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Aberdeen Harbour, on the north-east coast of Scotland... | 0:00:04 | 0:00:09 | |
SHIP'S HORN | 0:00:09 | 0:00:11 | |
..one of Britain's oldest businesses... | 0:00:11 | 0:00:14 | |
It's just like a conveyor belt. It just never just stops! | 0:00:14 | 0:00:17 | |
..and one of Europe's most modern ports. | 0:00:17 | 0:00:20 | |
You've got clearance to sail now. | 0:00:20 | 0:00:21 | |
This is a glimpse into a hidden world... | 0:00:21 | 0:00:24 | |
On our way. He's under the bell now. | 0:00:24 | 0:00:26 | |
..of men and women who keep the harbour running... | 0:00:26 | 0:00:29 | |
It's what you would call a typical woman. | 0:00:29 | 0:00:31 | |
I'm a poor defenceless female, so watch it. | 0:00:31 | 0:00:34 | |
..24 hours a day... | 0:00:34 | 0:00:36 | |
Things change like... CLICKS FINGERS | 0:00:36 | 0:00:38 | |
It's getting on for a Force 10 now. | 0:00:39 | 0:00:41 | |
Hang fire on that bell. | 0:00:43 | 0:00:45 | |
This is just madness. | 0:00:45 | 0:00:47 | |
..365 days a year... | 0:00:47 | 0:00:49 | |
Goodbye, cruel world. | 0:00:49 | 0:00:52 | |
God, I'm greeting here. | 0:00:52 | 0:00:54 | |
-Jimmy! -How are you, my friend? | 0:00:54 | 0:00:56 | |
It has been my pleasure. | 0:00:56 | 0:00:59 | |
The Harbour. | 0:00:59 | 0:01:00 | |
SHIP'S HORN | 0:01:00 | 0:01:03 | |
Aberdeen Harbour handles almost five million tonnes of cargo, | 0:01:08 | 0:01:12 | |
worth around £1.5 billion, every year. | 0:01:12 | 0:01:16 | |
Once you get in this machine, you get a good view of the boats. | 0:01:16 | 0:01:19 | |
It's the main centre of operations | 0:01:20 | 0:01:23 | |
for the offshore gas and oil industry, | 0:01:23 | 0:01:26 | |
and the principal commercial port in northern Scotland. | 0:01:26 | 0:01:29 | |
Slow, slow...quick, quick, slow. | 0:01:30 | 0:01:33 | |
It injects £510 million a year into the local economy. | 0:01:33 | 0:01:38 | |
All this depends on the harbour staying open | 0:01:42 | 0:01:44 | |
all day every day, | 0:01:44 | 0:01:46 | |
and in all weathers. | 0:01:46 | 0:01:48 | |
VTS. Pilot cutter. Hello, Crawf. Yes, it's Keith and me aboard. | 0:01:49 | 0:01:54 | |
We're headed out. It's not very nice, is it? | 0:01:54 | 0:01:57 | |
Pilot Tim Wingate is used to the unpredictable north-east weather, | 0:01:57 | 0:02:02 | |
but even for him, gusts of up to 60 miles an hour are unusual. | 0:02:02 | 0:02:06 | |
Whatever you do in this weather, don't mess about. | 0:02:08 | 0:02:11 | |
It's getting on for a Force 10 now. | 0:02:13 | 0:02:15 | |
It's not the nicest feeling in the world, | 0:02:18 | 0:02:20 | |
but you've just got to get on with it. It's part of the job. | 0:02:20 | 0:02:24 | |
There comes a point when it's almost too dangerous to leap from one boat to another. | 0:02:27 | 0:02:32 | |
Yeah, I know. | 0:02:32 | 0:02:33 | |
This time, he makes it. | 0:02:37 | 0:02:39 | |
OK, cheers. | 0:02:39 | 0:02:40 | |
It's a bit rougher than it was yesterday. The wind's picked up. It's 40 knots, 45 knots. | 0:02:42 | 0:02:47 | |
And Tim found it tough piloting the ship through the harbour's narrow entrance. | 0:02:48 | 0:02:54 | |
That was hairy, that was, coming through the cut. | 0:02:54 | 0:02:56 | |
It was about five metres off. But I was, like, full thrusters. | 0:02:56 | 0:02:59 | |
As the evening progresses, the weather worsens. | 0:02:59 | 0:03:03 | |
-I was coming in there, I was getting 65 knots. -I don't think that's a good idea. | 0:03:05 | 0:03:09 | |
We'll just suspend it for an hour or so. | 0:03:09 | 0:03:13 | |
Whether or not the harbour closes is up to the pilots, | 0:03:16 | 0:03:19 | |
the harbour master and Vessel Traffic Services, VTS. | 0:03:19 | 0:03:23 | |
And they've decided to close it. | 0:03:24 | 0:03:26 | |
It's rare for the harbour to close for any length of time. | 0:03:36 | 0:03:39 | |
But the stormy weather means it's unusually quiet for VTS controller, Ralph Greig. | 0:03:41 | 0:03:46 | |
RADIO MESSAGE | 0:03:46 | 0:03:49 | |
If you would note, please, that the port is currently closed | 0:03:51 | 0:03:54 | |
due to high sea conditions at the entrance. | 0:03:54 | 0:03:58 | |
It's his job to direct all activity within the harbour area. | 0:03:59 | 0:04:03 | |
But not today. | 0:04:03 | 0:04:06 | |
Sorry, there's nothing happening. | 0:04:06 | 0:04:08 | |
HE LAUGHS | 0:04:08 | 0:04:10 | |
The one thing that we cannot control is the weather. | 0:04:14 | 0:04:17 | |
We just can't. | 0:04:17 | 0:04:18 | |
We've got six- to seven-metre high waves at the entrance now, | 0:04:18 | 0:04:24 | |
which is just... No boat can really cope with that, | 0:04:24 | 0:04:27 | |
coming in through such a narrow entrance. | 0:04:27 | 0:04:29 | |
Everybody who's in port is stuck in, | 0:04:29 | 0:04:32 | |
and everybody who's outside is stuck out. | 0:04:32 | 0:04:34 | |
But Ralph has other problems. | 0:04:34 | 0:04:37 | |
You see, I've got my iPad with me but I've finished my book, | 0:04:39 | 0:04:43 | |
so I've got nothing to read. That's my problem this morning. | 0:04:43 | 0:04:47 | |
175 miles out at sea is the Bibby Sapphire. | 0:04:57 | 0:05:01 | |
And saturation diver Terry Dearlove | 0:05:03 | 0:05:06 | |
is preparing for his final dive of the tour. | 0:05:06 | 0:05:09 | |
He's demob happy after spending 25 days inside this pressurised chamber, | 0:05:11 | 0:05:15 | |
where the helium mix he breathes to enable him to dive at depth | 0:05:15 | 0:05:19 | |
alters his voice. | 0:05:19 | 0:05:21 | |
HIGH-PITCHED: | 0:05:21 | 0:05:24 | |
Today, Terry is the bellman. | 0:05:34 | 0:05:36 | |
It's his job to dress the divers | 0:05:36 | 0:05:38 | |
and make sure that their helmets are on correctly. | 0:05:38 | 0:05:41 | |
He also makes sure the divers have enough hot water in their suits, | 0:05:55 | 0:05:59 | |
so they can survive in temperatures of just five degrees. | 0:05:59 | 0:06:02 | |
Despite being paid £1,200 a day, the time is hanging heavily on Terry. | 0:06:07 | 0:06:12 | |
The harbour's been closed on and off for the past couple of days, | 0:06:29 | 0:06:33 | |
and it's up to the duty pilot to decide whether it's safe to re-open. | 0:06:33 | 0:06:37 | |
-What do you reckon, Jim? Two? -Two, two-and-a-half metres. | 0:06:38 | 0:06:42 | |
Two-and-a-half metres. VTS pilot cutter. | 0:06:42 | 0:06:46 | |
It's still a lot worse than it looks from there. | 0:06:48 | 0:06:51 | |
Every minute the harbour's closed costs money. | 0:06:51 | 0:06:54 | |
The harbour doesn't get the revenue from the ship coming in. | 0:06:54 | 0:06:58 | |
The agents in the port will therefore not get the work. | 0:06:58 | 0:07:03 | |
Stevedores, cranes, haulage companies... | 0:07:04 | 0:07:07 | |
It's got a knock-on effect to everything if a ship can't come into port. | 0:07:07 | 0:07:12 | |
It also means no work for boatmen Alan Cowper and Norman Campbell, | 0:07:12 | 0:07:17 | |
sitting out the storm in their bothy. | 0:07:17 | 0:07:19 | |
Is it a BBC One or Two...? | 0:07:20 | 0:07:23 | |
I fancy a cruise up the Norwegian fjords. | 0:07:23 | 0:07:25 | |
I've seen them advertised. It's quite cheap, actually. | 0:07:26 | 0:07:30 | |
Aye, but I dinnae think it's so much you pay the cruise. | 0:07:30 | 0:07:33 | |
It's when you're on board, you're having to tip folk. | 0:07:33 | 0:07:35 | |
I'll gie ye a tip see that broken bottle, dinnae wipe yer arse wi' it. | 0:07:35 | 0:07:39 | |
That'll help you a lot, that one. | 0:07:39 | 0:07:41 | |
This is it. At the moment, this is borderline. | 0:07:44 | 0:07:48 | |
We have 17 inside, that we know, ready to sail. | 0:07:48 | 0:07:51 | |
And we have...24 ready to come in. | 0:07:51 | 0:07:57 | |
The duty pilot attempts to take the first vessel out. | 0:08:01 | 0:08:05 | |
Conditions are still rough. | 0:08:05 | 0:08:08 | |
But he successfully makes the first run. | 0:08:14 | 0:08:17 | |
3½ knots round the corner. It's not fast enough. | 0:08:17 | 0:08:21 | |
The harbour's back in business. | 0:08:21 | 0:08:24 | |
We're going away to let go of the Highland Prince. He's ready to sail. | 0:08:28 | 0:08:32 | |
But it will take time to clear the backlog that's accumulated. | 0:08:34 | 0:08:38 | |
This is when the adrenaline starts to get going up here. | 0:08:38 | 0:08:42 | |
RADIO CHATTER | 0:08:42 | 0:08:44 | |
PHONE RINGS | 0:08:44 | 0:08:46 | |
Highland Prince, boatman. | 0:08:46 | 0:08:48 | |
Yeah, that's me quayside, ready to let you go, Captain. | 0:08:48 | 0:08:51 | |
Of course when the weather dies down and everything can get going, it's a mad rush then. | 0:08:51 | 0:08:55 | |
Right, you're on the list. | 0:08:55 | 0:08:57 | |
If conditions improve enough to get you out, we certainly will do. | 0:08:57 | 0:09:01 | |
His shift over, | 0:09:14 | 0:09:16 | |
Alan's watching his teenage daughter warm up at football practice. | 0:09:16 | 0:09:20 | |
Cassie's number 11. She usually plays in defence but... | 0:09:22 | 0:09:26 | |
I'll maybe just give her a slap as she goes past, | 0:09:26 | 0:09:28 | |
tell her to get on wi' it. | 0:09:28 | 0:09:31 | |
Her hobby takes him all over Scotland. | 0:09:31 | 0:09:33 | |
She does look for you, though. | 0:09:35 | 0:09:37 | |
Even though she puts it out she's a big toughie, ye ken, she isn't. | 0:09:37 | 0:09:41 | |
She always looks for you. | 0:09:41 | 0:09:44 | |
Talent scouts are looking for players for the Scottish Under-15 girls' squad. | 0:09:44 | 0:09:49 | |
So the two have come to Glasgow for two days of trials. | 0:09:49 | 0:09:52 | |
No, no, have you had success at rugby, like? Have you had success at that? | 0:09:52 | 0:09:58 | |
-No, you haven't. Future job, career? -Hobo. -Hobo, aye, that's about it. Dinnae write hobo. | 0:09:58 | 0:10:04 | |
'I must admit, I had a bit of a restless kind of night. | 0:10:04 | 0:10:06 | |
'I think it was a bit of excitement and worry for her, like, you ken.' | 0:10:06 | 0:10:11 | |
Well, she's only 13 and it's a lot for her, | 0:10:11 | 0:10:13 | |
'but she seemed to be a wee bit nervous today as well.' | 0:10:13 | 0:10:16 | |
Outside school. | 0:10:16 | 0:10:17 | |
The tension is already beginning to show. | 0:10:17 | 0:10:20 | |
-01224... -Oh, my God! -Aye, well, just in case you forget. -I know it! | 0:10:20 | 0:10:24 | |
It's been a long process for Cassie to make it this far. | 0:10:24 | 0:10:27 | |
-..schoolteacher's to go for a trial in... -Yeah. | 0:10:27 | 0:10:31 | |
Let's see if we can get some people into the next round for Scotland trials. | 0:10:31 | 0:10:36 | |
The following two days will decide who makes the Scottish team. | 0:10:36 | 0:10:40 | |
Back on the Bibby Sapphire, the two divers are struggling to secure a valve. | 0:10:45 | 0:10:49 | |
-Has that gone on, fellas, has it? -'No.' | 0:10:51 | 0:10:54 | |
But it's proving tricky. | 0:10:54 | 0:10:56 | |
Is it not engaging properly? | 0:10:56 | 0:10:58 | |
And the divers are running out of time. | 0:10:58 | 0:11:01 | |
-Yeah, turn it again. -The ship costs more than £4,000 an hour to run, | 0:11:01 | 0:11:06 | |
and everyone is focused on finishing the job as quickly as possible, as long as it's safe. | 0:11:06 | 0:11:12 | |
-It can go either way, it'll be loose. -Yeah, you can go either way with it, you know? | 0:11:12 | 0:11:17 | |
He just wants to unscrew that first one. | 0:11:17 | 0:11:20 | |
Even just doing something like a hand tie, you know, | 0:11:20 | 0:11:23 | |
you've got the water resistance, etcetera. Everything's a little bit more difficult. | 0:11:23 | 0:11:29 | |
There's no option but to leave it for the next team. | 0:11:29 | 0:11:33 | |
OK, guys, that's a nice one, that's your last dive, isn't it? | 0:11:33 | 0:11:37 | |
Yeah, thanks very much, lads. | 0:11:37 | 0:11:39 | |
As Terry comes up, the other bell is on its way down. | 0:11:46 | 0:11:49 | |
But there's another problem. | 0:11:49 | 0:11:52 | |
Can you just hang fire on that bell? We'll concentrate on this one. | 0:11:52 | 0:11:57 | |
One of the valves is open, and the dive bell is losing pressure. | 0:11:57 | 0:12:01 | |
This port bell got into a bit of a problem with the seal. | 0:12:01 | 0:12:05 | |
Just standby, we'll try to put some pressure on this door. | 0:12:05 | 0:12:07 | |
-Are all your valves open, yep? -'Yep.' | 0:12:07 | 0:12:10 | |
All Terry and the other divers can do is wait. | 0:12:10 | 0:12:15 | |
I've got pressure on the door, we'll go for a seal again, take ten. | 0:12:15 | 0:12:19 | |
-'Roger.' -That's looking good this side. | 0:12:19 | 0:12:22 | |
-OK, we're good here, Rob. Equalising. -'Roger.' | 0:12:22 | 0:12:26 | |
-It's all OK now. -Jeff White is the life support supervisor. | 0:12:26 | 0:12:31 | |
It's his job to constantly monitor the divers living in saturation. | 0:12:31 | 0:12:36 | |
-And he'll say... -'Down the door, please, mate.' -Coming down. | 0:12:36 | 0:12:40 | |
Another day dawns at the harbour. | 0:12:52 | 0:12:55 | |
Skandi Buchan, VTS, OK. Pilot's on his way to you. Feel free to let go. | 0:12:57 | 0:13:02 | |
Ralph started working at VTS just over five years ago. | 0:13:06 | 0:13:10 | |
VTS, OK, you've got clearance to sail now. | 0:13:10 | 0:13:14 | |
While he loves the job, it's taken him away from his first love. | 0:13:14 | 0:13:18 | |
All clear. | 0:13:18 | 0:13:20 | |
And a career change is in the offing. | 0:13:20 | 0:13:23 | |
The ships, when I was at sea, best bit of it was driving them. | 0:13:26 | 0:13:30 | |
I think that's why everybody goes to sea, is driving the boats. | 0:13:30 | 0:13:33 | |
And it's the one thing I've missed since I've come shoreside. | 0:13:33 | 0:13:37 | |
All fast. Thank you. | 0:13:37 | 0:13:39 | |
So Ralph has decided to train as a pilot, | 0:13:39 | 0:13:42 | |
which is almost heretical for a VTS controller. | 0:13:42 | 0:13:46 | |
Pilots and VTS, although we work together, | 0:13:46 | 0:13:49 | |
they're like chalk and cheese. | 0:13:49 | 0:13:52 | |
Most of the guys up here can't believe the pilots going out there | 0:13:52 | 0:13:56 | |
in all the rough weather, the cold, the wind, the rain, the snow, | 0:13:56 | 0:13:59 | |
the sleet and jumping aboard the boats. | 0:13:59 | 0:14:02 | |
And all the pilots can't believe the guys up here | 0:14:04 | 0:14:08 | |
having to put up with the emails and the phone calls, you know. | 0:14:08 | 0:14:12 | |
Morning, Brian. What, here? | 0:14:12 | 0:14:14 | |
So I'm a bit of an oddity. | 0:14:14 | 0:14:17 | |
I just like driving ships. When you're on board a ship, | 0:14:22 | 0:14:25 | |
one of these big, huge ships, you do something on the bridge of that ship, | 0:14:25 | 0:14:29 | |
and something that size does exactly what you want it to do. | 0:14:29 | 0:14:33 | |
It's almost one of the best jobs you could have at sea. | 0:14:39 | 0:14:42 | |
Keep going, keep going, that's it. | 0:14:48 | 0:14:49 | |
APPLAUSE | 0:14:49 | 0:14:52 | |
On the pitch, Cassie is doing her best to impress the scouts. | 0:14:52 | 0:14:56 | |
She's been playing football since she was about, I would say, five, six years old. | 0:14:58 | 0:15:03 | |
Keep going up... | 0:15:03 | 0:15:05 | |
Anything to do with your national team's going to be exciting, ken? | 0:15:05 | 0:15:08 | |
She's facing stiff competition from 29 other girls, all hoping to make the final selection. | 0:15:11 | 0:15:17 | |
Absolute rubbish. | 0:15:18 | 0:15:21 | |
Mind the hankies that I gave to thingy last year? You'll need them! | 0:15:21 | 0:15:25 | |
Best player in the park, I think. | 0:15:26 | 0:15:29 | |
Cassie, though, has caught the scouts' eye. | 0:15:29 | 0:15:31 | |
Cassie, she's no' scared of a tackle. | 0:15:31 | 0:15:34 | |
-Her use of the ball is good. -Mm-hm. -But she definitely has to watch her positional sense. | 0:15:36 | 0:15:42 | |
But it's not a good game for Cassie. Her team loses 6-2. | 0:15:42 | 0:15:47 | |
What can you do? You can only try your best. | 0:15:49 | 0:15:51 | |
They didn't seem to close them down enough. | 0:15:51 | 0:15:53 | |
-We didn't play well. -Left holding the bags. The usual. | 0:15:53 | 0:15:57 | |
It will be an agonising few days before they find out if Cassie's made the team. | 0:15:59 | 0:16:04 | |
On the Bibby Sapphire, Terry is now beginning the lengthy process of decompression. | 0:16:11 | 0:16:16 | |
The gas that Terry's been breathing over the past 25 days has dissolved into his body. | 0:16:27 | 0:16:33 | |
So that it can be released safely, the pressure on his body has to be | 0:16:34 | 0:16:38 | |
gradually reduced over a period of days. | 0:16:38 | 0:16:41 | |
-HIGH-PITCHED: -November, November! | 0:16:41 | 0:16:43 | |
'It's a bit like a fizzy bottle.' | 0:16:43 | 0:16:46 | |
If you kind of release that lid or cap too quick, the bubbles come out too quick. | 0:16:46 | 0:16:52 | |
'And it would actually burst through their skin if you try and bring them up too quick.' | 0:16:52 | 0:16:58 | |
That's why it takes so long to bring them out, | 0:16:58 | 0:17:00 | |
because we have to do a little bit, a little bit each time. | 0:17:00 | 0:17:04 | |
Without that gradual reduction in pressure, the divers would | 0:17:05 | 0:17:09 | |
suffer from the bends, which, at this depth, would be fatal. | 0:17:09 | 0:17:13 | |
It's about half-five, and they're out just before three tomorrow. | 0:17:16 | 0:17:22 | |
So, less then a day. Yeah, they're looking forward to it. | 0:17:22 | 0:17:25 | |
At some point, some guys will give it a go. | 0:17:32 | 0:17:34 | |
It's either for you or it isn't. | 0:17:34 | 0:17:37 | |
If you've got a fear of closed in spaces, | 0:17:37 | 0:17:39 | |
you definitely don't want to go in there! | 0:17:39 | 0:17:41 | |
Then Terry spots something ominous. | 0:17:54 | 0:17:58 | |
A storm coming his way. | 0:17:58 | 0:18:00 | |
That may well scupper all his plans. | 0:18:03 | 0:18:06 | |
It's now been three days since the football trials, | 0:18:31 | 0:18:35 | |
and Alan's waiting to hear whether Cassie's made it into the team. | 0:18:35 | 0:18:39 | |
That's ten o'clock. | 0:18:39 | 0:18:41 | |
'When it's your kids, like, you want the best for them, ye ken. | 0:18:44 | 0:18:48 | |
'You don't want to let them down. | 0:18:48 | 0:18:52 | |
'I don't know how she'll feel, whether if she doesn't qualify, | 0:18:52 | 0:18:55 | |
'she's not good enough, I don't know.' | 0:18:55 | 0:18:57 | |
Four nights a week training, two games on a Saturday and Sunday. | 0:18:57 | 0:19:02 | |
Only Friday night off, it's a lot for a young girl, ken. | 0:19:02 | 0:19:05 | |
But the call he expects doesn't come. | 0:19:05 | 0:19:08 | |
You just want to hear one way or another. | 0:19:08 | 0:19:11 | |
And Alan has to go to work. | 0:19:15 | 0:19:17 | |
It's very frustrating, | 0:19:19 | 0:19:21 | |
especially when they told you it was going to be half nine this morning. | 0:19:21 | 0:19:24 | |
Give or take an hour, | 0:19:24 | 0:19:26 | |
so half ten, you'd have thought it would have been in, | 0:19:26 | 0:19:28 | |
and here's half 12 and it's still not in. | 0:19:28 | 0:19:30 | |
Even when she's not working, | 0:19:37 | 0:19:39 | |
her sea-faring customers are never far | 0:19:39 | 0:19:41 | |
from barmaid Val Morrison's mind. | 0:19:41 | 0:19:45 | |
Here's Danny, "Yeah, I'm not too bad. Over in Barcelona." | 0:19:45 | 0:19:49 | |
Aberdeen fine. | 0:19:49 | 0:19:51 | |
Busy as usual. | 0:19:51 | 0:19:53 | |
Sometimes, I'm on here speaking to my guys | 0:19:53 | 0:19:55 | |
till 4 or 5 in the morning. | 0:19:55 | 0:19:58 | |
I ken it's daft. Everybody says, "Oh, they're just boat guys," | 0:19:58 | 0:20:03 | |
but they're nae just boat guys to me. | 0:20:03 | 0:20:05 | |
I hope I havenae sent that to myself. | 0:20:05 | 0:20:08 | |
For sailors all over the world, | 0:20:10 | 0:20:12 | |
their girl in Aberdeen Harbour will always be Val | 0:20:12 | 0:20:15 | |
at the Crown and Anchor. | 0:20:15 | 0:20:18 | |
Right, my darling. | 0:20:18 | 0:20:20 | |
-Can I have a bottle of...? -A bottle of Newcie Brown. -Yes. | 0:20:20 | 0:20:22 | |
You need a Bombay Sapphire with a bottle of tonic. | 0:20:22 | 0:20:24 | |
You need a vodka and lemonade there, you need a bottle of Corona there, | 0:20:24 | 0:20:27 | |
you need a pint of lager for you, he disnae need a pint of lager... | 0:20:27 | 0:20:30 | |
-You're a legend in Vietnam, by the way. -How? | 0:20:30 | 0:20:32 | |
I was on a boat in Vietnam... | 0:20:32 | 0:20:34 | |
-You weren't?! -I was! | 0:20:34 | 0:20:35 | |
I've to ask you, what's the Coalminer's Daughter song? | 0:20:35 | 0:20:39 | |
-SHE LAUGHS -Who asked you that? | 0:20:39 | 0:20:41 | |
-Ah! That's your karaoke song, is it? -That's right! | 0:20:41 | 0:20:44 | |
That was fae Chris Gunn fae Shetland. | 0:20:44 | 0:20:47 | |
Oh, I always used to have to sing that song to him when he was here. | 0:20:47 | 0:20:50 | |
# I was born a coalminer's daughter... # | 0:20:51 | 0:20:55 | |
She's known all over the world, supposedly. | 0:20:55 | 0:20:58 | |
I don't know what for, though! | 0:20:58 | 0:20:59 | |
I could never retire. ..Three. | 0:20:59 | 0:21:02 | |
I'll never, ever retire from here. | 0:21:02 | 0:21:04 | |
The Crown and Anchor is just as familiar | 0:21:05 | 0:21:07 | |
to sailors even closer to home. | 0:21:07 | 0:21:10 | |
Like ship's master Hugh Jones | 0:21:10 | 0:21:12 | |
and offshore project manager Roger Lowe on the Bibby Sapphire. | 0:21:12 | 0:21:16 | |
I sometimes frequent the Crown and Anchor | 0:21:16 | 0:21:19 | |
on the other side of the dock area. | 0:21:19 | 0:21:22 | |
And the captain is actually very friendly with the landlady there. | 0:21:22 | 0:21:25 | |
HE LAUGHS | 0:21:25 | 0:21:28 | |
Outside, the weather's rapidly deteriorating. | 0:21:29 | 0:21:33 | |
We're looking at Sunday there | 0:21:34 | 0:21:36 | |
between six-and-a-half and ten-and-a-half metres. | 0:21:36 | 0:21:39 | |
But all Terry cares about is escaping from decompression. | 0:21:41 | 0:21:45 | |
You're going to be a happy bunny within an hour. | 0:21:47 | 0:21:50 | |
Yeah, they're really anticipating coming out very much now. | 0:21:50 | 0:21:53 | |
They're probably hoping the door goes early, | 0:21:53 | 0:21:56 | |
but we don't let that happen. | 0:21:56 | 0:21:59 | |
See if they can resist pulling the door. | 0:22:06 | 0:22:09 | |
He's got his roll under his arm. | 0:22:09 | 0:22:12 | |
Almost to the minute. | 0:22:12 | 0:22:13 | |
He'll try the door. | 0:22:13 | 0:22:15 | |
DOOR CLANGS AGAINST FRAME | 0:22:15 | 0:22:17 | |
See, even with a small amount of pressure in there, | 0:22:17 | 0:22:21 | |
they won't be able to open the door. | 0:22:21 | 0:22:23 | |
They're counting the seconds now. | 0:22:23 | 0:22:25 | |
Finally, Alan gets a call... | 0:22:36 | 0:22:39 | |
-Hello? -..but it's not the one he's expecting. | 0:22:39 | 0:22:42 | |
I dinnae ken, we haven't found out yet. | 0:22:42 | 0:22:44 | |
He's worse than an expectant mother, is he? | 0:22:44 | 0:22:46 | |
It's getting a bit annoying now. | 0:22:46 | 0:22:49 | |
I ken I'm pacing! | 0:22:49 | 0:22:50 | |
Nae much wonder he's grey. Worry. | 0:22:50 | 0:22:53 | |
PHONE RINGS | 0:22:53 | 0:22:55 | |
It's not my phone, it's not my phone. | 0:22:55 | 0:22:57 | |
And there's another call. | 0:22:57 | 0:22:58 | |
OK, Mum, I'll phone when I ken. Ta-ra. Bye-bye. Bye. | 0:23:02 | 0:23:06 | |
David Cameron. | 0:23:07 | 0:23:09 | |
His colleague Norman knows how much it means to Alan | 0:23:11 | 0:23:14 | |
that his children do well. | 0:23:14 | 0:23:15 | |
Alan and I... All the boatmen... | 0:23:17 | 0:23:19 | |
When you're on with somebody for as long as we are, | 0:23:19 | 0:23:22 | |
we see each other more than we see our wives and kids. | 0:23:22 | 0:23:25 | |
So you speak... Obviously night shift, if it's a quiet shift, | 0:23:25 | 0:23:28 | |
you speak about your life, so your lives are actually intertwined, | 0:23:28 | 0:23:31 | |
even though you've got separate lives. | 0:23:31 | 0:23:34 | |
When the next job comes in, Norman covers it. | 0:23:36 | 0:23:39 | |
Good old Norm. | 0:23:41 | 0:23:43 | |
On the Bibby Sapphire, Terry's exploding with impatience. | 0:23:46 | 0:23:49 | |
All right, fellas. | 0:23:49 | 0:23:52 | |
The door should have opened by now. | 0:23:52 | 0:23:54 | |
It's hovering over the "on surface", | 0:23:54 | 0:23:57 | |
so I don't know what's keeping that door shut. | 0:23:57 | 0:23:59 | |
Finally, after 28 days and five hours... | 0:24:03 | 0:24:06 | |
-All right? How you doing? -Very well. How you feeling? | 0:24:06 | 0:24:09 | |
I'm feeling... | 0:24:09 | 0:24:10 | |
I'm feeling OK at the moment. | 0:24:10 | 0:24:13 | |
I'll be feeling even better though if you let me get out. | 0:24:13 | 0:24:16 | |
First thing I'm going to do? | 0:24:22 | 0:24:24 | |
I'm going to go for a drink and then I'm going to go | 0:24:24 | 0:24:28 | |
and maybe have a number two or something like that. | 0:24:28 | 0:24:30 | |
Did you see the voice change then? It was just a little bit different. | 0:24:30 | 0:24:34 | |
We're still stood near there so you're getting gas coming out, | 0:24:34 | 0:24:37 | |
so my voice is changing back to normal now. | 0:24:37 | 0:24:40 | |
'Jimmy!' | 0:24:40 | 0:24:41 | |
And there's the chance to catch up with old friends. | 0:24:41 | 0:24:44 | |
Terry! How are you, Terry? | 0:24:44 | 0:24:46 | |
No-one knows exactly when the ship's going back to Aberdeen. | 0:24:49 | 0:24:52 | |
But Terry hopes it's soon. | 0:24:52 | 0:24:55 | |
On Saturday night, it's my daughter's 18th birthday party. | 0:24:55 | 0:24:58 | |
She's got like the top floor of a club and two DJs are coming, | 0:24:59 | 0:25:02 | |
so it should be a right ball. | 0:25:02 | 0:25:04 | |
But I think she's got a lot of friends | 0:25:04 | 0:25:06 | |
that are a bit younger than 18, | 0:25:06 | 0:25:08 | |
so I think we might have to keep our eyes out | 0:25:08 | 0:25:11 | |
and keep control of the situation a bit... | 0:25:11 | 0:25:14 | |
Mind you, some of my mates are going, so... | 0:25:14 | 0:25:18 | |
I'll keep an eye out for them as well! | 0:25:18 | 0:25:21 | |
'So 13, make up closed...' | 0:25:21 | 0:25:23 | |
Although Terry's finished, | 0:25:25 | 0:25:26 | |
the other dive teams are still working. | 0:25:26 | 0:25:29 | |
Not for much longer, though. | 0:25:29 | 0:25:31 | |
It looks like we're going to be diving for about two hours, I think, | 0:25:31 | 0:25:34 | |
then the weather's going to get too bad... | 0:25:34 | 0:25:37 | |
So... They've just got one job | 0:25:37 | 0:25:39 | |
they want to try and finish down there. | 0:25:39 | 0:25:42 | |
When waves are higher than four metres, | 0:25:42 | 0:25:44 | |
there's too much movement on the bell to operate safely. | 0:25:44 | 0:25:48 | |
Even less than that triggers an alarm. | 0:25:48 | 0:25:50 | |
ALARM BEEPS | 0:25:50 | 0:25:53 | |
That took us out of position limits. | 0:25:53 | 0:25:55 | |
'What was the alarm?' | 0:25:55 | 0:25:57 | |
We went just outside the three-metre position limit then. | 0:25:57 | 0:26:00 | |
That was quite a big wave came underneath us, just moved the ship. | 0:26:00 | 0:26:03 | |
The storm that Terry first heard about on the internet | 0:26:06 | 0:26:09 | |
is finally arriving. | 0:26:09 | 0:26:10 | |
The next few days are going to be rough. | 0:26:11 | 0:26:14 | |
But the oil company doesn't want to go back until the job's finished. | 0:26:16 | 0:26:20 | |
In 48 hours' time, there's a dip in the forecast, | 0:26:21 | 0:26:24 | |
which means we'll be able to carry on diving at that stage. | 0:26:24 | 0:26:27 | |
So, we're going to stay out here until we get the dip... | 0:26:27 | 0:26:30 | |
And rock and roll and go up and down and hang on to things | 0:26:30 | 0:26:34 | |
and try not to spill our coffee. | 0:26:34 | 0:26:36 | |
Terry will miss his daughter's birthday. | 0:26:39 | 0:26:41 | |
It's a big disappointment. | 0:26:41 | 0:26:43 | |
I think it's all driven by a hierarchy that I don't understand. | 0:26:45 | 0:26:50 | |
That's why I'm just a diver and don't work in an office. | 0:26:50 | 0:26:53 | |
PHONE RINGS Oh! | 0:27:02 | 0:27:04 | |
Hello? | 0:27:04 | 0:27:05 | |
I'm fine, Wayne. Yourself? | 0:27:06 | 0:27:08 | |
Oh, magic! Oh, I'm chuffed to bits for her. | 0:27:11 | 0:27:13 | |
Aye. | 0:27:13 | 0:27:15 | |
Oh, that's good news, then. | 0:27:15 | 0:27:16 | |
OK, lovely, Wayne. Thanks for the news. | 0:27:16 | 0:27:18 | |
OK, bye, now. Bye. | 0:27:18 | 0:27:21 | |
That's that. God, I'm just about greetin' here. | 0:27:21 | 0:27:24 | |
Alan has chased himself stupidly. | 0:27:25 | 0:27:29 | |
The amount of hours that he's put in, | 0:27:29 | 0:27:31 | |
back and forth, watching the kids play football, | 0:27:31 | 0:27:34 | |
supporting them amazingly. | 0:27:34 | 0:27:36 | |
God, aye. God. | 0:27:36 | 0:27:38 | |
I'm chuffed to bits for her. | 0:27:38 | 0:27:40 | |
It's paid off. | 0:27:40 | 0:27:42 | |
So it's really nice to see that happen. | 0:27:42 | 0:27:45 | |
Cassie? Cassie, you've gotten in, darling! | 0:27:45 | 0:27:48 | |
OK, are you chuffed? | 0:27:48 | 0:27:50 | |
Aye, you sound like it, like. | 0:27:52 | 0:27:56 | |
You can hardly hear me? | 0:27:56 | 0:27:57 | |
Well, OK. Dad will see you when he comes tonight, OK? | 0:27:57 | 0:28:00 | |
I'm glad for you, darling. | 0:28:00 | 0:28:02 | |
OK, bye-bye. Bye. | 0:28:02 | 0:28:03 | |
Nae interested. | 0:28:05 | 0:28:06 | |
It's good for her. I'm really chuffed. | 0:28:07 | 0:28:10 | |
Coming up, there's a new face at VTS... | 0:28:17 | 0:28:21 | |
I'm told they are old dinosaurs. | 0:28:21 | 0:28:23 | |
..and something fishy down at the docks... | 0:28:25 | 0:28:27 | |
You wouldn't like to meet him on a dark night, would you? | 0:28:27 | 0:28:30 | |
..while the crew of the Bibby Sapphire brace themselves. | 0:28:30 | 0:28:33 | |
This is just madness. | 0:28:33 | 0:28:35 | |
Mother Nature at her worst. | 0:28:35 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:53 |