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Venice. One of the most stunning cities on earth. | 0:00:05 | 0:00:09 | |
Over 50,000 tourists arrive here each day for the carnival, | 0:00:09 | 0:00:13 | |
culture and canals. | 0:00:13 | 0:00:17 | |
But what they don't see is how this city works. | 0:00:17 | 0:00:21 | |
This is Venice from the inside. | 0:00:21 | 0:00:24 | |
Around the clock, | 0:00:24 | 0:00:26 | |
emergency teams fight to keep a city built on water safe and working. | 0:00:26 | 0:00:30 | |
ALARM BELL RINGS | 0:00:30 | 0:00:32 | |
With unprecedented access to police, fire and medical teams, we come | 0:00:32 | 0:00:35 | |
face-to-face with the unique daily challenges and life-and-death drama. | 0:00:35 | 0:00:41 | |
Up to yesterday evening, she was all right | 0:00:41 | 0:00:44 | |
and this morning, she was found non-responsive. | 0:00:44 | 0:00:46 | |
This is Venice 24/7, where the ordinary becomes extraordinary. | 0:00:46 | 0:00:53 | |
It's the middle of summer, | 0:01:01 | 0:01:04 | |
and temperatures are soaring into the 30s. | 0:01:04 | 0:01:07 | |
As the city swelters, Venetians and visitors prepare | 0:01:09 | 0:01:13 | |
to pack the canals and cool off for the city's own celebration - | 0:01:13 | 0:01:18 | |
il Redentore. | 0:01:18 | 0:01:20 | |
Meaning "the Redeemer", | 0:01:23 | 0:01:25 | |
this religious festival dates back 500 years. | 0:01:25 | 0:01:28 | |
Today, though, it's less about piety and more about the party. | 0:01:28 | 0:01:33 | |
There are lavish fireworks, food and plenty of drink. | 0:01:33 | 0:01:36 | |
Canals are so packed with boats, they say you can walk across them | 0:01:36 | 0:01:40 | |
from one side to the other. | 0:01:40 | 0:01:43 | |
The festival today may be about big bangs and marine revellers, | 0:01:51 | 0:01:55 | |
but for some, like Father Andrea, a Capuchin friar, | 0:01:55 | 0:01:59 | |
the Redentore's religious origins haven't been forgotten. | 0:01:59 | 0:02:02 | |
TRANSLATION FROM ITALIAN: | 0:02:04 | 0:02:07 | |
Palladio's Santissimo Redentore Church was built in divine gratitude | 0:02:20 | 0:02:26 | |
and marries the religions of East and West. | 0:02:26 | 0:02:29 | |
Venice saw itself as a gateway to the East, linked by trade. | 0:02:29 | 0:02:33 | |
It was trade which brought the city to power | 0:02:33 | 0:02:36 | |
and then, with some unwelcome cargo, to its knees. | 0:02:36 | 0:02:39 | |
The religious significance of the church symbolises the resurrection of the city | 0:03:10 | 0:03:14 | |
and it's still a place of pilgrimage today. | 0:03:14 | 0:03:17 | |
For two days, the church will be linked to the rest of Venice | 0:03:17 | 0:03:19 | |
by a specially built temporary bridge, | 0:03:19 | 0:03:21 | |
allowing thousands of worshippers to come. | 0:03:21 | 0:03:24 | |
It's from here that the celebration will kick off in 24 hours' time. | 0:03:24 | 0:03:29 | |
With less than a day until the party starts, | 0:03:35 | 0:03:38 | |
the city is packed, and the temperature has soared. | 0:03:38 | 0:03:41 | |
At the city's hospital, they get a call-out. | 0:03:43 | 0:03:47 | |
A yellow code is the second most serious. | 0:03:54 | 0:03:57 | |
For Dr Michele Alzetta, head of the Venetian ambulance service, | 0:03:57 | 0:04:01 | |
summer in the city is especially challenging. | 0:04:01 | 0:04:04 | |
SIREN SOUNDS | 0:04:04 | 0:04:05 | |
Apparently, a person lost consciousness in a shop. | 0:04:05 | 0:04:10 | |
They called the 118 service. | 0:04:10 | 0:04:12 | |
With the heat, of course, | 0:04:12 | 0:04:14 | |
you have people suffering from heat stroke and things like that. | 0:04:14 | 0:04:16 | |
Because in Venice people tend to walk a lot and it's hot, | 0:04:16 | 0:04:20 | |
they sweat, maybe they don't drink enough. | 0:04:20 | 0:04:23 | |
On their way to the patient, the crew are slowed down. | 0:04:23 | 0:04:26 | |
Recent storms mean the canals are swollen, and access is difficult. | 0:04:26 | 0:04:33 | |
GRINDING NOISE | 0:04:33 | 0:04:35 | |
GRINDING NOISE | 0:04:36 | 0:04:39 | |
We just managed to scrape underneath that bridge, | 0:05:01 | 0:05:03 | |
but the tide is rising, | 0:05:03 | 0:05:05 | |
so I don't know if we'll manage to make it back through the same place. | 0:05:05 | 0:05:09 | |
It depends how long we'll be staying on the spot with the patient. | 0:05:09 | 0:05:13 | |
The collapsed patient has regained consciousness | 0:05:16 | 0:05:19 | |
but is suffering from high blood pressure. | 0:05:19 | 0:05:22 | |
Hello. | 0:05:22 | 0:05:24 | |
What do you take for high blood pressure? | 0:05:24 | 0:05:26 | |
We'll take a vein, just to keep you under control. | 0:05:26 | 0:05:30 | |
Did you lose consciousness completely or not? | 0:05:30 | 0:05:33 | |
Although the man takes pills for high blood pressure, | 0:05:33 | 0:05:37 | |
it seems he's been taking another kind of medication. | 0:05:37 | 0:05:40 | |
-Are you allergic to anything? -No. -Breathe with your mouth open. | 0:05:49 | 0:05:54 | |
They fear the man might have suffered a heart attack, | 0:05:54 | 0:05:57 | |
so Dr Alzetta decides to take him to the hospital. | 0:05:57 | 0:06:01 | |
No, no, don't stand up. We'll put you seated. | 0:06:01 | 0:06:06 | |
As the main canal routes are packed, | 0:06:06 | 0:06:07 | |
the ambulance struggled to find a place to moor. | 0:06:07 | 0:06:11 | |
Unfortunately, it means a longer route back to their boat. | 0:06:11 | 0:06:15 | |
We had an episode of atypical chest pain, but, although he's young, | 0:06:15 | 0:06:20 | |
he has several risk factors, so he'll be kept under observation | 0:06:20 | 0:06:26 | |
in our intensive observation unit in the emergency room. | 0:06:26 | 0:06:29 | |
The team will hand the patient over to the cardiac specialists | 0:06:29 | 0:06:34 | |
and prepare for their next job. | 0:06:34 | 0:06:35 | |
There are over 400 bridges in the city connecting Venice's districts. | 0:06:44 | 0:06:49 | |
The four most vital are those crossing the Grand Canal, | 0:06:49 | 0:06:52 | |
including the famous Rialto. | 0:06:52 | 0:06:54 | |
For pedestrians, | 0:06:54 | 0:06:55 | |
the bridges are the quickest way to navigate the city. | 0:06:55 | 0:06:58 | |
But for those unable to climb the sometimes steep steps, | 0:06:58 | 0:07:01 | |
a short distance can turn into a long wait. | 0:07:01 | 0:07:04 | |
ALARM BELL RINGS | 0:07:04 | 0:07:06 | |
The team are preparing to rescue an elderly woman | 0:07:06 | 0:07:10 | |
trapped in a lift on a bridge in Giudecca. | 0:07:10 | 0:07:13 | |
The lady has no water with her, and it's 32 degrees. | 0:07:20 | 0:07:24 | |
They need to get to her quickly | 0:07:24 | 0:07:27 | |
before the heat inside the lift becomes unbearable. | 0:07:27 | 0:07:29 | |
The firemen carry keys to all of Venice's public lifts, | 0:07:43 | 0:07:47 | |
but with a numbering system as erratic as the postcodes, | 0:07:47 | 0:07:49 | |
it could take a while to find the right one. | 0:07:49 | 0:07:52 | |
Grazie. | 0:08:18 | 0:08:20 | |
Grazie. | 0:08:48 | 0:08:50 | |
In a city crisscrossed by 176 canals, | 0:09:02 | 0:09:05 | |
bridges can be, as well as a help, a daily hazard. | 0:09:05 | 0:09:08 | |
Bridges are essential in keeping Venice moving | 0:09:29 | 0:09:32 | |
and have existed here for centuries. | 0:09:32 | 0:09:36 | |
Without them, the city's six districts would be cut off | 0:09:36 | 0:09:38 | |
from one another, so maintaining these walkways is critical. | 0:09:38 | 0:09:43 | |
Engineer Adriano Ercole works with the company | 0:09:45 | 0:09:48 | |
responsible for maintaining the infrastructure of this ancient city. | 0:09:48 | 0:09:53 | |
As they conceal essential pipework for the city, | 0:10:10 | 0:10:13 | |
these bridges need to be kept in good working order. | 0:10:13 | 0:10:16 | |
With 55 miles of canal banks and 347 public bridges to maintain, | 0:10:49 | 0:10:55 | |
the team must work all year round. | 0:10:55 | 0:10:58 | |
At Venice's dockyard on the island of Tronchetto, to the west of the historic centre, | 0:11:02 | 0:11:08 | |
the highlight of the Redentore is being prepared. | 0:11:08 | 0:11:12 | |
Antonio Parente is responsible for the Festival fireworks, | 0:11:12 | 0:11:15 | |
a spectacular display lighting up Venice from over 60 miles away. | 0:11:15 | 0:11:21 | |
We are ready to prepare the firework show for Saturday night. | 0:11:21 | 0:11:25 | |
It's the Redentore party. | 0:11:25 | 0:11:29 | |
It's one of the oldest events in Venice for fireworks | 0:11:29 | 0:11:34 | |
and for party, for the people that live in Venice. | 0:11:34 | 0:11:40 | |
We have around...5,000 fireworks. | 0:11:40 | 0:11:44 | |
The fireworks are prepared here before being transported to the launch site in St Mark's Basin. | 0:11:44 | 0:11:51 | |
The operation is so dangerous that the team will have their own police escort. | 0:11:51 | 0:11:57 | |
The most delicate in that time is the loading, | 0:11:57 | 0:12:01 | |
because we are managing fireworks. | 0:12:01 | 0:12:03 | |
The other section a little bit dangerous | 0:12:03 | 0:12:05 | |
is the plugging in of the connection of all the line, | 0:12:05 | 0:12:10 | |
because we are working with special igniters that are very delicate. | 0:12:10 | 0:12:17 | |
The fireworks are loaded into the launch tubes, where they're then charged. | 0:12:17 | 0:12:21 | |
Antonio works with a highly trained team. | 0:12:21 | 0:12:24 | |
The fireworks are covered with aluminium to protect them | 0:12:40 | 0:12:43 | |
from the heat and prevent early ignition. | 0:12:43 | 0:12:47 | |
But in this weather, electric storms are common, posing a real hazard. | 0:12:47 | 0:12:53 | |
It's always dangerous, but we need to stay away | 0:12:53 | 0:12:58 | |
and...to pray that no lightning falls exactly on the barge. | 0:12:58 | 0:13:05 | |
This massive display, lasting 40 minutes and costing £100,000, | 0:13:05 | 0:13:11 | |
will light up the party in less than 24 hours. | 0:13:11 | 0:13:14 | |
Venice wakes up to the day of the Redentore. | 0:13:14 | 0:13:19 | |
While the city prepares, | 0:13:19 | 0:13:22 | |
the emergency services ready themselves for another day's work. | 0:13:22 | 0:13:27 | |
Their first callout of the day is from an elderly resident, apparently trapped in her home. | 0:13:27 | 0:13:32 | |
Massimo Pierfederici, a fireman with over 20 years' experience, | 0:13:38 | 0:13:44 | |
is in charge of today's shift. | 0:13:44 | 0:13:46 | |
SIREN SOUNDS | 0:13:46 | 0:13:48 | |
They're heading to the neighbouring district of Cannaregio. | 0:13:48 | 0:13:52 | |
HORN SOUNDS | 0:13:52 | 0:13:53 | |
The local police are already at the scene. They can hear the lady inside | 0:13:58 | 0:14:01 | |
but can't get into the apartment. | 0:14:01 | 0:14:03 | |
The flat faces the rear courtyard of a restaurant, but before they decide to force entry, | 0:14:10 | 0:14:15 | |
the team needs to know how she's locked herself in. | 0:14:15 | 0:14:19 | |
The elderly woman is confused, | 0:14:48 | 0:14:51 | |
so the team decide to enter through the bathroom. | 0:14:51 | 0:14:53 | |
But the window is too small, so a more drastic solution is needed. | 0:14:58 | 0:15:02 | |
The team try to force the door open, | 0:15:06 | 0:15:08 | |
but the elderly lady becomes agitated. | 0:15:08 | 0:15:10 | |
She thinks it's burglars, so Massimo tries to reassure her. | 0:15:20 | 0:15:24 | |
After the shock, the lady needs a tranquilliser - Italian style. | 0:15:41 | 0:15:45 | |
His colleagues successfully open the door, | 0:15:48 | 0:15:52 | |
and Massimo delivers on his promise. | 0:15:52 | 0:15:54 | |
Mission accomplished, the team can head back to base. | 0:15:57 | 0:16:01 | |
Nearby, work is underway on the temporary bridge. | 0:16:06 | 0:16:09 | |
The specially built walkway delivers thousands of people | 0:16:12 | 0:16:15 | |
to the Redentore church for the duration of the two-day festival. | 0:16:15 | 0:16:19 | |
Over 300 metres long and built across 25 wooden pontoons, | 0:16:21 | 0:16:25 | |
it takes a day to complete. | 0:16:25 | 0:16:27 | |
Before the middle section is put in, | 0:16:29 | 0:16:31 | |
blocking off the canal to very tall ships, this last one slips through. | 0:16:31 | 0:16:35 | |
FOGHORN SOUNDS | 0:16:35 | 0:16:37 | |
At the dockyard, the fireworks are ready to be transported | 0:16:40 | 0:16:43 | |
to their final position in St Mark's Basin. | 0:16:43 | 0:16:45 | |
With over 5,000 fully primed fireworks on board, | 0:16:58 | 0:17:01 | |
the rafts have to be pulled along carefully by tugboat. | 0:17:01 | 0:17:04 | |
For every inch of the journey, the police ride alongside. | 0:17:05 | 0:17:09 | |
And with the last boats clearing the canal, | 0:17:09 | 0:17:12 | |
the final pieces of the bridge can be pulled into position. | 0:17:12 | 0:17:15 | |
It seems some are already in the party mood. | 0:17:35 | 0:17:38 | |
With celebrations just hours from kicking off, the director | 0:17:41 | 0:17:44 | |
of Venice's Fire services, Alessandra Bashar, knows what chaos is in store. | 0:17:44 | 0:17:49 | |
Redentore is probably the most important day of the year | 0:17:50 | 0:17:55 | |
for Venetians, for Venice. | 0:17:55 | 0:17:57 | |
With so many boats in the water, it could be difficult to reach | 0:17:57 | 0:18:02 | |
the perfect point in a short time, | 0:18:02 | 0:18:05 | |
so we prefer to be there. | 0:18:05 | 0:18:08 | |
It's five o'clock - the festival is about to begin. | 0:18:10 | 0:18:15 | |
Venice's emergency teams assemble on the water as party boats | 0:18:15 | 0:18:19 | |
jockey for the best view of the fireworks. | 0:18:19 | 0:18:21 | |
On the completed bridge, | 0:18:27 | 0:18:28 | |
the Bishop of Venice officially opens the celebration. | 0:18:28 | 0:18:32 | |
The temporary bridge will bring thousands of worshippers | 0:18:40 | 0:18:44 | |
to Palladio's Redentore church. | 0:18:44 | 0:18:46 | |
This may be an ancient religious festival, but today, | 0:18:52 | 0:18:56 | |
it has a very 21st-century edge. | 0:18:56 | 0:18:58 | |
As the sun goes down, | 0:19:07 | 0:19:09 | |
tens of thousands of partygoers pour onto the water. | 0:19:09 | 0:19:13 | |
Local police Commissioner Giordano Zwin is preparing for the long night ahead. | 0:19:13 | 0:19:17 | |
Giordano must ensure the waterways don't get too congested, | 0:19:26 | 0:19:30 | |
but already hundreds of boats are gathering. | 0:19:30 | 0:19:33 | |
Up to 5,000 boats, heaving with young Venetians and tourists, gather to celebrate. | 0:19:43 | 0:19:48 | |
It's still early, but some people are already getting out of hand. | 0:19:48 | 0:19:53 | |
The main task for the police now is to keep everyone away from the explosive fireworks zone. | 0:20:13 | 0:20:19 | |
HE BLOWS HIS WHISTLE | 0:20:50 | 0:20:52 | |
For the police, this is one of the most challenging nights of the year. | 0:21:10 | 0:21:14 | |
They must keep control of thousands of young partygoers. | 0:21:14 | 0:21:17 | |
Revellers often tie their boats together, to create giant party rafts. | 0:21:39 | 0:21:45 | |
These block the waterways and drift towards the fireworks zone. | 0:21:45 | 0:21:48 | |
The paramedics are also heading out. | 0:22:20 | 0:22:22 | |
And the first call-out has already come through. | 0:22:34 | 0:22:37 | |
A man has passed out on one of the boats, but the caller wasn't clear about which one. | 0:22:48 | 0:22:53 | |
After a frantic search, | 0:23:06 | 0:23:07 | |
the paramedics finally think they've located the right boat. | 0:23:07 | 0:23:11 | |
The patient is now conscious but clearly a little worse for wear. | 0:23:37 | 0:23:40 | |
The team need to get the man to the ambulance boat | 0:23:56 | 0:23:59 | |
where they can assess him, away from the crowds. | 0:23:59 | 0:24:01 | |
The 118 team will help the man sober up before escorting him to shore. | 0:24:20 | 0:24:25 | |
With the fireworks just moments from being launched, | 0:24:29 | 0:24:32 | |
Giordano doesn't have long to clear the area. | 0:24:32 | 0:24:35 | |
With an extra police boat to lend a hand, | 0:24:49 | 0:24:52 | |
Giordano finally clears the safety zone. | 0:24:52 | 0:24:54 | |
At last, as midnight approaches, all eyes turn skywards. | 0:25:12 | 0:25:17 | |
It takes 35 pontoons to carry the fireworks, and 15 staff | 0:25:32 | 0:25:37 | |
to oversee a performance that leaves revellers awestruck. | 0:25:37 | 0:25:42 | |
APPLAUSE AND CHEERING | 0:26:09 | 0:26:14 | |
After the final celebration in a packed year, it's business as usual | 0:26:20 | 0:26:24 | |
for those who live and work in the city they call La Serenissima. | 0:26:24 | 0:26:28 | |
In Venice, it's like working in a postcard, | 0:26:53 | 0:26:58 | |
but every place is a special moment. | 0:26:58 | 0:27:02 | |
No, I would never change job. This is the most interesting thing. | 0:27:08 | 0:27:12 | |
I am really happy with my job, so it's OK for me. | 0:27:21 | 0:27:24 | |
I hope to be OK for it. | 0:27:24 | 0:27:27 | |
Subtitles by Red Bee Media Ltd | 0:27:54 | 0:27:57 |