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Venice, one of the most stunning cities on earth. | 0:00:05 | 0:00:09 | |
Over 50,000 tourists arrive here each day for the carnival, | 0:00:09 | 0:00:14 | |
culture and canals. | 0:00:14 | 0:00:17 | |
But what they don't see is how this city works, | 0:00:17 | 0:00:19 | |
this is Venice from the inside. | 0:00:19 | 0:00:22 | |
Around the clock, emergency teams fight to keep a city built on water safe and working. | 0:00:24 | 0:00:29 | |
BELL RINGING | 0:00:29 | 0:00:32 | |
With unprecedented access to police, fire, and medical teams, | 0:00:32 | 0:00:35 | |
we come face-to-face with the unique daily challenges, | 0:00:35 | 0:00:38 | |
and life-and-death drama. | 0:00:38 | 0:00:41 | |
Up to yesterday evening she was all right, | 0:00:41 | 0:00:44 | |
and this morning she was found not responsive. | 0:00:44 | 0:00:46 | |
This is Venice 24/7, where the ordinary becomes extraordinary. | 0:00:46 | 0:00:51 | |
It's summer in Venice, and the canals are congested | 0:01:04 | 0:01:06 | |
with around 35,000 motorboats travelling through the waterways. | 0:01:06 | 0:01:10 | |
The high volume of traffic takes its toll on the historic city, | 0:01:10 | 0:01:13 | |
as the choppy waters erode canal banks and the foundations beneath. | 0:01:13 | 0:01:17 | |
But each year, | 0:01:21 | 0:01:23 | |
the canals are cleared to make way for thousands of rowing boats. | 0:01:23 | 0:01:27 | |
For one day, Venice's motor engines fall silent, | 0:01:27 | 0:01:31 | |
and the city stops as locals and tourists take to the water | 0:01:31 | 0:01:34 | |
to celebrate their love for this ancient city. | 0:01:34 | 0:01:37 | |
The Vogalonga, or long row, is a 37-year-old, non-competitive regatta, | 0:01:43 | 0:01:49 | |
and people from all over the world sign up to take part. | 0:01:49 | 0:01:51 | |
First time, and I'm very excited | 0:01:53 | 0:01:54 | |
because everybody tells me it will be crowded, it'll be crazy. | 0:01:54 | 0:01:59 | |
34, I was hoping it would be like a thousand and something, | 0:01:59 | 0:02:04 | |
34, that's a good number. | 0:02:04 | 0:02:06 | |
Up to 6,000 people are expected to participate this year, | 0:02:07 | 0:02:11 | |
an all-female rowing team called Viva are regular entrants. | 0:02:11 | 0:02:16 | |
Team member, Nancy McIlroy from Kentucky, now lives in Venice. | 0:02:20 | 0:02:25 | |
I've been coming and going for nine years, | 0:02:25 | 0:02:28 | |
and then decided I just didn't want to be on vacation, | 0:02:28 | 0:02:31 | |
I really liked this life. | 0:02:31 | 0:02:32 | |
The things that I really love about Venice | 0:02:34 | 0:02:36 | |
are not the things I expected, really. | 0:02:36 | 0:02:39 | |
I mean, I think there's this whole mythological... | 0:02:39 | 0:02:42 | |
especially, I would say especially Americans because I know them better, | 0:02:42 | 0:02:45 | |
"Ah, Venizia, Venizia, Venice is so beautiful!" | 0:02:45 | 0:02:48 | |
Well, it is, but there's so much more | 0:02:48 | 0:02:52 | |
that's substantial about it, that is to love. | 0:02:52 | 0:02:56 | |
The women who form Viva are from Venice, Germany and the States, | 0:02:56 | 0:03:00 | |
and have rowed together for five years. | 0:03:00 | 0:03:03 | |
They practice five times a week, | 0:03:03 | 0:03:05 | |
the rowing festival is the culmination of all their hard work. | 0:03:05 | 0:03:09 | |
There's nothing more Venetian than the Voga. | 0:03:09 | 0:03:12 | |
My passion is rowing in these canals, | 0:03:12 | 0:03:14 | |
just think it's fantastic, | 0:03:14 | 0:03:16 | |
and there are people who row across the lagoon that are 60, 70, 80 years old at their own pace. | 0:03:16 | 0:03:21 | |
It's the best exercise in the world, it's social, it's civic, | 0:03:23 | 0:03:26 | |
it's just, it's part of this culture. | 0:03:26 | 0:03:29 | |
And we just refuse to let it go. | 0:03:29 | 0:03:31 | |
Open to boats moved by man power only, | 0:03:33 | 0:03:36 | |
the 19-mile journey is dedicated to raising awareness | 0:03:36 | 0:03:38 | |
of the damaging effect of motorboats on the city's foundations. | 0:03:38 | 0:03:42 | |
It's bad for the lagoon, it's bad for the ecology of the lagoon, | 0:03:42 | 0:03:46 | |
and it's certainly bad for all the infrastructure of the canals, | 0:03:46 | 0:03:50 | |
all the electricity, it's all underneath. | 0:03:50 | 0:03:52 | |
And when you go through a canal with this really powerful motor, | 0:03:52 | 0:03:57 | |
it just sucks, everything about it, it just ruins the infrastructure. | 0:03:57 | 0:04:02 | |
The speed limit is just three miles an hour, | 0:04:05 | 0:04:09 | |
the only boats allowed to break it are the emergency services, | 0:04:09 | 0:04:12 | |
who can travel over 30 miles an hour. | 0:04:12 | 0:04:15 | |
At the Venice fire station, shift boss, Giuliano Meinardi and his team get a callout. | 0:04:15 | 0:04:21 | |
There are 90,000 logs marking the waterways in Venice, | 0:04:30 | 0:04:34 | |
but the exposed wood rots quickly, causing them to detach, | 0:04:34 | 0:04:36 | |
creating a floating hazard for river traffic. | 0:04:36 | 0:04:40 | |
They try to put it up onto the boat, but it's too heavy. | 0:04:50 | 0:04:54 | |
So, an alternative solution is found. | 0:04:57 | 0:04:59 | |
The team drag the log to shore, where they can secure it, | 0:05:04 | 0:05:07 | |
out of the way of passing traffic. | 0:05:07 | 0:05:09 | |
Stopping this ancient city from crumbling into the water | 0:05:28 | 0:05:30 | |
is a problem faced by every Venetian. | 0:05:30 | 0:05:33 | |
Local police Commissioner, Giordano Zwinn, | 0:05:36 | 0:05:39 | |
is only too aware of his responsibility. | 0:05:39 | 0:05:41 | |
Reducing the speed of the boats | 0:06:39 | 0:06:41 | |
helps reduce the wave motion on the canals, | 0:06:41 | 0:06:43 | |
and it's up to local police to enforce these limits. | 0:06:43 | 0:06:46 | |
A high-tech network of 40 cameras in key positions across the city | 0:06:48 | 0:06:53 | |
is used to catch offenders breaking the speed limit along the Grand Canal. | 0:06:53 | 0:06:56 | |
A virtual map tracks the traffic in Venice's historic centre, | 0:07:26 | 0:07:29 | |
with a dot representing each boat, | 0:07:29 | 0:07:31 | |
green for a boat travelling within the speed limit, | 0:07:31 | 0:07:35 | |
yellow as soon as it's broken, and red for a speeding offence. | 0:07:35 | 0:07:39 | |
Controlling the canals and protecting the city is an age-old problem. | 0:08:27 | 0:08:31 | |
Venice grew over a millennium, | 0:08:36 | 0:08:38 | |
houses and palaces were built on wooden piles driven into the mud, | 0:08:38 | 0:08:42 | |
and tightly packed with clay. | 0:08:42 | 0:08:44 | |
It was from this floating city that the maritime power, | 0:08:44 | 0:08:47 | |
the Serenissima Republic, was born. | 0:08:47 | 0:08:50 | |
Today, the city's modern utilities are buried in these ancient foundations. | 0:08:51 | 0:08:56 | |
From the sewage system, to electric power lines and fibre-optic cables, | 0:08:56 | 0:09:00 | |
the life of the city depends on maintaining the structures it was built on. | 0:09:00 | 0:09:04 | |
Erosion repairs are constant, | 0:09:13 | 0:09:15 | |
whole canals must be blocked off and drained, so the work can be done. | 0:09:15 | 0:09:18 | |
Engineer, Adriano Ecole, works with the team at Insula, | 0:09:21 | 0:09:24 | |
a public company formed to carry out vital maintenance. | 0:09:24 | 0:09:28 | |
For them, the traditional ways are often still the best. | 0:09:28 | 0:09:33 | |
Two walls of wood or metal, are filled with tonnes of clay, | 0:09:46 | 0:09:50 | |
these dams are placed at each end of the section of the canal to be drained. | 0:09:50 | 0:09:55 | |
Vital work needs to be done as cracks and crumbling plaster | 0:10:02 | 0:10:05 | |
will appear in the building above, | 0:10:05 | 0:10:07 | |
but in Venice, even a simple repair becomes a massive job. | 0:10:07 | 0:10:12 | |
Once the canal is drained all the way down | 0:10:30 | 0:10:32 | |
the damage to the buildings becomes evident. | 0:10:32 | 0:10:35 | |
Sometimes, whole sections of the wall are in such a bad state | 0:10:41 | 0:10:45 | |
that they have to be removed. | 0:10:45 | 0:10:47 | |
But the teams must work quickly, | 0:10:47 | 0:10:49 | |
as once the wooden foundations are exposed to air, they begin to rot. | 0:10:49 | 0:10:53 | |
Using a process called scuci-cuci, meaning patch up, | 0:11:00 | 0:11:03 | |
the broken masonry must be made secure. | 0:11:03 | 0:11:05 | |
It takes three months to repair 50 metres of canal. | 0:11:13 | 0:11:16 | |
It's a time-consuming job, and there's no shortage of work. | 0:11:17 | 0:11:21 | |
As the day of the regatta approaches, | 0:11:37 | 0:11:39 | |
the weather takes a turn for the worse. | 0:11:39 | 0:11:41 | |
Despite the adverse conditions, | 0:11:41 | 0:11:43 | |
the women of Viva take to the water for some last-minute practice. | 0:11:43 | 0:11:48 | |
They're rowing in a caorlina, | 0:11:48 | 0:11:50 | |
a traditional, hand made Venetian fishing boat, | 0:11:50 | 0:11:53 | |
whose flat bottom makes it perfect for the shallow waters. | 0:11:53 | 0:11:57 | |
Up! Up! | 0:11:57 | 0:11:59 | |
Up! | 0:11:59 | 0:12:00 | |
But after less than an hour on the canals, | 0:12:09 | 0:12:11 | |
the team decides to abandon practice. | 0:12:11 | 0:12:14 | |
Did you feel the wind that just came, just across? | 0:12:14 | 0:12:17 | |
We were just, I could never row, | 0:12:17 | 0:12:19 | |
neither could Adele who was in the same position I was in the other boat. | 0:12:19 | 0:12:22 | |
We never rowed, if we rowed the boat just..."newwwh!" | 0:12:22 | 0:12:25 | |
This is like the theatre, you know, | 0:12:25 | 0:12:26 | |
when the rehearsal goes poorly, the opening night usually goes well. | 0:12:26 | 0:12:30 | |
We hope that's what it is, ha, we hope. | 0:12:30 | 0:12:35 | |
As the city prepares for the Vogalonga, | 0:12:46 | 0:12:49 | |
policeman, Andrea Silveri is on duty, | 0:12:49 | 0:12:52 | |
making sure that only licensed drivers are using the canals. | 0:12:52 | 0:12:56 | |
48,000 boats are officially allowed in the historic centre, | 0:13:11 | 0:13:14 | |
but during the busy summer, unlicensed ones can slip through the net. | 0:13:14 | 0:13:18 | |
It seems the boat this man is driving doesn't have a Venetian licence. | 0:13:37 | 0:13:41 | |
This time, the driver gets away with a fine and a warning. | 0:13:45 | 0:13:47 | |
But the fight to protect Venice | 0:13:50 | 0:13:52 | |
isn't just about controlling the canals. | 0:13:52 | 0:13:54 | |
Outside the historic centre, | 0:13:54 | 0:13:57 | |
there's also an unprecedented engineering project underway. | 0:13:57 | 0:14:00 | |
Out in the Venice lagoon, | 0:14:03 | 0:14:05 | |
they're working around the clock on the MOSE, | 0:14:05 | 0:14:08 | |
the biggest anti-flood project of its kind in the world. | 0:14:08 | 0:14:11 | |
Flood defences will be built in the three inlets at Lido, | 0:14:13 | 0:14:17 | |
Malomocco and Chioggia. | 0:14:17 | 0:14:18 | |
These will form a protective barrier | 0:14:18 | 0:14:21 | |
between Venice's historic centre and the sea. | 0:14:21 | 0:14:24 | |
At high tide, steel gates will rise | 0:14:25 | 0:14:28 | |
by pushing water out with compressed air. | 0:14:28 | 0:14:31 | |
These barriers will then stop the water from flooding the city. | 0:14:31 | 0:14:35 | |
These gates will be housed in concrete structures called caissons, | 0:14:35 | 0:14:39 | |
a kind of watertight box on the seabed. | 0:14:39 | 0:14:41 | |
Enrico Pellegrini is working in a 250 strong team. | 0:14:42 | 0:14:47 | |
The shape you can see here is the recess of the gates themselves, | 0:14:47 | 0:14:54 | |
which will be installed on the caissons, | 0:14:54 | 0:14:58 | |
once the caisson is on the bottom of the sea. | 0:14:58 | 0:15:01 | |
These enormous frames are designed by an Italian engineering company, | 0:15:01 | 0:15:05 | |
are unique to Venice. | 0:15:05 | 0:15:07 | |
They're now ready to be lowered into the water. | 0:15:08 | 0:15:10 | |
The fate of the entire project rests on this operation. | 0:15:10 | 0:15:15 | |
The thing is, that, we have to take these concrete caissons, | 0:15:15 | 0:15:19 | |
which are very big, 50 metres by 60 metres, by more than 10 metres in height, | 0:15:19 | 0:15:26 | |
and they weigh around 20 to 23,000 tonnes. | 0:15:26 | 0:15:30 | |
We have to take them from the prefabrication yard | 0:15:30 | 0:15:33 | |
and launch them into the water. | 0:15:33 | 0:15:35 | |
The frames or be transported via a railway system. | 0:15:35 | 0:15:39 | |
These carriages, which can push the equivalent weight of a Boeing 747, | 0:15:39 | 0:15:43 | |
will take the frames to a heavy lifting platform for the next stage. | 0:15:43 | 0:15:47 | |
At that point, we will transfer all the load on the platform, | 0:15:48 | 0:15:54 | |
and this platform is going to be lowered, very slowly of course, | 0:15:54 | 0:15:58 | |
until the caissons itself, it will start floating, | 0:15:58 | 0:16:02 | |
because the caissons, it's a box, it's an empty box actually, | 0:16:02 | 0:16:07 | |
even if it's a concrete, it's also very, very heavy. | 0:16:07 | 0:16:10 | |
Anyway, it's a box, and will start floating at a certain point. | 0:16:10 | 0:16:13 | |
From here, the frame is tugged out to the point in the lagoon | 0:16:13 | 0:16:17 | |
where the barrier will be constructed. | 0:16:17 | 0:16:20 | |
Once in place, it will lift to form a dam between Venice and the sea. | 0:16:20 | 0:16:24 | |
The whole operation takes around a week. | 0:16:25 | 0:16:28 | |
Due to the precision of what we have to achieve, | 0:16:28 | 0:16:31 | |
we are also operating at -30, -24, -30 metres underwater, | 0:16:31 | 0:16:37 | |
into a channel where the tide and the currant are very strong. | 0:16:37 | 0:16:41 | |
So, this is the thing, | 0:16:41 | 0:16:44 | |
it's the precision we have to achieve is very, very strict. | 0:16:44 | 0:16:47 | |
Enrico and the team have a total of 18 frames to construct. | 0:16:49 | 0:16:54 | |
As it takes a year to make each one, | 0:16:54 | 0:16:56 | |
they are working on 13 simultaneously. | 0:16:56 | 0:16:59 | |
The race is on to complete the project, without it, | 0:17:01 | 0:17:04 | |
Venice will continue to be at the mercy of rising sea levels. | 0:17:04 | 0:17:09 | |
At the Venice fire station, the team is taking a well earned break, | 0:17:17 | 0:17:21 | |
while one of their old colleagues returns for a visit. | 0:17:21 | 0:17:24 | |
Veteran fireman, Lele Tale Pietre, retired four months ago, | 0:17:30 | 0:17:33 | |
and has come back to see how his former team are doing. | 0:17:33 | 0:17:37 | |
But for those on duty, there is no glass of fizz | 0:17:55 | 0:17:59 | |
as it's not long until the next emergency callout. | 0:17:59 | 0:18:02 | |
Rough weather overnight has sunk a boat moored in a private dock. | 0:18:05 | 0:18:09 | |
And the owner has been unable to retrieve it himself. | 0:18:09 | 0:18:12 | |
Using pumps which can move 2,500 litres of water a minute, | 0:18:24 | 0:18:29 | |
they try to bail the boat out. | 0:18:29 | 0:18:30 | |
Every time they start pumping the water out, | 0:18:41 | 0:18:44 | |
more starts pouring into the back-end of the boat. | 0:18:44 | 0:18:46 | |
With the back-end made watertight, | 0:18:56 | 0:18:59 | |
they start to pump water out of the sunken boat again. | 0:18:59 | 0:19:02 | |
Finally, with the boat bailed out, they managed to pull it free from the mud, | 0:19:09 | 0:19:13 | |
and tow it to a winch close by. | 0:19:13 | 0:19:14 | |
Job completed, the team head back to the station, | 0:19:22 | 0:19:25 | |
where it's time to check their equipment. | 0:19:25 | 0:19:27 | |
It's the day of the Vogalonga. | 0:19:59 | 0:20:01 | |
Since early morning | 0:20:01 | 0:20:02 | |
the Grand Canal has been filling with thousands of rowers. | 0:20:02 | 0:20:06 | |
Organiser Antonio Rosa Salva, the son of the regatta's founder, | 0:20:16 | 0:20:20 | |
has spent the morning making sure everything is in order. | 0:20:20 | 0:20:23 | |
He's even managed to fix the weather. | 0:20:23 | 0:20:25 | |
The boats assemble at the start line, | 0:20:38 | 0:20:40 | |
including Nancy's rowing team. | 0:20:40 | 0:20:43 | |
Starting in the St Mark's Basin, | 0:20:48 | 0:20:51 | |
the route heads out in the direction of Burano, | 0:20:51 | 0:20:53 | |
then back through the main canal of Murano, | 0:20:53 | 0:20:56 | |
before re-entering the historic centre at Cannaregio. | 0:20:56 | 0:20:59 | |
For the duration of the regatta, | 0:21:01 | 0:21:03 | |
the canal is closed to all motor traffic, | 0:21:03 | 0:21:05 | |
with one exception. | 0:21:05 | 0:21:07 | |
In his powerboat, Coast Guard, Alessandro Visentine, | 0:21:10 | 0:21:13 | |
must take sure the regatta goes without a hitch. | 0:21:13 | 0:21:16 | |
But within minutes, the first emergency call arrives. | 0:21:16 | 0:21:20 | |
SIRENS | 0:21:26 | 0:21:30 | |
On arrival, they discover that it's a man overboard, | 0:21:36 | 0:21:40 | |
rather than a capsised boat. | 0:21:40 | 0:21:41 | |
Luckily for the Vogalonga rowers, | 0:21:54 | 0:21:56 | |
the regatta is heavily monitored by all of Venice's emergency services. | 0:21:56 | 0:22:01 | |
CHEERING | 0:22:11 | 0:22:14 | |
Almost everyone is busy with the Vogalonga, | 0:22:18 | 0:22:21 | |
things at the Venice hospital are a bit quieter than usual. | 0:22:21 | 0:22:24 | |
But not long into the shift, there's an emergency call. | 0:22:26 | 0:22:31 | |
SIRENS | 0:22:31 | 0:22:32 | |
Avoiding the busiest route, and travelling near empty side canals, | 0:22:42 | 0:22:45 | |
it doesn't take the team long to arrive. | 0:22:45 | 0:22:48 | |
It seems this lady already has a serious lung condition, | 0:23:01 | 0:23:05 | |
in order to try and establish the cause of her complaint, | 0:23:05 | 0:23:08 | |
the paramedics need to run a set of tests. | 0:23:08 | 0:23:10 | |
Given lady's age and medical history, | 0:23:42 | 0:23:44 | |
the team wants to take her back to hospital to run more in-depth tests. | 0:23:44 | 0:23:49 | |
Out in the lagoon, keeping the canals clear for the regatta | 0:23:51 | 0:23:54 | |
is still keeping Alessandro busy. | 0:23:54 | 0:23:56 | |
But Alessandro isn't just dealing with wayward motorboats, | 0:24:04 | 0:24:07 | |
one of the rowers has been taken ill. | 0:24:07 | 0:24:10 | |
The paramedics have been called, | 0:24:14 | 0:24:17 | |
but the ambulance is making slow progress through the thousands of boats. | 0:24:17 | 0:24:21 | |
This man's blood pressure is dangerously high, | 0:24:29 | 0:24:32 | |
so the paramedics take him straight to the hospital. | 0:24:32 | 0:24:36 | |
The Vogalonga is progressing into the afternoon, | 0:25:01 | 0:25:05 | |
for Nancy and her team, it's time to gather some energy | 0:25:05 | 0:25:08 | |
before pushing towards the finish line. | 0:25:08 | 0:25:10 | |
The regatta is over halfway through, | 0:25:36 | 0:25:38 | |
and the canals are increasingly congested. | 0:25:38 | 0:25:41 | |
Despite the fact this is a peaceful rowing event, | 0:25:50 | 0:25:52 | |
the motorboats still keep coming. | 0:25:52 | 0:25:55 | |
In Cannaregio, | 0:26:12 | 0:26:13 | |
the rowers are starting to arrive from the open lagoon. | 0:26:13 | 0:26:17 | |
The course becomes much more crowded as rowers jostle for position | 0:26:17 | 0:26:20 | |
to pass under the Three Arches Bridge, | 0:26:20 | 0:26:23 | |
towards the finish line. | 0:26:23 | 0:26:25 | |
Among them, the Viva rowing team. | 0:26:25 | 0:26:26 | |
And with seconds until the canon marks the regatta's end, | 0:26:38 | 0:26:42 | |
the man who fell in has made it back, just in time. | 0:26:42 | 0:26:47 | |
CANON FIRES | 0:26:47 | 0:26:50 | |
SINGING IN ITALIAN | 0:27:26 | 0:27:29 | |
With the Vogalonga over, Venice's canals return to the 21st century, | 0:27:35 | 0:27:40 | |
motorboats and all. | 0:27:40 | 0:27:42 | |
The truth is there's a place for all the boats in this lagoon, | 0:27:42 | 0:27:45 | |
but they have to slow down, they have to slow down, | 0:27:45 | 0:27:48 | |
it's better for the lagoon, | 0:27:48 | 0:27:49 | |
and it's certainly better to maintain this tradition of the Voga. | 0:27:49 | 0:27:52 | |
In the final episode, | 0:27:57 | 0:27:59 | |
the biggest event in Venice's calendar arrives, | 0:27:59 | 0:28:02 | |
the Redentore. | 0:28:02 | 0:28:04 | |
And a bridge is built across the Guidecca Canal in just a day. | 0:28:07 | 0:28:12 | |
As thousands of boats and revellers throng the water, | 0:28:14 | 0:28:16 | |
the emergency services struggle to be heard. | 0:28:16 | 0:28:19 | |
And Venice's final party of the season goes off with a bang. | 0:28:24 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:58 | 0:29:01 |