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This is the Ganges, a river like no other on Earth. | 0:00:03 | 0:00:08 | |
Its waters bring life to hundreds of millions of people across India. | 0:00:09 | 0:00:14 | |
Turn. Other way for it. That's not good. That way. | 0:00:14 | 0:00:17 | |
That's better. | 0:00:17 | 0:00:18 | |
To a billion Hindus, it's the immortal mother goddess, | 0:00:18 | 0:00:22 | |
who'll wash away a lifetime of sins. | 0:00:22 | 0:00:24 | |
I'm going to explore the length of this beautiful, contradictory, | 0:00:29 | 0:00:33 | |
and rather pungent river... | 0:00:33 | 0:00:35 | |
Sour with some quite uric undertones. | 0:00:35 | 0:00:38 | |
..from its source high in the Himalayas... | 0:00:40 | 0:00:42 | |
This is why my make-up is so flawless. | 0:00:42 | 0:00:44 | |
..through some of the most crowded, chaotic, | 0:00:45 | 0:00:48 | |
and exciting places in the world. | 0:00:48 | 0:00:50 | |
Is this the queue for the toilet? | 0:00:50 | 0:00:52 | |
It is? God, I've got a wait on me. | 0:00:52 | 0:00:54 | |
I'm halfway down the Ganges, in Varanasi, | 0:00:56 | 0:00:59 | |
India's most intense and beautiful city... | 0:00:59 | 0:01:02 | |
Yes, you're all very fit. | 0:01:05 | 0:01:07 | |
Yes, you are. | 0:01:07 | 0:01:09 | |
..where the living rub shoulders with the dead... | 0:01:09 | 0:01:13 | |
The ashes of a recently cremated human rubbed all over. | 0:01:13 | 0:01:17 | |
..and the power of the Ganges is at its greatest. | 0:01:18 | 0:01:21 | |
This place is the gateway to paradise. | 0:01:23 | 0:01:25 | |
Ooh! | 0:01:28 | 0:01:29 | |
I never thought I'd be sharing tattoo stories with an 83-year-old. | 0:01:29 | 0:01:34 | |
But it's here that the river also faces its biggest challenges. | 0:01:34 | 0:01:38 | |
-So, this is raw sewage? -Yeah. | 0:01:38 | 0:01:42 | |
What does the future hold for the Ganges in the India of tomorrow? | 0:01:42 | 0:01:46 | |
SHE COUGHS | 0:01:54 | 0:01:58 | |
I don't even know what that smell is. | 0:01:58 | 0:02:00 | |
That's, like, a new smell. | 0:02:00 | 0:02:03 | |
What's that smell? | 0:02:04 | 0:02:05 | |
I've arrived in the holy, | 0:02:10 | 0:02:12 | |
if a little whiffy, city of Varanasi. | 0:02:12 | 0:02:14 | |
Varanasi lies in the centre of the great Gangetic Plain | 0:02:20 | 0:02:23 | |
in the state of Uttar Pradesh, halfway down the Ganges, | 0:02:23 | 0:02:26 | |
between the mountains and the sea. | 0:02:26 | 0:02:28 | |
Careful of the dog. | 0:02:31 | 0:02:32 | |
It's a magical place, steeped in ancient culture. | 0:02:36 | 0:02:39 | |
To wander round its narrow lanes is like stepping back in time. | 0:02:39 | 0:02:43 | |
Varanasi is the oldest living city on earth. | 0:02:45 | 0:02:48 | |
Also, I have to say, definitely the smelliest. | 0:02:48 | 0:02:51 | |
It is taking every ounce of concentration I have to avoid... | 0:02:51 | 0:02:55 | |
I'm so sorry. So sorry. | 0:02:55 | 0:02:58 | |
Good to experience it with concussion, as well. | 0:02:58 | 0:03:00 | |
It's taking every ounce of concentration just to avoid | 0:03:00 | 0:03:02 | |
the proliferation of turds on the ground. We've got cow, pig... | 0:03:02 | 0:03:06 | |
Not sure. I think that's goat. And that's definitely human. | 0:03:08 | 0:03:11 | |
Excuse me, I'm going to avoid that. | 0:03:11 | 0:03:13 | |
Cow coming through. | 0:03:13 | 0:03:14 | |
This city is not just an assault on the senses, it's all-out war. | 0:03:20 | 0:03:24 | |
HORN HONKS | 0:03:24 | 0:03:26 | |
I'm here at the start of summer, and it's 47 degrees centigrade. | 0:03:29 | 0:03:34 | |
Super cool. Super cool. | 0:03:34 | 0:03:37 | |
Are you after a sari? | 0:03:38 | 0:03:39 | |
Guess it makes a change from a china shop. | 0:03:41 | 0:03:43 | |
Many travellers to India will stop off in Varanasi for a day or two | 0:03:45 | 0:03:49 | |
to take in the sights of this ancient city. | 0:03:49 | 0:03:52 | |
But for India's 950 million Hindus, it has a unique significance, | 0:03:54 | 0:03:59 | |
and to really understand why, | 0:03:59 | 0:04:01 | |
I'm going to be sticking around a little bit longer - | 0:04:01 | 0:04:03 | |
for two whole weeks. | 0:04:03 | 0:04:05 | |
And, believe it or not, this is the main draw in Varanasi - | 0:04:12 | 0:04:17 | |
the constant presence of death. | 0:04:17 | 0:04:19 | |
This isn't just a floral display. | 0:04:21 | 0:04:23 | |
If you're a Hindu, then to die here | 0:04:25 | 0:04:27 | |
and to be cremated on the banks of the Ganges is to achieve moksha | 0:04:27 | 0:04:31 | |
and escape the eternal cycle of death and rebirth. | 0:04:31 | 0:04:35 | |
THEY CHANT | 0:04:35 | 0:04:37 | |
As you walk the lanes of the old city, | 0:04:40 | 0:04:42 | |
dead bodies are rushed past you on the way to the cremation grounds | 0:04:42 | 0:04:45 | |
that lie on the banks of the river. | 0:04:45 | 0:04:47 | |
You think you're going to feel frightened maybe | 0:04:51 | 0:04:53 | |
at the thought of corpses just being carried along the streets. | 0:04:53 | 0:04:57 | |
But in all this chaos, it just feels completely normal, actually, | 0:04:57 | 0:05:00 | |
and almost comforting that the living and the dead should occupy these streets together. | 0:05:00 | 0:05:03 | |
This place is sort of like the lanes in Brighton, | 0:05:05 | 0:05:08 | |
but with death and cowpats. | 0:05:08 | 0:05:11 | |
THEY CHANT | 0:05:11 | 0:05:14 | |
If only there were somewhere where I could watch a cremation | 0:05:19 | 0:05:21 | |
and get a refreshing juice. | 0:05:21 | 0:05:23 | |
To guide me through this strangest of cities, | 0:05:26 | 0:05:29 | |
I've arranged to meet Navneet, an expert on all things Varanasi. | 0:05:29 | 0:05:33 | |
-Hi. Are you Navneet? -Yeah. Hello, Sue. | 0:05:33 | 0:05:35 | |
-I'm Sue. Really good to see you. How are you? -Nice to see you. | 0:05:35 | 0:05:37 | |
-Good, good. -Good. | 0:05:37 | 0:05:39 | |
HE SPEAKS OWN LANGUAGE | 0:05:39 | 0:05:42 | |
That's what you need in this heat - a good brew. | 0:05:42 | 0:05:45 | |
They say that heat kills heat. | 0:05:45 | 0:05:48 | |
I tell you, I don't need any more heat. My back's like Niagara. | 0:05:48 | 0:05:52 | |
It's a warren, isn't it? | 0:05:52 | 0:05:54 | |
Varanasi is the most Ganges of the Ganges cities, | 0:05:54 | 0:05:57 | |
by which I mean that all roads lead to the water. | 0:05:57 | 0:06:00 | |
Finally, though, after all the sort of crush of the cobbled street, | 0:06:00 | 0:06:03 | |
-which is slightly claustrophobic... -Yes. | 0:06:03 | 0:06:05 | |
Who'd have thought this stretch of the Ganges, | 0:06:07 | 0:06:09 | |
which is famous for cremation, | 0:06:09 | 0:06:11 | |
would suddenly feel like a breath of fresh air? But it does! | 0:06:11 | 0:06:14 | |
That's the view of the river. | 0:06:16 | 0:06:17 | |
And it's beautiful. I wasn't expecting that at all. | 0:06:23 | 0:06:26 | |
It's not until you see the banks of the Ganges | 0:06:28 | 0:06:31 | |
that you appreciate the true glory of Varanasi. | 0:06:31 | 0:06:33 | |
On the north side of the river, | 0:06:37 | 0:06:38 | |
miles of crumbling temples tumble down to the water. | 0:06:38 | 0:06:42 | |
Each day, thousands of people come here to bathe in its sacred waters. | 0:06:48 | 0:06:52 | |
But alongside this life and bustle and activity | 0:06:57 | 0:07:00 | |
are the ever-burning pyres of the cremation grounds. | 0:07:00 | 0:07:03 | |
Over 150 bodies are burned in Varanasi every day. | 0:07:04 | 0:07:09 | |
You can see the smoke coming from the ghats. | 0:07:13 | 0:07:15 | |
It's extraordinary - Varanasi is seen as a place of death, | 0:07:17 | 0:07:19 | |
-and yet it feels so incredibly alive, isn't it? -Yes. | 0:07:19 | 0:07:22 | |
Actually, all aspects of life are in one frame in Varanasi. | 0:07:22 | 0:07:26 | |
Even death is celebrated here. | 0:07:26 | 0:07:29 | |
-That's such an enlightened way of looking at it. -Yeah. | 0:07:29 | 0:07:33 | |
And you're so up close to it, as well, whereas, in the West, | 0:07:33 | 0:07:36 | |
we try and keep as far away from death as possible. | 0:07:36 | 0:07:38 | |
So, as soon as someone's died, put them in a box, | 0:07:38 | 0:07:40 | |
don't look at them, burn them away, you know. | 0:07:40 | 0:07:43 | |
So, the very purpose is the liberation from death - | 0:07:43 | 0:07:47 | |
from the cycle of life and death. | 0:07:47 | 0:07:49 | |
Just as I breath in a lungful of air, | 0:07:56 | 0:07:58 | |
I notice that somebody's drying their pants just there. | 0:07:58 | 0:08:00 | |
Sort of says everything you need to, really. | 0:08:01 | 0:08:04 | |
Lovely array of undercrackers. | 0:08:04 | 0:08:06 | |
One of the main attractions here are the bathing ghats. | 0:08:10 | 0:08:14 | |
Varanasi is not just for the old and infirm. | 0:08:14 | 0:08:17 | |
-Look at them enjoying themselves. -Yes. | 0:08:17 | 0:08:20 | |
Bathing in the waters here cleanses the soul, whatever your age. | 0:08:20 | 0:08:23 | |
The religious interaction isn't sort of po-faced. | 0:08:24 | 0:08:27 | |
You know, it's almost like a family outing. | 0:08:27 | 0:08:29 | |
It's like everyone's laughing and playing | 0:08:29 | 0:08:31 | |
and the kids are swimming around and joking. | 0:08:31 | 0:08:34 | |
A lot of these are children who must have come to the city | 0:08:34 | 0:08:37 | |
for once in their lifetime, you know? | 0:08:37 | 0:08:39 | |
It's like for the Muslims to go to Mecca. | 0:08:39 | 0:08:42 | |
-Sure. -So... -The Hindus have Varanasi. | 0:08:42 | 0:08:44 | |
Yeah. So, they have... | 0:08:44 | 0:08:45 | |
So, for them, it's once in their lifetime, so they... | 0:08:45 | 0:08:49 | |
And in this heat, you would also enjoy a nice dip. | 0:08:49 | 0:08:52 | |
HE CHUCKLES | 0:08:52 | 0:08:54 | |
And also, this river is sacred, and it can't be made dirty. | 0:08:54 | 0:09:00 | |
I'm no scientist, but...that's deeply brown, isn't it? | 0:09:01 | 0:09:05 | |
-It is. -It's deeply brown. -Yes, yes. | 0:09:05 | 0:09:07 | |
Dirty or not, this stretch of the Ganges | 0:09:14 | 0:09:17 | |
is of huge spiritual significance to many of India's religions, | 0:09:17 | 0:09:21 | |
which means it's also pretty busy. | 0:09:21 | 0:09:23 | |
The whole of life is playing here. You know, it's out in the open. | 0:09:24 | 0:09:28 | |
It's all in the public domain that you live your life. | 0:09:28 | 0:09:32 | |
A standard barber here would give you a standard haircut. | 0:09:38 | 0:09:41 | |
See, I'll show you what happens with life and death here. | 0:09:44 | 0:09:49 | |
You see, every stage of life, we come to the river. | 0:09:49 | 0:09:54 | |
So, this is a special ritual that happens. | 0:09:54 | 0:09:57 | |
So, this young child, she's been brought here, | 0:09:57 | 0:10:00 | |
and her hair has been shaved off. | 0:10:00 | 0:10:01 | |
-And what does that mean? -As an offering. | 0:10:01 | 0:10:03 | |
You offer your hair as a way of offering your ego, | 0:10:03 | 0:10:05 | |
because that's also your pride. | 0:10:05 | 0:10:07 | |
-"Oh, my hair looks good, I look good." -Yeah. | 0:10:07 | 0:10:09 | |
-So, is this man a holy man? -No, he is a barber. | 0:10:10 | 0:10:14 | |
-And it's to do with giving up your ego? -Yes. | 0:10:15 | 0:10:19 | |
I think I'm overdue a haircut. That's all I'm going to say! | 0:10:19 | 0:10:22 | |
It's a bit like going for a walk on the prom, | 0:10:29 | 0:10:31 | |
if the prom was in 50-degree heat and just full of pilgrims. | 0:10:31 | 0:10:34 | |
Hello. How are you doing? Namaste. Nice to meet you. | 0:10:36 | 0:10:38 | |
-Namaste. -Thank you. -Nice to see you. How are you doing? Good? | 0:10:38 | 0:10:43 | |
Despite looking like an extra from a Monty Python film, | 0:10:43 | 0:10:46 | |
Nirmal Baba is an Aghori monk - an extreme sect of Hinduism. | 0:10:46 | 0:10:50 | |
Very good. Just making sure that the moustache is properly adjusted. | 0:10:50 | 0:10:53 | |
-I'm Nirmal Baba. I'm Nirmal Baba. -Yeah. | 0:10:53 | 0:10:54 | |
I think your chest hair is recognising our boom | 0:10:56 | 0:10:58 | |
as a long-lost relative. | 0:10:58 | 0:11:00 | |
-The same sort of pelts. -Same, same. -Yeah. Same, same. | 0:11:07 | 0:11:09 | |
-Your hair same. -Yes. | 0:11:09 | 0:11:11 | |
My hair is the same, especially across the chest. | 0:11:11 | 0:11:13 | |
-Your name? -Sue. -Sue? -Sue. -OK. -Yes. | 0:11:13 | 0:11:16 | |
-So, this is my first time to... -First time Varanasi? | 0:11:16 | 0:11:20 | |
First time Varanasi. | 0:11:20 | 0:11:21 | |
-Yes. -Yeah. | 0:11:21 | 0:11:23 | |
It is an extraordinary place. | 0:11:23 | 0:11:25 | |
Yes. | 0:11:28 | 0:11:29 | |
OK? | 0:11:33 | 0:11:34 | |
The Aghoris live in the cremation grounds | 0:11:38 | 0:11:40 | |
and seek a slightly darker path to salvation. | 0:11:40 | 0:11:43 | |
Shunned by society, they smother themselves in human ashes, | 0:11:43 | 0:11:47 | |
and are even known to eat human remains. | 0:11:47 | 0:11:49 | |
But I'll have to say, he looks pretty damn good on it. | 0:11:53 | 0:11:56 | |
-So, these are ashes that you've got from the cremation site? -Yes. | 0:11:58 | 0:12:01 | |
If you want to know how closely life and death are linked in this place, | 0:12:06 | 0:12:09 | |
there you have it. | 0:12:09 | 0:12:11 | |
The ashes of a recently cremated human rubbed all over. | 0:12:12 | 0:12:19 | |
Certainly the most radical exfoliating scrub I've come across. | 0:12:26 | 0:12:29 | |
Do you know what? I think you look awesome, | 0:12:36 | 0:12:38 | |
and no-one's going to mess with you now. | 0:12:38 | 0:12:40 | |
So, what does he do now? | 0:12:40 | 0:12:41 | |
-Does it sort of bake into the skin for the rest of the day? -Yeah. | 0:12:41 | 0:12:44 | |
It's like a sun protection. | 0:12:44 | 0:12:47 | |
SHE LAUGHS | 0:12:47 | 0:12:50 | |
Turn. Other way for it. | 0:12:50 | 0:12:52 | |
That's not good. That way. | 0:12:52 | 0:12:53 | |
That's better. | 0:12:53 | 0:12:54 | |
That's better. Yes, better, better. | 0:12:55 | 0:12:58 | |
Varanasi is a place of immense spiritual importance. | 0:13:06 | 0:13:10 | |
A million pilgrims pour into this city each year seeking solace, | 0:13:10 | 0:13:15 | |
some to die, some to bathe in the river, | 0:13:15 | 0:13:19 | |
others to simply visit the temples and just take in the sights. | 0:13:19 | 0:13:23 | |
For one group of resourceful young lads, | 0:13:33 | 0:13:35 | |
these visitors are a gift from the gods. | 0:13:35 | 0:13:39 | |
So, I hear you guys are good at diving. | 0:13:39 | 0:13:40 | |
That was a lot more of a classical dive | 0:13:43 | 0:13:45 | |
than I thought it was going to be. | 0:13:45 | 0:13:48 | |
Another exquisite dive. | 0:13:48 | 0:13:50 | |
Who's next? Oh, this is getting serious now. | 0:13:50 | 0:13:52 | |
This is getting serious. A lot of stripping off going on. | 0:13:52 | 0:13:54 | |
-Oh, this looks good. -Very good. -Oh! | 0:13:54 | 0:13:57 | |
-That was incredibly impressive. -Yeah. | 0:13:59 | 0:14:01 | |
-Very good. -Very good. -Very good. | 0:14:01 | 0:14:02 | |
Another exquisite dive. | 0:14:02 | 0:14:04 | |
Yeah, I used to be able to, but then I really hurt myself. | 0:14:08 | 0:14:11 | |
These guys are known locally as the magnet boys. | 0:14:11 | 0:14:14 | |
Right, now the diving is over, | 0:14:14 | 0:14:16 | |
I think we should do some fishing for money. | 0:14:16 | 0:14:18 | |
Are you going to show me how you do it? | 0:14:18 | 0:14:20 | |
They've devised an ingenious new way of making a living out of the river. | 0:14:20 | 0:14:25 | |
As the trains thunder over the Rajghat Malviya Bridge, | 0:14:28 | 0:14:32 | |
passengers make offerings to the Ganges | 0:14:32 | 0:14:34 | |
and throw coins into the river. | 0:14:34 | 0:14:36 | |
OK, let's make sure we're balanced by me sitting... | 0:14:41 | 0:14:44 | |
The boys buy magnets taken from old electrical devices, | 0:14:46 | 0:14:49 | |
then tie them together to form a sort of magnetic dragnet. | 0:14:49 | 0:14:54 | |
They drop this to the riverbed some 70ft below and then drag, | 0:14:54 | 0:14:59 | |
fishing for pennies from heaven. | 0:14:59 | 0:15:02 | |
OK, so we've got two boats. | 0:15:02 | 0:15:03 | |
Shall we have a competition - who can fish for the most money? | 0:15:03 | 0:15:07 | |
May the best magnet boy win. | 0:15:09 | 0:15:11 | |
-Yeah, yeah, yeah. -Yeah, yeah, yeah, | 0:15:11 | 0:15:13 | |
-Time? -Yeah. -Yes, sir. Aye, aye, skipper. | 0:15:13 | 0:15:16 | |
Right, wide load is moving to facilitate the kids. | 0:15:16 | 0:15:20 | |
Quite a lot of that went in the mouth, which is good. Yeah. | 0:15:28 | 0:15:31 | |
Certainly tasted the Ganges there, and I can report back it's sour | 0:15:33 | 0:15:36 | |
with some...quite uric undertones. | 0:15:36 | 0:15:40 | |
Oh, look at that. This one is a real showman. | 0:15:40 | 0:15:43 | |
Come on! | 0:15:43 | 0:15:44 | |
Slightly wishing I was on his team, actually. He's pretty good. | 0:15:45 | 0:15:48 | |
TRAIN HORN HONKS | 0:15:48 | 0:15:50 | |
Unfortunately, it's not just cash | 0:15:50 | 0:15:53 | |
that rains down from the passing trains. | 0:15:53 | 0:15:55 | |
Probably asking yourselves, | 0:15:56 | 0:15:59 | |
"Why's Sue putting an umbrella up in 42-degree heat?" | 0:15:59 | 0:16:02 | |
Well, the train's coming and I'm right under the bridge, | 0:16:02 | 0:16:05 | |
and to put no finer point on it, the shit is about to hit the fan. | 0:16:05 | 0:16:08 | |
Watch yourselves. | 0:16:09 | 0:16:10 | |
Couple of light splats but nothing solid, which is a victory, | 0:16:13 | 0:16:16 | |
as far as I'm concerned. | 0:16:16 | 0:16:18 | |
So, do you leave it in and then let it drag in the water? | 0:16:18 | 0:16:21 | |
Ah, to try and get as many coins. | 0:16:28 | 0:16:30 | |
Right, here we go. TRAIN HORN HONKS | 0:16:32 | 0:16:35 | |
-OK, how many did we get? How many coins? -Three. -Three coins. | 0:16:37 | 0:16:41 | |
Let's see what our rivals got, OK? | 0:16:41 | 0:16:43 | |
How many coins? | 0:16:43 | 0:16:45 | |
It's a heat! It's a tie! It's a dead heat. | 0:16:45 | 0:16:48 | |
How many rupees per day do you normally get? | 0:16:50 | 0:16:53 | |
-150. -150. | 0:16:53 | 0:16:56 | |
And how many hours do you work to get 150 rupees? | 0:16:56 | 0:17:00 | |
People on the trains are throwing coins into the Ganges as blessings. | 0:17:07 | 0:17:10 | |
How do you feel about taking that money, then, once it's in the water? | 0:17:10 | 0:17:13 | |
Yes, these kids manage to scrape a living, | 0:17:19 | 0:17:22 | |
but there are some serious downsides. | 0:17:22 | 0:17:24 | |
The water round here is dangerously polluted | 0:17:24 | 0:17:28 | |
and the bridge has become THE place to go | 0:17:28 | 0:17:30 | |
for people who want to commit suicide. | 0:17:30 | 0:17:33 | |
-One, two dead bodies. -Every day? | 0:17:35 | 0:17:38 | |
-BOY SPEAKS OWN LANGUAGE TRANSLATOR: -Yeah, I see every day. | 0:17:38 | 0:17:41 | |
-Every day? -Yes. | 0:17:41 | 0:17:42 | |
-Every day. -Yes. | 0:17:44 | 0:17:46 | |
-From people who have tried to commit suicide from the bridge? -Yeah. | 0:17:48 | 0:17:51 | |
But you're just kids. That's a lot to see when you're very young, | 0:17:53 | 0:17:56 | |
isn't it? Lots of difficult things to see. | 0:17:56 | 0:17:58 | |
Yeah, but it doesn't scare you any more? | 0:18:02 | 0:18:04 | |
-It does? -Yeah. | 0:18:06 | 0:18:07 | |
Yeah. So, what job would you like to do when you're bigger? | 0:18:13 | 0:18:17 | |
What are you going to do when you're bigger? | 0:18:27 | 0:18:30 | |
Can you check my pulse? | 0:18:31 | 0:18:32 | |
Am I alive? That's quite a firm grip you've got there. | 0:18:32 | 0:18:35 | |
Go on, then. | 0:18:35 | 0:18:37 | |
How about you? | 0:18:37 | 0:18:38 | |
Ah, OK. Let's see the professional diver to be. | 0:18:43 | 0:18:46 | |
India's best diver. | 0:18:47 | 0:18:48 | |
That really must have hurt the back quite badly. | 0:18:48 | 0:18:50 | |
I hope these kids get to hold on to their dreams. | 0:18:55 | 0:18:58 | |
Most of them hardly ever go to school | 0:18:58 | 0:19:00 | |
because their families already expect them to be out | 0:19:00 | 0:19:02 | |
and earning money. | 0:19:02 | 0:19:04 | |
But with energy like this, given half a chance, | 0:19:04 | 0:19:06 | |
who knows what they could achieve? | 0:19:06 | 0:19:08 | |
What a cracking bunch of whip-thin, super-smart kids, | 0:19:08 | 0:19:12 | |
and a credit to the entrepreneurial spirit that is modern India. | 0:19:12 | 0:19:16 | |
And they have got an answer for everything. | 0:19:16 | 0:19:18 | |
You know, what do you do when wee and poo rains down on you? | 0:19:18 | 0:19:20 | |
"Well, I just jump in the river." | 0:19:20 | 0:19:22 | |
What are you going to be when you grow up? | 0:19:22 | 0:19:23 | |
"I'm going to be a doctor." "I'm going to sell saris." | 0:19:23 | 0:19:25 | |
Don't you feel bad about taking money that's essentially an offering? | 0:19:25 | 0:19:28 | |
"Ma Ganga will provide." | 0:19:28 | 0:19:30 | |
Oh, for an ounce of what they've got. | 0:19:30 | 0:19:32 | |
You soon learn that everything comes back to the Ganges in Varanasi. | 0:19:40 | 0:19:45 | |
Every night, crowds flock to the Dashashwamedh Ghat. | 0:19:51 | 0:19:55 | |
They come to watch Hindu priests perform the Ganga Aarti ceremony | 0:19:58 | 0:20:02 | |
and make a commitment to the Lord Shiva, | 0:20:02 | 0:20:04 | |
one of the most powerful Hindu gods. | 0:20:04 | 0:20:07 | |
HORNS HONK | 0:20:20 | 0:20:23 | |
While much of India is rapidly modernising, | 0:20:26 | 0:20:29 | |
parts of Varanasi feel as if they still belong to the ancient world. | 0:20:29 | 0:20:33 | |
For thousands of years, the city's position on the Ganges | 0:20:34 | 0:20:37 | |
has made it the centre of trade and industry... | 0:20:37 | 0:20:40 | |
..and its streets still support age-old crafts and traditions. | 0:20:42 | 0:20:46 | |
CLACKING | 0:20:46 | 0:20:48 | |
You can hear it. You can hear the click-clack of these old looms. | 0:20:48 | 0:20:52 | |
Look at that! | 0:20:53 | 0:20:56 | |
Namaste. | 0:20:56 | 0:20:58 | |
In these cramped and hot workshops, | 0:20:58 | 0:21:00 | |
men painstakingly weave beautiful saris, | 0:21:00 | 0:21:03 | |
thread by silken thread, | 0:21:03 | 0:21:06 | |
just as their fathers and grandfathers did before them. | 0:21:06 | 0:21:09 | |
But the rise of mechanised power looms | 0:21:12 | 0:21:15 | |
are threatening this traditional way of life. | 0:21:15 | 0:21:17 | |
Namaste. | 0:21:20 | 0:21:22 | |
I've come to the workshop of master weaver Shuka Ali | 0:21:22 | 0:21:25 | |
to witness what may be the dying breaths of this ancient industry. | 0:21:25 | 0:21:29 | |
How are you doing? | 0:21:29 | 0:21:30 | |
Good? Namaste. | 0:21:30 | 0:21:32 | |
Shuka's son, Rafiuddin, is going to show me the ropes. | 0:21:32 | 0:21:36 | |
May I sit here? HE SPEAKS OWN LANGUAGE | 0:21:36 | 0:21:40 | |
You really need to be a sort of 7st gymnast | 0:21:42 | 0:21:44 | |
to make this move that I'm about to do work, | 0:21:44 | 0:21:45 | |
but I'm going to give it a go anyway. | 0:21:45 | 0:21:47 | |
So, just pop down, yeah? | 0:21:49 | 0:21:50 | |
Wow, that IS snug! SHE CHUCKLES | 0:21:56 | 0:21:59 | |
We've only just met! | 0:21:59 | 0:22:00 | |
So, how long have you been a weaver for? | 0:22:00 | 0:22:03 | |
-TRANSLATOR: -Ten years. -Ten. | 0:22:05 | 0:22:06 | |
You must have been a tiny boy when you started. | 0:22:06 | 0:22:08 | |
So, your legs must have not been able to reach | 0:22:08 | 0:22:11 | |
where you need on a loom. | 0:22:11 | 0:22:13 | |
No. No. | 0:22:13 | 0:22:16 | |
And how long does it take to perfect it? | 0:22:16 | 0:22:18 | |
Right, it's all in the wrists, I think. | 0:22:31 | 0:22:33 | |
To make one inch of material, | 0:22:33 | 0:22:36 | |
Rafiuddin has to do this 250 times. | 0:22:36 | 0:22:40 | |
You know I want to have a go. | 0:22:40 | 0:22:42 | |
That's going to take a while. Oh, look at you. | 0:22:44 | 0:22:46 | |
That's too fast, that one. | 0:22:49 | 0:22:51 | |
Better. | 0:22:53 | 0:22:55 | |
What have I got to do here? Oh, on the foot pedals? | 0:22:57 | 0:22:59 | |
SHE GASPS I've graduated. Where is it? | 0:22:59 | 0:23:03 | |
I think this is how he finds his wives. | 0:23:03 | 0:23:05 | |
I think this is how it begins. | 0:23:05 | 0:23:07 | |
Ah, got it now. OK, got it. | 0:23:07 | 0:23:11 | |
Each sari contains a rainbow of colours and threads, | 0:23:12 | 0:23:16 | |
and, slowly, a pattern emerges, | 0:23:16 | 0:23:18 | |
but it's a painstaking process. | 0:23:18 | 0:23:21 | |
I have to say, quite a lot of the loom is up my jacksie right now. | 0:23:21 | 0:23:23 | |
Yeah, that's... | 0:23:23 | 0:23:25 | |
Yeah, that's got stuck on my buttock. | 0:23:26 | 0:23:28 | |
So, when you started and you were 12 years old, | 0:23:30 | 0:23:33 | |
did you want to spend your days inside learning how to be a weaver? | 0:23:33 | 0:23:36 | |
-You have to honour the family tradition. -Mm. | 0:23:45 | 0:23:48 | |
So, what did you want to be? | 0:23:48 | 0:23:49 | |
If you'd had your own choice at 12 years old, | 0:23:49 | 0:23:51 | |
what would you have been doing? | 0:23:51 | 0:23:53 | |
-So, you can't even have the dream to be something else? -No. | 0:24:15 | 0:24:20 | |
So, it's... you weave, you sleep, you weave, you sleep? | 0:24:20 | 0:24:23 | |
Are you ever tempted to go to the dark side | 0:24:25 | 0:24:28 | |
and start using the power loom, or would your dad be too angry? | 0:24:28 | 0:24:31 | |
But while hand-weavers make 25cm of material a day, | 0:24:38 | 0:24:42 | |
the power looms churn out 25m. | 0:24:42 | 0:24:46 | |
It's sad to think that once these traditional skills are lost, | 0:24:50 | 0:24:54 | |
they'll be gone forever. | 0:24:54 | 0:24:56 | |
Just stunning! | 0:24:58 | 0:25:01 | |
It makes me feel joy to look at these. Pure joy. | 0:25:04 | 0:25:08 | |
One, two, three... | 0:25:12 | 0:25:14 | |
-BOTH: -Four, five, six. -So many colours. -Seven. | 0:25:14 | 0:25:19 | |
-Eight. -Eight. | 0:25:20 | 0:25:21 | |
How long did this take to make? | 0:25:23 | 0:25:25 | |
And for one week, they pay you how many rupees? | 0:25:29 | 0:25:31 | |
Oh! | 0:25:42 | 0:25:44 | |
Beautiful. Beautiful. | 0:25:44 | 0:25:47 | |
Then people are idiots. | 0:25:51 | 0:25:53 | |
Because they'd rather spend it, what, on an iPhone? | 0:25:53 | 0:25:55 | |
My natural inclination is always to support craft and craftspeople, | 0:25:58 | 0:26:03 | |
to value skills passed down from generation to generation. | 0:26:03 | 0:26:07 | |
But I also wonder if someone like Rafiuddin | 0:26:07 | 0:26:10 | |
would quite like to go and just join his mates on the power loom | 0:26:10 | 0:26:13 | |
and have an easier life. | 0:26:13 | 0:26:15 | |
Perhaps it's hard for a city so consumed by tradition, | 0:26:18 | 0:26:22 | |
religion and death to move forward. | 0:26:22 | 0:26:25 | |
Although, in the Hindu universe, death is rarely the end. | 0:26:28 | 0:26:32 | |
More often, it's just part of a process of birth and rebirth... | 0:26:32 | 0:26:37 | |
..one where, eventually, you reach the state known as moksha | 0:26:39 | 0:26:43 | |
and become one with the universe. | 0:26:43 | 0:26:46 | |
It's a slow process, but if you die in Varanasi, | 0:26:48 | 0:26:52 | |
you can fast-track yourself into the realm of the immortals. | 0:26:52 | 0:26:57 | |
To die here in Varanasi is, in many ways, | 0:27:01 | 0:27:03 | |
the ultimate end goal for the truly devout Hindu. | 0:27:03 | 0:27:07 | |
And so, each year, thousands flock here as a pilgrimage | 0:27:07 | 0:27:11 | |
when they feel their days are numbered. | 0:27:11 | 0:27:14 | |
For those who arrive and then realise | 0:27:14 | 0:27:15 | |
they might have a little bit more time than they thought, | 0:27:15 | 0:27:18 | |
there's a burgeoning industry that caters for their final days, | 0:27:18 | 0:27:21 | |
or months, or even years. | 0:27:21 | 0:27:24 | |
Varanasi has become famous for its so-called death hotels... | 0:27:32 | 0:27:36 | |
..a sort of departure lounge to the next world... | 0:27:42 | 0:27:45 | |
..an all-too-real Real Marigold Hotel. | 0:27:48 | 0:27:51 | |
-Namaste. -Namaste. | 0:28:01 | 0:28:04 | |
-Namaste. Namaste. -Namaste. Namaste. | 0:28:04 | 0:28:08 | |
Meet Gulab Devi, also known as Grandma. | 0:28:09 | 0:28:13 | |
Thank you for agreeing to see me. | 0:28:13 | 0:28:15 | |
She came here with her husband, a retired army officer, | 0:28:15 | 0:28:18 | |
but, sadly, he checked out some time ago. | 0:28:18 | 0:28:20 | |
Grandma is obviously intent on dying in Varanasi, | 0:28:30 | 0:28:33 | |
but it's taking just a little bit longer than planned. | 0:28:33 | 0:28:36 | |
And how old are you? May I ask how old you are? | 0:28:36 | 0:28:39 | |
-84! 84. -84? -Yeah. | 0:28:46 | 0:28:50 | |
Somehow, she's been here for 30 years now, | 0:28:50 | 0:28:54 | |
patiently waiting for the blessed relief of death. | 0:28:54 | 0:28:56 | |
You have more energy than I do and I am... | 0:28:58 | 0:29:01 | |
40 years younger than you, nearly. | 0:29:01 | 0:29:03 | |
-Me bold. -Your balls? -Bold. | 0:29:03 | 0:29:05 | |
-Bold. -Oh, bold! Got you. Got you. | 0:29:05 | 0:29:08 | |
Yes, you are bold. SHE GRUNTS | 0:29:08 | 0:29:11 | |
Ready. Ready to face the next part of your journey. | 0:29:11 | 0:29:14 | |
SHE SPEAKS OWN LANGUAGE | 0:29:14 | 0:29:17 | |
I wasn't expecting that. I wasn't. | 0:29:17 | 0:29:19 | |
You could come out of nowhere and just grab. | 0:29:19 | 0:29:22 | |
But if anyone gets in your way... | 0:29:32 | 0:29:34 | |
-Mm. -I'm loving this tattoo. | 0:29:36 | 0:29:38 | |
-It's not many 83-year-olds you see with a full tatt going on. -Mm. | 0:29:38 | 0:29:42 | |
Rama, Sita. | 0:29:44 | 0:29:46 | |
-Rama, Sita. -Mm. -And this? | 0:29:46 | 0:29:49 | |
Yeah. Temple. | 0:29:49 | 0:29:51 | |
-Temple. -These are just the only two? | 0:29:53 | 0:29:55 | |
-No. -No. | 0:29:55 | 0:29:56 | |
-Oh, you have got another one? This... -Yeah? | 0:29:57 | 0:30:01 | |
Mm, I have one. | 0:30:11 | 0:30:12 | |
SHE SPEAKS OWN LANGUAGE I know, it's tiny | 0:30:14 | 0:30:16 | |
because I'm a real wimp. | 0:30:16 | 0:30:17 | |
I'm not like you. I'm not blessed with your strength. | 0:30:17 | 0:30:20 | |
THEY LAUGH | 0:30:20 | 0:30:23 | |
I never thought I'd be sharing tattoo stories with an 83-year-old. | 0:30:23 | 0:30:27 | |
Yes, I know she's 84, but I took a year off because I loved her. | 0:30:27 | 0:30:31 | |
There are 90 residents in the death hotel | 0:30:31 | 0:30:33 | |
and a waiting list of 100 more eager to fill a space that comes free. | 0:30:33 | 0:30:37 | |
I think she might well have a few good years left in her yet, | 0:30:37 | 0:30:41 | |
a bit more time to express her strongly-held views. | 0:30:41 | 0:30:45 | |
No, not married. | 0:30:48 | 0:30:49 | |
No, not married. | 0:30:50 | 0:30:52 | |
Why? Look at this. | 0:30:52 | 0:30:54 | |
Oh, me? No, no. | 0:31:06 | 0:31:08 | |
No, no. Just me. Just me and my family. | 0:31:08 | 0:31:11 | |
Oh, there's sadness there. Angry. | 0:31:11 | 0:31:14 | |
Sometimes, it's not... Not everybody can have children. | 0:31:14 | 0:31:17 | |
I will have my friends. | 0:31:21 | 0:31:23 | |
I love my friends! | 0:31:27 | 0:31:28 | |
That might be a longer wait than you think. | 0:31:29 | 0:31:32 | |
But also I will have a selection of very, very lovely young nieces. | 0:31:32 | 0:31:37 | |
OK. So, I need to get a husband and lots of children. | 0:31:47 | 0:31:51 | |
How did you know about Anna? | 0:31:54 | 0:31:56 | |
-Yes, absolutely. -Anna. -Anna. | 0:31:58 | 0:32:01 | |
If I was the owner, I wouldn't be booking out her room any time soon. | 0:32:01 | 0:32:05 | |
She's got years left. | 0:32:05 | 0:32:07 | |
Plenty of time to visit that tattoo parlour | 0:32:07 | 0:32:09 | |
and get that full sleeve she's always wanted. | 0:32:09 | 0:32:12 | |
I just loved meeting Grandma. | 0:32:13 | 0:32:15 | |
Grandma is wise and strong and feisty and funny, | 0:32:15 | 0:32:18 | |
and, quite frankly, more inked than your average boyband member. | 0:32:18 | 0:32:23 | |
But what I learned from her is that belief shapes a landscape, | 0:32:23 | 0:32:26 | |
so, for, you know, a tourist like me - | 0:32:26 | 0:32:28 | |
a nonbeliever looking from the outside in - | 0:32:28 | 0:32:31 | |
Varanasi is smelly and dirty and bewildering. | 0:32:31 | 0:32:36 | |
But to her, on the inside, as a believer, | 0:32:36 | 0:32:38 | |
this place is the gateway to paradise. | 0:32:38 | 0:32:40 | |
The longer you spend in Varanasi, | 0:32:53 | 0:32:56 | |
the more it feels like a relic of old India, | 0:32:56 | 0:32:58 | |
trapped in a time before globalisation | 0:32:58 | 0:33:01 | |
and India's economic miracle. | 0:33:01 | 0:33:03 | |
Varanasi lies in one of the most conservative parts of India, | 0:33:06 | 0:33:09 | |
and its social attitudes are increasingly out of step | 0:33:09 | 0:33:12 | |
with the modern world... | 0:33:12 | 0:33:13 | |
..particularly when it comes to women. | 0:33:15 | 0:33:18 | |
But, thankfully, change is on its way. | 0:33:19 | 0:33:21 | |
Good morning! Morning, everyone. Namaste. Nice to see you. | 0:33:21 | 0:33:26 | |
Sue. Nice to see you. | 0:33:26 | 0:33:27 | |
These students, from the renowned Banaras University, | 0:33:27 | 0:33:30 | |
are using their free time to try and empower women | 0:33:30 | 0:33:33 | |
from the rural villages outside the city. | 0:33:33 | 0:33:35 | |
I can feel the energy. You're just a young, energetic group. | 0:33:36 | 0:33:40 | |
That has got my name on it, I think. | 0:33:40 | 0:33:43 | |
I am VERY happy to be leaving the city. | 0:33:43 | 0:33:45 | |
That's feeling good. | 0:33:45 | 0:33:46 | |
Not so sure about the mode of transport. | 0:33:47 | 0:33:49 | |
Right, I want you to know that when you start going fast, | 0:33:49 | 0:33:52 | |
I'm going to grip. I'm going to really grip. | 0:33:52 | 0:33:54 | |
You're going to feel it. Just round here, you're going to feel it. | 0:33:54 | 0:33:56 | |
Going to come in like a lobster. | 0:33:56 | 0:33:58 | |
Ooh! | 0:33:58 | 0:33:59 | |
Whee! | 0:33:59 | 0:34:01 | |
A 15km drive out of town, | 0:34:03 | 0:34:05 | |
and you enter a very different world. | 0:34:05 | 0:34:08 | |
Two-thirds of Indians live in the countryside, | 0:34:12 | 0:34:15 | |
but it's not always the rural idyll you might expect. | 0:34:15 | 0:34:18 | |
In rural India, girls are often married very young | 0:34:20 | 0:34:23 | |
and have little education. | 0:34:23 | 0:34:25 | |
In some areas, women rarely leave their houses | 0:34:25 | 0:34:28 | |
and are expected to be silent and submissive. | 0:34:28 | 0:34:31 | |
Men are increasingly becoming addicted to drink and drugs, | 0:34:32 | 0:34:36 | |
often leading to physical violence. | 0:34:36 | 0:34:38 | |
But these students don't want rural India to be left behind, | 0:34:41 | 0:34:44 | |
and six months ago, they started working | 0:34:44 | 0:34:46 | |
with the women of Deura village. | 0:34:46 | 0:34:49 | |
Ah! That's what you need in this heat - a full-face mask. | 0:34:54 | 0:34:59 | |
Thank you. | 0:35:00 | 0:35:02 | |
I'm meeting a group of local women who are known as the Green Gang, | 0:35:02 | 0:35:06 | |
a sort of village vigilante group. | 0:35:06 | 0:35:08 | |
Thanks to the students, these women are learning self-defence classes, | 0:35:13 | 0:35:17 | |
taking lessons in literacy and public speaking. | 0:35:17 | 0:35:19 | |
I'm coming to get you. | 0:35:20 | 0:35:22 | |
It's a little bit different to your average knitting circle. | 0:35:27 | 0:35:31 | |
When women come out of the shadows, the whole world gets brighter. | 0:35:51 | 0:35:56 | |
Oh! | 0:35:56 | 0:35:57 | |
One of the biggest issues facing these women | 0:35:59 | 0:36:01 | |
is something so basic it probably would never occur to you or me. | 0:36:01 | 0:36:05 | |
They don't have any toilets. | 0:36:07 | 0:36:10 | |
So, it's dangerous. It's dangerous. | 0:36:20 | 0:36:23 | |
And you have snakes in the water? | 0:36:23 | 0:36:24 | |
So, you go in the open sky and... | 0:36:27 | 0:36:30 | |
SHE BUZZES LIKE A FLY Insects, and there's... | 0:36:30 | 0:36:33 | |
SHE SPEAKS OWN LANGUAGE | 0:36:35 | 0:36:37 | |
Scorpion? | 0:36:37 | 0:36:38 | |
Oh, no! This one? | 0:36:40 | 0:36:41 | |
So, you go for a wee and...? | 0:36:42 | 0:36:44 | |
I understand. Chalo, chalo. Chalo, chalo. We have toilet business. | 0:36:46 | 0:36:50 | |
You show the way, darling. | 0:36:55 | 0:36:56 | |
Scorpions are not the only problem. | 0:36:56 | 0:36:59 | |
Women all over rural India | 0:37:01 | 0:37:03 | |
are forced to go to the toilet in the open, | 0:37:03 | 0:37:05 | |
and it has led to an epidemic of sexual violence. | 0:37:05 | 0:37:08 | |
By coming together in their green saris, | 0:37:10 | 0:37:13 | |
these women are hoping to force change. | 0:37:13 | 0:37:15 | |
Today, the village representative is being held to account. | 0:37:22 | 0:37:25 | |
How can India have a space programme and no toilets? | 0:37:46 | 0:37:49 | |
This is like one country, two worlds. | 0:37:49 | 0:37:51 | |
We come here and the people are just... | 0:37:51 | 0:37:53 | |
People are really craving some basic necessities of life, | 0:37:53 | 0:37:56 | |
like toilets, like... It's just beyond imagination. | 0:37:56 | 0:38:00 | |
It is beyond imagination | 0:38:00 | 0:38:01 | |
that you have to go to a village head and beg for a toilet. | 0:38:01 | 0:38:04 | |
-Exactly. -And then he has to go and beg to the government. | 0:38:04 | 0:38:07 | |
It's slow work, but these women tell me | 0:38:07 | 0:38:10 | |
they didn't even dare to speak out when the students first arrived. | 0:38:10 | 0:38:14 | |
It's good to see them coming together, | 0:38:14 | 0:38:16 | |
but it's not until you see where they live that you understand truly what they're dealing with. | 0:38:16 | 0:38:20 | |
-This is the house? -This, this. | 0:38:20 | 0:38:22 | |
-So, that's...? -Do you call it a house? | 0:38:22 | 0:38:24 | |
-I thought this was the house. -No, this is where she lives. | 0:38:24 | 0:38:27 | |
I just walked towards this brick building thinking, | 0:38:27 | 0:38:30 | |
-"Oh, everyone in this village lives in a solid structure, however modest." -Yes. | 0:38:30 | 0:38:33 | |
-And...that's her house. -Yeah. | 0:38:33 | 0:38:38 | |
This is where they keep the cattle, and this is where they live. | 0:38:38 | 0:38:41 | |
I think they sleep kind of there. | 0:38:41 | 0:38:44 | |
And how many people will these ladies cook for in the family? | 0:38:44 | 0:38:47 | |
-SHE SPEAKS OWN LANGUAGE -Five. | 0:38:47 | 0:38:49 | |
-Five people. -Five every day? | 0:38:49 | 0:38:51 | |
So, they get paid for the work they do. | 0:38:58 | 0:38:59 | |
Do ever have cash? Do you ever see cash or come cross it? | 0:39:01 | 0:39:03 | |
Or it just doesn't exist in your life? | 0:39:03 | 0:39:05 | |
So, this green sari is like your armour? | 0:39:16 | 0:39:19 | |
Green saris empower. | 0:39:20 | 0:39:22 | |
Imagine waking up first thing in the morning, | 0:39:41 | 0:39:44 | |
bursting to go to the loo and knowing that you have to hold it in | 0:39:44 | 0:39:47 | |
because you're too ashamed and too frightened to go. | 0:39:47 | 0:39:50 | |
Imagine holding it in all day in 47-degree heat, | 0:39:50 | 0:39:54 | |
and then, at night, when you're allowed to come out, | 0:39:54 | 0:39:56 | |
in the shadows, you have to walk through this field of crops | 0:39:56 | 0:39:59 | |
frightened that a cobra will bite you, | 0:39:59 | 0:40:01 | |
that a scorpion will bite you, | 0:40:01 | 0:40:02 | |
that the diseases that lurk in the murk will get you, | 0:40:02 | 0:40:05 | |
or that a human predator will take you out | 0:40:05 | 0:40:07 | |
when you're crouching to do the most intimate | 0:40:07 | 0:40:10 | |
and mundane of bodily functions. | 0:40:10 | 0:40:13 | |
And now go into your bathroom, | 0:40:13 | 0:40:15 | |
switch on the light and look at that toilet, | 0:40:15 | 0:40:17 | |
and just say a thank you to whatever God you believe in. | 0:40:17 | 0:40:20 | |
-Namaste! CHILDREN: -Namaste! | 0:40:20 | 0:40:23 | |
-All OK! -All OK! | 0:40:23 | 0:40:25 | |
-All is good! -All is good! | 0:40:25 | 0:40:27 | |
-In this hood! -In this hood! | 0:40:27 | 0:40:29 | |
-We will get! -We will get! | 0:40:29 | 0:40:32 | |
-A toilet! -A toilet! | 0:40:32 | 0:40:34 | |
-SHE LAUGHS All is good! -All is good! | 0:40:34 | 0:40:37 | |
In the hood! | 0:40:37 | 0:40:39 | |
I can only hope that what these women are doing today | 0:40:43 | 0:40:46 | |
will create a better world for future generations. | 0:40:46 | 0:40:50 | |
After the tranquillity of the countryside, | 0:41:19 | 0:41:22 | |
the traffic-crazed streets of Varanasi | 0:41:22 | 0:41:24 | |
deliver a huge shock to the system. | 0:41:24 | 0:41:26 | |
There is nothing serene about this place. | 0:41:31 | 0:41:35 | |
Varanasi is intense and extraordinary. | 0:41:37 | 0:41:41 | |
CHEERING | 0:41:41 | 0:41:44 | |
Yeah! | 0:41:44 | 0:41:45 | |
Yes, you're all very fit. Yes, you are. | 0:41:47 | 0:41:51 | |
Yes. | 0:41:51 | 0:41:52 | |
I think, when you were little, you were very naughty. | 0:41:58 | 0:42:00 | |
You have a naughty look in your eye. THEY LAUGH | 0:42:00 | 0:42:03 | |
Everything is stripped bare and out in the open here, | 0:42:12 | 0:42:15 | |
whether it's death... | 0:42:15 | 0:42:17 | |
..or dentistry. | 0:42:19 | 0:42:20 | |
If the clean, clinical, sanitised environment | 0:42:22 | 0:42:25 | |
of a dentist isn't your thing, then... | 0:42:25 | 0:42:27 | |
..well, just get your dentures done in a gutter. | 0:42:28 | 0:42:30 | |
The chaos can be hugely fun and there's no doubting its charms, | 0:42:39 | 0:42:43 | |
but there are downsides. | 0:42:43 | 0:42:45 | |
I've been here for over a week and I've got Varanasi overload. | 0:42:45 | 0:42:49 | |
The funeral pyres burn day and night and the smell is overpowering. | 0:42:55 | 0:43:01 | |
It is truly the most unrelenting place I have ever been. | 0:43:03 | 0:43:08 | |
Careful, that's a lot of shit here. | 0:43:15 | 0:43:17 | |
SCUFFLING Ooh! | 0:43:22 | 0:43:24 | |
I'm not sure a late-night stroll around the dark alleyways | 0:43:25 | 0:43:28 | |
was a very good idea. | 0:43:28 | 0:43:31 | |
Sorry, I just slipped. | 0:43:31 | 0:43:33 | |
My arm is agony. | 0:43:36 | 0:43:38 | |
This is not a city for the faint-hearted, | 0:43:45 | 0:43:47 | |
but not for the reasons that you think. | 0:43:47 | 0:43:49 | |
I'm not frightened of death, | 0:43:49 | 0:43:50 | |
I'm not frightened to see the bodies burning, | 0:43:50 | 0:43:53 | |
but it's the chaos and the stink | 0:43:53 | 0:43:55 | |
and the fact that you feel such a small, vulnerable little ant | 0:43:55 | 0:43:58 | |
in the sea of humanity that's constantly around you. | 0:43:58 | 0:44:01 | |
And the fact that I just fell over and I really badly scuffed my legs, | 0:44:01 | 0:44:05 | |
and I scuffed my elbow and I fell in poo, | 0:44:05 | 0:44:07 | |
and I know what kind of poo it was. | 0:44:07 | 0:44:09 | |
It was human poo, and now I want to cry and I need my mum, | 0:44:09 | 0:44:12 | |
but I can't cos I've got to be strong | 0:44:12 | 0:44:15 | |
and pretend that I'm in control of this place. | 0:44:15 | 0:44:17 | |
And that's the biggest mistake you can make | 0:44:17 | 0:44:20 | |
cos Varanasi is always in control of you. | 0:44:20 | 0:44:22 | |
I just need to get to a place which is clean. | 0:44:37 | 0:44:41 | |
The poo-stained streets and the never-ending smell | 0:44:51 | 0:44:55 | |
exposes a contradiction that lies at the heart of Varanasi. | 0:44:55 | 0:44:58 | |
On one hand, it's seen by millions as the spiritual heart of India. | 0:45:01 | 0:45:05 | |
Yet, on the other, | 0:45:09 | 0:45:11 | |
it's home to one of the most polluted stretches of river | 0:45:11 | 0:45:14 | |
in the entire world. | 0:45:14 | 0:45:17 | |
Upstream, the waters of the Ganges | 0:45:17 | 0:45:19 | |
are siphoned off for agriculture and industry | 0:45:19 | 0:45:22 | |
and are used as a dumping ground for more types of waste | 0:45:22 | 0:45:25 | |
than you can imagine. | 0:45:25 | 0:45:27 | |
It's no way to treat a river, | 0:45:27 | 0:45:29 | |
let alone a river that's also a goddess. | 0:45:29 | 0:45:32 | |
With my hand bandaged and face mask at the ready, | 0:45:35 | 0:45:38 | |
it's time to confront the dirty truth about the Ganges. | 0:45:38 | 0:45:41 | |
As a nun once famously sang, | 0:45:44 | 0:45:46 | |
how do you solve a problem like Ma Ganga? | 0:45:46 | 0:45:49 | |
Well, the man I'm about to meet, | 0:45:49 | 0:45:52 | |
both a high priest and a professor, may have the answer. | 0:45:52 | 0:45:55 | |
-Namaste, Professor Mishra. -Namaste, Susie. | 0:45:56 | 0:45:59 | |
Namaste. Namaste. Nice to see you. I'm Sue. | 0:45:59 | 0:46:02 | |
-Welcome. -Very good to meet you. Thank you so much. | 0:46:02 | 0:46:05 | |
I see your vessel is ready. Is it this one we're going on? | 0:46:05 | 0:46:08 | |
We'll be going on this vessel. | 0:46:08 | 0:46:11 | |
Ah, OK. Here we go. Right... | 0:46:11 | 0:46:13 | |
Professor Mishra is one of Varanasi's most revered | 0:46:13 | 0:46:16 | |
and eminent citizens. | 0:46:16 | 0:46:19 | |
He's the professor of hydraulic engineering at the university | 0:46:19 | 0:46:22 | |
and has dedicated his life to trying to clean up the Ganges. | 0:46:22 | 0:46:27 | |
But he's also a high priest | 0:46:27 | 0:46:28 | |
at one of Varanasi's most important temples, | 0:46:28 | 0:46:31 | |
so he's uniquely qualified to help me understand the paradox | 0:46:31 | 0:46:35 | |
at the heart of this great river. | 0:46:35 | 0:46:37 | |
So, Professor, to the untrained eye, this is a seriously dirty river. | 0:46:37 | 0:46:41 | |
Because you study it, you see the day-to-day. | 0:46:41 | 0:46:44 | |
What's the main problem with the Ganges at this point? | 0:46:44 | 0:46:47 | |
Actually, the main problem with the Ganges is | 0:46:47 | 0:46:51 | |
it is now being used as a channel | 0:46:51 | 0:46:53 | |
for disposal of raw sewage into the river. | 0:46:53 | 0:46:56 | |
So, just like one enormous toilet, the river is being used...? | 0:46:56 | 0:46:59 | |
Definitely. Definitely. | 0:46:59 | 0:47:01 | |
Raw sewage is just coming out. You can just see it. | 0:47:01 | 0:47:04 | |
I have to say, as you said that, I just got this sickening waft. | 0:47:04 | 0:47:08 | |
I hope you don't mind and think me impolite, | 0:47:08 | 0:47:10 | |
but my Western nostrils are not as hardy as yours. | 0:47:10 | 0:47:12 | |
We are actually used to this. | 0:47:12 | 0:47:15 | |
-Yeah, I don't know how you can bear it. -We can bear it. | 0:47:15 | 0:47:17 | |
-I mean, I literally want to be sick. -Only for the sake of Ganga, | 0:47:17 | 0:47:21 | |
we are bearing this. | 0:47:21 | 0:47:22 | |
-So, this is pure, raw sewage? -Yeah. | 0:47:23 | 0:47:27 | |
I can see a family bathing there. I mean, right... | 0:47:29 | 0:47:33 | |
You know, I mean, just 100 yards. | 0:47:33 | 0:47:35 | |
How is that possible? | 0:47:37 | 0:47:38 | |
Every day, Professor Mishra's researchers | 0:47:44 | 0:47:46 | |
take water samples from the Ganges in Varanasi. | 0:47:46 | 0:47:49 | |
The results are enough to make your eyes water. | 0:47:49 | 0:47:52 | |
The safe level for faecal coliform bacteria - | 0:47:54 | 0:47:57 | |
that's poo to you and me - | 0:47:57 | 0:47:59 | |
is about 500 units per millilitre. | 0:47:59 | 0:48:03 | |
Here, it's 4.2 million. | 0:48:03 | 0:48:07 | |
The dissolved oxygen levels are so low in places | 0:48:08 | 0:48:12 | |
that the river is now biologically dead. | 0:48:12 | 0:48:16 | |
Add to that bodies, pesticides and medical waste, | 0:48:18 | 0:48:22 | |
and you can see that the Ganges is in crisis. | 0:48:22 | 0:48:26 | |
At present, we have 33 points | 0:48:26 | 0:48:28 | |
which are disposing sewage to the tune of 300 | 0:48:28 | 0:48:32 | |
to 350 million litres per day into the river. | 0:48:32 | 0:48:36 | |
-Million litres? -Yeah. And there are 33 such points. | 0:48:36 | 0:48:39 | |
Sorry, each...? So, it's 33 points, and each point...? | 0:48:39 | 0:48:42 | |
-This cumulative total... -300 million litres? | 0:48:42 | 0:48:45 | |
300 million litres per day is being disposed of into the river. | 0:48:45 | 0:48:49 | |
Professor Mishra was one of the first | 0:48:50 | 0:48:52 | |
to highlight the pollution of the Ganges. | 0:48:52 | 0:48:54 | |
He has seen action plans and initiatives come and go, | 0:48:54 | 0:48:57 | |
and the pollution getting worse and worse. | 0:48:57 | 0:49:00 | |
But no matter how polluted the river is, | 0:49:04 | 0:49:07 | |
people still believe it is spiritually cleansing. | 0:49:07 | 0:49:11 | |
Do you think there is any conflict | 0:49:14 | 0:49:17 | |
between the part of you that is religious | 0:49:17 | 0:49:19 | |
and the part of you that is a scientist when it comes to Ganga? | 0:49:19 | 0:49:22 | |
I still take my bath, and if I am in Banaras, | 0:49:22 | 0:49:26 | |
I am bound to take a bath. | 0:49:26 | 0:49:27 | |
And if I don't take a bath, something... I am very disturbed. | 0:49:27 | 0:49:31 | |
Something, I am missing. | 0:49:31 | 0:49:33 | |
So, this type of connection, I have with Ganga-ji. And not me. | 0:49:33 | 0:49:37 | |
There are so many other people. | 0:49:37 | 0:49:39 | |
I can't bear to think. | 0:49:39 | 0:49:41 | |
These kids, they're swimming upstream towards raw sewage, | 0:49:41 | 0:49:44 | |
so I'm sorry to interrupt you, but it is just... | 0:49:44 | 0:49:46 | |
When you know the facts that you've just told me, | 0:49:46 | 0:49:50 | |
it makes it very hard to... | 0:49:50 | 0:49:51 | |
I mean, before I met you, I would think, | 0:49:51 | 0:49:53 | |
"That's a dirty river. Fine." But now it's horrific. | 0:49:53 | 0:49:57 | |
-Because these are innocents. -Definitely, definitely. | 0:49:57 | 0:50:00 | |
So, we are just successively killing our population. | 0:50:00 | 0:50:04 | |
-This is very bad. -It is very bad. | 0:50:04 | 0:50:07 | |
Especially when it's such a young population. | 0:50:09 | 0:50:11 | |
-The youngest population in the world. -Young population. | 0:50:11 | 0:50:14 | |
-They are our future. -Yeah. | 0:50:14 | 0:50:15 | |
And in the future, what are we going to provide them? | 0:50:15 | 0:50:19 | |
This polluted river. | 0:50:19 | 0:50:22 | |
For devout Hindus, the physical condition of the water | 0:50:26 | 0:50:29 | |
is entirely separate from the metaphysical power it holds. | 0:50:29 | 0:50:34 | |
It's filthy, but it will wash you clean of sin. | 0:50:35 | 0:50:39 | |
She's an immortal goddess, so can't be killed... | 0:50:39 | 0:50:43 | |
..but I wonder how much more pollution she can tolerate. | 0:50:44 | 0:50:48 | |
Namaste. | 0:50:53 | 0:50:54 | |
I've been here for two weeks now, | 0:50:54 | 0:50:56 | |
and quite frankly, I can't take it any more. | 0:50:56 | 0:50:58 | |
Oh! | 0:51:04 | 0:51:05 | |
Come to Varanasi for the holiday of a lifetime. | 0:51:14 | 0:51:16 | |
My time in Varanasi is nearly over. | 0:51:26 | 0:51:29 | |
It's an extraordinary place, | 0:51:31 | 0:51:33 | |
but definitely what we travellers call challenging. | 0:51:33 | 0:51:37 | |
To be honest, I've been putting this bit off. | 0:51:38 | 0:51:41 | |
However, a stay in Varanasi wouldn't be complete | 0:51:44 | 0:51:47 | |
without a visit to the cremation grounds. | 0:51:47 | 0:51:50 | |
This is Manikarnika Ghat, | 0:51:54 | 0:51:56 | |
the most prestigious funeral pyre of them all. | 0:51:56 | 0:51:59 | |
It is not of this earth, this place. | 0:52:01 | 0:52:03 | |
Here, bodies are burned on open fires | 0:52:11 | 0:52:14 | |
so their souls can be released into a different realm. | 0:52:14 | 0:52:17 | |
It's a far cry from the sendoffs us Westerners are used to. | 0:52:19 | 0:52:22 | |
The cremation grounds are run by keepers of sacred flames | 0:52:31 | 0:52:34 | |
who are known as doms, | 0:52:34 | 0:52:36 | |
and are part of the Dalit caste, formerly known as the untouchables. | 0:52:36 | 0:52:40 | |
I'm here to meet Yamuna Devi, | 0:52:43 | 0:52:45 | |
the only female dom working in Varanasi. | 0:52:45 | 0:52:49 | |
Namaste. How are you? | 0:52:49 | 0:52:51 | |
Yes, because I'm totally silly. | 0:52:54 | 0:52:57 | |
So, I fell on a ghat and smashed my hand and my elbow. | 0:52:57 | 0:53:01 | |
So, can you take me through the process? | 0:53:01 | 0:53:04 | |
So, the bodies come, and they're beautifully wrapped. | 0:53:04 | 0:53:07 | |
Mourners being so close to the burning body | 0:53:33 | 0:53:36 | |
might seem macabre to Western eyes, | 0:53:36 | 0:53:38 | |
but it helps the family confront their loss. | 0:53:38 | 0:53:41 | |
Do you see a difference between the mourners | 0:53:44 | 0:53:46 | |
when they arrive and when they leave? | 0:53:46 | 0:53:48 | |
Has it sort of helped their grief in some way | 0:53:48 | 0:53:50 | |
to watch this process close up? | 0:53:50 | 0:53:52 | |
At home, when we burn somebody, we put them in a nice box | 0:54:35 | 0:54:38 | |
with brass handles, and the curtain shuts, | 0:54:38 | 0:54:41 | |
and off they go on this weird final Generation Game conveyor belt. | 0:54:41 | 0:54:45 | |
You don't see the body, | 0:54:45 | 0:54:47 | |
and so there's this gap in your understanding. | 0:54:47 | 0:54:50 | |
Sort of your grief is paused cos all you want to do is get to them, | 0:54:50 | 0:54:52 | |
and see the "hows" and the "whys" and the total disintegration, | 0:54:52 | 0:54:55 | |
so that you can comprehend they are gone. | 0:54:55 | 0:54:58 | |
But here, the corpse comes down beautifully shrouded, | 0:54:58 | 0:55:02 | |
goes on the pyre, which is lit. The relatives walk round. | 0:55:02 | 0:55:06 | |
As the body's burning, it's hit on the head | 0:55:06 | 0:55:08 | |
to release its moorings, | 0:55:08 | 0:55:11 | |
to release that person's moorings from their family. | 0:55:11 | 0:55:14 | |
When it's done, the ashes are sieved for gold | 0:55:14 | 0:55:17 | |
for last traces of material possessions. | 0:55:17 | 0:55:20 | |
And then, finally, the ashes are delivered into the water... | 0:55:20 | 0:55:23 | |
..and everyone is free. | 0:55:24 | 0:55:26 | |
BELL CHIMES | 0:55:27 | 0:55:31 | |
Trying to work out how I feel about Varanasi is like | 0:56:03 | 0:56:06 | |
trying to breast-feed a Jelly Baby. | 0:56:06 | 0:56:08 | |
It's a pointless exercise because the city is confusing | 0:56:08 | 0:56:12 | |
and you change your mind about it at every turn. | 0:56:12 | 0:56:15 | |
It's like walking a tightrope between optimism and despair, | 0:56:15 | 0:56:19 | |
between filth and beauty, | 0:56:19 | 0:56:21 | |
between excellence and maddening, maddening inefficiency. | 0:56:21 | 0:56:28 | |
And so all I can say is, if you want the ultimate workout for your mind, | 0:56:28 | 0:56:31 | |
your body and your soul, then come here, just with an open heart, | 0:56:31 | 0:56:35 | |
and lots of changes of underwear. | 0:56:35 | 0:56:37 | |
And waders. And, well, a mask. | 0:56:37 | 0:56:39 | |
A really good mask would be good. And full-spectrum antibiotics. | 0:56:39 | 0:56:43 | |
Bandages would be helpful, I suppose. | 0:56:43 | 0:56:45 | |
And a really good cap. And an umbrella. | 0:56:45 | 0:56:49 | |
Erm, antibacterial hand sanitiser. Feminine wipes. | 0:56:49 | 0:56:52 | |
And fly spray. Lots of fly spray. | 0:56:52 | 0:56:55 | |
Just let me just... SHE BLOWS RASPBERRY | 0:57:02 | 0:57:04 | |
spread out a bit. | 0:57:04 | 0:57:06 | |
Next time, I'm on the final stretch of the river... | 0:57:06 | 0:57:09 | |
..where a new India is being built before my very eyes... | 0:57:12 | 0:57:15 | |
This is Trumpian in its bling-tastic-ness. | 0:57:15 | 0:57:19 | |
I tell you, it's not a trip for the bra-less, this. Ooh! | 0:57:19 | 0:57:22 | |
..and I join millions of pilgrims | 0:57:22 | 0:57:24 | |
as they worship the Ganges where she finally flows into the sea. | 0:57:24 | 0:57:27 | |
Happy dipping. WOMAN LAUGHS | 0:57:27 | 0:57:29 | |
I feel I should know your name. I've seen your winkie. | 0:57:29 | 0:57:31 | |
But there you go. Thank you so much. Thank you. | 0:57:31 | 0:57:34 |