I was terrified. | 0:21:29 | 0:21:34 | |
You know, people talk about being scared of dying, | 0:21:34 | 0:21:39 | |
but, you know, it was the other way around for me. | 0:21:39 | 0:21:42 | |
I wasn't scared of dying, I was scared of living. | 0:21:42 | 0:21:45 | |
I couldn't hold my head up and have a conversation with someone. | 0:21:47 | 0:21:51 | |
My self worth was so low, I probably could've crawled under | 0:21:51 | 0:21:55 | |
a snake's belly and not even disturbed the snake, | 0:21:55 | 0:21:58 | |
do you know what I mean? It was that low. | 0:21:58 | 0:22:01 | |
So when you think about the future, are there certain things you want | 0:22:01 | 0:22:04 | |
for yourself, things you'd like that drugs have got in the way of? | 0:22:04 | 0:22:09 | |
Do you know what? I just want to just... | 0:22:09 | 0:22:12 | |
I just want the simple things in life. | 0:22:14 | 0:22:17 | |
I want to walk in my kitchen, put my kettle on, make a cup of tea. | 0:22:17 | 0:22:22 | |
Have a nice warm pair of slippers. | 0:22:22 | 0:22:23 | |
I mean, it sounds like you're really well motivated at the moment | 0:22:23 | 0:22:26 | |
and that's kind of what we look for | 0:22:26 | 0:22:28 | |
in people when we accept them for detox. | 0:22:28 | 0:22:30 | |
It would be lovely if I could get in here before Christmas | 0:22:30 | 0:22:32 | |
and get clean and, you know, go home and show my mum, | 0:22:32 | 0:22:35 | |
because my mum's not been well either. | 0:22:35 | 0:22:38 | |
That would be one of the biggest gifts, Christmas gifts, | 0:22:38 | 0:22:41 | |
I could give to her, do you know what I mean? | 0:22:41 | 0:22:44 | |
This is the biggest favour you can do yourself, | 0:22:44 | 0:22:47 | |
so I look forward to hopefully seeing you soon. Thank you. | 0:22:47 | 0:22:50 | |
Move on, turn the pages, Cilla used to say. Yeah. | 0:22:50 | 0:22:54 | |
All she wants, as she said, is to have her own flat, | 0:22:55 | 0:22:58 | |
put her own kettle on. That's not a lot to ask, you know? | 0:22:58 | 0:23:01 | |
We're not asking for mansions and a millionaire lifestyle, | 0:23:01 | 0:23:06 | |
she wants the simple things in life that she's missed out on and she's | 0:23:06 | 0:23:09 | |
extremely brave, extremely brave, the way she speaks openly about it. | 0:23:09 | 0:23:13 | |
It takes guts, you know, to do stuff like that, | 0:23:13 | 0:23:16 | |
to come out and admit that you've messed up badly. | 0:23:16 | 0:23:19 | |
Jo-Ann was accepted by the clinic and six weeks later started her | 0:23:21 | 0:23:24 | |
rehab programme. | 0:23:24 | 0:23:26 | |
I seriously wish her all the luck in the world. | 0:23:26 | 0:23:29 | |
Working with individuals can be one of the hardest things that we do | 0:23:29 | 0:23:33 | |
because you have to discern how much help to give and when. | 0:23:33 | 0:23:36 | |
Paul used his own experiences to help David stand on that stage | 0:23:36 | 0:23:41 | |
and to support Jo-Ann. | 0:23:41 | 0:23:42 | |
I think he coped with it all really well this week. | 0:23:42 | 0:23:45 | |
When Paul first arrived, we said that if he got stuck in | 0:23:45 | 0:23:48 | |
and worked really hard, then he could guest with a marching band. | 0:23:48 | 0:23:52 | |
He's not quite there yet! But maybe another rehearsal, just in case. | 0:23:52 | 0:23:57 | |
Everyone knows how much I want to play with the Sally Army Band. | 0:24:03 | 0:24:06 | |
On my first visit, I loved the big drum. | 0:24:06 | 0:24:09 | |
But I've been having sleepless nights about the responsibility | 0:24:11 | 0:24:14 | |
of leading all of them with it. | 0:24:14 | 0:24:16 | |
If I get it wrong, it means I let the whole band down. | 0:24:17 | 0:24:20 | |
Hello, Steve. Hello, good to see you, Paul. And you. How are you? | 0:24:26 | 0:24:29 | |
No, fine, we're all set. Now, listen, I've got a proposal for you. | 0:24:29 | 0:24:33 | |
Oh... We've got your drum here. | 0:24:33 | 0:24:35 | |
I know, but I'd hate to be, you know, up the front | 0:24:35 | 0:24:38 | |
and throw everybody out and me go down a side street or something. | 0:24:38 | 0:24:42 | |
So do you think there's something a little easier? Yeah, yeah. | 0:24:42 | 0:24:46 | |
What do you suggest, sir? We could try a side drum? | 0:24:46 | 0:24:51 | |
Oh, OK, that sounds interesting. | 0:24:51 | 0:24:53 | |
You play alongside the base drum and you can follow me. | 0:24:53 | 0:24:56 | |
Is that all right? I feel a lot better now. | 0:24:56 | 0:24:58 | |
This is kept me up at night, you know. Has it really? Yeah. | 0:24:58 | 0:25:00 | |
I've been practising, I've been going, boom, boom, | 0:25:00 | 0:25:03 | |
in the house with imaginary drums. Been waking you up? | 0:25:03 | 0:25:05 | |
Yeah, people have been looking at me thinking, "He's lost it!" | 0:25:05 | 0:25:08 | |
Well, it'll be the same sort of thing, just with the side drum. | 0:25:08 | 0:25:11 | |
All right, lovely. That'll be better. We'll give that a go. | 0:25:11 | 0:25:13 | |
Fabulous. This is like what we used to have in the Marine cadets. | 0:25:13 | 0:25:16 | |
This is definitely easier. I just have to follow the leader now. | 0:25:30 | 0:25:34 | |
Left... | 0:25:41 | 0:25:43 | |
That's it, so, left foot and then right foot. | 0:25:45 | 0:25:47 | |
So that's the end of the march. Yeah. Got it? Yeah. | 0:25:47 | 0:25:51 | |
If you can, just make up a little bit more of the rhythm | 0:25:51 | 0:25:53 | |
in the middle, don't just keep playing with the bass drum. | 0:25:53 | 0:25:56 | |
You know, try and be a little bit flamboyant. All right, then. | 0:25:56 | 0:25:59 | |
You'll regret you said that! | 0:25:59 | 0:26:02 | |
Did you hear that? I've just been told to be more flamboyant! | 0:26:02 | 0:26:05 | |
Well, that's a first for me. | 0:26:05 | 0:26:06 | |
BAND PLAYS | 0:26:10 | 0:26:13 | |
So far, so good. Time for the big finish. | 0:26:25 | 0:26:28 | |
DRUMS ONLY PLAY | 0:26:30 | 0:26:32 | |
ALL BUT PAUL STOP | 0:26:35 | 0:26:37 | |
EVERYONE LAUGHS | 0:26:37 | 0:26:39 | |
Here we go. Help, help! Help! | 0:26:40 | 0:26:44 | |
No, I'll get it together, I promise. | 0:26:47 | 0:26:49 | |
It's really exhilarating. Playing a drum in the band is fabulous. | 0:26:50 | 0:26:54 | |
A few more rehearsals, I'll be tickety-boo. | 0:26:56 | 0:26:59 | |
I won't lie, I want this, I want my uniform and I want to march, | 0:26:59 | 0:27:03 | |
but a deal is a deal. | 0:27:03 | 0:27:05 | |
And they won't let any old ruffian play with the band. | 0:27:05 | 0:27:08 | |
This is a privilege. | 0:27:08 | 0:27:09 | |
That was great, thanks very much. | 0:27:11 | 0:27:13 | |
Cheers, thank you. Is that all right, Julian? | 0:27:13 | 0:27:16 | |
Very good, thanks, Paul. | 0:27:16 | 0:27:18 | |
Look forward to the day. And me and all! | 0:27:18 | 0:27:20 | |
Thankfully Julian is on the big one, | 0:27:20 | 0:27:22 | |
so he's, like, he's calling the shots so I can do fiddly bits. | 0:27:22 | 0:27:26 | |
I think he liked the idea that he can be a bit freer, | 0:27:26 | 0:27:29 | |
you know, he can... Improvise. Improvise, yeah. | 0:27:29 | 0:27:33 | |
So his natural flair can come out. Yeah. | 0:27:33 | 0:27:36 | |
Much better, I thought he was much more comfortable with that. | 0:27:36 | 0:27:39 | |
But I need my uniform, I can't do it without my uniform, I have to | 0:27:39 | 0:27:43 | |
have my hat, even if I do look like a tram driver, I don't care. | 0:27:43 | 0:27:46 | |
I really look forward to coming here. | 0:27:49 | 0:27:51 | |
I learn how the Sally Army bring joy to people | 0:27:51 | 0:27:54 | |
in their later years of life. | 0:27:54 | 0:27:56 | |
I take on my final challenge of comforting those facing death... | 0:27:58 | 0:28:02 | |
He massaged my heart in his hands and just prayed. | 0:28:02 | 0:28:06 | |
..and I face some tough questions from my mentor. | 0:28:06 | 0:28:09 | |
Whether I've been saved or not? | 0:28:10 | 0:28:12 | |
I don't know whether I've fallen, to tell you the truth. | 0:28:12 | 0:28:14 | |
But will I get my wish and earn the privilege to lead | 0:28:14 | 0:28:17 | |
the Sally Army Band down London's Oxford Street? | 0:28:17 | 0:28:20 | |
I want a nice, bold stripe. | 0:28:54 | 0:28:55 | |
Lace, lace, lace... | 0:28:55 | 0:28:56 | |
(Oh, the haberdashery's amazing.) | 0:28:56 | 0:28:58 | |
# Living in a material world... # | 0:28:59 | 0:29:01 | |
So that's your skirt so far? | 0:29:01 | 0:29:03 | |
We've made you panic. | 0:29:03 | 0:29:04 | |
It's very hard not to panic. | 0:29:04 | 0:29:06 | |
# Living in a material world... # | 0:29:06 | 0:29:09 |