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RADIO: 'The A13 westbound is moving slowly between...' | 0:00:02 | 0:00:05 | |
Hold on tight. | 0:00:07 | 0:00:08 | |
London is full up... | 0:00:08 | 0:00:10 | |
HORNS BLARE | 0:00:10 | 0:00:12 | |
Are you going to allow them to jump on the back of your bus? | 0:00:12 | 0:00:15 | |
I'm afraid I won't be able to take more passengers. | 0:00:15 | 0:00:19 | |
..thanks to one million more people arriving in the last ten years. | 0:00:19 | 0:00:24 | |
Transport for London now has more than 30,000 workers | 0:00:24 | 0:00:28 | |
battling day and night... | 0:00:28 | 0:00:30 | |
WHISTLING | 0:00:30 | 0:00:32 | |
-Wake up! -..to stop the city grinding to a halt. | 0:00:32 | 0:00:35 | |
-Three people have been shot up there. -War, it's war. | 0:00:35 | 0:00:38 | |
All right, I'll get the police and ambulance straight down there. | 0:00:38 | 0:00:41 | |
The first week I was here, I thought, what have I done? | 0:00:41 | 0:00:45 | |
With unique access to the nerve centre of the capital's transport system, | 0:00:45 | 0:00:49 | |
this is the inside story of the people who keep London moving. | 0:00:49 | 0:00:53 | |
You're not only a bus driver, you become a psychotherapist and psychiatrist. | 0:00:53 | 0:00:57 | |
You get the people that like to talk to you. Some of them even flirt with you. | 0:00:57 | 0:01:00 | |
I said, "At the moment, mate, sit down quietly. | 0:01:00 | 0:01:02 | |
"We're not going to hell, we're going to Ilford." | 0:01:02 | 0:01:05 | |
'It's the lifeblood of London. That's why the buses are red, aren't they?' | 0:01:05 | 0:01:09 | |
HE LAUGHS | 0:01:09 | 0:01:11 | |
There's my certificate, look. I'm a bus driver! | 0:01:11 | 0:01:13 | |
Thank you very much. You're so nice. | 0:01:15 | 0:01:17 | |
Don't worry, no problem at all. | 0:01:17 | 0:01:19 | |
'London's changed a lot, but, yeah, I love it. It's London.' | 0:01:19 | 0:01:23 | |
This programme contains some strong language. | 0:01:23 | 0:01:31 | |
-Morning. -Morning. How are you? -Fine, thank you. -Morning. | 0:01:43 | 0:01:47 | |
Morning, son. | 0:01:47 | 0:01:49 | |
Morning, Sandra. | 0:01:49 | 0:01:51 | |
-Good morning. -That bus is there, yeah, yeah. Quick as you can, mate. | 0:01:51 | 0:01:55 | |
The time is now 5:07am. | 0:01:55 | 0:01:58 | |
The time to play with buses this morning, I think. | 0:01:59 | 0:02:02 | |
I don't even know what day it is. I'm spending too much time here. | 0:02:02 | 0:02:06 | |
It's the start of the day shift. | 0:02:06 | 0:02:08 | |
All right, let's go and get some coffee down our necks. | 0:02:08 | 0:02:11 | |
An army of bus drivers is preparing to take 8,500 iconic red buses | 0:02:11 | 0:02:16 | |
out onto the streets of London. | 0:02:16 | 0:02:18 | |
Man, where did I park the bus? | 0:02:18 | 0:02:22 | |
Let's get ready to meet the adoring public. | 0:02:22 | 0:02:24 | |
Have you got your gum shields ready? | 0:02:24 | 0:02:26 | |
-Bit more. -Wicked. | 0:02:26 | 0:02:29 | |
Right. | 0:02:29 | 0:02:30 | |
Thank you very much. Have a good day. | 0:02:32 | 0:02:34 | |
Demand for buses has exploded in the last ten years. | 0:02:37 | 0:02:40 | |
Everyone else is queueing. We can all manage it. | 0:02:40 | 0:02:43 | |
Let's all be nice human beings today. | 0:02:43 | 0:02:46 | |
6.5 million journeys are now made by bus in London every day. | 0:02:46 | 0:02:50 | |
Twice as many as on the Tube, | 0:02:50 | 0:02:52 | |
and more than on the rest of England's buses put together. | 0:02:52 | 0:02:54 | |
All right? | 0:02:54 | 0:02:56 | |
As a result, the job of being a bus driver in the city | 0:02:56 | 0:02:59 | |
has changed beyond recognition. | 0:02:59 | 0:03:01 | |
Got to go. Got to go, got to go. | 0:03:01 | 0:03:04 | |
First runner of the day. | 0:03:04 | 0:03:07 | |
If people put an effort in, I'll wait. | 0:03:07 | 0:03:10 | |
People are so busy. Busy, busy, busy. | 0:03:10 | 0:03:12 | |
I don't know what they're doing, but they're busy. | 0:03:12 | 0:03:15 | |
Everything's about getting there on time. | 0:03:15 | 0:03:17 | |
I don't think people are doing more, I just think they're hurrying more. | 0:03:17 | 0:03:21 | |
You know, it must be dreadful, constantly rushing. | 0:03:23 | 0:03:26 | |
I'd have a nervous breakdown. | 0:03:26 | 0:03:28 | |
Sadie has been driving buses for just four years. | 0:03:29 | 0:03:33 | |
Says something about driving a red double-decker bus | 0:03:34 | 0:03:37 | |
that I've always wanted to do. | 0:03:37 | 0:03:39 | |
'Even when I used to get on one to go to work, it's like,' | 0:03:39 | 0:03:41 | |
"Oh, I'd love to have a little go." | 0:03:41 | 0:03:43 | |
I thought I'd be waving at everyone and everyone would bring me... | 0:03:43 | 0:03:47 | |
..sweets and biscuits, | 0:03:48 | 0:03:50 | |
and everyone would be very grateful and they'd be lovely, but no. | 0:03:50 | 0:03:54 | |
Absolutely not like that whatsoever! | 0:03:54 | 0:03:56 | |
Some days it's mental. | 0:03:56 | 0:04:00 | |
Excuse me, there's a queue right down the back there. | 0:04:00 | 0:04:02 | |
Let's all be nice to each other. | 0:04:02 | 0:04:04 | |
I touch my Oyster, you drive the bus! | 0:04:04 | 0:04:07 | |
That's the agreement! | 0:04:07 | 0:04:09 | |
The bus stop is closed. | 0:04:09 | 0:04:11 | |
I'm sorry, I'm not allowed to open the door. | 0:04:11 | 0:04:14 | |
BUZZER SOUNDS | 0:04:14 | 0:04:15 | |
Oh, no, he's not going to do it. Oi! | 0:04:15 | 0:04:18 | |
-Please, man, I've got ten minutes to get there. -If you can pay now... | 0:04:18 | 0:04:21 | |
I ain't got the money on me, I've got to get it from my girlfriend. | 0:04:21 | 0:04:24 | |
-But you're not listening to what I'm saying. -Four stops? | 0:04:24 | 0:04:27 | |
-It doesn't matter whether it's one stop... -Can I get on then? | 0:04:27 | 0:04:30 | |
The guy hasn't got no respect! You can't talk to a customer like that! | 0:04:30 | 0:04:33 | |
'This bus terminates here.' | 0:04:33 | 0:04:35 | |
Oh, no! No, it doesn't terminate here. | 0:04:35 | 0:04:38 | |
It doesn't terminate here! | 0:04:38 | 0:04:40 | |
You don't normally terminate here, you normally go round the left. | 0:04:40 | 0:04:44 | |
SHE GROANS | 0:04:44 | 0:04:45 | |
People will complain about anything. | 0:04:45 | 0:04:49 | |
-And everything. -The bus is very cold. | 0:04:49 | 0:04:51 | |
Very cold? It's summer, sir. We turn the heating off on 1st May. | 0:04:51 | 0:04:54 | |
-No, you don't put no heater on. The drivers are aware. -1st May, the heaters get turned off. | 0:04:54 | 0:04:58 | |
Takes me an hour to get to Hackney, it's cold. This is the only place that I get cold. | 0:04:58 | 0:05:01 | |
My office is warm, my house is warm. | 0:05:01 | 0:05:03 | |
But few passengers realise that, | 0:05:08 | 0:05:10 | |
in order to keep 8,500 buses running smoothly, | 0:05:10 | 0:05:14 | |
every bus is now tracked, monitored and told what to do | 0:05:14 | 0:05:19 | |
by a system unique in the world. | 0:05:19 | 0:05:22 | |
Tango 118, Tango 118. | 0:05:22 | 0:05:24 | |
You've come through to CentreComm. You've got no route or running number displayed, | 0:05:24 | 0:05:27 | |
so nice and clear, your route, your running number, in that order for me, please, over. | 0:05:27 | 0:05:31 | |
Years ago, you'd have a bus inspector with a peaked cap | 0:05:31 | 0:05:35 | |
somewhere in the street with a clipboard, | 0:05:35 | 0:05:36 | |
noting off the times of buses. | 0:05:36 | 0:05:38 | |
But, he could only see from one side of the road to the other. | 0:05:38 | 0:05:41 | |
'Now, we've got absolute precise geographical information | 0:05:41 | 0:05:44 | |
'through GPS on all 8,000 of our buses.' | 0:05:44 | 0:05:47 | |
We know precisely where they are and what they're doing. | 0:05:47 | 0:05:50 | |
CentreComm oversees buses across the whole city | 0:05:50 | 0:05:52 | |
and responds to emergencies. | 0:05:52 | 0:05:54 | |
I'll liaise with the police and I'll come back to you. | 0:05:54 | 0:05:57 | |
I think people don't realise how much goes on behind the scenes | 0:05:57 | 0:06:01 | |
to keep the service running. | 0:06:01 | 0:06:02 | |
'All people see, when they wait at the bus stop,' | 0:06:02 | 0:06:04 | |
they want to know how long the bus will be, they want a clean, tidy bus that will get there on time. | 0:06:04 | 0:06:08 | |
They don't realise the amount of things that go on behind the scenes. | 0:06:08 | 0:06:11 | |
He's got head injuries? OK. We've got an NTC on the way. 1012. | 0:06:11 | 0:06:15 | |
We have our mapping system, | 0:06:15 | 0:06:18 | |
we have cameras absolutely everywhere. | 0:06:18 | 0:06:21 | |
There aren't too many places that not only a bus | 0:06:21 | 0:06:24 | |
but an individual could hide within London that we can no longer see. | 0:06:24 | 0:06:28 | |
Morning. | 0:06:29 | 0:06:31 | |
Morning, darling. | 0:06:31 | 0:06:32 | |
Move the kitchen sink out the way and you will find your pass. | 0:06:32 | 0:06:36 | |
Alex is an old hand who's seen this new system come in. | 0:06:36 | 0:06:40 | |
If they'd have been able to see these buses | 0:06:41 | 0:06:44 | |
and what we're driving and the job we're doing now, | 0:06:44 | 0:06:47 | |
if I'd been able to see that 22 years ago, I'd have thought, | 0:06:47 | 0:06:50 | |
"This is Space:2001, isn't it?" | 0:06:50 | 0:06:54 | |
'It's nothing like it used to be. | 0:06:54 | 0:06:56 | |
'Everything's automated. | 0:06:56 | 0:06:58 | |
'You've got people in the control room watching your every move,' | 0:06:58 | 0:07:02 | |
they can tell what road you're on, what time you should be there, | 0:07:02 | 0:07:05 | |
how early you're running. They can tell everything. | 0:07:05 | 0:07:08 | |
What speed you're doing, how your braking is. You're watched over. | 0:07:08 | 0:07:14 | |
-Like a babe. -Your location, 37? How are you doing for time? | 0:07:14 | 0:07:18 | |
The new system makes 21st-century bus drivers | 0:07:18 | 0:07:21 | |
among the most monitored workers in the country. | 0:07:21 | 0:07:24 | |
If you can just hold a couple of minutes for me, please. | 0:07:24 | 0:07:27 | |
As well as being observed by the central control room, | 0:07:27 | 0:07:30 | |
each bus driver is tracked and directed from separate, smaller control rooms, | 0:07:30 | 0:07:34 | |
known as iBus, based in depots across the city. | 0:07:34 | 0:07:38 | |
Yeah, driver, just to let you know that I'm informing you of report | 0:07:38 | 0:07:41 | |
for delaying the service at Romford, over. | 0:07:41 | 0:07:45 | |
No problem, driver. Thank you very much. | 0:07:45 | 0:07:48 | |
He likes calling me "love" for some reason. I don't like that. | 0:07:48 | 0:07:52 | |
If he called me "babe" I might have let it go, but... | 0:07:52 | 0:07:55 | |
SHE LAUGHS | 0:07:55 | 0:07:57 | |
10:30am, and the morning rush is over. | 0:07:57 | 0:07:59 | |
Yeah, 36 receiving, over. | 0:07:59 | 0:08:01 | |
But Vicky Joblin is one of 1,000 iBus controllers | 0:08:01 | 0:08:04 | |
who'll continue to scrutinise a driver's every move throughout the day. | 0:08:04 | 0:08:08 | |
Driver, can you leave Finsbury Park three minutes late for me at 15, over? | 0:08:08 | 0:08:13 | |
My best friend calls me the bus pimp. | 0:08:13 | 0:08:16 | |
Basically because I tell the buses what to do and where to go. | 0:08:16 | 0:08:19 | |
'I do get called Blakey, sometimes, though, from On The Buses.' | 0:08:19 | 0:08:22 | |
Or The Fat Controller's another one, that's my sister's favourite. | 0:08:22 | 0:08:25 | |
Vicky's job is to space out the buses | 0:08:25 | 0:08:27 | |
and keep an even gap between them. | 0:08:27 | 0:08:30 | |
This is our beloved route diagram. | 0:08:30 | 0:08:33 | |
These blobs here are individual buses, and then just down here, | 0:08:33 | 0:08:37 | |
this number here, just tells us how early or late the bus is running. | 0:08:37 | 0:08:41 | |
I'm looking for buses not running together, that's what I'm looking for. | 0:08:41 | 0:08:44 | |
I'm looking for a nice even space between the buses. | 0:08:44 | 0:08:47 | |
'We call it custard, when it's a full screen of yellow.' | 0:08:47 | 0:08:50 | |
That means everything's on time. | 0:08:50 | 0:08:53 | |
It's either a bowl of custard or bus bingo. | 0:08:53 | 0:08:55 | |
When you've got every single bus on time and they're all in order. | 0:08:55 | 0:08:59 | |
House! | 0:08:59 | 0:09:01 | |
Right, so, driver, you're currently now 12 minutes late, | 0:09:01 | 0:09:04 | |
it's given me a really big gap in my service now, over. | 0:09:04 | 0:09:06 | |
Yeah? Any mechanical problems, | 0:09:09 | 0:09:11 | |
whether or not you get your friend to help you, | 0:09:11 | 0:09:13 | |
you must call us and let us know. Do you receive that, over? | 0:09:13 | 0:09:16 | |
You know, we're not asking them to fart gold, or anything like that, | 0:09:16 | 0:09:20 | |
it's just...drive your bus on your timecard, if you can. | 0:09:20 | 0:09:24 | |
It's not... It's not a rocket science job. | 0:09:24 | 0:09:27 | |
Controlling is, though. | 0:09:27 | 0:09:30 | |
Oh, yeah. | 0:09:30 | 0:09:31 | |
We've got degrees and stuff. | 0:09:31 | 0:09:35 | |
Well, we've got a BTEC. | 0:09:35 | 0:09:37 | |
Does that count as a degree?! It's advanced! | 0:09:37 | 0:09:39 | |
Running number 247. Have you departed yet? | 0:09:39 | 0:09:43 | |
No, I need a toilet break, as well. I've just arrived. | 0:09:43 | 0:09:46 | |
I mean, you've seen all that traffic, they know there's loads of traffic. | 0:09:46 | 0:09:49 | |
And then... "Have you left?" | 0:09:49 | 0:09:53 | |
Can you just give them about three or four minutes and then go? | 0:09:55 | 0:09:58 | |
They tell you to turn somewhere, you just do it, you know? | 0:09:58 | 0:10:01 | |
They're running the show, you know what I mean? | 0:10:01 | 0:10:03 | |
Can you show Piccadilly, run it by Shaftesbury, | 0:10:03 | 0:10:06 | |
pick up back in service from Bloomsbury? | 0:10:06 | 0:10:08 | |
They can get on your nerves and go on a bit, you know what I mean? | 0:10:08 | 0:10:11 | |
On your ear all the time, you know? | 0:10:11 | 0:10:14 | |
It's timing. | 0:10:16 | 0:10:17 | |
They give us these timing sheets from one end to the other. | 0:10:17 | 0:10:20 | |
How are we supposed to get there in them times and pick people up? | 0:10:20 | 0:10:23 | |
Cos you're, at the moment, standing at 20 minutes late. | 0:10:23 | 0:10:25 | |
The controller goes, "What's going on with you down here, driver? | 0:10:25 | 0:10:28 | |
"Where are you? Where are you?" "I'm in the bus." | 0:10:28 | 0:10:31 | |
"Where's the bus?" "The bus is in the road! Course it is!" | 0:10:31 | 0:10:34 | |
Then they say, "No, no, you're under no pressure." | 0:10:34 | 0:10:36 | |
Of course you're under pressure. | 0:10:36 | 0:10:38 | |
You're running too close to the bus in front of you with a gap behind you. | 0:10:38 | 0:10:41 | |
Can we get off? We've got a hospital appointment. We didn't know it was coming down here. | 0:10:43 | 0:10:47 | |
Just round the corner, I'm going to turn right, and you should be there to Euston, please, yeah? | 0:10:47 | 0:10:51 | |
Everybody's on top of you. | 0:10:51 | 0:10:54 | |
The public, the passengers, the managers. | 0:10:54 | 0:10:57 | |
The iBus. | 0:10:57 | 0:10:59 | |
You can never please them. | 0:11:00 | 0:11:02 | |
When I started, I started on a Routemaster with a conductor. | 0:11:03 | 0:11:07 | |
It was a different time. They got away with murder. | 0:11:07 | 0:11:12 | |
Thank you. | 0:11:12 | 0:11:14 | |
Three, please. | 0:11:16 | 0:11:18 | |
Three, please. | 0:11:18 | 0:11:20 | |
In the '50s and '60s, | 0:11:22 | 0:11:23 | |
buses were run by both a driver and a conductor, | 0:11:23 | 0:11:26 | |
or clippy, as they were known, | 0:11:26 | 0:11:28 | |
who looked after the passengers on the back and sold tickets. | 0:11:28 | 0:11:31 | |
I do miss what it used to be. It was much more relaxed. | 0:11:32 | 0:11:36 | |
As long as you were driving from A to B, | 0:11:36 | 0:11:38 | |
you were doing what you had to do, you were never bothered. | 0:11:38 | 0:11:42 | |
You were literally your own... As if you were in your car, | 0:11:42 | 0:11:46 | |
your little box, and away you went. | 0:11:46 | 0:11:49 | |
They don't have the fun we had, for one thing, you know? | 0:11:49 | 0:11:52 | |
'What people do who were mechanically minded,' | 0:11:52 | 0:11:55 | |
they knew if you did certain things to a vehicle, | 0:11:55 | 0:11:58 | |
it wouldn't start, so... | 0:11:58 | 0:12:00 | |
What about the one where they let the diesel out? | 0:12:00 | 0:12:03 | |
'They used to let the diesel out and say they'd run out of diesel. | 0:12:03 | 0:12:06 | |
'They used to take the bulbs out, some of them,' | 0:12:06 | 0:12:08 | |
-and say the kids took them out. -And say the kids took them out! | 0:12:08 | 0:12:11 | |
'Yeah, a lot of that went on' | 0:12:11 | 0:12:13 | |
because people just didn't want to go to work that day. | 0:12:13 | 0:12:16 | |
'My clippy, she needed to do her little bit of shopping,' | 0:12:16 | 0:12:20 | |
I would stop en route and she would whizz off a bit quick | 0:12:20 | 0:12:25 | |
from the back, where there was no doors, | 0:12:25 | 0:12:28 | |
she would do her bit of whatever she wanted to purchase, etc, | 0:12:28 | 0:12:32 | |
back on the bus, and we'd carry on. | 0:12:32 | 0:12:35 | |
'Nobody being any the wiser. You were never bothered, no.' | 0:12:36 | 0:12:40 | |
There was no spy in the cab, there was nothing like that. | 0:12:40 | 0:12:44 | |
As pressured as it may be, | 0:12:49 | 0:12:51 | |
with a starting salary of around £26,000 a year, | 0:12:51 | 0:12:54 | |
people are queueing up to become drivers... | 0:12:54 | 0:12:56 | |
Just stick with me, please, guys. | 0:12:56 | 0:12:58 | |
..with 30 applicants a week at this test centre. | 0:12:58 | 0:13:01 | |
She's 14 foot five inches high, she's eight foot four inches wide. | 0:13:03 | 0:13:07 | |
You're looking at approximately 36 feet long, | 0:13:07 | 0:13:10 | |
and you're looking at a 10-tonne vehicle. | 0:13:10 | 0:13:12 | |
So, have any of you have ever driven a vehicle that heavy? That big? No? | 0:13:12 | 0:13:17 | |
Got a surprise for you. | 0:13:17 | 0:13:18 | |
You probably need to bring your chair a little bit forward for me. | 0:13:18 | 0:13:21 | |
So, at the front of the chair, there's a little bar. | 0:13:21 | 0:13:23 | |
You just lift that and it'll go forward. Nice and comfortable. | 0:13:23 | 0:13:26 | |
In West Ham garage, in east London, | 0:13:26 | 0:13:28 | |
training is just beginning for 44-year-old Christine Ball. | 0:13:28 | 0:13:33 | |
Lift the column. That's it, nice and gentle. | 0:13:33 | 0:13:37 | |
And just lift it. And away you go. | 0:13:37 | 0:13:40 | |
Hold tight, everybody. | 0:13:40 | 0:13:42 | |
Move yourself up. | 0:13:42 | 0:13:43 | |
Gentle, gentle, gentle. We're going to stop at the crossing. | 0:13:43 | 0:13:46 | |
-Squeeze the break. Squeeze it. -Oh, sorry. -Ohh! Gentle, gentle! | 0:13:46 | 0:13:51 | |
SHE LAUGHS | 0:13:51 | 0:13:52 | |
Gentle, gentle! | 0:13:52 | 0:13:54 | |
-Are you all right? -Yeah, sorry! | 0:13:54 | 0:13:58 | |
'On my birth certificate, where it says name of dad | 0:13:58 | 0:14:00 | |
'and what he does, it says "bus driver". | 0:14:00 | 0:14:03 | |
'He used to drive the old 21 bus,' | 0:14:03 | 0:14:05 | |
so it'd be nice to follow in his footsteps cos he's no longer here. | 0:14:05 | 0:14:08 | |
This time we're going to squeeze the break. | 0:14:08 | 0:14:11 | |
'All my driving experience is all down to him. | 0:14:11 | 0:14:14 | |
'He taught me to drive in a van. | 0:14:14 | 0:14:17 | |
'Just wish he was here to see me do it.' | 0:14:17 | 0:14:19 | |
Wonderful. Put the vehicle in neutral. | 0:14:19 | 0:14:22 | |
Well done! You just drove a bus! | 0:14:22 | 0:14:24 | |
APPLAUSE AND CHEERS | 0:14:24 | 0:14:26 | |
I've heard all his stories, different things you could get away with | 0:14:28 | 0:14:31 | |
'all those years ago that you wouldn't get away with today. | 0:14:31 | 0:14:34 | |
'He used to stop off at a pub halfway on his route,' | 0:14:34 | 0:14:36 | |
leave all his passengers on the bus, say, | 0:14:36 | 0:14:38 | |
"Right, I won't be a minute," then he'd get off and he'd go round, | 0:14:38 | 0:14:42 | |
go in the pub, get himself a pint, | 0:14:42 | 0:14:44 | |
get some jellied eels from the jellied eel store, | 0:14:44 | 0:14:46 | |
stand round the other side of the pub, eat, drink his pint | 0:14:46 | 0:14:49 | |
and go back, get on the bus, | 0:14:49 | 0:14:50 | |
and his passengers would be getting annoyed, and he'd get back on the bus and drive on, | 0:14:50 | 0:14:54 | |
and no-one would ever say anything to him! | 0:14:54 | 0:14:56 | |
'Yeah, he's told me some stories. | 0:14:56 | 0:14:58 | |
'I don't think he would've ever coped with today.' | 0:14:58 | 0:15:01 | |
Today's a lot stricter, from what I'm finding out from just being here a week, you know. | 0:15:01 | 0:15:05 | |
Uh-uh, don't cross them hands. | 0:15:05 | 0:15:07 | |
Right, just keep your eye on that nearside as you go through. | 0:15:07 | 0:15:10 | |
Training takes six weeks and a quarter drop out in that time. | 0:15:10 | 0:15:15 | |
-I can't believe I'm driving a bus on the road! -Not bad for the first day at all. | 0:15:15 | 0:15:18 | |
It's in the genes, you see. In the genes. | 0:15:18 | 0:15:22 | |
The thing is, with this job, it does get in your blood. | 0:15:25 | 0:15:27 | |
Some people come into this industry, "Oh, I'm only going to do it | 0:15:27 | 0:15:30 | |
"for a year." 20 odd years down the line, they are still in it. | 0:15:30 | 0:15:33 | |
They're still doing it, yeah. | 0:15:33 | 0:15:35 | |
I think in a job, you've got to be doing it because you like doing it. | 0:15:35 | 0:15:38 | |
I think so many people do jobs just for the money and they are miserable. | 0:15:38 | 0:15:43 | |
And I think this is a job that I can do, that I'm going to enjoy, | 0:15:43 | 0:15:47 | |
and I've got a reason to be doing it, to follow my dad's footsteps. | 0:15:47 | 0:15:52 | |
That's perfect, Christine, well done. | 0:15:53 | 0:15:56 | |
By lunchtime every day, there are 6,700 buses on the streets, | 0:16:03 | 0:16:08 | |
all being kept to time by the controls. | 0:16:08 | 0:16:11 | |
Let's be quick, please, we're about to depart. | 0:16:11 | 0:16:13 | |
But London's roads can always spring a nasty surprise. | 0:16:13 | 0:16:19 | |
In Plumstead, in the southeast of the city, | 0:16:19 | 0:16:22 | |
a lorry has overturned on a vital bus route. | 0:16:22 | 0:16:25 | |
If it is not cleared before rush hour hits, | 0:16:25 | 0:16:28 | |
thousands of passengers will struggle to get home. | 0:16:28 | 0:16:32 | |
Road traffic is all being sent eastbound up the bus lane. | 0:16:32 | 0:16:35 | |
-What was it carrying? -Rubbish. | 0:16:35 | 0:16:36 | |
It just come round the corner and it's tipped over. | 0:16:36 | 0:16:38 | |
All traffic on this route is now being forced through just one | 0:16:38 | 0:16:42 | |
bus lane, and tailbacks are already building. | 0:16:42 | 0:16:45 | |
How are we doing time-wise, what's your delay? | 0:16:45 | 0:16:48 | |
Simon Blackburn is TfL's network traffic controller, first on the scene. | 0:16:48 | 0:16:53 | |
It couldn't be in a worse place here, because right down there, | 0:16:53 | 0:16:56 | |
where the bridge is, everything pinches into one lane. | 0:16:56 | 0:16:59 | |
Traffic is just absolutely mullered. | 0:16:59 | 0:17:01 | |
If you look at that camera there, that's CentreCom up there. | 0:17:03 | 0:17:06 | |
They're watching us. | 0:17:06 | 0:17:08 | |
Do not alight your passengers in a bus lane only section. | 0:17:08 | 0:17:12 | |
Let's have a look and see what delays we've got down there now. Right. | 0:17:12 | 0:17:17 | |
That bus there is that one there, so that's 59 minutes late, | 0:17:17 | 0:17:22 | |
that's an hour late, that bus. | 0:17:22 | 0:17:24 | |
And this is probably about two miles down the road. | 0:17:24 | 0:17:27 | |
So as you can see, | 0:17:27 | 0:17:29 | |
the traffic is literally going back through to Woolwich Ferry. | 0:17:29 | 0:17:32 | |
It just affects every bus down the line, all the buses that will | 0:17:32 | 0:17:35 | |
come into this, it will literally go through every bus. | 0:17:35 | 0:17:38 | |
-Thousands of people now face severe delays. -I know there is an accident. | 0:17:38 | 0:17:44 | |
Get the buses out of the depot | 0:17:44 | 0:17:45 | |
and let us come out, do you know what I mean? | 0:17:45 | 0:17:48 | |
People have had a hard day at work, people want to get home. | 0:17:48 | 0:17:51 | |
They haven't got a clue, they really have not got a clue. | 0:17:51 | 0:17:54 | |
Transport for London set performance targets for the bus companies. | 0:17:56 | 0:18:01 | |
It is down to the iBus controllers to hit them. | 0:18:01 | 0:18:04 | |
If you carry on for now, please... | 0:18:04 | 0:18:05 | |
But today in Plumstead iBus, | 0:18:05 | 0:18:07 | |
the team are struggling to maintain their service. | 0:18:07 | 0:18:10 | |
He has got delays at Greenwich Highway coming back, | 0:18:10 | 0:18:13 | |
before they actually get to that, I think. | 0:18:13 | 0:18:15 | |
You haven't left Woolwich yet, have you? | 0:18:17 | 0:18:19 | |
It's all about just trying to get the buses back on time. | 0:18:19 | 0:18:22 | |
Days like this, it's what we call firefighting. | 0:18:22 | 0:18:25 | |
We try and do the best we can, | 0:18:25 | 0:18:27 | |
put a bus where we can give the best service we can. | 0:18:27 | 0:18:31 | |
Doesn't happen that often. But when it does happen, it is chaos. | 0:18:31 | 0:18:36 | |
I've got to take these calls. | 0:18:36 | 0:18:37 | |
181, do you receive? | 0:18:37 | 0:18:40 | |
Hold on, he wants me, I think. | 0:18:40 | 0:18:42 | |
Carry on for the time being and give us a call when you get back. | 0:18:42 | 0:18:45 | |
It's been like this all the way from Peckham, though. | 0:18:45 | 0:18:49 | |
-It's been murder. -'I'll leave you to it, good luck.' | 0:18:49 | 0:18:52 | |
I don't know what's going on in Plumstead, but they can see everything, you know. | 0:18:52 | 0:18:56 | |
Let them decide. It's up to them now. | 0:18:56 | 0:18:59 | |
Sorry, driver, can I get off, please? | 0:18:59 | 0:19:01 | |
It's 5pm. Three-and-a-half hours since the crash. | 0:19:06 | 0:19:09 | |
Yeah, release it. All right. | 0:19:11 | 0:19:14 | |
Half a tonne of rubbish still needs to be cleared before they can | 0:19:14 | 0:19:17 | |
even start to move the lorry. | 0:19:17 | 0:19:19 | |
-All right, my love. -HORN BEEPS | 0:19:19 | 0:19:22 | |
Suddenly, there is a new problem. | 0:19:22 | 0:19:25 | |
PHONE RINGS | 0:19:25 | 0:19:26 | |
CentreCom, Steve speaking. | 0:19:26 | 0:19:28 | |
Hello, Simon. What's the problem? | 0:19:28 | 0:19:30 | |
Well, we've got a bus that's broken down at that set of lights | 0:19:30 | 0:19:33 | |
on Pettman Crescent. | 0:19:33 | 0:19:35 | |
Right, bear with me, I've got a camera there, let's have a look. | 0:19:35 | 0:19:38 | |
It's just gridlocked down there, so... | 0:19:38 | 0:19:39 | |
I think I've got it on camera, mate. | 0:19:39 | 0:19:42 | |
He's literally right at the lights, in the bus lane, | 0:19:42 | 0:19:44 | |
so he's literally blocked everything up for us! | 0:19:44 | 0:19:48 | |
Obviously that's why nothing is moving. | 0:19:48 | 0:19:50 | |
I'll give you a call back, Simon. Thanks, mate, cheers, bye-bye. | 0:19:50 | 0:19:53 | |
Don't you break down! | 0:19:53 | 0:19:55 | |
All traffic being diverted around the accident is now | 0:19:55 | 0:19:58 | |
-stuck behind the broken down bus. -Which one is it, this one? | 0:19:58 | 0:20:01 | |
What, have you lost your gears? | 0:20:03 | 0:20:05 | |
-It's the doors, Simon, they are stuck open. -Oh, my God. | 0:20:05 | 0:20:08 | |
So, this is obviously going to have a knock-on effect on traffic, | 0:20:08 | 0:20:11 | |
delays in the area again now. | 0:20:11 | 0:20:13 | |
You couldn't have picked two worse things to happen. | 0:20:13 | 0:20:15 | |
A safety feature fitted on all modern buses means that | 0:20:25 | 0:20:28 | |
if the doors are jammed, the bus won't move. | 0:20:28 | 0:20:30 | |
iBus. That's 70 late, 80 late. | 0:20:38 | 0:20:41 | |
Everything's all creeping up to an hour late now, it's out of control. | 0:20:41 | 0:20:47 | |
Some of these buses, when they get through, it's all... | 0:20:53 | 0:20:56 | |
Try it again, fella. | 0:20:56 | 0:20:58 | |
All right? | 0:21:02 | 0:21:04 | |
Let's go. | 0:21:05 | 0:21:06 | |
Ah. Doors are closed, so that's a good sign. | 0:21:06 | 0:21:09 | |
Wahey! At last. | 0:21:12 | 0:21:14 | |
Traffic is on the move again and the truck should be cleared soon, too. | 0:21:17 | 0:21:21 | |
Transport for London will make allowances for accidents | 0:21:21 | 0:21:24 | |
like this, but in iBus, spirits are still low. | 0:21:24 | 0:21:28 | |
This is turning out to be a bit of a nightmare. | 0:21:28 | 0:21:30 | |
Massive delays and cancelled buses mean | 0:21:30 | 0:21:32 | |
they have missed today's performance targets. | 0:21:32 | 0:21:35 | |
The biggest demand on a controller is targets, meeting targets. | 0:21:35 | 0:21:39 | |
They are constantly being monitored as to their performance. | 0:21:39 | 0:21:42 | |
And if the route has had problems and we haven't met the targets, | 0:21:42 | 0:21:45 | |
there is an inquiry into what has gone wrong. | 0:21:45 | 0:21:48 | |
When it's been a day like this, | 0:21:48 | 0:21:50 | |
at times you do feel like we monitor too much. | 0:21:50 | 0:21:53 | |
But it's the way of the world now, everything is targets. | 0:21:53 | 0:21:57 | |
And if we kept getting bad results, not hitting targets, | 0:21:57 | 0:22:00 | |
they are going to turn round and say, "You are not controlling it | 0:22:00 | 0:22:03 | |
"how we expect you to do it, then we'll give it to another company." | 0:22:03 | 0:22:06 | |
Because if you lose routes, you start losing jobs. | 0:22:06 | 0:22:10 | |
And it's not exactly easy out there to find another job at the moment. | 0:22:10 | 0:22:14 | |
Over six hours after the lorry crashed, | 0:22:18 | 0:22:20 | |
the road is finally open to traffic again. | 0:22:20 | 0:22:23 | |
I'm not saying that we used to fiddle in the past, | 0:22:23 | 0:22:26 | |
but there were, sort of, things you could, um, manipulate, | 0:22:26 | 0:22:30 | |
which you can't do nowadays. | 0:22:30 | 0:22:31 | |
Which is probably a good thing. | 0:22:31 | 0:22:33 | |
Targets came in with privatisation. | 0:22:34 | 0:22:37 | |
By 1994, London's bus network had been sold off to separate companies, | 0:22:37 | 0:22:42 | |
each vying to run the 700 routes. | 0:22:42 | 0:22:45 | |
It started to change, in my opinion for the worse, when it went private. | 0:22:46 | 0:22:52 | |
There is not the closeness now that there used to be, cos you had dances, | 0:22:52 | 0:22:57 | |
you had outings, you had holidays. | 0:22:57 | 0:23:00 | |
All the sports grounds, social side of it, were sold off, | 0:23:00 | 0:23:05 | |
and it was just lost. | 0:23:05 | 0:23:07 | |
They cared about their staff, that was the biggest difference. | 0:23:07 | 0:23:12 | |
You weren't a number. | 0:23:12 | 0:23:14 | |
Now they just train them to do the bus job and that's it. | 0:23:14 | 0:23:17 | |
Today, the buses are owned | 0:23:23 | 0:23:25 | |
and operated by private companies on behalf of Transport for London. | 0:23:25 | 0:23:29 | |
Each company's buses are meant to clock up a certain number of miles. | 0:23:29 | 0:23:33 | |
Lost mileage due to a missing driver or a breakdown means | 0:23:33 | 0:23:37 | |
they lose money from TfL. | 0:23:37 | 0:23:39 | |
We need it in five, 10 minutes. If we can do it. Give it a try. | 0:23:39 | 0:23:47 | |
So in Catford, roving engineer Graham Bellinger is keen to | 0:23:47 | 0:23:51 | |
make sure that faults are dealt with as quickly as possible. | 0:23:51 | 0:23:54 | |
Yeah, it's always a race against time. | 0:23:56 | 0:23:59 | |
But we always get there in the end. | 0:23:59 | 0:24:01 | |
Where has that bus broken down in Dulwich? OK, no problem. | 0:24:03 | 0:24:07 | |
I should be 10, 15 minutes getting there, if the traffic lets me. | 0:24:07 | 0:24:12 | |
If we get too much lost mileage, | 0:24:12 | 0:24:14 | |
obviously it reflects badly on the garage, because each garage | 0:24:14 | 0:24:17 | |
every day has a sort of football league, you know, of lost mileage. | 0:24:17 | 0:24:21 | |
And we don't like to be down the bottom, obviously, | 0:24:21 | 0:24:24 | |
we would sooner, ideally, we would like to be at the top. | 0:24:24 | 0:24:27 | |
If we have zero mileage, we can get some cakes, | 0:24:27 | 0:24:30 | |
that's a little bonus for us. | 0:24:30 | 0:24:33 | |
I think that's them up there, with the boot up. | 0:24:33 | 0:24:35 | |
-See that bus up there on the left? -HE BEEPS THE HORN | 0:24:35 | 0:24:39 | |
How are you doing? Good? | 0:24:42 | 0:24:45 | |
-How long have you been here? -Too long! | 0:24:47 | 0:24:49 | |
Too long. Right, where have we got a leak, do you know? | 0:24:49 | 0:24:51 | |
There, it's coming out of there. | 0:24:51 | 0:24:54 | |
That pipe, if you squeeze it, you can see it just dribbles. Or it did. | 0:24:54 | 0:24:57 | |
Got a split in it, see? It's just perished. | 0:25:01 | 0:25:04 | |
You never know what you're going to find. | 0:25:11 | 0:25:14 | |
Could be anything, like, you know? | 0:25:14 | 0:25:16 | |
Could be a few things as well, | 0:25:16 | 0:25:17 | |
it could be one thing which leads to another. | 0:25:17 | 0:25:20 | |
ENGINE STARTS | 0:25:21 | 0:25:22 | |
Definitely puts pressure on you to save the mileage, | 0:25:22 | 0:25:25 | |
but that's your job. | 0:25:25 | 0:25:27 | |
Jobs these days, you know, it's what you have to do. | 0:25:28 | 0:25:31 | |
There is always some kind of pressure for everybody in the garage. | 0:25:31 | 0:25:35 | |
Listen, what happened with this duty, 222? Where the fuck is he? | 0:25:36 | 0:25:41 | |
And he hasn't been back since? | 0:25:41 | 0:25:43 | |
In each depot, there are managers who make sure that drivers | 0:25:43 | 0:25:46 | |
turn up on time and that there is a bus ready for them to drive. | 0:25:46 | 0:25:50 | |
A driver has not turned up for his second half. Um... | 0:25:50 | 0:25:54 | |
But he won't answer his phone, so we don't know where he is. | 0:25:54 | 0:25:57 | |
Abdi, get over to Ladbroke Grove for me, | 0:25:57 | 0:25:59 | |
-see Mo, sign it on, get going, mate, you should be taking over. -Thank you. | 0:25:59 | 0:26:03 | |
All right. Those that have gone red, | 0:26:03 | 0:26:05 | |
they are the people that should be here, but they are not, | 0:26:05 | 0:26:08 | |
he should have been here at 1602, it's 1608. | 0:26:08 | 0:26:10 | |
The ones in yellow are the ones we've got to keep an eye on. | 0:26:10 | 0:26:13 | |
It's getting close. 1615 he's due in, you know? So he's got 7 minutes. | 0:26:13 | 0:26:17 | |
But it's the ones in red, we don't like them ones. | 0:26:17 | 0:26:20 | |
You can't come in 10 minutes late and say, | 0:26:20 | 0:26:22 | |
"I'll work through my lunch," or, "I'll work 10 minutes late." | 0:26:22 | 0:26:25 | |
You come in 10 minutes late | 0:26:25 | 0:26:26 | |
and that bus misses that slot, that's a gap in service. | 0:26:26 | 0:26:30 | |
We don't get paid. | 0:26:30 | 0:26:32 | |
Right, I've given 21680491. | 0:26:32 | 0:26:34 | |
-Which is where? -Which is in bay five. | 0:26:34 | 0:26:37 | |
Before privatisation, | 0:26:37 | 0:26:38 | |
only four out of five of the scheduled buses actually turned up. | 0:26:38 | 0:26:42 | |
Before privatisation, | 0:26:44 | 0:26:45 | |
if the services didn't run because we didn't have the staff or | 0:26:45 | 0:26:49 | |
didn't have the buses, there was no real comeback. | 0:26:49 | 0:26:52 | |
You know, of an evening, buses used to run virtually empty | 0:26:52 | 0:26:56 | |
because they were so unreliable | 0:26:56 | 0:26:57 | |
and people didn't know another bus was going to turn up. | 0:26:57 | 0:27:00 | |
But now, you can say a bus is going to turn up | 0:27:00 | 0:27:03 | |
more or less around the scheduled time, so people use the buses more. | 0:27:03 | 0:27:07 | |
The number of bus passengers has gone up by 60% since 2000. | 0:27:10 | 0:27:14 | |
For many, many years, | 0:27:14 | 0:27:15 | |
the bus service in London was run for the benefit of the industry. | 0:27:15 | 0:27:18 | |
Now, of course, it is run for the benefit of the passengers. | 0:27:18 | 0:27:20 | |
We are now living in a retail culture, aren't we? | 0:27:20 | 0:27:23 | |
People are expecting really high customer service standards. | 0:27:23 | 0:27:26 | |
They expect them in the supermarkets, online, on the airlines, | 0:27:26 | 0:27:29 | |
and we are no different here in London with our transport system. | 0:27:29 | 0:27:32 | |
Now passengers have become customers, | 0:27:32 | 0:27:36 | |
drivers are being taught how to give service with a smile. | 0:27:36 | 0:27:40 | |
This is my little cubby-hole. | 0:27:41 | 0:27:44 | |
I think sometimes, the size of the office shows | 0:27:44 | 0:27:47 | |
how important you are. So you can see the size of this room. | 0:27:47 | 0:27:50 | |
Which is quite interesting! | 0:27:50 | 0:27:52 | |
And as you move down the corridor, | 0:27:52 | 0:27:55 | |
the rooms tend to get much, much bigger. | 0:27:55 | 0:27:58 | |
So, I'll let you make your mind up. | 0:27:58 | 0:28:01 | |
Oh, what's over there? | 0:28:02 | 0:28:04 | |
It's Malcolm Critchard's job to encourage drivers to | 0:28:04 | 0:28:07 | |
empathise with their passengers. | 0:28:07 | 0:28:09 | |
People viewing bus driving from outside will probably think, | 0:28:09 | 0:28:14 | |
yes, they get in the cab, | 0:28:14 | 0:28:15 | |
they switch it on and off they drive, they open some doors, | 0:28:15 | 0:28:18 | |
they stop at some stops along the road, and that's it. | 0:28:18 | 0:28:21 | |
That's all they do. But I'm afraid it's much more than that now. | 0:28:21 | 0:28:24 | |
I think it's the people skills side that needs development. | 0:28:24 | 0:28:28 | |
Remember, I'm not here to tell you off. | 0:28:28 | 0:28:30 | |
I don't like the word "fail" at all, | 0:28:30 | 0:28:32 | |
I don't believe anyone fails in this world. | 0:28:32 | 0:28:35 | |
It just means they've got what I would call deferred success. | 0:28:35 | 0:28:39 | |
Malcolm is a great believer in the role-play technique. | 0:28:41 | 0:28:45 | |
I'm the customer and you're driving your bus, OK? | 0:28:45 | 0:28:48 | |
So I'm standing over here at the bus stop. | 0:28:48 | 0:28:50 | |
OK, you're coming towards me and you're observing. | 0:28:50 | 0:28:53 | |
-OK, what have you observed? -Hurried for time. -Lovely. | 0:29:06 | 0:29:10 | |
You was a little bit wet, trying to get yourself... | 0:29:10 | 0:29:13 | |
Absolutely pouring down. | 0:29:13 | 0:29:14 | |
-And what things might I say as the door opens? -Where have you been? | 0:29:14 | 0:29:19 | |
-Yeah, in that tone? -No, but... -Do it in a nice tone, Dennis, go on. | 0:29:19 | 0:29:26 | |
Where the hell have you been?! | 0:29:26 | 0:29:27 | |
That's it, that's a bit more like it. | 0:29:27 | 0:29:30 | |
What response might a driver say to that customer? | 0:29:30 | 0:29:33 | |
How are you going to respond? Where the hell have you been?! | 0:29:33 | 0:29:36 | |
-You're lucky I'm here. -What was that you said? -You're lucky I'm here. | 0:29:36 | 0:29:41 | |
'I think it's very important to recognise those individuals | 0:29:41 | 0:29:44 | |
'that don't particularly like or want change. | 0:29:44 | 0:29:46 | |
'So you have to think of methods where you can try | 0:29:46 | 0:29:50 | |
'and change them in a different way.' | 0:29:50 | 0:29:53 | |
So, tell me what an ice cream cone feels like. | 0:29:53 | 0:29:55 | |
Malcolm encourages drivers to get in touch with their feelings, | 0:29:57 | 0:30:01 | |
by using songs from West End shows. | 0:30:01 | 0:30:03 | |
So, what does she do? She went... | 0:30:03 | 0:30:06 | |
# So I dug right down to the bottom of my soul | 0:30:06 | 0:30:08 | |
# To see how an ice cream felt | 0:30:08 | 0:30:10 | |
# So I dug right down to the bottom of my soul and I tried to melt... # | 0:30:10 | 0:30:16 | |
'My background was drama, used to perform, let's say. | 0:30:16 | 0:30:21 | |
'And I think that helps, sometimes. It is an act.' | 0:30:21 | 0:30:24 | |
# Give me guidance | 0:30:24 | 0:30:26 | |
# On my knees... # | 0:30:26 | 0:30:28 | |
And I believe that as a bus driver, you are acting as well. | 0:30:28 | 0:30:30 | |
As soon as you get on that bus and you have people involved, | 0:30:30 | 0:30:33 | |
you have to act, you have to act positive. | 0:30:33 | 0:30:36 | |
But not all drivers have mastered the art of customer service yet. | 0:30:38 | 0:30:42 | |
Good afternoon, Buses Customer Services, Angela speaking, | 0:30:42 | 0:30:45 | |
-how can I help? -What time did this driver go past that bus stop? | 0:30:45 | 0:30:48 | |
-OK. Did you say it was a 390? -I understand your concerns. | 0:30:48 | 0:30:52 | |
I mean, the drivers wouldn't see those details... | 0:30:52 | 0:30:55 | |
It's unbelievable how much people complain, | 0:30:55 | 0:30:59 | |
because we never run out of work, we literally sometimes get backlogged | 0:30:59 | 0:31:02 | |
because there's so many people just complaining all the time. | 0:31:02 | 0:31:06 | |
I think English people like complaining for some reason. | 0:31:06 | 0:31:08 | |
Did you take any details of the bus in question? | 0:31:08 | 0:31:11 | |
TfL receives 100,000 complaints every year. | 0:31:11 | 0:31:15 | |
Tess is part of the 400-strong team working full-time to deal with them. | 0:31:15 | 0:31:20 | |
Some people write in almost every day. | 0:31:20 | 0:31:22 | |
It's like their life mission, | 0:31:22 | 0:31:25 | |
to just point out what's wrong with our transport systems. | 0:31:25 | 0:31:27 | |
They just go around from bus stop to bus stop - | 0:31:27 | 0:31:29 | |
this timetable is wrong, this one is wrong, | 0:31:29 | 0:31:31 | |
or they'll go on a bus, if it's delayed by a minute, they will | 0:31:31 | 0:31:34 | |
just carry on complaining until they get what they want, I guess. | 0:31:34 | 0:31:37 | |
Did you see the driver, | 0:31:39 | 0:31:40 | |
are you able to describe what this driver looked like? | 0:31:40 | 0:31:44 | |
But complaints about driver behaviour are taken very seriously. | 0:31:44 | 0:31:49 | |
A customer will go on and they've not done anything wrong | 0:31:49 | 0:31:51 | |
and they'll just get this rude driver that's completely | 0:31:51 | 0:31:53 | |
short with them, then they will write in to us | 0:31:53 | 0:31:56 | |
and we have to get the driver interviewed. | 0:31:56 | 0:31:59 | |
We should be able to identify that bus driver | 0:31:59 | 0:32:01 | |
and appropriate action will be taken by his management team. | 0:32:01 | 0:32:04 | |
First of all, he was not expected to be rude or raise his voice | 0:32:04 | 0:32:09 | |
at a customer, because they have been trained to be friendly, kind, | 0:32:09 | 0:32:14 | |
polite and helpful to customers at all times. | 0:32:14 | 0:32:18 | |
Mmm. | 0:32:18 | 0:32:20 | |
Morning. | 0:32:27 | 0:32:29 | |
Morning, mate. Morning. | 0:32:29 | 0:32:32 | |
I say good morning to all my passengers, every one of them. | 0:32:32 | 0:32:36 | |
Regardless. 99 out of 100... | 0:32:36 | 0:32:40 | |
I wouldn't say that, 75 out of 100 won't even acknowledge you. | 0:32:40 | 0:32:45 | |
Won't even know you said good morning to them. | 0:32:45 | 0:32:48 | |
Because they are in their own little world. | 0:32:48 | 0:32:50 | |
Morning, darling. Thank you, ta. | 0:32:50 | 0:32:53 | |
'A lot of people are going to work, they can't be bothered. | 0:32:53 | 0:32:57 | |
'You're just a bus driver.' | 0:32:57 | 0:32:58 | |
I think we are considered the lowest form of life... | 0:32:58 | 0:33:03 | |
-HE LAUGHS -..by some people. | 0:33:03 | 0:33:05 | |
All right, mate? | 0:33:05 | 0:33:07 | |
'But if I had 100 people and just one of them says good morning, | 0:33:07 | 0:33:11 | |
'it makes you feel good.' | 0:33:11 | 0:33:13 | |
-Morning. -Morning, how are you? | 0:33:13 | 0:33:16 | |
-I'm good, how are you, mate? -All right, thanks. -Good man, thank you. | 0:33:16 | 0:33:19 | |
Yeah, they are the ones that make me happy. That's all it takes. Manners. | 0:33:19 | 0:33:25 | |
Manners, my father would say, manners are a quality of princes. | 0:33:25 | 0:33:29 | |
It's a bit lonely some days, you don't speak to anybody. | 0:33:38 | 0:33:41 | |
It's probably why I like making announcements. | 0:33:44 | 0:33:46 | |
SHE CHUCKLES | 0:33:46 | 0:33:48 | |
I remember getting on a bus years ago | 0:33:50 | 0:33:52 | |
and people used to have conversations. | 0:33:52 | 0:33:54 | |
They don't now, really, | 0:33:54 | 0:33:56 | |
cos everyone is on their earphones, everyone is on their iPhones, | 0:33:56 | 0:33:59 | |
people don't communicate as much anywhere as they used to. | 0:33:59 | 0:34:04 | |
It's a sign of the times, rather than what mode of transport they are on. | 0:34:04 | 0:34:08 | |
Loads of room upstairs... | 0:34:08 | 0:34:10 | |
Sadie only came into the bus industry after her | 0:34:12 | 0:34:14 | |
confectionery business went bust. | 0:34:14 | 0:34:17 | |
Mind the back doors, mind the doors. | 0:34:17 | 0:34:19 | |
'2008, it all went horribly wrong, | 0:34:19 | 0:34:22 | |
'I had to think of something else to do.' | 0:34:22 | 0:34:24 | |
The recession has sort of changed everyone's lives. | 0:34:24 | 0:34:27 | |
You know, in some way. | 0:34:27 | 0:34:30 | |
When you dig deep, with any bus driver, | 0:34:30 | 0:34:32 | |
it's amazing what they did before. | 0:34:32 | 0:34:34 | |
Ex-policemen, ex-army, ex-teachers, just ex-everyone. | 0:34:34 | 0:34:40 | |
We've got drivers that are better educated than the people we pick up. | 0:34:40 | 0:34:45 | |
Believe me. A lot more educated. | 0:34:46 | 0:34:50 | |
Well, I used to be an investment manager | 0:34:50 | 0:34:53 | |
and that was all very well, until I was made redundant, | 0:34:53 | 0:34:58 | |
a few years ago now, | 0:34:58 | 0:35:01 | |
and when you're in your 50s, | 0:35:01 | 0:35:04 | |
especially in investment management, | 0:35:04 | 0:35:06 | |
not that many people are interested in you, to be fair. So, er... | 0:35:06 | 0:35:11 | |
I thought, well, I'd better find something to occupy me. | 0:35:13 | 0:35:16 | |
And I became a bus driver. There's nothing wrong with that. | 0:35:16 | 0:35:20 | |
Since 2008, the number of trainee drivers over 40 has risen | 0:35:26 | 0:35:31 | |
-dramatically. -Well, I suppose I'm as ready as I'll ever be. | 0:35:31 | 0:35:34 | |
-Today is the morning of Christine's test. -Any minute now, I'll be off. | 0:35:34 | 0:35:40 | |
Have me last fag. It's like I'm going to be shot! | 0:35:40 | 0:35:42 | |
SHE LAUGHS Any last requests? Mmm. | 0:35:42 | 0:35:46 | |
Still, it's helping to calm me nerves a bit. | 0:35:49 | 0:35:51 | |
-Hello, good morning. -Good morning. -I'll be your examiner today. | 0:35:53 | 0:35:56 | |
-Show me to your vehicle, please. -OK, this way. | 0:35:56 | 0:35:58 | |
How are you today? | 0:35:58 | 0:36:00 | |
-OK, a bit nervous. -First-timers are always nervous. | 0:36:00 | 0:36:03 | |
That's easy for you to say! | 0:36:03 | 0:36:04 | |
The test lasts an hour-and-a-half. | 0:36:06 | 0:36:08 | |
I done it! I passed! | 0:36:17 | 0:36:20 | |
Only just did it. But I did it. | 0:36:22 | 0:36:25 | |
There's my certificate, look, I'm a bus driver! | 0:36:25 | 0:36:27 | |
I'm going to get a cake and some chocolate, I deserve it, I think! | 0:36:27 | 0:36:31 | |
Good excuse. I've got a trifle in the fridge, | 0:36:31 | 0:36:34 | |
I'm going to have a bit of trifle when I get home. | 0:36:34 | 0:36:36 | |
Yes! THEY LAUGH AND WHOOP | 0:36:36 | 0:36:41 | |
-Well done. -Thank you. | 0:36:45 | 0:36:46 | |
'I don't think my dad would have ever got through it today, | 0:36:46 | 0:36:49 | |
'because he wasn't very good at reading and writing. | 0:36:49 | 0:36:52 | |
'When he went for his interview, they said to him, | 0:36:52 | 0:36:55 | |
'"You've got to fill this form in."' | 0:36:55 | 0:36:57 | |
He couldn't fill the form in, he said, "Look, I can drive." | 0:36:57 | 0:36:59 | |
So they took him out on the bus, you know, | 0:36:59 | 0:37:01 | |
and he proved to them that he could drive, | 0:37:01 | 0:37:04 | |
so someone else filled the form out for him | 0:37:04 | 0:37:05 | |
and did whatever they had to do, and he got through it | 0:37:05 | 0:37:08 | |
and he was a bus driver, but today, he would never have done it. | 0:37:08 | 0:37:12 | |
SHE SIGHS | 0:37:16 | 0:37:18 | |
Off we go. | 0:37:18 | 0:37:20 | |
Christine may now be a fully fledged driver, but it's only on day one | 0:37:20 | 0:37:23 | |
that she comes face-to-face with the travelling public on her own. | 0:37:23 | 0:37:27 | |
We'll have all these people looking at me, | 0:37:27 | 0:37:30 | |
I don't care, I shall ignore them until I'm ready. | 0:37:30 | 0:37:33 | |
OK. | 0:37:34 | 0:37:35 | |
Wait a minute, all right? | 0:37:38 | 0:37:40 | |
That's it, do me blind... | 0:37:40 | 0:37:42 | |
If I can see where to do it. | 0:37:42 | 0:37:44 | |
Oh, shit. I've now messed up the machine with me jacket. | 0:37:48 | 0:37:55 | |
Shit! | 0:37:56 | 0:37:57 | |
That's it. OK, you can get on now. | 0:37:58 | 0:38:01 | |
MACHINE BEEPS | 0:38:02 | 0:38:04 | |
'I don't know if it would be obvious to the passengers | 0:38:04 | 0:38:06 | |
'that I'm on my first day driving. | 0:38:06 | 0:38:09 | |
'But hopefully not.' | 0:38:09 | 0:38:12 | |
There we go. Stopped. | 0:38:12 | 0:38:15 | |
-MACHINE BEEPS -'Tyre system pressure OK.' | 0:38:16 | 0:38:19 | |
But I'm not going to get flustered. | 0:38:21 | 0:38:23 | |
It would help if I was in drive, wouldn't it? | 0:38:25 | 0:38:27 | |
The first day is, um... It's nerve-wracking. | 0:38:30 | 0:38:34 | |
Because you're let loose, you're just let loose, with this! | 0:38:34 | 0:38:38 | |
We do tend to have a lot of drivers that pass their test and they | 0:38:38 | 0:38:42 | |
are only around for a few weeks or a few months and then they are gone. | 0:38:42 | 0:38:47 | |
They can't handle it. | 0:38:47 | 0:38:49 | |
'This bus terminates here.' | 0:38:49 | 0:38:51 | |
-'Carry on into Bromley.' -Yeah. | 0:38:51 | 0:38:53 | |
-'As if you was a 269.' -Right. | 0:38:53 | 0:38:56 | |
After a cautious morning, Christine's controller has | 0:38:56 | 0:38:59 | |
asked her to terminate early and run back to the garage. | 0:38:59 | 0:39:02 | |
..where the old police station used to be? | 0:39:02 | 0:39:04 | |
'That's it, turn left there, that's Kentish Way.' | 0:39:04 | 0:39:07 | |
But it's not the route she's practised. | 0:39:07 | 0:39:09 | |
'..past the Ford garage.' | 0:39:09 | 0:39:11 | |
I'll be lost in a minute, you watch. | 0:39:13 | 0:39:15 | |
Oh! | 0:39:16 | 0:39:17 | |
Oh, no, I am lost! | 0:39:20 | 0:39:21 | |
Oh, shit! | 0:39:22 | 0:39:24 | |
I'm sure it was there. | 0:39:25 | 0:39:27 | |
Fuck! No, I've totally fucked it. | 0:39:29 | 0:39:33 | |
I'll have to phone him back up. He's going to think I'm mental. | 0:39:36 | 0:39:39 | |
Ohh! | 0:39:42 | 0:39:44 | |
Hello, yeah, I've totally gone wrong, I've cocked it up | 0:39:44 | 0:39:46 | |
and I'm going the wrong way and I'm frightened to go any further, | 0:39:46 | 0:39:49 | |
because I might rip the roof off on a bridge. | 0:39:49 | 0:39:52 | |
'Hang on a minute, let's see where you are. Yeah, just carry on. | 0:39:52 | 0:39:56 | |
-'At the traffic lights, turn left.' -OK, thank you. | 0:39:56 | 0:40:00 | |
Aah! I wish I was still in bed. SHE LAUGHS | 0:40:00 | 0:40:04 | |
Well, I wouldn't say that was, um, the perfect of mornings. | 0:40:10 | 0:40:15 | |
But then, I suppose it could be worse. | 0:40:19 | 0:40:21 | |
I never damaged a bus, or damaged a person. | 0:40:21 | 0:40:23 | |
It should be the other way round, damaged a person or a bus. | 0:40:23 | 0:40:27 | |
It's perhaps not the ideal start to her career. | 0:40:27 | 0:40:30 | |
But Christine is at least following in the footsteps of her dad, | 0:40:30 | 0:40:33 | |
-who died two years ago. -I think he would be proud of me. | 0:40:33 | 0:40:36 | |
I hope he would. | 0:40:36 | 0:40:37 | |
He'd probably see it as easy bus riding, really, | 0:40:37 | 0:40:40 | |
these buses, compared to the old ones. They are easy. | 0:40:40 | 0:40:44 | |
He used to drive the old Routemasters. | 0:40:44 | 0:40:46 | |
I'm going to press to see if I can drive a Routemaster one day. | 0:40:46 | 0:40:50 | |
I remember it, getting on the Routemaster and tapping on the front | 0:40:52 | 0:40:55 | |
bus, because they were sectioned off in the cab at the front. | 0:40:55 | 0:41:00 | |
With its distinctive design, the Routemaster remains | 0:41:00 | 0:41:03 | |
the definitive London bus, for drivers new and old. | 0:41:03 | 0:41:06 | |
From the moment it first appeared in the 1950s, | 0:41:09 | 0:41:12 | |
the Routemaster was loved by staff and passengers alike. | 0:41:12 | 0:41:15 | |
The Routemaster has a cult status. It is part of London. | 0:41:20 | 0:41:23 | |
You had a conductor with you, there was a camaraderie, there was | 0:41:23 | 0:41:27 | |
something that as a one-man, you haven't got. | 0:41:27 | 0:41:30 | |
Especially now, the modern-day ones, | 0:41:30 | 0:41:32 | |
they are behind an assault screen, | 0:41:32 | 0:41:34 | |
they have no contact with the public, other than it's just | 0:41:34 | 0:41:37 | |
a face who throws money at them or swipes an Oyster card. | 0:41:37 | 0:41:40 | |
With its hop-on and hop-off platform, it was the last | 0:41:42 | 0:41:45 | |
London bus designed to be operated by both a driver and a conductor. | 0:41:45 | 0:41:50 | |
That's you two and the lady over here, is that right? | 0:41:50 | 0:41:53 | |
-One for the Royal Academy. -Yes. | 0:41:53 | 0:41:55 | |
A lot of the people in London have probably never been on an RM. | 0:41:55 | 0:42:02 | |
They don't even know what they've missed, | 0:42:02 | 0:42:04 | |
they have missed the part and parcel of London, the RM. | 0:42:04 | 0:42:09 | |
But in 2005, the axe fell on the Routemaster | 0:42:10 | 0:42:13 | |
after almost 50 years of service. | 0:42:13 | 0:42:15 | |
They were hard to use if you were disabled | 0:42:15 | 0:42:18 | |
and buses without a conductor had long become the norm. | 0:42:18 | 0:42:22 | |
It was much mourned. | 0:42:22 | 0:42:23 | |
-Hold on tight. -BELL RINGS | 0:42:23 | 0:42:25 | |
So to keep both tourists and Londoners happy, 10 original | 0:42:25 | 0:42:29 | |
Routemasters have remained in service on special heritage routes. | 0:42:29 | 0:42:33 | |
St Paul's! | 0:42:33 | 0:42:35 | |
Thank you. | 0:42:38 | 0:42:39 | |
-This is one of the old buses? -Yes, mate, it certainly is. | 0:42:41 | 0:42:43 | |
-How many do you have of these? -10. | 0:42:43 | 0:42:45 | |
-Thank you. -Where are you going to? -I don't know! | 0:42:50 | 0:42:53 | |
We just hopped on the bus! | 0:42:53 | 0:42:55 | |
We came here just for to ride this bus. Because it is my love. | 0:42:58 | 0:43:05 | |
It takes you back. THEY CHUCKLE | 0:43:05 | 0:43:08 | |
I remember conductors first time round. | 0:43:08 | 0:43:11 | |
And smoking on the top deck. | 0:43:11 | 0:43:13 | |
-Thank you very much. -Thank you, mate. | 0:43:13 | 0:43:15 | |
Let people off the bus, please. | 0:43:15 | 0:43:17 | |
-I actually waited for it. -Did you? | 0:43:17 | 0:43:20 | |
I prefer the Routemasters. | 0:43:20 | 0:43:21 | |
Especially when it's nice, hot weather. | 0:43:21 | 0:43:23 | |
It's fantastic, I love them. one foot in the past, good old UK. | 0:43:23 | 0:43:27 | |
-Thanks a lot. Goodbye. -Take care. | 0:43:27 | 0:43:30 | |
Conductor Dave's only method of communication with Mandy is | 0:43:32 | 0:43:36 | |
via a bell, which can be tricky when it's a 60-year-old bus. | 0:43:36 | 0:43:39 | |
That's not good. I don't like that, that's not working. | 0:43:46 | 0:43:49 | |
Yeah, we'll be going in a minute. | 0:43:51 | 0:43:52 | |
-Nothing? -Nothing. Try and bang the back just a bit harder, Dave. | 0:44:01 | 0:44:07 | |
Don't be frightened of it. Just go along. | 0:44:07 | 0:44:10 | |
HE BANGS ON THE PARTITION | 0:44:10 | 0:44:13 | |
Now try, now try. Try the bell. | 0:44:15 | 0:44:17 | |
Try the bell! | 0:44:18 | 0:44:20 | |
No, nothing. | 0:44:21 | 0:44:22 | |
You tend to forget, because you work on them, then you sort of have | 0:44:23 | 0:44:27 | |
to step back and go, hold on a minute, they are old, yeah. | 0:44:27 | 0:44:30 | |
If people were, like, 50, 55, | 0:44:30 | 0:44:33 | |
I suppose the old bones start to get a bit old, don't they? | 0:44:33 | 0:44:36 | |
Wipers. | 0:44:40 | 0:44:41 | |
Horn. HORN BEEPS | 0:44:44 | 0:44:46 | |
Indicators. | 0:44:46 | 0:44:48 | |
Every bus in London's fleet is serviced every 28 days. | 0:44:48 | 0:44:52 | |
Windows good. | 0:44:53 | 0:44:54 | |
But Patrick specialises in tending to the precious few | 0:44:59 | 0:45:01 | |
Routemasters still in service. | 0:45:01 | 0:45:03 | |
DULL THUDDING | 0:45:03 | 0:45:05 | |
Punctured tyre. | 0:45:05 | 0:45:07 | |
See? | 0:45:07 | 0:45:09 | |
Hear the difference in this? | 0:45:10 | 0:45:11 | |
LIGHTER THUDDING | 0:45:11 | 0:45:13 | |
I love this job. | 0:45:13 | 0:45:15 | |
I really, really do. I tell you. | 0:45:15 | 0:45:18 | |
When the night comes, | 0:45:18 | 0:45:19 | |
I'm just looking forward for the next day to come to go to work | 0:45:19 | 0:45:22 | |
to repair vehicles. | 0:45:22 | 0:45:24 | |
Oh, I just love it. | 0:45:24 | 0:45:26 | |
Handbrake off! | 0:45:26 | 0:45:28 | |
Just imagine, nearly 60 years ago | 0:45:28 | 0:45:30 | |
and this thing still works so good. | 0:45:30 | 0:45:33 | |
Built to last. | 0:45:33 | 0:45:34 | |
See the old time system? Works so sweet. | 0:45:34 | 0:45:38 | |
Before I didn't even come to London, | 0:45:38 | 0:45:41 | |
I was praying one day I would like to come to London to ride these | 0:45:41 | 0:45:44 | |
old buses, these double-decker buses. | 0:45:44 | 0:45:47 | |
When I came here, the first thing I did was jump on one of these things. | 0:45:47 | 0:45:50 | |
'Every visitor come to this country, they want to ride in the Routemaster. | 0:45:50 | 0:45:54 | |
'They don't want to leave London without a picture | 0:45:54 | 0:45:57 | |
'of our Routemaster.' | 0:45:57 | 0:45:58 | |
These buses actually made the same year I was born. | 0:45:58 | 0:46:03 | |
So, that's many, many moons ago. | 0:46:03 | 0:46:05 | |
Patrick was born and brought up in British Guiana. | 0:46:06 | 0:46:09 | |
His dad died when he was a boy, | 0:46:09 | 0:46:11 | |
so a mechanic took Patrick under his wing. | 0:46:11 | 0:46:15 | |
He was the one teach me everything I know. | 0:46:15 | 0:46:18 | |
He always used to say to me, "Learn this work. | 0:46:18 | 0:46:22 | |
"Someday, you might leave this country, go to another... | 0:46:22 | 0:46:26 | |
"some part of the world and you would able to be somebody. | 0:46:26 | 0:46:30 | |
"Learn this work." | 0:46:30 | 0:46:31 | |
About ten years ago, I came to the bus garage and asked him | 0:46:33 | 0:46:37 | |
if there was any vacancy for a heavy-duty mechanic. | 0:46:37 | 0:46:41 | |
All my life I've been doing trucks, from nine years old. | 0:46:41 | 0:46:44 | |
He said, "Boy, we need you!" | 0:46:44 | 0:46:48 | |
And, straight away, I get a job with him. | 0:46:48 | 0:46:50 | |
To be honest, I love these buses. | 0:46:51 | 0:46:54 | |
We're actually... We're growing old together. | 0:46:54 | 0:46:58 | |
I wish I never grow old, but that's some wish! | 0:46:58 | 0:47:03 | |
It's going to be a sad day when they decide to retire these things, | 0:47:03 | 0:47:06 | |
because nothing can replace this dog. | 0:47:06 | 0:47:08 | |
Nothing can replace this bus. Nothing. | 0:47:08 | 0:47:10 | |
Don't care what they build. | 0:47:10 | 0:47:12 | |
Nothing can replace this. | 0:47:12 | 0:47:14 | |
But, in a factory in Northern Ireland, | 0:47:16 | 0:47:19 | |
Transport for London is building something | 0:47:19 | 0:47:21 | |
it hopes will do just that. | 0:47:21 | 0:47:23 | |
A new 21st-century Routemaster, | 0:47:30 | 0:47:33 | |
complete with hop-on, hop-off platform. | 0:47:33 | 0:47:35 | |
And the man who has staked his reputation on the resurrection | 0:47:38 | 0:47:41 | |
of the Routemaster, Mayor of London Boris Johnson, has come to visit. | 0:47:41 | 0:47:46 | |
Good morning. How are you? | 0:47:47 | 0:47:50 | |
They've got the special health and safety stuff. Fantabulous. | 0:47:50 | 0:47:54 | |
We'll take you on a short tour of the production line. | 0:47:54 | 0:47:57 | |
Sorry, you're in the shot. Sorry. | 0:47:57 | 0:47:59 | |
You want to unscrew that. | 0:47:59 | 0:48:01 | |
Why is this bus such a triumph? | 0:48:03 | 0:48:05 | |
Well, it's brilliant for passengers, isn't it? | 0:48:05 | 0:48:09 | |
You now have the sovereign right as free, sentient, | 0:48:09 | 0:48:12 | |
adult individuals to hop on and hop off the platform again, | 0:48:12 | 0:48:17 | |
which was taken away by the health and safety fanatics in Brussels | 0:48:17 | 0:48:21 | |
and has been rightly restored to the people of London. | 0:48:21 | 0:48:25 | |
APPLAUSE | 0:48:27 | 0:48:30 | |
Officially called the New Bus for London, it's already been | 0:48:30 | 0:48:33 | |
nicknamed the Boris Bus and criticised for its cost. | 0:48:33 | 0:48:38 | |
TfL are spending £354,000 per bus on 600 of them | 0:48:39 | 0:48:45 | |
in the hope that they'll become as loved as their predecessor. | 0:48:45 | 0:48:49 | |
The old Routemaster was much-loved and much mourned | 0:48:49 | 0:48:52 | |
and I know that there will be aficionados of that vehicle | 0:48:52 | 0:48:56 | |
who say this is not the same. | 0:48:56 | 0:48:59 | |
Well, it isn't the same. It's better. It's much better. | 0:48:59 | 0:49:01 | |
A Routemaster used to throb, and "Brrrm, brrrm..." | 0:49:01 | 0:49:06 | |
It used to vibrate so much, | 0:49:06 | 0:49:08 | |
it was like being in a washing machine, or whatever. | 0:49:08 | 0:49:12 | |
So I think this is a vast improvement. | 0:49:12 | 0:49:15 | |
Driven by a hybrid diesel-electric engine, | 0:49:16 | 0:49:20 | |
the new buses are a far cry from the old Routemasters. | 0:49:20 | 0:49:23 | |
This is state of the art, latest technology. | 0:49:25 | 0:49:28 | |
I would imagine most of these things here, | 0:49:28 | 0:49:31 | |
the mechanic would need a laptop | 0:49:31 | 0:49:33 | |
to plug in to do diagnostics, et cetera. | 0:49:33 | 0:49:36 | |
He would still be able to do some things, like the basic stuff, | 0:49:36 | 0:49:40 | |
like axles, et cetera, are pretty much the same, | 0:49:40 | 0:49:43 | |
but that hasn't really changed an awful lot. | 0:49:43 | 0:49:46 | |
It's the drive system, the propulsion system, | 0:49:46 | 0:49:50 | |
the hybrid system, where the engine doesn't actually | 0:49:50 | 0:49:52 | |
drive the axle, it's an electric motor that drives the axle. | 0:49:52 | 0:49:56 | |
The technology has moved on massively, probably. | 0:49:56 | 0:49:59 | |
'When these give trouble, I know exactly what to do.' | 0:50:02 | 0:50:06 | |
But with these modern-day laptop "ping, ping, ping" | 0:50:06 | 0:50:08 | |
to find a fault... | 0:50:08 | 0:50:10 | |
It's sad to see that the good old mechanics like us, we will disappear. | 0:50:15 | 0:50:19 | |
Because I grew up in my old-time way, | 0:50:19 | 0:50:22 | |
although I realise that yes, the | 0:50:22 | 0:50:27 | |
world is changing to a computer world, | 0:50:27 | 0:50:29 | |
but still, I'm not fully accepting it. | 0:50:29 | 0:50:33 | |
'I know someday I'll have to retire. | 0:50:33 | 0:50:35 | |
'And I wish that day would never come, but it will come.' | 0:50:35 | 0:50:39 | |
Eight prototypes of the New Bus for London have arrived | 0:50:49 | 0:50:52 | |
on the city streets, complete with a new generation of conductors. | 0:50:52 | 0:50:57 | |
But, in the garage, the brand-new bus is suffering teething troubles. | 0:51:02 | 0:51:07 | |
Any more coming back? Because we haven't got one for the day. | 0:51:07 | 0:51:11 | |
We've got one, two at the moment that are unfit. | 0:51:13 | 0:51:16 | |
Don't know what's the problem with them. | 0:51:16 | 0:51:18 | |
John is one of the new conductors, or Customer Service Assistant, | 0:51:22 | 0:51:26 | |
as he's officially known. | 0:51:26 | 0:51:28 | |
But, so far, he hasn't made it out of the garage. | 0:51:28 | 0:51:30 | |
Today, we're supposed to be taking the bus out about half past eight. | 0:51:30 | 0:51:34 | |
We haven't got one ready. This has been my second day. | 0:51:34 | 0:51:37 | |
If I'm not on it today, this will be my second day. So... | 0:51:37 | 0:51:40 | |
Wait and see what happens. | 0:51:41 | 0:51:43 | |
There is a fully functional New Bus ready and waiting, | 0:51:43 | 0:51:47 | |
but it's off on a promotional tour abroad. | 0:51:47 | 0:51:51 | |
Jay! Why's it got all this on it? | 0:51:51 | 0:51:53 | |
It's going to France. | 0:51:53 | 0:51:54 | |
One's in New York, this one's going to France. | 0:51:55 | 0:51:58 | |
It's going to France. | 0:51:58 | 0:51:59 | |
I haven't even got a bus to drive today and this is going to France. | 0:51:59 | 0:52:02 | |
So... | 0:52:02 | 0:52:04 | |
Better get out of his way. | 0:52:04 | 0:52:07 | |
I don't get why they get to take it to France and we don't. | 0:52:07 | 0:52:10 | |
Wish they'd give us something to do. | 0:52:10 | 0:52:12 | |
HORN BLARES | 0:52:12 | 0:52:14 | |
Mind the bus, please! | 0:52:18 | 0:52:20 | |
Mind the big red thing! | 0:52:20 | 0:52:21 | |
Squishy squashy! | 0:52:21 | 0:52:23 | |
John's New Bus is meant to have made it to Victoria Station by now. | 0:52:23 | 0:52:28 | |
It's great. I like the new one. | 0:52:28 | 0:52:30 | |
It's not here today, but the new 38 is lovely. | 0:52:30 | 0:52:33 | |
Yes, I was on one the other day, actually. | 0:52:33 | 0:52:35 | |
They were a bit throwback. They were quite nice. | 0:52:35 | 0:52:37 | |
I was disappointed I didn't get on the back. | 0:52:37 | 0:52:39 | |
I thought they were good. | 0:52:39 | 0:52:40 | |
I love it. If there's one in the queue, I tend to wait for it, | 0:52:40 | 0:52:43 | |
because it's a nice journey. | 0:52:43 | 0:52:46 | |
-INTERVIEWER: -How long would you be prepared to wait? | 0:52:46 | 0:52:48 | |
-Well, we've missed one at five to. -We've been waiting half an hour now. | 0:52:48 | 0:52:51 | |
Because there's two less running at the moment. | 0:52:51 | 0:52:54 | |
But we'll wait, because we made the effort to come. | 0:52:54 | 0:52:57 | |
That's ours. | 0:53:07 | 0:53:09 | |
We'll be going out in a couple of minutes. | 0:53:09 | 0:53:12 | |
How long have you waited today? | 0:53:12 | 0:53:14 | |
Half eight till half two. | 0:53:16 | 0:53:18 | |
Just over six hours, so... | 0:53:18 | 0:53:21 | |
Six and a half hours, it will be. | 0:53:21 | 0:53:23 | |
It's a long time to wait for a bus. | 0:53:23 | 0:53:25 | |
John is finally under way. | 0:53:28 | 0:53:30 | |
ANNOUNCER: '38 to Hackney Central.' | 0:53:32 | 0:53:35 | |
Papers for the passengers. | 0:53:35 | 0:53:37 | |
DOOR BEEPS | 0:53:40 | 0:53:42 | |
I do all the work. See how strenuous that is?! | 0:53:42 | 0:53:44 | |
What's happening now, people hopping on, hopping off | 0:53:55 | 0:53:59 | |
because they're at the lights. | 0:53:59 | 0:54:00 | |
That makes it now. | 0:54:00 | 0:54:02 | |
A lot of people that we speak to prefer a conductor on the back. | 0:54:02 | 0:54:08 | |
Probably about 90 percent. | 0:54:08 | 0:54:10 | |
I suppose I'm quite traditional. | 0:54:10 | 0:54:12 | |
I personally like to go into a bank and I like to have a conductor, | 0:54:12 | 0:54:16 | |
because I think it makes it more personal. | 0:54:16 | 0:54:19 | |
I also think it must be nice for the driver. | 0:54:19 | 0:54:22 | |
Having the conductor onboard makes things so much simpler and easier. | 0:54:22 | 0:54:26 | |
You can focus on the driving | 0:54:26 | 0:54:28 | |
while the conductor can deal with passengers. | 0:54:28 | 0:54:30 | |
You want this stop. | 0:54:30 | 0:54:33 | |
Go left at them traffic lights, | 0:54:33 | 0:54:35 | |
it's down on the left-hand side. All right? | 0:54:35 | 0:54:37 | |
People say "Good morning" to you, people say "Goodbye". | 0:54:39 | 0:54:42 | |
And they are more talkative. | 0:54:42 | 0:54:44 | |
Whereas, on other routes, when you're the driver only, depending on | 0:54:44 | 0:54:48 | |
the route you're doing... | 0:54:48 | 0:54:49 | |
..people don't even talk to you, don't even grunt. | 0:54:51 | 0:54:54 | |
BELL DINGS | 0:54:54 | 0:54:56 | |
'Watch out for traffic when leaving the bus.' | 0:54:56 | 0:54:58 | |
Watch out for traffic! | 0:54:58 | 0:55:00 | |
When you're leaving the bus! | 0:55:00 | 0:55:02 | |
Mind the bus, please! Mind the bus! | 0:55:04 | 0:55:08 | |
The New Bus has arrived at Victoria. | 0:55:08 | 0:55:11 | |
Soon, there will be 600 of them on London's streets. | 0:55:11 | 0:55:15 | |
We need a bus that, when you come to London, you can say, | 0:55:15 | 0:55:17 | |
"This is the London bus." And I think that's what it should be. | 0:55:17 | 0:55:21 | |
Whether that was the right bus or not, not my decision. | 0:55:21 | 0:55:24 | |
In 50 years' time, if we're still talking about it, then it's made it. | 0:55:24 | 0:55:27 | |
The Routemaster, we'll still talk about the original. | 0:55:27 | 0:55:30 | |
50 years' time, will we be talking about it? | 0:55:30 | 0:55:33 | |
Mind the bus, please! | 0:55:33 | 0:55:35 | |
The original Routemasters still have a place | 0:55:40 | 0:55:43 | |
in many drivers' hearts. | 0:55:43 | 0:55:45 | |
Today, new driver Christine is being allowed to test drive | 0:55:45 | 0:55:48 | |
one of the iconic old buses, | 0:55:48 | 0:55:50 | |
following in the footsteps of her late father. | 0:55:50 | 0:55:53 | |
It will be like a dream come true to get in one and drive one, | 0:55:53 | 0:55:55 | |
what he used to drive. | 0:55:55 | 0:55:57 | |
I feel like I'm sitting there for him, sort of thing. | 0:55:57 | 0:56:00 | |
Got your handbrake off? | 0:56:04 | 0:56:05 | |
ENGINE REVS | 0:56:05 | 0:56:07 | |
Oh, bloody hell! | 0:56:07 | 0:56:08 | |
That's well hard! | 0:56:08 | 0:56:10 | |
Put your foot on the brake. | 0:56:10 | 0:56:11 | |
Here we go! | 0:56:15 | 0:56:17 | |
-That's brilliant. -Done it now, ain't you? | 0:56:38 | 0:56:40 | |
Yeah, I have. It's good. | 0:56:40 | 0:56:42 | |
Sort of like, as I've come round, | 0:56:44 | 0:56:46 | |
I was trying to hold the tears back, which I did. | 0:56:46 | 0:56:51 | |
It's just the job my dad used to have, driving one of them. | 0:56:51 | 0:56:54 | |
It was a love for him. So... | 0:56:54 | 0:56:57 | |
Sorry. | 0:57:00 | 0:57:01 | |
Just to like do something that he did... | 0:57:04 | 0:57:07 | |
..and experience it, | 0:57:09 | 0:57:12 | |
sit where he sat | 0:57:12 | 0:57:15 | |
and experience what he told me about, | 0:57:15 | 0:57:19 | |
just is a great thing. | 0:57:19 | 0:57:21 | |
Makes me feel close. | 0:57:21 | 0:57:23 | |
Hold on tight. | 0:57:24 | 0:57:26 | |
So many people work on these buses all the years. | 0:57:31 | 0:57:34 | |
So many people come and gone and the bus is still around. | 0:57:34 | 0:57:39 | |
I just love driving buses! | 0:57:42 | 0:57:44 | |
You know, behind the wheel, it's great! | 0:57:44 | 0:57:46 | |
Good morning. Do us a kindness, please. | 0:57:46 | 0:57:49 | |
Could you just hold for a couple of minutes at your next stop? | 0:57:49 | 0:57:53 | |
It is nice when somebody goes, "Thanks, driver." | 0:57:53 | 0:57:57 | |
It really makes your day. | 0:57:57 | 0:57:59 | |
-Bye-bye. -See you! -Thanks! | 0:57:59 | 0:58:01 | |
The job hasn't got the same character. It hasn't. | 0:58:01 | 0:58:04 | |
Times change. You've got to change with it. | 0:58:04 | 0:58:08 | |
It's what you make it. | 0:58:08 | 0:58:10 | |
My father said to me, | 0:58:10 | 0:58:12 | |
"If you find a job you enjoy doing, you'll be happy all your life. | 0:58:12 | 0:58:16 | |
"If you end up doing a job you hate, you'll never be happy." | 0:58:16 | 0:58:21 | |
And that's right. | 0:58:21 | 0:58:22 | |
It's a good job now. | 0:58:23 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 |