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Cape Town. One of the most stunning cities in South Africa. | 0:00:02 | 0:00:06 | |
It's also the country's murder capital. | 0:00:08 | 0:00:11 | |
-SIREN WAILS -Oh, my God. | 0:00:11 | 0:00:13 | |
He was stabbed with a screwdriver. | 0:00:13 | 0:00:15 | |
The outskirts, especially, are overwhelmed with violent crime. | 0:00:15 | 0:00:18 | |
Whatever has happened it happened right here, | 0:00:18 | 0:00:21 | |
in front of this little child as well. | 0:00:21 | 0:00:24 | |
'I've come to spend a week with the medics whose job it is | 0:00:24 | 0:00:26 | |
'to patch up the victims...' | 0:00:26 | 0:00:28 | |
You've got another stab victim coming through now? | 0:00:28 | 0:00:31 | |
They have popped your lung. | 0:00:31 | 0:00:33 | |
Where is he stabbed? Relax. Relax. | 0:00:33 | 0:00:36 | |
'..treating up to 100 stab and gunshot patients every weekend.' | 0:00:36 | 0:00:40 | |
-Many, many stabs in the back. -16 stab wounds! | 0:00:40 | 0:00:43 | |
I'm going to need some help, if you don't mind helping me. | 0:00:43 | 0:00:46 | |
'I want to find out what it's like for the junior doctors...' | 0:00:46 | 0:00:49 | |
Officially a really bad cog in the wheel. | 0:00:49 | 0:00:52 | |
Do you know where you are? What is this place? | 0:00:52 | 0:00:55 | |
Saving lives, they're helping people every night | 0:00:55 | 0:00:57 | |
and they are younger than me. | 0:00:57 | 0:00:59 | |
'..and how they cope with the relentless emergencies.' | 0:00:59 | 0:01:02 | |
Gunshot wounds. Three. This gentleman has been stabbed | 0:01:02 | 0:01:05 | |
and the one on the end there is also stabbed. | 0:01:05 | 0:01:08 | |
-So somebody your age to go through this, is that normal? -It's normal. | 0:01:08 | 0:01:12 | |
-There is big crime. Big -BLEEP -crime. | 0:01:13 | 0:01:16 | |
In the township, I find a vibrant community living in fear. | 0:01:19 | 0:01:23 | |
When I go to school every day, I pray I am safe. | 0:01:23 | 0:01:27 | |
A place where young men like me | 0:01:28 | 0:01:31 | |
almost inevitably get caught up in violent scrapes. | 0:01:31 | 0:01:34 | |
When someone drinks alcohol in our society, people die. | 0:01:34 | 0:01:39 | |
It is an abomination. | 0:01:39 | 0:01:41 | |
It's a journey that will take me to the heart of the township... | 0:01:41 | 0:01:44 | |
Watch out. Watch out. | 0:01:50 | 0:01:51 | |
..and bring me face-to-face with the people committing these crimes. | 0:01:51 | 0:01:55 | |
We are like the devil in hell. | 0:01:55 | 0:01:58 | |
We are there to kill everyone. | 0:01:58 | 0:02:01 | |
-Rob everyone. -Destroy. -Destroy everything. | 0:02:01 | 0:02:03 | |
This programme contains strong language and scenes which some viewers may find upsetting. | 0:02:05 | 0:02:10 | |
I've just arrived in Khayelitsha, | 0:02:18 | 0:02:21 | |
a township 12 miles away from the centre of Cape Town. | 0:02:21 | 0:02:24 | |
Here it's payday weekend, the taverns are opening | 0:02:27 | 0:02:30 | |
and the night is just beginning. | 0:02:30 | 0:02:33 | |
Just people literally everywhere and you've got tons of kids | 0:02:33 | 0:02:37 | |
trying to wash windows at the traffic lights. Look at this. | 0:02:37 | 0:02:41 | |
You just get that vibe that anything could happen. | 0:02:42 | 0:02:45 | |
I'm on my way to a hospital in the heart of the township. | 0:02:47 | 0:02:51 | |
There's a massive problem with knife crime in the area | 0:02:51 | 0:02:54 | |
and the hospital, only built in 2012, | 0:02:54 | 0:02:56 | |
has one of the busiest emergency centres in Cape Town. | 0:02:56 | 0:03:00 | |
Over the next few days, I'll be shadowing the junior doctors here. | 0:03:02 | 0:03:07 | |
Literally just arrived at the hospital and this, | 0:03:09 | 0:03:12 | |
as you can see in the distance, | 0:03:12 | 0:03:15 | |
you can see the township stretching out for miles. | 0:03:15 | 0:03:18 | |
This is Khayelitsha, this is the area that this hospital is based in | 0:03:18 | 0:03:21 | |
and just over there is Harare, | 0:03:21 | 0:03:23 | |
one of the most notorious parts of the township. | 0:03:23 | 0:03:26 | |
And there is a huge party going on. You can hear it. | 0:03:26 | 0:03:29 | |
DISTANT MUSIC PLAYS | 0:03:29 | 0:03:31 | |
They're having the time of their lives. It's a Saturday night. | 0:03:31 | 0:03:33 | |
Everybody's having a drink. | 0:03:33 | 0:03:35 | |
There are people screaming, whistling and whooping | 0:03:35 | 0:03:37 | |
and when the taverns close, those guys, when they are drunk | 0:03:37 | 0:03:41 | |
and ready to get into mischief, will probably end up here. | 0:03:41 | 0:03:45 | |
Better put on my scrubs. | 0:03:46 | 0:03:48 | |
'Although I've been given special training and permission to be close | 0:03:49 | 0:03:53 | |
'to the action in the trauma unit, | 0:03:53 | 0:03:55 | |
'I have no idea what to expect tonight.' | 0:03:55 | 0:03:57 | |
It's really weird. No matter where you are in the world, | 0:03:57 | 0:04:00 | |
that feeling of a hospital just fills you with dread | 0:04:00 | 0:04:03 | |
and all I can smell is that horrible smell of needles and... | 0:04:03 | 0:04:06 | |
Looks like it's all systems go already. | 0:04:08 | 0:04:11 | |
'I'm meeting with the doctors at the start of the weekend shift.' | 0:04:11 | 0:04:15 | |
-Hello. -Hi. -How're you doing? -Good. How are you? | 0:04:15 | 0:04:17 | |
-I'm good thank you. I'm Reggie. What's your name? -Hi, I'm Lauren. | 0:04:17 | 0:04:20 | |
Hello, Lauren. Nice to meet you. | 0:04:20 | 0:04:21 | |
What's happening here? I see someone being stitched up already. | 0:04:21 | 0:04:24 | |
We've got someone being stitched up and we've got someone who lost a leg. | 0:04:24 | 0:04:27 | |
-Someone who lost a leg? How did that happen? -That's his leg in the bag. | 0:04:27 | 0:04:31 | |
-His leg is in the bag? -Correct. | 0:04:31 | 0:04:34 | |
How did he... How did he lose his leg? | 0:04:34 | 0:04:37 | |
He was quite intoxicated. | 0:04:37 | 0:04:39 | |
He was hit by a train and had a traumatic amputation of the left leg. | 0:04:39 | 0:04:43 | |
Oh, my God! Wow! | 0:04:43 | 0:04:44 | |
I've literally walked in and that's the first thing I've seen. | 0:04:44 | 0:04:47 | |
Already I'm a bit, sort of, like... Wow. Is this normal for you? | 0:04:47 | 0:04:51 | |
-Is this the sort of thing that I should expect? -It's the start... | 0:04:51 | 0:04:54 | |
-It is the start of a trauma weekend. -So it's nine o'clock now. | 0:04:54 | 0:04:57 | |
This is the calm before the storm, would you say? | 0:04:57 | 0:05:01 | |
Exactly what we've been saying. The calm before the storm. For sure. | 0:05:01 | 0:05:05 | |
He may have lost a leg but thanks to junior doctors Lauren, Francois | 0:05:06 | 0:05:10 | |
and Amy, he is at least still alive. | 0:05:10 | 0:05:13 | |
One, two, three. | 0:05:14 | 0:05:17 | |
But there is another patient that junior doctors, | 0:05:18 | 0:05:21 | |
all under the age of 30, need to assess. Hello, Amy. | 0:05:21 | 0:05:25 | |
-Are you making diagrams as to where he has been injured? -Yes. | 0:05:25 | 0:05:28 | |
So he's got a big laceration to the back of his head. | 0:05:28 | 0:05:32 | |
-I think this guy was probably a panga. -What's a panga? | 0:05:32 | 0:05:35 | |
Panga is a massive knife. It is a thick blade, heavy blade. | 0:05:35 | 0:05:39 | |
-Like a machete? -Like a machete, yeah. That's what they do. | 0:05:39 | 0:05:43 | |
I mean, the back of his head is literally, like, soft. | 0:05:43 | 0:05:46 | |
Stabbing each other seems to be the way to go. | 0:05:46 | 0:05:48 | |
So, yeah. Welcome to Khayelitsha. | 0:05:48 | 0:05:51 | |
-Can you manage? -And it is not long before the storm hits. | 0:05:51 | 0:05:56 | |
-So you got another stab victim coming through? -Yeah. | 0:05:56 | 0:05:58 | |
It looks like another blunt force trauma to the head. | 0:05:58 | 0:06:01 | |
Are you having trouble to breathe? | 0:06:01 | 0:06:04 | |
On a typical weekend, the doctors will see about 100 patients, | 0:06:04 | 0:06:08 | |
90% of whom will have been stabbed. | 0:06:08 | 0:06:11 | |
Let me just close this wound quickly. Can you get me a suture? | 0:06:12 | 0:06:15 | |
In Khayelitsha, one of the most common causes of death | 0:06:15 | 0:06:18 | |
among young men under 25 is violent crime. | 0:06:18 | 0:06:22 | |
THEY TALK OVER EACH OTHER | 0:06:22 | 0:06:24 | |
PATIENT MOANS | 0:06:24 | 0:06:26 | |
-Relax! Relax! -They have popped your lung. | 0:06:26 | 0:06:29 | |
But I will give you something nice for pain, OK? | 0:06:29 | 0:06:32 | |
26-year-old Dr Francois is treating a stab victim whose wounds | 0:06:32 | 0:06:37 | |
have caused internal bleeding and need immediate treatment. | 0:06:37 | 0:06:40 | |
It looks like we are probably | 0:06:40 | 0:06:42 | |
going to have to put a chest drain in for him. | 0:06:42 | 0:06:44 | |
I'm going to need some help if you don't mind helping me. | 0:06:44 | 0:06:47 | |
Maybe I should take my coat off and get...get set up. | 0:06:47 | 0:06:49 | |
What would you like me to do? | 0:06:54 | 0:06:56 | |
Just keep his arm up and keep his head that side | 0:06:56 | 0:06:58 | |
and just grab that arm if he reaches across for me, please, | 0:06:58 | 0:07:01 | |
cos I'm going to be working with some sharp equipment. | 0:07:01 | 0:07:04 | |
Thanks very much. | 0:07:04 | 0:07:06 | |
'I've only been here an hour and already I'm face-to-face | 0:07:06 | 0:07:10 | |
'with a patient who has a life-threatening injury. | 0:07:10 | 0:07:12 | |
'It's really nerve-racking.' | 0:07:12 | 0:07:14 | |
He's shaking a bit now, Francois. Is that normal? | 0:07:14 | 0:07:17 | |
He's probably a bit cold but it's fine. We'll give him something. | 0:07:17 | 0:07:21 | |
-If you can just keep this... -Sure. Oh, my God. -Just relax, buti. | 0:07:21 | 0:07:28 | |
-What does that mean? -Brother. -Right. | 0:07:28 | 0:07:31 | |
That's essentially what they call themselves. | 0:07:31 | 0:07:33 | |
'Francois needs to cut through the chest cavity | 0:07:35 | 0:07:38 | |
'and insert a tube to drain away blood or air | 0:07:38 | 0:07:40 | |
'that has built up around the lungs because of the stabbing. | 0:07:40 | 0:07:44 | |
'He needs to act quickly or the lung will collapse and the man could die. | 0:07:44 | 0:07:48 | |
-Oh, my God! I just heard it! -AIR ESCAPES | 0:07:48 | 0:07:52 | |
Oh, my God! | 0:07:56 | 0:07:58 | |
So, the way I'm doing everything at the moment | 0:07:58 | 0:08:01 | |
is not how we are taught at university. | 0:08:01 | 0:08:03 | |
So why are you doing it this way? Is it a time sensitive thing? | 0:08:03 | 0:08:07 | |
It is a combination of things. | 0:08:07 | 0:08:10 | |
We don't have the right circumstances, really, | 0:08:10 | 0:08:12 | |
under which to do all of this stuff. | 0:08:12 | 0:08:14 | |
We don't have the correct equipment to do it sterilely. | 0:08:14 | 0:08:17 | |
And there's the time, because I know a couple more of these guys | 0:08:17 | 0:08:20 | |
are going to be coming in and I also need to get over and help with those | 0:08:20 | 0:08:22 | |
other ones that might be less stable than he is. | 0:08:22 | 0:08:25 | |
OK. It's finished now. OK. It's finished. | 0:08:25 | 0:08:28 | |
So that's the first one of those. | 0:08:28 | 0:08:30 | |
I'm sure you are going to be seeing a couple this weekend. | 0:08:30 | 0:08:33 | |
I think I was a little more squeamish than he was during that. | 0:08:33 | 0:08:37 | |
-Yeah. Thanks for your help. -Seriously. | 0:08:37 | 0:08:39 | |
Everybody is busy with other patients. | 0:08:39 | 0:08:41 | |
I think my squirming wasn't exactly helpful | 0:08:42 | 0:08:45 | |
-but I appreciate your politeness. -No, it was helpful. Thanks. | 0:08:45 | 0:08:49 | |
Look at that. Sorry. | 0:08:49 | 0:08:52 | |
I've just "helped out" Francois sort this man out and... | 0:08:52 | 0:08:55 | |
..he's straight on to the next. | 0:08:58 | 0:09:00 | |
You know, he is washing up | 0:09:00 | 0:09:02 | |
and then he's got another serious stab wound to deal with. | 0:09:02 | 0:09:05 | |
-Do you know where you are? What is this place? -It's really weird. | 0:09:05 | 0:09:09 | |
When I think about what I was doing at 26, | 0:09:09 | 0:09:11 | |
my main concern was keeping my trainers clean. | 0:09:11 | 0:09:14 | |
This saving lives, they're helping people every night | 0:09:14 | 0:09:18 | |
-and they are younger than me. -How old are you? -17. | 0:09:18 | 0:09:23 | |
It feels like right about now, they are coming in one after the other. | 0:09:24 | 0:09:28 | |
And it's 11.25. | 0:09:28 | 0:09:30 | |
Lukhanyo was mugged and stabbed on his way home from a tavern. | 0:09:36 | 0:09:40 | |
HE GROANS | 0:09:40 | 0:09:42 | |
-He's only 21 years old. -Lift your head up. | 0:09:42 | 0:09:46 | |
Lift your head up. Lift your head up. | 0:09:46 | 0:09:49 | |
With so many casualties every night, | 0:09:49 | 0:09:51 | |
the hospital attracts doctors from all over the world | 0:09:51 | 0:09:55 | |
wanting to train here. Dr Khaled Mbaya is from Tanzania. | 0:09:55 | 0:09:59 | |
On average, Britain's inner cities see about 100 recorded stabbings | 0:10:18 | 0:10:23 | |
a week, but here in Khayelitsha, | 0:10:23 | 0:10:26 | |
junior doctors like Nicole will have the same figure in just a weekend. | 0:10:26 | 0:10:30 | |
HE GROANS | 0:10:32 | 0:10:34 | |
You were making everything dirty! | 0:10:34 | 0:10:37 | |
-It's not easy, brother. -It's not easy, yeah. -It's difficult. | 0:10:37 | 0:10:43 | |
These guys come in all the time. | 0:10:43 | 0:10:45 | |
They drink, they don't have any money to feed their families, | 0:10:45 | 0:10:48 | |
but they drink and they party at the tavern | 0:10:48 | 0:10:52 | |
and the one guy looks at the other guy's girlfriend incorrectly | 0:10:52 | 0:10:55 | |
or whatever, whatever the reason may be, | 0:10:55 | 0:10:59 | |
and then there will be a gang of friends attacking someone | 0:10:59 | 0:11:03 | |
and they just go for it, you know. | 0:11:03 | 0:11:05 | |
They usually aim for the head. | 0:11:05 | 0:11:07 | |
The skull bleeds a lot so sometimes it looks bad... | 0:11:07 | 0:11:10 | |
..but it's not actually that bad. | 0:11:12 | 0:11:15 | |
They will survive to come back next week. | 0:11:17 | 0:11:20 | |
How are you? Are you all right? He says he's good. | 0:11:25 | 0:11:29 | |
And they want to go home now. | 0:11:29 | 0:11:32 | |
-Sir. Wake up. -What's his name? | 0:11:32 | 0:11:34 | |
Hey! Hey! Hey! Hey! We are stitching here! | 0:11:34 | 0:11:38 | |
As the night goes on, more and more patients pour in from the taverns. | 0:11:38 | 0:11:43 | |
Reggie, do you mind grabbing that for me | 0:11:49 | 0:11:51 | |
and just turning it up and down a couple of times? | 0:11:51 | 0:11:54 | |
Dr Hene, one of the senior consultants, lends a hand. | 0:11:57 | 0:12:01 | |
He's treating a patient whose skull may have been fractured | 0:12:01 | 0:12:04 | |
when he was stabbed in the head. | 0:12:04 | 0:12:07 | |
He shows me the unusual way they check. | 0:12:07 | 0:12:09 | |
What you can try and feel is an underlying skull fracture. | 0:12:09 | 0:12:13 | |
If you put your finger in here, you can feel the skull. | 0:12:13 | 0:12:16 | |
-Is he still awake? -No, I've given him local anaesthetic. | 0:12:16 | 0:12:19 | |
-Put your finger in. Can you feel how thick the skin is? -Yeah. | 0:12:19 | 0:12:23 | |
Look how thick it is. | 0:12:23 | 0:12:25 | |
So it is quite severe trauma to actually penetrate all that. | 0:12:25 | 0:12:28 | |
-Can you feel the skull? -I can feel the skull. -It's nice and smooth. | 0:12:28 | 0:12:32 | |
You can see there is no underlying fracture. | 0:12:32 | 0:12:34 | |
So I'm just going to close it. | 0:12:34 | 0:12:36 | |
I've done quite a few things in front of camera | 0:12:36 | 0:12:40 | |
but I can honestly say I've never had my pinkie in a man's skull. | 0:12:40 | 0:12:45 | |
The sorts of things that are coming through the door here continuously | 0:12:45 | 0:12:48 | |
are really shocking to somebody like me. | 0:12:48 | 0:12:52 | |
There is a clear crime problem here | 0:12:52 | 0:12:54 | |
and they are just dealing with it and that's their 9 to 5. | 0:12:54 | 0:12:58 | |
That's their job. | 0:12:58 | 0:13:00 | |
'I've only been here a couple of hours and it's unbelievable | 0:13:00 | 0:13:04 | |
'how many casualties with multiple stab wounds I've already seen.' | 0:13:04 | 0:13:08 | |
What's even worse is that they are mostly just young men. | 0:13:08 | 0:13:12 | |
This hospital represents one side of the story. | 0:13:12 | 0:13:16 | |
And seeing the people that come in makes me really desperate | 0:13:16 | 0:13:21 | |
to find out more about what it is that is making the area dangerous, | 0:13:21 | 0:13:25 | |
what it is that is making people do what they are doing. | 0:13:25 | 0:13:29 | |
PATIENT GROANS | 0:13:32 | 0:13:34 | |
Just relax, one last one. Last one. | 0:13:34 | 0:13:36 | |
I'm heading into the township. | 0:13:48 | 0:13:51 | |
I want to see where all these casualties are actually coming from. | 0:13:51 | 0:13:55 | |
Set up in the late '80s, | 0:14:01 | 0:14:03 | |
Khayelitsha was created on the outskirts of Cape Town | 0:14:03 | 0:14:06 | |
during apartheid as a last-ditch attempt to separate the races. | 0:14:06 | 0:14:10 | |
Banned from living in the whites-only city centre, | 0:14:11 | 0:14:14 | |
the non-white population was dumped here in the desolate Cape Flats. | 0:14:14 | 0:14:18 | |
20 years on and it's become a vibrant home | 0:14:24 | 0:14:27 | |
to over one million people and has seen some regeneration, | 0:14:27 | 0:14:31 | |
but 61% are unemployed and many live on less than two pounds a day. | 0:14:31 | 0:14:36 | |
-You got the money? Here? -It's two pounds a person. | 0:14:39 | 0:14:44 | |
Two pounds a person, yeah. You need to check it. | 0:14:44 | 0:14:47 | |
Zuka, a local taxi driver has agreed to show us | 0:14:47 | 0:14:50 | |
around some of the most impoverished parts of the township. | 0:14:50 | 0:14:53 | |
So the poorest people, this is where they would live? | 0:14:53 | 0:14:56 | |
So how dangerous is it to live here? | 0:15:05 | 0:15:08 | |
The passageways are really narrow here as well. | 0:15:14 | 0:15:16 | |
So there is essentially nowhere to run once you're in the shacks | 0:15:24 | 0:15:29 | |
and once you're in-between them, you are trapped. | 0:15:29 | 0:15:31 | |
You are trapped because there is not enough space. | 0:15:31 | 0:15:34 | |
The cramped conditions are a breeding ground | 0:15:34 | 0:15:36 | |
for crime and violence. | 0:15:36 | 0:15:38 | |
Growing up in a council estate in North London, | 0:15:38 | 0:15:42 | |
I had a few close scrapes myself, but here danger is on every corner | 0:15:42 | 0:15:47 | |
and they don't even have street names. | 0:15:47 | 0:15:49 | |
I'm struggling to imagine what it must be like to grow up around here. | 0:15:49 | 0:15:53 | |
'I've met up with Lukhanyo, who was mugged walking home | 0:16:07 | 0:16:11 | |
'after a night out and ended up in the hospital.' | 0:16:11 | 0:16:13 | |
Where did it happen? Down this way? | 0:16:13 | 0:16:16 | |
You don't want to? Why not? | 0:16:41 | 0:16:43 | |
So, with no justice being done, | 0:16:53 | 0:16:55 | |
you've decided not to take it to the police. | 0:16:55 | 0:16:57 | |
Does that mean you are going to retaliate yourself? You are? | 0:16:57 | 0:17:02 | |
In Khayelitsha, many have lost trust in the police. | 0:17:07 | 0:17:11 | |
The three precincts serving the area are under-resourced, | 0:17:11 | 0:17:13 | |
so a large number of suspects are released without being charged. | 0:17:13 | 0:17:18 | |
With the attack happening so close to home, | 0:17:19 | 0:17:22 | |
I wonder what Lukhanyo's mates think. | 0:17:22 | 0:17:24 | |
What's that? The broken bottles? | 0:17:39 | 0:17:41 | |
When someone drinks alcohol in our society, | 0:17:43 | 0:17:47 | |
they start to pick up fights and it ends up to tragedy. | 0:17:47 | 0:17:51 | |
I think it's an abomination. | 0:17:52 | 0:17:55 | |
After spending time in the hospital, it seems to me | 0:17:55 | 0:17:57 | |
that a lot of Khayelitsha's problems stem from alcohol abuse | 0:17:57 | 0:18:01 | |
and it isn't long before I see just how destructive it can be. | 0:18:01 | 0:18:06 | |
THEY SHOUT | 0:18:06 | 0:18:09 | |
-Are you OK? -I'm fine. I dropped the camera. | 0:18:09 | 0:18:11 | |
'A car has almost run over the crew and the kids playing in the street. | 0:18:13 | 0:18:17 | |
'Within seconds, a crowd forms. | 0:18:17 | 0:18:19 | |
'They believe the driver has been drinking.' | 0:18:19 | 0:18:22 | |
'The crowd is getting angrier and angrier | 0:18:32 | 0:18:36 | |
'but the man is eager to apologise.' | 0:18:36 | 0:18:39 | |
Despite little trust in the police, | 0:18:46 | 0:18:49 | |
this time they have been called. | 0:18:49 | 0:18:51 | |
Our security team advise us to leave. | 0:18:51 | 0:18:54 | |
In such situations, | 0:18:56 | 0:18:59 | |
the community could take matters into their own hands and carry out | 0:18:59 | 0:19:03 | |
their own form of justice, whether the police turn up or not. | 0:19:03 | 0:19:06 | |
-How far a walk is it to your place, then? -It's not far. | 0:19:06 | 0:19:10 | |
'This is known as community justice | 0:19:11 | 0:19:13 | |
'and I wonder if Lukhanyo wants such revenge on his attackers.' | 0:19:13 | 0:19:17 | |
They tend to burn them? Burn them? | 0:19:27 | 0:19:29 | |
A tyre. | 0:19:34 | 0:19:36 | |
-And you don't want that to happen? -I don't want it to happen, that. | 0:19:42 | 0:19:45 | |
Do you worry that the community might take it into their own hands | 0:19:53 | 0:19:57 | |
and seek justice without your say-so? | 0:19:57 | 0:19:59 | |
Do you think they might do that? | 0:20:09 | 0:20:12 | |
Burning people in tyres is known as necklacing. | 0:20:22 | 0:20:25 | |
In 2012, there were nine incidents in Khayelitsha | 0:20:25 | 0:20:31 | |
and many victims of community justice will end up at the hospital. | 0:20:31 | 0:20:35 | |
But sometimes, the community simply want to humiliate the accused. | 0:20:35 | 0:20:39 | |
What's going on here? What's going on here? | 0:20:39 | 0:20:43 | |
These four men were stripped naked and beaten up. | 0:20:50 | 0:20:54 | |
They were lucky to survive. | 0:20:54 | 0:20:56 | |
In 2012, community justice was responsible for 78 recorded murders in Khayelitsha. | 0:20:56 | 0:21:01 | |
Mob justice or whatever. | 0:21:01 | 0:21:04 | |
We call it bundu court. | 0:21:04 | 0:21:06 | |
It's just basically a community assault. | 0:21:08 | 0:21:11 | |
If someone does something wrong, the whole community goes out | 0:21:11 | 0:21:14 | |
and they beat this person up. | 0:21:14 | 0:21:16 | |
We have a lot of these every weekend. | 0:21:18 | 0:21:21 | |
-How old are you? -21. -21! 21! | 0:21:21 | 0:21:25 | |
Why rob? | 0:21:25 | 0:21:27 | |
I believe the perpetrators are known to them | 0:21:29 | 0:21:33 | |
or if there are any eyewitnesses, usually people don't come forward | 0:21:33 | 0:21:37 | |
because they are too scared they will be assaulted themselves. | 0:21:37 | 0:21:41 | |
We've got a lot of... PATIENT GROANS | 0:21:42 | 0:21:45 | |
RELAX! | 0:21:45 | 0:21:47 | |
We have a lot of unnatural things that come in | 0:21:47 | 0:21:50 | |
because of community assaults | 0:21:50 | 0:21:53 | |
and severe injuries that we just can't save. | 0:21:53 | 0:21:55 | |
What are you doing? | 0:21:57 | 0:22:00 | |
I've been told by everyone just how dangerous Khayelitsha | 0:22:04 | 0:22:08 | |
can be at night but I want to experience it for myself. | 0:22:08 | 0:22:11 | |
SIREN WAILS | 0:22:11 | 0:22:13 | |
To be safe, I'm joining paramedics Ata and Ricardo | 0:22:13 | 0:22:17 | |
-on their way to a callout. -Ricardo, are you using a map? | 0:22:17 | 0:22:21 | |
-Yes. -No Sat Nav? No Sat Nav, no? | 0:22:21 | 0:22:24 | |
-Not yet. -It's on its way? -It's on its way! | 0:22:24 | 0:22:28 | |
If the doctors are on the front-line, | 0:22:31 | 0:22:33 | |
it's the ambulance crews who are in the war zone, | 0:22:33 | 0:22:35 | |
picking up the casualties of violence | 0:22:35 | 0:22:38 | |
from the streets of Khayelitsha every night. | 0:22:38 | 0:22:40 | |
In South Africa, 60% of attacks are a result of domestic violence. | 0:22:47 | 0:22:52 | |
Fuelled by drugs and alcohol, family arguments often turn nasty. | 0:22:52 | 0:22:58 | |
We've literally just arrived now at the address and just had | 0:23:01 | 0:23:04 | |
a little peek inside and there is a man stood there covered in blood. | 0:23:04 | 0:23:08 | |
He has been stabbed in the head, apparently, | 0:23:08 | 0:23:10 | |
and the entire family is outside, panicking. | 0:23:10 | 0:23:13 | |
Watch out. | 0:23:23 | 0:23:25 | |
THEY ALL TALK AT ONCE | 0:23:28 | 0:23:30 | |
He's been stabbed in his arms, on his chest and in his head | 0:23:33 | 0:23:37 | |
and he can barely see. | 0:23:37 | 0:23:38 | |
He's covered in blood as well. What happened? | 0:23:38 | 0:23:42 | |
Who is this little kid? Hey. Go inside. Go inside. | 0:23:49 | 0:23:53 | |
'Although a lot of the injuries are stab wounds, | 0:23:53 | 0:23:56 | |
'it's not always knives that cause them.' | 0:23:56 | 0:23:58 | |
What happened? | 0:23:58 | 0:23:59 | |
Oh, my God, it's a screwdriver. He was stabbed with a screwdriver? | 0:23:59 | 0:24:04 | |
What happened? | 0:24:04 | 0:24:05 | |
He ran away. | 0:24:05 | 0:24:07 | |
There's a smashed bottle here, as well. | 0:24:07 | 0:24:11 | |
He came to open. | 0:24:11 | 0:24:13 | |
This kid is freaking out. | 0:24:14 | 0:24:16 | |
It's really hard to understand what's happened here, | 0:24:16 | 0:24:19 | |
but I think the guy in question has had a few drinks | 0:24:19 | 0:24:22 | |
and whatever has happened, it happened right here | 0:24:22 | 0:24:24 | |
and it would appear that it also happened in front of this | 0:24:24 | 0:24:26 | |
little child as well, who just can't stop shaking. | 0:24:26 | 0:24:30 | |
This is so confusing and it's so messed up. | 0:24:30 | 0:24:34 | |
I can't even begin to imagine what that little child has just | 0:24:34 | 0:24:37 | |
witnessed, but he's so scared, he won't leave my side. | 0:24:37 | 0:24:40 | |
Can you take the child back in? | 0:24:40 | 0:24:42 | |
He's shaking. Can you keep an eye on this child for me? Please. OK. | 0:24:45 | 0:24:49 | |
-How many stab wounds has he had? -One, two, three, four, five. | 0:24:52 | 0:24:58 | |
-Six. -Six. -Six? | 0:24:58 | 0:25:01 | |
So what has happened to his face, Ricardo? | 0:25:01 | 0:25:03 | |
Can I get swabs? Where is the swabs? | 0:25:19 | 0:25:22 | |
On top of all of his injuries, his blood is very thin due to | 0:25:22 | 0:25:27 | |
all of the alcohol in his system and he needs immediate treatment. | 0:25:27 | 0:25:31 | |
But for Ata, it's a reminder of the man he used to be. | 0:25:33 | 0:25:37 | |
Basically, everything that you were talking about that you | 0:25:37 | 0:25:40 | |
see around you, I've lived it. I've been part of that life. | 0:25:40 | 0:25:44 | |
-I have scars to prove. -In what sense? | 0:25:44 | 0:25:46 | |
Have you been in the bar fights? Have you been attacked? | 0:25:46 | 0:25:50 | |
Yes, I've been there. | 0:25:50 | 0:25:51 | |
I've been in bar fights, I've been attacked, I have fought and I drank. | 0:25:51 | 0:25:57 | |
Then I decided, no more. Something has to happen here. | 0:25:57 | 0:26:00 | |
I need to change my lifestyle. | 0:26:00 | 0:26:02 | |
So, do you think that your experience makes you better placed | 0:26:02 | 0:26:05 | |
to do your job properly? | 0:26:05 | 0:26:06 | |
I have an understanding of why those people are there. | 0:26:06 | 0:26:09 | |
The curtain's closed on our man that we just picked up, | 0:26:12 | 0:26:14 | |
but over there in the distance, | 0:26:14 | 0:26:16 | |
they're stitching up someone else with what looks like stab wounds. | 0:26:16 | 0:26:20 | |
It's only 10.15. | 0:26:23 | 0:26:24 | |
My toes are curling up so much | 0:26:58 | 0:27:00 | |
as you get close and closer to that eye. | 0:27:00 | 0:27:03 | |
A small scratch on the eye, yeah? | 0:27:05 | 0:27:08 | |
This isn't my first night, but it's still difficult to watch. | 0:27:08 | 0:27:12 | |
Nicole grew up near here | 0:27:14 | 0:27:16 | |
and has worked at the hospital for 10 months. | 0:27:16 | 0:27:18 | |
Relax, relax, relax, it's not even going in. | 0:27:18 | 0:27:22 | |
She's found her own ways of dealing with patients. | 0:27:22 | 0:27:25 | |
I want to see if they stabbed you in front. Let's see. Come. | 0:27:25 | 0:27:29 | |
Even for her, Khayelitsha's casualties are shocking. | 0:27:29 | 0:27:33 | |
Working here this year, this is the most trauma I've seen. | 0:27:33 | 0:27:38 | |
I mean this is front-line stuff. These people really kill each other. | 0:27:38 | 0:27:44 | |
I have not seen more trauma than here. | 0:27:45 | 0:27:47 | |
Relax, relax, relax, it's almost over. | 0:27:48 | 0:27:51 | |
I block it out. I did have nightmares. | 0:27:51 | 0:27:54 | |
I don't know, you just get used to it. Come, come. | 0:27:56 | 0:27:58 | |
Sorry. Hold on to here. | 0:28:02 | 0:28:06 | |
Some oxygen for you. | 0:28:06 | 0:28:09 | |
Hey, Doctor, come here. | 0:28:09 | 0:28:12 | |
That's my doctor. | 0:28:12 | 0:28:14 | |
Oh, my blood. | 0:28:14 | 0:28:17 | |
It's been less than an hour since we brought in Thene Beletlay | 0:28:17 | 0:28:19 | |
in the ambulance. | 0:28:19 | 0:28:22 | |
It feels like our guy is a lot more smiley now. | 0:28:22 | 0:28:24 | |
Look at you. You've got a smile on your face now. How are you? | 0:28:24 | 0:28:28 | |
-Are you feeling better now? -I'm fine now. | 0:28:28 | 0:28:32 | |
-You want to go home now? -I need to go home. | 0:28:33 | 0:28:36 | |
I need to go home. | 0:28:36 | 0:28:38 | |
I can't believe this guy. He's laughing now. | 0:28:41 | 0:28:45 | |
Oh, wow! | 0:28:47 | 0:28:48 | |
It's really struck me how he can be laughing | 0:28:50 | 0:28:53 | |
an hour after such a brutal attack. | 0:28:53 | 0:28:56 | |
It's almost as if extreme violence | 0:28:56 | 0:28:58 | |
has just become normal in Khayelitsha. | 0:28:58 | 0:29:00 | |
It's just a lot to take in and, erm... | 0:29:01 | 0:29:04 | |
It's just another night here in the trauma ward. | 0:29:06 | 0:29:08 | |
Very sobering. | 0:29:13 | 0:29:14 | |
Over the last few days, I've seen countless new men like him | 0:29:16 | 0:29:20 | |
being brought in, but I haven't seen any women here with severe injuries. | 0:29:20 | 0:29:25 | |
I wonder what it must be like for them | 0:29:25 | 0:29:27 | |
living in such a violent society. | 0:29:27 | 0:29:29 | |
I'm back in the taxi with Zuka. | 0:29:39 | 0:29:41 | |
One of the first passengers we pick up is Inge, | 0:29:43 | 0:29:46 | |
a young girl still at school. | 0:29:46 | 0:29:48 | |
For a 15-year-old girl like yourself, | 0:29:49 | 0:29:52 | |
just how safe is it to live here, do you think? | 0:29:52 | 0:29:54 | |
When I go to school, I leave early so I am at risk of being robbed and | 0:29:54 | 0:29:59 | |
maybe someone grabbing me and raping me in the morning or something. | 0:29:59 | 0:30:04 | |
Every day, I pray that when I walk to the bus stop, I am safe. | 0:30:04 | 0:30:10 | |
I'm not sure who I am going to bump in to. | 0:30:10 | 0:30:13 | |
-Many girls have went through that. -Girls that you know? -Yes. | 0:30:13 | 0:30:18 | |
-That are your age? -Yes. | 0:30:18 | 0:30:20 | |
One girl killed herself and the other one, her parents are taking | 0:30:20 | 0:30:24 | |
her to counselling so that she could get over the trauma of being raped. | 0:30:24 | 0:30:28 | |
She was gang raped. | 0:30:28 | 0:30:30 | |
That is really scary. That's unbelievable. | 0:30:30 | 0:30:36 | |
-Who does this sort of thing? -It's older men and boys my age. Everybody. | 0:30:37 | 0:30:42 | |
I live with only my mother and she does get worried so there are other | 0:30:44 | 0:30:49 | |
people in the street, so I have to wait for them in order to be safer. | 0:30:49 | 0:30:53 | |
It's unbelievable that a 15-year-old girl lives in fear of being | 0:30:57 | 0:31:02 | |
raped on her way to school. | 0:31:02 | 0:31:04 | |
But in Cape Town, there's 144 reported rapes a day | 0:31:05 | 0:31:11 | |
and the hospital even has a special unit to deal with the victims. | 0:31:11 | 0:31:15 | |
Many of the women are reluctant to talk about it | 0:31:16 | 0:31:19 | |
and most rape incidences go unreported. | 0:31:19 | 0:31:22 | |
I wonder how Inge and her mum cope living in a country where | 0:31:25 | 0:31:28 | |
sexual violence is amongst the highest in the world. | 0:31:28 | 0:31:31 | |
-Hi. -Hello. -How are you doing? -I'm very good, hello. Good to see you. | 0:31:36 | 0:31:40 | |
Good to see you. | 0:31:40 | 0:31:41 | |
What's it really like living here as a 15-year-old girl? | 0:31:41 | 0:31:44 | |
There isn't much outside of home because outside, when it gets dark, | 0:31:44 | 0:31:50 | |
gangsters start robbing people, taking away their phones and stuff. | 0:31:50 | 0:31:54 | |
It's better to be home and safe than being outside and sorry | 0:31:54 | 0:31:59 | |
if something happens to you. | 0:31:59 | 0:32:02 | |
I choose to focus on my studies first rather than other things. | 0:32:02 | 0:32:06 | |
I wouldn't choose a boy who's in a gang, because maybe in some | 0:32:06 | 0:32:13 | |
point of time, he's going to get me killed or put me in danger. | 0:32:13 | 0:32:17 | |
I'd rather choose someone simple who's not in gangs, | 0:32:17 | 0:32:20 | |
who's concentrating on other things like playing soccer instead. | 0:32:20 | 0:32:25 | |
You're a pretty amazing young woman. | 0:32:25 | 0:32:28 | |
To hear that coming from a 15-year-old is incredible. | 0:32:28 | 0:32:31 | |
When I was 15, I was an idiot. | 0:32:31 | 0:32:33 | |
I was a big headed idiot running around the place hoping that | 0:32:33 | 0:32:35 | |
things would turn out OK. It seems like you've got a plan. | 0:32:35 | 0:32:40 | |
Moving out of here would be much better. | 0:32:40 | 0:32:42 | |
It would mean that I would be safe and live a safer life. | 0:32:43 | 0:32:46 | |
Inge and her mum, Patience, | 0:32:47 | 0:32:49 | |
live alone in one of the 40,000 government built houses in the area. | 0:32:49 | 0:32:53 | |
-Do you want me to wash this lettuce? -Yes, please. | 0:32:53 | 0:32:56 | |
But life's still tough. Patience said Inge never knew her dad. | 0:32:56 | 0:33:00 | |
He was killed before she was even born. | 0:33:00 | 0:33:03 | |
Was he a victim of crime? | 0:33:03 | 0:33:05 | |
-No, he lost his job and he...turned to crime himself. -Wow. | 0:33:05 | 0:33:12 | |
There was no more money, and he joined some friends that were | 0:33:12 | 0:33:17 | |
robbing people, and he got killed there. | 0:33:17 | 0:33:20 | |
-That's how he died. -That's really sad. | 0:33:20 | 0:33:23 | |
It's really scary just how much it's affected your family... | 0:33:23 | 0:33:26 | |
Yeah, it has affected my family, they know it's only me and Inga, | 0:33:26 | 0:33:31 | |
they take advantage of me, they know there's no man figure in our home, | 0:33:31 | 0:33:36 | |
-they break into our house... -You've been robbed before? | 0:33:36 | 0:33:38 | |
I've been robbed, I've been robbed going to work, | 0:33:38 | 0:33:41 | |
I've been robbed in the house... | 0:33:41 | 0:33:43 | |
It's so bad I just feel one day | 0:33:43 | 0:33:45 | |
I would move away from this place, really. | 0:33:45 | 0:33:48 | |
I can't make it happen, I really can't make it happen, | 0:33:48 | 0:33:52 | |
because I'm only a waitress. | 0:33:52 | 0:33:55 | |
And I make ends meet by sewing and stuff, | 0:33:55 | 0:33:59 | |
so I don't see it happening at all. | 0:33:59 | 0:34:02 | |
Unless she studies and she takes herself out of this place - | 0:34:03 | 0:34:07 | |
US out of here. | 0:34:07 | 0:34:09 | |
I can't help but feel for Inga. | 0:34:12 | 0:34:15 | |
She's carrying a huge responsibility for someone so young. | 0:34:15 | 0:34:19 | |
-I pray for the best, my child. I pray for the best, really. -I try my best. | 0:34:19 | 0:34:26 | |
Her hope is to become an accountant and take her mum away from here. | 0:34:26 | 0:34:29 | |
And I really hope she does. | 0:34:33 | 0:34:35 | |
-What was your name? -HE MUMBLES | 0:34:38 | 0:34:40 | |
-I'm not going to be able to pronounce that, bro. -B-O-N-G-A. | 0:34:40 | 0:34:43 | |
Back at the hospital, I'm being put to work. | 0:34:43 | 0:34:46 | |
I'm trying to do your job, you see, I'm trying to take your job! | 0:34:46 | 0:34:49 | |
I'm taking this guy to Nurse James in triage. | 0:34:49 | 0:34:52 | |
She's also a single mother living in Khayelitsha, | 0:34:52 | 0:34:54 | |
but working at the hospital, I wonder if her life is any different. | 0:34:54 | 0:35:00 | |
So how often do you see things like this then? | 0:35:00 | 0:35:02 | |
Very often, because they drink a lot and they fight a lot, | 0:35:02 | 0:35:05 | |
and the skollies are walking up | 0:35:05 | 0:35:07 | |
and down the road looking for people like him that are walking alone. | 0:35:07 | 0:35:10 | |
-Sorry, who's doing that? -The gangsters. | 0:35:10 | 0:35:13 | |
Sometimes, when I'm walking from here to my house, | 0:35:13 | 0:35:16 | |
I will see the youngsters. | 0:35:16 | 0:35:18 | |
My chances of being robbed - 100%. | 0:35:18 | 0:35:24 | |
What do you feel when you see a young man like this? | 0:35:24 | 0:35:26 | |
I feel very bad, because I know my son, | 0:35:26 | 0:35:29 | |
when I'm here at the hospital, what is he doing out there? | 0:35:29 | 0:35:32 | |
He's involved in drugs, I know for a fact he's smoking tik. | 0:35:33 | 0:35:37 | |
In the UK we call that crystal meth, I think, that's tik, right? | 0:35:37 | 0:35:41 | |
I've never seen it, but I know that he is doing drugs. It's sad. | 0:35:41 | 0:35:46 | |
Lovely to meet you, Salva. Hopefully I'll see you around a little more. | 0:35:46 | 0:35:50 | |
-Nice talking to you. -Lovely talking to you too. | 0:35:50 | 0:35:52 | |
Ah, overload, stress from my son, when I talk about it, I feel better. | 0:35:52 | 0:35:57 | |
-I can see that. -Thank you very much. -OK. -Thank you. | 0:35:57 | 0:36:02 | |
'It's heartbreaking when you hear these stories, | 0:36:02 | 0:36:05 | |
'because they're living in the environment that is producing' | 0:36:05 | 0:36:08 | |
these sorts of injuries and situations, | 0:36:08 | 0:36:11 | |
and when you hear something like that...it just breaks your heart, | 0:36:11 | 0:36:15 | |
because here's a woman who is giving her all to help people, | 0:36:15 | 0:36:18 | |
meanwhile her son is - essentially - living exactly the same life | 0:36:18 | 0:36:24 | |
as a lot of the victims that she's helping out. | 0:36:24 | 0:36:27 | |
It breaks your heart. | 0:36:27 | 0:36:28 | |
Every time I'm here, | 0:36:30 | 0:36:32 | |
I'm reminded just how fragile life is in Khayelitsha. | 0:36:32 | 0:36:35 | |
But for the doctors, it's just a typical Sunday, | 0:36:36 | 0:36:39 | |
and the last night of the weekend shift. | 0:36:39 | 0:36:43 | |
So what's the common thread running through these guys tonight? | 0:36:43 | 0:36:46 | |
Gunshot wounds, three I think, this gentleman's been stabbed | 0:36:46 | 0:36:52 | |
and hit in the head, um, there's a lady over there who overdosed, | 0:36:52 | 0:36:56 | |
that gentleman, there's something wrong with his heart, | 0:36:56 | 0:36:59 | |
we're not exactly sure yet, he's just come in, | 0:36:59 | 0:37:01 | |
and then the one on the end there is also a stab. | 0:37:01 | 0:37:05 | |
So this man here, he's been shot, right? | 0:37:05 | 0:37:07 | |
Yeah, he's been shot three times. | 0:37:07 | 0:37:09 | |
Still got the bullets in his chest, his leg, | 0:37:09 | 0:37:12 | |
and the third gunshot wound, the bullet went through. | 0:37:12 | 0:37:16 | |
HE CRIES OUT IN PAIN | 0:37:16 | 0:37:19 | |
As the doctors deal with the gunshot victim... | 0:37:20 | 0:37:23 | |
-Ah, fuck sake, good one(!) -Sorry, man. | 0:37:23 | 0:37:28 | |
..Francois treats 23-year-old Mwanamabise. | 0:37:28 | 0:37:32 | |
My back is sore, ugh. | 0:37:32 | 0:37:34 | |
Ja, we're going to give you something for pain now, OK? | 0:37:34 | 0:37:37 | |
Just relax for us. | 0:37:37 | 0:37:39 | |
He was walking home from a night out with friends when a gang mugged him. | 0:37:39 | 0:37:44 | |
So this guy's just came in, many, many stabs in the back. | 0:37:44 | 0:37:48 | |
-16 stab wounds. -Ah, my back, ugh. -16 stab wounds... | 0:37:48 | 0:37:52 | |
'The attack has caused internal bleeding, | 0:37:57 | 0:37:59 | |
'and the doctors need to perform a chest drain.' | 0:37:59 | 0:38:01 | |
I'm going to need some help if you don't mind. | 0:38:01 | 0:38:04 | |
Is this is where I come in? | 0:38:04 | 0:38:05 | |
Having seen one before, I now know what to expect. | 0:38:05 | 0:38:09 | |
If they don't drain the blood, his lung could collapse. | 0:38:09 | 0:38:12 | |
Just give me a squeeze if you feel anything. | 0:38:12 | 0:38:14 | |
-You won't feel anything though. -Thanks. | 0:38:14 | 0:38:17 | |
We'll make a small incision. | 0:38:20 | 0:38:23 | |
Yeah. | 0:38:26 | 0:38:28 | |
-OK, you feeling better? -HE GROANS | 0:38:28 | 0:38:31 | |
Just keep squeezing my hand, bruv. | 0:38:31 | 0:38:33 | |
I'm sorry, sir, I'm so sorry, I'm just making this nice and tight. | 0:38:33 | 0:38:37 | |
Needles... | 0:38:37 | 0:38:39 | |
I'm sorry, I'm sorry, you're going to have a few more needles | 0:38:39 | 0:38:43 | |
because we have to stitch up all those holes in your back. | 0:38:43 | 0:38:46 | |
-Fuck, fuck... -Just relax for me. You're doing so well. | 0:38:46 | 0:38:49 | |
-She's just got to seal it up, bro, you're nearly done. -Ugh! | 0:38:52 | 0:38:55 | |
-OK, I'm so sorry. -You're nearly there. | 0:38:58 | 0:39:02 | |
-You're going to be on TV! -You're going to be famous, eh? | 0:39:08 | 0:39:11 | |
We give him some morphine to dull the pain. | 0:39:11 | 0:39:14 | |
Is that the morphine or is that him? | 0:39:14 | 0:39:17 | |
-That's the morphine. -I love laughing. -You love laughing? | 0:39:17 | 0:39:20 | |
That's good. | 0:39:20 | 0:39:21 | |
Apparently he loves me. | 0:39:26 | 0:39:27 | |
But he just threw in a "no homo", just so I know that | 0:39:27 | 0:39:31 | |
he's still straight, even though there's a lot of love in the room. | 0:39:31 | 0:39:33 | |
I'm glad you said that, bro, I feel the love. | 0:39:33 | 0:39:36 | |
You're looking good though, bro, looking good. | 0:39:38 | 0:39:40 | |
We're going to take your pants off now and have a look, | 0:39:43 | 0:39:45 | |
on your legs, just to double check. | 0:39:45 | 0:39:47 | |
-What's up, you all right? -I can't take it off. | 0:39:50 | 0:39:52 | |
-You can't take off your trousers, do you want a hand? Yeah? -Yeah, please. | 0:39:52 | 0:39:57 | |
All right. | 0:39:57 | 0:39:59 | |
Mwanamabise lives on the outskirts of Khayelitsha. | 0:40:01 | 0:40:04 | |
He moved there less than a month ago, and was attacked simply for | 0:40:04 | 0:40:07 | |
walking on the wrong side of town, because he doesn't know the area. | 0:40:07 | 0:40:11 | |
-Can I hold your hand? Boy, it fucking hurts. -I got you, I got you. | 0:40:13 | 0:40:17 | |
-Fucking hurts. -So tell me what happened. | 0:40:17 | 0:40:19 | |
Mad fucking fun. | 0:40:19 | 0:40:21 | |
Stab, stab, stab, stab stabbed me. | 0:40:38 | 0:40:40 | |
For somebody your age to go through something like this, is that normal? | 0:40:47 | 0:40:50 | |
It's normal! Khayelitsha, big crime. | 0:40:50 | 0:40:55 | |
Big fucking crime. It's fucked up, man. | 0:40:55 | 0:40:59 | |
Yeah. | 0:40:59 | 0:41:00 | |
OK, OK, put your arm down. | 0:41:05 | 0:41:08 | |
I'm going to leave you here, yeah? See you soon. | 0:41:08 | 0:41:11 | |
Back at home you hear about young guys getting stabbed | 0:41:17 | 0:41:20 | |
all the time, and to suddenly see the wounds on his back and | 0:41:20 | 0:41:24 | |
how serious his condition is, it just brings it all home, you know. | 0:41:24 | 0:41:27 | |
There is a real, serious problem here, and real people are suffering. | 0:41:28 | 0:41:34 | |
The reality of it is just so harsh and so brutal. | 0:41:36 | 0:41:41 | |
-FRANCOIS: -Just going to unplug the ultrasound. | 0:41:41 | 0:41:43 | |
I genuinely have no idea how you cope. | 0:41:48 | 0:41:51 | |
Actually, one of the nice things about this drive back, | 0:41:51 | 0:41:54 | |
you like to use this time | 0:41:54 | 0:41:57 | |
-to sort of leave everything behind, you know. -Mmm. | 0:41:57 | 0:41:59 | |
Do you ever think about the levels of crime? | 0:41:59 | 0:42:02 | |
Ja, it definitely becomes something one thinks about. | 0:42:03 | 0:42:06 | |
I mean, working in Khayelitsha Hospital is one thing, | 0:42:06 | 0:42:09 | |
it's difficult, but any of us doctors | 0:42:09 | 0:42:11 | |
who work there wouldn't survive a couple of days | 0:42:11 | 0:42:15 | |
living in a cold shack, having to get up at four in the morning | 0:42:15 | 0:42:18 | |
and wash yourself in a little basin, and then find your way to work. | 0:42:18 | 0:42:22 | |
With the level of criminality being what it is, | 0:42:23 | 0:42:26 | |
is there ever any level of fear? | 0:42:26 | 0:42:27 | |
The majority of patients, the majority of people in Khayelitsha | 0:42:27 | 0:42:31 | |
have the same sort of values, | 0:42:31 | 0:42:33 | |
the same idea of the value of human life, | 0:42:33 | 0:42:36 | |
and they also have the same intolerance for crime that | 0:42:36 | 0:42:39 | |
anybody else would have, it's just that they don't have the | 0:42:39 | 0:42:42 | |
same support from the police and the government that one would expect. | 0:42:42 | 0:42:46 | |
They're frustrated. | 0:42:46 | 0:42:48 | |
'It's easy to forget that only 12 miles away from Khayelitsha | 0:42:48 | 0:42:52 | |
'is the beautiful city of Cape Town, home to the doctors.' | 0:42:52 | 0:42:55 | |
This world-class holiday destination | 0:43:02 | 0:43:04 | |
attracts thousands of tourists every year. | 0:43:04 | 0:43:08 | |
But from walking around, I can't help but feel uneasy. | 0:43:08 | 0:43:12 | |
Throughout South Africa, | 0:43:12 | 0:43:14 | |
young black men earn six times less than their white counterparts. | 0:43:14 | 0:43:19 | |
And with Khayelitsha on its doorstep, it seems to me | 0:43:19 | 0:43:22 | |
that Cape Town is a very unequal society. | 0:43:22 | 0:43:26 | |
With few opportunities and little hope, | 0:43:26 | 0:43:28 | |
the people in the townships have been left behind. | 0:43:28 | 0:43:31 | |
It's been a few days since Mwanamabise left the hospital. | 0:43:54 | 0:43:57 | |
I wonder how he's getting on since he was stabbed. | 0:43:57 | 0:44:00 | |
-Mwanamabise. How you doing, brother, you all right? -I'm good. | 0:44:02 | 0:44:04 | |
Good to see you, man. Look at you, you're looking good! | 0:44:04 | 0:44:07 | |
Yeah, man, thanks to you. | 0:44:07 | 0:44:09 | |
Thanks to me, please, I barely did anything! | 0:44:09 | 0:44:11 | |
You're up and walking around, that's good to see. | 0:44:11 | 0:44:13 | |
Yeah, it's good to see you too, man. | 0:44:13 | 0:44:15 | |
So how are you feeling, so close to what happened the other night? | 0:44:15 | 0:44:18 | |
Unfortunately, I had some bad news yesterday night, | 0:44:18 | 0:44:21 | |
that my nephew passed away, he got stabbed also. | 0:44:21 | 0:44:26 | |
-How old was he? -He was about 16. | 0:44:26 | 0:44:29 | |
That's awful news, how did you feel when you found out? | 0:44:30 | 0:44:33 | |
Was I the lucky one or what? I'm still confused right now. | 0:44:33 | 0:44:38 | |
I don't know how I'm feeling. | 0:44:38 | 0:44:39 | |
It's horrible that so close to Mwanamabise's attack, | 0:44:41 | 0:44:45 | |
his own nephew was also stabbed, and at just 16, he's now dead. | 0:44:45 | 0:44:50 | |
Despite his concerns, Mwanamabise has agreed to take me to the | 0:44:57 | 0:45:01 | |
place where he was attacked. | 0:45:01 | 0:45:02 | |
I'm sorry to bring you back to this place, | 0:45:04 | 0:45:06 | |
-I can see you don't like being here. -Yeah, I don't like it, man. | 0:45:06 | 0:45:10 | |
Even now I'm feeling a little emotional, | 0:45:10 | 0:45:12 | |
cos it reminds me of the painful things I've been through. | 0:45:12 | 0:45:16 | |
What is about this particular point that's so dangerous? | 0:45:16 | 0:45:20 | |
OK, this bridge, like, separates those gangsters from that side, | 0:45:20 | 0:45:24 | |
those gangsters from this side. | 0:45:24 | 0:45:26 | |
It's like the main pitch that separates them. | 0:45:26 | 0:45:29 | |
So this is where everything takes place. | 0:45:29 | 0:45:33 | |
Two weeks before what happened to me, | 0:45:33 | 0:45:35 | |
I was driving past with my uncle, I saw a dead body here. | 0:45:35 | 0:45:40 | |
So this is the main place where gangsters... | 0:45:40 | 0:45:43 | |
So why do you think it is that | 0:45:43 | 0:45:45 | |
so many young kids find themselves in gangs? | 0:45:45 | 0:45:48 | |
If you're not in a gang these days, how can I say this? | 0:45:48 | 0:45:51 | |
You're no person in life. | 0:45:51 | 0:45:54 | |
That's how it is around here. | 0:45:54 | 0:45:55 | |
From what Mwanamabise has told me, | 0:46:03 | 0:46:05 | |
everyone is affected by gangs roaming the streets at night. | 0:46:05 | 0:46:09 | |
Hello, can I get a tray of beef? Not pork. | 0:46:09 | 0:46:12 | |
In this hang-out, people are grabbing a last | 0:46:14 | 0:46:16 | |
bite to eat before the area is no longer safe. | 0:46:16 | 0:46:20 | |
You seem quite young, how old are you? | 0:46:21 | 0:46:23 | |
-Why's she laughing?! Are you one of the youngest women here? -Yes. -Right. | 0:46:26 | 0:46:32 | |
-Do you feel safe working here then? -No. -No? | 0:46:32 | 0:46:36 | |
Why not? | 0:46:36 | 0:46:37 | |
And what will they threaten you with? | 0:46:48 | 0:46:50 | |
As night falls on Khayelitsha, the atmosphere begins to feel tense. | 0:47:01 | 0:47:05 | |
Having seen how crime and violence | 0:47:07 | 0:47:09 | |
are so ingrained in everyone's lives, | 0:47:09 | 0:47:12 | |
I now feel it's time to confront those gangs who rule the streets | 0:47:12 | 0:47:15 | |
and terrorise the people. | 0:47:15 | 0:47:16 | |
There's a network of five main gangs who are behind most of the crime | 0:47:32 | 0:47:36 | |
and violence, fighting for control over the corners of Khayelitsha. | 0:47:36 | 0:47:40 | |
According to local papers, most young men join these gangs | 0:47:41 | 0:47:44 | |
when they're only 14. | 0:47:44 | 0:47:46 | |
I've managed to make contact with some of the guys from Vatos, | 0:47:47 | 0:47:50 | |
one of the more notorious gangs that | 0:47:50 | 0:47:52 | |
viciously defend this side of the bridge. | 0:47:52 | 0:47:55 | |
I don't know how many will actually show up, but I want to | 0:47:56 | 0:48:00 | |
find out from them why they're inflicting so much havoc here. | 0:48:00 | 0:48:03 | |
I've met the mothers who worry about their kids, | 0:48:05 | 0:48:09 | |
I've met the victims, I've spent time with the doctors | 0:48:09 | 0:48:12 | |
who are patching up their victims, and... | 0:48:12 | 0:48:14 | |
..once you spend time with the results of their behaviour... | 0:48:16 | 0:48:20 | |
..it can affect the way you react to the realities of it. | 0:48:22 | 0:48:26 | |
So, I just really hope I'm able to hold it down. | 0:48:26 | 0:48:28 | |
How you doing, sir? | 0:48:33 | 0:48:34 | |
'But the minute they arrive carrying huge knives, | 0:48:36 | 0:48:38 | |
'my priority becomes staying on their good side.' | 0:48:38 | 0:48:41 | |
Come and sit down just here for me, man. | 0:48:42 | 0:48:45 | |
So, Mark, you are Vatos, yeah? | 0:48:45 | 0:48:47 | |
OK, how long have you guys been moving together as a gang then? | 0:48:50 | 0:48:53 | |
Five years? And how old are you now? | 0:48:54 | 0:48:57 | |
18? You're still really young. Wow. So, do you have a rival gang then? | 0:48:58 | 0:49:02 | |
What are they called? | 0:49:04 | 0:49:05 | |
-So, literally, you're separated by a train track? -Ya. | 0:49:08 | 0:49:11 | |
Are things ever going to calm down in Khayelitsha, | 0:49:27 | 0:49:29 | |
or will there always be gangs? | 0:49:29 | 0:49:31 | |
What's happening? | 0:49:54 | 0:49:55 | |
That's your enemies there? | 0:49:57 | 0:49:58 | |
What's happening? Mark, Mark! | 0:50:02 | 0:50:05 | |
I'm not entirely sure what's going on. | 0:50:07 | 0:50:10 | |
But I do know the interview's over. They've gone off with their weapons. | 0:50:10 | 0:50:14 | |
BLADE CLANGS | 0:50:26 | 0:50:28 | |
Mark, Mark! What's going on? | 0:50:28 | 0:50:30 | |
They're throwing rocks at each other, | 0:50:34 | 0:50:36 | |
but now it seems there's more and more people turning up with bags, | 0:50:36 | 0:50:39 | |
and there could be anything in them. | 0:50:39 | 0:50:41 | |
CAR HORNS BLARE | 0:50:43 | 0:50:45 | |
Watch out, watch out. | 0:50:45 | 0:50:48 | |
Get in, get in, get in. | 0:50:48 | 0:50:50 | |
Jesus Christ. | 0:50:51 | 0:50:54 | |
Oh, man. | 0:50:54 | 0:50:55 | |
You know what, it's wrong because I'm laughing, and the reason | 0:50:55 | 0:50:59 | |
I'm laughing is, there's been a million times when I was a kid | 0:50:59 | 0:51:03 | |
and one estate might have a problem with another estate, | 0:51:03 | 0:51:05 | |
it starts like that, kids shouting and throwing stones and whatever. | 0:51:05 | 0:51:09 | |
But the fundamental difference here is they've got | 0:51:09 | 0:51:12 | |
massive machetes in their hands. | 0:51:12 | 0:51:15 | |
It just escalated so quickly from out of nowhere, | 0:51:15 | 0:51:18 | |
and where it's going to end up? I don't know. | 0:51:18 | 0:51:20 | |
It's scary, because they're so young. | 0:51:25 | 0:51:27 | |
And it's scary because they have no remorse. | 0:51:27 | 0:51:29 | |
I can't understand what could have made these young guys | 0:51:34 | 0:51:37 | |
get so violent so quickly. | 0:51:37 | 0:51:39 | |
I want to see where they live and get them | 0:51:41 | 0:51:43 | |
to explain why they've become like this. | 0:51:43 | 0:51:46 | |
Luckily, Mark said nobody was severely injured | 0:51:48 | 0:51:50 | |
or killed in the fight. | 0:51:50 | 0:51:52 | |
MUSIC PLAYS | 0:51:54 | 0:51:56 | |
It's good, man, it's good. | 0:51:57 | 0:52:00 | |
Everyone around here knows you. | 0:52:00 | 0:52:02 | |
'It's surreal walking with the Vatos, | 0:52:08 | 0:52:11 | |
'as they're nothing short of celebrities here. | 0:52:11 | 0:52:13 | |
'The kids especially seem to idolise them.' | 0:52:13 | 0:52:16 | |
After you, man, I don't know where I'm going. | 0:52:16 | 0:52:18 | |
Sorry, brother, I don't want to slip on that. | 0:52:20 | 0:52:23 | |
Why you holding a knife right now? | 0:52:23 | 0:52:25 | |
They said they're going to come here. | 0:52:25 | 0:52:26 | |
-They said they're going to come here? -Yes, at night-time. | 0:52:26 | 0:52:29 | |
Do they know that you guys come to this place? | 0:52:29 | 0:52:32 | |
OK, well, if it's not safe for us, and you've been threatened already, | 0:52:50 | 0:52:53 | |
this evening surely isn't going to be safe for you? | 0:52:53 | 0:52:56 | |
How old are you? | 0:53:04 | 0:53:05 | |
And you're not scared of death? | 0:53:10 | 0:53:13 | |
Is that how you see yourselves then, as soldiers? | 0:53:15 | 0:53:18 | |
'The gang wear their tattoos and scars with pride. | 0:53:19 | 0:53:23 | |
'Mark was stabbed 28 times, severing the nerves in his back.' | 0:53:24 | 0:53:28 | |
They were going for your heart, there's loads around... | 0:53:28 | 0:53:31 | |
Why do you think you survived? | 0:53:31 | 0:53:32 | |
Why do you think, Mark? | 0:53:37 | 0:53:39 | |
Listening to Mark and his gang, my worry is that the only way | 0:53:58 | 0:54:03 | |
these gangs will stop fighting | 0:54:03 | 0:54:04 | |
is probably once they've all killed each other. | 0:54:04 | 0:54:06 | |
And South Africa will lose a generation of young men, | 0:54:10 | 0:54:13 | |
who'll continue to arrive on stretchers | 0:54:13 | 0:54:15 | |
wheeled into the emergency sector. | 0:54:15 | 0:54:17 | |
Leaving the doctors to treat them day-in, day-out. | 0:54:20 | 0:54:24 | |
SIREN WAILS | 0:54:25 | 0:54:28 | |
It's my last night in Khayelitsha, | 0:54:28 | 0:54:29 | |
and my final shift with the ambulance crew. | 0:54:29 | 0:54:32 | |
A young woman is about to give birth by the side of the road. | 0:54:36 | 0:54:39 | |
Oh, she's here! | 0:54:39 | 0:54:40 | |
Uh, control, on this one, 2-3, alpha. | 0:54:41 | 0:54:45 | |
Correction, it's Harare Police Station. | 0:54:45 | 0:54:48 | |
'She was planning on walking to the hospital.' | 0:54:50 | 0:54:53 | |
So, what stage is she actually at? | 0:55:05 | 0:55:07 | |
She's still in the first stage of labour, and we're giving her | 0:55:07 | 0:55:10 | |
a bit of a rest, because some time soon she's going to start to work. | 0:55:10 | 0:55:13 | |
This is the closest I've come to a baby being born... | 0:55:13 | 0:55:16 | |
and it's a bit scary, I ain't going to lie! | 0:55:16 | 0:55:20 | |
One thing worse than seeing a birth - | 0:55:20 | 0:55:23 | |
getting the paternity test back. | 0:55:23 | 0:55:26 | |
Did you deliver your own children? | 0:55:27 | 0:55:29 | |
Why not? | 0:55:31 | 0:55:33 | |
That's just wrong! That's so wrong! | 0:55:40 | 0:55:43 | |
There they go, they're taking in another patient for the night, | 0:55:43 | 0:55:46 | |
and I think this is probably going to be the last run. | 0:55:46 | 0:55:50 | |
And tonight it would appear that they're ending their evening on | 0:55:50 | 0:55:53 | |
quite a good note, they're in great spirits, they're joking, laughing. | 0:55:53 | 0:55:57 | |
I think a lot of that comes down to the fact that they've got | 0:55:57 | 0:56:00 | |
someone who's about to bring life into the world, | 0:56:00 | 0:56:02 | |
as opposed to somebody who's leaving us. | 0:56:02 | 0:56:05 | |
And to end it like this...is a pretty nice way. | 0:56:05 | 0:56:09 | |
Khayelitsha has a long way to go, but I hope that when this | 0:56:13 | 0:56:16 | |
child grows up, the township will be a better place for a young man. | 0:56:16 | 0:56:21 | |
MUSIC: "Sticks & Stones" by Arlissa | 0:56:25 | 0:56:28 |