Browse content similar to Night Bus. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
TRAFFIC REPORT: The A13 westbound is moving slowly between... | 0:00:02 | 0:00:06 | |
Hold on tight. | 0:00:07 | 0:00:09 | |
London is full of them. | 0:00:09 | 0:00:11 | |
HORNS HONK | 0:00:11 | 0:00:12 | |
Are you going to allow them to jump on the back of your bus? | 0:00:12 | 0:00:16 | |
I'm afraid I won't be able to take more passengers. | 0:00:16 | 0:00:19 | |
Thanks to a million more people arriving in the last ten years, | 0:00:19 | 0:00:25 | |
Transport For London now has more than 30,000 workers | 0:00:25 | 0:00:29 | |
battling day and night... | 0:00:29 | 0:00:31 | |
HE WHISTLES Wake up! | 0:00:31 | 0:00:33 | |
..to stop the city grinding to a halt. | 0:00:33 | 0:00:36 | |
-Three people been shot up there. -War. It's war. | 0:00:36 | 0:00:39 | |
All right, I'll get the police and ambulance straight down there. | 0:00:39 | 0:00:42 | |
In the first week I was here I thought, "What have I done?" | 0:00:42 | 0:00:46 | |
With unique access to the nerve centre | 0:00:46 | 0:00:48 | |
of the capital's transport system, | 0:00:48 | 0:00:50 | |
this is the inside story of the people who keep London moving. | 0:00:50 | 0:00:53 | |
You're not only a bus driver, | 0:00:53 | 0:00:55 | |
you become a psychotherapist and psychiatrist. | 0:00:55 | 0:00:57 | |
You get the people that like to talk to you. | 0:00:57 | 0:00:59 | |
Some of them even flirt with you. | 0:00:59 | 0:01:01 | |
I said, "At them moment, mate. Sit down quietly. | 0:01:01 | 0:01:03 | |
"We're not going to hell, we're going to Ilford." | 0:01:03 | 0:01:06 | |
It's the lifeblood of London. Well, the buses are red, aren't they? | 0:01:06 | 0:01:10 | |
There's my certificate. Look, I'm a bus driver. | 0:01:11 | 0:01:14 | |
SHE LAUGHS | 0:01:14 | 0:01:15 | |
Thank you very much. You are so nice. | 0:01:16 | 0:01:18 | |
Don't worry. No problem at all. | 0:01:18 | 0:01:20 | |
London's changed a lot but, yeah, I love it. It's London. | 0:01:20 | 0:01:24 | |
It's 9pm, the start of the night shift at Brixton bus garage. | 0:01:38 | 0:01:42 | |
PHONE RINGING | 0:01:43 | 0:01:44 | |
It's his first cover, isn't it? | 0:01:44 | 0:01:46 | |
Welcome to the night party! | 0:01:46 | 0:01:48 | |
I'm an ex-Formula One driver so three o'clock. | 0:01:51 | 0:01:53 | |
You'll see me as a red blur. | 0:01:56 | 0:01:58 | |
Dwayne Williams will be driving one of London's 1,000 night buses. | 0:02:03 | 0:02:08 | |
His shift runs till dawn. | 0:02:08 | 0:02:10 | |
He should take the hat off. | 0:02:10 | 0:02:12 | |
It's embarrassing the Reebok guys, the proper ones. | 0:02:12 | 0:02:15 | |
Is that better, Andrew? My hat is off now, Andrew. | 0:02:16 | 0:02:20 | |
Today I'm doing 159, N159, 244 duty. | 0:02:23 | 0:02:27 | |
Which starts at 9.30 until 5.37 in the morning. I can't wait. | 0:02:28 | 0:02:35 | |
Dwayne's route will take him five miles, | 0:02:38 | 0:02:40 | |
from Brixton into the heart of the West End. | 0:02:40 | 0:02:43 | |
It's from anything about ten to 12 o'clock, | 0:02:52 | 0:02:55 | |
that's when people start going out. | 0:02:55 | 0:02:58 | |
You get the funny people. | 0:02:58 | 0:02:59 | |
You get the people that like to talk to you. | 0:02:59 | 0:03:02 | |
You get the people that want to crack jokes. | 0:03:02 | 0:03:04 | |
-Aaaarrgh! -That's not fair. | 0:03:04 | 0:03:06 | |
'People just going out for a quiet drink with their friends.' | 0:03:06 | 0:03:08 | |
They're excited. They talk to you. Some of them even flirt with you. | 0:03:08 | 0:03:12 | |
Jesus Christ love you. | 0:03:12 | 0:03:14 | |
Send your friend, send your friend. | 0:03:14 | 0:03:16 | |
Jesus said, come to me and you'll see I'll give you eternal life. | 0:03:16 | 0:03:20 | |
Jesus is coming. | 0:03:20 | 0:03:21 | |
You want the right ones to come in and the wrong ones do. | 0:03:24 | 0:03:28 | |
So the ones that should come over don't | 0:03:28 | 0:03:31 | |
and the ones that don't should. | 0:03:31 | 0:03:34 | |
-INTERVIEWER: -Do you have a girlfriend at the moment? | 0:03:34 | 0:03:36 | |
No, no, no. Single, ready to mingle. | 0:03:36 | 0:03:38 | |
It's gone ten o'clock and the city's heaving. | 0:03:46 | 0:03:50 | |
Over the course of a single night, | 0:03:50 | 0:03:52 | |
buses will carry over 100,000 passengers. | 0:03:52 | 0:03:56 | |
But drivers aren't alone in dealing with the hordes. | 0:03:56 | 0:04:00 | |
Watching over them is London Transport's control hub, | 0:04:00 | 0:04:03 | |
known as CentreComm. | 0:04:03 | 0:04:06 | |
5-23-4-5, receiving CentreComm. Over. | 0:04:06 | 0:04:09 | |
OK and what caused the lady to fall over, please? Over. | 0:04:09 | 0:04:13 | |
Yeah, wait where you are. Do not continue driving. | 0:04:13 | 0:04:16 | |
Stop where you are I'll get an ambulance out to you. Over. | 0:04:16 | 0:04:18 | |
In the past, I would say, an hour, we've had | 0:04:20 | 0:04:24 | |
one, two, three, four, five, we've had six accidents. | 0:04:24 | 0:04:27 | |
We're averaging an accident at the moment every ten minutes. | 0:04:27 | 0:04:31 | |
We've got somebody that's been knocked off their motorcycle | 0:04:31 | 0:04:34 | |
by a car, blocking the road here. | 0:04:34 | 0:04:35 | |
This one, we've got a car that's knocked another motorcycle over. | 0:04:35 | 0:04:39 | |
This one we've got somebody who's got a rather nice Porsche 4x4 | 0:04:39 | 0:04:42 | |
who's driven it into a lamp post. | 0:04:42 | 0:04:44 | |
Any incident on the roads is radioed from bus drivers | 0:04:46 | 0:04:50 | |
to CentreComm controllers. | 0:04:50 | 0:04:51 | |
It's their job to divert the buses and keep the system moving. | 0:04:52 | 0:04:57 | |
So did they hit you at all? Over. | 0:04:57 | 0:05:00 | |
Yeah, understood. Tell him police are on the way. Over. | 0:05:00 | 0:05:04 | |
The drivers are the eyes and ears. We're the brain, if you like. | 0:05:04 | 0:05:08 | |
They tell us what's going on | 0:05:08 | 0:05:10 | |
and then we act on the information we get. | 0:05:10 | 0:05:12 | |
Be guided by the police officers on scene. Any buses stuck there | 0:05:12 | 0:05:16 | |
for the moment, please advise your passengers they will be diverted. | 0:05:16 | 0:05:20 | |
Dwayne is arriving into town and doing just fine on his own. | 0:05:25 | 0:05:29 | |
Where you lot going? | 0:05:30 | 0:05:31 | |
To town. | 0:05:31 | 0:05:33 | |
Oh, yeah, yeah, going past there. | 0:05:33 | 0:05:34 | |
THEY SPEAK AT ONCE | 0:05:34 | 0:05:36 | |
You can jam with me. | 0:05:36 | 0:05:38 | |
'As a bus driver they see nice guy like me sitting behind the wheel.' | 0:05:42 | 0:05:46 | |
Instead of me looking for them, they get on my bus, so they look for me. | 0:05:46 | 0:05:50 | |
They give you the eye, you give them back the eye. Then they smile | 0:05:53 | 0:05:56 | |
and you go, "Excuse me, excuse me, excuse me," and then they come back | 0:05:56 | 0:05:59 | |
and they go, "Oh, was that fine?" | 0:05:59 | 0:06:01 | |
I go, "Yeah, it was fine but you're finer." | 0:06:01 | 0:06:03 | |
You see? And then it just starts from there. | 0:06:03 | 0:06:05 | |
I ain't got no more change on the bus. | 0:06:07 | 0:06:08 | |
-Hiya. -Hello, we've just been to a lovely restaurant. | 0:06:08 | 0:06:11 | |
-INTERVIEWER: -That was a good chance. | 0:06:15 | 0:06:16 | |
I know but too loud. | 0:06:16 | 0:06:18 | |
Thank you. | 0:06:22 | 0:06:23 | |
-That was a bit short but he did a great job. -Bye. | 0:06:23 | 0:06:27 | |
THEY SQUEAL | 0:06:27 | 0:06:29 | |
It's starting to get lively now. | 0:06:31 | 0:06:33 | |
Driving the night bus is a job that's changed | 0:06:36 | 0:06:39 | |
beyond recognition over the past ten years, | 0:06:39 | 0:06:41 | |
as the bus service has grown to cope with an exploding population. | 0:06:41 | 0:06:45 | |
PK's parents were part of | 0:06:51 | 0:06:53 | |
the first wave of immigrants from the Caribbean. | 0:06:53 | 0:06:55 | |
Now their son is transporting | 0:06:55 | 0:06:57 | |
migrants from all corners of the world across London. | 0:06:57 | 0:07:01 | |
Yeah, sure, mate. | 0:07:09 | 0:07:10 | |
-You got a pass mate? -Sorry? -Got a ticket? Got a ticket? | 0:07:10 | 0:07:14 | |
He can see first-hand how this city is changing. | 0:07:14 | 0:07:17 | |
Well, when I was growing up, | 0:07:22 | 0:07:24 | |
I mean, I used to go to Brixton Market all the time with my mum, | 0:07:24 | 0:07:26 | |
back end of the '50s, Brixton Market is where you'd go to | 0:07:26 | 0:07:29 | |
get all your sort of fruits and vegetables that she grew up with | 0:07:29 | 0:07:32 | |
back in Guyana, South America. | 0:07:32 | 0:07:34 | |
There's lots of people now that wouldn't have come to Brixton | 0:07:35 | 0:07:38 | |
when I was younger who are now living in Brixton. | 0:07:38 | 0:07:40 | |
A lot of people I knew that lived there have moved out, | 0:07:40 | 0:07:43 | |
obviously cos the house prices were good. Some of them | 0:07:43 | 0:07:45 | |
made out like bandits. It worked out well for them, | 0:07:45 | 0:07:48 | |
I don't have a problem with it. Most people I know don't have a problem | 0:07:48 | 0:07:51 | |
with it, apart from the odd person who sort of looks at people who've | 0:07:51 | 0:07:55 | |
sort of grown up around here as if what are we doing here now, | 0:07:55 | 0:07:57 | |
you know? | 0:07:57 | 0:07:59 | |
But it makes for an interesting backdrop, I guess... | 0:07:59 | 0:08:01 | |
..to life in South London. | 0:08:03 | 0:08:05 | |
There used to be just eight night-time bus routes that followed | 0:08:11 | 0:08:15 | |
the underground train lines, from the centre of town. | 0:08:15 | 0:08:18 | |
-Where are you going? -Home. | 0:08:18 | 0:08:21 | |
About time too. | 0:08:21 | 0:08:22 | |
But London has grown | 0:08:24 | 0:08:25 | |
more quickly than the trains or Tube could ever cope with. | 0:08:25 | 0:08:29 | |
Since 2000, the number of night passengers has tripled. | 0:08:29 | 0:08:33 | |
Now, over 100 routes reach ever further into the expanding suburbs. | 0:08:33 | 0:08:38 | |
Ilford, 12 miles east of the city centre once had | 0:08:41 | 0:08:44 | |
a trickle of late services. Now there's a deluge. | 0:08:44 | 0:08:47 | |
Ten years ago there weren't many night buses. | 0:08:49 | 0:08:51 | |
One used to come every one hour. | 0:08:51 | 0:08:54 | |
We used to have to catch a cab home from a nightclub. | 0:08:54 | 0:08:57 | |
Now, like, one of the routes we have they run | 0:08:57 | 0:09:00 | |
every six minutes at night-time on a Friday night. | 0:09:00 | 0:09:03 | |
That's the N25. | 0:09:03 | 0:09:04 | |
And every bus, even though every six minutes, they are packed. | 0:09:04 | 0:09:08 | |
As-salamu alaikum. | 0:09:09 | 0:09:11 | |
Good evening, gentlemen. | 0:09:13 | 0:09:14 | |
Tonight Sajjad Sharif is driving the N25 | 0:09:18 | 0:09:21 | |
between Ilford and Oxford Street. | 0:09:21 | 0:09:24 | |
This route connects very different parts of town. | 0:09:24 | 0:09:28 | |
Yes, we've passed Aldgate and Mile End Road. | 0:09:29 | 0:09:34 | |
That's predominantly a Bangladeshi community. | 0:09:34 | 0:09:37 | |
From here, it will be tourists, partygoers, | 0:09:37 | 0:09:39 | |
and your City folk, suits. | 0:09:39 | 0:09:43 | |
Yeah, we're here in the heart of the City now, next to NatWest Tower | 0:09:45 | 0:09:49 | |
and all these big buildings going up. | 0:09:49 | 0:09:51 | |
There's a lot of money here but no soul. | 0:09:51 | 0:09:54 | |
They're more friendlier back there than they are over here. | 0:09:58 | 0:10:01 | |
Here seems to be everybody's in a rush. | 0:10:01 | 0:10:03 | |
Get on, get off. Doof, boof. | 0:10:03 | 0:10:05 | |
Excuse me. Hello! | 0:10:06 | 0:10:08 | |
Hello. Excuse me, sir. | 0:10:08 | 0:10:11 | |
You've got no money on your card. | 0:10:11 | 0:10:14 | |
£2.30, please. | 0:10:14 | 0:10:15 | |
See everybody's running around like headless chickens. | 0:10:17 | 0:10:20 | |
You open the doors, they're like...um...Olympics, it is. | 0:10:20 | 0:10:25 | |
They all think they're Usain Bolt. They've got to get there first. | 0:10:25 | 0:10:29 | |
I was going to open up a supermarket in Romford, with my dad. | 0:10:40 | 0:10:44 | |
He was a bit quiet, and I said, "What's wrong?" | 0:10:44 | 0:10:46 | |
He goes, "If you go to the supermarket, | 0:10:46 | 0:10:48 | |
"your wife will be there busy, you won't have time for us. | 0:10:48 | 0:10:51 | |
"We're old age pensioners. | 0:10:51 | 0:10:52 | |
"What are we going to look at, these four walls? | 0:10:52 | 0:10:54 | |
"We're going to miss the grandchildren." | 0:10:54 | 0:10:56 | |
What do you want me to do? "Do bus driving, that's OK." | 0:10:56 | 0:11:00 | |
Which worked out better, cos everything I did, | 0:11:00 | 0:11:03 | |
with his permission or with his blessing, I've been successful in, | 0:11:03 | 0:11:07 | |
and anything I've done on me own, solo, has gone the other way around. | 0:11:07 | 0:11:12 | |
So this way it gives me prayer time, playtime, work time. | 0:11:12 | 0:11:16 | |
As drinkers start going home, CentreComm moves up a gear. | 0:11:20 | 0:11:24 | |
Route 60, you called a code red. Go ahead. Over. | 0:11:28 | 0:11:31 | |
High Street, Ponders End, we've got a bus driven into a house. | 0:11:31 | 0:11:34 | |
We start to get more calls, disturbances, | 0:11:34 | 0:11:37 | |
disagreements with drivers. | 0:11:37 | 0:11:39 | |
Anything from fare dispute up to alcohol-related disturbances. | 0:11:40 | 0:11:47 | |
I'll get the police and ambulance straight down there. | 0:11:47 | 0:11:50 | |
Call us back when you're clear. CentreComm out. | 0:11:50 | 0:11:52 | |
'I prefer nights, rather than days. | 0:11:52 | 0:11:54 | |
'It just suits me. I like doing them.' | 0:11:54 | 0:11:57 | |
At night, I find the work a bit more interesting. It's more | 0:11:57 | 0:12:01 | |
of a case of you get disturbances on the bus, | 0:12:01 | 0:12:04 | |
you get fights, fare disputes. | 0:12:04 | 0:12:06 | |
It's a bit more variety, a bit more... A bit more action. | 0:12:06 | 0:12:09 | |
Once again, a 13-year-old white female, | 0:12:09 | 0:12:11 | |
blonde hair in a ponytail, five foot nine tall, | 0:12:11 | 0:12:14 | |
gone missing in the Croydon Road. If you know her whereabouts | 0:12:14 | 0:12:16 | |
contact CentreComm and we'll get the police straight to you, thank you. | 0:12:16 | 0:12:19 | |
That was a missing person request from the police. A 13-year-old girl | 0:12:19 | 0:12:23 | |
has gone missing and left a note at home. Run away from home. | 0:12:23 | 0:12:25 | |
So they've asked us to circulate it to all buses. | 0:12:25 | 0:12:28 | |
Ladies and gentlemen, Can I see your tickets and passes, please? | 0:12:43 | 0:12:46 | |
The more people who travel at night, the more who decide not to pay. | 0:12:46 | 0:12:50 | |
Good evening. Please have your tickets or Oyster Cards | 0:12:53 | 0:12:55 | |
ready for inspection. Thank you very much. Good evening. | 0:12:55 | 0:12:59 | |
Fare evasion on buses costs Londoners £40 million a year. | 0:12:59 | 0:13:03 | |
Your pass hasn't been touched on the bus. | 0:13:03 | 0:13:05 | |
You haven't validated your journey. | 0:13:05 | 0:13:08 | |
Can you write down your name, address and date of birth for me, please? | 0:13:11 | 0:13:16 | |
You know your name? | 0:13:16 | 0:13:17 | |
It's up to inspectors to get details of all passengers | 0:13:18 | 0:13:21 | |
without valid tickets. | 0:13:21 | 0:13:22 | |
It's not always easy. | 0:13:23 | 0:13:25 | |
What's your name there? | 0:13:26 | 0:13:28 | |
-Asomwa. -How do you spell that? | 0:13:28 | 0:13:31 | |
-Asomwa. -Yeah, how do you spell that? | 0:13:31 | 0:13:34 | |
A...S. | 0:13:34 | 0:13:37 | |
Yeah. | 0:13:37 | 0:13:39 | |
A-S? | 0:13:41 | 0:13:42 | |
A-S-O-mwa. | 0:13:42 | 0:13:45 | |
No, I didn't catch that last bit there. | 0:13:45 | 0:13:47 | |
No, what's the rest of your name? | 0:13:49 | 0:13:51 | |
-A-S and then what's the rest of the letters? -Asomwa. | 0:13:51 | 0:13:54 | |
Yeah, that's what I'm asking you how to spell that. Is that A-S? | 0:13:54 | 0:13:57 | |
A... | 0:13:57 | 0:13:58 | |
-A. -Yeah. -S. -Yeah. -O. -O, yeah. | 0:14:01 | 0:14:06 | |
Are you getting me? | 0:14:07 | 0:14:09 | |
Yeah, I've got A-S-O. I'm waiting for the rest of them now. | 0:14:09 | 0:14:12 | |
Fella. Fella. | 0:14:15 | 0:14:17 | |
Fella? Can you look at me, please? | 0:14:17 | 0:14:21 | |
Sir, while I'm talking to you. | 0:14:21 | 0:14:22 | |
After 15 minutes, the man finally gets to the end of his name. | 0:14:26 | 0:14:30 | |
Right, this is your penalty fare here, sir. | 0:14:30 | 0:14:32 | |
I just need you to look so you know what you've got. | 0:14:32 | 0:14:34 | |
-This is the penalty fare here. -How much is my penalty? | 0:14:34 | 0:14:36 | |
It's £40 if you pay it within 21 days, OK? | 0:14:36 | 0:14:39 | |
Total there was four penalty fares on that bus | 0:14:43 | 0:14:47 | |
and my colleague done three in the time it took me to do one. | 0:14:47 | 0:14:51 | |
In East London, Tommy McKerr is starting his shift on route N25. | 0:14:57 | 0:15:02 | |
It also has a reputation for fare dodgers. | 0:15:06 | 0:15:09 | |
Generally the public are good people. | 0:15:09 | 0:15:12 | |
'90% of them will pay their fare, they'll tap in, | 0:15:12 | 0:15:15 | |
'and it's just the small minority that spoils it for everyone else.' | 0:15:15 | 0:15:19 | |
Some will try anything to get a free ride. | 0:15:19 | 0:15:22 | |
Well, the police station's round there, mate, | 0:15:22 | 0:15:24 | |
if you need to go to the police station. | 0:15:24 | 0:15:26 | |
-Actually, first I want to go back home. -Huh? | 0:15:26 | 0:15:28 | |
First I want to go back. | 0:15:28 | 0:15:29 | |
No, you need to go to the police station, mate. | 0:15:29 | 0:15:31 | |
-I want to go home. -You need to go to the police station. | 0:15:35 | 0:15:39 | |
He says that he's just been mugged down the road. | 0:15:39 | 0:15:41 | |
He's been beaten up and they've taken all his money and everything | 0:15:41 | 0:15:45 | |
but there's not a mark on him, so I said to him, | 0:15:45 | 0:15:47 | |
"If you've been beaten up | 0:15:47 | 0:15:48 | |
"the police station's just round the corner. Go to the police station." | 0:15:48 | 0:15:51 | |
He goes, "No, I need to go home first." | 0:15:51 | 0:15:53 | |
It's just one of the many stories that we hear all the time. | 0:15:53 | 0:15:56 | |
"I've just been mugged." | 0:15:56 | 0:15:58 | |
But they'll go and buy a pair of trainers that cost a £100 or | 0:15:58 | 0:16:01 | |
whatever and don't want to spend £2.40 to get home. | 0:16:01 | 0:16:04 | |
I know if I go out I'm always going to make sure I've got | 0:16:05 | 0:16:07 | |
a means of getting home. | 0:16:07 | 0:16:09 | |
In Camden Town, North London bars are still serving. | 0:16:34 | 0:16:37 | |
Late night drinking, now legal for ten years, | 0:16:42 | 0:16:44 | |
has changed the habits of a generation. | 0:16:44 | 0:16:47 | |
But the Tube still closes before 1am. | 0:16:52 | 0:16:55 | |
Shall I shut them gates? You going to shut the gates? | 0:16:57 | 0:17:01 | |
We'll leave it at that. | 0:17:01 | 0:17:03 | |
214 bus. | 0:17:03 | 0:17:05 | |
And why? Why? Why? | 0:17:05 | 0:17:08 | |
Cos you've missed it. The last southbound's gone. | 0:17:08 | 0:17:11 | |
You were busy in the pub and the train was pulling off the platform. | 0:17:11 | 0:17:14 | |
Buses for you. | 0:17:14 | 0:17:16 | |
Going to King's Cross, King's Cross. | 0:17:16 | 0:17:18 | |
King's Cross is south. There's no more southbound. | 0:17:18 | 0:17:21 | |
Come on. | 0:17:21 | 0:17:23 | |
A lot of them are really quite upset | 0:17:23 | 0:17:25 | |
when they've missed the last southbound. | 0:17:25 | 0:17:27 | |
They get a bit distraught. Some of them do cry, not many. | 0:17:27 | 0:17:30 | |
Most of them just get angry, | 0:17:30 | 0:17:31 | |
But you just sort of give them a bus route and they're quite | 0:17:31 | 0:17:35 | |
happy with that. Well, fairly happy. It depends how drunk they are. | 0:17:35 | 0:17:38 | |
Where you going to? | 0:17:38 | 0:17:40 | |
Central London. | 0:17:40 | 0:17:42 | |
You've missed it. | 0:17:42 | 0:17:43 | |
Where do you want to go? | 0:17:43 | 0:17:45 | |
214 bus opposite Sainsbury's, straight down there. | 0:17:45 | 0:17:47 | |
Oh, my God, London is some kind of village. It's Friday night, | 0:17:47 | 0:17:51 | |
Finished. Where do you want to go? | 0:17:51 | 0:17:52 | |
-Straight down there opposite Sainsbury's. -Fucking bastard. -253. | 0:17:52 | 0:17:56 | |
-Sorry, not you, of course. -Have a nice night. | 0:17:56 | 0:17:59 | |
You're bad luck now. Put it down. Put that shit down. | 0:18:13 | 0:18:16 | |
We go from Camden to Trafalgar Square to get the N26 to | 0:18:21 | 0:18:24 | |
Chingford, whereas that's two buses whereas it's more like Underground | 0:18:24 | 0:18:28 | |
takes us 20 minutes, this takes us an hour and a half to get home. | 0:18:28 | 0:18:32 | |
# 500, 25,000, 600 minutes. # | 0:18:32 | 0:18:36 | |
Will you stop talking and hugging everyone, please? | 0:18:39 | 0:18:43 | |
We need to get home here. | 0:18:43 | 0:18:44 | |
It's a lot more fun than a taxi. | 0:18:51 | 0:18:53 | |
You meet a lot of interesting people on a night bus. | 0:18:53 | 0:18:57 | |
It's a weird sense, because the night... | 0:18:57 | 0:18:59 | |
It seems like the night bus enjoys me being on it. | 0:18:59 | 0:19:02 | |
I don't know. It's funny. I don't know how to describe it. | 0:19:02 | 0:19:05 | |
It's now the pressure on CentreComm staff really starts to build up. | 0:19:18 | 0:19:23 | |
Saturday night, Sunday mornings, | 0:19:23 | 0:19:25 | |
this sort of time of the day | 0:19:25 | 0:19:26 | |
you get lots of accidents. Lots of drunk people coming | 0:19:26 | 0:19:30 | |
out of nightclubs and pubs. So it can be a pretty busy time. | 0:19:30 | 0:19:34 | |
Got a male standing in front of the bus. | 0:19:35 | 0:19:37 | |
He's standing in front of the bus refusing to move. | 0:19:37 | 0:19:41 | |
He's just standing there and giving the driver grief. | 0:19:41 | 0:19:44 | |
Delaying the service, yeah. | 0:19:46 | 0:19:48 | |
It's not just buses. They step in front of anything. | 0:19:48 | 0:19:51 | |
They wander around in the road. | 0:19:51 | 0:19:53 | |
They don't know where they are. | 0:19:53 | 0:19:55 | |
It's the state of Britain today, I'm afraid. | 0:19:55 | 0:19:57 | |
Young gentleman standing in the middle of the road | 0:20:07 | 0:20:10 | |
by Tottenham Court Road playing chicken with the traffic. Over. | 0:20:10 | 0:20:13 | |
Just called in a code blue to let CentreComm know | 0:20:15 | 0:20:18 | |
so they can maybe get the police down | 0:20:18 | 0:20:21 | |
to take him out of the road. | 0:20:21 | 0:20:23 | |
In North London, a woman has been hit by a taxi on a major bus route. | 0:20:26 | 0:20:32 | |
Looks like Seven Sisters Road at the moment is now closed town-bound. | 0:20:32 | 0:20:35 | |
The ambulance has just this minute arrived, | 0:20:35 | 0:20:37 | |
and you've got this person laying in the road at the moment. | 0:20:37 | 0:20:41 | |
The thing all the time, when an incident happens, we've got | 0:20:41 | 0:20:43 | |
to think on our feet and try and get rid of the vehicle | 0:20:43 | 0:20:46 | |
away from there as soon as possible, because within, you know | 0:20:46 | 0:20:49 | |
a very short length of time that part of Seven Sisters Road | 0:20:49 | 0:20:53 | |
will be a sea of buses, so now that they're already discussing | 0:20:53 | 0:20:56 | |
and putting out the diversions to clear the vehicles back. | 0:20:56 | 0:20:59 | |
I've just searched him, | 0:20:59 | 0:21:00 | |
he's on Holland Park Avenue going back, going eastbound again. | 0:21:00 | 0:21:03 | |
Sometimes the bus drivers do become emotionally involved. | 0:21:03 | 0:21:06 | |
Quite understandable - they're the ones on the scene at the incident. | 0:21:06 | 0:21:09 | |
So we have to remain calm, try to keep them calm | 0:21:09 | 0:21:13 | |
so that we can get all the facts, details, | 0:21:13 | 0:21:15 | |
pass on the relevant information to the ambulance, fire brigade, | 0:21:15 | 0:21:18 | |
police so that it can be dealt with quickly, efficiently | 0:21:18 | 0:21:21 | |
and to save lives. | 0:21:21 | 0:21:23 | |
We've got a report there's a male passenger onboard, | 0:21:25 | 0:21:28 | |
in his 30's, not breathing. Unconscious but not breathing. | 0:21:28 | 0:21:32 | |
Oh, hold on, hold on. Lazarus. He's gone. Lazarus has risen. | 0:21:32 | 0:21:37 | |
He's gone. | 0:21:39 | 0:21:41 | |
All right, guv? Yeah. No, no. Miracles have happened. | 0:21:41 | 0:21:46 | |
He has raised from the dead and he's gone. | 0:21:46 | 0:21:48 | |
The later it gets, the more isolated drivers can feel. | 0:21:53 | 0:21:58 | |
In Ilford, a group of young men is laying siege to Tommy's bus. | 0:21:58 | 0:22:02 | |
KNOCKING ON WINDOW | 0:22:02 | 0:22:03 | |
HE SHOUTS | 0:22:03 | 0:22:05 | |
Who's banging on the fucking...? | 0:22:07 | 0:22:09 | |
Look at the camera, yeah, look at the camera! | 0:22:09 | 0:22:12 | |
Boom, boom, boom, boom. | 0:22:12 | 0:22:15 | |
KNOCKING | 0:22:15 | 0:22:16 | |
YOUTH HUMS TUNE | 0:22:16 | 0:22:17 | |
THEY SHOUT | 0:22:17 | 0:22:19 | |
Bus shots! | 0:22:21 | 0:22:22 | |
Pow, pow, pow. | 0:22:22 | 0:22:24 | |
921-N25 code red go ahead. | 0:22:24 | 0:22:26 | |
KNOCKING ON GLASS | 0:22:28 | 0:22:30 | |
Yeah. What's the problem there, sir? Over. | 0:22:30 | 0:22:32 | |
Sorry, go again for me. What's going on there? | 0:22:37 | 0:22:40 | |
Police on the way. How many males are there? Over. | 0:22:49 | 0:22:52 | |
All right. Police on the way. Give me a call when you're clear, please? | 0:22:56 | 0:23:00 | |
Diver, what is going on? I need to pay. | 0:23:07 | 0:23:10 | |
Tommy is on his own. | 0:23:12 | 0:23:14 | |
But drivers are advised never to leave their cab. | 0:23:14 | 0:23:16 | |
You all stormed upstairs. You've all got to pay. | 0:23:20 | 0:23:24 | |
No, I touched already. | 0:23:24 | 0:23:26 | |
Yeah, well, I know. You're all right. | 0:23:26 | 0:23:27 | |
I touched already. Everyone touched it, man, so what's your problem? | 0:23:27 | 0:23:30 | |
-WOMAN: -Come on. Chuck him. -MAN: -Wasting time. -Chuck him. | 0:23:30 | 0:23:35 | |
The driver's doing his job now. He's asked them to leave and because | 0:23:35 | 0:23:39 | |
of his actions other passengers are starting to turn on him. | 0:23:39 | 0:23:44 | |
You lot are just standing there, right, | 0:23:44 | 0:23:46 | |
talking about these crazy black people. | 0:23:46 | 0:23:48 | |
All black people are not that loud. | 0:23:48 | 0:23:51 | |
No, basically everybody... Some of them are just coming from work, | 0:23:51 | 0:23:55 | |
some of them want to go home to just relax and then back again, | 0:23:55 | 0:23:59 | |
to work or whatever they're doing. Some people are just messing | 0:23:59 | 0:24:03 | |
around on the bus, so this need to be sorted out as soon as possible. | 0:24:03 | 0:24:07 | |
They want to get home. He's doing his job, | 0:24:09 | 0:24:13 | |
and basically other passengers don't see it like that. They just | 0:24:13 | 0:24:17 | |
see it as it's his fault that they're not going nowhere, | 0:24:17 | 0:24:20 | |
not the passengers that haven't paid for their journey. | 0:24:20 | 0:24:23 | |
All right, any weapons seen or used? Over. | 0:24:25 | 0:24:27 | |
In the town centre, the ticket inspectors are still | 0:24:29 | 0:24:31 | |
on the hunt for fare dodgers. | 0:24:31 | 0:24:33 | |
It's three o'clock in the morning, everyone's coming out now. | 0:24:33 | 0:24:37 | |
It's getting busy. | 0:24:37 | 0:24:39 | |
127. Hello, driver. | 0:24:39 | 0:24:41 | |
Hello, have you got your tickets or passes ready, please? | 0:24:42 | 0:24:46 | |
But something much more serious has just happened on their bus. | 0:24:46 | 0:24:49 | |
Thank you. | 0:24:49 | 0:24:51 | |
Oh, hold up then. He's been bashed. | 0:24:51 | 0:24:54 | |
Yeah, but what's going on up there? | 0:24:54 | 0:24:56 | |
I don't know. The guy's bleeding, though. So... | 0:24:56 | 0:24:58 | |
Just had a passenger come from the top deck. | 0:25:01 | 0:25:03 | |
Looks like they're bleeding. | 0:25:03 | 0:25:05 | |
A police officer's just come off the bus with him. | 0:25:05 | 0:25:08 | |
Ladies and gents, I do apologise at the moment, | 0:25:11 | 0:25:14 | |
this bus is going to have to be held here. There's something | 0:25:14 | 0:25:17 | |
happened on the top deck. Going to transfer you on to another bus. | 0:25:17 | 0:25:21 | |
Georgie Veres was on his way home | 0:25:25 | 0:25:27 | |
when he was attacked from behind by a stranger. | 0:25:27 | 0:25:31 | |
He just broke my... Threw the fucking beer glass in my head. | 0:25:31 | 0:25:36 | |
That guy, he's over there. | 0:25:39 | 0:25:40 | |
I have no idea what happened. | 0:25:43 | 0:25:45 | |
I'm fucking scared | 0:25:45 | 0:25:48 | |
because I'm living here, like, two years and nothing happened like this. | 0:25:48 | 0:25:52 | |
Back in Ilford, Tommy's bus is on the move again. | 0:25:59 | 0:26:02 | |
He's going. | 0:26:04 | 0:26:05 | |
Yeah, 9-21 calling back. See you left the scene so presumably | 0:26:15 | 0:26:18 | |
they're off your bus now? Over. | 0:26:18 | 0:26:21 | |
OK, thanks very much indeed for calling back. Over. | 0:26:21 | 0:26:25 | |
CentreComm out. | 0:26:25 | 0:26:26 | |
With the problem passengers off the bus, police can be stood down. | 0:26:26 | 0:26:30 | |
Hello. Cancellation 1447. | 0:26:33 | 0:26:36 | |
But the incident has put Tommy behind schedule | 0:26:36 | 0:26:39 | |
and his route controller wants to know why. | 0:26:39 | 0:26:42 | |
Cos it's been busy, mate, | 0:26:48 | 0:26:50 | |
and I've just done another code red, but I'm clear now. | 0:26:50 | 0:26:53 | |
A load of black guys stormed the bus without paying, | 0:26:56 | 0:26:58 | |
but they've all got off now. | 0:26:58 | 0:26:59 | |
-MAN: -Jeez. Black guys? It's fucking colour, that's all. | 0:26:59 | 0:27:02 | |
So why is he saying, "A load of black guys?" Huh? | 0:27:02 | 0:27:07 | |
And the guy goes, "Black guys." | 0:27:07 | 0:27:09 | |
It's true cos the majority of them are black. | 0:27:09 | 0:27:12 | |
So you can't say, "Oh, he was making it up." | 0:27:12 | 0:27:15 | |
It was a majority of black people, and by doing this, | 0:27:15 | 0:27:18 | |
giving black people a bad name. All black people are not like that. | 0:27:18 | 0:27:22 | |
Nothing to do with blacks. My wife's black. | 0:27:22 | 0:27:25 | |
Serious. And I get called racist and everything but little do they know. | 0:27:25 | 0:27:29 | |
So I've got two beautiful kids. | 0:27:31 | 0:27:34 | |
I'm half Asian myself. People don't | 0:27:34 | 0:27:37 | |
know that when they see me, they just think straightaway, "Racist." | 0:27:37 | 0:27:40 | |
I wanted to take a cab. My friend goes, | 0:27:40 | 0:27:42 | |
"Oh, just jump on a night bus. Simple, straight, there's no | 0:27:42 | 0:27:45 | |
"traffic in the road. You just jump on it. By the time you realise, | 0:27:45 | 0:27:47 | |
"you're there." You jump on a night bus and you get a drama. | 0:27:47 | 0:27:51 | |
I don't often get it and I regret getting it now. | 0:27:51 | 0:27:54 | |
'In the two years I've been here, | 0:27:57 | 0:27:59 | |
'I've been threatened with being stabbed, being shot, | 0:27:59 | 0:28:03 | |
'being threatened to be beaten up. | 0:28:03 | 0:28:05 | |
'I've been spat at on numerous occasions, you know. | 0:28:05 | 0:28:08 | |
'Some driver had a stiletto shoe thrown | 0:28:08 | 0:28:10 | |
'at his head and another driver had a brick thrown at his window. | 0:28:10 | 0:28:13 | |
'It's just the perils of the job I'm afraid. Part and parcel.' | 0:28:13 | 0:28:17 | |
WOMAN SHOUTS | 0:28:28 | 0:28:31 | |
In Central London, a suspect has been arrested for the bottle attack. | 0:28:31 | 0:28:35 | |
MAN SHOUTS | 0:28:37 | 0:28:40 | |
Cheers, mate. I thought I weren't going to take the chance in case... | 0:28:44 | 0:28:49 | |
The top deck of this bus is now a crime scene. | 0:28:49 | 0:28:52 | |
The victim has got a head injury. | 0:28:56 | 0:28:58 | |
At the moment it doesn't appear | 0:28:58 | 0:28:59 | |
to be serious, thankfully. The offender's been arrested. | 0:28:59 | 0:29:03 | |
He's going to go to Charring Cross to be dealt with there. | 0:29:03 | 0:29:06 | |
Bottle has been handled by the offender. | 0:29:06 | 0:29:09 | |
There's been fingerprints round the bottle. DNA from the neck. | 0:29:09 | 0:29:14 | |
It will be good evidence. There will be good CCTV from the bus so we can | 0:29:14 | 0:29:18 | |
just hope that it hopefully will come together and make sure the | 0:29:18 | 0:29:21 | |
victim gets a good service and results in a conviction in court. | 0:29:21 | 0:29:26 | |
It's gone 3am, and the nightlife is spilling out on to the streets. | 0:29:43 | 0:29:47 | |
In Croydon one man is causing a major incident. | 0:29:53 | 0:29:56 | |
Got a gentleman that's threatening | 0:30:01 | 0:30:02 | |
to jump off a building there in St George's Walk, Croydon. | 0:30:02 | 0:30:05 | |
He's been up there for about an hour and a half. | 0:30:05 | 0:30:07 | |
I don't know what the idea of the mask was. | 0:30:07 | 0:30:09 | |
He's got a mask and no shirt on. | 0:30:09 | 0:30:12 | |
CentreComm controllers have diverted buses from the street below. | 0:30:12 | 0:30:16 | |
Where he was originally, it was across Park Street, which is | 0:30:18 | 0:30:21 | |
the road that goes across. | 0:30:21 | 0:30:22 | |
If he'd jumped, he could have jumped in front of a bus or something so... | 0:30:22 | 0:30:25 | |
The thing is if you've got somebody that is possibly a suicide risk, | 0:30:27 | 0:30:32 | |
and you've got, you know, buses going past there, | 0:30:32 | 0:30:35 | |
the unfortunate thing is human nature, | 0:30:35 | 0:30:38 | |
sadly is that people will be going past on the buses and in cars | 0:30:38 | 0:30:42 | |
and stuff like that, shouting out the window, "Go on, jump, you fool." | 0:30:42 | 0:30:45 | |
I've been on nights the past couple of weeks | 0:30:47 | 0:30:49 | |
and I think we've had three in the last couple of weeks. | 0:30:49 | 0:30:52 | |
So we are getting more and more of them. | 0:30:52 | 0:30:55 | |
Police have arrived at the scene, | 0:30:55 | 0:30:56 | |
but all CentreComm staff can do is watch and wait. | 0:30:56 | 0:31:00 | |
At weekends, there are never fewer than 850 buses on the roads. | 0:31:07 | 0:31:11 | |
The best time to get on this bus is between one and five. | 0:31:16 | 0:31:19 | |
I was sitting next to a guy after clubbing one time at 5am, yeah? | 0:31:19 | 0:31:25 | |
He sat down next to me, passed out and then soiled himself. | 0:31:25 | 0:31:29 | |
They thought it was hilarious. They thought it was a big joke. | 0:31:29 | 0:31:32 | |
I was trapped next to a guy, with this foul stench. | 0:31:32 | 0:31:35 | |
That's the kind of people that the 25 bus attracts. | 0:31:35 | 0:31:38 | |
If I go out clubbing and people often ask me, "What if you meet | 0:31:42 | 0:31:46 | |
"the guy of your dreams and you're dressed as a girl? Like, | 0:31:46 | 0:31:48 | |
"what's going to happen?" | 0:31:48 | 0:31:50 | |
And I say, "The guy of my dreams will think it's cool | 0:31:50 | 0:31:52 | |
"that I like dressing as a girl | 0:31:52 | 0:31:54 | |
"and he'll be like, 'oh, my god, you're so talented.' " | 0:31:54 | 0:31:57 | |
I go to Cambridge and I do music at Cambridge. | 0:31:57 | 0:32:01 | |
And Cambridge is quite different to London in many ways | 0:32:03 | 0:32:06 | |
and Deena doesn't really come out in Cambridge that often. | 0:32:06 | 0:32:09 | |
She's barely ever in London. You're lucky she's here. | 0:32:09 | 0:32:12 | |
-I am privileged. -It's a privilege! | 0:32:12 | 0:32:16 | |
I think it's wicked. I'm friends with a drag queen. | 0:32:16 | 0:32:18 | |
I love actually... I love the streets of London and that's why | 0:32:21 | 0:32:25 | |
I prefer travelling by bus because the view is so fantastic because | 0:32:25 | 0:32:29 | |
you actually get to see the entire city and it's actually so nice. | 0:32:29 | 0:32:33 | |
The bright lights, you know, | 0:32:40 | 0:32:42 | |
and it looks good against the dark backdrop, doesn't it? | 0:32:42 | 0:32:45 | |
And it gives you a chance to actually take a good look at London. | 0:32:45 | 0:32:49 | |
You know, which you don't really get a chance to see in the day | 0:32:49 | 0:32:53 | |
because it is always so busy, and if | 0:32:53 | 0:32:56 | |
you can see some of the architecture as well, it's quite fascinating. | 0:32:56 | 0:33:00 | |
Sometimes makes you wonder, like, you know, the people that built | 0:33:00 | 0:33:03 | |
some of these things, you know. | 0:33:03 | 0:33:06 | |
Some of them must have been quite brilliant really, so... | 0:33:06 | 0:33:09 | |
RADIO CHATTER | 0:33:22 | 0:33:26 | |
It's two hours now. | 0:33:28 | 0:33:30 | |
Yeah, he's still there. | 0:33:30 | 0:33:31 | |
We're all getting lax at the moment. | 0:33:33 | 0:33:34 | |
We're having little breaks when we can cos we should have a meal break | 0:33:34 | 0:33:39 | |
but during the night we don't actually leave our desks. | 0:33:39 | 0:33:42 | |
So we sit here for 12 hours. We'll have something to eat | 0:33:42 | 0:33:45 | |
at the desk, a cup of tea at the desk and just carry on. | 0:33:45 | 0:33:48 | |
In Brixton, the clean-up has already begun. | 0:33:56 | 0:33:59 | |
Animals are better because | 0:34:01 | 0:34:03 | |
when they shit, they hide their shit. | 0:34:03 | 0:34:05 | |
But human beings can't. | 0:34:05 | 0:34:08 | |
Blood, takeaways sometimes, vomiting. | 0:34:08 | 0:34:12 | |
Vomit is the worst. | 0:34:12 | 0:34:14 | |
Throughout the night, essential work is done to keep the buses moving. | 0:34:18 | 0:34:22 | |
Yeah, this one. | 0:34:28 | 0:34:31 | |
One special team has to stop trees growing across the roads. | 0:34:31 | 0:34:35 | |
SAWING | 0:34:41 | 0:34:44 | |
When you hit a branch, the tree responds to that | 0:34:51 | 0:34:53 | |
by putting some timber on around the damage | 0:34:53 | 0:34:56 | |
so it thickens and flattens. | 0:34:56 | 0:34:57 | |
So then when the bus hits it again, it then thickens and flattens again | 0:34:57 | 0:35:00 | |
and then eventually it just causes | 0:35:00 | 0:35:02 | |
a hell of a lot of damage to the front of the buses. | 0:35:02 | 0:35:05 | |
In South Kensington, | 0:35:09 | 0:35:10 | |
Winston Hibbert is changing the ads in the bus stops. | 0:35:10 | 0:35:14 | |
Let's take this pretty girl out, man. Isn't she nice? | 0:35:19 | 0:35:22 | |
Oh, she's been here a couple of weeks now. | 0:35:27 | 0:35:29 | |
Sorry to see you go, baby. | 0:35:29 | 0:35:31 | |
I've never once had an argument with a bus driver. | 0:35:38 | 0:35:41 | |
We get in each other's way all the time though. | 0:35:41 | 0:35:44 | |
They shout at me, "Get out the way!" | 0:35:44 | 0:35:46 | |
I say, "Look, brother, I'm doing my job, you're doing yours. | 0:35:46 | 0:35:49 | |
"Can't be helped." | 0:35:49 | 0:35:50 | |
And I give thanks that I've got a job like this. | 0:35:52 | 0:35:55 | |
I'd rather do this than sit down at home | 0:35:55 | 0:35:57 | |
and wondering, "What the hell am I going to do?" | 0:35:57 | 0:36:01 | |
Winston has been doing this job for eight years and is now 65. | 0:36:01 | 0:36:06 | |
Most people, man, as soon as they retire, they give up, ain't it? | 0:36:06 | 0:36:10 | |
They retire and you think you give up. | 0:36:13 | 0:36:16 | |
I'll never give up, bruv. I ain't got no money, | 0:36:16 | 0:36:20 | |
I'm struggling but I love life. | 0:36:20 | 0:36:22 | |
You like her? You can't have her. | 0:36:25 | 0:36:27 | |
Let's roll. | 0:36:34 | 0:36:35 | |
This part of town, you've got to have money to live around here | 0:36:38 | 0:36:40 | |
and be around this side of town. | 0:36:40 | 0:36:42 | |
Look at the size of these houses, man. | 0:36:44 | 0:36:46 | |
I mean, renting a place around here, | 0:36:48 | 0:36:50 | |
it must cost you an arm and a leg, man. | 0:36:50 | 0:36:52 | |
Couldn't afford to live around here. | 0:36:52 | 0:36:54 | |
Inner London is now the wealthiest area in Europe. | 0:37:01 | 0:37:04 | |
The night buses have helped bridge the gap | 0:37:14 | 0:37:16 | |
between the affordable suburbs and the rich centre. | 0:37:16 | 0:37:19 | |
But for some, they've become a home. | 0:37:21 | 0:37:23 | |
Well, the 25 is famous for a lot of sleepers. | 0:37:27 | 0:37:31 | |
We get a lot of sleepers on this route. They just maybe can't pay | 0:37:31 | 0:37:34 | |
for the rent so they decide to stay and sleep on the bus at night. | 0:37:34 | 0:37:38 | |
This last winter here, we've had loads of people | 0:37:38 | 0:37:41 | |
sleeping on the bus - every colour, every race, every creed. | 0:37:41 | 0:37:44 | |
We have them as young as 12, 13, on this route, sleeping. | 0:37:44 | 0:37:48 | |
On a cold night, Donovan Phillips will pick up | 0:37:48 | 0:37:51 | |
at least half a dozen homeless passengers. | 0:37:51 | 0:37:53 | |
Sometimes I feel sad because you're thinking | 0:37:53 | 0:37:56 | |
when you've finished you go home to a nice warm bed | 0:37:56 | 0:37:59 | |
and these people on the streets all night. I mean, especially the | 0:37:59 | 0:38:02 | |
young women - they've vulnerable. You just feel sorry for these people | 0:38:02 | 0:38:07 | |
because it can be a lonely, lonely life, | 0:38:07 | 0:38:10 | |
going up and down on the buses and you haven't got nowhere to stay. | 0:38:10 | 0:38:13 | |
London is one of the most expensive cities in the world. | 0:38:15 | 0:38:18 | |
Some of them work during the day, you know they have a job but they | 0:38:18 | 0:38:21 | |
just can't afford to pay the rent, so they come here and they sleep. | 0:38:21 | 0:38:24 | |
Well, you're going to a nice comfy bed. | 0:38:24 | 0:38:27 | |
Me? This is my front room, mate. This is my bedroom. | 0:38:27 | 0:38:30 | |
This is where you'll stay? | 0:38:30 | 0:38:31 | |
-This is where I stay. -The whole night? | 0:38:31 | 0:38:34 | |
All night, brother. | 0:38:34 | 0:38:35 | |
You see the whole of London, don't you? | 0:38:35 | 0:38:37 | |
Well, yeah. | 0:38:37 | 0:38:39 | |
That's quite nice, isn't it? | 0:38:39 | 0:38:40 | |
Jeff Malone has been on and off the streets, | 0:38:40 | 0:38:43 | |
and buses, for the past five years. | 0:38:43 | 0:38:45 | |
One day, I'll be a millionaire. | 0:38:47 | 0:38:49 | |
You have to be optimistic. You don't know, you know. | 0:38:49 | 0:38:51 | |
If I put a pound on the lottery, you never know, I might be one. | 0:38:51 | 0:38:55 | |
Beautiful, that one there. That is a McLaren. | 0:38:55 | 0:38:59 | |
One day, I will get one of those. I'll go in there, | 0:38:59 | 0:39:01 | |
dressed up like a tramp, yeah, and they will try and run me | 0:39:01 | 0:39:05 | |
out the place, yeah. You know what I'll do? Open up a bag | 0:39:05 | 0:39:10 | |
and then dust the cash right on the table, yeah. | 0:39:10 | 0:39:13 | |
You know what I'll tell the arsehole? Never judge | 0:39:13 | 0:39:16 | |
a book by its cover cos you never know who you may discover. | 0:39:16 | 0:39:19 | |
Despite efforts to curb homelessness, | 0:39:24 | 0:39:26 | |
last year, the number of rough sleepers in London went up by 40%. | 0:39:26 | 0:39:30 | |
What you do basically, street tobacco, yeah? | 0:39:33 | 0:39:37 | |
You get a clean one. Every homeless guy does this, | 0:39:37 | 0:39:41 | |
cos sometimes you can't even afford | 0:39:41 | 0:39:43 | |
bloody tobacco that we can smoke, yeah? | 0:39:43 | 0:39:46 | |
Cos sometimes you ask people and they tell us to F-U-C-K off. | 0:39:46 | 0:39:50 | |
You've got to avoid certain routes during the weekends | 0:39:57 | 0:40:02 | |
cos you've got the partygoers, and you can't get no sleep. | 0:40:02 | 0:40:05 | |
Yeah. So you have to choose the more quieter routes. | 0:40:05 | 0:40:08 | |
And that, to me, that's where I can get a little bit of warmth | 0:40:08 | 0:40:12 | |
and shelter and that and feel human. | 0:40:12 | 0:40:14 | |
But when you're sleeping on a street, you're not... | 0:40:14 | 0:40:16 | |
You're not human, man. You're like a dog. You know what I mean? | 0:40:16 | 0:40:20 | |
My mum never raised me as no dog or no pet. | 0:40:20 | 0:40:23 | |
The N9 is the longest run, night bus service all the way cos it | 0:40:24 | 0:40:29 | |
goes to the outskirts of London, right? It's about 82 minutes, | 0:40:29 | 0:40:34 | |
which is about an hour and something, that's equivalent | 0:40:34 | 0:40:36 | |
to a flight from Heathrow... | 0:40:36 | 0:40:39 | |
From Heathrow to Spain. | 0:40:39 | 0:40:41 | |
Let's go boys. Let's go to a real luxury tour, come on. | 0:40:44 | 0:40:50 | |
Here we are. | 0:40:50 | 0:40:51 | |
Thanks. All right? | 0:40:56 | 0:40:58 | |
Oh, man. | 0:41:01 | 0:41:02 | |
Oh. | 0:41:05 | 0:41:07 | |
This is what you... This is my bedroom, this is. | 0:41:09 | 0:41:12 | |
MUSIC: "Concrete Jungle" by Bob Marley | 0:41:12 | 0:41:14 | |
# No sun will shine in my day today | 0:41:14 | 0:41:18 | |
# No sun will shine... # | 0:41:20 | 0:41:22 | |
I remember when I was first homeless. | 0:41:22 | 0:41:25 | |
Boy, oh, boy, oh, boy. | 0:41:25 | 0:41:27 | |
It was a frightening experience. | 0:41:27 | 0:41:30 | |
It all went just like that. | 0:41:30 | 0:41:31 | |
Property crash, you know? It just went. | 0:41:31 | 0:41:34 | |
Lost everything. Learn how to survive out here cos it's, | 0:41:34 | 0:41:37 | |
like Bob Marley says, it's like a concrete jungle. | 0:41:37 | 0:41:41 | |
It is a concrete jungle. | 0:41:41 | 0:41:42 | |
# Where is the love to be found? | 0:41:44 | 0:41:50 | |
# Won't someone tell me? | 0:41:50 | 0:41:52 | |
-# Cos life... -Sweet life -..must be somewhere | 0:41:52 | 0:41:56 | |
# To be found. # | 0:41:56 | 0:41:58 | |
And we've still got the man on the roof in Croydon. | 0:41:58 | 0:42:01 | |
The man threatening to jump has started communicating with police. | 0:42:03 | 0:42:08 | |
He was going like that. | 0:42:08 | 0:42:12 | |
He was giving the, um... There he goes, look. | 0:42:12 | 0:42:15 | |
Seriously, I don't think he's likely to be a jump. | 0:42:17 | 0:42:19 | |
Yeah, I think he's just... He's got a bee in his bonnet | 0:42:19 | 0:42:22 | |
about something and he's having a go at the police about it as well. | 0:42:22 | 0:42:26 | |
Normal jumpers, they'll, they'll sit and they'll talk and | 0:42:26 | 0:42:29 | |
they're on the edge and they're on the verge of jumping off. | 0:42:29 | 0:42:33 | |
With controllers deciding he is now less of a risk, | 0:42:33 | 0:42:37 | |
buses are taken off diversion. | 0:42:37 | 0:42:39 | |
Maybe it's just an attention thing, you know. I mean, he's certainly | 0:42:42 | 0:42:46 | |
getting plenty of that. He's got the fire brigade standing by, | 0:42:46 | 0:42:50 | |
he's got possibly an ambulance standing by, the police standing by. | 0:42:50 | 0:42:53 | |
Who can see into the minds of some people, you know? | 0:42:53 | 0:42:56 | |
N98. Called code red. Go ahead. | 0:42:59 | 0:43:01 | |
In Brixton, PK and Dwayne are entitled to an hour's break. | 0:43:09 | 0:43:13 | |
-We're at Arriva Brixton's social... -Common room. -Common room. | 0:43:18 | 0:43:23 | |
Like school. | 0:43:23 | 0:43:24 | |
And my man Dwayne here's giving me a few pointers. | 0:43:24 | 0:43:28 | |
I think it's for drivers to let off a bit of steam. | 0:43:29 | 0:43:32 | |
Like, when they come in from their break and, you know, even | 0:43:32 | 0:43:35 | |
before they go home, because the one thing you don't want to do in this | 0:43:35 | 0:43:38 | |
job is take the stress of the day home with you. When you're dealing | 0:43:38 | 0:43:42 | |
with miserable people, they've got bad things going on in their | 0:43:42 | 0:43:45 | |
lives, we seem to be the people they take it out on, the bus driver. | 0:43:45 | 0:43:49 | |
You know, anything that's going wrong in their lives, it comes to us. | 0:43:49 | 0:43:53 | |
If people have spent their money, you know, | 0:43:53 | 0:43:55 | |
they've got hangovers, some of them didn't get none on the weekend, | 0:43:55 | 0:43:58 | |
you know. So all things like that are factors. | 0:43:58 | 0:44:01 | |
I try and keep upbeat and think of the money at the end of the week. | 0:44:01 | 0:44:04 | |
Hello. How are you? | 0:44:04 | 0:44:06 | |
'What I like about working nights - it's quiet, | 0:44:17 | 0:44:20 | |
'it's more flexible for me. | 0:44:20 | 0:44:22 | |
'I like to do things in the day.' | 0:44:22 | 0:44:25 | |
I used to be a swimming instructor before and a lifeguard. | 0:44:25 | 0:44:28 | |
I done that since I left school. | 0:44:28 | 0:44:31 | |
Then I was bored of that and then I was on the bus going home. | 0:44:31 | 0:44:34 | |
I saw it on another bus on the other side of the road - | 0:44:34 | 0:44:37 | |
£500 a week. So I thought, "Why not?" | 0:44:37 | 0:44:40 | |
Jeff has arrived at the end of the line. | 0:44:48 | 0:44:51 | |
Here we are. | 0:44:53 | 0:44:54 | |
-BUS: -This bus terminates here. Please take all your belongings with you. | 0:44:59 | 0:45:03 | |
Well, here I am. My luxury hotel. | 0:45:04 | 0:45:08 | |
Terminal five. | 0:45:09 | 0:45:10 | |
The longest route in London. | 0:45:11 | 0:45:15 | |
Steel and glass, brother. | 0:45:15 | 0:45:18 | |
You know what I mean? It's clean, man. | 0:45:18 | 0:45:21 | |
You can even shower in here in Heathrow as well. | 0:45:21 | 0:45:24 | |
There's a certain terminal that you can go and shower if you want. | 0:45:24 | 0:45:27 | |
I'm going to use the men's room and come back out | 0:45:27 | 0:45:30 | |
and then jump back on the N9 again. | 0:45:30 | 0:45:32 | |
That's what I do. | 0:45:32 | 0:45:33 | |
Well, I've got to look like I'm a tourist, ain't it? | 0:45:36 | 0:45:38 | |
# Maybe it's because I'm a Londoner | 0:45:42 | 0:45:46 | |
# That I love London town | 0:45:46 | 0:45:48 | |
# I get a funny feeling inside of me... # | 0:45:49 | 0:45:53 | |
HE CHUCKLES | 0:45:53 | 0:45:54 | |
Yeah, you get people everywhere. | 0:46:03 | 0:46:04 | |
If I have the cap off and drive like this, in certain areas, | 0:46:04 | 0:46:08 | |
you'll get looks, but when you speak to them, | 0:46:08 | 0:46:10 | |
cos I'm born and bred here and you speak slightly cockney, | 0:46:10 | 0:46:14 | |
they think, "He's one of us." | 0:46:14 | 0:46:17 | |
Get a few people coming on, preaching the Bible and other things. | 0:46:17 | 0:46:20 | |
A bloke come on the bus and he started screaming and shouting, | 0:46:20 | 0:46:24 | |
"We're going to hell! This is happening, that's happening. | 0:46:24 | 0:46:26 | |
"The world's falling apart." | 0:46:26 | 0:46:28 | |
And he started scaring the other passengers. | 0:46:28 | 0:46:32 | |
So I told him, "Sit down quietly. | 0:46:32 | 0:46:33 | |
"We're not going to hell, we're going to Ilford." | 0:46:33 | 0:46:35 | |
Being a Muslim, we've got to do our five prayers a day and I try to cram | 0:46:46 | 0:46:50 | |
the prayers in in our break times. | 0:46:50 | 0:46:53 | |
And I do that. It's like a gym workout. | 0:46:53 | 0:46:54 | |
If you don't do it, you feel ill. It's compulsory, not optional. | 0:46:54 | 0:46:58 | |
Take your socks off first. | 0:46:58 | 0:47:00 | |
This place is usually flooded. | 0:47:02 | 0:47:04 | |
Got to be careful how we do it all. | 0:47:05 | 0:47:07 | |
This is the hot water and it's freezing cold. | 0:47:11 | 0:47:14 | |
You've got to do your feet and all. | 0:47:17 | 0:47:20 | |
So now I'm in the prayer mode. | 0:47:20 | 0:47:24 | |
Otherwise you can't pray unless you've done an ablution. | 0:47:24 | 0:47:27 | |
You've cleaned yourself up | 0:47:27 | 0:47:28 | |
and you're lucky you're not touching urine or anything. | 0:47:28 | 0:47:32 | |
Lean up against there and put my socks on. | 0:47:32 | 0:47:34 | |
Put me towel through. | 0:47:37 | 0:47:38 | |
Lovely jubbly. Feel the cold now. | 0:47:41 | 0:47:44 | |
This is another thing on the bus. | 0:47:48 | 0:47:50 | |
Which way do we pray? How do we know it's Mecca? | 0:47:50 | 0:47:52 | |
So I turn around, wherever I am, | 0:47:52 | 0:47:54 | |
you look out for a satellite dish. Couple of dishes over there. | 0:47:54 | 0:47:58 | |
And whichever way they're facing, that's usually towards Mecca. | 0:47:58 | 0:48:01 | |
Usually, you plan this out. | 0:48:05 | 0:48:06 | |
All day long, we know where we're going from one end to the other end | 0:48:06 | 0:48:09 | |
and where the bus stops are, where the stations are, I look it all up. | 0:48:09 | 0:48:14 | |
We looked it up so we're planning it. | 0:48:14 | 0:48:17 | |
HE WHISPERS PRAYER | 0:48:17 | 0:48:20 | |
Jeff has more earthly concerns. | 0:48:45 | 0:48:47 | |
He's waiting for the N9 back into town from Heathrow. | 0:48:47 | 0:48:51 | |
Man, have you got a spare roll-up on you? | 0:48:51 | 0:48:53 | |
A cigarette on you, family? Cheers, fam. | 0:48:53 | 0:48:57 | |
He's not flying anywhere today | 0:48:57 | 0:48:59 | |
but he's never forgotten what the city looks like from the air. | 0:48:59 | 0:49:02 | |
The first thing I saw when I was flying over London | 0:49:04 | 0:49:07 | |
was all the sea of red buses. | 0:49:07 | 0:49:09 | |
That was the thing. It's the lifeblood of London. | 0:49:09 | 0:49:12 | |
Well, the buses are red, aren't they? | 0:49:14 | 0:49:16 | |
Since he lost his business and his home, | 0:49:19 | 0:49:21 | |
the buses have been a lifeline to Jeff. | 0:49:21 | 0:49:24 | |
Like I say, you're one pay cheque away from being on the street, fam. | 0:49:24 | 0:49:28 | |
One pay cheque away. Anybody. You, me, anyone. | 0:49:28 | 0:49:33 | |
If you don't bring in that M-O-N-E-Y on the table, this is what happens. | 0:49:33 | 0:49:39 | |
This is us now. | 0:49:44 | 0:49:45 | |
24/7, seven days a week. | 0:49:53 | 0:49:55 | |
Just another page in your life, isn't it? | 0:49:58 | 0:50:02 | |
With morning rush hour fast approaching, | 0:50:06 | 0:50:08 | |
the number of buses on the roads will soon quadruple. | 0:50:08 | 0:50:10 | |
RADIO CHATTER | 0:50:16 | 0:50:17 | |
Yeah, understood, man. I'll have a part of the yard up and ready | 0:50:17 | 0:50:20 | |
for you shortly and I'll give you a call when it's ready, yeah? | 0:50:20 | 0:50:24 | |
In the East End, yard controller H is getting them ready to go. | 0:50:24 | 0:50:28 | |
We're just putting all the bus numbers down | 0:50:28 | 0:50:31 | |
in what lanes they're in | 0:50:31 | 0:50:32 | |
so we get it ready for the run-out in the morning. | 0:50:32 | 0:50:35 | |
This is why we have to have the gap in between. | 0:50:35 | 0:50:38 | |
And they take the mickey out of me sometimes, because they say | 0:50:38 | 0:50:41 | |
they've got to make the gap bigger. | 0:50:41 | 0:50:43 | |
Cheeky little buggers. | 0:50:43 | 0:50:45 | |
266. | 0:50:46 | 0:50:47 | |
44074. | 0:50:47 | 0:50:50 | |
In front of that, 281. | 0:50:50 | 0:50:52 | |
This is what I'm talking about. | 0:50:52 | 0:50:54 | |
I've been in the bus industry 29 years. | 0:50:58 | 0:51:01 | |
Started out as a driver. Yeah, my dad used to say to me, he said, | 0:51:01 | 0:51:05 | |
"Get into the bus industry. | 0:51:05 | 0:51:07 | |
"You'll get a good pension." You know? | 0:51:07 | 0:51:10 | |
And it made him proud, really, and my dad, for the first time, was crying | 0:51:10 | 0:51:16 | |
with joy and that's the first time I've ever seen him cry for anything. | 0:51:16 | 0:51:19 | |
He was so taken in that I was working for London Transport. | 0:51:19 | 0:51:24 | |
To get a job like this was a very, very big thing. | 0:51:25 | 0:51:29 | |
Yeah, I'm from a Caribbean background and when you go back on holiday, | 0:51:29 | 0:51:34 | |
to say that you work for London Transport | 0:51:34 | 0:51:36 | |
it was a big thing. It still is today, really. | 0:51:36 | 0:51:39 | |
See you later. | 0:51:40 | 0:51:41 | |
My dad retired from the Post Office and my mum was working | 0:51:47 | 0:51:53 | |
as a dinner lady in a school and he'd realised that she'd finished | 0:51:53 | 0:51:57 | |
work early so he decided that he's going to get home to see her. | 0:51:57 | 0:51:59 | |
So what does he do? He runs for the bus. When he gets to the bus | 0:51:59 | 0:52:03 | |
it was the old Routemasters | 0:52:03 | 0:52:04 | |
and he got on the back and downstairs was full | 0:52:04 | 0:52:07 | |
and he ran upstairs and then he had a heart attack. | 0:52:07 | 0:52:10 | |
And my dad died on a bus. | 0:52:12 | 0:52:15 | |
That knocked me sideways, big time. | 0:52:16 | 0:52:20 | |
Ah. | 0:52:20 | 0:52:22 | |
Ah, it killed me. | 0:52:22 | 0:52:24 | |
72. | 0:52:25 | 0:52:26 | |
72 and he died on a bus. | 0:52:27 | 0:52:30 | |
It's the end of the night shift at CentreComm. | 0:52:44 | 0:52:47 | |
Yeah, I'm signing off for another night soon. | 0:52:49 | 0:52:54 | |
No, I've got to go home and go to sleep. | 0:52:54 | 0:52:56 | |
You've got all day to survive, haven't you? | 0:52:56 | 0:52:58 | |
Someone else had decided he's ready to go home. | 0:52:58 | 0:53:01 | |
He's got a jacket on to warm up. | 0:53:02 | 0:53:05 | |
Letting him have a cigarette before they take him into the cells I think. | 0:53:05 | 0:53:08 | |
The man on the roof has come back down to earth safely. | 0:53:08 | 0:53:11 | |
He's on handcuffs. Yeah. | 0:53:11 | 0:53:14 | |
All smiles. I think they might know him. | 0:53:16 | 0:53:19 | |
Who brought these? | 0:53:19 | 0:53:20 | |
Breakfast? | 0:53:22 | 0:53:23 | |
-They're nice. -No, I'm going home. Straight home to bed. | 0:53:29 | 0:53:32 | |
We'll, see you all tonight who's here. See you later, people. | 0:53:34 | 0:53:38 | |
See you later on. | 0:53:38 | 0:53:39 | |
The night drivers are coming to the end of their shift. | 0:53:42 | 0:53:45 | |
But first, they have to deal with the final wave of passengers. | 0:53:45 | 0:53:49 | |
These are like your early morning workers, cleaners that have | 0:53:50 | 0:53:53 | |
just finished jobs or just going to jobs to clean them and all that. | 0:53:53 | 0:53:57 | |
Cos it's a big city, a lot of the places are 24 hours and that, | 0:53:57 | 0:54:01 | |
there's a lot of people that are still floating around working | 0:54:01 | 0:54:04 | |
while everyone's sleeping, like me. | 0:54:04 | 0:54:06 | |
London doesn't sleep. 24-hour city. | 0:54:09 | 0:54:12 | |
Tubes close, train drivers go home. | 0:54:14 | 0:54:17 | |
Bus drivers don't. They're on 24 hours, seven days a week. | 0:54:18 | 0:54:24 | |
In the East End, H is signing in a fresh army of daytime drivers. | 0:54:42 | 0:54:46 | |
So it's going to be 149, Mick. | 0:54:47 | 0:54:50 | |
And that's going to be in lane number four. | 0:54:50 | 0:54:53 | |
I ain't sending you to lane 14 today, | 0:54:53 | 0:54:56 | |
I'm going to send you to lane ten. | 0:54:56 | 0:54:58 | |
He has the power to decide who gets which bus. | 0:54:58 | 0:55:01 | |
-This is bus number 225. Is that a good bus? -Yes. | 0:55:01 | 0:55:05 | |
It's a good bus. Why? | 0:55:05 | 0:55:06 | |
It's a good bus. It drives nice and smoothly. | 0:55:06 | 0:55:08 | |
-And the seat's good. -Yeah, see? -The seat is very important. | 0:55:08 | 0:55:12 | |
It's got to be comfortable. | 0:55:12 | 0:55:14 | |
Please use the walkway, pull your bus forward, drive carefully and...? | 0:55:14 | 0:55:18 | |
-Have a nice day. -Have a nice day. Thank you. | 0:55:18 | 0:55:20 | |
Go. You watching back, yeah? | 0:55:20 | 0:55:23 | |
If you look in the bus force there you'll see that's all | 0:55:24 | 0:55:27 | |
the night buses that have come in. So they're all waiting to be | 0:55:27 | 0:55:30 | |
fuelled, swept, parked up and back out again. | 0:55:30 | 0:55:34 | |
The run-out is four and a half hours to get rid of 206 buses | 0:55:38 | 0:55:43 | |
and that's the total buses we do every morning. | 0:55:43 | 0:55:45 | |
Yes, go on. | 0:55:45 | 0:55:47 | |
Tommy has made it back home in one piece. | 0:55:53 | 0:55:57 | |
It's when you get home, you feel tired. At the moment I'm OK, | 0:55:57 | 0:56:00 | |
but as soon as you get home it sort of hits you. | 0:56:00 | 0:56:04 | |
Watch a bit of telly, read the paper then I go to bed. | 0:56:04 | 0:56:08 | |
And then get up and start all over again. | 0:56:08 | 0:56:10 | |
In Brixton, PK is clocking off. | 0:56:13 | 0:56:15 | |
Took £21.60 tonight. | 0:56:18 | 0:56:22 | |
-Wow. -Yeah. | 0:56:22 | 0:56:25 | |
Most people are travelling with Oysters | 0:56:25 | 0:56:27 | |
so it is better that we don't have to carry cash. | 0:56:27 | 0:56:29 | |
Hopefully it will get to the point where we don't have to take | 0:56:29 | 0:56:32 | |
cash at all and then that way it's just easier all round. | 0:56:32 | 0:56:35 | |
Right, good night, everybody. | 0:56:35 | 0:56:37 | |
London's changed a lot. I think it's showing now, | 0:56:42 | 0:56:45 | |
with the night buses being as busy as they are | 0:56:45 | 0:56:49 | |
and as packed as they can be, | 0:56:49 | 0:56:51 | |
how much of a melting pot it is. But, yeah, I love it. | 0:56:51 | 0:56:54 | |
It's London. I think even if I had the opportunity to move away, | 0:56:54 | 0:56:57 | |
I think I'd miss the hustle and bustle and the busyness of it and | 0:56:57 | 0:57:00 | |
I think that's what gets you - once you're in it, you're in it. | 0:57:00 | 0:57:04 | |
And now I'm going home cos I've got a hot date with a young | 0:57:05 | 0:57:09 | |
Lara Croft on the Xbox 360. | 0:57:09 | 0:57:11 | |
Cos she got herself in some trouble again, | 0:57:11 | 0:57:14 | |
so I've got to go and help her out of that situation. | 0:57:14 | 0:57:16 | |
And I've got to do that, I've got about an hour of doing that | 0:57:16 | 0:57:19 | |
before the kids wake up and I've got to cook them breakfast, so I'm | 0:57:19 | 0:57:23 | |
going to do that and then I'll most probably go off to sleep myself. | 0:57:23 | 0:57:27 | |
Subtitles by Red Bee Media Ltd | 0:57:34 | 0:57:37 |