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This programme contains strong language and scenes which some viewers may find disturbing. | 0:00:02 | 0:00:12 | |
MAN TYPES | 0:00:26 | 0:00:27 | |
CROWD CHEER AND SING | 0:00:30 | 0:00:32 | |
Dear Tata Mandela, I must have been seven years old | 0:00:37 | 0:00:40 | |
when I first heard your name, Nelson Mandela. | 0:00:40 | 0:00:44 | |
You were this mysterious figure who captured my imagination. | 0:00:44 | 0:00:47 | |
You came to symbolise our struggle for freedom. | 0:00:47 | 0:00:50 | |
I stand here before you | 0:00:51 | 0:00:56 | |
not as a prophet, | 0:00:56 | 0:00:58 | |
but as a humble servant of you, the people. | 0:00:59 | 0:01:05 | |
Growing up in a village in Limpopo in the 1980s, | 0:01:14 | 0:01:18 | |
my late grandmother spoke about you | 0:01:18 | 0:01:21 | |
as this revolutionary who was going to free us from apartheid. | 0:01:21 | 0:01:24 | |
She always spoke in harsh tones | 0:01:29 | 0:01:31 | |
for fear of being detained or killed. | 0:01:31 | 0:01:34 | |
I was warned never to mention your name, even to my friends. | 0:01:34 | 0:01:38 | |
You became my hero, and from that moment, I was curious about you. | 0:01:38 | 0:01:43 | |
All the images of you were banned, | 0:01:43 | 0:01:45 | |
so I started to imagine you as this character from folk tales - | 0:01:45 | 0:01:49 | |
half-man, half-beast, with one huge eye in the middle of your forehead | 0:01:49 | 0:01:54 | |
that could see everything, an all seeing-eye. | 0:01:54 | 0:01:57 | |
You were strong and you would crush your enemies. | 0:01:58 | 0:02:01 | |
I remember going to town with my grandparents in the 1980s. | 0:02:10 | 0:02:14 | |
I remember being confused | 0:02:15 | 0:02:17 | |
as to why my grandparents stood at the window to buy stuff, | 0:02:17 | 0:02:20 | |
while white people went right into the store. | 0:02:20 | 0:02:23 | |
I witnessed a few times | 0:02:23 | 0:02:27 | |
how young white kids spoke rudely to my grandparents. | 0:02:27 | 0:02:30 | |
Their humiliation was palpable, their anger was silent | 0:02:32 | 0:02:35 | |
and their pain was unbearable. | 0:02:35 | 0:02:37 | |
Every nation bears the burden of history and memory. | 0:02:45 | 0:02:48 | |
What should we remember and what should we forget, | 0:02:48 | 0:02:52 | |
and who decides? | 0:02:52 | 0:02:53 | |
Tata Mandela, did you have to take on a different identity | 0:02:56 | 0:03:00 | |
and become a new person in order to transcend the past? | 0:03:00 | 0:03:03 | |
Nelson Mandela has amazing magnetism. | 0:03:15 | 0:03:18 | |
When you're in his presence, he looks at you and he greets you, | 0:03:18 | 0:03:22 | |
and you think he recognises you. | 0:03:22 | 0:03:24 | |
You think he knows who you are, and sometimes maybe he does | 0:03:24 | 0:03:27 | |
because you're a very familiar face. | 0:03:27 | 0:03:29 | |
Sometimes he has no clue, you know, and that's fine. | 0:03:29 | 0:03:32 | |
But he has that leadership quality, that magnetic quality, | 0:03:32 | 0:03:37 | |
that photogenic quality that makes a leader loved. | 0:03:37 | 0:03:40 | |
The people's man. | 0:03:41 | 0:03:42 | |
I wanted to write this letter to him. | 0:03:43 | 0:03:45 | |
So I wrote this letter and it was published "Dear Madiba", | 0:03:45 | 0:03:49 | |
just saying how I felt about his five years in office. | 0:03:49 | 0:03:53 | |
When he saw me the next day he said, | 0:03:53 | 0:03:55 | |
"Hmm, you've written me a love letter, hey?" | 0:03:55 | 0:03:58 | |
I said, "Yes, sir, I thought I should write you a love letter". | 0:03:58 | 0:04:01 | |
So he says, "Well, I think I should get you to marry me". | 0:04:01 | 0:04:06 | |
And of course we just laughed, you know? | 0:04:06 | 0:04:08 | |
He was always very, very charming and flirtatious, | 0:04:08 | 0:04:13 | |
but also very...I mean, anybody who says | 0:04:13 | 0:04:17 | |
"Oh, he's all conciliatory and loving, and wonderful", | 0:04:17 | 0:04:23 | |
I don't see that. | 0:04:23 | 0:04:24 | |
He is ice cold... | 0:04:24 | 0:04:27 | |
and as, you know, as cold as ice. | 0:04:27 | 0:04:32 | |
Cold as ice! | 0:04:32 | 0:04:34 | |
I tried to argue with Madiba a couple of times, | 0:04:34 | 0:04:38 | |
and you had to be pretty brave to try to stand up to him. | 0:04:38 | 0:04:42 | |
Nobody else really stood by, | 0:04:42 | 0:04:45 | |
everybody was very quiet. | 0:04:45 | 0:04:48 | |
People didn't want to cross him. | 0:04:48 | 0:04:50 | |
He had an anger about him, a strong temper. | 0:04:50 | 0:04:57 | |
He's forgiving, and if he flared up with you, | 0:04:57 | 0:05:01 | |
as he did with me on two occasions, | 0:05:01 | 0:05:04 | |
and you went to complain to him afterwards, | 0:05:04 | 0:05:09 | |
you then found him smiling and giving you a nice little pat on the back. | 0:05:10 | 0:05:17 | |
"Ronnie, don't worry about it. What I said, I said in that meeting. | 0:05:17 | 0:05:21 | |
"Now, don't worry about it. Forget it." | 0:05:21 | 0:05:23 | |
But he had achieved what he set out to do, to demolish my argument. | 0:05:23 | 0:05:27 | |
Really wonderful. | 0:05:29 | 0:05:32 | |
His face, his eyes, | 0:05:32 | 0:05:34 | |
we see the, I think, the non-violence principle, | 0:05:34 | 0:05:39 | |
and the quite sort of wise thinking | 0:05:39 | 0:05:43 | |
reflects in his face and his eyes. | 0:05:43 | 0:05:49 | |
This one almost seems like a kind of monk, fasting for this target, | 0:05:52 | 0:05:58 | |
something like that. | 0:05:58 | 0:05:59 | |
I felt like he would look stern. | 0:06:00 | 0:06:03 | |
He'd look like a stern person, | 0:06:03 | 0:06:05 | |
somebody who lives within his principles, | 0:06:05 | 0:06:08 | |
eats vegetables or water, you know, something like that. | 0:06:08 | 0:06:13 | |
He enhances in me the desire to be good in the way he talks | 0:06:13 | 0:06:20 | |
and the octave that he uses, or his voice. | 0:06:20 | 0:06:22 | |
I have to say, with it comes... | 0:06:22 | 0:06:27 | |
a frustration of some sort. | 0:06:27 | 0:06:31 | |
The frustration I have when I see on the television | 0:06:41 | 0:06:46 | |
all these, you know, stars standing next to him. | 0:06:46 | 0:06:50 | |
Does it make them feel better about, you know, themselves, or...? | 0:06:51 | 0:06:56 | |
I have no idea, I just feel that there's something wrong, really, | 0:06:56 | 0:07:00 | |
going on with that. | 0:07:00 | 0:07:01 | |
There isn't enough space for the revolutionary, | 0:07:06 | 0:07:09 | |
there isn't enough space for arguing, | 0:07:09 | 0:07:11 | |
for taking up arms, there isn't enough space | 0:07:11 | 0:07:13 | |
for talking about land and real redress in that narrative. | 0:07:13 | 0:07:16 | |
No, we only have space for the man who doesn't like suits, and children. | 0:07:16 | 0:07:20 | |
So even the icons of that narrative | 0:07:20 | 0:07:23 | |
exist in this kind of teddy bear old man, | 0:07:23 | 0:07:27 | |
laughing, crying, soft selves. | 0:07:27 | 0:07:31 | |
There is a perception that South Africa is a miracle country, | 0:07:33 | 0:07:37 | |
but there were no miracles. | 0:07:37 | 0:07:39 | |
People fought for freedom and people paid a huge price. | 0:07:39 | 0:07:43 | |
The land is stained with blood. | 0:07:43 | 0:07:45 | |
REPORTER: 'This is Mandela's first television interview.' | 0:07:47 | 0:07:50 | |
'I asked him what it was that the African really wanted.' | 0:07:54 | 0:07:57 | |
The Africans require, want, | 0:07:57 | 0:08:02 | |
the franchise, on the basis of one man, one vote. | 0:08:03 | 0:08:07 | |
They want political independence. | 0:08:07 | 0:08:08 | |
There are many people who feel | 0:08:08 | 0:08:10 | |
that it is useless and futile | 0:08:10 | 0:08:13 | |
for us to continue talking peace and non-violence | 0:08:13 | 0:08:16 | |
against a government whose reply is only savage attacks | 0:08:16 | 0:08:21 | |
on an unarmed and defenceless people. | 0:08:21 | 0:08:24 | |
Tata Mandela, how do you feel about interacting | 0:08:37 | 0:08:40 | |
with the very same people who once labelled you as a terrorist? | 0:08:40 | 0:08:45 | |
There are MPs, Conservative MPs, who, in their student days, | 0:08:47 | 0:08:51 | |
used to wear "Hang Nelson Mandela" badges, | 0:08:51 | 0:08:54 | |
for whom Mandela was a terrorist and they wanted him, | 0:08:54 | 0:08:58 | |
if not locked up for ever, then probably executed. | 0:08:58 | 0:09:02 | |
Now he's everybody's favourite uncle, he's the hero. | 0:09:02 | 0:09:07 | |
There was confusion and controversy | 0:09:07 | 0:09:10 | |
here in the United States | 0:09:10 | 0:09:13 | |
as to whether Nelson Mandela was a terrorist. | 0:09:13 | 0:09:17 | |
I would never have used such a characterisation, but many did. | 0:09:17 | 0:09:21 | |
But you'd never find anyone in the United States | 0:09:21 | 0:09:23 | |
who would even want to admit that they did that. | 0:09:23 | 0:09:25 | |
The question of how he helped to resolve, peacefully, | 0:09:25 | 0:09:29 | |
the conflict in South Africa, is one of his greatest achievements. | 0:09:29 | 0:09:34 | |
But it mustn't be permitted to conceal | 0:09:34 | 0:09:39 | |
this militant man of the people. | 0:09:39 | 0:09:43 | |
MANDELA: I have fought against white domination. | 0:09:43 | 0:09:48 | |
And I have... | 0:09:48 | 0:09:51 | |
I was a teenager when I first heard your voice. | 0:09:51 | 0:09:54 | |
Someone made me listen to your Rivonia trial speech. | 0:09:54 | 0:09:58 | |
It was inspiring, and I listened to your voice again and again. | 0:09:58 | 0:10:02 | |
..of a democratic and free society | 0:10:02 | 0:10:05 | |
in which all persons will live together | 0:10:05 | 0:10:10 | |
in harmony and with equal opportunities. | 0:10:10 | 0:10:15 | |
It is an ideal | 0:10:15 | 0:10:18 | |
for which I hope to live for, | 0:10:18 | 0:10:23 | |
and to see realised. | 0:10:23 | 0:10:28 | |
But, my lord, | 0:10:28 | 0:10:31 | |
if it need be, | 0:10:31 | 0:10:34 | |
it is an ideal | 0:10:34 | 0:10:38 | |
for which I am prepared to die. | 0:10:38 | 0:10:43 | |
When I was born, you had already been in prison for over a decade | 0:10:44 | 0:10:49 | |
and yet in my grandmother's eyes, you were a hero. | 0:10:49 | 0:10:51 | |
I never questioned her wisdom. | 0:10:53 | 0:10:54 | |
My grandmother was overprotective of me | 0:11:09 | 0:11:12 | |
and I stayed in the house all the time with her. | 0:11:12 | 0:11:15 | |
Most of the time, nothing happened, | 0:11:15 | 0:11:18 | |
but once in a while I would see an army truck driving past | 0:11:18 | 0:11:22 | |
carrying young, white soldiers, their guns sticking out. | 0:11:22 | 0:11:27 | |
I would feel my grandmother's hand tugging at mine | 0:11:27 | 0:11:30 | |
as she dragged me away into the safety of the house. | 0:11:30 | 0:11:34 | |
DEMONSTRATORS SING | 0:11:37 | 0:11:38 | |
Tata Mandela, while you were incarcerated, | 0:11:59 | 0:12:02 | |
young people driven by a sense of urgency and yearning for freedom | 0:12:02 | 0:12:07 | |
took the apartheid regime head on. | 0:12:07 | 0:12:09 | |
Some had been inspired by your example of militant youth. | 0:12:11 | 0:12:15 | |
Some were killed, while others were detained. | 0:12:15 | 0:12:19 | |
Do you know what happened to some of that generation? | 0:12:19 | 0:12:22 | |
For three months, we were in hiding, | 0:12:28 | 0:12:31 | |
and after three months they found us and arrested us. | 0:12:31 | 0:12:35 | |
I was a young journalist | 0:12:37 | 0:12:39 | |
and I suddenly found myself in this...in the belly of the beast | 0:12:39 | 0:12:44 | |
of what was apartheid. | 0:12:44 | 0:12:46 | |
And so then they did exactly what I was fearing, | 0:12:49 | 0:12:52 | |
that they would use my pregnancy in the whole interrogation process. | 0:12:52 | 0:12:57 | |
Basically, they tried to wear me down, | 0:12:58 | 0:13:03 | |
interrogated me constantly, etc. | 0:13:03 | 0:13:07 | |
But then, eventually, when they couldn't get me to co-operate | 0:13:07 | 0:13:10 | |
and this time I did have information, | 0:13:10 | 0:13:13 | |
and this time it was very definite information, | 0:13:13 | 0:13:16 | |
they finally came up with this idea | 0:13:16 | 0:13:18 | |
that they were preparing this chemical for me to drink | 0:13:18 | 0:13:21 | |
that would burn the baby from my body. | 0:13:21 | 0:13:23 | |
That was probably the hardest moment for me, | 0:13:25 | 0:13:29 | |
because that was the moment when I had to decide, | 0:13:29 | 0:13:33 | |
"What are the choices that I make? Do I let my child die, | 0:13:33 | 0:13:38 | |
"or do I let my child live and send a whole lot of people to jail?" | 0:13:38 | 0:13:44 | |
It was almost like no choice. | 0:13:45 | 0:13:47 | |
I decided to say to them | 0:13:51 | 0:13:52 | |
"Well, do what you have to do. Do what you have to do." | 0:13:52 | 0:13:56 | |
Of course, I remember them clearly. I remember their eyes. | 0:13:58 | 0:14:02 | |
I see the eyes of very cruel, vicious men. | 0:14:02 | 0:14:07 | |
Sometimes in a crowd, I see them. Of course it's not them, | 0:14:12 | 0:14:16 | |
but I see somebody who looks like one of them, and then I'm terrified. | 0:14:16 | 0:14:22 | |
The one that tortured myself and my husband | 0:14:24 | 0:14:27 | |
and others in '85, he actually met with my husband, | 0:14:27 | 0:14:32 | |
and he sent a message to say, you know, | 0:14:32 | 0:14:35 | |
something like he wanted bygones to be bygones, | 0:14:35 | 0:14:39 | |
and he wanted to find out how my child was. | 0:14:39 | 0:14:42 | |
How can you find out how the child was that you wanted to kill?! | 0:14:44 | 0:14:47 | |
Tata Mandela, whenever I go back to my village, I get depressed. | 0:15:11 | 0:15:17 | |
I'm moved by the poverty, | 0:15:17 | 0:15:19 | |
and shocked at the cemeteries bursting with my childhood friends. | 0:15:19 | 0:15:23 | |
Should I dare ask, whose freedom is it? | 0:15:23 | 0:15:27 | |
Was the struggle for all or was the struggle for a few? | 0:15:27 | 0:15:30 | |
I couldn't believe it. It was impossible. | 0:15:48 | 0:15:51 | |
When they told me that my sister had died in the bomb blast, | 0:15:51 | 0:15:56 | |
I wouldn't believe it because my sister was not the military type. | 0:15:57 | 0:16:02 | |
She was very feminine, and liked clothing and socialising. | 0:16:04 | 0:16:11 | |
I could not imagine my sister doing military training | 0:16:12 | 0:16:16 | |
and getting involved with bombs or guns. | 0:16:16 | 0:16:23 | |
I dismissed it immediately. | 0:16:24 | 0:16:26 | |
When we got to the mortuary, they led me round the corridor, | 0:16:28 | 0:16:36 | |
which curved to your left. | 0:16:36 | 0:16:38 | |
And... | 0:16:40 | 0:16:41 | |
there was a cloth over my sister's body, | 0:16:43 | 0:16:48 | |
and they opened it up and asked me to identify her body. | 0:16:48 | 0:16:53 | |
At first, it didn't look like her | 0:16:54 | 0:16:56 | |
and they said it was the best they could do to put it together. | 0:16:56 | 0:17:01 | |
Her eyes were out of her sockets. | 0:17:03 | 0:17:07 | |
Her mouth was open. | 0:17:07 | 0:17:11 | |
Um... | 0:17:11 | 0:17:13 | |
I was...I lost my emotions. I couldn't cry, I couldn't... | 0:17:24 | 0:17:29 | |
It was almost like I was... | 0:17:33 | 0:17:34 | |
I was a broken human in the sense of having no emotions. | 0:17:39 | 0:17:43 | |
I'm an artist, I've been to art school. | 0:17:49 | 0:17:51 | |
And I've tried drawing my sister. | 0:17:51 | 0:17:54 | |
And I can only draw what I saw in the morgue. | 0:17:55 | 0:17:59 | |
I can't draw my sister as a whole person. | 0:17:59 | 0:18:03 | |
South Africa was created by its people, | 0:18:10 | 0:18:12 | |
not by one individual's greatness. | 0:18:12 | 0:18:16 | |
There were too many sacrifices, and it was a unified struggle. | 0:18:18 | 0:18:25 | |
And we can't give all the glory to one person. | 0:18:25 | 0:18:30 | |
# Free Nelson Mandela | 0:18:36 | 0:18:41 | |
# Free | 0:18:42 | 0:18:46 | |
# Free | 0:18:46 | 0:18:49 | |
# Free, free, free Nelson Mandela. # | 0:18:49 | 0:18:55 | |
I remember being in London. | 0:18:55 | 0:18:58 | |
It was not long after I'd come out of hospital | 0:18:58 | 0:19:01 | |
after I was blown up in 1988. | 0:19:01 | 0:19:05 | |
And it was the Free Mandela concert at Wembley. | 0:19:05 | 0:19:09 | |
# Free Nelson Mandela | 0:19:09 | 0:19:14 | |
# Free Nelson Mandela | 0:19:17 | 0:19:22 | |
And I didn't know what you do at a pop concert. | 0:19:30 | 0:19:34 | |
I'd never been to one. | 0:19:34 | 0:19:35 | |
I belonged to the classical music and jazz kind of grouping. | 0:19:35 | 0:19:40 | |
Do you stand up? Do you wave? | 0:19:40 | 0:19:44 | |
70,000 young people and me, and it was fantastic. | 0:19:44 | 0:19:49 | |
# Free Nelson Mandela! | 0:19:49 | 0:19:53 | |
And the cheering just went on for hours and hours. | 0:19:53 | 0:19:55 | |
These were supposed to be the yobbos, | 0:19:55 | 0:19:58 | |
the youth of England who had no idealism, | 0:19:58 | 0:20:00 | |
only interested in material things. | 0:20:00 | 0:20:02 | |
And here they were, inspired by that individual. | 0:20:02 | 0:20:07 | |
So it wasn't anything that he actually said in particular | 0:20:07 | 0:20:11 | |
that they were responding to. It was what he stood for. | 0:20:11 | 0:20:15 | |
The symbol of Mandela became, in that sense, | 0:20:15 | 0:20:18 | |
more powerful than the reality of Mandela. | 0:20:18 | 0:20:21 | |
I remember the day you were released from prison vividly. | 0:20:26 | 0:20:30 | |
By then I was a teenager, living with my mother in Johannesburg. | 0:20:30 | 0:20:34 | |
I watched your release on television. | 0:20:34 | 0:20:37 | |
When you finally came out, you looked normal, like my grandfather. | 0:20:37 | 0:20:42 | |
You looked frail, but you were waving and smiling at the crowds. | 0:20:42 | 0:20:45 | |
I remember, when he came out of prison | 0:20:51 | 0:20:53 | |
I was there, covering the story. | 0:20:53 | 0:20:54 | |
The great anxiety for a lot of people | 0:20:54 | 0:20:57 | |
was that he simply couldn't possibly live up | 0:20:57 | 0:20:59 | |
to this enormous legendary myth that had been built up about him. | 0:20:59 | 0:21:03 | |
Yet the remarkable thing was, | 0:21:03 | 0:21:04 | |
as we saw in that very first press conference | 0:21:04 | 0:21:07 | |
on the morning after his release, at the home of Archbishop Desmond Tutu, | 0:21:07 | 0:21:10 | |
he actually exceeded the myth. | 0:21:10 | 0:21:12 | |
He has this sort of tremendous sense of himself, | 0:21:12 | 0:21:15 | |
like a great Shakespearean or Greek dramatic hero. | 0:21:15 | 0:21:21 | |
RADIO NEWS JINGLE | 0:21:24 | 0:21:27 | |
'Good morning. | 0:21:27 | 0:21:29 | |
'It's expected that only family members | 0:21:29 | 0:21:32 | |
'will be visiting Madiba in hospital today...' | 0:21:32 | 0:21:34 | |
I must say, I was disappointed by the image I saw of you. | 0:21:36 | 0:21:40 | |
I always imagined that as my superhero, | 0:21:40 | 0:21:42 | |
you would somehow find a way to break down the prison walls. | 0:21:42 | 0:21:47 | |
You would lead an army made up of our people. | 0:21:47 | 0:21:50 | |
We would then walk through my village, | 0:21:50 | 0:21:52 | |
arms aloft, victorious after defeating the enemy. | 0:21:52 | 0:21:56 | |
But I was surprised by the restraint and gentle tone of your voice. | 0:21:57 | 0:22:01 | |
Where was the fire in your voice? Where was the anger? | 0:22:01 | 0:22:05 | |
MANDELA: Your tireless and heroic sacrifices | 0:22:12 | 0:22:17 | |
have made it possible | 0:22:17 | 0:22:20 | |
for me to be here today. | 0:22:20 | 0:22:24 | |
I therefore have placed | 0:22:26 | 0:22:29 | |
the remaining years of my life | 0:22:29 | 0:22:33 | |
in your hands. | 0:22:33 | 0:22:36 | |
CHEERING | 0:22:36 | 0:22:37 | |
I remember hearing people singing as they marched past my mother's flat. | 0:22:44 | 0:22:48 | |
There was such an excitement. | 0:22:48 | 0:22:50 | |
I had so many unanswered questions. | 0:22:53 | 0:22:56 | |
You had just come out of prison after 27 years. | 0:22:56 | 0:22:59 | |
You had sacrificed all - your wife, your children and your career. | 0:22:59 | 0:23:05 | |
I went to join the crowd. The spirit of the moment took over. | 0:23:05 | 0:23:11 | |
We were very focused | 0:23:11 | 0:23:15 | |
on South Africa being the centre of the world in those days. | 0:23:15 | 0:23:18 | |
And I knew at that moment, our world had changed. | 0:23:18 | 0:23:22 | |
And it was an unknown future. | 0:23:22 | 0:23:24 | |
But it had to be a future that was better than our past. | 0:23:24 | 0:23:27 | |
BABY CRIES | 0:24:07 | 0:24:09 | |
Politicians remind people from time to time that "You're free. | 0:24:19 | 0:24:21 | |
"1994 freed you. Nelson Mandela freed you", you know. | 0:24:21 | 0:24:25 | |
They drum that into people's minds and they end up believing it. | 0:24:25 | 0:24:29 | |
Even though they stay in the dampest place on earth, | 0:24:29 | 0:24:33 | |
surviving on pap and cabbage every day, | 0:24:33 | 0:24:36 | |
living in the most degrading and appalling conditions, | 0:24:36 | 0:24:40 | |
they will believe that they are free. | 0:24:40 | 0:24:45 | |
And the answer would be: Freed from what? | 0:24:45 | 0:24:48 | |
Nelson Mandela was a mantra. | 0:25:44 | 0:25:47 | |
They used the words "Nelson Mandela" as shorthand, | 0:25:47 | 0:25:50 | |
a shortcut to mean the solution to all our problems of apartheid, | 0:25:50 | 0:25:54 | |
of colonialism, of impoverishment, of life and its hassles. | 0:25:54 | 0:25:59 | |
BOYS CHANT | 0:25:59 | 0:26:01 | |
The songs, the chants became a rallying call. | 0:26:04 | 0:26:08 | |
Nelson Mandela was seen as the person who would save us, | 0:26:08 | 0:26:12 | |
save these kids. | 0:26:12 | 0:26:13 | |
Not save them from political inequality, | 0:26:13 | 0:26:16 | |
but pull them out of these lives of poverty and misery, | 0:26:16 | 0:26:19 | |
of shit education, of suffering, of violence. | 0:26:19 | 0:26:23 | |
Tata Mandela, I remember catching glimpses of the violence | 0:26:26 | 0:26:31 | |
that happened in the 1990s after you were released. | 0:26:31 | 0:26:34 | |
The media headlines screaming Black On Black Violence, | 0:26:36 | 0:26:41 | |
but behind the scenes, the apartheid force were at work | 0:26:41 | 0:26:44 | |
sowing divisions, turning brother against brother. | 0:26:44 | 0:26:48 | |
Thousands died. | 0:26:54 | 0:26:55 | |
There were also the right wing groups | 0:26:56 | 0:26:58 | |
trying to set fire to the country, to stop the march of history. | 0:26:58 | 0:27:02 | |
I have hazy memories because I was confronting my own demons. | 0:27:16 | 0:27:20 | |
My mother started falling ill | 0:27:21 | 0:27:23 | |
and I watched her life fall apart. | 0:27:23 | 0:27:26 | |
Politics did not seem that important after all. | 0:27:26 | 0:27:29 | |
I have read that without your leadership, | 0:27:33 | 0:27:35 | |
the country would have descended into a civil war. | 0:27:35 | 0:27:38 | |
My experience of our war was very intimate, very close up. | 0:27:44 | 0:27:50 | |
It was people in hand-to-hand combat, | 0:27:50 | 0:27:53 | |
often using rocks and bricks as weapons, Knobkerrie sticks, | 0:27:53 | 0:27:57 | |
spears made from reinforcing rods. | 0:27:57 | 0:28:00 | |
And that's how people killed each other, the vast majority, | 0:28:00 | 0:28:04 | |
by touching each other. | 0:28:04 | 0:28:06 | |
That's horrible, | 0:28:06 | 0:28:07 | |
because you know that there's fear, there's eye contact. | 0:28:07 | 0:28:11 | |
You're making eye contact with a killer, | 0:28:11 | 0:28:14 | |
and you're talking about this thing. | 0:28:14 | 0:28:16 | |
It's the smell of human blood. | 0:28:18 | 0:28:21 | |
It's got a distinctive, horrible smell, | 0:28:21 | 0:28:25 | |
nauseating and rich and terrible. | 0:28:25 | 0:28:29 | |
And the sounds. Intimate sounds of people killing each other. | 0:28:29 | 0:28:33 | |
You can't get them out of your head. | 0:28:33 | 0:28:35 | |
We were so caught up in it, | 0:28:37 | 0:28:39 | |
these child soldiers who went to war on behalf of their neighbourhoods, | 0:28:39 | 0:28:43 | |
of their party, of their president-to-be, Nelson Mandela. | 0:28:43 | 0:28:48 | |
The negotiation process is completely in tatters. | 0:28:57 | 0:29:04 | |
I can no longer explain | 0:29:04 | 0:29:07 | |
to our people | 0:29:09 | 0:29:11 | |
why we continue | 0:29:12 | 0:29:14 | |
to talk to a government, to a regime | 0:29:16 | 0:29:19 | |
which is murdering our people, | 0:29:20 | 0:29:23 | |
which is conducting war against us. | 0:29:23 | 0:29:26 | |
We want arms! We want arms! We want arms! | 0:29:26 | 0:29:29 | |
I did not follow the negotiations, | 0:29:30 | 0:29:32 | |
as I was going through my own personal stuff. | 0:29:32 | 0:29:36 | |
I was a late bloomer. I had just discovered girls. | 0:29:36 | 0:29:40 | |
I was eligible to vote in 1994. | 0:29:43 | 0:29:45 | |
I was excited about the prospects of my country. | 0:29:48 | 0:29:52 | |
I thought that the elections and your victory would end the nightmare | 0:29:52 | 0:29:56 | |
that has haunted our people for centuries. | 0:29:56 | 0:29:59 | |
The elections meant freedom for our people. | 0:29:59 | 0:30:01 | |
At least, that's what I thought at that time. | 0:30:01 | 0:30:03 | |
SONG: | 0:30:10 | 0:30:12 | |
The Berlin Wall had fallen, Russia had fallen, | 0:31:16 | 0:31:18 | |
and that threat didn't exist any more. | 0:31:18 | 0:31:21 | |
Now all of us were inhabiting market capitalism. This was it. | 0:31:21 | 0:31:25 | |
This was the way it was going to be. | 0:31:25 | 0:31:26 | |
This was the beginning, the middle and the end. | 0:31:26 | 0:31:29 | |
Those battles were going on in the ANC, nationalisation was over. | 0:31:29 | 0:31:31 | |
Even if people were saying things about nationalisation, | 0:31:31 | 0:31:34 | |
no-one was listening. | 0:31:34 | 0:31:35 | |
If Mandela had, to use an English phrase, | 0:31:35 | 0:31:38 | |
cocked a snook at that, in other words, | 0:31:38 | 0:31:41 | |
shown a position of "Do what you dare, | 0:31:41 | 0:31:48 | |
"but we are going to at least ensure | 0:31:48 | 0:31:52 | |
"that the major bloodsuckers, those vampires, those mining houses, | 0:31:52 | 0:31:56 | |
"pay a restitution which will enable us | 0:31:56 | 0:32:02 | |
"to really help our people | 0:32:02 | 0:32:04 | |
"much more than we possibly can otherwise", | 0:32:04 | 0:32:07 | |
then we would have got away with it. | 0:32:07 | 0:32:10 | |
We would have gained that. | 0:32:10 | 0:32:11 | |
WOMAN: You know, Mandela is like Moses. | 0:32:11 | 0:32:14 | |
-TRANSLATOR: -Nelson Mandela ist wie Mose. | 0:32:14 | 0:32:16 | |
Sowie Mose die Israeliten befreit hat, hat Nelson Mandela uns befreit. | 0:32:16 | 0:32:19 | |
Historians often mention the end of apartheid | 0:32:19 | 0:32:23 | |
and the fall of the Berlin Wall | 0:32:23 | 0:32:25 | |
as two major historical events of the 20th century. | 0:32:25 | 0:32:28 | |
The Berlin Wall might have fallen, | 0:32:28 | 0:32:30 | |
but many more walls still exist everywhere in the world. | 0:32:30 | 0:32:34 | |
Every day in South Africa, I'm aware of these walls that divide us | 0:32:34 | 0:32:38 | |
despite your promise to break them down. | 0:32:38 | 0:32:40 | |
WOMAN'S VOICE: ..Shot on 15th March, 1973. | 0:32:40 | 0:32:44 | |
Never, and never again | 0:32:48 | 0:32:51 | |
shall it be | 0:32:51 | 0:32:53 | |
that this beautiful land | 0:32:53 | 0:32:55 | |
will again experience | 0:32:55 | 0:32:57 | |
the oppression of one by another. | 0:32:57 | 0:33:01 | |
The sun shall never set | 0:33:01 | 0:33:05 | |
on so glorious a human achievement. | 0:33:06 | 0:33:10 | |
Let freedom reign. | 0:33:10 | 0:33:13 | |
God bless Africa. | 0:33:13 | 0:33:14 | |
I thank you. | 0:33:14 | 0:33:17 | |
CHEERING | 0:33:17 | 0:33:18 | |
I have gooseflesh. | 0:33:21 | 0:33:22 | |
I was there when Madiba spoke. | 0:33:24 | 0:33:28 | |
We knew it was an exalted occasion. | 0:33:28 | 0:33:31 | |
That was the time of "pinch me". | 0:33:31 | 0:33:33 | |
It was kind of unbelievable that in South Africa, | 0:33:33 | 0:33:36 | |
a country of so much division and hate | 0:33:36 | 0:33:39 | |
and at each other's throats, | 0:33:39 | 0:33:41 | |
and here came these eloquent, beautifully phrased words, | 0:33:41 | 0:33:46 | |
and it wasn't tub-thumping and promising everything to everybody. | 0:33:46 | 0:33:51 | |
We've seen him on film recently, and he's frail. | 0:33:51 | 0:33:56 | |
There's still that marvellous smile, | 0:33:56 | 0:33:58 | |
but progressively, the body is getting weaker | 0:33:58 | 0:34:01 | |
and we're beginning to live with the image of the person fading away. | 0:34:01 | 0:34:05 | |
I'll never forget being in front of the Union Building in Pretoria | 0:34:10 | 0:34:14 | |
on that marvellous day, | 0:34:14 | 0:34:15 | |
looking at all the other leaders from around the world, | 0:34:15 | 0:34:18 | |
and having the privilege | 0:34:18 | 0:34:19 | |
to represent the American people, along with many other Americans. | 0:34:19 | 0:34:25 | |
Good morning. Good morning. | 0:34:25 | 0:34:27 | |
-How are you? -I'm very well. Yourself? -I'm so happy. | 0:34:27 | 0:34:30 | |
-COLIN POWELL: -But I saw it in a way that the others did not see it, | 0:34:33 | 0:34:37 | |
because I was a soldier. | 0:34:37 | 0:34:38 | |
What moved me so deeply, and what I've never forgotten, | 0:34:38 | 0:34:41 | |
is that the first ones to come up | 0:34:41 | 0:34:43 | |
were the generals of the South African Defence Forces, | 0:34:43 | 0:34:48 | |
the four men who were in charge of the South African armed forces, | 0:34:48 | 0:34:52 | |
leading their new Commander-in-Chief, Nelson Mandela. | 0:34:52 | 0:34:56 | |
And I said, "God, I've lived to see this." | 0:34:56 | 0:34:59 | |
If you look at many of the struggles, | 0:35:05 | 0:35:07 | |
the anti-colonial struggles, | 0:35:07 | 0:35:09 | |
the struggles against the empire, or against the colonies, | 0:35:09 | 0:35:12 | |
those who take power after it, generally through armed struggle, | 0:35:12 | 0:35:17 | |
end up being people who are unable to construct the democratic society | 0:35:18 | 0:35:24 | |
or the just society that they wanted or they said they wanted. | 0:35:24 | 0:35:28 | |
Ladies and gentlemen, | 0:35:28 | 0:35:29 | |
the President-elect of the Republic of South Africa... | 0:35:29 | 0:35:34 | |
They are unable to adjust their minds and their hearts | 0:35:34 | 0:35:39 | |
to a situation of creating a society that's not "Us against them, | 0:35:39 | 0:35:46 | |
"I'll kill you, you'll kill me, only one of us is right." | 0:35:46 | 0:35:50 | |
Mandela moves from one possibility of an armed struggle against a foe | 0:35:51 | 0:35:57 | |
that certainly deserves to be vanquished militarily, | 0:35:57 | 0:36:02 | |
to a transition to democracy which has been, I think, | 0:36:02 | 0:36:07 | |
one of the major issues of the last 30 or 40 years in our century. | 0:36:07 | 0:36:12 | |
Our feelings were that | 0:36:13 | 0:36:15 | |
"We are not going to speak to the apartheid regime | 0:36:15 | 0:36:19 | |
"for the crimes that they committed against us." | 0:36:19 | 0:36:23 | |
But our brains said "If you don't talk to these people, | 0:36:24 | 0:36:29 | |
"this country's going to go up in flames." | 0:36:29 | 0:36:31 | |
So we had to reconcile our blood with our brain, | 0:36:31 | 0:36:37 | |
our feelings with our logic. | 0:36:37 | 0:36:40 | |
And we decided that "Look, if we use violence, | 0:36:40 | 0:36:45 | |
"these people are stronger than us. | 0:36:45 | 0:36:47 | |
"And they will be able to hold the upper hand. | 0:36:48 | 0:36:52 | |
"But if we sit down to talk to them, | 0:36:52 | 0:36:55 | |
"they can never answer our case". | 0:36:55 | 0:36:57 | |
And that's what we did. | 0:36:57 | 0:37:00 | |
APPLAUSE | 0:37:00 | 0:37:02 | |
We've been asked to say it doesn't matter, get over it. | 0:37:09 | 0:37:13 | |
We can just get over it. | 0:37:13 | 0:37:14 | |
We didn't matter, what happened to us doesn't matter, | 0:37:14 | 0:37:16 | |
how we feel doesn't matter, | 0:37:16 | 0:37:17 | |
how we've become the people we are doesn't matter. | 0:37:17 | 0:37:20 | |
The nonsense that still continues to happen, | 0:37:20 | 0:37:22 | |
who doesn't have power, the landlessness doesn't matter. | 0:37:22 | 0:37:24 | |
It doesn't matter, let's just turn a new page. | 0:37:24 | 0:37:27 | |
Reconciliation, the expectation of forgiveness | 0:37:28 | 0:37:31 | |
and reconciliation without justice, is itself an injustice | 0:37:31 | 0:37:34 | |
that we're supposed to co-sign on. | 0:37:34 | 0:37:36 | |
I'm not co-signing on it. | 0:37:36 | 0:37:38 | |
Tata Mandela, can I confess to you that in moments of anger | 0:38:00 | 0:38:04 | |
and disillusionment, I fantasise about the revolution we never had? | 0:38:04 | 0:38:09 | |
I'm not saying this lightly, as war scars people for ever. | 0:38:09 | 0:38:12 | |
Do you think it is better to accept a dirty compromise than go to war? | 0:38:12 | 0:38:16 | |
Tata Mandela, do you ever have moments of weakness, | 0:39:00 | 0:39:03 | |
or anger and resentment, | 0:39:03 | 0:39:04 | |
when you want to line up your enemies against the wall | 0:39:04 | 0:39:08 | |
and shoot them? | 0:39:08 | 0:39:09 | |
When I was filming in Nigeria, | 0:39:21 | 0:39:23 | |
four people were killed as two bombs hit two newspaper offices. | 0:39:23 | 0:39:27 | |
I was terrified. | 0:39:29 | 0:39:30 | |
How do we engage with those who feel aggrieved | 0:39:31 | 0:39:34 | |
and are prepared to sacrifice their lives | 0:39:34 | 0:39:36 | |
and the lives of others to make their point? | 0:39:36 | 0:39:40 | |
I know what I'd like to do to those killers in Nigeria right now. | 0:39:47 | 0:39:52 | |
On the other hand, I would be grateful | 0:39:54 | 0:39:57 | |
for somebody who is able to do what I cannot do, | 0:39:57 | 0:40:01 | |
just in order to enable the entity to survive. | 0:40:01 | 0:40:04 | |
So it's on that axis that people like me are permanently crucified. | 0:40:04 | 0:40:09 | |
On one hand, we know what is needed, | 0:40:09 | 0:40:12 | |
what must take place | 0:40:12 | 0:40:15 | |
in order for the totality of society to survive. | 0:40:15 | 0:40:20 | |
But at the same time, | 0:40:20 | 0:40:22 | |
to preserve my own sense of balance in humanity, | 0:40:22 | 0:40:25 | |
I would like to see some of those slowly roasted on a spit, | 0:40:25 | 0:40:29 | |
you know, to serve as an example to all of us. | 0:40:29 | 0:40:32 | |
When I was lying in bed, recovering in hospital in London | 0:40:33 | 0:40:38 | |
after the bomb where I lost my arm and the sight in an eye, | 0:40:38 | 0:40:42 | |
somebody sent me a note and said, | 0:40:42 | 0:40:43 | |
"Don't worry, Comrade Albie, we will avenge you." | 0:40:43 | 0:40:46 | |
And I thought, | 0:40:46 | 0:40:47 | |
"Are we going to cut off arms and blind people in one eye? | 0:40:47 | 0:40:52 | |
"What good is that going to do me?" | 0:40:52 | 0:40:54 | |
And I said, "If we get freedom and democracy in South Africa | 0:40:54 | 0:40:58 | |
"and a rule of law, roses and lilies will grow out of my arm, | 0:40:58 | 0:41:01 | |
"and that would be my soft vengeance." | 0:41:01 | 0:41:03 | |
Tata Mandela, have you heard the whispers of our people | 0:41:05 | 0:41:08 | |
that those who butchered and violated their loved ones | 0:41:08 | 0:41:12 | |
got away with murder? | 0:41:12 | 0:41:13 | |
Where's justice for them? | 0:41:15 | 0:41:17 | |
Don't you think we should have had public trials, like Nuremberg? | 0:41:17 | 0:41:20 | |
Tata Mandela, we are not where we should be as a country. | 0:41:49 | 0:41:54 | |
We are living every day suspended between a dream and a nightmare. | 0:41:54 | 0:41:58 | |
Tata Mandela, what was the ultimate price of peace? | 0:42:10 | 0:42:14 | |
You cannot justify | 0:42:24 | 0:42:26 | |
the structural violence, the degradation, | 0:42:26 | 0:42:31 | |
the re-traumatisation that post-apartheid means, | 0:42:31 | 0:42:34 | |
precisely because you have refused to materially | 0:42:34 | 0:42:37 | |
transform and transfer power | 0:42:37 | 0:42:39 | |
by saying "It could have been so much worse, | 0:42:39 | 0:42:41 | |
"we would have been dying in the streets". | 0:42:41 | 0:42:43 | |
Well, you know, depending on who you are, | 0:42:43 | 0:42:46 | |
people are dying in the streets. | 0:42:46 | 0:42:47 | |
Whatever conditions of poverty and inequality exist in South Africa | 0:42:57 | 0:43:01 | |
would have been infinitely worse than anything we are today. | 0:43:01 | 0:43:06 | |
South Africa could so easily have become | 0:43:06 | 0:43:08 | |
a sort of Palestine, Israel, Sudan, Congo, or whatever. | 0:43:08 | 0:43:13 | |
"So your kids are actually going to be locked into poverty, | 0:43:19 | 0:43:22 | |
"I don't know what happened to your water, | 0:43:22 | 0:43:25 | |
"you're never going to get land - | 0:43:25 | 0:43:27 | |
"Oh, but how much luckier are you | 0:43:27 | 0:43:29 | |
"than people who get shot in the streets!" | 0:43:29 | 0:43:31 | |
It's insulting. | 0:43:31 | 0:43:32 | |
If there would truly be any reconciliation, | 0:43:43 | 0:43:47 | |
it's for us to say to our fellow whites in South Africa - | 0:43:47 | 0:43:51 | |
"Give back". | 0:43:51 | 0:43:53 | |
I think what we should be doing is to say from 1652, | 0:43:53 | 0:43:57 | |
how much wealth has been plundered from black people? | 0:43:57 | 0:44:00 | |
The land, the cows and, you know, | 0:44:00 | 0:44:01 | |
the dreams and ambitions that have been stolen from black people, | 0:44:01 | 0:44:04 | |
let us calculate that and put it in monetary form | 0:44:04 | 0:44:07 | |
and say "Ha! Collectively, all the whites must pay that back". | 0:44:07 | 0:44:10 | |
You know, then that will be a reconciliation. | 0:44:10 | 0:44:13 | |
Well, you cannot, you just cannot undo, | 0:44:13 | 0:44:16 | |
and you cannot make reparations for the crimes of centuries, | 0:44:16 | 0:44:21 | |
for the cruelties of centuries, | 0:44:21 | 0:44:24 | |
for the enslavement of a people in a far-off land. | 0:44:24 | 0:44:28 | |
Where do you begin? | 0:44:28 | 0:44:29 | |
We are here, we are where we are as a result of war, | 0:44:40 | 0:44:43 | |
and no amount of negotiation will bring about justice. | 0:44:43 | 0:44:46 | |
It will be war that brings about justice, | 0:44:46 | 0:44:49 | |
even at the cost of the ultimate sacrifice. | 0:44:50 | 0:44:55 | |
We are going to have to get justice done in this country. | 0:44:55 | 0:44:59 | |
Tata Mandela, I have a recurring nightmare. | 0:45:41 | 0:45:45 | |
It's a beautiful evening at a restaurant with a group of friends. | 0:45:45 | 0:45:50 | |
Men in balaclavas holding rifles storm into the restaurant | 0:45:54 | 0:45:59 | |
and start shooting. | 0:45:59 | 0:46:00 | |
I hide under the table. Some friends have been shot. | 0:46:08 | 0:46:11 | |
Some of their blood spills onto my face. | 0:46:11 | 0:46:14 | |
I try to wash it away, but it won't go away. | 0:46:14 | 0:46:16 | |
'Passengers in the last carriage, | 0:46:21 | 0:46:22 | |
'please move towards the front doors to leave the train.' | 0:46:22 | 0:46:26 | |
People across the globe associate you with peace. | 0:46:26 | 0:46:29 | |
I remember how you tried to use your status as a global icon | 0:46:29 | 0:46:32 | |
to stop the invasion of Iraq, but no-one listened to you. | 0:46:32 | 0:46:36 | |
I remember the only argument I ever had with him | 0:46:36 | 0:46:39 | |
was when he phoned me up to say, | 0:46:39 | 0:46:42 | |
"Peter, what Tony Blair is doing in Iraq is bad, | 0:46:42 | 0:46:45 | |
"it's not going to work". | 0:46:45 | 0:46:47 | |
What I sensed with Nelson Mandela at that moment | 0:46:48 | 0:46:52 | |
was a great frustration | 0:46:52 | 0:46:54 | |
that he felt the invasion of Iraq by mainly America and Britain, | 0:46:54 | 0:46:58 | |
with other allies, was the wrong thing to do. | 0:46:58 | 0:47:01 | |
He thought it would be catastrophic, | 0:47:01 | 0:47:03 | |
and he thought it would undermine all that Tony Blair was doing. | 0:47:03 | 0:47:06 | |
And in many respects, if you look back, he was right. | 0:47:06 | 0:47:09 | |
Tony Blair never recovered, outside America, | 0:47:09 | 0:47:12 | |
the trust he'd had with the British public and the international public, | 0:47:12 | 0:47:18 | |
from the time he took the decision to go with George Bush into Iraq. | 0:47:18 | 0:47:22 | |
Do I think peace is possible? Of course it's possible. | 0:48:16 | 0:48:20 | |
My whole life has been devoted to peace. | 0:48:20 | 0:48:22 | |
Even though I'm a soldier and I had to fight, | 0:48:22 | 0:48:24 | |
I have always tried to fight | 0:48:24 | 0:48:26 | |
in a way that ends the conflict quickly, | 0:48:26 | 0:48:29 | |
so that we can get back to peace. | 0:48:29 | 0:48:32 | |
But the reality is, there are bad people, | 0:48:33 | 0:48:36 | |
there are bad systems in this world. | 0:48:36 | 0:48:38 | |
I was once asked why we didn't just use soft power, | 0:48:39 | 0:48:42 | |
why America used hard power. | 0:48:42 | 0:48:44 | |
Well, it was hard power that defeated the Nazis, | 0:48:44 | 0:48:47 | |
it was hard power that ended the conflict with Japan. | 0:48:47 | 0:48:51 | |
And what did America do after using hard power? | 0:48:51 | 0:48:55 | |
We rebuilt the nations that we'd used the hard power against. | 0:48:55 | 0:48:58 | |
We used soft power. | 0:48:58 | 0:49:01 | |
So I'm always for solving a problem without a war, | 0:49:01 | 0:49:05 | |
but if war comes, I'm the one who knows how to do it. | 0:49:05 | 0:49:07 | |
RADIO: 'Mr Mandela has remained in critical condition | 0:49:16 | 0:49:19 | |
'for six days at a Pretoria hospital...' | 0:49:19 | 0:49:20 | |
Tata Mandela, the invasion of Iraq | 0:49:20 | 0:49:24 | |
was immoral and based on lies. | 0:49:24 | 0:49:27 | |
I was in New York at that time | 0:49:27 | 0:49:29 | |
and my friends were going to march against the war. | 0:49:29 | 0:49:33 | |
I joined them. | 0:49:33 | 0:49:34 | |
He discovered that his jailers were human. | 0:49:52 | 0:49:55 | |
I believe, personally, | 0:49:57 | 0:49:59 | |
that you should not sit down with your enemies | 0:49:59 | 0:50:01 | |
unless they have shown real signs of repentance | 0:50:01 | 0:50:05 | |
and real signs of not being willing to redo what they were going to do. | 0:50:05 | 0:50:10 | |
In other words, they should show with their actions | 0:50:10 | 0:50:15 | |
that they are not going to repeat that experience. | 0:50:15 | 0:50:20 | |
Let's say that they have got rid of the apartheid of their soul, | 0:50:20 | 0:50:23 | |
the prejudice in their soul, the pettiness in their soul. | 0:50:23 | 0:50:27 | |
It happened that I was sitting in my chambers as a judge, | 0:50:34 | 0:50:37 | |
and the phone rings. | 0:50:37 | 0:50:39 | |
The voice says "There's a man called Henry. | 0:50:39 | 0:50:41 | |
"He says he has an appointment with you". | 0:50:41 | 0:50:43 | |
I said "Send him through." | 0:50:43 | 0:50:45 | |
And I went to the security gate with considerable excitement, | 0:50:45 | 0:50:49 | |
because Henry had phoned me to say | 0:50:49 | 0:50:52 | |
that he had organised the bomb in my car. | 0:50:52 | 0:50:54 | |
He was now going to the Truth Commission. | 0:50:54 | 0:50:57 | |
Was I willing to meet him? | 0:50:57 | 0:50:59 | |
I open the door and there's Henry, younger than myself, | 0:50:59 | 0:51:04 | |
also tallish, thin. | 0:51:04 | 0:51:06 | |
He's looking at me, I'm looking at him, | 0:51:06 | 0:51:09 | |
"So this is the man who tried to kill me", and I see in his eyes, | 0:51:09 | 0:51:12 | |
"This is the man I tried to kill." | 0:51:12 | 0:51:14 | |
We hadn't fought, we didn't even know each other. | 0:51:14 | 0:51:18 | |
We talked, we talked, we talked. It's a strange relationship, | 0:51:18 | 0:51:21 | |
meeting the person who tried to kill you. | 0:51:21 | 0:51:24 | |
And I said at the end, | 0:51:24 | 0:51:25 | |
"Henry, normally when I say goodbye to someone, I shake their hand. | 0:51:25 | 0:51:29 | |
"I can't shake your hand, but you go to the Truth Commission | 0:51:29 | 0:51:32 | |
"and tell them what you know, and maybe we'll meet one day." | 0:51:32 | 0:51:35 | |
And I still recall that as he walked back, | 0:51:35 | 0:51:38 | |
he was shuffling along like a defeated person. | 0:51:38 | 0:51:40 | |
I closed the door and he was gone. And I forgot about him. | 0:51:40 | 0:51:43 | |
About nine months later, I'm at an end-of-year party | 0:51:45 | 0:51:49 | |
and the music is playing very loudly, | 0:51:49 | 0:51:52 | |
and I hear a voice saying, "Albie, Albie". | 0:51:52 | 0:51:55 | |
My God, it's Henry. | 0:51:56 | 0:51:58 | |
He's beaming, and he comes up to me | 0:51:58 | 0:51:59 | |
and says he went to the Truth Commission and told them everything. | 0:51:59 | 0:52:04 | |
And I said, "Henry, I've only got to see your face | 0:52:05 | 0:52:08 | |
"to tell me what you're saying is true." | 0:52:08 | 0:52:10 | |
I held out my left hand and shook his hand. | 0:52:10 | 0:52:13 | |
He went away smiling, and I almost fainted. | 0:52:13 | 0:52:17 | |
I heard afterwards that he was bouncing around, | 0:52:20 | 0:52:25 | |
and suddenly left the party, and he went home and cried for two weeks. | 0:52:25 | 0:52:29 | |
And that moved me. | 0:52:29 | 0:52:30 | |
That moved me. He was becoming a South African. | 0:52:30 | 0:52:34 | |
He was discovering his own humanity and conscience. | 0:52:34 | 0:52:38 | |
Tata Mandela, I understand why, as a leader, | 0:52:56 | 0:52:59 | |
you opted for reconciliation, but where do you draw the line? | 0:52:59 | 0:53:04 | |
One day I was with a friend of mine | 0:53:04 | 0:53:05 | |
at one of my favourite restaurants in Cape Town. | 0:53:05 | 0:53:08 | |
He pointed at a man sitting with two women. | 0:53:08 | 0:53:12 | |
I immediately recognised him. He was talking and laughing. | 0:53:12 | 0:53:16 | |
It was Wouter Basson, nicknamed Doctor Death. | 0:53:18 | 0:53:23 | |
He is the former head | 0:53:23 | 0:53:24 | |
of the secret chemical and biological warfare programme | 0:53:24 | 0:53:28 | |
during the apartheid era. | 0:53:28 | 0:53:29 | |
I walked away, very angry. | 0:53:32 | 0:53:33 | |
How could you let men like him walk free and enjoy life? | 0:53:33 | 0:53:37 | |
The West sanctified him, and he accepted it. | 0:53:43 | 0:53:48 | |
And in return, he was generous | 0:53:48 | 0:53:50 | |
to people who had done all sorts of horrible things to him, | 0:53:50 | 0:53:54 | |
but more importantly, to the country as a whole. | 0:53:54 | 0:53:57 | |
I saw a photograph of you and Henry Kissinger together. | 0:53:58 | 0:54:02 | |
During my interview with Kissinger, | 0:54:02 | 0:54:04 | |
I was shocked when he told me | 0:54:04 | 0:54:06 | |
that he was not aware that anyone in the US administration | 0:54:06 | 0:54:10 | |
ever regarded you as a terrorist. | 0:54:10 | 0:54:13 | |
On actual day-to-day political things, | 0:54:13 | 0:54:16 | |
he had a lot of views with which I strongly disagreed, | 0:54:16 | 0:54:20 | |
but I understand them | 0:54:20 | 0:54:22 | |
because the communists | 0:54:22 | 0:54:27 | |
were the people who supported him | 0:54:27 | 0:54:30 | |
in the struggle for independence. | 0:54:30 | 0:54:34 | |
But the greatness of Mandela | 0:54:36 | 0:54:38 | |
was not whether he was a friend of Gaddafi, or of Castro. | 0:54:38 | 0:54:43 | |
The greatness of Mandela was that he had this spiritual vision | 0:54:43 | 0:54:50 | |
to bring freedom to a country, | 0:54:50 | 0:54:53 | |
and treat what had been viewed as the oppressors as equals, | 0:54:53 | 0:54:58 | |
without vengeance. | 0:54:58 | 0:55:01 | |
By chance, I came across a play called Death And The Maiden. | 0:55:14 | 0:55:18 | |
It introduced me to the work of Ariel Dorfman and to Chile, | 0:55:18 | 0:55:21 | |
a country I knew so little about. | 0:55:21 | 0:55:23 | |
I began to read about the assassinations, tortures | 0:55:24 | 0:55:27 | |
and disappearances of activists. | 0:55:27 | 0:55:30 | |
I realised this could have been apartheid South Africa. | 0:55:30 | 0:55:33 | |
I've had one very significant experience. | 0:55:48 | 0:55:51 | |
Pinochet was dying in the hospital, | 0:55:51 | 0:55:53 | |
and there was a woman who was crying. | 0:55:53 | 0:55:55 | |
She was crying, it was ridiculous. | 0:55:55 | 0:55:56 | |
She was crying for her saviour, for Pinochet was dying. | 0:55:56 | 0:56:00 | |
And strangely enough, I felt this enormous wave of compassion for her. | 0:56:00 | 0:56:04 | |
I went up to her and said, | 0:56:04 | 0:56:05 | |
"I understand that you're mourning for your hero, | 0:56:07 | 0:56:11 | |
"because I went through the same process | 0:56:11 | 0:56:14 | |
"with Allende when he was killed, and I want to tell you | 0:56:14 | 0:56:17 | |
"that I understand what you're going through. | 0:56:17 | 0:56:19 | |
"What I'm asking is, can you understand what we went through? | 0:56:21 | 0:56:25 | |
"I'm offering you this as a possibility. | 0:56:26 | 0:56:29 | |
And she was speechless, she didn't know what to do. | 0:56:29 | 0:56:32 | |
And that woman had celebrated when Allende died. | 0:56:37 | 0:56:41 | |
That woman had celebrated when I was exiled from my country. | 0:56:41 | 0:56:44 | |
That woman had celebrated when people were being shot | 0:56:44 | 0:56:48 | |
and killed in the streets. | 0:56:48 | 0:56:50 | |
That woman had celebrated | 0:56:50 | 0:56:51 | |
when the judges said to women whose men had disappeared, | 0:56:51 | 0:56:54 | |
"Oh, he probably went off with another woman, that's what happened. | 0:56:54 | 0:56:57 | |
"That's why he's not around any more. | 0:56:57 | 0:56:59 | |
"We don't have him", you know? | 0:56:59 | 0:57:01 | |
That woman did all those things, I'm sure. | 0:57:01 | 0:57:04 | |
Not that I'm forgiving her. | 0:57:04 | 0:57:05 | |
There's a saying that in the country of the blind, | 0:57:08 | 0:57:10 | |
the one-eyed man is king. That idea? | 0:57:10 | 0:57:13 | |
Well, I don't think I have one eye in the country of the blind, | 0:57:13 | 0:57:15 | |
but I think those of us who have our eyes slightly more open, | 0:57:15 | 0:57:20 | |
slightly more open like this, | 0:57:20 | 0:57:22 | |
a sliver, that we can watch reality and see it. | 0:57:22 | 0:57:26 | |
I think those who have that | 0:57:26 | 0:57:27 | |
have an obligation to be more compassionate than those who don't, | 0:57:27 | 0:57:32 | |
because we know more. We've been through more. | 0:57:32 | 0:57:35 | |
So, Mandela, who's been through much more, | 0:57:36 | 0:57:39 | |
who's been through everything in some sense, | 0:57:39 | 0:57:43 | |
has gone through all the stages of revolution and of pain, | 0:57:43 | 0:57:48 | |
he's a man who has his eyes really open. | 0:57:48 | 0:57:52 | |
MANDELA: We face an enormous challenge. | 0:58:02 | 0:58:07 | |
We believe | 0:58:09 | 0:58:12 | |
that no South African should ever forget the crimes committed | 0:58:12 | 0:58:17 | |
in his name. | 0:58:19 | 0:58:21 | |
We, however, know | 0:58:23 | 0:58:24 | |
that we must forgive. | 0:58:24 | 0:58:27 | |
Tata Mandela, what do you do | 0:58:58 | 0:59:00 | |
with the people who committed atrocities, | 0:59:00 | 0:59:03 | |
some of whom do not show remorse? | 0:59:03 | 0:59:05 | |
What do we do with the foot soldiers that claim they too were victims | 0:59:05 | 0:59:09 | |
and were just following orders? | 0:59:09 | 0:59:11 | |
How about the leaders who claim that there was no evidence | 0:59:11 | 0:59:15 | |
that they ever gave such orders, | 0:59:15 | 0:59:17 | |
and that they were unaware that atrocities were being carried out? | 0:59:17 | 0:59:21 | |
What about family members, | 0:59:21 | 0:59:23 | |
friends, neighbours and lovers who betrayed one another? | 0:59:23 | 0:59:27 | |
What about men who violated women and raped them, | 0:59:27 | 0:59:30 | |
sometimes their own comrades? | 0:59:30 | 0:59:31 | |
Apartheid is an Afrikaans word, | 0:59:33 | 0:59:37 | |
and can be easily replaced | 0:59:37 | 0:59:42 | |
by a proper, positive term. | 0:59:42 | 0:59:45 | |
Neighbourly... | 0:59:45 | 0:59:47 | |
good neighbourliness. | 0:59:47 | 0:59:50 | |
Good neighbourliness. | 0:59:50 | 0:59:52 | |
LAUGHTER | 0:59:52 | 0:59:54 | |
Who's laughing? | 0:59:54 | 0:59:56 | |
Who's laughing? | 0:59:56 | 0:59:58 | |
REPORTER: You make no apology | 0:59:58 | 1:00:00 | |
for some of the things that happened when you were president? | 1:00:00 | 1:00:02 | |
I'm not here to apologise. | 1:00:02 | 1:00:04 | |
The whites never said sorry. | 1:00:14 | 1:00:16 | |
it was the blacks who said "Please, I beg you to say sorry." | 1:00:16 | 1:00:20 | |
You remember Bishop Tutu crying on TV, saying "I beg you to say sorry." | 1:00:20 | 1:00:24 | |
Fuck that! Fuck that! | 1:00:24 | 1:00:26 | |
They don't feel sorry? Give them what they know best. | 1:00:26 | 1:00:30 | |
You know? They don't feel sorry, give them what they know best. | 1:00:30 | 1:00:33 | |
And I'm saying, how is it | 1:00:33 | 1:00:35 | |
that the victim would be the one begging | 1:00:35 | 1:00:37 | |
for the perpetrator to say sorry? | 1:00:37 | 1:00:39 | |
Tata Mandela, I grew up in a Christian family. | 1:00:44 | 1:00:48 | |
I was constantly reminded that Christ forgave our sins | 1:00:48 | 1:00:53 | |
and that I in turn should forgive, but I struggled with forgiveness. | 1:00:53 | 1:00:58 | |
The ultimate force to change others' minds is affection, | 1:01:05 | 1:01:11 | |
love, forgiveness, not anger, not aggressiveness. | 1:01:11 | 1:01:16 | |
Forgiveness doesn't have to exempt one from justice. | 1:01:23 | 1:01:26 | |
You can have justice and forgiveness, all right? | 1:01:26 | 1:01:30 | |
If someone steals my watch and says he's sorry, | 1:01:33 | 1:01:38 | |
but he's still wearing the watch, what does that mean? | 1:01:38 | 1:01:42 | |
Or he doesn't even say, "I'm sorry", | 1:01:42 | 1:01:43 | |
like the majority of white South Africans. | 1:01:43 | 1:01:45 | |
He's wearing my watch that he stole, and doesn't say, "I'm sorry", | 1:01:45 | 1:01:49 | |
and I say, "I forgive you". | 1:01:49 | 1:01:51 | |
What kind of society are we building? | 1:01:53 | 1:01:55 | |
A sense of impunity, that you can get away with anything, | 1:01:55 | 1:01:58 | |
as long as you hold some kind of trump card. | 1:01:58 | 1:02:01 | |
I have a problem with that, quite honestly. | 1:02:01 | 1:02:05 | |
Forgive does not mean forget. | 1:02:05 | 1:02:07 | |
If you really forget, there's no basis for forgiveness. | 1:02:11 | 1:02:15 | |
Tata Mandela, when I went to Robben Island for the first time | 1:02:17 | 1:02:20 | |
I wondered, what happened to you there? | 1:02:20 | 1:02:23 | |
Did you have an epiphany? I have asked myself, | 1:02:23 | 1:02:26 | |
what is it about your story that's so remarkable? | 1:02:26 | 1:02:29 | |
But I can only guess. | 1:02:29 | 1:02:30 | |
How is it possible to come out of this grey and depressing place | 1:02:30 | 1:02:34 | |
and not show any sign of bitterness? | 1:02:34 | 1:02:37 | |
How is that possible? | 1:02:37 | 1:02:38 | |
Your prison cell is a shrine. | 1:02:42 | 1:02:44 | |
I have witnessed people break down and cry. | 1:02:44 | 1:02:47 | |
A few times I'd been there, I realised something disturbing. | 1:02:47 | 1:02:51 | |
The people who come to take a tour of this prison | 1:02:51 | 1:02:54 | |
do not seem interested in asking the names of your companions. | 1:02:54 | 1:02:57 | |
Their names and pain do not seem to matter. | 1:02:57 | 1:03:00 | |
Only your pain, only your story, only your experience. | 1:03:00 | 1:03:04 | |
I think he did take it too far, | 1:03:17 | 1:03:19 | |
but by that time I think, having won, | 1:03:19 | 1:03:22 | |
and having become what he was in the global village, | 1:03:22 | 1:03:27 | |
and being, you know, treated as a god, | 1:03:27 | 1:03:31 | |
he decided to behave like one. | 1:03:31 | 1:03:34 | |
What do you mean? | 1:03:34 | 1:03:36 | |
I mean that! That God can forgive, so if you believe you're a god, | 1:03:36 | 1:03:40 | |
then, you know, you forgive. | 1:03:40 | 1:03:41 | |
If everybody became President of the Republic, | 1:03:49 | 1:03:52 | |
it would be rather easy to forgive the people who hurt you, | 1:03:52 | 1:03:54 | |
because you'd become the president of the Republic, right? | 1:03:54 | 1:03:57 | |
What happens to the woman who is still in her hut, | 1:03:57 | 1:04:01 | |
and her son doesn't come home? | 1:04:01 | 1:04:03 | |
And she hears the murmurs of footsteps, | 1:04:03 | 1:04:05 | |
and she thinks "Maybe he's coming home, | 1:04:05 | 1:04:08 | |
"maybe the ghost is coming home." | 1:04:08 | 1:04:10 | |
That person cannot be consoled, | 1:04:10 | 1:04:13 | |
and we should not be made to believe we can console that person. | 1:04:13 | 1:04:16 | |
We can't console that person. | 1:04:16 | 1:04:17 | |
One of the testimonies at the Truth and Reconciliation Committee | 1:04:19 | 1:04:23 | |
that continues to haunt me is that of Charity Khondile. | 1:04:23 | 1:04:27 | |
At a time when often, black women were referred to | 1:04:27 | 1:04:30 | |
as being strong and forgiving, | 1:04:30 | 1:04:32 | |
she refused to forgive the man who killed her son, Sizwe. | 1:04:32 | 1:04:35 | |
PHONE RINGS AT OTHER END | 1:04:43 | 1:04:44 | |
Hello, how are you? | 1:04:48 | 1:04:50 | |
Can I speak to Mrs Charity Khondile? | 1:04:52 | 1:04:55 | |
It's Khalo Matabane. | 1:04:56 | 1:04:59 | |
I left a message on your voicemail the other day. | 1:04:59 | 1:05:04 | |
Hello? | 1:05:22 | 1:05:23 | |
When I started making this documentary | 1:05:35 | 1:05:37 | |
I wanted to find out if she still felt the same way, | 1:05:37 | 1:05:40 | |
especially since her son's killer recently died of cancer. | 1:05:40 | 1:05:44 | |
I was curious to know what happens | 1:05:45 | 1:05:47 | |
when the victim refuses to forgive the perpetrator, and then he dies. | 1:05:47 | 1:05:51 | |
What does the victim do with the anger? | 1:05:53 | 1:05:55 | |
What happens to a fury without a target? | 1:05:55 | 1:05:58 | |
Does the anger turn on the person who carries it? | 1:05:58 | 1:06:02 | |
Will you stand, please? | 1:06:02 | 1:06:03 | |
Are you willing to take the oath? | 1:06:07 | 1:06:09 | |
-Yes. -Do you solemnly swear | 1:06:09 | 1:06:11 | |
that the evidence you will give before this commission | 1:06:11 | 1:06:14 | |
will be the truth, the whole truth and nothing but the truth, so help you God? | 1:06:14 | 1:06:19 | |
I swear. | 1:06:19 | 1:06:20 | |
Thank you very much indeed. | 1:06:20 | 1:06:22 | |
He left the country | 1:06:53 | 1:06:54 | |
because he was frequently being harassed by the police | 1:06:54 | 1:06:58 | |
while he was still at Fort Hare University. | 1:06:58 | 1:07:01 | |
But somehow, we learnt that he was missing from Lesotho. | 1:07:06 | 1:07:10 | |
His father investigated, | 1:07:13 | 1:07:16 | |
and we discovered that he had been arrested, kidnapped, actually, | 1:07:16 | 1:07:20 | |
whilst he was phoning his girlfriend in Port Elizabeth. | 1:07:20 | 1:07:24 | |
So we didn't know what had happened. | 1:07:27 | 1:07:29 | |
I think it was in 1981. For nine years, he was missing. | 1:07:29 | 1:07:32 | |
After that, Dirk Coetzee confessed what had happened to him. | 1:07:37 | 1:07:42 | |
So we learnt that he was imprisoned, tortured, shot, | 1:07:42 | 1:07:47 | |
and that was it. | 1:07:47 | 1:07:50 | |
They had burnt the body for about nine hours. | 1:07:59 | 1:08:04 | |
They said they'd wanted to make sure there was not a bone left. | 1:08:04 | 1:08:07 | |
It was terrible. | 1:08:14 | 1:08:15 | |
They acted like cannibals, even saying his flesh smelt good. | 1:08:19 | 1:08:24 | |
They said they were drinking, and his flesh was smelling good. | 1:08:25 | 1:08:30 | |
That means they were almost eating him, | 1:08:30 | 1:08:33 | |
sort of making the cremation a ritual to their gods, | 1:08:33 | 1:08:37 | |
celebrating that they had killed a terrorist, one of their enemies. | 1:08:37 | 1:08:41 | |
It wasn't fair that these people should be forgiven | 1:08:55 | 1:08:59 | |
for this atrocity, because others are sent to jail for murder. | 1:08:59 | 1:09:04 | |
In this case, I didn't understand the amnesty thing, | 1:09:04 | 1:09:08 | |
why they had to be pardoned. | 1:09:08 | 1:09:10 | |
Well, they're saying they are political prisoners, | 1:09:10 | 1:09:15 | |
not murderers, that is what they were saying. | 1:09:15 | 1:09:18 | |
But I feel that they should be imprisoned also | 1:09:18 | 1:09:21 | |
and go to court and answer for this, just like anybody else. | 1:09:21 | 1:09:24 | |
Who kills must go to jail. I don't understand. | 1:09:24 | 1:09:27 | |
I'm just an ordinary mother. | 1:09:27 | 1:09:29 | |
I'm not in parliament, I'm in flesh. | 1:09:29 | 1:09:32 | |
After nine years, when my son was still missing, | 1:09:43 | 1:09:47 | |
they wanted us to say on the spot at the Truth Commission | 1:09:47 | 1:09:51 | |
that we'd forgiven those people. | 1:09:51 | 1:09:53 | |
I told them it wasn't easy to forgive, it took time, | 1:09:53 | 1:09:59 | |
but that didn't mean you weren't going to forgive. | 1:09:59 | 1:10:02 | |
At first you feel angry, then you forgive, but you do not forget. | 1:10:02 | 1:10:06 | |
Tata Mandela, I'm not sure after two years of making this documentary | 1:10:34 | 1:10:38 | |
that I understand you or the choices you made. | 1:10:38 | 1:10:42 | |
It is said that we are all shaped by our childhood. | 1:10:42 | 1:10:44 | |
So I travelled to your ancestral land in the Eastern Cape | 1:10:44 | 1:10:48 | |
in search of your traces and your footprints. | 1:10:48 | 1:10:50 | |
I must admit that apart from the beautiful landscape, | 1:10:52 | 1:10:55 | |
there was nothing remarkable about the area. | 1:10:55 | 1:10:58 | |
It was like my village. | 1:10:58 | 1:11:00 | |
It has occurred to me that perhaps we'll never understand you, | 1:11:00 | 1:11:04 | |
that you're our imagination | 1:11:04 | 1:11:06 | |
and that the truth about you lies in your contradictions. | 1:11:06 | 1:11:10 | |
Tata Mandela, I returned to my village | 1:11:22 | 1:11:26 | |
looking for clues about you in my past. | 1:11:26 | 1:11:29 | |
I realised that perhaps the journey has been about struggling | 1:11:29 | 1:11:32 | |
to reconcile my stories about you. | 1:11:32 | 1:11:35 | |
My childhood hero. | 1:11:35 | 1:11:36 | |
Tata Mandela, I am part of the generation that came of age | 1:12:02 | 1:12:07 | |
when apartheid was on its way out | 1:12:07 | 1:12:09 | |
and a new South Africa was starting to be born. | 1:12:09 | 1:12:13 | |
History weighs heavy on my shoulders. | 1:12:13 | 1:12:16 | |
I have bad memories, which I struggle with. | 1:12:16 | 1:12:18 | |
Tata Mandela, we are one of the most unequal societies in the world. | 1:14:13 | 1:14:18 | |
People are impatient. They can't wait any longer. | 1:14:18 | 1:14:21 | |
Our people feel that change is too slow | 1:14:21 | 1:14:24 | |
and the system favours the powerful and the wealthy. | 1:14:24 | 1:14:27 | |
There are protests everywhere, people demand change everywhere, | 1:14:27 | 1:14:32 | |
people demand freedom, real freedom everywhere. | 1:14:32 | 1:14:36 | |
What is the future? I don't know. | 1:14:36 | 1:14:40 | |
What I can sense is that we are sitting on a time bomb. | 1:14:40 | 1:14:43 |