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Every day we give thousands of bags of our old clothes away to | 0:00:08 | 0:00:12 | |
charity shops, and I'm on a journey to find out what happens to it all. | 0:00:12 | 0:00:17 | |
It's like being at the January sales, it's incredible! | 0:00:17 | 0:00:20 | |
Oh, no, I've got move! It's non-stop, there's another truck. | 0:00:20 | 0:00:24 | |
Most of us think it's put on racks in charity shops and sold, | 0:00:25 | 0:00:28 | |
but loads of it actually ends up thousands of miles away | 0:00:28 | 0:00:32 | |
here in Africa. | 0:00:32 | 0:00:33 | |
-It's good stuff? -It's the best quality. | 0:00:33 | 0:00:36 | |
Ralph Lauren, wow. | 0:00:36 | 0:00:38 | |
Even though we give away our second-hand clothes for free, | 0:00:38 | 0:00:41 | |
some of the world's poorest people pay good money for them. | 0:00:41 | 0:00:44 | |
And they can't get them quick enough. | 0:00:45 | 0:00:47 | |
But with cheap western clothes flooding the market, | 0:00:49 | 0:00:52 | |
the local clothing industry has been decimated. | 0:00:52 | 0:00:55 | |
From the olden days, this place has been a dumping ground. | 0:00:55 | 0:00:58 | |
When are we going to stop it? | 0:00:58 | 0:01:00 | |
It is killing our culture. | 0:01:00 | 0:01:02 | |
You might have forgotten about them, | 0:01:05 | 0:01:07 | |
but your old cast-offs have a secret life. | 0:01:07 | 0:01:10 | |
In Britain we spend £60 billion on new clothes every year. | 0:01:19 | 0:01:24 | |
Disposable fashion, made by cheap foreign labour, costs less | 0:01:26 | 0:01:29 | |
than ever, and we're buying more and more of it. | 0:01:29 | 0:01:32 | |
I know I've got too many clothes, but as the fashions change | 0:01:35 | 0:01:39 | |
each month so does my wardrobe, and I make space for the new stuff | 0:01:39 | 0:01:42 | |
by giving my old things away to charity. | 0:01:42 | 0:01:45 | |
I always thought that those clothes were sold in the charity shops. | 0:01:46 | 0:01:50 | |
But I was wrong, | 0:01:50 | 0:01:51 | |
in fact charity shops can only sell a fraction of what's been donated. | 0:01:51 | 0:01:55 | |
Most of our unwanted clothes actually get sold | 0:01:58 | 0:02:01 | |
to recycling businesses, like this one in the Midlands. | 0:02:01 | 0:02:04 | |
-Hello, how are you? -Very good. | 0:02:08 | 0:02:10 | |
-I'm Paul Robinson. How you doing? -I'm Ade. What is going on here? | 0:02:10 | 0:02:14 | |
This has just come back from a charity shop, Salvation Army, RSPCA. | 0:02:14 | 0:02:18 | |
This is all what they can't sell in the shop, we buy it off them. | 0:02:18 | 0:02:21 | |
Businesses like Paul's pay around £500 per tonne | 0:02:23 | 0:02:26 | |
to buy their donated clothes. | 0:02:26 | 0:02:29 | |
That money goes to the charities we want to support. | 0:02:29 | 0:02:33 | |
And this is all the stuff that we give away. | 0:02:33 | 0:02:35 | |
-Yes. Unbelievable isn't it? -It is unbelievable. | 0:02:35 | 0:02:39 | |
And that's every day, five days a week. | 0:02:39 | 0:02:41 | |
These are all handbags. | 0:02:41 | 0:02:43 | |
My girlfriend's got a pair of shoes like this. Look at that. | 0:02:43 | 0:02:47 | |
There's nothing wrong with them. | 0:02:47 | 0:02:49 | |
No. Probably out of fashion, I don't know. | 0:02:49 | 0:02:51 | |
They obviously couldn't sell it in the shop, that's why we've got it. | 0:02:51 | 0:02:54 | |
That's from Salvation Army. | 0:02:54 | 0:02:56 | |
I never ever thought about it, it didn't cross my mind, | 0:02:56 | 0:02:59 | |
what do they do with the stuff that they don't sell. | 0:02:59 | 0:03:01 | |
-I just thought they just sold everything. -No. | 0:03:01 | 0:03:03 | |
Wholesalers like this are just the first stage in a journey | 0:03:05 | 0:03:08 | |
that can take our clothes thousands of miles. | 0:03:08 | 0:03:12 | |
So when I'm driving down the motorway | 0:03:12 | 0:03:14 | |
and I see one of these big trucks, you know the last thing | 0:03:14 | 0:03:18 | |
I'd think in my mind is that it would be full of clothes. | 0:03:18 | 0:03:21 | |
All these clothes are going abroad, and there's one country that | 0:03:21 | 0:03:24 | |
imports more of our old cast-offs than any other. | 0:03:24 | 0:03:28 | |
SONG: "Birth Of Ghana" by Lord Kitchener | 0:03:33 | 0:03:36 | |
# Ghana is the name | 0:03:41 | 0:03:42 | |
# We wish to proclaim | 0:03:43 | 0:03:45 | |
# We will be jolly, merry and gay | 0:03:45 | 0:03:47 | |
# The 6th of March, Independence Day... # | 0:03:47 | 0:03:50 | |
Every year 30,000 tonnes of used clothing from Britain | 0:03:50 | 0:03:55 | |
arrives here, in Accra, the capital of Ghana. | 0:03:55 | 0:03:58 | |
# The national flag is a lovely scene | 0:04:00 | 0:04:03 | |
#With beautiful colours, red, gold and green... # | 0:04:03 | 0:04:05 | |
Everywhere as far as the eye can see is bales of clothes. | 0:04:05 | 0:04:10 | |
Oh, my word! That shirt that you gave away last week, | 0:04:12 | 0:04:16 | |
or those trousers or those unwanted shoes, have ended up here. | 0:04:16 | 0:04:22 | |
The wholesale market here is dominated by Ghana's | 0:04:26 | 0:04:28 | |
biggest importers. They do deals with British traders like Paul | 0:04:28 | 0:04:33 | |
to ship thousands of bales into the country every three days. | 0:04:33 | 0:04:37 | |
In Ghana you have a special name for the second-hand clothes? | 0:04:43 | 0:04:47 | |
-I keep hearing people saying, erm... -Obroni wawu. | 0:04:47 | 0:04:51 | |
What does, obroni wawu, what does it mean? | 0:04:51 | 0:04:53 | |
Like white man's dead clothes, no? Obroni wawu. | 0:04:53 | 0:04:58 | |
Eric Forson is one of Ghana's new breed of wholesalers, | 0:04:58 | 0:05:01 | |
feeding a huge demand for dead white man's clothes. | 0:05:01 | 0:05:06 | |
So why do people in Ghana love obroni wawu so much? | 0:05:06 | 0:05:09 | |
I mean, all of this madness that's going on here... | 0:05:09 | 0:05:13 | |
Concentrates on obroni wawu. | 0:05:13 | 0:05:14 | |
..is because of obroni wawu. What's this all about? | 0:05:14 | 0:05:16 | |
OK, it depends on what a person wants to buy, but obroni wawu goes | 0:05:16 | 0:05:20 | |
faster because it's a little bit cheaper for the masses to afford. | 0:05:20 | 0:05:26 | |
Like having 50 Ghanaian in pocket, you go to the market | 0:05:26 | 0:05:28 | |
and buy a lot of shirts, but when you go to the shop you buy only one | 0:05:28 | 0:05:31 | |
or two shirts, | 0:05:31 | 0:05:33 | |
whereby I prefer to go to the market and buy the used ones. | 0:05:33 | 0:05:37 | |
So all of the stuff you get is from the UK? | 0:05:37 | 0:05:39 | |
The United Kingdom, yes. | 0:05:39 | 0:05:40 | |
We used to get some from Manchester, sometime we go to Leeds, | 0:05:40 | 0:05:46 | |
sometimes we go to Coventry. This is UK from Birmingham. | 0:05:46 | 0:05:50 | |
-Birmingham? -Birmingham. | 0:05:51 | 0:05:52 | |
So why do you choose to get your stuff from the UK in particular? | 0:05:52 | 0:05:56 | |
In terms of second-hand clothing, the UK stuffs are best | 0:05:56 | 0:05:59 | |
and they mainly imported more than the other stuffs. | 0:05:59 | 0:06:03 | |
-So what about yourself, are you wearing obroni wawu? -Yes. | 0:06:03 | 0:06:06 | |
-All of this? -I do, yeah. | 0:06:06 | 0:06:08 | |
-What's the make of your shirt? -It's Marks & Spencer | 0:06:08 | 0:06:12 | |
Marks & Spencer shirt, and your trousers? | 0:06:12 | 0:06:15 | |
-Calvin Klein. -That is an interesting combination, | 0:06:15 | 0:06:18 | |
because in the UK I couldn't imagine seeing someone wearing | 0:06:18 | 0:06:21 | |
Calvin Klein trousers with Marks & Spencer shirt, no disrespect. | 0:06:21 | 0:06:26 | |
But it happens like that sometimes. | 0:06:26 | 0:06:28 | |
The clothes that we give away may be of no value to us any more, | 0:06:31 | 0:06:35 | |
but here they've created a whole new economy. | 0:06:35 | 0:06:37 | |
On a good day, your best day of buying these bales, | 0:06:45 | 0:06:49 | |
how much money did you make? | 0:06:49 | 0:06:51 | |
100,000 Ghana cedis? Which is about £25,000? | 0:06:59 | 0:07:03 | |
-In one day? -Yes. | 0:07:05 | 0:07:07 | |
I can't believe the figures that are involved in second-hand clothes, | 0:07:25 | 0:07:28 | |
and he's probably one of thousands of traders all over this country | 0:07:28 | 0:07:33 | |
that's making money out of the clothes that we don't want to use. | 0:07:33 | 0:07:37 | |
Asiedu is the next link in the chain. | 0:07:47 | 0:07:50 | |
He comes to the market to buy clothes on the day new bales arrive. | 0:07:50 | 0:07:53 | |
Asiedu selects the best clothes to sell in his designer boutique. | 0:07:59 | 0:08:04 | |
What's the best item of clothing you've found? | 0:08:04 | 0:08:07 | |
And Paul Boateng is a high, high label, and you found that? | 0:08:11 | 0:08:15 | |
Yes. So many, many shirts. This one Ben Sherman. | 0:08:15 | 0:08:20 | |
It's funny to be so far away from the UK and to see Ben Sherman. | 0:08:20 | 0:08:24 | |
-You prefer the UK? -Yeah. | 0:08:31 | 0:08:33 | |
Why do you prefer UK? | 0:08:33 | 0:08:34 | |
-OK, so you like the slim fitting? -The slim, slim fit. | 0:08:42 | 0:08:45 | |
So if you eat too much pounded yam then you wear USA? | 0:08:45 | 0:08:49 | |
-Yes, but we don't like it! -OK, I understand. | 0:08:49 | 0:08:52 | |
For reasons of hygiene, selling used underwear is banned in Ghana. | 0:08:56 | 0:08:59 | |
But the rules don't seem to have had much effect. | 0:08:59 | 0:09:02 | |
These are boxer shorts, are they second hand? | 0:09:03 | 0:09:06 | |
All the clothes are divided into first, second and third class items. | 0:09:21 | 0:09:26 | |
The customers for Asiedu's top-end designer gear are mostly | 0:09:26 | 0:09:29 | |
Accra's hip young urbanites who've got money to spend. | 0:09:29 | 0:09:33 | |
Because almost everybody in Ghana wears obroni wawu, | 0:09:33 | 0:09:36 | |
even better off people. | 0:09:36 | 0:09:38 | |
-Marks & Spencer. Blue Harbour -And this? | 0:09:43 | 0:09:46 | |
-First class. -This is first class? | 0:09:46 | 0:09:48 | |
Yeah. We use the name for the first class. | 0:09:48 | 0:09:52 | |
So the label and the name makes it first class. | 0:09:52 | 0:09:55 | |
Poorer Ghanaians buy the second and third class clothes, | 0:09:56 | 0:10:00 | |
which are older or damaged. | 0:10:00 | 0:10:02 | |
Can you show me a second class T-shirt then? | 0:10:03 | 0:10:05 | |
So this is second class because of the arm. | 0:10:08 | 0:10:12 | |
This is really, really interesting. | 0:10:12 | 0:10:14 | |
Now this is George, I think that's a make from ASDA. | 0:10:14 | 0:10:17 | |
It was in Mind for £5. | 0:10:17 | 0:10:21 | |
-And is there 3rd class then? -We have 3rd class. | 0:10:21 | 0:10:24 | |
This is 3rd class? | 0:10:24 | 0:10:25 | |
I don't know price.... Price would go low. | 0:10:25 | 0:10:28 | |
This is low. | 0:10:28 | 0:10:29 | |
And what about myself? Is this first class? Be careful! | 0:10:33 | 0:10:38 | |
No idea, no idea. | 0:10:38 | 0:10:39 | |
No idea! | 0:10:40 | 0:10:41 | |
The cheek of it! | 0:10:42 | 0:10:44 | |
I'm going, man. | 0:10:44 | 0:10:46 | |
Man's just laughing at my clothes. | 0:10:47 | 0:10:49 | |
The second-hand clothes trade in Ghana is worth £50 million a year, | 0:10:55 | 0:10:59 | |
and Accra is only the first stop on the journey of our old cast-offs. | 0:10:59 | 0:11:03 | |
To find out what happens next, I needed to head north. | 0:11:05 | 0:11:08 | |
One, two, three! | 0:11:08 | 0:11:09 | |
A lot of the clothes that I saw being bought and sold | 0:11:25 | 0:11:28 | |
in Accra market get moved on to other places around the country, | 0:11:28 | 0:11:31 | |
and one of the main cities that they end up in is Kumasi. | 0:11:31 | 0:11:35 | |
I was heading into Ghana's Ashanti region, one of the most famous | 0:11:42 | 0:11:46 | |
ancient kingdoms of Africa. | 0:11:46 | 0:11:48 | |
Its power was built on trading gold which is still mined in the | 0:11:52 | 0:11:56 | |
area today, and is why this part of Africa is known as the Gold Coast. | 0:11:56 | 0:12:00 | |
The commercial heart of this area is Kumasi, | 0:12:12 | 0:12:15 | |
home to West Africa's biggest market. | 0:12:15 | 0:12:17 | |
This is where I caught up with the bales of clothes that had | 0:12:19 | 0:12:21 | |
been driven up from Accra. | 0:12:21 | 0:12:23 | |
Trucks everywhere! And there's even more round the corner here. | 0:12:30 | 0:12:34 | |
It's a never-ending supply of trucks. | 0:12:35 | 0:12:38 | |
If you didn't know it you'd think a precious supply of gold | 0:12:42 | 0:12:45 | |
had arrived, not our second-hand clothes. | 0:12:45 | 0:12:48 | |
There are hundreds of wholesalers in Kumasi, who buy bales of clothes | 0:12:49 | 0:12:53 | |
directly from the big importers in the capital. | 0:12:53 | 0:12:57 | |
-So you buy the stuff from Accra? -Yes. | 0:12:57 | 0:12:59 | |
Do you go to Accra? | 0:12:59 | 0:13:01 | |
And how much stuff do you buy? | 0:13:01 | 0:13:03 | |
Bales? | 0:13:05 | 0:13:06 | |
The wholesalers here sell the clothes on to smaller traders | 0:13:08 | 0:13:11 | |
who buy a few bales each to take to market. | 0:13:11 | 0:13:14 | |
Each bale can cost up to £40, and these women are supposed to buy them | 0:13:23 | 0:13:27 | |
sight unseen, so they're taking a big risk every time they buy. | 0:13:27 | 0:13:31 | |
They'll only make a profit if the clothes they end up with | 0:13:33 | 0:13:36 | |
are clean and in good condition, so tensions often spill over. | 0:13:36 | 0:13:40 | |
There's an argument over the bales. | 0:14:10 | 0:14:13 | |
This lady has ordered one type of bale, but she feels she's received | 0:14:13 | 0:14:17 | |
the wrong type of bale. | 0:14:17 | 0:14:18 | |
I expected that to happen because just look at this place, look at it. | 0:14:18 | 0:14:23 | |
This to me is business in the rawest sense. | 0:14:39 | 0:14:44 | |
What's the problem? | 0:14:49 | 0:14:50 | |
So what's the matter with the stuff? | 0:14:56 | 0:14:58 | |
Investing your money in these bales is a gamble for a lot of these | 0:15:03 | 0:15:06 | |
people because they don't know what's in there. | 0:15:06 | 0:15:09 | |
You know, you could get a top quality pair of pants, | 0:15:09 | 0:15:12 | |
you could get high fashionable jeans or you could get a load of rubbish. | 0:15:12 | 0:15:17 | |
So it's a massive risk, so to me | 0:15:17 | 0:15:19 | |
I suppose that's the reason why the emotions run so high. | 0:15:19 | 0:15:22 | |
The scale of the trade is truly staggering, | 0:15:37 | 0:15:40 | |
and I wanted to understand the impact it is having on Ghana. | 0:15:40 | 0:15:43 | |
So the next morning I took a deep breath | 0:15:44 | 0:15:46 | |
and headed into Kumasi market, probably the world's biggest hub | 0:15:46 | 0:15:50 | |
for second-hand clothes. | 0:15:50 | 0:15:52 | |
The great thing about this place is it's so vibrant, | 0:15:54 | 0:15:57 | |
even at this time in the morning there's always something going on. | 0:15:57 | 0:16:00 | |
More than half of all the clothes bought in Ghana | 0:16:03 | 0:16:06 | |
are cast-offs from Europe and America. | 0:16:06 | 0:16:09 | |
And across Africa, second-hand garments have literally | 0:16:09 | 0:16:12 | |
flooded the market. | 0:16:12 | 0:16:14 | |
There's second-hand shoes everywhere, and I guarantee | 0:16:14 | 0:16:18 | |
if at any point in your life you've given away second-hand clothes | 0:16:18 | 0:16:22 | |
to a charity shop or anywhere, it's probably come through this market. | 0:16:22 | 0:16:26 | |
These sellers are trading straight off the side of the pavement, | 0:16:29 | 0:16:33 | |
running what are known locally as "bend down boutiques." | 0:16:33 | 0:16:36 | |
-Do you sell these shoes? -Yes. | 0:16:38 | 0:16:40 | |
Where did you get the shoes from? | 0:16:40 | 0:16:42 | |
This is all from Britain? How do you find the pairs? | 0:16:43 | 0:16:47 | |
I see one trainer, this is the right foot, where's the other one? | 0:16:49 | 0:16:52 | |
Oh, so this is your security system? | 0:17:03 | 0:17:05 | |
So if you lay them all out and you don't lay them | 0:17:05 | 0:17:08 | |
-in pairs no-one can steal, unless they have odd shoes. -Yeah. | 0:17:08 | 0:17:11 | |
So if you see someone walking with odd shoes that means they've | 0:17:11 | 0:17:14 | |
-stolen your trainers. -Yes. | 0:17:14 | 0:17:16 | |
Visiting an African market is an experience in itself | 0:17:27 | 0:17:30 | |
cos when you look around you see what's going, | 0:17:30 | 0:17:33 | |
there's a vibrancy and you can buy absolutely anything here. | 0:17:33 | 0:17:39 | |
Most of it, if not all of it, is second hand, you know? | 0:17:39 | 0:17:43 | |
They haven't got the same hang-ups that we have over second-hand stuff. | 0:17:43 | 0:17:49 | |
Everywhere you look something is being sold or bought, | 0:17:49 | 0:17:53 | |
and that's life here in Africa. | 0:17:53 | 0:17:55 | |
Oh, my days! Look at that! | 0:17:59 | 0:18:04 | |
As far as the eye can see it's just market stalls and traders. | 0:18:04 | 0:18:08 | |
I'm going in, I'm going in... | 0:18:10 | 0:18:13 | |
20 years ago this was a normal market, and second-hand clothes | 0:18:13 | 0:18:17 | |
were sold alongside the more traditional West African textiles. | 0:18:17 | 0:18:20 | |
Ghana's well known for its brightly coloured clothes, | 0:18:23 | 0:18:26 | |
but the explosion in disposable fashion in the rich world | 0:18:26 | 0:18:29 | |
has caused a revolution here. | 0:18:29 | 0:18:31 | |
There are now thousands of stalls selling our old cast-offs, | 0:18:46 | 0:18:50 | |
swamping the traditional African garments. | 0:18:50 | 0:18:53 | |
So tight in here! | 0:18:53 | 0:18:55 | |
Recycled clothes have taken over from local dress, | 0:19:01 | 0:19:05 | |
even on some of life's most traditional occasions. | 0:19:05 | 0:19:09 | |
Hello, what have you got here? | 0:19:09 | 0:19:11 | |
What are these? | 0:19:11 | 0:19:13 | |
This one is wedding dress. | 0:19:13 | 0:19:15 | |
Wedding dress. So these are second-hand wedding dresses? | 0:19:15 | 0:19:19 | |
-Yes. -Can we have a look? | 0:19:19 | 0:19:21 | |
Second-hand wedding dress. | 0:19:21 | 0:19:23 | |
That's beautiful. | 0:19:24 | 0:19:25 | |
And do people in Ghana, do they love buying the second-hand | 0:19:25 | 0:19:28 | |
-wedding dresses? -Yes. | 0:19:28 | 0:19:29 | |
-So at a Ghanaian wedding they would wear one of these dresses? -Yes. | 0:19:29 | 0:19:32 | |
How much would one of these cost? | 0:19:32 | 0:19:35 | |
This cost 50 Ghana cedis. | 0:19:35 | 0:19:39 | |
So that's like £10-15 for one of these dresses. | 0:19:39 | 0:19:44 | |
This is like the boutique end of the market, you know. | 0:19:57 | 0:19:59 | |
You know, it's like the equivalent of Bond Street. | 0:19:59 | 0:20:02 | |
You can see some of the shops | 0:20:02 | 0:20:03 | |
are slightly more marbled and more expensive stuff. | 0:20:03 | 0:20:06 | |
Look at this. | 0:20:06 | 0:20:08 | |
Hello, how you doing? | 0:20:08 | 0:20:10 | |
-Good. -What have you got here? | 0:20:10 | 0:20:12 | |
-You've got some big coats here. -Yeah. | 0:20:12 | 0:20:14 | |
Where are the coats from, which country? | 0:20:14 | 0:20:16 | |
-England. -England? -Yeah. | 0:20:16 | 0:20:18 | |
So who on earth would buy these coats, | 0:20:18 | 0:20:20 | |
they're so hot and warm in Ghana? | 0:20:20 | 0:20:22 | |
They take to travel. | 0:20:22 | 0:20:24 | |
They take to travel? | 0:20:24 | 0:20:25 | |
So these coats are obroni wawu, | 0:20:25 | 0:20:27 | |
-they're second-hand, they come from Europe. -Yeah. -To Ghana? | 0:20:27 | 0:20:30 | |
And then back to Europe. | 0:20:30 | 0:20:32 | |
-And then back to Europe again. Full circle. -Yeah. | 0:20:32 | 0:20:35 | |
Ha! You even sell goggles. | 0:20:37 | 0:20:40 | |
Yeah, for big machine | 0:20:40 | 0:20:42 | |
What, for motorbikes? | 0:20:42 | 0:20:43 | |
Yeah, like this. | 0:20:43 | 0:20:45 | |
Our old cast-offs are not just sold here - | 0:20:50 | 0:20:53 | |
they've inspired a whole industry. | 0:20:53 | 0:20:55 | |
So what's going on here? | 0:20:56 | 0:20:58 | |
Excuse me, sir, could you tell me what you're doing, please? | 0:20:58 | 0:21:01 | |
Ironing? | 0:21:01 | 0:21:02 | |
'This is where our tired old clothes come to get a make-over.' | 0:21:07 | 0:21:11 | |
You've got to love this place, | 0:21:17 | 0:21:19 | |
there's a guy just over there who's turning trousers into skirts. | 0:21:19 | 0:21:23 | |
You've got this guy here, | 0:21:23 | 0:21:25 | |
who's adding dye to jeans, | 0:21:25 | 0:21:27 | |
making old, second-hand jeans look brand-new. | 0:21:27 | 0:21:30 | |
You've got this lady, | 0:21:30 | 0:21:31 | |
who's making shirts more fitted | 0:21:31 | 0:21:33 | |
because they come from North America. | 0:21:33 | 0:21:35 | |
And you've got this guy, who's ironing. | 0:21:35 | 0:21:37 | |
You've got a whole mini factory | 0:21:37 | 0:21:39 | |
all based around second-hand clothing. | 0:21:39 | 0:21:42 | |
Every year, the market grows bigger, | 0:21:45 | 0:21:48 | |
and now it even sprawls across an old railway yard. | 0:21:48 | 0:21:50 | |
Thank you. | 0:21:50 | 0:21:52 | |
Way! | 0:21:54 | 0:21:57 | |
-One cedi. -One cedi! OK. -One cedi. | 0:22:00 | 0:22:04 | |
1.5! | 0:22:06 | 0:22:08 | |
HE LAUGHS | 0:22:09 | 0:22:12 | |
In this part of the market | 0:22:12 | 0:22:14 | |
I found people selling cheaper clothes for just 25 pence! | 0:22:14 | 0:22:17 | |
OK, let me do it right. How do I do it? Like that? | 0:22:17 | 0:22:20 | |
And then like that. Yes! | 0:22:20 | 0:22:22 | |
That's the African way. | 0:22:22 | 0:22:24 | |
Even when clothes are this cheap there's still a pecking order. | 0:22:25 | 0:22:29 | |
When we came here | 0:22:29 | 0:22:30 | |
we heard people selling stuff for one cedi, two cedis, | 0:22:30 | 0:22:34 | |
but your stuff is selling for four cedis, | 0:22:34 | 0:22:37 | |
what's the difference between your stuff and their stuff? | 0:22:37 | 0:22:40 | |
TRANSLATION: | 0:22:40 | 0:22:42 | |
Many of Florence's customers | 0:22:54 | 0:22:56 | |
have travelled miles to buy clothes | 0:22:56 | 0:22:58 | |
they can then take back to their villages to sell on. | 0:22:58 | 0:23:01 | |
Florence, is it always like this when you open a bale, | 0:23:45 | 0:23:48 | |
is it this chaotic all the time? | 0:23:48 | 0:23:50 | |
The women here can remember a time | 0:23:55 | 0:23:57 | |
when West African markets weren't dominated by used clothes. | 0:23:57 | 0:24:01 | |
TRANSLATION: | 0:24:03 | 0:24:04 | |
Why don't you buy Ghanaian clothes? | 0:24:23 | 0:24:25 | |
Why are you only buying second-hand European clothes? | 0:24:25 | 0:24:28 | |
So if you had money, would you buy traditional Ghanaian clothes | 0:24:32 | 0:24:36 | |
or would you buy second-hand European clothes? | 0:24:36 | 0:24:38 | |
TRANSLATION: | 0:24:42 | 0:24:44 | |
I was born in nearby Nigeria, | 0:25:06 | 0:25:07 | |
and I remember my family wearing | 0:25:07 | 0:25:09 | |
brightly coloured West African fabrics. | 0:25:09 | 0:25:12 | |
Now everybody's wearing western cast-offs | 0:25:12 | 0:25:14 | |
and I couldn't help wondering, | 0:25:14 | 0:25:16 | |
what had happened to all those traditional clothes? | 0:25:16 | 0:25:19 | |
So I headed into the countryside | 0:25:29 | 0:25:31 | |
in search of a more African kind of clothing. | 0:25:31 | 0:25:34 | |
Going to need skills to get across here. | 0:25:38 | 0:25:41 | |
Which I obviously have! | 0:25:45 | 0:25:46 | |
This is Kente cloth. | 0:25:55 | 0:25:57 | |
Traditionally it's only worn on special occasions | 0:25:57 | 0:26:01 | |
by state officials and royal families. | 0:26:01 | 0:26:03 | |
Wearing a piece of cloth | 0:26:06 | 0:26:08 | |
makes you more gorgeous - like a king! | 0:26:08 | 0:26:11 | |
Osei-Bonsu is a local historian | 0:26:12 | 0:26:15 | |
who has studied the traditions of Kente. | 0:26:15 | 0:26:17 | |
To be able to do this, | 0:26:17 | 0:26:19 | |
one has to undergo training, | 0:26:19 | 0:26:22 | |
a year or more, | 0:26:22 | 0:26:24 | |
to learn how to weave the very simple Kente. | 0:26:24 | 0:26:27 | |
And how long would it take to make something like this? | 0:26:27 | 0:26:30 | |
Because it looks so intricate. | 0:26:30 | 0:26:32 | |
Well, this will take you about four months to weave. | 0:26:32 | 0:26:35 | |
-Four months?! -Yes, four months. -Why so long? | 0:26:35 | 0:26:38 | |
I know it's intricate, but why? | 0:26:38 | 0:26:40 | |
Very intricate. | 0:26:40 | 0:26:41 | |
Each piece of cloth has its own name | 0:26:42 | 0:26:44 | |
and symbolises a particular event or proverb. | 0:26:44 | 0:26:47 | |
There were times that we could not read and write | 0:26:48 | 0:26:52 | |
and so we were keeping our history in the clothes that we wear. | 0:26:52 | 0:26:57 | |
So the cloth speaks volumes. | 0:26:57 | 0:26:59 | |
History, philosophy and literature - | 0:26:59 | 0:27:03 | |
everything. | 0:27:03 | 0:27:04 | |
In Ghana now, I see more people wearing obroni wawu, | 0:27:04 | 0:27:08 | |
or second-hand clothes, you know, than ever. | 0:27:08 | 0:27:11 | |
So are traditional prints still as popular - | 0:27:11 | 0:27:14 | |
not just Kente, but the traditional clothing? | 0:27:14 | 0:27:16 | |
Economics come into play, | 0:27:16 | 0:27:19 | |
second-hand clothing brought in from Europe and America, | 0:27:19 | 0:27:23 | |
it's cheaper, far cheaper. | 0:27:23 | 0:27:25 | |
And what kind of impact do you think that's having | 0:27:25 | 0:27:28 | |
to the culture in Ghana? | 0:27:28 | 0:27:30 | |
Because everybody seems to be dressed more like the west, | 0:27:30 | 0:27:35 | |
like westerners rather than Africans. | 0:27:35 | 0:27:37 | |
Well, we were trained, | 0:27:37 | 0:27:39 | |
even when I was young, | 0:27:39 | 0:27:42 | |
to believe that everything west | 0:27:42 | 0:27:46 | |
is civilisation. | 0:27:46 | 0:27:48 | |
Our belief and respect for our own things | 0:27:48 | 0:27:52 | |
has faded to a degree | 0:27:52 | 0:27:54 | |
that, if we are not very careful, | 0:27:54 | 0:27:56 | |
sometime, somewhere, someday, | 0:27:56 | 0:27:58 | |
we would have to... | 0:27:58 | 0:28:00 | |
We would not see some of our own things any more. | 0:28:00 | 0:28:03 | |
I'm quite frustrated, | 0:28:03 | 0:28:05 | |
because Africa has a rich history | 0:28:05 | 0:28:08 | |
and a lot of people travel to Africa to see that. | 0:28:08 | 0:28:11 | |
And being someone who was born in Nigeria, | 0:28:11 | 0:28:14 | |
I'm proud of that past. | 0:28:14 | 0:28:16 | |
These days everybody is keeping an English name | 0:28:16 | 0:28:21 | |
or a western name, | 0:28:21 | 0:28:24 | |
in addition to his own name. | 0:28:24 | 0:28:26 | |
And they prefer being called the western names | 0:28:26 | 0:28:29 | |
to being called their local names. | 0:28:29 | 0:28:32 | |
That alone should tell you. | 0:28:32 | 0:28:34 | |
The food that we eat has changed. | 0:28:34 | 0:28:36 | |
We're eating more western food than our own food. | 0:28:36 | 0:28:39 | |
It is killing our culture. | 0:28:39 | 0:28:41 | |
If there's no obroni wawu | 0:28:41 | 0:28:43 | |
a lot of people would turn to the local type of dress. | 0:28:43 | 0:28:47 | |
But there is more at stake here than just traditions and culture. | 0:28:51 | 0:28:55 | |
Ghana used to have its own thriving textile industry | 0:28:55 | 0:28:58 | |
making the famous printed, colour fabrics. | 0:28:58 | 0:29:01 | |
Factories employed more than 25,000 people, | 0:29:02 | 0:29:06 | |
but today most of the textile companies have closed | 0:29:06 | 0:29:09 | |
and the jobs have gone. | 0:29:09 | 0:29:11 | |
I headed East towards Lake Volta | 0:29:11 | 0:29:13 | |
to meet some of the people still working in the industry. | 0:29:13 | 0:29:16 | |
I'm off to one of Ghana's last remaining factories | 0:29:19 | 0:29:22 | |
that produces traditional cloth. | 0:29:22 | 0:29:24 | |
Akosombo Textiles is the last business in the country | 0:29:26 | 0:29:30 | |
that still takes in raw cotton at one end | 0:29:30 | 0:29:33 | |
to produce its finished fabrics out the other. | 0:29:33 | 0:29:35 | |
Steve Dutton is from Manchester | 0:29:42 | 0:29:44 | |
and he's worked in textiles all his life. | 0:29:44 | 0:29:47 | |
He relocated to Africa 20 years ago | 0:29:47 | 0:29:50 | |
to help manage a flourishing company | 0:29:50 | 0:29:53 | |
that once employed 2,000 workers in this factory. | 0:29:53 | 0:29:56 | |
In 2009 we were producing... | 0:29:56 | 0:30:00 | |
getting on for 2 million metres a month, OK? | 0:30:00 | 0:30:03 | |
-And, erm... -Was that your peak production, was that? | 0:30:03 | 0:30:06 | |
Yeah, that was about our peak. And today, over that period, | 0:30:06 | 0:30:10 | |
it's gone down by about 75%, | 0:30:10 | 0:30:13 | |
-so currently... -75%?! -That's right. | 0:30:13 | 0:30:16 | |
It's quite an urgent situation, | 0:30:16 | 0:30:19 | |
we feel as though we're right on the brink | 0:30:19 | 0:30:21 | |
of not being able to carry on. | 0:30:21 | 0:30:23 | |
And what sort of impact | 0:30:23 | 0:30:25 | |
would you say second-hand clothing has had on your industry? | 0:30:25 | 0:30:28 | |
It's about usage, | 0:30:28 | 0:30:30 | |
so for traditional cultural events | 0:30:30 | 0:30:33 | |
people still use African print quite a lot. | 0:30:33 | 0:30:36 | |
But also, I've no doubt that people will use western-style clothing - | 0:30:36 | 0:30:42 | |
if I can put it that way. | 0:30:42 | 0:30:43 | |
And if they're going to do that, | 0:30:43 | 0:30:45 | |
they're going to go to the second-hand clothing market, | 0:30:45 | 0:30:48 | |
because it's a whole lot cheaper. | 0:30:48 | 0:30:49 | |
But as well as the challenge from the second-hand clothes, | 0:30:51 | 0:30:54 | |
this factory faces another threat. | 0:30:54 | 0:30:57 | |
Their unique Ghanaian designs have also been copied and undercut | 0:30:57 | 0:31:01 | |
by cheap fakes from the Far East. | 0:31:01 | 0:31:03 | |
What is really the biggest threat to our business and to the jobs | 0:31:04 | 0:31:08 | |
is the fakes and the copies. | 0:31:08 | 0:31:10 | |
For example, this one has got a ticket of ATL, | 0:31:10 | 0:31:14 | |
Number One, Akosombo Textiles Limited. | 0:31:14 | 0:31:17 | |
We have never produced a ticket like this. | 0:31:17 | 0:31:19 | |
-So that's a fake? -That is a fake. -That's a Chinese fake? -Absolutely. | 0:31:19 | 0:31:22 | |
And they're cheeky enough to even put on that... | 0:31:22 | 0:31:26 | |
Yeah, they're using the brand, the logo. | 0:31:26 | 0:31:28 | |
We know it's a fake because of the overall quality. | 0:31:28 | 0:31:31 | |
So how does all of this make you feel? | 0:31:31 | 0:31:33 | |
It's difficult for me to overemphasise | 0:31:33 | 0:31:37 | |
just how close we are | 0:31:37 | 0:31:40 | |
to closing down. | 0:31:40 | 0:31:42 | |
I'm very, very worried that this copying, | 0:31:42 | 0:31:46 | |
if it's not challenged, if it's not stopped, | 0:31:46 | 0:31:48 | |
if it's not minimised, | 0:31:48 | 0:31:50 | |
is going to destroy us. | 0:31:50 | 0:31:52 | |
With poor infrastructure and high costs, | 0:31:58 | 0:32:01 | |
African businesses struggle to compete | 0:32:01 | 0:32:03 | |
with China's mighty clothing industry. | 0:32:03 | 0:32:06 | |
We survive at the moment | 0:32:09 | 0:32:11 | |
basically on our special designs for particular events, | 0:32:11 | 0:32:14 | |
but is that enough to keep us going? | 0:32:14 | 0:32:17 | |
Honestly, I doubt it. | 0:32:17 | 0:32:19 | |
It really is touch-and-go now. | 0:32:19 | 0:32:22 | |
We are talking to the government here | 0:32:22 | 0:32:25 | |
to try and get some assistance. | 0:32:25 | 0:32:27 | |
So, if help is there, we've got a chance. | 0:32:27 | 0:32:30 | |
If it isn't there, I think our days are numbered. | 0:32:30 | 0:32:34 | |
It's really sad that the Ghanaian textile industry | 0:32:38 | 0:32:40 | |
is struggling so badly. | 0:32:40 | 0:32:43 | |
And the irony is, | 0:32:43 | 0:32:44 | |
the only thing that's keeping this factory alive is death. | 0:32:44 | 0:32:47 | |
The company's last lifeline is making traditional fabrics | 0:32:48 | 0:32:53 | |
specially designed for funerals - | 0:32:53 | 0:32:55 | |
which are often huge social events in Ghana. | 0:32:55 | 0:32:58 | |
Funerals are such a big part of the culture here | 0:33:00 | 0:33:02 | |
and everywhere you go | 0:33:02 | 0:33:03 | |
you see posters and banners of family members | 0:33:03 | 0:33:07 | |
inviting people to come to funerals | 0:33:07 | 0:33:09 | |
or to commemorate the lives of the person who's passed away. | 0:33:09 | 0:33:12 | |
It's still common here to buy a new outfit for a funeral - | 0:33:15 | 0:33:19 | |
made from the traditional fabrics | 0:33:19 | 0:33:21 | |
that were once normal in everyday life. | 0:33:21 | 0:33:24 | |
-Hello. -Hi. | 0:33:24 | 0:33:26 | |
Sometimes special designs are commissioned | 0:33:26 | 0:33:28 | |
by the family of the deceased. | 0:33:28 | 0:33:30 | |
This looks amazing - it's beautiful! | 0:33:30 | 0:33:33 | |
Here's some African... | 0:33:33 | 0:33:35 | |
OK, this is the style. | 0:33:35 | 0:33:38 | |
So, maybe... | 0:33:38 | 0:33:40 | |
Wow, that looks cool. | 0:33:40 | 0:33:43 | |
Are these all for funerals? | 0:33:45 | 0:33:47 | |
Yeah, you can wear it for a funeral. | 0:33:47 | 0:33:48 | |
I mean, obviously the colour has to be black. | 0:33:48 | 0:33:52 | |
It looks a bit glamorous, though. | 0:33:52 | 0:33:54 | |
That's the one. Not in pink, though. | 0:33:54 | 0:33:57 | |
I needed an outfit | 0:34:01 | 0:34:02 | |
because we'd been allowed to film at the funeral of a local celebrity. | 0:34:02 | 0:34:06 | |
Clothes at Ghanaian funerals are dominated by two colours - | 0:34:06 | 0:34:10 | |
black to symbolise death | 0:34:10 | 0:34:12 | |
and red to convey the anger of loss. | 0:34:12 | 0:34:15 | |
MUSIC: "Viva Nigeria" by Fela Ransome Kuti and His Koola Lobitos | 0:34:18 | 0:34:23 | |
You wouldn't know you were coming to a funeral. It's so glamorous. | 0:34:25 | 0:34:29 | |
Ronnie Coaches was a well-known musician who died tragically young. | 0:34:31 | 0:34:35 | |
Mourners from all walks of life had come to his funeral. | 0:34:35 | 0:34:39 | |
It's like nothing I've ever seen before - dancing and performing, | 0:34:46 | 0:34:50 | |
photographers everywhere. The atmosphere's incredible. | 0:34:50 | 0:34:53 | |
I've never seen so many smiles and so much happiness at a funeral. | 0:34:53 | 0:34:57 | |
BLUESY MUSIC | 0:35:01 | 0:35:04 | |
But as Ronnie's coffin was taken for burial, the mood changed. | 0:35:05 | 0:35:10 | |
SOBBING | 0:35:10 | 0:35:14 | |
It's a real roller coaster of emotions | 0:35:14 | 0:35:16 | |
when you come to a Ghanaian funeral | 0:35:16 | 0:35:18 | |
because one minute everybody's up, the next minute it's really sombre | 0:35:18 | 0:35:22 | |
and now they're taking the body off to the graveyard | 0:35:22 | 0:35:25 | |
and just heavy emotions. | 0:35:25 | 0:35:27 | |
SHE LAMENTS IN HER OWN LANGUAGE | 0:35:27 | 0:35:30 | |
I feel like this is a real taste of Ghanaian culture - | 0:35:34 | 0:35:38 | |
the colours, the people and the celebration. | 0:35:38 | 0:35:41 | |
After six hours of music, partying and prayers, the 500 mourners | 0:35:52 | 0:35:56 | |
who had come to pay their respects | 0:35:56 | 0:35:58 | |
arrived at Ronnie's final resting place. | 0:35:58 | 0:36:00 | |
Throughout the day, I'd been struck by the fact that even here | 0:36:05 | 0:36:08 | |
at a funeral, there were just as many western clothes as traditional. | 0:36:08 | 0:36:12 | |
# Amen, amen, amen, amen, amen, amen, amen, amen | 0:36:12 | 0:36:16 | |
# Amen, amen, amen, amen, amen, amen, amen... # | 0:36:18 | 0:36:22 | |
This is the last and final respect we are giving to our son. | 0:36:22 | 0:36:27 | |
At a funeral, you are showing off | 0:36:32 | 0:36:35 | |
not only the status of the one who's dead | 0:36:35 | 0:36:38 | |
but the status of those who are alive | 0:36:38 | 0:36:40 | |
so you don't want to wear the kind of clothing where | 0:36:40 | 0:36:44 | |
everybody will brand it that you've been to folk's line to pick. | 0:36:44 | 0:36:47 | |
'Professor Irene Odotei writes about popular culture. | 0:36:49 | 0:36:52 | |
'She believes that Ghana's traditions are being undermined.' | 0:36:52 | 0:36:56 | |
People are beginning to be more dressed up at funerals. | 0:36:56 | 0:37:00 | |
In the olden days it was, like, more sombre, kind of toned down | 0:37:00 | 0:37:06 | |
but these days, people wear very long high heels | 0:37:06 | 0:37:11 | |
and really, you see this, | 0:37:11 | 0:37:14 | |
you can even think they're going to a dinner party. | 0:37:14 | 0:37:18 | |
The idea of dressing in western dress to funerals, | 0:37:18 | 0:37:22 | |
where did that come from? | 0:37:22 | 0:37:24 | |
It's globalisation. People are watching a lot of television, | 0:37:24 | 0:37:28 | |
they themselves have not been really brought up to traditional values. | 0:37:28 | 0:37:36 | |
We are losing ground because urbanisation too has come in, | 0:37:36 | 0:37:40 | |
a lot of them have come from the villages of wherever they are, | 0:37:40 | 0:37:43 | |
where they had these influences, traditional influences, | 0:37:43 | 0:37:46 | |
they've come to settle in the cities and in the cities you lose track. | 0:37:46 | 0:37:50 | |
These things with the second-hand clothes, | 0:37:50 | 0:37:52 | |
what is it doing to the traditions in Ghana? | 0:37:52 | 0:37:55 | |
From the olden days, this place has been a dumping ground for stuff | 0:37:55 | 0:38:00 | |
and it continues to be a dumping ground. | 0:38:00 | 0:38:03 | |
When are we going to stop it? | 0:38:03 | 0:38:04 | |
The Ghanaian textile industry relies on big occasions like this | 0:38:06 | 0:38:10 | |
to make money and to sell clothes | 0:38:10 | 0:38:13 | |
and I think, if people aren't going to wear traditional dress | 0:38:13 | 0:38:16 | |
at big occasions like this, when are they going to wear it? | 0:38:16 | 0:38:20 | |
It was time to get back on the trail of our second-hand clothes | 0:38:31 | 0:38:35 | |
and head into the remote north-east of Ghana. | 0:38:35 | 0:38:38 | |
I wanted to meet some of the people | 0:38:38 | 0:38:40 | |
in the poorest regions of the country | 0:38:40 | 0:38:42 | |
who are wearing our old cast-offs. | 0:38:42 | 0:38:44 | |
In the market at Kumasi, I'd met women from this area | 0:38:50 | 0:38:53 | |
buying bales of clothes to take back to their villages. | 0:38:53 | 0:38:57 | |
The women who travel to Kumasi market | 0:38:58 | 0:39:00 | |
often go in buses like that one | 0:39:00 | 0:39:02 | |
and they're cramped in there like sardines | 0:39:02 | 0:39:04 | |
and it can be up to a three-day round trip for them. | 0:39:04 | 0:39:07 | |
By the time the clothes get here, | 0:39:12 | 0:39:14 | |
they have been on an almost unbelievable journey. | 0:39:14 | 0:39:17 | |
Many were originally manufactured by poor workers in countries | 0:39:17 | 0:39:21 | |
like Bangladesh and shipped thousands of miles to Britain. | 0:39:21 | 0:39:25 | |
After a few months in our wardrobes, | 0:39:25 | 0:39:27 | |
they set off via the charity shops on a new journey to Africa. | 0:39:27 | 0:39:31 | |
From the port in Accra, they're driven hundreds of miles | 0:39:31 | 0:39:34 | |
via Kumasi market, to this ferry port on the shores of Lake Volta. | 0:39:34 | 0:39:38 | |
On the ferry over to Kete Krachi, I met Osei. | 0:39:41 | 0:39:44 | |
He's one of the biggest local traders of what they call | 0:39:44 | 0:39:47 | |
dead white man's clothes. | 0:39:47 | 0:39:49 | |
-Morning. -Morning. -How are you? -I'm fine. | 0:39:49 | 0:39:52 | |
So, this bale, is this yours? | 0:39:52 | 0:39:54 | |
And where did it come from? | 0:39:55 | 0:39:57 | |
So you prefer obroni wawu to the traditional clothing? | 0:40:03 | 0:40:07 | |
Why? | 0:40:08 | 0:40:09 | |
So it makes you unique? | 0:40:13 | 0:40:15 | |
You stand out? | 0:40:16 | 0:40:17 | |
Is there an alternative to obroni wawu? Is there anything else | 0:40:44 | 0:40:48 | |
that the locals in Krachi or the Ghanaians could wear? | 0:40:48 | 0:40:52 | |
Before the obroni wawu stalls arrived here ten years ago, | 0:41:07 | 0:41:10 | |
people had to make their clothes last for years. | 0:41:10 | 0:41:13 | |
Clothes that you find here in Kete Krachi - they've been rejected | 0:41:20 | 0:41:24 | |
by everyone all over Ghana. | 0:41:24 | 0:41:26 | |
They're not going to be the ones picked in the capital city, | 0:41:26 | 0:41:29 | |
Kumasi and Accra, people are not going to have these clothes | 0:41:29 | 0:41:33 | |
and they're a bit more damaged, they're not high-end fashion. | 0:41:33 | 0:41:36 | |
It's like the clothes you'd find in a jumble sale | 0:41:36 | 0:41:39 | |
and I can't imagine how many pairs of hands they've been through | 0:41:39 | 0:41:43 | |
and we might not want them, but I reckon they're gold dust here. | 0:41:43 | 0:41:46 | |
MUSIC: "Brand New Second Hand" by Bob Marley and the Wailers | 0:41:48 | 0:41:52 | |
# Brand new second hand | 0:42:01 | 0:42:03 | |
# Don't bother show us | 0:42:05 | 0:42:07 | |
# Brand new second hand | 0:42:07 | 0:42:10 | |
# You're just a nuisance | 0:42:12 | 0:42:14 | |
# Brand new second hand... # | 0:42:14 | 0:42:17 | |
From the ferry port, the clothes travel along dirt roads | 0:42:17 | 0:42:20 | |
to the remotest villages. | 0:42:20 | 0:42:21 | |
The final stage of their journey is often on foot. | 0:42:24 | 0:42:28 | |
-Hello, good morning. -Good morning. | 0:42:30 | 0:42:33 | |
I just want to ask, | 0:42:33 | 0:42:35 | |
how do you manage to balance it on your head? It's just, | 0:42:35 | 0:42:37 | |
I mean, it's incredible. Isn't your neck getting tired? | 0:42:37 | 0:42:40 | |
TRANSLATION: | 0:42:40 | 0:42:41 | |
Can we see how heavy that is? Can I check the weight on your head? | 0:42:43 | 0:42:47 | |
Oh, no! | 0:42:47 | 0:42:48 | |
Whoa! | 0:42:49 | 0:42:51 | |
LAUGHTER | 0:42:51 | 0:42:52 | |
Yeah! I don't know how she does this, I really don't. | 0:42:52 | 0:42:56 | |
Dina, you can have it back, there you go! | 0:42:56 | 0:42:59 | |
Medase. | 0:42:59 | 0:43:00 | |
It's funny how second-hand clothes, you know, and especially football - | 0:43:04 | 0:43:08 | |
second-hand football stuff - permeates the whole of this country. | 0:43:08 | 0:43:11 | |
-Chelsea fan? -Yeah. | 0:43:11 | 0:43:13 | |
And you've got Liverpool shorts on. | 0:43:13 | 0:43:15 | |
Judging by the size of them, I think they were worn by Jan Molby. | 0:43:15 | 0:43:19 | |
Dina's a single mum bringing up five children. | 0:43:23 | 0:43:27 | |
She walks up to ten miles from village to village selling clothes. | 0:43:27 | 0:43:31 | |
TRANSLATION: | 0:43:33 | 0:43:34 | |
As we've been walking along, all these people, they know you, | 0:43:36 | 0:43:39 | |
they stop and talk to you, are they all your customers? | 0:43:39 | 0:43:42 | |
So why are you selling second-hand clothes? | 0:43:45 | 0:43:48 | |
So if you weren't selling second-hand clothes, there would be | 0:43:56 | 0:43:59 | |
no other way for you to earn money? | 0:43:59 | 0:44:01 | |
Many of the villagers here in Gyen Gyen are subsistence farmers | 0:44:26 | 0:44:29 | |
living on the equivalent of less than a pound a day. | 0:44:29 | 0:44:33 | |
Can you tell me why you love these clothes? | 0:44:33 | 0:44:36 | |
Why you love obroni wawu so much? | 0:44:36 | 0:44:38 | |
When you look through these clothes, | 0:44:52 | 0:44:54 | |
you see Superdry, | 0:44:54 | 0:44:56 | |
Next, Dorothy Perkins... | 0:44:56 | 0:45:00 | |
I could be on any high street in the UK, but I'm not, | 0:45:00 | 0:45:04 | |
we're in a small village in north-eastern Ghana. | 0:45:04 | 0:45:08 | |
HE LAUGHS | 0:45:08 | 0:45:10 | |
As well as selling the clothes, | 0:45:11 | 0:45:13 | |
Dina also acts as a personal shopper. | 0:45:13 | 0:45:16 | |
Hey, hey, hey! Hey! | 0:45:29 | 0:45:32 | |
Does it look good on him? | 0:45:32 | 0:45:34 | |
You going to sell it to him? | 0:45:35 | 0:45:37 | |
Even though these clothes cost less than 25p, | 0:45:43 | 0:45:46 | |
the villagers here sometimes have to go into debt to buy them. | 0:45:46 | 0:45:50 | |
Dina, would you sell this on credit, | 0:45:50 | 0:45:53 | |
so she can take it now and then she pays for it next week? | 0:45:53 | 0:45:57 | |
Clothes like this we give away for to charity shops in the UK for free. | 0:46:14 | 0:46:19 | |
Are you surprised by that? | 0:46:19 | 0:46:21 | |
THEY TALK IN THEIR OWN LANGUAGE | 0:46:26 | 0:46:28 | |
Are you going to buy it? | 0:46:28 | 0:46:30 | |
Oh, you've got a deal. Look at that! | 0:46:32 | 0:46:34 | |
Do this, do this, do this! Yeah! | 0:46:34 | 0:46:36 | |
When I give away my clothes to charity shops in the UK, | 0:46:39 | 0:46:42 | |
this is the last place I'd expect them to end up - | 0:46:42 | 0:46:45 | |
in a rural village in north-eastern Ghana. | 0:46:45 | 0:46:49 | |
And what's even more surprising is these people have next to nothing, | 0:46:49 | 0:46:52 | |
yet they're probably supporting a lot of UK charities. | 0:46:52 | 0:46:56 | |
And what's even weirder than that | 0:46:56 | 0:46:58 | |
is those charities are probably giving money to Africa | 0:46:58 | 0:47:01 | |
to support these people, so it's just a bizarre merry-go-round. | 0:47:01 | 0:47:05 | |
It was incredible to see where our old clothes end up | 0:47:08 | 0:47:11 | |
and in some ways, they've come full circle. | 0:47:11 | 0:47:14 | |
They're cheap garments made by some of the world's poorest people | 0:47:14 | 0:47:18 | |
that end up being worn by some of the world's poorest people. | 0:47:18 | 0:47:21 | |
Affordable clothing has benefitted these villagers | 0:47:26 | 0:47:29 | |
and provided some of them with a living. | 0:47:29 | 0:47:32 | |
'Across Ghana and Africa, | 0:47:32 | 0:47:33 | |
'our second-hand clothes drive a vast industry of people, | 0:47:33 | 0:47:37 | |
'transporting, packing and selling them.' | 0:47:37 | 0:47:40 | |
Come on! | 0:47:40 | 0:47:41 | |
'But I do find it a bit sad | 0:47:41 | 0:47:43 | |
'how Western clothing has spread across the world.' | 0:47:43 | 0:47:46 | |
Go, go, go, go! | 0:47:46 | 0:47:47 | |
Oh, nice pass! | 0:47:49 | 0:47:50 | |
It worries me how it's affecting the culture | 0:47:52 | 0:47:55 | |
because the last thing I would want to see | 0:47:55 | 0:47:57 | |
is for everyone in the world to be dressed the same. | 0:47:57 | 0:48:00 | |
You going to play? | 0:48:01 | 0:48:03 | |
All right, I'm going to turn around. All behind me. | 0:48:05 | 0:48:08 | |
That way, that way, that way. | 0:48:08 | 0:48:10 | |
Ohh! | 0:48:13 | 0:48:15 | |
The final stage of my journey took me back to the capital, Accra. | 0:48:20 | 0:48:23 | |
Despite the poverty I'd seen in the countryside, | 0:48:31 | 0:48:33 | |
Ghana is actually an African success story. | 0:48:33 | 0:48:36 | |
It's one of the fastest-growing economies in the world. | 0:48:36 | 0:48:40 | |
There is a clothing industry here as well | 0:48:40 | 0:48:42 | |
and I headed to one of its most successful companies. | 0:48:42 | 0:48:46 | |
Sleek Garments employs around 300 workers | 0:48:46 | 0:48:49 | |
making a wide range of clothes. | 0:48:49 | 0:48:51 | |
CEO Nora Bannerman has worked in the industry for 30 years | 0:48:52 | 0:48:56 | |
and she's experienced its problems first-hand. | 0:48:56 | 0:48:59 | |
There's some unfair competition from imported garments | 0:49:00 | 0:49:04 | |
and the worst of it is the used clothing. | 0:49:04 | 0:49:07 | |
I was going to say, what kind of impact has the second-hand clothing | 0:49:07 | 0:49:10 | |
market had on your business? | 0:49:10 | 0:49:12 | |
You know, for those in the industry who focus mainly on the local markets | 0:49:12 | 0:49:17 | |
it's been very challenging | 0:49:17 | 0:49:19 | |
and most of them have shut down their factories. | 0:49:19 | 0:49:23 | |
New shirts made in Ghana | 0:49:24 | 0:49:26 | |
cost up to 40 times more than our second-hand ones. | 0:49:26 | 0:49:29 | |
So instead of competing, Nora concentrates on making work-wear | 0:49:29 | 0:49:33 | |
for local businesses in Ghana. | 0:49:33 | 0:49:35 | |
This is for a mining company, | 0:49:35 | 0:49:37 | |
this is a phone company, | 0:49:37 | 0:49:40 | |
-these are security uniforms. -So you make uniforms? -And so on. | 0:49:40 | 0:49:43 | |
We decided to focus on that | 0:49:43 | 0:49:45 | |
and then strategise to get back into the market again. | 0:49:45 | 0:49:48 | |
Because of the tough competition, | 0:49:50 | 0:49:52 | |
most of the clothes made here are actually exported. | 0:49:52 | 0:49:56 | |
Locally here in Ghana, the markets are pretty small | 0:49:56 | 0:49:59 | |
for garments that are of one design, of one colour, of one fabric. | 0:49:59 | 0:50:04 | |
Our focus is on mass-producing clothing, mainly for export to the US | 0:50:04 | 0:50:09 | |
and they buy in the thousands. It's just a huge market. | 0:50:09 | 0:50:12 | |
In an ideal world, what would you like to see happen | 0:50:12 | 0:50:16 | |
to the textile industry in Ghana? | 0:50:16 | 0:50:18 | |
We need to be in business to create jobs for our people | 0:50:18 | 0:50:21 | |
and create the wealth that they need | 0:50:21 | 0:50:23 | |
to enable them to afford new garments, freshly made garments | 0:50:23 | 0:50:27 | |
and so we need to look at this in totality and bring a change | 0:50:27 | 0:50:30 | |
and change is always difficult, but change is always for good. | 0:50:30 | 0:50:34 | |
Imagine what we can do for our economy | 0:50:34 | 0:50:36 | |
and once the economy is growing, things will change. | 0:50:36 | 0:50:39 | |
Nora thinks that only higher wages | 0:50:40 | 0:50:42 | |
and less poverty will end the domination of second-hand clothes. | 0:50:42 | 0:50:45 | |
You see these young women? | 0:50:47 | 0:50:49 | |
They work hard and they should be able to afford new clothing. | 0:50:49 | 0:50:52 | |
Why should they wear clothing that somebody else doesn't want any more? | 0:50:52 | 0:50:56 | |
Do you think we'll ever see the day where there will be no longer | 0:50:56 | 0:51:00 | |
obroni wawu or second-hand clothes in Ghana? | 0:51:00 | 0:51:04 | |
That day will come. That day will surely come. | 0:51:04 | 0:51:07 | |
It may be slow, but it's coming | 0:51:07 | 0:51:09 | |
-and it will definitely come for sure. -Brilliant. | 0:51:09 | 0:51:12 | |
The government here is also trying to persuade people | 0:51:17 | 0:51:19 | |
to wear locally-made clothes. | 0:51:19 | 0:51:21 | |
Ten years ago, they introduced a local dress day. | 0:51:25 | 0:51:28 | |
The idea is that at the end of each week, | 0:51:29 | 0:51:32 | |
office workers ditch their suits for more traditional colourful shirts | 0:51:32 | 0:51:36 | |
and "Thank Ghana, it's Friday". | 0:51:36 | 0:51:38 | |
It's a desire to be Ghanaian. | 0:51:43 | 0:51:46 | |
It's still a working day so it's not as we are dressing down | 0:51:46 | 0:51:50 | |
but we are dressing traditional | 0:51:50 | 0:51:52 | |
-and also making the place a fun place to work, isn't it? -Yeah. | 0:51:52 | 0:51:56 | |
The workers in Ellen Hagan's recruitment company have | 0:51:56 | 0:51:59 | |
embraced the scheme - well, at least, most of them have. | 0:51:59 | 0:52:02 | |
I noticed not all of your workers are wearing traditional dress | 0:52:02 | 0:52:07 | |
because I can see some people in that office over there. | 0:52:07 | 0:52:11 | |
Ah! Well, actually, she is. | 0:52:11 | 0:52:13 | |
She has combined the western style with the African print. | 0:52:13 | 0:52:18 | |
So she's just trying to be trendy, | 0:52:18 | 0:52:20 | |
you know, these are younger people, so... | 0:52:20 | 0:52:23 | |
Has traditional clothing become | 0:52:23 | 0:52:25 | |
something just for the middle classes, | 0:52:25 | 0:52:27 | |
something for people with money? | 0:52:27 | 0:52:28 | |
I don't think so. In everything on the market, | 0:52:28 | 0:52:31 | |
there are different ranges | 0:52:31 | 0:52:32 | |
or they prefer to wear non-traditional clothes, | 0:52:32 | 0:52:35 | |
in which case it is easier to get the suits and the skirts | 0:52:35 | 0:52:39 | |
from the obroni wawu rather than get a tailor to make a suit, | 0:52:39 | 0:52:43 | |
a skirt suit for you. | 0:52:43 | 0:52:44 | |
Could we have a show of hands, right, if you were going out | 0:52:44 | 0:52:47 | |
on a Saturday night to a party and you wanted to impress people, | 0:52:47 | 0:52:53 | |
how many of you here would wear traditional clothing? | 0:52:53 | 0:52:56 | |
-To impress, definitely. -To impress, if it is to impress. | 0:52:56 | 0:52:59 | |
If it is to impress, then traditional clothing. | 0:52:59 | 0:53:02 | |
That's the majority, except for this man! Who's laughing in the corner! | 0:53:02 | 0:53:07 | |
LAUGHTER | 0:53:07 | 0:53:09 | |
Why? Just tell us why would you rather wear western clothing? | 0:53:09 | 0:53:15 | |
We're the younger generation, we like to look more trendy | 0:53:15 | 0:53:19 | |
so you see most of the western clothes, | 0:53:19 | 0:53:24 | |
the foreign clothes are more trendy to the younger generation. | 0:53:24 | 0:53:29 | |
So more of the times, you will see them wearing the... | 0:53:29 | 0:53:32 | |
the western clothes. | 0:53:32 | 0:53:34 | |
I mean, I wonder if you think, the influence of western clothing, | 0:53:34 | 0:53:38 | |
do you think it's to do with globalisation? | 0:53:38 | 0:53:41 | |
You can go on YouTube, the MTV channels and you're seeing designs, | 0:53:41 | 0:53:44 | |
you want to mix it, you want to merge it, | 0:53:44 | 0:53:46 | |
you don't want to look like you are too Ghanaian | 0:53:46 | 0:53:49 | |
-when you are going to an event. -Why not? | 0:53:49 | 0:53:52 | |
Because you want to know that, | 0:53:52 | 0:53:54 | |
for us, the youth, mostly it's because you know what's out there. | 0:53:54 | 0:53:58 | |
It's cool to merge the two now. | 0:53:58 | 0:54:01 | |
A couple of years back, it was cool to be only European. | 0:54:01 | 0:54:05 | |
Now it's cooler to be African. | 0:54:05 | 0:54:08 | |
I think Ghana's relationship with clothes is changing. | 0:54:13 | 0:54:16 | |
the younger generation, especially the ones with money, | 0:54:16 | 0:54:19 | |
like the people we met today, they're creating their own trends | 0:54:19 | 0:54:22 | |
and mixing traditional styles with Western styles and for them, | 0:54:22 | 0:54:26 | |
it's all about what looks cool. | 0:54:26 | 0:54:29 | |
If African clothing companies can't compete with our second-hand clothes | 0:54:34 | 0:54:38 | |
on price, maybe they can on style. | 0:54:38 | 0:54:40 | |
I went to a catwalk show where I met Ghanaian designers | 0:54:47 | 0:54:50 | |
who are trying to appeal to the country's growing middle-class | 0:54:50 | 0:54:54 | |
by fusing traditional African prints with high fashion. | 0:54:54 | 0:54:57 | |
Some of them, like Kofi Ansah and Joyce Ababio, have worked | 0:55:08 | 0:55:11 | |
or trained in Europe and the US. | 0:55:11 | 0:55:13 | |
Tell me about the state of the fashion industry in Ghana. | 0:55:13 | 0:55:17 | |
We are trying to get the whole process cheaper for us, | 0:55:17 | 0:55:20 | |
so that we can go out there and compete. | 0:55:20 | 0:55:23 | |
I'd rather see us being able to use our own fabrics to create, | 0:55:23 | 0:55:28 | |
you know, interpret it in any way that we want to, | 0:55:28 | 0:55:31 | |
as opposed to obroni wawu. | 0:55:31 | 0:55:33 | |
My dream is to make 10 shirts as opposed to 100 dollar shirts. | 0:55:33 | 0:55:39 | |
I'm training the people | 0:55:39 | 0:55:40 | |
and I'm looking for them to become fashion designers, | 0:55:40 | 0:55:43 | |
then, you see, I have to look at it from another point - | 0:55:43 | 0:55:46 | |
I want to see them actually be able to develop in the industry | 0:55:46 | 0:55:50 | |
and take our clothing or our fabrics to do something | 0:55:50 | 0:55:53 | |
instead of second-hand clothing. | 0:55:53 | 0:55:55 | |
Because if there's second-hand clothing out there, | 0:55:55 | 0:55:58 | |
what am I doing with my people that I'm training? | 0:55:58 | 0:56:01 | |
I want to see them be able to become fashion designers as well. | 0:56:01 | 0:56:04 | |
As the economy grows, the new middle-class should provide | 0:56:06 | 0:56:09 | |
a market for these local African-inspired designs. | 0:56:09 | 0:56:13 | |
And I'm sensing a lot of optimism. | 0:56:13 | 0:56:15 | |
Ghana is changing | 0:56:15 | 0:56:17 | |
and the hope is that in the future, | 0:56:17 | 0:56:19 | |
more and more Ghanaians will be wearing cool clothes | 0:56:19 | 0:56:22 | |
designed by Ghanaian designers. | 0:56:22 | 0:56:24 | |
The global trade in second-hand clothes has grown | 0:56:33 | 0:56:36 | |
into a billion-pound business. | 0:56:36 | 0:56:39 | |
And it's being fed by our own addiction to cheap, disposable | 0:56:39 | 0:56:42 | |
fashion made in the Far East. | 0:56:42 | 0:56:44 | |
Before leaving Ghana, I returned to Accra's wholesale clothes market, | 0:56:47 | 0:56:52 | |
where £1 million worth of obroni wawu arrives every week. | 0:56:52 | 0:56:56 | |
Over the years, I've given away lots of my old clothes to charity shops. | 0:57:09 | 0:57:13 | |
I never in my wildest dreams | 0:57:13 | 0:57:15 | |
thought it would create something like this. | 0:57:15 | 0:57:18 | |
It feeds so many people, this industry. | 0:57:20 | 0:57:23 | |
At the same time, it has decimated the country's clothing industry | 0:57:33 | 0:57:37 | |
and is wiping out some of the traditions that make Africa | 0:57:37 | 0:57:40 | |
such a vibrant continent. | 0:57:40 | 0:57:42 | |
It does make me think, you know, do we really need that many clothes? | 0:57:42 | 0:57:46 | |
But then on the flip side, | 0:57:46 | 0:57:48 | |
I think it's making a lot of people happy over here | 0:57:48 | 0:57:51 | |
and it's given a lot of people work, so there's definitely pros and cons | 0:57:51 | 0:57:55 | |
but I know I definitely don't need as many clothes as I have. I don't! | 0:57:55 | 0:57:59 | |
I don't need 20 pairs of jeans. | 0:57:59 | 0:58:01 |