Browse content similar to Fame in China. Check below for episodes and series from the same categories and more!
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BEEPING | 0:01:16 | 0:01:18 | |
# Remember | 0:02:01 | 0:02:03 | |
# Remember my name! # | 0:02:03 | 0:02:07 | |
CHEERING AND APPLAUSE | 0:02:07 | 0:02:10 | |
THEY LAUGH | 0:02:20 | 0:02:22 | |
STUDENTS CHATTER | 0:02:33 | 0:02:36 | |
THEY LAUGH | 0:02:50 | 0:02:53 | |
SWORDS CLASH | 0:04:07 | 0:04:10 | |
MUSIC: "Make PA" | 0:04:43 | 0:04:45 | |
# I pray I make PA | 0:05:33 | 0:05:39 | |
# I pray I make... # | 0:05:39 | 0:05:42 | |
# PA... # | 0:06:07 | 0:06:10 | |
THEY CHEER | 0:06:22 | 0:06:24 | |
APPLAUSE | 0:06:54 | 0:06:57 | |
TRADITIONAL CHINESE MUSIC | 0:07:04 | 0:07:06 | |
..Two, three, four, five, six, seven, eight. | 0:08:36 | 0:08:40 | |
One, two, three, four, five, six, seven, eight. | 0:08:40 | 0:08:43 | |
Dun-da dun-dun-da... | 0:08:50 | 0:08:53 | |
STUDENTS CHATTER | 0:09:06 | 0:09:08 | |
-# Light up the sky like a flame -Fame! | 0:10:21 | 0:10:24 | |
# I'm gonna live for ever... # | 0:10:24 | 0:10:26 | |
# And till she goes | 0:10:42 | 0:10:44 | |
# Remember, remember, remember, remember | 0:10:44 | 0:10:47 | |
# Remember | 0:10:47 | 0:10:50 | |
# Remember my name. # | 0:10:50 | 0:10:53 | |
CHINESE HIP HOP | 0:10:59 | 0:11:02 | |
BELL RINGS | 0:12:08 | 0:12:10 | |
APPLAUSE | 0:12:17 | 0:12:19 | |
Good morning, good morning! | 0:12:24 | 0:12:25 | |
STUDENTS: Good morning! | 0:12:25 | 0:12:28 | |
How are you? | 0:12:28 | 0:12:29 | |
STUDENTS: Fine. | 0:12:29 | 0:12:31 | |
WOMAN SPEAKS MANDARIN | 0:12:31 | 0:12:33 | |
They've been expecting you for a long time. | 0:12:33 | 0:12:35 | |
Oh, I'm so happy to be here. So happy to be here. | 0:12:35 | 0:12:39 | |
SHE SPEAKS MANDARIN | 0:12:40 | 0:12:42 | |
-They're very mischievous. -Me too. Me too. | 0:12:42 | 0:12:44 | |
So...Fame. | 0:12:48 | 0:12:51 | |
STUDENTS CHEER | 0:12:51 | 0:12:52 | |
You like? | 0:12:52 | 0:12:53 | |
STUDENTS: Yes! | 0:12:53 | 0:12:55 | |
ALL SPEAKING OVER EACH OTHER | 0:12:55 | 0:12:57 | |
Uh-oh. Mischievous. Mischievous. It's going to be a lot of fun. | 0:12:57 | 0:13:00 | |
Sit! | 0:13:00 | 0:13:02 | |
Circle. | 0:13:02 | 0:13:03 | |
Let me tell you about myself. | 0:13:03 | 0:13:06 | |
I am the oldest of five. Four brothers and sisters. | 0:13:06 | 0:13:09 | |
SHE TRANSLATES INTO MANDARIN | 0:13:09 | 0:13:12 | |
STUDENTS GASP | 0:13:12 | 0:13:13 | |
I went to Boston for my undergrad. | 0:13:13 | 0:13:16 | |
And I majored in musical theatre. | 0:13:16 | 0:13:18 | |
And then I moved to New York. | 0:13:18 | 0:13:20 | |
I work as a conductor and music director. | 0:13:22 | 0:13:26 | |
-And have worked on Lion King, and a show called Avenue Q. -Q? | 0:13:26 | 0:13:30 | |
About puppets. | 0:13:30 | 0:13:31 | |
STUDENTS: Ah! | 0:13:31 | 0:13:33 | |
OK, so I want to learn about you. | 0:13:33 | 0:13:35 | |
Who plays instruments? | 0:13:35 | 0:13:36 | |
HE PLAYS CLASSICAL MUSIC | 0:13:38 | 0:13:41 | |
He's so good. | 0:13:41 | 0:13:43 | |
He's Nick. | 0:13:43 | 0:13:45 | |
Oh, he's Nick? | 0:13:45 | 0:13:47 | |
APPLAUSE | 0:13:52 | 0:13:55 | |
You're good. You're very good. | 0:13:56 | 0:13:59 | |
Who's your favourite singer? | 0:13:59 | 0:14:01 | |
-Coldplay. -Coldplay! | 0:14:02 | 0:14:04 | |
What do you want to do when you graduate? | 0:14:06 | 0:14:08 | |
SHE TRANSLATES | 0:14:08 | 0:14:09 | |
HE SPEAKS MANDARIN | 0:14:09 | 0:14:12 | |
Either a singer or an actor. | 0:14:12 | 0:14:14 | |
A singer or an actor? | 0:14:14 | 0:14:17 | |
I want you to describe your personality in one word. | 0:14:17 | 0:14:20 | |
Um.... | 0:14:22 | 0:14:24 | |
-Tiansheng lizhi. -SHE LAUGHS | 0:14:27 | 0:14:28 | |
What is it? | 0:14:28 | 0:14:30 | |
-Natural beauty. -Natural beauty! Ah! | 0:14:31 | 0:14:36 | |
What do you want to do when you get out of here? | 0:14:37 | 0:14:40 | |
LAUGHTER | 0:14:40 | 0:14:41 | |
Yinyue ju yuan. | 0:14:41 | 0:14:43 | |
-Acting. -Acting! -Musical actor. -Musical? | 0:14:43 | 0:14:46 | |
What's your favourite show? | 0:14:46 | 0:14:48 | |
SHE TRANSLATES | 0:14:48 | 0:14:49 | |
Oh, Oklahoma. | 0:14:52 | 0:14:54 | |
HE HUMS | 0:14:54 | 0:14:56 | |
HE PLAYS OKLAHOMA | 0:14:56 | 0:14:58 | |
# Oklahoma where the wind comes... # | 0:14:59 | 0:15:02 | |
I like that show. I like that show. | 0:15:02 | 0:15:04 | |
What do you want to do when you graduate? | 0:15:04 | 0:15:07 | |
Um... | 0:15:07 | 0:15:09 | |
I want to be a...star. | 0:15:09 | 0:15:13 | |
-Star. -Superstar. -Superstar? -Yeah. | 0:15:14 | 0:15:17 | |
Uh-oh. | 0:15:18 | 0:15:20 | |
I hate using the word "typecasting" but literally the first | 0:15:20 | 0:15:24 | |
day of rehearsal I knew who was going to be who. | 0:15:24 | 0:15:28 | |
Just looking at them in the room. | 0:15:28 | 0:15:29 | |
There's the star wannabes. | 0:15:29 | 0:15:32 | |
There's the dance people who are insecure about the way they look | 0:15:32 | 0:15:36 | |
and their bodies. | 0:15:36 | 0:15:38 | |
There's the semi-troublemakers. | 0:15:38 | 0:15:41 | |
You could place this anywhere | 0:15:41 | 0:15:43 | |
and you're going to find the same characters in a school like this. | 0:15:43 | 0:15:47 | |
I want to know, how about singer? | 0:15:47 | 0:15:50 | |
-Michael Jackson. -Michael Jackson! | 0:15:50 | 0:15:52 | |
-Michael Jackson! What is your name? -Fei. | 0:15:54 | 0:15:57 | |
-Fei. -Fei? -Fei. It means fly. -Fei. Ah! | 0:15:57 | 0:16:01 | |
I'm excited. I think it's going to be a learning process for this. | 0:16:03 | 0:16:06 | |
I'm curious to see how it's going to translate. | 0:16:06 | 0:16:09 | |
And how the same emotions and feelings of the show resonate | 0:16:09 | 0:16:13 | |
over here as compared to America. | 0:16:13 | 0:16:16 | |
CHINESE VIOLIN PLAYS | 0:16:18 | 0:16:20 | |
TRADITIONAL CHINESE MUSIC | 0:16:25 | 0:16:28 | |
HE SINGS | 0:16:33 | 0:16:35 | |
THEY ALL SING | 0:16:39 | 0:16:42 | |
# I'm doing hard... # | 0:16:48 | 0:16:50 | |
Too hard. | 0:16:50 | 0:16:52 | |
# Ha-a-a-ard work... # | 0:16:52 | 0:16:54 | |
# Ha-a-a-ard work... # | 0:16:54 | 0:16:57 | |
These rock 'n' roll rhythms, American rhythms, are very new for them. | 0:16:57 | 0:17:01 | |
THEY SING | 0:17:01 | 0:17:02 | |
HE SHOUTS OUT | 0:17:02 | 0:17:03 | |
And do it! | 0:17:03 | 0:17:04 | |
Music is so universal, but I find that the rhythms that this | 0:17:04 | 0:17:08 | |
score has, it throws them for a curve. | 0:17:08 | 0:17:10 | |
One, two, three, and... | 0:17:10 | 0:17:12 | |
# I'm doing hard... # | 0:17:12 | 0:17:15 | |
THEY LAUGH | 0:17:15 | 0:17:16 | |
-Sorry. -That's OK! | 0:17:16 | 0:17:18 | |
The harder it is right now for them, | 0:17:18 | 0:17:20 | |
in terms of learning this material, the better it is for them. | 0:17:20 | 0:17:23 | |
Because I think, once they finish the English, I think | 0:17:23 | 0:17:25 | |
the Chinese is going to come much easier for them. | 0:17:25 | 0:17:27 | |
# By doing ha-a-a-ard work! # | 0:17:27 | 0:17:32 | |
THEY LAUGH | 0:17:32 | 0:17:33 | |
The Chinese normally don't speak these rhythms. | 0:17:33 | 0:17:36 | |
And I feel like they get into class, | 0:17:36 | 0:17:37 | |
and they feel like they have to fit into this mould. | 0:17:37 | 0:17:39 | |
They have to make it sound a certain way. | 0:17:39 | 0:17:41 | |
And I'm like, no, you guys need to sound like you've had | 0:17:41 | 0:17:44 | |
a couple of beers and it's just nice and loose. | 0:17:44 | 0:17:46 | |
And you're having a good time. | 0:17:46 | 0:17:47 | |
SHE SINGS, LAUGHS | 0:17:47 | 0:17:50 | |
# I'm doing hard... # | 0:17:50 | 0:17:52 | |
OK, OK. | 0:17:52 | 0:17:54 | |
# Ha-a-rd work... | 0:17:58 | 0:18:00 | |
# I'm doing hard work... # | 0:18:00 | 0:18:05 | |
# By doing hard work | 0:18:16 | 0:18:19 | |
# I'm doing hard Yeah, yeah, yeah... # | 0:18:19 | 0:18:23 | |
Yeah! | 0:18:23 | 0:18:25 | |
# By doing hard work | 0:18:27 | 0:18:29 | |
# I'm doing hard work | 0:18:29 | 0:18:33 | |
# By doing hard work | 0:18:33 | 0:18:35 | |
# I'm working hard... # | 0:18:35 | 0:18:38 | |
# Ha-a-a-ard | 0:18:48 | 0:18:49 | |
# By doing hard work | 0:18:49 | 0:18:51 | |
# I'm doing hard work... # | 0:18:51 | 0:18:55 | |
APPLAUSE | 0:18:55 | 0:18:58 | |
It's going to be fun. | 0:18:59 | 0:19:01 | |
It's really written about them, you know. | 0:19:01 | 0:19:03 | |
It's written about 20-somethings wanting to make it | 0:19:03 | 0:19:07 | |
in the artistic world and the creative process. | 0:19:07 | 0:19:11 | |
And what happens when you have support | 0:19:11 | 0:19:13 | |
and what happens when you don't. | 0:19:13 | 0:19:15 | |
THEY SPEAK MANDARIN | 0:19:25 | 0:19:27 | |
HE SINGS KARAOKE | 0:21:39 | 0:21:42 | |
THEY LAUGH AND CHATTER | 0:23:51 | 0:23:53 | |
SHE LAUGHS | 0:24:16 | 0:24:18 | |
-She thinks it's good to embarrass them. -Yeah. | 0:24:18 | 0:24:22 | |
-Mm-hmm. -Yeah, I agree. I agree. | 0:24:22 | 0:24:24 | |
Falling on your face is a good thing sometimes. | 0:24:24 | 0:24:26 | |
-It teaches you to walk better. -Dui. Dui. | 0:24:26 | 0:24:29 | |
All right, let's get started. | 0:24:30 | 0:24:32 | |
What Hong Mei has not told you | 0:24:32 | 0:24:34 | |
is that eight of you have the chance to go to New York City, | 0:24:34 | 0:24:38 | |
to work on a project I am involved with, in January. | 0:24:38 | 0:24:40 | |
Two female dancers. Two male dancers. Two female singers. Two male singers. | 0:24:40 | 0:24:44 | |
So the first thing we're going to do is learn a dance combination | 0:24:44 | 0:24:47 | |
and then cut people. I want everyone to do their best, | 0:24:47 | 0:24:50 | |
but I can only take eight of you to New York City. OK! | 0:24:50 | 0:24:53 | |
DANCE MUSIC | 0:24:54 | 0:24:58 | |
Next four. | 0:25:02 | 0:25:04 | |
Is that it? Oh, two. Here we go. | 0:25:07 | 0:25:09 | |
Next four. | 0:25:14 | 0:25:15 | |
One, two, three, four, five, six... | 0:25:18 | 0:25:22 | |
LAUGHTER AND APPLAUSE | 0:25:22 | 0:25:24 | |
All right, you're all going to do the same thing. | 0:25:24 | 0:25:26 | |
You go... | 0:25:28 | 0:25:30 | |
HE PLAYS PIANO | 0:25:30 | 0:25:32 | |
HE VOCALISES | 0:25:34 | 0:25:36 | |
SHE VOCALISES | 0:25:42 | 0:25:45 | |
One more time. | 0:25:48 | 0:25:50 | |
I'll play it one more time. Listen. | 0:25:50 | 0:25:52 | |
HE PLAYS PIANO | 0:25:52 | 0:25:55 | |
Ah. | 0:25:56 | 0:25:57 | |
SHE VOCALISES | 0:25:57 | 0:25:59 | |
Do this for me. | 0:26:00 | 0:26:02 | |
SHE VOCALISES SCALE | 0:26:03 | 0:26:05 | |
Can you find for me...? Listen. | 0:26:05 | 0:26:07 | |
THEY VOCALISE, PIANO PLAYS | 0:26:08 | 0:26:12 | |
Good. OK, thank you. | 0:26:17 | 0:26:19 | |
So...this was very hard. | 0:26:23 | 0:26:26 | |
Very hard. | 0:26:26 | 0:26:28 | |
I love all of you dearly but I can't bring all of you to New York. | 0:26:28 | 0:26:32 | |
I had to take away everything that I know about you | 0:26:32 | 0:26:34 | |
and just base it on today. | 0:26:34 | 0:26:36 | |
OK. So no hard feelings. | 0:26:36 | 0:26:38 | |
APPLAUSE | 0:26:44 | 0:26:47 | |
APPLAUSE | 0:26:55 | 0:26:58 | |
APPLAUSE | 0:27:02 | 0:27:04 | |
SHE LAUGHS | 0:27:26 | 0:27:28 | |
GIRL LAUGHS | 0:27:49 | 0:27:51 | |
STUDENTS CHATTER | 0:27:58 | 0:28:00 | |
STUDENTS GASP | 0:28:08 | 0:28:11 | |
SHOUTING | 0:28:15 | 0:28:18 | |
All right, let's get real. Let's get serious. | 0:28:18 | 0:28:20 | |
Every day of your life as an actor will be just like that. | 0:28:20 | 0:28:23 | |
The anger, the nervousness, the sadness, the excitement... | 0:28:23 | 0:28:30 | |
will happen every day for you. | 0:28:30 | 0:28:31 | |
So the biggest lesson I want you to take from this, | 0:28:31 | 0:28:34 | |
you have to leave your baggage at the door. | 0:28:34 | 0:28:37 | |
That's the thing that I've been trying to tell the teachers. | 0:28:37 | 0:28:40 | |
I think they need to instil a little bit more of a competitive | 0:28:40 | 0:28:43 | |
nature with the students. Because in order to grow, | 0:28:43 | 0:28:45 | |
you have to show who has the biggest roar in the room, so to speak. | 0:28:45 | 0:28:49 | |
Just put it in perspective that in New York, when I have auditions, | 0:28:49 | 0:28:53 | |
we cast four roles, and there's probably 1,200 people auditioning. | 0:28:53 | 0:28:57 | |
SHE SPEAKS SOFTLY | 0:29:30 | 0:29:33 | |
BELL RINGS | 0:30:01 | 0:30:03 | |
THEY APPLAUD | 0:30:30 | 0:30:32 | |
We're going to present to you a work-in-progress. | 0:30:38 | 0:30:41 | |
SHE TRANSLATES INTO MANDARIN | 0:30:41 | 0:30:43 | |
And I'm just very honoured to be part of this ground-breaking | 0:30:45 | 0:30:48 | |
musical for them. | 0:30:48 | 0:30:49 | |
It's going to be very exciting. So let's do it. | 0:30:49 | 0:30:52 | |
APPLAUSE | 0:30:52 | 0:30:54 | |
We first meet a character named Nick Piazza, | 0:30:56 | 0:30:59 | |
who has already had a career as a child actor. | 0:30:59 | 0:31:03 | |
This is him explaining to his new friend Serena why he loves acting. | 0:31:03 | 0:31:07 | |
HE LAUGHS | 0:32:04 | 0:32:06 | |
In this scene, we meet Tyrone and Iris. | 0:32:21 | 0:32:25 | |
Here we see how Tyrone explains the differences in the classes | 0:32:25 | 0:32:29 | |
between poor and rich. | 0:32:29 | 0:32:31 | |
PIANO PLAYS | 0:32:31 | 0:32:33 | |
DRUMS BEATING | 0:33:19 | 0:33:21 | |
THEY CHEER | 0:33:35 | 0:33:37 | |
CHEERING AND APPLAUSE | 0:34:19 | 0:34:21 | |
THEY APPLAUD | 0:34:29 | 0:34:31 | |
As we are building the foundation for this show, | 0:34:33 | 0:34:36 | |
you are building the foundation for musicals in China. | 0:34:36 | 0:34:39 | |
And I can safely say that they've laid the foundation very well. | 0:34:39 | 0:34:43 | |
HE LAUGHS | 0:35:46 | 0:35:48 | |
THEY SPEAK MANDARIN | 0:37:05 | 0:37:08 | |
HORN BEEPS | 0:38:08 | 0:38:10 | |
'Here on BON, some Chinese experts are calling for the country's | 0:40:20 | 0:40:23 | |
'controversial one-child policy to be loosened to allow more | 0:40:23 | 0:40:26 | |
'couples to have two children. Under current policy... ' | 0:40:26 | 0:40:29 | |
'The China Population Association says a married couple of which | 0:40:29 | 0:40:32 | |
'just one of the two is an only child | 0:40:32 | 0:40:34 | |
'should be allowed to have two children. | 0:40:34 | 0:40:36 | |
'They say this would relieve many one-child families | 0:40:36 | 0:40:39 | |
'of the burden of caring for the elderly.' | 0:40:39 | 0:40:41 | |
SHE SHOUTS IN MANDARIN | 0:40:54 | 0:40:56 | |
BELL RINGS | 0:41:01 | 0:41:04 | |
Yi, er, san, su... | 0:41:05 | 0:41:08 | |
# And there she goes... # | 0:41:12 | 0:41:16 | |
OK! | 0:41:16 | 0:41:18 | |
STUDENTS CHATTER | 0:41:18 | 0:41:20 | |
Sh! | 0:41:28 | 0:41:29 | |
Hi-yaaa! | 0:42:45 | 0:42:47 | |
DANCE MUSIC | 0:43:57 | 0:44:00 | |
THEY LAUGH | 0:45:53 | 0:45:55 | |
CHINESE HIP-HOP | 0:47:44 | 0:47:47 | |
JASPER: Here we go. | 0:48:56 | 0:48:58 | |
Mark, are you ready to meet the students? | 0:48:58 | 0:49:00 | |
I am ready to meet the students. This is exciting. | 0:49:00 | 0:49:03 | |
-Hi, everyone! -How are you guys? | 0:49:07 | 0:49:09 | |
ALL: Hi! | 0:49:09 | 0:49:12 | |
New hair? New hair? | 0:49:12 | 0:49:14 | |
So, it's been good. It's been good? | 0:49:16 | 0:49:19 | |
ALL: Yeah! | 0:49:19 | 0:49:21 | |
THEY LAUGH | 0:49:22 | 0:49:24 | |
No, first impression is great. | 0:49:29 | 0:49:31 | |
I love the energy and the spirit in the room already, | 0:49:31 | 0:49:34 | |
so that part is exciting. | 0:49:34 | 0:49:36 | |
I'm looking forward to getting my hands dirty in a few minutes, | 0:49:36 | 0:49:38 | |
so we'll see. | 0:49:38 | 0:49:40 | |
OK! | 0:49:42 | 0:49:44 | |
HE SHOUTS IN MANDARIN | 0:49:45 | 0:49:48 | |
TRUMPET SOLO | 0:49:48 | 0:49:51 | |
FAST-PACED MUSIC | 0:49:57 | 0:50:00 | |
THEY SING | 0:50:13 | 0:50:16 | |
They have the steps, you know what I mean? | 0:50:38 | 0:50:40 | |
They have the idea but they don't... | 0:50:40 | 0:50:41 | |
You can tell already they don't have ownership. | 0:50:41 | 0:50:44 | |
They don't know what they're doing. | 0:50:44 | 0:50:45 | |
Very, very, very nice. | 0:50:45 | 0:50:47 | |
Um, I'm excited to get to work on this with you. | 0:50:48 | 0:50:52 | |
The one thing I just wanted to comment on, | 0:50:52 | 0:50:55 | |
I know you've put a lot of hard work, | 0:50:55 | 0:50:57 | |
but one thing we will focus on is trying to now make this show yours. | 0:50:57 | 0:51:01 | |
Because what is important is that you understand | 0:51:01 | 0:51:04 | |
what you are saying any time you are on stage. | 0:51:04 | 0:51:07 | |
So it's up here. They're in their head. | 0:51:08 | 0:51:10 | |
-It isn't taught here. -Oh, wow. | 0:51:10 | 0:51:12 | |
So we had a two-day voice lesson the last time I was here for the girls. | 0:51:12 | 0:51:17 | |
That's interesting. | 0:51:17 | 0:51:18 | |
It's going to be... | 0:51:19 | 0:51:20 | |
I don't know if we're ever going to get this out of the water, you know? | 0:51:22 | 0:51:25 | |
HE CALLS OUT NAMES | 0:52:57 | 0:53:00 | |
We've talked to Tyrone, for example. We can start with him, if he wants, | 0:53:18 | 0:53:22 | |
about the cultural difference | 0:53:22 | 0:53:25 | |
and that we're not going to make him African-American. | 0:53:25 | 0:53:29 | |
Whereas Tyrone, his lesson... | 0:53:29 | 0:53:30 | |
You're one of the most talented people in the school, | 0:53:51 | 0:53:54 | |
and she has this incredible gift, superior to yours. | 0:53:54 | 0:53:58 | |
I think that's a fire that we have to put out. | 0:54:04 | 0:54:06 | |
In theatre, you don't get everything that you want. | 0:54:06 | 0:54:10 | |
-That's true. -But we do understand that this is also a school. | 0:54:10 | 0:54:13 | |
So this is for education. So we do have to also be aware of that. | 0:54:13 | 0:54:18 | |
All of the stuff that we're talking about and the work that you're doing | 0:54:18 | 0:54:21 | |
is important to bring it to life, to make three-dimensional. | 0:54:21 | 0:54:24 | |
THEY SING IN MANDARIN | 0:54:43 | 0:54:46 | |
NO AUDIBLE SPEECH | 0:55:04 | 0:55:06 | |
And one more thing - cellphones and stuff - | 0:55:10 | 0:55:15 | |
when you're on stage, never texting or pulling them out. | 0:55:15 | 0:55:20 | |
Always pay attention so you hear everything we're saying. | 0:55:20 | 0:55:24 | |
..Five, six, seven, eight... | 0:56:22 | 0:56:25 | |
One, two, three and four. Five, six, seven, eight... | 0:56:25 | 0:56:29 | |
This business is 90% who you know and 10% talent. | 0:56:29 | 0:56:32 | |
It really is. In my country it is. | 0:56:32 | 0:56:35 | |
OK, great. | 0:56:47 | 0:56:49 | |
CHATTERING AND SHOUTING | 1:00:18 | 1:00:20 | |
MUSIC STARTS | 1:00:28 | 1:00:30 | |
SHE SOBS | 1:02:18 | 1:02:20 | |
HE SINGS IN MANDARIN | 1:02:56 | 1:02:58 | |
HIP-HOP MUSIC | 1:03:03 | 1:03:05 | |
I thought that last time looked really good. | 1:03:12 | 1:03:15 | |
OK, let's do it again. | 1:03:19 | 1:03:22 | |
Very nice. | 1:03:23 | 1:03:25 | |
HE LAUGHS | 1:04:48 | 1:04:50 | |
JASPER: The kids that I see that inner passion in, | 1:04:54 | 1:04:57 | |
I think are the kids that are going to make it. | 1:04:57 | 1:04:59 | |
Like Fei. | 1:04:59 | 1:05:01 | |
He might not have gotten this, but it's only helped him | 1:05:01 | 1:05:05 | |
to get that much stronger and to have a thicker skin. | 1:05:05 | 1:05:07 | |
For the next time it comes around, he knows how to do a better job. | 1:05:07 | 1:05:12 | |
STUDENTS CHATTER | 1:05:22 | 1:05:25 | |
HORN BEEPS | 1:05:45 | 1:05:47 | |
# Remember | 1:06:05 | 1:06:07 | |
# Remember my name... # | 1:06:07 | 1:06:09 | |
GONG REVERBERATES | 1:07:32 | 1:07:34 | |
MUSIC STARTS | 1:07:49 | 1:07:51 | |
People that really needed to do this are the ones that survive. | 1:08:28 | 1:08:31 | |
That's the first question they have to ask themselves. | 1:08:31 | 1:08:33 | |
As much as they enjoy dancing, or they enjoy singing, | 1:08:33 | 1:08:36 | |
or as much as they enjoy the adulation on stage, | 1:08:36 | 1:08:38 | |
or as much as they desire the recognition or fame - | 1:08:38 | 1:08:41 | |
what do they really need? | 1:08:41 | 1:08:42 | |
DRUMS BEAT | 1:09:37 | 1:09:39 | |
One of the things that I really love about Fame is that it is a | 1:10:13 | 1:10:16 | |
very basic message about being who you are. | 1:10:16 | 1:10:19 | |
And dreaming what's possible. | 1:10:21 | 1:10:23 | |
And having the courage to step out and say, "Bring it on." | 1:10:23 | 1:10:26 | |
APPLAUSE | 1:12:40 | 1:12:43 | |
CHEERING AND APPLAUSE | 1:13:27 | 1:13:30 | |
# Ru guo mei you yu jian ni | 1:13:43 | 1:13:46 | |
# Wo jiang hui shi zai na li | 1:13:46 | 1:13:50 | |
# Ri zi guo de zen yao... | 1:13:50 | 1:13:52 | |
# Ye xu ren shi mou yi ren guo zhao | 1:13:58 | 1:14:01 | |
# Ping fan de ri zi | 1:14:01 | 1:14:03 | |
# Bu zhi dao hui bu hui ye you ai qing tian ru mi... | 1:14:03 | 1:14:09 | |
# Ren sheng ji he neng gou de dao zhi ji | 1:14:24 | 1:14:31 | |
# Shi qu sheng ming de li liang ye | 1:14:31 | 1:14:34 | |
# Bu ke xi... # | 1:14:34 | 1:14:35 | |
HE HUMS A TUNE | 1:14:45 | 1:14:47 | |
# Ye xu ren shi mou yi ren | 1:15:06 | 1:15:10 | |
# Guo zhao ping fan de ri zi... # | 1:15:10 | 1:15:13 | |
Subtitles by Red Bee Media Ltd | 1:16:22 | 1:16:25 |