Browse content similar to A Death Row Tale: The Fear of 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language and scenes which some viewers may find upsetting. | 0:00:02 | 0:00:10 | |
Time. | 0:00:12 | 0:00:14 | |
This is the strangest one. | 0:00:14 | 0:00:16 | |
Do you know that the worst part | 0:00:18 | 0:00:22 | |
and yet the best part of being in solitary confinement is | 0:00:22 | 0:00:26 | |
time can be a blisteringly fast thing, | 0:00:26 | 0:00:30 | |
where in the blink of an eye, | 0:00:30 | 0:00:32 | |
you can look, and ten years are gone from your life. | 0:00:32 | 0:00:35 | |
But the next week is agony. | 0:00:35 | 0:00:37 | |
It's like you look at your wristwatch | 0:00:39 | 0:00:42 | |
and instead of there being a face, there's a calendar and it flips. | 0:00:42 | 0:00:48 | |
But then, if you look out the window, | 0:00:48 | 0:00:51 | |
it takes all day for that sun to go down. | 0:00:51 | 0:00:53 | |
HE INHALES | 0:00:55 | 0:00:57 | |
I always wanted to tell somebody that. | 0:00:57 | 0:00:58 | |
We got into the prison about 11.00am. | 0:03:05 | 0:03:07 | |
They took all the other prisoners off this bus | 0:03:08 | 0:03:11 | |
and then four men came on. | 0:03:11 | 0:03:14 | |
They lined up against this red brick wall... | 0:03:14 | 0:03:16 | |
..and here comes Lieutenant Borner. | 0:03:18 | 0:03:19 | |
He walked right up to me, | 0:03:22 | 0:03:23 | |
right up to my face - he was like very quiet, like... | 0:03:23 | 0:03:26 | |
"There's no speaking in my prison. | 0:03:27 | 0:03:30 | |
"Dead men do not speak in my prison, especially. Do you understand me?" | 0:03:30 | 0:03:34 | |
Just like that, same tone of voice. Nothing raised, nothing threatening. | 0:03:34 | 0:03:39 | |
And that Lord quietness...I did, I went to answer. I was like, "B..." | 0:03:40 | 0:03:44 | |
Backhanded me right in the mouth. | 0:03:46 | 0:03:48 | |
It like stung like you wouldn't believe. | 0:03:49 | 0:03:51 | |
DOOR SLAMS | 0:03:51 | 0:03:53 | |
And then I was thrown into this world where there's no sunlight | 0:03:54 | 0:03:59 | |
and it's deadly silent. | 0:03:59 | 0:04:01 | |
You see, the Pennsylvania prison system was developed by the Quakers. | 0:04:09 | 0:04:12 | |
The doors were cut low, so you had to stoop and bow to go into them... | 0:04:15 | 0:04:18 | |
..and while you were in the cell, you were meant not to communicate. | 0:04:20 | 0:04:23 | |
It was part of your punishment. | 0:04:23 | 0:04:25 | |
And it was eerie, | 0:04:27 | 0:04:28 | |
because of almost 140 men at the time in B Block, no-one spoke. | 0:04:28 | 0:04:33 | |
You'd hear them cough or urinate and flush the toilet | 0:04:35 | 0:04:38 | |
but there was no real sound. | 0:04:38 | 0:04:39 | |
And that was the worst for me, | 0:04:41 | 0:04:43 | |
especially the first couple of months. | 0:04:43 | 0:04:45 | |
You still can hear your mother crying at the trial. | 0:04:49 | 0:04:52 | |
You can still smell the aftershave on the witnesses, man - | 0:04:52 | 0:04:56 | |
I mean, like it's just every little detail's just eating your life, | 0:04:56 | 0:04:59 | |
because you've just been put here. | 0:04:59 | 0:05:02 | |
The door was just still ringing in your ears cos of the slam | 0:05:02 | 0:05:04 | |
and you're just left there, and you're like... | 0:05:04 | 0:05:06 | |
HE INHALES SHARPLY | 0:05:06 | 0:05:08 | |
And yet, like, you don't come to your door | 0:05:10 | 0:05:13 | |
and talk to a neighbour, cos if you broke the speaking rule, | 0:05:13 | 0:05:16 | |
you were struck or beaten by the guards. | 0:05:16 | 0:05:19 | |
In level five, you were allowed to exercise | 0:05:26 | 0:05:30 | |
in these dog-kennel like cages, 19 feet long, ten feet wide. | 0:05:30 | 0:05:34 | |
You got an hour to exercise by yourself, | 0:05:37 | 0:05:40 | |
cos you were a death-row prisoner. | 0:05:40 | 0:05:42 | |
But the guards, being pricks - | 0:05:42 | 0:05:45 | |
if you had a problem with another guy, and they knew you were enemies, | 0:05:45 | 0:05:50 | |
they'd put you in a cage together, knowing that | 0:05:50 | 0:05:54 | |
as soon as they'd walked off a few steps, | 0:05:54 | 0:05:56 | |
you two were going to go at it. | 0:05:56 | 0:05:57 | |
And if that didn't work, they simply picked out two big guys, | 0:05:57 | 0:06:00 | |
and put them in together. | 0:06:00 | 0:06:03 | |
And they had some fun. | 0:06:03 | 0:06:05 | |
Usually it was a white guy with a black guy, | 0:06:05 | 0:06:07 | |
Spanish guy with a black guy, Spanish guy with a white guy. | 0:06:07 | 0:06:11 | |
Gladiatoring, they called it. | 0:06:13 | 0:06:15 | |
SHOWER STARTS | 0:06:20 | 0:06:26 | |
The shower was the most vulnerable time. | 0:06:26 | 0:06:28 | |
If you were going to get somebody, that's the place to get them. | 0:06:29 | 0:06:33 | |
You got access to them, there's no handcuffs, and they're naked. | 0:06:33 | 0:06:37 | |
SHOWER RUNS | 0:06:37 | 0:06:41 | |
I had only been there a few days and I walked into the shower | 0:06:43 | 0:06:47 | |
and just as I turned the corner, there was a Puerto Rican boy | 0:06:47 | 0:06:50 | |
and he had sharpened a pork chop bone | 0:06:50 | 0:06:52 | |
and then stabbed this man in the back of the liver with it and | 0:06:52 | 0:06:56 | |
the guy started flopping, and then they just cut all the water off | 0:06:56 | 0:07:00 | |
and just beat all six of us senseless and drug us back out of the shower. | 0:07:00 | 0:07:04 | |
And then they served food. | 0:07:09 | 0:07:11 | |
Like they got everything cleaned up and began serving lunch | 0:07:11 | 0:07:15 | |
and it went on as a routine day. | 0:07:15 | 0:07:17 | |
CANTEEN CHATTER | 0:07:17 | 0:07:22 | |
And two guys were arguing, cos one guy didn't get enough | 0:07:22 | 0:07:24 | |
bread on his tray and I'm like - this is crazy! | 0:07:24 | 0:07:26 | |
You're so whacked out of your mind that you're going to | 0:07:26 | 0:07:29 | |
call down to that guard, "Hey, man! I only got one slice of bread on my tray," | 0:07:29 | 0:07:33 | |
when a human being just died! | 0:07:33 | 0:07:35 | |
I lived in silence. | 0:07:47 | 0:07:50 | |
For two whole years. | 0:07:50 | 0:07:52 | |
The first two years. | 0:07:52 | 0:07:54 | |
And that's when the drugs were discovered in the choir room. | 0:07:55 | 0:07:59 | |
And everything changed. | 0:07:59 | 0:08:01 | |
These prisoners from the choir were locked up with us | 0:08:03 | 0:08:06 | |
in empty cells on death row. | 0:08:06 | 0:08:08 | |
And because none of them were going to tell where the drugs came from, | 0:08:09 | 0:08:14 | |
they were going to ship all of them to individual different prisons. | 0:08:14 | 0:08:19 | |
To the other eight members of the choir, it really didn't matter. | 0:08:20 | 0:08:23 | |
But two of the men had a bond that was special. Wesley and Butch. | 0:08:26 | 0:08:30 | |
Wesley was this fair-skinned, green-eyed beautiful black guy | 0:08:31 | 0:08:36 | |
who just exuded this eloquence and sweetness about him. | 0:08:36 | 0:08:40 | |
Everyone liked him. | 0:08:40 | 0:08:41 | |
And he had a voice that was gravelly and wondrous. | 0:08:43 | 0:08:46 | |
He had met Butch when they were children in the church | 0:08:48 | 0:08:50 | |
in West Philadelphia, where Butch was a foster child. | 0:08:50 | 0:08:53 | |
Obviously, Wesley was gay and they formed this bond that seemed | 0:08:55 | 0:08:59 | |
to like be invulnerable. | 0:08:59 | 0:09:01 | |
And then, Butch began stealing and getting in trouble | 0:09:01 | 0:09:05 | |
and he was arrested and thrown into county prison in Philadelphia | 0:09:05 | 0:09:09 | |
and Wesley went nuts without him. | 0:09:09 | 0:09:10 | |
He was the only thing in his life that protected him | 0:09:10 | 0:09:13 | |
from the scorn of his parents, the bullies in the neighbourhood, | 0:09:13 | 0:09:16 | |
the people who knew he was weak without Butch. | 0:09:16 | 0:09:19 | |
So he began committing deliberate crimes | 0:09:19 | 0:09:21 | |
and getting arrested so that he could be with Butch | 0:09:21 | 0:09:25 | |
and they found out prison was the one place they could be normal. | 0:09:25 | 0:09:30 | |
They got themselves put into the same cell and together, | 0:09:30 | 0:09:34 | |
in the setting of a prison, where homosexuality is an accepted | 0:09:34 | 0:09:38 | |
form of expression, or just life, no-one bothered them. | 0:09:38 | 0:09:43 | |
And that's when the drugs were discovered and the guard | 0:09:45 | 0:09:48 | |
on duty at nine o'clock that night started tormenting Wesley. | 0:09:48 | 0:09:51 | |
"Hey, faggot, you're going. | 0:09:51 | 0:09:54 | |
"Your boy's going to Western. I just looked on the transfer sheet. | 0:09:54 | 0:09:57 | |
"You're going to Dallas. | 0:09:57 | 0:09:58 | |
"Opposite ends of the State of Pennsylvania. Bye, nigger!" | 0:09:58 | 0:10:02 | |
And I guess Wesley went crazy in the cell. | 0:10:05 | 0:10:09 | |
Cos about 40 minutes later, just before ten o'clock, there was | 0:10:09 | 0:10:12 | |
like 20 minutes left before shift change at 10.00pm. | 0:10:12 | 0:10:15 | |
This voice took over. | 0:10:16 | 0:10:20 | |
# Ah, oooh | 0:10:20 | 0:10:25 | |
# Yeah | 0:10:25 | 0:10:26 | |
# I have a dream, the dream Of every common man... # | 0:10:26 | 0:10:32 | |
Every man on that block just stood still. | 0:10:32 | 0:10:36 | |
# I have sworn by my blood as your man, my love... # | 0:10:36 | 0:10:40 | |
We knew the penalty. | 0:10:40 | 0:10:42 | |
# That one day, I promise one day all of your heartaches would stop... # | 0:10:42 | 0:10:47 | |
Then you heard the keys. HE MIMICS RATTLE OF KEYS | 0:10:47 | 0:10:50 | |
The footsteps behind it. | 0:10:50 | 0:10:52 | |
"What the fuck are you doing, singing in my block? | 0:10:52 | 0:10:54 | |
"I will beat your head in. If you don't stop that singing right now, I will beat your head in." | 0:10:54 | 0:10:59 | |
# Oh, thanks to you baby | 0:10:59 | 0:11:04 | |
-SINGER LAUGHS -# For just loving a common man... # | 0:11:04 | 0:11:07 | |
-More keys. -# I want to thank you this evening, honey... # | 0:11:07 | 0:11:10 | |
HE MIMICS KEYS SHAKING Here they come. | 0:11:10 | 0:11:12 | |
-Everybody knows what's coming. -# I thought that I'd failed you... # | 0:11:12 | 0:11:16 | |
The lieutenant came running down | 0:11:16 | 0:11:17 | |
and he was this militant asshole with the brush cut | 0:11:17 | 0:11:20 | |
and the uniform that was pressed to precision | 0:11:20 | 0:11:22 | |
and he ran down and he ran down and he said, "Hold it." Like that. | 0:11:22 | 0:11:26 | |
And even Wesley stopped cos we know, when Lieutenant Norris | 0:11:26 | 0:11:29 | |
raised his hand, that was it. | 0:11:29 | 0:11:31 | |
He said, "I leave in 20 minutes. | 0:11:31 | 0:11:36 | |
"If there is a noise on this block, from anyone, when I leave this unit, we will beat every man's head in. | 0:11:36 | 0:11:43 | |
"Do you understand me?" Silence. | 0:11:43 | 0:11:46 | |
"Finish that song, inmate. Let's go." | 0:11:48 | 0:11:51 | |
The guards looked at him like he had lost his frigging mind. | 0:11:51 | 0:11:54 | |
They were stunned. | 0:11:54 | 0:11:56 | |
"Let's go. You. You've got 20 minutes." | 0:11:56 | 0:12:00 | |
And walked off the block. HE MIMICS KEYS SHAKING | 0:12:00 | 0:12:02 | |
He even had an argument on the way out of the door. | 0:12:04 | 0:12:06 | |
When the gates shut... GATE SLAMS | 0:12:06 | 0:12:09 | |
..that big wide B block gate - when they left the block alone, | 0:12:09 | 0:12:13 | |
we were like... | 0:12:13 | 0:12:16 | |
"Oh, my God! We are totally and utterly unsupervised." | 0:12:16 | 0:12:20 | |
And he came back right in mid-lyric like he had never stopped singing. | 0:12:21 | 0:12:26 | |
# You said, "I love you, baby | 0:12:26 | 0:12:29 | |
# I love you for just being a common man... # | 0:12:29 | 0:12:33 | |
SINGER JOINS ON BASS NOTE | 0:12:33 | 0:12:35 | |
And like you could hear them, here they come, | 0:12:35 | 0:12:38 | |
the other members that had a little bit of guts, yeah? | 0:12:38 | 0:12:41 | |
They were blowing, you know? | 0:12:41 | 0:12:42 | |
They were giving bass, and it was wonderful. | 0:12:42 | 0:12:45 | |
These voices, yeah? | 0:12:45 | 0:12:47 | |
# I thank you, baby, yeah, for respecting me, yeah | 0:12:47 | 0:12:52 | |
# I want to thank you, baby | 0:12:52 | 0:12:55 | |
# For telling me | 0:12:55 | 0:12:58 | |
# I want thank you for respecting me | 0:12:58 | 0:13:02 | |
# In a time of worry | 0:13:02 | 0:13:05 | |
# Thank you for calming my troubles... # | 0:13:05 | 0:13:07 | |
GOSPEL-TYPE VOICES CONTINUE | 0:13:07 | 0:13:12 | |
FINGER-CLICKS KEEP BEAT | 0:13:12 | 0:13:15 | |
Then, out of nowhere... | 0:13:15 | 0:13:16 | |
# Ooh... # | 0:13:16 | 0:13:20 | |
..we heard this woman's voice. | 0:13:20 | 0:13:23 | |
Dorothy Moore's Misty Blue. | 0:13:23 | 0:13:27 | |
# Ah... # | 0:13:27 | 0:13:30 | |
I thought, I swear to God, somebody had gotten a radio in on B Block. | 0:13:30 | 0:13:34 | |
# Ah | 0:13:34 | 0:13:38 | |
# Looks like I'd get you... # | 0:13:38 | 0:13:41 | |
No-one really knew who it was that was singing and then I figured it out. | 0:13:41 | 0:13:46 | |
Butch was six foot four and 240lbs. | 0:13:46 | 0:13:51 | |
He had a big jagged scar that ran down the side of his face, | 0:13:52 | 0:13:56 | |
like from someone trying to cut his head open. | 0:13:56 | 0:14:00 | |
I was terrified of this man. | 0:14:00 | 0:14:02 | |
# Oh, honey | 0:14:02 | 0:14:06 | |
# Just the mention of your name... # | 0:14:06 | 0:14:09 | |
To hear him sing in this beautiful voice... | 0:14:09 | 0:14:12 | |
# Turns the flicker to a flame... # | 0:14:12 | 0:14:16 | |
..as his way of showing love for someone who was being taken from him the next morning | 0:14:16 | 0:14:21 | |
made me want someone to care for me in that place so much | 0:14:21 | 0:14:27 | |
that they would sing, knowing that singing would have gotten their head beat in. | 0:14:27 | 0:14:33 | |
They shipped Wesley that morning at 3:55am. | 0:14:45 | 0:14:48 | |
But the next day, | 0:14:50 | 0:14:52 | |
like a few guys were talking outside of their cells to each other, | 0:14:52 | 0:14:55 | |
like a normal conversation, and when the guard went by | 0:14:55 | 0:14:59 | |
he didn't tell them that they was going to beat their brains in, he just simply said, | 0:14:59 | 0:15:03 | |
"Keep that down, the lieutenant doesn't like it. | 0:15:03 | 0:15:05 | |
They weren't going to torture us with silence any more. | 0:15:07 | 0:15:09 | |
CELL DOOR OPENS | 0:15:16 | 0:15:19 | |
BUZZER | 0:15:19 | 0:15:20 | |
Joe Bullen, my first appellate attorney, God bless him, | 0:15:25 | 0:15:29 | |
got the attention of the Pennsylvania Supreme Court. | 0:15:29 | 0:15:33 | |
He didn't like me, but he filed the appeal nonetheless | 0:15:33 | 0:15:37 | |
and got us the hearing scheduled for February 20th. | 0:15:37 | 0:15:41 | |
I was excited to go to court, you know. | 0:15:44 | 0:15:46 | |
Two Delaware County sheriffs were waiting for me. | 0:15:51 | 0:15:54 | |
They come up, they put the handcuffs on me. | 0:15:54 | 0:15:57 | |
Both men were in their 60s. | 0:15:58 | 0:16:00 | |
Two sweetheart guys who were already bullshitting about basketball | 0:16:00 | 0:16:04 | |
and football and all this stuff in Philadelphia. | 0:16:04 | 0:16:07 | |
They're giving me updates on some things that | 0:16:07 | 0:16:09 | |
I haven't caught up on and people back down in the county jail | 0:16:09 | 0:16:12 | |
who was going up to the state prison. | 0:16:12 | 0:16:14 | |
We're talking about how damn cold it is. It was bitterly cold. | 0:16:17 | 0:16:21 | |
In fact, it was the coldest day of the year that year. | 0:16:21 | 0:16:24 | |
I'm sitting in the back and we're driving along. | 0:16:32 | 0:16:35 | |
And we get down there four-and-a-half hours later. | 0:16:35 | 0:16:39 | |
It's now about 4:30pm, almost 5:00pm, and nearly pitch dark. | 0:16:39 | 0:16:44 | |
We pull in to go to the bathroom. | 0:16:48 | 0:16:50 | |
The driver drives past it by like 25 yards. | 0:16:52 | 0:16:55 | |
We get out of the car and we're hit with that blast of cold. | 0:16:57 | 0:17:01 | |
We run right over, the three of us, to the cubicle and I go in | 0:17:03 | 0:17:07 | |
and the door is being held open by the taller officer. | 0:17:07 | 0:17:11 | |
And he stands there while I urinate and watches me. | 0:17:11 | 0:17:15 | |
I'm peeing, I'm minding my own business, | 0:17:17 | 0:17:19 | |
I'm thinking about getting back into that warm-ass car. | 0:17:19 | 0:17:22 | |
It's freezing, I turn, I look up, he's got his hand up, | 0:17:22 | 0:17:25 | |
I put my head under his arm and I make a left turn | 0:17:25 | 0:17:28 | |
to go back to the car. | 0:17:28 | 0:17:30 | |
What I did not know is that the officer who was driving | 0:17:30 | 0:17:36 | |
went back to the car and waited. | 0:17:36 | 0:17:39 | |
I came out of the cubicle and started trotting towards him. | 0:17:39 | 0:17:43 | |
He looked past me and he didn't see his partner. | 0:17:43 | 0:17:46 | |
He doesn't know if I've killed his partner or not. | 0:17:46 | 0:17:49 | |
He just knew he was seeing a death row prisoner | 0:17:49 | 0:17:53 | |
running at him unescorted. | 0:17:53 | 0:17:55 | |
That's when he pulled his gun. | 0:17:55 | 0:17:57 | |
When he did that motion of sticking his hand on his hip and pulling | 0:17:57 | 0:18:01 | |
the weapon from the holster, I just turned and started running. | 0:18:01 | 0:18:05 | |
He fired that weapon and it was like this huge percussion. | 0:18:05 | 0:18:08 | |
GUNSHOT | 0:18:08 | 0:18:10 | |
At 2,700 feet per second, that bullet went past my ear | 0:18:12 | 0:18:19 | |
and so did anything else that I was looking behind me for. | 0:18:19 | 0:18:22 | |
I went down and I hit the ground | 0:18:26 | 0:18:28 | |
and ripped all of the skin on my hands and it's just like... Oooh! | 0:18:28 | 0:18:32 | |
Then they started this attitude, you know, | 0:18:32 | 0:18:35 | |
"That's it. I'm going to do what I got to do." | 0:18:35 | 0:18:37 | |
So I just got up and I ran towards the big plate-glass window | 0:18:37 | 0:18:40 | |
of the restaurant next door. | 0:18:40 | 0:18:43 | |
I figured if I'm running directly at the window, he can't shoot me. | 0:18:44 | 0:18:47 | |
I ran about 100 yards across the road and I circled back. | 0:18:49 | 0:18:54 | |
And I came right back to where I had escaped. | 0:18:56 | 0:18:59 | |
Now, I'm looking at them as they're yelling at each other | 0:18:59 | 0:19:02 | |
who was the bigger idiot for letting this happen and then I hear them. | 0:19:02 | 0:19:06 | |
POLICE SIRENS | 0:19:06 | 0:19:08 | |
All the sirens in the world are coming. | 0:19:08 | 0:19:10 | |
There was cars coming from everywhere. | 0:19:11 | 0:19:14 | |
They had an escaped death row prisoner alert. | 0:19:16 | 0:19:19 | |
They pulled out all the stops. | 0:19:19 | 0:19:21 | |
So I took my eye glasses off, | 0:19:24 | 0:19:26 | |
pulled the plastic off the end of the eyeglasses and I stuck | 0:19:26 | 0:19:29 | |
the eyeglass pin into the handcuffs and I picked the handcuffs. | 0:19:29 | 0:19:33 | |
I could see the buildings off to my right and one of them had a flag. | 0:19:35 | 0:19:38 | |
That's a police station. | 0:19:38 | 0:19:40 | |
I said, man, I'm going to hide behind the police station. | 0:19:40 | 0:19:44 | |
So I navigated down behind this alleyway | 0:19:44 | 0:19:47 | |
and I got down in this recessed area and I just huddle | 0:19:47 | 0:19:52 | |
and I just waited. | 0:19:52 | 0:19:53 | |
I was so cold. | 0:19:56 | 0:19:57 | |
When I lost my core temperature like an hour later, I was shivering. | 0:19:57 | 0:20:02 | |
I was like, oh my God, this is killing me. | 0:20:02 | 0:20:05 | |
I was going into these bends. It was hurting. | 0:20:05 | 0:20:08 | |
My ribs were aching from going into these convulsions like that. | 0:20:08 | 0:20:13 | |
So I was hurting so bad. | 0:20:13 | 0:20:15 | |
I'm going to get up and get out of here. | 0:20:15 | 0:20:17 | |
I came flying out of that parking lot and they saw me. | 0:20:17 | 0:20:21 | |
HELICOPTER ROTOR BLADES | 0:20:21 | 0:20:22 | |
This guy came out of nowhere, just hovered above me. | 0:20:24 | 0:20:28 | |
And the blinding candlelight of this magnitude, I can't even describe. | 0:20:28 | 0:20:32 | |
And he circled and he had the whole area lit. | 0:20:32 | 0:20:36 | |
He came back, he lit me up and lit me up. | 0:20:36 | 0:20:38 | |
This guy chased me for literally three hours with this helicopter. | 0:20:38 | 0:20:42 | |
My feet split open, my calves erupted, my hamstrings were pulled. | 0:20:43 | 0:20:48 | |
But I got lucky, didn't I? | 0:20:49 | 0:20:51 | |
The helicopter had a FLIR - forward-looking infrared camera | 0:20:52 | 0:20:56 | |
and it wasn't working because it was so cold it malfunctioned. | 0:20:56 | 0:21:01 | |
I ended up on a pair of railroad tracks | 0:21:07 | 0:21:10 | |
where I walked on broken feet for five miles. | 0:21:10 | 0:21:14 | |
Until I got to Frazer Pennsylvania where I stole a car. | 0:21:15 | 0:21:18 | |
It was a 1965 green Mustang. | 0:21:20 | 0:21:23 | |
I found a quarter. | 0:21:24 | 0:21:26 | |
I went over to the coin box and I called a family member. | 0:21:26 | 0:21:30 | |
I drove over to the house and they gave me 100, | 0:21:32 | 0:21:35 | |
a handful of bandages and gauze | 0:21:35 | 0:21:38 | |
and then a Philadelphia green Eagles ski cap. | 0:21:38 | 0:21:42 | |
Like that wasn't going to give away my city location! | 0:21:42 | 0:21:46 | |
I drove to New York City and I got a hotel room | 0:21:48 | 0:21:51 | |
in the Bowery in a flophouse on the lower East Side. | 0:21:51 | 0:21:55 | |
Seven dollars a night. | 0:21:55 | 0:21:57 | |
I paid for a whole week in advance | 0:21:57 | 0:21:59 | |
and then I went to a little bodega and I got a box of Epsom salt | 0:21:59 | 0:22:03 | |
and went up to my room. | 0:22:03 | 0:22:05 | |
Oh, my God. | 0:22:08 | 0:22:10 | |
Like, I literally had institutional sock | 0:22:10 | 0:22:15 | |
all threaded into the torn tissue of my feet. | 0:22:15 | 0:22:18 | |
And I just soaked in it | 0:22:18 | 0:22:20 | |
and I started pulling it out and it was like... | 0:22:20 | 0:22:22 | |
I would just cry, man. The first three days... | 0:22:24 | 0:22:26 | |
That's why I didn't even venture out. I literally couldn't walk. | 0:22:26 | 0:22:30 | |
CAR HORNS | 0:22:32 | 0:22:34 | |
After four days, I went out one evening. | 0:22:39 | 0:22:42 | |
It was excruciating to finally go out. | 0:22:42 | 0:22:45 | |
And Macy's had this long display window of all the electronic | 0:22:45 | 0:22:49 | |
products and there were all these televisions and on them | 0:22:49 | 0:22:52 | |
were all these different channels and on some of them was the news | 0:22:52 | 0:22:56 | |
and there was the video footage of me obviously being hunted. | 0:22:56 | 0:23:01 | |
And in that one moment I was hit by the reality, I'm not free. | 0:23:01 | 0:23:05 | |
Not by a damn shot. I am just like... | 0:23:05 | 0:23:08 | |
I'm temporarily out on a leash | 0:23:08 | 0:23:09 | |
and if they catch me I'm going to catch a bullet. | 0:23:09 | 0:23:12 | |
Like, it was so terrifying in that moment. | 0:23:12 | 0:23:14 | |
In 1985 you didn't need to even show photo identification | 0:23:18 | 0:23:21 | |
to get on an aeroplane. | 0:23:21 | 0:23:23 | |
You didn't have to show who you were or anything. | 0:23:23 | 0:23:25 | |
So I went to this upscale restaurant. | 0:23:27 | 0:23:29 | |
And I just waited and waited. I waited by the men's room. | 0:23:31 | 0:23:34 | |
Waiting, waiting. | 0:23:34 | 0:23:35 | |
As soon as I saw a guy go in the bathroom without a jacket on, | 0:23:37 | 0:23:41 | |
I walked over to his table and I stole his jacket | 0:23:41 | 0:23:43 | |
and he had his wallet in his jacket. | 0:23:43 | 0:23:46 | |
Then I went to the cloakroom and grabbed a fur coat. | 0:23:47 | 0:23:50 | |
And I left. | 0:23:50 | 0:23:52 | |
So I simply just used the credit card, | 0:24:05 | 0:24:08 | |
bought last-minute tickets to Orlando | 0:24:08 | 0:24:11 | |
and when I got to Orlando I told the taxi driver | 0:24:11 | 0:24:14 | |
to take me to the pawn shop area. | 0:24:14 | 0:24:17 | |
When I went into the shop the guy behind the counter, | 0:24:24 | 0:24:27 | |
the owner, was obviously a criminal. | 0:24:27 | 0:24:30 | |
So I told him, | 0:24:31 | 0:24:32 | |
"I don't have any identification but I want to sell you this coat." | 0:24:32 | 0:24:35 | |
So I negotiated with him to give me a gun and 100 for the coat, | 0:24:39 | 0:24:45 | |
which was worth 5,000. | 0:24:45 | 0:24:47 | |
A very nice fur coat. | 0:24:47 | 0:24:48 | |
And so after he gave me the gun, he refused to give me bullets, | 0:24:51 | 0:24:55 | |
he asked me if I was willing to rob this guy that he knew, | 0:24:55 | 0:24:59 | |
Anthony Manilla, who had a collection of gold coins | 0:24:59 | 0:25:03 | |
that were worth 350 each. | 0:25:03 | 0:25:05 | |
He said there was at least 100 of these coins in this guy's house. | 0:25:05 | 0:25:08 | |
I met Anthony Manilla just outside of his house. | 0:25:13 | 0:25:17 | |
I was driving by on a bicycle I had bought at a flea market. | 0:25:17 | 0:25:19 | |
So when I rode by I pretended that I recognised him from prison. | 0:25:19 | 0:25:23 | |
Anthony knew he didn't know me | 0:25:24 | 0:25:26 | |
but he pretended he also recognised me in that fake way some people do. | 0:25:26 | 0:25:30 | |
He asked me what I was up to. | 0:25:31 | 0:25:33 | |
I told him I had these pills for sale | 0:25:33 | 0:25:35 | |
but I couldn't find anybody to buy them. | 0:25:35 | 0:25:37 | |
So he told me he could get me 7 each for them if I waited. | 0:25:37 | 0:25:40 | |
Now, I knew and he knew that each pill was worth 30 each. | 0:25:42 | 0:25:45 | |
The cops in the area know he doesn't have a valid licence. | 0:25:46 | 0:25:50 | |
So he actually gave me the wheel. | 0:25:50 | 0:25:52 | |
We drive towards where I tell him I have the drugs stashed. | 0:26:03 | 0:26:07 | |
I pulled the gun and I said, "OK, freeze, I got you." | 0:26:09 | 0:26:12 | |
And he was like, "OK, take it easy." | 0:26:12 | 0:26:14 | |
I pulled over and demanded that he give me | 0:26:15 | 0:26:18 | |
the nod of money he had been bragging with. | 0:26:18 | 0:26:20 | |
He gave me that. | 0:26:20 | 0:26:22 | |
He had a Rolex watch and he had diamond jewellery all over him. | 0:26:22 | 0:26:26 | |
I said, "Now I've got to tie you up | 0:26:27 | 0:26:29 | |
"because I've got to go back into your house and get that money." | 0:26:29 | 0:26:32 | |
He flat out refused. I said, "What do you mean, no?" | 0:26:32 | 0:26:36 | |
This is like a 140 pound person. | 0:26:36 | 0:26:38 | |
I grabbed him and I said, "Please hold still." | 0:26:38 | 0:26:41 | |
I tied his hands up, put him in the trunk, I slammed the trunk deck down | 0:26:41 | 0:26:45 | |
and I don't know that the trunk deck clasp has gone through | 0:26:45 | 0:26:49 | |
the rope and is now just stuck but not locked | 0:26:49 | 0:26:52 | |
because three red lights later he jumps out | 0:26:52 | 0:26:55 | |
and when he jumps out he looks like a mummy who has unravelled | 0:26:55 | 0:26:59 | |
and he runs up to the car behind and knocks on the window | 0:26:59 | 0:27:01 | |
and says, "He tried to rob me! He's trying to rob me!" | 0:27:01 | 0:27:04 | |
And then he ran off. | 0:27:04 | 0:27:06 | |
The two women in my rear-view were looking at each other | 0:27:06 | 0:27:09 | |
and looking at me and I just gunned it across the red light and went | 0:27:09 | 0:27:13 | |
flying across to Station Road and went right up the middle of Orlando. | 0:27:13 | 0:27:17 | |
And I didn't go back to his house. | 0:27:17 | 0:27:20 | |
So I drove all night. | 0:27:24 | 0:27:26 | |
At 2:30am in the morning I get to Daytona Beach, Volusia County. | 0:27:28 | 0:27:31 | |
And it's Bike Week, March 10th. | 0:27:32 | 0:27:35 | |
I've been an escaped prisoner for 25 days. | 0:27:37 | 0:27:41 | |
And I'm sitting there and I'm like, I can't get a hotel room anywhere. | 0:27:42 | 0:27:47 | |
It's booked, everything is solid. | 0:27:47 | 0:27:49 | |
My eyes were all gravelly and I was just so exhausted. | 0:27:49 | 0:27:53 | |
So I just put the seat back and went to sleep. | 0:27:53 | 0:27:57 | |
The next thing I know, | 0:28:00 | 0:28:02 | |
three sharp raps right on the window and there's a cop right there. | 0:28:02 | 0:28:08 | |
My heart is pounding. | 0:28:08 | 0:28:10 | |
He's making the motion like this so I put the window down. | 0:28:11 | 0:28:14 | |
He said, "Did you hear anybody screaming?" I said, "What?" | 0:28:14 | 0:28:17 | |
He said "Some woman screaming. | 0:28:17 | 0:28:19 | |
"There's been a call, a domestic dispute. Is there a problem?" | 0:28:19 | 0:28:22 | |
And I was like, "No." | 0:28:23 | 0:28:26 | |
I was talking to him and I was just focusing on him trying to answer him | 0:28:26 | 0:28:31 | |
and that's when I heard from the passenger side | 0:28:31 | 0:28:34 | |
the other officer yell, "Hey Bert, there's a gun." | 0:28:34 | 0:28:37 | |
And he immediately pulled his weapon and I said, | 0:28:37 | 0:28:40 | |
"Hold on, hold on. What's up?" | 0:28:40 | 0:28:41 | |
I didn't know this, | 0:28:41 | 0:28:43 | |
but about that much of the pistol was laying out under a blanket. | 0:28:43 | 0:28:48 | |
So I got out of the car, I had my hands up. | 0:28:50 | 0:28:52 | |
I gave a false name. | 0:28:53 | 0:28:55 | |
They put handcuffs on me. They locked me up. | 0:28:56 | 0:28:58 | |
I'm sitting in prison and waiting. | 0:29:01 | 0:29:03 | |
And I said, to hell with this. | 0:29:04 | 0:29:06 | |
TELEPHONE RINGS | 0:29:06 | 0:29:08 | |
My father immediately picked up. | 0:29:10 | 0:29:12 | |
Hello? | 0:29:12 | 0:29:13 | |
I said, "Dad I need you to call the FBI and tell them where I'm at. | 0:29:13 | 0:29:17 | |
"If they don't come and get me I'm going to go before this | 0:29:17 | 0:29:21 | |
"judge in the morning and I'm going to bail out and get out of here." | 0:29:21 | 0:29:24 | |
He hung up the phone. | 0:29:25 | 0:29:27 | |
He called an agent by the name of Bud Warner, Philadelphia FBI office. | 0:29:27 | 0:29:32 | |
Man, the doors came open. They came flying in there. | 0:29:33 | 0:29:36 | |
DOOR SLAMS | 0:29:36 | 0:29:38 | |
They added 35 more years to my sentence for that robbery. | 0:29:43 | 0:29:46 | |
Put me on death row in Florida. | 0:29:48 | 0:29:50 | |
And left me there to swelter all through that summer. | 0:29:51 | 0:29:54 | |
By the time they came and got me in September | 0:29:57 | 0:30:00 | |
I was so eager to go back to Pennsylvania, | 0:30:00 | 0:30:02 | |
even though I knew I was going to get some serious beatings. | 0:30:02 | 0:30:06 | |
I had made an enemy of every guard on shift. | 0:30:10 | 0:30:13 | |
I was going to go through some extreme punishment. | 0:30:14 | 0:30:17 | |
Man, it was hard. | 0:30:19 | 0:30:21 | |
I stewed and I seethed. | 0:30:39 | 0:30:43 | |
I was so angry I was beating my head on the wall. | 0:30:45 | 0:30:48 | |
So every couple of weeks they would take me out and patch my head up. | 0:30:51 | 0:30:54 | |
And, erm... | 0:30:59 | 0:31:00 | |
This one officer when he was escorting me back | 0:31:02 | 0:31:04 | |
from the nurse's station stopped by this cell | 0:31:04 | 0:31:07 | |
and he said "Go in there and get them books." | 0:31:07 | 0:31:10 | |
So this guard, nice guy too turned out to be, | 0:31:11 | 0:31:14 | |
he lets me go in to the cell and I get these books. | 0:31:14 | 0:31:18 | |
And some of them were just too hard to read, you know. | 0:31:18 | 0:31:22 | |
You see, by the time I reached the eighth grade at the age of 13, | 0:31:33 | 0:31:39 | |
school was just an area to meet up with your friends | 0:31:39 | 0:31:43 | |
to go swimming or fighting, you know. | 0:31:43 | 0:31:46 | |
So my reading comprehension level was basic, to say the least. | 0:31:49 | 0:31:53 | |
But patience and I had all the time in the world. | 0:31:57 | 0:32:01 | |
So I started working with these books. | 0:32:02 | 0:32:05 | |
In the front of the General Education Development booklet | 0:32:08 | 0:32:13 | |
was a note, 'Tips Of Learning'. | 0:32:13 | 0:32:15 | |
And it said, "If you take a word | 0:32:15 | 0:32:18 | |
"and write out its spelling 10 times while covering each previous one | 0:32:18 | 0:32:22 | |
"and then apply each of those to 10 sentences using that word, | 0:32:22 | 0:32:27 | |
"you will not forget that word." | 0:32:27 | 0:32:29 | |
The 10 times rule. | 0:32:29 | 0:32:31 | |
So I sat there with a pen and every word I didn't understand | 0:32:31 | 0:32:35 | |
I did the 10 times rule to it. | 0:32:35 | 0:32:37 | |
I remember I would go through a day | 0:32:37 | 0:32:41 | |
where I would have 50 word days, 40 word days, | 0:32:41 | 0:32:45 | |
I counted days sometimes on the accomplishments | 0:32:45 | 0:32:48 | |
of being able to sit down and to orally go and say, | 0:32:48 | 0:32:53 | |
Robert is a triskaidekaphobic. | 0:32:53 | 0:32:56 | |
Robert is afraid of the number 13. | 0:32:56 | 0:32:58 | |
Robert does not understand that it's just an illusion | 0:32:58 | 0:33:02 | |
that 13 can harm him. | 0:33:02 | 0:33:04 | |
And I would just talk to myself until I had that one down. | 0:33:04 | 0:33:07 | |
Then I would move on to phantasmagoria | 0:33:07 | 0:33:09 | |
and I would understand that phantasmagoria | 0:33:09 | 0:33:11 | |
was the fear of ghosts and I'd like, boo! | 0:33:11 | 0:33:14 | |
You know, so I just played with it | 0:33:14 | 0:33:17 | |
and it just became this stupid image of this kid | 0:33:17 | 0:33:21 | |
sitting in a room by himself entertaining himself with words. | 0:33:21 | 0:33:25 | |
And it was quiet because I was in the back of the B block | 0:33:25 | 0:33:28 | |
and I was quietly just doing it. | 0:33:28 | 0:33:30 | |
Triskaidekaphobia. | 0:33:30 | 0:33:32 | |
The fear of 13. | 0:33:33 | 0:33:34 | |
And like, it worked. | 0:33:37 | 0:33:38 | |
For some reason, that small gesture of humanity by that guard | 0:33:40 | 0:33:44 | |
just changed everything for me. | 0:33:44 | 0:33:47 | |
I loved it. I was hooked on dime store novels. | 0:33:55 | 0:33:59 | |
Series. Detective series. | 0:33:59 | 0:34:01 | |
Jack Higgins, Robert Ludlum, Elmore Leonard. | 0:34:01 | 0:34:05 | |
The first 1,000 books, | 0:34:05 | 0:34:07 | |
I remember I was so proud of the accomplishment. | 0:34:07 | 0:34:11 | |
I had written down 1,000 titles of 1,000 different books | 0:34:11 | 0:34:14 | |
that I had personally read. | 0:34:14 | 0:34:15 | |
It took me three years. | 0:34:15 | 0:34:17 | |
I loved Rudyard Kipling. | 0:34:19 | 0:34:21 | |
I loved tales. | 0:34:21 | 0:34:24 | |
I loved storytelling of tales like Sinbad and Homer. | 0:34:24 | 0:34:29 | |
Like, true story telling is the telling of life. | 0:34:30 | 0:34:33 | |
Isn't it? | 0:34:33 | 0:34:36 | |
I loved it. I loved it. | 0:34:36 | 0:34:38 | |
I'm so glad I was a drug addict in one way. | 0:34:39 | 0:34:42 | |
I was addicted to books and I got hooked on them in the worst way. | 0:34:42 | 0:34:46 | |
Meanwhile, I was reading law books and studying serology. | 0:34:49 | 0:34:53 | |
I went to college. | 0:34:53 | 0:34:55 | |
I really opened up all this time and structure for reading. | 0:34:55 | 0:34:59 | |
And with every new book I found something wonderful about myself. | 0:35:01 | 0:35:06 | |
I found... | 0:35:06 | 0:35:08 | |
I found myself. Like, it was wonderful. | 0:35:11 | 0:35:13 | |
I was happy on death row at times when I shouldn't have been | 0:35:15 | 0:35:19 | |
and it was only because I became comfortable | 0:35:19 | 0:35:21 | |
with being who I was, finally, in life. | 0:35:21 | 0:35:25 | |
CELL DOOR OPENS | 0:35:25 | 0:35:27 | |
BUZZER | 0:35:27 | 0:35:29 | |
And that's when I met Jackie. | 0:35:34 | 0:35:36 | |
Jackie Schaefer was a 31-year-old woman | 0:35:37 | 0:35:41 | |
living in Pittsburgh's Pennsylvania who was going to visit | 0:35:41 | 0:35:46 | |
some death row prisoners with her friend Pamela Tucker, | 0:35:46 | 0:35:49 | |
who was the organiser of an abolitionist group | 0:35:49 | 0:35:52 | |
from Pennsylvania. | 0:35:52 | 0:35:54 | |
They went monthly to prisons around Pennsylvania | 0:35:54 | 0:35:56 | |
and visited death row prisoners to check on their mental state, | 0:35:56 | 0:36:00 | |
to see if there were issues they could get involved with to help | 0:36:00 | 0:36:03 | |
the better treatment of the overall population of death row prisoners. | 0:36:03 | 0:36:06 | |
They came to the prison and they visited five men. | 0:36:06 | 0:36:10 | |
I was the fifth one. | 0:36:10 | 0:36:12 | |
The other preceding prisoners all went out there | 0:36:12 | 0:36:14 | |
and lamented how terrible it was, the things they were encountering, | 0:36:14 | 0:36:17 | |
the conditions and all that. | 0:36:17 | 0:36:19 | |
I walked in, I sat down and said hello to my friend Pam. | 0:36:19 | 0:36:23 | |
I asked her about her daughters. | 0:36:23 | 0:36:25 | |
We interacted about a few things and I turned to Jackie | 0:36:25 | 0:36:28 | |
and I started flirting with her. | 0:36:28 | 0:36:30 | |
I started being gregarious and open. | 0:36:30 | 0:36:32 | |
It was completely unlike all the other men who came out | 0:36:33 | 0:36:37 | |
with little lists of things to talk about, while I simply was myself. | 0:36:37 | 0:36:41 | |
She came back the next week by herself. | 0:36:43 | 0:36:45 | |
Scared to death. | 0:36:47 | 0:36:48 | |
So in this four foot by literally five and a half foot walled room, | 0:36:50 | 0:36:58 | |
she would walk in and sit down with a notepad and we'd talk. | 0:36:59 | 0:37:04 | |
Week after week. | 0:37:04 | 0:37:07 | |
She drove 275 miles from Pittsburgh to Huntington, | 0:37:08 | 0:37:12 | |
through these mountains, each way, and we'd start talking. | 0:37:12 | 0:37:17 | |
And it was weird. | 0:37:18 | 0:37:20 | |
I started to find out one true thing about myself | 0:37:22 | 0:37:27 | |
and I think this is true for every prisoner who goes into prison | 0:37:27 | 0:37:32 | |
at the age of 20 and is ready to exit in his 30s or 40s. | 0:37:32 | 0:37:36 | |
You can only grow so far as a man until a woman teaches you | 0:37:37 | 0:37:43 | |
enough about yourself that you can further develop. | 0:37:43 | 0:37:46 | |
And it's only through the eyes of that person that you give | 0:37:47 | 0:37:50 | |
yourself openly to that they teach you | 0:37:50 | 0:37:54 | |
so many things about yourself that are qualities | 0:37:54 | 0:37:57 | |
that you rely upon and like and respect | 0:37:57 | 0:38:00 | |
because you've been shown from afar something no mirror, | 0:38:00 | 0:38:04 | |
and believe me I didn't have a mirror, could show you. | 0:38:04 | 0:38:07 | |
But at the heart of it, I kept feeling dirty. | 0:38:09 | 0:38:13 | |
I did not want to be that prisoner who is serving life | 0:38:14 | 0:38:21 | |
who lets a woman fall in love with him, | 0:38:21 | 0:38:23 | |
knowing he's going to suck the life out of her. | 0:38:23 | 0:38:26 | |
I had the death penalty plus 105 years. I wasn't going anywhere. | 0:38:27 | 0:38:31 | |
And then I get a newspaper. | 0:38:36 | 0:38:40 | |
And it's funny how my whole story and life and this journey | 0:38:45 | 0:38:50 | |
has all been changed by either photographs or newspapers. | 0:38:50 | 0:38:53 | |
But there it was. Five months after I'd met Jackie, four months. | 0:38:56 | 0:39:01 | |
Newly developed DNA science makes a big splash in the crime world. | 0:39:04 | 0:39:08 | |
Criminal convictions being reversed. | 0:39:10 | 0:39:12 | |
People were walking out, left and right and left and right. | 0:39:14 | 0:39:18 | |
Whoa. | 0:39:19 | 0:39:21 | |
I write a letter to Jackie, I cut the article, I sent it to her. | 0:39:21 | 0:39:24 | |
She came back on that visit. | 0:39:24 | 0:39:26 | |
As soon as the doors closed, I said, "I didn't kill that woman." | 0:39:28 | 0:39:32 | |
That was the first thing I shouted. | 0:39:34 | 0:39:37 | |
I was, like... That was the first time I'd told her. | 0:39:37 | 0:39:39 | |
And I was, like, "I've got two things to tell you. | 0:39:41 | 0:39:44 | |
"One - I didn't kill Mrs Craig. | 0:39:44 | 0:39:46 | |
"And, two - I think I'm in love with you, too." | 0:39:46 | 0:39:51 | |
She was, like, "Let's handle the first one, first." | 0:39:51 | 0:39:54 | |
You know what I mean? Let's deal with the difficult one first. | 0:39:54 | 0:39:58 | |
I was, like, "Oh, man." | 0:39:58 | 0:40:00 | |
CAR DOOR SLAMS | 0:40:03 | 0:40:05 | |
KID SHOUTS, ENGINE STARTS | 0:40:07 | 0:40:09 | |
ENGINE REVS | 0:40:09 | 0:40:10 | |
In the 1970s, a lot of the vehicles still didn't have locks | 0:40:17 | 0:40:22 | |
on the steering column, so you could just stick | 0:40:22 | 0:40:25 | |
a screwdriver into the key slot | 0:40:25 | 0:40:28 | |
and literally just turn the ignition. | 0:40:28 | 0:40:31 | |
So, my friend Eddie and I used to steal the early Fords, | 0:40:31 | 0:40:35 | |
and we would joyride them. | 0:40:35 | 0:40:38 | |
This man knew we were 15-year-old kids, | 0:40:40 | 0:40:43 | |
and knew that we didn't own the car, and knew that it was stolen. | 0:40:43 | 0:40:47 | |
He was, like, "Come here, I'll give you 200 for the car." | 0:40:47 | 0:40:49 | |
We looked at each other, and 200 was, like, an enormous | 0:40:49 | 0:40:51 | |
amount of money. We figured we just hit the jackpot. | 0:40:51 | 0:40:54 | |
We knew he owned a collision centre that fixed and repaired cars. | 0:40:54 | 0:40:58 | |
So we said, "Can we get you another car?" | 0:40:58 | 0:41:01 | |
And he told us what one he would need, when he needed it, | 0:41:01 | 0:41:06 | |
and we'd go out and look for it. | 0:41:06 | 0:41:08 | |
PLANE FLIES OVERHEAD | 0:41:08 | 0:41:10 | |
ENGINE TURNS OVER | 0:41:10 | 0:41:12 | |
ENGINE STARTS | 0:41:12 | 0:41:14 | |
So, usually, my friends and I would go to the Philadelphia airport | 0:41:14 | 0:41:18 | |
and wait for what we called vics... | 0:41:18 | 0:41:20 | |
TYRES SCREECH | 0:41:20 | 0:41:23 | |
..which was somebody who walked up, | 0:41:23 | 0:41:25 | |
took their luggage out of the rear of the car, | 0:41:25 | 0:41:28 | |
and then walked inside with the family members to see them off. | 0:41:28 | 0:41:32 | |
And never got a car when they came out. | 0:41:33 | 0:41:36 | |
I've had several people in the rear-view mirror | 0:41:37 | 0:41:41 | |
chasing behind you as you drove off with their car. | 0:41:41 | 0:41:45 | |
You dropped the car off, you got 200-300. | 0:41:48 | 0:41:50 | |
And then you took that money and you bought drugs. | 0:41:50 | 0:41:53 | |
And by the time I was 17, I was really, | 0:41:53 | 0:41:56 | |
really getting hooked on methamphetamine. | 0:41:56 | 0:41:59 | |
My favourite vein was right there on the outside. | 0:41:59 | 0:42:02 | |
I can still feel the hole in my arm. | 0:42:04 | 0:42:07 | |
I can still taste the drug in my mouth. | 0:42:07 | 0:42:09 | |
When you inject methamphetamine into your arm, | 0:42:09 | 0:42:13 | |
you get the burning numbing sensation shoot up your arm, | 0:42:13 | 0:42:17 | |
and then you get the taste of... | 0:42:17 | 0:42:20 | |
ethanol in your mouth. | 0:42:20 | 0:42:22 | |
And it's like a cough... | 0:42:23 | 0:42:25 | |
HE BLOWS | 0:42:25 | 0:42:27 | |
..just like that. | 0:42:27 | 0:42:28 | |
And then the other Nicky came out. | 0:42:31 | 0:42:33 | |
The one I didn't cringe in the mirror from. | 0:42:36 | 0:42:39 | |
The one who wasn't weak. | 0:42:39 | 0:42:41 | |
The one who wasn't afraid. | 0:42:41 | 0:42:43 | |
CHILD PANTS | 0:42:46 | 0:42:49 | |
'I wasn't just hooked on one drug.' | 0:43:16 | 0:43:20 | |
I was a mess of multiple drugs. | 0:43:22 | 0:43:25 | |
And alcohol. | 0:43:25 | 0:43:27 | |
And by December 20th, | 0:43:28 | 0:43:30 | |
I had already been homeless on the streets for about most of that year. | 0:43:30 | 0:43:33 | |
And that's when I stole two cars in a row for 500 each, | 0:43:35 | 0:43:40 | |
and I went out, started partying again. | 0:43:40 | 0:43:42 | |
I was on the binge. Burning it, they called it. | 0:43:44 | 0:43:47 | |
Every time I think of that night, I smell wet, burning leaves. | 0:43:52 | 0:43:57 | |
It's almost sweet. | 0:43:59 | 0:44:01 | |
I was driving around in another stolen car. | 0:44:03 | 0:44:07 | |
LOUD FUNK MUSIC PLAYS | 0:44:08 | 0:44:12 | |
The radio was blasting. | 0:44:13 | 0:44:15 | |
POLICE SIREN BLARES | 0:44:15 | 0:44:16 | |
You must have heard the radio before you saw me. | 0:44:16 | 0:44:19 | |
When he flew out, I knew he was going to stop me. | 0:44:22 | 0:44:25 | |
I just... I just felt it coming right at me. | 0:44:25 | 0:44:29 | |
And...the adrenaline. | 0:44:31 | 0:44:33 | |
HE POUNDS HIS CHEST WITH HIS FIST | 0:44:33 | 0:44:36 | |
His hand's on the butt of his gun. | 0:44:39 | 0:44:41 | |
Here he comes. Now, I'm like, "Oh, I can't stop it." | 0:44:45 | 0:44:48 | |
HE GULPS | 0:44:48 | 0:44:50 | |
Shit... I can't do anything. | 0:44:52 | 0:44:55 | |
I remember, like, looking just like that. | 0:44:56 | 0:44:59 | |
HE MIMES | 0:45:00 | 0:45:02 | |
I don't understand whatever he's saying. His hand's going. | 0:45:02 | 0:45:06 | |
HE MIMES | 0:45:06 | 0:45:08 | |
The door pops, and the vacuum now, when the door comes open, | 0:45:09 | 0:45:14 | |
and there's all that quiet on the street, and the noise | 0:45:14 | 0:45:17 | |
on the radio's still going... IMITATES GUITAR | 0:45:17 | 0:45:19 | |
..that's when I realised the radio was still on. | 0:45:19 | 0:45:22 | |
LOUD MUSIC PLAYS | 0:45:22 | 0:45:25 | |
"You didn't stop for the light. Didn't you see the stop sign?" | 0:45:25 | 0:45:28 | |
All those things, but... I panicked, you know? | 0:45:28 | 0:45:32 | |
Like, I remember I did that. Like, stand-up. | 0:45:34 | 0:45:36 | |
He was, like, right against my throat with his forearm. | 0:45:36 | 0:45:40 | |
Bang! Against the car. When he shoved me back like that, | 0:45:40 | 0:45:44 | |
I remember, like, coming up with my left arm. | 0:45:44 | 0:45:47 | |
And it was, like, gone, right for the stick, | 0:45:47 | 0:45:50 | |
and I just followed it along, grabbed his arm. | 0:45:50 | 0:45:54 | |
He had the stick come out, | 0:45:54 | 0:45:55 | |
I took it right out, like it was nothing. | 0:45:55 | 0:45:59 | |
Right out of his hand. | 0:46:00 | 0:46:02 | |
He was furious! And that's when the right-hand came out. | 0:46:02 | 0:46:05 | |
I saw that gun. | 0:46:05 | 0:46:07 | |
I grabbed it. I reached out, I pushed his arm straight down. | 0:46:07 | 0:46:11 | |
Then you felt the percussion of the blast. | 0:46:11 | 0:46:15 | |
And then you heard the pop. | 0:46:15 | 0:46:16 | |
GUNSHOT | 0:46:16 | 0:46:18 | |
"OK! OK! OK!" | 0:46:18 | 0:46:21 | |
He stuck the gun right there. He said, "You son of a bitch! | 0:46:21 | 0:46:24 | |
"You almost got us killed!" He was, like, "Get in the car!" | 0:46:24 | 0:46:27 | |
And he slammed me in the back, in the cage area, shut the door. | 0:46:27 | 0:46:31 | |
"Shots fired, officer assist." | 0:46:31 | 0:46:34 | |
I remember just... He said it four times. | 0:46:34 | 0:46:37 | |
I remember, I was just sitting there, like this. | 0:46:41 | 0:46:44 | |
What the hell happened? | 0:46:47 | 0:46:49 | |
KEYS RATTLE | 0:46:49 | 0:46:51 | |
HEAVY DOOR CLOSES | 0:46:51 | 0:46:53 | |
They threw me in the intake unit. | 0:46:54 | 0:46:57 | |
And I crashed. | 0:46:58 | 0:47:00 | |
I must have slept at least 16 hours. | 0:47:01 | 0:47:04 | |
HEAVY DOOR OPENS | 0:47:04 | 0:47:06 | |
I was so scared. They pulled me out. | 0:47:13 | 0:47:16 | |
I'd been arrested enough to know this one's scary, this is serious. | 0:47:17 | 0:47:21 | |
This one's bad. | 0:47:21 | 0:47:23 | |
And the public defender was this young kid, and he turned to me. | 0:47:25 | 0:47:30 | |
He said, "Look, Mr Yarris, | 0:47:30 | 0:47:32 | |
"do you understand the serious nature of these charges, | 0:47:32 | 0:47:34 | |
"because if you're convicted of these charges, | 0:47:34 | 0:47:36 | |
"you face life imprisonment." | 0:47:36 | 0:47:38 | |
I said, "What's my charges?" He said, | 0:47:38 | 0:47:41 | |
"Kidnapping of police officer. | 0:47:41 | 0:47:43 | |
"Attempted murder of a police officer. | 0:47:43 | 0:47:46 | |
"Reckless endangerment, possession of a firearm, | 0:47:46 | 0:47:49 | |
"robbery, resisting arrest, | 0:47:49 | 0:47:52 | |
"possession of a stolen vehicle." | 0:47:52 | 0:47:54 | |
I started crying. | 0:47:56 | 0:47:58 | |
They take me back to the cell, and there was the newspaper. | 0:48:02 | 0:48:07 | |
The December 16th Delaware County Daily Times. | 0:48:09 | 0:48:14 | |
The front page was missing, so the front page on it was page three. | 0:48:17 | 0:48:22 | |
And right there was the story of Linda Mae Craig. | 0:48:26 | 0:48:31 | |
I swear... | 0:48:43 | 0:48:45 | |
something about that newspaper kept calling me. | 0:48:45 | 0:48:48 | |
On December 15th, 1981, at 4:05pm, Linda Mae Craig left work. | 0:49:02 | 0:49:09 | |
She was knocked out of her shoes in the car park | 0:49:10 | 0:49:13 | |
of the Tri-State Mall, dragged into a car that she owned, | 0:49:13 | 0:49:18 | |
and then driven into the state of Pennsylvania, | 0:49:18 | 0:49:20 | |
about two-and-a-half miles away, | 0:49:20 | 0:49:22 | |
where she was taken behind a church... | 0:49:22 | 0:49:25 | |
..where she was stabbed after being raped, and dumped in the car park. | 0:49:26 | 0:49:31 | |
The next morning, two children... | 0:49:34 | 0:49:38 | |
..walked up to what they thought | 0:49:39 | 0:49:40 | |
was a mannequin that had been covered in the newly fallen snow. | 0:49:40 | 0:49:44 | |
One of the boys walked up, and kicked the snow from the face | 0:49:46 | 0:49:51 | |
of the mannequin, so that they could see if it was | 0:49:51 | 0:49:54 | |
a boy or a girl mannequin... | 0:49:54 | 0:49:55 | |
..only to discover the disfigured face of Mrs Craig. | 0:49:57 | 0:50:01 | |
I lived 20-something miles from the murder scene. | 0:50:09 | 0:50:12 | |
And I said, "Man, if I had knowledge about a crime this big... | 0:50:12 | 0:50:17 | |
"..I can get out of this. I bet you they would let me out | 0:50:19 | 0:50:22 | |
"and then I could get out on bail and I'd run." | 0:50:22 | 0:50:25 | |
Like the stupid mind of a child. | 0:50:25 | 0:50:27 | |
So I sat in my cell. | 0:50:28 | 0:50:30 | |
And I started making up a story. | 0:50:30 | 0:50:32 | |
And I said I would tell 'em... | 0:50:32 | 0:50:34 | |
that somebody did the murder, right? | 0:50:34 | 0:50:37 | |
And then I had to find out who I could blame. | 0:50:37 | 0:50:39 | |
And the only one I could think of was Jimmy. | 0:50:39 | 0:50:42 | |
I had met Jimmy Brisbois in 1980, when I was doing drugs. | 0:50:45 | 0:50:50 | |
And I stole some coins from a car that I'd gotten from the airport. | 0:50:50 | 0:50:55 | |
1,000 coins? There was a lot of coins in this big bag. | 0:50:56 | 0:50:59 | |
I made the mistake of showing Jimmy, and, out of nowhere, | 0:51:00 | 0:51:04 | |
his friend hit me with this 357 Magnum. | 0:51:04 | 0:51:08 | |
THUMP | 0:51:08 | 0:51:09 | |
I've still got a chip out of my eyebrow that I can rub at this time. | 0:51:09 | 0:51:14 | |
TYRES SCREECH | 0:51:14 | 0:51:15 | |
And they had an old carpet in the front room that nobody | 0:51:17 | 0:51:20 | |
used in this house we were living in on Woodland Avenue. | 0:51:20 | 0:51:23 | |
So, rolled me up in the rug, | 0:51:23 | 0:51:26 | |
threw me into this pick-up truck that Jimmy had, | 0:51:26 | 0:51:28 | |
and they took me behind the Westing House warehouse. | 0:51:28 | 0:51:32 | |
And I heard the spliff - PEW! - like that. | 0:51:32 | 0:51:35 | |
One of them took a 22-calibre pistol and shot the rug. | 0:51:35 | 0:51:39 | |
But being drug addict idiots that they were, | 0:51:39 | 0:51:41 | |
they shot it where the folded part over of the rug was, | 0:51:41 | 0:51:44 | |
about two feet above my head, way out of range of anywhere I was. | 0:51:44 | 0:51:48 | |
I was enraged. | 0:51:49 | 0:51:51 | |
I went looking for Jimmy. | 0:51:53 | 0:51:54 | |
"Hey, Michael, what happened to your buddy, Jimmy?" | 0:51:56 | 0:51:58 | |
Cos he knew Jimmy. | 0:51:58 | 0:52:00 | |
"So, what happened to your old rat-bastard Jimmy? | 0:52:00 | 0:52:02 | |
"I ain't seen him for a while." And that's when he told me the story. | 0:52:02 | 0:52:05 | |
Jimmy and his friends were over in Jersey. Jimmy had an overdose. | 0:52:05 | 0:52:09 | |
They weren't taking him to the hospital to get arrested, | 0:52:09 | 0:52:12 | |
so they dumped him, stole his drugs, and he's dead. | 0:52:12 | 0:52:14 | |
So you don't have to look for him no more. | 0:52:14 | 0:52:17 | |
All I wanted them to do was lower my bail enough that | 0:52:22 | 0:52:26 | |
I was allowed out temporarily, at which time I could abscond. | 0:52:26 | 0:52:30 | |
Jimmy was dead, they were going to find out eventually, right? | 0:52:31 | 0:52:34 | |
They took me to the warden's office. | 0:52:37 | 0:52:39 | |
They brought me in, took my handcuffs off, the warden goes, | 0:52:39 | 0:52:42 | |
"Hey, get him a drink, man. Get him a cold drink." | 0:52:42 | 0:52:44 | |
So they went out and got me a Coca-Cola. | 0:52:44 | 0:52:46 | |
I'm sitting in a lounge chair, no longer in a prison setting, like. | 0:52:46 | 0:52:49 | |
And I'm sitting there, and he's got my file. | 0:52:49 | 0:52:52 | |
He's, like, "Oh, man, you're a young guy. | 0:52:52 | 0:52:55 | |
"What are you charged with all this for? | 0:52:55 | 0:52:56 | |
"You don't have any violence on your record. What's this bullshit? | 0:52:56 | 0:52:59 | |
"Attempted murder? That doesn't sound like you, Nick. | 0:52:59 | 0:53:02 | |
"You're a car thief. What's going on here?" | 0:53:02 | 0:53:04 | |
I tell him my story. | 0:53:07 | 0:53:09 | |
Like a proud parent, everyone's praising me. | 0:53:11 | 0:53:14 | |
In just a few hours, | 0:53:14 | 0:53:16 | |
I went from sitting there with 100,000 bail waiting to go | 0:53:16 | 0:53:20 | |
to prison for the rest of my life to being told | 0:53:20 | 0:53:23 | |
I was going to have a hearing set up next week in which | 0:53:23 | 0:53:26 | |
I would possibly be released on my own recognisances | 0:53:26 | 0:53:29 | |
and my charges would be reduced to nothing more than resisting arrest. | 0:53:29 | 0:53:33 | |
When they found James Brisbois alive, | 0:53:35 | 0:53:38 | |
you could have knocked me over with a feather. | 0:53:38 | 0:53:41 | |
Jimmy had gotten off the drugs, got his life together. | 0:53:42 | 0:53:47 | |
I was screwed. | 0:53:47 | 0:53:48 | |
When they came back to me, they knew two things. | 0:53:48 | 0:53:51 | |
One - James Brisbois had nothing to do with that crime. | 0:53:51 | 0:53:54 | |
And I had more information than anyone else. | 0:53:54 | 0:53:58 | |
It was all guesswork, but it didn't matter to them. | 0:53:58 | 0:54:01 | |
KEYS JANGLE | 0:54:03 | 0:54:05 | |
CELL DOOR OPENS | 0:54:05 | 0:54:06 | |
I was charged with the abduction, rape, | 0:54:13 | 0:54:17 | |
and murder of a woman I'd never met in my life. | 0:54:17 | 0:54:20 | |
I was already sitting in prison for the attempted murder | 0:54:23 | 0:54:26 | |
of a police officer. | 0:54:26 | 0:54:29 | |
I'm a 20-year-old drug addict, | 0:54:29 | 0:54:32 | |
who's been thrown out of his own house | 0:54:32 | 0:54:35 | |
onto the streets by his own family. | 0:54:35 | 0:54:37 | |
What chance do I have? | 0:54:39 | 0:54:41 | |
No-one's going to believe me. | 0:54:41 | 0:54:42 | |
In April, the trial for the attempted murder | 0:54:50 | 0:54:52 | |
and kidnapping of Officer Benjamin Wright was to begin. | 0:54:52 | 0:54:56 | |
By then, I had already been charged with the murder of Linda Mae Craig, | 0:54:56 | 0:54:59 | |
so the media was having a field day with stalker stories | 0:54:59 | 0:55:03 | |
and making me out to be a complete deranged lunatic. | 0:55:03 | 0:55:06 | |
So, my trial began and Officer Wright testified. | 0:55:06 | 0:55:11 | |
He got up on the stand, and he started telling a completely | 0:55:11 | 0:55:13 | |
different story than what actually happened. | 0:55:13 | 0:55:15 | |
He said that when he pulled up to the car, I had opened the door, | 0:55:15 | 0:55:19 | |
got out, and punched him in the face, | 0:55:19 | 0:55:21 | |
and knocked his glasses off his face. | 0:55:21 | 0:55:22 | |
He then said he was trying to flail and defend himself | 0:55:22 | 0:55:25 | |
while I pummelled him a couple more times in the face, | 0:55:25 | 0:55:28 | |
before I reached down and grabbed his gun | 0:55:28 | 0:55:30 | |
and took his gun from him, and after which he said I had | 0:55:30 | 0:55:33 | |
the gun pointed directly at his face | 0:55:33 | 0:55:35 | |
when he heroically reached out with both hands, | 0:55:35 | 0:55:38 | |
and grabbed the gun, and pulled it from me | 0:55:38 | 0:55:40 | |
as it discharged right next to his face. | 0:55:40 | 0:55:42 | |
And he had a photograph of his hand with a 2.5cm scratch on it | 0:55:45 | 0:55:50 | |
to prove all of the things that he said. | 0:55:50 | 0:55:53 | |
CHAIR SCRAPES | 0:55:54 | 0:55:55 | |
And Sam Stretton, my defence lawyer, got up | 0:55:55 | 0:56:00 | |
and calmly walked over with the photograph in his hand, | 0:56:00 | 0:56:03 | |
placed the photograph down on the bar of the witness box | 0:56:03 | 0:56:07 | |
in front of Officer Wright and said, | 0:56:07 | 0:56:09 | |
"Is it your testimony that Nicholas Yarris punched you | 0:56:09 | 0:56:13 | |
"in the face three times, breaking your eyeglasses, | 0:56:13 | 0:56:17 | |
"he then took this pistol and held it up," | 0:56:17 | 0:56:20 | |
and said, "Hit you in the face with it, | 0:56:20 | 0:56:23 | |
"like, a seven pound metal object twice. | 0:56:23 | 0:56:26 | |
"Why didn't you photograph your face?" | 0:56:28 | 0:56:31 | |
Officer Wright knew that the jig was up. | 0:56:31 | 0:56:34 | |
He turned and said, "I'm a good looking man. | 0:56:34 | 0:56:36 | |
"I didn't want the jury to see my face all scratched up. | 0:56:36 | 0:56:38 | |
"I don't have to show that." He got all defiant. | 0:56:38 | 0:56:41 | |
The jury made this snorting, scoffing kind of noise and, like, | 0:56:41 | 0:56:45 | |
everyone saw in that one moment that his story was really a lie. | 0:56:45 | 0:56:49 | |
The jury deliberated for a very short...very, very short time, | 0:56:50 | 0:56:54 | |
and came right back. Not guilty of attempted murder. | 0:56:54 | 0:56:57 | |
Not guilty of kidnapping of a police officer. | 0:56:57 | 0:57:00 | |
Not guilty - aggravated assault. | 0:57:00 | 0:57:02 | |
All charges - not guilty. | 0:57:02 | 0:57:04 | |
And then Barry Gross, the prosecutor, | 0:57:05 | 0:57:07 | |
who is, like, really pissed off, he was so angry, he tells the jury, | 0:57:07 | 0:57:11 | |
"You just let a murderer go, you just let him go!" | 0:57:11 | 0:57:14 | |
And the jury foreman was this woman who stood up and said, | 0:57:14 | 0:57:16 | |
"Excuse me, we didn't try that case. | 0:57:16 | 0:57:19 | |
"We tried this case, and your case stinks." And my mum said, "Yeah! | 0:57:19 | 0:57:23 | |
"That's right, tell him again, lady." | 0:57:23 | 0:57:25 | |
And it was the worst thing. | 0:57:26 | 0:57:28 | |
Oh, my God. | 0:57:29 | 0:57:30 | |
The very next week, Barry Gross takes over the murder prosecution | 0:57:32 | 0:57:36 | |
and begins seeking the death penalty. | 0:57:36 | 0:57:38 | |
I went from April, when I was acquitted of all charges, | 0:57:42 | 0:57:46 | |
to the June trial for the murder of Mrs Craig. | 0:57:46 | 0:57:49 | |
I was so scared. | 0:57:52 | 0:57:53 | |
Arthur Craig, the victim's husband, was asked to testify. | 0:57:58 | 0:58:02 | |
That first click in the rotation. | 0:58:05 | 0:58:07 | |
IMITATES CLICK | 0:58:07 | 0:58:08 | |
And, there it was, the portrait photograph. | 0:58:09 | 0:58:12 | |
Mr Craig, Mrs Craig, | 0:58:12 | 0:58:15 | |
and their three adopted children in a family-type setting. | 0:58:15 | 0:58:18 | |
And the prosecutor asked Arthur Craig, "Is that it your wife? | 0:58:18 | 0:58:21 | |
"Can you identify the people in the photograph?" | 0:58:21 | 0:58:24 | |
He did, along with his wife as well. | 0:58:24 | 0:58:26 | |
And then... | 0:58:26 | 0:58:28 | |
IMITATES CLICK | 0:58:28 | 0:58:29 | |
..there was Mrs Craig, laid out on the autopsy table, | 0:58:32 | 0:58:36 | |
six stab wounds, clearly visible | 0:58:36 | 0:58:38 | |
and her broken teeth and everything visible. | 0:58:38 | 0:58:42 | |
There was...a gasp, almost. | 0:58:42 | 0:58:45 | |
People were looking away. | 0:58:47 | 0:58:48 | |
IMITATES CLICK | 0:58:50 | 0:58:51 | |
The next one. | 0:58:51 | 0:58:53 | |
The photograph was white and black. | 0:59:00 | 0:59:02 | |
But for when you got closer towards that figure that was | 0:59:04 | 0:59:08 | |
covered in snow... | 0:59:08 | 0:59:10 | |
you could see the children's footprints in white snow... | 0:59:10 | 0:59:16 | |
..and then they scattered. | 0:59:17 | 0:59:19 | |
The first steps were dark and lighter, | 0:59:21 | 0:59:25 | |
so you had to imagine it was bloody... | 0:59:25 | 0:59:32 | |
and that they must have been horrified as they looked down | 0:59:32 | 0:59:35 | |
and saw the treads of their own feet, blood-soaked, | 0:59:35 | 0:59:39 | |
as they ran in different directions. | 0:59:39 | 0:59:42 | |
And the jury...they looked up at the screen. | 0:59:42 | 0:59:47 | |
They looked at me. | 0:59:47 | 0:59:48 | |
And, like uniform animals in one of those documentaries, | 0:59:49 | 0:59:55 | |
where they all do an alike thing, they all went... | 0:59:55 | 0:59:58 | |
And it was the last time any one of them could look at me. | 1:00:01 | 1:00:04 | |
I had just turned 21. | 1:00:13 | 1:00:15 | |
And they were going to take my life. | 1:00:17 | 1:00:19 | |
The only science that was available in the early '80s was blood type. | 1:00:49 | 1:00:56 | |
That was the cutting edge of technology | 1:00:56 | 1:00:59 | |
as far as identifying someone. | 1:00:59 | 1:01:01 | |
That was it. | 1:01:01 | 1:01:03 | |
And there was no real evidence at my trial. | 1:01:03 | 1:01:06 | |
Not a signed confession, not an eyewitness testimony, | 1:01:06 | 1:01:10 | |
no murder weapon. | 1:01:10 | 1:01:11 | |
Nothing but speculation and circumstantial evidence. | 1:01:11 | 1:01:15 | |
But unfortunately, I shared the same blood group as the murderer. | 1:01:17 | 1:01:21 | |
And at the time, that made me a near slam dunk | 1:01:21 | 1:01:25 | |
for being probably the person who did it. | 1:01:25 | 1:01:28 | |
And then in February of 1988, | 1:01:30 | 1:01:32 | |
there was this newspaper article about DNA testing. | 1:01:32 | 1:01:36 | |
And I'm like blown away. | 1:01:37 | 1:01:40 | |
I can't believe I have the key to my cell in my hands | 1:01:40 | 1:01:43 | |
because I knew I didn't kill that woman. | 1:01:43 | 1:01:45 | |
I know none of my biological materials were anywhere near her. | 1:01:45 | 1:01:48 | |
I wrote to Joe Bullen, my lawyer, | 1:01:49 | 1:01:52 | |
and I asked him to begin the process of the DNA. | 1:01:52 | 1:01:55 | |
And the phone call, I can still recall... | 1:01:57 | 1:01:59 | |
All week, just on pins and needles and then Monday morning | 1:02:00 | 1:02:04 | |
I get taken downstairs at 10:00am, which is a bad time | 1:02:04 | 1:02:06 | |
because they've got all the food going. | 1:02:06 | 1:02:08 | |
They brought in the food trucks and they are just banging | 1:02:08 | 1:02:11 | |
and clanging these metal plates that they put food on | 1:02:11 | 1:02:14 | |
and they put them in these racks and run them up these stairs | 1:02:14 | 1:02:16 | |
and it's just noise and it's all going. | 1:02:16 | 1:02:18 | |
I get a hold of the secretary first | 1:02:18 | 1:02:20 | |
and then I get hold of Joe Bullen and he says, "I got news for you." | 1:02:20 | 1:02:23 | |
"You've got to slow down." I was like, "What? What?" | 1:02:23 | 1:02:26 | |
He says, "The coroner has explained to me | 1:02:26 | 1:02:29 | |
"that they've lost all the autopsy material." | 1:02:29 | 1:02:32 | |
And there was just banging and yelling. | 1:02:35 | 1:02:38 | |
I didn't hear them. | 1:02:38 | 1:02:40 | |
I was like, "Slow down. Say that again. What do you mean?" | 1:02:40 | 1:02:43 | |
I wanted to turn around and just shout, "Just please shut up!" | 1:02:43 | 1:02:46 | |
I knew that would get my ass whooped. | 1:02:46 | 1:02:48 | |
So I just stood there shaking with the phone in my hand | 1:02:48 | 1:02:51 | |
and I said, "What do you mean the autopsy materials? | 1:02:51 | 1:02:53 | |
"That's the stuff they used at my trial, the evidence at my trial. | 1:02:53 | 1:02:56 | |
"Is that what you are trying to tell me? | 1:02:56 | 1:02:58 | |
"All the evidence at my trial has been thrown away? | 1:02:58 | 1:03:02 | |
"How am I still on death row if after the trial..." | 1:03:02 | 1:03:04 | |
And I start talking like this and he's yelling into the phone. | 1:03:04 | 1:03:09 | |
"I said, shut up for a minute and I'll tell you." | 1:03:09 | 1:03:12 | |
And then in this very supercilious voice, | 1:03:12 | 1:03:15 | |
he said, "The coroner's office has looked all week | 1:03:15 | 1:03:19 | |
"and I just got off the phone with them at 9:28am and he's informed me | 1:03:19 | 1:03:24 | |
"that they've lost all the autopsy material from the Linda Mae..." | 1:03:24 | 1:03:29 | |
And he's reading from something, like his notes or his crib notes | 1:03:29 | 1:03:32 | |
of what this conversation was and it was very deadpan. | 1:03:32 | 1:03:35 | |
I started getting angry and I said, | 1:03:35 | 1:03:37 | |
"Do you remember when you came to first visit me? | 1:03:37 | 1:03:39 | |
"You told me I was guilty because of all the overwhelming evidence. | 1:03:39 | 1:03:43 | |
"Well, where's all the overwhelming evidence when I want DNA, Joe?" | 1:03:43 | 1:03:46 | |
And he hung up. | 1:03:48 | 1:03:50 | |
I go back up in my cell and I'm furious. | 1:03:53 | 1:03:56 | |
I wanted to kill somebody. I was so angry. | 1:03:56 | 1:04:00 | |
I was out of visits for the month. | 1:04:03 | 1:04:06 | |
That meant I had to wait until March to see Jackie again | 1:04:06 | 1:04:10 | |
and explain to her that the evidence was lost and... | 1:04:10 | 1:04:14 | |
..we had no hope. | 1:04:15 | 1:04:17 | |
So, erm... | 1:04:23 | 1:04:25 | |
I went, like, completely blank. | 1:04:27 | 1:04:30 | |
But then after a while, I started to think, | 1:04:34 | 1:04:38 | |
that's not possible because at my trial they went on and on | 1:04:38 | 1:04:42 | |
about how the killer had B positive blood, didn't he? | 1:04:42 | 1:04:46 | |
And, like, I said to myself, wait a minute, who did the test on that? | 1:04:47 | 1:04:50 | |
So I started reading the trial transcripts and I found out | 1:04:52 | 1:04:55 | |
some material was sent to a laboratory at the time of my trial. | 1:04:55 | 1:04:58 | |
I wrote to the lab director and he wrote me back and he said, | 1:04:58 | 1:05:01 | |
"Dear Mr Yarris, I have searched my files | 1:05:01 | 1:05:04 | |
"and we do have two preparations that are unstained | 1:05:04 | 1:05:08 | |
and they have high weight visible DNA from the sperm." | 1:05:08 | 1:05:12 | |
And I was like, oh, my God. | 1:05:12 | 1:05:14 | |
This DNA works, I not only can prove my innocence | 1:05:14 | 1:05:18 | |
but I can be out of here in a few years. | 1:05:18 | 1:05:21 | |
And it was like opening up this flood gate to this woman. | 1:05:22 | 1:05:25 | |
Jackie. | 1:05:25 | 1:05:27 | |
I married her on July 1, 1988, | 1:05:29 | 1:05:32 | |
six years to the day that I was sentenced to die. | 1:05:32 | 1:05:35 | |
I was so in love. | 1:05:39 | 1:05:41 | |
Oh, my God. | 1:05:41 | 1:05:43 | |
Oh, my God. | 1:05:43 | 1:05:45 | |
Like, I was into this thing where music was beautiful. | 1:05:48 | 1:05:53 | |
If it rained outside and I caught the smell of it through my window, | 1:05:53 | 1:05:57 | |
even though I couldn't actually see the rain, it was beautiful. | 1:05:57 | 1:06:01 | |
Like, every little nuance in life was magical. | 1:06:01 | 1:06:05 | |
And I loved this person in my life so much. | 1:06:06 | 1:06:09 | |
And I was like offering this person not only hope | 1:06:09 | 1:06:13 | |
that I could prove myself innocent and get off death row, | 1:06:13 | 1:06:16 | |
but I could be home and we could begin a life. | 1:06:16 | 1:06:19 | |
And then one year became two. | 1:06:33 | 1:06:36 | |
And three. | 1:06:36 | 1:06:37 | |
It took us five years to get to the DNA test. | 1:06:40 | 1:06:43 | |
And the results came back inconclusive. | 1:06:44 | 1:06:46 | |
Inconclusive results due to degradation. | 1:06:48 | 1:06:51 | |
But then, in a miracle of miracles, the victim's clothing | 1:07:02 | 1:07:05 | |
was located in a clerk's office at the courthouse. | 1:07:05 | 1:07:10 | |
My mother had recoiled in horror at the end of my trial | 1:07:13 | 1:07:16 | |
when my parents were almost accidentally given a box marked "Yarris" | 1:07:16 | 1:07:20 | |
and inside of it was the victim's blood soaked clothing. | 1:07:20 | 1:07:24 | |
And she remembered that and she told the custodian, | 1:07:24 | 1:07:26 | |
"Don't you remember how you almost gave me the victim's clothing?" | 1:07:26 | 1:07:29 | |
And he said, "Oh, that's right." | 1:07:29 | 1:07:31 | |
And he went off and found the victim's clothing. | 1:07:31 | 1:07:35 | |
Those clothes yielded sperm from the victim's underwear | 1:07:37 | 1:07:41 | |
and it was high weight and there was a lot of it. | 1:07:41 | 1:07:45 | |
Cuttings were placed into these tubes | 1:07:47 | 1:07:49 | |
and then they were sent to Germantown, Maryland, for keeping. | 1:07:49 | 1:07:53 | |
It took me from 1993 to 1997 to finally get court approval | 1:07:53 | 1:07:59 | |
for the foremost authority of DNA in America to do the DNA testing. | 1:07:59 | 1:08:03 | |
Hallelujah! I got Dr Blake. | 1:08:03 | 1:08:06 | |
He already did the OJ Simpson case, | 1:08:06 | 1:08:08 | |
he's very famous, very well respected. | 1:08:08 | 1:08:10 | |
He's the man. | 1:08:10 | 1:08:11 | |
They take the new evidence and they send it down to California. | 1:08:17 | 1:08:21 | |
And they improperly package it and it burst open in transit. | 1:08:21 | 1:08:25 | |
And Dr Blake says, "We're not going to test it. | 1:08:28 | 1:08:30 | |
"All it would do is produce results | 1:08:30 | 1:08:32 | |
"that would be contested by the prosecution. | 1:08:32 | 1:08:34 | |
"I'm not going to test it." | 1:08:34 | 1:08:36 | |
And he just put it on a shelf. | 1:08:36 | 1:08:38 | |
It killed a part of my marriage and it killed a part of Jackie | 1:08:40 | 1:08:43 | |
and it killed a part of me. | 1:08:43 | 1:08:45 | |
She fought with me for nine years to get DNA | 1:08:48 | 1:08:52 | |
and she just said, "Nicky, I can't do this any more." | 1:08:52 | 1:08:55 | |
I said, "Man, go." | 1:08:58 | 1:09:00 | |
I went back to my cell and I was just sitting there by the window | 1:09:05 | 1:09:08 | |
listening to the radio and this song came on. | 1:09:08 | 1:09:11 | |
I was listening to the lyrics, you know. | 1:09:11 | 1:09:13 | |
"They say that you're leaving. | 1:09:14 | 1:09:17 | |
"It comes as no surprise. | 1:09:17 | 1:09:19 | |
"And still I like this feeling of being left behind." | 1:09:19 | 1:09:22 | |
I was listening to the lyrics and I was thinking... | 1:09:25 | 1:09:28 | |
You always do that to me. | 1:09:29 | 1:09:31 | |
You always torment me with words from someone else's song | 1:09:31 | 1:09:34 | |
and suddenly they're my words. | 1:09:34 | 1:09:36 | |
and they are ingrained in my thoughts. | 1:09:36 | 1:09:38 | |
Even though I was being told they were leaving, | 1:09:42 | 1:09:45 | |
I still kind of liked that feeling of being left behind. | 1:09:45 | 1:09:49 | |
It's a strange phenomenon when you felt good for their leaving | 1:09:51 | 1:09:55 | |
because you knew all along you had stolen a lot of their life away. | 1:09:55 | 1:10:00 | |
# It's just like going home. # | 1:10:00 | 1:10:04 | |
On a December night, on a snowing night, | 1:10:05 | 1:10:08 | |
just like the lyrics said, I just started writing this letter. | 1:10:08 | 1:10:12 | |
I wasn't crying or upset or anything. | 1:10:15 | 1:10:17 | |
I simply sat down and tried to tell somebody why I loved them | 1:10:17 | 1:10:22 | |
and why saying goodbye to them was this wonderful gift. | 1:10:22 | 1:10:27 | |
I knew she didn't have to fight for me any more. | 1:10:27 | 1:10:30 | |
I knew she didn't have to make copies of my legal documents | 1:10:30 | 1:10:33 | |
and send them back to me, call lawyers, chase up new DNA. | 1:10:33 | 1:10:37 | |
She didn't have to go and chase up my mum or any of these other things. | 1:10:37 | 1:10:41 | |
She could just be free. | 1:10:41 | 1:10:43 | |
One of us. | 1:10:43 | 1:10:45 | |
You see, at the end, | 1:10:52 | 1:10:54 | |
that wonderful gift that was given to me for so long, | 1:10:54 | 1:10:57 | |
I didn't cling, trying to hold on to what wasn't mine anyway | 1:10:57 | 1:11:01 | |
because it was a gift. | 1:11:01 | 1:11:03 | |
It was like a ten year confirmation | 1:11:03 | 1:11:05 | |
that I was becoming that person that I liked. | 1:11:05 | 1:11:07 | |
I was so proud of that. | 1:11:07 | 1:11:09 | |
I woke up to a different person. | 1:11:11 | 1:11:13 | |
By now, I had been in prison for 18 years. | 1:11:28 | 1:11:32 | |
And that's when I got sick. | 1:11:32 | 1:11:34 | |
I lost 31 pounds in a month and a half. | 1:11:34 | 1:11:37 | |
I was really feeling poorly and then I had blood work done | 1:11:37 | 1:11:40 | |
and they told me what it was. | 1:11:40 | 1:11:42 | |
I'm infected with this strain of hepatitis C | 1:11:42 | 1:11:46 | |
that all the men who had dental work at Huntington had contracted. | 1:11:46 | 1:11:49 | |
15 other men had got this hepatitis. | 1:11:50 | 1:11:54 | |
So the first guy to die was DC, Dale Carter. | 1:11:57 | 1:12:02 | |
He died in the vents underneath me screaming in agony. | 1:12:02 | 1:12:05 | |
Oh, my God. | 1:12:05 | 1:12:07 | |
So when I found out I immediately said | 1:12:07 | 1:12:09 | |
"Yes, I'll take the drug treatments. I'll sign up for it." | 1:12:09 | 1:12:12 | |
But the years of drug abuse had damaged my kidneys | 1:12:12 | 1:12:15 | |
and after about seven months I started suffering | 1:12:15 | 1:12:18 | |
all the side effects of this drug. | 1:12:18 | 1:12:21 | |
I was peeing this horrible coffee-coloured urine. | 1:12:21 | 1:12:25 | |
Everything tasted dead in my mouth. | 1:12:27 | 1:12:29 | |
I was just not right. | 1:12:29 | 1:12:31 | |
And then it was August. | 1:12:35 | 1:12:37 | |
I was out in the exercise yard. | 1:12:37 | 1:12:39 | |
I was so weak. | 1:12:41 | 1:12:42 | |
I was looking directly up at the sky. | 1:12:44 | 1:12:46 | |
And then... | 1:12:47 | 1:12:50 | |
I couldn't see anything. It went blank. | 1:12:50 | 1:12:52 | |
I knew what darkness is, but this was black. | 1:12:54 | 1:12:58 | |
And that's when I found out I was dying. | 1:13:02 | 1:13:04 | |
I was so afraid that... | 1:13:09 | 1:13:11 | |
I was shaking. I really was. | 1:13:11 | 1:13:13 | |
And so I remember I stuck to my ritual. | 1:13:14 | 1:13:18 | |
I stood over the top of the toilet bowl and I bathed | 1:13:18 | 1:13:21 | |
and I was doing the same ritual, bathing, three days later | 1:13:21 | 1:13:25 | |
and I saw these swirls around my thighs | 1:13:25 | 1:13:27 | |
and I realised I was seeing swirls. | 1:13:27 | 1:13:30 | |
So if I was seeing swirls, then I was seeing. | 1:13:30 | 1:13:33 | |
OK. | 1:13:37 | 1:13:38 | |
The very first thing I did later on that evening | 1:13:39 | 1:13:42 | |
was I sat by a very bright light at my desk | 1:13:42 | 1:13:44 | |
and I wrote a letter to the judge handling my appeals. | 1:13:44 | 1:13:47 | |
And another song, Patty Griffin's "Gonna Let Him Fly". | 1:13:50 | 1:13:53 | |
It's so strange because the lyrics are obviously a love song, | 1:13:55 | 1:13:58 | |
but to me it was all about me. | 1:13:58 | 1:14:00 | |
"Ain't no talking to this man. | 1:14:00 | 1:14:02 | |
"Ain't no pretty other side." | 1:14:03 | 1:14:05 | |
It's so true. | 1:14:09 | 1:14:11 | |
There was absolutely no pretty side to hope for any more. | 1:14:12 | 1:14:16 | |
No Jackies, no love, none of those things that you could have | 1:14:17 | 1:14:20 | |
a pretty other side to hope for. | 1:14:20 | 1:14:22 | |
# Ain't no talking to this man | 1:14:22 | 1:14:25 | |
# Ain't no pretty other side | 1:14:26 | 1:14:28 | |
# Ain't no way to understand | 1:14:30 | 1:14:34 | |
# The stupid words of pride | 1:14:35 | 1:14:37 | |
# It would take an acrobat | 1:14:39 | 1:14:42 | |
# I already tried all that | 1:14:43 | 1:14:45 | |
# So I'm gonna let him fly | 1:14:46 | 1:14:49 | |
# I'm gonna let him fly | 1:14:51 | 1:14:53 | |
# Things can move at such a pace | 1:14:54 | 1:14:57 | |
# The second hand just waved goodbye. # | 1:14:59 | 1:15:02 | |
"Dear Judge Giles, as a criminal plaintiff | 1:15:03 | 1:15:06 | |
"I ask that one right that I have remaining to me | 1:15:06 | 1:15:11 | |
"as a condemned prisoner be recognised. | 1:15:11 | 1:15:15 | |
"And that is a condemned man's right to be executed." | 1:15:15 | 1:15:18 | |
# I'm gonna let him fly. # | 1:15:19 | 1:15:22 | |
"I hereby ask that counsel be dismissed, | 1:15:22 | 1:15:26 | |
"that my record be then transmitted to Governor Edward Rendell | 1:15:26 | 1:15:30 | |
"for my execution date to be set | 1:15:30 | 1:15:33 | |
"within 60 days of receipt of this letter." | 1:15:33 | 1:15:36 | |
# Took a while to understand | 1:15:36 | 1:15:38 | |
# The beauty of just letting go. # | 1:15:39 | 1:15:42 | |
"I hereby swear that I am sane at the time of this writing. | 1:15:43 | 1:15:47 | |
# I've already tried all that. # | 1:15:47 | 1:15:50 | |
"Signed, Nicholas James Yarris. | 1:15:50 | 1:15:52 | |
"August 2002." | 1:15:52 | 1:15:55 | |
# Oh-oh, oh-oh, oh-oh | 1:15:57 | 1:15:59 | |
# I'm gonna let him fly | 1:15:59 | 1:16:02 | |
# Fly | 1:16:02 | 1:16:04 | |
# Yeah | 1:16:04 | 1:16:07 | |
# I'm gonna let him fly. # | 1:16:07 | 1:16:13 | |
When the letter was received by Judge Giles, | 1:16:22 | 1:16:25 | |
he ordered that my lawyers come to a conference hearing | 1:16:25 | 1:16:30 | |
and he wanted to know why someone who had been asking | 1:16:30 | 1:16:34 | |
for DNA testing for 15 years claiming that they are innocent | 1:16:34 | 1:16:38 | |
would now ask to be executed? | 1:16:38 | 1:16:41 | |
And he was really hard pressed | 1:16:41 | 1:16:43 | |
to get them to give up any answer I guess, | 1:16:43 | 1:16:45 | |
because I didn't copy them in on the letter | 1:16:45 | 1:16:48 | |
and they didn't even know I wrote to the judge | 1:16:48 | 1:16:50 | |
so they were hearing this for the first time. | 1:16:50 | 1:16:52 | |
So the judge, by law, really was hamstrung in the fact | 1:16:52 | 1:16:56 | |
that he was going to be required to transmit my record to the governor | 1:16:56 | 1:17:00 | |
as law required for me to be executed | 1:17:00 | 1:17:02 | |
within 60 days from that point. | 1:17:02 | 1:17:04 | |
Instead he said, | 1:17:04 | 1:17:06 | |
"All right, whatever DNA testing is remaining in this case | 1:17:06 | 1:17:09 | |
"I'm ordering it now tested." | 1:17:09 | 1:17:12 | |
And that was April. | 1:17:12 | 1:17:14 | |
April turned to May. May turned to June. | 1:17:15 | 1:17:18 | |
July 2nd, 2003. | 1:17:19 | 1:17:22 | |
I wasn't expecting the results. | 1:17:23 | 1:17:25 | |
For some reason, when he brought the phone to my cell, | 1:17:25 | 1:17:28 | |
I really wasn't expecting to talk to my lawyers about Dr Blake. | 1:17:28 | 1:17:32 | |
But he gave me the phone and said, "Your lawyer wants you to call." | 1:17:32 | 1:17:35 | |
So I dialled the number | 1:17:35 | 1:17:37 | |
and I'm waiting for the collect phone call process to ring through | 1:17:37 | 1:17:40 | |
and it does and on the other end was Michael Wiseman, | 1:17:40 | 1:17:43 | |
a lawyer who had been representing me for seven years. | 1:17:43 | 1:17:46 | |
When I heard Michael Wiseman say... | 1:17:48 | 1:17:51 | |
"I just got off the phone with Dr Blake. | 1:17:52 | 1:17:54 | |
"The gloves that were left inside the victim's vehicle | 1:17:57 | 1:18:01 | |
"were found to have DNA from an unknown male, | 1:18:01 | 1:18:06 | |
"DNA from Mrs Craig and DNA from the sperm matching the killer's gloves." | 1:18:06 | 1:18:11 | |
That was it. I didn't have to hear anything else. | 1:18:11 | 1:18:14 | |
I knew. | 1:18:14 | 1:18:16 | |
You didn't have to tell Nick Yarris what those results meant. | 1:18:16 | 1:18:19 | |
I started screaming, "Oh, my God! Oh, my God! | 1:18:19 | 1:18:21 | |
"It proves me innocent! Don't you see?!" | 1:18:21 | 1:18:23 | |
The guard came back to collect the phone and he saw me huddled. | 1:18:28 | 1:18:32 | |
Crying on the bed. | 1:18:34 | 1:18:37 | |
In the foetal position. | 1:18:37 | 1:18:39 | |
And he said... | 1:18:41 | 1:18:42 | |
"Nick, what's up?" | 1:18:44 | 1:18:46 | |
And I lifted my head up and I just shook my head | 1:18:46 | 1:18:50 | |
because I didn't even have the strength to say anything, you know. | 1:18:50 | 1:18:53 | |
And he said, "Go down to the shower and take a shower." | 1:18:56 | 1:18:58 | |
And I got up, I put on my shower shoes | 1:19:00 | 1:19:02 | |
and I started trudging towards the shower. | 1:19:02 | 1:19:05 | |
And he opened the gate down on the end of the block | 1:19:06 | 1:19:09 | |
and he walked into the shower and he put a chair in there. | 1:19:09 | 1:19:13 | |
And as I got the last few steps there... | 1:19:13 | 1:19:16 | |
..he grabbed my arm gently and he sat me down | 1:19:17 | 1:19:21 | |
and he just pushed the button and left me there. | 1:19:21 | 1:19:25 | |
And I cried. | 1:19:27 | 1:19:29 | |
I cried like you wouldn't believe, man. | 1:19:31 | 1:19:35 | |
I waited 15 years to cry. | 1:19:35 | 1:19:37 | |
The happiest memory I ever had... | 1:20:06 | 1:20:09 | |
..is that we lived at 2439 Milan Street. | 1:20:10 | 1:20:15 | |
Just like Italy. Milan. | 1:20:15 | 1:20:17 | |
There was a fibreglass awning attached to the front of our roof. | 1:20:19 | 1:20:25 | |
And whenever it rained, it gave off this hollow drumming sound | 1:20:27 | 1:20:31 | |
that just drew me out of wherever I was and whatever I was doing. | 1:20:31 | 1:20:35 | |
And I would get a blanket | 1:20:36 | 1:20:39 | |
and Jaco my dog, who was a little black poodle, | 1:20:39 | 1:20:42 | |
and we would go out and sit on this lounge chair | 1:20:42 | 1:20:44 | |
that was set up like a deckchair. | 1:20:44 | 1:20:46 | |
And there, under this tattered old green blanket | 1:20:48 | 1:20:51 | |
I would listen to the rain | 1:20:52 | 1:20:54 | |
and play out all these daydreams in my head of adventures I would have. | 1:20:54 | 1:20:59 | |
And it was like this... | 1:21:00 | 1:21:02 | |
..cocoon. | 1:21:03 | 1:21:04 | |
All I had was that blanket and the dog | 1:21:05 | 1:21:08 | |
and this... | 1:21:08 | 1:21:10 | |
..feeling that I was on a journey. | 1:21:12 | 1:21:14 | |
I remember as I ran out the door with Jaco, | 1:21:26 | 1:21:29 | |
the last thing Mum said was, | 1:21:29 | 1:21:32 | |
"Don't you dare get those school clothes dirty!" | 1:21:32 | 1:21:35 | |
It was still early. Early, like April. | 1:21:39 | 1:21:41 | |
And in Philadelphia in the springtime it's just beautiful. | 1:21:42 | 1:21:45 | |
Like 67, 68 degrees and you just get these very nice days. | 1:21:47 | 1:21:52 | |
So Jaco and I were just like throwing the stick | 1:21:53 | 1:21:56 | |
and doing the things that we loved to do. | 1:21:56 | 1:21:59 | |
And I was walking along deeper into the woods, | 1:22:01 | 1:22:05 | |
when I saw him. | 1:22:05 | 1:22:06 | |
I said, "Damn." | 1:22:08 | 1:22:09 | |
I was so afraid of him. | 1:22:09 | 1:22:11 | |
The hobnail boots, denim jeans, white T-shirt, | 1:22:15 | 1:22:19 | |
armband rolled up with a pack of Lucky Strikes in the sleeve. | 1:22:19 | 1:22:23 | |
And he said, "Fuck are you doing?" | 1:22:26 | 1:22:28 | |
Like that, you know. | 1:22:28 | 1:22:30 | |
"Take it." | 1:22:33 | 1:22:34 | |
I looked up towards the houses. | 1:22:36 | 1:22:38 | |
Then I went like that. And he said, "No, puff." | 1:22:39 | 1:22:42 | |
And I went... | 1:22:42 | 1:22:43 | |
And I just got... | 1:22:43 | 1:22:45 | |
My head went crazy and I heard this sound. | 1:22:47 | 1:22:52 | |
HE CLAPS | 1:22:52 | 1:22:53 | |
And it was the stone that was in his hand that he hit me with. | 1:22:55 | 1:22:59 | |
And then I felt him bend down and he turned me | 1:23:00 | 1:23:05 | |
so that our shoulders were parallel and my leg was on his arm there. | 1:23:05 | 1:23:10 | |
And he was raping me. | 1:23:10 | 1:23:13 | |
And he was making this, like, guttural sound. | 1:23:13 | 1:23:16 | |
I started, like, whimpering. | 1:23:17 | 1:23:20 | |
He's like, "Shut the fuck up! Shut the fuck up! | 1:23:20 | 1:23:23 | |
"I'll fucking kill Jaco and your whole family if you say to anybody. | 1:23:23 | 1:23:26 | |
"You understand me? I'm not a faggot! I'm not a fucking faggot! | 1:23:26 | 1:23:29 | |
"You understand me?" | 1:23:29 | 1:23:30 | |
Then he left and I screamed. | 1:23:33 | 1:23:35 | |
I was like, "Jaco!" | 1:23:35 | 1:23:37 | |
I kept screaming for Jaco. | 1:23:38 | 1:23:40 | |
One of the things that he said to me when he was putting his pants right. | 1:23:45 | 1:23:49 | |
He looked at me and he said, "You tell everybody you fell off a wall | 1:23:51 | 1:23:54 | |
"with that shopping cart over there. You hear me?" | 1:23:54 | 1:23:57 | |
He like gave me this quick rundown of what to say. | 1:24:00 | 1:24:04 | |
And as soon as I told the first lie, | 1:24:06 | 1:24:10 | |
it was like once it was believed, it was so hard to undo. | 1:24:10 | 1:24:14 | |
It spiralled. | 1:24:16 | 1:24:17 | |
And then... | 1:24:19 | 1:24:21 | |
..everything changed. | 1:24:21 | 1:24:23 | |
From that day I found out I was proven innocent from science, | 1:24:37 | 1:24:41 | |
it still took me seven more months. | 1:24:41 | 1:24:44 | |
I went back to death row | 1:24:44 | 1:24:46 | |
and I found out they took everything out of my death row cell | 1:24:46 | 1:24:50 | |
and then they took me to this unit. | 1:24:50 | 1:24:53 | |
I was beside myself. They took me to H block, the mental ward. | 1:24:54 | 1:24:59 | |
"What are you doing to me?" I didn't understand. | 1:25:00 | 1:25:03 | |
I went over and I saw Major Locket, the major of the guards. | 1:25:03 | 1:25:07 | |
I said, "What's going on? Why am I here?" | 1:25:07 | 1:25:10 | |
And he said, "Mr Yarris, after the experience that you had | 1:25:10 | 1:25:15 | |
"we don't want to risk any of the staff | 1:25:15 | 1:25:18 | |
"being murdered by you in a rage | 1:25:18 | 1:25:21 | |
"in recognition for what we have done to you." | 1:25:21 | 1:25:24 | |
I went back to my cell. | 1:25:28 | 1:25:30 | |
And I had a plastic milk carton and that was it. | 1:25:31 | 1:25:35 | |
A plastic mattress, two sheets, two towels, | 1:25:35 | 1:25:38 | |
a pillowcase for that plastic pillow and that was it. | 1:25:38 | 1:25:42 | |
They took every book, they took my artwork, they took every comfort. | 1:25:43 | 1:25:48 | |
And I sat down on my bed | 1:25:51 | 1:25:53 | |
and I said, | 1:25:54 | 1:25:56 | |
"Oh, my God. They did me a favour." | 1:25:58 | 1:26:00 | |
I folded my legs, I sat straight in my yoga position. | 1:26:02 | 1:26:06 | |
And I started to dream of the life I was going to have. | 1:26:10 | 1:26:13 | |
I was going to have a great life. | 1:26:13 | 1:26:15 | |
I'm going to meet me a girl, I'm going to fall in love. | 1:26:15 | 1:26:17 | |
I'm going to have a family and best of all I'm going to be a great dad. | 1:26:17 | 1:26:22 | |
That's what I'm going to do. | 1:26:22 | 1:26:24 | |
If you're going to take everything from me, | 1:26:24 | 1:26:26 | |
OK, then instead... | 1:26:26 | 1:26:29 | |
I think I'll give myself everything. | 1:26:31 | 1:26:34 |