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MUSIC: "Mas Que Nada" by Sergio Mendes | 0:00:03 | 0:00:06 | |
Rio de Janeiro, | 0:00:09 | 0:00:11 | |
South America's most glamorous and exotic city. | 0:00:11 | 0:00:15 | |
And on the famous Copacabana Beach stands Latin America's | 0:00:17 | 0:00:21 | |
most historic hotel, the Copacabana Palace. | 0:00:21 | 0:00:25 | |
In a fast-changing country it's a beacon of old-world opulence. | 0:00:25 | 0:00:29 | |
I think we feel peaceful, like an oasis. | 0:00:29 | 0:00:33 | |
Brazil's economy is booming, and the hotel is a magnet | 0:00:33 | 0:00:36 | |
for the country's new wealthy elite. | 0:00:36 | 0:00:39 | |
I've travelled all over the world. | 0:00:39 | 0:00:42 | |
The Copacabana Palace is 90 years old, | 0:00:42 | 0:00:45 | |
but it smell good. | 0:00:45 | 0:00:47 | |
The hotel employs more than 600 staff to cater for the guests' | 0:00:47 | 0:00:51 | |
every whim. | 0:00:51 | 0:00:53 | |
I have stayed in this room before, yeah, | 0:00:53 | 0:00:55 | |
17 years ago was the first time I stayed in this room. | 0:00:55 | 0:00:59 | |
Joel! I'll be there in five minutes! Save the chair for me, please! | 0:00:59 | 0:01:03 | |
Mwah. | 0:01:03 | 0:01:04 | |
-See you later. -See you later! -Bye-bye. | 0:01:04 | 0:01:08 | |
But many of the hotel staff live in Rio's poor and dangerous favelas. | 0:01:09 | 0:01:14 | |
TRANSLATION: | 0:01:16 | 0:01:19 | |
With Brazil playing host to the World Cup this summer... | 0:01:25 | 0:01:27 | |
-You from France, sir? -Oui. -Bonsoir. | 0:01:27 | 0:01:30 | |
..the Copacabana Palace Hotel is a window onto a country of extremes. | 0:01:30 | 0:01:34 | |
With 241 rooms, 13 ballrooms and banqueting suites, | 0:01:53 | 0:01:58 | |
the Copacabana Palace is the most exclusive hotel in Rio de Janeiro. | 0:01:58 | 0:02:02 | |
And probably the most famous in South America. | 0:02:04 | 0:02:07 | |
Wow! | 0:02:11 | 0:02:13 | |
Oh, this is really beautiful. | 0:02:13 | 0:02:15 | |
Wow, this is phenomenal. | 0:02:18 | 0:02:21 | |
Look at this... | 0:02:21 | 0:02:22 | |
For guests like Marco Antonio, | 0:02:22 | 0:02:25 | |
staying at the Copacabana Palace is the ultimate sign of success. | 0:02:25 | 0:02:28 | |
I was born very, very poor and I remember when I was a teenager, | 0:02:28 | 0:02:33 | |
I saw Copacabana Palace at the front - | 0:02:33 | 0:02:36 | |
"Oh, my good... one day I stay here." | 0:02:36 | 0:02:39 | |
And I work very, very hard for that. | 0:02:39 | 0:02:41 | |
I am a very famous hairdresser | 0:02:41 | 0:02:44 | |
and I work between 12 to 14 hours a day. | 0:02:44 | 0:02:48 | |
There is no secret, that's why I can come to | 0:02:48 | 0:02:50 | |
Copacabana Palace every weekend. | 0:02:50 | 0:02:53 | |
Where do you live? You're not from Rio. | 0:02:53 | 0:02:55 | |
No, no, no, I live in Sao Paulo, that is probably the richest city | 0:02:55 | 0:02:59 | |
in Brazil but in Sao Paulo it's very stressful. | 0:02:59 | 0:03:02 | |
It's the place to get the money, to work. | 0:03:02 | 0:03:06 | |
It's like New York - we are always running, running for the money. | 0:03:06 | 0:03:10 | |
Copacabana Palace is very unique because they are friends, I know everybody, | 0:03:10 | 0:03:16 | |
they know what I like. For example, in Brazil we don't do the eggs, | 0:03:16 | 0:03:20 | |
we don't like the omelettes, we love fresh fruits and pastries. | 0:03:20 | 0:03:25 | |
This is my favourite, with vanilla inside. | 0:03:25 | 0:03:28 | |
It's only on Christmas time, but during the whole year | 0:03:28 | 0:03:33 | |
they cook it for me at breakfast, everybody knows my name, | 0:03:33 | 0:03:37 | |
everybody knows... That makes Copacabana Palace very, very unique. | 0:03:37 | 0:03:43 | |
Mmm! Oh, my goodness! Try! | 0:03:46 | 0:03:49 | |
-Are you ready, boys? ALL: -Ready! | 0:03:49 | 0:03:52 | |
Take it... | 0:03:52 | 0:03:54 | |
MUSIC: "Flying Down To Rio" by Fred Astaire | 0:03:54 | 0:03:56 | |
# An old sailor in old time | 0:03:56 | 0:03:58 | |
# Would sing an old song | 0:03:58 | 0:04:00 | |
# Rolling down to Rio by the sea | 0:04:00 | 0:04:03 | |
# With a big hello just so they'll know it | 0:04:03 | 0:04:06 | |
# And stand by there... # | 0:04:06 | 0:04:08 | |
In 1933, Fred Astaire and Ginger Rogers immortalised | 0:04:08 | 0:04:12 | |
the Copacabana Palace in their classic film Flying Down To Rio. | 0:04:12 | 0:04:16 | |
The hotel had opened ten years earlier, marking the centenary | 0:04:21 | 0:04:24 | |
of Brazil's independence. | 0:04:24 | 0:04:26 | |
Back then, the Copacabana Beach was an unspoiled stretch of white sand | 0:04:28 | 0:04:32 | |
and the new hotel was a statement of the country's ambition | 0:04:32 | 0:04:35 | |
to be a player on the world stage. | 0:04:35 | 0:04:38 | |
Fred and Ginger's flying visit cemented the hotel's | 0:04:41 | 0:04:44 | |
reputation as a byword for Latin glamour, | 0:04:44 | 0:04:47 | |
attracting Hollywood stars and international high rollers | 0:04:47 | 0:04:50 | |
with the illicit lure of a huge casino and elegant ballrooms. | 0:04:50 | 0:04:54 | |
It was the era which established Rio as an exotic, | 0:04:59 | 0:05:02 | |
luxury tourist destination. | 0:05:02 | 0:05:04 | |
The world's elite have been coming here ever since. | 0:05:12 | 0:05:15 | |
Anne Phillips has been in the hospitality industry for 60 years | 0:05:19 | 0:05:24 | |
and has worked at the Copacabana Palace since the early 1990s. | 0:05:24 | 0:05:28 | |
What have we got here, then? | 0:05:28 | 0:05:30 | |
I think every hotel have a golden book all around the world. | 0:05:30 | 0:05:34 | |
These are guestbooks of very VIP guests that have stayed with us | 0:05:34 | 0:05:39 | |
after all these years. This golden book is worth... | 0:05:39 | 0:05:43 | |
It was worth 2 million about 20 years ago | 0:05:43 | 0:05:47 | |
so I don't know what it's worth now. | 0:05:47 | 0:05:50 | |
Shall we have a look and see what we have...? | 0:05:50 | 0:05:52 | |
Beautifully, as you can see, written mostly in copperplate - | 0:05:52 | 0:05:57 | |
people really knew how to write in those days, yeah. | 0:05:57 | 0:06:02 | |
-Orson Welles I saw there. -Orson Welles, yes. | 0:06:02 | 0:06:05 | |
There's a story that he threw... | 0:06:05 | 0:06:08 | |
a desk out the window and everything... | 0:06:08 | 0:06:11 | |
because he thought his... | 0:06:11 | 0:06:14 | |
his one love had been unfaithful, or something like that. | 0:06:14 | 0:06:18 | |
Anyway... But I don't know how you could possibly throw | 0:06:18 | 0:06:22 | |
a desk out of a window, you know? | 0:06:22 | 0:06:24 | |
I really don't know that he really did that, you know? | 0:06:24 | 0:06:27 | |
And Charles and Diana were here | 0:06:27 | 0:06:30 | |
and they stayed in the Presidential Suite. | 0:06:30 | 0:06:33 | |
Madonna, I had Madonna. | 0:06:33 | 0:06:37 | |
Had Madonna for ten days. | 0:06:37 | 0:06:39 | |
You do wind up working through the night sometimes, | 0:06:39 | 0:06:43 | |
especially if they are keeping... like Tom Cruise is keeping | 0:06:43 | 0:06:47 | |
to California times, you wind up giving them | 0:06:47 | 0:06:50 | |
breakfast about 4 o'clock in the morning, or something like that. | 0:06:50 | 0:06:54 | |
Francis Ford Coppola. Yeah, he was very nice. | 0:06:54 | 0:06:58 | |
And this was Robert de Niro. | 0:06:58 | 0:07:01 | |
I had him down here. | 0:07:01 | 0:07:03 | |
And he was here when Francis Coppola was here. | 0:07:03 | 0:07:08 | |
And it was difficult because we didn't know he was coming | 0:07:08 | 0:07:12 | |
so we had to... manoeuvre a lot, keep him happy, | 0:07:12 | 0:07:17 | |
till we could get him up to the sixth floor. | 0:07:17 | 0:07:21 | |
The sixth floor is home to some of the most exclusive | 0:07:24 | 0:07:28 | |
hotel rooms on Earth. | 0:07:28 | 0:07:30 | |
-Yes, the penthouse room. -This is the penthouse floor? | 0:07:31 | 0:07:34 | |
Is this where...the top guests stay, then? | 0:07:36 | 0:07:40 | |
-The most expensive rooms? -Exactly. | 0:07:40 | 0:07:43 | |
More recent guests have included Justin Bieber, Miley Cyrus | 0:07:43 | 0:07:47 | |
and the King of Sweden. | 0:07:47 | 0:07:50 | |
The price isn't made public, | 0:07:52 | 0:07:55 | |
but if you need to ask, it probably means you can't afford it. | 0:07:55 | 0:07:59 | |
Housekeeping... | 0:07:59 | 0:08:01 | |
-Can I come in? -Yep. | 0:08:01 | 0:08:04 | |
The room is not... | 0:08:04 | 0:08:05 | |
We need to finish. | 0:08:05 | 0:08:07 | |
We need the flowers. | 0:08:07 | 0:08:09 | |
Head of housekeeping, Graciela Viera, | 0:08:09 | 0:08:12 | |
is making some last-minute checks before the next VIP arrives. | 0:08:12 | 0:08:16 | |
It's dirty. | 0:08:29 | 0:08:31 | |
Doorman Jorge Freitas is the longest-serving employee | 0:08:40 | 0:08:44 | |
at the Copacabana Palace. He's known to everyone in Rio as Cafu. | 0:08:44 | 0:08:49 | |
First job and last job. | 0:09:07 | 0:09:10 | |
He's seen huge changes during his four decades | 0:09:10 | 0:09:13 | |
working at the hotel. | 0:09:13 | 0:09:14 | |
From the 1960s to the 1980s, Brazil was ruled by a military dictatorship | 0:09:29 | 0:09:34 | |
and the economy suffered. | 0:09:34 | 0:09:36 | |
As Rio became notorious for poverty and violence, | 0:09:38 | 0:09:41 | |
the tourists stayed away. | 0:09:41 | 0:09:43 | |
The Copacabana Palace nearly went out of business. | 0:09:43 | 0:09:46 | |
The hotel was rescued in 1989 | 0:09:53 | 0:09:56 | |
when it was bought by a British-based luxury hotel group. | 0:09:56 | 0:09:59 | |
Since then, the fortunes of Brazil and the hotel have changed. | 0:10:03 | 0:10:08 | |
THEY SPEAK PORTUGUESE | 0:10:56 | 0:10:58 | |
Today, the hotel is run by its first female manager - Andrea Natal. | 0:11:02 | 0:11:06 | |
From managing the front desk, she's worked her way up to the top job | 0:11:07 | 0:11:11 | |
in Rio's hotel trade. | 0:11:11 | 0:11:13 | |
Wow! | 0:11:14 | 0:11:16 | |
Beautiful! | 0:11:16 | 0:11:18 | |
Wow! | 0:11:18 | 0:11:20 | |
CAMERA CLICKS | 0:11:20 | 0:11:22 | |
We probably need a new one, we need to talk to the supplier because | 0:11:22 | 0:11:25 | |
you can see that it's not like before. | 0:11:25 | 0:11:27 | |
CAMERA CLICKS | 0:11:29 | 0:11:31 | |
There is some glue here. | 0:11:31 | 0:11:33 | |
-Glue? -Yeah. | 0:11:33 | 0:11:35 | |
It's kind of yellow. | 0:11:35 | 0:11:37 | |
It's all about details. | 0:11:39 | 0:11:41 | |
It's important to you to have everything absolutely... | 0:11:41 | 0:11:44 | |
-Yes, completely. -..perfect? | 0:11:44 | 0:11:46 | |
No. We cannot have any issues about cleanness, never, ever. | 0:11:46 | 0:11:52 | |
And the maintenance needs to be impeccable as well. | 0:11:52 | 0:11:56 | |
-What, the manners of people? -The maintenance. -Oh, right. | 0:11:56 | 0:11:58 | |
-Maintenance. -Maintenance. -Yeah, yeah. | 0:11:58 | 0:12:01 | |
Like here in the ceiling, we can see some... | 0:12:01 | 0:12:04 | |
..erm, fingerprints. | 0:12:05 | 0:12:07 | |
-That's from people that come to see the air conditioning. -OK. | 0:12:07 | 0:12:12 | |
That's... It's very tough to be housekeeper in this hotel. | 0:12:12 | 0:12:17 | |
-Is that right, Graciela? -Yes. -It's not easy. | 0:12:17 | 0:12:20 | |
There's too many things to do. | 0:12:20 | 0:12:22 | |
-Hello, good morning. -Good morning, how are you? | 0:12:36 | 0:12:38 | |
-Fine, how are you? -Good. -Good, OK. | 0:12:38 | 0:12:40 | |
ANDREA: Once you are inside this hotel, I think we feel peaceful. | 0:12:40 | 0:12:44 | |
We have an open-air bar with a beautiful pool | 0:12:45 | 0:12:50 | |
and I think we have, in the hotel, | 0:12:50 | 0:12:53 | |
the most comfortable mattress... | 0:12:53 | 0:12:55 | |
SHE CHUCKLES | 0:12:55 | 0:12:57 | |
..ever! | 0:12:57 | 0:12:59 | |
So, in my life, and that is something that is very, if I can say... | 0:12:59 | 0:13:04 | |
remarkable. | 0:13:04 | 0:13:06 | |
Keith Richards... | 0:13:06 | 0:13:08 | |
-Keith Richards, OK. -Yeah...wife... bought two mattress from us. | 0:13:08 | 0:13:14 | |
We need to find people that love to serve. | 0:13:17 | 0:13:20 | |
If I can say that. That love to pamper guests. | 0:13:22 | 0:13:25 | |
-I think the hotel business is all about that. -Pampering. | 0:13:25 | 0:13:29 | |
Pampering. It's making sure that the guests are happy, enjoying their stay | 0:13:29 | 0:13:35 | |
because they are here for that. | 0:13:35 | 0:13:37 | |
SAXOPHONE PLAYS | 0:13:37 | 0:13:39 | |
Although the international jet set still flock to the Copacabana Palace, | 0:13:44 | 0:13:48 | |
nowadays many more of the guests are wealthy Brazilians. | 0:13:48 | 0:13:53 | |
I love flowers. I remember when I came here for the first... | 0:14:03 | 0:14:06 | |
HE GASPS | 0:14:06 | 0:14:08 | |
Oh, my goodness! How they can do it? | 0:14:08 | 0:14:10 | |
Look at the mix of the different colour. | 0:14:10 | 0:14:13 | |
Marco is a celebrity hairstylist who's made a fortune through | 0:14:13 | 0:14:16 | |
his hairdressing salon. | 0:14:16 | 0:14:18 | |
How a human being has so good taste they can create something like this? | 0:14:18 | 0:14:24 | |
I mean, crazy, with this flower at Cipriani. | 0:14:24 | 0:14:27 | |
I always make picture and I post on my Instagram, | 0:14:27 | 0:14:30 | |
and last time my miniature appear on the popular page. | 0:14:30 | 0:14:34 | |
Let's take one more. | 0:14:36 | 0:14:37 | |
-How many followers have you got? -One million. -One million? | 0:14:39 | 0:14:42 | |
I'm a Twitter king, I have 500,000 on Twitter. | 0:14:42 | 0:14:46 | |
I have 350,000 on Instagram and 300,000 Facebook, | 0:14:46 | 0:14:52 | |
so altogether, it's one million. | 0:14:52 | 0:14:54 | |
Another thing about Copacabana Palace... | 0:14:56 | 0:14:59 | |
I've travelled all over the world. | 0:14:59 | 0:15:01 | |
The Copacabana Palace is 90 years old, | 0:15:01 | 0:15:05 | |
but it smell good. | 0:15:05 | 0:15:07 | |
I hate hotels, legendary hotels which smell, like, old. | 0:15:07 | 0:15:11 | |
Listen... | 0:15:11 | 0:15:12 | |
HE SNIFFS | 0:15:12 | 0:15:13 | |
Isn't it, oh, extra clean? It smell...verbena. | 0:15:13 | 0:15:18 | |
Isn't it? You see, | 0:15:18 | 0:15:20 | |
it's a legendary hotel but... | 0:15:20 | 0:15:23 | |
so clean you can...you can... | 0:15:23 | 0:15:26 | |
walk here with white socks... ten hours. | 0:15:26 | 0:15:31 | |
At the end of the day, you check your sock, it's white. | 0:15:31 | 0:15:35 | |
It's so clean. | 0:15:35 | 0:15:37 | |
They renovate it all the time. | 0:15:37 | 0:15:39 | |
We are going to show you the apartment that I... | 0:15:41 | 0:15:44 | |
My favourite. I almost live here. | 0:15:44 | 0:15:46 | |
This is the eighth floor. I love number eight. | 0:15:49 | 0:15:54 | |
And look here. | 0:15:57 | 0:15:58 | |
Every time, every time I come here, it's like an apartment. | 0:15:59 | 0:16:04 | |
It doesn't look a hotel. Isn't it? | 0:16:04 | 0:16:06 | |
They send me... and they send me champagne. | 0:16:06 | 0:16:10 | |
When I arrive here, they send me strawberry and champagne. | 0:16:12 | 0:16:18 | |
I don't drink. I don't drink. Nobody knows but I only... Just a "cheers". | 0:16:18 | 0:16:23 | |
Look at... You see? | 0:16:23 | 0:16:25 | |
Always clean, it smell clean. That's why I like it, come on. | 0:16:25 | 0:16:31 | |
I like that. Decorative but the light. | 0:16:31 | 0:16:34 | |
I don't like hotel too dark, you know what I mean? | 0:16:34 | 0:16:38 | |
I like...you see here... | 0:16:38 | 0:16:40 | |
And let me show you my favourite... It's here. | 0:16:40 | 0:16:44 | |
Come on. | 0:16:46 | 0:16:47 | |
Every morning... Look at that, that's my favourite part. | 0:16:49 | 0:16:55 | |
Is the terrace. | 0:16:55 | 0:16:57 | |
I never forget, exactly this terrace, when the Pope come here, | 0:16:58 | 0:17:03 | |
three, four million people... | 0:17:03 | 0:17:05 | |
OK? Praying, singing... The young. | 0:17:06 | 0:17:10 | |
The new generation. | 0:17:11 | 0:17:13 | |
I never forget that. | 0:17:13 | 0:17:15 | |
Probably the most intense, the best day of my life, | 0:17:15 | 0:17:19 | |
when the Pope was here. | 0:17:19 | 0:17:21 | |
And you can see him and you feel the energy that day, | 0:17:21 | 0:17:25 | |
the new youth, the new young... | 0:17:25 | 0:17:29 | |
They have faith. | 0:17:29 | 0:17:31 | |
It seems like before, we lost it. | 0:17:31 | 0:17:35 | |
But right now everything is new, it's something like a new beginning. | 0:17:36 | 0:17:40 | |
Joel! I'll be there in five minutes! | 0:17:45 | 0:17:48 | |
Save the chair for me, please! | 0:17:48 | 0:17:51 | |
Not surprisingly, all this luxury comes at a price. | 0:17:57 | 0:18:01 | |
How much is a room like this, to stay in? | 0:18:01 | 0:18:03 | |
It's something around 1,600 reais. | 0:18:03 | 0:18:07 | |
-About 800? -Yes. -A night? -A night. With breakfast. | 0:18:07 | 0:18:13 | |
SHE CHUCKLES | 0:18:13 | 0:18:15 | |
The increasing number of rich Brazilian guests is | 0:18:22 | 0:18:25 | |
a product of the country's extraordinary economic boom. | 0:18:25 | 0:18:28 | |
Fuelled by its huge natural resources, | 0:18:29 | 0:18:32 | |
Brazil is now the seventh-biggest economy in the world. | 0:18:32 | 0:18:36 | |
As manager of the Copacabana Palace | 0:18:38 | 0:18:41 | |
Andrea is a key member of Rio's new elite. | 0:18:41 | 0:18:44 | |
We are going to Village Mall, | 0:18:47 | 0:18:49 | |
a luxurious shopping centre | 0:18:49 | 0:18:52 | |
one hour from the hotel, from here. | 0:18:52 | 0:18:55 | |
It is the first shopping centre in town where you can find | 0:18:57 | 0:19:01 | |
Prada, Gucci... | 0:19:01 | 0:19:03 | |
..Miu Miu, you know, all the luxurious... | 0:19:04 | 0:19:09 | |
-Big labels. -Big labels. | 0:19:09 | 0:19:11 | |
Where, today, they are launching a new magazine | 0:19:11 | 0:19:16 | |
and they invite me to participate with them | 0:19:16 | 0:19:20 | |
in kind of talk show | 0:19:20 | 0:19:22 | |
because, for them, Copacabana Palace represents luxury in town. | 0:19:22 | 0:19:28 | |
Everybody dreams about, | 0:19:28 | 0:19:30 | |
erm, having a night at the Copacabana Palace. | 0:19:30 | 0:19:35 | |
Just as it was when it was built in 1923, | 0:20:07 | 0:20:10 | |
the Copacabana Palace is a symbol of a new, outward-looking Brazil. | 0:20:10 | 0:20:15 | |
ANDREA: | 0:20:30 | 0:20:33 | |
In this new Brazil, there are people who can afford to pay | 0:20:59 | 0:21:02 | |
£14,000 a day to hire a ballroom for a wedding or corporate function. | 0:21:02 | 0:21:07 | |
This is our famous Nobre Room. | 0:21:10 | 0:21:12 | |
This is the Nobre Room of Copacabana Palace. | 0:21:12 | 0:21:16 | |
We have it connected to the Golden Room, | 0:21:17 | 0:21:22 | |
where we used to have all the big presentations of the famous people | 0:21:22 | 0:21:26 | |
that stayed here and that presented themselves here. | 0:21:26 | 0:21:30 | |
And the most interesting is because we have the view of the beach. | 0:21:30 | 0:21:35 | |
You will see why people love the Blue Room! | 0:21:43 | 0:21:45 | |
Brazil's economic growth and the promise of the World Cup | 0:21:48 | 0:21:52 | |
and Olympic Games have led to a boom in the tourist trade. | 0:21:52 | 0:21:55 | |
Copacabana Beach is now crammed with luxury hotels and apartments. | 0:21:55 | 0:22:00 | |
But this is still a city of extremes. | 0:22:01 | 0:22:03 | |
On the hillsides overlooking the seafront are many of Rio's favelas, | 0:22:06 | 0:22:12 | |
sprawling shanty towns, notorious for poverty, | 0:22:12 | 0:22:15 | |
violence and drug gangs. | 0:22:15 | 0:22:17 | |
Rio's two worlds come together on the city's beaches. | 0:22:25 | 0:22:28 | |
Yeah, look here, OK, no problem. I am the security hotel, OK? | 0:22:57 | 0:23:02 | |
OK, thank you. | 0:23:02 | 0:23:04 | |
Joel provides security for the hotel guests who come to the beach. | 0:23:04 | 0:23:08 | |
SHE SPEAKS IN PORTUGUESE | 0:24:07 | 0:24:09 | |
The hotel staff come from every strata of Rio society. | 0:24:09 | 0:24:13 | |
Manager Andrea Natal is in charge of an army of people | 0:24:16 | 0:24:20 | |
who cook, clean and carry for the wealthy guests. | 0:24:20 | 0:24:24 | |
SHE SPEAKS IN PORTUGUESE | 0:24:24 | 0:24:26 | |
-You seem to know everybody. -I know everybody, yes. Almost, yes. | 0:24:34 | 0:24:37 | |
-How many staff are there? -Er, right now, we have almost 600 employees. | 0:24:39 | 0:24:45 | |
-600. Full-time? -Full-time, yes. | 0:24:45 | 0:24:48 | |
And you know them all, or you've met them all? | 0:24:48 | 0:24:50 | |
I mean, I know... Yeah. | 0:24:50 | 0:24:52 | |
If I don't know the name, I try to know the name. But, er... Yeah. | 0:24:52 | 0:24:58 | |
I like to be with them. | 0:24:58 | 0:25:00 | |
So, Thursday, we have Chinese food in the employees' cafeteria. | 0:25:00 | 0:25:06 | |
-Do you eat here? -Yes, I try to come at least once a week. | 0:25:06 | 0:25:12 | |
Right. | 0:25:12 | 0:25:13 | |
-Hola! -Hola. | 0:25:16 | 0:25:18 | |
So, today, as we have every day here, | 0:25:26 | 0:25:29 | |
we have black beans, as our basic, rice... | 0:25:29 | 0:25:35 | |
As well as the canteen, there are some more unusual staff perks. | 0:25:35 | 0:25:39 | |
So, this is a special room for the employees, | 0:25:41 | 0:25:45 | |
where they can read, they can study and they can relax. | 0:25:45 | 0:25:51 | |
It's a nice place, nobody... | 0:25:53 | 0:25:55 | |
will think that I would be here. | 0:25:55 | 0:25:59 | |
-A place to hide! -Yes, a nice place to hide. And work peaceful. | 0:25:59 | 0:26:04 | |
Even at the luxury Copacabana Palace, | 0:26:11 | 0:26:13 | |
pay is low by British standards. | 0:26:13 | 0:26:16 | |
Many of the hotel workers earn only the industry minimum wage | 0:26:16 | 0:26:20 | |
and take home less than £300 per month. | 0:26:20 | 0:26:23 | |
The hospitality industry employs nearly 350,000 people in Rio. | 0:27:07 | 0:27:11 | |
But working here is a plum job. | 0:27:12 | 0:27:14 | |
When they show that they are working here at Copacabana Palace, | 0:27:16 | 0:27:20 | |
in their CV, they immediately get a job in another place. | 0:27:20 | 0:27:26 | |
There is a lot of offer, work offer, everywhere. | 0:27:26 | 0:27:31 | |
Lots of work available in Brazil? | 0:27:31 | 0:27:33 | |
-Yes, especially in Rio, with all these events. -The football and the... | 0:27:33 | 0:27:37 | |
The football and the Olympics. | 0:27:37 | 0:27:40 | |
So...yes, I mean, new hotels everywhere. | 0:27:40 | 0:27:45 | |
Yeah. Does that make it more difficult for you? | 0:27:45 | 0:27:48 | |
Much more. Much more. | 0:27:48 | 0:27:51 | |
-What qualities do you look for? -I think it is all about attitude. | 0:27:51 | 0:27:55 | |
We need to find people that love to serve. | 0:27:55 | 0:27:59 | |
Many of the staff live in the favelas | 0:28:10 | 0:28:12 | |
and poorer parts of the city. | 0:28:12 | 0:28:14 | |
The hotel runs a scheme to train chambermaids | 0:28:17 | 0:28:20 | |
for work in this rarefied world. | 0:28:20 | 0:28:22 | |
-Housekeeping! -Housekeeping! -Good morning. -Good morning. -May I clean? | 0:28:24 | 0:28:29 | |
-May I clean your room? -That's it, good girl. | 0:28:29 | 0:28:31 | |
Anne Phillips helps teach the women English. | 0:28:31 | 0:28:34 | |
Come on. Let's go. Good, good. | 0:28:36 | 0:28:40 | |
One... OK, one... | 0:28:43 | 0:28:45 | |
One, two, three, four, five... | 0:28:45 | 0:28:49 | |
-er... -Six. -Six... Er, eight... -No, seven. | 0:28:49 | 0:28:54 | |
Seven, eight, nine, ten. | 0:28:54 | 0:28:58 | |
Wey! Fantastic. | 0:28:58 | 0:29:00 | |
-How long have you been teaching Jessica? -Jessica, three months. | 0:29:00 | 0:29:04 | |
But I'm here for... I'm not here... | 0:29:04 | 0:29:09 | |
I'm here for about five to ten minutes, but she listens to her MP3. | 0:29:09 | 0:29:15 | |
Oh, you've given her an English course on an MP3? | 0:29:15 | 0:29:18 | |
Yes, they all live miles away, | 0:29:18 | 0:29:21 | |
they live from an hour-and-a-half to three hours away. | 0:29:21 | 0:29:25 | |
So, if they can sit down on the bus or sit down on the train, | 0:29:25 | 0:29:29 | |
then they listen to the MP3s, because I really recorded it very loud. | 0:29:29 | 0:29:34 | |
And was it always, erm, | 0:29:34 | 0:29:36 | |
staffed by people who lived a long way away, like Jessica? | 0:29:36 | 0:29:39 | |
It's always been staff that have lived a long way away | 0:29:39 | 0:29:43 | |
because the poorer people could never afford to live near Rio. | 0:29:43 | 0:29:48 | |
At one time, 60% of our staff lived in favelas. | 0:29:48 | 0:29:53 | |
The favelas, as a whole... | 0:29:53 | 0:29:55 | |
..are housed by fabulous people. They really... | 0:29:56 | 0:30:00 | |
2% were drug dealers, so, you know, the rest were people like Jessica. | 0:30:00 | 0:30:07 | |
Has that changed a lot, in Brazil, in the last 21 years? | 0:30:08 | 0:30:12 | |
Um... | 0:30:12 | 0:30:14 | |
Yes, because they have modernised the favelas a lot. | 0:30:14 | 0:30:20 | |
They couldn't do wooden huts any more, | 0:30:20 | 0:30:24 | |
they have to have brick buildings and they have modernised. | 0:30:24 | 0:30:29 | |
They've all got televisions. | 0:30:29 | 0:30:31 | |
They've all got light, they've all got water, | 0:30:31 | 0:30:33 | |
they've all got sanitation. | 0:30:33 | 0:30:36 | |
Brazil's on the up? | 0:30:36 | 0:30:37 | |
Brazil is more than on the up. It is growing. | 0:30:37 | 0:30:41 | |
It's a second to first world country, my opinion it is | 0:30:41 | 0:30:46 | |
a first world country, but then I'm a little bit prejudiced, | 0:30:46 | 0:30:50 | |
that way. | 0:30:50 | 0:30:51 | |
Here, come on. Let's get the ball. Come on. | 0:30:55 | 0:30:58 | |
Come on! | 0:31:07 | 0:31:08 | |
British businessman Benjamin Bowen is one of the hotel's most loyal guests. | 0:31:09 | 0:31:14 | |
He's currently living in the hotel indefinitely. | 0:31:17 | 0:31:20 | |
Come on! | 0:31:20 | 0:31:21 | |
As always, he is accompanied by his loyal companion, | 0:31:21 | 0:31:24 | |
a bichon frise named Lady Bella. | 0:31:24 | 0:31:27 | |
Ready? | 0:31:27 | 0:31:28 | |
That's my exercise for the day. | 0:31:34 | 0:31:36 | |
Show me the suite, to begin with, | 0:31:38 | 0:31:40 | |
then we can talk about what you're doing. | 0:31:40 | 0:31:43 | |
So, this is our living room and we have the most wonderful view, | 0:31:43 | 0:31:47 | |
when the sun is shining, of course, | 0:31:47 | 0:31:49 | |
of the Copacabana beach and there is usually lots of bodies on there. | 0:31:49 | 0:31:54 | |
-Not today, though. -Have you stayed here before? | 0:31:54 | 0:31:57 | |
I have stayed in this room before, yes. | 0:31:57 | 0:31:59 | |
17 years ago was the first time I stayed in this room. | 0:31:59 | 0:32:02 | |
-This is the living room. -That bicycle, presumably, isn't... | 0:32:02 | 0:32:06 | |
That doesn't come with the room, no. | 0:32:06 | 0:32:08 | |
That's when I'm trying to do my exercises. Um... | 0:32:08 | 0:32:12 | |
It doesn't get a lot of use, as you can probably see, but... | 0:32:14 | 0:32:17 | |
Is this four months' worth of luggage? | 0:32:18 | 0:32:20 | |
No, the rest is in storage, | 0:32:20 | 0:32:22 | |
otherwise I think it would look like I'm living in a shop. | 0:32:22 | 0:32:26 | |
But... | 0:32:26 | 0:32:27 | |
We are now going into the bedroom. | 0:32:28 | 0:32:31 | |
Is it true that when you arrived, | 0:32:32 | 0:32:34 | |
-the hotel had photographs of Bella or something, is that right? -Yeah. | 0:32:34 | 0:32:38 | |
I don't know where they got it from actually, but suddenly her | 0:32:38 | 0:32:40 | |
photograph is by the bedside. | 0:32:40 | 0:32:42 | |
What happens in here? Well... | 0:32:42 | 0:32:45 | |
This is a few of the clothes I have here, we sort of rotate them. | 0:32:46 | 0:32:51 | |
And, um, this is sort of where... We are waiting for the other clothes | 0:32:51 | 0:32:55 | |
to come back from laundry today. | 0:32:55 | 0:32:57 | |
Oh, and then I have my secret supply, of course - you can never leave | 0:32:57 | 0:33:01 | |
home without your Yorkshire tea, just in case you start to miss home. | 0:33:01 | 0:33:05 | |
But, actually, it hasn't had much action this time round. | 0:33:05 | 0:33:08 | |
-That's Bella's eau de parfum. -Your dog has eau de parfum? -Yeah. | 0:33:08 | 0:33:13 | |
-So, it's called Oh My Dog. -Oh My Dog? | 0:33:14 | 0:33:16 | |
HE CHUCKLES | 0:33:16 | 0:33:19 | |
-Is that something you brought with you? -Yeah! | 0:33:19 | 0:33:21 | |
You know, this was really smart. | 0:33:23 | 0:33:25 | |
They had her own little basket | 0:33:27 | 0:33:30 | |
and they've got her own shampoo | 0:33:30 | 0:33:35 | |
and conditioner, specially for - not only dog shampoo | 0:33:35 | 0:33:39 | |
but specially for white dogs. | 0:33:39 | 0:33:41 | |
-What, the hotel done this? -Yeah. -At your request? -No. No, no, no. | 0:33:41 | 0:33:46 | |
This was already... | 0:33:46 | 0:33:47 | |
And they did kindly have a cologne for her, | 0:33:47 | 0:33:51 | |
but, as you can see, it hasn't been much used | 0:33:51 | 0:33:54 | |
but Oh My Dog takes some beating, so that remains in situ. | 0:33:54 | 0:33:59 | |
You've stayed in some of the most famous hotels | 0:33:59 | 0:34:01 | |
in the world, The Commonwealth and The Four Seasons. | 0:34:01 | 0:34:05 | |
-This one is right up there, isn't it? -Oh, God, yeah. | 0:34:05 | 0:34:08 | |
What makes it so special, this hotel, for you, | 0:34:08 | 0:34:12 | |
that you'd want to come here for several months? | 0:34:12 | 0:34:16 | |
I think, erm... | 0:34:16 | 0:34:18 | |
You've got to make someone feel really comfortable and at home, | 0:34:20 | 0:34:23 | |
and that would be... | 0:34:23 | 0:34:26 | |
One would automatically assume that that happens | 0:34:26 | 0:34:28 | |
but that is actually very hard to do in reality. | 0:34:28 | 0:34:32 | |
You've got to get to know somebody and what they like, | 0:34:32 | 0:34:37 | |
what they don't like, the staff and... | 0:34:37 | 0:34:40 | |
And to make someone really comfortable, I mean, | 0:34:40 | 0:34:43 | |
the other night it was raining, I was tired...and I wanted soup. | 0:34:43 | 0:34:47 | |
And I didn't want to answer the door, I wanted to lay in bed | 0:34:47 | 0:34:50 | |
and watch a DVD and that's exactly what I did. | 0:34:50 | 0:34:53 | |
And that's comfort. | 0:34:53 | 0:34:56 | |
Is what you are buying here not just the chrysanthemums | 0:34:56 | 0:34:59 | |
and the facilities and the high-class fixtures | 0:34:59 | 0:35:04 | |
and fittings, are you buying a whole kind of world of...a community? | 0:35:04 | 0:35:09 | |
You're part of... | 0:35:10 | 0:35:13 | |
You become part of the room. | 0:35:13 | 0:35:15 | |
The suite. You are the room. | 0:35:15 | 0:35:18 | |
You step out of an elevator, you end up knowing every single doorman, | 0:35:18 | 0:35:22 | |
every single security guard. You know their shift patterns. | 0:35:22 | 0:35:25 | |
You know who's off on what days. Erm... | 0:35:25 | 0:35:28 | |
You become sort of really one of them, in a way, | 0:35:28 | 0:35:32 | |
but except you're obviously dialling zero and they're not. | 0:35:32 | 0:35:36 | |
They're not dialling zero but it's comfort, really. | 0:35:37 | 0:35:43 | |
INDISTINCT CONVERSATION | 0:35:56 | 0:35:59 | |
Bye-bye. | 0:36:00 | 0:36:02 | |
-See you later. -See you later! Have a nice day. | 0:36:02 | 0:36:06 | |
Below stairs, Head of Housekeeping Graziela Vieira | 0:36:29 | 0:36:32 | |
is preparing her army of maids for the day ahead. | 0:36:32 | 0:36:34 | |
Vivianne Eloy is one of the 60 maids who maintain the hotel's | 0:37:58 | 0:38:02 | |
pristine rooms. | 0:38:02 | 0:38:03 | |
She has worked here for two years. | 0:38:05 | 0:38:07 | |
The neighbourhood where Vivienne lives was once the most | 0:40:32 | 0:40:35 | |
notorious favela in the whole city ruled by violent druglords. | 0:40:35 | 0:40:40 | |
Following the announcement that Brazil was to host the World Cup, | 0:40:40 | 0:40:43 | |
the government launched a series of operations | 0:40:43 | 0:40:46 | |
to clean up Rocinha and some of the other favelas. | 0:40:46 | 0:40:48 | |
This area has now officially been pacified | 0:40:49 | 0:40:52 | |
and brought under police control. | 0:40:52 | 0:40:55 | |
More than 70,000 people live in this favela. | 0:41:11 | 0:41:13 | |
Open sewers run under the narrow alleyways. | 0:41:15 | 0:41:17 | |
Despite Brazil's economic growth, | 0:41:19 | 0:41:21 | |
one in five of the population still live below the poverty line. | 0:41:21 | 0:41:25 | |
Away from the main roads, | 0:41:38 | 0:41:39 | |
crime and violence is still a problem in the favela. | 0:41:39 | 0:41:42 | |
Recent gun battles between police | 0:41:42 | 0:41:44 | |
and drug dealers have terrified the local residents. | 0:41:44 | 0:41:47 | |
Vivienne is a single mum who lives with her three children in one room. | 0:41:50 | 0:41:55 | |
In recent years, life has improved for Brazil's urban poor. | 0:44:01 | 0:44:05 | |
There is now electricity and running water in most favelas. | 0:44:05 | 0:44:08 | |
But Vivienne still has to get by on just under £70 a week. | 0:44:08 | 0:44:12 | |
The wealth that Vivienne sees every day at work | 0:45:14 | 0:45:17 | |
emphasises the stark contrasts of the new Brazil. | 0:45:17 | 0:45:20 | |
With more billionaires than Britain or France, Brazil has one | 0:46:08 | 0:46:11 | |
of the biggest gaps between rich and poor of any major country on earth. | 0:46:11 | 0:46:17 | |
These inequalities have brought widespread social unrest. | 0:46:17 | 0:46:20 | |
In recent months, there have been protests about government | 0:46:24 | 0:46:26 | |
corruption and the price of transport and education. | 0:46:26 | 0:46:30 | |
But there is little sign of this among the guests | 0:46:33 | 0:46:35 | |
of the Copacabana Palace. | 0:46:35 | 0:46:38 | |
The hotel is adapting its old world opulence for the new, wealthy | 0:46:38 | 0:46:41 | |
Brazilian clientele. | 0:46:41 | 0:46:43 | |
The latest addition is a new Asian restaurant. | 0:46:45 | 0:46:48 | |
In charge of the project is Japanese Brazilian Felipe Ishihama. | 0:46:51 | 0:46:55 | |
The Asian restaurant doesn't have a name yet | 0:46:58 | 0:47:00 | |
so we are thinking about it to create a very nice name, very strong names. | 0:47:00 | 0:47:05 | |
This is the amazing bar with our sushi men which will be placed just right here. | 0:47:05 | 0:47:12 | |
We stole him... He stole them! | 0:47:12 | 0:47:15 | |
Been poaching people, have you? | 0:47:16 | 0:47:18 | |
Yeah, we took them from Sao Paulo from one of the best | 0:47:18 | 0:47:23 | |
restaurants in Sao Paulo, but originally they are from Japan. | 0:47:23 | 0:47:26 | |
So, for me, this is a privilege. | 0:47:28 | 0:47:32 | |
This is one of the biggest bars in the city | 0:47:32 | 0:47:36 | |
and to manage this bar, for me, I am very honoured | 0:47:36 | 0:47:40 | |
because it is a privilege because it will be the best. | 0:47:40 | 0:47:46 | |
I know my guests, I have been working in Rio for two years already | 0:47:46 | 0:47:50 | |
so my public was all very young, wealthy, | 0:47:50 | 0:47:54 | |
part of the elite of the city so speaking with them, | 0:47:54 | 0:47:59 | |
they are all excited for the opening of this restaurant | 0:47:59 | 0:48:04 | |
because there doesn't have in the city a restaurant like this | 0:48:04 | 0:48:08 | |
here in Rio. | 0:48:08 | 0:48:10 | |
So, this is our decoration. | 0:48:10 | 0:48:12 | |
It's not the original one yet | 0:48:12 | 0:48:15 | |
but it will be the same but the original, bigger. | 0:48:15 | 0:48:19 | |
It was very expensive, I heard! She has a very nice... | 0:48:19 | 0:48:25 | |
I think spirit inside of her. | 0:48:25 | 0:48:28 | |
And if you get closer to her, you can see a tiger. | 0:48:28 | 0:48:32 | |
Because we believe, in Asian culture, that all women | 0:48:32 | 0:48:35 | |
and every person, there's a tiger inside of you. | 0:48:35 | 0:48:39 | |
Look, I will show you where is the tiger, OK? | 0:48:39 | 0:48:43 | |
The tiger is just right here. | 0:48:43 | 0:48:45 | |
You can see the nose and these eyes here, look. | 0:48:45 | 0:48:48 | |
As a restaurant manager, Felipe isn't one of Rio's super rich. | 0:48:57 | 0:49:00 | |
He is part of a growing middle class that is changing the face of Brazil. | 0:49:03 | 0:49:07 | |
Instead of a swanky apartment, | 0:49:09 | 0:49:11 | |
he has chosen to live on the edge of one of Rio's favelas. | 0:49:11 | 0:49:15 | |
Ten years ago there was guns, there were shootings, | 0:49:16 | 0:49:18 | |
it was very dangerous here. At that time, I couldn't... | 0:49:18 | 0:49:23 | |
I would not risk myself. | 0:49:23 | 0:49:25 | |
But nowadays, wow, it is a different kind of lifestyle. | 0:49:25 | 0:49:30 | |
Many of my friends, they tell me, | 0:49:30 | 0:49:33 | |
"Felipe, why are you living there? You are crazy." | 0:49:33 | 0:49:37 | |
I would not live here if I wouldn't feel respected, if I wouldn't feel safe. | 0:49:37 | 0:49:43 | |
Around 40 of the city's estimated 600 favelas have been brought | 0:49:43 | 0:49:47 | |
under control by police. | 0:49:47 | 0:49:49 | |
In this neighbourhood, the effect has been dramatic. | 0:49:50 | 0:49:54 | |
The area is now being gentrified. | 0:49:54 | 0:49:56 | |
The levels of society are becoming almost the same. | 0:49:56 | 0:50:01 | |
There is no more, like, these divisions that we had ten years ago | 0:50:01 | 0:50:05 | |
of the real rich and the very poor class. | 0:50:05 | 0:50:09 | |
Before, the middle class didn't exist too much. | 0:50:09 | 0:50:11 | |
It was very rich or very poor. | 0:50:11 | 0:50:13 | |
For example, here in the favela, | 0:50:13 | 0:50:16 | |
a lot of people that live here, it's not who are poor people, | 0:50:16 | 0:50:20 | |
because even the woman who I rent the house from, my landlord, | 0:50:20 | 0:50:26 | |
her sons are working for big companies and they just live here. | 0:50:26 | 0:50:30 | |
I feel, and it is true, that you have less poverty | 0:50:38 | 0:50:43 | |
and you have much more middle class now. | 0:50:43 | 0:50:47 | |
As I am working in this hotel for almost 20 years, I remember | 0:50:47 | 0:50:52 | |
years ago that people struggled to buy a fridge, to buy a TV. | 0:50:52 | 0:50:59 | |
Today everybody in the hotel has a mobile phone. | 0:50:59 | 0:51:02 | |
So life for the Brazilians is easier, much easier than years ago. | 0:51:04 | 0:51:09 | |
It makes me happy and, again, we can see that poverty is low. | 0:51:09 | 0:51:16 | |
People are having the possibility to organise their lives much | 0:51:16 | 0:51:22 | |
better than years ago. | 0:51:22 | 0:51:23 | |
Every month, Andrea organises a breakfast to reward her staff. | 0:51:23 | 0:51:28 | |
THEY LAUGH | 0:52:11 | 0:52:14 | |
With the new Asian restaurant opening soon, | 0:52:16 | 0:52:19 | |
manager Felipe is on a recruitment drive. | 0:52:19 | 0:52:21 | |
Tell me an experience, for example, | 0:52:39 | 0:52:42 | |
that you said about anticipating the needs and wants of our guests. | 0:52:42 | 0:52:47 | |
There was a guest and you couldn't make him happy, make them | 0:52:47 | 0:52:51 | |
happy just on anticipating their service. | 0:52:51 | 0:52:55 | |
Yes. | 0:52:55 | 0:52:56 | |
So, when I was working at another hotel, you know, there was | 0:52:56 | 0:53:02 | |
a woman, a polite woman, and I know her name. | 0:53:02 | 0:53:10 | |
And I know what her favourite food and her favourite drink, | 0:53:10 | 0:53:15 | |
-and when I saw her... -Her passing around? | 0:53:15 | 0:53:19 | |
Her passing around me. | 0:53:19 | 0:53:22 | |
I told her, "Please, have a seat. Let me assist you. | 0:53:22 | 0:53:29 | |
"It is a pleasure to serve you again." | 0:53:29 | 0:53:32 | |
Guests nowadays don't need to order any more. | 0:53:32 | 0:53:35 | |
They need to be remembered, they want to be valuable, | 0:53:35 | 0:53:39 | |
they want to feel valuable. | 0:53:39 | 0:53:42 | |
-They want to feel... -Important. -..special, important. | 0:53:42 | 0:53:46 | |
Because they are. | 0:53:46 | 0:53:47 | |
They are the ones who make our dream come true, of working | 0:53:47 | 0:53:52 | |
in a luxury place, in a luxury hotel, in a five-star hotel, pay our bills. | 0:53:52 | 0:53:59 | |
So they are the ones who help us. | 0:53:59 | 0:54:03 | |
LIFT PINGS | 0:54:03 | 0:54:05 | |
I have a very special guest in house. | 0:54:11 | 0:54:14 | |
So he is very regular, very important for us, as all the others. | 0:54:14 | 0:54:18 | |
It is his birthday today, | 0:54:18 | 0:54:21 | |
we are going to have a special party for him. | 0:54:21 | 0:54:25 | |
Everybody is coming around five o'clock, 5:30. Of course I am here. | 0:54:34 | 0:54:39 | |
I am looking after everything. | 0:54:39 | 0:54:42 | |
SHE LAUGHS | 0:54:42 | 0:54:44 | |
Really? Wishing you a happy birthday? Oh, my God. | 0:54:45 | 0:54:50 | |
He knows we are preparing something special for him. | 0:54:54 | 0:54:57 | |
-But he doesn't know who is invited. -Who is invited? | 0:54:59 | 0:55:03 | |
We have some other guests that he met this weekend, | 0:55:03 | 0:55:07 | |
some others he met before. | 0:55:07 | 0:55:09 | |
Some people from our staff as well. | 0:55:09 | 0:55:13 | |
Raining. | 0:55:25 | 0:55:27 | |
-A lovely day in Rio! -Yeah! | 0:55:27 | 0:55:29 | |
THUNDER ROLLS | 0:55:29 | 0:55:32 | |
Hello. Happy birthday. | 0:55:36 | 0:55:40 | |
APPLAUSE | 0:55:41 | 0:55:44 | |
-Perfect. Thank you. -This is nice! | 0:55:50 | 0:55:53 | |
Thank you so much. | 0:55:55 | 0:55:56 | |
SHE SPEAKS PORTUGUESE | 0:55:56 | 0:56:00 | |
THEY SING "HAPPY BIRTHDAY TO YOU" IN PORTUGUESE | 0:56:02 | 0:56:06 | |
CHEERING | 0:56:21 | 0:56:23 | |
It is the opening night of the hotel's new Asian restaurant. | 0:56:34 | 0:56:39 | |
The restaurant is the latest | 0:56:54 | 0:56:56 | |
chapter in the story of the Copacabana Palace, | 0:56:56 | 0:56:59 | |
as it adapts to Brazil's new reality. | 0:56:59 | 0:57:01 | |
The money is in the new hands now. | 0:57:03 | 0:57:05 | |
So we have new people, new guests, thank God, | 0:57:05 | 0:57:08 | |
young people coming to the hotel. | 0:57:08 | 0:57:11 | |
People that are just discovering the hotel. | 0:57:14 | 0:57:17 | |
People that want to be here | 0:57:17 | 0:57:18 | |
because they know that someone famous was here. | 0:57:18 | 0:57:21 | |
Or they want to come here | 0:57:23 | 0:57:25 | |
because they are curious about what happened in this hotel. | 0:57:25 | 0:57:29 | |
We are the only hotel that has a history to tell. | 0:57:29 | 0:57:33 | |
And the history of this grand old hotel has mirrored the highs | 0:57:35 | 0:57:40 | |
and lows of the whole country's fortunes. | 0:57:40 | 0:57:44 | |
The strategy is to be always the best hotel in Brazil. | 0:57:47 | 0:57:51 | |
That is what we want to be, that is | 0:57:53 | 0:57:56 | |
the position we want to keep for ever, of course. | 0:57:56 | 0:57:59 | |
MUSIC: "Mas Que Nada" by Sergio Mendes feat. The Black Eyed Peas | 0:57:59 | 0:58:03 |