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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
Magnificent Gray's Court was built in the 11th century, has been | 0:00:08 | 0:00:13 | |
the home of kings and queens and archbishops. | 0:00:13 | 0:00:16 | |
Here, in this very courtyard, in 1764, a duel took place between | 0:00:18 | 0:00:23 | |
John Jennings and Lord Aislabie over the honour and love of Miss Mallorie. | 0:00:23 | 0:00:31 | |
BELL RINGS | 0:00:32 | 0:00:34 | |
On the toll of the cathedral bell, a shot rang out across the streets of | 0:00:34 | 0:00:39 | |
York, and Aislabie was killed and bled to death in his lover's arms. | 0:00:39 | 0:00:45 | |
They say, that the ghost of Miss Mallorie | 0:00:47 | 0:00:50 | |
still haunts Gray's Court to this day. | 0:00:50 | 0:00:53 | |
APPLAUSE | 0:00:57 | 0:00:59 | |
Thank you very much, ladies and gentlemen, thank you. | 0:00:59 | 0:01:01 | |
"One of York's most prestigious period buildings. | 0:01:03 | 0:01:06 | |
"Attractive and prestigious Grade I listed building. | 0:01:06 | 0:01:10 | |
"Gray's Court in York. | 0:01:10 | 0:01:12 | |
"Landscaped gardens backing onto the city walls." | 0:01:12 | 0:01:15 | |
Just the most amazing place! God, look at that. | 0:01:15 | 0:01:18 | |
MUSIC: "Hush Little Baby" sung by Lucy Ward | 0:01:18 | 0:01:21 | |
# Hush little baby | 0:01:21 | 0:01:23 | |
# Hush your mouth | 0:01:23 | 0:01:26 | |
# Mummy's gonna buy you a grand old house | 0:01:27 | 0:01:33 | |
# And if that house isn't built to last | 0:01:34 | 0:01:40 | |
# Mummy's gonna borrow loads of cash | 0:01:42 | 0:01:48 | |
# And if that money turns blood red | 0:01:48 | 0:01:55 | |
# Don't you... # | 0:01:55 | 0:01:57 | |
This house, Gray's Court, which is one of the most historic | 0:01:57 | 0:01:59 | |
houses in the country, certainly one of the oldest, | 0:01:59 | 0:02:03 | |
it's basically...everybody who has a place in English history | 0:02:03 | 0:02:07 | |
has had a foot in this house. | 0:02:07 | 0:02:09 | |
Yes, the first plebs to move in Actually, yes! | 0:02:15 | 0:02:19 | |
I mean, we are, as John so eloquently put it, | 0:02:19 | 0:02:21 | |
the first commoners to live here, um... | 0:02:21 | 0:02:25 | |
Yeah. | 0:02:26 | 0:02:27 | |
I sat down and looked at the plans, | 0:02:27 | 0:02:30 | |
and I counted through all of the rooms, and I think if I was | 0:02:30 | 0:02:33 | |
counting toilets and small drawing rooms and stuff, it got to over 70 | 0:02:33 | 0:02:39 | |
and then I was losing count. | 0:02:39 | 0:02:41 | |
# ..For if all you have... # | 0:02:42 | 0:02:44 | |
We kind of pitched in and put a bid in for this, | 0:02:44 | 0:02:48 | |
and it was successful, so we went ahead and bought it | 0:02:48 | 0:02:52 | |
1.6 million. | 0:02:55 | 0:02:56 | |
It's all we've got. | 0:02:59 | 0:03:01 | |
It's all we HAVEN'T got. | 0:03:01 | 0:03:02 | |
It's all we... | 0:03:02 | 0:03:04 | |
HE LAUGHS | 0:03:04 | 0:03:05 | |
Because it was there to be climbed, wasn't it? | 0:03:22 | 0:03:24 | |
Yes, yes, I think that was it. We had to do it. | 0:03:24 | 0:03:27 | |
Well, there's a theory that when... You can have two people who are both | 0:03:27 | 0:03:32 | |
mildly loony in their own right but when they come together, they both | 0:03:32 | 0:03:37 | |
egg each other on. | 0:03:37 | 0:03:38 | |
I think, medically, it's called a folie a deux. Yes | 0:03:38 | 0:03:41 | |
# ..But give in to the madness | 0:03:41 | 0:03:45 | |
# Made of two. # | 0:03:45 | 0:03:49 | |
Oh, no! | 0:03:53 | 0:03:54 | |
Why are you so keen for this? | 0:03:56 | 0:03:58 | |
Why? | 0:03:59 | 0:04:01 | |
BOY SHOUTS | 0:04:03 | 0:04:06 | |
Wow, what a big, strong boy, aren't you? | 0:04:06 | 0:04:10 | |
I advertised for a man. | 0:04:10 | 0:04:12 | |
OK? There you go, I am out, out of the closet. | 0:04:13 | 0:04:16 | |
Yeah! | 0:04:20 | 0:04:21 | |
Of course, it wasn't. | 0:04:24 | 0:04:26 | |
No, it was the Times, I wanted somebody who would read. | 0:04:26 | 0:04:28 | |
I've...not... I can't remember | 0:04:32 | 0:04:35 | |
..ish? | 0:04:35 | 0:04:36 | |
I think I was 43, single, independent means. | 0:04:36 | 0:04:39 | |
And it was just somebody to go out with to... | 0:04:41 | 0:04:44 | |
It was actually a companion, it wasn't a lover. | 0:04:44 | 0:04:47 | |
# ..For if all you have just ain't enough... # | 0:04:50 | 0:04:57 | |
BOY CRIES | 0:04:57 | 0:04:59 | |
..So many women who say, | 0:04:59 | 0:05:00 | |
"I've got two children, I am so busy." And...how? | 0:05:00 | 0:05:05 | |
I mean, how do you fill your day? | 0:05:05 | 0:05:09 | |
Oh, seven. | 0:05:09 | 0:05:10 | |
CHILD SCREAMS | 0:05:12 | 0:05:14 | |
You've bitten her, you've really, really hurt her. She is crying | 0:05:21 | 0:05:26 | |
What is it, Oliver? | 0:05:26 | 0:05:28 | |
Then come here and say sorry to Kendal, | 0:05:28 | 0:05:31 | |
and then you can come through and then we'll be fine. | 0:05:31 | 0:05:34 | |
You have to say sorry, otherwise you'll go back on the stairs. | 0:05:36 | 0:05:40 | |
You have to say sorry. She was crying. | 0:05:40 | 0:05:43 | |
If you don't say sorry, you have to go back on the stairs. | 0:05:43 | 0:05:47 | |
Yeah, all right. Leave my little bastard out of it, please! | 0:05:50 | 0:05:54 | |
Yeah, and she will be married for all of them, I hope. | 0:06:00 | 0:06:03 | |
I love you, Mum. | 0:06:06 | 0:06:08 | |
Look at that. They're all so individual. | 0:06:08 | 0:06:12 | |
OK, well, put quite simply, | 0:06:20 | 0:06:23 | |
my partner and I purchased a house in the centre of York with | 0:06:23 | 0:06:27 | |
the intention of opening it as a hotel, very sort of upmarket | 0:06:27 | 0:06:31 | |
but a small hotel. I hesitate to use the word "boutique" | 0:06:31 | 0:06:34 | |
but, you know, that kind of thing. | 0:06:34 | 0:06:36 | |
So, if I kick off with where we are up to... | 0:06:36 | 0:06:41 | |
We have now appointed a full design team.. | 0:06:41 | 0:06:44 | |
We've got a quantity surveyor, we've got M consultants, | 0:06:44 | 0:06:47 | |
we've got acoustic consultants we've got interior designers | 0:06:47 | 0:06:51 | |
and we've got an architect, which is me. | 0:06:51 | 0:06:54 | |
And these are just some sort of examples of, you know, | 0:06:54 | 0:06:57 | |
the kind of style we're thinking about. | 0:06:57 | 0:06:59 | |
That's fine. That's beautiful. That's wonderful. Look at that | 0:06:59 | 0:07:02 | |
I see that working. | 0:07:02 | 0:07:04 | |
We'll probably do a feature wall, so it could be that | 0:07:04 | 0:07:08 | |
or it could be that. | 0:07:08 | 0:07:10 | |
Like a kid in a candy shop at the moment. | 0:07:10 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:14 | |
And then that sort of level of nice simplicity. | 0:07:14 | 0:07:17 | |
That's beautiful. Yeah, that would be fantastic. | 0:07:17 | 0:07:20 | |
And you know, we've got a really nice bathroom | 0:07:20 | 0:07:22 | |
for the Minster Room, which... this is a fabulous room. | 0:07:22 | 0:07:24 | |
I'm very happy with that. I think it works really well. | 0:07:24 | 0:07:27 | |
We need to be terribly exclusive, | 0:07:27 | 0:07:29 | |
almost like a wonderful secret. This place has got to be the best-kept | 0:07:29 | 0:07:32 | |
little place that the hoi polloi don't know about. | 0:07:32 | 0:07:36 | |
We are steering clear of branding it as a hotel or a bed and breakfast, | 0:07:36 | 0:07:40 | |
or boutique this or boutique that. | 0:07:40 | 0:07:43 | |
We are just simply going to call it Gray's Court. | 0:07:43 | 0:07:45 | |
Yes, we are at risk. The bank isn't at risk, I don't think. | 0:07:45 | 0:07:48 | |
We are at risk, because if it fails dismally, | 0:07:48 | 0:07:52 | |
we'll stand to lose everything invested and our home. | 0:07:52 | 0:07:57 | |
I mean, I don't think we'd come out...we'd come out with nothing. | 0:07:57 | 0:08:01 | |
BOY SCREAMS | 0:08:06 | 0:08:08 | |
It's not... | 0:08:12 | 0:08:15 | |
I was in this position when I had a good income, no mortgage, | 0:08:15 | 0:08:19 | |
no debts, didn't have to worry about anything. | 0:08:19 | 0:08:22 | |
I had it, I got there, I'd done it. | 0:08:22 | 0:08:24 | |
..And suddenly has taken their security away? | 0:08:31 | 0:08:35 | |
Yes, I do. | 0:08:37 | 0:08:38 | |
I've had the accusation levelled at me | 0:08:38 | 0:08:41 | |
by more than one cross teenager that, how could you have done | 0:08:41 | 0:08:44 | |
this to us? I needed another challenge, I think. | 0:08:44 | 0:08:47 | |
I needed more. | 0:08:47 | 0:08:49 | |
Oh, that's her, leaving the bin out all the time. | 0:08:56 | 0:08:58 | |
You know how she used to leave the bin in the courtyard all the time, | 0:08:58 | 0:09:01 | |
outside her door, her gate. She did it, and I thought, "Sod this!" | 0:09:01 | 0:09:04 | |
She is doing it to be annoying. So I sent John out to move it. | 0:09:04 | 0:09:07 | |
Put it round the front. In the front door. | 0:09:07 | 0:09:10 | |
The number of times we've had this. | 0:09:10 | 0:09:12 | |
MUSIC: "Sway" sung by Lucy Ward | 0:09:12 | 0:09:14 | |
I am sure you... John. | 0:09:14 | 0:09:15 | |
I am sure, you can just not leave it here. | 0:09:15 | 0:09:18 | |
# ..Like a lazy ocean hugs the shore | 0:09:18 | 0:09:23 | |
# Hold me close, sway me more | 0:09:23 | 0:09:27 | |
# Like a flower bending in the breeze | 0:09:27 | 0:09:30 | |
# Bend with me, sway with me | 0:09:30 | 0:09:35 | |
# When we dance he'll have a way with me | 0:09:35 | 0:09:38 | |
# Stay with me, sway with me... # | 0:09:38 | 0:09:42 | |
No, you're not doing this. | 0:09:45 | 0:09:46 | |
You are either putting it in your yard. | 0:09:46 | 0:09:48 | |
You're not leaving it in my property. | 0:09:48 | 0:09:50 | |
You're not leaving that bin on my property. | 0:09:50 | 0:09:52 | |
Are you taking it through there now? | 0:10:00 | 0:10:02 | |
Please take that bin through to your courtyard. | 0:10:02 | 0:10:04 | |
Is that what you're doing now? | 0:10:04 | 0:10:06 | |
# ..Make me thrill as only you know how | 0:10:11 | 0:10:14 | |
# Sway with me, sway me now... # | 0:10:14 | 0:10:18 | |
My dear, why are you doing this | 0:10:28 | 0:10:31 | |
You're not leaving that bin here. | 0:10:42 | 0:10:45 | |
You've no right to do so. | 0:10:45 | 0:10:46 | |
I've had to call the council about you leaving it out to be annoying. | 0:10:46 | 0:10:50 | |
I will give you five minutes. If it hasn't gone, I am phoning | 0:10:50 | 0:10:53 | |
the police, and I will remove it again, and put it on your property. | 0:10:53 | 0:10:56 | |
This is absolutely unbelievable isn't it? | 0:11:05 | 0:11:07 | |
That this is the level we're reduced to. | 0:11:07 | 0:11:10 | |
The worst kind of neighbour dispute And you really, | 0:11:10 | 0:11:12 | |
really wouldn't expect it from these people. | 0:11:12 | 0:11:15 | |
No. | 0:11:22 | 0:11:24 | |
What? Do you mean with her? | 0:11:24 | 0:11:26 | |
We've got 11 months. | 0:11:36 | 0:11:37 | |
You know, we are on countdown to opening day. | 0:11:37 | 0:11:40 | |
You know, really, we are looking at 11 months. | 0:11:40 | 0:11:43 | |
We've said to him, you know, we are on, we are on a roll, we are | 0:11:43 | 0:11:46 | |
spending money, we cannot stop now. | 0:11:46 | 0:11:49 | |
We are looking at the quotes from the interior decorator, | 0:11:49 | 0:11:52 | |
and they are horrific. | 0:11:52 | 0:11:53 | |
?50,000. 50,000 plus per room. | 0:11:55 | 0:11:59 | |
And that's not even the bathrooms, that is just the bedrooms. | 0:11:59 | 0:12:03 | |
We have, yes, yes. | 0:12:05 | 0:12:08 | |
We did owe a relatively small amount, that won't be | 0:12:08 | 0:12:11 | |
so relatively small by the time we've borrowed the extra million. | 0:12:11 | 0:12:15 | |
But, we're confident, confident enough that it's worth it. | 0:12:17 | 0:12:21 | |
And I mean, we've got very, very good, you know... | 0:12:21 | 0:12:24 | |
The bank have been brilliant, I have to say. | 0:12:24 | 0:12:26 | |
We'll end up, perhaps, | 0:12:26 | 0:12:28 | |
getting on towards ?2 million in debt when this is over. | 0:12:28 | 0:12:32 | |
So, it's up to me to make it work from that point in. | 0:12:32 | 0:12:37 | |
I mean, having persuaded John to do all of this. | 0:12:37 | 0:12:39 | |
I'd already sold my main properties, where I was living before. | 0:12:39 | 0:12:42 | |
I used to have a couple of holiday cottages | 0:12:42 | 0:12:44 | |
and my house, all of which I'd sold. | 0:12:44 | 0:12:46 | |
So, I had the capital from that to put into this. | 0:12:46 | 0:12:49 | |
TV: Britain's second biggest bank, the Royal Bank of Scotland, | 0:12:53 | 0:12:56 | |
which owns NatWest, has just announced | 0:12:56 | 0:12:58 | |
a loss of ?691 million in the first half of the year. | 0:12:58 | 0:13:03 | |
RBS wrote down a further ?5.1 billion linked to the banking crisis, | 0:13:03 | 0:13:07 | |
that started in the United States. | 0:13:07 | 0:13:09 | |
I mean, it was just splashed all over the papers - RBS massive | 0:13:10 | 0:13:13 | |
losses, losses, you know? Biggest in banking history. | 0:13:13 | 0:13:18 | |
And NatWest is under the RBS umbrella. | 0:13:18 | 0:13:21 | |
Our borrowing is going to be sort of | 0:13:26 | 0:13:28 | |
basically ?1 million more than we thought we were going to want. | 0:13:28 | 0:13:31 | |
So, it's not as if we're going back for ?200,000 or ?300,000 contingency, | 0:13:32 | 0:13:36 | |
we're actually doubling the amount we need to borrow. | 0:13:36 | 0:13:39 | |
It's a, "How much do you need? I think...I mean, | 0:13:46 | 0:13:50 | |
when do you know when to stop? | 0:13:50 | 0:13:52 | |
It's like me with children, I suppose. | 0:13:52 | 0:13:54 | |
There's always room for one more! | 0:13:54 | 0:13:56 | |
I never did know when to stop. That's our trouble. | 0:13:59 | 0:14:02 | |
Excuse me! Excuse me! | 0:14:04 | 0:14:06 | |
Can you get that van out of here, please? | 0:14:06 | 0:14:08 | |
You're not allowed in here, this is private. | 0:14:08 | 0:14:10 | |
I don't know why you have been told to come in here again. | 0:14:10 | 0:14:12 | |
This is not National Trust property, this is our garden. | 0:14:12 | 0:14:15 | |
They might say you can park in here. | 0:14:15 | 0:14:17 | |
They have no right to say you can park here, I am really sorry. | 0:14:17 | 0:14:19 | |
Our neighbours are the National Trust, | 0:14:19 | 0:14:21 | |
and they like to use our courtyard for parking and deliveries. | 0:14:21 | 0:14:24 | |
If the bank manager wasn't here I'd park across the entrance now | 0:14:24 | 0:14:27 | |
and they would not be leaving. | 0:14:27 | 0:14:29 | |
The main issue with our neighbours is | 0:14:29 | 0:14:31 | |
that they're trying to colonise our land. | 0:14:31 | 0:14:33 | |
I'm glad that you find it amusing! | 0:14:33 | 0:14:35 | |
Will you please give me your company's name, | 0:14:35 | 0:14:37 | |
so I can get in touch with your boss? | 0:14:37 | 0:14:39 | |
Because if you do come in here again, I will barricade you in Do you understand that? | 0:14:39 | 0:14:43 | |
Are you or are you not going to give me a number I can call? | 0:14:43 | 0:14:45 | |
Will you give me a number I can call, please? | 0:14:45 | 0:14:47 | |
I take it no. | 0:14:49 | 0:14:50 | |
Please be aware that if you come in here again | 0:14:50 | 0:14:52 | |
you will not be leaving these premises. Is that clear? | 0:14:52 | 0:14:55 | |
Have you seen this prick out here? Refused to move! | 0:14:57 | 0:15:01 | |
Just completely blanked me and barged past with his boxes | 0:15:01 | 0:15:05 | |
No, he won't give it to me. | 0:15:05 | 0:15:07 | |
I've asked him several times and he just won't give it to me. | 0:15:07 | 0:15:10 | |
He says he's been instructed to come in here. Here he is. | 0:15:10 | 0:15:14 | |
It's just becoming insufferable This is increasing, | 0:15:19 | 0:15:22 | |
that's the third one today. Is it? Yeah. | 0:15:22 | 0:15:24 | |
CHATTER OVER THE PHONE | 0:15:35 | 0:15:38 | |
1895? Mmm. | 0:15:48 | 0:15:50 | |
Once you get lawyers involved, there is no simple answer, is there? | 0:15:50 | 0:15:53 | |
We could spend our entire budget on defending our position, | 0:15:53 | 0:15:56 | |
and we cannot do it. | 0:15:56 | 0:15:58 | |
We own the courtyard, we own the freehold of it. | 0:15:58 | 0:16:01 | |
The National Trust are claiming prescriptive rights over | 0:16:02 | 0:16:05 | |
the courtyard. | 0:16:05 | 0:16:07 | |
That means it's like a right of way. | 0:16:07 | 0:16:08 | |
If you've walked along a footpath unopposed for 20 years or more, and | 0:16:08 | 0:16:13 | |
you can prove that you have, then you can claim the right to do it. | 0:16:13 | 0:16:17 | |
It becomes a right of way. | 0:16:17 | 0:16:19 | |
They are claiming they've done that for 20 years - | 0:16:19 | 0:16:22 | |
they've parked cars along there for 20 years. | 0:16:22 | 0:16:25 | |
Although, I wonder how much car usage there was 20 years ago. | 0:16:25 | 0:16:29 | |
This is typical of their parking. | 0:16:29 | 0:16:31 | |
We come into our lower gallery which is our entrance hall, | 0:16:31 | 0:16:34 | |
and it's rather like being an inspection pit. | 0:16:34 | 0:16:37 | |
It's a row of cars. | 0:16:39 | 0:16:41 | |
But they are told, "You park here." Yeah. | 0:16:41 | 0:16:44 | |
And it's...inflammatory. | 0:16:44 | 0:16:45 | |
Equally, we couldn't sell the house at the moment. | 0:16:45 | 0:16:48 | |
It is unsaleable due to this action. | 0:16:48 | 0:16:51 | |
We're trapped, so, yes, it does keep me awake | 0:16:51 | 0:16:54 | |
We're trapped in this nightmare .. situation | 0:16:54 | 0:16:57 | |
when we could lose everything. | 0:16:57 | 0:16:59 | |
BOY SHOUTS | 0:17:01 | 0:17:02 | |
Our guests will come up, they will come up the stairs, which is | 0:17:08 | 0:17:12 | |
a wonderful staircase, and then you know, while you are standing | 0:17:12 | 0:17:16 | |
there, looking at this fabulous hallway, and then, they'll go | 0:17:16 | 0:17:20 | |
through to the gallery, and that's the bit that takes your breath away. | 0:17:20 | 0:17:23 | |
So, it's a lead-up. I think the whole thing is like a stage setting. | 0:17:23 | 0:17:26 | |
It just builds up until you come into the gallery | 0:17:26 | 0:17:30 | |
I am quietly confident this place will be a success. | 0:17:30 | 0:17:33 | |
I am absolutely convinced it will, barring some disaster. | 0:17:33 | 0:17:37 | |
The chancellor, Alistair Darling has said Britain is facing | 0:17:41 | 0:17:45 | |
arguably the worst economic downturn in 60 years. | 0:17:45 | 0:17:49 | |
The situation is more profound and long-lasting | 0:17:49 | 0:17:52 | |
than people were expecting... | 0:17:52 | 0:17:53 | |
PHONE RINGS | 0:17:53 | 0:17:56 | |
Oh, hello! | 0:17:56 | 0:17:57 | |
Me? No! Why would he say that? Michael? | 0:18:02 | 0:18:05 | |
Gosh, no, not at all, I can't imagine why he'd say such a thing. | 0:18:05 | 0:18:09 | |
He's told the teachers I've been run over, | 0:18:09 | 0:18:11 | |
I'm in hospital in Leeds, | 0:18:11 | 0:18:14 | |
probably won't walk, it's dubious | 0:18:14 | 0:18:16 | |
as to whether I'll even live, and John is looking after them all | 0:18:16 | 0:18:19 | |
at home, and this is why he hasn't handed a piece of homework in. | 0:18:19 | 0:18:22 | |
Why are you doing this? | 0:18:22 | 0:18:23 | |
Because your brother has been incredibly naughty. | 0:18:23 | 0:18:27 | |
I'll get your brother to lift that up, because I can't carry it. | 0:18:27 | 0:18:30 | |
I've been hit in a car crash, I can barely walk. Did he not think | 0:18:30 | 0:18:33 | |
I'd be, you know, for six months in a wheelchair or something? | 0:18:33 | 0:18:37 | |
I've got parents' evening, for God's sake, on Monday. | 0:18:40 | 0:18:42 | |
Was I going to get better by Monday? | 0:18:42 | 0:18:45 | |
Michael told you this? | 0:18:45 | 0:18:48 | |
He lied, so he didn't get told off about the homework, | 0:18:52 | 0:18:55 | |
and he stole your homework and handed that in. | 0:18:55 | 0:18:58 | |
Go to your room now! Get your school clothes off! | 0:19:09 | 0:19:11 | |
And handing in Morgan's homework as yours! | 0:19:11 | 0:19:13 | |
Shut up and get your school clothes off | 0:19:13 | 0:19:15 | |
Don't! Don't tell me it was a mistake. | 0:19:15 | 0:19:18 | |
Michael, you lie and you're stupid with it. | 0:19:18 | 0:19:20 | |
And then you came out with this ridiculous story. | 0:19:20 | 0:19:23 | |
Do you know what could have happened? | 0:19:23 | 0:19:25 | |
Had they believed it, they could have called the social services | 0:19:25 | 0:19:28 | |
and they would have come in... Yes! | 0:19:28 | 0:19:30 | |
Yes, you are, Michael! Just stop lying! | 0:19:30 | 0:19:34 | |
You are demented, Michael. Why would you act like this? | 0:19:35 | 0:19:38 | |
I don't beat you, I don't abuse you. All I ask you is that you behave | 0:19:38 | 0:19:43 | |
yourself, act decently, do your homework and keep your room tidy. | 0:19:43 | 0:19:46 | |
We are going out. | 0:19:48 | 0:19:50 | |
PHONE RINGS | 0:19:53 | 0:19:55 | |
Well...he has phoned up telling us not to worry, | 0:20:08 | 0:20:11 | |
which in itself sets off alarm bells. | 0:20:11 | 0:20:15 | |
They're basically looking at the entire loan again. | 0:20:17 | 0:20:20 | |
He's saying things like we are going to treat it as a completely | 0:20:20 | 0:20:23 | |
new application. | 0:20:23 | 0:20:24 | |
Yes, of course, you know, we both are sort of sitting there | 0:20:24 | 0:20:28 | |
with a cold chill running down the back of our necks. | 0:20:28 | 0:20:31 | |
What if, God forbid, they should turn around | 0:20:31 | 0:20:34 | |
and say, "We've actually changed our mind about the whole project"? We've got the loan offer, we've got | 0:20:34 | 0:20:38 | |
the letter in our hot little hands, but if they're going to sort of | 0:20:38 | 0:20:43 | |
go back and revisit the entire thing, of course we're alarmed | 0:20:43 | 0:20:46 | |
WHISTLING | 0:20:46 | 0:20:49 | |
Good heavens! Oh, God, who is this? Oh, delightful! | 0:20:49 | 0:20:54 | |
They're spitting in the yard. Smoking! Oh, it's the convicts | 0:20:54 | 0:20:59 | |
You know, I don't know what these people have been imprisoned for | 0:20:59 | 0:21:02 | |
and the National Trust bring them in through our property, | 0:21:02 | 0:21:05 | |
and they won't have them in their front garden. | 0:21:05 | 0:21:08 | |
And, you know, I am all for community service, | 0:21:08 | 0:21:10 | |
but do it on your property, not mine. | 0:21:10 | 0:21:13 | |
I don't want them here. | 0:21:13 | 0:21:14 | |
I need to take a photo. | 0:21:17 | 0:21:18 | |
Sorry about this. | 0:21:21 | 0:21:22 | |
It's difficult when it's right in your face every flaming day | 0:21:29 | 0:21:32 | |
Well, everyone needs to have a copy. | 0:21:34 | 0:21:37 | |
The bank now come back saying that in the light of the current | 0:21:37 | 0:21:41 | |
financial climate, they want us to deliver the whole project for 1 2, | 0:21:41 | 0:21:47 | |
to build and fit out the project. | 0:21:47 | 0:21:51 | |
So we've got to look to save ?340,000 in round terms. | 0:21:52 | 0:21:58 | |
I know. | 0:22:01 | 0:22:02 | |
The bank have kind of taken a sharp intake of breath | 0:22:14 | 0:22:18 | |
and they're reviewing all of their lending commitments. | 0:22:18 | 0:22:23 | |
They can't... Well, they can give us nothing at all | 0:22:23 | 0:22:25 | |
but that leaves us in a position when we're not able to earn a penny. | 0:22:25 | 0:22:29 | |
The interest rolls up, | 0:22:29 | 0:22:31 | |
and you know, at the moment we're not able to pay anything back. | 0:22:31 | 0:22:34 | |
We're just accumulating debt. | 0:22:34 | 0:22:36 | |
If we could get the funding, it's a great time, | 0:22:39 | 0:22:42 | |
if we can just get the funding You know, for some people, recession is the time to expand. | 0:22:42 | 0:22:46 | |
You know, the bank own your house, everybody has this, | 0:22:46 | 0:22:48 | |
but somehow you maintain the fiction that until...that it's yours. | 0:22:48 | 0:22:53 | |
Of course, it's not yours until the last payment has been made. | 0:22:53 | 0:22:57 | |
Because that's what they do. | 0:23:04 | 0:23:06 | |
This is quite serious, you know We owe a lot of money, and we've got | 0:23:06 | 0:23:10 | |
to... If we don't do anything, if we do nothing, the interest will | 0:23:10 | 0:23:15 | |
keep on rolling up, and the bank will own the house anyway. | 0:23:15 | 0:23:18 | |
BBC News. | 0:23:21 | 0:23:23 | |
TV: You do have to go back to the late '20s, to '29, the great crash, | 0:23:23 | 0:23:27 | |
to come across, you know, a combination of events on this scale. | 0:23:27 | 0:23:33 | |
I mean, what we've seen is Lehman Brothers, a 150-year-old | 0:23:33 | 0:23:36 | |
investment bank, one of the best known names on Wall Street, | 0:23:36 | 0:23:39 | |
collapsing. | 0:23:39 | 0:23:40 | |
He said the market's just completely crashed. | 0:23:44 | 0:23:48 | |
These people normally have 100 lenders they can go to | 0:23:48 | 0:23:51 | |
and they're down to two! | 0:23:51 | 0:23:53 | |
She said...everything. Swiss, Sharia, Saudi banks. Nobody... | 0:23:53 | 0:23:58 | |
Nobody is lending. | 0:23:58 | 0:24:00 | |
And it's worldwide, she said. There's just two banks lending | 0:24:00 | 0:24:04 | |
Lloyds and Barclays | 0:24:04 | 0:24:06 | |
If we could find another lender who will give us what we want... | 0:24:06 | 0:24:09 | |
'Yes. Did you get... You've got Barclays on Wednesday.' | 0:24:09 | 0:24:13 | |
Super, that's fine. I'll tell John. He will be thrilled by that. | 0:24:13 | 0:24:16 | |
He can stay here for that perhaps. 'And then you've got, Thursday Lloyds TSB.' | 0:24:16 | 0:24:20 | |
We've got meetings with Barclays and Lloyds next week. | 0:24:20 | 0:24:23 | |
Yes. | 0:24:23 | 0:24:25 | |
Well, I mean, it couldn't have happened at a worse time, | 0:24:25 | 0:24:27 | |
as far as all the banks stopping lending. | 0:24:27 | 0:24:29 | |
They are not lending to each other, and they are not lending | 0:24:29 | 0:24:32 | |
to the public, but nevertheless we have made some preliminary | 0:24:32 | 0:24:35 | |
enquiries of other banks and, in principle, they've shown interest. | 0:24:35 | 0:24:39 | |
So, all we can do is discuss it with them, and see if we can get somebody | 0:24:39 | 0:24:42 | |
else lined up in case our present funders decide to pull the plug | 0:24:42 | 0:24:49 | |
Seriously worried? | 0:25:02 | 0:25:03 | |
Well, yes, because... Yes, if the bank withdraw support, | 0:25:03 | 0:25:10 | |
frankly we'd be left with having to sell the building, | 0:25:10 | 0:25:13 | |
and we'd take a huge hit on it | 0:25:13 | 0:25:15 | |
It's not particularly sellable | 0:25:15 | 0:25:18 | |
I'd still go, yeah. Sorry! I'm not going to say no! | 0:25:24 | 0:25:27 | |
CHILD: Ow! Ow! | 0:25:27 | 0:25:29 | |
One, two, three, four, five, six, seven, eight...eight cars. | 0:25:32 | 0:25:37 | |
It's just obscene. | 0:25:37 | 0:25:38 | |
This, of course, won't have any effect, this sign, | 0:25:45 | 0:25:48 | |
but you never know. | 0:25:48 | 0:25:49 | |
It's going to be clamping next, I think. | 0:25:49 | 0:25:51 | |
I had a huge row with one of them yesterday. | 0:25:51 | 0:25:54 | |
Just come forward a bit. That will do, that should do it | 0:25:54 | 0:25:58 | |
I hope that works. I doubt it, of course. | 0:25:58 | 0:26:01 | |
What I'm going to do now is take the other ones off. | 0:26:01 | 0:26:04 | |
There, that should do...there. | 0:26:04 | 0:26:07 | |
I'll get it cleared with the solicitors that | 0:26:07 | 0:26:09 | |
I can put it in the middle of the drive, | 0:26:09 | 0:26:11 | |
so they can't get in and out, and he'll probably say no. | 0:26:11 | 0:26:14 | |
They can get past. | 0:26:16 | 0:26:19 | |
But why shouldn't I? | 0:26:19 | 0:26:21 | |
I don't want them touching it. I don't think they should touch it. | 0:26:25 | 0:26:29 | |
DOG BARKS | 0:26:31 | 0:26:32 | |
Would you please leave that sign alone? Do not do that! | 0:26:36 | 0:26:41 | |
You have absolutely no right to behave like that. | 0:26:41 | 0:26:44 | |
That sign is there to alert the public not to come in here | 0:26:44 | 0:26:48 | |
No, not at all. I don't need alerting. | 0:26:48 | 0:26:51 | |
You absolutely do. This is private property, and you're on there. | 0:26:51 | 0:26:53 | |
Would you please pick my sign up? You're not...you have no... | 0:26:53 | 0:26:56 | |
Send another policeman round. | 0:26:56 | 0:26:58 | |
You have a duty to put that sign back. | 0:26:58 | 0:27:00 | |
No, I haven't. Get away! You have no duty to put it there. | 0:27:00 | 0:27:03 | |
Of course I do. Stay there! Oliver, stay! | 0:27:03 | 0:27:06 | |
Stay there! | 0:27:14 | 0:27:15 | |
The idea is that you move it to one side, you pull through, | 0:27:15 | 0:27:18 | |
and then you put it back. | 0:27:18 | 0:27:20 | |
That's not my idea. My idea is to stop you preventing us | 0:27:20 | 0:27:23 | |
from escaping. I'm not preventing you from escaping. | 0:27:23 | 0:27:26 | |
Yes, you are. You can sue us for trespass. | 0:27:26 | 0:27:29 | |
Exactly what we're doing. No, you are not. | 0:27:29 | 0:27:32 | |
What do you mean, we are not? Oh, no, you are not. | 0:27:32 | 0:27:35 | |
This has nothing to do with you You are just a tenant. | 0:27:35 | 0:27:41 | |
It's that lot...trespassing. | 0:27:49 | 0:27:51 | |
He is a barrister. He is a QC. He is a QC, retired QC. | 0:27:52 | 0:27:58 | |
I'm going to phone the solicitor's. Oh, for God's sake, who is that | 0:28:06 | 0:28:10 | |
If I just leave a message, it's about Mr Gray. | 0:28:16 | 0:28:18 | |
It's a trespass issue. | 0:28:18 | 0:28:21 | |
He is continuing to... I need to have a word with him, to ask him | 0:28:21 | 0:28:24 | |
just to call the other party's solicitors, and tell him to stop. | 0:28:24 | 0:28:28 | |
Here we are. There she is, yeah | 0:28:28 | 0:28:32 | |
Thousands. | 0:28:35 | 0:28:37 | |
I would think, yeah. Here he is .. | 0:28:37 | 0:28:39 | |
Well, actually, strictly speaking, we are | 0:28:41 | 0:28:43 | |
not having a battle with him at all. | 0:28:43 | 0:28:45 | |
He is a tenant of the Trust. | 0:28:45 | 0:28:46 | |
I mean, it's bad enough taking on the National Trust, | 0:28:46 | 0:28:50 | |
but taking on the National Trust with a very, | 0:28:50 | 0:28:52 | |
very angry QC on their side, somebody with a personal | 0:28:52 | 0:28:55 | |
interest in making us suffer.. | 0:28:55 | 0:28:57 | |
..yeah, of course it's a worry. | 0:28:58 | 0:29:00 | |
We have a loan offer, but we revisited the project, | 0:29:24 | 0:29:30 | |
and we've been told to cut right back. | 0:29:30 | 0:29:32 | |
The costings have gone up to 1.4 million to renovate | 0:29:32 | 0:29:36 | |
the property, to turn it into a 12-bedroomed hotel. | 0:29:36 | 0:29:39 | |
Our fear is that they | 0:29:39 | 0:29:41 | |
are actually going to...that they don't want to do it any more. | 0:29:41 | 0:29:44 | |
About three weeks ago, we had a rather curt letter | 0:29:44 | 0:29:47 | |
saying that we had to keep within budget. | 0:29:47 | 0:29:49 | |
The letter we got the week after that Alistair Darling pronouncement, | 0:29:49 | 0:29:53 | |
and we just have this sense of doom. | 0:29:53 | 0:29:55 | |
So, this is going to be the main suite. | 0:29:55 | 0:29:58 | |
So, just a really, really fabulous bathroom in here. | 0:29:58 | 0:30:02 | |
Oliver put his fingers in the man's ear. | 0:30:23 | 0:30:25 | |
He's crept up behind the sofa, | 0:30:25 | 0:30:27 | |
and the next thing you know, there's a finger being shoved in his ear. | 0:30:27 | 0:30:31 | |
And they were so enthusiastic about the whole thing. | 0:30:31 | 0:30:33 | |
You know they were just... Really, really good feeling about this | 0:30:33 | 0:30:37 | |
What a good day this has been. | 0:30:40 | 0:30:41 | |
But touch wood, touch wood. And all that. | 0:30:43 | 0:30:47 | |
Things might possibly be on a turn. | 0:30:48 | 0:30:50 | |
TV: 'Since August 2007, | 0:30:52 | 0:30:55 | |
'the industrialised world has been engulfed by financial turmoil. | 0:30:55 | 0:31:00 | |
'And following the failure of Lehman Brothers on 15th September | 0:31:01 | 0:31:06 | |
'this year, an extraordinary, | 0:31:06 | 0:31:09 | |
'almost unimaginable sequence of events began. | 0:31:09 | 0:31:13 | |
'Not since the beginning of the First World War | 0:31:13 | 0:31:16 | |
'has our banking system been so close to collapse.' | 0:31:16 | 0:31:20 | |
Fucking hell! Fuck, fuck, fuck | 0:31:20 | 0:31:23 | |
It's just stopping. | 0:31:26 | 0:31:28 | |
The entire economy is just grinding to a halt. | 0:31:28 | 0:31:31 | |
Yeah, I mean, fortunately, York as a city, | 0:31:31 | 0:31:34 | |
hasn't been hit as badly as the rest of the country. | 0:31:34 | 0:31:37 | |
Yeah, of course, I am not denying that, John. | 0:31:39 | 0:31:41 | |
It's a bad time. Everything is a bad time at the moment. | 0:31:41 | 0:31:44 | |
It's not much fun. Not really, not now. | 0:31:46 | 0:31:49 | |
What? Just walked in and done it? | 0:32:05 | 0:32:07 | |
And turned it over? Fucking hell! | 0:32:07 | 0:32:09 | |
Fucking hell! | 0:32:11 | 0:32:13 | |
What? What? | 0:32:16 | 0:32:18 | |
What, Mum? | 0:32:18 | 0:32:19 | |
We are going to phone the other banks today | 0:32:36 | 0:32:38 | |
because we've not heard back from Barclays. | 0:32:38 | 0:32:41 | |
Lloyds... I'm just praying something comes up there. | 0:32:41 | 0:32:45 | |
Hope you've got a long tape. | 0:32:51 | 0:32:53 | |
Hello, Nick. It's Helen Heraty here from Gray's Court in York | 0:32:55 | 0:32:59 | |
I saw you at the bank last week | 0:32:59 | 0:33:01 | |
We are with NatWest, you see, and it's RBS, as you know. | 0:33:01 | 0:33:06 | |
We've got a loan agreement, we've got everything there, | 0:33:06 | 0:33:09 | |
but they kind of stopped giving us any more money. | 0:33:09 | 0:33:12 | |
That's Barclays, that's that, Lloyds... | 0:33:12 | 0:33:15 | |
The total cost of the job is 1.1 million, of all the work | 0:33:17 | 0:33:21 | |
We've brought it right down to 1.1 million. | 0:33:21 | 0:33:23 | |
We wanted to spend more. It's not a colossal amount. | 0:33:23 | 0:33:28 | |
How secure are we? We are not. | 0:33:28 | 0:33:31 | |
Hotel sector is difficult at the moment. | 0:33:31 | 0:33:33 | |
Completely new territory, isn't it? Nobody knows. | 0:33:33 | 0:33:37 | |
Even the banks, I don't think know, so... | 0:33:37 | 0:33:39 | |
SHE SIGHS | 0:33:41 | 0:33:42 | |
Jesus. | 0:33:42 | 0:33:43 | |
They're in on Monday. Nobody is there till Monday. | 0:33:57 | 0:34:00 | |
OK. | 0:34:02 | 0:34:03 | |
All right then. OK. Bye. | 0:34:05 | 0:34:07 | |
Fairly abrupt. | 0:34:11 | 0:34:12 | |
Maybe this is it. This is the pits... | 0:34:26 | 0:34:29 | |
and it'll all get better from now on. | 0:34:29 | 0:34:31 | |
Hmm... | 0:34:32 | 0:34:34 | |
I can't even afford a decent bottle of wine. | 0:34:35 | 0:34:37 | |
He says, "It's very detailed, it's absolutely transparent." | 0:34:41 | 0:34:44 | |
Yeah, but what does that mean? | 0:34:44 | 0:34:45 | |
We don't need details, we just need the money. | 0:34:45 | 0:34:48 | |
But he kept saying they're fully behind the project, and he is.. | 0:34:48 | 0:34:52 | |
We just need the money. I realise that. | 0:34:52 | 0:34:54 | |
Maybe I'm just the eternal optimist. | 0:34:54 | 0:34:58 | |
Pessimist, so... | 0:34:58 | 0:35:00 | |
Maybe we'll meet in the middle and we will get going. | 0:35:00 | 0:35:02 | |
I don't know. But he's so worried. He's not sleeping. | 0:35:02 | 0:35:06 | |
Neither am I. | 0:35:06 | 0:35:08 | |
Oh, God! | 0:35:08 | 0:35:10 | |
The business manager for Lloyds I'm prevaricating. | 0:35:13 | 0:35:16 | |
I don't want to make the damn phone call, that's what it is. | 0:35:16 | 0:35:20 | |
Bite the bullet. | 0:35:21 | 0:35:23 | |
I've got butterflies. | 0:35:28 | 0:35:29 | |
What kind of things are problematic? | 0:35:35 | 0:35:37 | |
All right. OK. | 0:35:44 | 0:35:46 | |
He said that it's projection led, it's... | 0:35:47 | 0:35:50 | |
..it's the times, it's the times. | 0:35:53 | 0:35:56 | |
Oh, for goodness' sake! | 0:35:56 | 0:35:58 | |
Hi, Roger, it's Helen here. | 0:35:58 | 0:35:59 | |
Hi. Well, Lloyds are not keen. | 0:36:02 | 0:36:06 | |
I mean, NatWest haven't said no but John is just anxious that they | 0:36:07 | 0:36:11 | |
will string us along, as they have done for so long. | 0:36:11 | 0:36:14 | |
Gilbert Gray. It is Gilbert Gray. Be quiet. | 0:36:14 | 0:36:17 | |
Be quiet, Oliver. | 0:36:24 | 0:36:25 | |
Bastard! I didn't get it, I'm so sorry. | 0:36:29 | 0:36:32 | |
I need to show it to the police | 0:36:32 | 0:36:34 | |
Absolute idiot! Here, take him Don't let him get squashed. | 0:36:37 | 0:36:40 | |
Move your car, please. That is vandalism. | 0:36:40 | 0:36:42 | |
What is? What you have just done is just vandalism. | 0:36:42 | 0:36:45 | |
Kicking that sign over like that. Would you move your car? | 0:36:45 | 0:36:47 | |
I'm going to have to get out later to pick up my kids from school | 0:36:47 | 0:36:50 | |
No. I can park where I like on my property. | 0:36:50 | 0:36:53 | |
Move your car, please. | 0:36:53 | 0:36:55 | |
You act like a vandal. | 0:36:55 | 0:36:57 | |
You act as if you had been brought up on some kind of sink estate | 0:37:04 | 0:37:08 | |
I wouldn't expect this kind of behaviour. And you, of all people... | 0:37:08 | 0:37:13 | |
I beg your pardon? | 0:37:13 | 0:37:15 | |
You come onto my property, you are abusive, you are unpleasant. | 0:37:15 | 0:37:20 | |
I should not have to tolerate that several times a day. | 0:37:20 | 0:37:23 | |
Yeah, well... I'll call John now. | 0:37:29 | 0:37:31 | |
I've spoken with Lloyds, and it's not altogether good news. | 0:37:33 | 0:37:36 | |
The bank said no. | 0:37:36 | 0:37:38 | |
The finance people have come back with a couple of issues. | 0:37:38 | 0:37:40 | |
One is that it's largely projection led. | 0:37:40 | 0:37:43 | |
No. What do we do? | 0:37:45 | 0:37:47 | |
Bye. | 0:37:47 | 0:37:49 | |
We are not dead in the water, we've still got NatWest. | 0:37:50 | 0:37:52 | |
But I just... I just... | 0:37:52 | 0:37:56 | |
Something makes me | 0:37:58 | 0:37:59 | |
think it's really not going to be very good. | 0:37:59 | 0:38:02 | |
Yeah, yeah, big time. | 0:38:09 | 0:38:11 | |
I'm going to have to think about putting people down to | 0:38:11 | 0:38:14 | |
a three-day week after Christmas. | 0:38:14 | 0:38:15 | |
All the people are going to lose their jobs, | 0:38:17 | 0:38:19 | |
then they'll have to go on the benefits. | 0:38:19 | 0:38:21 | |
And where is that going to come from? | 0:38:21 | 0:38:24 | |
What happens when everybody runs out of money? | 0:38:24 | 0:38:27 | |
SHE LAUGHS | 0:38:31 | 0:38:33 | |
Well, I think when you first asked me | 0:38:33 | 0:38:35 | |
that question - if I had my time again - things were different. | 0:38:35 | 0:38:39 | |
The banking crisis hadn't... kicked off. | 0:38:39 | 0:38:42 | |
Oh, hand on heart, I mean if I was in the same position now... | 0:38:44 | 0:38:49 | |
I would have to think... I don't know. | 0:38:49 | 0:38:52 | |
I still can't categorically say no. | 0:38:52 | 0:38:54 | |
But you know... | 0:38:54 | 0:38:55 | |
..for the children's security, | 0:38:58 | 0:39:00 | |
I would perhaps say...I wouldn't have done it now. | 0:39:00 | 0:39:03 | |
Oliver, I need to make a phone call, | 0:39:07 | 0:39:09 | |
and I can't have you crying. All right? | 0:39:09 | 0:39:13 | |
Well, you're not going to have any. | 0:39:13 | 0:39:15 | |
And if you keep on asking, you'll end up on the stairs. | 0:39:15 | 0:39:18 | |
You've got to eat something. | 0:39:18 | 0:39:21 | |
No, sweets aren't on offer. | 0:39:21 | 0:39:23 | |
HE CRIES | 0:39:26 | 0:39:29 | |
You are not having some sweets | 0:39:45 | 0:39:48 | |
I can't do this with you... | 0:39:51 | 0:39:52 | |
How about a yummy hot omelette? | 0:39:55 | 0:39:56 | |
I think I'm going to have a yummy hot omelette. | 0:39:56 | 0:40:00 | |
Sweetie, come on now. | 0:40:03 | 0:40:06 | |
TV: 'We're taking action to respond to the immediate financial crisis, | 0:40:16 | 0:40:20 | |
'so we in Britain, have the strength and we have everything | 0:40:20 | 0:40:23 | |
'it takes to face the global storm and to emerge as a country stronger. | 0:40:23 | 0:40:28 | |
'Thank you very much.' | 0:40:28 | 0:40:30 | |
But the banks aren't lending, they're just not doing it. | 0:40:32 | 0:40:35 | |
Doesn't matter what happens, the banks are not doing anything. | 0:40:35 | 0:40:38 | |
They're just not playing ball. | 0:40:38 | 0:40:40 | |
Yeah, into recession all through 2009. | 0:40:44 | 0:40:46 | |
It's deeply worrying. | 0:40:48 | 0:40:49 | |
I was quite shocked, though, when I heard Gordon Brown's | 0:40:52 | 0:40:55 | |
idea about getting out of this problem was to borrow more. | 0:40:55 | 0:40:57 | |
I was thinking, "Why?" You know, you don't want to borrow more. | 0:40:57 | 0:41:00 | |
We are in trouble, because we've borrowed so much | 0:41:00 | 0:41:02 | |
Says me, trying to borrow ?2 million. | 0:41:02 | 0:41:04 | |
I've written one cheque. That's it. But I can... | 0:41:20 | 0:41:24 | |
Oh, shit. | 0:41:24 | 0:41:25 | |
Have they paid it, or is it bouncing? | 0:41:25 | 0:41:27 | |
Oh, my God. Left us... Shit. | 0:41:31 | 0:41:35 | |
Can't bounce cheques on them. Any of them. | 0:41:35 | 0:41:38 | |
We're sinking. It's, you know.. Financially, it's not good. | 0:41:45 | 0:41:50 | |
It's a black hole at the moment | 0:41:50 | 0:41:52 | |
What's happening is that every month, | 0:41:52 | 0:41:55 | |
every quarter, the interest rolls up and it goes onto the loan, | 0:41:55 | 0:41:59 | |
and it just gets larger and larger, and it's snowballing. | 0:41:59 | 0:42:02 | |
About 10,000 a month. | 0:42:02 | 0:42:06 | |
No. | 0:42:13 | 0:42:14 | |
PHONE RINGS | 0:42:17 | 0:42:19 | |
Oh. | 0:42:19 | 0:42:20 | |
I've just had a phone call from these people. | 0:42:21 | 0:42:23 | |
The sound engineer's being really, really abusive, incredibly abusive. | 0:42:23 | 0:42:27 | |
Shouldn't have to put up... | 0:42:29 | 0:42:31 | |
Yeah. | 0:42:32 | 0:42:33 | |
We've got a bill we have to pay and if we don't pay it today, | 0:42:33 | 0:42:36 | |
we're going to get taken to court. | 0:42:36 | 0:42:37 | |
It's simple as that. | 0:42:37 | 0:42:39 | |
So, what I've got to do now is put a rocket under the bank manager | 0:42:39 | 0:42:42 | |
You know...I mean, we've gone into this, we've gone into this whole | 0:42:44 | 0:42:47 | |
partnership with the bank's backing, and now the goalposts are shifting. | 0:42:47 | 0:42:52 | |
We're being pressed by everybody. | 0:42:52 | 0:42:55 | |
It's... We can't answer the phones any more. | 0:42:55 | 0:42:56 | |
Well, again, we came to see you about this. | 0:43:02 | 0:43:04 | |
You know, we did this. We gave the new costings in months ago. | 0:43:04 | 0:43:08 | |
You know, we're just being stalled here. | 0:43:08 | 0:43:10 | |
OK...right. | 0:43:11 | 0:43:13 | |
All right. We'll do that. | 0:43:16 | 0:43:18 | |
All we can do is issue that cheque. | 0:43:18 | 0:43:20 | |
But it's just one of a... | 0:43:20 | 0:43:21 | |
PHONE RINGS | 0:43:23 | 0:43:25 | |
We can pay that cheque. | 0:43:29 | 0:43:30 | |
All right, and what about the others? | 0:43:30 | 0:43:33 | |
Nothing...on the others. | 0:43:33 | 0:43:35 | |
I said, that, you know, | 0:43:35 | 0:43:37 | |
I covered the point that we went into it as a partnership. | 0:43:37 | 0:43:40 | |
We felt that we've been strung along for the best part of the year. | 0:43:40 | 0:43:44 | |
Every time we get to the prescribed goalposts, | 0:43:44 | 0:43:47 | |
they're taken further away. | 0:43:47 | 0:43:49 | |
We're going to be absolutely ruined by this. | 0:43:49 | 0:43:51 | |
We feel that we've been left hung out to dry. | 0:43:51 | 0:43:54 | |
He can't have failed to get that we're deeply, | 0:43:55 | 0:43:58 | |
deeply concerned and disillusioned. | 0:43:58 | 0:44:00 | |
SHE SIGHS | 0:44:05 | 0:44:08 | |
PHONE RINGS | 0:44:08 | 0:44:09 | |
THUNDER CLAPS | 0:44:09 | 0:44:11 | |
Maybe they just... | 0:44:13 | 0:44:14 | |
..haven't got it. | 0:44:16 | 0:44:18 | |
I can't believe that, though, somebody has got it all. | 0:44:18 | 0:44:21 | |
Where's the money gone? | 0:44:21 | 0:44:22 | |
I thought I had a 50p. Is there 50p loose in the bottom of my bag? | 0:44:28 | 0:44:32 | |
20, 50, ?1. | 0:44:35 | 0:44:40 | |
They always have been. They've always known it's been difficult. | 0:44:45 | 0:44:48 | |
When Amber gets cross, she sort of hurls it back at me | 0:44:48 | 0:44:52 | |
How I should never have done this to them. | 0:44:52 | 0:44:54 | |
VIDEO GAME SOUND EFFECTS | 0:45:03 | 0:45:06 | |
I mean, John is... | 0:45:06 | 0:45:08 | |
He puts a very brave face on it | 0:45:08 | 0:45:10 | |
We were talking this weekend. He has terrible, terrible problems with his work | 0:45:11 | 0:45:17 | |
He just needs that to go. Incredibly precarious. | 0:45:18 | 0:45:22 | |
Everybody has been encouraged over the last ten years. | 0:45:22 | 0:45:26 | |
Property has always been pushed forward as the way to wealth. | 0:45:26 | 0:45:29 | |
You know, you couldn't open a newspaper, | 0:45:29 | 0:45:31 | |
or look at the TV without things like Location | 0:45:31 | 0:45:34 | |
and Do Up Your House, Buy A House And Do Better(!) | 0:45:34 | 0:45:36 | |
Why, Mummy? | 0:45:41 | 0:45:42 | |
PHONE RINGS | 0:45:50 | 0:45:52 | |
Hi, John. | 0:45:52 | 0:45:54 | |
Really? | 0:45:54 | 0:45:56 | |
Oh, Jesus. | 0:45:56 | 0:45:58 | |
So where does that leave us? | 0:45:58 | 0:45:59 | |
Oh, Christ. | 0:45:59 | 0:46:01 | |
So, Sarah, Lisa has gone... Sarah...I know, but what can we do? | 0:46:01 | 0:46:05 | |
There's no work. There's nothing coming in. | 0:46:05 | 0:46:07 | |
Mum? | 0:46:07 | 0:46:09 | |
Mum! | 0:46:11 | 0:46:13 | |
HE CRIES | 0:46:13 | 0:46:16 | |
Just another nail in the coffin isn't it, really? | 0:46:16 | 0:46:19 | |
He's had to lay the staff off. | 0:46:20 | 0:46:21 | |
Yeah. | 0:46:25 | 0:46:26 | |
It's extremely worrying. Yeah. | 0:46:26 | 0:46:28 | |
PHONE RINGS | 0:46:35 | 0:46:37 | |
I know. | 0:46:44 | 0:46:45 | |
I know. | 0:46:46 | 0:46:47 | |
# In the bleak midwinter... # | 0:46:49 | 0:46:52 | |
No. | 0:46:55 | 0:46:57 | |
It always does this. | 0:46:58 | 0:47:00 | |
Every single time something important happens, it just dies | 0:47:00 | 0:47:03 | |
Our boiler's stopped working this morning. | 0:47:03 | 0:47:06 | |
It's worked perfectly all year...until now. | 0:47:07 | 0:47:11 | |
Helen says, "Oh, it's fine, nothing is wrong with this boiler." | 0:47:11 | 0:47:15 | |
Every time there's a significant event, like Christmas, it fails | 0:47:15 | 0:47:19 | |
That's it. I'm not doing it. I did this last Christmas. | 0:47:20 | 0:47:24 | |
I hate it. | 0:47:24 | 0:47:26 | |
Well, this morning the meeting is with the bank to discuss | 0:47:26 | 0:47:30 | |
the funding. | 0:47:30 | 0:47:31 | |
Bloody boiler. What am I going to do with that damn boiler? | 0:47:31 | 0:47:34 | |
The banks are all behaving in a slightly unpredictable | 0:47:34 | 0:47:36 | |
way at the moment. | 0:47:36 | 0:47:38 | |
I guess it all hinges on today really. | 0:47:38 | 0:47:40 | |
It's key to everything. We can't move until we have that. | 0:48:01 | 0:48:03 | |
Valuation seems to be key. | 0:48:10 | 0:48:12 | |
Everything...everything is based on the valuation of the building. | 0:48:12 | 0:48:16 | |
So we need to get that done again. | 0:48:16 | 0:48:17 | |
Valuation, bricks and mortar, valuation of the building, | 0:48:17 | 0:48:20 | |
and the trading potential. | 0:48:20 | 0:48:22 | |
Er, so, that's about it, really | 0:48:24 | 0:48:26 | |
60%, well, so we can borrow the amount we need. | 0:48:28 | 0:48:32 | |
Well, comfortably... We need it to be worth about 3.5 million | 0:48:37 | 0:48:40 | |
by the time... Certainly no less | 0:48:40 | 0:48:41 | |
than 3.5 million by the time it s completely refurbished. | 0:48:41 | 0:48:44 | |
I don't think... We're not uncomfortable with that figure | 0:48:46 | 0:48:51 | |
It's always QUITE positive after we've seen him. | 0:48:52 | 0:48:55 | |
So, I have turned the entire thing off | 0:49:02 | 0:49:03 | |
and I'm going to start it up again and bash the pump when it starts. | 0:49:03 | 0:49:07 | |
Tap it gently with a hammer. | 0:49:07 | 0:49:09 | |
You got Ratatouille. | 0:49:19 | 0:49:21 | |
If it works, if we get going, | 0:49:37 | 0:49:39 | |
it will be the last time we can use the house for ourselves. | 0:49:39 | 0:49:42 | |
What I'd love to do, of course, is just be able to live in it as it is. | 0:49:42 | 0:49:47 | |
BIG BEN CHIMES | 0:49:54 | 0:49:57 | |
TV: 'Well, you've heard the chimes and that is it - | 0:49:59 | 0:50:02 | |
'a very happy new year 2009!' | 0:50:02 | 0:50:05 | |
Oh! | 0:50:06 | 0:50:07 | |
No. | 0:50:07 | 0:50:09 | |
This is New Year's Day. | 0:50:10 | 0:50:13 | |
The house manager of the National Trust has invited three | 0:50:16 | 0:50:20 | |
carloads of friends to come and stay over. | 0:50:20 | 0:50:22 | |
To celebrate New Year's Eve. Yeah. | 0:50:25 | 0:50:27 | |
They came, and I asked them not to park in here, but they refused | 0:50:27 | 0:50:30 | |
I even went round to the house knocked on the door and explained | 0:50:30 | 0:50:33 | |
that I would park in front of the drive, and they wouldn't leave | 0:50:33 | 0:50:36 | |
But they just thought it was hysterically funny. | 0:50:36 | 0:50:39 | |
It's early morning. I should think | 0:50:41 | 0:50:43 | |
they'll look out the windows fairly soon, | 0:50:43 | 0:50:45 | |
and then they'll start to think that perhaps I'm not going to move. | 0:50:45 | 0:50:48 | |
And I'm sure they'll ask me to move, | 0:50:48 | 0:50:49 | |
and I'll say, "No, you had your chance. I'm sorry. | 0:50:49 | 0:50:52 | |
I don't have to go anywhere. I can stay here for a week if I like | 0:50:52 | 0:50:56 | |
I live here. They can laugh. | 0:50:56 | 0:50:58 | |
I've got all the time in the world here. | 0:51:00 | 0:51:02 | |
Come on, ladies, wake up! | 0:51:07 | 0:51:09 | |
I shall have to remind these ladies that I'm older than they are | 0:51:13 | 0:51:16 | |
and I've got more insurance. | 0:51:16 | 0:51:17 | |
No need to be here at all. | 0:51:25 | 0:51:27 | |
Oh, yeah, yeah, it's quite good fun, actually. | 0:51:34 | 0:51:36 | |
I'm going to stake it out for until...stake it out for a | 0:51:36 | 0:51:38 | |
few days and see what happens. | 0:51:38 | 0:51:40 | |
12 o'clock. Come on, ladies, shake a leg. | 0:51:40 | 0:51:44 | |
You've finally woken up. | 0:51:47 | 0:51:49 | |
They just got a policewoman, who's told me I'm going to have my car towed away. | 0:51:56 | 0:52:00 | |
She is on her phone to her inspector saying | 0:52:00 | 0:52:02 | |
they are going to move the car have it towed. | 0:52:02 | 0:52:04 | |
I'm not moving it. | 0:52:20 | 0:52:22 | |
Right. I can hear you in these earphones. | 0:52:23 | 0:52:26 | |
Are you moving the car or not? Cos I'm... I'm not. In fact, I'll phone my solicitor now, | 0:52:26 | 0:52:30 | |
because you haven't got the right to do this. | 0:52:30 | 0:52:32 | |
Hello. Another policeman has arrived, and he is in agreement | 0:52:38 | 0:52:41 | |
that I can park where I like. Yeah. | 0:52:41 | 0:52:44 | |
I mean, she is, she is quite bolshie, but... | 0:52:44 | 0:52:48 | |
Ohh! Are you allowed to say things like that? | 0:52:52 | 0:52:54 | |
Right. | 0:53:00 | 0:53:02 | |
I'd like them to come and see me. Hello, puppy. | 0:53:06 | 0:53:09 | |
She won't come and see you, cos she said she is afraid of you. | 0:53:09 | 0:53:12 | |
Who? The lady with the blonde hair. | 0:53:12 | 0:53:14 | |
She's afraid of me. | 0:53:15 | 0:53:17 | |
Wow. | 0:53:19 | 0:53:21 | |
I realise that, but what did you think, you know...you think | 0:53:29 | 0:53:32 | |
I'm just a mad woman who goes round telling you not to park here? | 0:53:32 | 0:53:35 | |
I explained to you that it's private property. | 0:53:35 | 0:53:37 | |
You seemed to find it was, you know, amusing. | 0:53:37 | 0:53:40 | |
PHONE RINGS | 0:53:42 | 0:53:43 | |
Hi. They've apologised. | 0:53:45 | 0:53:48 | |
Yes, they have. They've apologised. | 0:53:48 | 0:53:51 | |
No, sulkily. Not sincerely. | 0:53:51 | 0:53:54 | |
I've never seen less sincere apologies in my life. | 0:53:54 | 0:53:57 | |
But they had to do it. And was Jan there, was she? | 0:53:57 | 0:54:00 | |
No, she wouldn't come out, because she's too scared of me | 0:54:00 | 0:54:02 | |
HE LAUGHS | 0:54:02 | 0:54:04 | |
TV: 'The problem we've got now is that lending, | 0:54:05 | 0:54:08 | |
'for a number of reasons, is not taking place to businesses | 0:54:08 | 0:54:12 | |
'and people needing mortgages | 0:54:12 | 0:54:14 | |
'at anything like the level that we need it to support the economy. | 0:54:14 | 0:54:17 | |
They are not good. | 0:54:21 | 0:54:23 | |
Yes. | 0:54:23 | 0:54:25 | |
Here I am. Here I am. | 0:54:25 | 0:54:29 | |
Here I am. Here I am. | 0:54:31 | 0:54:34 | |
Here I am. | 0:54:34 | 0:54:36 | |
Yes, Oliver, I know. | 0:54:36 | 0:54:37 | |
You're going to go under the table, | 0:54:45 | 0:54:48 | |
and I have to guess where you've gone? Yes. | 0:54:48 | 0:54:51 | |
Right. That should be... | 0:54:51 | 0:54:52 | |
Where could Oliver be? Are you...are you? | 0:54:59 | 0:55:03 | |
No, you are under the table! | 0:55:03 | 0:55:05 | |
I did. | 0:55:07 | 0:55:10 | |
It's my entire life, my future in a nutshell. | 0:55:22 | 0:55:25 | |
Our future, I should think less about me. It's our future | 0:55:25 | 0:55:28 | |
Me, the kids, John... | 0:55:30 | 0:55:32 | |
..guinea pigs will be out | 0:55:34 | 0:55:35 | |
there on the street, otherwise with our cardboard box! | 0:55:35 | 0:55:38 | |
7 children, 2 dogs, and 2 guinea pigs. The cat will have | 0:55:38 | 0:55:42 | |
buggered off next door with Gilbert Gray. | 0:55:42 | 0:55:45 | |
It's been seven weeks since we agreed we'd get the valuation done. | 0:55:45 | 0:55:49 | |
You know, that's seven wasted weeks. | 0:55:49 | 0:55:51 | |
We've been in this position for the best part of the year now. | 0:55:51 | 0:55:54 | |
You know, we've done everything we've been asked. | 0:55:54 | 0:55:57 | |
We feel, you know, totally left out on a limb here | 0:55:57 | 0:56:00 | |
I think it's the end of the road, I really do. | 0:56:00 | 0:56:03 | |
I just... The bank are continuing to fuck us up. | 0:56:05 | 0:56:09 | |
OK. Because we've got incredibly serious problems here. | 0:56:09 | 0:56:13 | |
I mean, we've got sort of threats of legal action on several fronts. | 0:56:13 | 0:56:16 | |
Yeah. It's not just him. He's just a minion. He's got no power. | 0:56:20 | 0:56:23 | |
It's the whole rotten system. | 0:56:25 | 0:56:27 | |
When can we to start pay people | 0:56:27 | 0:56:29 | |
I've got, you know, builders camping in the yard practically | 0:56:29 | 0:56:32 | |
because I owe them money. | 0:56:32 | 0:56:33 | |
He's got 40 cases just like ours...struggling. | 0:56:34 | 0:56:37 | |
But we're going nowhere, | 0:56:37 | 0:56:39 | |
going round and round and round in circles. | 0:56:39 | 0:56:42 | |
Cut. Ah! | 0:56:42 | 0:56:44 | |
It keeps coming back to, you know, we want more than the bank | 0:56:47 | 0:56:50 | |
are willing to lend. | 0:56:50 | 0:56:51 | |
But we're working to the figure they gave us | 0:56:53 | 0:56:55 | |
in August, and it's not fair to turn around and say, you know, | 0:56:55 | 0:56:58 | |
the world has changed since then. | 0:56:58 | 0:57:00 | |
We didn't change it, you did. | 0:57:00 | 0:57:01 | |
PHONE RINGS | 0:57:01 | 0:57:03 | |
OK, darling. That's Oliver. | 0:57:05 | 0:57:06 | |
He's cut his finger. | 0:57:06 | 0:57:08 | |
Kendal, Morgan, Kendal, Amber. | 0:57:08 | 0:57:12 | |
Constant battle between life as it ought to be | 0:57:12 | 0:57:15 | |
and life as it really, really is. | 0:57:15 | 0:57:16 | |
We're cleaning. | 0:57:19 | 0:57:22 | |
I thought this hall was being tidied, and it's not. | 0:57:22 | 0:57:25 | |
A good valuation... | 0:57:42 | 0:57:43 | |
..even a reasonable valuation is more than we need. | 0:57:44 | 0:57:47 | |
Well, I'm not apprehensive. | 0:57:56 | 0:57:58 | |
It's just...it's just... | 0:57:58 | 0:58:00 | |
..the whole funding depends on it. | 0:58:01 | 0:58:04 | |
Well, yes, because, I mean, they've been fully behind this right from | 0:58:14 | 0:58:18 | |
the start, and they've known what expenditure we were incurring on it. | 0:58:18 | 0:58:23 | |
It's wrong. | 0:58:24 | 0:58:26 | |
And if that sounds naive, I'm sorry, but it's just plain wrong. | 0:58:26 | 0:58:28 | |
Umm...I don't, I don't know. | 0:58:34 | 0:58:39 | |
It's looking a bit bare at the moment, | 0:58:41 | 0:58:42 | |
but we've just had all the garden redone last autumn. | 0:58:42 | 0:58:45 | |
Double vanity units, they're done to quite a good standard. | 0:58:48 | 0:58:54 | |
If we just quickly look at the Stern Room. | 0:58:58 | 0:59:00 | |
Apparently so. | 0:59:04 | 0:59:06 | |
One of the Georges. Our little plaques say kings have been here. | 0:59:06 | 0:59:11 | |
And we've got new hot water. | 0:59:25 | 0:59:27 | |
Boilers are all going in these areas. | 0:59:27 | 0:59:29 | |
From where we were 12, 18 months ago, | 0:59:33 | 0:59:35 | |
I mean it varies enormously, depending what you're | 0:59:35 | 0:59:38 | |
looking at, but, yes, values have...significantly fallen. | 0:59:38 | 0:59:43 | |
We need him to come up with 3.5 million when it's done. | 0:59:45 | 0:59:50 | |
Yeah, and sends it to the bank | 0:59:50 | 0:59:52 | |
No money till Thursday morning | 0:59:54 | 0:59:57 | |
So we're living off...bits out of the fridge. | 0:59:57 | 1:00:00 | |
But we're fine. | 1:00:03 | 1:00:04 | |
Cat, I will kill you if you keep on at me. | 1:00:04 | 1:00:07 | |
Poor thing! | 1:00:12 | 1:00:13 | |
Ah, come on, don't show me doing the lottery. | 1:00:19 | 1:00:21 | |
That's like the last refuge of desperate people. | 1:00:21 | 1:00:25 | |
I realise this, it's the idiot tax. | 1:00:26 | 1:00:30 | |
It's actually good for the nation...you know... | 1:00:30 | 1:00:33 | |
..giving it to me! | 1:00:36 | 1:00:38 | |
It's also the last act of somebody who's desperate. | 1:00:39 | 1:00:42 | |
You know it doesn't make sense | 1:00:45 | 1:00:46 | |
All the high street banks have gone, I've got the National Lottery, | 1:00:46 | 1:00:50 | |
because the banks have all said no. | 1:00:50 | 1:00:52 | |
In fact, I've probably got as much chance getting | 1:00:52 | 1:00:54 | |
a loan from the bank as we do on winning that thing, so... | 1:00:54 | 1:00:57 | |
"I'm sorry." | 1:01:01 | 1:01:02 | |
I can't believe that. I just.. | 1:01:08 | 1:01:09 | |
It's done. | 1:01:12 | 1:01:13 | |
Yes, dear. | 1:01:17 | 1:01:20 | |
Yeah. A broken dream, that's what that is, a shattered dream | 1:01:21 | 1:01:25 | |
Mum... | 1:01:28 | 1:01:30 | |
Try and go now. | 1:01:30 | 1:01:31 | |
Oh. | 1:01:32 | 1:01:35 | |
Oh, my God. | 1:01:39 | 1:01:40 | |
Right. | 1:01:43 | 1:01:44 | |
I need peace and quiet in the study for a couple of minutes, please | 1:01:44 | 1:01:48 | |
Something important has arrived OK? | 1:01:48 | 1:01:50 | |
Go away! I need peace and quiet so I can read it. | 1:01:52 | 1:01:55 | |
Never mind. Our future. | 1:01:55 | 1:01:58 | |
What?! Half a million pounds? | 1:02:07 | 1:02:10 | |
You are getting half a million No. I mean... | 1:02:11 | 1:02:14 | |
Fucking... Sorry. | 1:02:18 | 1:02:20 | |
No, I'm not. | 1:02:24 | 1:02:26 | |
1.4, finished. | 1:02:29 | 1:02:31 | |
And 1.8 after three years' decent trading. Christ. | 1:02:33 | 1:02:37 | |
Hi, John, it's me, can you give me a ring soon as you get this, please? | 1:02:37 | 1:02:40 | |
I've got the report, and it's worse than we could ever, | 1:02:40 | 1:02:43 | |
ever have imagined. | 1:02:43 | 1:02:45 | |
It's...good God! | 1:02:45 | 1:02:46 | |
We're completely and utterly fucked. | 1:02:49 | 1:02:52 | |
Oh, shit! | 1:02:56 | 1:02:57 | |
That's us absolutely dead in the water. | 1:02:59 | 1:03:02 | |
They're not going to lend us a penny. | 1:03:02 | 1:03:04 | |
Have you read it? | 1:03:06 | 1:03:07 | |
Yeah, fine, it's fine. | 1:03:09 | 1:03:11 | |
Would you like to go and make some tea, darling? | 1:03:11 | 1:03:13 | |
?500,000 today, as it stands. | 1:03:13 | 1:03:16 | |
It's just...it's just...I don't...I don't know. | 1:03:18 | 1:03:21 | |
I thought, "Is there a typing error?" | 1:03:21 | 1:03:23 | |
But no, it's very clearly set out. | 1:03:23 | 1:03:25 | |
Nobody could have thought this I don't know what to do. | 1:03:28 | 1:03:31 | |
I mean, as you say... | 1:03:34 | 1:03:35 | |
PHONE HANGS UP | 1:03:35 | 1:03:37 | |
I do. | 1:03:43 | 1:03:44 | |
Yeah. | 1:03:44 | 1:03:45 | |
Yes. Absolutely. | 1:03:51 | 1:03:54 | |
Can somebody check Oliver's shoes, please? Where? | 1:03:54 | 1:03:58 | |
Bloody dog. | 1:04:00 | 1:04:01 | |
I haven't stepped on it. Somebody has. Get your shoes off, all of you. | 1:04:01 | 1:04:04 | |
Right, take your shoes outside I'm going to kill that little shit. | 1:04:04 | 1:04:07 | |
I do not need any more. I just don't need this. | 1:04:07 | 1:04:10 | |
What a disgusting dog! Bad dog | 1:04:10 | 1:04:12 | |
She's just came in, she was trailing poo as she came in. | 1:04:15 | 1:04:18 | |
Bloody hate this dog. What a fuck-up. | 1:04:19 | 1:04:23 | |
Yeah. | 1:04:30 | 1:04:33 | |
No, darling. I haven't really killed it. | 1:04:35 | 1:04:37 | |
It's just a figure of speech. | 1:04:37 | 1:04:40 | |
No, darling. No. | 1:04:40 | 1:04:42 | |
She is in her bed, hiding. | 1:04:43 | 1:04:45 | |
I don't think so. I think she's hiding in her bed. | 1:04:48 | 1:04:50 | |
If she has got any sense, she would be hiding under her bed. | 1:04:50 | 1:04:53 | |
Look, there she is there. | 1:04:53 | 1:04:55 | |
No, she is lying in there as if she hasn't got a care in the world. | 1:04:55 | 1:04:58 | |
Homeless, jobless... This was the job. This was the income. | 1:05:10 | 1:05:14 | |
I do not know. | 1:05:23 | 1:05:24 | |
No, nothing. Not a clue. | 1:05:48 | 1:05:49 | |
I'm going to be dealing with a very, very anxious man. | 1:05:54 | 1:05:57 | |
And I'm... | 1:06:03 | 1:06:04 | |
Everybody knows house values have gone down, | 1:06:50 | 1:06:53 | |
but we were thinking, worst-case scenario, | 1:06:53 | 1:06:55 | |
they're going to have gone down to the level when we bought it. | 1:06:55 | 1:07:00 | |
You know, what we paid for it. | 1:07:00 | 1:07:01 | |
We never thought there would be a scenario where there'd be no money | 1:07:01 | 1:07:05 | |
coming in whatsoever, which is the logical conclusion of the valuation. | 1:07:05 | 1:07:10 | |
Because the loan-to-value ratio doesn't allow any | 1:07:10 | 1:07:12 | |
further advances to be made. | 1:07:12 | 1:07:14 | |
My worst-case scenario was that we'd have 500,000 or 600,000, | 1:07:14 | 1:07:17 | |
and we'd just have to find a way to go through with that, | 1:07:17 | 1:07:20 | |
but even that has been wiped out, completely. | 1:07:20 | 1:07:22 | |
There's nothing. Potentially, there's nothing. | 1:07:22 | 1:07:26 | |
Anyway, we'll have to see. | 1:07:26 | 1:07:28 | |
And at least if we could get, you know, functions and a cafe going. | 1:07:30 | 1:07:34 | |
I could, at least, pay the interest and stop us sinking further. | 1:07:35 | 1:07:39 | |
Keep the table up there as it is, keep that end as it is, huge | 1:07:39 | 1:07:42 | |
bunches of flowers, dress it up | 1:07:42 | 1:07:44 | |
Shelf, mirrors... | 1:07:44 | 1:07:46 | |
All right, it's not what he would like. | 1:07:46 | 1:07:48 | |
And he likes everything done absolutely perfectly first time | 1:07:48 | 1:07:51 | |
but if it's the case of getting it done by hook or by crook... | 1:07:51 | 1:07:55 | |
Coat of paint, we're going to paint the walls | 1:07:55 | 1:07:57 | |
Don't get me wrong, I think to open this incredibly smart four-star | 1:07:57 | 1:08:01 | |
all-singing, all-dancing place would be great, but... | 1:08:01 | 1:08:04 | |
Well, yes, and I still could be | 1:08:06 | 1:08:09 | |
But I think, the fixation on getting that is just going to bring | 1:08:09 | 1:08:14 | |
everything crashing down around it. | 1:08:14 | 1:08:16 | |
We can't have that. | 1:08:16 | 1:08:18 | |
Sanded and polished all the way through. | 1:08:18 | 1:08:20 | |
I've got some big rugs for along here. | 1:08:20 | 1:08:22 | |
Do it ourselves. Just start it somehow. | 1:08:22 | 1:08:24 | |
I think he's realising we've no option. | 1:08:27 | 1:08:30 | |
It might be a bit inflammatory | 1:09:00 | 1:09:01 | |
I'm placing pots in the courtyard. | 1:09:05 | 1:09:07 | |
Shall I just start putting them across...in line with the bottom | 1:09:07 | 1:09:10 | |
trees to stop them coming beyond that point, beyond the tree line? | 1:09:10 | 1:09:13 | |
Or is that too provocative right now? | 1:09:13 | 1:09:15 | |
That is a really valuable space a beautiful space, and I think it | 1:09:15 | 1:09:19 | |
will... Tables, chairs, umbrellas... | 1:09:19 | 1:09:23 | |
We're just landscaping our garden. | 1:09:23 | 1:09:25 | |
We've had a very stroppy letter from their solicitors saying, | 1:09:30 | 1:09:32 | |
"Remove those plants. They're infringing on our client's rights." | 1:09:32 | 1:09:37 | |
She said we should take the plants out as well. | 1:09:40 | 1:09:42 | |
Right, I'm going to get another bay tree, just to annoy them. | 1:09:44 | 1:09:47 | |
How dare they think they can throw us out of our courtyard? | 1:10:00 | 1:10:03 | |
It's squatter's rights, as you or I would know them. | 1:10:15 | 1:10:18 | |
They want all of that...they want to own that. | 1:10:18 | 1:10:21 | |
Yes. | 1:10:21 | 1:10:22 | |
Oh, yes, even stronger. | 1:10:26 | 1:10:28 | |
What we thought what they were claiming prior to this was | 1:10:28 | 1:10:30 | |
a right to use. | 1:10:30 | 1:10:32 | |
You know, even if we didn't like it, | 1:10:32 | 1:10:34 | |
they were claiming a right to use it. | 1:10:34 | 1:10:35 | |
What they now are claiming is a right to own it. | 1:10:35 | 1:10:38 | |
Am I just putting it on the floor? | 1:10:40 | 1:10:42 | |
Yes, just go straight up to the top post. | 1:10:42 | 1:10:44 | |
And remember not to step on the wet stuff. | 1:10:44 | 1:10:46 | |
Really is, I can't believe it. It's really, really exciting. | 1:10:54 | 1:10:58 | |
So, here is the new kitchen. It's beautiful. | 1:10:58 | 1:11:01 | |
60 grand. | 1:11:03 | 1:11:05 | |
Yeah. No matter how you try to cut costs. | 1:11:06 | 1:11:08 | |
Well... | 1:11:23 | 1:11:25 | |
We are stony broke. We've got credit cards. | 1:11:28 | 1:11:31 | |
It's that bad, it's that bad. | 1:11:32 | 1:11:35 | |
I'll fly down to the corner shop and buy some milk. | 1:11:37 | 1:11:40 | |
Or I would if I had any money. | 1:11:44 | 1:11:46 | |
I haven't even got enough for a pint of milk. Bloody hell. | 1:11:46 | 1:11:49 | |
If we can just get safe, | 1:11:49 | 1:11:51 | |
if we can just have enough money to pay the bills and stop | 1:11:51 | 1:11:56 | |
sinking into debt, and just enough money to enable us to live here | 1:11:56 | 1:12:01 | |
It's not a lot to ask. | 1:12:02 | 1:12:03 | |
No. | 1:12:09 | 1:12:10 | |
Aspiration? | 1:12:12 | 1:12:14 | |
We need to make our food orders tonight, | 1:12:29 | 1:12:31 | |
and get everything up and going and we're there, we're done. | 1:12:31 | 1:12:34 | |
Somehow things have just come together in the last minute. | 1:12:34 | 1:12:37 | |
Then we'll just have to pack our bags | 1:12:44 | 1:12:46 | |
and slink off, tails between legs, I suppose. | 1:12:46 | 1:12:49 | |
I don't know what we'd do. | 1:12:49 | 1:12:51 | |
At least, even if we don't turn a profit, | 1:12:51 | 1:12:53 | |
at least if we stop the funds haemorrhaging out. | 1:12:53 | 1:12:55 | |
All the outgoings, even if we just stabilise it. | 1:12:55 | 1:12:57 | |
Here, we are both so hopeful. | 1:12:57 | 1:13:01 | |
You know, we're both still working so hard to try | 1:13:01 | 1:13:03 | |
and put it right, that if we did have to go, it would | 1:13:03 | 1:13:05 | |
be...I think it would be very painful for both of us. | 1:13:05 | 1:13:08 | |
Not painful for the neighbours of course. | 1:13:10 | 1:13:13 | |
We are open. | 1:13:17 | 1:13:19 | |
The first pound coin that crosses my palm | 1:13:23 | 1:13:28 | |
is the turning point. | 1:13:28 | 1:13:30 | |
That's ?5, yeah. | 1:13:38 | 1:13:39 | |
So that's right, then. | 1:13:39 | 1:13:40 | |
Chipping away at an iceberg with a little toothpick. | 1:13:40 | 1:13:43 | |
I have no idea. | 1:13:51 | 1:13:52 | |
What's going on with that tea? | 1:13:52 | 1:13:54 | |
It seems to be quite busy. | 1:14:03 | 1:14:04 | |
I think we need more tables out there. | 1:14:04 | 1:14:06 | |
Right, John. Is there any chance of delivering these? Yeah. | 1:14:15 | 1:14:18 | |
And then can you give the table a wipe? Yeah. | 1:14:18 | 1:14:21 | |
I don't think we've even covered the wages. | 1:14:35 | 1:14:37 | |
We're just going to the city archives | 1:14:54 | 1:14:56 | |
to hopefully uncover some information about | 1:14:56 | 1:14:59 | |
the state of the courtyard. | 1:14:59 | 1:15:02 | |
I'm hoping that we will find something | 1:15:02 | 1:15:04 | |
that will put this whole thing to rest | 1:15:04 | 1:15:05 | |
because it's just gone on long enough. | 1:15:05 | 1:15:07 | |
Very early, I think perhaps... | 1:15:09 | 1:15:11 | |
It's the world over, isn't it? | 1:15:18 | 1:15:20 | |
It's the courtyard, that's the issue. | 1:15:20 | 1:15:22 | |
Yes. Look at that. | 1:15:22 | 1:15:24 | |
Good grief. | 1:15:25 | 1:15:26 | |
1980. | 1:15:28 | 1:15:30 | |
Then they're going to claim prescriptive right for parking. | 1:15:31 | 1:15:34 | |
This is what they want to do, you see...just park. | 1:15:34 | 1:15:37 | |
I'm afraid it does. | 1:15:39 | 1:15:40 | |
Oh, dear. | 1:15:45 | 1:15:47 | |
It's a silly thing, | 1:15:52 | 1:15:54 | |
everybody else manages to get their bins in, | 1:15:54 | 1:15:57 | |
and yet... | 1:15:57 | 1:15:59 | |
this woman... | 1:15:59 | 1:16:00 | |
..leaves her bin in our entrance. | 1:16:02 | 1:16:04 | |
Yes. | 1:16:09 | 1:16:10 | |
The reality is that area of land is lost to us. It's gone. | 1:16:13 | 1:16:17 | |
We can't use it. We can't access it. | 1:16:17 | 1:16:19 | |
We can't do a thing to it. | 1:16:19 | 1:16:20 | |
We have no control any more over our own property. | 1:16:20 | 1:16:23 | |
The squatters have won. | 1:16:23 | 1:16:25 | |
I'm not sleeping, I can't eat. | 1:16:38 | 1:16:40 | |
Waking at three in the morning I hate going outside now. | 1:16:43 | 1:16:46 | |
You have to steel yourself and walk out | 1:16:48 | 1:16:51 | |
because you can't let them see what it's doing to you. | 1:16:51 | 1:16:53 | |
It will pass. | 1:17:06 | 1:17:07 | |
And we'll be here still. | 1:17:10 | 1:17:11 | |
Well... | 1:17:26 | 1:17:27 | |
It will pass. | 1:17:30 | 1:17:31 | |
This will succeed. | 1:17:31 | 1:17:33 | |
And we can sail off into the sunset. | 1:17:34 | 1:17:36 | |
Failing that, I'll drink myself into an early grave. | 1:17:41 | 1:17:43 | |
A couple of weeks ago we were sort of walking around | 1:17:58 | 1:18:00 | |
and had this huge sense of pride that we've done it, | 1:18:00 | 1:18:02 | |
against all the odds, we've actually... We were here | 1:18:02 | 1:18:06 | |
So... | 1:18:06 | 1:18:07 | |
Well, it's a project. | 1:18:11 | 1:18:13 | |
We don't have the luxury of | 1:18:13 | 1:18:15 | |
wondering whether we should not have done this, | 1:18:15 | 1:18:18 | |
or we should not continue to do it. | 1:18:18 | 1:18:20 | |
We have to do it, having embarked up on it. | 1:18:20 | 1:18:23 | |
It's not... It's not a project that you can abandon part way through. | 1:18:23 | 1:18:29 | |
So... | 1:18:29 | 1:18:30 | |
Well, that's a hypothetical question | 1:18:33 | 1:18:36 | |
MUSIC: "For The Dead Men" by Lucy Ward | 1:18:36 | 1:18:39 | |
Well, actually John said, | 1:18:56 | 1:18:57 | |
like he and I were sort of a.. | 1:18:57 | 1:18:59 | |
What's he described us? | 1:18:59 | 1:19:02 | |
A folie a deux. That was it. | 1:19:02 | 1:19:05 | |
Either one of us would never have taken this place on without the | 1:19:05 | 1:19:09 | |
"Go on, we can do it. Go on." | 1:19:09 | 1:19:11 | |
Yeah. | 1:19:11 | 1:19:12 | |
No, he's been cremated. | 1:19:14 | 1:19:16 | |
And we're going to scatter him at Alnmouth Beach, | 1:19:20 | 1:19:26 | |
the beach at High Buston he loved so much. | 1:19:26 | 1:19:29 | |
I left him for a minute to go to the kitchen, came back | 1:19:32 | 1:19:36 | |
and he was on the floor. | 1:19:36 | 1:19:40 | |
And... | 1:19:40 | 1:19:42 | |
he...he died. | 1:19:42 | 1:19:44 | |
Just...no attempt to save himself, nothing, he was just gone. | 1:19:46 | 1:19:50 | |
Just... | 1:19:56 | 1:19:57 | |
His heart's just stopped and he died. | 1:20:02 | 1:20:05 | |
So, you know, you've got the, | 1:20:08 | 1:20:11 | |
"Never get sick, never get old, | 1:20:11 | 1:20:14 | |
all of this, | 1:20:14 | 1:20:15 | |
which sounds great, but... | 1:20:15 | 1:20:17 | |
Then on the other hand, | 1:20:18 | 1:20:20 | |
a bit more time wouldn't have been unreasonable | 1:20:20 | 1:20:23 | |
And it's so unfair. | 1:20:23 | 1:20:24 | |
Are you OK? Yeah, I'm all right. | 1:20:26 | 1:20:27 | |
All the work, everything we did | 1:20:29 | 1:20:33 | |
and he never gets to benefit from any of it. | 1:20:33 | 1:20:36 | |
It's just not fair. | 1:20:43 | 1:20:44 | |
It was just...his time, I suppose, but it's not fair. | 1:20:46 | 1:20:51 | |
It's not fair on me, it's not fair on the children | 1:20:53 | 1:20:56 | |
and it's really not fair for him. | 1:20:56 | 1:20:57 | |
He deserved better than this. | 1:20:59 | 1:21:01 | |
# A generation left to crawl | 1:21:01 | 1:21:07 | |
# With cuts to public services and national health reform | 1:21:07 | 1:21:14 | |
# It's all for one and none for all I guess we've been here before | 1:21:16 | 1:21:24 | |
# For the dead men I sing my song... # | 1:21:26 | 1:21:34 | |
We've got 11 rooms up here, | 1:21:34 | 1:21:37 | |
seven of which developed. | 1:21:37 | 1:21:39 | |
I'm hoping in the course of time to be able to do the next four | 1:21:39 | 1:21:42 | |
And we want to bring in more small, high-end weddings. | 1:21:42 | 1:21:45 | |
They are great. And, ironically .. | 1:21:45 | 1:21:49 | |
funerals, we do funerals very well. | 1:21:49 | 1:21:51 | |
# Stand up and take to the streets | 1:21:55 | 1:21:58 | |
# They can't ignore us if we all choose to speak | 1:21:58 | 1:22:03 | |
# Stand up and take to the streets | 1:22:03 | 1:22:07 | |
# They can't ignore us if we all choose to speak | 1:22:07 | 1:22:12 | |
# Stand up and take to the streets | 1:22:12 | 1:22:17 | |
# They can't ignore us if we all choose to speak. # | 1:22:17 | 1:22:27 | |
Subtitles by Red Bee Media Ltd | 1:22:29 | 1:22:33 |