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This is the Ganges, | 0:00:03 | 0:00:05 | |
a river like no other on earth. | 0:00:05 | 0:00:08 | |
Its waters bring life to hundreds of millions of people across India. | 0:00:09 | 0:00:13 | |
Turn! Other way. That's not good. That way. | 0:00:13 | 0:00:17 | |
That's better. | 0:00:17 | 0:00:18 | |
To a billion Hindus, it's the immortal mother goddess, | 0:00:18 | 0:00:22 | |
who'll wash away a lifetime of sins. | 0:00:22 | 0:00:24 | |
I'm going to explore the length of this beautiful, contradictory, | 0:00:29 | 0:00:33 | |
and rather pungent river. | 0:00:33 | 0:00:34 | |
SHE COUGHS | 0:00:34 | 0:00:36 | |
I don't even know what that smell is. | 0:00:36 | 0:00:39 | |
From its source high in the Himalayas... | 0:00:39 | 0:00:42 | |
This is why my make-up is so flawless. | 0:00:42 | 0:00:44 | |
..through some of the most crowded, | 0:00:45 | 0:00:47 | |
chaotic and exciting places in the world. | 0:00:47 | 0:00:50 | |
Is this the queue for the toilet? | 0:00:50 | 0:00:52 | |
It is? God, I've got a wait on me. | 0:00:52 | 0:00:54 | |
I'm on the final stretch of the river and it feels as if a new India | 0:00:56 | 0:01:00 | |
is being built right before my very eyes. | 0:01:00 | 0:01:03 | |
This is Trumpian in its blingtasticness. | 0:01:03 | 0:01:07 | |
People are pouring into the cities, looking for work and better lives. | 0:01:07 | 0:01:11 | |
So what do you want to be when you have qualified? | 0:01:11 | 0:01:13 | |
Railway driver. | 0:01:13 | 0:01:15 | |
Whilst out in the country, | 0:01:15 | 0:01:17 | |
farmers and fishermen struggle to make ends meet. | 0:01:17 | 0:01:21 | |
Have you ever seen tigers? | 0:01:21 | 0:01:22 | |
SHE SPEAKS OWN LANGUAGE | 0:01:22 | 0:01:24 | |
What?! On the boat? On this boat? | 0:01:24 | 0:01:27 | |
You don't like tea? You're Kolkatan and you don't like tea? | 0:01:27 | 0:01:30 | |
As India changes, the Ganges is under threat as never before. | 0:01:32 | 0:01:37 | |
-So this is raw sewage? -Yeah. | 0:01:37 | 0:01:40 | |
So what does the future hold for the great Ganges | 0:01:40 | 0:01:43 | |
in the India of tomorrow? | 0:01:43 | 0:01:45 | |
I'm so sorry. So sorry. | 0:01:46 | 0:01:48 | |
People always talk about rivers as being timeless, | 0:01:55 | 0:01:57 | |
but you completely get a sense of that. | 0:01:57 | 0:02:00 | |
This could be the 18th century, the 14th century. | 0:02:00 | 0:02:04 | |
It just happens to be the 21st. | 0:02:04 | 0:02:05 | |
My first stop is the ancient city of Patna, | 0:02:08 | 0:02:11 | |
capital of Bihar state, in the north-east of India. | 0:02:11 | 0:02:13 | |
From here I'll work my way down the Indian branch of the Ganges, | 0:02:15 | 0:02:19 | |
called the Hooghly, through the great city of Kolkata, | 0:02:19 | 0:02:22 | |
then onwards through the Sunderbands, to the Bay of Bengal. | 0:02:22 | 0:02:26 | |
So, I'm on the Ganges, but don't be, you know, | 0:02:28 | 0:02:30 | |
bamboozled by these soft skies and perfectly still waters. | 0:02:30 | 0:02:34 | |
Less than half a kilometre that way is one of India's biggest, | 0:02:34 | 0:02:38 | |
most vibrant, and fast-expanding cities. | 0:02:38 | 0:02:40 | |
Lying on the southern bank of the Ganges, | 0:02:44 | 0:02:46 | |
Patna is one of the oldest cities in India and was once the centre | 0:02:46 | 0:02:50 | |
of the British Empire's lucrative opium trade. | 0:02:50 | 0:02:52 | |
Now that the Imperial drug lords have left, | 0:02:54 | 0:02:56 | |
Patna produces something far more intoxicating - | 0:02:56 | 0:03:00 | |
education. | 0:03:00 | 0:03:01 | |
Hello. Namaste. | 0:03:03 | 0:03:04 | |
The streets are crammed with schools and colleges, | 0:03:06 | 0:03:09 | |
and bright young things eager to learn. | 0:03:09 | 0:03:11 | |
Oh, that's how a main substation relates to a distribution transformer! | 0:03:22 | 0:03:25 | |
What's even more exciting is that many of these colleges are teaching | 0:03:27 | 0:03:31 | |
young women skills that would have once have been only for the men. | 0:03:31 | 0:03:35 | |
Namaste! Namaste! | 0:03:35 | 0:03:39 | |
-ALL: -Hi! | 0:03:39 | 0:03:40 | |
How are you? | 0:03:40 | 0:03:42 | |
This is the Patna Institute of Technology, | 0:03:42 | 0:03:44 | |
a girls-only college teaching young women to be engineers. | 0:03:44 | 0:03:48 | |
What is happening? | 0:03:48 | 0:03:49 | |
They're running this handle. | 0:03:49 | 0:03:51 | |
Left to right. | 0:03:51 | 0:03:52 | |
Left to right. | 0:03:52 | 0:03:53 | |
OK, this bit I can do. This bit I can do. | 0:03:54 | 0:03:56 | |
These girls have come from all over Bihar to learn the skills | 0:03:57 | 0:04:01 | |
that India's supercharged economy needs to grow. | 0:04:01 | 0:04:04 | |
Today's lesson is filing. | 0:04:04 | 0:04:07 | |
So describe what it's like where you live. | 0:04:07 | 0:04:09 | |
-So a dairy farmer? -Yes. | 0:04:16 | 0:04:18 | |
-So milks...? -Ah, yes, yes. | 0:04:18 | 0:04:20 | |
I'm hoping that's the international sign for... | 0:04:20 | 0:04:22 | |
Yeah, otherwise I'm in real trouble. | 0:04:22 | 0:04:24 | |
Otherwise, that's a major domestic incident here. | 0:04:24 | 0:04:26 | |
Is he very proud that you are in the city | 0:04:26 | 0:04:28 | |
and you are learning how to do metalwork? | 0:04:28 | 0:04:30 | |
-Yes. -So what do you want to be when you have qualified? | 0:04:30 | 0:04:34 | |
Working on big projects? | 0:04:37 | 0:04:39 | |
You want to build a bridge? | 0:04:40 | 0:04:42 | |
What would you like to be when you graduate, | 0:04:42 | 0:04:44 | |
when you complete college? | 0:04:44 | 0:04:45 | |
-Railway driver. -You're going to be a railway driver? | 0:04:45 | 0:04:47 | |
-Yes. -That is everyone's childhood dream - is to be a railway driver. | 0:04:47 | 0:04:51 | |
You could be the first railway driving model. | 0:04:57 | 0:04:59 | |
I can imagine, | 0:04:59 | 0:05:01 | |
you're at the helm of this incredible sleek train, | 0:05:01 | 0:05:04 | |
hair blowing, | 0:05:04 | 0:05:06 | |
fixing some more stuff, "Back off, lads, I know how to do this." | 0:05:06 | 0:05:09 | |
Fixing more stuff, bit of filing, hair's going. | 0:05:09 | 0:05:12 | |
-I have many dreams. I have many dreams. -You really do have many dreams. | 0:05:12 | 0:05:16 | |
But mainly, I choose railway driver because it is | 0:05:16 | 0:05:20 | |
inspiration for other girls. | 0:05:20 | 0:05:22 | |
And why is it important for you to be successful, as a woman? | 0:05:22 | 0:05:25 | |
That's why I choose. | 0:05:35 | 0:05:38 | |
That seems pretty comprehensive. | 0:05:38 | 0:05:40 | |
Pretty cool. And for you, | 0:05:40 | 0:05:42 | |
is it important as a woman to be successful and to have all these skills? | 0:05:42 | 0:05:46 | |
Absolutely. | 0:05:55 | 0:05:56 | |
Why stay at home when you could be | 0:05:57 | 0:05:58 | |
the world's first modelling railway driver?! | 0:05:58 | 0:06:01 | |
Would you like to stay in India, or would you like to travel? | 0:06:01 | 0:06:03 | |
Where in the world would you most like to go? | 0:06:06 | 0:06:09 | |
Switzerland. | 0:06:09 | 0:06:10 | |
-Switzerland. -Switzerland? | 0:06:10 | 0:06:13 | |
Now, I hadn't have thought Switzerland as a holiday destination. | 0:06:14 | 0:06:18 | |
And where would you like to travel to? | 0:06:18 | 0:06:19 | |
-London. -To London? | 0:06:19 | 0:06:21 | |
You close your eyes and you dream of London? | 0:06:27 | 0:06:29 | |
That's weird because most people in London close their eyes and dream of | 0:06:31 | 0:06:34 | |
India. So what does London look like in your dream? | 0:06:34 | 0:06:36 | |
Well, the house prices might come as something of a shock! | 0:06:43 | 0:06:46 | |
Best not mention that. | 0:06:46 | 0:06:47 | |
20 years ago, there were just three of these colleges in Patna. | 0:06:50 | 0:06:54 | |
Now there are 18, with plans for double that in the next five years. | 0:06:54 | 0:06:58 | |
Are you ready for an outing? Yeah? | 0:07:08 | 0:07:10 | |
Do you fancy getting a cup of tea? | 0:07:10 | 0:07:12 | |
I think these girls will reimagine the future of India. | 0:07:12 | 0:07:15 | |
Is it me or do all the men look a bit nervous? | 0:07:16 | 0:07:20 | |
Have you got enough room there? | 0:07:20 | 0:07:22 | |
Is my bottom too big? | 0:07:22 | 0:07:25 | |
SHE BLOWS RASPBERRY | 0:07:25 | 0:07:26 | |
Just let me just... | 0:07:27 | 0:07:28 | |
SHE BLOWS RASPBERRY | 0:07:28 | 0:07:29 | |
..spread out a bit. | 0:07:29 | 0:07:31 | |
College is over for the day, | 0:07:31 | 0:07:33 | |
so the girls take me down to the Ganges for a bite to eat. | 0:07:33 | 0:07:36 | |
So you sit, sit on the beach? | 0:07:36 | 0:07:39 | |
-No. -Oh, what do you do?! | 0:07:39 | 0:07:41 | |
-No, no, no! -Do you come here with boys? | 0:07:41 | 0:07:44 | |
-No! -Yes! She does! | 0:07:44 | 0:07:46 | |
You do! | 0:07:46 | 0:07:48 | |
What do you want? What does everyone have? | 0:07:49 | 0:07:51 | |
Biscuits? | 0:07:54 | 0:07:55 | |
90 rupees? Let me see. If that's the price of fun, | 0:07:55 | 0:07:58 | |
I'm prepared to pay it. | 0:07:58 | 0:07:59 | |
Hello, gorgeous. Hello, gorgeous. | 0:07:59 | 0:08:01 | |
Change is in the air, | 0:08:01 | 0:08:02 | |
these young women dream of professional lives, | 0:08:02 | 0:08:05 | |
building bridges and driving trains all over the world. | 0:08:05 | 0:08:09 | |
But I wonder, will they find men who share those dreams? | 0:08:09 | 0:08:13 | |
So what sort of men would you like to marry? | 0:08:13 | 0:08:15 | |
What is your ideal man? | 0:08:15 | 0:08:16 | |
That's a good man. That's a proper man. | 0:08:40 | 0:08:42 | |
That's a lot of demands she is placing on one human being! | 0:08:46 | 0:08:49 | |
Will you marry for love? | 0:08:50 | 0:08:51 | |
Will that be the main reason you marry? Because you feel love? | 0:08:51 | 0:08:54 | |
-No. -So not for love? So, what? | 0:08:56 | 0:08:58 | |
Because it's a good match, is that why? | 0:08:58 | 0:09:00 | |
-You'll get married because they are a professional person and it's a good match? -Yes. | 0:09:00 | 0:09:03 | |
Yeah. | 0:09:03 | 0:09:05 | |
So your parents won't put you into a good match, | 0:09:05 | 0:09:08 | |
you'll put yourselves into a good match? | 0:09:08 | 0:09:10 | |
-So your parents will decide? -Yeah. | 0:09:12 | 0:09:15 | |
-Still? -Yeah. | 0:09:15 | 0:09:16 | |
So even, you have your education, you go and live in the city, | 0:09:18 | 0:09:22 | |
after all that, your parents will decide who you marry? | 0:09:22 | 0:09:25 | |
What if you don't like him? | 0:09:37 | 0:09:38 | |
It's just a bit... | 0:09:45 | 0:09:46 | |
The new India only goes so far. | 0:09:47 | 0:09:49 | |
They are free to choose careers, | 0:09:50 | 0:09:52 | |
but their parents will still choose their husbands. | 0:09:52 | 0:09:55 | |
What are you even...? How do you even...? How do you even...? | 0:09:55 | 0:09:58 | |
What is that?! | 0:09:58 | 0:10:00 | |
I've hung out with you all afternoon | 0:10:00 | 0:10:02 | |
and now she breaks that out! What? | 0:10:02 | 0:10:03 | |
I call this the hungry tortoise. | 0:10:09 | 0:10:11 | |
Very good? | 0:10:11 | 0:10:12 | |
-ALL: -Yes! | 0:10:12 | 0:10:13 | |
I've had such a wonderful afternoon. | 0:10:17 | 0:10:19 | |
The great thing about... I say kids, they look like children, of course, | 0:10:19 | 0:10:22 | |
they are young adults. Some of them are, sort of, 21 years old...is... | 0:10:22 | 0:10:27 | |
I'm sort of more playful than they are. | 0:10:27 | 0:10:29 | |
They haven't got time to, you know, | 0:10:29 | 0:10:30 | |
roll around in the sand and make fart jokes, | 0:10:30 | 0:10:33 | |
and eat ice cream until their bellies swell. | 0:10:33 | 0:10:35 | |
Come on, come on, come on then. | 0:10:35 | 0:10:37 | |
You want to see how India has changed, in just a generation, | 0:10:37 | 0:10:42 | |
then you just don't need to look any farther than those young girls, really, | 0:10:42 | 0:10:45 | |
because, in the space of ten, 20 years, | 0:10:45 | 0:10:49 | |
they've gone from being pretty much chained to the home, | 0:10:49 | 0:10:53 | |
and domestic duties, | 0:10:53 | 0:10:54 | |
to being able to travel around the world with a set of skills, that, | 0:10:54 | 0:10:57 | |
quite frankly, I'm envious of. | 0:10:57 | 0:10:59 | |
I can't even file, for goodness' sake! | 0:10:59 | 0:11:02 | |
Jump now! | 0:11:02 | 0:11:03 | |
Jump now! Ahh! | 0:11:03 | 0:11:04 | |
I'm leaving the smoggy streets of Patna behind and heading out into | 0:11:09 | 0:11:13 | |
the countryside, where millions of small farms | 0:11:13 | 0:11:15 | |
are watered by the Ganges and her tributaries. | 0:11:15 | 0:11:18 | |
India is a nation of independent farmers | 0:11:20 | 0:11:22 | |
and Bihar state is one of its most productive regions. | 0:11:22 | 0:11:26 | |
But in recent years, the industry has struggled, as incomes fall | 0:11:27 | 0:11:31 | |
and people leave the land for new lives in the cities. | 0:11:31 | 0:11:34 | |
So I'm somewhat going against the flow of traffic. | 0:11:37 | 0:11:40 | |
Whereas everyone is trying to leave the agricultural heartlands | 0:11:40 | 0:11:44 | |
of Bihar and move to the city, | 0:11:44 | 0:11:46 | |
I'm heading into the rice paddies and the agrarian heartland. | 0:11:46 | 0:11:51 | |
I'm off to meet an extremely sexy farmer called Mr Kumar, | 0:11:52 | 0:11:56 | |
sexy because he, for some time, | 0:11:56 | 0:11:58 | |
held the enviable title of the man who grows more potatoes | 0:11:58 | 0:12:01 | |
per hectare than anyone else in the world. | 0:12:01 | 0:12:04 | |
Yes, ladies, prepare to be amazed. | 0:12:04 | 0:12:06 | |
In a country with over a billion mouths to feed, | 0:12:09 | 0:12:12 | |
farming is hugely important. | 0:12:12 | 0:12:15 | |
So when a group of humble farmers from one village in rural Bihar | 0:12:15 | 0:12:19 | |
smashed world records for growing crops, | 0:12:19 | 0:12:22 | |
it was headline news all over India. | 0:12:22 | 0:12:25 | |
Welcome to Darveshpura, also known as the miracle village. | 0:12:25 | 0:12:29 | |
So this is the bustling heart of Darveshpura. | 0:12:29 | 0:12:33 | |
And I'm here to meet the big one, the prince of potatoes. | 0:12:34 | 0:12:37 | |
Titan of tubers. | 0:12:39 | 0:12:40 | |
The Masher-Raja. | 0:12:43 | 0:12:44 | |
COW MOOS Hello. | 0:12:44 | 0:12:46 | |
Namaste, Mr Kumar. | 0:12:49 | 0:12:50 | |
Namaste. | 0:12:50 | 0:12:51 | |
How are you? Nice to see you. | 0:12:51 | 0:12:54 | |
Now, much as I'd love to chat, | 0:12:54 | 0:12:56 | |
there's a whole field of potatoes that I'm desperate to see. | 0:12:56 | 0:12:59 | |
-Will you take me? -Yes. | 0:12:59 | 0:13:00 | |
After you, you show the way. | 0:13:01 | 0:13:03 | |
Thank you. | 0:13:03 | 0:13:04 | |
Oh, I can breathe, Mr Kumar. | 0:13:07 | 0:13:09 | |
The country air. | 0:13:09 | 0:13:11 | |
Very proud, upright stance, Mr Kumar. | 0:13:12 | 0:13:15 | |
A sort of thousand-yard stare. | 0:13:16 | 0:13:18 | |
You sense he could sense potato blight from 20km away. | 0:13:18 | 0:13:21 | |
As a young man, Mr Kumar left the farm | 0:13:23 | 0:13:26 | |
to seek his fortune in the big city. | 0:13:26 | 0:13:29 | |
But he hated the crowds, | 0:13:29 | 0:13:31 | |
so he came home and enrolled on a new farming course, | 0:13:31 | 0:13:35 | |
replacing expensive chemicals with lots of muck and hard work. | 0:13:35 | 0:13:39 | |
-This is yours? -Yes. | 0:13:41 | 0:13:42 | |
-Oh! -Yes. -Here are all your babies. | 0:13:42 | 0:13:45 | |
They look good. Don't tell anyone, | 0:13:45 | 0:13:48 | |
but I think your potatoes are way better than their potatoes. | 0:13:48 | 0:13:50 | |
Unless that's your field, in which case, they're all amazing potatoes. | 0:13:50 | 0:13:54 | |
So this is the field that created the biggest yield of potatoes in India? | 0:13:54 | 0:13:59 | |
Yes. | 0:13:59 | 0:14:00 | |
Mr Kumar grew a mountain of spuds, | 0:14:10 | 0:14:12 | |
nearly doubling the existing world-record. | 0:14:12 | 0:14:15 | |
So you try to keep it natural and organic, | 0:14:16 | 0:14:18 | |
which is quite different from lots of other farms across India, | 0:14:18 | 0:14:21 | |
where there is a very heavy use of pesticides. | 0:14:21 | 0:14:24 | |
So these look ready to harvest. | 0:14:31 | 0:14:33 | |
They are majestic potatoes. | 0:14:36 | 0:14:38 | |
Look at that! | 0:14:38 | 0:14:39 | |
I could never hope to grow anything as wonderful as that. | 0:14:39 | 0:14:42 | |
The fertile waters of the Ganges make Bihar | 0:14:42 | 0:14:45 | |
one of the most productive regions in India, | 0:14:45 | 0:14:48 | |
but Mr Kumar struggles to find young men willing to work on his land. | 0:14:48 | 0:14:52 | |
So that's interesting, so you can't get the labour, | 0:14:57 | 0:14:59 | |
so for the first time you've had to rely on machine tools to do the work? | 0:14:59 | 0:15:02 | |
Sensing an opportunity for some easy money, | 0:15:24 | 0:15:26 | |
I offer to help Mr Kumar with his manpower problem. | 0:15:26 | 0:15:29 | |
Yeah, got you. | 0:15:32 | 0:15:34 | |
That bit I've got, it's the getting down. | 0:15:34 | 0:15:37 | |
It's the getting down there. | 0:15:37 | 0:15:38 | |
That's a very intense on the hamstrings, it really is! | 0:15:38 | 0:15:42 | |
Yes, there's a burn, isn't there? Do you feel that? | 0:15:43 | 0:15:46 | |
Oh! | 0:15:46 | 0:15:49 | |
As it stands, Mr Kumar, | 0:15:49 | 0:15:50 | |
would you be employing me to work in your potato fields? | 0:15:50 | 0:15:53 | |
That laughter's mocking. That's the international language of mockery. | 0:15:55 | 0:15:59 | |
Mr Kumar's tubers made him a minor celeb. | 0:16:00 | 0:16:04 | |
He became the pin-up boy for traditional farming. | 0:16:04 | 0:16:07 | |
He gave hope to India's army of small farmers | 0:16:07 | 0:16:10 | |
struggling to survive in the new industrialised economy. | 0:16:10 | 0:16:14 | |
So how has winning all these prizes changed your life? | 0:16:14 | 0:16:16 | |
Or HAS it changed your life? | 0:16:16 | 0:16:18 | |
Gentlemen, your silent scrutiny has been thrilling. | 0:16:35 | 0:16:38 | |
Thrilling! Keep it up. | 0:16:38 | 0:16:40 | |
Come on, let's move. | 0:16:40 | 0:16:41 | |
It may seem like...ahem, small potatoes, | 0:16:44 | 0:16:47 | |
but what Mr Kumar has achieved makes the difference between feeding | 0:16:47 | 0:16:50 | |
your family or moving to the city to find work. | 0:16:50 | 0:16:53 | |
With India projected to have the world's biggest population by 2022, | 0:16:55 | 0:16:59 | |
1.4 billion people, | 0:16:59 | 0:17:02 | |
I think it's going to need all the Mr Kumars it can get. | 0:17:02 | 0:17:05 | |
South of Patna, the Ganges splits in two. | 0:17:09 | 0:17:12 | |
Part of the river flows on through Bangladesh to the sea, | 0:17:12 | 0:17:16 | |
but I'm going to follow the Indian branch, called the Hooghly, | 0:17:16 | 0:17:19 | |
onwards to the great city of Kolkata. | 0:17:19 | 0:17:22 | |
It was once the greatest city in the Orient, | 0:17:26 | 0:17:28 | |
home to the mighty East India Company | 0:17:28 | 0:17:31 | |
and jewel in the crown of the British Empire. | 0:17:31 | 0:17:33 | |
Now it's a sprawling mega-city. | 0:17:34 | 0:17:37 | |
This is my second visit to the city | 0:17:42 | 0:17:44 | |
and it's surprisingly good to be back. | 0:17:44 | 0:17:46 | |
I don't know whether it is time or amnesia, | 0:17:48 | 0:17:50 | |
but I find myself really loving Kolkata. | 0:17:50 | 0:17:51 | |
Maybe I had that feeling the first time around, | 0:17:51 | 0:17:53 | |
but I sort of feel a little bit more inured to the noise, | 0:17:53 | 0:17:56 | |
and the heat, and the smell, and the madness, | 0:17:56 | 0:17:59 | |
and it feels much more familiar | 0:17:59 | 0:18:00 | |
and much more like a place where you want to spend time, | 0:18:00 | 0:18:03 | |
as opposed to a place which is just terrifying in all of its extremes. | 0:18:03 | 0:18:07 | |
I came to Kolkata two years ago to film a documentary about the city... | 0:18:10 | 0:18:13 | |
..and one night, I met a little girl who completely captured my heart. | 0:18:16 | 0:18:20 | |
One of the highlights of my last trip was meeting Geeta | 0:18:20 | 0:18:24 | |
from the Hope foundation and some of the street kids of Kolkata. | 0:18:24 | 0:18:27 | |
But one in particular, really stayed with me, | 0:18:27 | 0:18:30 | |
the rather naughty nine-year-old Rakhi, | 0:18:30 | 0:18:32 | |
so I really wanted to, this time around, catch up with her, see how, | 0:18:32 | 0:18:36 | |
if, her life has actually changed in the intervening time. | 0:18:36 | 0:18:40 | |
I joined a patrol with a charity called the Hope Foundation, | 0:18:42 | 0:18:46 | |
which helps homeless kids have a chance in life. | 0:18:46 | 0:18:48 | |
When you finish school, what would you like to be when you are grown up? | 0:18:51 | 0:18:54 | |
Rakhi was living on the streets, with her father, brother and sister. | 0:18:57 | 0:19:00 | |
Their mother had died. | 0:19:00 | 0:19:02 | |
What a way to make somebody proud. | 0:19:02 | 0:19:05 | |
You're going to be a brilliant doctor? | 0:19:05 | 0:19:07 | |
Yeah? Will you be the best doctor in all of India? | 0:19:07 | 0:19:10 | |
Everybody will know. | 0:19:10 | 0:19:12 | |
Yeah? | 0:19:13 | 0:19:14 | |
I will come back to see you and I'll say, "Where's she gone?" | 0:19:16 | 0:19:19 | |
And you'll say, "I don't have time to see Auntie Sue | 0:19:19 | 0:19:21 | |
"because I'm too busy being a great doctor." | 0:19:21 | 0:19:24 | |
No, no. | 0:19:24 | 0:19:26 | |
She will give time. | 0:19:26 | 0:19:27 | |
Now I'm back at the Hope Foundation to meet Geeta again. | 0:19:30 | 0:19:33 | |
Hi! | 0:19:33 | 0:19:35 | |
Whom are you going to hug? | 0:19:37 | 0:19:40 | |
This is Rakhi, all grown up, and this is her | 0:19:41 | 0:19:44 | |
older sister Rekha. | 0:19:44 | 0:19:45 | |
I've not seen you for ages. | 0:19:45 | 0:19:48 | |
-You remember? -Yes. -You remember? | 0:19:48 | 0:19:51 | |
Where do you want to sit? Where do you want to sit? Where is good? | 0:19:51 | 0:19:54 | |
Let's sit here. | 0:19:54 | 0:19:56 | |
Rakhi is now in school, | 0:19:56 | 0:19:58 | |
her fees paid thanks to a donation from a Bengali family | 0:19:58 | 0:20:01 | |
living in the UK. | 0:20:01 | 0:20:02 | |
So, you go to school every day? | 0:20:03 | 0:20:05 | |
-Yes. -Every day? | 0:20:05 | 0:20:07 | |
No. | 0:20:07 | 0:20:08 | |
-Today absent. -Saturday, Sunday. | 0:20:08 | 0:20:11 | |
That's all right, you're allowed... You have to have some time off. | 0:20:11 | 0:20:14 | |
That would be insane. So where do you sleep at night? | 0:20:14 | 0:20:16 | |
Where do you go at night? | 0:20:16 | 0:20:18 | |
On the footpath. | 0:20:21 | 0:20:23 | |
-On the footpath? -Yes. | 0:20:23 | 0:20:24 | |
And where do you sleep at night, Rakhi? | 0:20:24 | 0:20:26 | |
Remember I saw you on the streets before? | 0:20:26 | 0:20:28 | |
Do you still sleep there? | 0:20:28 | 0:20:29 | |
-Footpath. -Footpath. | 0:20:32 | 0:20:33 | |
THEY SPEAK OWN LANGUAGE | 0:20:33 | 0:20:35 | |
But it feels that something's not quite right. | 0:20:47 | 0:20:49 | |
Rakhi's not the same engaged little girl she was last time I saw her. | 0:20:51 | 0:20:55 | |
She seems subdued, distracted. | 0:20:55 | 0:20:58 | |
I've seen how tough life on the streets can be, | 0:20:59 | 0:21:02 | |
so I ask Geeta what's going on. | 0:21:02 | 0:21:04 | |
So...Geeta, it doesn't take a genius to work out | 0:21:05 | 0:21:08 | |
that Rakhi is a very different kid... | 0:21:08 | 0:21:11 | |
-Yeah. -A very different kid from the one I met two years ago. | 0:21:11 | 0:21:15 | |
And I'm not an expert, but her body language, she's very nervous. | 0:21:15 | 0:21:18 | |
She's agitated by things around her. She's easily distracted. | 0:21:18 | 0:21:21 | |
-She keeps looking behind, to see if anyone is behind. -Hmm. | 0:21:21 | 0:21:24 | |
Can you fill me in as to why that might be? | 0:21:26 | 0:21:28 | |
There are some constant boys, | 0:21:28 | 0:21:30 | |
you know, who are calling her at night, | 0:21:30 | 0:21:33 | |
to come with her, and that scared her. | 0:21:33 | 0:21:36 | |
She has now come to know that she has to protect her body. | 0:21:36 | 0:21:40 | |
-Yeah... -But reality has started hitting her heart, | 0:21:40 | 0:21:44 | |
so that is reflected in her face. | 0:21:44 | 0:21:47 | |
I could tell from the way she is, particularly around men. | 0:21:47 | 0:21:49 | |
When she came into the computer room, very stressed and suspicious | 0:21:49 | 0:21:54 | |
and incredibly vulnerable, | 0:21:54 | 0:21:56 | |
and I think that's really hit me and really upset me, obviously, | 0:21:56 | 0:21:59 | |
-because... -Yeah, it is true. -Because I'm an idiot, | 0:21:59 | 0:22:02 | |
and because I only get the context for a second and I leave. | 0:22:02 | 0:22:05 | |
And that snapshot stays with me and, of course, things change. | 0:22:05 | 0:22:07 | |
You can't live, as you say, you can't live on the street. | 0:22:07 | 0:22:11 | |
Your older sister is good, yes? | 0:22:11 | 0:22:13 | |
She takes care of you? | 0:22:13 | 0:22:14 | |
Yes...! | 0:22:18 | 0:22:21 | |
Do you think anybody can take care of you, Rakhi? | 0:22:21 | 0:22:24 | |
Geeta tells me the girls could have a place in a boarding school, | 0:22:29 | 0:22:32 | |
but Rakhi is scared and doesn't want to leave her father. | 0:22:32 | 0:22:35 | |
That's scary. | 0:22:40 | 0:22:41 | |
That's a scary thing. | 0:22:42 | 0:22:43 | |
So now you think that all boarding schools will have ghosts? | 0:22:44 | 0:22:49 | |
-Yes. -Yes. -Yeah? | 0:22:49 | 0:22:51 | |
I think in my head I had a | 0:22:57 | 0:22:59 | |
very defined idea of how seeing Rakhi again would be. | 0:22:59 | 0:23:02 | |
I thought that I would run up to her and this bubbly, sparkling, | 0:23:02 | 0:23:08 | |
sort of, effervescent little human that I met would just | 0:23:08 | 0:23:13 | |
rush to greet me. | 0:23:13 | 0:23:14 | |
I think I had no real understanding of the complexities of Rakhi's life | 0:23:14 | 0:23:18 | |
and the reason that she didn't go to school wasn't actually because the | 0:23:18 | 0:23:22 | |
opportunities weren't there. | 0:23:22 | 0:23:24 | |
She didn't go to school because she didn't want to leave her dad. | 0:23:24 | 0:23:27 | |
Her dad who, you know, | 0:23:27 | 0:23:28 | |
was widowed and earning what he could by selling utensils, | 0:23:28 | 0:23:33 | |
and who has focused his entire life on bringing up his family. | 0:23:33 | 0:23:37 | |
It's such a hard decision for those kids - do we go to boarding school? | 0:23:37 | 0:23:40 | |
Do we get to become doctors and teachers? When, actually, | 0:23:40 | 0:23:44 | |
really all we want to do is be around our only surviving parent, | 0:23:44 | 0:23:48 | |
and to give them something of what they've given us. | 0:23:48 | 0:23:51 | |
And I'm just such an idiot because... | 0:23:51 | 0:23:53 | |
..fun doesn't exist on the streets when you're an adolescent kid. | 0:23:54 | 0:23:58 | |
Danger does. And, as Geeta said, that child that I met doesn't... | 0:23:58 | 0:24:03 | |
..doesn't exist any more, and that's... | 0:24:04 | 0:24:07 | |
very, you know, very hard to think about that life. | 0:24:07 | 0:24:11 | |
But these are useless. You have to not be upset. | 0:24:13 | 0:24:16 | |
You have to do. So Geeta is the person to do | 0:24:16 | 0:24:18 | |
and she is the person that... | 0:24:18 | 0:24:20 | |
..I'll talk to about... | 0:24:21 | 0:24:22 | |
..trying to make a difference. | 0:24:24 | 0:24:25 | |
Can I come and see you again? | 0:24:27 | 0:24:29 | |
Can I come and see you again? | 0:24:29 | 0:24:30 | |
-OK. -Yeah? | 0:24:30 | 0:24:32 | |
-When you're a bit taller? -Yes. | 0:24:32 | 0:24:35 | |
When you're in school, whichever school you choose. | 0:24:35 | 0:24:38 | |
Yeah? I will come and see you. | 0:24:38 | 0:24:40 | |
All right? Deal? | 0:24:40 | 0:24:42 | |
All right. I will think of you. | 0:24:45 | 0:24:47 | |
And I want you to be safe, and I trust that Geeta will help, | 0:24:48 | 0:24:52 | |
and your dad will help you make the good decisions. | 0:24:52 | 0:24:54 | |
Bye-bye. | 0:24:57 | 0:24:59 | |
Life in the city can be cruel | 0:25:06 | 0:25:08 | |
and yet all the locals call Kolkata the City Of Joy. | 0:25:08 | 0:25:11 | |
All life is here, crammed into its teeming streets. | 0:25:13 | 0:25:17 | |
It's a tolerant, extrovert, exuberant city, | 0:25:17 | 0:25:20 | |
on the banks of the mighty Ganges. | 0:25:20 | 0:25:23 | |
And I'm on my way to meet one of its most extraordinary communities. | 0:25:24 | 0:25:29 | |
In the UK, if you have a baby shower, then I guess you invite family, | 0:25:29 | 0:25:33 | |
great aunties, a couple of grandmas. | 0:25:33 | 0:25:35 | |
This is India and things are just a little bit more colourful. | 0:25:35 | 0:25:39 | |
So here, top of your invite list would be the Hijra, | 0:25:39 | 0:25:42 | |
part of the country's transgender community. | 0:25:42 | 0:25:44 | |
I think this is one blessing that I'm going to really enjoy. | 0:25:44 | 0:25:48 | |
Namaste! Namaste! | 0:25:48 | 0:25:50 | |
Namaste! Hello. | 0:25:50 | 0:25:51 | |
Nice to see you. Are you Aparna? | 0:25:51 | 0:25:53 | |
-Yeah. -I'm Sue. It's really nice to meet you. | 0:25:53 | 0:25:55 | |
This is Aparna Banerjee and her merry band of Hijra. | 0:25:55 | 0:25:58 | |
Now, what's going on up there? | 0:25:58 | 0:26:00 | |
There's a lot of looking up here. | 0:26:00 | 0:26:02 | |
There's a baby, a newborn, | 0:26:02 | 0:26:03 | |
so we are going to give blessings. | 0:26:03 | 0:26:05 | |
And, as usual, the traditional badhai. | 0:26:05 | 0:26:09 | |
So we are going to dance, we're going to sing, | 0:26:09 | 0:26:11 | |
we are going to have a chat. You can come down. | 0:26:11 | 0:26:13 | |
I would love to. | 0:26:13 | 0:26:14 | |
Oh, I have lucked out. | 0:26:14 | 0:26:16 | |
The Hijra tradition goes back thousands of years to the palaces | 0:26:16 | 0:26:19 | |
of the great maharajas. | 0:26:19 | 0:26:22 | |
They're sort of Bengali transgender fairy godmothers, | 0:26:22 | 0:26:25 | |
if you can imagine such a thing. | 0:26:25 | 0:26:27 | |
They go to christenings and weddings, | 0:26:27 | 0:26:29 | |
and dispense blessings for cash. | 0:26:29 | 0:26:30 | |
Already, this beats a dry bit of Victoria sponge | 0:26:32 | 0:26:35 | |
and having to chat to your Auntie Mabel. | 0:26:35 | 0:26:37 | |
Namaste. | 0:26:37 | 0:26:39 | |
Are you Mr Roy? Namaste. | 0:26:39 | 0:26:41 | |
Thank you so much. Mr and Mrs Roy have invited the Hijra | 0:26:41 | 0:26:44 | |
in to bless their newborn baby. | 0:26:44 | 0:26:46 | |
All my family. | 0:26:46 | 0:26:47 | |
-Where is the baby? -Come here. | 0:26:47 | 0:26:49 | |
I was going to say, is she sleeping? Not for long! | 0:26:49 | 0:26:52 | |
-Here is... -Aw! | 0:26:52 | 0:26:55 | |
-She's a girl. -How old is she? | 0:26:55 | 0:26:57 | |
Six days only. | 0:26:57 | 0:26:58 | |
I'm terribly sorry, I've given her a really bad sort of side parting for her blessing! | 0:27:00 | 0:27:03 | |
She's so beautiful. | 0:27:05 | 0:27:06 | |
She is the grandmother, OK? | 0:27:07 | 0:27:09 | |
-She is the grandmother. -A very proud grandmother. | 0:27:09 | 0:27:11 | |
DRUMS BANG | 0:27:11 | 0:27:13 | |
HIJRA SING | 0:27:13 | 0:27:16 | |
All christenings should be like this. | 0:27:25 | 0:27:26 | |
I'm loving the end of that. | 0:27:29 | 0:27:31 | |
Loving that. | 0:27:31 | 0:27:32 | |
Congratulations. | 0:27:34 | 0:27:36 | |
Thank you. | 0:27:36 | 0:27:38 | |
Can I hold her? Is that OK? | 0:27:38 | 0:27:40 | |
I'm in love. | 0:27:40 | 0:27:41 | |
Although I'm slightly worried that this baby might have hearing issues | 0:27:43 | 0:27:46 | |
because any other child would have woken up to this din. | 0:27:46 | 0:27:49 | |
She's going to wake up in about three hours thinking, | 0:27:53 | 0:27:56 | |
"I had the weirdest dream." | 0:27:56 | 0:27:57 | |
Wow. | 0:28:01 | 0:28:02 | |
What she said! | 0:28:12 | 0:28:13 | |
The blessing cost 51,000 rupees, that's about 600 quid. | 0:28:14 | 0:28:19 | |
For a lifetime of prosperity with all the singing and dancing | 0:28:19 | 0:28:23 | |
thrown in, I think it's money pretty well spent. | 0:28:23 | 0:28:26 | |
This is the blessings they are doing, they are giving us. | 0:28:26 | 0:28:30 | |
The Ganges is never far away from life's most important moments. | 0:28:54 | 0:29:00 | |
It's like a cross between a, sort of, gate-crashing and a party, | 0:29:01 | 0:29:06 | |
a spiritual event | 0:29:06 | 0:29:08 | |
and a business transaction. | 0:29:08 | 0:29:10 | |
It's really fascinating. | 0:29:10 | 0:29:12 | |
People believe that welcoming a new baby by us... | 0:29:12 | 0:29:15 | |
..is very meaningful for their future life, | 0:29:16 | 0:29:19 | |
for their career, for their ambitions, | 0:29:19 | 0:29:22 | |
and for their life prospects to live with. | 0:29:22 | 0:29:25 | |
And do you believe that? Do you believe when you are come | 0:29:25 | 0:29:28 | |
-you are giving the baby a special energy? -I believe that. | 0:29:28 | 0:29:31 | |
Aparna is 35. She was born a boy to a good family in Kolkata. | 0:29:32 | 0:29:37 | |
Like many of the Hijra, she no longer has contact with her parents. | 0:29:37 | 0:29:41 | |
We really don't have anyone of our family to bless. | 0:29:43 | 0:29:46 | |
So none of you have family that you still see | 0:29:46 | 0:29:48 | |
because they have rejected you or...? | 0:29:48 | 0:29:50 | |
So these are our family. | 0:29:50 | 0:29:51 | |
-I understand. -So our blessings really works. | 0:29:51 | 0:29:55 | |
So all your heart and your soul that would go into telling your | 0:29:55 | 0:29:58 | |
family that you love them | 0:29:58 | 0:29:59 | |
go to a stranger's child, or to a new wedding. | 0:29:59 | 0:30:01 | |
Yeah, this is a spiritual kind of a thing, | 0:30:01 | 0:30:04 | |
kind of a belief, and if I think economically, | 0:30:04 | 0:30:07 | |
this is our only source of income. | 0:30:07 | 0:30:08 | |
So if a baby survives well... | 0:30:08 | 0:30:10 | |
..that's actually a repute to my own custom, tradition... | 0:30:11 | 0:30:15 | |
I guess. And they'll pass the word on, saying, "Our baby is thriving. | 0:30:15 | 0:30:20 | |
"You need to get the Hijra to come." | 0:30:20 | 0:30:21 | |
-It's good business. -No, we keep on coming, actually. | 0:30:21 | 0:30:24 | |
We keep on, we have a follow-up system, actually. | 0:30:24 | 0:30:27 | |
Do you? How often do you turn up now? | 0:30:27 | 0:30:29 | |
You keep an eye on the baby? | 0:30:29 | 0:30:30 | |
Come on, baby. Flourish! | 0:30:30 | 0:30:33 | |
Every time you come, do they have to pay? | 0:30:33 | 0:30:35 | |
But, you're right, it's one of the best ways to earn money. | 0:30:37 | 0:30:39 | |
Imagine earning money from giving blessings and joy. | 0:30:39 | 0:30:41 | |
You brought a lot of joy. | 0:30:41 | 0:30:43 | |
This baby is the best behaved baby in the whole of India. | 0:30:43 | 0:30:46 | |
Thank you, thank you very much. | 0:30:46 | 0:30:48 | |
She is the calmest... Look at the little... | 0:30:48 | 0:30:51 | |
Little first going, "Please make the tambourine stop." | 0:30:51 | 0:30:54 | |
Look at her. | 0:30:54 | 0:30:55 | |
Very proud. Nice to see you, sir. | 0:30:56 | 0:30:58 | |
Namaste. | 0:31:00 | 0:31:01 | |
Thank you. Thank you. | 0:31:03 | 0:31:04 | |
Top Gun, very good, I'm loving it. | 0:31:09 | 0:31:11 | |
Loving it. | 0:31:11 | 0:31:13 | |
He's the Tom Cruise of Kolkata. | 0:31:13 | 0:31:15 | |
Tom Cruise! Tom Cruise! | 0:31:15 | 0:31:17 | |
Thank you. Thank you, nice to see you. | 0:31:18 | 0:31:21 | |
Mwah, mwah, mwah! | 0:31:21 | 0:31:22 | |
SHE PURRS | 0:31:22 | 0:31:23 | |
Stay hot. | 0:31:25 | 0:31:27 | |
Chai? I think we're having tea. Chai? Why not? | 0:31:29 | 0:31:32 | |
Do you want tea? | 0:31:32 | 0:31:34 | |
-Do you want tea? -I don't like tea. | 0:31:34 | 0:31:36 | |
You don't like tea?! | 0:31:36 | 0:31:37 | |
You're Kolkatan and you don't like tea? | 0:31:37 | 0:31:39 | |
This is terrible. | 0:31:39 | 0:31:41 | |
-Cheers. -Cheers to the tea. -Cheers to the tea. | 0:31:41 | 0:31:45 | |
Another great blessing. | 0:31:45 | 0:31:47 | |
I don't think it's going to take too long to play a game | 0:31:49 | 0:31:51 | |
of which house is the Hijra house. | 0:31:51 | 0:31:53 | |
Is it this custard one, the yellow one? | 0:31:53 | 0:31:55 | |
-Yeah. -You see? First time. | 0:31:55 | 0:31:57 | |
The Hijra all live together in a big yellow house in the west of Kolkata, | 0:31:57 | 0:32:01 | |
about 40 of them in all. | 0:32:01 | 0:32:03 | |
Their temple is a vision in gold. | 0:32:04 | 0:32:06 | |
Oh, my word. | 0:32:06 | 0:32:09 | |
This is Trumpian in its blingtasticness. | 0:32:09 | 0:32:12 | |
This is amazing. | 0:32:12 | 0:32:13 | |
This is our room where we actually pay offering in the morning, every day. | 0:32:13 | 0:32:17 | |
So after that we can move to our own house, wherefrom we start, we work, | 0:32:17 | 0:32:22 | |
we gather together, and we have fun. | 0:32:22 | 0:32:24 | |
So we can move there. Please come. | 0:32:24 | 0:32:27 | |
I wasn't expecting it to be so metallic. | 0:32:27 | 0:32:30 | |
The Hijra have a complex place in Indian society. | 0:32:30 | 0:32:33 | |
Beautiful! | 0:32:33 | 0:32:34 | |
In ancient times, they were revered in royal palaces as magical beings. | 0:32:34 | 0:32:38 | |
Then, inevitably, under the British, they were criminalised. | 0:32:38 | 0:32:42 | |
-Namaste. -Finally, in 2014, | 0:32:43 | 0:32:46 | |
the courts gave them legal status as a third gender, | 0:32:46 | 0:32:49 | |
offering them protection under the law. | 0:32:49 | 0:32:51 | |
Namaste! Namaste. | 0:32:51 | 0:32:53 | |
Now some people accept them, but many still despise and fear them. | 0:32:53 | 0:32:57 | |
She is my guru. She is my guru, she is also my guru. | 0:32:57 | 0:33:02 | |
You're surrounded by gurus. | 0:33:02 | 0:33:03 | |
Look at all this. Granny guru, guru, guru. | 0:33:03 | 0:33:06 | |
The gurus, or older Hijra, are the heads of the house. | 0:33:07 | 0:33:11 | |
It works a little bit like a co-operative, | 0:33:11 | 0:33:13 | |
with the younger Hijra paying their gurus for guidance. | 0:33:13 | 0:33:17 | |
Communities like this are a place of safety. | 0:33:17 | 0:33:20 | |
Being a transgender, being a Hijra by profession, | 0:33:20 | 0:33:23 | |
being an activist in this community, | 0:33:23 | 0:33:25 | |
I found this is the only place | 0:33:25 | 0:33:28 | |
where I actually get the oxygen to survive. | 0:33:28 | 0:33:32 | |
People don't discriminate. | 0:33:32 | 0:33:33 | |
People tell me every day, "Oh, you are looking awesome." | 0:33:34 | 0:33:39 | |
So, this compliment is something which I need every day to breathe. | 0:33:39 | 0:33:44 | |
-I understand. -To dream for tomorrow. | 0:33:44 | 0:33:47 | |
This is something... This compliment. | 0:33:47 | 0:33:49 | |
But in public places, from the mainstream society, | 0:33:49 | 0:33:53 | |
we always get discriminative words, slang, abusive languages, | 0:33:53 | 0:34:00 | |
so if we just keep on pondering on those words, | 0:34:00 | 0:34:03 | |
we're just going to die. | 0:34:03 | 0:34:05 | |
You have created a family here, | 0:34:05 | 0:34:08 | |
you know, because some of you have lost your biological family. | 0:34:08 | 0:34:11 | |
You've managed to create something really wonderful, which is tolerant, | 0:34:11 | 0:34:14 | |
and open, that accepts everybody without labels, | 0:34:14 | 0:34:17 | |
without religious labels, | 0:34:17 | 0:34:18 | |
without sexual labels... | 0:34:18 | 0:34:20 | |
It's a perfect commune, as far as I can see. | 0:34:22 | 0:34:25 | |
Definitely. | 0:34:25 | 0:34:26 | |
THEY SING | 0:34:26 | 0:34:29 | |
DRUMS BANG | 0:34:29 | 0:34:31 | |
To welcome me to this extraordinary family, | 0:34:35 | 0:34:38 | |
we break out the dressing up box. | 0:34:38 | 0:34:40 | |
I'll get you a sari. | 0:34:40 | 0:34:43 | |
-Is it sari time? -Yeah! It's sari time! | 0:34:43 | 0:34:46 | |
Sari time, OK. | 0:34:46 | 0:34:48 | |
Oh, yes. | 0:34:58 | 0:34:59 | |
This is one of the most joyful, beautiful, | 0:35:06 | 0:35:09 | |
heartbreaking communities I've ever visited. | 0:35:09 | 0:35:12 | |
I love the Hijra, | 0:35:12 | 0:35:13 | |
but I can't help but feel that all the dancing | 0:35:13 | 0:35:16 | |
and singing and glamour are there to mask the sadness of being rejected | 0:35:16 | 0:35:20 | |
by their families and their loved ones. | 0:35:20 | 0:35:22 | |
All I can say is, it's their loss. | 0:35:22 | 0:35:25 | |
I'd love to have these girls in my family any day of the week. | 0:35:25 | 0:35:28 | |
THEY CHANT | 0:35:28 | 0:35:30 | |
I hope you enjoyed, had fun. | 0:35:32 | 0:35:34 | |
You know I did. | 0:35:34 | 0:35:36 | |
You know I did, so much. | 0:35:36 | 0:35:38 | |
Thank you so much for everything. | 0:35:38 | 0:35:40 | |
I'm not a member of Hijra, so I can give no blessings other than | 0:35:41 | 0:35:44 | |
thank you, thank you. You are all marvellous. | 0:35:44 | 0:35:46 | |
This is much more valuable than any other blessings. | 0:35:46 | 0:35:49 | |
Bless you. Good luck. | 0:35:49 | 0:35:51 | |
Thank you. | 0:35:51 | 0:35:52 | |
I still can't get over the fact that someone is called Julie Walters here. | 0:35:52 | 0:35:55 | |
You're called Julie Walters? | 0:35:55 | 0:35:56 | |
HORN BEEPS | 0:36:01 | 0:36:03 | |
I'm leaving the glorious chaos of Kolkata | 0:36:03 | 0:36:06 | |
and travelling south - to where the Ganges meets the sea. | 0:36:06 | 0:36:09 | |
I'm heading to the Sundarbans, near the Bangladeshi border, | 0:36:10 | 0:36:13 | |
which is one of the world's richest and most fragile ecosystems. | 0:36:13 | 0:36:17 | |
It's also home to India's most dangerous theme park, | 0:36:17 | 0:36:22 | |
Tigerland. | 0:36:22 | 0:36:24 | |
It certainly beats a mouse in Florida. | 0:36:24 | 0:36:26 | |
Thankfully, they've made it easier for me to know which boat to get on, | 0:36:30 | 0:36:33 | |
although I did nearly hop on the real housewives of Chelsea. | 0:36:33 | 0:36:36 | |
South of Kolkata, the Ganges flows into the Sundarbans, | 0:36:44 | 0:36:47 | |
the world's largest river delta. | 0:36:47 | 0:36:50 | |
It stretches across the Bay of Bengal. | 0:36:50 | 0:36:52 | |
The Sundarbans reserve is one of the most important and protected nature | 0:36:57 | 0:37:01 | |
reserves on earth, 10,000 square kilometres of mangrove forests, | 0:37:01 | 0:37:06 | |
tidal creeks and low-lying islands. | 0:37:06 | 0:37:09 | |
In India's overcrowded landscape, | 0:37:10 | 0:37:12 | |
it's a vital sanctuary for all sorts of wildlife | 0:37:12 | 0:37:15 | |
and a popular ecotourism destination. | 0:37:15 | 0:37:18 | |
That was the biggest cat I've ever seen! | 0:37:19 | 0:37:22 | |
That was a cross between a cat and a tiger. | 0:37:22 | 0:37:25 | |
That was a tat! It was huge! | 0:37:25 | 0:37:27 | |
But the most important of all, behind that fence, | 0:37:28 | 0:37:32 | |
a population of endangered Royal Bengal tigers. | 0:37:32 | 0:37:36 | |
I'm heading out with the forest department's tiger patrol | 0:37:39 | 0:37:42 | |
to see what it takes to protect one of the world's most endangered cats | 0:37:42 | 0:37:45 | |
in a country with so many people. | 0:37:45 | 0:37:48 | |
If you want to know what tiger protection looks like, | 0:37:49 | 0:37:53 | |
check out that suit. | 0:37:53 | 0:37:54 | |
I'm not sure how I pictured the Elite Tiger Force, | 0:38:01 | 0:38:04 | |
but Dad's Army is what I'm getting. | 0:38:04 | 0:38:06 | |
But there's not much Dad's Army about what they have to do. | 0:38:07 | 0:38:09 | |
Every day, they head into the | 0:38:10 | 0:38:12 | |
reserve to maintain the perimeter fence that | 0:38:12 | 0:38:14 | |
keeps the tigers in and the people out. | 0:38:14 | 0:38:17 | |
Much as I'd love to help, I've been advised to stay on the boat. | 0:38:18 | 0:38:22 | |
96 kilometres of fencing? | 0:38:22 | 0:38:24 | |
-Yeah. -That's a lot of fencing to maintain. | 0:38:24 | 0:38:26 | |
-Yeah. -Because if there's a breach in any part of that... | 0:38:26 | 0:38:29 | |
-Yeah. -Straight through. | 0:38:29 | 0:38:30 | |
-Up to your hip? -Yeah. It's very risky. | 0:38:37 | 0:38:40 | |
Very risky. | 0:38:40 | 0:38:41 | |
Let's face it, if you're up to your midriff in mud... | 0:38:43 | 0:38:46 | |
You're not going to run anywhere, are you? | 0:38:46 | 0:38:48 | |
Any breaches to the tiger fence must be repaired immediately. | 0:38:49 | 0:38:53 | |
If I were to get through the net, | 0:39:15 | 0:39:19 | |
and walk into the forest, | 0:39:19 | 0:39:22 | |
how long do you think I would last? | 0:39:22 | 0:39:23 | |
-That's good to know. -If it is there. | 0:39:27 | 0:39:29 | |
I want you to know, I'm not going to do that. | 0:39:29 | 0:39:32 | |
The wardens fix remote cameras to | 0:39:32 | 0:39:34 | |
the trees to monitor the health of the tiger population. | 0:39:34 | 0:39:37 | |
It's extraordinary to me | 0:39:49 | 0:39:51 | |
that they're going out into one of | 0:39:51 | 0:39:52 | |
the most dangerous places in the entire world, | 0:39:52 | 0:39:55 | |
and one of them just has a... You know, a little scythe. | 0:39:55 | 0:39:59 | |
Strong guys. I've got a lot of respect for them. | 0:40:00 | 0:40:03 | |
For all its simplicity, the reserve | 0:40:05 | 0:40:07 | |
is a remarkable conservation success. | 0:40:07 | 0:40:11 | |
It's now home to a stable population of around 100 tigers. | 0:40:11 | 0:40:15 | |
And that's not all. | 0:40:16 | 0:40:18 | |
By protecting the tigers at the top of the food chain, | 0:40:18 | 0:40:21 | |
they have repaired an entire ecosystem. | 0:40:21 | 0:40:25 | |
The tigers keep the deer population in check, | 0:40:25 | 0:40:27 | |
allowing the trees to grow | 0:40:27 | 0:40:29 | |
and providing a habitat for all the other species. | 0:40:29 | 0:40:32 | |
The tigers are the guardians of the forest once again. | 0:40:33 | 0:40:37 | |
The natural order of things has been restored. | 0:40:37 | 0:40:39 | |
There's no doubt that I'm feeling | 0:40:41 | 0:40:43 | |
there's a sense of joy, actually, | 0:40:43 | 0:40:46 | |
that there exists on earth, still, | 0:40:46 | 0:40:48 | |
a place where the tiger holds sway, | 0:40:48 | 0:40:50 | |
where nature is left as it should be. | 0:40:50 | 0:40:53 | |
Quite frankly, we should get as far | 0:40:53 | 0:40:55 | |
away from the Sundarbans as possible. | 0:40:55 | 0:40:57 | |
If only life were so simple. | 0:41:00 | 0:41:02 | |
The Sundarbans, on the Indian side alone, | 0:41:03 | 0:41:06 | |
is home to more than four million people. | 0:41:06 | 0:41:09 | |
I'm staying on Bali, one of the bigger islands, | 0:41:11 | 0:41:13 | |
where the people have to live and | 0:41:13 | 0:41:15 | |
work right next door to a thriving wild tiger population. | 0:41:15 | 0:41:19 | |
I tell you, it's not a trip for the braless, this. | 0:41:21 | 0:41:24 | |
Ooh! | 0:41:25 | 0:41:26 | |
This feels like a million miles from the chaos of Kolkata. | 0:41:29 | 0:41:33 | |
Life here is slow. People farm, | 0:41:33 | 0:41:35 | |
collect honey in the forest, | 0:41:35 | 0:41:38 | |
and fish in the tidal creeks that ebb and flow through the mangroves. | 0:41:38 | 0:41:41 | |
It looks beautiful. | 0:41:43 | 0:41:45 | |
But what's the betting there's a catch? | 0:41:45 | 0:41:47 | |
I'm joining Kalpana and Dinunda on a fishing trip. | 0:41:53 | 0:41:56 | |
They used to be farmers, but the land is poor, so, | 0:41:57 | 0:42:01 | |
like many people here, they now make a living from the sea. | 0:42:01 | 0:42:05 | |
Before we start, Dinunda blesses the boat | 0:42:05 | 0:42:08 | |
and asks for protection from the goddess of the forest, Bonbibi. | 0:42:08 | 0:42:12 | |
She's neither Hindu nor Muslim, | 0:42:12 | 0:42:14 | |
but watches over everyone who ventures into the forest. | 0:42:14 | 0:42:17 | |
Can Bonbibi protect you from tigers, do you think? | 0:42:19 | 0:42:21 | |
Does she save you? | 0:42:27 | 0:42:28 | |
The tigers are fearsome hunters. | 0:42:33 | 0:42:36 | |
They hide in the thick mangroves and leap onto the boats. | 0:42:36 | 0:42:39 | |
Like many of the local families, | 0:42:39 | 0:42:41 | |
Dinunda and Kalpana have a permit | 0:42:41 | 0:42:44 | |
that allows them to fish inside the tiger reserve. | 0:42:44 | 0:42:47 | |
But it's too dangerous for us, so we'll try our luck outside. | 0:42:47 | 0:42:51 | |
So when you have been fishing, have you ever seen tigers? | 0:42:52 | 0:42:54 | |
Many times? | 0:42:57 | 0:42:58 | |
What? On the boat? | 0:43:00 | 0:43:02 | |
On this boat? | 0:43:02 | 0:43:03 | |
Missed you? | 0:43:08 | 0:43:09 | |
And then it just... It came out, did it? | 0:43:11 | 0:43:13 | |
From the water? | 0:43:14 | 0:43:16 | |
And missed you by this much? | 0:43:16 | 0:43:18 | |
Did you? You did? | 0:43:22 | 0:43:24 | |
You saved the day! | 0:43:26 | 0:43:27 | |
Massive. | 0:43:30 | 0:43:31 | |
Does it put you off fishing? Does it make you think, "I want to do | 0:43:43 | 0:43:45 | |
"something else with my life"? Because it's so dangerous? | 0:43:45 | 0:43:48 | |
I think it's a combination of Bonbibi | 0:43:55 | 0:43:59 | |
and you being very quick with a paddle to the tiger's face. | 0:43:59 | 0:44:02 | |
I can see why they want to fish in the reserve. | 0:44:02 | 0:44:05 | |
The rewards are good, but the risks are enormous. | 0:44:05 | 0:44:08 | |
On a good day, 40 crabs. Really bad day, ten crabs. | 0:44:08 | 0:44:12 | |
Today, no crabs. There's no crabs. | 0:44:12 | 0:44:14 | |
They had a very lucky escape. | 0:44:21 | 0:44:24 | |
But there are more tiger attacks here than anywhere else in India. | 0:44:24 | 0:44:27 | |
No-one knows exactly how many people are killed by tigers each year | 0:44:29 | 0:44:33 | |
because many of the deaths go unreported. | 0:44:33 | 0:44:35 | |
But there's at least one fatal tiger attack here every week. | 0:44:36 | 0:44:40 | |
HE SINGS | 0:44:40 | 0:44:42 | |
PERCUSSION | 0:44:42 | 0:44:46 | |
So here in the village, Friday night is theatre night | 0:44:50 | 0:44:53 | |
and even the entertainment is tiger-themed. | 0:44:53 | 0:44:55 | |
That's the best response I've ever had for a piece to camera. | 0:44:58 | 0:45:01 | |
PERCUSSION | 0:45:01 | 0:45:03 | |
ROARING | 0:45:06 | 0:45:07 | |
So the subject matter of this play is a tiger god, who, | 0:45:10 | 0:45:15 | |
when you enter the forest, demands a tax or payment of a human life. | 0:45:15 | 0:45:18 | |
So the villagers pray to the benign goddess, Bonbibi, | 0:45:18 | 0:45:21 | |
who will offer them protection. | 0:45:21 | 0:45:23 | |
It might seem like a myth, it might | 0:45:26 | 0:45:28 | |
seem irrelevant to modern day living, | 0:45:28 | 0:45:30 | |
and yet I was supposed to meet Kalpana and her husband tonight, | 0:45:30 | 0:45:34 | |
and their niece has died because she was bitten by a king cobra. | 0:45:34 | 0:45:37 | |
So this isn't the stuff of fairy tales - | 0:45:37 | 0:45:40 | |
this is the stuff of real life here on the island. | 0:45:40 | 0:45:43 | |
I don't think I've been anywhere in | 0:45:46 | 0:45:48 | |
the world where man's relationship to nature is more tenuous, | 0:45:48 | 0:45:51 | |
where man's foothold is more shaky, | 0:45:51 | 0:45:54 | |
and that's, perhaps, why Hindus and Muslims join together to worship | 0:45:54 | 0:45:57 | |
Bonbibi, because her message is simple, clear. | 0:45:57 | 0:46:01 | |
Take only what you need and you'll thrive. | 0:46:01 | 0:46:04 | |
Take too much - you won't survive. | 0:46:04 | 0:46:06 | |
Today is a very special day. | 0:46:17 | 0:46:19 | |
Tom Selleck of Sagar Island there. | 0:46:26 | 0:46:29 | |
Yeah, I'm in. | 0:46:29 | 0:46:31 | |
I'm in. Look at me go. I'm in. | 0:46:31 | 0:46:32 | |
SHE GROWLS | 0:46:32 | 0:46:34 | |
Hi. Namaste. | 0:46:34 | 0:46:35 | |
Namaste. | 0:46:38 | 0:46:40 | |
On Sagar Island, in the mouth of the river, | 0:46:41 | 0:46:44 | |
millions of people are gathering to | 0:46:44 | 0:46:46 | |
bathe in the cleansing waters of the Ganges. | 0:46:46 | 0:46:48 | |
I've never fully understood the phrase sea of humanity, | 0:46:55 | 0:46:59 | |
but you get this incredible feeling | 0:46:59 | 0:47:01 | |
that you need to wade with your hands through it. | 0:47:01 | 0:47:03 | |
Hello, charmer. | 0:47:03 | 0:47:05 | |
You all right? Good? I could tell | 0:47:05 | 0:47:07 | |
what he had for dinner last night, | 0:47:07 | 0:47:08 | |
let alone breakfast this morning. That was very close. | 0:47:08 | 0:47:12 | |
Very loud. Very loud. | 0:47:12 | 0:47:14 | |
This is Ganga Sagar Mela, the annual Hindu festival, | 0:47:16 | 0:47:21 | |
which takes place here on Sagar Island. | 0:47:21 | 0:47:24 | |
This is the point where the mighty Ganges meets the sea. | 0:47:24 | 0:47:27 | |
With six million people coming here, | 0:47:27 | 0:47:29 | |
it's the second largest human gathering anywhere on the planet - | 0:47:29 | 0:47:33 | |
just pipped to the post by the melee you get on Oxford Street when | 0:47:33 | 0:47:36 | |
they're discounting televisions on Black Friday. | 0:47:36 | 0:47:39 | |
I say six million - it's six million and one now this numpty's arrived! | 0:47:39 | 0:47:42 | |
The pilgrimage here is one of the most important in all of Hinduism. | 0:47:45 | 0:47:49 | |
People travel from across India for this mass cleansing. | 0:47:51 | 0:47:55 | |
To bathe in these waters not only | 0:47:57 | 0:47:59 | |
cleanses you of a lifetime's sins, | 0:47:59 | 0:48:01 | |
but also sorts out the previous 14 generations of your family. | 0:48:01 | 0:48:06 | |
Now that's what I call a deep clean! | 0:48:06 | 0:48:09 | |
If you want to know what true devotion feels like, | 0:48:17 | 0:48:19 | |
and if you want to know what it's | 0:48:19 | 0:48:21 | |
like to experience the full gamut of the Hindu religion, | 0:48:21 | 0:48:24 | |
if you want to know how important this incredible river is | 0:48:24 | 0:48:27 | |
to these millions upon millions of people, then you should come here. | 0:48:27 | 0:48:32 | |
But do bring earplugs. | 0:48:32 | 0:48:33 | |
As well as being one of the world's most sacred rivers, | 0:48:37 | 0:48:40 | |
the Ganges is one of the most polluted, | 0:48:40 | 0:48:43 | |
flooded with human and industrial waste. | 0:48:43 | 0:48:46 | |
India's government have promised to clean up the Ganges, | 0:48:48 | 0:48:51 | |
so this year there's a strong environmental message, | 0:48:51 | 0:48:55 | |
imploring people to worship the river in a new way. | 0:48:55 | 0:48:58 | |
This year is a very special mela. It's an environmental, green mela, | 0:49:01 | 0:49:05 | |
and you can hear the loudspeakers blaring. | 0:49:05 | 0:49:08 | |
They're basically sending the message out for people | 0:49:08 | 0:49:10 | |
not to put plastic bags in the water, not to burn fires, | 0:49:10 | 0:49:13 | |
not to defecate in its waters, | 0:49:13 | 0:49:15 | |
and it's a really important message | 0:49:15 | 0:49:17 | |
because, without that in future years to come, | 0:49:17 | 0:49:20 | |
they won't be praying to Ganga, they'll be praying for it. | 0:49:20 | 0:49:23 | |
Is this the queue for the toilet? | 0:49:25 | 0:49:27 | |
It is? God, I've got a wait on me. | 0:49:27 | 0:49:29 | |
To provide relief for the river and the people, | 0:49:29 | 0:49:32 | |
they've built 12,000 toilets. | 0:49:32 | 0:49:35 | |
Yup, I know exactly how he feels! | 0:49:36 | 0:49:38 | |
At night, Koushik, my guide, | 0:49:41 | 0:49:43 | |
tries to explain the complex | 0:49:43 | 0:49:45 | |
relationship between Mother Ganges and her many children. | 0:49:45 | 0:49:49 | |
What is interesting as an outsider is how this river can be so revered | 0:49:49 | 0:49:54 | |
and yet so abused at the same time. | 0:49:54 | 0:49:56 | |
So it can be worshipped, and yet people will treat it like a toilet, | 0:49:56 | 0:50:00 | |
like a waste bin. | 0:50:00 | 0:50:02 | |
The Ganges is our mother. Mother takes away everything. | 0:50:02 | 0:50:04 | |
That was the basic idea - | 0:50:04 | 0:50:06 | |
that I can do anything in sight and the river takes it | 0:50:06 | 0:50:09 | |
from me and cleans me. | 0:50:09 | 0:50:12 | |
I understand. So the idea, basically, is that anything goes | 0:50:12 | 0:50:17 | |
because she can't be damaged, she can't be hurt, she can't be angry. | 0:50:17 | 0:50:21 | |
-It's just love. -It's love, yeah. | 0:50:21 | 0:50:23 | |
Yeah, it's pure love and slowly, like, | 0:50:23 | 0:50:26 | |
we have started to misuse that love. | 0:50:26 | 0:50:28 | |
It's like taking advantage of the Sweet Mother Ganga. | 0:50:28 | 0:50:32 | |
I'm here from dusk till dawn on the biggest night of the week. | 0:50:32 | 0:50:35 | |
Two million people are expected to | 0:50:37 | 0:50:38 | |
bathe in the Ganges as the sun comes up. | 0:50:38 | 0:50:41 | |
So, Koushik, can you explain the significance, | 0:50:42 | 0:50:44 | |
particularly, of tonight? | 0:50:44 | 0:50:46 | |
Tonight is one night where the full moon goes into the next day | 0:50:46 | 0:50:51 | |
and Saturn crosses into the next room. | 0:50:51 | 0:50:55 | |
-The next house? -Next house. | 0:50:55 | 0:50:58 | |
And that makes changes to the destiny of people. | 0:50:58 | 0:51:02 | |
So this is a particularly auspicious full moon. | 0:51:02 | 0:51:04 | |
-Yeah. -So that's why we've got millions of people congregating to | 0:51:04 | 0:51:07 | |
-take their dip at first light, I guess? -Yes. | 0:51:07 | 0:51:11 | |
The festival is like an epic Hindu Glastonbury, | 0:51:11 | 0:51:14 | |
full of the most extraordinary people. | 0:51:14 | 0:51:16 | |
We've had Coronation Street, Sesame Street - this is Baba Street. | 0:51:18 | 0:51:22 | |
Sort of like an Indian version of Naked Attraction. | 0:51:22 | 0:51:25 | |
I think I'm going to go for the one in box C. | 0:51:26 | 0:51:29 | |
These are the Naga Babas, | 0:51:29 | 0:51:31 | |
or naked holy men. They have rejected the physical world, | 0:51:31 | 0:51:34 | |
including clothes, to be closer to the great Lord Shiva, | 0:51:34 | 0:51:38 | |
one of the most powerful gods. | 0:51:38 | 0:51:40 | |
They live in the Himalayas and smoke mountains of weed. | 0:51:43 | 0:51:48 | |
For a small offering, they'll bless you | 0:51:50 | 0:51:52 | |
with a whack of a peacock feather wand. | 0:51:52 | 0:51:54 | |
They seem to be getting bashed on the head. | 0:51:56 | 0:51:58 | |
I'm going to see how long it takes | 0:51:58 | 0:52:00 | |
for me to get full spiritual concussion. | 0:52:00 | 0:52:02 | |
Good. | 0:52:06 | 0:52:08 | |
I feel I should know your name, I've seen your winky, but there you go. | 0:52:10 | 0:52:13 | |
Thank you so much. Thank you. | 0:52:13 | 0:52:15 | |
From the intense aroma that's going on, | 0:52:17 | 0:52:19 | |
I think Baba is Hindi for really stoned nude man. | 0:52:19 | 0:52:23 | |
-Your country money give. -Yes, you want money? | 0:52:23 | 0:52:26 | |
Your country money give. | 0:52:26 | 0:52:28 | |
My country gives money. How much money? | 0:52:28 | 0:52:31 | |
Your country's money. | 0:52:31 | 0:52:33 | |
No, your country's money. | 0:52:33 | 0:52:34 | |
Yeah, your country's money. | 0:52:34 | 0:52:36 | |
He wants your country's money. | 0:52:37 | 0:52:39 | |
No, I don't have my country... | 0:52:39 | 0:52:40 | |
Pfft! | 0:52:40 | 0:52:42 | |
That was a full... That was a beating! | 0:52:42 | 0:52:44 | |
That was actually a beating. | 0:52:44 | 0:52:45 | |
There was a lot of colonial angst he needed to get out there. | 0:52:45 | 0:52:48 | |
Hello. That's an open stance in my world. | 0:52:49 | 0:52:52 | |
That's a very... That's a posture. | 0:52:52 | 0:52:54 | |
Yes. Yes. | 0:52:54 | 0:52:56 | |
All of it. All of it for you because that... | 0:52:56 | 0:52:59 | |
-Hundred, hundred. -No hundreds left. Gone, gone. | 0:52:59 | 0:53:02 | |
Some of the most expansive testicles I've ever seen. | 0:53:05 | 0:53:08 | |
It feels like half of India is here, waiting for the sun to rise. | 0:53:11 | 0:53:15 | |
Whole villages have made the pilgrimage here en masse. | 0:53:15 | 0:53:19 | |
I think, normally, amongst this volume of people, | 0:53:19 | 0:53:22 | |
half of whom seem to be in a semicircle around me, | 0:53:22 | 0:53:24 | |
I'd feel maybe a bit intimidated, but the atmosphere's very mellow. | 0:53:24 | 0:53:27 | |
This is not just a once-in-a-lifetime opportunity for me, | 0:53:27 | 0:53:31 | |
more importantly, it's a once-in-a-lifetime opportunity | 0:53:31 | 0:53:35 | |
for these people, who've come from miles away with little or no money. | 0:53:35 | 0:53:39 | |
This is an extremely unique devotional experience, | 0:53:39 | 0:53:43 | |
so it's a total privilege. | 0:53:43 | 0:53:45 | |
It's mental, but it's a total privilege. | 0:53:45 | 0:53:48 | |
Namaste, ladies. Namaste. | 0:53:50 | 0:53:52 | |
Can I ask where you're from? | 0:53:52 | 0:53:54 | |
Around 70? | 0:54:04 | 0:54:06 | |
I'm around 40. | 0:54:06 | 0:54:07 | |
I like this. I like this estimation of ages, it works for me. | 0:54:07 | 0:54:10 | |
I wish you a happy dip. | 0:54:10 | 0:54:12 | |
Happy dipping. | 0:54:12 | 0:54:13 | |
As dawn approaches, | 0:54:20 | 0:54:21 | |
you're swept along in a tide of | 0:54:21 | 0:54:23 | |
humanity towards the beach and the sea. | 0:54:23 | 0:54:26 | |
It strikes me that the Ganges is the victim of the cruellest irony, | 0:54:32 | 0:54:35 | |
that the reverence of all these people, | 0:54:35 | 0:54:37 | |
and the devotion that you see at | 0:54:37 | 0:54:38 | |
its banks is the very thing that is killing it. | 0:54:38 | 0:54:42 | |
And yet, here, there's real hope. | 0:54:42 | 0:54:44 | |
This green mela has started to | 0:54:44 | 0:54:46 | |
really introduce the idea to the devout | 0:54:46 | 0:54:48 | |
that you can worship at its waters, | 0:54:48 | 0:54:50 | |
but be environmentally respectful. | 0:54:50 | 0:54:52 | |
I first met this river 1,500 miles away, | 0:55:09 | 0:55:13 | |
in the highest mountains on earth. | 0:55:13 | 0:55:15 | |
Just me, some donkeys, and a very grumpy baba. | 0:55:15 | 0:55:18 | |
It has led me through the lives of some truly wonderful people. | 0:55:23 | 0:55:26 | |
So nice. | 0:55:35 | 0:55:37 | |
And it ends here, under a rising sun on a brand-new day, | 0:55:45 | 0:55:49 | |
and two million people sharing this extraordinary communion with an | 0:55:49 | 0:55:53 | |
immortal goddess and a sacred, filthy, amazing river. | 0:55:53 | 0:55:58 | |
The Ganges is at such a crucial, pivotal point in its history. | 0:56:09 | 0:56:13 | |
For those who've come here, the believers, this is the mother river. | 0:56:13 | 0:56:17 | |
There is nothing that the mother | 0:56:17 | 0:56:19 | |
can't accept, no amount of pollution, | 0:56:19 | 0:56:21 | |
garbage and ill-treatment. | 0:56:21 | 0:56:23 | |
But the other school of thought is, of course, | 0:56:23 | 0:56:26 | |
this river is a living thing that is being damaged by commerce, | 0:56:26 | 0:56:29 | |
by industry, by the rapid expansion of India. | 0:56:29 | 0:56:32 | |
And that's where the choice lies - | 0:56:32 | 0:56:34 | |
which version of the Ganges do you want? | 0:56:34 | 0:56:36 | |
The mythology or the reality? | 0:56:36 | 0:56:39 | |
And that's a decision India has to make. | 0:56:39 | 0:56:41 | |
But while I ponder that, it's time I got my feet wet. | 0:56:49 | 0:56:53 | |
That is poo there, isn't it? | 0:56:55 | 0:56:57 | |
I think in the West we get trapped in our thoughts | 0:57:05 | 0:57:08 | |
and I think the joyful, | 0:57:08 | 0:57:09 | |
extraordinary thing about a | 0:57:09 | 0:57:11 | |
pilgrimage is you walk through pain, | 0:57:11 | 0:57:13 | |
and you walk through feelings, | 0:57:13 | 0:57:16 | |
and each step that you take moves your consciousness on. | 0:57:16 | 0:57:19 | |
And I've understood that before, as a theoretical concept, | 0:57:20 | 0:57:23 | |
but standing here in these quite dirty waters, | 0:57:23 | 0:57:27 | |
I'm proud. What a long way I've come. | 0:57:27 | 0:57:29 |