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Aberdeen Harbour on the north-east coast of Scotland. | 0:00:04 | 0:00:09 | |
SHIP HORN BLARES | 0:00:09 | 0:00:11 | |
One of Britain's oldest businesses. | 0:00:11 | 0:00:14 | |
It's just like a conveyor belt, it just never just stops. | 0:00:14 | 0:00:17 | |
And one of Europe's most modern ports. | 0:00:17 | 0:00:20 | |
-You've got clearance to sail now. -This is a glimpse into a hidden world... | 0:00:20 | 0:00:24 | |
On our way. He's under the bell now. | 0:00:24 | 0:00:26 | |
..of men and women who keep the harbour running. | 0:00:26 | 0:00:28 | |
It's what you would call a typical woman. | 0:00:28 | 0:00:32 | |
I'm a poor, defenceless female so watch it. | 0:00:32 | 0:00:34 | |
24 hours a day... | 0:00:34 | 0:00:35 | |
-Things change like... -HE CLICKS HIS FINGERS | 0:00:35 | 0:00:37 | |
It's getting on for a force 10 now. | 0:00:40 | 0:00:43 | |
-Hang fire on that bell. -This is just madness. | 0:00:43 | 0:00:47 | |
..365 days a year. | 0:00:47 | 0:00:49 | |
Goodbye, cruel world. | 0:00:49 | 0:00:52 | |
God, just when he greeted me. | 0:00:52 | 0:00:53 | |
-Jimmy! -How are you, my friend? | 0:00:53 | 0:00:56 | |
It has been my pleasure. | 0:00:56 | 0:00:58 | |
The Harbour. | 0:00:58 | 0:01:00 | |
SHIP HORN BLARES | 0:01:01 | 0:01:03 | |
The sheltered estuary of the River Dee | 0:01:12 | 0:01:15 | |
has always been a natural harbour. | 0:01:15 | 0:01:17 | |
Quickly now, in position, come. | 0:01:17 | 0:01:19 | |
More than 8,000 ships pass through its waters every year. | 0:01:19 | 0:01:23 | |
And nearly all of them rely on the boatmen... | 0:01:24 | 0:01:27 | |
Hey! Slack. | 0:01:27 | 0:01:28 | |
..whose job it is to tie and untie the vessels heading out to the North Sea. | 0:01:28 | 0:01:33 | |
I've done it for 30 years now | 0:01:33 | 0:01:34 | |
so about another 30 years wouldn't be too bad. | 0:01:34 | 0:01:37 | |
When they're not on the quayside, they're in the boatmen's bothy, | 0:01:37 | 0:01:41 | |
waiting for the next vessel to arrive. | 0:01:41 | 0:01:44 | |
I was at MI before this. I was a male stud before that. | 0:01:44 | 0:01:50 | |
BOTH LAUGH | 0:01:50 | 0:01:52 | |
-Alcoholic before that. -Aye, alcoholic before that! | 0:01:52 | 0:01:56 | |
On shift today are Alan Cowper and Norman Campbell, | 0:01:56 | 0:01:59 | |
who've lived in the city all their lives. | 0:01:59 | 0:02:02 | |
Jeremy Kyle and what do you cry him? In America? | 0:02:02 | 0:02:05 | |
-Oh, your mate, Springer. -Aye, Jerry Springer's magic. | 0:02:08 | 0:02:12 | |
Mind, there was a whole weekend of him, | 0:02:12 | 0:02:13 | |
Jerry Springer was on for a whole weekend, long ago. | 0:02:13 | 0:02:16 | |
Never went out the whole weekend. | 0:02:16 | 0:02:18 | |
The offshore oil and gas industry accounts for 15% of Scotland's entire economy. | 0:02:23 | 0:02:29 | |
And the harbour's crucial to its success. | 0:02:30 | 0:02:33 | |
The main centre of activity for all its marine support operations. | 0:02:33 | 0:02:37 | |
Out in the bay is the Bibby Sapphire, | 0:02:40 | 0:02:43 | |
a dive support vessel, which services the region's oil rigs. | 0:02:43 | 0:02:46 | |
And Hugh Jones, the ship's master, is looking forward to dry land. | 0:02:46 | 0:02:51 | |
It's nice to see good, old Aberdeen every now and then. That's for sure. | 0:02:51 | 0:02:55 | |
Two weeks out, back in, even if it's only for 12 hours. | 0:02:55 | 0:02:58 | |
The underwater channel at the harbour's entrance is only 33 metres wide. | 0:03:00 | 0:03:05 | |
And larger vessels have to be brought in by an experienced hand known as a pilot. | 0:03:05 | 0:03:11 | |
The vessels are relatively big compared to the size of the harbour, and getting bigger all the time. | 0:03:12 | 0:03:17 | |
The pilot cutter heads out to open water. | 0:03:18 | 0:03:21 | |
Bibby Sapphire, pilot. | 0:03:22 | 0:03:25 | |
Hello, boat Sapphire. | 0:03:25 | 0:03:27 | |
That's a pilot boat on its way out to you. | 0:03:28 | 0:03:32 | |
Boarding a ship in conditions like these is always a challenge. | 0:03:32 | 0:03:37 | |
They have a ladder hanging out over the side of the boat. | 0:03:37 | 0:03:40 | |
Once we are alongside that, | 0:03:40 | 0:03:42 | |
we'll try and jump from here on to the ladder. | 0:03:42 | 0:03:44 | |
It's the most dangerous part of a pilot's job. | 0:03:45 | 0:03:48 | |
Pilot to the starboard side. | 0:03:49 | 0:03:51 | |
It's not high-tech, no. | 0:03:52 | 0:03:54 | |
Same way they've done it the last 2,000 years, I suppose. | 0:03:54 | 0:03:58 | |
He has to time it exactly so that he jumps onto the ladder | 0:03:58 | 0:04:02 | |
at the top of the swell. | 0:04:02 | 0:04:04 | |
If he miscalculates, he could fall back, | 0:04:05 | 0:04:09 | |
be crushed by the boat, or plunge into the North Sea. | 0:04:09 | 0:04:13 | |
But Finn Froekjaer-Jensen's an old hand at this. | 0:04:20 | 0:04:23 | |
-Hi, long time, no see. -Yeah, how are you? | 0:04:23 | 0:04:26 | |
-How are you doing, big man? -Yeah. | 0:04:26 | 0:04:28 | |
-Bit bumpy coming out there. -Ah, bit rough, like, but... | 0:04:28 | 0:04:31 | |
-You Scandinavians can cope with it, can't you? -Exactly. | 0:04:31 | 0:04:33 | |
-Will you be doing the steering yourself? -Yeah. -That's magic. | 0:04:33 | 0:04:37 | |
The good part is it only takes 28 minutes to half an hour. | 0:04:37 | 0:04:40 | |
So before they get fed up with me, I'm off again! | 0:04:40 | 0:04:43 | |
Keeping a watchful eye on her approach | 0:04:46 | 0:04:48 | |
is the harbour's control tower, | 0:04:48 | 0:04:50 | |
or VTS, as it's called. | 0:04:50 | 0:04:53 | |
'VTS, Bibby Sapphire.' | 0:04:53 | 0:04:54 | |
That's fine, you're cleared to proceed. Call again as you approach the bottom of the river. | 0:04:54 | 0:04:58 | |
VTS, or Vessel Traffic Services, coordinates all activities within the harbour. | 0:04:58 | 0:05:05 | |
Steady as she goes. | 0:05:06 | 0:05:08 | |
It takes between two and three years' training to become a pilot. | 0:05:09 | 0:05:13 | |
What we do know is local knowledge, | 0:05:13 | 0:05:15 | |
as you can say. Anybody can read a chart, like, | 0:05:15 | 0:05:18 | |
but we know the currents, and what to expect. | 0:05:18 | 0:05:20 | |
The master, he puts his faith in us. | 0:05:20 | 0:05:23 | |
As the ship progresses, | 0:05:24 | 0:05:25 | |
there's a constant dialogue between the skipper, the pilot and VTS. | 0:05:25 | 0:05:31 | |
Nice and slowly, there's one vessel coming across into Victoria Dock. | 0:05:31 | 0:05:36 | |
-Just keep it coming, Captain. -A 6,000-tonne ship like the Bibby Sapphire can be tricky to manoeuvre, | 0:05:36 | 0:05:41 | |
especially if the port is full, as it is today. | 0:05:41 | 0:05:45 | |
-INTERCOM: -Yeah, go ahead. | 0:05:46 | 0:05:48 | |
Afternoon, lad. | 0:05:48 | 0:05:49 | |
It's OK, vessel's coming up to you now. We'll adjust this. | 0:05:49 | 0:05:52 | |
As soon as we're all by the berth we'll stay off about 10, 15 metres. | 0:05:52 | 0:05:55 | |
OK then, Finn, standing by, waiting. | 0:05:55 | 0:05:58 | |
'Cheers, buddy.' | 0:05:58 | 0:06:00 | |
Well, it's a diving boat that goes out and inspects the pipelines, rigs | 0:06:00 | 0:06:03 | |
and things like that. I don't know too much about them. | 0:06:03 | 0:06:06 | |
As I say, my job's just tying them up. | 0:06:06 | 0:06:09 | |
He's also an extra pair of eyes on the quayside. | 0:06:09 | 0:06:12 | |
Yes, Alan, that's correct. All the way up to the east end. | 0:06:12 | 0:06:16 | |
OK, I'll go up to the east end and give you a shout | 0:06:16 | 0:06:18 | |
when your bow's clear to come in. | 0:06:18 | 0:06:20 | |
Cheers, buddy. | 0:06:20 | 0:06:21 | |
The ship's thrusters can turn through 360 degrees, | 0:06:22 | 0:06:25 | |
so Hugh can push the boat in any direction he wants. | 0:06:25 | 0:06:29 | |
All I am doing is pushing on with the thrusters | 0:06:29 | 0:06:32 | |
at each end of the ship now | 0:06:32 | 0:06:33 | |
straight on to the quayside. Keeps us steady on the quay. | 0:06:33 | 0:06:36 | |
It helps if the boatmen are steady on their feet. | 0:06:39 | 0:06:42 | |
Grrr, you swine! | 0:06:42 | 0:06:43 | |
-FINN ON INTERCOM: -Bibby Sapphire alongside. | 0:06:45 | 0:06:48 | |
Another one under our belt, and everybody happy. That's a good thing. | 0:06:49 | 0:06:52 | |
As long as the harbour's busy and the boats are still coming in, | 0:06:57 | 0:07:00 | |
there'll still be a job for me. | 0:07:00 | 0:07:02 | |
Now, I need to check to see if that looks OK. | 0:07:18 | 0:07:21 | |
Make sure my boobs look OK for the night. | 0:07:21 | 0:07:24 | |
This is mascara and you go quick as you like. | 0:07:25 | 0:07:28 | |
It's Halloween. | 0:07:28 | 0:07:30 | |
And over in Torry, Val Morrison is getting ready for work. | 0:07:30 | 0:07:34 | |
Now, I wonder if that looks scary enough. | 0:07:34 | 0:07:37 | |
Like Alan, she's an Aberdonian, born and bred. | 0:07:37 | 0:07:40 | |
Look at that. | 0:07:40 | 0:07:42 | |
Valerie, you look phenomenal. Sex on legs. | 0:07:42 | 0:07:47 | |
Sex on legs, maybe... | 0:07:48 | 0:07:50 | |
FLAILING TRUMPET PLAYS | 0:07:50 | 0:07:52 | |
..but a witch's hat in the gusty North East | 0:07:52 | 0:07:54 | |
is probably not the best choice of headwear. | 0:07:54 | 0:07:58 | |
Val is just one of more than 11,000 people | 0:07:58 | 0:08:02 | |
who keep the harbour running 24 hours a day. | 0:08:02 | 0:08:05 | |
'It's been my life for 20 year | 0:08:05 | 0:08:07 | |
'and from the day I went in it, I just said to myself,' | 0:08:07 | 0:08:11 | |
"Oh, this is just for you." | 0:08:11 | 0:08:14 | |
Val's the harbour's best-known barmaid. | 0:08:14 | 0:08:17 | |
CHEERING | 0:08:19 | 0:08:21 | |
Aye, hear him. "She worked here during the First World War!" | 0:08:24 | 0:08:28 | |
You idiot! | 0:08:28 | 0:08:29 | |
Over the years, Val's become a favourite with the sailors | 0:08:29 | 0:08:32 | |
and has her own unique way of dealing with them. | 0:08:32 | 0:08:35 | |
SLAP Yeah, I got hit. | 0:08:35 | 0:08:37 | |
Speak proper, you little sod. | 0:08:37 | 0:08:39 | |
Vodka coke. | 0:08:39 | 0:08:40 | |
-Can I pay you next week? -No. | 0:08:42 | 0:08:43 | |
Just to keep Val company, | 0:08:43 | 0:08:45 | |
many of the pub's customers have dressed up too. | 0:08:45 | 0:08:47 | |
-LAUGHS -Hello, Derek! | 0:08:47 | 0:08:51 | |
-You leave him alone, you fat -BLEEP. | 0:08:52 | 0:08:54 | |
I thought I'd make a bit of effort for young Val here. | 0:08:54 | 0:08:59 | |
Well, I think she's a little gem actually. | 0:08:59 | 0:09:02 | |
A bit of a rough diamond, I would say. | 0:09:02 | 0:09:04 | |
She knows how to stop them in their tracks. | 0:09:06 | 0:09:09 | |
-I'm going home now. -Do I phone Frances and telling what you're saying, you fat git? | 0:09:09 | 0:09:13 | |
Terrible. | 0:09:14 | 0:09:17 | |
-And as for you... -SLAP | 0:09:17 | 0:09:19 | |
Her boss, Jill, also knows that it's Val's particular people skills | 0:09:19 | 0:09:24 | |
that bring the customers back for more. | 0:09:24 | 0:09:27 | |
Lick it off! | 0:09:27 | 0:09:29 | |
Jill says she's going to keep me there until I'm 92. | 0:09:29 | 0:09:32 | |
And she says, "Valerie, God forgive you never will, but if you ever die I'll get you stuffed, | 0:09:32 | 0:09:37 | |
"put you in the corner of the bar and when you come in, | 0:09:37 | 0:09:40 | |
-"just shout, 'Oi, you little -BLEEP, -where have you been?' " | 0:09:40 | 0:09:43 | |
Whenever she's in dock, the Bibby Sapphire stocks up with supplies. | 0:09:49 | 0:09:54 | |
There are around 95 crew members on board, | 0:09:57 | 0:10:00 | |
and diver Terry Dearlove is one of them. | 0:10:00 | 0:10:03 | |
While he's on board, this is where Terry will be living. | 0:10:05 | 0:10:08 | |
This one's like the Hilton, this one. | 0:10:09 | 0:10:12 | |
That one there is like Travelodge and the one at the end is like B&B. | 0:10:12 | 0:10:16 | |
Locked away in this sealed unit, | 0:10:16 | 0:10:19 | |
the divers can be kept at just the right pressure | 0:10:19 | 0:10:22 | |
to work at depths of up to 185 metres. | 0:10:22 | 0:10:25 | |
-I've seen much smaller ones than these. -Yeah, there's been some terrible ones. | 0:10:27 | 0:10:31 | |
This is like a DFS showroom compared to some of them. | 0:10:31 | 0:10:35 | |
And when divers can spend up to 28 days | 0:10:35 | 0:10:38 | |
living in such close proximity, it helps if they get on. | 0:10:38 | 0:10:43 | |
You have two types of saturation diving. | 0:10:43 | 0:10:45 | |
One where you're in with another two guys and as soon as you get out | 0:10:45 | 0:10:48 | |
you never want to see them again or the other type | 0:10:48 | 0:10:51 | |
-where you don't want to separate from them when you come out. -Yeah. | 0:10:51 | 0:10:53 | |
-It's like that, isn't it? -We'll use this one. | 0:10:53 | 0:10:55 | |
Come on then, let's go to bed. | 0:10:55 | 0:10:57 | |
One person who always knows which ships are arriving and leaving | 0:10:59 | 0:11:03 | |
is Val in the Crown and Anchor. | 0:11:03 | 0:11:06 | |
We had the Skandi Buchan in, the Skandi Marstein was down here. | 0:11:06 | 0:11:10 | |
We had the Skandi Rona. | 0:11:10 | 0:11:11 | |
I just ken what boats are in the harbour all the time. | 0:11:11 | 0:11:14 | |
'It's just my life. | 0:11:14 | 0:11:16 | |
'The boats and the boat guys and the pub. It's my life.' | 0:11:16 | 0:11:21 | |
# I fall to pieces... # | 0:11:21 | 0:11:29 | |
On the quayside, the Bibby Sapphire's ropes are untied | 0:11:31 | 0:11:35 | |
and she heads out to the North Sea. | 0:11:35 | 0:11:38 | |
# ..You tell me to find someone else to love | 0:11:38 | 0:11:45 | |
# You walk by and I fall to pieces. # | 0:11:47 | 0:11:55 | |
-WHOOPING AND WHISTLING -Well done, eh! | 0:11:55 | 0:11:58 | |
INDISTINCT SHOUTING | 0:11:58 | 0:12:01 | |
As sun rises over the harbour, | 0:12:12 | 0:12:14 | |
it's another busy day for all those who work at the quayside. | 0:12:14 | 0:12:17 | |
You're OK there, that's fine there, Ralph. | 0:12:17 | 0:12:20 | |
Hey, sort your hair! | 0:12:20 | 0:12:23 | |
For a frustrated sailor like Alan, | 0:12:24 | 0:12:27 | |
this is as close as it gets to a life on the ocean wave. | 0:12:27 | 0:12:31 | |
When I left school I tried to go to sea | 0:12:31 | 0:12:33 | |
but I failed my maths test. | 0:12:33 | 0:12:36 | |
I don't know why you needed maths. | 0:12:36 | 0:12:37 | |
I can count like hell now, cos ever since I started drinking and playing darts | 0:12:37 | 0:12:41 | |
I can count backwards, forwards, everywhere! | 0:12:41 | 0:12:43 | |
Only person that's never been to sea, I suppose, and loves the boats, you know. | 0:12:43 | 0:12:47 | |
That's him away, another happy customer. | 0:12:49 | 0:12:52 | |
REM Supplier, VTS, good afternoon. | 0:12:56 | 0:12:58 | |
VTS controller Barry Standerline spent 27 years at sea before he came to work at the harbour. | 0:12:58 | 0:13:06 | |
In comparison to working on cargo ships, | 0:13:06 | 0:13:09 | |
this is an absolute breeze. | 0:13:09 | 0:13:11 | |
As well as the life aquatic, there's another thing Barry and Alan have in common - | 0:13:11 | 0:13:18 | |
a competitive love affair...with boats. | 0:13:18 | 0:13:21 | |
-You can let go of the spring. -Alan? | 0:13:21 | 0:13:24 | |
-Quiet afternoon until he comes on duty. -PHONE RINGS | 0:13:24 | 0:13:28 | |
OK, boys. | 0:13:28 | 0:13:30 | |
Barry takes pictures of boats and I take pictures of boats. | 0:13:30 | 0:13:32 | |
It's like a busman's holiday. | 0:13:32 | 0:13:34 | |
Alan's on the docks all day handling boats, | 0:13:34 | 0:13:36 | |
while Barry has a bird's eye view from the top of VTS. | 0:13:36 | 0:13:40 | |
Proper ship. | 0:13:40 | 0:13:42 | |
Little cargo boat, nice ship. | 0:13:43 | 0:13:45 | |
They're the perfect jobs for boat spotters. | 0:13:45 | 0:13:48 | |
Dinnae put porn up, for the lassies are here. | 0:13:48 | 0:13:51 | |
Here's my pictures of boats, you see. | 0:13:51 | 0:13:53 | |
Now there's a good-looking ship, that is a good-looking boat. | 0:13:53 | 0:13:58 | |
Wait a minute, here's a lassie naked... Oh, no, it's nae. | 0:13:58 | 0:14:01 | |
Fine figure of a lady. Yeah, very well proportioned. | 0:14:01 | 0:14:05 | |
And the two of them can compare notes - | 0:14:05 | 0:14:07 | |
or trade insults - over the intercom. | 0:14:07 | 0:14:09 | |
Pervert! Boat pervert. | 0:14:09 | 0:14:12 | |
Alan, do you nae see enough boats at your work without having to look at them on a computer? | 0:14:14 | 0:14:18 | |
-BLEEP, -what's it got to dae with you? | 0:14:18 | 0:14:20 | |
BOTH LAUGH | 0:14:20 | 0:14:22 | |
There's a lull in his busy day | 0:14:27 | 0:14:29 | |
so Alan takes the opportunity to visit VTS | 0:14:29 | 0:14:31 | |
and see who has photos of the most recent ships. | 0:14:31 | 0:14:34 | |
We don't get time for coffee, that's why. | 0:14:34 | 0:14:36 | |
-Blue Fighter, have you got him? -No, not yet. -Oh! | 0:14:36 | 0:14:40 | |
-I got... -Olympic Commander, New Olympic Commander? -No, I haven't got Olympic Commander. | 0:14:40 | 0:14:45 | |
-Oh, you're falling behind. -I know. | 0:14:45 | 0:14:47 | |
-Grampian Dawn? -No. -Oh! | 0:14:47 | 0:14:50 | |
It's 3-1 to Alan, but Barry has other things on his mind. | 0:14:50 | 0:14:54 | |
We can just see the south breakwater. | 0:14:54 | 0:14:57 | |
A thick fog is creeping across the harbour | 0:14:57 | 0:15:01 | |
and visibility has dropped to less than a quarter of a mile. | 0:15:01 | 0:15:04 | |
-WALKIE TALKIE: -I'm just not certain of the wisdom | 0:15:04 | 0:15:06 | |
of going at the moment. | 0:15:06 | 0:15:07 | |
Harbour office, magic. | 0:15:07 | 0:15:09 | |
It's taken the Bibby Sapphire 13 hours to reach the Janice FPU, | 0:15:17 | 0:15:21 | |
or Floating Production Unit, 175 miles out at sea. | 0:15:21 | 0:15:26 | |
Saturation diver Terry Dearlove is getting ready for another day on the sea bed. | 0:15:29 | 0:15:34 | |
-HIGH VOICE: -Terry, getting coffee in bed. | 0:15:34 | 0:15:36 | |
Yeah, for a change. | 0:15:36 | 0:15:38 | |
HIGH-PITCHED CHUCKLES | 0:15:38 | 0:15:39 | |
Once Terry has adapted to the pressure of working at depth, | 0:15:41 | 0:15:44 | |
his body needs to maintain that pressure. | 0:15:44 | 0:15:47 | |
So he lives in a pressurised chamber, | 0:15:49 | 0:15:51 | |
and breathes in a mix of helium and oxygen | 0:15:51 | 0:15:55 | |
that makes him sound like Donald Duck. | 0:15:55 | 0:15:57 | |
Once they're kitted up, they make their way to a dive bell | 0:16:05 | 0:16:09 | |
through a tunnel attached to their living chamber. | 0:16:09 | 0:16:11 | |
Dave Marsh, or Swampy, is the dive controller in charge of operations. | 0:16:14 | 0:16:19 | |
Roger that, and we have a seal, you can take out five, please. | 0:16:21 | 0:16:24 | |
You don't normally have to think of so many things at the one time. | 0:16:24 | 0:16:28 | |
Right, I'm good to come up on the cylinders. Coming up. | 0:16:30 | 0:16:34 | |
Swampy is also responsible for controlling the dive bell, | 0:16:34 | 0:16:37 | |
which is slowly moved over an opening in the ship's hull. | 0:16:37 | 0:16:40 | |
They'll trolley across the deck, | 0:16:40 | 0:16:42 | |
go down through the moon pool to the working deck. | 0:16:42 | 0:16:44 | |
Say when. OK, Bob, coming down. Hello, guys, on our way. | 0:16:44 | 0:16:49 | |
He lowers the bell, until it reaches a cradle at the bottom | 0:17:01 | 0:17:04 | |
of the ocean, which is attached to the ship by guide wires. | 0:17:04 | 0:17:09 | |
The guide wires guide the bell up and down. | 0:17:12 | 0:17:14 | |
If there were no wires, it'd just be swinging around the breeze and disaster. | 0:17:14 | 0:17:18 | |
Getting close. | 0:17:18 | 0:17:20 | |
Red 47, bell at depth. | 0:17:27 | 0:17:29 | |
Before Terry can leave the bell, | 0:17:29 | 0:17:31 | |
there's a rigorous process of safety checks. | 0:17:31 | 0:17:34 | |
Check the diver's umbilical's secured to the harness. | 0:17:34 | 0:17:37 | |
Diver's bail-out and function test is proven from the panel. | 0:17:37 | 0:17:40 | |
On at the bottle, off at the hat, | 0:17:40 | 0:17:43 | |
and the pressure is 280. Roger. | 0:17:43 | 0:17:46 | |
That's Terry there now, just going out the bell. | 0:17:48 | 0:17:51 | |
He's under the bell now in the water. | 0:17:55 | 0:17:58 | |
OK, then. Good for leaks? Good for leaks, Terry. | 0:17:58 | 0:18:02 | |
Finally, Terry can start work - | 0:18:03 | 0:18:05 | |
installing a pipeline from an underwater well to the rig above it. | 0:18:05 | 0:18:08 | |
It costs in excess of £100,000 per day | 0:18:12 | 0:18:16 | |
to charter a ship like the Bibby Sapphire. | 0:18:16 | 0:18:20 | |
The entire vessel with its 95-strong crew | 0:18:20 | 0:18:22 | |
exist for one reason only - | 0:18:22 | 0:18:26 | |
to support Terry and his buddy. | 0:18:26 | 0:18:29 | |
It's another day at The Crown & Anchor, | 0:18:36 | 0:18:40 | |
where Val's discovered a softer side to the sailors she serves. | 0:18:40 | 0:18:43 | |
Oot in that harbour, we've got hundreds of guys | 0:18:43 | 0:18:47 | |
that gives me a lot of respect really. | 0:18:47 | 0:18:50 | |
But as they say, "Well, Val, you give us respect, cos you look after us." | 0:18:51 | 0:18:55 | |
One of her regulars is Lee Pooley, a 25-year-old deck hand. | 0:18:55 | 0:18:59 | |
Well, darling, I'm everybody's mother in here, I think. | 0:19:06 | 0:19:09 | |
Have I never challenged you at pool, my darling? | 0:19:09 | 0:19:13 | |
Oooh, I feel a challenge coming on here. | 0:19:13 | 0:19:15 | |
'Lee is such a lovely guy. | 0:19:21 | 0:19:23 | |
'He turned round and says to me that I was the mother that he never had.' | 0:19:23 | 0:19:28 | |
Two shots to me, sod off! | 0:19:30 | 0:19:32 | |
Some mum she is, isn't she(?) | 0:19:32 | 0:19:34 | |
Get off till I play my shot. Move! | 0:19:34 | 0:19:36 | |
But, for Val, it's not really about winning. | 0:19:36 | 0:19:40 | |
-Chris, play pool cos he's a cheating little -BLEEP! | 0:19:40 | 0:19:44 | |
'When you're a barmaid, you have to be a wife, a mother, a sister, | 0:19:44 | 0:19:48 | |
'an agony aunt and everything.' | 0:19:48 | 0:19:50 | |
You all right, Lee? | 0:19:52 | 0:19:55 | |
But Lee isn't all right. He's due back at work in 40 minutes - | 0:19:55 | 0:19:58 | |
and he shouldn't be drinking. | 0:19:58 | 0:20:00 | |
He's... You're on watch at six o'clock. | 0:20:01 | 0:20:03 | |
I know. I've just telt him, he's on his way back, | 0:20:03 | 0:20:06 | |
-you cannae get off with nae back. -No, you cannae, no. | 0:20:06 | 0:20:09 | |
OK, Terry, I'm going to hand you over to Rob now. | 0:20:14 | 0:20:17 | |
You've been very semi-professional all the way. | 0:20:17 | 0:20:19 | |
On the Bibby Sapphire, it's crew change time - | 0:20:20 | 0:20:23 | |
and Rob Jones has joined at a critical juncture. | 0:20:23 | 0:20:26 | |
They're about to lower a work basket of tools down to the divers, | 0:20:26 | 0:20:30 | |
and where they put it is crucial. | 0:20:30 | 0:20:32 | |
No, that's fine, mate. | 0:20:32 | 0:20:34 | |
Take your time cos we need to obviously get this right. | 0:20:34 | 0:20:36 | |
The nearer to the job, the better. | 0:20:36 | 0:20:39 | |
Yeah, dive control, that's the main crane changed over to whip line | 0:20:39 | 0:20:43 | |
and it's ready to over-board. | 0:20:43 | 0:20:45 | |
But not so close that they injure the divers or damage the well head. | 0:20:45 | 0:20:48 | |
Right, coming down all the time, Terry. | 0:20:56 | 0:20:58 | |
It's Rob's job to co-ordinate the whole process. | 0:20:58 | 0:21:01 | |
You've got a visual on that. | 0:21:01 | 0:21:03 | |
As the basket's lowered, | 0:21:03 | 0:21:05 | |
Terry's responsible for making sure it's positioned correctly. | 0:21:05 | 0:21:08 | |
OK, you want me to put that move in, Tel? Roger. | 0:21:08 | 0:21:11 | |
Ford now, bridge. | 0:21:11 | 0:21:13 | |
Five metres ahead, bridge, you're clear to move. | 0:21:13 | 0:21:16 | |
-Right, bridge. Let's move. -On the move, guys. | 0:21:16 | 0:21:19 | |
In the crane, down easy, just watch your umbilicals, guys, | 0:21:19 | 0:21:23 | |
we obviously don't want to lay this on top of anyone's umbilical. | 0:21:23 | 0:21:26 | |
The umbilical is the divers' lifeline. | 0:21:26 | 0:21:29 | |
It connects them to the ship, and supplies the gas they're breathing. | 0:21:31 | 0:21:35 | |
The main thing we have to worry about is, | 0:21:35 | 0:21:38 | |
we've got two guys on the sea bed | 0:21:38 | 0:21:39 | |
and everything we do... | 0:21:39 | 0:21:43 | |
I would like to think, is geared up for them. | 0:21:43 | 0:21:47 | |
The divers, the crane and work-basket are constantly monitored. | 0:21:49 | 0:21:54 | |
That's the frame out the water. | 0:22:07 | 0:22:08 | |
Mission accomplished. | 0:22:10 | 0:22:12 | |
The crane is all stopped - vessel move, stop, please. | 0:22:12 | 0:22:15 | |
'All is stopped, vessel move complete.' | 0:22:15 | 0:22:18 | |
Vessel move is complete, guys. | 0:22:18 | 0:22:20 | |
OK, nice one, fellas. | 0:22:20 | 0:22:23 | |
Lee's still in the Crown & Anchor - | 0:22:43 | 0:22:46 | |
and struggling to tear himself away. | 0:22:46 | 0:22:48 | |
I've told him, I've just finished telling him | 0:22:49 | 0:22:52 | |
he's on shift at 6 o'clock. | 0:22:52 | 0:22:54 | |
Back on the boat. | 0:22:54 | 0:22:56 | |
Get your butt round here, | 0:22:56 | 0:22:57 | |
get your bag and get back on that boat, darling. | 0:22:57 | 0:23:01 | |
He's a rare lad. | 0:23:01 | 0:23:03 | |
-Good night, Val. -See you later on. | 0:23:03 | 0:23:06 | |
There's a zero tolerance policy on drinking - | 0:23:06 | 0:23:09 | |
something Lee should already know. | 0:23:09 | 0:23:11 | |
You have to be here for them because they've got naebody else. | 0:23:11 | 0:23:14 | |
There is a lot of lonely people... a lot. | 0:23:14 | 0:23:18 | |
Sea fog - or haar, as it's known in the North East - | 0:23:26 | 0:23:30 | |
is an occupational hazard for those that work at the harbour. | 0:23:30 | 0:23:35 | |
Visibility, I'd estimate, is about half a mile from our station. | 0:23:35 | 0:23:40 | |
It happens when a parcel of warm air passes over the notoriously cold North Sea. | 0:23:40 | 0:23:45 | |
Fog plays tricks on people and you don't really know | 0:23:48 | 0:23:51 | |
what they are going to do. | 0:23:51 | 0:23:52 | |
People do strange things in fog, probably things | 0:23:52 | 0:23:55 | |
they wouldn't do otherwise, when they can see something. | 0:23:55 | 0:23:58 | |
Even VTS is helpless if they can't see what's going on. | 0:24:00 | 0:24:03 | |
I hate fog, I hated fog when I was at sea. | 0:24:05 | 0:24:08 | |
I don't like it any more now. | 0:24:08 | 0:24:10 | |
At home, after another shift, Val's had news of Lee - and it's not good. | 0:24:19 | 0:24:25 | |
He never went on his shift and he actually got the sack. | 0:24:25 | 0:24:29 | |
I just think he needs somebody there to show him a bit of love, I think. | 0:24:29 | 0:24:37 | |
I just like to show him it when he is here in the pub with us. | 0:24:37 | 0:24:41 | |
Hearing about Lee makes Val reflect on her relationship with her own son. | 0:24:43 | 0:24:47 | |
Me and my son kind of parted ways for a while. | 0:24:50 | 0:24:53 | |
A lot of things, fault on both sides, not just his, mine, as well. | 0:24:53 | 0:24:58 | |
I was standing at Marks & Spencer's and this old neighbour | 0:24:59 | 0:25:02 | |
I used to have fae North Anderson Drive came up and she says to me, | 0:25:02 | 0:25:06 | |
"I thought you were dead, your son said you were dead". | 0:25:06 | 0:25:09 | |
And I said, "Pardon? As you can see, I'm very much alive". | 0:25:09 | 0:25:14 | |
That really, really hurt | 0:25:14 | 0:25:16 | |
and I thought, "Oh, my God, does my son really think that of me?" | 0:25:16 | 0:25:21 | |
Maybe that's why I mother a' the guys that come out the boats now, | 0:25:25 | 0:25:29 | |
because they all cry I mother them, but... | 0:25:29 | 0:25:33 | |
Me and my son'll sort it oot. | 0:25:33 | 0:25:34 | |
In the icy depths of the North Sea, Terry's approaching the end of his dive. | 0:25:50 | 0:25:54 | |
He's worked without a break since he left the dive bell. | 0:25:59 | 0:26:03 | |
And hasn't eaten since breakfast. But there's only one thing on his mind... | 0:26:03 | 0:26:07 | |
X Factor, yeah, I'll get you back for that. | 0:26:09 | 0:26:13 | |
Ah, it's Saturday night, isn't it? | 0:26:14 | 0:26:15 | |
And we have a slight improvement in visibility from our station here. | 0:26:19 | 0:26:23 | |
As quickly as the fog arrives, it lifts. | 0:26:25 | 0:26:28 | |
That's fine, you have traffic clearance inwards following the Maersk Forwarder. | 0:26:30 | 0:26:34 | |
Beautiful evening now. | 0:26:38 | 0:26:40 | |
His buddy pulls Terry back into the dive bell, | 0:26:48 | 0:26:51 | |
which returns to the ship. | 0:26:51 | 0:26:52 | |
And when a diver's social life is so restricted, | 0:27:08 | 0:27:11 | |
it's the little things that matter... | 0:27:11 | 0:27:13 | |
I've just been through and spoke to the chef. | 0:27:13 | 0:27:16 | |
He's fine with the steaks, omelettes, eggs. | 0:27:16 | 0:27:19 | |
He is a little bit confused if you want beans and chips with it, | 0:27:19 | 0:27:22 | |
or a jacket potato, or... Chips and beans, is that OK? | 0:27:22 | 0:27:27 | |
Installing the pipeline is a non-stop 24-hour operation. | 0:27:30 | 0:27:34 | |
There are four sets of divers on the Bibby Sapphire, | 0:27:35 | 0:27:38 | |
each working a six-hour shift. | 0:27:38 | 0:27:41 | |
'If you can pull it astern of the wheel station, clear of the diver.' | 0:27:49 | 0:27:53 | |
The oil industry pumps out 3.2 million barrels of oil a day. | 0:27:53 | 0:27:58 | |
The Bibby Sapphire is an essential part of that process. | 0:27:59 | 0:28:03 | |
-IAN: -Scary thing looming up the darkness. | 0:28:10 | 0:28:12 | |
Almost another day over. Another day in paradise! | 0:28:15 | 0:28:18 | |
Coming up next week, a storm lashes the harbour... | 0:28:26 | 0:28:30 | |
Whatever you do in this weather, don't mess about. | 0:28:30 | 0:28:33 | |
..and saturation diver Terry makes a startling observation. | 0:28:35 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |